Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 00:11:13 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: the scary WSB

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 1/31/98 7:50:42 PM Pacific Standard Time, bonmark@WEBTV.NET

(mark ricard) writes:

 

> 

>  First off if a teenage boy consented for sex with a older man it is not

>  wrong. Homosexual intercourse with teenage boys was common in Greece and

>  many of other parts of the world. If they consent to it's not wrong.

>  Secondly sex with a teenage boy is different than that of a prepubesent

>  child. A young child is totaly nonacceptable. A teenager is

>  physiologicaly ready for sexual intercourse. A young child is not. As

>  far as I know William S. Burroughs only had sex with teenage boys.

>  Therfore he is not a pedophile. Reading this I hope you will see the

>  idot is you,Denny. I hope this was enlightening for you.

 

I'm stunned...what is the proper response to a post such as this?  When I

called this fool an idiot earlier in the day, apparently I gave him far too

much credit.  He would have to study many years to BECOME an idiot.

Dennis

 

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Date:         Sun, 1 Feb 1998 00:51:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maggie Dharma <IDDHI@AOL.COM>

Subject:      Wittgenstein, Derrida, all those guys and the Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I've really been trying to follow all the postmodern analyses of WSB and

others posted by scholars on this list. And while I do not wish to piss anyone

off, I'm sure I will by posting this postmodern version of The Lord's Prayer,

which, while not strictly coded, is certainly an exercise in language.

 

What kind of exercise, I'll let others decide. --Maggie

-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --

-- --

Our Reification of Patriarchal Authority, who can be said to inhabit the

positively valorized polarity of the metaphysical sphere, privileged be thy

signifier. Thy societal structure achieve hegemony, the enactment of thy

desire be manifested, throughout the axis represented by the physical-

metaphysical dichotomy. Empower us this day with the means of material

production, and refuse to enforce sanctions against our transgressive

subversions of moral perspective, as we refuse to delegitimize the moral

perspective of the Other. Refer us not to the thetical term of the dialectics

of desire, but liberate us from the intrinsically limiting concept of "evil."

For thine is the hegemony, and the dominance, and the culturally determined

mystification thereof, within the entire continuum of the Western concept of

linear time. Amyn.

 

(By Roger Giner-Sorolla)

>From "The Door" magazine, March/April 1996 #146.

-- - -- - -- - -- - -- - -- - -- - -- - --

No wonder I dint unnerstand what youse guys wuz tawkin about.

 

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Date:         Sun, 1 Feb 1998 00:18:25 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie wrote:

 

>   Can anyone point me in the direction of anymore Beat recordings?

> I've heard of several box sets, including one for Allen Ginsberg, but

> have yet encountered any in stores. Any help would be appreciated.

 

Definitely pick up "Holy Soul Jelly Roll" (Ginsberg), "The Jack Kerouac

Collection" (all three of his albums released in the 1950s, with bonus

tracks), and "The Beat Generation" (all three sets are on the Rhino/Word

Beat label).

 

There is also a set on Fantasy named something like "Howls, Raps, Rips, &

Roars" which I haven't heard yet.

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 01:40:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: the scary WSB

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 What makes you such a moral authority, Denny? I would love to know what

you do for a living passing off smartass comments like that?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 01:49:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: Wittgenstein, Derrida, all those guys and the Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Much of Burroughs work is similar to deconstructionism and Wittgenstien.

I don't whetever he directly influcened by them or by Korbynski(who

himself ripped off Wittgenstein). I'm going for the latter. WSB was

trying to show the lanugage controls perception and thinking and/or

cultural values. It has a touch of mystiscm to it.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 01:55:31 -0500

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From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      WSB and The Third Mind

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know anything about WSB and Brion Gysin's book The Third

Mind? I know it talks about the theory of cut-ups.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 02:01:57 -0500

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From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: WSB and pedophilia?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Burroughs did mention having sex with teenage boys(16 year old) in the

Yage Letters. I think it was in Columbia. It's nothing I would do(to any

man or boy). When does one become a adult? I not one yet. haha.....

 

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Date:         Sun, 1 Feb 1998 02:12:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: WSB and pedophilia?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie-

Thanks. Now, can we stop talking about this? Please?

 

On Sat, 31 Jan 1998, Maggie Dharma wrote:

 

> In a message dated 31-Jan-98 7:50:42 PM Pacific Standard Time,

> bonmark@WEBTV.NET writes:

> 

> << First off if a teenage boy consented for sex with a older man it is not

>  wrong. Homosexual intercourse with teenage boys was common in Greece >>

> 

> Mark,

> 

> This is a difficult topic to make generalizations about, but I think if some

> are going to be made, they should be made in favor of childhood, however long

> that lasts, and also in favor of better, more mature judgment on the part of

> adults.

> 

> A lot of teenaged girls are of legal age, sexually speaking, but they are not

> in full possession of the maturity required to make decisions about sexual

> consent. As a result, many are exploited and a whole shitload get pregnant.

> Except for the pregnant part, the identical is true for teenaged boys.

> 

> There are also a lot of reasons why kids might consent to sex or actually be

> groomed for sex with older people. Many of those reasons are self-destructive,

> or relate to low self-esteem or a life-pattern of sexual abuse and/or

> exploitation.

> 

> Your average teenage kid, if sexually active, is looking for a partner who's

> on the same level. A child who seeks out an adult for sex is probably not

> really seeking sex, but to fulfill some horrible prophecy about him or herself

> that was learned in childhood abusive situations. It's just not natural for

> people of such vast age differences WHERE THE LEVEL OF MATURITY AND POWER is

> so inequitable for sex to exist. Nor, in my opinion, is it good.

> 

> What I'm saying is that if two people have sex, there should be completely

> equal awareness of what is happening. Otherwise, it's not truly "consenting."

> A person who hasn't even qualified for a driver's license or is not yet

> considered mature enough to cast a vote should also not be a candidate for sex

> with someone significantly older. That's predatory.

> 

> Lastly, adults should know better. Even if a child wanted to have sex, or

> appeared to want to have sex, a mature, rational adult response would be to

> say, "I'm flattered, but this is the only time you have to be a kid and it

> will never come again. I'm not going to take that away from you."

> 

> It's something best judged on a case-by-case basis, of course, but Lolita was

> not for real; just the fantasy of dirty old men. A child is a child, and there

> is no magic age when that stops and adulthood begins, even though a rip-

> roaring, hormone-driven sex drive may also exist. It's much more complicated

> than the argument you've laid out here, I think.

> 

> Speaking from stolen innocence here,

> Maggie

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

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Date:         Sun, 1 Feb 1998 02:16:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

HolySoulJellyRoll or whatever its called and theres this big-ass CD

Collection called The Beat Generation.

On Sat, 31 Jan 1998, Maggie Gerrity wrote:

 

>   I just borrowed a friend's copy of "Kicks Joy Darkness" and am

> totally mesmerized by it. I'd never heard any recitations of Kerouac's

> work prior to this, and suffice to say that my blank canvas has been

> sufficiently colored by this incredible work.

>   The body of artists collected on "KJD" is so diverse, from the lead

> singer of Aerosmith (?!--about as non-Beat as I could possibly think

> of) to perennial Beat-influenced artists like Michael Stipe and Patti

> Smith; though each selection on the album is so vastly different, all

> of them embody Kerouac's spontaneity and raw emotion.

>   I especially like Stipe's version of "My Gang," Richard Lewis'

> "America's New Trinity of Love: Dean, Brando, Presley," and Ginsberg's

> enthusiastic full-force recitation of "The Brooklyn Bridge Blues

> (Choruses 1-9).

>   For anyone of the list who hasn't heard "KJD" yet, definitely go out

> and pick up a copy. It's a great mix of jazz, spoken word, and the

> Beat Spirit.

>   Can anyone point me in the direction of anymore Beat recordings?

> I've heard of several box sets, including one for Allen Ginsberg, but

> have yet encountered any in stores. Any help would be appreciated.

>      Maggie G.

> 

> 

> 

> 

> 

> ==

> "In dreams begin responsibilities."--Delmore Schwartz

> 

> _________________________________________________________

> DO YOU YAHOO!?

> Get your free @yahoo.com address at http://mail.yahoo.com

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 02:21:40 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: WSB and pedophilia?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Do not think I am not creeped by the idea of WSB having sex with teenage

boys. I am!!!  I just want to explore every angle from a historical and

cultural viewpoint. I am 18 years old. By law an adult but still a

child.

 

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X-Sender: cake@ionline.net

Date:         Sun, 1 Feb 1998 03:56:39 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: the scary WSB/"highly academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:27 PM 1/31/98 -0600, cathy wrote:

 

<snip>

 

>I thought burroughs voice sounded nice, so i started paying

>more attention to what people were saying about him on here.

>MOst of the conversations, especially the wittgenstein-burroughs

>discussion, was compleeeettly over my head.  But the

>recent discussion has made sense to me.

> 

>I'm smarter than your average bear, that's for sure, but

>i never went to grad school, and i resent the people

>who act like they know 'oh-so-much-more' than other

>people, the prententious people.  They unconciously

>exclude people like me who want to learn, who want

>to know more, but can't understand their highly academic >pseudo-language.

I can understand most concepts,

>having it put in layperson's terms helps me at

>times.

> 

>So:  i've stated i'm here to learn, i've stated my

>ignorance on burroughs, i've stated how you have

>to talk to me in order for me to understand.  Anyone

>out there wanna teach me more about burroughs?????

 

Ok, I'd like to say a couple things about the recent

rantings of people regarding "highly academic pseudo-

language."  First of all, this list is supposed to be a

*discussion* list.  That means the "highly academic

pseudo-language" (that usually relates directly to one

of the "beat" authors) is just as acceptable as the

chatline, non-list related conversations that seem

to dominate most posts.  In regards to your concerns about not

understanding these discussions, I never saw one

post from you asking the authors of those posts for

some kind of clarification.  No, instead we get a

post that condemns anyone who makes an

"intellectual" query/hypothesis, and are at fault

for your not "understanding"  the concepts.  The

fact that you are asking for help and are making

a request that someone "teach" you more about

Burroughs is great.  It's your choice of approach that

turns me off (personally), a simple "can someone please

explain this theory" would suffice, and would be a more

positive/proactive way to achieve help.

 

Mike

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Syd Barrett.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <78676fc9.34d3777d@aol.com>

References:

 

EFFERVESCING ELEPHANT (written when Syd was 16)

 

An Effervescing Elephant

with tiny eyes and great big trunk

once whispered to the tiny ear

the ear of one inferior

that by next June he'd die, oh yeah!

because the tiger would roam.

The little one said: 'Oh my goodness I must stay at home!

and every time I hear a growl

I'll know the tiger's on the prowl

and I'll be really safe, you know

the elephant he told me so.'

 

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Date:         Sun, 1 Feb 1998 04:58:37 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maggie Dharma <IDDHI@AOL.COM>

Subject:      Re: the scary WSB/"highly academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 01-Feb-98 12:57:58 AM Pacific Standard Time,

cake@IONLINE.NET writes:

 

<< That means the "highly academic

 pseudo-language" (that usually relates directly to one

 of the "beat" authors) is just as acceptable as the

 chatline, non-list related conversations that seem

 to dominate most posts.  In regards to your concerns about not

 understanding these discussions, I never saw one

 post from you asking the authors of those posts for

 some kind of clarification. >>

 

In my opinion, the so-called academic posts that offer analyses of, for

instance, the writing of WSB, are so arcane and (sorry) pompous-sounding that

I can't figure out what point the writer is trying to make. And I'm not

entirely sure, by any stretch of the imagination, that what the writer IS

saying, if I COULD understand it, would be an accurate analytical conclusion.

 

A friend of mine wrote a dissertation, which I indexed and edited for him. It

was full of big words like "epistomology" "dialectic" and oblique references

to Hegel. I couldn't understand what point he was trying to make. He said, "It

doesn't matter. With a dissertation, you get 'paid' by the word."

 

I've never read a scholarly piece (or a writ of law) that didn't contain twice

the number of words needed to make a point, and whose words were even remotely

"user-friendly." Frankly, it's bad writing--VERY bad writing.

 

Let me underscore my point with an excerpt from a spoof of postmodernism (same

source for the Lord's Prayer I posted earlier):

<begin excerpt>

Perhaps you would like to join in conversation with your local mandarins of

cultural theory and all-purpose deep thinking, but you don't know what to say.

Or, when you do contribute something you consider relevant, even insightful,

you get ignored or looked at with pity. Here is a quick guide, then, to

speaking and writing postmodern.

 

First, you need to remember that plainly expressed language is out of the

question. It is too realist, modernist and obvious. Postmodern language

requires that one uses play, parody and indeterminacy as critical techniques

to point this out. Often this is quite a difficult requirement, so obscurity

is a well-acknowledged substitute. For example, let's imagine you want to say

something like, "We should listen to the views of people outside of Western

society in order to learn about the cultural biases that affect us". This is

honest but dull. Take the word "views". Postmodernspeak would change that to

"voices", or better, "vocalities", or even better, "multivocalities". Add an

adjective like "intertextual", and you're covered. "People outside" is also

too plain. How about "postcolonial others"? To speak postmodern properly one

must master a bevy of biases besides the familiar racism, sexism, ageism, etc.

 

For example, phallogocentricism (male-centredness combined with rationalistic

forms of binary logic). Finally "affect us" sounds like plaid pyjamas. Use

more obscure verbs and phrases, like "mediate our identities". So, the final

statement should say, "We should listen to the intertextual, multivocalities

of postcolonial others outside of Western culture in order to learn about the

phallogocentric biases that mediate our identities". Now you're talking

postmodern!

<end excerpt>

 

The author of this completely hilarious piece is Richard Holmes. He managed to

express wittily what I have found annoying about "scholarly analyses,"

including disciples of Derrida and Wittgenstein. Earlier, I'd tried to slog

through a piece by Lyotard, and I found myself wondering what the hell he was

talking about.

 

I know I will be mightily flamed for this, but I'll go on record right now as

saying I don't wish to suppress your posts at all. They do, by virtue of the

way they're written, exclude me from understanding them, but as you say, this

is a discussion list, and they do get discussed by kindred spirits.

 

I think what Cathy said in an earlier post, and what I've said in other posts,

is that we ain't exactly chimps, but neither of us can understand what you're

saying. I will add that it feels like you don't really WANT people like me to

understand what you're saying, or you don't care if your words are only

comprehensible to a few others. Otherwise, you'd write in simpler terms so the

masses could understand.

 

It's just my opinion. My opinion on this is no more or less valuable than

yours, but I needed to express it--plainly.

 

Writing from the point of view of someone who never went to college, but loves

to read--

maggie

 

Return-Path: <MAILER-DAEMON>

Date:         Sun, 1 Feb 1998 05:01:53 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 01 Feb 1998 10:48:23...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 01 Feb 1998 10:48:23 +0100 with subject "Syd

Barrett." has been successfully distributed  to the BEAT-L list (263

recipients).

 

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Date:         Sun, 1 Feb 1998 12:14:38 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Excerpt from '714'

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Excerpt from "714", a novel by Jeffrey Scott Holland

Copyright 1997,1998

=-=-=-=-=-=-=-=-=-=-=

 

 

And we're driving to Renfro Valley in search of truth. Brian is in the

back talking about necrophilia and Todd is turning up the radio because

Neil Diamond just came on, "Solitary Man", ain't that it. And I'm poking

more candy into my face looking for a gas station to yell pull over!

about because I need some vegetable juice to stave off the demons. I'm

almost out of Reese's Cups too. I need them cups. "Jeffy needs", I

beseech aloud, mimicking Lee Marvin in "The Wild One". No one pays

attention. Brian says necrophilia is the way of the future and I offer

that he's probably right on and on the cutting edge like Kurtz's snail.

I tell him about rural cemetaries where they don't dig 'em very deep and

I see his eye gleam in the rear view mirror reflection, says: "oh yeah?"

I tell him about Louisiana where they don't even bury 'em cause the

ground's too swampy and soggy, they put 'em in great vast fucking

concrete mausoleums. City of the Dead, cool cool joint, mausoleums and

big stone filing cabinets of corpses everywhere, encrusted with

gargoyles and gryphons and maybe even the fucking Annunaki, I don't

know, and Marie Laveau's grave is covered with red X's cause it's a long

standing tradition to take a piece of the soft red crumbling brick that

litters the paths and scratch a big X on her grave. For good luck, they

say. I did it in 1984 and almost immediately thereafter I started seeing

the number 714 everywhere. Every store or house number I pass is

suddenly 714. I'm in the trolley car and 714's whiz by me at every turn,

phone numbers on signs, license plate numbers, the car stops at a light

and there's a lamppost right outside, inches away from window, and

someone has reached out the window at one time and written "714" on it

in pencil. Few days later I'm in Mississippi and stay in a motel whose

address is 714. Few more days I'm in Atlanta and my hotel room number is

714, and driving into town I see a Masonic or Shriners or somesuch

Temple, Lodge #714. By now I am sweating liquid nitrogen and freaking on

the coincidences, just like I always tell Junior never to do. Then I

find that the Diary Of Anne Frank has 714 pages,  Joe Friday's badge

number on "Dragnet", the serial number of a Quaalude, etc., etc. So it

became my lucky voodoo number given to me by none other than her Queen

Majesty Marie Laveau herself, voodoo priestess of New Orleans. I'd

probably win big on the lottery with it but I don't play the lottery. I

never saw a 714 figure into a horse race but if I did you can be sure

I'd blow the load. But Manley is still talking about necrophilia and I

egg him on, encourage him, plant the subtle seeds of hmmmmm in his mind.

Todd stares silently and resolutely ahead at the road. Some Motown

bullshit comes on the radio and I pop in one of my homebrew mix tapes,

the sounds of Barbecue Bob fill the car. Barbecue Bob had a brief

recording career from 1927-1931, got killed by a voodoo curse, some say.

This voodoo is all over the place, it's a story old as dirt. There's a

lot of Appalachian Voodoo going on down here in Renfro Valley, lot of

sightings lately of occult freaks on parade and I'm all for 'em. "I want

to join these Appalachian Voodoo cats, they're alright", I opine.

"Yeah, what's up with that", Brian rhetorically mumbles from the back.

"I think it'd be the life, being in with the Appalachian Voodoo crowd,

running around naked in the woods and all that."

"I don't think they run around naked. Do they run around naked?"

"Hell, you know, if they don't, they oughta", Todd interjects. "Voodoo,

Appalachian, Cult, shit, you're supposed to run around naked and stuff,

right?"

"I run around naked all the time", I said, "I guess I must got religion.

Pull over at this gas station up here."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 13:25:53 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Lord's Prayer & Quasi-intellectual doubletalk (was :Re:

              Wittgenstein)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie Dharma wrote:

> 

> I've really been trying to follow all the postmodern analyses of WSB and

> others posted by scholars on this list.

 

=== what does "postmodern" really mean, anyway? I didn't even know there

*was* any postmodern discussion of WSB going on. If simply using

ten-dollar words is "postmodern", that means Spiro Agnew must be the

king of Postmodernism. And yet he's dumber than dog dirt.

 

 

 

> And while I do not wish to piss anyone

> off, I'm sure I will by posting this postmodern version of The Lord's Prayer,

> which, while not strictly coded, is certainly an exercise in language.

 

=== Problem is, it's cute but this isn't a version of the Lord's Prayer

at all. It doesn't say, and doesn't mean, the same thing. "Hegemony" is

*not* a synonym for "kingdom", and "Empower us this day with the means

of material production" does *not* mean the same thing as "Give us this

day our daily bread". Not even close. There is a way, of course, to

render the Lord's Prayer in needlessly complex words, but this ain't it.

 

The point is, I haven't read (or written) any serious literary analysis

on this list yet that sets my Bullshit Detector alarm off. Close, mighty

close, but not quite yet. I do think some of these matters are so simple

and matter-of-fact that they don't need to be analyzed in the first

place, but I don't think the manner in which the analyzing has been done

is very blowhardy.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - - KY

"playin' the blues for pennies sure looks better now."

- - Joe Strummer

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 07:40:59 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: the scary WSB/"highly academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/1/98 1:59:38 AM Pacific Standard Time, IDDHI@AOL.COM

writes:

 

> In my opinion, the so-called academic posts that offer analyses of, for

>  instance, the writing of WSB, are so arcane and (sorry) pompous-sounding

> that

>  I can't figure out what point the writer is trying to make. And I'm not

>  entirely sure, by any stretch of the imagination, that what the writer IS

>  saying, if I COULD understand it, would be an accurate analytical

conclusion.

> 

> 

>  A friend of mine wrote a dissertation, which I indexed and edited for him.

> It

>  was full of big words like "epistomology" "dialectic" and oblique

references

>  to Hegel. I couldn't understand what point he was trying to make. He said,

"

> It

>  doesn't matter. With a dissertation, you get 'paid' by the word."

> 

>  I've never read a scholarly piece (or a writ of law) that didn't contain

> twice

>  the number of words needed to make a point, and whose words were even

> remotely

>  "user-friendly." Frankly, it's bad writing--VERY bad writing.

> 

>  Let me underscore my point with an excerpt from a spoof of postmodernism (

> same

>  source for the Lord's Prayer I posted earlier):

>  <begin excerpt>

>  Perhaps you would like to join in conversation with your local mandarins of

>  cultural theory and all-purpose deep thinking, but you don't know what to

> say.

>  Or, when you do contribute something you consider relevant, even

insightful,

>  you get ignored or looked at with pity. Here is a quick guide, then, to

>  speaking and writing postmodern.

> 

>  First, you need to remember that plainly expressed language is out of the

>  question. It is too realist, modernist and obvious. Postmodern language

>  requires that one uses play, parody and indeterminacy as critical

techniques

>  to point this out. Often this is quite a difficult requirement, so

obscurity

>  is a well-acknowledged substitute. For example, let's imagine you want to

> say

>  something like, "We should listen to the views of people outside of Western

>  society in order to learn about the cultural biases that affect us". This

is

>  honest but dull. Take the word "views". Postmodernspeak would change that

to

>  "voices", or better, "vocalities", or even better, "multivocalities". Add

an

>  adjective like "intertextual", and you're covered. "People outside" is also

>  too plain. How about "postcolonial others"? To speak postmodern properly

one

>  must master a bevy of biases besides the familiar racism, sexism, ageism,

> etc.

> 

>  For example, phallogocentricism (male-centredness combined with

> rationalistic

>  forms of binary logic). Finally "affect us" sounds like plaid pyjamas. Use

>  more obscure verbs and phrases, like "mediate our identities". So, the

final

>  statement should say, "We should listen to the intertextual,

multivocalities

>  of postcolonial others outside of Western culture in order to learn about

> the

>  phallogocentric biases that mediate our identities". Now you're talking

>  postmodern!

>  <end excerpt>

> 

>  The author of this completely hilarious piece is Richard Holmes. He managed

> to

>  express wittily what I have found annoying about "scholarly analyses,"

>  including disciples of Derrida and Wittgenstein. Earlier, I'd tried to slog

>  through a piece by Lyotard, and I found myself wondering what the hell he

> was

>  talking about.

> 

>  I know I will be mightily flamed for this, but I'll go on record right now

> as

>  saying I don't wish to suppress your posts at all. They do, by virtue of

the

>  way they're written, exclude me from understanding them, but as you say,

> this

>  is a discussion list, and they do get discussed by kindred spirits.

> 

>  I think what Cathy said in an earlier post, and what I've said in other

> posts,

>  is that we ain't exactly chimps, but neither of us can understand what you'

> re

>  saying. I will add that it feels like you don't really WANT people like me

> to

>  understand what you're saying, or you don't care if your words are only

>  comprehensible to a few others. Otherwise, you'd write in simpler terms so

> the

>  masses could understand.

> 

>  It's just my opinion. My opinion on this is no more or less valuable than

>  yours, but I needed to express it--plainly.

> 

>  Writing from the point of view of someone who never went to college, but

> loves

>  to read--

>  maggie

> 

> 

Great post, Maggie!  I've been so exercised about Mark Ricard's idiocy (until

I found out he was an 18 year old kid) that I didn't say anything about this

except a back channel which I will forward to you.

 

Did you notice that he started calling me Denny?  Weirded me out pretty

good...He started that right after I mailed you a brief note about it.

"Paranoia strikes deep, into your life it will creep."

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 08:02:08 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: the scary WSB/"highly academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At last, I've done the thing I deplore in others...didn't check the address

box on my last post...which was intended for back channel to Maggie Dharma.

Mea culpa.

Dennis

 

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Content-Disposition: inline

Date:         Sun, 1 Feb 1998 08:20:00 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adam Johansen <adamjohansen@COMPUSERVE.COM>

Subject:      kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Message text written by "Maggue G." forwarded by "BEAT-L: Beat Generation

List"

>I just borrowed a friend's copy of "Kicks Joy Darkness" and am

totally mesmerized by it. I'd never heard any recitations of Kerouac's

work prior to this, and suffice to say that my blank canvas has been

sufficiently colored by this incredible work.

  The body of artists collected on "KJD" is so diverse, from the lead

singer of Aerosmith (?!--about as non-Beat as I could possibly think

of) to perennial Beat-influenced artists like Michael Stipe and Patti

Smith; though each selection on the album is so vastly different, all

of them embody Kerouac's spontaneity and raw emotion.

  I especially like Stipe's version of "My Gang," Richard Lewis'

"America's New Trinity of Love: Dean, Brando, Presley," and Ginsberg's

enthusiastic full-force recitation of "The Brooklyn Bridge Blues

(Choruses 1-9).

  For anyone of the list who hasn't heard "KJD" yet, definitely go out

and pick up a copy. It's a great mix of jazz, spoken word, and the

Beat Spirit.

  Can anyone point me in the direction of anymore Beat recordings?

I've heard of several box sets, including one for Allen Ginsberg, but

have yet encountered any in stores. Any help would be appreciated.

     Maggie G.

< 

 

I've been trying to "pick up a copy@ for a while now... but nowhere has

it in stock. Can you give me a publisher and catalogue number or something?

 

Sorry I can't help with your enquiry.

 

Adam J.

 

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Date:         Sun, 1 Feb 1998 12:19:38 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sundee Bumgarner <Surubu1@AOL.COM>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

There is a mail order catalog--the name escapes me now--which specializes in

Beat literature and other misc. goods.  They carry a lot of hard to find

items, including spoken word and musical CDs.  Try calling 1 800 Kerouac; they

should have some things you can't find in stores.

 

Sundee Bumgarner

 

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Date:         Sun, 1 Feb 1998 12:48:51 EST

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From:         "POMES, PENNY EACH." <breithau@KENYON.EDU>

Subject:      Re: Sanders Inquiry

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think sanders and Kerouac first met when he went with Ted Berrigan to Jack's

house to do the Paris Review interview.

 

Dave B.

 

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Date:         Sun, 1 Feb 1998 13:03:21 -0500

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From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Lord's Prayer & Quasi-intellectual doubletalk (was :Re:

              Wittgenstein)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"Amen" to that, Jeffrey!

 

                         Sara Feustle

                    sfeustl@uoft02.utoledo.edu

                      Cronopio, cronopio?

 

 

On Sun, 1 Feb 1998, Jeffrey Scott Holland wrote:

 

> Maggie Dharma wrote:

> >

> > I've really been trying to follow all the postmodern analyses of WSB and

> > others posted by scholars on this list.

> 

> === what does "postmodern" really mean, anyway? I didn't even know there

> *was* any postmodern discussion of WSB going on. If simply using

> ten-dollar words is "postmodern", that means Spiro Agnew must be the

> king of Postmodernism. And yet he's dumber than dog dirt.

> 

> 

> 

> > And while I do not wish to piss anyone

> > off, I'm sure I will by posting this postmodern version of The Lord's

 Prayer,

> > which, while not strictly coded, is certainly an exercise in language.

> 

> === Problem is, it's cute but this isn't a version of the Lord's Prayer

> at all. It doesn't say, and doesn't mean, the same thing. "Hegemony" is

> *not* a synonym for "kingdom", and "Empower us this day with the means

> of material production" does *not* mean the same thing as "Give us this

> day our daily bread". Not even close. There is a way, of course, to

> render the Lord's Prayer in needlessly complex words, but this ain't it.

> 

> The point is, I haven't read (or written) any serious literary analysis

> on this list yet that sets my Bullshit Detector alarm off. Close, mighty

> close, but not quite yet. I do think some of these matters are so simple

> and matter-of-fact that they don't need to be analyzed in the first

> place, but I don't think the manner in which the analyzing has been done

> is very blowhardy.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - - KY

> "playin' the blues for pennies sure looks better now."

> - - Joe Strummer

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

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Date:         Sun, 1 Feb 1998 13:39:27 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Exciting News

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dharma Lion is a first rate biography--particularly good on Ginsberg's early ye

ars.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 13:40:58 EST

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From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: the scary WSB/"highly academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Such scholarly posts as those on WSB are really what Beat-l needs more

of.  There's been entirely too much useless chit chat as of late.  Let's

keep such scholarly discussions going.

 

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Date:         Sun, 1 Feb 1998 13:53:32 EST

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From:         Andrea Moore <BMXDREA@AOL.COM>

Subject:      Re: Sanders, Holmes and Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You are right to question my connection here. I'm not positive that its

accurate and I don't have a citation/ source for you. I can't find my notes

from the beginning of the last year, but I remember reading some letters where

Ed was mentioned. I think it was him because Kerouac said, "Say hello to Ed

and Miriam," and Miriam is Ed's wife.  Where did I read this stuff? Well,

these books werent' very useful to me, they were old and like I said, Ed was

mentioned so briefly that I didn't even catalog it in my data files. (That's a

research lesson in itself.) I'm sorry that I can't provide you with the actual

book. All that i can remember is that the book was one probably written by the

Knight's-- perhaps one of the twenty-something year old books on the beats and

their legacy. I'm pretty sure the letters were written between holmes and

Kerouac because I wrote down that I have to check out Holmes back ground

more-- Check his bio's for references to Ed and stuff.

 

I appreciate everyone's discussion on this subject very much. I'm going to try

and find that WF Buckley show, I don't know how to look for this kind of

thing, but i appreciate these tidbits. That show will really help me,

especially if it is as interesting at someone made it out to be. I know

Sanders can look and sound like a dork sometimes (we all can) and I'd love to

see this caught on camera!!!

 

Thanks for the address etc. I didn't have his phone number!!! yikes, I doubt

I'll have the guts to call him ever, but I do plan on writing him a long

letter and sending him the second rough draft of my bio/crit.

 

Drea

 

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ContentFrom CUNYVM.CUNY.EDU!owner-beat-l Mon Feb  2 15:40:21 1998

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Date:         Sun, 1 Feb 1998 14:00:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Ed Sanders

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just for the record, it's Ed Sanders not Ed Saunders.

 

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Date:         Sun, 1 Feb 1998 14:07:42 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      aol.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

AOL.COM users seem to experiencing some technical difficulties this afternoon.

 If you get knocked off beat-l, please re-subscribe.

 

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X-Sender: zman1956@postoffice.bellatlantic.net

Date:         Sun, 1 Feb 1998 14:10:42 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Zarra <zman1956@BELLATLANTIC.NET>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie,

 

Are there any CD shops on-line that carrie KJD, I would be very interested in

getting this collection.

 

Thanks a whole lot!

Johnny Z

 

 

>>   I just borrowed a friend's copy of "Kicks Joy Darkness" and am

>> totally mesmerized by it. I'd never heard any recitations of Kerouac's

>> work prior to this, and suffice to say that my blank canvas has been

>> sufficiently colored by this incredible work.

>>   The body of artists collected on "KJD" is so diverse, from the lead

>> singer of Aerosmith (?!--about as non-Beat as I could possibly think

>> of) to perennial Beat-influenced artists like Michael Stipe and Patti

>> Smith; though each selection on the album is so vastly different, all

>> of them embody Kerouac's spontaneity and raw emotion.

>>   I especially like Stipe's version of "My Gang," Richard Lewis'

>> "America's New Trinity of Love: Dean, Brando, Presley," and Ginsberg's

>> enthusiastic full-force recitation of "The Brooklyn Bridge Blues

>> (Choruses 1-9).

>>   For anyone of the list who hasn't heard "KJD" yet, definitely go out

>> and pick up a copy. It's a great mix of jazz, spoken word, and the

>> Beat Spirit.

>>   Can anyone point me in the direction of anymore Beat recordings?

>> I've heard of several box sets, including one for Allen Ginsberg, but

>> have yet encountered any in stores. Any help would be appreciated.

>>      Maggie G.

>> 

>> 

>> 

>> 

>> 

>> ==

>> "In dreams begin responsibilities."--Delmore Schwartz

>> 

>> _________________________________________________________

>> DO YOU YAHOO!?

>> Get your free @yahoo.com address at http://mail.yahoo.com

>> 

> 

>The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

>Sure-JK

> 

<html>

<font face="Lucian BT" size=3>John J Zarra Jr</font></html>

 

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Date:         Sun, 1 Feb 1998 14:12:47 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gene Lee <GTL1951@AOL.COM>

Subject:      Re: Thomas Wolfe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey all

          Just thought i would throw in my two cents here- Thomas Wolfe was an

amazing author! And also a key influence on the young JK. But... I dont think

any American author of his time quite captures the romance of early 20th

Century America as Wolfe did. He was an enormous man with an enourmous

appetite for living and life and writing- much as JK was. And like JK- he had

discipline problems- with his life and his works. So sad- but genius aint

easy- not that i would know personally! Bummer- but maybe in the next life.

                               Gene

 

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Date:         Sun, 1 Feb 1998 14:42:49 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I got my copy of KJD at Borders or Barnes and Noble,one of those chains.

On Sun, 1 Feb 1998, Aeronwy Thomas wrote:

 

> i bought kicks joy darkness in sept 97 i think. i think the most thrilling

> part was hearing jack's voice for the first time. (that was before i

> discovered a great website with clips of him speaking). i do think that if you

> don't have it yet, you should get it. the silly pomes (recited by julianna

> hatfield) are so funny and nice. as for where to get it, i got it through BMG

> music service when i was still a member. if you try to get it through a store,

> it might help to know that it's made by Rykodisc. sorry can't offer more help!

> 

> aeronwy

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

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Date:         Sun, 1 Feb 1998 12:52:35 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maggie Gerrity <u2ginsberg@YAHOO.COM>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  I know that CDNOW sells it on-line, but I'm not sure about any others.

      Maggie

 

---John Zarra <zman1956@BELLATLANTIC.NET> wrote:

> 

> Maggie,

> 

> Are there any CD shops on-line that carrie KJD, I would be very

interested in

> getting this collection.

> 

> Thanks a whole lot!

> Johnny Z

> 

> 

> >>   I just borrowed a friend's copy of "Kicks Joy Darkness" and am

> >> totally mesmerized by it. I'd never heard any recitations of

Kerouac's

> >> work prior to this, and suffice to say that my blank canvas has

been

> >> sufficiently colored by this incredible work.

> >>   The body of artists collected on "KJD" is so diverse, from the

lead

> >> singer of Aerosmith (?!--about as non-Beat as I could possibly

think

> >> of) to perennial Beat-influenced artists like Michael Stipe and

Patti

> >> Smith; though each selection on the album is so vastly different,

all

> >> of them embody Kerouac's spontaneity and raw emotion.

> >>   I especially like Stipe's version of "My Gang," Richard Lewis'

> >> "America's New Trinity of Love: Dean, Brando, Presley," and

Ginsberg's

> >> enthusiastic full-force recitation of "The Brooklyn Bridge Blues

> >> (Choruses 1-9).

> >>   For anyone of the list who hasn't heard "KJD" yet, definitely

go out

> >> and pick up a copy. It's a great mix of jazz, spoken word, and the

> >> Beat Spirit.

> >>   Can anyone point me in the direction of anymore Beat recordings?

> >> I've heard of several box sets, including one for Allen Ginsberg,

but

> >> have yet encountered any in stores. Any help would be appreciated.

> >>      Maggie G.

> >>

> >>

> >>

> >>

> >>

> >> ==

> >> "In dreams begin responsibilities."--Delmore Schwartz

> >>

> >> _________________________________________________________

> >> DO YOU YAHOO!?

> >> Get your free @yahoo.com address at http://mail.yahoo.com

> >>

> >

> >The Absence of Sound, Clear and Pure, The Silence Now Heard In

Heaven For

> >Sure-JK

> >

> <html>

> <font face="Lucian BT" size=3>John J Zarra Jr</font></html>

> 

 

==

"In dreams begin responsibilities."--Delmore Schwartz

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

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Date:         Sun, 1 Feb 1998 18:21:59 -0500

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From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Whose bio of JK is better, Charter or Nicosia? Ive heard negative things

about Nicosia but nothing about Charters. This is rhetorical, I know,

but..anyone care to venture an opinion? Thanks.

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Sun, 1 Feb 1998 18:26:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: kicks joy darkness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those interested in obtaining this, try:

 

info@rykodisc.com

 

or visit their website at:

 

www.rykodisc.com

 

Maybe Jeffrey at Water Row may be able to help:

 

Waterrow@aol.com

 

or, last but not least:

 

Barbara Longo, who was the Production Coordinator

for this project, and at one time was a list member -

Barbara?

 

Hope this is a help?

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 17:30:58 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

Subject:      some WSB observations

Comments: To: jholland@ICLUB.ORG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeff:

 

thank you so much for the counterpoint, i'd never really thought of

Kerouac's thinking being a little far-out at times...

 

I have a whole queue of books lined up to read after i finish "memory

babe" which i am almost done with.  next in line is ann rice (as a favor

for a friend) then comes Vanity of Dulouz.  I also have Douglas

Coupland's Shampoo Planet to throw in there somewhere, in the meantime

will purchase probably the WSB Letters book, and get it in line.  I

think that book will probably slide me into his realm a little easier

than trying to delve right into Naked Lunch.

 

 

cathy

 

 

> 

> Subject:

>         Cathy: some WSB observations

>   Date:

>         Sat, 31 Jan 1998 20:27:53 +0100

>   From:

>         Jeffrey Scott Holland <jholland@ICLUB.ORG>

> 

> 

> Cathy Wilkie wrote:

> 

> > he was a

> > freaky-type dude, who thought way-out thoughts.

> 

> === it's all relative, though....back in the day, Kerouac was considered

> a freaky-type dude who thought way-out thoughts, such as:

> 

> " Las mujeres blancas son la mierda" [white women are shit] I shudder to

> hear it, whole hordes of Mongolians shall overrun the western world

> saying that and they're only talking about the poor little blonde woman

> in the drugstore who's doing her best - By God, if I were Sultan! I

> wouldn't allow it! I'd arrange for something better! But it's only a

> dream! Why fret? The world wouldn't exist if it didn't have the power to

> liberate itself. Suck! Suck! suck at the teat of Heaven! Dog is God

> spelled backwards." (from "Desolation Angels")

> 

> WSB is far freakier and way-out, of course, but perhaps that's his

> position - the next zen koan in line to untangle after conquering

> Kerouac.

> 

> 

> 

> 

> 

> > I'm smarter than your average bear, that's for sure, but i never went to

> > grad school, and i resent the people who act like they know

> > 'oh-so-much-more' than other people, the prententious people.

> 

> === I'm pretty pretentious myself, but it keeps me warm in the winter

> months. But I agree, I can't stand literary snobs either, especially in

> a field that was supposed to be confrontational with things literary and

> snobby. I never went to college, period. (Well, Art school for a week

> but I dropped out, then enrolled at Eastern Kentucky University and

> dropped out the first day).

> 

> 

> 

> 

> > So:  i've stated i'm here to learn, i've stated my ignorance on

> > burroughs, i've stated how you have to talk to me in order for me to

> > understand.  Anyone out there wanna teach me more about burroughs?????

> 

> === I think everyone should read his biography by Ted Morgan, "Literary

> Outlaw", before reading a word of his own works. If you're already big

> on Kerouac and Ginsberg, reading  "The Letters of William S.Burroughs,

> 1945-1959" is a good way to slip into the groove - most of the letters

> are to Ginsberg and many are to Kerouac....."The Yage Letters" also

> includes some of these letters, with Ginsberg's replies and some

> drawings by Ginsberg.....

> 

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland, Kentucky

> "here we come, all drunk a-gaaaaain..."

> - - Memphis Jug Band, 1930

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 17:33:52 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

Subject:      Re: kerouac and saunders

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

> Subject:

>         Re: Sanders Inquiry

>   Date:

>         Sat, 31 Jan 1998 18:14:45 +0000

>   From:

>         Tom Christopher <tkc@ZIPCON.COM>

> 

> 

> Andrea Moore wrote:

> >

> > Gallaher wrote:

> >

> > "Ed Saunders would be a perfect example of

> > the sort of usurption of Beat that Kerouac didn't like."

> > -----------------------

> > can you elaborate on that? ...<snip>...

> > Drea

> 

> 

> i dunno that i agree.. ginsberg was friendly with saunders, who taught

> early on at naropa.  keouac was a little negative about the next

> generation, but he thought it was cool when elvis appeared on ed

> sullivan for the first time, and later said dylan was ok, so i don't

> know that he'd have disliked ed.  i understand the statement in the

> sense that saunders could've represented the 'younger generation' which

> always has it easier than the pioneers of the previous generation, and

> is never quite as bright or authentic, and i guess kerouac wasn't too

> impressed with the prankster scene, either, but i think one on one,

> kerouac would've respected saunders' talent and brains....ah...did they

> ever meet?

 

 

 

 

 

weren't they on a talk-show or debate panel on television together?  I

think Kerouac was drunk as a skunk during this appearance.  Anyone?

 

cathy

 

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X-Sender: kh14586@am.appstate.edu

Date:         Sun, 1 Feb 1998 19:04:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nicosia's is the best by far.  Charters has much less info and a lot of it

seems like it was gleaned from his novels and applied to his life.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 19:10:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      A Rose for Cathy

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/1/98 12:50:31 PM Pacific Standard Time, Dennis writes:

 

> << I'm a junior high English teacher and the way some of these ivy covered

> academicians spew verbiage offends me.  We are not dolts...we understand

> English...why can't they write it?  They are communicating in the rarefied

> ether of an ivory tower far above us mortals.  And I resent the hell out of

> them.  They are playing their game by their rules...I just wish they would

do

> it privately. >>

> 

This was back channel, now it's a post...where's my asbestos union suit?

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 19:13:03 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from kh14586@ACS.APPSTATE.EDU of Sun, 01 Feb

> 

>Nicosia's is the best by far.  Charters has much less info and a lot of it

>seems like it was gleaned from his novels and applied to his life.

> 

>------------------

>Alex Howard  (704)264-8259                    Appalachian State University

>kh14586@am.appstate.edu                       P.O. Box 12149

>http://www1.appstate.edu/~kh14586             Boone, NC  28608

> 

> 

 

 

***I apologize in advance.  Most people would probably say that this is not

a Beat related topic & therefore doesn't belong here, but I'm posting it

anyway***

I just finished reading "Hemingway in Love and War," which deals with his

romance with Agnes von Kurowsky back in WWI.  A big complaint by the writer

of that book goes along the same lines of what you mentioned up above with

the Charters biography--the biographers took incidents from Hemingway's

fiction & applied it a fact.  And we kind of had this conversation before

in a round-about way, how do we classify Jack's works, fiction or

non-fiction?  Since he does use so many incidents from his life in his

work...but then again, I think most writers do.  But that doesn't

necessarily make it a reliable source of facts.

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

 

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X-Sender: edesaute@pobox3.bbn.com

Date:         Sun, 1 Feb 1998 19:52:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Edward Desautels <edesaute@BBNPLANET.COM>

Subject:      Forgive me, for I have sinned against Marie,

              Pope of the Beat listserv

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 03:11 PM 1/31/98 +0000, you wrote:

>mr desautels,

>it is coming  to my awareness that you may have come to the wrong list.

 

Has it yet arrived?

 

i believe

>the monty python list would be more appropriate a venue for your one liners:

 

I think I'm already there, only it's "The Inquisition." Who's _your_ Pope?

Oh, and I have some two-liners.

 

 i

>would recommend either the arguement clinic, or, perhaps more aptly, the

verbal

>abuse department.

 

Glass houses can crash so delightfully, don't you think?

 

Ed

 

 

 

>sincerely,

>mc

> 

>Edward Desautels wrote:

> 

>> Opinions are like assholes, everyone has one and they all stink.

>> 

>> Ed

>> 

>> At 11:58 PM 1/30/98 -0500, you wrote:

>> >What is this, freshman writing workshop!? Whats wrong with opinions?

>> >conceptualizing, my ass.

>> >

>> >On Fri, 30 Jan 1998, Edward Desautels wrote:

>> >

>> >> Apologies to anyone I've offended. I simply meant to imply that I see

>> little value in posting a piece in a forum such as this without

>> conceptualizing it in a way that promotes some sort of worthwhile

>> discussion. To simply state that one likes (or dislikes) a given piece

>> doesn't go very far toward generating ideas, perceptions, exchange. Take to

>> the next step, whether it be a personal insight or reflection on some

>> aspect of the piece or something more lit crit/theoretical. How has the

>> piece influenced, say, your conception of a poetics. Something.

>> >>

>> >>

>> >> As for tone, well, I yam what I yam. Besides, I'd just spent four hours

>> handing out flowers in the airport and had a headache like you read

about. :]

>> >>

>> >>

>> >> Regards,

>> >>

>> >>

>> >> Ed

>> >>

>> >>

>> >>

>> >>

>> >> At 07:37 AM 1/30/98 +0000, you wrote:

>> >>

>> >> >ed: that's a bit harsh, don't you thinnk? lots of us on this list serv

>> but as of yet, you seeem to be the only one with total reading of totality

>> of beat lit. and

>> >>

>> >> >speak for yourself, please. who is the "we" of you speak?

>> >>

>> >> >i myself was delighted to read the pome for the first time, and i've

>> beeen reading ginsberg for years.

>> >>

>> >> >mc

>> >>

>> >> >

>> >>

>> >> >Edward Desautels wrote:

>> >>

>> >> >

>> >>

>> >> >> Yes. We've read it. This is a Beat listserv.

>> >>

>> >> >>

>> >>

>> >> >> Ed

>> >>

>> >> >>

>> >>

>> >> >> At 07:27 PM 1/29/98 -0800, you wrote:

>> >>

>> >> >> > Here's a great poem from Ginsberg's early career (early 1949) that

>> >>

>> >> >> >I thought was well worth sharing.

>> >>

>> >> >> >

>> >>

>> >> >> >

>> >>

>> >> >> >Complaint of the Skeleton to Time

>> >>

>> >> >> >

>> >>

>> >> >> >Take my love, it is not true,

>> >>

>> >> >> >So let it tempt no body new;

>> >>

>> >> >> >Take my lady, she will sigh

>> >>

>> >> >> >For my bed where'er I lie;

>> >>

>> >> >> >Take them, said the skeleton,

>> >>

>> >> >> > But leave my bones alone.

>> >>

>> >> >> >

>> >>

>> >> >> >Take my raiment, now grown cold,

>> >>

>> >> >> >To give to some poor poet old;

>> >>

>> >> >> >Take the skin that hoods this truth

>> >>

>> >> >> >If his age would wear my youth;

>> >>

>> >> >> >Take them, said the skeleton,

>> >>

>> >> >> > But leave my bones alone.

>> >>

>> >> >> >

>> >>

>> >> >> >Take the thoughts that like the wind

>> >>

>> >> >> >Blow my body out of mind;

>> >>

>> >> >> >Take this heart to go with that

>> >>

>> >> >> >And pass it on from rat to rat;

>> >>

>> >> >> >Take them, said the skeleton,

>> >>

>> >> >> > But leave my bones alone.

>> >>

>> >> >> >

>> >>

>> >> >> >Take the art which I bemoan

>> >>

>> >> >> >In a poem's crazy tone;

>> >>

>> >> >> >Grind me down, though I may groan,

>> >>

>> >> >> >To the starkest stick and stone;

>> >>

>> >> >> >Take them, said the skeleton,

>> >>

>> >> >> > But leave my bones alone.

>> >>

>> >> >> >

>> >>

>> >> >> > Early on, it was obvious that Allen Ginsberg had one of the

greatest

>> >>

>> >> >> >minds of his generation. His presence is sorely missed in our

>> >>

>> >> >> >counterculture.

>> >>

>> >> >> > Maggie G.

>> >>

>> >> >> >

>> >>

>> >> >> >"In dreams begin responsibilities."--Delmore Schwartz

>> >>

>> >> >> >

>> >>

>> >> >> >

>> >>

>> >> >> >

>> >>

>> >> >> >_________________________________________________________

>> >>

>> >> >> >DO YOU YAHOO!?

>> >>

>> >> >> >Get your free @yahoo.com address at http://mail.yahoo.com

>> >>

>> >> >> >

>> >>

>> >> >>

>> 

>>               ôÒ*

>> >>

>> >> >>

>> 

>>               ôÚ0

>> >>

>> >> >>

>> 

>>               ôÚ0

>> >>

>> >> >>

>> 

>>               ôÚ0

>> >>

>> >> >>

>> 

>>               ôÚ0

>> >>

>> >> >>

>> 

>>               ôÚp

>> >>

>> >> >>

>> >>

>> >> >>

>> 

>>               ôÚ¥

>> >>

>> >> >>

>> 

>>               ôÛ


>> >>

>> >> >>

>> 

>>               ôÛ


>> >>

>> >> >>

>> 

>>               ôx8

>> >>

>> >> >

>> >>

>> >> <center>************************************************************

>> >>

>> >> <bigger>Edward Desautels

>> >>

>> >> 7 Hamilton Road

>> >>

>> >> Somerville, MA 02144

>> >>

>> >> edesaute@bbnplanet.com

>> >>

>> >> http://www.shore.net/~debra/ed/homepage.html

>> >>

>> >>

>> >> "One day I found my shirt lying across my knees,

>> >>

>> >> I called it Beauty. Since thenI've been a painter of shirts."

>> >>

>> >> Jacques Rigaut

>> >>

>> >>

>> 

</bigger>************************************************************</center>

>> >>

>> >

>> >The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

>> >Sure-JK

>> >

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 19:53:35 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i have read a lot of the work that ann charters has done on jack and it seems

fine to me. an especially good place for beginners to start, i think,  because

it's well-researched and easy to read, even though there are a few points i

think i disagreed with.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 18:37:27 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: the scary WSB/"highly academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie Dharma wrote:

> 

> In my opinion, the so-called academic posts that offer analyses of, for

> instance, the writing of WSB, are so arcane and (sorry) pompous-sounding that

> I can't figure out what point the writer is trying to make. And I'm not

> entirely sure, by any stretch of the imagination, that what the writer IS

> saying, if I COULD understand it, would be an accurate analytical conclusion.

> 

> I think what Cathy said in an earlier post, and what I've said in other posts,

> is that we ain't exactly chimps, but neither of us can understand what you're

> saying. I will add that it feels like you don't really WANT people like me to

> understand what you're saying, or you don't care if your words are only

> comprehensible to a few others. Otherwise, you'd write in simpler terms so the

> masses could understand.

> 

> 

> Writing from the point of view of someone who never went to college, but loves

> to read--

> maggie

 

 

1. i completely agree with you.

2. what the author was trying to say may not even be clear to the author

himself. i always thought that the beauty of literature was the fact

that everyone can give it one'e own meaning and interpretation.

3. i rarely read philosophy for the reason you mentioned: i have the

feeling that they don't want me to understand what they are saying. i

may not be the smartest person alive, but i don't like it when somebody

assumes my igorance i.e. his/ger superiority.

4. the people who write in such academic language are sometimes hiding

the fact that they have nothing to say.

5. i did go to college. i learned a lot more on my own. as a matter of

fact, as i work at the university and watch the students at the exams

daily, their fright, worries, the desire to do well, i am constantly

wondering if it is worth it; what is it that we've forgotten that is

making us so frustrated? which brings me to the next point:

6. it seems to me that the people on the list are becoming nervous and

intolerant. it shouldn't be so...

 

my humble opinion...

 

ksenija

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 23:38:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: some WSB observations

Comments: To: Cathy Wilkie <cawilkie@comic.net>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I LOVE Shampoo PLanet!

On Sun, 1 Feb 1998, Cathy Wilkie wrote:

 

> Jeff:

> 

> thank you so much for the counterpoint, i'd never really thought of

> Kerouac's thinking being a little far-out at times...

> 

> I have a whole queue of books lined up to read after i finish "memory

> babe" which i am almost done with.  next in line is ann rice (as a favor

> for a friend) then comes Vanity of Dulouz.  I also have Douglas

> Coupland's Shampoo Planet to throw in there somewhere, in the meantime

> will purchase probably the WSB Letters book, and get it in line.  I

> think that book will probably slide me into his realm a little easier

> than trying to delve right into Naked Lunch.

> 

> 

> cathy

> 

> 

> >

> > Subject:

> >         Cathy: some WSB observations

> >   Date:

> >         Sat, 31 Jan 1998 20:27:53 +0100

> >   From:

> >         Jeffrey Scott Holland <jholland@ICLUB.ORG>

> >

> >

> > Cathy Wilkie wrote:

> >

> > > he was a

> > > freaky-type dude, who thought way-out thoughts.

> >

> > === it's all relative, though....back in the day, Kerouac was considered

> > a freaky-type dude who thought way-out thoughts, such as:

> >

> > " Las mujeres blancas son la mierda" [white women are shit] I shudder to

> > hear it, whole hordes of Mongolians shall overrun the western world

> > saying that and they're only talking about the poor little blonde woman

> > in the drugstore who's doing her best - By God, if I were Sultan! I

> > wouldn't allow it! I'd arrange for something better! But it's only a

> > dream! Why fret? The world wouldn't exist if it didn't have the power to

> > liberate itself. Suck! Suck! suck at the teat of Heaven! Dog is God

> > spelled backwards." (from "Desolation Angels")

> >

> > WSB is far freakier and way-out, of course, but perhaps that's his

> > position - the next zen koan in line to untangle after conquering

> > Kerouac.

> >

> >

> >

> >

> >

> > > I'm smarter than your average bear, that's for sure, but i never went to

> > > grad school, and i resent the people who act like they know

> > > 'oh-so-much-more' than other people, the prententious people.

> >

> > === I'm pretty pretentious myself, but it keeps me warm in the winter

> > months. But I agree, I can't stand literary snobs either, especially in

> > a field that was supposed to be confrontational with things literary and

> > snobby. I never went to college, period. (Well, Art school for a week

> > but I dropped out, then enrolled at Eastern Kentucky University and

> > dropped out the first day).

> >

> >

> >

> >

> > > So:  i've stated i'm here to learn, i've stated my ignorance on

> > > burroughs, i've stated how you have to talk to me in order for me to

> > > understand.  Anyone out there wanna teach me more about burroughs?????

> >

> > === I think everyone should read his biography by Ted Morgan, "Literary

> > Outlaw", before reading a word of his own works. If you're already big

> > on Kerouac and Ginsberg, reading  "The Letters of William S.Burroughs,

> > 1945-1959" is a good way to slip into the groove - most of the letters

> > are to Ginsberg and many are to Kerouac....."The Yage Letters" also

> > includes some of these letters, with Ginsberg's replies and some

> > drawings by Ginsberg.....

> >

> >

> > =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> > Jeffrey Scott Holland, Kentucky

> > "here we come, all drunk a-gaaaaain..."

> > - - Memphis Jug Band, 1930

> > =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Feb 1998 23:41:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Its funny that you should say that because I heard that Charter's bio info

came from the source itself whereas Nicosia worked from library materials

becuse he had no access to JK's papers.

 On Sun, 1 Feb 1998, Alex Howard

wrote:

 

> Nicosia's is the best by far.  Charters has much less info and a lot of it

> seems like it was gleaned from his novels and applied to his life.

> 

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State University

> kh14586@am.appstate.edu                       P.O. Box 12149

> http://www1.appstate.edu/~kh14586             Boone, NC  28608

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 00:23:31 -0500

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@EHC.EDU>

Subject:      Charters vs Nicosia/Georgian Blue Poetry Society

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey Folks,

 

Not to contribute to anymore of the CRAP that's been on the list lately

(mmmm.... pedophilia.... interesting, but somehow not after the 56th

post), however, did any of the vetrans here urinate on themselves when

they read the original Charters/Nicosia message?

Sorry, I found the innocence hystarical.

ANYWAY, do any of you know anything about the Georgian Blue Poetry

Society?  Some guy emailed me about publishing a poem for a $12 fee and

I'd like to know if it's remotely legit before I shell over laundry/beer

money to him.

 

Thanks,

 

Chris

 

"All day long, wearing a hat, that wasn't on my head!"

~Jack Kerouac

 

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X-Sender: cake@ionline.net

Date:         Mon, 2 Feb 1998 02:30:32 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Ron Carter/non-beat content

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For you jazz fans in NY, I was just perusing the

Sunday Times and noticed that Ron Carter

will be playing at the Merkin Concert Hall

on Monday the 8th.  As well as the following dates:

 

02/10-15/98 New York, NY - Village Vanguard

02/17-22/98 New York, NY - Iridium Jazz Club

 

Mike

 

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Date:         Mon, 2 Feb 1998 08:22:38 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

if memory serves me well, i believe charters did not have access to much info in

the time span in which she wrote the bio. i do believe that memory babe is a

 much

better work. but i also think of charters as the first to attempt a bio with as

much info as she could glean.

this may be a somewhat slanted viewpoint, as i studied with charters and found

her to be warm and passionate about kerouac the man and kerouac the writer.

mc

 

 

Aeronwy Thomas wrote:

 

> i have read a lot of the work that ann charters has done on jack and it seems

> fine to me. an especially good place for beginners to start, i think,  because

> it's well-researched and easy to read, even though there are a few points i

> think i disagreed with.

> 

> aeronwy

 

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Date:         Mon, 2 Feb 1998 02:58:27 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reading _Visions of Gerard_ I have to wonder if the story told here isn't

really the key to the sense of despair that inevitably topples Kerouac's

joy of life described in all of his other books.  It seems that at four

years old, the question was asked, that was continually asked throughout

Kerouac's adult life: What is the meaning of life in the face of one's

own mortality?  It also seems to me that his parents' reactions to

Gerard's death, more or less set the course for his thinking for the rest

of his life.

 

There seems to be three key realizations in Visions of Gerard:

 

1. "And there's no doubt in my heart that my mother loves Gerard more

than she loves me."

 

No matter what Jack does for the rest of his life he is competing with

the memory of Gerard as a symbol of true goodness, and no matter how hard

he tries his mother will always love Gerard more than him.

 

2. From Gerard's own manner of accepting death, Jack senses Gerard is not

afraid of death and that death is good.

 

"I don't remember how Gerard died, but (in my memory, which is limited

and mundane) here I am running pellmell out of the house about 4 o'clock

in the afternoon and down the sidewalks of Beaulieu Street yelling to my

father whom I've seen coming around the corner woeful and slow with

strawhat back and coat over arms in the summer heat, gleefully yelling

'Gerard est mort!" (Gerard is dead!) as tho it were some great event that

would make a change that would make everything better, which it actually

was, which granted it actually was."

 

After watching his parent's reaction to death, there is a sudden and

great change in his thinking:

 

"Truth that cracks open in my head like an oyster, and I see it, the

house disappears in her Swarm of Snow, Gerard is dead and the soul is

dead and the world is dead and dead is dead."

 

3.  Kerouac's idealism is linked to his vision of Gerard, his sense of

self-worth is linked to Gerard, his writing is linked to Gerard.

 

"An old dream too I've had of me glooping, that night, in the parlor, by

Gerard's coffin.  I dont see him in the coffin but he's there, his ghost,

brown ghost, and I'm grown sick in my papers (my writing papers, my

bloody 'literary career' ladies and gentlemen) and the whole reason I

why ever wrote at all and drew breath to bite in vain with pen of ink,

great gad with indefensible Usable pencil, because of Gerard, the

idealism, Gerard the religious hero--'Write in honor of his death'..."

 

In writing in honor of Gerard's death, however, Kerouac continually is

brought to the point where he is posing the question asked in this book:

"Why should such hearts be made to wince and cringe and groan out life's

breath?--why does God kill us?"  Both Christianity and Buddhism offer

paths through these questions, but Kerouac chose this answer:

 

"We all die? We're all piles of you-know-what? Liars? Poor? Invalids?

Well then! I drink! Open the door, belly, gimme another chance. He gets

his other chance, dances jigs till ten, and sleeps at noon. What he does

at 4 o'clock in the afternoon is in its poor selfsame essence no

different than what the mournful ladies with their beads and moving-lips,

in the shadows of the church, are doing--For, the truth that is

realizable in dead men's bones ought to be a good enough truth for

everybody, laughers, cryers, cynics, and hopers included, all--The truth

that is realizable in dead men's bones, all great gloomy unwilling life

aside, and setting aside my knighthood to thus say so, exhilirates yea

exterminates all symbols and bosses and crosses and leaves that quiet

blank--For my part, the news about truth came of the silence of my

predecessor diers' graves.

 Sicken if you will, this gloomy book's foretold."

 

Truth is realizable in dead men's bones is an awesome statement.  It also

cuts off the possibility of truth in living, of finding one's own way

through suffering, of finding meaning in life regardless of what one

believes happens at death.

 

This got too long and I should have divided it into more than

one post.  But I'm hoping some others of you will have some thoughts

about the ideas put forth in _Visions of Gerard_ and will break this down

into further areas of discussion.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 12:06:26 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Charters vs Nicosia/Georgian Blue Poetry Society

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Chris Dumond wrote:

 

>  did any of the vetrans here urinate on themselves when

> they read the original Charters/Nicosia message?

> Sorry, I found the innocence hystarical.

 

 

=== I don't get it. Where is the humor? Is this a list only for people

like you and your "vetrans" (sic) who find innocence "hystarical"

(sic)?  I pity your children, if you have any.

 

I find YOUR innocence hysterical, since I already went through the stage

where one enjoys feeling superior to others because one knows more about

Beat than others..... when I was 15.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

K e n t u c k y

livin' on cinnamon rolls

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 12:27:24 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: highly academic pseudo-language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Cathy Wilkie wrote:

 

>  I don't think the people that speak the

> "highly academic pseudo-language" REALIZE they are UNINTENTIONALLY

> BLOCKING people like me from UNDERSTANDING their concepts.  I think they

> talk that way and think everyone else can automatically understand it.

 

 

=== Yes and no...In most of these instances that I've read, just in this

first week since I've joined the list, most of this stuff just cannot be

put in simpler terms....there is no simpler way to say

"self-referential", "epistemology", "metaphysical", blah blah

blah....even though some of the stuff that comes across this list may

look like needlessly verbose horseshit, it isn't. The ideas behind some

of it may be pure crap, but there's nothing wrong with the way they're

expressing it. No one can be expected to provide a complete glossary of

terms in each and every post; but there's nothing stopping anyone from

diving in asking questions.

 

However, I *AM* on your side, because it seems to me that very few here

are actually trying to communicate with others; their postings are

almost like they're posting an essay on a bulletin board and walking

away. If there's something you don't understand, don't be afraid to

stand up and ask, ask a hundred questions, that's what these lists are

supposed to be for, they're discussion groups. There will inevitably be

assholes who will make groaning holier-than-thou comments with an air of

superiority, but just ignore them. The ones who think they know the most

about Beat only know trivia, not the heart and soul of the matter.

 

=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, Kentucky

looking for my bottle of cholula

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 12:54:07 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Charters vs Nicosia/Georgian Blue Poetry Society

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Chris Dumond wrote:

 

> Sorry if you took offense at that, it was written light-heartedly with a

> touch of sarcasm.

 

=== Like Nancy and others, I missed the light-heartedness, though the

sarcasm was evident.

 

 

 

> The list has a strong tendancy to get VERY heated

> over the Charters/Nicosia issue because a lot of people on the list have

> serious interests in the issues Nicosia brings up.  As was pointed out,

> Charters has extensive access to the Kerouac Archives and Nicosia is

> trying to uncover what some call unethical and illegal practices by the

> Sampas family (they are the ones who have the rights and possesion of

> Jack's stuff).

 

=== I didn't know this and many others don't. I wish you'd mentioned

this in your original post; many of us have joined this list only

recently and are unaware of what has transpired before us.

 

 

 

 

>  Gerry Nicosia is even on the Beat-L.

 

=== SPROING!!! Really?? Hello Gerry!

 

 

 

 

> In short, I wasn't slamming you or saying that you were ignorant

 

=== Looking back at your post, though, surely you can see how it

couldn't be interpreted any other way to those who didn't know what you

were alluding to...(which I was ignorant of too); hence I jumped in.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

jeffrey scott holland

going to richmond now

to hit the used bookstores

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 12:17:17 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Forgive me, for I have sinned against Marie,

              Pope of the Beat listserv

To:           BEAT-L@CUNYVM.CUNY.EDU

 

forgive ME, bill, but i couldn't help taking the bait. this is the last of my

public posts to this insanity.

 

to mr desautels:

i don't know what to thank you for, sir:

 for the cyber sex change operation or if not that, your radical feminism in

envisioning a female

pope, and therefore my promotion'

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 07:55:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Charters vs Nicosia/Georgian Blue Poetry Society

Comments: To: Chris Dumond <cmdumond@EHC.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Umm..speaking as the person who wrote the original post, what exactly was

so hysterical about it? Not everyone on this list knows everything about

everything and I havent been around as long as the rest of y'all. I'm 18.

Just exactly how much do you expect me to know about everything concerning

the beats? You're not making the list very conducive to learning. And if

you are urinating on yourself, perhaps its time to grab the Depends the

next time you go to the market.

~Nancy

 On Mon, 2 Feb 1998, Chris Dumond wrote:

 

> Hey Folks,

> 

> Not to contribute to anymore of the CRAP that's been on the list lately

> (mmmm.... pedophilia.... interesting, but somehow not after the 56th

> post), however, did any of the vetrans here urinate on themselves when

> they read the original Charters/Nicosia message?

> Sorry, I found the innocence hystarical.

> ANYWAY, do any of you know anything about the Georgian Blue Poetry

> Society?  Some guy emailed me about publishing a poem for a $12 fee and

> I'd like to know if it's remotely legit before I shell over laundry/beer

> money to him.

> 

> Thanks,

> 

> Chris

> 

> "All day long, wearing a hat, that wasn't on my head!"

> ~Jack Kerouac

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 14:10:53 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Diane,

 

Thank you for your post regarding VISIONS OF GERARD.

 

It's true that, ultimately, any understanding of The Duluoz Legend must

begin and end with the Ghost of Gerard, which is more significant for

interpreting Kerouac than any notions of modernism, post-war American

fiction, bohemianism, BEATitude, first-thought-best-thought,

speed-typing or whatever. Kerouac's life and work must be viewed through

the lens of his early loss of his older brother.

 

Some of the things I ponder through this lens are the following:

 

- Jack's relationship with Memere

- Jack's relationship with Sammy Sampas

- Jack's relationship with Neal Cassady

- Jack's Buddhism

- Jack's Catholicism

- Jack's alcoholism

- Jack's sadness

- Jack's conception of angels

- Jack's conception of writing as prayer

- Jack's obsession with death (_I wrote it 'cause we're all gonna die_)

- Jack's death

 

regards,

John Hasbrouck

 

        ...accept loss forever...   -JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 08:36:02 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

Subject:      Re: highly academic pseudo-language

Comments: cc: cake@IONLINE.NET

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Mike and all:

 

 

Okay, once again I state:  I don't think the people that speak the

"highly academic pseudo-language" REALIZE they are UNINTENTIONALLY

BLOCKING people like me from UNDERSTANDING their concepts.  I think they

talk that way and think everyone else can automatically understand it.

I apologize for not having asked for clarification before on some of

these conversations i was referring to, but perhaps that is because in

the past whenever i was in a situation like this and i did ask for

clarification i GOT FLAMED for being so stupid, or even some pretentious

comment like "What about it DON"T you understand?" said in a very snotty

tone of voice.  I didn't realize that you had to have a certain IQ

quotient to hang out on the Beat LIst.  I thought I was doing just fine

on here.  I"m here to learn from you people.  If you deny me that

opportunity just because i may not understand every word you say, then

you, my friends, are the shallow ones.  Very unbeat.  I do appreciate

the "highly academic psuedo-language" discussions.  I really do.  I wish

that i could talk like that.  I shouldn't fear baring my ignorance to

you people.  I should be able to ask for clarification.  YOu're right.

I should be doing that.  I want you to understand that i am NOT

criticizing the intellectual elite, it's just that i want them to

understand the concept that not everyone sees the world in big words

like they do.

 

 

 

And I quote:

 

"All the way from Amarillo to Childress, Dean and I pounded plot after

plot of books we'd read into Stan, who asked for it because he wanted to

know."

 

--Jack Kerouac

"ON the road"

 

 

 

 

point.  counterpoint.

 

Besides that, my post that you were responding to was a response to

someone else on why I found WSB 'Scary" and unapproachable.  I wansn't

just pulling these statements out of thin air, suddenly deciding to go

on a rampage on those who talked intelligently.

 

thank you for your time,

cathy

 

> 

> 

> Subject:

>         Re: the scary WSB/"highly academic pseudo-language"

>   Date:

>         Sun, 1 Feb 1998 03:56:39 -0500

>   From:

>         "M. Cakebread" <cake@IONLINE.NET>

> 

> 

> At 04:27 PM 1/31/98 -0600, cathy wrote:

> 

> <snip>

> 

> >I thought burroughs voice sounded nice, so i started paying

> >more attention to what people were saying about him on here.

> >MOst of the conversations, especially the wittgenstein-burroughs

> >discussion, was compleeeettly over my head.  But the

> >recent discussion has made sense to me.

> >

> >I'm smarter than your average bear, that's for sure, but

> >i never went to grad school, and i resent the people

> >who act like they know 'oh-so-much-more' than other

> >people, the prententious people.  They unconciously

> >exclude people like me who want to learn, who want

> >to know more, but can't understand their highly academic >pseudo-language.

> I can understand most concepts,

> >having it put in layperson's terms helps me at

> >times.

> >

> >So:  i've stated i'm here to learn, i've stated my

> >ignorance on burroughs, i've stated how you have

> >to talk to me in order for me to understand.  Anyone

> >out there wanna teach me more about burroughs?????

> 

> Ok, I'd like to say a couple things about the recent

> rantings of people regarding "highly academic pseudo-

> language."  First of all, this list is supposed to be a

> *discussion* list.  That means the "highly academic

> pseudo-language" (that usually relates directly to one

> of the "beat" authors) is just as acceptable as the

> chatline, non-list related conversations that seem

> to dominate most posts.  In regards to your concerns about not

> understanding these discussions, I never saw one

> post from you asking the authors of those posts for

> some kind of clarification.  No, instead we get a

> post that condemns anyone who makes an

> "intellectual" query/hypothesis, and are at fault

> for your not "understanding"  the concepts.  The

> fact that you are asking for help and are making

> a request that someone "teach" you more about

> Burroughs is great.  It's your choice of approach that

> turns me off (personally), a simple "can someone please

> explain this theory" would suffice, and would be a more

> positive/proactive way to achieve help.

> 

> Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Date:         Mon, 2 Feb 1998 09:53:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Its funny that you should say that because I heard that Charter's bio info

> came from the source itself whereas Nicosia worked from library materials

> becuse he had no access to JK's papers.

 

I can't remember if his denied access was by estate or by choice.  For

some reason I seem to remember him saying something about wanting to

create the archive by interviewing the people who actually knew Kerouac.

He spent, what -- 12/15 years writing the book?  Charters' is good for

beginners as Memory Babe is _quite_ a hefty tome.  If you want deep,

complete biography (as complete as they come, I mean), MB is the one.

There are no particulay bad bios out.  Some are better than others for

different reasons.  Angel-Headed Hipster and Jack's Book are quite good

and should be read by anyone wanting a complete picture of the man, but

they are far from being as detailed as MB.  Depends on what you want in a

bio and what you have time to read.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 10:26:57 -0500

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@EHC.EDU>

Subject:      Re: Charters vs Nicosia/Georgian Blue Poetry Society

Comments: To: Nancy B Brodsky <nbb203@is8.nyu.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey Nancy,

 

Sorry if you took offense at that, it was written light-heartedly with a

touch of sarcasm.  The list has a strong tendancy to get VERY heated

over the Charters/Nicosia issue because a lot of people on the list have

serious interests in the issues Nicosia brings up.  As was pointed out,

Charters has extensive access to the Kerouac Archives and Nicosia is

trying to uncover what some call unethical and illegal practices by the

Sampas family (they are the ones who have the rights and possesion of

Jack's stuff).  Gerry Nicosia is even on the Beat-L.  I can't begin to

explain to you just how upset people are getting over the issue.  I

believe there are cases currently pending in three different courts.

It's my bet though, that you'll be getting plenty of information from

sources who are much better informed as well as involved, than I --

which I suggest if you're interested.

In short, I wasn't slamming you or saying that you were ignorant, just

that I found the irony to be funny given the responses your question

eventually leads to.  Personally, I like Nicosia's better because it

gave me a better feel for Jack as a person rather than Jack as he was

seen in the beat generation.

I wasn't attacking what you wrote, so next time, if you have that much

of a problem with it, please backchannel me so that I can clarify things

before you post to the list -- that way I don't feel like I have to

polute this list any more with personal nonsense.

 

Chris

PS  I'll make sure to grab a pack on my way home today.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 11:33:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: Bill Gargan <WXGBC@CUNYVM>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: highly academic pseudo-language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Once again, Beat-l is first and foremost an academic discussion list.

Academic language, then, is appropriate for discussion.   It's true that

some branches of contemporary literary criticism have developed their

own jargon and that those wishing to partake of discussions in these

sub-disciplines will have to learn the language.   Those not wishing to

do so are free to delete such messages from Beat-l.  In other words,

just ignore them.   No one on the list, I hope, will try to reduce his

or her ideas or simplify his or her vocabulary to cater to some kind of

intellectual lowest common denominator.  That's not what this list -- or

education in general-- is all about.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: prinzhal@popd.ix.netcom.com

Date:         Mon, 2 Feb 1998 08:36:07 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <prinzhal@IX.NETCOM.COM>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 19:53 2/1/98 EST, you wrote:

>i have read a lot of the work that ann charters has done on jack and it seems

>fine to me. an especially good place for beginners to start, i think,  because

>it's well-researched and easy to read, even though there are a few points i

>think i disagreed with.

> 

Personally, I don't feel any obligation to "choose" (read:  take sides)

between them.  I also think Dennis McNally's Desolate Angel is underappreciated.

 

OTOH, it might be well to remember that whoever does a thing first not only

volunteers to take the most flak, but also grades the road for others.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 17:08:58 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Cyan,

 

Welcome to the list.

 

Your idea of comparing Ginsberg's _America_ to Lincoln's _Gettysburg

Address_ is marvelous and inspired. I'm not kidding.

 

When I was 18 I saw Ginsberg read _America_ and was quite startled. I

thought, jeez! who IS this guy? I decided to find out. I'd already read

ON THE ROAD but hadn't yet made the connection. That was 16 years ago.

 

An excellent essay you'll want to consult on the _Gettysburg Address_ is

called _Lincoln's Declaration_, written by Mortimer J. Adler, in his

book, HAVES WITHOUT HAVE-NOTS.

 

Keep the list informed.

 

-John Hasbrouck

 

Return-Path: <MAILER-DAEMON>

Date:         Mon, 2 Feb 1998 13:53:09 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Mon, 02 Feb 1998 19:44:22...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Mon, 02 Feb 1998 19:44:22 +0100 with subject "sliced#1"

has been successfully distributed to the BEAT-L list (261 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Mon, 2 Feb 1998 13:55:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 02:58 AM 2/2/98 -0800, Diane Carter wrote:

 

<snip>

>This got too long and I should have divided it into

>more than one post.  But I'm hoping some others

>of you will have some thoughts about the ideas put

>forth in _Visions of Gerard_ and will break this down

>into further areas of discussion.

 

Diane,

 

If I remember correctly there is a letter from JK to

Neal Cassady in _Selected Letters_ that goes into

detail of the significance of Gerard's death to Jack.

I don't have my copy on hand so I can't give you a

date or pg number.  I suggest you check this out.

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 20:04:22 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Cheyanne C Ritz wrote:

 

> I'm even thinking about comparing it ("America") somehow to Abe Lincoln's

> Gettysburg Address.  Any comments??

 

 

=== Fantastic idea!! I wish Ginsberg were alive to hear about this, he'd

have loved it.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Ky.

dangling in the tournefortia

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 14:38:50 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Organization: Brooklyn College Library

Subject:      reply-to

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Folks--

I think I may have solved a problem some of you have been having with

replies to your postings going to you rather than to the list. If you're

using an offline mail program (Netscape, Eudora, Pegasus, etc.) and

you've set in your preferences Your Own E-mail Address as an explicit

reply-to address, your postings to beat-l will have your address as the

reply-to address, rather than the list's address. To fix this, just

remove your e-mail address from the reply-to section of your program's

preferences and the problem should be solved. My two test postings

of a few minutes ago demonstrated this using Netscape 4.04's mail

program. Let me know if there are any further problems.

 

Fred

for beat-l

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 2 Feb 1998 15:49:54 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Perhaps you should read both and decide for yourself.

 

I'm a friend of Gerry's. I believe his book on JK is superior to Charter's.

Although he didn't have access to the JK material that John Sampas

believes, and the law concurs, belongs to him, Nicosia's perssoanal

conversations with close friends of JK's was a very impotant part of his

work.

 

Regardless of the "who's best" I would never offer Charters anything other

than praise for her Kerouac books, although I think she stood still for

more censorship by Sampas than she should have.

 

We're fortunate to have both.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

DFrom CUNYVM.CUNY.EDU!owner-beat-l Wed Feb  4 08:19:54 1998

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 22:13:49 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy B Brodsky wrote:

> 

> Its funny that you should say that because I heard that Charter's bio info

> came from the source itself whereas Nicosia worked from library materials

> becuse he had no access to JK's papers.

 

 

charters met kerouac, didn't she?  Nicosia's archive is extensive, as

are his footnotes

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 17:22:08 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi, this is my first post.  Just a few comments on this list - This is the

first one I've ever been on, and it's great.  I always have mail.  And yes, I

think I'm learning things.  I'm 18 and only recently started reading beat

writers.  I saw the movie of Naked Lunch and thought it neat, but that's as

far as it went.  Now I am devouring the Beat Reader (not a comment on the

recent arguement between Charters and

Nicosia) and I heard of this listserv.

Sorry to bore you with all that, just thought I should explain any naivete in

my following posts.

To get to the point, I am now planning out a research paper on Allen Ginsberg,

specifically the poem "America".  I've found Dick McBride's Cometh With Clouds

to be a very interesting source, and of course Dharma Lion.

I'm even thinking about comparing it ("America") somehow to Abe Lincoln's

Gettysburg Address.  Any comments??  I'd really be interested on any comments

on this poem.  Heck, get a whole discussion going.

Thanks,

><CYAN><

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 17:22:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         cfasull1@IC3.ITHACA.EDU

Subject:      "howl" request

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i was wondering if anyone out there had in their possession a copy of the

phonograph recording of "howl and other poems", put out by fantasy-galaxy

records in 1959.  i was looking to secure myself an original copy, and if

nothing else, maybe i could send a blank tape out for it to be recorded.

any help should be directed to CFASULL1@IC3.ITHACA.EDU            thanks

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 14:26:01 -0800

Reply-To:     fdbbc@cunyvm.cuny.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Subject:      Test please ignore

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Testing. Please ignore.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 14:26:38 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Subject:      Testing 2

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sorry, one more test.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 18:00:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those of you who live in the NYC area, Anthology Film Archives will be

screening a film called "Scenes from Allen's Last Three Days On Earth as a

Spirit". If you want further info, I can type out the blurb in a later

post.

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: eam23@dunx1.ocs.drexel.edu

Date:         Mon, 2 Feb 1998 18:15:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         beth <elizabeth.ann.mekker@DREXEL.EDU>

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy, further info would be splendid!  beth...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 15:23:31 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maggie Gerrity <u2ginsberg@YAHOO.COM>

Subject:      Beats and the Lost Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  I'm preparing to start research for a paper I'm going to write

comparing the Beats to the Lost Generation of the 1920's and 30's.

I've seen a lot of similarities between the two groups: substance

abuse, disillusionment with America, expatriatism (both literal and

figurative).

  I plan to center my argument around a comparison of _On The Road_ to

Hemingway's _The Sun Also Rises_ and "Howl" to T.S. Eliot's "The

Wasteland."

  Just curious to hear if anyone else has seen any similarites between

these two literary groups, probably the two greatest in the history of

American Lit.

  Thanks,

      maggie g.

 

 

 

 

==

"In dreams begin responsibilities."--Delmore Schwartz

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 19:02:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The following was taken from the Anthology Film Archives program...

 

Jonas Mekas: Scenes from Allen's LAst Three Days on Earth as a Spirit

(April 5-7,1997) 67 min

"This is a video record of the Buddhist Wake Ceremony at Allen Ginsber's

apartment. You see Allen, now asleep forever, in his bed;some of his close

friends;and the wrapping  up and removal of Allen's body from his

apartment. You hear Jonas' description of his last conversation with

Allen, three days earlier. You see the final farewell at the Buddhist

Temple, 118 West 22nd St, NYC, and some of his close friends: Peter

Orlovsky, Patti Smith, Gregory Corso, LeRoi Jones/Amiri Baraka. Hiro

Yamagata, Anne Waldman and many others.

 

The screening times are:

Sat, Feb 7, 8pm

Sun, Feb 8, 6 pm

Sat, Feb 21, 8pm

The Archives are located at 32 Second Ave, NY NY, between 2nd and 3rd

streets, I believe.

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 20:02:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy:

 

It is to some degree a matter of taste, but I don't think that there really

is grounds for comparison of the two.  They fill two different roles.  If you

want to know about JKerouac in detail, clearly you should be read Memory

Babe.  If you are interested in a superficial treatment of JK, then Charters

is the book for you.  I think most people on this list would state that

Memory Babe is the best biography of Jack Kerouac.  What has been said on

this list has nothing to do with the quality of Nicosia's work.  Gerry says

that when someone can have access to his work, plus Jack's pocket notebooks,

then a better book than Memory Babe will be written.  Of course, that will

depend on whether or not such a writer is granted free editorial content as

well.

 

The best way to find out, is to read them both.  I liked both of them, but

for entirely different reasons.  And, I read Charters first.

 

Nancy B Brodsky wrote:

 

> Whose bio of JK is better, Charter or Nicosia? Ive heard negative things

> about Nicosia but nothing about Charters. This is rhetorical, I know,

> but..anyone care to venture an opinion? Thanks.

> 

> The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

> Sure-JK

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 17:25:20 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Charters vs Nicosiau

To:           BEAT-L@CUNYVM.CUNY.EDU

 

R. Bentz Kirby wrote:

> It is to some degree a matter of taste, but I don't think that there really

> is grounds for comparison of the two.  They fill two different roles.  If you

> want to know about JKerouac in detail, clearly you should be read Memory

> Babe.  If you are interested in a superficial treatment of JK, then Charters

> is the book for you.  I think most people on this list would state that

> Memory Babe is the best biography of Jack Kerouac.  What has been said on

 

No offense Bentz but I don't think this is necessarily true.  I liked

both books but I'd have to say Charters achieved the same thing with

half as many words.  I found her biography ("Kerouac") incredibly

powerful, and wouldn't have changed a thing.  Bigger isn't always

better.  And brevity is the soul of wit, and all that.

 

I will concede, though, that Nicosia's book is the one the serious

Kerouac scholar will rely on.   But that doesn't make it less

"superficial" -- anyway I don't think either book was in any

way superficial.  Superficial people don't tend to become obsessed

with Kerouac -- that's the way I see it.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 2 Feb 1998 20:36:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Wait until you read Ellis Amburn's bio...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 21:02:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Arthur Maynard wrote:

> 

> At 19:53 2/1/98 EST, you wrote:

> >i have read a lot of the work that ann charters has done on jack and it seems

> >fine to me. an especially good place for beginners to start, i think,

 because

> >it's well-researched and easy to read, even though there are a few points i

> >think i disagreed with.

> >

> Personally, I don't feel any obligation to "choose" (read:  take sides)

> between them.  I also think Dennis McNally's Desolate Angel is

 underappreciated.

> 

> OTOH, it might be well to remember that whoever does a thing first not only

> volunteers to take the most flak, but also grades the road for others.

 

While watching professional wrestling this evening i decided it was an

appropriate time to jump into this thread, for it seems almost as if the

listmembership is interested in something of a "let's get ready to

rumble" conflict over who is better.  Or perhaps another Ali-Frazier

rematch in post prime.

 

I must agree that the saner voice is presented by John Arthur Maynard in

this post.

 

It seems to me that anyone who undertakes a biography of any sort of

Jack Kerouac is either a fool or deserves a commendation just for the

effort.  It is a huge task to undertake the writing of biographical work

-- knowing that SOMEONE will discount you if a single detail is in error

-- for any subject.

 

The biographical subject of Jack Kerouac is uniquely difficult, though,

because of two factors:  first,  Kerouac was an Excellent writer.  If

one is writing a biography of Michael Jordan the subject's expertise is

not in the medium the biographer is using.  But Kerouac is even a

difficult subject among biographies of writers because of the nature of

his writing subject matter.  In his many forms, most of Kerouac's

writings are in a fairly clear way autobiographical fiction.  This means

that the biographer is in competition with the subject right from the

start.

 

As for the difference between Charters and Nicosia and McNally and the

others, it seems that all are useful to the serious fan of Kerouac (i've

not yet read all of them so hence don't yet qualify as serious).  From

the segmenets i've read of each it seems that they are all better than

the other for specific target audiences.  It seems McNally's to be the

best for an introductory socio-cultural view of Kerouac for the less

than heavy scholar.  Nicosia is the best for the scholar - hands down.

And Charters (whose biography should probably be considered as

supplemented by the selected letters i would think) is a less academic

and more intimate style.  Depending upon the audience or the mood of the

individual reader, it seems that one or another biography is best.

 

Errors in one are corrected in others and vice versa.  It is probably

the case that the best biography of any individual is a synthesis of all

the biographies.

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Feb 1998 21:04:39 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Charters vs Nicosiau

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Levi Asher wrote:

> 

> R. Bentz Kirby wrote:

> > It is to some degree a matter of taste, but I don't think that there really

> > is grounds for comparison of the two.  They fill two different roles.  If

 you

> > want to know about JKerouac in detail, clearly you should be read Memory

> > Babe.  If you are interested in a superficial treatment of JK, then Charters

> > is the book for you.  I think most people on this list would state that

> > Memory Babe is the best biography of Jack Kerouac.  What has been said on

> 

> No offense Bentz but I don't think this is necessarily true.  I liked

> both books but I'd have to say Charters achieved the same thing with

> half as many words.  I found her biography ("Kerouac") incredibly

> powerful, and wouldn't have changed a thing.  Bigger isn't always

> better.  And brevity is the soul of wit, and all that.

> 

> I will concede, though, that Nicosia's book is the one the serious

> Kerouac scholar will rely on.   But that doesn't make it less

> "superficial" -- anyway I don't think either book was in any

> way superficial.  Superficial people don't tend to become obsessed

> with Kerouac -- that's the way I see it.

> 

> ---------------------------------------------------------

> | Levi Asher = brooklyn@netcom.com                      |

> |                                                       |

> |     Literary Kicks: http://www.charm.net/~brooklyn/   |

> |      (the beat literature web site)                   |

> |                                                       |

> |          "Coffeehouse: Writings from the Web"         |

> |            (a real book, like on paper)               |

> |               also at http://coffeehousebook.com      |

> |                                                       |

> |                   *---*---*---*---*---*---*---*---*   |

> |                                                       |

> | "Nothing is capsulized in me, on either side of town" |

> |                                      -- Joni Mitchell |

> ---------------------------------------------------------

 

intimate seems a more accurate term than superficial i would think with

regards to the different styles.  i'm all for verbosity since i suffer

that illness though too.  perhaps which biography depends on which

personality I or another reader are wearing (like switching hats) at any

time.

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 07:44:25 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i would say that it is not charters vs nicosia, but charters, then nicosia.

charters bushwhacked the first biography, with many roadblocks, nicosia is more

in depth it's, true, but i wouldn't call it superficial per se.

mc

 

R. Bentz Kirby wrote:

 

> Nancy:

> 

> It is to some degree a matter of taste, but I don't think that there really

> is grounds for comparison of the two.  They fill two different roles.  If you

> want to know about JKerouac in detail, clearly you should be read Memory

> Babe.  If you are interested in a superficial treatment of JK, then Charters

> is the book for you.  I think most people on this list would state that

> Memory Babe is the best biography of Jack Kerouac.  What has been said on

> this list has nothing to do with the quality of Nicosia's work.  Gerry says

> that when someone can have access to his work, plus Jack's pocket notebooks,

> then a better book than Memory Babe will be written.  Of course, that will

> depend on whether or not such a writer is granted free editorial content as

> well.

> 

> The best way to find out, is to read them both.  I liked both of them, but

> for entirely different reasons.  And, I read Charters first.

> 

> Nancy B Brodsky wrote:

> 

> > Whose bio of JK is better, Charter or Nicosia? Ive heard negative things

> > about Nicosia but nothing about Charters. This is rhetorical, I know,

> > but..anyone care to venture an opinion? Thanks.

> >

> > The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

> > Sure-JK

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 08:20:52 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

diane: i too need to reread before contributing. i'm just hoping oour little

po dunk library here in montpelier has a copy as i has no cash.

mc

 

Diane Carter wrote:

 

> Reading _Visions of Gerard_ I have to wonder if the story told here isn't

> really the key to the sense of despair that inevitably topples Kerouac's

> joy of life described in all of his other books.  It seems that at four

> years old, the question was asked, that was continually asked throughout

> Kerouac's adult life: What is the meaning of life in the face of one's

> own mortality?  It also seems to me that his parents' reactions to

> Gerard's death, more or less set the course for his thinking for the rest

> of his life.

> 

> There seems to be three key realizations in Visions of Gerard:

> 

> 1. "And there's no doubt in my heart that my mother loves Gerard more

> than she loves me."

> 

> No matter what Jack does for the rest of his life he is competing with

> the memory of Gerard as a symbol of true goodness, and no matter how hard

> he tries his mother will always love Gerard more than him.

> 

> 2. From Gerard's own manner of accepting death, Jack senses Gerard is not

> afraid of death and that death is good.

> 

> "I don't remember how Gerard died, but (in my memory, which is limited

> and mundane) here I am running pellmell out of the house about 4 o'clock

> in the afternoon and down the sidewalks of Beaulieu Street yelling to my

> father whom I've seen coming around the corner woeful and slow with

> strawhat back and coat over arms in the summer heat, gleefully yelling

> 'Gerard est mort!" (Gerard is dead!) as tho it were some great event that

> would make a change that would make everything better, which it actually

> was, which granted it actually was."

> 

> After watching his parent's reaction to death, there is a sudden and

> great change in his thinking:

> 

> "Truth that cracks open in my head like an oyster, and I see it, the

> house disappears in her Swarm of Snow, Gerard is dead and the soul is

> dead and the world is dead and dead is dead."

> 

> 3.  Kerouac's idealism is linked to his vision of Gerard, his sense of

> self-worth is linked to Gerard, his writing is linked to Gerard.

> 

> "An old dream too I've had of me glooping, that night, in the parlor, by

> Gerard's coffin.  I dont see him in the coffin but he's there, his ghost,

> brown ghost, and I'm grown sick in my papers (my writing papers, my

> bloody 'literary career' ladies and gentlemen) and the whole reason I

> why ever wrote at all and drew breath to bite in vain with pen of ink,

> great gad with indefensible Usable pencil, because of Gerard, the

> idealism, Gerard the religious hero--'Write in honor of his death'..."

> 

> In writing in honor of Gerard's death, however, Kerouac continually is

> brought to the point where he is posing the question asked in this book:

> "Why should such hearts be made to wince and cringe and groan out life's

> breath?--why does God kill us?"  Both Christianity and Buddhism offer

> paths through these questions, but Kerouac chose this answer:

> 

> "We all die? We're all piles of you-know-what? Liars? Poor? Invalids?

> Well then! I drink! Open the door, belly, gimme another chance. He gets

> his other chance, dances jigs till ten, and sleeps at noon. What he does

> at 4 o'clock in the afternoon is in its poor selfsame essence no

> different than what the mournful ladies with their beads and moving-lips,

> in the shadows of the church, are doing--For, the truth that is

> realizable in dead men's bones ought to be a good enough truth for

> everybody, laughers, cryers, cynics, and hopers included, all--The truth

> that is realizable in dead men's bones, all great gloomy unwilling life

> aside, and setting aside my knighthood to thus say so, exhilirates yea

> exterminates all symbols and bosses and crosses and leaves that quiet

> blank--For my part, the news about truth came of the silence of my

> predecessor diers' graves.

>  Sicken if you will, this gloomy book's foretold."

> 

> Truth is realizable in dead men's bones is an awesome statement.  It also

> cuts off the possibility of truth in living, of finding one's own way

> through suffering, of finding meaning in life regardless of what one

> believes happens at death.

> 

> This got too long and I should have divided it into more than

> one post.  But I'm hoping some others of you will have some thoughts

> about the ideas put forth in _Visions of Gerard_ and will break this down

> into further areas of discussion.

> DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Juno-Line-Breaks: 8-9,15-19

Date:         Tue, 3 Feb 1998 08:21:49 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Dimock <juancito@JUNO.COM>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane, beautiful analysis of "Gerard." One passage I noted with special

interest was when Gerard and Ti Jean were playing with the kitten. To

Gerard, the way we treat others, especially those at our mercy, determine

whether we are deserving of Heaven. This seems to be a theme throughout

the Duluoz legend, but is sidetracked by the introduction of Cody

(Cassady), who only to lives for himself. It would seem that the two

approaches to life are at odds, and the older Kerouac tried to restore

his earlier beliefs while down playing the self-indulgences of his adult

years.

 

Seems like I saw somewhere (Levi's Literary Kicks?) that the death of

Tyke in "Big Sur" was a metaphor for the earlier death of Gerard. Then

there is the poor, flea-bitten kitten of Tristessa. Kerouac's kittens

evoke perseverance in the face of "all life is suffering," and the meek

and beatific, while perhaps not inheriting the earth, surely will inhabit

Heaven.

 

Best to all,

 

Jim

 

_____________________________________________________________________

You don't need to buy Internet access to use free Internet e-mail.

Get completely free e-mail from Juno at http://www.juno.com

Or call Juno at (800) 654-JUNO [654-5866]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 08:26:25 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      sorry all

To:           BEAT-L@CUNYVM.CUNY.EDU

 

adrien, could you email me privately? i lost yr address in the latest

crash and burn of hard drive.

thanks

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Priority: normal

Date:         Tue, 3 Feb 1998 03:27:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jaroslav Gagan <GAGAN@DINF.FSV.CVUT.CZ>

Organization: Stavebni fakulta CVUT, Praha

Subject:      Prague Beat Generation Fest 1998

To:           BEAT-L@CUNYVM.CUNY.EDU

 

   Dear BEAT-L Colleagues,

this year we celebrating the BEAT GENERATION as the focal theme

of the 7th International Book Fair, Prague, Czech Republic

(April, 19-24, 1998).

 

Programme:

On the (Beat) Road - exhibition about Czech and American beat generation

                     incl. secret documentary why was Allen Ginsberg

                     expelleed from Czechoslovakia, 1965.

 

Nonstop Ferlinghetti - three days and nights reading poetry

                       in Church St.Salvator, Prague.

 

13th Prague Jazz Days - contemporary jazz with plays "Unfair

                        Arguments With Existence" by L. Ferlighetti

                        (European premiere)

 

7th International Book Fair - incl. exhibit-stand City Lights Bookstore

                              (replica - 1956)

 

Seminar about Beat Generation

 

 

             Honoured guest: Lawrence Ferlinghetti

             -------------------------------------

 

The Prague Beat Generation Fest is for the first time in Czech Republic

and Eastern Europe. We should like ask all beat friends for assistance

with books, magazines, photos, films, memories, posters, etc. which can

be exhibit. We should like invite publishers to Prague and we will give

them 20% reduction from price. Publishers which print only 1,2,3,...

beat books can send it us for special exhibit place.

 

The organizer is nonprofit, nonpolitical and cultural organization which

was founded in 1971. Many members were arrested by last communism regime

for their independent cultural activity and many world artists sent protest

to last Czechoslovak president (for ex. L.Ferlinghetti, E.Albee, K.Vonegut,

J.Updike, M.Albright, A.Ginsberg, T.Stoppard, A.Miller, J.Morrison,

S.Sontag, W.Styron, E.L.Doctorow, P.McCartney, Sting, P.Townshend, L.Weber,

J.Baez, E.Ionesco, W.Marsalis, Y.Menuhin, I.Murdoch, ...)

 

 

 

                                               Karel  S r p

 

 

Please write:   ARTFORUM - Jazzova sekce

                Valdstejnska 14

                118 00  Praha 1

                Czech Republic (Europe)

 

or fax:         ++420-2-535174

 

or e-mail:      gagan@fsv.cvut.cz

 

 

                                              Have a nice day.

                                                    JaG

 

*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*

Ing.Jaroslav GAGAN   Stavebni fakulta CVUT - Katedra inzenyrske informatiky

                     166 29  Praha 6, Thakurova 7   tel: ++420-2-24354536

*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*

                     Bye, Blues Brothers & Blues Sisters.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 08:50:17 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I thought Tom Clark's Kerouac bio packed a punch, but maybe that's

because I read it in a day.

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 08:56:17 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: highly academic pseudo-language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

David Bruce Rhaesa wrote:

> 

> sometimes it seems that the distinction drawn that these folks thoughts

> cannot be translated into everyday presentations of living is precisely

> the reason that WSB's suggestion that the intellectual is a deviant.

> 

> DR

 

Where does Burroughs suggest this?

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 03:57:02 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Re: Charters vs Nicosiau

To:           BEAT-L@CUNYVM.CUNY.EDU

 

levi...great thought..."superficial people don't tend to become obsessed with

Kerouac..."  i think that statement says it all.  i'm going to say that exact

quote the next time someone asks me "what's so great about jack kerouac?"

it's almost as good as "if you can't hear it...you'll never understand it."

JCH

 

and i'm not even going to comment on the Charters vs Nicosia "thing"...

i respect both of them way to much for that.  and love both of the books.

 

john j dorfner

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 03:06:08 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Cheyanne C Ritz wrote:

>  Any comments??  I'd really be interested on any comments

> on this poem.  Heck, get a whole discussion going.

> Thanks,

> ><CYAN><

welcome to Chaos.

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: hlinh@pop.student.uib.no

Date:         Tue, 3 Feb 1998 13:17:41 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Xivind Haagensen <hlinh@POP.STUDENT.UIB.NO>

Subject:      to diane carter

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi diane,

could you do me a big favour and mail your "visions of gerard" letter of

february 2nd (or 3rd?) to my adress: nils-oivind.haagensen@lili.uib.no

thank you!

i'd love to discuss the book with you but want to read it again first, such

a long time since i read it,

thanks again

nils

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Content-MD5: 6qCyw9YdCekj7WXRcolwrg==

Date:         Tue, 3 Feb 1998 13:30:23 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: unsuccesful cut-ups (Maggie).

To:           BEAT-L@CUNYVM.CUNY.EDU

 

There is no need to use a "cut-up machine". All you need is text and a pair of

scissors. Not all of them bring interesting results right away, but I did once

experience making a very poetic cut-up from romance and suspense short stories

from trashy magazines, a cut-up that made very little "sense" at the time, but

when I found it in one of my drawers about 2 years later, it made perfect sense

and was no longer surprising that it had been written at that time even if I

didn't understand it then.

 

Keep trying!

 

Nic

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 05:31:02 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Geneaology of Town and the City (was Re: the scary WSB/"highly

              academic pseudo-language"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Gargan wrote:

> 

> Such scholarly posts as those on WSB are really what Beat-l needs more

> of.  There's been entirely too much useless chit chat as of late.  Let's

> keep such scholarly discussions going.

 

Foucault's writing is as impenetrable as mine (or more so), but i do

find much interest in the concept of geneaology as applied literally

rather than merely figuratively to non-family notions.

 

With Kerouac and other authors we often find something akin to

geneaologies for their entire live's writings (or typings).  This seems

much to wide a swipe.

 

Beginning with the publication of Town and the City we can create

several sorts of geneaologies tracing figuratively into the roots of the

tree and probably can trace branches of other writers that stem from the

trunk of T&C.

 

It seems that several genealogical roots projects are possible.  One is

literary influences.  It sounds as though the main influence in style is

Thomas Wolfe and so the current thread barely breathing is a

geneaological thrust in examining Town and the City closely.  In other

words, to understand the author's point of view and motives as writer

one must come to the plate with a sense of Wolfe.  The understanding of

Wolfe will have it's own geneaology etc. etc. etc. (as Yul Brenner

said).

 

Other threads might include personal associations.  These would

certainly influence the writing of T&C.  What other roots are part of

the influence geneaology?

 

Moving upward, it is tempting to only follow the course directed by JK

and examine the synthetic combination of his collected works.  But an

alternative geneaological approach is to examine the branches of writing

and influences directly deriving from the influence of the single book

T&C.

 

>From the examinations i've gleaned on various web sites it appears that

there is "some" information relevant to such an approach, but people who

know much more about this than I would have to contribute to the

familial literary search in order for such a geneaological thread to

have significance.

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 05:32:27 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Thomas Wolfe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gene Lee wrote:

> 

> Hey all

>           Just thought i would throw in my two cents here- Thomas Wolfe was an

> amazing author! And also a key influence on the young JK. But... I dont think

> any American author of his time quite captures the romance of early 20th

> Century America as Wolfe did. He was an enormous man with an enourmous

> appetite for living and life and writing- much as JK was. And like JK- he had

> discipline problems- with his life and his works. So sad- but genius aint

> easy- not that i would know personally! Bummer- but maybe in the next life.

>                                Gene

 

I would think that others were also enormous.  What literary

characteristics distinguish Wolfe?  How do these characteristics

influence Kerouac's T&C?

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 05:39:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: highly academic pseudo-language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> Cathy Wilkie wrote:

> 

> >  I don't think the people that speak the

> > "highly academic pseudo-language" REALIZE they are UNINTENTIONALLY

> > BLOCKING people like me from UNDERSTANDING their concepts.  I think they

> > talk that way and think everyone else can automatically understand it.

> 

> === Yes and no...In most of these instances that I've read, just in this

> first week since I've joined the list, most of this stuff just cannot be

> put in simpler terms....there is no simpler way to say

> "self-referential", "epistemology", "metaphysical", blah blah

> blah....even though some of the stuff that comes across this list may

> look like needlessly verbose horseshit, it isn't. The ideas behind some

> of it may be pure crap, but there's nothing wrong with the way they're

> expressing it. No one can be expected to provide a complete glossary of

> terms in each and every post; but there's nothing stopping anyone from

> diving in asking questions.

> 

> However, I *AM* on your side, because it seems to me that very few here

> are actually trying to communicate with others; their postings are

> almost like they're posting an essay on a bulletin board and walking

> away. If there's something you don't understand, don't be afraid to

> stand up and ask, ask a hundred questions, that's what these lists are

> supposed to be for, they're discussion groups. There will inevitably be

> assholes who will make groaning holier-than-thou comments with an air of

> superiority, but just ignore them. The ones who think they know the most

> about Beat only know trivia, not the heart and soul of the matter.

> 

> =-=-=-=-=-=-=-=-=-=-=-=

> J.S.Holland, Kentucky

> looking for my bottle of cholula

> =-=-=-=-=-=-=-=-=-=-=-=

 

the way that it is translated to "the nutshell viewpoint" is by giving

GOOD and SPECIFIC Examples not only from text but also from everyday

living (fishing and hunting is how my Aristotle prof expressed

everything).

 

certainly someone like Heidegger is more understandable just by knowing

that much of his writings are the result of his meandering mind while

his body meanders through the Black Forest -- just as WSB does a bit in

Retreat Diaries.

 

bringing "high-brow" ideas into the realm of the everyday can be done.

the people who coined and penned six billion dollar words were people -

they put on their pants and shoes just like y'all and I.

 

sometimes it seems that the distinction drawn that these folks thoughts

cannot be translated into everyday presentations of living is precisely

the reason that WSB's suggestion that the intellectual is a deviant.

 

DR

 

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Date:         Tue, 3 Feb 1998 13:46:17 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: the scary WSB(Mark)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

As far as I know it affected his life deeply. I don't remember what he has said

about loving Joan, but I once read an interview where he stated that the

shooting of Joan was what forced him to write. WSB believed to have been

possesed by the Ugly Spirit and that made him kill her. I think he said

something about Joan's death and the Ugly Spirit being his motivation for

writing untill Ginsberg performed and exorcism on him in the 80ies, but am not

sure.

 

Nic

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Tue, 3 Feb 1998 08:01:25 -0500

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From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think McNally's and Clark's are better ! P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Date:         Tue, 3 Feb 1998 14:04:03 +0100

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From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: WSB and The Third Mind

To:           BEAT-L@CUNYVM.CUNY.EDU

 

last i heard it was out of print. haven't been able to find it anywhere

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 13:29:05 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> What endeared WSB most to Korzybski's theory of general semantics was

> the way in which it showed the errors of Aristotelian thinking - the

> "either/or" simplistic way of thinking that is curiously evident on this

> list even now, what with the heated and pointless arguments about

> "pedophilia bad!" versus "pedophilia good!" and the Charters vs. Nicosia

> debate. In short, in addition to Yes/no, right/wrong, good/evil, the

> Universe contains a MAYBE.....and it is this elemental Maybe that occurs

> most often, despite humans' efforts to reduce everything to Brand A or

> Brand X, liberal vs. conservative, Coke vs. Pepsi, or God and the Devil.

> 

 

Mr. Holland,

 

Which works by Aristotle delineate this position?

 

- John Hasbrouck

 

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Date:         Tue, 3 Feb 1998 14:43:38 +0100

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From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

WSB first got into Korzybski in the 1930's after reading his "Science &

Sanity"; he attended five of Korzybski's lectures in 1939.

 

What endeared WSB most to Korzybski's theory of general semantics was

the way in which it showed the errors of Aristotelian thinking - the

"either/or" simplistic way of thinking that is curiously evident on this

list even now, what with the heated and pointless arguments about

"pedophilia bad!" versus "pedophilia good!" and the Charters vs. Nicosia

debate. In short, in addition to Yes/no, right/wrong, good/evil, the

Universe contains a MAYBE.....and it is this elemental Maybe that occurs

most often, despite humans' efforts to reduce everything to Brand A or

Brand X, liberal vs. conservative, Coke vs. Pepsi, or God and the Devil.

 

To Korzybski, a printed or spoken word was emphatically not the thing it

represented, and WSB jumped on this concept and ran with it, eager to

bring about the desconstruction, if not the destruction, of language.

This may seem simplistic, but there really is a problem with how words

build up like cholesterol in our subconcious with preconceptions about

all things, and limit our ability to think in non-linear terms. Anyone

who is truly fluent in a second language unconsciously understands this.

 

This doesn't even begin to cover it all, but it's the basics.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Kentucky

the vampire who loved garlic

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 14:26:35 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: the WSB-Korzybski connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> Jeffrey Scott Holland wrote:

> > >

> > > What endeared WSB most to Korzybski's theory of general semantics was

> > > the way in which it showed the errors of Aristotelian thinking - the

> > > "either/or" simplistic way of thinking that is curiously evident on this

 

<snip>

 

> and then John Hasbrouck asked:

> 

> > Mr. Holland,

> >

> > Which works by Aristotle delineate this position?

> 

> and now JSH replies:

> 

> === which position? the "either/or" way of looking at things is basic

> fundamental Aristotelian logic, look it up.  Korzybski proposed that

> things are more dimensional than that, and that rather than look at

> things in Aristotle's either/or logic, we should be using more concepts

> like "maybe", "sometimes", and "sort-of". Korzybski decried what he saw

> as flaws in Aristotlian logic's adherence to the yes/no duality. As I

> already stated above.

> 

 

Mr. Holland,

 

I am refering to the position you ascribe to Aristotle. I will be happy

to look it up if only you will only tell me whence I might do so. From

your posts I assume that you've read Aristotle as well as Korzybski. Is

my assumption correct?

 

- John Hasbrouck

 

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Date:         Tue, 3 Feb 1998 16:35:48 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: the WSB-Korzybski connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> >

> > What endeared WSB most to Korzybski's theory of general semantics was

> > the way in which it showed the errors of Aristotelian thinking - the

> > "either/or" simplistic way of thinking that is curiously evident on this

> > list even now, what with the heated and pointless arguments about

> > "pedophilia bad!" versus "pedophilia good!" and the Charters vs. Nicosia

> > debate. In short, in addition to Yes/no, right/wrong, good/evil, the

> > Universe contains a MAYBE.....and it is this elemental Maybe that occurs

> > most often, despite humans' efforts to reduce everything to Brand A or

> > Brand X, liberal vs. conservative, Coke vs. Pepsi, or God and the Devil.

 

 

 

and then John Hasbrouck asked:

 

> Mr. Holland,

> 

> Which works by Aristotle delineate this position?

 

 

 

and now JSH replies:

 

=== which position? the "either/or" way of looking at things is basic

fundamental Aristotelian logic, look it up.  Korzybski proposed that

things are more dimensional than that, and that rather than look at

things in Aristotle's either/or logic, we should be using more concepts

like "maybe", "sometimes", and "sort-of". Korzybski decried what he saw

as flaws in Aristotlian logic's adherence to the yes/no duality. As I

already stated above.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Ky

high on ice cream

=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 16:47:39 +0100

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From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Richard Wallner wrote:

> 

> Both are good books...but the best Kerouac bio is yet to come.  Neither

> Nicosia or Charters had access to all of Kerouac's journals and papers.

> Douglas Brinkley has been chosen by the Sampas family to write the

> "authorized" biography, the first written with full access to the

> papers.  Im sure Brinkley willdo a terrific job, provided Sampas doesnt

> try to edit it as he did the letters.

 

 

 

=== I wish Brinkley would find a way to surreptitiously photocopy

everything and then leak it to the world.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ky

Jeffrey

                Scott

                                Holland

=-=-=-=-=-=-=-=-=-=-=-=-=-=-= still eatin' ice cream

 

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Date:         Tue, 3 Feb 1998 15:58:00 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: the WSB-Korzybski connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> It may well be that Aristotle may have been a deeper guy than these

> Non-Aristotelian upstarts give him credit for, and that all these

> people's references to his shortcomings are gross oversimplifications on

> THEIR part, and that Aristotle is simply getting a bad rep from writers

> and researchers who are overly eager to trash anything traditional. But

> I doubt it.

> 

 

I think we can agree to disagree on this point.

Thank you for your response.

 

John Hasbrouck

 

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Date:         Tue, 3 Feb 1998 16:03:55 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Korzybski and Aristotle

Comments: To: Sean Young <Sean.Young@DSW.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sean,

 

Thanks for posting the Korzybski passage.

It provided much-needed clarification.

 

I now withdraw from this thread.

 

John Hasbrouck

 

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Date:         Tue, 3 Feb 1998 17:09:16 +0100

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From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: WSB-Huncke connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy B Brodsky wrote:

> 

> Did you know that Herbert Huncke gave WSB his very first shot? I found

> that out today, from the Huncke Reader I told y'all about.

 

 

=== Huncke is not world reknowned for his honesty.....according to Ted

Morgan, WSB was selling and using Junk when the two met for the first

time. WSB offered to sell some Junk and some guns to Huncke and another

guy, that's how they met. I don't know who's right and who's wrong, of

course - I wasn't there, obviously - but I tend to believe WSB & Morgan

over Huncke.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - ky

listening to distant sirens

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 17:26:02 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Leon Tabory wrote:

 

> For example I haven't seen anyone suggest that pedophilia may be good.

 

=== Well, I think that's what it amounts to, when someone tries to

rationalize that sex with young teens is not pedophilia, and that it's

'very common in other countries'. But puh-leeeeze, let's bury the

pedothread. I'm sorry I brought it up again.

 

 

 

> and even if I like Korzybski's ideas, general

> semantics etc., I still will consider some things good and some things bad.

 

=== so do I, and so did Korzybski, I'm sure, but the trick is keep

perspective that even so, these are only our opinions and not empirical

facts.

 

 

 

> 

> Ditto for the biography preferences questions. The questions raised and

> explanations of preferences given were quite interesting and valid to me. I

> didsn't see any either/or dichotomies there.

 

=== The whole name of the thread, "Charters vs. Nicosia", virtually

screams it from the rooftop. There is no need to look at the two in

"vs." terms, they're both fine books. The real argument is not with the

books anyway but the politicking and goings-on with the Kerouac estate

and Sampas.

 

 

 

> Excuse me, I am fluent in more than two languages and I believe you are

> basically wrong about your conclusions regarding the posts that you saw

 

=== My reference to being multi-lingual had absolutely nothing to do

with those posts, I was talking about something else by that point. I

was referring to the heightened sense of awareness one gains regarding

language when one is multi-lingual.

 

 

=-=-=-=-=-=-=-=

J.S.Holland, ky

getting really

tired of saying

everything twice

=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 08:47:36 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Wittgenstein, Derrida, all those guys and the Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Much of Burroughs work is similar to deconstructionism and Wittgenstien.

>I don't whetever he directly influcened by them or by Korbynski(who

>himself ripped off Wittgenstein). I'm going for the latter.

 

According to all the bios Burroughs was really into Korbynski and something

called general Semantics.

 

I only know the name from Kerouac and Burroughs bios; Count Alfred

Korbynski as I recall.

 

>in his WSB was

>trying to show the lanugage controls perception and thinking and/or

>cultural values. It has a touch of mystiscm to it.

 

I think this would be an understatement, the touch of mysticism.

 

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Date:         Tue, 3 Feb 1998 17:49:46 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: the WSB-Korzybski connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Hasbrouck wrote:

 

> Mr. Holland,

> 

> I am refering to the position you ascribe to Aristotle. I will be happy

> to look it up if only you will only tell me whence I might do so. From

> your posts I assume that you've read Aristotle as well as Korzybski. Is

> my assumption correct?

 

 

=== I haven't read Aristotle since high school and hope not to read him

again in this lifetime. However, I have read plenty of diverse sources

over the years that also refer to the linear, simplistic nature of his

logic, as compared to, say, Hegel or more importantly, Quantum Physics.

Korzybski is the one who said the traditional and classical logic of

Aristotle is incomplete, not me, though in principle I embrace the idea

myself.

 

One need not have read Aristotle to have read about Aristotelian logic

and know what it is, just as I have never read Sir Isaac Newton, but

have an understanding of gravity - a better one, in fact, than if I had

read only Newton.

 

It may well be that Aristotle may have been a deeper guy than these

Non-Aristotelian upstarts give him credit for, and that all these

people's references to his shortcomings are gross oversimplifications on

THEIR part, and that Aristotle is simply getting a bad rep from writers

and researchers who are overly eager to trash anything traditional. But

I doubt it.

 

=-=-=-=-=-=-=-=-=-=-=-=

J.S. Holland, ky

spice o' mac vauti

=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 12:14:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         "James F. Wood 253-7886" <WOODJ@MAIL.FIRN.EDU>

Subject:      Cut ups

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Would like to hear more about the cup ups, this is like a collage?

Thanks

Jim

 

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X-Sender: cake@ionline.net

Date:         Tue, 3 Feb 1998 12:16:21 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Wittgenstein, Derrida, all those guys and the Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:47 AM 2/3/98 -0800, you wrote:

 

>According to all the bios Burroughs was really into

>Korbynski and something called general Semantics.

 

Alfred Korzybski was a linguist and he started the approach

of general semantics. It focuses on how people evaluate

words and how that evalution influences their behaviour.

 

Hope that is a help?

Mike

 

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Date:         Tue, 3 Feb 1998 12:47:18 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yes, Nancy, please send us full information including date, time, and address.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 17:52:29 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: WSB-Huncke connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> Nancy B Brodsky wrote:

> >

> > Did you know that Herbert Huncke gave WSB his very first shot? ...<snip>...

> === Huncke is not world reknowned for his honesty.....according to Ted

> Morgan, WSB was selling and using Junk when the two met for the first

> time. WSB offered to sell some Junk and some guns to Huncke and another

> guy, that's how they met....<snip>

 

 

its been more than 20 years since i read junkie, but doesn't burroughs

say there that he took his first shot at that time?  that hunkie showed

him how to use the morphene syretts without needles....i think....

tkc

 

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Date:         Tue, 3 Feb 1998 18:57:12 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Leon Tabory wrote:

> 

> Since you are sparing no words in enlightening us about deficient

> epistomologies and linguistic philosophies

 

=== uh, hello, I have NO idea what you are talking about. I was only

reporting what I knew of Korzybski's beliefs, not making any

"enlightening" proclamations of my own.

 

 

 

 

> Another question for you: Got any ideas at what age sexual activities

> commonly start today?

 

=== As I already indicated, I lost my virginity at 12. But the relevance

of your question escapes me.

 

 

 

 

> It is not about pedophilia, it is about your

> glib cricicisms of our "simpleminded" posts.

 

=== Who is "our"? I never called your posts or anyone else's posts

simpleminded. But maybe it's time I started.

 

"Glib", huh? Nixon called Kennedy glib.

 

 

=-=-=-=-=-=-=-=-=-=

J.S Holland, ky

wishing Ginsberg were

here to go "OMMMMMMMMM"

for us all

=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 18:00:38 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Richard Wallner wrote:

...snip... Douglas Brinkley has been chosen by the Sampas family to

write the

> "authorized" biography,...snip....

 

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Date:         Tue, 3 Feb 1998 19:46:35 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Korzybski and Aristotle

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Korzybki, by way of Sean Young, wrote:

 

>      "I wish to emphasize here that in discussing the inadequacy of the

>      Aristotelian system in 1950, I in no way disparage the remarkable and

>      unprecedented work of Aristotle about 350 B.C.

 

 

 

=== Thanks for posting this, Sean, I was too lazy to go looking for

relevant quotes myself.

 

This will hopefully appease the people who mistankenly think I am

claiming that Korzybski was Aristotle-bashing. I myself am certainly

appeased, since Korzybski uses the word "inadequacy" to describe the

Aristotelian system. "Inadequacy" probably should have been the word I

originally used in my first post, rather than "errors" but that word

came from WSB and besides, it's all semantics anyway ;)

 

=-=-=-=-=-=-=-=-=-=-=-=-==

Jeffrey Holland - kentucky

deep in the heart of darkest America

=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 13:59:23 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gene Lee <GTL1951@AOL.COM>

Subject:      Re: Thomas Wolfe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey

        I never bothered to disect Wolfe when I read him- I just enjoyed the

power of his words. As i haven't read T&C due to an inability to find a copy

and it being the only book of JK's I haven't read- i am not gonna do a

comparison. I do know that JK always spoke of Wolfe as being a huge influence

on him.

                    GT

 

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Date:         Tue, 3 Feb 1998 14:04:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Allen Ginsberg

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I posted this info yesterday. Perhaps, for those of you that didnt catch

it, someone can fwd it you. I dont feel like writing the whole thing out

again. But the first show is this sunday at anthology archives on 2nd St.

On Tue, 3 Feb 1998, Bill Gargan wrote:

 

> Yes, Nancy, please send us full information including date, time, and address.

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

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Date:         Tue, 3 Feb 1998 14:05:45 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      WSB-Huncke connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Did you know that Herbert Huncke gave WSB his very first shot? I found

that out today, from the Huncke Reader I told y'all about.

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

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Date:         Tue, 3 Feb 1998 11:21:07 -0800

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From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

-----Original Message-----

From: Jeffrey Scott Holland <jholland@ICLUB.ORG>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, February 03, 1998 10:19 AM

Subject: the WSB-Korzybski cxonnection

 

 

<<SNIP>>

 

the

>"either/or" simplistic way of thinking that is curiously evident on this

>list even now, what with the heated and pointless arguments about

>"pedophilia bad!" versus "pedophilia good!" and the Charters vs. Nicosia

>debate. In short, in addition to Yes/no, right/wrong, good/evil, the

>Universe contains a MAYBE.....

 

I have more of a problem with the intimidatingly skillful slinging of

masterfully constructed words than with the "simplistic" thinking lately on

the list.

 

For example I haven't seen anyone suggest that pedophilia may be good. There

were some questions raised when a person may be considered grown up enough.

Good question. Good considerations. Even if I do not divide everything

between good and bad, and even if I like Korzybski's ideas, general

semantics etc., I still will consider some things good and some things bad.

 

Ditto for the biography preferences questions. The questions raised and

explanations of preferences given were quite interesting and valid to me. I

didsn't see any either/or dichotomies there.

 

<<SNIP>>

Anyone

>who is truly fluent in a second language unconsciously understands this.

>>This doesn't even begin to cover it all, but it's the basics.

> 

Excuse me, I am fluent in more than two languages and I believe you are

basically wrong about your conclusions regarding the posts that you saw,

even if you might understand Korzybski's theories perfectly well.

 

leon

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Kentucky

>the vampire who loved garlic

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

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Errors-To: <vorys@concentric.net>

Date:         Tue, 3 Feb 1998 13:32:35 -0600

Reply-To:     vorys@concentric.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         vorys <vorys@CONCENTRIC.NET>

Subject:      Re: Charters vs Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In the early 80's I saw an unpublished booklet about 70 pages in length.

It was titled Marginalia to Kerouac. They were Ginsbergs personal notes

on the corrections to errors in Charter's book. This booklet may still

be in Naropa Institute's library or archives. I believe it was written

after Charter's book was published. I would like to know if Ann ever

corrected the errors.

For the sake of scholarship some researchers should know this existed.

It was 8 1/2 by 11 and bound at Kinkos with a protective report cover.

 

 

BTW: Both Nicosia and Charters books have merit, I've enjoyed and

recommend them both.

 

Thanks, Steve

 

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Date:         Tue, 3 Feb 1998 14:44:59 -0500

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From:         Richard Wallner <rwallner@CAPACCESS.ORG>

Subject:      Re: Charters vs Nicosia

Comments: To: vorys <vorys@concentric.net>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Both are good books...but the best Kerouac bio is yet to come.  Neither

Nicosia or Charters had access to all of Kerouac's journals and papers.

Douglas Brinkley has been chosen by the Sampas family to write the

"authorized" biography, the first written with full access to the

papers.  Im sure Brinkley willdo a terrific job, provided Sampas doesnt

try to edit it as he did the letters.

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Tue, 3 Feb 1998 13:04:19 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Will brinkley write this.  yesterday Paul Mahr wrote

"Wait until you read Ellis Amburn's bio..."

 

Paul, are both Brinkley and Amburn writing a biography or just one of them?

 

 

 

At 04:47 PM 2/3/98 +0100, you wrote:

>Richard Wallner wrote:

>> 

>> Both are good books...but the best Kerouac bio is yet to come.  Neither

>> Nicosia or Charters had access to all of Kerouac's journals and papers.

>> Douglas Brinkley has been chosen by the Sampas family to write the

>> "authorized" biography, the first written with full access to the

>> papers.  Im sure Brinkley willdo a terrific job, provided Sampas doesnt

>> try to edit it as he did the letters.

> 

> 

> 

>=== I wish Brinkley would find a way to surreptitiously photocopy

>everything and then leak it to the world.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-= ky

>Jeffrey

>                Scott

>                                Holland

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-= still eatin' ice cream

> 

> 

 

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Date:         Tue, 3 Feb 1998 14:36:06 -0700

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From:         Sean Young <Sean.Young@DSW.COM>

Subject:      Korzybski and Aristotle

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     here's Korzyski on Aristotle.

     Peace,

     Sean

     ---------------------------------------------------

     "I wish to emphasize here that in discussing the inadequacy of the

     Aristotelian system in 1950, I in no way disparage the remarkable and

     unprecedented work of Aristotle about 350 B.C. I acknowledge

     explicitly my profound admiration for his extraordinary genius,

     particularly in consideration of the period in which he lived.

     Nevertheless, the twisting of his system and the imposed immobility of

     this twisted system, as enforced for nearly two thousand

     years by the controlling groups, often under threats of torture and

     death, have led and can only lead to more disasters. From what we know

     about Aristotle and his writings, there is little doubt that, if

     alive, he would not tolerate such twistings and artificial immobility

     of the system usually ascribed to him."

 

     Premises of non-Aristotelian thought (General Semantics)

 

        "1.A map is not the territory. (Words are not the things they

         represent.)

         2.A map covers not all the territory. (Words cannot cover all they

         represent.)

         3.A map is self-reflexive. (In language we can speak about

         language.)"

 

     ------- Alfred Korzybski, "The role of language in the perceptual

     process.

 

 

     -----------------------------------------------------------------

     Permission is hereby granted to share electronic and hard copy

     versions of this text with individuals under circumstances in which no

     direct payment is made by those to whom the text is given for the text

     itself, the volume or other medium or online service in which it is

     included, tuition or other payment for the course or seminar, and so

     forth. This notice must remain a part of the text. Any other use is

     reserved to the Institute of General Semantics and/or the author and

     requires prior permission. For further information, e-mail the

     Institute or write: The Institute of General Semantics, 163 Engle

     Street, #4B, Englewood, NJ 07631, USA.

 

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Date:         Tue, 3 Feb 1998 22:44:36 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeff Taylor wrote:

> 

> Isn't there just an obvious contradiction here? K (and WSB following

> him) insists that either/or logic is a basic error, but then in

> practically the same breath, they themselves insist on an either/or

> distinction: EITHER the word OR the thing.

 

=== *Do* they insist on a word/thing dichotomy? I hadn't thought of it

in that way. To say that "a thing and a word are not the same" is not

the same statement as "If it's not a thing, it must be a word". I assume

K and WSB both would have said that K's principles of semantics also

applies to itself, and that the idea can never be 100% perfectly stated,

only approached.

 

 

 

> A further irony is that this particular distinction is not even

> generally valid: while the word "table" is not itself a table, the

> word "word" *is* itself a word. So sometimes the word *can* be the

> thing it represents.

 

=== This is the rabbit-hole that WSB fell through, and went half insane

in the process, asking "what ARE words, really, anyway?". Your example

is only true as far as the Dictionary definition of a word goes, but

doesn't cover the unconscious (or not so unconscious) way we think of

words and carry them in our heads..as thoughtforms, or memes, sort

of....this is what WSB is getting at when he calls language a virus. We

all know what words mean generally, and if we don't we can just look

them up, but the point K was making is that the definition of a word

cannot be fully described - because to crystallize a thought into a word

automatically reduces it, codifies it like turning a rich analog signal

into choppy simple digital, makes it not the same thing.

 

 

 

> 

> It seems to me that either/or logic, must, at at least some level, be

> correct.

 

=== either/or is certainly a necessary step in logical deduction, I

don't think anyone would dispute that. I interpret K as saying that it

can and should go further, however, to a higher level. Either/or

thinking is two dimensional, two directions; I think K was reaching for

three-dimensional or even four-dimensional thought. I wonder if K ever

read Edwin A.Abbott?

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J S H.......k e n t u c k y

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 13:48:30 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

-----Original Message-----

From: Jeffrey Scott Holland <jholland@ICLUB.ORG>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, February 03, 1998 1:14 PM

Subject: Re: the WSB-Korzybski cxonnection

 

 

>Leon Tabory wrote:

> 

>> For example I haven't seen anyone suggest that pedophilia may be good.

> 

>=== Well, I think that's what it amounts to, when someone tries to

>rationalize that sex with young teens is not pedophilia, and that it's

>'very common in other countries'.

 

Since you are sparing no words in enlightening us about deficient

epistomologies and linguistic philosophies let'shave a closer look at your

thought processes:

 

If someone says in some country teenagers considered sufficiently grown up

for sex, does that mean they say pedophilia is good?

 

BTW, do  you realize that it wasn't so many generations ago that in the

western world also,  thirteen year olds were considered old enough for legal

marriage? That was before they needed as much time as they do now to become

skilled in socio-economic

activities, not to reach sexual maturity.

 

Another question for you: Got any ideas at what age sexual activities

commonly start today? I take the question back because I want to take your

advice and drop this thread. It is not about pedophilia, it is about your

glib cricicisms of our "simpleminded" posts.

 

leon

 

 But puh-leeeeze, let's bury the

>pedothread. I'm sorry I brought it up again.

> 

> 

> 

>> and even if I like Korzybski's ideas, general

>> semantics etc., I still will consider some things good and some things

bad.

> 

>=== so do I, and so did Korzybski, I'm sure, but the trick is keep

>perspective that even so, these are only our opinions and not empirical

>facts.

> 

> 

> 

>> 

>> Ditto for the biography preferences questions. The questions raised and

>> explanations of preferences given were quite interesting and valid to me.

I

>> didsn't see any either/or dichotomies there.

> 

>=== The whole name of the thread, "Charters vs. Nicosia", virtually

>screams it from the rooftop. There is no need to look at the two in

>"vs." terms, they're both fine books. The real argument is not with the

>books anyway but the politicking and goings-on with the Kerouac estate

>and Sampas.

> 

> 

> 

>> Excuse me, I am fluent in more than two languages and I believe you are

>> basically wrong about your conclusions regarding the posts that you saw

> 

>=== My reference to being multi-lingual had absolutely nothing to do

>with those posts, I was talking about something else by that point. I

>was referring to the heightened sense of awareness one gains regarding

>language when one is multi-lingual.

> 

> 

>=-=-=-=-=-=-=-=

>J.S.Holland, ky

>getting really

>tired of saying

>everything twice

>=-=-=-=-=-=-=-=

> 

 

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Date:         Tue, 3 Feb 1998 16:57:24 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Joyce, WSB, word play about word play

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:57 PM 1/29/98 EST, you wrote:

>In a message dated 29-Jan-98 6:55:43 PM Pacific Standard Time,

>gallaher@HSC.USC.EDU writes:

> 

><< Finnegans Wake

> 

> 

> Finnegans of the world wake up

>  >>

>thanks, tim... the second I sent it I thought I'd done it wrong. Maggie

> 

> 

 

Finnegan, Begin again..., with Kerouac stuff.  I thought I had wandered

onto the Joyce list.  Finnegan's Wake is inpenetrable, but Molly

Bloom's soliloqhy is the most wonderful payoff to Ulysses.

 

Mike

rice

 

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Date:         Tue, 3 Feb 1998 15:15:37 -0700

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Young <Sean.Young@DSW.COM>

Subject:      General Semantics basic overview

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     Hello all:

     I posted this overview to clarify some General Semantics

     misconceptions. It is from this Web site:

     http://www.general-semantics.org/graphics/ghome.html

     Sorry if it is overly long. When reading it also consider how

     Burroughs expressed similar ideas. I believe it sheds light on what

     Burroughs was doing with language in the cut-ups and his collage

     methods. As in: trying to cut through wordlines and get to the

     prerecordings themselves. Check out the above Web site's section on

     Major Works and read "The role of language in the perceptual process"

     by Korzybski. I myself have just started reading about General

     Semantics and that is why I chose to use the GS instute's wording

     here. Note the copyright at the bottom.

 

     Peace and understanding to all.

 

     Sean D. Young

     -------------------------------------------------------------------

     General-Semantics

 

 

     ....it's not semantics

 

     ....it's not just a matter of words

 

     ....it's an approach to living

 

          How is it that we humans have advanced so far in science,

     mathematics and technology, yet we demonstrate so much confusion,

     misunderstanding, and violence in our interactions with others and

     within ourselves?

 

     This question led engineer and scholar Alfred Korzybski on a lifelong

     quest to examine the structures behind the methods of science and then

     to apply these structures generally to all areas of human existence.

     This journey led him to study the new outlooks in physics, chemistry,

     etc., the foundations of mathematics, psychiatry, etc., and to

     formulate their most up-to-date principles into a practical, teachable

     system for living. He called this system General Semantics ("g-s") and

     introduced it in his major work, Science and Sanity, first printed in

     1933 and now in its fifth edition. The book has inspired many

     popularizations, over one hundred and fifty doctoral dissertations and

     two journals.

 

          General-Semantics teaches that life issues become clearer and

     more manageable as we move toward:

        * a better understanding of the background assumptions we bring to

     a situation

        * a willingness and an ability to make careful and clear

     observations

        * a willingness to continuously test, examine, evaluate, and change

     our assumptions and behavior based on our observations.

 

          G-S provides information, methods, structures, and practical

     devices to assist us with the above goals

 

     We Humans can be described as ...

 

     Time-Binders -- Each generation, through symbols, especially language,

     gains from and builds upon the experience of past generations. We

     learn from each other, and pass on this knowledge. Korzybski called

     this process "time-binding", and considered it important enough to

     serve as a basis for defining humans.

 

     Symbol Users -- Humans are symbol users and symbol manipulators.

     Language, including the special language called "mathematics", is our

     most important symbol system. How we use language determines the way

     we think, our relationship with ourselves, others, and our world. Many

     human problems can be traced to our ignorance of the ways we use

     language and the ways language uses us.

 

     Problem Solvers -- Critical thinking and creative problem solving are

     basic human activities. Science and mathematics are examples of our

     mosteffective problem solving activities -- effective in terms of

     realizing goals. Effective problem solving requires an ability to

     first clarify the issues involved (therefore to think critically) and

     then apply creative processes to generate proposed solutions, which

     are then critically evaluated.

 

          General-Semantics and Problem Solving

          G-S is a system which generalizes the principles and methods of

     modern science to all areas of human activity. Its principles and

     methods can be utilized to enhance our day to day activities and our

     relationships.

 

     Some Formulations of General-Semantics -- necessarily broad and

     incomplete

 

          We live in a world of constant change and uncertainty. Our

     experience, knowledge and understanding have limits. Our lives are a

     blend of different and sometimes conflicting relationships. Bringing

     this into awareness is a step toward healthier living. When we

     interact with an object, a person, or a situation, we form images and

     create symbols. Initially these occur totally within ourselves and our

     nervous systems. Our brains form these images and symbols by modelling

     (mapping) the outside world and in the process filters out most

     information. The selected information therefore always represents an

     abstract of the interaction.

 

          Different people select (abstract) information differently --

     draw different maps of a territory.

          Awareness of this abstracting process provides a key to

     developing our potential as humans.

          The symbols we form, the words we use are not the

     object/situation in all its infinite characteristics.

          Many of our personal misunderstandings arise when we act as if we

     have all the information about anything or anyone.

          No two objects or situations are exactly the same, but, for

     convenience, we may categorize them. Treating them as if they were the

     same --

          ignoring their differences -- can lead to misunderstandings,

     conflicts, and even tragedies.

          We often confuse our symbols and maps with what they represent.

     We benefit by remembering that the map is not the territory, the word

     is not the thing. They are symbols we have created.

          We are self-reflexive; we react to our reactions. This gives us

     opportunities to improve what we believe, think, feel, see and do.

 

          A Tool for Life

 

          General-Semantics has been a useful discipline in helping people

     with:

 

               Personal relationships

               Critical thinking

               Professional development

               Child raising

               Adjustment to change

               Communication

               Industrial management

               Problem solving

               Decision making

               Stress management

               Conflict management

               and more.....

 

     General-Semantics...

 

          ...teaches us how symbols are related to experience so as to make

     it less likely that we take too seriously the absurd or dangerous

     nonsense that within every culture passes for philosophy, wisdom, and

     political argument. --- Aldous Huxley

 

          ...helps us to understand ourselves better so that we can

     understand others better. --- Karen Groshek

 

          ...like a bag of tools. When different situations arise you open

     the bag and take out the tool that will help you with a particular

     situation... --- A member of g-s discussion group

 

          ...experience shows that when the methods of general semantics

     are applied, the results are usually beneficial, whether in law,

     medicine, business, etc., be they in family, national, or

     international fields. If they are not applied, but merely talked

     about, no results can be expected.

          --- Alfred Korzybski

     -------------------------------------------------------------------

     The Institute of General Semantics also has available for purchase

     Books, Tapes, and Videos. Listings of materials, programs and

     Institute membership are available on request. Request information by

     e-mail.

 

     --------------------------------------------------------------------

     Permission is hereby granted to share electronic and hard copy

     versions of this text with individuals under circumstances in which no

     direct payment is made by those to whom the text is given for the text

     itself, the volume or other medium or online service in which it is

     included, tuition or other payment for the course or seminar, and so

     forth. This notice must remain a part of the text. Any other use is

     reserved to the Institute of General Semantics and/or

     the author and requires prior permission. For further information,

     e-mail the Institute or write: The Institute of General Semantics, 163

     Engle Street, #4B, Englewood, NJ 07631, USA.

 

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Date:         Tue, 3 Feb 1998 23:50:37 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      One   (was: the WSB-Korzybski connection)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeff Taylor wrote:

> 

> Did K say that NO idea can be perfectly stated? If he did, he's wrong

> about that, too: when we say "one", we have stated the idea of the

> number one as perfectly as perfect can be. 1 is *exactly* 1 and

> nothing else.

 

 

=== oh, come on! ....you can't possibly be serious.

 

what IS "one"? what IS the idea of the number one? how do you know?

prove it. Don't point to a book because I'll ask, how do your sources

know? can they prove it? how? Is one the first number? Or is it zero? I

thought integers were numbers, what about negative integers? How can

there be ANY first number with negative integers? When we say "one",

might we be referring not to the number so much as a person (i.e. "JSH

is the cute one" or "one might ask oneself")? The American Heritage

dictionary gives seven different distinct meanings for "one", and simply

saying "one" most assuredly does NOT state the idea perfectly. It only

seems like it if you ALREADY KNOW the idea of one. Assuming the listener

even speaks English. Does "Ein" have the same meaning as "One"? Does not

any word have different shades of personal meanings to each person? And

is it really the loneliest number that we'll ever do?

 

=-=-=-=

jsh

ky

quack

=-=-=-=

 

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Date:         Tue, 3 Feb 1998 14:57:44 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: General Semantics basic overview

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sean,

 

Having gotten myself involved in reacting to putdowns, I especially

appreciate  a review of the cooling understandings and tools of General

Semantics.

 

I had completely forgotten that in 1959 I had done a study at the request of

a man who led General Semantics training goups at San Quentin. The man did

it on his own time voluntarily. I will not rest until I recall his name.

Applying the Minnesota Multiphasic Personality test to his group before and

after their training we found a statistically significant improvement in

thinking processes. We reported the findings at a

conference at Napa State Hospital at the time. Thanks for bringing back a

pleasant memory.

 

leon

 

 

From: Sean Young <Sean.Young@DSW.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, February 03, 1998 2:31 PM

Subject: General Semantics basic overview

 

 

>     Hello all:

>     I posted this overview to clarify some General Semantics

>     misconceptions. It is from this Web site:

>     http://www.general-semantics.org/graphics/ghome.html

>     Sorry if it is overly long. When reading it also consider how

>     Burroughs expressed similar ideas. I believe it sheds light on what

>     Burroughs was doing with language in the cut-ups and his collage

>     methods. As in: trying to cut through wordlines and get to the

>     prerecordings themselves. Check out the above Web site's section on

>     Major Works and read "The role of language in the perceptual process"

>     by Korzybski. I myself have just started reading about General

>     Semantics and that is why I chose to use the GS instute's wording

>     here. Note the copyright at the bottom.

> 

>     Peace and understanding to all.

> 

>     Sean D. Young

>     -------------------------------------------------------------------

>     General-Semantics

> 

> 

>     ....it's not semantics

> 

>     ....it's not just a matter of words

> 

>     ....it's an approach to living

> 

>          How is it that we humans have advanced so far in science,

>     mathematics and technology, yet we demonstrate so much confusion,

>     misunderstanding, and violence in our interactions with others and

>     within ourselves?

> 

>     This question led engineer and scholar Alfred Korzybski on a lifelong

>     quest to examine the structures behind the methods of science and then

>     to apply these structures generally to all areas of human existence.

>     This journey led him to study the new outlooks in physics, chemistry,

>     etc., the foundations of mathematics, psychiatry, etc., and to

>     formulate their most up-to-date principles into a practical, teachable

>     system for living. He called this system General Semantics ("g-s") and

>     introduced it in his major work, Science and Sanity, first printed in

>     1933 and now in its fifth edition. The book has inspired many

>     popularizations, over one hundred and fifty doctoral dissertations and

>     two journals.

> 

>          General-Semantics teaches that life issues become clearer and

>     more manageable as we move toward:

>        * a better understanding of the background assumptions we bring to

>     a situation

>        * a willingness and an ability to make careful and clear

>     observations

>        * a willingness to continuously test, examine, evaluate, and change

>     our assumptions and behavior based on our observations.

> 

>          G-S provides information, methods, structures, and practical

>     devices to assist us with the above goals

> 

>     We Humans can be described as ...

> 

>     Time-Binders -- Each generation, through symbols, especially language,

>     gains from and builds upon the experience of past generations. We

>     learn from each other, and pass on this knowledge. Korzybski called

>     this process "time-binding", and considered it important enough to

>     serve as a basis for defining humans.

> 

>     Symbol Users -- Humans are symbol users and symbol manipulators.

>     Language, including the special language called "mathematics", is our

 

>     most important symbol system. How we use language determines the way

>     we think, our relationship with ourselves, others, and our world. Many

>     human problems can be traced to our ignorance of the ways we use

>     language and the ways language uses us.

> 

>     Problem Solvers -- Critical thinking and creative problem solving are

>     basic human activities. Science and mathematics are examples of our

>     mosteffective problem solving activities -- effective in terms of

>     realizing goals. Effective problem solving requires an ability to

>     first clarify the issues involved (therefore to think critically) and

>     then apply creative processes to generate proposed solutions, which

>     are then critically evaluated.

> 

>          General-Semantics and Problem Solving

>          G-S is a system which generalizes the principles and methods of

>     modern science to all areas of human activity. Its principles and

>     methods can be utilized to enhance our day to day activities and our

>     relationships.

> 

>     Some Formulations of General-Semantics -- necessarily broad and

>     incomplete

> 

>          We live in a world of constant change and uncertainty. Our

>     experience, knowledge and understanding have limits. Our lives are a

>     blend of different and sometimes conflicting relationships. Bringing

>     this into awareness is a step toward healthier living. When we

>     interact with an object, a person, or a situation, we form images and

>     create symbols. Initially these occur totally within ourselves and our

>     nervous systems. Our brains form these images and symbols by modelling

>     (mapping) the outside world and in the process filters out most

>     information. The selected information therefore always represents an

>     abstract of the interaction.

> 

>          Different people select (abstract) information differently --

>     draw different maps of a territory.

>          Awareness of this abstracting process provides a key to

>     developing our potential as humans.

>          The symbols we form, the words we use are not the

>     object/situation in all its infinite characteristics.

>          Many of our personal misunderstandings arise when we act as if we

>     have all the information about anything or anyone.

>          No two objects or situations are exactly the same, but, for

>     convenience, we may categorize them. Treating them as if they were the

>     same --

>          ignoring their differences -- can lead to misunderstandings,

>     conflicts, and even tragedies.

>          We often confuse our symbols and maps with what they represent.

>     We benefit by remembering that the map is not the territory, the word

>     is not the thing. They are symbols we have created.

>          We are self-reflexive; we react to our reactions. This gives us

>     opportunities to improve what we believe, think, feel, see and do.

> 

>          A Tool for Life

> 

>          General-Semantics has been a useful discipline in helping people

>     with:

> 

>               Personal relationships

>               Critical thinking

>               Professional development

>               Child raising

>               Adjustment to change

>               Communication

>               Industrial management

>               Problem solving

>               Decision making

>               Stress management

>               Conflict management

>               and more.....

> 

>     General-Semantics...

> 

>          ...teaches us how symbols are related to experience so as to make

>     it less likely that we take too seriously the absurd or dangerous

>     nonsense that within every culture passes for philosophy, wisdom, and

>     political argument. --- Aldous Huxley

> 

>          ...helps us to understand ourselves better so that we can

>     understand others better. --- Karen Groshek

> 

>          ...like a bag of tools. When different situations arise you open

>     the bag and take out the tool that will help you with a particular

>     situation... --- A member of g-s discussion group

> 

>          ...experience shows that when the methods of general semantics

>     are applied, the results are usually beneficial, whether in law,

>     medicine, business, etc., be they in family, national, or

>     international fields. If they are not applied, but merely talked

>     about, no results can be expected.

>          --- Alfred Korzybski

>     -------------------------------------------------------------------

>     The Institute of General Semantics also has available for purchase

>     Books, Tapes, and Videos. Listings of materials, programs and

>     Institute membership are available on request. Request information by

>     e-mail.

> 

>     --------------------------------------------------------------------

>     Permission is hereby granted to share electronic and hard copy

>     versions of this text with individuals under circumstances in which no

>     direct payment is made by those to whom the text is given for the text

>     itself, the volume or other medium or online service in which it is

>     included, tuition or other payment for the course or seminar, and so

>     forth. This notice must remain a part of the text. Any other use is

>     reserved to the Institute of General Semantics and/or

>     the author and requires prior permission. For further information,

>     e-mail the Institute or write: The Institute of General Semantics, 163

>     Engle Street, #4B, Englewood, NJ 07631, USA.

> 

 

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Content-Description: cc:Mail note part

Date:         Tue, 3 Feb 1998 16:57:15 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Young <Sean.Young@DSW.COM>

Subject:      Re: GS overview/Beat list

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     Leon and all,

 

     Leon, thanks for your story. Yeah, GS seems to bring a calmer approach

     to communicating. Upon reading about General Semantics I was struck

     with how much of our time in our lives is spent arguing over "what I

     meant to say" or "you don't know what you're talking about" types of

     statements.

     I hope that on the list we could sometimes pause on the list and seek

     "to understand" before "being understood". Stating considerations as

     opposed to declaring a position. Sharing ideas as opposed to hurling

     opinions back and forth. I look at it like this: Opinions are easy,

     anyone can have one, you don't need to work for an opinion. Whereas

     ideas have to be thought about, they are always considerations and

     subject to evolution. And opposing views can help to sculpt a more

     refined idea. And the realization that we are all on the same path on

     the Beat list, we may be at different points on the path but it is the

     same path.

 

     Peace

 

     Sean D. Young

 

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Date:         Tue, 3 Feb 1998 16:01:55 -0800

Reply-To:     Sherri <love_singing@email.msn.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@EMAIL.MSN.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

someone wrote:

 

>I was referring to the heightened sense of awareness one gains regarding

>language when one is multi-lingual.

 

i would go further and say that adding even one language be it spoken or

symbolic, eg., music, math, etc., expands the structures within which one

thinks.  language is built by a culture's particular experience and thought

patterns.  hence the fact that some languages are extremely expressive about

certain ideas, feelings, etc., while some languages have very few words for

the same things.  multilingualism at its best allows much deeper

understanding of cultures, psyches, the world around us and ourselves

because it broadens our ability to conceptualize and pay attention to things

which, in our native cultures, may not be considered much, if at all.

however, the multilinguist must be open enough to pay attention to and

accept these diversities, or the "awareness" may only be: "people are

different in other parts of the world, and they don't have a clue".

 

ciao, sherri

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 19:14:54 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Beats and the Lost Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie Gerrity wrote:

> 

>   I'm preparing to start research for a paper I'm going to write

> comparing the Beats to the Lost Generation of the 1920's and 30's.

> I've seen a lot of similarities between the two groups: substance

> abuse, disillusionment with America, expatriatism (both literal and

> figurative).

>   I plan to center my argument around a comparison of _On The Road_ to

> Hemingway's _The Sun Also Rises_ and "Howl" to T.S. Eliot's "The

> Wasteland."

>   Just curious to hear if anyone else has seen any similarites between

> these two literary groups, probably the two greatest in the history of

> American Lit.

>   Thanks,

>       maggie g.

> 

> ==

> "In dreams begin responsibilities."--Delmore Schwartz

> 

> _________________________________________________________

> DO YOU YAHOO!?

> Get your free @yahoo.com address at http://mail.yahoo.com

 

 

Great idea - Maggie

As a Publisher and (past Beat - Paris & NEw York) I think your idea may

be a reasonable book. Any interest in writing it?

 

I can think of a number of similarities to the two--mostly in the case

of their European experience...in particlar Paris.Both groups found

agreeable publishers in Europe for some of their early work.OTR and Sun

Also Rises share a genrational similarity - Ginsberg and JK looking for

Zen while Larry in Sun looks for similar mystic understanding. etc etc.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 19:27:13 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Beats and Post/Modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hey everybody. SO today, I took up (again)  what is turning out to be my

eternal quest for the meaning of "post modernism"-- seems no matter how much I

read, it just gets more confusing....And then I decided to start w/ modernism,

which was worse. The article I was reading mentioned every type of literature

created in the first half of this century, and I had thought it was more of a

philosophy than a time period, even though the two are closely linked.

 

Anyway- one of the major characteristics of modernism, in fact, the first one

listed, is "stream of conciousness" writing. And of course, no mention of

Keroauc or any other Beat-type, when it always seemed to me that they had

played a big part in developing this as a technique.

 

So I'm basicly asking for any input/ideas about modernism or postmodernism in

general, and how the beats relate to either of these topics. I'm a little

lost, and I thought, who better to ask? :)

 

--Stephanie

 

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Date:         Tue, 3 Feb 1998 19:41:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: WSB-Huncke connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

OKay, thanks. I didnt know this about Huncke...

On Tue, 3 Feb 1998, Jeffrey Scott Holland wrote:

 

> Nancy B Brodsky wrote:

> >

> > Did you know that Herbert Huncke gave WSB his very first shot? I found

> > that out today, from the Huncke Reader I told y'all about.

> 

> 

> === Huncke is not world reknowned for his honesty.....according to Ted

> Morgan, WSB was selling and using Junk when the two met for the first

> time. WSB offered to sell some Junk and some guns to Huncke and another

> guy, that's how they met. I don't know who's right and who's wrong, of

> course - I wasn't there, obviously - but I tend to believe WSB & Morgan

> over Huncke.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - ky

> listening to distant sirens

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

The Absence of Sound, Clear and Pure, The Silence Now Heard In Heaven For

Sure-JK

 

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Date:         Tue, 3 Feb 1998 20:08:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

My question will be what kind of control will the estate exercise over

Brinkley's work.  I myself will be very anxious to read his book when

published, but wonder if the gate keeper will allow everything out into the

open.  I look forward to the day it is published, as I will read it as soon

as I can get a copy.

 

Jeffrey Scott Holland wrote:

 

> Richard Wallner wrote:

> >

> > Both are good books...but the best Kerouac bio is yet to come.  Neither

> > Nicosia or Charters had access to all of Kerouac's journals and papers.

> > Douglas Brinkley has been chosen by the Sampas family to write the

> > "authorized" biography, the first written with full access to the

> > papers.  Im sure Brinkley willdo a terrific job, provided Sampas doesnt

> > try to edit it as he did the letters.

> 

> === I wish Brinkley would find a way to surreptitiously photocopy

> everything and then leak it to the world.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-= ky

> Jeffrey

>                 Scott

>                                 Holland

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-= still eatin' ice cream

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 19:32:39 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Tue, 3 Feb 1998, Jeffrey Scott Holland wrote:

 

> What endeared WSB most to Korzybski's theory of general semantics was

> the way in which it showed the errors of Aristotelian thinking - the

> "either/or" simplistic way of thinking

> 

> To Korzybski, a printed or spoken word was emphatically not the thing it

> represented,

 

Isn't there just an obvious contradiction here? K (and WSB following

him) insists that either/or logic is a basic error, but then in

practically the same breath, they themselves insist on an either/or

distinction: EITHER the word OR the thing.

A further irony is that this particular distinction is not even

generally valid: while the word "table" is not itself a table, the

word "word" *is* itself a word. So sometimes the word *can* be the

thing it represents.

 

It seems to me that either/or logic, must, at at least some level, be

correct. *At the very least* we need the following either/or: EITHER

some thing is different in *some* way from something else OR it is

not. If we couldn't tell whether or not anything was different from

anything else, reality as a whole would just melt down into one

all-purpose blob. Mathematics is unthinkable without either/or logic.

Computers too.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

 

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Date:         Tue, 3 Feb 1998 18:43:12 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew Felix <felix@ENGR.ARIZONA.EDU>

Subject:      james baldwin

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  here is a long one:)

 

  first off i have been unattentive to the list for the past few days

so i am sorry if i am stepping on the toes of other interesting

threads, but i am in a journey for knowledge and sometimes you got to

step up and try to start a thread of your own, ehh?

 

  here we go i just put down james baldwin's Sonny's Blues and at the

moment am hit with soul searching thoughts about the fifties, bebop,

kerouac, racism, and that common quest to uncover every inner emotion that

we all hide from the world for the reason that we dont have anyone to

listen or have no clue how to express it.

  anyway this is just pure rantings from a man  deeply touched by this

story in need to discuss this with anyone who would like to. sorry if

this is coming out as jibberish but i am typing faster than normal.

 

  what struck me about the story as being related to the Beats is

the fact that the story is about baldwin's younger brother coming from the

hopeless situation of blacks in harlem finding there place in a still

racially overcast society. his brother Sonny, dreamed of something better

a way of finding who he was because he had a sense that he was greater

than what his fate seemed to be headed toward. so he found his light

in music wishing to be like Charlie Parker (ehh? sound a little similar to

mr. kerouac?)

 

  so Sonny sought refuge in the Navy (JK/merchant marines) then in small

apartments in the village. and finally fell into the addiction of most

jazz musicians of the time, heroin. anyway, baldwin's position is that he

is the older brother trying to understand his younger brothers search for

a greater understanding of his own life. and finally realizes that it is

his jazz which is where the human soul is able to escape.

 

   told you it would be jibberish but trust me this is a great story and

if anyone has read it (please tell me you have) then backchannel me or

share it out in the open for the whole world to see.

 

   oops!  sorry sometimes i confuse the real world with this computer

world we are all in.

   again please forgive the long rant but if i am going to post for the

first time then i might as well make it a splashing one....

 

  "...no one really knows what i'm talking about, yeah that's right my

      name is Yauch..."

 

 matt

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 19:02:51 -0700

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      [Fwd: Re: [Fwd: New Millenium Questions]]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

charles plymell may return to the list soon.

DR

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Sure, I'd like to come on soon.

cp

 

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Date:         Tue, 3 Feb 1998 21:28:58 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

All existing biographies do not even remotely grasp the depth of Kerouac's

persona, genius, character, etc. The core to his insightful grasp of the

world and how his intelligence worked exists most likely in his notebooks

and journals which he kept up with throughout his life. Douglas Brinkley is

pursuing this biography because he wanted to, not because he was chosen by

the estate and is being paid to do it by them. It was a mutual agreement,

Brinkley wanted to do it, Sterling Lord told the Estate, and the Estate

agreed to let him do it. I don't think there is a concern over the estate

exercising control over what will and won't be admitted in the biography.

Brinkley stands on his own as a true scholar who will labor over this

venture with integrity, craft, and above all scholarship. Something gravely

lacking in current biographies in publication today. What we have here is

either a quick summary of the author's life (which is good if you want that

type of thing meaning Clark, Charters, and McNally), mock-critical

biographies which purport to be the "best" and most incisive (yet to be

proven because it does not stand the test of time: Memory Babe), or just

plain old money-making good-only-for-the-pictures type bio (Angel-Headed

Hipster et. al.). My own work which is over 500 pages I shelved in favor of

a diferent approach to "biography." With the onset of Some of the Dharma and

a forthcoming volume of letters, there is still much to be done in the way

of Kerouac biography. Those who have written about K. had to do so with the

material that was available to them. But none of them can ever be purported

as the "best" for each offers something different to the reader. Paul of The

Kerouac Quarterly.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>From TKQ

>All existing biographies do not even remotely grasp the depth of Kerouac's

>persona, genius, character, etc.

 

and on . . .

 

Claptrap from a youngster.  Fortunately it was only an e-mail . . . and not

500 pages.

_____________________

More harm is done under guise of goodness than ever realized

by foul deed or evil doer.  Nevertheless, I wish I was good.

--Herbert Huncke

 

V.J. Eaton

Tempe, AZ

 

 

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Date:         Tue, 3 Feb 1998 20:51:31 -0600

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From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Tue, 3 Feb 1998, Jeffrey Scott Holland wrote:

 

> > Isn't there just an obvious contradiction here? K (and WSB following

> > him) insists that either/or logic is a basic error, but then in

> > practically the same breath, they themselves insist on an either/or

> > distinction: EITHER the word OR the thing.

> 

> === *Do* they insist on a word/thing dichotomy? I hadn't thought of it

> in that way. To say that "a thing and a word are not the same" is not

> the same statement as "If it's not a thing, it must be a word".

 

Well, that's not what I said or implied. If indeed it's true that K

says that the word is emphatically not the thing it refers to, then he

is insisting on a word/thing dichotomy--not one that is meant to be

exhaustive of reality as whole, of course, BUT IT IS STILL AN

EITHER/OR DISTINCTION. And of course if it's possible to identify

something as word at all and oppose it to a thing--well, this implies

the distinction that everything is EITHER a word OR not a word--a

distinction that IS valid for reality as a whole. As far as I can

tell, the whole conceptuality in play here is still solidly founded on

either/or logic.

 

> I assume

> K and WSB both would have said that K's principles of semantics also

> applies to itself, and that the idea can never be 100% perfectly stated,

> only approached.

 

Did K say that NO idea can be perfectly stated? If he did, he's wrong

about that, too: when we say "one", we have stated the idea of the

number one as perfectly as perfect can be. 1 is *exactly* 1 and

nothing else.

 

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

 

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bentz,

 

Think of what a biographer could do if (s)he could walk into the New York

Public Library and have access to everything JK left when he died. Then add

all of Nicosia's taped interviews to that stash, plus Charter's research

material.

 

Would that be a  dream archive? Or would it be a dream archive?

 

j grant

 

 

 

 

>My question will be what kind of control will the estate exercise over

>Brinkley's work.  I myself will be very anxious to read his book when

>published, but wonder if the gate keeper will allow everything out into the

>open.  I look forward to the day it is published, as I will read it as soon

>as I can get a copy.

> 

>Jeffrey Scott Holland wrote:

> 

>> Richard Wallner wrote:

>> >

>> > Both are good books...but the best Kerouac bio is yet to come.  Neither

>> > Nicosia or Charters had access to all of Kerouac's journals and papers.

>> > Douglas Brinkley has been chosen by the Sampas family to write the

>> > "authorized" biography, the first written with full access to the

>> > papers.  Im sure Brinkley willdo a terrific job, provided Sampas doesnt

>> > try to edit it as he did the letters.

>> 

>> === I wish Brinkley would find a way to surreptitiously photocopy

>> everything and then leak it to the world.

>> 

>> =-=-=-=-=-=-=-=-=-=-=-=-=-=-= ky

>> Jeffrey

>>                 Scott

>>                                 Holland

>> =-=-=-=-=-=-=-=-=-=-=-=-=-=-= still eatin' ice cream

> 

> 

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Date:         Tue, 3 Feb 1998 21:49:07 -0600

Reply-To:     Jeff Taylor <taylorjb@ctrvax.Vanderbilt.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: One   (was: the WSB-Korzybski connection)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Tue, 3 Feb 1998, Jeffrey Scott Holland wrote:

 

> > Did K say that NO idea can be perfectly stated? If he did, he's wrong

> > about that, too: when we say "one", we have stated the idea of the

> > number one as perfectly as perfect can be. 1 is *exactly* 1 and

> > nothing else.

> 

> === oh, come on! ....you can't possibly be serious.

> 

> what IS "one"? what IS the idea of the number one? how do you know?

> prove it. Don't point to a book because I'll ask, how do your sources

> know? can they prove it? how? Is one the first number? Or is it zero? I

> thought integers were numbers, what about negative integers? How can

> there be ANY first number with negative integers? When we say "one",

> might we be referring not to the number so much as a person (i.e. "JSH

> is the cute one" or "one might ask oneself")? The American Heritage

> dictionary gives seven different distinct meanings for "one", and simply

> saying "one" most assuredly does NOT state the idea perfectly. It only

> seems like it if you ALREADY KNOW the idea of one. Assuming the listener

> even speaks English. Does "Ein" have the same meaning as "One"? Does not

> any word have different shades of personal meanings to each person? And

> is it really the loneliest number that we'll ever do?

 

If you really don't know what the number 1 is, I don't know what else

I can say to you. OF COURSE the pattern of dots "one" can have any

possible meaning, if you so choose. But what it refers to, when it's

used to refer to the number 1, a pure singular unity, then it most

certainly does express it perfectly. When you know what 1 is, there's

absolutely nothing more to be known about it *itself*. Whether it's

the "first number" is a totally extrinsic question. The number 1 does

not exist inside my, or anyone else's, head. OF COURSE it can can have

all sorts of subjective connotations, but those sorts of things have

ABSOLUTELY NOTHING TO DO with what it itself is.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

 

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>>At 07:46 PM 2/3/98 -0700, you wrote:

>>>>From TKQ

>>>>All existing biographies do not even remotely grasp the depth of Kerouac's

>>>>persona, genius, character, etc.

>>> 

>>>and on . . .

>>> 

>>>Claptrap from a youngster.  Fortunately it was only an e-mail . . . and not

>>>500 pages.

>>> 

>> 

>>I can prove what I say because I have researched 500 pages worth of material

>>( not counting what was discarded). What is the source of your "claptrap"?

>>Because you think me a youngster, that may be, it may not be, that stement

>>of yours is irellevant, but what does the views of a "youngster" have to do

>>with recognizing K. as a genius? My statements are to the effect that for

>>the most part, biographies up to now have remained largely adulatory in

>>their tone, but not mature in taking K. as a serious writer, architect of

>>new style of consciousness-description, but also hugely capable of character

>>flaws like everybody else. What biography can you show me that is accurately

>>documented with solid proof on every page?

>>  Your dismissal is largely condescending in nature and biased in attitude.

>>I can make an honest assessment because I researched my work and I have the

>>background for it. What is yours? Paul...

>>"We cannot well do without our sins; they are the highway to our virtues."

>>                                           Henry David Thoreau

> 

>He's commenting on the content of your post, not your age.

> 

>j grant

> 

> 

>                    HELP RECOVER THE MEMORY BABE ARCHIVES

>                             Details  on-line at

>                                 http://www.bookzen.com

>                      625,506 Visitors  07-01-96 to 11-28-97

> 

 

 

Then what was the purpose of mentioning age at all?  what is the purpose of

 calling

his post "claptrap"?  If you're going to criticize the content then explain what

you thought was wrong with it.  I think Eaton's terse comment was highly

 unnecessary.

 

 

Al

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

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From:         sherri <love_singing@MSN.COM>

Subject:      LONG:  Corso on Kerouac part #1

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ELEGAIC FEELINGS AMERICAN

    (for the dear memory of Jack Kerouac)

 

1

 

How inseparable you and the Maerica you saw yet was

            never to see +ADs- you and America, like the

            tree and teh ground, are one the same+ADs- yet how

            like a palm tree in the state of Oregon... dead

            ere it blossomed, like a snow polar loping the

            Miami --

How so that which you were or hoped to be, and the

            America not, the America you saw yet could

            not see

So like yet unlike the ground from which you stemmed+ADs-

            you stood upon America like a rootless

            flat-bottomed tree+ADs- to the squirrel there was no

            divorcement in its hop of ground to its climb of

            tree... until it saw no acorn fall, then it knew

            there was no marriage between the two+ADs- how

            fruitless, how useless, the sad unnaturalness

            of nature+ADs- no wonder the dawn ceased being

            a joy... for what good the earth and sun when

             the tree in between is good for nothing...  the

            inseparable trinity, once dissevered, becomes a

            cold fruitless meaningless thrice-marked

            deathlie in its awful amputation... O butcher

            the pork-chop is not the pig -- the American

            alien in America is a bitter truncationa+ADs- and even

            this elegy dear Jack. shall have a butchered

            tree, a tree beaten to a pulp, upon which it'll be

            contained -- no wonder no good news can be

            written on such bad news --

How alien the natural home, aye, aye, how dies the tree

            when the ground is foreign, cold, unfree -- The

            winds know not to blow the seed of the

            Redwood where none before had stood+ADs- no palm is

            blown to Oregon, how wise the wind -- Wise

            too the senders of the prophet... knowing the

            fertility of the designated spot where suchmeant

            prophecy be announced and answerable -- the

            sower of wheat does no sow in teh fields of

            cane+ADs- for the sender of the voice did also send the ear.

            And were little Liechtenstein, and not

            America, the designation.... surely then we'd

            the tongues of Liechtenstein --

Was not so much our finding America as it was America

            finding its voice in us+ADs- many spoke to America

            as though America by land-right was theirs by

            law-right legistlatively acquired by materialistic

            coups of wealth and inheritance+ADs- like the citizen

            of society believes himself the owner of society,

            and what he makes of himself he makes of

            America and thus when he speaks of America

            he speaks of himself, and quite often, such a he

            is duly elected to represent  what he represents...

            an infernal ego of America

Thus many a patriot speaks lovingly of himself when he

            speaks of America, and not to appreciate him is

            no to appreciate America, and vice versa

The tongue of truth is the true tongue of America, and it

            could not be in the +ACI-Daily Heralds+ACI- since

            the voice therein was a controlled voice.

            wickedly opinionated, and directed at gullible

No wonder we found ourselves rootless... for we've become

            the very roots themselves -- the lie can never

            take root and there grow under a truth of sun

             and therefrom ber the fruit of truth

 

Alas, Jack, seems I cannot requiem the without

            requieming America, and that's one requiem

            I shall not presume, for as long as I live there'll

            be no requiems for me

For though the tree dies the tree id born anew, only until

             the tree dies forever and never a tree born

            anew... shall the ground die too

Yours the eyes that saw, the heart that felt, the voice that

            sang and cried+ADs- and as long as America shall

             live, though ye old Kerouac body hath died,

            yet shall you live... for indeed ours was a time

            of prophecy wiithout death as a consequence...

            for indeed after us came assassins,

            and who'll doubt thy last words, +ACI-After me...

            the deluge+ACI-

Ah, but were it a matter of season I'd not doubt the return

            of the tree, for what good the ground upon

            which we stand itself unable to stand -- aye the

            tree will seasonal time fall, for it be nature's

            wont, that's why the ground, the down, the slow

            yet sure decompostion, until the very tree

            becomes the very ground where once it stood+ADs-

            yet falls the ground... ah then what?

            unanswerable this be unto nature, for there is

            no ground whereon to fall and land, no down,

            no up even, directionless. and into what, if what,

            compostion goeth its decomposition?

We came to announce the human spirit in the name of

            beauty and truth+ADs- now this spirit cries out in

            nature's sake the horrendous imbalance of all

            things natural... elusive nature caught+ACE- like a

            bird in hand, harnessed and engineered in the

            unevolutional ways of experimetn and technique

Yes though the tree has taken root in the ground the ground

            is upturned and in this forced vomitage is spewn

            the fire miasma of fossilific trees of death the

            million-yeared pirch and grease of a dinosauric

            age dead and gone how all brought to surface

            again and made to raom the sky we breathe in

            stampedes of pollution

What hope for the America so embodied in thee, O friend,

            when the very same alcohol that disembodied

            your brother redman of his America

            disembodied ye -- A plot to grab their land, we

            know, yet what plot to grab the ungrabbable

            land of one's spirit?  Thy visionary America were

            impossible to unvision -- for when the shades of

            the windows of the spirit are brought down, that

            which was seen yet remains... the eyes of the

            spirit yet see

Aye the America so embodied in thee, so definitely rooted

            therefrom, is the living embodiment of all

            humanity, young and free

And though the great redemptive tree blooms, not yet full,

            not yet entirely sure, there be the darksters, sad

            sad and old, would like to have it fall+ADs- they hack

            and shop and saw away... that nothing full

            and young and free for sure be left to stand at

            all

Verily were such a tree as youth be... were such be made

            to fall, and never rise again, then shall

            the ground fall, and the deluge come and wash

            it asunder, wholly all and forever, like a wind

            out of nowhere into nowhere

 

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From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:46 PM 2/3/98 -0700, you wrote:

>>From TKQ

>>All existing biographies do not even remotely grasp the depth of Kerouac's

>>persona, genius, character, etc.

> 

>and on . . .

> 

>Claptrap from a youngster.  Fortunately it was only an e-mail . . . and not

>500 pages.

> 

 

I can prove what I say because I have researched 500 pages worth of material

( not counting what was discarded). What is the source of your "claptrap"?

Because you think me a youngster, that may be, it may not be, that stement

of yours is irellevant, but what does the views of a "youngster" have to do

with recognizing K. as a genius? My statements are to the effect that for

the most part, biographies up to now have remained largely adulatory in

their tone, but not mature in taking K. as a serious writer, architect of

new style of consciousness-description, but also hugely capable of character

flaws like everybody else. What biography can you show me that is accurately

documented with solid proof on every page?

  Your dismissal is largely condescending in nature and biased in attitude.

I can make an honest assessment because I researched my work and I have the

background for it. What is yours? Paul...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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From:         John Zarra <zman1956@BELLATLANTIC.NET>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane,

 

Nice post on VISIONS OF GERARD.

<html>

<font face="Lucian BT" size=3>John J Zarra Jr</font></html>

 

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Brinkley's Kerouac bio

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>At 07:46 PM 2/3/98 -0700, you wrote:

>>>From TKQ

>>>All existing biographies do not even remotely grasp the depth of Kerouac's

>>>persona, genius, character, etc.

>> 

>>and on . . .

>> 

>>Claptrap from a youngster.  Fortunately it was only an e-mail . . . and not

>>500 pages.

>> 

> 

>I can prove what I say because I have researched 500 pages worth of material

>( not counting what was discarded). What is the source of your "claptrap"?

>Because you think me a youngster, that may be, it may not be, that stement

>of yours is irellevant, but what does the views of a "youngster" have to do

>with recognizing K. as a genius? My statements are to the effect that for

>the most part, biographies up to now have remained largely adulatory in

>their tone, but not mature in taking K. as a serious writer, architect of

>new style of consciousness-description, but also hugely capable of character

>flaws like everybody else. What biography can you show me that is accurately

>documented with solid proof on every page?

>  Your dismissal is largely condescending in nature and biased in attitude.

>I can make an honest assessment because I researched my work and I have the

>background for it. What is yours? Paul...

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

 

He's commenting on the content of your post, not your age.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Date:         Wed, 4 Feb 1998 02:45:11 +0100

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From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Claptrap from an oldster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

V.J. Eaton wrote:

> 

> Claptrap from a youngster.

 

 

=== what makes people like this join a Beat Generation list? What do

they want? What are they after? What purpose do they imagine that

statements like this one serve? Crazy, Man, Crazy. If Kerouac himself

posted to this list he'd be ridiculed and picked apart and insulted.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

J.Scott Holland, ky ky ky

=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 3 Feb 1998 23:39:48 -0600

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From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: One   (was: the WSB-Korzybski connection)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"Ceci n'est pas une pipe."--Magritte

Cordially,

Mike Skau

 

On Tue, 3 Feb 1998, Jeffrey Scott Holland wrote:

 

> Jeff Taylor wrote:

> >

> > Did K say that NO idea can be perfectly stated? If he did, he's wrong

> > about that, too: when we say "one", we have stated the idea of the

> > number one as perfectly as perfect can be. 1 is *exactly* 1 and

> > nothing else.

> 

> 

> === oh, come on! ....you can't possibly be serious.

> 

> what IS "one"? what IS the idea of the number one? how do you know?

> prove it. Don't point to a book because I'll ask, how do your sources

> know? can they prove it? how? Is one the first number? Or is it zero? I

> thought integers were numbers, what about negative integers? How can

> there be ANY first number with negative integers? When we say "one",

> might we be referring not to the number so much as a person (i.e. "JSH

> is the cute one" or "one might ask oneself")? The American Heritage

> dictionary gives seven different distinct meanings for "one", and simply

> saying "one" most assuredly does NOT state the idea perfectly. It only

> seems like it if you ALREADY KNOW the idea of one. Assuming the listener

> even speaks English. Does "Ein" have the same meaning as "One"? Does not

> any word have different shades of personal meanings to each person? And

> is it really the loneliest number that we'll ever do?

> 

> =-=-=-=

> jsh

> ky

> quack

> =-=-=-=

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Feb 1998 22:57:19 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Jim Dimock wrote:

> 

> One passage I noted with special

> interest was when Gerard and Ti Jean were playing with the kitten. To

> Gerard, the way we treat others, especially those at our mercy,

> determine

> whether we are deserving of Heaven. This seems to be a theme throughout

> the Duluoz legend, but is sidetracked by the introduction of Cody

> (Cassady), who only to lives for himself. It would seem that the two

> approaches to life are at odds, and the older Kerouac tried to restore

> his earlier beliefs while down playing the self-indulgences of his

> adult years.

 

I can see this too.  Gerard's view of the "way we treat others" theme

also really stood out for me in this passage where he is in confession

and he says,

"'My father, I confess that I pushed a little boy be because he made me

mad.'

'Did you hurt him?'

'No--but I hurt his heart.'

The priest is amazed to hear the refinement of it, the hairsplitting

elegant point of it, ('He'll make a priest' he inner grins)."

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 07:10:25 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      WSB HUNCE AND JUNK

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i've been following this thread, and thought that some source material

may be helpful to all:

this is from ed  morgans bio, ,_literary outlaw_ p 119

"they (huncke and fellow junkies) were back on henry street and

desperate for junk, when one day in jannuary 1946 bernie barker dropped

by and said "jesus, good to see you. man, i've got guy lined up , dowing

to be straight down tonight, i want you to tell me what you think of

him. he approached me the other day. he's been coming to the drugstore

quite regregularly, and he's been taling of capers of one sort and

other. he just told me that he has a sawed-off shot gun with an

automatic pistol cartridge and some morphine syrettes that he wants to

get rid of " that sounded good to phil  and herbert. morphine syrettes,

the kind that are little toothpaste tubes with a neeedle sticking out,

were what they'd been using on the ship.

pg 120-121:

the evening that burroughs showed up on henry street, huncke sawa tall

thin man in the doorway wearing a chesterfield coat and a grey snap-brim

hat, gloves clutched in one hand. he thought burroughs was the police.

he asked barker to step into the bedroom and said, 'who is this guy, he

looks like trouble.' bernie vouched for him, and when they came back

into the kitchen, burroughs and phil white were discussing the syrettes.

but huncke was still suspicious and said, 'i don't think i want to

bother, really.' phil, however, was interested and said he would be in

touch.

p 121

a few days later, burroughs used one of the syrettes and had his first

experience with junk. he wanted to see what it was like, as he had done

so with the chloral hydrate at los alamos, in the spirit of general

inquiry. also, it seemed the thing to do as far as being a criminal was

concerned. using junk made him part of the group, it was a sort of rite

of passage. Finally, there was in burroughs the spirit of the

self-mutilating scientist that the opium addict writer thomas de quincey

described iin his _confessions_".....

121

morphing was like nothing burroughs had ever known. he had the feeling

of moving off the ground at great speed. he seemed to be floating, as a

wave of pleasure spread through his tissues. this was followed by a

feeling of fear and the vision of a neon -lit cocktail lounge, and a

waitress coming in with a skull on a tray.

'i don't want your fuckin' skull,' burroughs found himself saying, 'take

it back.'

a few days later, when phil white came to buy, at four dollars a box,

burroughs laid him out 10 boxes of syrettes and kept two saying 'these

are for me' phil looked up, surprised. 'you use it?'

now and then, burroughs said "its bad stuff phil said shaking his head.

'the worst thing that can hapen to a man.'

soon burroughs was buying syrittes from phil, but at a higher price.

often, they would shoot up together. ....

phil introduced burroughs to a doctor on 102nd st off broadway, who

would fill prescriptions. burroughs also started hanging out at the

angler bare on 8th avenue near forty second st, where huncke was often

to be found. overcoming his suspicion, huncke permitted

122

burroughs to buy himn drinks and meals-he stil had him inned for a

mark..

sources:burroughs meets huncke: interview with author, burroughs

archive, lawrence kansas

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 09:06:24 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

claptrap \'klap-,trap\ n : pretentious nonsense

 

A fabulous word. Joycean. I'll use it. Thanks.

 

-jwh

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Priority: normal

Date:         Wed, 4 Feb 1998 09:31:09 CST6CDT

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Frank O'Brien <FMO9287@CUB.UCA.EDU>

Organization: University of Central Arkansas

Subject:      Jane!!!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I really hate to fill-up the list serve with this trivial nonesense,

but my computer's hard drive sought to escape the tedium of samsara

and achieved nirvana by way of a hard drive crash.  I need to get the

instructions on how to get off this list serve.

 

Blessings, Peace, & Love

OB

Frank O'Brien

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 12:19:28 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jo grant wrote:

 

> 

> Sometimes the truth is uncomfortable. Read it and forget it.

 

 

=== What is truth? On second thought, no, don't answer that. Please. I'm

not making any judgment about the veracity of Eaton's post, I'm simply

saying the way he said it was obnoxious and stupid. As long as such crap

is sent to the whole list, and thus my mailbox, I will not just "read it

and forget it". If someone wants to post insults and personal attacks,

let them do it offlist, and not waste everyone's else's time and

bandwidth.

 

Maybe this list should split into two lists - one for sincere

proto-Beats, students, and interested folks on ye olde eternal search

for truth, and one for the jaded, petulant grouches and their

apologists, who seem to think they already have a lock on truth,

beentheredonethat, yadayadayada, "claptrap from a youngster", indeed,

can't ya just see some old Dickensian blowhard character slumped in his

armchair saying that? Needs a "harrumph" at the end, though. And maybe a

wet hacking cough.

 

=-=-=-=-=-=-=-=-=-=

J.Scott Holland. ky.

dreaming of oatmeal.

=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 11:21:51 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"what is the work? to ease the suffering. all else drunken dumbshow"

AG

please, everyone, do we have to continually split off into name calling and

petulance (not just you, jeffrey).

we're all here because we have an interest in things and people beat. but

that doesn't mean that we are all in synch, age or attitude wise.

mc

 

Jeffrey Scott Holland wrote:(snipped)

 

> Maybe this list should split into two lists - one for sincere

> proto-Beats, students, and interested folks on ye olde eternal search

> for truth, and one for the jaded, petulant grouches and their

> apologists, who seem to think they already have a lock on truth,

> beentheredonethat, yadayadayada, "claptrap from a youngster", indeed,

> can't ya just see some old Dickensian blowhard character slumped in his

> armchair saying that? Needs a "harrumph" at the end, though. And maybe a

> wet hacking cough.

> 

> =-=-=-=-=-=-=-=-=-=

> J.Scott Holland. ky.

> dreaming of oatmeal.

> =-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 11:23:36 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Claptrap-- ? or ! -ps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

or knowledge.

we all bring something here to the table. just wish we could sit down and

really enjoy the potluck.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 11:24:27 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Nice try

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Damn. I have again failed to secure a gig playing solo guitar

at KEROUAC JACK'S, a restaurant here in Chicago. They said my

demo tape was very nice, but they're looking for a funk/jazz

group nowadays.

 

Oh well.

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 11:52:49 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      new reading venue

To:           BEAT-L@CUNYVM.CUNY.EDU

 

just found out that there is a coffee shop already in montpelier. for

the veggie gourmets, you may have heard of 'horn of the moon' cafe; on

monday nights there are spoken word and music : my first booking is for

march 2.

waaahooo

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Content-MD5: XQMyfBUYR2Tm0bHHXSMsuA==

Date:         Wed, 4 Feb 1998 13:50:02 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: One   (was: the WSB-Korzybski connection)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yes Jeff the arbitrary meaning of a sign is true (which is why

Ein may very well mean the same as One being basically

different representations of ther same morpheme)

 

But it becomes difficult to explain what 1 is if the only

medium is language, which is what I think was WSB's point:

that language inhibits us from fully understanding the world

and in fact limits our ability to develop new concepts. Can we

think without language ?

 

Is 1 the opposite of many or the opposite of nothing ?

And explaining 1 as a number which represents perfect

singularity seems similar to the explanation of 'blue' as a

color that is blue, not much of a clarification to be sure.

 

Nicolai Pharao

nicpha@cphling.dk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 14:11:09 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      shit

To:           BEAT-L@CUNYVM.CUNY.EDU

 

in the midst of trying to up date my private email to create list for

sending poetry not beat to the list, i cleared out my entire address

book.

i'm going mad - this is my connection to the world right now. shit.

please, everyone who corresponds with me, send me a private note, test,

will do fine, so i can get you all back.

and some who have left list are gone forever.

it's been a bitch of a week; i've lost friends who have lost their

minds, i'm all torn up.

this is sincere, please help

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 4 Feb 1998 08:49:51 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>V.J. Eaton wrote:

>> 

>> Claptrap from a youngster.

> 

J.Scott Holland wrote:

>=== what makes people like this join a Beat Generation list? What do

>they want? What are they after? What purpose do they imagine that

>statements like this one serve? Crazy, Man, Crazy. If Kerouac himself

>posted to this list he'd be ridiculed and picked apart and insulted.

 

 

Possibly...

 

Steam of consciousness ? From the heart ? Feel it and write it ?

 

True ? Eaton seems to think it is.

 

True to you? Obviosly not.

 

Sometimes the truth is uncomfortable. Read it and forget it.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 06:57:48 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: One   (was: the WSB-Korzybski connection)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It's at least impressive that this argument about "one" is

following exactly the course of the major philosophical argument

of modern western culture.  As I understood it when I studied this

stuff years ago, there was a two-century-or-so long flame war

between the contintental Rationalists (mainly Descartes, Spinoza

and Leibniz) and the British Empiricists (mainly Locke, Berkeley

and Hume) that centered on the question of what can be known

with certainty.  The opening argument in this thread was

Descartes "Meditations" in which he stated that the one

rockbottom certainty was "I think therefore I am", and then

he went a little bit further out on a limb by proving that

God exists.  His proof didn't hold up (which is not to

say, of course, that anybody proved that God *didn't* exist

either) -- but in any case after many many more treatises

were written the argument settled on the question: can't

we at least say that we understand mathematical concepts --

theoretical concepts, like "one" -- with certainty?

 

As I remember it, Immanuel Kant is generally said to have

come up with the best answer to this question, and it's

something along the lines of "sort of."  In a way this

whole argument spelled the death of the rationalistic

approach to philosophy, giving way to the more creative

and speculative fields of Existential philosophy, Freudian

psychology, cognitive science, analytic (language-oriented)

philosophy, etc.

 

I could discuss this stuff all day, but I suppose in the

interests of keeping this a Beat list it might be a good

idea for anybody who wants to know whether the concept

"one" can be understood should read Immanuel Kant's

"Critique of Pure Reason" for the long version of the

answer.  And I guess we really ought to get back to

talking about beat writing.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [207.79.35.35]

Date:         Wed, 4 Feb 1998 08:18:38 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Claptrap AND something else

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>From owner-beat-l@cunyvm.cuny.edu Wed Feb  4 08:07:52 1998

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>Message-ID:  <34D8486F.3C7D@iclub.org>

>Date:         Wed, 4 Feb 1998 12:19:28 +0100

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

>Subject:      Re: Claptrap-- ? or !

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>jo grant wrote:

> 

>> 

>> Sometimes the truth is uncomfortable. Read it and forget it.

> 

> 

>=== What is truth? On second thought, no, don't answer that. Please.

I'm

>not making any judgment about the veracity of Eaton's post, I'm simply

>saying the way he said it was obnoxious and stupid. As long as such

crap

>is sent to the whole list, and thus my mailbox, I will not just "read

it

>and forget it". If someone wants to post insults and personal attacks,

>let them do it offlist, and not waste everyone's else's time and

>bandwidth.

> 

>Maybe this list should split into two lists - one for sincere

>proto-Beats, students, and interested folks on ye olde eternal search

>for truth, and one for the jaded, petulant grouches and their

>apologists, who seem to think they already have a lock on truth,

>beentheredonethat, yadayadayada, "claptrap from a youngster", indeed,

>can't ya just see some old Dickensian blowhard character slumped in his

>armchair saying that? Needs a "harrumph" at the end, though. And maybe

a

>wet hacking cough.

> 

>=-=-=-=-=-=-=-=-=-=

>J.Scott Holland. ky.

>dreaming of oatmeal.

>=-=-=-=-=-=-=-=-=-=

> 

 

 

*julian laughs in little giggles...*

i like this guy...

 

 

anyway...

 I have  a few beat questions....

 

 I. Kicks Joy Darkness

 

a> What is the source of the title...? Pardn my naiveity but i honestly

don't know....

 

b> Kerouac speaks of Sangsara...what is that?

 

c> On track five, hunter s. thompson reads a poem of jack's...and the

last line says something in latin...

"ad aspera..." something something something...I don't have the text

with me right now...

 Those of you who do have it...do you know what it means?...

 

d> and finally...

 Do you think Jack would have approved of this rendition of his

poetry?...i mean...i found very little jazz involved...don't get me

wrong i love the cd...but there's a lot of...well...noise going on in

the background of some of them....and whereas he probably wouldn't

mind...some artists even changed his words around....

 

 

 sorry if this is too much to ask replies to at once...

 

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      RAA26168

Date:         Wed, 4 Feb 1998 17:00:44 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      beat dad(rising from the wreckage of my disk

To:           BEAT-L@CUNYVM.CUNY.EDU

 

my father's eyes (first draft)

 

received in mail today

photos of my father:

taken by his present wife

down in VA hospice, florida

 

empty eyed, he stares

 restrained and

wheel chair bound

into the camera's lens

impersonally.

 

 my father's eyes are so vacant-

beyond 'light's on nobody home'

just a feeble naked porch light

slowly burning out

 

this is my childhood  all over again-

when my father was mostly vacant.

coming home long past dinner time

his smoky whiskey smells

as frightening as my mother's rage

to which he turned his back and left-

vacant once again.

 

my father was a tin man,

traveling salesman,a con,

who refused to be

a nine to fiver

choosing a living on the road

to keep him family-free.

 

this man, who picked me up from bus

circa '68

having, like him, fled  family

only to return to house

and told me confidentially,

'if i had it all to do over, i wouldn't'

(annihilating me.)

 

the last time i saw my father

we fought - over what, i can't  recall-

i locked myself up in my truck

but lacking ignition keys,

was stuck,

locked up, unable to leave.

 

he cried and begged forgiveness, and

as i unlocked the door,

crawling in

he sprawled all over me,

crying and begging ,

in such a way,

that

brought further distance yet.

 

estranged these past four years

i moved up country,

he moved down-

thinking always there would be time

for love unencumbered,

unhinged from childhood pain-

and of course there never was.

 

now he stares out at no one

in this photo sent to me

by his current wife,

who wrote and asked

didn't i know

he carried always in his billfold

pictures of mom and me?

 

my answer, a sigh, a no,

he told so little to me

and now so little is left,

leaving

only his vacant stare,

no connection,

just hollow pain

and again the wish to flee

 

 

(c) 2/4/98

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 19:36:25 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: WSB-Huncke connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie, thanks for posting this; it seems to me to clearly show that WSB

didn't do the junk with Huncke - Huncke is suspicious of WSB and turns

down his offer to buy WSB's syrettes. "a few days later, Burroughs used

one of the syrettes and had his first experience with junk." Since

Huncke is still suspicious of him, surely he wasn't around and surely

Morgan would have mentioned it.

 

That, I thought, was that.... until I just happened to be looking at the

picture of Huncke in the book and the caption describes him as "one of

the Times Square hustlers who introduced Burroughs to drugs"! So what

the heck?!

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeff Holland KY arf arf arf

=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: vansljl@mallard2

Date:         Wed, 4 Feb 1998 12:37:37 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jessica L Vanslooten <vansljl@MAIL.AUBURN.EDU>

Subject:      beats and post/modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi all! i too find the placement of the beats within the

modernism/postmodernism continuum interesting... i think some of the major

tenets of modernism are stream of consciousness style (like woolf and

joyce) along with a concern of capturing certain moments or moods or

things. woolf's language attempts to capture the psychological progression

of time...i'm thinking of a scene in *to the lighthouse* where woolf

captures a dinner party, the psychological moments of the participants and

how as soon as we move out of the moment it's in the past. and then you

have people like william carlos williams who argues for "no ideas but in

things..."

 

i, too, find postmodernism difficult to pin down...but it seems to me the

focus is on the fragmentary nature of life, how things can be pulled

apart, how our lives are increasingly defined by multiple sources and

lacking a stable center...and one thing particularly interesting is the

way postmodern fiction tries to break down boundaries and genres, how it

comments on its own fictionality...

 

seems to me like some of the things the modernists were doing verged on

postmodernism but maybe because they wrote before the world wars, they

still had a stable world view?!? and i think kerouac and company

definately took some of the modernist ideas and pushed them into

postmodern territory--kerouac's style works against given genres

and he focuses on the immediacy of moments (i think of that great

description of riding in the back of the pickup truck in *on the

road*) and also interweaves religions...then again sometimes i think these

terms are so random and arbitrary... the irony of categorizing something

as postmodern is that postmodernism itself would argue against one stable

category.

 

--jessica

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 19:52:26 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jo grant wrote:

 

> Is "Eat me motherfucker" a Beat term?

 

 

=== Any cussin' is a Beat term.

 

=-=-=-=

JSH

eatin'

snow

=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 11:10:28 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: Beats and Post/Modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Zucchini4@AOL.COM wrote:

> 

> hey everybody. SO today, I took up (again)  what is turning out to be my

> eternal quest for the meaning of "post modernism"-- seems no matter how much I

> read, it just gets more confusing....And then I decided to start w/ modernism,

> which was worse. The article I was reading mentioned every type of literature

> created in the first half of this century, and I had thought it was more of a

> philosophy than a time period, even though the two are closely linked.

> 

> Anyway- one of the major characteristics of modernism, in fact, the first one

> listed, is "stream of conciousness" writing. And of course, no mention of

> Keroauc or any other Beat-type, when it always seemed to me that they had

> played a big part in developing this as a technique.

> 

> So I'm basicly asking for any input/ideas about modernism or postmodernism in

> general, and how the beats relate to either of these topics. I'm a little

> lost, and I thought, who better to ask? :)

> 

> --Stephanie

 

actually, i am no expert on the subject, but a while ago i attended a

short feminist lecture about post-modernism (feminists claim that there

is a close connection between the two). the literature that was

suggested was the following:

(i don't know the names of most of the books, but i guess that won't be

a problem)

Frederick Jameson - Postmodern

Linda Hutchin

Bryan McHalle

Cvetan Todorov (a Bulgarian author, don't know if this is the correct

spelling) - Fantastic

 

the difference, as i gathered was in this:

realism tries to reflect reality; modernism believes that you can't know

the world from reality, so it turns to the psyche and constructs a new

world in the mind. the questions modernism poses are what is the world

like and how we learn about it. postmodernism asks which world this is.

it introduces the term 'possible worlds' (which has a lot to do with

modern physics - schrodinger's cat for example), as this is only one of

them. due to this, the reader starts playing a more significant role as

he is part of the creation as well. there is also the weakening of the

subject included in writing.

 

i think that umberto ecco wrote on the subject as well.

 

not very much, but i hope the books will help.

 

ksenija

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 11:55:11 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: the WSB-Korzybski cxonnection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Mathematics is unthinkable without either/or logic.

 

actually, not quite. when classical mathematics started to fall apart at

the beginning of the century (contradictions in the set theory) among

the new approaches that emerged was intuitionism (founded by brower).

this theory doesn't allow proofs starting with "assume that it is not

so", because there aren't just two possibilities: either is or is not.

there are many other possibilities as well. you prove that such and such

numeb exists only if you construct it.

 

another example is fuzzy logic.

 

not even to mention the examples physics has to offer.

 

ksenija

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 19:56:28 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: WSB-Huncke connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

go figger. but i'd rather trust archives of wsb over any foto caption.

mc

 

Jeffrey Scott Holland wrote:

 

> Marie, thanks for posting this; it seems to me to clearly show that WSB

> didn't do the junk with Huncke - Huncke is suspicious of WSB and turns

> down his offer to buy WSB's syrettes. "a few days later, Burroughs used

> one of the syrettes and had his first experience with junk." Since

> Huncke is still suspicious of him, surely he wasn't around and surely

> Morgan would have mentioned it.

> 

> That, I thought, was that.... until I just happened to be looking at the

> picture of Huncke in the book and the caption describes him as "one of

> the Times Square hustlers who introduced Burroughs to drugs"! So what

> the heck?!

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeff Holland KY arf arf arf

> =-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 20:43:35 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: A Thoughtful Pause

To:           BEAT-L@CUNYVM.CUNY.EDU

 

dawn

 

try el chapultapec, right off larimer, towards the railroad tracks, the

boys usta hang there, too

 

denver's one of the most beautiful places on the planet

 

tkc

 

 

Dawn Zarubnicky wrote:

> 

..snip...

> 

> Regarding James Baldwin.  According to Dan Wakefield's _New York in the

> 1950's_ Baldwin was not very fond of the beats...I don't have that text in

> front of me either but I will post a quote on that tomorrow..

 

 

malcom x's autobiography gives some descriptions of harlem in the 40s

that paralell some of the beat writings

 

 

> I'm living in Denver these days so I think tonight I'll take a drive to

> My Brother's Bar and have a drink with the ghost of Neal Cassady...

> 

> Respectfully Melancholy,

> 

> Dawn

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

Date:         Wed, 4 Feb 1998 12:54:38 -0800

Reply-To:     Sherri <love_singing@email.msn.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sherri <love_singing@EMAIL.MSN.COM>

Subject:      Re: shit

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hey girl, this is terrible - how'd it happen????

-----Original Message-----

From: Marie Countryman <country@SOVER.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Wednesday, February 04, 1998 11:22 AM

Subject: shit

 

 

>in the midst of trying to up date my private email to create list for

>sending poetry not beat to the list, i cleared out my entire address

>book.

>i'm going mad - this is my connection to the world right now. shit.

>please, everyone who corresponds with me, send me a private note, test,

>will do fine, so i can get you all back.

>and some who have left list are gone forever.

>it's been a bitch of a week; i've lost friends who have lost their

>minds, i'm all torn up.

>this is sincere, please help

>mc

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 20:54:56 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: An anniversary eulogy (fwd)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thanks, levi, for bringing our attention back to one of the big reasons we all

are here.

sad indeed.

mc

 

Levi Asher wrote:

 

> Did anybody remember today's sad anniversary?

> 

> I didn't remember myself, but John Cassady reminded

> me with this note (he sent it to a few friends and

> said I could post it here).  Neal Cassady died

> in Mexico Feb 4 1968.

> 

> > A sad anniversary, but one worth noting, I think. 30 years ago today, Pop's

> > demise in Mexico. I'll never forget sitting at the dining room table at the

> > house on Bancroft when the phone rang that morning. It was JB from San

> > Miguel de Allende telling my mother the news. Janice Brown was presumably

> > the last American to see Neal alive,  and she said she would ship his ashes

> > home.

> >

> > My mother was in shock; ashen faced and stoic, but apparently not too

> > surprised, as she delivered the news. My sisters cried; I felt kind of numb

> > and vaguely uncomfortable. On one hand I was relieved for him, he had been

> > in such torment the last few years. On the other hand I felt cheated that I

> > had not been able to say goodbye, or able to really connect with him

> > recently. Anyone who has lost a parent knows the feeling. I had to get out

> > of the house, this place or grief and mourning.

> >

> > I went up into the mountains above Los Gatos, with several of my closest

> > buddies, to a favorite redwood grove on some property that my friend's

> > father owned. I mentioned the news to my comrades in the car, and they

> > seemed more blown away than I was, looking at me sideways for reaction

> > throughout the day. We drank beer and popped empty cans off a fence with a

> > 22 LR bolt-action rifle, as 16-year-olds are wont to do when in the woods,

> > and reflected on this amazing man.

> >

> > The last time I saw him, he said, "Son, don't fret." And I replied, "don't

> > YOU fret," and meant it. But I think he took my tone the wrong way, and he

> > looked hurt and sad as he walked away, with a recently familiar furrowed

> > brow of pain and guilt on his face. A haunting memory, after what was to

> > happened. Today, as I did that day thirty years ago, I wonder, "Dad, what

> > were you going through that night? What demons possessed your mind and what

> > were your last thoughts." I guess we'll never know. Although I'm convinced

> > that his death was an accident on that particular night, he had been working

> > on killing himself indirectly for decades. He was adamant in his beliefs

> > regarding suicide, but he couldn't cheat fate forever. The party was over,

> > he was done.

> >

> > -- John Cassady, Feb 4 1998

> 

> ---------------------------------------------------------

> | Levi Asher = brooklyn@netcom.com                      |

> |                                                       |

> |     Literary Kicks: http://www.charm.net/~brooklyn/   |

> |      (the beat literature web site)                   |

> |                                                       |

> |          "Coffeehouse: Writings from the Web"         |

> |            (a real book, like on paper)               |

> |               also at http://coffeehousebook.com      |

> |                                                       |

> |                   *---*---*---*---*---*---*---*---*   |

> |                                                       |

> | "Nothing is capsulized in me, on either side of town" |

> |                                      -- Joni Mitchell |

> ---------------------------------------------------------

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: shit

Cc:

Bcc: Sherri <love_singing@email.msn.com>

X-Attachments:

In-Reply-To: <0e9792056200428UPIMSSMTPUSR03@email.msn.com>

References:

 

Sherri scrive:

>hey girl, this is terrible - how'd it happen????

 

Sherri maybe  you notice that Rudyard Kipling loved

Vermont, birthplace of the 'Jungle Books'...

 

cari saluti dall'Italia,

Rinaldo.

------------------------------------------------------------------------

next Millenium

1) the VW loves the Beatles and the Beetles

                              VolksWagen promo.

 

gone Millenium:

2) "After 1957 ON THE ROAD sold a trillion levis and a million expresso

coffee machines, and also sent countless kids out on the road." -

                                             William S. Burroughs

------------------------------------------------------------------------

 

Correction. due to a technical error, ten lines of the above

text are missing. I apologize for the error.

------------------------------------------------------------------------

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 17:10:29 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Pater Noster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I accidently erased that wonderful version of the "Our Father."  Can whoever po

sted it send it to me privately at wxgbc@cunyvm.cuny.edu.  Thanks much.

 

Return-Path: <MAILER-DAEMON>

Date:         Wed, 4 Feb 1998 17:19:54 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Wed, 04 Feb 1998 23:08:29...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Wed, 04 Feb 1998 23:08:29 +0100 with subject "Re: shit"

has been successfully distributed to the BEAT-L list (255 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 17:44:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Civil discourse

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Once again, I am compelled to call for all of us on the list to observe

some basic rules and to treat each other courteously and with civility.

For the health of the list and for the protection of the rights of all

listmembers, I am re-posting the following guidelines for discussion on

Beat-l: 1)Copyrighted material should not be posted to the list without

permission (fair use rules applying) nor should private correspondence

be posted without permission from the author; 2)Listmembers will not

accuse each other of various crimes and misdemeanors on the Beat-l list

(What you do privately is your own business.); 3) Listmembers will

refrain from flames, character attacks, and personal insults in their

posts to Beat-l (Again if you feel compelled to such measures please

email your adversary directly.)  Those who violate these rules will be

subject to having their posts blocked from the list.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 4 Feb 1998 17:49:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Eat me motherfucker!!!!!

> 

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 4 Feb 1998 16:59:14 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Eat me motherfucker!!!!!

>> 

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

 

A good laugh.

 

I really needed one, but I'm wondering if I missed something.

 

 Could it be cabin fever?

 

What precipitated this? Is it from a man or a woman. Do men get eaten? Is

"Eat me motherfucker" a Beat term?  If JK had written "Eat me motherfucker"

would dhe have capitalized Motherfucker?

 

jg

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 23:03:07 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Claptrap Revisited, Apology, and Done

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thankyou. i suggest the rest of you go for yr penicillin shots and be done with

it all. the clap appears to be highly contagious, and has proved itself to be

most virulent.

now let's get back to the reason we are here, ok guys?

mc

 

TKQ wrote:

 

> At 05:51 PM 2/4/98 -0700, you wrote:

> >>From TKQ (bunch of snips here) to jgrant@BOOKZEN.COM

> >>>Eat me motherfucker!!!!!

> >

> >Remember that youngster comment that started this?  (and BTW, it wasn't an

> >allusion to chronological age

> >. . . jeeesh, guys, come on here): point made, I think.

> >____________

> >

> >--TKQ,  You're too easy a target.   I apologize. You were baited in public

> >and have performed predictably.  Get the nouns and verbs to stand up that

> >ego, or a thicker skin to keep more occasionally quiet. You have a lot of

> >energy and good ideas, but yr not a genius all the time.

> >

> >--And the rest of you Beat-L . .  . the only return I've read that got

> >anywhere near asking me to defend that inflammatory post came from TKQ

> >(how's that for irony? +1 for TKQ).  The rest of you guys, if you didn't see

> >it for the pitard it was, you shldv challenged it. --Like "Where's the

> >scholarship on that flame, pal?"

> >

> My lucidity constantly revals to me the secrets of the world and first of

> all to myself, from whom it all begin. I leave nothing in the shadow of the

> phantasms that arise, for light alone can provide my delirium with its own

> strength. Were I to drop vigilance for one second I might be taken unaware

> by a nightmare monster. Or by you....P.

> >

> >

> >

> >

> >

> >

> >

> >

> >

> >

> >

> >_____________________

> >Skydivers know why the birds sing

> >

> >V.J. Eaton

> >Tempe, AZ

> >

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 15:10:47 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      An anniversary eulogy (fwd)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Did anybody remember today's sad anniversary?

 

I didn't remember myself, but John Cassady reminded

me with this note (he sent it to a few friends and

said I could post it here).  Neal Cassady died

in Mexico Feb 4 1968.

 

> A sad anniversary, but one worth noting, I think. 30 years ago today, Pop's

> demise in Mexico. I'll never forget sitting at the dining room table at the

> house on Bancroft when the phone rang that morning. It was JB from San

> Miguel de Allende telling my mother the news. Janice Brown was presumably

> the last American to see Neal alive,  and she said she would ship his ashes

> home.

> 

> My mother was in shock; ashen faced and stoic, but apparently not too

> surprised, as she delivered the news. My sisters cried; I felt kind of numb

> and vaguely uncomfortable. On one hand I was relieved for him, he had been

> in such torment the last few years. On the other hand I felt cheated that I

> had not been able to say goodbye, or able to really connect with him

> recently. Anyone who has lost a parent knows the feeling. I had to get out

> of the house, this place or grief and mourning.

> 

> I went up into the mountains above Los Gatos, with several of my closest

> buddies, to a favorite redwood grove on some property that my friend's

> father owned. I mentioned the news to my comrades in the car, and they

> seemed more blown away than I was, looking at me sideways for reaction

> throughout the day. We drank beer and popped empty cans off a fence with a

> 22 LR bolt-action rifle, as 16-year-olds are wont to do when in the woods,

> and reflected on this amazing man.

> 

> The last time I saw him, he said, "Son, don't fret." And I replied, "don't

> YOU fret," and meant it. But I think he took my tone the wrong way, and he

> looked hurt and sad as he walked away, with a recently familiar furrowed

> brow of pain and guilt on his face. A haunting memory, after what was to

> happened. Today, as I did that day thirty years ago, I wonder, "Dad, what

> were you going through that night? What demons possessed your mind and what

> were your last thoughts." I guess we'll never know. Although I'm convinced

> that his death was an accident on that particular night, he had been working

> on killing himself indirectly for decades. He was adamant in his beliefs

> regarding suicide, but he couldn't cheat fate forever. The party was over,

> he was done.

> 

> -- John Cassady, Feb 4 1998

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      XAA24518

Date:         Wed, 4 Feb 1998 23:28:13 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: A Thoughtful Pause/draft two

To:           BEAT-L@CUNYVM.CUNY.EDU

 

dawn, thankyou for your kind words. i never know whether to post my pomes in

progress to the list (the line is murky between scholars and poets) and was

trying to put together a poem cc: for friends here who have the interest and

patience to suffer my birth pangs. i agree wholeheartely with what you have

said; this unfortunately happens time and again here. i'm not sure why. beat or

not beat, i would like to send out draft 2 of my pome. those of you on the list

who would like to be cc:'d (when i figger out how to do such technical things)

please send me yr private email address.

so

draft #2:

my father's eyes (first draft)

 

delivered in the mail today

were photos of my father:

taken by his present wife

in VA hospice, florida

 

empty eyed, he stares

 restrained and

wheel chair bound

into the camera's impersonal lens

just as impersonally

 

 forget about  'light's on nobody home'

his is just anaked porch light,

slowly burning out.

 

my childhood begins all over again-

when my father was mostly vacant.

coming home long past dinner

his smoky whiskey smells

trailing vapors back into the night,

to ignore  my mother's rage:

vacant just once more.

 

my father was a tin man,

traveling salesman,a con,

who chose a living on the road

to keep him family-free.

 

this man, who picked me up from bus

circa '68

having, like him, fled  the house

only to return again

who told me confidentially,

'if i had to do over, i wouldn't'

(thus annihilating me.)

 

the last time i saw my father

we fought - over what, i can't  recall-

i locked myself up in my truck

but lacking ignition keys,

was stuck,

locked up, unable to leave.

 

he cried and begged forgiveness, and

as i unlocked the door,

crawling in

he sprawled all over me,

memories of bad things pricking me

that

brought further distance yet.

 

estranged these past four years

i moved up country,

he moved down-

thinking there would be more time

for love unencumbered,

 from childhood pain-

(and of course there never was).

 

now he stares at no one

in this photo sent to me

by his current wife,

who wrote and asked,

didn't i know

he carried always in his billfold

pictures of mom and me?

 

my answer, a sigh, a no,

he told so little to me

and now so little is left,

leaving

vacancy-

no connection,

just a hollow pain

and again the wish to flee

 

 

(c) 2/4/98

 

 

Dawn Zarubnicky wrote:

 

> I just returned to this list after about an 8 month absence...

> The majority of my memories of this list are good ones....

> lively discussions and thoughtful exchanges on Beat related works...

> postings of original poetry and prose...a source for any of us writing

> papers in hopes of bouncing some ideas off one another...a place to turn

> when we lose someone dear to us (Allen, Bill, Jerry)...I've laughed at

> some posts and cried when someone poured their heart out in cyberspace.

> 

> What I am asking everyone to do is to remember that there is another

> person with feelings and a heart on the other end.  Feel free to disagree..

> but disagree respectfully.  Everyone is allowed an opinion...Most of

> the time that is all that is being posted here......OPINIONS....

> 

> Today alone there were some interesting posts that were virtually

> ignored in favor of the "eat me" post.  The James Baldwin post/the questions

> regarding KicksJoyDarkness......and the dual father images...Marie's

> heart wrenching, beautiful poem (Marie...I can relate..I haven't spoken

> to my father in about 15 years..it is too painful) coupled with Levi's

> post from Neal's son....

> 

> I'm hoping that a rejoined the Beat-L during a bad period and the situation

> will improve.  I cringe when what should be an open minded forum for an

> intelligent exchange of ideas needs reminder notices from Bill to keep

> it in line.

> 

> Whoever asked....KicksJoyDarkness is from _On the Road_...I believe when

> Neal and Jack go out clubbing to the jazz clubs in SF ( I don't have the

> text in front of me).

> 

> Regarding James Baldwin.  According to Dan Wakefield's _New York in the

> 1950's_ Baldwin was not very fond of the beats...I don't have that text in

> front of me either but I will post a quote on that tomorrow..

> 

> I'm living in Denver these days so I think tonight I'll take a drive to

> My Brother's Bar and have a drink with the ghost of Neal Cassady...

> 

> Respectfully Melancholy,

> 

> Dawn

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 4 Feb 1998 18:36:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Even such paltry utterances exist as pearls before swine Mr. Grant...P.

> 

> 

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 19:03:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: One   (was: the WSB-Korzybski connection)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have two things I want to say about this debate.1)The number one like

all numbers is not an objective reality but a subjective concept!

This whole notation inner concepts and outer reality comes from Plato's

works,2) In nature some things follow either/or and some either/and,i.e.

light is a wave and a particle but hypnosis is either altered state or

just fantasy playing.Choseing between either/or and either/and  is an

either/or itself. I think I better stop.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 4 Feb 1998 18:04:31 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>jo grant wrote:

> 

>> Is "Eat me motherfucker" a Beat term?

> 

> 

>=== Any cussin' is a Beat term.

> 

>=-=-=-=

>JSH

>eatin'

>snow

 

HOPEFULLY not the yellow snow.

 

jg

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 19:36:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

DO YOU MIND?!

 

On Wed, 4 Feb 1998, TKQ wrote:

 

> Eat me motherfucker!!!!!

> >

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

Date:         Wed, 4 Feb 1998 17:40:35 -0700

Reply-To:     "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      derek's new email address

Comments: To: derek beaulieu <derek.beaulieu@fluordaniel.com>,

          keith beaulieu <kfbeauli@acs.ucalgary.ca>,

          kathy taxbock <kataxboc@acs.ucalgary.ca>,

          courtney thompson <cfthomps@cadvision.com>,

          antoine maloney <stratis@odyssee.net>,

          marie countryman <country@sover.net>,

          carolyn fyffe <cfyffe@acs.ucalgary.ca>,

          david esteban <djesteba@acs.ucalgary.ca>,

          christine payne <cmpayne@acs.ucalgary.ca>,

          bohemian literature listserv <bohemian@maelstrom.stjohns.edu>,

          neil hennessy <nhenness@uwaterloo.ca>, james gardner <jag@rahul.net>,

          adrien begrand <vic.begrand@sk.sympatico.ca>,

          lynn legge <llegge@proteksys.com>,

          marshall mccullough <mmccullo@smaug.devry.ca>,

          waterrow books <waterrow@aol.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

yall

i just thought that i would inform that my email address has changed from

dabeauli@freenet.calgary.ab.ca

to

dabeauli@calcna.ab.ca

 

thanks!

yoohooo!

derek

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      AAA09262

Date:         Thu, 5 Feb 1998 00:49:21 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      beat dad, version 3

To:           BEAT-L@CUNYVM.CUNY.EDU

 

excuses to all who do not like this list as pome forum: i am trying to

boiler plate a cc: to those who do.

mc

 

my father's eyes

 

delivered in the mail today

were photos of my father:

taken by his present wife

in VA hospice, Florida.

 

empty eyed, he stares,

 restrained and

wheel chair bound,

looking slack jawed in the camera's lens

oblivious as the shutter snaps,

his consciousness a naked bulb-

waning,

 burning out.

 

my childhood begins all over again-

when my father was mostly vacant.

coming home long past dinner

smelling of smoke and whiskey fumes

only to turn,

and leave again,

to escape  my mother's rage:

vacant just once more.

 

my father was a tin man,

traveling salesman,a con,

who chose a living on the road

to keep him family-free.

 

this man, who picked me up from bus

circa '68

having, like him, fled  the house

only to return.

who told me confidentially,

'if i had to do over, i never would,'

(thus annihilating me.)

 

the last time i saw my father

we fought - over what, i can't  recall-

i locked myself up in my truck

but lacking ignition keys,

was stuck,

locked up, unable to leave.

 

he cried and begged forgiveness, and

as i unlocked the door,

crawling in

he sprawled all over me,

sparking memories of bad things in me

that further distance brought.

 

estranged for all these past four years

i moved up north country,

as he moved  south-

thinking there would be more time

for love unchained

 from childhood pain-

(and of course there never was).

 

now he stares at no one

in this photo sent to me

by his current wife,

who wrote and asked,

how was it that i didn't i know

he carried always in  billfold

snap shots of mom and me?

 

my answer, a sigh, a no,

he told so little to me

and now so little is left,

leaving

vacancy-

no connection,

just a hollow pain

and again the wish to flee.

 

 

(c) 2/4/98

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Wed, 4 Feb 1998 19:50:20 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 05:49 PM 2/4/98 -0500,  Henry David Thoreau wrote:

 

>Eat me motherfucker!!!!!

 

"Don't for heaven's sake, be afraid of talking nonsense!

But you must pay attention to your nonsense."

 

Ludwig Wittgenstein _Culture and Value_

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: vj@pop.primenet.com

Date:         Wed, 4 Feb 1998 17:51:57 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      Claptrap Revisited, Apology, and Done

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>From TKQ (bunch of snips here) to jgrant@BOOKZEN.COM

>>Eat me motherfucker!!!!!

 

Remember that youngster comment that started this?  (and BTW, it wasn't an

allusion to chronological age

. . . jeeesh, guys, come on here): point made, I think.

____________

 

--TKQ,  You're too easy a target.   I apologize. You were baited in public

and have performed predictably.  Get the nouns and verbs to stand up that

ego, or a thicker skin to keep more occasionally quiet. You have a lot of

energy and good ideas, but yr not a genius all the time.

 

--And the rest of you Beat-L . .  . the only return I've read that got

anywhere near asking me to defend that inflammatory post came from TKQ

(how's that for irony? +1 for TKQ).  The rest of you guys, if you didn't see

it for the pitard it was, you shldv challenged it. --Like "Where's the

scholarship on that flame, pal?"

 

List owner Bill, --I apologize.  Guilty, intentional, stopped.

 

 

 

 

 

 

 

 

 

 

 

_____________________

Skydivers know why the birds sing

 

V.J. Eaton

Tempe, AZ

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 4 Feb 1998 20:10:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Claptrap-- ? or !

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:36 PM 2/4/98 -0500, you wrote:

>DO YOU MIND?!

> 

>On Wed, 4 Feb 1998, TKQ wrote:

> 

>> Eat me motherfucker!!!!!

>> >

>> "We cannot well do without our sins; they are the highway to our virtues."

>>                                            Henry David Thoreau

>> 

> 

>********Had we a place to stand upon, we might raise the

>world.--Archimedes*********

>Plug it in if U dare plug it in if U dare

This mutha****'s so fast it eats underwear

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 4 Feb 1998 20:39:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Claptrap Revisited, Apology, and Done

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 05:51 PM 2/4/98 -0700, you wrote:

>>From TKQ (bunch of snips here) to jgrant@BOOKZEN.COM

>>>Eat me motherfucker!!!!!

> 

>Remember that youngster comment that started this?  (and BTW, it wasn't an

>allusion to chronological age

>. . . jeeesh, guys, come on here): point made, I think.

>____________

> 

>--TKQ,  You're too easy a target.   I apologize. You were baited in public

>and have performed predictably.  Get the nouns and verbs to stand up that

>ego, or a thicker skin to keep more occasionally quiet. You have a lot of

>energy and good ideas, but yr not a genius all the time.

> 

>--And the rest of you Beat-L . .  . the only return I've read that got

>anywhere near asking me to defend that inflammatory post came from TKQ

>(how's that for irony? +1 for TKQ).  The rest of you guys, if you didn't see

>it for the pitard it was, you shldv challenged it. --Like "Where's the

>scholarship on that flame, pal?"

> 

My lucidity constantly revals to me the secrets of the world and first of

all to myself, from whom it all begin. I leave nothing in the shadow of the

phantasms that arise, for light alone can provide my delirium with its own

strength. Were I to drop vigilance for one second I might be taken unaware

by a nightmare monster. Or by you....P.

> 

> 

> 

> 

> 

> 

> 

> 

> 

> 

> 

>_____________________

>Skydivers know why the birds sing

> 

>V.J. Eaton

>Tempe, AZ

> 

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 4 Feb 1998 20:44:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TKQ <mapaul@PIPELINE.COM>

Subject:      Re: Claptrap Revisited, Apology, and Done

To:           BEAT-L@CUNYVM.CUNY.EDU

 

If you don't stand for something you'll fall for anything. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sent-Mail: off

X-Sender-Ip: 149.151.190.53

Date:         Wed, 4 Feb 1998 19:40:25 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      a poem for your criticism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hello y'all,

 

i was trying to chase my insomnia away one night and i wrote this poem here.  i

 had

put it aside and forgotten about it, and then i came upon it today.  it's not my

best writing, but i wanted to see if i could get some criticism.  the extent of

 my

beatnik knowledge is from On the Road, but i loved it and wanted to learn more

 so

here i am.

 

thanx to all who respond,

Al

 

 

 

 

 

 

 

 

 

 

THe crazy clarity of obscurity at the abnormal hour

 

strange thoughts fill me at night- or rather, at the earliest of dusk.

i close my eyes and can't sleep, siphoning the blackness for hours.

and streams, and bits, and floods come,

and Devour

and are devoured with speed, and quick, and lassitude

platonic passion

and the virgo is suddenly quintessence of Virtue

the mundanes of reality become fireballs-split

and the perfect sphere is created.

Why can't sleep drown me?

then

COMBUSTION

the neural impulses jump and warp and Ffizz with electric shortsparks

and tommorrow i'll take a bath in the morning and feel great and Grand for the

 rest

of the day(but it won't actually happen cause i'll wake up late or groggy and

 forgetful

will wake me late)and suddenly i remember when the rain came in my old house

 which

was brown and yellow i think but now it's red and i fell in love with the rain.

and i used to watch the flash of headlights from cars cause we lived on a busy

 street

hackensack st. my room was small and the house was a two family house us

 upstairs.

 my room to the right after the climb to the top of the stairs and it was tiny

 i'd

fall asleep to those headlights the shadows glide from one side of the room to

 the

other and i'd hide 'neath the porch and feel safe  and i should live life

 without

worrying about the afterlife so much cause everything should be done with fervor

while many only portion life into little frozen dinner compartments and eat only

the apple crumb or the pasty corn you should jump and hop and be MAD and wicked

 and

gargantuan depressed and wholly lovey dovey and wakey up friends at 2am and tell

them to come out and rattle like a crazy old beatnik about the niches and the

 wide

expanses and the holes in your jeans and the holes in your head.

--------------

then the morning comes

and your BURst of MaD self crazyhappy man buries himself and herself and itself

covers up to your eyes and the i-ego-defense trashes you

and you're normal and helpless-hapless-straight-scaredy again.

 

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

>From CUNYVM.CUNY.EDU!owner-beat-l Thu Feb  5 05:21:17 1998

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Date:         Wed, 4 Feb 1998 23:29:36 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: Visions of Gerard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Zarra wrote:

> 

> Diane,

> 

> Nice post on VISIONS OF GERARD.

> <html>

> <font face="Lucian BT" size=3>John J Zarra Jr</font></html>

 

 

have any of you wondered about what things would be like, and what kind

of man he would turn out to be had gerard lived?

 

ksenija

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Emc.Fedex.Com: 020498:1

Date:         Wed, 4 Feb 1998 20:49:24 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      A Thoughtful Pause

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I just returned to this list after about an 8 month absence...

The majority of my memories of this list are good ones....

lively discussions and thoughtful exchanges on Beat related works...

postings of original poetry and prose...a source for any of us writing

papers in hopes of bouncing some ideas off one another...a place to turn

when we lose someone dear to us (Allen, Bill, Jerry)...I've laughed at

some posts and cried when someone poured their heart out in cyberspace.

 

What I am asking everyone to do is to remember that there is another

person with feelings and a heart on the other end.  Feel free to disagree..

but disagree respectfully.  Everyone is allowed an opinion...Most of

the time that is all that is being posted here......OPINIONS....

 

Today alone there were some interesting posts that were virtually

ignored in favor of the "eat me" post.  The James Baldwin post/the questions

regarding KicksJoyDarkness......and the dual father images...Marie's

heart wrenching, beautiful poem (Marie...I can relate..I haven't spoken

to my father in about 15 years..it is too painful) coupled with Levi's

post from Neal's son....

 

I'm hoping that a rejoined the Beat-L during a bad period and the situation

will improve.  I cringe when what should be an open minded forum for an

intelligent exchange of ideas needs reminder notices from Bill to keep

it in line.

 

Whoever asked....KicksJoyDarkness is from _On the Road_...I believe when

Neal and Jack go out clubbing to the jazz clubs in SF ( I don't have the

text in front of me).

 

Regarding James Baldwin.  According to Dan Wakefield's _New York in the

1950's_ Baldwin was not very fond of the beats...I don't have that text in

front of me either but I will post a quote on that tomorrow..

 

I'm living in Denver these days so I think tonight I'll take a drive to

My Brother's Bar and have a drink with the ghost of Neal Cassady...

 

Respectfully Melancholy,

 

Dawn

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Date:         Thu, 5 Feb 1998 00:37:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: beats and post/modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> i, too, find postmodernism difficult to pin down...but it seems to me the

> focus is on the fragmentary nature of life, how things can be pulled

> apart, how our lives are increasingly defined by multiple sources and

> lacking a stable center...and one thing particularly interesting is the

> way postmodern fiction tries to break down boundaries and genres, how it

> comments on its own fictionality...

 

I think that is the main focus of post-modernism, that things are not

separate.  When you get down to it, the only differences between prose and

poetry is the way you read it and how you label it.  Marcel DuChamps puts

a urinal on a pedestal, signs it, names it, and puts it in a museum so it

is art.  He did so merely to show that the only value objects have is that

which society imposes upon them--leading to semiotics and the like.

Interdisciplinarity becomes key to understanding.  History and literature

and psychology and philosophy are not separate, distinct disciplines but

run together. They've always run together but post-modernism recognizes

that as such.  I think it grows out of the Modernist pursuit and high

regard for originality.  I think post-modernism is merely the results of

Modernism carried to their logical conclusion.  Interesting though is that

as boundaries and definitions become vaguer and blurrier, coinciding with

a global community and growing awareness of a world society a

culture earmarked by WWII, there is the reaction of regionalism and

multi-culturalism that looks for something to make a group/people/country

unique, different, and separate from everyone else in the world.

 

The Beats were absolutly instrumental in spreading these ideas and

concepts and ways of thinking into literature.  I think that in 30 or 40

years or so, when post-modernism congeals into something recognizable so

that it can get a proper label (though, if it is successful, there never

will be a label), the Beats will get the recognition they deserve for

this.  I've got a whole bag of "I told you so"-s saved up for all my

friends and collegues who write me off as just "being interested in that

beat stuff".

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Feb 1998 23:22:39 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: Claptrap AND something else

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> b> Kerouac speaks of Sangsara...what is that?

are you sure that it is sangsara and not samsara instead?

 

> 

> c> On track five, hunter s. thompson reads a poem of jack's...and the

> last line says something in latin...

> "ad aspera..." something something something...I don't have the text

> with me right now...

>  Those of you who do have it...do you know what it means?...

 

'ad aspera per astra'. it means 'from the thorns to the stars' (literal

translation)

> 

 

ksenija

 

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Date:         Wed, 4 Feb 1998 23:27:23 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: An anniversary eulogy (fwd)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

-----Original Message-----

From: Levi Asher <brooklyn@NETCOM.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Wednesday, February 04, 1998 3:22 PM

Subject: An anniversary eulogy (fwd)

 

 

>Did anybody remember today's sad anniversary?

 

 

A few words and a bit of silence with Anne Marie (Anne Murphy). How is that

for coincidence - Neal died on Anne's birthday.

 

BTW the other day someone again stated  that Neal lived only for himself, or

cared only for himself, something to that effect. I gave up on responding to

such declarations, but at the end of the 30th anniversary of his death t is

too sad to leave  such opinions unanswered.

 

Throughout all his adventures and misadventures Neal was constant about

staying high, keeping on moving, and GIVING ALL OF HIMSELF AWAY. I haven't

known another person in my lifetime who was as ready as Neal was to give,

and who asked for as little in return.

leon

 

A con man misrepresents the worth of things, persuades people to give to him

in exchange  for things that are worthless. Neal gave far more than what he

received in return.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 08:21:13 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: beats and post/modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

touche, nic

mc

 

Nicolai Pharao wrote:

 

> On Thu, 5 Feb 1998, M. Cakebread wrote:

> 

> > At 12:37 AM 2/5/98 -0500, Alex Howard wrote:

> >

> > >Marcel DuChamps put a urinal on a pedestal, signs it,

> > >names it, and puts it in a museum so it

> > >is art.  He did so merely to show that the only value

> > >objects have is that which society imposes upon them--

> > >leading to semiotics and the like.

> >

> > Symptomologically speaking, I'd go and piss in DuChamps

> > urinal. . .

> >

> > Michel Jean Gateaupain

> >

> Well, you go and do that then, but know that you'd be completing the

> artwork by your action. Its title is "Fountain".

> 

> Nic

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Thu, 5 Feb 1998 03:28:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: beats and post/modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 12:37 AM 2/5/98 -0500, Alex Howard wrote:

 

>Marcel DuChamps put a urinal on a pedestal, signs it,

>names it, and puts it in a museum so it

>is art.  He did so merely to show that the only value

>objects have is that which society imposes upon them--

>leading to semiotics and the like.

 

Symptomologically speaking, I'd go and piss in DuChamps

urinal. . .

 

Michel Jean Gateaupain

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      IAA05708

Date:         Thu, 5 Feb 1998 08:48:32 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      stick a fork in it, it's done(was beat dad)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

having afflicted all of you with my insomniac marathon of rewrites, i

thought, why the hell not send out what i hope is the final edit for

those interested. (until i get my cc: template done, i will announce

pome in subject so that those who wish not, need not read: trying to

keep in the scope of beat-l, bill.)

 

 

   my father's eyes

 

   delivered in the mail today

   were photos of my father:

   taken by his present wife

   in VA hospice, Florida.

 

   empty eyed, he stares,

    restrained and

   wheel chair bound,

   looking slack jawed in the camera's lens

   oblivious as the shutter snaps,

   his consciousness a naked bulb-

   waning,

    burning out.

 

   my childhood begins all over again-

   when my father was mostly vacant.

   coming home long past dinner

   trailing smoke and whiskey fumes

   on way in, way out:

   turning his back on mother's rage,

  and vacating the battlefield once more

 

  my father was a tin man,

  traveling salesman,

 with the perfect con

 of  responsibility-

 he chose a living on the road

 to keep him family-free.

 

 

   this man, who picked me up from bus

   circa '68

   who, like him had fled

   only to return,.

   commiserated with me,

   'if i had to do over,

   i never would,'

   (thus annihilating me.)

 

   the last time i saw my father

   we fought - over what, i can't  recall-

   i locked myself up in my truck

   but lacking ignition keys,

   was stuck,

   locked up, unable to leave.

 

   he cried and begged forgiveness,

   as i unlocked the door,

   crawling in

   he sprawled all over me,

   sparking memories of bad things

   that further distance brought.

 

   estranged for all these past four years

   i moved up north country,

   as he moved  south-

   thinking there would be more time

   for love unchained

    from childhood pain-

   (and of course there never was).

 

   now he stares at no one

   in this photo sent to me

   by his current wife,

   who wrote and asked,

   how was it that i didn't i know

   he carried always in  billfold

   snap shots of mom and me?

 

   my answer, a sigh, a no,

   he told so little to me

   and now so little is left,

   leaving

   vacancy-

   no connection,

   just a hollow pain

   and again the wish to flee.

 

   (c) 2/4/98

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Thu, 5 Feb 1998 05:26:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Beats and Post/Modernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Modernism:  The Modern period is from WW1 to roughly 1960.  During

that period, it was thought that all things could be accomplished

through science.

 

Post-Modernism:  From roughly 1960 til now, holds that all things

are not accomplishable through science or any other means, and the

world grows increasingly complex without further accomplishment.

 

The Beats are probably post modernists.

]

Mike Rice

 

 

 

hey everybody. SO today, I took up (again)  what is turning out to be my

eternal quest for the meaning of "post modernism"-- seems no matter how much I

read, it just gets more confusing....And then I decided to start w/ modernism,

which was worse. The article I was reading mentioned every type of literature

created in the first half of this century, and I had thought it was more of a

philosophy than a time period, even though the two are closely linked.

 

Anyway- one of the major characteristics of modernism, in fact, the first one

listed, is "stream of conciousness" writing. And of course, no mention of

Keroauc or any other Beat-type, when it always seemed to me that they had

played a big part in developing this as a technique.

 

So I'm basicly asking for any input/ideas about modernism or postmodernism in

general, and how the beats relate to either of these topics. I'm a little

lost, and I thought, who better to ask? :)

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: nicpha@rask

Date:         Thu, 5 Feb 1998 12:07:13 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: beats and post/modernism

Comments: To: "M. Cakebread" <cake@IONLINE.NET>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Thu, 5 Feb 1998, M. Cakebread wrote:

 

> At 12:37 AM 2/5/98 -0500, Alex Howard wrote:

> 

> >Marcel DuChamps put a urinal on a pedestal, signs it,

> >names it, and puts it in a museum so it

> >is art.  He did so merely to show that the only value

> >objects have is that which society imposes upon them--

> >leading to semiotics and the like.

> 

> Symptomologically speaking, I'd go and piss in DuChamps

> urinal. . .

> 

> Michel Jean Gateaupain

> 

Well, you go and do that then, but know that you'd be completing the

artwork by your action. Its title is "Fountain".

 

Nic

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      MAA21996

Date:         Thu, 5 Feb 1998 12:55:36 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      delete at will: pome revised again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

perry, yr comparison to sexton is apt, not in death but in continual

re-writes sent round to friends, mostly maxine kumin (sp?)

so here we go again:

 

 

   my father's eyes

 

   delivered in the mail today

   were photos of my father:

   taken by his present wife

   in VA hospice, Florida.

 

   empty eyed, he stares,

    restrained and

   wheel chair bound,

   looking slack jawed in the camera's lens

   oblivious as the shutter snaps,

   his consciousness a naked bulb-

   waning,

    burning out.

 

   just when i thought it safe,

   my childhood begins again-

   my father was mostly vacant then,

   coming home long past dinner time

   traiing smoke and whiskey fumes

   on way in, way out:

   turning his back on my mother's rage,

   and bitter battlefield once more.

 

  my father was a tin man,

  traveling salesman,

  the perfect con of  responsibility-

 he chose a living on the road

 to keep him family-free.

 

 

   this man, who picked me up from bus

   circa '68

   having, like him fled, and then returned,

   leaned over, whispering,

   "if i had to do this life again,

   i never would,"

   ( annihilating me.)

 

   the last time i saw my father

   we fought - over what, i can't  recall-

   i locked myself up in my truck

   but lacking ignition key,

   was stuck,

   locked up, unable to leave.

 

   he cried and begged forgiveness,

   and as i unlocked the door,

   crawling in, he laid head in my lap

   sparking memories of our distant past,

   that further distance brought.

 

   estranged for all these past four years

   (i moved up north

   he moved  south)-

   thinking there would be more time

   for love unchained

    from childhood pain-

   (and of course there never was).

 

   now he stares at no one

   in this photo sent to me

   by his current wife,

   who wrote and asked,

   how was it that i didn't i know

   he carried always in  billfold

   snap shots of mom and me?

 

   my answer, a sigh, a no,

   he told so little to me

   and now so little is left,

   leaving

   vacancy-

   no connection,

   just a hollow pain

   and again the wish to flee.

 

   (c) 2/4/98

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 09:58:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christian Brubaker <elevatortohell@MINDSPRING.COM>

Subject:      [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD

              YOU DID!  (fwd)]

Comments: To: "mbv@netch.se" <mbv@netch.se>,

          "mobility@mail.xmission.com" <mobility@mail.xmission.com>,

          "panic_list@uclink4.berkeley.edu" <panic_list@uclink4.berkeley.edu>,

          "shue-list@axnet.net" <shue-list@axnet.net>,

          "ET_etc@bronze.interlog.com" <ET_etc@bronze.interlog.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 

Return-Path: <mseery@webcom.com>

Received: from x86.webcom.com (x86.webcom.com [209.1.28.59])

        by camel23.mindspring.com (8.8.5/8.8.5) with ESMTP id VAA30683;

        Wed, 4 Feb 1998 21:38:18 -0500 (EST)

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        Wed, 4 Feb 1998 18:39:32 +0800

Date: Wed, 4 Feb 1998 18:39:32 +0800

From: Christi Suzanne Bradford <csbrad@ea.oac.uci.edu>

To: janeane_fans@webcom.com

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

Message-ID: <Pine.GSO.3.96.980204183534.20783B-100000@rigel.oac.uci.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Hi Everyone,

        This has nothing to do with JG, but please read it.  You'll be

glad you did.

 

Sincerely,

Christi Bradford

 

---------- Forwarded message ----------

Date: Mon, 2 Feb 1998 12:38:28 -0800 (PST)

From: Rosalyn Remulla <rremulla@ea.oac.uci.edu>

To: kfung@uci.edu, "\"Kuya\" Gary Dale Padre" <PadreDDS@uci.edu>,

    "\"Ate\" Cynthia Grace Balanz" <CGBALANZ@uci.edu>,

    Anna Jane Ylagan Eliseo <AELISEO@uci.edu>,

    Kuya Andrew <CIVICTYPER@mindspring.com>,

    "Evelyn \"Dragon Fly\" Maximo" <Evelyn_99@hotmail.com>,

    "Donella \"Big-D\" Bernardo" <ubernd02@mcl.ucsb.edu>,

    "Melina \"Mel\" Bello" <melina_07738@hotmail.com>,

    "CUMBRE -- Amy \"Hello\" Hahn" <yahahn@uci.edu>,

    "Amy \"Sweetie\" Soyong" <soyongl@uci.edu>,

    "April \"Raymond's woman\" Shin" <hshin@uci.edu>,

    "Audrey \"Online\" Hong" <ahong@uci.edu>,

    "Charito \"Cheetos\" Pascua" <cspascua@uci.edu>,

    "Christi \"Omniscient\" Bradford" <CSBrad@ea.oac.uci.edu>,

    "\"Mr. Ed\" Hyatt" <ECHyatt@uci.edu>,

    "Eubert \"Q-Bert\" Querubin" <efquerub@uci.edu>,

    "Eugene \"King Bam-Bam\" Cabanan" <Ecabanba@uci.edu>,

    "Gina \"Computer Luv\" Lam" <gtlam@uci.edu>,

    "James \"Bad-ass\" Landas" <jlandas@uci.edu>,

    Joyce Wang <wangjy@uci.edu>, juanita jimenez <jimenezj@uci.edu>,

    "Linda \"Tall\" Truong" <LHTRUONG@uci.edu>, Lydia Du <LDU@uci.edu>,

    'Mommy' Mike Nondarakse <mcnondar@uci.edu>,

    "\"Nasty\" Nilam Patel" <NPPatel@uci.edu>,

    "Rich \"Body-Builder\" Lopez" <rplopez@uci.edu>,

    "\"Tenderhearted\" Tina Cho" <KCHO@uci.edu>,

    "\"Tommy-'Boy' Hilfiger\" L." <Tommyl@uci.edu>,

    "William \"BMR-man\" Cheng" <wcheng@uci.edu>,

    "Yunhee \"Pick-Me-Up\" Park" <Yunheep@uci.edu>,

    "Joseph \"Jofus\" Pascua" <jpascua@ucla.edu>,

    "Anthony \"TonyToniTone\" Maximo" <AntMax@csulb.edu>

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

 

 

 

---------- Forwarded message ----------

Date: Sun, 1 Feb 1998 23:32:06 -0800 (PST)

From: "Casimir M. Lancaster " <clancast@ea.oac.uci.edu>

To: Pong Aing <aingp@uci.edu>, John Almeda <jalmeda@uci.edu>,

    Joan Aquino <jaquino@uci.edu>, Rogelio Arreola <rarreola@uci.edu>,

    Joselyn Bermudez <jbbermud@uci.edu>, Atour Bouza <abouza@uci.edu>,

    Linda Bui <buil@uci.edu>, Sara Dai <FLyGGrrrl@aol.com>,

    Desiree B Caluza <dcaluza@mission.mvnc.edu>,

    Kim Do <kldo@ea.oac.uci.edu>, Wendy Duanes <wduanes@uci.edu>,

    Tsob Fang <tfang@uci.edu>, Tran Han <hant@uci.edu>,

    Tran Han <tqh1@juno.com>, Dong Hinh <dhinh@uci.edu>,

    Mai Le <mtle@uci.edu>, Jennifer Lizarraga <jlizarra@uci.edu>,

    Chrystal Manore <cmanore@uci.edu>, Mike Chough <wufanforever@juno.com>,

    Monica Moise <mmoise@uci.edu>, Nelson <nclaros@uci.edu>,

    John Ninofranco <jninofra@ea.oac.uci.edu>,

    Tam-Huong Pham <tamhuonp@uci.edu>, Hanh Phan <phanhn@uci.edu>,

    Rosalyn Remulla <rremulla@uci.edu>, Jerel Salviejo <jsalviej@uci.edu>,

    Prachin Tiv <ptiv@uci.edu>, Tina Tran <trannk@uci.edu>,

    Jennifer Villasenor <jrillase@uci.edu>

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

 

 

 

---------- Forwarded message ----------

Date: Fri, 30 Jan 1998 13:17:43 -0800 (PST)

From: Jennifer Michelle Landa <JMLANDA@uci.edu>

To: Desiree Mallory <dmallory@uci.edu>

Cc: aguillon@uci.edu, mchabre@uci.edu, chent@uci.edu, gchavosh@uci.edu,

    prystic@uci.edu, damon@uci.edu, tlelling@uci.edu, markjham@uci.edu,

    dharter@uci.edu, jghenri@uci.edu, deidre@uci.edu, dkupper@uci.edu,

    tlmacedo@uci.edu, cjmarsha@uci.edu, jmlanda@uci.edu, jmankin@uci.edu,

    tera@uci.edu, jspatton@uci.edu, rrussell@uci.edu, jstimson@uci.edu,

    tavander@uci.edu, wacko@uci.edu, criste@uci.edu, mvaldez@uci.edu,

    vborjas@uci.edu, kldo@uci.edu, clancast@uci.edu, lvasquez@uci.edu,

    richardc@uci.edu, d4garcia@uci.edu, j3taylor@uci.edu, joeyyy@uci.edu,

    nmnixon@uci.edu, elirojas@uci.edu

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!

 

 

 

On Tue, 27 Jan 1998, Desiree Mallory wrote:

 

> >X-Sender: ovannost@e4e.oac.uci.edu

> 

> >X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.5 (32)

> 

> >Date: Tue, 27 Jan 1998 09:50:51 -0800

> 

> >To: lmaestas@uci.edu, cmccormi@uci.edu, scloudhs@uci.edu, lebaker@uci.edu,

> 

> >        jconner@uci.edu, setotten@uci.edu, dmallory@uci.edu,

 DPECORAR@uci.edu,

> 

> >        rladams@uci.edu, kcweber@ucdavis.edu, gbirkhol@uci.edu,

> 

> >        osharon1@juno.com, ChuckH1063@aol.com

> 

> >From: Ollie Van Nostrand <<ovannost@uci.edu>

> 

> >Subject: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

> 

> >  DID!

> 

> >

> 

> >

> 

> >  TO: MASSAOL@aol.com

> 

> > FROM: GatesBeta@microsoft.com

> 

> >  ATTACH: Tracklog@microsoft.com/Track883432/~TraceActive/On.html

> 

> > Hello Everyone

> 

> > And thank you for signing up for my Beta Email Tracking Application

> 

> >or  (BETA) for short. My name is Bill Gates.  Here at Microsoft we have just

> 

> >compiled an e-mail tracing program that tracks everyone to whom this

> 

> >message is

> 

> >forwarded to. It does this through an unique IP (Internet Protocol) address

> 

> >logbook database.  We are experimenting with this and need your help.

> 

> >Forward this  to everyone you know and if it reaches 1000 people everyone

> 

> >on the list you will receive $1000 and a copy of Windows98 at my

> 

> >expense.Enjoy.

> 

> > Note: Duplicate entries will not be counted. You will be notified byemail

> 

> > with further instructions once this email has reached 1000 people.

> 

> >Windows98 will not be shipped unitl it has been released to the general

> 

> >public.

> 

> >  Your friend,

> 

> >  Bill Gates & The Microsoft Development Team.

> 

> >

> 

> >

> 

> >

> 

> >

> 

> >

> 

> >===========================

> 

> >Ollie Van Nostrand

> 

> >Assistant Dean

> 

> >School of the Arts

> 

> >===========================

> 

> >University of California, Irvine

> 

> >300 Arts

> 

> >Irvine, CA 92697-2775

> 

> >(714) 824-5078

> 

> >(714) 824-2450 (fax)

> 

> >

> 

> >

> 

> <center>*********************************

> 

> <color><param>8080,0000,8080</param>Desiree M. Mallory

> 

> Director, Operations & Marketing

> 

> School of the Arts

> 

> </color>*********************************

> 

> University of California, Irvine

> 

> 300 Arts

> 

> Irvine, CA 92697-2775

> 

> Phone (714) 824-2397

> 

> FAX (714) 824-2450

> 

> dmallory@uci.edu

> 

> <color><param>0000,0000,ffff</param>http://www.arts.uci.edu

> 

> </color></center>

> 

 

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 10:00:24 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christian Brubaker <elevatortohell@MINDSPRING.COM>

Subject:      [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD

              YOU DID!  (fwd)]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 

Return-Path: <mseery@webcom.com>

Received: from x86.webcom.com (x86.webcom.com [209.1.28.59])

        by camel23.mindspring.com (8.8.5/8.8.5) with ESMTP id VAA30683;

        Wed, 4 Feb 1998 21:38:18 -0500 (EST)

Received: from localhost (s1000e2.webcom.com [209.1.28.39])

        by x86.webcom.com (8.8.7/8.8.7) with SMTP id SAA10437;

        Wed, 4 Feb 1998 18:39:32 +0800

Date: Wed, 4 Feb 1998 18:39:32 +0800

From: Christi Suzanne Bradford <csbrad@ea.oac.uci.edu>

To: janeane_fans@webcom.com

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

Message-ID: <Pine.GSO.3.96.980204183534.20783B-100000@rigel.oac.uci.edu>

MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

Hi Everyone,

        This has nothing to do with JG, but please read it.  You'll be

glad you did.

 

Sincerely,

Christi Bradford

 

---------- Forwarded message ----------

Date: Mon, 2 Feb 1998 12:38:28 -0800 (PST)

From: Rosalyn Remulla <rremulla@ea.oac.uci.edu>

To: kfung@uci.edu, "\"Kuya\" Gary Dale Padre" <PadreDDS@uci.edu>,

    "\"Ate\" Cynthia Grace Balanz" <CGBALANZ@uci.edu>,

    Anna Jane Ylagan Eliseo <AELISEO@uci.edu>,

    Kuya Andrew <CIVICTYPER@mindspring.com>,

    "Evelyn \"Dragon Fly\" Maximo" <Evelyn_99@hotmail.com>,

    "Donella \"Big-D\" Bernardo" <ubernd02@mcl.ucsb.edu>,

    "Melina \"Mel\" Bello" <melina_07738@hotmail.com>,

    "CUMBRE -- Amy \"Hello\" Hahn" <yahahn@uci.edu>,

    "Amy \"Sweetie\" Soyong" <soyongl@uci.edu>,

    "April \"Raymond's woman\" Shin" <hshin@uci.edu>,

    "Audrey \"Online\" Hong" <ahong@uci.edu>,

    "Charito \"Cheetos\" Pascua" <cspascua@uci.edu>,

    "Christi \"Omniscient\" Bradford" <CSBrad@ea.oac.uci.edu>,

    "\"Mr. Ed\" Hyatt" <ECHyatt@uci.edu>,

    "Eubert \"Q-Bert\" Querubin" <efquerub@uci.edu>,

    "Eugene \"King Bam-Bam\" Cabanan" <Ecabanba@uci.edu>,

    "Gina \"Computer Luv\" Lam" <gtlam@uci.edu>,

    "James \"Bad-ass\" Landas" <jlandas@uci.edu>,

    Joyce Wang <wangjy@uci.edu>, juanita jimenez <jimenezj@uci.edu>,

    "Linda \"Tall\" Truong" <LHTRUONG@uci.edu>, Lydia Du <LDU@uci.edu>,

    'Mommy' Mike Nondarakse <mcnondar@uci.edu>,

    "\"Nasty\" Nilam Patel" <NPPatel@uci.edu>,

    "Rich \"Body-Builder\" Lopez" <rplopez@uci.edu>,

    "\"Tenderhearted\" Tina Cho" <KCHO@uci.edu>,

    "\"Tommy-'Boy' Hilfiger\" L." <Tommyl@uci.edu>,

    "William \"BMR-man\" Cheng" <wcheng@uci.edu>,

    "Yunhee \"Pick-Me-Up\" Park" <Yunheep@uci.edu>,

    "Joseph \"Jofus\" Pascua" <jpascua@ucla.edu>,

    "Anthony \"TonyToniTone\" Maximo" <AntMax@csulb.edu>

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

 

 

 

---------- Forwarded message ----------

Date: Sun, 1 Feb 1998 23:32:06 -0800 (PST)

From: "Casimir M. Lancaster " <clancast@ea.oac.uci.edu>

To: Pong Aing <aingp@uci.edu>, John Almeda <jalmeda@uci.edu>,

    Joan Aquino <jaquino@uci.edu>, Rogelio Arreola <rarreola@uci.edu>,

    Joselyn Bermudez <jbbermud@uci.edu>, Atour Bouza <abouza@uci.edu>,

    Linda Bui <buil@uci.edu>, Sara Dai <FLyGGrrrl@aol.com>,

    Desiree B Caluza <dcaluza@mission.mvnc.edu>,

    Kim Do <kldo@ea.oac.uci.edu>, Wendy Duanes <wduanes@uci.edu>,

    Tsob Fang <tfang@uci.edu>, Tran Han <hant@uci.edu>,

    Tran Han <tqh1@juno.com>, Dong Hinh <dhinh@uci.edu>,

    Mai Le <mtle@uci.edu>, Jennifer Lizarraga <jlizarra@uci.edu>,

    Chrystal Manore <cmanore@uci.edu>, Mike Chough <wufanforever@juno.com>,

    Monica Moise <mmoise@uci.edu>, Nelson <nclaros@uci.edu>,

    John Ninofranco <jninofra@ea.oac.uci.edu>,

    Tam-Huong Pham <tamhuonp@uci.edu>, Hanh Phan <phanhn@uci.edu>,

    Rosalyn Remulla <rremulla@uci.edu>, Jerel Salviejo <jsalviej@uci.edu>,

    Prachin Tiv <ptiv@uci.edu>, Tina Tran <trannk@uci.edu>,

    Jennifer Villasenor <jrillase@uci.edu>

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

 

 

 

---------- Forwarded message ----------

Date: Fri, 30 Jan 1998 13:17:43 -0800 (PST)

From: Jennifer Michelle Landa <JMLANDA@uci.edu>

To: Desiree Mallory <dmallory@uci.edu>

Cc: aguillon@uci.edu, mchabre@uci.edu, chent@uci.edu, gchavosh@uci.edu,

    prystic@uci.edu, damon@uci.edu, tlelling@uci.edu, markjham@uci.edu,

    dharter@uci.edu, jghenri@uci.edu, deidre@uci.edu, dkupper@uci.edu,

    tlmacedo@uci.edu, cjmarsha@uci.edu, jmlanda@uci.edu, jmankin@uci.edu,

    tera@uci.edu, jspatton@uci.edu, rrussell@uci.edu, jstimson@uci.edu,

    tavander@uci.edu, wacko@uci.edu, criste@uci.edu, mvaldez@uci.edu,

    vborjas@uci.edu, kldo@uci.edu, clancast@uci.edu, lvasquez@uci.edu,

    richardc@uci.edu, d4garcia@uci.edu, j3taylor@uci.edu, joeyyy@uci.edu,

    nmnixon@uci.edu, elirojas@uci.edu

Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!

 

 

 

On Tue, 27 Jan 1998, Desiree Mallory wrote:

 

> >X-Sender: ovannost@e4e.oac.uci.edu

> 

> >X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.5 (32)

> 

> >Date: Tue, 27 Jan 1998 09:50:51 -0800

> 

> >To: lmaestas@uci.edu, cmccormi@uci.edu, scloudhs@uci.edu, lebaker@uci.edu,

> 

> >        jconner@uci.edu, setotten@uci.edu, dmallory@uci.edu,

 DPECORAR@uci.edu,

> 

> >        rladams@uci.edu, kcweber@ucdavis.edu, gbirkhol@uci.edu,

> 

> >        osharon1@juno.com, ChuckH1063@aol.com

> 

> >From: Ollie Van Nostrand <<ovannost@uci.edu>

> 

> >Subject: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

> 

> >  DID!

> 

> >

> 

> >

> 

> >  TO: MASSAOL@aol.com

> 

> > FROM: GatesBeta@microsoft.com

> 

> >  ATTACH: Tracklog@microsoft.com/Track883432/~TraceActive/On.html

> 

> > Hello Everyone

> 

> > And thank you for signing up for my Beta Email Tracking Application

> 

> >or  (BETA) for short. My name is Bill Gates.  Here at Microsoft we have just

> 

> >compiled an e-mail tracing program that tracks everyone to whom this

> 

> >message is

> 

> >forwarded to. It does this through an unique IP (Internet Protocol) address

> 

> >logbook database.  We are experimenting with this and need your help.

> 

> >Forward this  to everyone you know and if it reaches 1000 people everyone

> 

> >on the list you will receive $1000 and a copy of Windows98 at my

> 

> >expense.Enjoy.

> 

> > Note: Duplicate entries will not be counted. You will be notified byemail

> 

> > with further instructions once this email has reached 1000 people.

> 

> >Windows98 will not be shipped unitl it has been released to the general

> 

> >public.

> 

> >  Your friend,

> 

> >  Bill Gates & The Microsoft Development Team.

> 

> >

> 

> >

> 

> >

> 

> >

> 

> >

> 

> >===========================

> 

> >Ollie Van Nostrand

> 

> >Assistant Dean

> 

> >School of the Arts

> 

> >===========================

> 

> >University of California, Irvine

> 

> >300 Arts

> 

> >Irvine, CA 92697-2775

> 

> >(714) 824-5078

> 

> >(714) 824-2450 (fax)

> 

> >

> 

> >

> 

> <center>*********************************

> 

> <color><param>8080,0000,8080</param>Desiree M. Mallory

> 

> Director, Operations & Marketing

> 

> School of the Arts

> 

> </color>*********************************

> 

> University of California, Irvine

> 

> 300 Arts

> 

> Irvine, CA 92697-2775

> 

> Phone (714) 824-2397

> 

> FAX (714) 824-2450

> 

> dmallory@uci.edu

> 

> <color><param>0000,0000,ffff</param>http://www.arts.uci.edu

> 

> </color></center>

> 

 

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 16:23:51 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Thomas Van Moortel <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      SPAM: Bill Gates

To:           BEAT-L@CUNYVM.CUNY.EDU

 

BILL GATES, LORD OF BITS & BYTES, ANYTHING BUT BEAT

 

Ok, this isn't gonna land ya a 1000$ or a free copy of Windows '98

but at least it's funny.  Bill Gates landed in Belgium and got three

cakes in da face.  Forgive me, my Lord, for we have sinned...

 

                                                xcuses for this spam,

 

                                                Thomas Van Moortel

 

Attachment Converted: "c:\pbox\rinaldo\attach\billygates.gif"

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 09:33:53 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE

              GLAD YOU DID!  (fwd)]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

can this person be blocked?

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 17:05:59 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      one-liners and "me too" posts

To:           BEAT-L@CUNYVM.CUNY.EDU

 

All these quickie posts ridiculing and commenting on the chain letter

are even worse spam than the chain letter itself.

 

Even worse are the posts that quote THE ENTIRE CHAIN LETTER ALL OVER

AGAIN, as if we needed another copy.  No post ever requires quoting the

source letter in its entirety, people, especially just to add one or two

lines. Edit, edit, edit!

 

=-=-=-=-=-=-=

j.s.holland

he of the clogged inbox

=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Authentication-Warning: 24.cyberhost.net: Host jungfrau-52.pinn.net

                         [207.226.105.52] claimed to be hartman

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

Date:         Thu, 5 Feb 1998 11:18:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bruce Hartman <the.lunatic@LUNATIC-MEDIA.COM>

Subject:      Re: [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE

              GLAD             YOU DID!  (fwd)]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

AHHHHHHHHHHHHHHHHHH, this about the tenth time I've received this obviously

fake email message. . .  Let's begin with a lesson in Bullshit Detection

101.

 

1) Check the source.  No where on Microsoft's site is this "BETA" program

mentioned. . .  It's a load of crap.

 

2) Consider the name of the program. . .  BETA?  Duh, even Microsoft

wouldn't name a program BETA. . .  that's like Chevy trying to sell their

Nova in South America  (Nova = "doesn't go" in Spanish).

 

3) Do yourself a favor and READ the message before you forward it. . .  Mr.

Gates, pie-faced though he may be, can spell better than this--at first

count, at least five spelling errors and typos.  And the grammar. . .  jeez,

are you really that gullible?

 

The purpose of letters like this are to simply feed the spam mills of

unscrupulous people.  They manage to get the letter at the end of the cycle

and then suck all of the email addresses from it. . .  Then they compile

their own list and sell it to every other spammer on the web.  You and

everyone else who contributed to this idiocy have handed yourself over to

someone simply because they promised you a $1000 bucks and Microsoft's

latest piece of bloatware.  Wake up (and spare us from your stupidity).

 

'Tis better NOT to send email and let others think you a fool than to send

it and prove them right.

 

Bruce W. Hartman, Jr.

the.lunatic@lunatic-media.com

http://www.lunatic-media.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 18:00:40 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

William S.Burroughs came into this world on this day in 1914. Radio was

in its infancy, and Nikola Tesla was preparing to sue Marconi for his

false claim of inventing what Tesla had already patented. The typewriter

had only been in existence for 46 years. The Civil War was only as far

back in the past as the birth of rock and roll is to us today.

 

America in 1914 was at a turning point : the Industrial Revolution

loomed just ahead, the beginning of The End. At the other end of the

Century lay apocalypse, which Burroughs himself lived to see begin,

first with the advent of the Internet he predicted, and then with the

publication of the FC (Freedom Club)'s Manifesto (referred to by the

press and the FBI as "the Unabomber's Manifesto") and the subsequent

arrest of one Ted Kaczynski. The other members of Freedom Club are

ignored and Mr.Kaczynski, we are informed, was just another Lone Nut.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

"As the conspirators move across the country the FBI man is always one

step behind them. His investigations are handicapped by his belief that

the conspiracy is political which send him down a number of false

trails." - WSB, 'Exterminator'.

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Burroughs takes the opposite course intended for him by his father, who,

in inventing the adding machine and being single-handedly responsible

for the modernization of banks, has fired the starting gun of the race

against time.

 

Burroughs travels to distant lands like a junkie Hemingway, to Mexico,

South America, Africa; hunting not for animal pelts but for truth, and

for a mysterious fabled drug called Yage, which he finds, ingests, and

emerges a changed man.

 

Burroughs writes. And writes. And writes. Tells the truth in lucid,

gutteral, terms, writing of all manner of things underworld and ugly,

and shows us the beauty therein. In addition to telling it like it is,

he also tells us how it ought to be, playing both Stanley Kowalski *and*

Blanche. He writes of a faraway world where people are free of sexual

hangups, and where people are not inclined to meddle in one another's

business.

 

=-=-=-=-=-=-=-=-=-=-=-=

"There is a heppy lend, fur, fur away...." - Krazy Kat

=-=-=-=-=-=-=-=-=-=-=-=

 

Burroughs finally gained some paltry measure of success and recognition,

with "Naked Lunch" striking the dartboard, and ultimately being inducted

into the American Academy and Institute of Arts and Letters. Said WSB at

the time, "These people, twenty years ago, they were saying I belonged

in jail. Now they're saying I belong in their club. I didn't listen to

them then, and I don't listen to them now."

 

Burroughs led a full life but never truly got a taste of the Port of

Saints he dreamed of. Woven through his life's writings is the sad

acknowledgment that he was born in the wrong time. Had he lived in

another, simpler era, where he imagined the world was freer and more

exciting, he could have REALLY shown us something. Too many years and

too much effort spent in running from cops; turning down the blinds;

hiding the stash; putting on the right personality for the nosy

landlord; lapsing in rage and depression at bad reviews by reviewers who

wouldn't know good writing if it bit the psoriasis off their elbows;

kissing the asses of editors and then fighting to keep from getting

screwed by them; and always the warring factions in his brain, of

loneliness and contempt. Yes, if only he could have lived in a simpler

time, in a freer land. That freer land may just be around the corner,

along with surprises no one dreamed possible. I am certain of it.

 

This I know : we have not seen the last of William S.Burroughs.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

"Clem, swear to me by everything that we hold sacred that you will use

every cent of that money to try to turn the clock back to 1899, when a

silver dollar bought a good meal or a good piece of ass."

- - WSB, "Exterminator".

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

 

=-=-=-=-=-=-=-=-=

j.s. holland

"I am surprised! It is very beautiful over there!"

(The last words of Thomas Edison)

=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 5 Feb 1998 11:02:35 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: WSB's Birthday celebration in Madison-IMPORTANT

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Friends,

 

Today on WORT-FM Radio, Madison, WI a fellow named Biff is really

celebrating WSB's birthday. Music, spoken word, WSB voice over music, on

and on and on. It is incredible. A real BEAT HOLIDAY IN MADISON, WI

 

Let's all send them E-mail. The more the merrier. Let's make it an IMPACT.

I follow-up and make sure a press release gets to the media. That willhit

AP and UPI and other stations will make a note to dothe same when BEAT

BIRTHDAYS arrive.

 

This fellows E-mail address is: <fiddlebub@aol.com>

 

WORT-FM's E-mail address (to the Operations Managerwo is a very good

person) is: normstoc@wort-fm.terracom.net

 

I hope Beat List folks will send a msg to Biff and cc the station letting

them know that when they celibrate the Beats, they are celebrating the

critically important writers who have influenced 20th Centruy American

literature.

 

I want to provide all the encouragement I can to people taking time to

celebrate the Beats on their birthdays.

 

Thanks.

 

jo

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Pater Noster.

Cc:

Bcc: wxgbc@cunyvm.cuny.edu

X-Attachments:

In-Reply-To: <BEAT-L%1998020417132522@CUNYVM.CUNY.EDU>

References:

 

   Pater Noster.

 

Pater noster qui es in coelo

santificetur nomen tuum

adveniat regnum tuum

fiat volumptas tua

sicut in coelo et in terra.

 

Panem cotidianum da nobis hodie

et dimitte nobis debita nostra

sicut nos dimittimus debitoribus nostri

 

et ne nos inducas in temptationem

sed libera nos a malo.

Amen.

 

                         --dictat Christi.

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 18:31:29 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

 

> 

> His Grampy was the inventor of the Adding Machine, not his Pops, if I am not

> mistaken.

 

=== It was his father, William S.Burroughs the first. Invented it in

1886.

 

=-=-=-=

jsh,ky

beep

=-=-=-=

 

Return-Path: <MAILER-DAEMON>

Date:         Thu, 5 Feb 1998 12:40:09 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 05 Feb 1998 18:28:40...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 05 Feb 1998 18:28:40 +0100 with subject "Pater

Noster." has  been successfully  distributed to  the BEAT-L  list (254

recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 17:44:38 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: cake

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patricia, thank you so much; these stories are wonderful glimpses into

"william" i often think of the weed "sweet william" when i read your posts.

you add beauty and grace to this often cantankerous list.

marie

 

Patricia Elliott wrote:

 

> a cake, chocolate, a zillion candles.  the frosting is a variation of

> coco fudge.

> before supper, soda crackers and cavier.

> a glass of coke cola and vod.

> before supper, damn sweet conversation.

> after supper, slightly incoherent rambling shit

> that could be funny as hell.

> a wsb story

> one thursday evening i'm making lamb chops.

> Tv news announces that a hot pursuit is on.

> desperate felon is being chased from kansas city to lawrence.

> We are on the kc side of town.

> william comes out of the den, ok his bedroom where he is talking to the

> boys

> wayne and david.

> gives us all a nicely loaded gun to defend ourself and his hearth.

> says by god, don't answer the door without it.

> Nice 38 laid by the spatula.  I tease him about the favors.

> later on the news, felon had turned left, once he hit town,

> stopping at a corner so close that i could see it from the window

> taking a hostage of course.  When i tried to let william say

> i told you so.  he as usual wasn't concerned with that rubbage.

> he wonder what the desparado was packing.

> 

> william at cottage

> 

> william is setting up combining his new obsesssion with his old one.

> He is positioning a plyboard with bottles of ink suspended from it.

> then stepping 15 feet back, well the bottles are small and william keeps

> stepping closer to actually hit it.  On one shot william wheels back and

> his forhead is splattered.  david and i are sure that some damn

> richochet has got him.  but when the ink bottle burst, a peice had flown

> back and walloped his third eye. "No. No. I'M OK." He testily says, with

> a good size blotch of indigo on his forehead.

> 

> William liked driving through the country side.  One of the many reason

> I think he was happy in Lawrence.  Sometimes he would make up storys

> about the houses or people.  In really whimisical moods, we would look

> at the clouds and point out "looks likes".  He was a natual story

> person.  He worked his mind all the time.  He wasn't just superstitious,

> he believed in magic.  Soon after i meet him i told him that he reminded

> me of a ghost i knew when i was a child. He did too. He was someone that

> you could seriously discuss magic, chance, and decency with.

> patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 12:58:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sorted <junky@NETCONCEPTS.COM>

Subject:      Re: WSB's Birthday celebration in Madison-IMPORTANT

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Friends,

> 

>Today on WORT-FM Radio, Madison, WI a fellow named Biff is really

>celebrating WSB's birthday. Music, spoken word, WSB voice over music, on

>and on and on. It is incredible. A real BEAT HOLIDAY IN MADISON, WI

 

i'm up here in madison as well...although burroughs.net is still down, i

placed a birthday message and a small note to tune into 89.9 if you're at

all within range.

 

-s

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-CriticalPath-Sent: 5 Feb 1998 17:55:01 GMT

Date:         Thu, 5 Feb 1998 10:01:23 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         steve <sbrocksieck@COMPARE.NET>

Subject:      Re: [mbv] [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL

              BE GLAD YOU   DID!  (fwd)]

Comments: To: mbv@netch.se

Comments: cc: "mobility@mail.xmission.com" <mobility@mail.xmission.com>,

          "panic_list@uclink4.berkeley.edu" <panic_list@uclink4.berkeley.edu>,

          "shue-list@axnet.net" <shue-list@axnet.net>,

          "ET_etc@bronze.interlog.com" <ET_etc@bronze.interlog.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This is a crock.  If you think Bill is going to give away a grand

to ANYone, I have some prime swamp land in Florida for sale, too.

 

Christian Brubaker wrote:

> 

> 

 ------------------------------------------------------------------------

> 

> Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID! (fwd)

> Date: Wed, 4 Feb 1998 18:39:32 +0800

> From: Christi Suzanne Bradford <csbrad@ea.oac.uci.edu>

> To: janeane_fans@webcom.com

> 

> Hi Everyone,

>         This has nothing to do with JG, but please read it.  You'll be

> glad you did.

> 

> Sincerely,

> Christi Bradford

> 

> ---------- Forwarded message ----------

> Date: Mon, 2 Feb 1998 12:38:28 -0800 (PST)

> From: Rosalyn Remulla <rremulla@ea.oac.uci.edu>

> To: kfung@uci.edu, "\"Kuya\" Gary Dale Padre" <PadreDDS@uci.edu>,

>     "\"Ate\" Cynthia Grace Balanz" <CGBALANZ@uci.edu>,

>     Anna Jane Ylagan Eliseo <AELISEO@uci.edu>,

>     Kuya Andrew <CIVICTYPER@mindspring.com>,

>     "Evelyn \"Dragon Fly\" Maximo" <Evelyn_99@hotmail.com>,

>     "Donella \"Big-D\" Bernardo" <ubernd02@mcl.ucsb.edu>,

>     "Melina \"Mel\" Bello" <melina_07738@hotmail.com>,

>     "CUMBRE -- Amy \"Hello\" Hahn" <yahahn@uci.edu>,

>     "Amy \"Sweetie\" Soyong" <soyongl@uci.edu>,

>     "April \"Raymond's woman\" Shin" <hshin@uci.edu>,

>     "Audrey \"Online\" Hong" <ahong@uci.edu>,

>     "Charito \"Cheetos\" Pascua" <cspascua@uci.edu>,

>     "Christi \"Omniscient\" Bradford" <CSBrad@ea.oac.uci.edu>,

>     "\"Mr. Ed\" Hyatt" <ECHyatt@uci.edu>,

>     "Eubert \"Q-Bert\" Querubin" <efquerub@uci.edu>,

>     "Eugene \"King Bam-Bam\" Cabanan" <Ecabanba@uci.edu>,

>     "Gina \"Computer Luv\" Lam" <gtlam@uci.edu>,

>     "James \"Bad-ass\" Landas" <jlandas@uci.edu>,

>     Joyce Wang <wangjy@uci.edu>, juanita jimenez <jimenezj@uci.edu>,

>     "Linda \"Tall\" Truong" <LHTRUONG@uci.edu>, Lydia Du <LDU@uci.edu>,

>     'Mommy' Mike Nondarakse <mcnondar@uci.edu>,

>     "\"Nasty\" Nilam Patel" <NPPatel@uci.edu>,

>     "Rich \"Body-Builder\" Lopez" <rplopez@uci.edu>,

>     "\"Tenderhearted\" Tina Cho" <KCHO@uci.edu>,

>     "\"Tommy-'Boy' Hilfiger\" L." <Tommyl@uci.edu>,

>     "William \"BMR-man\" Cheng" <wcheng@uci.edu>,

>     "Yunhee \"Pick-Me-Up\" Park" <Yunheep@uci.edu>,

>     "Joseph \"Jofus\" Pascua" <jpascua@ucla.edu>,

>     "Anthony \"TonyToniTone\" Maximo" <AntMax@csulb.edu>

> Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

> 

> ---------- Forwarded message ----------

> Date: Sun, 1 Feb 1998 23:32:06 -0800 (PST)

> From: "Casimir M. Lancaster " <clancast@ea.oac.uci.edu>

> To: Pong Aing <aingp@uci.edu>, John Almeda <jalmeda@uci.edu>,

>     Joan Aquino <jaquino@uci.edu>, Rogelio Arreola <rarreola@uci.edu>,

>     Joselyn Bermudez <jbbermud@uci.edu>, Atour Bouza <abouza@uci.edu>,

>     Linda Bui <buil@uci.edu>, Sara Dai <FLyGGrrrl@aol.com>,

>     Desiree B Caluza <dcaluza@mission.mvnc.edu>,

>     Kim Do <kldo@ea.oac.uci.edu>, Wendy Duanes <wduanes@uci.edu>,

>     Tsob Fang <tfang@uci.edu>, Tran Han <hant@uci.edu>,

>     Tran Han <tqh1@juno.com>, Dong Hinh <dhinh@uci.edu>,

>     Mai Le <mtle@uci.edu>, Jennifer Lizarraga <jlizarra@uci.edu>,

>     Chrystal Manore <cmanore@uci.edu>, Mike Chough <wufanforever@juno.com>,

>     Monica Moise <mmoise@uci.edu>, Nelson <nclaros@uci.edu>,

>     John Ninofranco <jninofra@ea.oac.uci.edu>,

>     Tam-Huong Pham <tamhuonp@uci.edu>, Hanh Phan <phanhn@uci.edu>,

>     Rosalyn Remulla <rremulla@uci.edu>, Jerel Salviejo <jsalviej@uci.edu>,

>     Prachin Tiv <ptiv@uci.edu>, Tina Tran <trannk@uci.edu>,

>     Jennifer Villasenor <jrillase@uci.edu>

> Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!  (fwd)

> 

> ---------- Forwarded message ----------

> Date: Fri, 30 Jan 1998 13:17:43 -0800 (PST)

> From: Jennifer Michelle Landa <JMLANDA@uci.edu>

> To: Desiree Mallory <dmallory@uci.edu>

> Cc: aguillon@uci.edu, mchabre@uci.edu, chent@uci.edu, gchavosh@uci.edu,

>     prystic@uci.edu, damon@uci.edu, tlelling@uci.edu, markjham@uci.edu,

>     dharter@uci.edu, jghenri@uci.edu, deidre@uci.edu, dkupper@uci.edu,

>     tlmacedo@uci.edu, cjmarsha@uci.edu, jmlanda@uci.edu, jmankin@uci.edu,

>     tera@uci.edu, jspatton@uci.edu, rrussell@uci.edu, jstimson@uci.edu,

>     tavander@uci.edu, wacko@uci.edu, criste@uci.edu, mvaldez@uci.edu,

>     vborjas@uci.edu, kldo@uci.edu, clancast@uci.edu, lvasquez@uci.edu,

>     richardc@uci.edu, d4garcia@uci.edu, j3taylor@uci.edu, joeyyy@uci.edu,

>     nmnixon@uci.edu, elirojas@uci.edu

> Subject: Re: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

 DID!

> 

> On Tue, 27 Jan 1998, Desiree Mallory wrote:

> 

> > >X-Sender: ovannost@e4e.oac.uci.edu

> >

> > >X-Mailer: QUALCOMM Windows Eudora Pro Version 3.0.5 (32)

> >

> > >Date: Tue, 27 Jan 1998 09:50:51 -0800

> >

> > >To: lmaestas@uci.edu, cmccormi@uci.edu, scloudhs@uci.edu, lebaker@uci.edu,

> >

> > >        jconner@uci.edu, setotten@uci.edu, dmallory@uci.edu,

 DPECORAR@uci.edu,

> >

> > >        rladams@uci.edu, kcweber@ucdavis.edu, gbirkhol@uci.edu,

> >

> > >        osharon1@juno.com, ChuckH1063@aol.com

> >

> > >From: Ollie Van Nostrand <<ovannost@uci.edu>

> >

> > >Subject: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE GLAD YOU

> >

> > >  DID!

> >

> > >

> >

> > >

> >

> > >  TO: MASSAOL@aol.com

> >

> > > FROM: GatesBeta@microsoft.com

> >

> > >  ATTACH: Tracklog@microsoft.com/Track883432/~TraceActive/On.html

> >

> > > Hello Everyone

> >

> > > And thank you for signing up for my Beta Email Tracking Application

> >

> > >or  (BETA) for short. My name is Bill Gates.  Here at Microsoft we have

 just

> >

> > >compiled an e-mail tracing program that tracks everyone to whom this

> >

> > >message is

> >

> > >forwarded to. It does this through an unique IP (Internet Protocol) address

> >

> > >logbook database.  We are experimenting with this and need your help.

> >

> > >Forward this  to everyone you know and if it reaches 1000 people everyone

> >

> > >on the list you will receive $1000 and a copy of Windows98 at my

> >

> > >expense.Enjoy.

> >

> > > Note: Duplicate entries will not be counted. You will be notified byemail

> >

> > > with further instructions once this email has reached 1000 people.

> >

> > >Windows98 will not be shipped unitl it has been released to the general

> >

> > >public.

> >

> > >  Your friend,

> >

> > >  Bill Gates & The Microsoft Development Team.

> >

> > >

> >

> > >

> >

> > >

> >

> > >

> >

> > >

> >

> > >===========================

> >

> > >Ollie Van Nostrand

> >

> > >Assistant Dean

> >

> > >School of the Arts

> >

> > >===========================

> >

> > >University of California, Irvine

> >

> > >300 Arts

> >

> > >Irvine, CA 92697-2775

> >

> > >(714) 824-5078

> >

> > >(714) 824-2450 (fax)

> >

> > >

> >

> > >

> >

> > <center>*********************************

> >

> > <color><param>8080,0000,8080</param>Desiree M. Mallory

> >

> > Director, Operations & Marketing

> >

> > School of the Arts

> >

> > </color>*********************************

> >

> > University of California, Irvine

> >

> > 300 Arts

> >

> > Irvine, CA 92697-2775

> >

> > Phone (714) 824-2397

> >

> > FAX (714) 824-2450

> >

> > dmallory@uci.edu

> >

> > <color><param>0000,0000,ffff</param>http://www.arts.uci.edu

> >

> > </color></center>

> >

 

--

And now, a shameless plug for my workplace!

Before you buy:

http://www.compare.net/

Information is Power

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      SAA11052

Date:         Thu, 5 Feb 1998 18:45:42 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      delete at will: pome final version

To:           BEAT-L@CUNYVM.CUNY.EDU

 

   my father's eyes

 

   delivered in the mail today

   were photos of my father:

   taken by his present wife

   in VA hospice, Florida.

 

   empty eyed, he stares,

    restrained, as

   wheel chairs bound,

   looking slack jawed in the camera's lens

   oblivious,  the shutter snaps

   his consciousness,

   a naked bulb-

    waning,

      burning out.

 

   just when i thought it safe,

   my childhood opens it's eyes again-

   my father was mostly vacant then,

   coming home long past dinner time

   training smoke and whiskey fumes

   (on way in, way out):

   trained his back on  mother's rage,

   her bitter battlefield once more.

 

  my father was a tin man,

  traveling salesman,

  the perfect con of  responsibility-

 he chose a living on the road

 to keep him family-free.

 

 

   this man, who picked me up from bus

   circa '68

   having, like him fled, and then returned,

   leaned over, whispering,

  "if i had my life to live over again,

  i'd never have been a family man,"

   ( annihilating me.)

 

   the last time i saw my father

   we fought - over what, i can't  recall-

   i locked myself up in my truck

   but lacking ignition key,

   was stuck,

   locked up, unable to leave.

 

   he cried and begged forgiveness,

   and as i unlocked the door,

   crawling in, he laid head in my lap

   sparking memories into distant past,

   that further distance brought.

 

   estranged  all these past four years

   (i moved up north

   he moved  south)-

   thinking there would be more time

   for love unchained

    from childhood pain-

   (and of course there never was).

 

   now he stares at no one

   in this photo except me

   sent by his wife,

   who wrote and asked,

   how was it that i didn't i know

   he carried always a billfold

   snap shot of mom and me?

 

   my answer, a sigh, a no,

   he told so little to me

   and now so little is left,

   leaving

   vacancy-

   no connection,

   dislocation,

 my silent

  shatteringscreams within-

       and  the urge to flee.

 

   (c) 2/4/98

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 10:50:52 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maggie Gerrity <u2ginsberg@YAHOO.COM>

Subject:      Re: Beats and the Lost Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  Sorry for posting this, but I tried to email Patrick privately and

it came back for some reason. If you get this message, please email me

privately at u2ginsberg@hotmail.com

  Oh, and I think we're as likely to each receive $1000 as we are to

see Allen Ginsberg walking through the Village!  I receive enough of

these pointless forwards as it is, I sure as hell don't want to be

receiving any from someone on a list that's about one of my true

passions, Beat Literature. This should be a spam-free list, whoever

posted that!

  Okay, now on to my message:

Patrick--

  I'd be interested in discussing the possibilities of a book with

you, and must also mention that I'm planning to seek publication for

an anthology of Allen Ginsberg's work entitled "Love, Death, and the

Teachings of Allen Ginsberg." Email me privately at the address above

and we'll discuss my options in more detail.

                      ***

  Sorry about the should've been private message, but technololgy

seemed to blow up in my face yesterday when I tried to send it

privately.

         Maggie G.

==

"In dreams begin responsibilities."--Delmore Schwartz

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 19:51:55 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: cake

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Thomas Van Moortel wrote:

 

> There is such a weed as 'sweet william'?

 

=== yes.

 

 

 

> I have difficulties seeing William S. Burrough as a 'sweet'

> man because having sex with boys that were, I can't remember, 10, 12

> years old must've caused them physical pain

 

=== You proceed from a false assumption. WSB was just as much a bottom

as a top. Often mutual oral was sufficient for him anyway....

 

 

 

 

> Nonetheless

> I have an enormous respect for the writer/artist W.S.B.

 

=== They should be naming this airport after him instead of Ronald

Reagan..... All in good time, though.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea,KY

let. it. come. down.

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 20:07:47 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

JSH wrote:

 

> === It was his father, William S.Burroughs the

> first. Invented it in 1886.

 

 

and Timothy K. Gallaher wrote:

> 

> 

> No.

> 

> This is simple factual info.  Look up any reference book.

 

 

 

and JSH responds:

 

=== I've seen it listed as alternately being his father and grandfather

in assorted places......I honestly can't remember what led to me to go

with putting more stock in the "grandfather" reports, but I will dig up

my copy of "Literary Outlaw" when I get back home tonight and check what

it says.....you could be right, now that I think about it.

 

 

=-=-=-=-=-=

j.s.h. (ky)

ding ding ding

=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 20:40:41 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just called my friend Doraemon and she sez it's definitely his

grandfather, and she knows more about WSB than almost anyone, so I'll

cleave to her word. She did say that Morgan's book makes the matter a

little confusing with some clumsy phrasing, so that may be where I got

the false impression....

 

ok, ok, so insert 'grandfather' in there...

 

"But Dr.Benway, isn't the appendix on the *other* side???"

 

 

=-=-=-=-=-=-=-=-=-=

Jeff Holland and

a bottle of Cognac

=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Thu, 5 Feb 1998 15:04:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE

              GLAD             YOU DID!  (fwd)]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:18 AM 2/5/98 -0500, you wrote:

>AHHHHHHHHHHHHHHHHHH, this about the tenth time I've received this obviously

>fake email message. . .  Let's begin with a lesson in Bullshit Detection

>101.

> 

>1) Check the source.  No where on Microsoft's site is this "BETA" program

>mentioned. . .  It's a load of crap.

> 

>2) Consider the name of the program. . .  BETA?  Duh, even Microsoft

>wouldn't name a program BETA. . .  that's like Chevy trying to sell their

>Nova in South America  (Nova = "doesn't go" in Spanish).

> 

>3) Do yourself a favor and READ the message before you forward it. . .  Mr.

>Gates, pie-faced though he may be, can spell better than this--at first

>count, at least five spelling errors and typos.  And the grammar. . .  jeez,

>are you really that gullible?

> 

>The purpose of letters like this are to simply feed the spam mills of

>unscrupulous people.  They manage to get the letter at the end of the cycle

>and then suck all of the email addresses from it. . .  Then they compile

>their own list and sell it to every other spammer on the web.  You and

>everyone else who contributed to this idiocy have handed yourself over to

>someone simply because they promised you a $1000 bucks and Microsoft's

>latest piece of bloatware.  Wake up (and spare us from your stupidity).

> 

>'Tis better NOT to send email and let others think you a fool than to send

>it and prove them right.

> 

>Bruce W. Hartman, Jr.

>the.lunatic@lunatic-media.com

>http://www.lunatic-media.com

> 

> 

Whaddya talkin' about?  Hes real, I'd know Billy Bob's signature

syntax errors anywhere.  This guy is the world's biggest geek

and dweeb.  He would do something like this, a real life Sterling

Holloway.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Thu, 5 Feb 1998 12:35:14 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE

              GLAD             YOU DID!  (fwd)]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I received my version of windows 99 and a check for 10,000 dollars this morning.

 

Like wow man (psuedo beatnik phraseology defines message as "BEATRELATED").

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Thu, 5 Feb 1998 16:17:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: one-liners and "me too" posts

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 05:05 PM 2/5/98 +0100, you wrote:

>All these quickie posts ridiculing and commenting on the chain letter

>are even worse spam than the chain letter itself.

> 

>Even worse are the posts that quote THE ENTIRE CHAIN LETTER ALL OVER

>AGAIN, as if we needed another copy.  No post ever requires quoting the

>source letter in its entirety, people, especially just to add one or two

>lines. Edit, edit, edit!

> 

>=-=-=-=-=-=-=

>j.s.holland

>he of the clogged inbox

>=-=-=-=-=-=-=

> 

>Your response is entirely too short.  Please go to your trashpile of

spam, pull off a particularly loathsome specimen, and copy and paste

it into your next missive!

 

Thank you.

 

The Management

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

Date:         Thu, 5 Feb 1998 14:32:29 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      JUST RELEASED: "al/ph/abet:(de)find"

Comments: To: bohemian literature listserv <bohemian@maelstrom.stjohns.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just released from House Press:

 

Derek Beaulieu's "al/ph/abet: (de)find"

 

      a an b c d e f g anh i j k l m n o p q r s t th u v w x y z

        **inspired by bp nichol's "pataphysics" and a love of language,

"al/ph/abet:(de)find" is a re-definition of a 28 letter alphabet based on

each individual letter's emotions, past and personality**

 

        hand printed linocut covers on art stock

        cerlox bound

        limited edition of 28 signed and numbered copies.

        $20 each, shipping and handling included

        for more information, or to order please contact derek beaulieu

via e-mail: dabeauli@calcna.ab.ca  or  dabeauli@freenet.calgary.ab.ca

       a an b c d e f g anh i j k l m n o p q r s t th u v w x y z

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

_______________________________________________________________________________

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 16:37:14 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Spams & Flames

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The best thing to do with flames and spams is to ignore them.  If you

want to make a comment on them, don't send it to the list.  Send your

comments privately to the flame thrower.  If someone receives 300

replies to his flame in his incoming mail, he or she might think twice

before abusing our list again.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 16:02:21 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      cake

To:           BEAT-L@CUNYVM.CUNY.EDU

 

a cake, chocolate, a zillion candles.  the frosting is a variation of

coco fudge.

before supper, soda crackers and cavier.

a glass of coke cola and vod.

before supper, damn sweet conversation.

after supper, slightly incoherent rambling shit

that could be funny as hell.

a wsb story

one thursday evening i'm making lamb chops.

Tv news announces that a hot pursuit is on.

desperate felon is being chased from kansas city to lawrence.

We are on the kc side of town.

william comes out of the den, ok his bedroom where he is talking to the

boys

wayne and david.

gives us all a nicely loaded gun to defend ourself and his hearth.

says by god, don't answer the door without it.

Nice 38 laid by the spatula.  I tease him about the favors.

later on the news, felon had turned left, once he hit town,

stopping at a corner so close that i could see it from the window

taking a hostage of course.  When i tried to let william say

i told you so.  he as usual wasn't concerned with that rubbage.

he wonder what the desparado was packing.

 

william at cottage

 

william is setting up combining his new obsesssion with his old one.

He is positioning a plyboard with bottles of ink suspended from it.

then stepping 15 feet back, well the bottles are small and william keeps

stepping closer to actually hit it.  On one shot william wheels back and

his forhead is splattered.  david and i are sure that some damn

richochet has got him.  but when the ink bottle burst, a peice had flown

back and walloped his third eye. "No. No. I'M OK." He testily says, with

a good size blotch of indigo on his forehead.

 

William liked driving through the country side.  One of the many reason

I think he was happy in Lawrence.  Sometimes he would make up storys

about the houses or people.  In really whimisical moods, we would look

at the clouds and point out "looks likes".  He was a natual story

person.  He worked his mind all the time.  He wasn't just superstitious,

he believed in magic.  Soon after i meet him i told him that he reminded

me of a ghost i knew when i was a child. He did too. He was someone that

you could seriously discuss magic, chance, and decency with.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Thu, 5 Feb 1998 14:09:01 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 06:00 PM 2/5/98 +0100, you wrote:

 

>Burroughs takes the opposite course intended for him by his father, who,

>in inventing the adding machine and being single-handedly responsible

>for the modernization of banks, has fired the starting gun of the race

>against time.

 

His Grampy was the inventor of the Adding Machine, not his Pops, if I am not

mistaken.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 00:12:23 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Thomas Van Moortel <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      Re: cake

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

> 

> patricia, thank you so much; these stories are wonderful glimpses into

> "william" i often think of the weed "sweet william" when i read your posts.

> you add beauty and grace to this often cantankerous list.

> marie

 

Marie,

 

I suppose by 'weed' you mean marijuana?  There is such a weed as 'sweet

william'?  I have difficulties seeing William S. Burrough as a 'sweet'

man because having sex with boys that were, I can't remember, 10, 12

years old must've caused them physical pain, and I don't care what kinda

sex anybody is into, as long as it doesn't hurt anybody.  Nonetheless

I have an enormous respect for the writer/artist W.S.B.

 

                                                        --Thomas

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Thu, 5 Feb 1998 15:17:34 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 06:31 PM 2/5/98 +0100, you wrote:

>Timothy K. Gallaher wrote:

> 

>> 

>> His Grampy was the inventor of the Adding Machine, not his Pops, if I am not

>> mistaken.

> 

>=== It was his father, William S.Burroughs the first. Invented it in

>1886.

> 

 

No.

 

This is simple factual info.  Look up any reference book.

 

Here is one internet reference found from the www.bigtable.com site's search

engine ( http://www.bigtable.com/cgi-bin/htsearch)

 

 

from http://www.hyperreal.org/wsb/bcorp.html

 

 

The Burroughs Corp.

 

Bill Burroughs is named after his grandfather, Wiliam Seward Burroughs, the

inventor of the adding machine. Although

previous adding machines were in existence none were considered reliable

until Burroughs created one with a perforated

cylinder filled with oil which acted as a hydraulic regulator on the handle

so that no matter how sharply or slowly the handle

was pulled, pressure exerted on the mechanism was the same.

 

William Seward Burroughs the inventor died at age 43, not long before his

namesake was born.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 18:04:52 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it was his grandfather.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 18:23:32 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well, i wouldn't put much stock in literary outlaw, as it is a real

peice of CRAP.  But william thought it was his grandfather who invented

the adding machine.

 

 

People told me, a lot of people told me, what william was like. that he

hated women. That he didn't like people.  I put real barriers between

william and me at first.  But after being a friend (and i can say close

friend) for twenty years  i will give you what i saw and knew.  William

was incredibly sweet, but not sentimental.  He loved and cared about his

friends.  He loved me. He was a kind and affectionate man. He would do

the sweet thing.  He cared a lot about the importance of Johnson which

is an issue that should be discussed a lot.  What is being a Johnson.

One thing is keeping your word, being honorable, another is minding your

own freaking business. The crap about name calling and putting someone

down is not johnson.  the crap about using crude expressions to argue a

point or tell someone off is not the way william used crude expressions.

Which of course he did.  He might use "he is a real shit" What i noticed

about william and allen were elegance and happily a lack of pretention.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 16:35:43 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      what the heck is happening in beat land

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This note may seem contradictory, in the sense that it in itself is a

critical judgement of the dialogue i have recently been observing on

this mail list.  In the past it seemed that i would read my mail, and

find myself enthralled with the subject matter and indepth perspectives.

As of late however I have found myself deleting my mail, based on the

fact that most of it is critical judgements on other people's points of

view.  It is essential to express our perceptions on this list, but with

more and more criticism, people will feel less and less open to doing

this.  Instead people are becoming defensive and concentrating on right

and wrong.  I think it would be a sincere step in the right direction if

people would refrain from concentrating on why others are wrong, and

would instead tell us what they are experiencing.

This obviously doesn't apply to everyone, but the negative direction

seems to be a progressive trend.

Thanks to anyone who listened.

 

any thoughts?

 

Eric Douglas Mayhew

mayhewe@sonoma.edu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Feb 1998 19:56:49 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gene Lee <GTL1951@AOL.COM>

Subject:      Re: delete at will: pome final version

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Wow

          That is one great and sad poem! I can relate- never having known my

father and not seeing him from the time i was four until they laid him in his

grave. Thanks for saying all that.

                              GT

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 5 Feb 1998 19:34:50 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Huncke & WSB & morphine

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Beat Listers:

The following post, (from Ben Schafer the Editor of The Herbert Hunke

Reader) should answer the questions and clarify the speculation regarding

whether Huncke did, or did not, introduce WSB to morphine.

 

>     Hey Jo,

> 

>     Yeah, Huncke introduced WSB to morphine the first time they met, in

>     1944 in Huncke and Phil White's ("Sailor" in Naked Lunch) apartment on

>     Henry Street.  Huncke was very suspicious of WSB at first, thinking he

>     was an FBI agent, but when Burroughs revealed he was carrying morphine

>     syrettes, the very same kind Huncke and Phil White had been using

>     while away at sea (stolen from the lifeboats), he put his distrust

>     aside for the time being.   That was the first of many times they used

>     together.  Later when they lived in Texas together they used a lot of

>     benzedrine, grass, and paregoric.  It took a long time for Huncke to

>     trust Burroughs -- Huncke felt he was being used as a showcase to an

>     extent, but over the years he developed an immense respect for him.

>     He told me that Burroughs was by far the most intelligent man he'd

>     ever known.

> 

>     Hope you're well,

 

j grant

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Content-Disposition: inline

Date:         Thu, 5 Feb 1998 19:38:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      [Fwd: Rejected posting to BEAT-L@CUNYVM.CUNY.EDU]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Return-Path: <>

Received: from CUNYVM.CUNY.EDU (cunyvm.cuny.edu [128.228.1.2])

        by mail.midusa.net (8.8.7/8.8.7) with SMTP id TAA24770

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Date:         Thu, 5 Feb 1998 20:18:38 -0500

From: "L-Soft list server at The City University of NY (1.8c)"

 <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Rejected posting to BEAT-L@CUNYVM.CUNY.EDU

To: Race --- <race@MIDUSA.NET>

 

LISTSERV does not allow the distribution of empty messages to a mailing list,

because some users  are unable to see the "Subject:"  field from the original

message.

 

------------------------ Rejected message (17 lines) --------------------------

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Message-ID: <34DA6459.7A1E@midusa.net>

Date: Thu, 05 Feb 1998 19:16:10 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

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To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

Subject: Zyprexa Blues #135

 

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Date:         Thu, 5 Feb 1998 19:40:06 -0600

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From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      CAROLYN

To:           BEAT-L@CUNYVM.CUNY.EDU

 

My boyfriend and I were sitting around yesterday evening discussing the

anniversary of Neal's death and our thoughts turned to Carolyn.  Does

anyone know where she is or what she is doing these days?  Last information

I rec'd, which was off the dust jacket of _Off the Road_ was that she was

in London writing and painting.  Can anyone expand on that?  Was there any

public comment from Carolyn when Allen or Bill passed away?  She is

still alive, isn't she?  I didn't miss something, did I?

 

Also...If anyone is interested, Kesey Productions has some great

"Neal Cassady - Fast As I Can" T-shirts for $10.00...It's a bargain.

 

Thanks....

 

Dawn

 

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Date:         Thu, 5 Feb 1998 19:42:05 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: And JUST ORDERED

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Guess I'd better order a copy Derek.

Loved the Johnson print.

Also, wiped myself out buying an Art Speigleman print, "Beaus and Eros" as

a gift for my wife of Valentines Day.

I'll get a check off to you in a few days.

 

I'm being pushed to the extreme by some work. If you don'e have a check in

a week of so, post me a reminder. BUT I'M BUYING ONE SO SET A LOW NUMNBER

ASIDE.

 

Thanks,

 

j grant

 

 

>Just released from House Press:

> 

>Derek Beaulieu's "al/ph/abet: (de)find"

> 

>      a an b c d e f g anh i j k l m n o p q r s t th u v w x y z

>        **inspired by bp nichol's "pataphysics" and a love of language,

>"al/ph/abet:(de)find" is a re-definition of a 28 letter alphabet based on

>each individual letter's emotions, past and personality**

> 

>        hand printed linocut covers on art stock

>        cerlox bound

>        limited edition of 28 signed and numbered copies.

>        $20 each, shipping and handling included

>        for more information, or to order please contact derek beaulieu

>via e-mail: dabeauli@calcna.ab.ca  or  dabeauli@freenet.calgary.ab.ca

>       a an b c d e f g anh i j k l m n o p q r s t th u v w x y z

>_______________________________________________________________________________

>derek beaulieu

>c/o house press

>apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

>email:dabeauli@calcna.ab.ca

>phone (403)270-4440

>_______________________________________________________________________________

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Thu, 5 Feb 1998 19:03:46 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Greg Beaver-Seitz <hookooekoo@HOTMAIL.COM>

Subject:      see ya

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well folks, I guess this is goodbye.

because of a few reasons (from computer troubles to lack of time) i'll

be unsubscribing to beat-l soon.

i learned a lot from the posts here and i hope somebody'll email me if

something crazy happens (like allen ginsberg is found to be alive and

well, running a gas station in montana with elvis).

remember to check out Ginsberg etc often, it's constantly being updated

and added to.

 

peace,

greg

hookooekoo@hotmail.com

 

 

* * * * * * * * * * * * * * * * * * * * *

* Ginsberg etc.                         *

* http://members.tripod.com/~Sprayberry *

* Dozens of poems, pictures, info       *

* * * * * * * * * * * * * * * * * * * * *

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Thu, 5 Feb 1998 23:47:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:07 PM 2/5/98 +0100, you wrote:

>JSH wrote:

> 

>> === It was his father, William S.Burroughs the

>> first. Invented it in 1886.

> 

> 

>and Timothy K. Gallaher wrote:

>> 

>> 

>> No.

>> 

>> This is simple factual info.  Look up any reference book.

> 

> 

> 

>and JSH responds:

> 

>=== I've seen it listed as alternately being his father and grandfather

>in assorted places......I honestly can't remember what led to me to go

>with putting more stock in the "grandfather" reports, but I will dig up

>my copy of "Literary Outlaw" when I get back home tonight and check what

>it says.....you could be right, now that I think about it.

> 

> 

>=-=-=-=-=-=

>j.s.h. (ky)

>ding ding ding

>=-=-=-=-=-=

> 

>Now I have a similar question.  Was the Gerald Du Maurier who wrote

Trilby, the novel that contained the evil Svengali;  wass this the

father or grandfather of Daphne Du Maurier.  I've read her biography

but still can't keep it straight in my mind.

 

Mike Rice

 

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X-Sender: kh14586@am.appstate.edu

Date:         Fri, 6 Feb 1998 01:21:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Interesting note tonight as I was flipping through the channels and came

across david Bowie performing on E!  During "I'm Afraid of Americans" on

the screen behind him which kept showing various images of the flag and

our contiguous U.S. flashed Old Bull himself, reading, superimposed over

the billowing flag.  I didn't know Bowie was a fan, but I'm not surprised.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

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Date:         Fri, 6 Feb 1998 01:07:28 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: Claptrap AND something else

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian,

I suspect that the title for the Kerouac CD comes from the passage in _On

the Road_ where Sal finds himself regreting his white-man's world,

"wishing I were a Negro, feeling that the best the white world offered was

not enough ecstasy for me, not enough life, joy, kicks, darkness, music,

not enough night" (p. 180).

Cordially,

Mike Skau

 

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Date:         Fri, 6 Feb 1998 07:24:37 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: delete at will: pome final version

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thank you, gene.

it's people like you who help me keep on posting my poetry on this often

volatile list.

marie

 

Gene Lee wrote:

 

> Wow

>           That is one great and sad poem! I can relate- never having known my

> father and not seeing him from the time i was four until they laid him in his

> grave. Thanks for saying all that.

>                               GT

 

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Date:         Fri, 6 Feb 1998 08:04:37 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

when next you find yrself at that brown building please have the receptionist

make an appointment for me.

i dream through the dreams of others,

having had no dreams for years..

mc

 

Sad Enigma wrote:

 

> last night  i had a dream  that i came to this large brown building and there

> was a receptionists desk with a clerk and everything  and she made me an

> appointment to talk to william after i died.   pretty weird  i'd say.    have

> a nice night

> 

>   <3

>        chad

> 

>  i play too hard when i really gotta sleep

>  they pick on me cause i really got the beat

>  some people call me a creep

>                              (we're desperate by: X)

 

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Date:         Fri, 6 Feb 1998 03:14:47 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sad Enigma <Sadenigma@AOL.COM>

Subject:      Burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

last night  i had a dream  that i came to this large brown building and there

was a receptionists desk with a clerk and everything  and she made me an

appointment to talk to william after i died.   pretty weird  i'd say.    have

a nice night

 

 

  <3

       chad

 

 i play too hard when i really gotta sleep

 they pick on me cause i really got the beat

 some people call me a creep

                             (we're desperate by: X)

 

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Date:         Fri, 6 Feb 1998 08:36:05 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      pome: delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

final edition (yes i know i've said this before, but this is it:

 

   my father's eyes

 

   delivered in the mail today

   were photos of my father:

   taken by his present wife

   in VA hospice, Florida.

 

   empty eyed, he stares,

    restrained, as

   wheel chairs bound,

   slack jawed in the camera's lens

   oblivious,  the shutter snaps

   a photo of

   his consciousness

    so dim,

     a naked porch light

   burning out.

 

   just when i thought it safe,

   old memories attack again

   my father was mostly vacant then,

   coming home, if at all,

   long past supper time

   (trailing smoke and whiskey fumes

   on way in,

   turning  his back on  my mother's rage

   on way out).

 

  my father was a tin man,

  traveling salesman,

  the perfect con of  responsibility-

  to chose a living on the road

  to keep him family-free.

 

   the last time i saw my father

   was four years ago, or more.

   we fought -

   over what, i can't  recall-

   i locked myself up in my truck

   but lacking the ignition key,

   was stuck,

   locked up,

    and so succumbed once more.

 

   he cried and begged forgiveness,

   and as i unlocked the door,

   crawling in, he laid head in my lap

   sparking memories of our distant past,

   that further distance brought.

 

   estranged  all these past years

   (i moved up north

   he moved  south)-

   both thinking there would be more time

   for love unchained

    from childhood pain-

   (and of course there never was).

 

   now he stares at no one

   in this photo -except me-

   sent by his wife,

   who wrote and asked,

   how was it that i didn't i know

   he carried always a billfold

   snap shot of mom and me?

 

   my answer, a sigh, a no,

   he told so little to me

   and now nothing is left,

   leaving

   vacancy-

   no connection,

   dislocation,

 my silent

  shatteringscreams within-

       and  the urge to flee.

 

   (c) 2/4/98

 

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Date:         Fri, 6 Feb 1998 08:51:18 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      apologies, poem, delete/wrong version sent previously

To:           BEAT-L@CUNYVM.CUNY.EDU

 

why oh why do i have to go through so much drunken turmoil in

order to write like this?

i woke up this morning and sat down and completely revised the

damned thing without a pause. same goes for the other pome

included.

 

 

   my father's eyes

 

   delivered in the mail today

   were photos of my father:

   taken by his present wife

   in VA hospice, Florida.

 

   empty eyed, he stares,

    (restrained, and

   wheel chair bound),

   slack-jawed into the camera's lens

   oblivious,  the shutter snaps

   a photo of

   his consciousness

    a naked porch light

 dim,

             slowly burning out.

 

   just when i thought it safe,

   old memories attack again

   my father was mostly vacant then,

   coming home, if at all,

   long past supper time

   (trailing smoke and whiskey fumes

   on way in,

   turning  his back on  my mother's rage

   on way out).

 

  my father was a tin man,

  traveling salesman,

  the perfect con of  responsibility-

  to chose a living on the road

  to keep him family-free.

 

   the last time i saw my father

   was four years ago, or more.

   we fought -

   over what, i can't  recall-

   i locked myself up in my truck

   but lacking the ignition key,

   was stuck,

   locked up,

    and so succumbed once more.

 

   he cried and begged forgiveness,

   and as i unlocked the door,

   crawling in, he laid head in my lap

   sparking memories of forgotten past,

   that further distance brought.

 

   estranged  all these past years

   (i moved up north

   he moved  south)-

   both thinking there would be more time

   for love unchained

    from childhood pain-

   (and of course there never was).

 

   now he stares at no one

   in this photo -except me-

   sent by his wife,

   who wrote and asked,

   how was it that i didn't i know

   he carried always a billfold

   snap shot of mom and me?

 

   my answer, a sigh, a no,

   he told so little to me

   and now nothing  left,

      vacancy-

   no connection,

   dislocation,

 my silent

  shatteringscreams within-

       and  the urge to flee.

 

   (c) 2/4/98

 

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Date:         Fri, 6 Feb 1998 01:05:52 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Mixed Visions of Cody & Gerard (was Re: An anniversary eulogy

              (fwd))

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Leon Tabory wrote:

 

> BTW the other day someone again stated  that Neal lived only for

> himself, or

> cared only for himself, something to that effect. I gave up on

> responding to

> such declarations, but at the end of the 30th anniversary of his death

> t is

> too sad to leave  such opinions unanswered.

> 

> Throughout all his adventures and misadventures Neal was constant about

> staying high, keeping on moving, and GIVING ALL OF HIMSELF AWAY. I

> haven't

> known another person in my lifetime who was as ready as Neal was to

> give,

> and who asked for as little in return.

 

Leon,

 

For me you brought up an excellent point for discussion.  In _Visions of

Gerard_, Kerouac writes of the innate goodness of Gerard,

 

"--For the first four years of my life, while he lived, I was not Ti Jean

Duluoz, I was Gerard, the world was his face, the flower of his face, the

pale stooped disposition, the heartbreakingness and the holiness and his

teachings of tenderness to me, and my mother constantly reminding me to

pay attention to his goodness and advice."

 

The goodness of Gerard was one of innocence, kind to animals and humans,

close to God as only perhaps the pure heart of a child can be.  The fact

that Gerard never lived to adulthood causes the memory of him to be

always pure, innocent, giving.

 

In _Visions of Cody_ (VOC) Kerouac writes many times, "Cody is the

brother I lost."  This leads one to believe that Jack found in Neal much

of the same goodness he found in Gerard:  "Cody was so great, so good,

that I couldn't believe--he was by far the greatest man I have ever

known...'

 

Beause Neal was an adult, however, the goodness is tempered by

self-indulgences, not so much that Neal cared only for himself, that

he wasn't compassionate and giving, but that the childlike innocence of

Gerard cannot exist in a man.

 

In VOC, Kerouac writes, "Cody runs off to get tea from wife and also from

guilt for running out, she waiting in the night, now sobs, I, drunk,

bring two girls into Cody's dark house, we stand breathless by baby sleep

crib of little Timmy Pomeray as Evelyn sobs and everything and throws us

out, and off we go, two girls and Cody, and I, bleary, driving into the

woods of California for orgy..."

 

I also just read Carolyn Cassady's account of the same event in _Off the

Road_.  Despite the fact that she loved Neal, she was continually torn

apart by the fact that he "lived" life in his own way, the same quality

that Kerouac exults in the more mythic Cody. The fact that Neal "kept

giving himself away" was a 'hurt' for his wife just as Gerard pushing the

little boy was a 'hurt.'for him.  The kind of 'pureness of spirit'

Kerouac attributes to Gerard is probably only attainable by monks (but

that's another story) and any human adult would fall considerably short

of it.

DC

 

The point I am trying to come to here is that all adult lives are full of

self-indulgences--no matter how hard we try at some point we inevitably

hurt the ones we love; we lose the childlike wonder of goodness.  That is

contrasted perfectly in comparing _Visions of Gerard_ and _Visions of

Cody_.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: JUST RELEASED: "al/ph/abet:(de)find"

Cc: dabeauli@calcna.ab.ca

Bcc: "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980205142236.22892A-100000@srv1.freenet.calgary.ab.ca>

References:

 

#1MessageTransCricketsReading...

 

br brbr brbr brbr brbr brbr brbr brbr brbr

brbr brbr brbr brbr brbr brbr Brbr brbr brbr

brbr brbr brbr brbr brbr brbr brbr brbr brbr

brbr brbr brbr brbr brbr brbr brbr Brbr brbr

brbr brbr brbr brbr brbr brbr brbr brbr brbr

Brbr brbr brbr brbr brbr brbr brbr brbr brbr

brbr brbr brbr brbr brbr brbr brbr br brbr

brbr brbr brbr brbr brbr brbr brbr brbr brbr

brbr brbr brbr brbr Brbr brbr brbr brbr brbr

brbr brbr brbr brbr brbr brbr brbr brbr brbr

brbr brbr brbr brbr brbr Brbr brbr brbr brbr

brbr brbr brbr brbr brbr brbr brbr Brbr brbr

brbr brbr brbr brbr brbr brbr brbr brbr brbr

brbr brbr brbr brbr brbr brbr brbr brbr br

 

br   br   br

3  ^    ^    ^

3  ^    ^    ^brbr

5  ^    ^   ^  ^ ^

3  ^     ^   ^

 

...

_____________

derek  writes:

>Just released from House Press:

> 

>Derek Beaulieu's "al/ph/abet: (de)find"

> 

>      a an b c d e f g anh i j k l m n o p q r s t th u v w x y z

>        **inspired by bp nichol's "pataphysics" and a love of language,

>"al/ph/abet:(de)find" is a re-definition of a 28 letter alphabet based on

>each individual letter's emotions, past and personality**

> 

>        hand printed linocut covers on art stock

>        cerlox bound

>        limited edition of 28 signed and numbered copies.

>        $20 each, shipping and handling included

>        for more information, or to order please contact derek beaulieu

>via e-mail: dabeauli@calcna.ab.ca  or  dabeauli@freenet.calgary.ab.ca

>       a an b c d e f g anh i j k l m n o p q r s t th u v w x y z

>_______________________________________________________________________________

>derek beaulieu

>c/o house press

>apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

>email:dabeauli@calcna.ab.ca

>phone (403)270-4440

>_______________________________________________________________________________

> 

>Return-Path: <MAILER-DAEMON>

Date:         Fri, 6 Feb 1998 04:40:07 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 06 Feb 1998 10:31:13...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Fri, 06 Feb 1998 10:31:13 +0100 with subject "Re: JUST

RELEASED: "al/ph/abet:(de)find"" has been successfully distributed to the

BEAT-L list (254 recipients).

 

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Date:         Fri, 6 Feb 1998 05:31:15 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: [Fwd: Rejected posting to BEAT-L@CUNYVM.CUNY.EDU]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:38 PM 2/5/98 -0600, you wrote:

>Return-Path: <>

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>        by mail.midusa.net (8.8.7/8.8.7) with SMTP id TAA24770

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>Date:         Thu, 5 Feb 1998 20:18:38 -0500

>From: "L-Soft list server at The City University of NY (1.8c)"

> <LISTSERV@CUNYVM.CUNY.EDU>

>Subject:      Rejected posting to BEAT-L@CUNYVM.CUNY.EDU

>To: Race --- <race@MIDUSA.NET>

> 

>LISTSERV does not allow the distribution of empty messages to a mailing list,

>because some users  are unable to see the "Subject:"  field from the original

>message.

> 

>------------------------ Rejected message (17 lines)

--------------------------

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>Message-ID: <34DA6459.7A1E@midusa.net>

>Date: Thu, 05 Feb 1998 19:16:10 -0600

>From: David Bruce Rhaesa <race@midusa.net>

>Organization: smiling small thoughts

>X-Mailer: Mozilla 3.01Gold (Win95; I)

>MIME-Version: 1.0

>To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

>Subject: Zyprexa Blues #135

> 

> 

If it was rejected, then how come I've got it.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: podulkca@uwec.edu

Date:         Fri, 6 Feb 1998 05:49:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Re: [Fwd: Rejected posting to BEAT-L@CUNYVM.CUNY.EDU]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What was rejected?

I subscribed to the mailing list, but I didn't send anything else.

 

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Content-MD5: yhGh8TF5pKWOy/jij5a9Mg==

Date:         Fri, 6 Feb 1998 13:09:33 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bowie made an entire album of songs where the lyrics were all cut-ups. I forget

the title but it is from the seventies just after the Ziggy Stardust period I

believe.

 

Nic

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Priority: normal

Date:         Fri, 6 Feb 1998 12:52:18 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <sk312@pophost.city.ac.uk>

From:         daniel fascione <m.d.fascione@CITY.AC.UK>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i think it bowie's cut-up lyrics were on diamond dogs.

daniel

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 08:26:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: what the heck is happening in beat land

Comments: To: eric mayhew <mayhewe@SONOMA.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I confess that I delete 95% of what is posted...

On Thu, 5 Feb 1998, eric mayhew wrote:

 

> This note may seem contradictory, in the sense that it in itself is a

> critical judgement of the dialogue i have recently been observing on

> this mail list.  In the past it seemed that i would read my mail, and

> find myself enthralled with the subject matter and indepth perspectives.

> As of late however I have found myself deleting my mail, based on the

> fact that most of it is critical judgements on other people's points of

> view.  It is essential to express our perceptions on this list, but with

> more and more criticism, people will feel less and less open to doing

> this.  Instead people are becoming defensive and concentrating on right

> and wrong.  I think it would be a sincere step in the right direction if

> people would refrain from concentrating on why others are wrong, and

> would instead tell us what they are experiencing.

> This obviously doesn't apply to everyone, but the negative direction

> seems to be a progressive trend.

> Thanks to anyone who listened.

> 

> any thoughts?

> 

> Eric Douglas Mayhew

> mayhewe@sonoma.edu

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 13:58:55 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: CAROLYN

To:           BEAT-L@CUNYVM.CUNY.EDU

 

carolyn's just fine in england as was written.  she's working on a film

script, as she's been unhappy with other 'beat' film treatments.

 

her childern and grandchildern live in the US and she visits them

regularly

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      PAA14745

Date:         Fri, 6 Feb 1998 15:25:20 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      my god, i'd want to delete this by now!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i promise no more.

to my poor battered psyche

and the battered door of beat-l

working out my feelings into poetic form seems beat enough to me, but

i'm beat. and so here goes:

 

      my father's eyes

 

      delivered in the mail today

      were photos of my father:

      taken by his present wife

      in VA hospice, Florida.

 

      empty eyed, he stares,

       (restrained, and

      wheel chair bound),

      slack-jawed into the camera's lens

      oblivious,  the shutter snaps

      a photo of

      his consciousness-

       a  porch light

        growing dim.

 

      just when i thought it safe,

      old memories attack

      he was mostly vacant then,

      coming home, if at all,

      long past supper time

      (trailing smoke and whiskey fumes

      on way in,

      turning   back on mother's rage

      on way out) again.

 

     my father was a tin man,

     traveling salesman,

     the consummate con man

     who chose  a career  out of necessity

     while shirking his responsibilities-

     living his life in bars on the road

     to keep him family-free.

 

      the last time i saw my father

      was four years ago, or more.

      we fought -

      over what, i can't  recall-

      i locked myself up in my truck

      but lacking the ignition key,

      was stuck,

      locked up,

       and so succumbed once more.

 

      he cried and begged forgiveness,

      and as i unlocked the door,

      crawling in, he  laid his head

     upon my lap

      sparking memories of forgotten past,

      that further distance brought.

 

      estranged  all these past years

      (i moved up north

      he, south)-

      both thinking there would be more time

      for love unchained

       from childhood pain-

      (and of course there never was).

 

      now he stares at no one

      in this photo -except me-

      sent by his wife,

      who wrote and asked,

      how was it that i didn't i know

      he carried always a billfold

      snap shot of mom and me?

 

      my answer, a sigh, a no,

      he told so little to me

      and now nothing  left,

         vacancy-

      no connection,

      dislocation,

    my silent

     shatteringscreams within-

          and  the urge to flee.

 

      (c) 2/4/98

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 13:50:49 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Main <Mainbooks@AOL.COM>

Subject:      Re: aol.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Can you tell me how to cancel my subscription to this list. Beat-L, thanks, J.

Main

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 13:11:35 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      more Naked Lunch text variants

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I was browsing in a bookstore today and saw the latest printing of

WSB's Naked Lunch. Looks like the text has been changed yet again!

Although it still says "First Evergreen Edition 1992" on the copyright

page, the entire text appears to have been reset in comparison with

the 3rd printing (the copy I have at home) of what is supposedly the

same edition (and indeed the page numbers for certain passages of text

are different). In addition, the selections from the Mass. obscenity

trial have been added back, which means that the page numbers for the

Introduction are different as well.

 

As for the particular changes I noted earlier, at least one has been

changed yet again:

 

   a vast hive --> vast hives --> a vast hives

 

They keep screwing it up worse and worse.

 

So it appears that all hope for bibliographic accuracy is lost with

respect to Naked Lunch.

 

*******

Jeff Taylor

taylorjb@ctrvax.vanderbilt.edu

*******

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Fri, 6 Feb 1998 15:09:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      "SEA, Part Two, the sounds of the Atlantic at X, Brittany"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I was wondering if any of the scholars on the list

know of/have seen, etc., anything in Kerouac's

archives about his plan to continue "SEA: Sounds of

the Pacific Ocean at Big Sur?"  I was recently perusing

through _Satori in Paris_ and he mentions his plans

to continue this after leaving Paris, but nothing is

mentioned further on in the novel (from what I

remember).  Kerouac also mentions this during the

Jarvis/Curtis radio interview in Lowell, in September

of 1962.  I don't remember seeing anything in any

of the bio's etc. regarding any further work on this.

Has anyone seen any further work in the archives?

 

Enquiring minds want to know. . .

Mike

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: delete at will: pome final version

Cc:

Bcc: Marie Countryman <country@SOVER.NET>

X-Attachments:

In-Reply-To: <199802052348.SAA11052@pike.sover.net>

References:

 

Marie Countryman wrote a pome titled:

>   my father's eyes

> 

Marie today by synch i've read an article-interviewed Eric Clapton

 

q: You wrote some songs of "Pilgrim"

   after your son Conor's death. What?

 

a: I wrote the piece "My fathers's eyes"

   during the time of "unolugged". It is

   the second song on my son.

 

Conor was the little son of Clapton and Lory Del Santo

an italian actress. Conor died infant.

 

marie, while reading the newspaper remember yr pome,

cari saluti a te e tutti gli amici,

Rinaldo.

Return-Path: <MAILER-DAEMON>

Date:         Fri, 6 Feb 1998 17:14:13 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 06 Feb 1998 22:39:05...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Fri, 06 Feb  1998 22:39:05 +0100 with subject "Re: delete

at will: pome final version" has been successfully distributed to the BEAT-L

list (252 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 22:56:06 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: poem/pome

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it actually has some literary sources, but it's just always been a

private, idiosyncratic spelling of my own.

 

Julian Ruck wrote:

 

>  just curious....is there a reason behind the alternate spelling to

> "poem"...

>  or is it like "kool" and "phat"?

> -julian

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [207.79.35.174]

Date:         Fri, 6 Feb 1998 17:32:45 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      poem/pome

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 just curious....is there a reason behind the alternate spelling to

"poem"...

 or is it like "kool" and "phat"?

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Feb 1998 22:49:33 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: poem/pome

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian,

James Joyce published a collection he entitled _Pomes Penyeach_.

Cordially,

Mike Skau

 

On Fri, 6 Feb 1998, Julian Ruck wrote:

 

>  just curious....is there a reason behind the alternate spelling to

> "poem"...

>  or is it like "kool" and "phat"?

> -julian

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sent-Mail: off

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Date:         Fri, 6 Feb 1998 22:54:13 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

howdeedoo all,

 

have i been blackballed from the list?  nobody has responded to any of my

 postings.

 i also have a question as to the exact circumstances of Kerouac's death.  i'm

 sure

i'll find my answer when i read one of the several biographies, but if anyone is

willing to answer the question now, it would be great.

 

thanks y'all(i hope),

Al

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

>From CUNYVM.CUNY.EDU!owner-beat-l Sat Feb  7 08:27:50 1998

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Date:         Sat, 7 Feb 1998 01:25:51 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      A vast hive/vast hives/a vast hives

Comments: cc: 0Stine <StineKC@aol.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

the distinctions Jeff Taylor catches are real.

1)  a vast hive:

what christopher milne dreamed of winnie the pooh dreaming of and his

father A.A. wrote down.

2)  vast hives:

what i had when i tried to quit smoking cigarettes cold turkey back in

the Sears Roebuck farmhouse.

3)  a vast hives:  (i think this is on it's way to a transmorgrification

in which vast will change into some form of noun rather than adjective

and hives changes to lives.  perhaps "a past lives".  a message of

regeneration, ressurection, re-birth --- but we ain't to that

mistranslation yet thank jesus.

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 02:48:05 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Preface Poem

Comments: cc: "ptrax@midusa.net" <ptrax@midusa.net>,

          Al Girtz <agirtz@yahoo.com>, ABILENE <dperkins@fas.harvard.edu>,

          0Stine <StineKC@aol.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"Preface"

July 1997

copyright david bruce rhaesa

 

There's No Grace in Victory

I

I LOVE This City

A Shadow Touched by Light Must

                Disappear

This is a Decalartion of War

The Heaven & Earth

Men kill Men are killed

One Who Revels in Bloodshed

                is Incapable in Ruling the

                World

"_" Will Fail in his Ambition

TV is "a" wonderful invention

        On my own damned authority

        He's like a phantom

        & he'll take a fall

It was not your place to save

                                                        him

Your life is not your

                possession

a

m

o

r

p

h

o

u

silent

isolated entity

perpetual motion

 

I can't find the words

They will come.

2 Be orphaned and alone

                and unworthy is

                the worst thing a man

                call feel

U Must learn 2 see w/more

                then your eyes

                (then your I's)

        U must come w/me now

                Take Off Your Clothes

        That's What Turns U On

                                P O W E R

A Name Can Be Changed

        but not one's Soul

Splinter's of Black

                Shadows into Dark

 

DR/dbr

 

Return-Path: <race@midusa.net>

Date: Sat, 07 Feb 1998 03:05:14 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: Zarefsky <d-zarefsky@nwu.edu>, ZAC <zachery_anderson@hotmail.com>,

        "WTeller692@aol.com" <WTeller692@aol.com>,

        William E Newnam <wnewnam@emory.edu>,

        WILD_BILL <Bill.Henderson@uni.edu>,

        wichitastate <jarman@elliott.es.twsu.edu>,

        Virgil Balthrop <vwb@EMAIL.UNC.EDU>, Thin <jeffrt@wichita.infi.net>,

        JTalley4n6@aol.com, steveMgriffin <sgriffin@law.tulane.edu>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>,

        starwars <Brian_Stucky@ers.com>, star <smuir@OSF1.GMU.EDU>,

        slypork <dscunningham@nwu.edu>, smartin@mailbox.acusd.edu,

        seward23 <seward23@aol.com>, seed2 <sksdallas@aol.com>,

        seed <ksjsks@midusa.net>, Scott Deatherage <lsd041@nwu.edu>,

        runnersplanet <Steve.Thompson@usd305.com>,

        roDger <rapayn01@ulkyvm.louisville.edu>, ROC <kai@informatics.net>,

        Robert Wick <rwick@cov.com>, reynaldo <rgarcia@tacc.org>,

        reicherT <ReicherT@nasd.com>, Rasa <rinaldo@gpnet.it>,

        "RandyStace@aol.com" <RandyStace@aol.com>,

        Randy Lake <rlake@almaak.usc.edu>, principal <dmcbeth@midusa.net>,

        presbynorthKS <pby_northern_kansas.parti@pcusa.org>,

        phares@FALCON.CC.UKANS.EDU, NELSONj <john_nelson@uiowa.edu>,

        neckermank <neckermn@blue.weeg.uiowa.edu>, Nathan Coco <ncoco@mwe.com>,

        mignoli <docmignoli@aol.com>,

        "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

        Meredith Garmon <garmon.sm@juno.com>, meany <JKM1993@aol.com>,

        louise_brokaw <PBY_EAST_IOWA@pcusa.org>,

        "lingel, dan" <dlingel@why.net>, Linda Powell <Linda_Powell@BROWN.EDU>,

        LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>, brooklyn@netcom.com,

        Leon Tabory <letabor@cruzio.com>, Lassie <dkpenn@oees.com>,

        kevin kuswa <k.kuswa@mail.utexas.edu>,

        "Kent A. Ono" <kaono@ucdavis.edu>,

        "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

        jd.rollins@mail.utexas.edu, jo grant <jgrant@bookzen.com>,

        "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

        HARMON <debate@midusa.net>, Gordon Mitchell <gordonm+@PITT.EDU>,

        Gibson <rgibson@prairienet.org>,

        Gerald Nicosia <gnicosia@earthlink.net>,

        "Eric L. Krug" <elkrug@kcnet.com>,

        "EliCunning@aol.com" <EliCunning@aol.com>,

        Edward Schiappa <schia001@gold.tc.umn.edu>,

        Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

        Echrist <ELChristensen@SNOPUD.com>,

        "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>,

        designatedhitter <STRICKLG@esumail.emporia.edu>,

        Cori Dauber <cdauber@EMAIL.UNC.EDU>, coffeebreak <reichart@att.com>,

        Clune <a871@fhsu.edu>, cindy <RevCynthia@aol.com>,

        charlesSmith <cmsmith126@aol.com>,

        carlin <prentice@falcoln.cc.ukans.edu>,

        Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

        BrentT <Bthomp4444@aol.com>, Bob Stone <bstone@terraworld.net>,

        Becky Galentine <theloft@ACCESSONE.COM>, BEAR <MWBRYANT@aol.com>,

        baker <SMDebate@aol.com>, auntdonna <dgh@MCI2000.com>,

        attias <hfspc002@email.csun.edu>, arthur nusbaum <SSASN@aol.com>,

        APPLE <edappel@epix.net>

Subject: [Fwd: Preface Poem]

Content-Disposition: inline

 

Message-ID: <34DC1FC5.5483@midusa.net>

Date: Sat, 07 Feb 1998 02:48:05 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

CC: "ptrax@midusa.net" <ptrax@midusa.net>,

   Al Girtz <agirtz@yahoo.com>, ABILENE <dperkins@fas.harvard.edu>,

   0Stine <StineKC@aol.com>

Subject: Preface Poem

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

"Preface"

July 1997

copyright david bruce rhaesa

 

There's No Grace in Victory

I

I LOVE This City

A Shadow Touched by Light Must

         Disappear

This is a Decalartion of War

The Heaven & Earth

Men kill Men are killed

One Who Revels in Bloodshed

         is Incapable in Ruling the

         World

"_" Will Fail in his Ambition

TV is "a" wonderful invention

   On my own damned authority

   He's like a phantom

   & he'll take a fall

It was not your place to save

                                   him

Your life is not your

         possession

a

m

o

r

p

h

o

u

silent

isolated entity

perpetual motion

 

I can't find the words

They will come.

2 Be orphaned and alone

        and unworthy is

         the worst thing a man

         call feel

U Must learn 2 see w/more

         then your eyes

         (then your I's)

   U must come w/me now

         Take Off Your Clothes

   That's What Turns U On

                   P O W E R

A Name Can Be Changed

   but not one's Soul

Splinter's of Black

         Shadows into Dark

 

DR/dbr

 

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      JAA00988

Date:         Sat, 7 Feb 1998 09:46:07 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      diane carter/pome/delete

To:           BEAT-L@CUNYVM.CUNY.EDU

 

lost yr address diane: but here is the finished pome, including yr

suggestion, and that of many others:

i received so many emails from you guys, thinking i tore the heart out

of the poem by deleting my father's conversation with me, that finally i

found a graceful (i hope) way to insert it.

so

 

      my father's eyes

 

      delivered in the mail today

      were photos of my father:

      taken by his present wife

      in VA hospice, Florida.

 

      empty eyed, he stares,

       (restrained, and

      wheel chair bound),

      slack-jawed into the camera's lens

      oblivious,  the shutter snaps

      a photo of

      his consciousness-

       a  porch light

        growing dim.

 

      just when i thought it safe,

      old memories attack

      he was mostly vacant then,

      coming home, if at all,

      long past supper time

      (trailing smoke and whiskey fumes

      on way in,

      turning   back on mother's rage

      on way out) again.

 

     my father was a tin man,

     a traveling salesman,

     who conned respectability

     who shirked reponsibility

     living a separate life in bars

     on  road,

     to keep him family-free.

 

    "if i had my life to live again,

   i'd never have been a family man"

   (thus annhilating me).

 

      the last time i saw my father

      was four years ago, or more.

      we fought -

      over what, i can't  recall-

      i locked myself up in my truck

      but lacking the ignition key,

      was stuck,

      locked up,

       and so succumbed once more.

 

      he cried and begged forgiveness,

      and as i unlocked the door,

      crawling in, he  laid his head

     upon my lap

      sparking memories of forgotten past,

      that further distance brought.

 

      estranged  all these past years

      (i moved up north

      he, south)-

      both thinking there would be more time

      for love unchained

       from childhood pain-

      (and of course there never was).

 

      now he stares at no one

      in this photo -except me-

      sent by his wife,

      who wrote and asked,

      how was it that i didn't i know

      he carried always a billfold

      snap shot of mom and me?

 

      my answer, a sigh, a no,

      he told so little to me

      and now nothing  left,

         vacancy-

      no connection,

      dislocation,

    my silent

     shatteringscreams within-

          and  the urge to flee.

 

      (c) 2/4/98

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 05:31:42 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Attila Gyenis <GYENIS@AOL.COM>

Subject:      Kerouac and Beat Calender

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html>Hello,

 

Just updated the calender of Kerouac and Beat events around the world, one in

Czechoslovakia, and another in the Netherlands, and of course the Ginsberg

memorial in Central Park in June.

 

later and enjoy, Attila

 <A HREF="http://members.aol.com/kerouaczin/calender.html">Jack Kerouac

Calender and events</A>

 

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 10:52:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: pome/poem

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i don't know why either, and have been curious for a while. on kicks joy

darkness, my favorite piece is this goofy pomes by jack kerouac, recited by

julianna hatfield. that's where i first came across the alternative spelling.

i haven't yet seen it in literature, but then i'm not so well-read in beat,

relatively speaking.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 11:45:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Mixed Visions of Cody & Gerard (was Re: An anniversary eulogy

              (fwd))

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Until reading the Huncke reader, I never knew that Allen and Neal were

lovers at one point...any truth to this?

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 17:57:19 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Thomas Van Moortel <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      Re: Mixed Visions of Cody & Gerard (was Re: An anniversary eulogy

              (fwd))

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy B Brodsky wrote:

> 

> Until reading the Huncke reader, I never knew that Allen and Neal were

> lovers at one point...any truth to this?

 

Yes, I at least remember one occasion on which Carolyn Cassady caught

the two of them together in bed.  She was quite shocked and asked him

to leave the house immediately, which he did.  It's all in her book

'Off The Road'.

 

                                        --Thomas Van Moortel

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Sat, 7 Feb 1998 17:01:03 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Thanks for the info, Jym.:) Do you or anyone else know where one can find a

collection of Diane Di Prima's poems? Thanks, Sara

 

 

At 04:09 PM 2/8/98 -0600, you wrote:

>Sara Feustle wrote:

> 

>> Stephanie,

>>         Go to www.kerouac.com. (Also 1-800 KER-OUAC.) They have the most

>kick-ass

>> catalogue of Beat stuff I've ever seen, including an entire book of Diane

>> DiPrima's poems, entitled _Memoirs of a Beatnik_.

>>                         --Sara

> 

>Don't be misled, "Memoirs of a Beatnik" is not a collection of poems.  It

>is quasi-autobiography, quasi-erotica, and great fun...but *not* poems.

> 

>Jym

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 12:04:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Main <Mainbooks@AOL.COM>

Subject:      Re: Mixed Visions of Cody & Gerard (was Re: An anniversary eulogy

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Try reading "Off the Road" by Carolyn Cassady.  You will find details there.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 20:14:10 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil M. Hennessy wrote:

 

 

> That's the second time you've used the word "truth" in relation to

> Burroughs, when "truth" in his writing from the Nova Trilogy onwards is a

> totally bankrupt concept. Can you elaborate?

 

=== The answer from my mind: Bankrupt? hmmm, never thought of it that

way. I wasn't talking about "truth" in his writing, I was referring to

the quest for truth in his personal life.

 

The answer from my heart : Truth? TRUTH? Man, you can't put a dog collar

on truth and expect it to act like Snoopy, man, Truth is TRUTH, you

know, I know what I mean when I say "truth" and you know what you mean

when you say "truth" and WSB knew what he meant too, but some of you

couldn't afford the truth as you wanna hear it, man, it's OUT THERE

SOMEWHERE like some cheap B-movie monster with quivering rubber teeth

and anyone with half a brain is lookin' for it......WSB had a brain and

a half so he was no doubt on a hotter trail and by God I think he found

it but it was a doorway to the 19th century but you have to get past the

customs agents, and WSB never liked customs agents. The truth is lolling

around on the other side of that doorway eating little sandwiches and

waiting for someone, ANYONE, to show up. In death, WSB may have made it

but that's a squabble for another cobble.

 

 

 

 

> This glorification of abjection is a project much closer to the

> Genet's secular hagiography than anything Burroughs has written.

 

=== I see glorification of abjection in virtually everything Burroughs

has ever written - "Junky", "Queer", "Wild Boys", "Port of Saints".....

 

 

 

 

> Burroughs' art and writing cannot be reduced to mere aesthetics.

 

=== I was merely giving my own personal take on his work. If that's

reducing it to mere aesthetics, well, so be it.

 

 

 

 

> I'm wondering where the preoccupation with what Burroughs "could have

> done" comes from.

 

=== It's no preoccupation, it's just my wandering mind stretching out

beyond the spacetime continuum. I also wonder what Kerouac would have

written if he hadn't died, what Ginsberg would've done if he had

followed WSB's advice more often, and what would have happened if

Ferlinghetti hadn't turned down 'Naked Lunch'. I wonder where my next

Reese's Cup is coming from. I wonder if my novel will ever be published.

I wonder who wrote the book of love. I wonder why she went away, and I

wonder where she will stay. I wonder what's behind the green door.

 

=-=-=-=

JSH. ky.

there

are

nazis

on

the

moon

=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Sat, 7 Feb 1998 14:17:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 10:54 PM 2/6/98 -0700, Al wrote:

 

> i also have a question as to the exact circumstances

>of Kerouac's death.  i'm sure i'll find my answer when

>i read one of the several biographies, but if anyone is

>willing to answer the question now, it would be great.

 

hemorrhaging esophageal varices

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 20:21:10 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Burroughs, cut-ups, Dada

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil M. Hennessy wrote:

 

> I don't consider Burroughs' grandiose claims foolish. Prehaps the reason

> he never convincingly articulated the original purpose of his cut-ups is

> due to the paradoxical nature of his project: fighting the control of

> words with words.

 

=== Exactly. What could be more foolish than that? That's like holding

back the ocean with a dam made of water.  And I never said there was

anything foolish about fighting the control of words - WSB specifically

said he wanted to "destroy language" - as if we'd all communicate via

telepathy or something afterwards. From Tristan Tzara this statement is

expected, but this was a bit of step for the usually level-headed WSB.

 

=-=-=-=-=-=-=

J.S.Holland

k e n t u c k y

=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 20:42:29 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Burroughs, Joyce, codes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil M. Hennessy wrote:

> 

> Two assumptions in the above are extremely suspect, firstly that there is

> a definable average reader, and secondly that any text can be fully

> understood, "ordinary" or not.

 

=== Amend my statement to read "average PERSON". And the average person,

in America anyway, is barely even a reader at all. I agree with you that

no text can be fully understood.

 

 

 

 

> You can't be some kind

> of hermeneutical detective with Burroughs

 

=== I can be a hermeneutical detective with Louisa May Alcott, Beverly

Cleary, a bus schedule, or a condom wrapper. So could WSB.

 

 

 

 

> the aleatory syntactic structures of Burroughs' cut-up writing are

> introduced to implicitly prevent the possibility of explication.

 

=== that is what you say. I see it as just the opposite. Only the

skeleton is presented, much of the meat is subjective.

 

=-=-=-=-=

j  s  h

kentucky

=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

Date:         Sat, 7 Feb 1998 12:47:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well i have a copy of Rolling Stone #155 Feb.28, 1974 which includes (as

well as "Fear and Loathing at the Superbowl" by Hunter S. Thompson) "Beat

Godfather meets Glitter Mainman: William Burroughs, say hello to David

Bowie", which is wsb's interview of bowie - so there is histry there...

yrs

derek

Fri, 6 Feb 1998, Alex Howard wrote:

> Interesting note tonight as I was flipping through the channels and came

> across david Bowie performing on E!  During "I'm Afraid of Americans" on

> the screen behind him which kept showing various images of the flag and

> our contiguous U.S. flashed Old Bull himself, reading, superimposed over

> the billowing flag.  I didn't know Bowie was a fan, but I'm not surprised.

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Sat, 7 Feb 1998 21:25:28 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Stephanie,

        Go to www.kerouac.com. (Also 1-800 KER-OUAC.) They have the most kick-ass

catalogue of Beat stuff I've ever seen, including an entire book of Diane

DiPrima's poems, entitled _Memoirs of a Beatnik_.

                        --Sara

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 16:35:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Steve Edington <Sedington@AOL.COM>

Subject:      Hello

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello--I found this today and thought I'd sign on. It looks good. Quick

Introduction: I'm the minister of the Unitarian Universalist Church of Nashua,

NH; member of the Lowell Celebrates Kerouac Committee which puts on the annual

Kerouac Festival in Lowell every October ("everyone goes home in October" JK

OTR) and am teaching a course at the University of Massachusetts--Lowell on

"The Literature of the Beat Movement." Have also written an short

book--30,000+ words--called "Kerouac's Nashua Connection" about JK's family

ties to Nashua and Quebec, and how he portrays his extended family in his

Lowell novels. Got a possible publisher looking at it now; it that doesn't fly

I'll probably publish the thing myself.

I'm going to post up--as a download--my syllabus for the Beat Movement course.

Its my first venture at this kind of thing; would appreciate any feedback,

suggestions, anyone out there may have as I hope to be doing this every other

semester.

Best wishes--Steve Edington

 

Attachment Converted: "c:\pbox\rinaldo\attach\SYLLABUS.WPS"

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X-Sender: cen00746@207.17.135.251

Date:         Sat, 7 Feb 1998 16:40:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 10:54 PM 2/6/98 -0700, you wrote:

>howdeedoo all,

> 

>have i been blackballed from the list?  nobody has responded to any of my

> postings.

> i also have a question as to the exact circumstances of Kerouac's death.

i'm

> sure

>i'll find my answer when i read one of the several biographies, but if

anyone is

>willing to answer the question now, it would be great.

> 

>thanks y'all(i hope),

>Al

> 

He was sitting in his sister's kitchen drinking a budweiser in

September or October, 1969, when he had a heart attack, keeled

over and later died.  His sister, with whom he was living, was

present when this happened.

 

Mike Rice

> 

>Free web-based email, Forever, From anywhere!

>http://www.mailexcite.com

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:02:59 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jeff: two hearts beat alike re: truth. thanks for the explosive text defining.

beyyond me tonight.

mc

 

Jeffrey Scott Holland wrote:

 

> Neil M. Hennessy wrote:

> 

> > That's the second time you've used the word "truth" in relation to

> > Burroughs, when "truth" in his writing from the Nova Trilogy onwards is a

> > totally bankrupt concept. Can you elaborate?

> 

> === The answer from my mind: Bankrupt? hmmm, never thought of it that

> way. I wasn't talking about "truth" in his writing, I was referring to

> the quest for truth in his personal life.

> 

> The answer from my heart : Truth? TRUTH? Man, you can't put a dog collar

> on truth and expect it to act like Snoopy, man, Truth is TRUTH, you

> know, I know what I mean when I say "truth" and you know what you mean

> when you say "truth" and WSB knew what he meant too, but some of you

> couldn't afford the truth as you wanna hear it, man, it's OUT THERE

> SOMEWHERE like some cheap B-movie monster with quivering rubber teeth

> and anyone with half a brain is lookin' for it......WSB had a brain and

> a half so he was no doubt on a hotter trail and by God I think he found

> it but it was a doorway to the 19th century but you have to get past the

> customs agents, and WSB never liked customs agents. The truth is lolling

> around on the other side of that doorway eating little sandwiches and

> waiting for someone, ANYONE, to show up. In death, WSB may have made it

> but that's a squabble for another cobble.

> 

> > This glorification of abjection is a project much closer to the

> > Genet's secular hagiography than anything Burroughs has written.

> 

> === I see glorification of abjection in virtually everything Burroughs

> has ever written - "Junky", "Queer", "Wild Boys", "Port of Saints".....

> 

> > Burroughs' art and writing cannot be reduced to mere aesthetics.

> 

> === I was merely giving my own personal take on his work. If that's

> reducing it to mere aesthetics, well, so be it.

> 

> > I'm wondering where the preoccupation with what Burroughs "could have

> > done" comes from.

> 

> === It's no preoccupation, it's just my wandering mind stretching out

> beyond the spacetime continuum. I also wonder what Kerouac would have

> written if he hadn't died, what Ginsberg would've done if he had

> followed WSB's advice more often, and what would have happened if

> Ferlinghetti hadn't turned down 'Naked Lunch'. I wonder where my next

> Reese's Cup is coming from. I wonder if my novel will ever be published.

> I wonder who wrote the book of love. I wonder why she went away, and I

> wonder where she will stay. I wonder what's behind the green door.

> 

> =-=-=-=

> JSH. ky.

> there

> are

> nazis

> on

> the

> moon

> =-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:04:22 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

due to total cirrhotic breatkdown of liver.

mc

hi mike.

 

M. Cakebread wrote:

 

> At 10:54 PM 2/6/98 -0700, Al wrote:

> 

> > i also have a question as to the exact circumstances

> >of Kerouac's death.  i'm sure i'll find my answer when

> >i read one of the several biographies, but if anyone is

> >willing to answer the question now, it would be great.

> 

> hemorrhaging esophageal varices

> 

> Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:15:54 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Hello

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hey steve: we are neighbors of a sort. i live in montpelier, vt.

mc

ps thanks for syllabus.

 

 

Steve Edington wrote:

 

> Hello--I found this today and thought I'd sign on. It looks good. Quick

> Introduction: I'm the minister of the Unitarian Universalist Church of Nashua,

> NH; member of the Lowell Celebrates Kerouac Committee which puts on the annual

> Kerouac Festival in Lowell every October ("everyone goes home in October" JK

> OTR) and am teaching a course at the University of Massachusetts--Lowell on

> "The Literature of the Beat Movement." Have also written an short

> book--30,000+ words--called "Kerouac's Nashua Connection" about JK's family

> ties to Nashua and Quebec, and how he portrays his extended family in his

> Lowell novels. Got a possible publisher looking at it now; it that doesn't fly

> I'll probably publish the thing myself.

> I'm going to post up--as a download--my syllabus for the Beat Movement course.

> Its my first venture at this kind of thing; would appreciate any feedback,

> suggestions, anyone out there may have as I hope to be doing this every other

> semester.

> Best wishes--Steve Edington

> 

> 

 ------------------------------------------------------------------------

> 

>                       Name: SYLLABUS.WPS

>    SYLLABUS.WPS       Type: unspecified type (application/octet-stream)

>                   Encoding: base64

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 14:17:45 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> well i have a copy of Rolling Stone #155 Feb.28, 1974 which includes (as

> well as "Fear and Loathing at the Superbowl" by Hunter S. Thompson) "Beat

> Godfather meets Glitter Mainman: William Burroughs, say hello to David

> Bowie", which is wsb's interview of bowie - so there is histry there...

 

Here's an interesting factoid ... I was just listening to a bootleg

of Bowie at the Bridge benefit concerts (arranged by Neil Young) --

Bowie tells the audience that he thought up the song "Jean Genie" when

he spotted the name Jean Genet at the City Lights bookstore.

 

Funny, I'd never even thought of the two together.

 

Jean Genet was a friend of Burroughs, so that's two degrees of

separation ... (Also I'm pretty sure that Bowie and Burroughs used

to hang out together in the 70's, along with Mick Jagger, etc.,

in New York and Europe, the pre-Studio 54 crowd).

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:25:24 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      waaahoooo!!!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

so glad to see the list members sober or not, writing about the works,

the folks, the reality at the end of the fork and not name calling! i'm

swacked myself. poem re: father took me to places i hoped i'd never

revisit, but now glad i did.

i thank all who suffered thru all revisions.

i have the final, but don't dare tempt the the testy gods with one more

goddamned post about the goddamned man.

write on!

think on!

yo, beats, go!

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:29:38 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil M. Hennessy wrote:

 

> couldn't agree more, with this, neil. welcome jeff.

 

mc

 

> 

> 

> Glad you joined the list Jeffrey. So far I've found myself on the opposite

> side of the fence on most things, but that's what generates interesting

> discussion, n'est-ce pas?

> 

> Neil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:35:07 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patricia: considering the loyalty and memory of a dog, i am on the side of

believers.

mc

 

Patricia Elliott wrote:

 

> I know that David bowie painted a portrait of william.  I have a dogs

> memory but recall william being proud and impressed with david choosing

> him as a subject.  I got the general impression they knew each other and

> communicated. I wonder if there is a David Bowie web site connection.

> patricia

 

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Date:         Sat, 7 Feb 1998 17:43:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 7 Feb 1998, Levi Asher wrote:

 

> Jean Genet was a friend of Burroughs, so that's two degrees of

> separation ...

 

It was my understanding they only met once at the Chicago convention. I

know Burroughs liked Genet's writing, he talks about it a couple of times

in the Letters, and has a tribute of sorts in The Wild Boys called,

funnily enough, "The Miracle of the Rose." In a slightly less than serious

way, I always figured you could tell a lot about the difference between

the two writers' views on queer love and sexuality by the way they refer

to rectums. Most of the time Genet refers to the rectum as a "rose"

whereas Burroughs calls it a "mollusk".

 

Neil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 14:44:46 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Hello

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Steve Edington wrote:

> 

> Hello--I found this today and thought I'd sign on. It looks good. Quick

> Introduction: I'm the minister of the Unitarian Universalist Church of Nashua,

> NH; member of the Lowell Celebrates Kerouac Committee which puts on the annual

> Kerouac Festival in Lowell every October ("everyone goes home in October" JK

> OTR) and am teaching a course at the University of Massachusetts--Lowell on

> "The Literature of the Beat Movement." Have also written an short

> book--30,000+ words--called "Kerouac's Nashua Connection" about JK's family

> ties to Nashua and Quebec, and how he portrays his extended family in his

> Lowell novels. Got a possible publisher looking at it now; it that doesn't fly

> I'll probably publish the thing myself.

> I'm going to post up--as a download--my syllabus for the Beat Movement course.

> Its my first venture at this kind of thing; would appreciate any feedback,

> suggestions, anyone out there may have as I hope to be doing this every other

> semester.

> Best wishes--Steve Edington

> 

>     ---------------------------------------------------------------

> 

>                    Name: SYLLABUS.WPS

>     Part 1.2       Type: unspecified type (application/octet-stream)

>                Encoding: base64

 

 

Hello Steve,

Welcome to the list.  I am sure your knowledge and insight will be a

welcome addition to the list.  I am looking forward to conversing with

you in the future.

 

Eric Mayhew

 

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Date:         Sat, 7 Feb 1998 17:47:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      On Burroughs and adolescent sex

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A passage from The Cat Inside dealing with this topic, page 33 of the

Viking edition.

 

Neil

 

-----------------

 

     A Nazi initiation into the upper reaches of the SS was to gouge out

the eye of a pet cat after feeding the cat and cuddling it for a month.

This exercise was designed to eliminate all traces of pity-poison and mold

a full Ubermensch. There is a very sound magical postulate involved: the

practitioner achieves superhuman status by performing some revolting,

atrocious, subhuman act. In Morocco, magic men gain power by eating their

own excrement.

 

     But dig out Ruski's eyes? Stack bribes to the radioactive sky. What

does it profit a man? I could not occupy a body that could dig out

Ruski's eyes. So who gained the whole world? I didn't. Any bargain

involving exchange of qualitative values like animal love for

quantitative advantage is not only dishonorable, as wrong as a man can

get, it is also foolish. Because you get nothing. You have sold your you.

 

     "Well, how does a beautiful young red-haired body grab you?" Yes, He

will always find a sucker like Faust, to sell his soul for a strap-on.

You want adolescent sex, you have to pay for it in adolescent fear,

shame, confusion. In order to enjoy something you have to be there. You

can't just sweep in for dessert, dearie.

 

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Date:         Sat, 7 Feb 1998 17:54:05 -0500

Reply-To:     "Neil M. Hennessy" <nhenness@uwaterloo.ca>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      More Burroughs and language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeff Taylor wrote:

 

> > Burroughs was not writing *about* the end of language, he was writing

to

> > *bring about* the end of language.

> 

> Surely these two need not be mutually exclusive.

 

No, certainly not.

 

> But you may very well be right in that what his writing *does* to

> *bring about* something like the end of language is probably more

> interesting than his explicit pronouncements *about* language. What

> WSB says explicitly *about* what he is doing is often contradictory:

> 

> 1) How is the "factualism" of his early work (primarily) supposed to

> hang together with the "Nothing is true...." position?

 

It doesn't. This can probably be explained through Gysin's influence,

which wasn't there for Naked Lunch.

 

> 2) [When talking about Korzybsky] He claims that either/or

> logic is a basic mistake of western thought, but then practically in

> the same breath insists that the word is not the object to which it

> refers-- which is surely an either/or distinction if there ever was one.

 

I never thought of that, great point.

 

In addition to the two you've mentioned above, I've always wondered about

some other contradictions that pop up in his work:

 

3) The figure of Hassan I Sabbah (often equated with Gysin) is constantly

cited in the Nova Trilogy as a revolutionary figure who "rubs out the

word forever", breaking the Word-Image lock; BUT elsewhere in Burroughs'

work he considers the institute of HIS's assassins as one of the most

effective telepathic control systems on record (see especially "the book

of breeething"). The telepathic Senders are one of those nasty parties of

Interzone.

 

On HIS, this passage from Nova Express:

"What scared you all into time? Into body? Into shit? I will tell you:

'the word'. Alien word 'the'. 'The' word of Alien Enemy imprisons 'thee'

in Time. In Body. In Shit. Prisoner, come out. The great skies are open. I

Hassan I Sabbah rub out the word forever. If you I cancel all your words

forever. And the words of Hassan I Sabbah as also cancel. Cross all your

skies see the silent writing of Brion Gysin Hassan I Sabbah"

 

(Note that Burroughs uses the same prison metaphor as Lacan, who I quoted

previously in this regard)

 

4) In Naked Lunch, the Divisionists are also one of the detested parties

of Interzone, trying to populate the world exclusively with their own

replicas; BUT in The Place of Dead Roads, Kim Carsons (who Burroughs had

called his "spokesman") becomes a Divisionist at the end of the second

book, sending through time "ten clones derived from Kim Carsons the

Founder [...] The clones exist in a communal mind in which the bodies are

at the disposal of all the others, like rotating quarters".

 

Seems to me that the Parties of Interzone become problematic if you try to

project them onto other figures and structures in Burroughs' oeuvre. This

is completely understandable though, since to presume that his work would

maintain a consistent structure in over 30 books and 40 years would be

reductivist.

 

> So finally, we need to be careful to about declaring that WSBs project

> has "failed"....for what it aimed to do may not be expressibile as a

> "fact".....

> 

> > Burroughs' prison-break ultimately fails, although in systematically

> > disrupting the syntactic and authorial basis on which writing rests he

> > ruptured the tradition of discourse. The problem is that the rupture

> > is only temporary (time-bound), for the universal discourse absorbs

> > the singularity, and language rules again: in Burroughs' formulation

> > the Word forces us into our bodies, inscribes us in shit and Time, and

> > there ain't no escape lessen you figure out how to get into Space.

 

I guess the distinction I'm trying to make here is that Burroughs'

declaration in the Nova trilogy "I Hassan I Sabbah rub out the word

forever" obviously didn't succeed. However, as performative works both The

Ticket that Exploded and The Exterminator have the capacity to rub out the

word temporarily in the dissolving of intelligible words into calligraphic

abstractions (with the permutations in between in The Exterminator). The

problem is that the escape from (the prison of) words is only temporary,

since the viral Word soon recaptures, reestablishes its presence in the

mind of the reader when the sound track in his head fires up again.

Through Burroughs' cut-ups and Gysin's calligraphy they have "blown a hole

through time. Let others follow". I have left the I behind in a temporary

rupture of language and self, "I have experienced moments of silence", but

the rupture is only temporary/temporal before the Word reappears and

closes the gates again.

 

Neil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 22:55:33 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

HI GENE: i agree, but they are all having so much fun, now, aren't they? hope

 so,

considering the effort put into it all....

elfishly yrs

mc

 

Gene Lee wrote:

 

> Just a thought here

>           Why is everyone so hung up on words and labels and trying to figure

> out codes and what and who meant? Seems to me that the words that they wrote

> would say it all. Apply your own meanings however- but- to believe that it is

> sacred seems a futile gesture at best.

>           Just a thought.

>            Hey- I think that those individuals- Kerouac, Ginsberg, and

> Bouraghs to a degree- had an intelligent living anbd literary thing going- and

> would be greatly amused by all the hoeey that has happened since.

>                           GT

 

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Date:         Sat, 7 Feb 1998 18:02:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Burroughs, Joyce, codes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At various times, Jeffrey Holland has written:

 

> === maybe I've had too much Amaretto tonight and the bullet-memes are

> sailing right over the glass on my head, but it seems to me that the

> less ordinary a language is, the more code-like it is, in that the

> average reader must strive harder because the key is more encoded, and

> thus, understand fully what has been written.

 

Two assumptions in the above are extremely suspect, firstly that there is

a definable average reader, and secondly that any text can be fully

understood, "ordinary" or not.

 

> ===  What, then, do you think of my statement that

> started all this, that I wish WSB had tried for something as dense and

> ambitious as Finnegans Wake, adding his cut-up principle to the formula?

 

I find it hard to understand how Burroughs could go beyond cut-ups into

some coded mode of writing. Access to the Wake requires the fore-knowledge

of its over-arching structure of puns. Access to the Nova trilogy requires

the fore-knowledge of the cut-up method of composition. They are merely

two different structures. If you want to call them codes, then that's

fine, but from my background a code usually implies a 1-1 correspondance

from the sign to a decided meaning, like in philosophical languages, and

math.

 

As for approaches to the Wake vs. the Nova trilogy, the exegetical bent of

Joycean scholars wouldn't hold up with Burroughs. You can't be some kind

of hermeneutical detective with Burroughs-- it would be fruitless-- since

the aleatory syntactic structures of Burroughs' cut-up writing are

introduced to implicitly prevent the possibility of explication. With the

Wake however, the constant probing of the axis of selection (paradigmatic)

provides a never-ending pun-finding project. This is not to suggest that

analysis of Burroughs can come to some kind of conclusion, but that

forcing his work into some kind of coded (ie 1-1) framework is pointless,

especially when so much of his work up to the Wild Boys was about

dissolving oppositions (all agents defect, all resisters sell out).

 

 

Neil

 

"A homonym generates interference patterns that atomic physicists can use

to explain cosmological principles.

    A tear in content times lies or winds to scale its lead."

--Christian Bok

 

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Date:         Sat, 7 Feb 1998 15:03:26 PST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         john boggs <jaboggs@HOTMAIL.COM>

Subject:      postmodernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i would've sent this out a few days ago, but i messed up my internet

connection trying to download a Juliette Binoche picture for wallpaper

on my computer. hope it helps to clear somethings up...

 

from the _oxford dictionary of philosophy_ by simon blackburn:

   In the cultue generally, postmodernism is associated with a playful

acceptance of surfaces and superficial style, self-consciousness

quotation and parody (although these are also found in modernist

literature, such as that of James Joyce), and a celebration of the

ironic, transient, and the glitzy. It is usually seen as a reation

against the grands recitas of modernity: the large-scale justifications

of western society and confidence in its progress visible in Kant,

Hegel, or Marx, or arrising from the utopian visions of perfection

achieved through evolution, social improvement, education, or the

deployment of science. In its post-structural aspects it includes a

denial of any fixed meanings, or any correspondance between language and

the world, or any fixed reality or truth or fact to be the object of

enquiry.

   (copyright 1994, 1996, oxford university press)

 

perhaps one can see a link between the beats and postmodernism using the

idea of dionysic sense of existence found in nietzsche (who brilliantly

predicted our postmodernism): both tend to take a playful look at the

heaviness and seriousness of 20th century life. (often we even take our

"unseriousness" too seriously.) there seems to be a subtle

correspondance in the ideas of creating art out of a urinal and driving

around the country, looking for "kicks".

does this make sense?...i hope i didn't bite off more than i can chew.

(or worse yet, chew more than i bit off.)

 

 

 

               -john b

              ----------------------------------------------------

                ...allegories are so much lettuce

                     Don't hide the madness.

                                             -allen ginsberg

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Sat, 7 Feb 1998 17:05:10 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Kerouac's death (was: Hello?)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Al wrote:

 

> i also have a question as to the exact circumstances of Kerouac's death.

> i'm sure i'll find my answer when i read one of the several biographies,

but if

> anyone is willing to answer the question now, it would be great.

> 

> thanks y'all(i hope),

> Al

 

Mike Rice wrote:

 

> He was sitting in his sister's kitchen drinking a budweiser in

> September or October, 1969, when he had a heart attack, keeled

> over and later died.  His sister, with whom he was living, was

> present when this happened.

> 

> Mike Rice

 

Must have been an eerie experience, as his sister had died five years

earlier, in 1964.

 

And it wasn't a heart attack.  Mike Cakebread has it right, Kerouac died of

hemorrhaging esophageal varices (by odd coincidence, the same death that

met the hero of John Clellon Holmes' wonderful novel "The Horn," which was

dedicated to Jack in 1958).  Jack was living with his mother at the time.

 

Jym

 

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Date:         Sat, 7 Feb 1998 18:06:04 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Burroughs, cut-ups, Dada

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Thu, 29 Jan 1998, Edward Desautels wrote:

 

>>> What I perceive as one of the differences between Joyce and Burroughs

>>> is that Joyce did not intend to break down language, he took language

>>>into the unconscious, a point beyond which it had ever been taken before.

>> 

>> 

>>=== Agreed. WSB probably should have just let his cut-up work stand on

>>its own without his Dada-esque grandiose claims that he was trying to

>>destroy language, the idea of which seems even more foolish now than it

>>did then. Oddly, though WSB almost always had the gift of gab, his

>>attempts to explain and defend his cut-up process never came off very

>>convincingly articulated.

 

I don't consider Burroughs' grandiose claims foolish. Prehaps the reason

he never convincingly articulated the original purpose of his cut-ups is

due to the paradoxical nature of his project: fighting the control of

words with words. He admits as much in the Knickerbocker interview in

_Writers at Work: The Paris Review Interviews_ Noone has produced a more

complicated exploration of the attempt to break free of the prison house

of language, I don't consider that foolish at all.

 

What was it Beckett said? "An artist dares to fail like no other."

(something like that)

 

His more recent statements on cut-ups (into and after the 80's) are

perfectly convinvingly articulated, and deal with the cut-up as a mode of

representation, rather than an attack on control through language.

 

> Minor point: I don't think the Dadas were so much interested in

> _destroying_ language as wresting it from the control of the

> bourgeoisie. Whether or not these two aims are merely iterations of each

> other is open to speculation.

 

I don't think this is a minor point at all Ed. I would be skeptical of any

claim that they are iterations of each other, since Burroughs gives

language such a huge, sinister role in human affairs at a biological

level.

 

Neil

 

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Date:         Sat, 7 Feb 1998 18:09:06 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:40 PM 2/7/98 -0500, Mike Rice wrote:

 

>He was sitting in his sister's kitchen drinking a budweiser in

>September or October, 1969, when he had a heart attack, keeled

>over and later died.  His sister, with whom he was living, was

>present when this happened.

 

At 02:13 PM 2/7/98, I wrote:

 

>At 10:54 PM 2/6/98 -0700, Al wrote:

 

>> i also have a question as to the exact circumstances

>>of Kerouac's death.  i'm sure i'll find my answer when

>>i read one of the several biographies, but if anyone is

>>willing to answer the question now, it would be great.

 

>hemorrhaging esophageal varices

 

A little more info:

 

>From _Jack's Book: An Oral Biography of Jack Kerouac_ by

Gifford and Lee.

 

"Stella Sampas Kerouac

 

        ...We'd been up all night before the day he died.  We

were watching television, 'The Galloping Gourmet,'

about ten-thirty in the morning.  I had just finished

attending to Mémerê and I was going to get Jack something

to eat, but he wouldn't let me.  He made me sit while he

opened a can of tuna fish.  He ate the whole can.  Then he

went into the bathroom.  I heard some noise and I went

in to see about it.

        Jack was in there, the toilet was filled with blood.

'I'm hemorrhaging,' he said.  'I'm hemorrhaging.'

        Jack didn't want to go to the hospital.  He wanted the

doctor to come over, but I called the ambulance.  Jack kept

insisting he didn't want to go, but he went."

 

 

       

 

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Date:         Sat, 7 Feb 1998 18:09:48 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:40 PM 2/7/98 -0500, you wrote:

>At 10:54 PM 2/6/98 -0700, you wrote:

>>howdeedoo all,

>> 

>>have i been blackballed from the list?  nobody has responded to any of my

>> postings.

>> i also have a question as to the exact circumstances of Kerouac's death.

>i'm

>> sure

>>i'll find my answer when i read one of the several biographies, but if

>anyone is

>>willing to answer the question now, it would be great.

>> 

>>thanks y'all(i hope),

>>Al

>> 

>He was sitting in his sister's kitchen drinking a budweiser in

>September or October, 1969, when he had a heart attack, keeled

>over and later died.  His sister, with whom he was living, was

>present when this happened.

> 

>Mike Rice

>> 

>>Free web-based email, Forever, From anywhere!

>>http://www.mailexcite.com

>> 

>> 

>His sister was long since dead, you mean his wife, Stella Kerouac.

Paul...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Thu, 5 Feb 1998, Jeffrey Scott Holland wrote:

 

> South America, Africa; hunting not for animal pelts but for truth, and

> for a mysterious fabled drug called Yage, which he finds, ingests, and

> emerges a changed man.

 

Searching for a plant that could possibly be used for telepathic mind

control.

 

> Burroughs writes. And writes. And writes. Tells the truth

 

That's the second time you've used the word "truth" in relation to

Burroughs, when "truth" in his writing from the Nova Trilogy onwards is a

totally bankrupt concept. Can you elaborate?

 

> in lucid,

> gutteral, terms, writing of all manner of things underworld and ugly,

> and shows us the beauty therein.

 

This glorification of abjection is a project much closer to the

Genet's secular hagiography than anything Burroughs has written.

Burroughs' art and writing cannot be reduced to mere aesthetics. I dearly

love Genet's writing, but Burroughs is up to something different. (On a

personal note, the _only_ reason I'm glad I was raised Catholic is that

Genet's religious tropes are so resonant to me)

 

> Saints he dreamed of. Woven through his life's writings is the sad

> acknowledgment that he was born in the wrong time. Had he lived in

> another, simpler era, where he imagined the world was freer and more

> exciting, he could have REALLY shown us something.

 

I'm wondering where the preoccupation with what Burroughs "could have

done" comes from. He "could have" taken the cut-ups into some nebulous

coded Wake-world, and "could have" shown us something "if" he had lived in

a different era. I'm not sure where this kind of speculation leads.

 

Glad you joined the list Jeffrey. So far I've found myself on the opposite

side of the fence on most things, but that's what generates interesting

discussion, n'est-ce pas?

 

Neil

 

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Date:         Sat, 7 Feb 1998 23:13:14 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

let's just throw it all out the window, shout pomes and dance! oh how i want to

dance with a cupla hundred people right now. dancing in my room, esctatic,

 alone,

memories of so many tours and hundreds of thousands dancing....

spring tour should have been crankin up by now

by all goddesses, jerry,

i miss you

mc

 

Nancy B Brodsky wrote:

 

> I wish literature were that simple, but its not. Its easy to get caught up

> in semitotics and the like.

> On Sat, 7 Feb 1998, Gene Lee wrote:

> 

> > Just a thought here

> >           Why is everyone so hung up on words and labels and trying to

 figure

> > out codes and what and who meant? Seems to me that the words that they wrote

> > would say it all. Apply your own meanings however- but- to believe that it

 is

> > sacred seems a futile gesture at best.

> >           Just a thought.

> >            Hey- I think that those individuals- Kerouac, Ginsberg, and

> > Bouraghs to a degree- had an intelligent living anbd literary thing going-

 and

> > would be greatly amused by all the hoeey that has happened since.

> >                           GT

> >

> 

> ********Had we a place to stand upon, we might raise the

> world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 23:29:09 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

when the liver can't process any more poison, the esophageal varices break

 loose.

process of fatal cirrhosis. as far as i know, the heart stops at some point, but

don't all of ours?

mc

 

Aeronwy Thomas wrote:

 

> wait, why did one person say that he dies because of hemmoraghing esophageal

> varices" and another one say he died of a heart attack while drinking beer and

> yet another say that he died from cirrohosis? clear this up, please?

> 

> aeronwy

 

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Date:         Sat, 7 Feb 1998 17:40:06 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I know that David bowie painted a portrait of william.  I have a dogs

memory but recall william being proud and impressed with david choosing

him as a subject.  I got the general impression they knew each other and

communicated. I wonder if there is a David Bowie web site connection.

patricia

 

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X-Originating-IP: [207.79.35.45]

Date:         Sat, 7 Feb 1998 16:53:37 PST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Feel free to delete this if you must.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 i am attempting to recreate a beat feel in my writings about my

hitch-hiking journeys/adventures....

 here is a sample...please give me your beat opinions...

 

ok, so i was walking down the labrynthine road of a town i didn't know

and a state i'd only heard about.

 great indiana, with it's absolute normality. and there i was, thumb

out, beggin' for rides.

 didn't have any idea where i was going.

 milwaukee? yeah, sounds alright.

 supposed to meet some girl there anyway.

 she doesn't know i'm coming.

 

 wait, a car pulls up.

 this guy is a trip, he's me, if i had the money to dress like that.

 a sort of nonchalant version of expensive poverty.

 i ask him to take me to the shelter. he says get in.

 we drive off, he keeps tellin' me how he knows guys who hitch-hike.

 and i am struck by the fact that this is one of those guys who knows

people, and that's all.

 but he asks me if i want to party, get a little stoned.

 just as quick, he says nevermind, it'd be too hard to arrange.

 what do i do?

 i agree, always agree.

 you get further.

 he drops me off at the shelter and says, "later".

 yeah, later.

 time to register.

 

 

 

 any comments?...i would even accept flames...

 

-julian

http://www.angelfire.com/mi/Solace

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Sat, 7 Feb 1998 16:54:09 PST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Feel free to delete this if you must.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 i am attempting to recreate a beat feel in my writings

about my hitch-hiking journeys/adventures....

 here is a sample...please give me your beat opinions...

 

ok, so i was walking down the labrynthine road of a town i

didn't know and a state i'd only heard about.

 great indiana, with it's absolute normality. and there i

was, thumb out, beggin' for rides.

 didn't have any idea where i was going.

 milwaukee? yeah, sounds alright.

 supposed to meet some girl there anyway.

 she doesn't know i'm coming.

 

 wait, a car pulls up.

 this guy is a trip, he's me, if i had the money to dress

like that.

 a sort of nonchalant version of expensive poverty.

 i ask him to take me to the shelter. he says get in.

 we drive off, he keeps tellin' me how he knows guys who

hitch-hike.

 and i am struck by the fact that this is one of those

guys who knows people, and that's all.

 but he asks me if i want to party, get a little stoned.

 just as quick, he says nevermind, it'd be too hard to

arrange.

 what do i do?

 i agree, always agree.

 you get further.

 he drops me off at the shelter and says, "later".

 yeah, later.

 time to register.

 

 

 

 any comments?...i would even accept flames...

 

-julian

http://www.angelfire.com/mi/Solace

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Sat, 7 Feb 1998 20:13:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gene Lee <GTL1951@AOL.COM>

Subject:      word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just a thought here

          Why is everyone so hung up on words and labels and trying to figure

out codes and what and who meant? Seems to me that the words that they wrote

would say it all. Apply your own meanings however- but- to believe that it is

sacred seems a futile gesture at best.

          Just a thought.

           Hey- I think that those individuals- Kerouac, Ginsberg, and

Bouraghs to a degree- had an intelligent living anbd literary thing going- and

would be greatly amused by all the hoeey that has happened since.

                          GT

 

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Date:         Sat, 7 Feb 1998 17:41:40 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This is a poem that came to me in a dream.  It pretty much speaks for

itself in my opinion.

 

Labels are God

 

who cares about anything.

life and death are irrelevant.

we come and we go

death is me now

i am alone, by myself

without you and without

GOD

god leaves us in time

but left without living

is not living at all

i have been in the dark

and been to the light

where has it left me?

but in the middle of nothing

nothing is God

God

the level of existence we

often percieve

is beyond the systems of me

me is what i am

living in the directory of operations

living my life in a checkout line

lines are my life

i cant get out of them

i am hanging on a rope

but still stuck in a line

 

I am now by the brook

but where is my hook

i cant find the end

its around the bend

oh wait here it is:

truth is in beauty, beauty in truth

that's all you ever need to know

 

 

 

like it?

who cares

this is a poem

it can't be liked

it just is

who are you to criticize

who am i

answer these my friend

and forever will obscurity reign

 

edm

 

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Date:         Sat, 7 Feb 1998 20:05:59 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      noteable quotes

Comments: cc: Zarefsky <d-zarefsky@nwu.edu>,

          WILD_BILL <Bill.Henderson@uni.edu>, seward23 <seward23@aol.com>,

          Robert Wick <rwick@cov.com>, "R. Bentz Kirby" <bocelts@scsn.net>,

          NELSONj <john_nelson@uiowa.edu>,

          "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

          Meredith Garmon <garmon.sm@juno.com>,

          Gerald Nicosia <gnicosia@earthlink.net>,

          Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

          bilchriswestphoenix <chriswest@dancris.com>,

          arthur nusbaum <SSASN@aol.com>, attias <hfspc002@email.csun.edu>,

          APPLE <edappel@epix.net>, ABILENE <dperkins@fas.harvard.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Tape Recorder Interpersonality Con Sport

 

From: The Ticket that Exploded p. 208

"analyzing recorded conversations you will learn to steer a conversation

where you want it to go __ the physiological liberation achieved as word

lines of controlled association are cut will make you more efficient in

reaching your objectives _____ whatever you do you will do it better"

 

Selective Interpretive Mixed-Scanning Methodological Premises

 

From: The Ticket that Exploded p.206

"different people will scan out different words of course but some of

the words are quite clearly there and anyone can hear them words which

were not in the original tape but which are in many cases relevant to

the original text as if the words themselves had been interrogated and

forced to reveal their hidden meanings.  It is interesting to record

these words literally made by the machine itself."

 

Context of last lines of "Colt-45" in Firewalk Thru Madness

From: The Ticket that Exploded, p. 140

"Yes when the going gets really rough they call in the Old Doctor to

quiet the marks -- and he just raises his old blue hands and brings them

down slow touching all the marks right where they live and the marks are

quiet -- But remember ladies and gentlemen, you can only call the Old

Doctor once -- So be sure when you call him this is really it -- Because

if you call the Old Doctor twice he quiets you --

 

"Here's the Doc now" --"""""""""""""""""""}}}}}}}}}}}}}}}}}}]

 

DR/dbr

 

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X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Sun, 8 Feb 1998 02:15:36 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: oops

To:           BEAT-L@CUNYVM.CUNY.EDU

 

However, it WAS really funny, and I thought you did it deliberately! --Sara

 

At 09:38 PM 2/10/98 +0100, you wrote:

>I have no idea how the phrase "maybe you should join the army or

>something" ended up at the end of my "Beats yes, Hippies/Deadheads no"

>post's title.........weird and wacky.

> 

>=-=-=

>jsh

>ky

>=-=-=

> 

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Sat, 7 Feb 1998 21:38:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Kerouac's death (was: Hello?)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> Mike Rice

> 

>Must have been an eerie experience, as his sister had died five years

>earlier, in 1964.

> 

>And it wasn't a heart attack.  Mike Cakebread has it right, Kerouac died of

>hemorrhaging esophageal varices (by odd coincidence, the same death that

>met the hero of John Clellon Holmes' wonderful novel "The Horn," which was

>dedicated to Jack in 1958).  Jack was living with his mother at the time.

 

And his wife!

> 

>Jym

> 

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Date:         Sat, 7 Feb 1998 22:39:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I wish literature were that simple, but its not. Its easy to get caught up

in semitotics and the like.

On Sat, 7 Feb 1998, Gene Lee wrote:

 

> Just a thought here

>           Why is everyone so hung up on words and labels and trying to figure

> out codes and what and who meant? Seems to me that the words that they wrote

> would say it all. Apply your own meanings however- but- to believe that it is

> sacred seems a futile gesture at best.

>           Just a thought.

>            Hey- I think that those individuals- Kerouac, Ginsberg, and

> Bouraghs to a degree- had an intelligent living anbd literary thing going- and

> would be greatly amused by all the hoeey that has happened since.

>                           GT

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Sat, 7 Feb 1998 23:14:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

wait, why did one person say that he dies because of hemmoraghing esophageal

varices" and another one say he died of a heart attack while drinking beer and

yet another say that he died from cirrohosis? clear this up, please?

 

aeronwy

 

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Date:         Sat, 7 Feb 1998 21:19:10 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      pome poem mope ompe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hiya folks,

thanks for the clearing up kerouac's death.  i hope to get into the biographies

 and

writings soon.  does anyone know where i would find copies of beat poems on the

 net?

 burroughs, ginsberg, etc.  i'd also like to hear some opinions about the movie

 Naked

Lunch.  it's obviously nothing compared to the book, but i randomly picked up

 the

movie at Super Video before i had even heard of burroughs.  there's a poem below

which everyone seems to have ignored previously. please grill and destroy it,

 but

tell me why it's so bad as well.

 

keep on beatin,

Al

 

 

 

THe crazy clarity of obscurity at the abnormal hour

 

strange thoughts fill me at night- or rather, at the earliest of dusk.

i close my eyes and can't sleep, siphoning the blackness for hours.

and streams, and bits, and floods come,

and Devour

and are devoured with speed, and quick, and lassitude

platonic passion

and the virgo is suddenly quintessence of Virtue

the mundanes of reality become fireballs-split

and the perfect sphere is created.

Why can't sleep drown me?

then

COMBUSTION

the neural impulses jump and warp and Ffizz with electric shortsparks

and tommorrow i'll take a bath in the morning and feel great and Grand for the

 rest

of the day(but it won't actually happen cause i'll wake up late or groggy and

 forgetful

will wake me late)and suddenly i remember when the rain came in my old house

 which

was brown and yellow i think but now it's red and i fell in love with the rain.

and i used to watch the flash of headlights from cars cause we lived on a busy

 street

hackensack st. my room was small and the house was a two family house us

 upstairs.

 my room to the right after the climb to the top of the stairs and it was tiny

 i'd

fall asleep to those headlights the shadows glide from one side of the room to

 the

other and i'd hide 'neath the porch and feel safe  and i should live life

 without

worrying about the afterlife so much cause everything should be done with fervor

while many only portion life into little frozen dinner compartments and eat only

the apple crumb or the pasty corn you should jump and hop and be MAD and wicked

 and

gargantuan depressed and wholly lovey dovey and wakey up friends at 2am and tell

them to come out and rattle like a crazy old beatnik about the niches and the

 wide

expanses and the holes in your jeans and the holes in your head.

--------------

then the morning comes

and your BURst of MaD self crazyhappy man buries himself and herself and itself

covers up to your eyes and the i-ego-defense trashes you

and you're normal and helpless-hapless-straight-scaredy again.

 

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

>From CUNYVM.CUNY.EDU!owner-beat-l Sun Feb  8 06:49:30 1998

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Date:         Sun, 8 Feb 1998 00:48:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Re: pome poem mope ompe

To:           BEAT-L@CUNYVM.CUNY.EDU

In-Reply-To:  <NJLEMBPNODFGAAAA@mailexcite.com>

 

wow! I like your work. I appreciate people similar to the ones on this

mailing list, because they appear to be more open to the world than

everyone else.

thanks!

Kat

 

 

>Al

> 

> 

> 

>THe crazy clarity of obscurity at the abnormal hour

> 

>strange thoughts fill me at night- or rather, at the earliest of dusk.

>i close my eyes and can't sleep, siphoning the blackness for hours.

>and streams, and bits, and floods come,

>and Devour

>and are devoured with speed, and quick, and lassitude

>platonic passion

>and the virgo is suddenly quintessence of Virtue

>the mundanes of reality become fireballs-split

>and the perfect sphere is created.

>Why can't sleep drown me?

>then

>COMBUSTION

>the neural impulses jump and warp and Ffizz with electric shortsparks

>and tommorrow i'll take a bath in the morning and feel great and Grand for

the

> rest

>of the day(but it won't actually happen cause i'll wake up late or groggy and

> forgetful

>will wake me late)and suddenly i remember when the rain came in my old house

> which

>was brown and yellow i think but now it's red and i fell in love with the

rain.

>and i used to watch the flash of headlights from cars cause we lived on a

busy

> street

>hackensack st. my room was small and the house was a two family house us

> upstairs.

> my room to the right after the climb to the top of the stairs and it was

tiny

> i'd

>fall asleep to those headlights the shadows glide from one side of the

room to

> the

>other and i'd hide 'neath the porch and feel safe  and i should live life

> without

>worrying about the afterlife so much cause everything should be done with

fervor

>while many only portion life into little frozen dinner compartments and

eat only

>the apple crumb or the pasty corn you should jump and hop and be MAD and

wicked

> and

>gargantuan depressed and wholly lovey dovey and wakey up friends at 2am

and tell

>them to come out and rattle like a crazy old beatnik about the niches and the

> wide

>expanses and the holes in your jeans and the holes in your head.

>--------------

>then the morning comes

>and your BURst of MaD self crazyhappy man buries himself and herself and

itself

>covers up to your eyes and the i-ego-defense trashes you

>and you're normal and helpless-hapless-straight-scaredy again.

> 

> 

> 

> 

>Free web-based email, Forever, From anywhere!

>http://www.mailexcite.com

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Sat, 7 Feb 1998 20:44:46 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Kerouac's Death

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 i would like to  state...

 as corny as it sounds...

 that the idea behind kerouac and the entire beat movement...was life...

 and debating over his death is pointless, seeing as how he'd probably

be saying...

"look man, look what i DID, not how i died..."

 

just a thought...

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 23:54:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Andrea Moore <BMXDREA@AOL.COM>

Subject:      that Beat course...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Steve Edington,

Your course sounds great. I'm helping in a course at a sonoma state university

on the same subject, and it's amazing how similar the takes on the Beat

movement are. I wish our class had the chance to visit sights and Jack's

grave, I think it would add a dimension to this class that we as westerners

don't extactly get. The closest to a "sight" we have is San Francisco and City

Lights Books, which are great places to soak up a beat aura, yet not as deeply

sad as a gravesight or birth home place.

I especially dug the part of your course description where you focus on

obituaries. I will Mention this to Bob Coleman- the professor who is teaching

our class. I think he will appreciate your special attention to the fact that

these writers are a big deal 50 years after the fact.

It was about ten years ago that I personally discovered the Beats, and I'm not

ashamed to admit that it was through some cheesey girly mag that mostly

focused on the trendy aspects of Beat--(Madamoiselle?). Anyways, this cheese

article mentioned Ginsberg's HOWL poem and somehow I got ahold of the poem and

ever since then I have devoted much thought to this movement-- not to mention

the fact that I am writing a thesis on one of its more "lesser" members, Ed

Sanders. I do sense that the Beats are especially vital to an American Lit.

movement that hits the fin de sicle moment we are in now-- the class I am

involved with rivals the number of students in a course taught on Charles

Dickens. (Victorian era connections are another post, however). My point in

mentioning this is that the students in this Beat class are not always

completely able to nail why it is that the Beats mean so much to them. I sense

that we are all just realizing this greater connection, and when I say all, I

mean, scholars, students, readers, laymen, whatever...

Beat is big folks. We are on to something more than just a bunch of codes,

stumbling drunks, bad deaths, disgruntled poetics etc...

Like Dickens, the Beats were arware of a larger community of Americans that

were sick of bland representations of life-- let alone the proscribed ideals

of popular aesthetics. Lonliness is still an American way of life. It's as if

we just left Europe and are longing for our mum/mommy ....These authors knew

that there was something out there- something more than Betty Crocker home

cooking, yet they were plagued by the memory of such an ideal as a damn good

apple pie.....

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Feb 1998 00:05:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Andrea Moore <BMXDREA@AOL.COM>

Subject:      MARIE COUNTRY AND DANCING AND THE DEAD...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie wrote:

let's just throw it all out the window, shout pomes and dance! oh how i want

to

dance with a cupla hundred people right now. dancing in my room, esctatic,

 alone,

memories of so many tours and hundreds of thousands dancing....

spring tour should have been crankin up by now

by all goddesses, jerry,

i miss you

:)

------------------------------------******************************************

*****-------------------------

 

ahh! This brings up a good point!!!! What do you all think is the connection

between the Grateful Dead and the Beats? I must tell you that out of a class

of forty, twelve people mentioned the Dead in a response paper that asked,

"what is you relation to the beats ?"

 

Several people mentioned the feeling of community in these papers, but what do

you think? How many of you Beat-L subscribers are Dead heads? Is there a

connection here? Let's explore it.

 

I'm not a dead head, but I'll posit that it does have to do with the community

(just look at this list, for instance!!!!) and this community wants something

not only from itself but from America and its culture. We are supposed to be a

happy place America! But as Ginsberg alludes to many times, we fall short---

what is in this idea????? The virtual community is a good place to start......

Drea

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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X-Sender-Ip: 152.163.232.27

Date:         Sat, 7 Feb 1998 22:17:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Re: pome poem mope ompe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>wow! I like your work. I appreciate people similar to the ones on this

>mailing list, because they appear to be more open to the world than

>everyone else.

>thanks!

>Kat

> 

 

Thanks kat.  that's one thing i loved about On the Road.  how kerouac and

 cassady

would dig everything.  all the strange and commonplace people and sights.  the

 best

perspective is one that recognizes and attempts an understanding at every other

 perspective.

 

 

AL

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

>From CUNYVM.CUNY.EDU!owner-beat-l Sun Feb  8 07:28:18 1998

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Message-ID:  <LEGPBKOLANIGAAAA@mailexcite.com>

Date:         Sat, 7 Feb 1998 22:24:34 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Re: pome poem mope ompe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>wow! I like your work. I appreciate people similar to the ones on this

>mailing list, because they appear to be more open to the world than

>everyone else.

>thanks!

>Kat

 

 

Gratias Kat.  i loved the way kerouac and cassady dug everything in On the Road.

 the best perspective is one which recognizes and attempts to understand every

 other

perspective.

 

AL

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 21:45:12 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: that Beat course...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Andrea Moore wrote:

> 

> Steve Edington,

> Your course sounds great. I'm helping in a course at a sonoma state university

> on the same subject, and it's amazing how similar the takes on the Beat

> movement are. I wish our class had the chance to visit sights and Jack's

> grave, I think it would add a dimension to this class that we as westerners

> don't extactly get. The closest to a "sight" we have is San Francisco and City

> Lights Books, which are great places to soak up a beat aura, yet not as deeply

> sad as a gravesight or birth home place.

> I especially dug the part of your course description where you focus on

> obituaries. I will Mention this to Bob Coleman- the professor who is teaching

> our class. I think he will appreciate your special attention to the fact that

> these writers are a big deal 50 years after the fact.

> It was about ten years ago that I personally discovered the Beats, and I'm not

> ashamed to admit that it was through some cheesey girly mag that mostly

> focused on the trendy aspects of Beat--(Madamoiselle?). Anyways, this cheese

> article mentioned Ginsberg's HOWL poem and somehow I got ahold of the poem and

> ever since then I have devoted much thought to this movement-- not to mention

> the fact that I am writing a thesis on one of its more "lesser" members, Ed

> Sanders. I do sense that the Beats are especially vital to an American Lit.

> movement that hits the fin de sicle moment we are in now-- the class I am

> involved with rivals the number of students in a course taught on Charles

> Dickens. (Victorian era connections are another post, however). My point in

> mentioning this is that the students in this Beat class are not always

> completely able to nail why it is that the Beats mean so much to them. I sense

> that we are all just realizing this greater connection, and when I say all, I

> mean, scholars, students, readers, laymen, whatever...

> Beat is big folks. We are on to something more than just a bunch of codes,

> stumbling drunks, bad deaths, disgruntled poetics etc...

> Like Dickens, the Beats were arware of a larger community of Americans that

> were sick of bland representations of life-- let alone the proscribed ideals

> of popular aesthetics. Lonliness is still an American way of life. It's as if

> we just left Europe and are longing for our mum/mommy ....These authors knew

> that there was something out there- something more than Betty Crocker home

> cooking, yet they were plagued by the memory of such an ideal as a damn good

> apple pie.....

hey, i go to sonoma state, and didn't even know about this class

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Feb 1998 21:46:43 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: MARIE COUNTRY AND DANCING AND THE DEAD...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Andrea Moore wrote:

> 

> Marie wrote:

> let's just throw it all out the window, shout pomes and dance! oh how i want

> to

> dance with a cupla hundred people right now. dancing in my room, esctatic,

>  alone,

> memories of so many tours and hundreds of thousands dancing....

> spring tour should have been crankin up by now

> by all goddesses, jerry,

> i miss you

> :)

> ------------------------------------******************************************

> *****-------------------------

> 

> ahh! This brings up a good point!!!! What do you all think is the connection

> between the Grateful Dead and the Beats? I must tell you that out of a class

> of forty, twelve people mentioned the Dead in a response paper that asked,

> "what is you relation to the beats ?"

> 

> Several people mentioned the feeling of community in these papers, but what do

> you think? How many of you Beat-L subscribers are Dead heads? Is there a

> connection here? Let's explore it.

> 

> I'm not a dead head, but I'll posit that it does have to do with the community

> (just look at this list, for instance!!!!) and this community wants something

> not only from itself but from America and its culture. We are supposed to be a

> happy place America! But as Ginsberg alludes to many times, we fall short---

> what is in this idea????? The virtual community is a good place to start......

> Drea

i am a deadhead.

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Feb 1998 02:11:49 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Andrea Moore <BMXDREA@AOL.COM>

Subject:      DEAD HEADS AND THE NEATSBEATS

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dennis wrote:

The connection between the Dead and the Beats probably centers around Neal

Cassady.  Neal was with Kesey and the Pranksters at the time of the Trips

Festival/Acid Tests driving THE BUS and rapping into the mike onstage.  The

Dead were the musicians thrown into this mix, ca. 1965.

---------------------------------

that's an okay answer, but what about beyond that neal/ken connection- WHAT DO

YOU FEEL IS THE SAME ABOUT THE BEATS AND THE DEAD!?

Neal tells Jack that, "We were born before out time." ?????? Hmnn...

 

drea

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (today) a prayer

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980205142236.22892A-100000@srv1.freenet.calgary.ab.ca>

References:

 

   many things     are

   brought    by   a

   prayerTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 2 YRS AGO HANDED AT TITANIC

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34D9EF25.A25@iclub.org>

References: <199802051323.IAA28663@pike.sover.net>            <Pine.SOL.3.95.980205120539.15294A-100000@rask>            <v03102801b0ffac7a5e96@[206.190.9.145]>

 

Jeffrey Scott Holland says:

>William S.Burroughs came into this world on this day in 1914. Radio was

>in its infancy, and Nikola Tesla was preparing to sue Marconi for his

 

              YOUTH

              be deep I see you

                   --jk "SEA"

 

youthyouthYOUTHY-O-U-T-H-.-.-YOUthyouth--

 

The Marconi International Marine Communications co, Ltd.

 

you

th            14 APR 1912

              Watergate H

              ouse

 

youthyouthyouth

              11.40 PM. N.Y.T.     OFF IS SMALL

              TITANIC SAYS TELL          BOATS.

              CAPTAIN WE ARE PU

              TTING THE PASSENG

              GERS

 

              11.45 PM. N.Y.T.     WHAT THE WHEATHER

              ASKED THE TITANIC          HE, HAD HE SAYS C

                                   LEAR AND CLAM.

YOUTHYOUTH

YOUTHYOUTH

         YOUTHYOUTHYOUTH

 

---

Rinaldo

02Feb98

Return-Path: <MAILER-DAEMON>

Date:         Sun, 8 Feb 1998 05:24:04 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 08 Feb 1998 11:15:19...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun,  08 Feb 1998 11:15:19 +0100 with  subject "2 YRS AGO

HANDED AT TITANIC" has been successfully distributed to the BEAT-L list (256

recipients).

 

Return-Path: <MAILER-DAEMON>

Date:         Sun, 8 Feb 1998 05:24:05 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 08 Feb 1998 10:58:41...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 08 Feb 1998 10:58:41 +0100 with subject "(today) a

prayer"  has  been  successfully  distributed  to  the  BEAT-L  list  (256

recipients).

 

To: jgardner@doane.edu

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Existentialism...

Cc: BEAT-L@CUNYVM.CUNY.EDU

Bcc:

X-Attachments:

In-Reply-To: <21E0E3DE.7465@doane.edu>

References: <BEAT-L%1998011318210937@CUNYVM.CUNY.EDU>

 

jodie says:

>Does anyone know anything about existentialism and it's importance in

>the Beat movement and culture?  If so, please explain and help me out

>here.  Thanks!

> 

>*jodie*

> 

Jodie:

 

in his last words JP Sartre tell us he was never anguish and

to be existentialist were caught on by the time post WWII

in lit fashion.

 

the last interview _the last sunday_ of his life JP Sartre

buried the existentialism as a matter of kinki youth post-war.

 

Rinaldo.

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Date:         Sun, 8 Feb 1998 05:53:20 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 08 Feb 1998 11:44:33...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your  message dated  Sun,  08  Feb 1998  11:44:33  +0100  with subject  "Re:

Existentialism..." has been successfully distributed to the BEAT-L list (256

recipients).

 

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Content-Disposition: inline

Date:         Sun, 8 Feb 1998 08:46:10 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adam Johansen <adamjohansen@COMPUSERVE.COM>

Subject:      Re: [Fwd: Fw: MICROSOFT WIN98&$1000!!!!! PLEASE READ! YOULL BE

              GLAD YOU DID!  (fwd)]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Message text written by "BEAT-L: Beat Generation List"

> 

2) Consider the name of the program. . .  BETA?  Duh, even Microsoft

wouldn't name a program BETA. . .  that's like Chevy trying to sell their

Nova in South America  (Nova = "doesn't go" in Spanish).

< 

 

I concur wholeheartedly with everything you said except this:

 

Beta is clearly the second letter of the Greek alphabet and is used in

the computer industry to denote a version of a program released for

testing out of house - I presume that was the intended meaning here.

 

The name would appear to be Win98&1000$....

 

It is, of course, B*****ks... but that's another story....

 

Adam Johansen

 

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Date:         Sun, 8 Feb 1998 16:11:20 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

great quote, matt.

 

Matthew A. Parker wrote:

 

> "We had lies of our own to tell, but not hateful ones.  Told them with music.

> Had come to save the world but, starting in Germany, began to realize worlds

> cannot be saved.  All are tentative.  So we learned to dance on graves and be

> glad."

> --Robert Hunter

> praying for a time machine,

> matt

 

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Date:         Sun, 8 Feb 1998 13:30:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: pome poem mope ompe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yo Al,

Happy Sunday.  Had some great waffles for breakfast this morning (with skim

milk and bananas), so I'm in a giving mood.

Here's an address where you can access some Ginsberg writings.

http://www.walrus.com/~morocco/agt.html

Hope you like it.  It's got some of his illustrations, too.

><CYAN><

it's never too late to have a happy childhood -Tom Robbins

 

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Date:         Sun, 8 Feb 1998 18:51:38 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      QR Hand

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Dear Beatl-ers

 

Folks in the SF area this week should now that QR hand is performing his poems

 with his group at the Polk Street Roasting and Cafe as I was informed by his

 friend Leon

Tabory. QR has a style that is very rythmic, there are elements of music and

 theatre in what he does, at times reminds me of a hip hop Greek chorus.    Well

 worth hearing.

QR leads, all read, and Jordan also plays sax.  The group consists of.

 

> Brian Auerbach

> Q. R. Hand

> Lewis Jordan

> Reginald Lockett

 

Anyone thinking about catching this let me know and perhaps we can get together.

  Well worth it, the man is a treat. Thursday night, February 12--two shopping

 days till

Valentines day.

 

James Stauffer

 

> 

 

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Date:         Sun, 8 Feb 1998 18:54:22 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Those interested in catching DiPrima should be able to find her, she is out

reading alot.  I saw her last year at the Women of the Beat Generation book

 party

and at the SF memorial for AG--also was in San Jose recently with others. Watch

your poetry rags for readings in your area.  She is fairly active, maybe not

 quite

so visible as Anne Waldman, but close.

 

James Stauffer

 

Dennis Cardwell wrote:

 

> Some few years ago, maybe 3 or 4, one of DiPrima's daughters hosted a Weekend

> morning television series for teens.  It was an out and about in the Bay Area

> sort of program dealing with the arts and, I think, a smattering of news.  The

> daughter seemed bright, witty, and generally talented.  Fred McDarrah has

> published vintage 50's photos of Diane at readings and so forth in the

> Village, can't remember if any were from North Beach.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: CARL DEAN WILSON

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

CARL DEAN WILSON

Dec. 21, 1946 - Feb. 6, 1998

 

We are greatly saddened to report that Carl Wilson, lead guitarist and founding member of The Beach Boys, has died from complications of lung cancer, his family said Saturday. He was 51. Carl is survived by his wife Gina, his sons Jonah and Justyn, and his brother Brian.

 

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Date:         Sun, 8 Feb 1998 14:02:30 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 08 Feb 1998 19:55:53...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 08 Feb 1998 19:55:53 +0100 with subject "CARL DEAN

WILSON"  has  been  successfully  distributed  to  the  BEAT-L  list  (253

recipients).

 

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Date:         Sun, 8 Feb 1998 14:31:36 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gene Lee <GTL1951@AOL.COM>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Say Marie

          At least this time I wasn't tarred and feathered for opening my

mouth on these boards. That's a step in the right direction.

          And yes- i can relate to the idea of some Sprintime dancin and

getting out in the world. We need more of that!

                                                   Gene

 

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Date:         Sun, 8 Feb 1998 15:07:00 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Matthew A. Parker" <MParker113@AOL.COM>

Subject:      Re: word labels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"We had lies of our own to tell, but not hateful ones.  Told them with music.

Had come to save the world but, starting in Germany, began to realize worlds

cannot be saved.  All are tentative.  So we learned to dance on graves and be

glad."

--Robert Hunter

praying for a time machine,

matt

 

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Date:         Sun, 8 Feb 1998 21:10:47 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: beat videos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Micah Maidenberg wrote:

 

> Anyone viewed?

 

=== Haven't seen any of them, but amazon.com sells "Towers Open Fire"

and "Fried Shoes"; I've been considering ordering them....

 

=-=-=-=-=-=

holland, j.s.

ke nt uc ky

=-=-=-=-=-=

 

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Date:         Sun, 8 Feb 1998 15:18:48 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey everybody. I'm looking for information on Diane DiPrima, especially in the

way of web resources. It seems that there is very little available about her

in the real world- even when it comes to just finding a book of poems. What's

up w/ that? :) The few "pomes" (new spelling of choice on beat-l, apparently)

I have found in random beat anthologies appealed very much to me. Especially

"Brass Furnace Going Out: Song after an Abortion" (which I actually pulled off

the 'net somewhere)- has anyone else read this? It is absolutely amazing.

 

--Stephanie

 

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Date:         Sun, 8 Feb 1998 22:43:29 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@POST1.TELE.DK>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey everybody. I'm looking for information on Diane DiPrima, especially in the

way of web resources

We put some DiPrima on our Danish site at:

http.//www.systime.dk/fagbank/engelsk/Beatgen/fembeats.htm

 

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Date:         Sun, 8 Feb 1998 16:09:49 -0600

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From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sara Feustle wrote:

 

> Stephanie,

>         Go to www.kerouac.com. (Also 1-800 KER-OUAC.) They have the most

kick-ass

> catalogue of Beat stuff I've ever seen, including an entire book of Diane

> DiPrima's poems, entitled _Memoirs of a Beatnik_.

>                         --Sara

 

Don't be misled, "Memoirs of a Beatnik" is not a collection of poems.  It

is quasi-autobiography, quasi-erotica, and great fun...but *not* poems.

 

Jym

 

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Date:         Sun, 8 Feb 1998 17:18:09 -0500

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From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      AG Flick

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Im going to the AG flick at anthology tonight, 6pm. Hope to see you there!

 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Feb 1998 18:56:39 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/8/98 1:15:20 PM Pacific Standard Time,

sfeustl@UOFT02.UTOLEDO.EDU writes:

 

> an entire book of Diane

>  DiPrima's poems, entitled _Memoirs of a Beatnik_.

 

This book is DiPrima's Memoirs, published in The Traveller's Companion Series

by Olympia Press in 1969.   It contains no poetry.  My guess is that it was

published to get DiPrima some quick bread when she really needed it...but I'm

guessing.

Dennis

 

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X-Sender: cake@ionline.net

Date:         Sun, 8 Feb 1998 19:41:45 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:14 PM 2/7/98 EST, Aeronwy Thomas wrote:

>wait, why did one person say that he dies because of hemmoraghing esophageal

>varices" and another one say he died of a heart attack while drinking beer and

>yet another say that he died from cirrohosis? clear this up, please?

 

hemmoraghing esophageal varices is the real deal

 

Mike

 

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X-Sender: cake@ionline.net

Date:         Sun, 8 Feb 1998 19:59:39 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Kerouac's Death

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:44 PM 2/7/98 PST, Julian Ruck wrote:

> i would like to  state...

> as corny as it sounds...

> that the idea behind kerouac and the entire beat

>movement...was life...  and debating over his death

>is pointless, seeing as how he'd probably

>be saying...

>"look man, look what i DID, not how i died..."

 

Uhh, funny you bring this up considering JK was

slowly killing himself and openly admitted it to close friends

shortly before his death. . .  Not to mention the

the fact that large parts of his prose deal with death.

 

Isn't part of life, death?

Mike

 

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Date:         Sun, 8 Feb 1998 19:44:47 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Sara Feustle wrote:

> 

>> Stephanie,

>>         Go to www.kerouac.com. (Also 1-800 KER-OUAC.) They have the most

>kick-ass

>> catalogue of Beat stuff I've ever seen, including an entire book of Diane

>> DiPrima's poems, entitled _Memoirs of a Beatnik_.

>>                         --Sara

> 

>Don't be misled, "Memoirs of a Beatnik" is not a collection of poems.  It

>is quasi-autobiography, quasi-erotica, and great fun...but *not* poems.

> 

>Jym

 

Erotica anthlogies frequently reprint excerpts from "Memoirs of a Beatnick"

and I agree with Jym that DiPrima provides great fun.

 

In one, a short piece of erotica, in  Maurice Girodias' Olypia Press

America (I think I have that right), described sex with Jack Kerouac. There

was a blurb about Diprima--mentioned that she was born and raised in

Brooklyn emerged in the '50s...Sartre, Franz Kline, william de Kooning were

mentioned and there was a reference to her "brothers" Corso and Ginsberg.

Said John Keats, Pound, and Zen influenced her and that she lived in San

Francisco with her four children.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Sun, 8 Feb 1998 21:50:11 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Some few years ago, maybe 3 or 4, one of DiPrima's daughters hosted a Weekend

morning television series for teens.  It was an out and about in the Bay Area

sort of program dealing with the arts and, I think, a smattering of news.  The

daughter seemed bright, witty, and generally talented.  Fred McDarrah has

published vintage 50's photos of Diane at readings and so forth in the

Village, can't remember if any were from North Beach.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Sun, 8 Feb 1998 20:54:02 -0700

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Melissa <mbaide@WEBER.EDU>

Subject:      to subscribe to beat chat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><html><head></head><BODY bgcolor="#F0E8D8"><p><font size=7 color="#000000" face="CAC Futura Casual Med. Italic">Can anyone tell me how to subscribe to this listserve?<br>Melissa Baide</p>

</font></body></html></x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 07:13:41 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: beat videos--welch--San Diego archive

To:           BEAT-L@CUNYVM.CUNY.EDU

 

While working in the New Poetry Archive at UC San Diego last week on Lew

Welch I found references to a some film or video footage of Lew reading.

Has anyone seen these.  When Gary Glazner was on the list he also mentioned

some Welch footage.  Anyclues would be appreciated or also Gary's e-mail if

anyone has it, or if he is lurking these days.

 

One of the main attractions of the San Diego archive is the collection of

the papers of Donald Allen who edited the New American Poets, anothology,

Evergreen Review, and published poetry for Grove Press and then his own

Grey Fox in Bolinas.  His records are beautifully organized and kept and

there are good letters from almost any poet of the period you may be

studying.  It's a great collection and the folks there are helpful.  There

is something about holding a letter by Jack or Lew in your hand that goes

beyond reading the same thing in a book--even if it were available. I am

also getting the tape (audio) of Lew's lecture that became "How I work as a

Poet."

 

James Stauffer

 

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Date:         Mon, 9 Feb 1998 07:32:36 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: beat videos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

seen the both. consider them worth  it, for very different reasons:

towers open fire is a piece of art, in my opinion; fried shoes more

documentary about the beats kind of like a home video in some spots,

mc

 

Jeffrey Scott Holland wrote:

 

> Micah Maidenberg wrote:

> 

> > Anyone viewed?

> 

> === Haven't seen any of them, but amazon.com sells "Towers Open Fire"

> and "Fried Shoes"; I've been considering ordering them....

> 

> =-=-=-=-=-=

> holland, j.s.

> ke nt uc ky

> =-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 07:38:30 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: QR Hand

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i fully agree with james. unfortunately, i missed his last performance, having

 left

CA a few days before hand. but i had the great pleasure of re-working my

 insomniac

quartet with him, learned some very important exercises and reading for the

 sound,

smeaning follows sound to him. he read my psyhobeautcratic rant to me, and

 turned

it into a piece of fine jazz, indeed. not only that, but he is one of the

 warmest

and welcoming persons i've ever met. sure put me at ease and no pretensions to

block the meeting of minds.

thanks to leon i met him, and was able to visit him twice.

mc

 

James Stauffer wrote:

 

> > Dear Beatl-ers

> 

> Folks in the SF area this week should now that QR hand is performing his poems

>  with his group at the Polk Street Roasting and Cafe as I was informed by his

>  friend Leon

> Tabory. QR has a style that is very rythmic, there are elements of music and

>  theatre in what he does, at times reminds me of a hip hop Greek chorus.

 Well

>  worth hearing.

> QR leads, all read, and Jordan also plays sax.  The group consists of.

> 

> > Brian Auerbach

> > Q. R. Hand

> > Lewis Jordan

> > Reginald Lockett

> 

> Anyone thinking about catching this let me know and perhaps we can get

 together.

>   Well worth it, the man is a treat. Thursday night, February 12--two shopping

>  days till

> Valentines day.

> 

> James Stauffer

> 

> >

 

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Date:         Mon, 9 Feb 1998 08:03:16 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      [Fwd: ...THE DEAD...]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John--if you don't want replies going automatically to you rather than

the list--try Bogin's suggestion on reseting your mail preferences.

Seems to work.

 

 

Message-ID: <34DEB7D4.76184B9@pacbell.net>

Date: Mon, 09 Feb 1998 08:01:25 +0000

From: James Stauffer <stauffer@pacbell.net>

X-Mailer: Mozilla 4.04 [en] (Win95; I)

MIME-Version: 1.0

To: jhasbro@tezcat.com

Subject: Re: ...THE DEAD...

References: <a8bd38a7.34dd3d1d@aol.com> <34DEC926.4074@tezcat.com>

Content-Type: multipart/alternative;

 boundary="------------5F061199F4D84243C4E16D9A"

 

<x-html><HTML>

John,

 

<P>I agree that <I>Electric Cool Aid</I> is an invaluable source.&nbsp;

Talking with friends who knew Neal then and earlier, tho, I think a few

caveats are in order.&nbsp; Not that Wolfe is innaccurate, he mostly worked

from tape and archival material and is usually quite accurate.&nbsp; More

subtle, however, is the way in which Kesey and the Pranskters assigned

everyone names and roles which limited what one did.&nbsp; Those names

were your Pranskter job.&nbsp; Superman was already taken by Kesey himself,

so Cassidy became Sir Speed Limit and a somewhat narrow parody of himself.&nbsp;

There are those who feel that the Speed Limit role ignored some of his

greatest qualities and emphasized the ones hardest on him.&nbsp;&nbsp;&nbsp;

In death, Kesey refers to Neal as Superman (in "The Day Superman Died)--but

he would not (I think, and doubt anyone who knows Kesey would disagree)&nbsp;

have conceeded that to him in life--Kesey was superman and everyone else

was a bit player. (With apologies to unnamed sources I may have oversimplified.)

 

<P>James Stauffer

 

<P>John Hasbrouck wrote:

<BLOCKQUOTE TYPE=CITE>The principle connection between the Beats and the

Grateful Dead is the

<BR>fact that it is official Dead lore that Neal Cassady was the first

<BR>Deadhead. This is all part of the great Neal Cassady - Ken Kesey -

<BR>FURTHUR - Grateful Dead connection which involved Kesey's Merry

<BR>Pranksters' driving a 1938 schoolbus painted psychedelic colors across

<BR>America in 1964 - with Neal at the wheel - and Kesey's Acid Test parties

<BR>at which the Dead played and Cassady danced. I have the ACID TEST video

<BR>from Key-Z Productions and enjoy the footage of Neal dancing/tripping

to

<BR>the Dead.

 

<P>The priniciple source for this important period in American

<BR>counter-cultural history is Tom Wolfe's _Electric Kool-Aid Acid Test_

<BR>which, though Wolfe is not a Beat writer per se (he was of the New

<BR>Journalism School), I consider to be Primary Source Material in Beat

<BR>Literature (especially for Cassady Studies) due to Wolfe's

<BR>characterisation of Neal.

 

<P>-Hasbrouck</BLOCKQUOTE>

&nbsp;</HTML>

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 08:04:59 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Memoirs of a Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>  "MORE SEX!"

> 

 

  Maybe not a great editorial suggestion, but words to live by!

 

James Stauffer

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 08:34:29 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: THE DEAD...]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'll speak for John and guess that the video's he refers to are

available at Kesey's web site.

 

James

 

daniel fascione wrote:

 

> there's a clip of neal dancing to the dead on a beat generation cd

> rom that's around. if anyone would like this clip please mail me

> direct and i'll send it to you.

> daniel

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 09:15:24 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: ...THE DEAD...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The principle connection between the Beats and the Grateful Dead is the

fact that it is official Dead lore that Neal Cassady was the first

Deadhead. This is all part of the great Neal Cassady - Ken Kesey -

FURTHUR - Grateful Dead connection which involved Kesey's Merry

Pranksters' driving a 1938 schoolbus painted psychedelic colors across

America in 1964 - with Neal at the wheel - and Kesey's Acid Test parties

at which the Dead played and Cassady danced. I have the ACID TEST video

from Key-Z Productions and enjoy the footage of Neal dancing/tripping to

the Dead.

 

The priniciple source for this important period in American

counter-cultural history is Tom Wolfe's _Electric Kool-Aid Acid Test_

which, though Wolfe is not a Beat writer per se (he was of the New

Journalism School), I consider to be Primary Source Material in Beat

Literature (especially for Cassady Studies) due to Wolfe's

characterisation of Neal.

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 09:33:39 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

_Memiors of a Beatnik_ by Diane di Prima is available through the

Quality Paperback Club.

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 10:47:09 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: [Fwd: ...THE DEAD...]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy B Brodsky wrote:

> 

> John-

> How do I get this video of the Kool Aid Test?!

Nan

 

Nancy,

 

Go to:

 

www.key-z.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Lotus-FromDomain: EUROPAMC

Date:         Mon, 9 Feb 1998 12:12:56 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jose Vega <jvega@EUROPAMC.COM>

Subject:      Re: to subscribe to beat chat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You have to write an e-mail with this sendto:listserv@cunyvm.cuny.edu,

without any subject and with this body: subscribe BEAT-L FirstName

LastName. Then you will receive an e-mail with more instructions.

 

Saludos

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 11:25:42 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Miss Maher,

 

Ants in your pants?

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 13:20:26 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil M. Hennessy wrote:

 

> I'd have to assume that he invested a lot

> of belief in HIS's razor "Nothing is True. Everything is Permitted."

 

=== so it would seem. But this "true" is not the same as "truth" as

defined below:

 

 

 

> Actually, I try to avoid the word at all costs, along with a few others

> that have too much dogma attached to them, like "reality".

 

==== I don't mean the "truth" as in "true/false" like the literal

set-in-stone definitions of quantifiable things that some scientist

would flap his gums about. I mean "truth" as in that for which we

Terrans struggle in our quest for; that mysterious fabled greener grass

on the other side, the bowl o' Lucky Charms at the end of the rainbow,

the final fix, the ark of the covenant, finding the prize egg, The

Revolution, the unmasking of the evil ones, the golden ticket in the

candy bar, the Stuckey's at Sugarcandy Mountain. The day the nameless

mission achieves its invisible goal.

 

 

 

 

> If he knew what he meant, and meant what he said, then he knew "Nothing is

> True. Everything is Permitted."

 

=== this too is truth, as are all good lies.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J.Holland, errant ostrich farmer

k   e   n   t   u   c   k   y

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 09:14:08 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maybe you've found these titles by now, but I haven't seen them posted:

 

This Kind of Bird Flies Backward. New York. Totem Press, 1958.

Dinners and Nightmares.  New York. Corinth Books, 1961.

Poet's Vaudeville.  Feed Folly Press, 1964.

Earthsong. Poets Press, 1968.

Pieces of a Song:Selected Poems. City Lights, 1990.

 

There's alot more.  Find Brenda Knights "Women of the Beat Generation" for

extensive bibliography.

 

 

Hope this helps,

 

Preston

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 13:48:19 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It's true that Mr. Maher's comments were hostile and he should be

scolded and sent to bed without supper.

 

Unlike Maher, I personally find vague amusement in the relentless

doublespeak and textbook sophistry found on the list lately. Mr.

J.S.Holland (who shall remain nameless) is particularly adept at these

useful skills. Has he, I wonder, considered a career in politics? Oh I

know I'll be flamed violently, but I rest assured that any disagreement

he may think we have can be easily explained away with a routine

virtuosic display of linguistic analysis such as no one prior to

Descartes every dreamed possible.

 

-John Hasbrouck

 

 

     _Philosophy is ordinary language used very precisely._

                                - Mortimer J. Adler

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 09:09:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Several collections of DiPrima's poems remain in print.  Waterrow Books or City

 Lights should have them available.  Also, be on the lookout for DiPrima's fort

hcoming autobiography which should be released later this year.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 09:11:24 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Memoirs of a Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Not a book of poems but a pornographic memoir.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 09:13:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: beat videos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I've seen the first two.  Short annotations are accurate.  Not sure about "Jack

: A Video."  Might this be the Antonelli film?  You have to be careful when bro

wsing through distributor's video catalogs.  The titles listed aren't always ac

curate.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 14:18:31 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

> 

> I am concerned.  I fear Paul's exit will leave me as the grumpiest old

> fart on the list. I will say that I think Gerry Nicosia was right right

> right.  Now that old paul is gone i don't have to fear the fascinating

> rejoiner of being called fatty patty. no that argument was neither

> boring or lucid.

> patricia

 

Patricia,

Paul didn't really leave did he? I would be sad if he took his ball and

bat and went home. Did I go too far with the Ants-in-your-pants posting?

I feel powerless.

 

I hope he stays. I'm going to stay because I want to raise my reading

level and be an intellectual like Jack Kerouac.

 

-Hasbrouck

 

P.S. Forgive me, I've been reading Wilde.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 15:32:07 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      If Beat bores you, maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Anyone who is bored with the threads being discussed here is free to

delete them and/or go away. Or start your own discussion with someone on

your own reading level.

 

I think most of the threads here are boring too, but for the totally

*opposite* reasons......I don't think the level of conversation here is

intelligent ENOUGH, yet these people seem to want everything to be

dumbed down even more.

 

This is a perfect illustration of what I was talking about earlier

re:"code"......there are some people here having conversations in what

they (and I) consider plain English, yet to others they might as well be

speaking Chinese.

 

If these same "bored" listmembers actually had conversations with WSB,

Kerouac, and Ginsberg, they'd be even more bored - Kerouac's

inquisitive, probing mind covered vast territories of human thought,

Ginsberg was given to lofty and academic dissections of such things as

William Blake, and virtually everything from WSB's mouth was a lecture

in magick or semantics or pataphysics or dialectics or history. Why do

these bored listmembers even profess to be interested in Beat, anyway??

Do they think it's just some hippy-dippy deadhead

take-drugs-and-hitchhike kinda grooved-out loveburger bullshit?

 

=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

kentucky kentucky kentucky

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 14:46:07 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> John Hasbrouck wrote:

> >

> > Unlike Maher, I personally find vague amusement in the relentless

> > doublespeak and textbook sophistry found on the list lately. Mr.

> > J.S.Holland (who shall remain nameless) is particularly adept at these

> > useful skills. Has he, I wonder, considered a career in politics?

> 

> === Haw! You must have me cornfused with someone else, bud. I just calls

> 'em as I sees 'em. I make perfect sense to myself, but there are some

> folks here who sometimes I haveta scratch my head and go hmmmmm at their

> purty words. (I admit having to get the dictionary and looking up

> "aleatory" from Mr.Hennessy's recent post... Each time you hear someone

> use a word you don't understand, kids, look it up and you'll have

> learned a new word.).

> 

> "Textbook" sophistry? I haven't read a textbook in years. I'm such a

> college dropout I can scarcely be said to have ever went. Despite the

> squabbledegob about too much "academic" talk, I am about as un-academic

> as can be.

> 

Hasbrouck responds:

 

By the adjective _textbook_ I meant _an excellent example of_.

 

Anyway, this all reminds me of that quote of Wittgenstein's from when he

was teaching at...Cambridge, was it? He said _Here I am Chairman of the

Philosophy Department and I've never read a word of Aristotle_ (or words

to that effect).

 

I beg pardon for my profound ignorance, but, if I understand your

position, one can argue persuasively that BLACK is WHITE. I say this in

reference to the discussion of the either/or dicotomy and the discussion

of TRUTH. Since SOPHISTRY is _to make the lesser argument appear the

better_, I perceive a deep commitment on your part to this art.

 

If I am off-base, please enlighten me.

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 14:53:42 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Today's Challenge

To:           BEAT-L@CUNYVM.CUNY.EDU

 

BTW, anyone who is bored on the list should post something

genuinely interesting about Beat Generation literature.

 

-John Whittlesey Hasbrouck, Common Reader

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 15:32:14 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> And yes, there *is* a Zen Buddhist way to say that Black is White, and

> that "lesser" arguments are the better. I do not invoke the Zen Buddhist

> way, however; I am almost always being quite literal.

> 

Of course any discussion of Zen only clouds the mind.

 

> Black and White are both myths created by our primitive sensory

> abilities, by the way.

> 

This is sophistry of such simple beauty and purity that I forced to

defer to your utter mastery of this great art. As we all know, it is

impossible to win any argument with such an opponent, since the rules of

the game are constantly changing. It is truly Alice in Wonderland.

However great is the temptation to remain involved in the discussion,

one must ultimately walk away if one is preserve one's humanity. (Yes,

humanity.) I therefore concede complete defeat, my only regret being

that I was once again drawn into this quagmire of doggeral.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 16:32:43 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Hasbrouck wrote:

> 

> Unlike Maher, I personally find vague amusement in the relentless

> doublespeak and textbook sophistry found on the list lately. Mr.

> J.S.Holland (who shall remain nameless) is particularly adept at these

> useful skills. Has he, I wonder, considered a career in politics?

 

 

=== Haw! You must have me cornfused with someone else, bud. I just calls

'em as I sees 'em. I make perfect sense to myself, but there are some

folks here who sometimes I haveta scratch my head and go hmmmmm at their

purty words. (I admit having to get the dictionary and looking up

"aleatory" from Mr.Hennessy's recent post... Each time you hear someone

use a word you don't understand, kids, look it up and you'll have

learned a new word.).

 

"Textbook" sophistry? I haven't read a textbook in years. I'm such a

college dropout I can scarcely be said to have ever went. Despite the

squabbledegob about too much "academic" talk, I am about as un-academic

as can be.

 

=-=-=-=-=-=-=

J.Scott Holland

long live Animal Farm

=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Date:         Mon, 9 Feb 1998 10:41:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Memoirs of a Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Not a book of poems but a pornographic memoir.

 

The story I heard behind it is that as she sent portions to her publisher

for criticism they were returned with "MORE SEX!" written in big red

letters at the top of the front page, so the total veracity of the book

can be looked on with a suspicious eye.

 

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 10:45:10 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Diane di Prima

Comments: To: John Hasbrouck <jhasbro@TEZCAT.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Its also available in any bookstore..

On Mon, 9 Feb 1998, John Hasbrouck wrote:

 

> _Memiors of a Beatnik_ by Diane di Prima is available through the

> Quality Paperback Club.

> 

> -Hasbrouck

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 15:59:55 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      buncha whats?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

> 

> I am concerned.  I fear Paul's exit will leave me as the grumpiest old

 

> fart on the list.

 

don't go patricia: if you do i will be left as the craziest ageless not

always fart free woman on the list (chronologically me 45th birthday is

this month,) but i have banned all calendars forever!

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:08:06 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Bored and Proud

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian Ruck wrote:

 

>  sometimes overanalysis ruins something...

> keep that in mind...

 

=== Maybe for you. Not for me. Or for anyone else who is partaking in

the "overanalyzing", obviously. If you don't dig it, don't feel

obligated to enter the conversation. Start your own thread on a topic

you're interested in and if anyone joins in, enjoy. But no one is going

to alter their mode of speech, or for that matter, their mode of

thinking, to make their posts more palatable to you or anyone else.

 

If a thread "bores" you, butt out and read another thread. We aren't

here to entertain you. We are not like you. We will not try to be like

you. Deal with it. Just click delete on any post with my name on it,

don't even read it. Simple as pie. And if you find yourself, as you

already said, deleting the majority of the posts, then what's the point

of even being on such a list in the first place?

 

Y'see, Julian, the world don't move to the beat of just one drum, what

might be right for you might not be right for some, it takes Diff'rent

Strokes to move the world, yes it does, it takes Diff'rent Strokes to

move the world.

 

=-=-=-=-=-=-=-=-=-=

J to the S to the H

ky ky ky ky ky ky

=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 16:12:25 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: THE DEAD...]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

the clip is from an actual acid test, with interviews with kesey et all.

neil is there dancing, the film very grainy b&w: and you KNOW these

people have drunk a LOT of Kool aid because the dead totally suck, w/pig

pen singing blues and jerry trying to get some spirals going.

but it is a fun video to watch.

i inadvertantly recorded over mine.

mc

 

daniel fascione wrote:

 

> there's a clip of neal dancing to the dead on a beat generation cd

> rom that's around. if anyone would like this clip please mail me

> direct and i'll send it to you.

> daniel

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 11:17:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: [Fwd: ...THE DEAD...]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John-

How do I get this video of the Kool Aid Test?!

On Mon, 9 Feb 1998, James Stauffer wrote:

 

> John--if you don't want replies going automatically to you rather than

> the list--try Bogin's suggestion on reseting your mail preferences.

> Seems to work.

> 

> 

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 16:17:24 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: beat videos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi guys: i was the one who said towers open fire is art; but am not the one on

the scene for funeral or bardos. ask patricial elliot about that.

mc

 

Sean Elias wrote:

 

> In a message dated 98-02-09 07:35:51 EST, you write:

> 

> << towers open fire is a piece of art >>

> 

> Certainly is IMHO, also.

> 

>   Not meaning to get too off the track here, but-----after WSB died there was

> mention on this list, by a close personal friend (was it you?) of a buddhist

> ceremony performed in Lawrence---This involved the ritual burning of objects

> assosciated w/ the deceased to send their spirits to the afterlife and provide

> comfort (?)...

> 

> any further information on the nature of this ceremony would be greatly

> apprecated--I need to know the "name" and would appreciate directions to links

> that would help me better understand just what the buddhists hope to

> accomplish by this...

> 

>      best,

> 

>                bean

> 

>         spelias@aol.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 16:19:06 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Dante Alighieri and Jack Kerouac.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

and, 'nothing left to do but smile smile smile' - jerry garcia

deadhead mc

 

Rinaldo Rasa wrote:

 

>                 30

> Sociability is a big smile, and a big smile is

> nothing but theeth. Rest and be kind. --Jack Kerouac

>                                         The Scripture

>                                         of the Golden

>                                         Eternity.

> 

> C A N T O   X X V I I

> 

> And all I saw, meseemed to see therein

>  A smile of all creation

>                                      --Dante

>                                      Comedy, Paradise

>                                      XXVII 4-5

> 

> (Par. XXVII 4-5

> "Cio' ch'io vedeva mi sembrava un riso

> de 'universo")

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Priority: normal

Date:         Mon, 9 Feb 1998 16:26:11 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <sk312@pophost.city.ac.uk>

From:         daniel fascione <m.d.fascione@CITY.AC.UK>

Subject:      THE DEAD...]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

there's a clip of neal dancing to the dead on a beat generation cd

rom that's around. if anyone would like this clip please mail me

direct and i'll send it to you.

daniel

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:27:31 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Hasbrouck wrote:

 

> I beg pardon for my profound ignorance, but, if I understand your

> position, one can argue persuasively that BLACK is WHITE. I say this in

> reference to the discussion of the either/or dicotomy and the discussion

> of TRUTH. Since SOPHISTRY is _to make the lesser argument appear the

> better_, I perceive a deep commitment on your part to this art.

> 

> If I am off-base, please enlighten me.

 

 

=== You're off-base. But anything else I say at this point would only be

a restatement of what I have already said. If ya still don't get what

I'm sayin', I don't know any other way of puttin' it. Don't worry, it's

not terribly important.

 

And yes, there *is* a Zen Buddhist way to say that Black is White, and

that "lesser" arguments are the better. I do not invoke the Zen Buddhist

way, however; I am almost always being quite literal.

 

Black and White are both myths created by our primitive sensory

abilities, by the way.

 

"We're through the looking glass here, Gentlemen... Black is white - and

white is black." - Jim Garrison, 'JFK'.

 

=-=-=-=-=-=-=-=-=-=-=

J.Scott Holland, ky

listening to Jerry Lee Lewis

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:40:37 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Today's Challenge

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Hasbrouck wrote:

> 

> BTW, anyone who is bored on the list should post something

> genuinely interesting about Beat Generation literature.

 

 

=== define "genuinely interesting". Or you just mean genuinely

interesting to YOU? I was genuinely interested in today's posts on Diane

DiPrima, videotapes of the Beat writers, Rinaldo Rasa's nice

Dante-Kerouac quotes, and, of course, the ongoing WSB/cut-up thread.

 

Exactly what is it that you people want us to be talking about? Don't

wait for us cause we ain't gonna post it, obviously - start a thread and

post it yourself!

 

=-=-=-=-=-=-=-=-=-=

Jeff Holland, KY

drinking the root beer of the Gods

=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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                         doing -bs

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Date:         Mon, 9 Feb 1998 11:41:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Re: The Importance of being a Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 7 Feb 1998, Jeffrey Scott Holland wrote:

 

> Neil M. Hennessy wrote:

> 

> 

> > That's the second time you've used the word "truth" in relation to

> > Burroughs, when "truth" in his writing from the Nova Trilogy onwards is a

> > totally bankrupt concept. Can you elaborate?

> 

> === The answer from my mind: Bankrupt? hmmm, never thought of it that

> way. I wasn't talking about "truth" in his writing, I was referring to

> the quest for truth in his personal life.

 

Assuming there's some correspondance between what he writes and what he

believes (which is a safe assumption, see "Commisioner of Sewers" where he

calls Kim Carsons his spokesman) I'd have to assume that he invested a lot

of belief in HIS's razor "Nothing is True. Everything is Permitted."

 

> Truth is TRUTH, you know, I know what I mean when I say "truth" and you

> know what you mean when you say "truth"

 

Actually, I try to avoid the word at all costs, along with a few others

that have too much dogma attached to them, like "reality".

 

> and WSB knew what he meant too, but some of you

> couldn't afford the truth as you wanna hear it, man,

 

If he knew what he meant, and meant what he said, then he knew "Nothing is

True. Everything is Permitted."

 

> In death, WSB may have made it but that's a squabble for another cobble.

 

Yeah, may have made it into Space. That may be the greatest Burroughsian

quandary of all: Death IS the escape from Body and Time into Space. For an

exploration of this suggestion, see

http://www.interlog.com/~fiction/burroughs/ghost_writing.html

 

Thanks,

Neil

 

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Date:         Mon, 9 Feb 1998 11:48:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Re: Burroughs, cut-ups, Dada

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 7 Feb 1998, Jeffrey Scott Holland wrote:

 

> Neil M. Hennessy wrote:

> 

> > I don't consider Burroughs' grandiose claims foolish. Prehaps the reason

> > he never convincingly articulated the original purpose of his cut-ups is

> > due to the paradoxical nature of his project: fighting the control of

> > words with words.

> 

> === Exactly. What could be more foolish than that? That's like holding

> back the ocean with a dam made of water.  And I never said there was

> anything foolish about fighting the control of words - WSB specifically

> said he wanted to "destroy language" - as if we'd all communicate via

> telepathy or something afterwards. From Tristan Tzara this statement is

> expected, but this was a bit of step for the usually level-headed WSB.

 

I think we're both circling the same track here, and I'm probably getting

caught up in semantics (and we know the evils of that). I took foolish to

connote something along the lines of worthless, and stupid. You obviously

weren't using it that way.

 

Neil

 

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Date:         Mon, 9 Feb 1998 11:58:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Re: Burroughs, Joyce, codes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 7 Feb 1998, Jeffrey Scott Holland wrote:

 

> Neil M. Hennessy wrote:

> >

> > Two assumptions in the above are extremely suspect, firstly that there is

> > a definable average reader, and secondly that any text can be fully

> > understood, "ordinary" or not.

> 

> === Amend my statement to read "average PERSON". And the average person,

> in America anyway, is barely even a reader at all. I agree with you that

> no text can be fully understood.

 

I think I understand what you mean. Here's Darren Wershler-Henry on the

same note (although with a tad more contempt):

 

[snip]

face it. less than ten percent of the population reads more than one book

per month. it'd be laughably optimistic to assume that even one percent of

that ten is reading poetry or anything resembling what was once called

avant-garde writing; the bulk of them are up to their glazed eyeballs in

Garfield collections, cookbooks and Anne Rice novels (it's not that this

situation has gotten worse over the years; it probably was never all that

shit-hot in the first place. hell, even Gutenberg had to print a line of

BIBLES to finance his artier gigs). furthermore, bogus MuchMusic populism

isn't going to change matters. the transformation of poetic performances

into videos simply reveals the ugly truth--the "spoken word" revolution is

approximately as dangerous and/or interesting as a Gap ad.

[snip, from the mission statement of TORQUE]

 

> > the aleatory syntactic structures of Burroughs' cut-up writing are

> > introduced to implicitly prevent the possibility of explication.

> 

> === that is what you say. I see it as just the opposite. Only the

> skeleton is presented, much of the meat is subjective.

 

Care to elaborate? What do you mean by meat and skeleton? If it's along

the lines of the artist providing the port of entry, or blowing the hole

in time with a firecracker so that others can step through, then I follow.

 

Neil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 18:26:03 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Hasbrouck wrote:

> 

> This is sophistry of such simple beauty and purity that I forced to

> defer to your utter mastery of this great art.

 

=== Gosh, thanky. But it also happens to be true : the frequencies of

the emission spectra of various objects' composition is what our eyes

perceive as "color", and the frequencies of our eyes are capable of

detecting are only a tiny fraction of the available wavelengths,

so....oh, forget it.

 

You brought the subject up anyway, not me. If ya can't stand the smell

of mothballs, get outta the attic.

 

 

 

> As we all know, it is

> impossible to win any argument with such an opponent, since the rules of

> the game are constantly changing. It is truly Alice in Wonderland.

> However great is the temptation to remain involved in the discussion,

> one must ultimately walk away if one is preserve one's humanity. (Yes,

> humanity.) I therefore concede complete defeat, my only regret being

> that I was once again drawn into this quagmire of doggeral.

 

 

=== Rules constantly changing? Again, you have me confused with someone

else. I think I'm the only one around here whose rules *aren't*

constantly changing - I stand behind any statements I make (even the

wrong ones) and will again tomorrow. You, on the other hand, seem

determined to quibble at all costs, no matter where it leads us.

 

For the viewers at home : Note the technique by which the rationalist,

frustrated with attempts to hammer down everything precisely into the

boxes he sees fit, paints me as The Mad Hatter, even as he employs the

very same solipsism and sophistry he accuses *me* of. And haughtily and

sarcastically congratulates me when the kudos should go to *his* snack

bowl. There is a lovely piece of mind-fuck here, but it is not of my

creation.

 

=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, kentucky

off to bake cookies

=-=-=-=-=-=-=-=-=-=-=

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 9 Feb 1998 12:31:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You guys (meaning those who most frequently post their tirades, opinions,

academicisms, etc.) have done the impossible.You have turned Beat Literature

in general and Jack Kerouac in particular into a dull subject. No mean to be

offended but this is the dullest discussion group. What a bunck of f*****g

bores! I have pulled my web page to put it out of the reach of you extermely

monotonous wanna-Beats! I mean, I might not be the most exciting participant

but face it...I cannot possibly be as boring and one-dimenasional as some of

you folks. Those of you who really want the next issue of TKQ notify me

privately. You others..feel free to write your incurious determinations to

each other. I find it most wearying having to delete 90% of the posts that

appear in my mailbox. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 12:34:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Memoirs of a Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-09 10:45:59 EST, you write:

 

<< 

 > Not a book of poems but a pornographic memoir.

 

 The story I heard behind it is that as she sent portions to her publisher

 for criticism they were returned with "MORE SEX!" written in big red

 letters at the top of the front page, so the total veracity of the book

 can be looked on with a suspicious eye.

  >>

 

 

Which should not take away from the fact that it is an enjoyable, sometimes

infromative and definitely historic read/////////////

 

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Date:         Mon, 9 Feb 1998 09:40:10 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mary Maconnell <MMACONNELL@MAIL.EWU.EDU>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Okay..while we are on the subject of death I'll ask a potentially stupid

question (of which I haven't been able to find the answer for thus far):

How did Neal Cassady die?  Someone told me a tale of alcohol and/or drugs

and railroad tracks.  Ick.  Anyone know for sure?  Thanks.  :)

 

Mary

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 12:41:39 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: beat videos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-09 07:35:51 EST, you write:

 

<< towers open fire is a piece of art >>

 

 

Certainly is IMHO, also.

 

  Not meaning to get too off the track here, but-----after WSB died there was

mention on this list, by a close personal friend (was it you?) of a buddhist

ceremony performed in Lawrence---This involved the ritual burning of objects

assosciated w/ the deceased to send their spirits to the afterlife and provide

comfort (?)...

 

any further information on the nature of this ceremony would be greatly

apprecated--I need to know the "name" and would appreciate directions to links

that would help me better understand just what the buddhists hope to

accomplish by this...

 

     best,

 

               bean

 

 

 

 

        spelias@aol.com

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Dante Alighieri and Jack Kerouac.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01ITCMWDKYV68Y7ZLZ@cc.WEBER.EDU>

References:

 

         30

Sociability is a big smile, and a big smile is

nothing but theeth. Rest and be kind. --Jack Kerouac

                                        The Scripture

                                        of the Golden

                                        Eternity.

 

C A N T O   X X V I I

 

And all I saw, meseemed to see therein

 A smile of all creation

                                     --Dante

                                     Comedy, Paradise

                                     XXVII 4-5

 

(Par. XXVII 4-5

"Cio' ch'io vedeva mi sembrava un riso

de 'universo")

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: I BEATNIKS SONO SPORCHI? LA BOMBA ATOMICA E' PULITA?

Cc:

Bcc:

X-Attachments:

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References:

 

         | Nazim Hikmet

 

   Camarades, s'il ne m'est pas donne' de vivre ce jour-la'

   Si, en somme, j'allais mourir avant que notre jour arrive

   Portez-moi en Anatolie.

   Enterrez-moi dans un cimitiere de village

   Et, si possible, un platane su-dessus de moi suffit

   Je me passerai bien de pierre et d'epitaphe.

 

 

|15 november 1966

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Date:         Mon, 9 Feb 1998 13:02:45 -0500

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Subject:      Message ("Your message dated Mon, 09 Feb 1998 18:52:23...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

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SONO SPORCHI? LA BOMBA ATOMICA E' PULITA?" has been successfully distributed

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Subject:      Message ("Your message dated Mon, 09 Feb 1998 18:44:08...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your  message dated  Mon, 09  Feb 1998  18:44:08 +0100  with subject  "Dante

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Amen TkQ...

i agree..i didn't want to seem like an uneducated simpleton....but most

of the stuff that's posted i delete without reading...i just read the

beginning post and decide if it interests me....and let the others

go....

 

they can bore me to tears...

 

i don't mean to offend you guys...i'm just being honest...

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Mon, 9 Feb 1998 19:21:37 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

> 

> So you are saying 500nM is the same as 700 nM?  Or that orange is blue?

 

=== I said nothing remotely of the sort.

 

=-=-=

jsh

ky

=-=-=

 

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Date:         Mon, 9 Feb 1998 18:24:00 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Van - Kavanagh -/mike c:

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mc2: pls email me privately.

to all, excuse the bandwidth. my mailer has turned into a surly beast ...

not in the least like it's owner.

mc

 

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Date:         Mon, 9 Feb 1998 19:24:59 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

eric mayhew wrote:

> 

> Mr. Holland,

> Your continuous dependency upon defensive rebuttles is giving me a

> heartahce.  You seem to be talking in circles

 

=== Since the only reply I could give to a crack like this is a

defensive rebuttal, what then I am supposed to say?

 

 

>  Start talking about the Beats again.  Leave well enough

> alone.  And, tell me what you mean by "rationalist".

 

=== I've BEEN talking about the Beats, hellooooooooo? Now you want me to

explain rationalism.....make up your mind.

 

=-=-=

jsh

ky

=-=-=

 

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Date:         Mon, 9 Feb 1998 19:25:21 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Burroughs, Joyce, codes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil M. Hennessy wrote:

 

> Care to elaborate? What do you mean by meat and skeleton? If it's along

> the lines of the artist providing the port of entry, or blowing the hole

> in time with a firecracker so that others can step through, then I follow.

 

=== Right on.

 

=-=-=

jsh

ky

=-=-=

 

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Date:         Mon, 9 Feb 1998 18:28:20 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: AG Flick  @ AnthologyFilmArchives

To:           BEAT-L@CUNYVM.CUNY.EDU

 

living up here in the vt wild, is there a chance in future to gain a copy of

this?

mc

 

Nancy B Brodsky wrote:

 

> Ginny et al-

> I enjoyed it too, despite Jonas lack of adeptness with a camcorder (lots

> and lots of buttshots and Peter Orlovsky at a wierd angle...it reminded me

> of the videos from mine and my sisters bats miztvahs!) I wasnt sure what

> to expect but I thought it would be more professionally done. However,

> Jonas probably thought of this at the last minute, since Allen's death

> seemed to creep up all at once. At least, it did for me.

> ~Nancy

> 

> ********Had we a place to stand upon, we might raise the

> world.--Archimedes*********

 

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x-sender: morocco@pop.walrus.com

Date:         Mon, 9 Feb 1998 18:39:58 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      BEAT-L: Meaning of America: I

To:           BEAT-L@CUNYVM.CUNY.EDU

 

[to those who have already seen the following text

elsewhere, I apologize for thrusting it's bits

at you again- gss]

 

----------------------------------------------------

by Gregory Severance

 

Meaning of America: I

 

I'm addressing you, Henry.

Luce has set.

Are you going to up one of the greatest?

Let your emotional word-and-image bank's life be run

     by in the world.

I mean Time Magazine.

 

I'm there.

Are thousands of obsessed by Time photos, thousands

     of Magazines I read, words about anything, it?

Every week it's and.

Everything, all in cover, stares at me: his files,

     all, the best.

 

Every time I slink, pictures go into the files past

     the corner.

Of course they're reduced, Candystore.

I read to microphotos now.

 

It, in the basement, I've been interested in.

Of: the Berkeley public; the Mayan system Library.

It's always which was.

A control telling me about calendar.

 

You see, responsibility, business, their calendar,

     men, are serious--postulated, really.

Movie producers are how.

Everyone should serious everybody's feel.

At a given time serious but me, it with Lucky.

Days unlucky, days occur to me, that, et cetera.

 

And I?

I am America; I feel that.

Luce's system is talking to, is comparable to, that

     myself.

Again it is a control system I have.

Mystical: it has nothing.

 

To do visions and cosmic, with reporting Time vibrations,

     America-Life-Fortune is.

Some, I feel, sentimental sort of police organization.

 

February 2-8, 1998

New York City, America

 

Gregory Severance

morocco@walrus.com

 

Bulldog Breath

http://www.walrus.com/~morocco/

 

     "For the poet, language is a structure

of the external world. The speaker [writer of

prose-gss] is IN A SITUATION in language; he

is invested with words. They are prolongations

of his meanings, his pincers, his antennae, his

eyeglasses. He maneuvers them from within; he

feels them as if they were his body; he is

surrounded by a verbal body which he is hardly

aware of and which extends his action upon the

world. The poet is outside of language. He sees

words inside out as if he did not share the

human condition, and as if he were first meeting

the word as a barrier as he comes toward men.

Instead of first knowing things by their name,

it seems that first he has a silent contact with

them, since, turning toward that other species of

thing which for him is the word, touching them,

testing them, palping them, he discovers in them

a slight luminosity of their own and particular

affinities with the earth, the sky, the water,

and all created things."

     "Not knowing how to use them as a SIGN of

an aspect of the world, he sees . . ."

 

from "WHAT IS LITERATURE?" AND OTHER ESSAYS

by Jean-Paul Sartre

trans. by Bernard Frechtman

(New York: Philosophical Library, Inc., 1949)

(Cambridge: Harvard University Press, 1988, paperback)(p. 30)

 

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Date:         Mon, 9 Feb 1998 12:53:54 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul Maher wrote:

 

> You guys (meaning those who most frequently post their tirades, opinions,

> academicisms, etc.) have done the impossible.You have turned Beat

Literature

> in general and Jack Kerouac in particular into a dull subject. No mean to

be

> offended but this is the dullest discussion group. What a bunck of

f*****g

> bores! I have pulled my web page to put it out of the reach of you

extermely

> monotonous wanna-Beats! I mean, I might not be the most exciting

participant

> but face it...I cannot possibly be as boring and one-dimenasional as some

of

> you folks. Those of you who really want the next issue of TKQ notify me

> privately. You others..feel free to write your incurious determinations

to

> each other. I find it most wearying having to delete 90% of the posts

that

> appear in my mailbox. P.

 

Speaking for myself, this will certainly be a less hostile list if you do

indeed decide to disappear, Paul.  Thanks for the offer.

 

Jym

 

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Date:         Mon, 9 Feb 1998 18:59:33 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

whatever your thoughts are on diPrima, paul, i find your need to express your

thoughts through such derogatory and loathesome word choices.

and no, i'm not ms manners or emily post. just offended by putdowns in such

guttersnipe language.

there were many men connected and central to beats who slept and told, but no

man leaps to calling them skanks.

just my thoughts.

see that you're still here swinging.

so where in the cosmos did you fling your web site so that we unworthies cannot

access it?

mc

 

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Date:         Mon, 9 Feb 1998 19:08:44 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

paul, i couldn't agree more with what you wrote below. i just wish you didn't

have the need to couch your criticisms of the layabouts in 'shock-value

tactics" to use your own words. i don't think there was a 'generation' of

beats, just a bunch of incredibly talented intelligent friends who broke the

eisenhower barrier.

sincerely

 

mc

 

Paul A. Maher Jr. wrote:

 

> At the risk of ponitificating this opinion upon you folks...there are those

> out there who know what I'm talking about so agree amongst yourselves or

> voice in support. These various figures cannot be claimed as true "writers"

> who carried the spirit of the Beat Generation. true there was a Beat

> Generation which carries forth into this day with the same freeloaders and

> layabouts who want to call themselves Beat but are really jobless and

> without a self-identity. I split Kerouac away from this garbage because he,

> unlike the others who profess to be part of this alleged generation,(which

> was not really a generation but instead, a crew of oppurtunists who rode

> then and to this day on the coattails of Kerouac).

>    Kerouac wrote. Day in and day out he wrote and was therefore a writer. He

> stands alone in the history of American Literature as a writer of huge

> proportions. Like the writers of the Lost Generation he had genius and

> talent. He would have written had there not been a Beat Generation. What can

> be said for all the other mediocrities he had fostered from then till now?

> They wrote because they had to be encouraged. When they wrote in notebooks,

> it was Kerouac who typed up major portions of the manuscript and encouraged

> their writing (Burroughs) or showed them a style and they copied it forever

> after (Ginsberg who had always professed to be a mere imitator of Kerouac).

> Would Ferlinghetti be a known poet if he had not self-published his own

> poetry? Now Im not saying that none of the afore-mentioned writers aren't

> talented writers...just this, they all were supported in their chosen

> careers by Kerouac. They may be geniuses in their own right...but...well

> Burroughs literatire had floundered when he distanced himself from his

> fellow Beats and went on his own journey. Only his later post-cutup lit

> could ever touch the fire of Naked Lunch. Ginsberg's poetry thrived on his

> past inventions instead of trying to reinvent himself or just plain falling

> for lame shock-value tactics in his poetry (read "Come On Jack").

> At least Kerouac recognized this and stayed away. His mind was on his own

> true vision of the world and he continued to expound on it,though

> unsuccessfully with his savage bouts of drinking.

>   I'm just asking you all to really consider if this was a generation at all

> or...like the followers of Picasso who adopted Abstract Cubism in their

> repertoire of works but could not continue after it because they did not

> arrive their themselves. This era was all about Jack and that is that. P.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

 

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x-sender: morocco@pop.walrus.com

Date:         Mon, 9 Feb 1998 19:36:07 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr. wrote on 2/9/98

>  I'm just asking you all to really consider if this was a generation at all

>or...like the followers of Picasso who adopted Abstract Cubism in their

>repertoire of works but could not continue after it because they did not

>arrive their themselves.

 

I don't mind considering this for a moment or two.

 

PAM Jr.:

>This era was all about Jack and that is that. P.

 

You have an interesting opinion here and an interesting way of

articulating it. However, I don't agree.

 

 

UNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORK

 

Gregory Severance  ||  morocco@walrus.com

http://www.walrus.com/~morocco/ <<<BULLDOG BREATH>>>

 

"Severin, Severin, speak so slightly

Severin, down on your bended knee

Taste the whip, in love not given lightly

Taste the whip, now plead for me"

 

from "Venus in Furs" by Lou Reed

on the album _The Velvet Underground and Nico_ (1967)

 

UNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORK

 

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Date:         Mon, 9 Feb 1998 13:56:03 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I am concerned.  I fear Paul's exit will leave me as the grumpiest old

fart on the list. I will say that I think Gerry Nicosia was right right

right.  Now that old paul is gone i don't have to fear the fascinating

rejoiner of being called fatty patty. no that argument was neither

boring or lucid.

patricia

 

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Date:         Mon, 9 Feb 1998 15:10:32 -0500

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From:         "James F. Wood 253-7886" <WOODJ@MAIL.FIRN.EDU>

Subject:      Tampa area

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi any Beats and/or beat activity in the Tampa ,Fl area???

I know of some Old hippies and the rainbow family are  around but anyone

else?

 

Thanks

jim

woodj@mail.firn.edu

 

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Date:         Mon, 9 Feb 1998 12:31:38 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Bored and Proud

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 I know i am not a favorite on this list....

 

 but i just have to say that the beat wasn't just about questioning...it

was about creating, and just letting things go...

 

 sometimes overanalysis ruins something...

keep that in mind...

 

-julian

 

______________________________________________________

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x-sender: morocco@pop.walrus.com

Date:         Mon, 9 Feb 1998 20:51:10 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gregory S. wrote:

>>You have an interesting opinion here and an interesting way of

>>articulating it. However, I don't agree.

 

P. A. Maher, Jr. responded:

>I'll take that as a compliemnt..

[. . . ]

 

G. S. remarks:

Okay.

 

G. S. reveals:

I intended my statement to be neither a compliment

nor an insult.

 

 

$ $ $ $ $ $ ? ? ?  $ $ $ $ % % % ??

Gregory Severance

morocco@walrus.com

http://www.walrus.com/~morocco/

 

     "Have you ever admonished an ostracized mole?

 Don't compromise with mystics and soothsayers. There

 is nothing organic about the concessions they originate.

 When the welkin rumbles, and you're thunderstruck by

 the noise, trundle over to the shelter where you'll

 evade and dodge the diminutive infinitesimal rattlings of

 the insects that will tab you for a culinary repast. Be

 jovial in the huddle that will confer on you the

 cupidity of a grand miser."

   -- Orion     DON'T CALL ME HARVEY (with Margueritte)

 

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Date:         Mon, 9 Feb 1998 12:52:23 -0800

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From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Ginsberg & Poe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Bill Gargan wrote:

> 

> To what extent did Poe influence Ginsberg?   Did Poe's work or

> Poe's life have a greater influence on Ginsberg's sensibility?   Can we

> identify any specific connections between Poe's writings (poems or

> prose) and Ginsberg's work?

 

Good questions.  I would suggest from the poem I've posted below that

Ginsburg was quite inspired by Poe, even refering to his as Prophet and

speaking of his "vision."

 

Haunting Poe's Baltimore  by Allen Ginsberg

 

I    POE IN DUST

Baltimore bones groan maliciously under sidewalk

Poe hides his hideous skeleton under church yard

Equinoctial worms peep thru his mummy ear

The slug rides his skull, black hair twisted in roots of threadbare grass

Blind mole at heart, caterpillars shudder in his ribeage

Intestines wound with garter snakes

midst dry dust, snake eye & gut sifting thru his pelvis

Slimed moss green on his phosphor'd toenails, sole toeing black

       tombstone--

O prophet Poe well writ! your catacomb cranium chambered

eyeless, secret hid to moonlight ev'n under corpse-rich ground

where tread priest, passeby, and poet

staring white-eyed thru barred spiked gates

at viaducts heavy-bound and manacled upon the city's heart.

                                           January 10, 1977

 

II HEARING "LENORE" READ ALOUD AT 203 AMITY STREET

The light still gleams reflected from the brazen fire-tongs

The spinet is now silent to the ears of silent throngs

For the Spirit of the Poet, who sang well of brides and ghouls

Still remains to haunt what children will obey his vision's rules.

 

They who weep and burn in houses scattered thick on Jersey's shore

Their eyes have seen his ghostly image, though the Prophet walks no

                                                 more

Raven bright & cat of Night; and his wines of Death still run

In their veins who haunt his brains, hidden from the human sun.

 

Reading words aloud from books, till a century has passed

In his house his heirs carouse, till his woes are theirs at last:

So I saw a pale youth trembling, speaking rhymes Poe spoke before,

Till Poe's light rose on the living, and his Fire gleamed on the floor--

 

The sitting room lost its cold gloom, I saw these generations burn

With the beauty he abandoned; in new bodies they return:

To inspire future children 'spite his Raven's "Nevermore"

I have writ this antient riddle in Poe's house in Baltimore.

                                       January 16, 1977

 

This is from "Mind Breaths all over the Place."  He also wrote another

poem in "The Fall of America," titled "To Poe: Over the Planet, Air

Albany-Baltimore" where he also refers to Poe's "prophesies" quite a few

times.  Perhaps he thought of him as a visionary poet in the same

category as William Blake.

DC

 

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Date:         Mon, 9 Feb 1998 16:53:11 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Van - Kavanagh - Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>From Van-info list, just posted. Beat reference in 6th and 7th paragraphs.

 

Any comments?

 

Gerald Dawe on the landscape of Van Morrison's

              classic Madame George track from Astral Weeks,

                            now 30 years old.

 

             The residential patterning of the parts of the

             city such as north and east Belfast revealed a

             scallop-shell of class segregation, not matched

             by other districts. Clustered around the lough

             on both shores, the working-class districts

             fanned out and upwards, via main arterial roads,

             spliced with boulevard avenues, and often

             embracing distinctive districts that had once

             been villages along with, in the 1950s and

             1960s, the new estates.

 

             The patterning incorporated rescheduled

             waterways, rivers, streams as well as enclosing

             cemeteries, displaced big houses of once

             prosperous merchants, and maintained parks and

             green-sites before reaching hillsides such as

             Castlereagh.

 

             This red-bricked civic landscape of back-lanes,

             entries, streets, terraces, road and avenues had

             a definite if rarely articulated

             class-formation. To move within it was to

             experience the all-so-visible distinctions of a

             provincial urban society. To move literally from

             it was to encounter the shifting magical

             thresholds between city and country. Van

             Morrison's songs are powerful testaments to both

             these levels of perception. The mysterious

             luminous quality of Astral Weeks is earthed in

             the wonder, surprise and customs associated with

             leaving his own back-bedroom, going down his own

             street ("as we said goodbye at your front door",

             he says in The Way Young Lovers Do) to inhabit

             his own district, its daylight and nightlight,

             walking through Beersbridge and Orangefield,

             taking in everything.

 

             Cypress Avenue is not only a place, it was the

             idea of another place; the railway, the river:

             all are conduits through which Morrison's

             imagination is freed.

 

             Madame George, the key lyric in Astral Weeks,

             dramatises this condition with a haunting

             portrait of belonging and leaving. This lyric,

             with its story-telling and repetitions, the

             anarchic mantra of the love it seeks to express

             and its almost obsessive questioning, suggests

             comparison with the poet Patrick Kavanagh.

 

             It is pure coincidence of course that Kavanagh,

             who was in the United States in 1965 for a

             symposium on W.B. Yeats, should remark that he

             (Kavanagh) was all in favour of the Beat poets.

             "I like Corso, Ferlinghetti, and Allen Ginsberg

             very much . . . there are these lads in America,

             these youngsters that I admire very much".

 

             What Kavanagh saw in the work of the Beats is

             curious given the Irish situation he had in his

             mind. They had, he said, "all written direct,

             personal statements, nothing involved, no, just

             statements about their position. That's all.

             They are not bores as far as I am concerned".

             Kavanagh's voice of dissatisfaction with

             convention ("boredom"), strengthened by his

             subjective romanticism ("direct personal

             statements") is very close to the poetic vision

             of Astral Weeks and in particular to the voice

             which recites Madame George.

 

             I first heard the song early in 1969 from the US

             album somebody had obviously got a copy of and

             by the time it was released in the UK in

             September of that year Astral Weeks had become

             cultic.

 

             Memory plays tricks with historical reality but

             it seems to me looking back over 25 years

             towards the twelve months between the end of

             1969 and 1970, everyone was playing Astral Weeks

             throughout the Belfast which I knew.

 

             That year was a watershed for every generation

             in Belfast, but particularly so for those of us

             who were leaving our teenage years behind and

             becoming young men and women. Friends would soon

             go their own way, across the water to England,

             taking up jobs, going to college, disappearing.

             The months leading out of the 1960s into the

             1970s correspond, loosely and in an inchoate and

             inarticulate way, with a social and cultural

             breakup of life as we had known it.

 

             Madame George captured that feeling, and still

             does. It was a strange quiet before the storm.

             The clubs were still doing good trade, with

             parties at weekends, and visiting big names -

             Jimi Hendrix, Pink Floyd, The Small Faces -

             played the Ulster, King's or Whitla Hall. People

             hung out and there was little aggro, except for

             the usual sort of fighting that made Belfast

             city-centre a dangerous place some Saturday

             nights. But you could still walk throughout the

             wider city without too much anxiety or fear. But

             within a matter of a year or so, you took your

             life in your hands for so doing.

 

             Madame George gives that freer time a

             distinctive sound and context. The shock of

             hearing the phrase, "On a train from Dublin up

             to Sandy Row" has never quite left me. An

             inexplicable connection, coded beneath the words

             themselves, identified for the first time the

             actual city in which I lived.

 

             Sandy Row, a Protestant working-class district

             in Belfast's inner-city through which the train

             runs, is named; the custom of throwing pennies

             into the Boyne River (the iconographic site for

             the Protestant defence of the British Crown and

             faith in Ireland) which we did without knowing

             why, and the transfixing "trance".

 

             Sitting on a sofa playing games of chance,

             With your folded arms in history books you

             glance,

             Into the eyes of Madame George.

 

             Much has been read into this extraordinary song.

             For me, it is an ashling, "a child-like vision"

             which portrays a world of loss and gain,

             ceremonies and evasions, past and present,

             shifting like a carousel between real and

             imagined people and places.

 

             The soldier boy who is older now with hat on,

             drinking wine. How many streets and roads had a

             few such men, tripping home after the pubs

             closed, at odds with the world they returned to

             and the front rooms, filled with music/laughing

             music, dancing music?

 

             Madame George is a portrait of a society about

             to withdraw from public view at the same time as

             the voice which describes it is also leaving the

             scene. Memories shift and coalesce. The site of

             the poem blurs and moves in and out of focus. It

             is the Belfast of Cypress Avenue; there is a

             Fitzroy Avenue too. The rituals of collecting

             bottle-tops/Going for cigarettes and matches in

             the shops are identifiably Belfast. But the

             journey is on a train from Dublin up to Sandy

             Row. Parsing the song in this fashion does not

             take us far. What is constant is the voice and

             the connections which the accent makes between

             raps, cops, drops and gots.

 

             What is unmistakable about Morrison's

             achievement, from the late 1960s to the 1990s,

             is the steady, unflinching challenge which first

             his voice and then subsequently his lyrics and

             music embodies. The voice is a powerful

             ambiguity, revelling in itself, but dismissive

             too, while the lyrics have explored (and

             anticipated) much of the imaginative ambition

             and desire of Morrison's poetic peers.

 

             The Rest Is History by Gerald Dawe is published

             this week by Abbey Press. Abbey Press emerged

             from Abbey Arts Week in February 1997 at Abbey

             Grammar School in Newry. The company has since

             published several books: Signals, an anthology

             of previously unpublished work by 16 writers

             involved in Arts Week, including Michael

             Longley, Robert McLiam Wilson and Glenn

             Patterson; Impediments, a collection of poetry

             by Adrian Rice; Broken Dishes, a sequence of

             elegies by Michael Longley; Mark Roper's The

             Home Fire; and has a forthcoming book, A United

             Irishman, about William Drennan and the politics

             of 1798.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 16:58:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nico 88 <NICO88@AOL.COM>

Subject:      Re: AG Flick  @ AnthologyFilmArchives

To:           BEAT-L@CUNYVM.CUNY.EDU

 

buon giorno, Nancy-----

 

what'd you think of it?

     I went w/ a friend to "Scenes from Allen's Last Three Days on Earth As a

Spirit" on Saturday.  (BTW-- thanks for posting the info a few weeks ago.)

Overall, I found it.... worth seeing. definitely. perhaps i was expecting

something conventional, more structural. it kinda hit me all at once, and the

experience was a strange one. of course, as Allen said, "Candor ends

paranoia." along with the said candor, however, comes a shakey camera-hand,

and it took me a little while to regain my eyesight after leaving the theater.

i suppose this is the nature of BEAT.

...it didnt look like Allen,..... people i know who have seen dead bodies have

said that something truly is missing. life, i suppose. maybe it really is the

soul that IS us, and if really does leave us after death, and then we are

nothing. (im not big on rebirth, at least beyond the conceptual or

metaphorical, but this thought just popped into my head.)  i thought the first

part, at Allen's apartment, did a better job of capturing Mekas' overall point

and intention, than did the last part (the recording at the Shambala center)

which i found kinda dangling there on the edge of some cliff... perhaps if he

wanted to record the memorial service, then i think a more efficient method of

film would have worked better.  afterall, it was the human candor and uncut

sentiment circulating the apartment that gave the 1st part its meaning. the

memorial was a separate thing. it was an organized event, and could have

lended itself nicely to an organized method of film.

so, .. sorry to ramble so much.  despite any reservations, it was touching of

course. anyone who loves Allen Ginsberg can see the merit in Jonas Mekas'

intention here. thanks for letting us know about it!!

  thinking of Allen,

     --- Ginny Browne

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:21:14 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from jgrant@BOOKZEN.COM of Sun, 08 Feb

 

>Erotica anthlogies frequently reprint excerpts from "Memoirs of a Beatnick"

>and I agree with Jym that DiPrima provides great fun.

> 

>In one, a short piece of erotica, in  Maurice Girodias' Olypia Press

>America (I think I have that right), described sex with Jack Kerouac. There

>was a blurb about Diprima--mentioned that she was born and raised in

>Brooklyn emerged in the '50s...Sartre, Franz Kline, william de Kooning were

>mentioned and there was a reference to her "brothers" Corso and Ginsberg.

>Said John Keats, Pound, and Zen influenced her and that she lived in San

>Francisco with her four children.

> 

>j grant

> 

 

from "women of the beat generation":

 

In 1957, Diane finally met Allen Ginsberg and his companions Jack Kerouac,

Peter Orlovsky, and Gregory Corso in New York.  This meeting of mind and

body is most famously depicted in her written-for-hire erotic

autobiography, _Memoirs of a Beatnik_.  In it, she describes a Beat orgy

involving Ginsberg, Kerouac, herself, & two others as being 'warm and

friendly and very unsexy--like being in a bathtub with four other people.'

 

page 125

 

Just remember, in the state of Ohio, an orgy is defined as four or more

people in bed with no shoes.  (or so I was told)

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:24:32 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from DCardKJHS@AOL.COM of Sun, 08 Feb

> 

>Some few years ago, maybe 3 or 4, one of DiPrima's daughters hosted a Weekend

>morning television series for teens.  It was an out and about in the Bay Area

>sort of program dealing with the arts and, I think, a smattering of news.  The

>daughter seemed bright, witty, and generally talented.  Fred McDarrah has

>published vintage 50's photos of Diane at readings and so forth in the

>Village, can't remember if any were from North Beach.

 

there was an article in the new york times magazine ??? (I can't remember

off the top of my head) a while ago, I think early 90's, which had

interviews with various children of the beats.   One of DiPrima's kids was

in the article, & one of Lucien Carr's kids for certain.  if I come across

the article's information (as in date & place) i'll post it.

 

Diane.

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:39:16 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: If Beat bores you,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from jholland@ICLUB.ORG of Mon, 09 Feb

 

>If these same "bored" listmembers actually had conversations with WSB,

>Kerouac, and Ginsberg, they'd be even more bored - Kerouac's

>inquisitive, probing mind covered vast territories of human thought,

>Ginsberg was given to lofty and academic dissections of such things as

>William Blake, and virtually everything from WSB's mouth was a lecture

                ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

>in magick or semantics or pataphysics or dialectics or history. Why do

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

 

this true, patricia? :)

 

Diane.

 

 

 

>these bored listmembers even profess to be interested in Beat, anyway??

>Do they think it's just some hippy-dippy deadhead

>take-drugs-and-hitchhike kinda grooved-out loveburger bullshit?

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland

>kentucky kentucky kentucky

>=-=-=-=-=-=-=-=-=-=-=-=-=

> 

> 

 

--

"This is Beat.  Live your lives out?  Naw, _love_ your lives out!"

                                                        --Jack Kerouac

Diane Marie Homza

ek242@cleveland.freenet.edu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 14:54:17 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> John Hasbrouck wrote:

> >

> > This is sophistry of such simple beauty and purity that I forced to

> > defer to your utter mastery of this great art.

> 

> === Gosh, thanky. But it also happens to be true : the frequencies of

> the emission spectra of various objects' composition is what our eyes

> perceive as "color", and the frequencies of our eyes are capable of

> detecting are only a tiny fraction of the available wavelengths,

> so....oh, forget it.

> 

> You brought the subject up anyway, not me. If ya can't stand the smell

> of mothballs, get outta the attic.

> 

> > As we all know, it is

> > impossible to win any argument with such an opponent, since the rules of

> > the game are constantly changing. It is truly Alice in Wonderland.

> > However great is the temptation to remain involved in the discussion,

> > one must ultimately walk away if one is preserve one's humanity. (Yes,

> > humanity.) I therefore concede complete defeat, my only regret being

> > that I was once again drawn into this quagmire of doggeral.

> 

> === Rules constantly changing? Again, you have me confused with someone

> else. I think I'm the only one around here whose rules *aren't*

> constantly changing - I stand behind any statements I make (even the

> wrong ones) and will again tomorrow. You, on the other hand, seem

> determined to quibble at all costs, no matter where it leads us.

> 

> For the viewers at home : Note the technique by which the rationalist,

> frustrated with attempts to hammer down everything precisely into the

> boxes he sees fit, paints me as The Mad Hatter, even as he employs the

> very same solipsism and sophistry he accuses *me* of. And haughtily and

> sarcastically congratulates me when the kudos should go to *his* snack

> bowl. There is a lovely piece of mind-fuck here, but it is not of my

> creation.

> 

> =-=-=-=-=-=-=-=-=-=-=

> J.S.Holland, kentucky

> off to bake cookies

> =-=-=-=-=-=-=-=-=-=-=

 

Mr. Holland,

Your continuous dependency upon defensive rebuttles is giving me a

heartahce.  You seem to be talking in circles, making no sense of

anything.  Start talking about the Beats again.  Leave well enough

alone.  And, tell me what you mean by "rationalist".  just curious.

 

best wishes in your pursuit of peace

eric mayhew

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Mon, 9 Feb 1998 14:58:41 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 06:26 PM 2/9/98 +0100, you wrote:

>John Hasbrouck wrote:

>> 

>> This is sophistry of such simple beauty and purity that I forced to

>> defer to your utter mastery of this great art.

> 

>=== Gosh, thanky. But it also happens to be true : the frequencies of

>the emission spectra of various objects' composition is what our eyes

>perceive as "color", and the frequencies of our eyes are capable of

>detecting are only a tiny fraction of the available wavelengths,

>so....oh, forget it

 

So you are saying 500nM is the same as 700 nM?  Or that orange is blue?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 18:02:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ive said the same thing before...

On Mon, 9 Feb 1998, Julian Ruck wrote:

 

> Amen TkQ...

> i agree..i didn't want to seem like an uneducated simpleton....but most

> of the stuff that's posted i delete without reading...i just read the

> beginning post and decide if it interests me....and let the others

> go....

> 

> they can bore me to tears...

> 

> i don't mean to offend you guys...i'm just being honest...

> -julian

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 18:07:20 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: AG Flick  @ AnthologyFilmArchives

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ginny et al-

I enjoyed it too, despite Jonas lack of adeptness with a camcorder (lots

and lots of buttshots and Peter Orlovsky at a wierd angle...it reminded me

of the videos from mine and my sisters bats miztvahs!) I wasnt sure what

to expect but I thought it would be more professionally done. However,

Jonas probably thought of this at the last minute, since Allen's death

seemed to creep up all at once. At least, it did for me.

~Nancy

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 15:09:02 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey Jeff,

 

How about this, tell me how rationalism connects to the Beat generation.

I didn't mean to put you in a contradictory defensive position.

 

later tripper

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 18:14:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: DiPrima - Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sounds like Pamela Des Barre....she wrote 'Im With The Band' about being a

rock groupie, she slept with Mick Jagger or something...

On Mon, 9 Feb 1998, Paul A. Maher Jr. wrote:

 

> I posted to poor Diane on the list some vicious comment about DiPrima when I

> meant to lay it on the list...DiPrima has nothing special to say. Her only

> claim to fame is having sex with prominent Beatmembers and writing about it.

> Jakc musta' been drunk. Really....Jack Kerouac wrote about the joy of life

> and of suffering ...and he was an original. Nothing like these wanna-Beat's

> who lay around moaning about menstruation and pills. P of TKQ.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 9 Feb 1998 18:17:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      DiPrima - Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I posted to poor Diane on the list some vicious comment about DiPrima when I

meant to lay it on the list...DiPrima has nothing special to say. Her only

claim to fame is having sex with prominent Beatmembers and writing about it.

Jakc musta' been drunk. Really....Jack Kerouac wrote about the joy of life

and of suffering ...and he was an original. Nothing like these wanna-Beat's

who lay around moaning about menstruation and pills. P of TKQ.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2002.0

Date:         Tue, 10 Feb 1998 00:26:17 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Subject:      Re: If Beat bores you,

              maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jeff wrote:

>Do they think it's just some hippy-dippy deadhead

>take-drugs-and-hitchhike kinda grooved-out loveburger bullshit?

 

yeah !

not bullshit though

 

 

and thank you, too john hasbrouck for your marvellous comments:

 

     _Philosophy is ordinary language used very precisely._

                                - Mortimer J. Adler

 

 

moritz

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:31:47 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         debbie flatbush <gomorah@SUNFLOWER.COM>

Subject:      Thanks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I 've been reading the beat-L for a while, but I did'nt feel the need to

"say" anything before now. I've really been enjoying the discourse- All

of it. Unless you're in a university setting, a person rarely gets

exposure to such passion, well-formulated or otherwise. I've learned a

lot, been amused, and i've really been touched. I personally believe

that (My own opinion only, of course) thats what the beats were about. I

know, there is a lot more to it as well, but I do very much appreciate

the passion. Oh, and I notice a couple of  Lawrence residents- Is there

anywhere that you know of that I could see some of WSBs art? I missed

the exhibit at KU last year.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 9 Feb 1998 18:44:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

to add to this...there exists nothing in Kerouac's archives about him ever

having something to do with Diane DiPrima sexually. At the most he screwed

her out of sexual desperation. Folks..well, next post maybe. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 18:45:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: AG Flick  @ AnthologyFilmArchives

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I dont know. You'd have to ask Jonas Mekas, I guess.

On Mon, 9 Feb 1998, Marie Countryman wrote:

 

> living up here in the vt wild, is there a chance in future to gain a copy of

> this?

> mc

> 

> Nancy B Brodsky wrote:

> 

> > Ginny et al-

> > I enjoyed it too, despite Jonas lack of adeptness with a camcorder (lots

> > and lots of buttshots and Peter Orlovsky at a wierd angle...it reminded me

> > of the videos from mine and my sisters bats miztvahs!) I wasnt sure what

> > to expect but I thought it would be more professionally done. However,

> > Jonas probably thought of this at the last minute, since Allen's death

> > seemed to creep up all at once. At least, it did for me.

> > ~Nancy

> >

> > ********Had we a place to stand upon, we might raise the

> > world.--Archimedes*********

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 9 Feb 1998 19:00:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At the risk of ponitificating this opinion upon you folks...there are those

out there who know what I'm talking about so agree amongst yourselves or

voice in support. These various figures cannot be claimed as true "writers"

who carried the spirit of the Beat Generation. true there was a Beat

Generation which carries forth into this day with the same freeloaders and

layabouts who want to call themselves Beat but are really jobless and

without a self-identity. I split Kerouac away from this garbage because he,

unlike the others who profess to be part of this alleged generation,(which

was not really a generation but instead, a crew of oppurtunists who rode

then and to this day on the coattails of Kerouac).

   Kerouac wrote. Day in and day out he wrote and was therefore a writer. He

stands alone in the history of American Literature as a writer of huge

proportions. Like the writers of the Lost Generation he had genius and

talent. He would have written had there not been a Beat Generation. What can

be said for all the other mediocrities he had fostered from then till now?

They wrote because they had to be encouraged. When they wrote in notebooks,

it was Kerouac who typed up major portions of the manuscript and encouraged

their writing (Burroughs) or showed them a style and they copied it forever

after (Ginsberg who had always professed to be a mere imitator of Kerouac).

Would Ferlinghetti be a known poet if he had not self-published his own

poetry? Now Im not saying that none of the afore-mentioned writers aren't

talented writers...just this, they all were supported in their chosen

careers by Kerouac. They may be geniuses in their own right...but...well

Burroughs literatire had floundered when he distanced himself from his

fellow Beats and went on his own journey. Only his later post-cutup lit

could ever touch the fire of Naked Lunch. Ginsberg's poetry thrived on his

past inventions instead of trying to reinvent himself or just plain falling

for lame shock-value tactics in his poetry (read "Come On Jack").

At least Kerouac recognized this and stayed away. His mind was on his own

true vision of the world and he continued to expound on it,though

unsuccessfully with his savage bouts of drinking.

  I'm just asking you all to really consider if this was a generation at all

or...like the followers of Picasso who adopted Abstract Cubism in their

repertoire of works but could not continue after it because they did not

arrive their themselves. This era was all about Jack and that is that. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 19:03:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: DiPrima - Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-09 18:00:32 EST, you write:

 

<< I posted to poor Diane on the list some vicious comment about DiPrima when

I

 meant to lay it on the list...DiPrima has nothing special to say. Her only

 claim to fame is having sex with prominent Beatmembers and writing about it.

 Jakc musta' been drunk. Really....Jack Kerouac wrote about the joy of life

 and of suffering ...and he was an original. Nothing like these wanna-Beat's

 who lay around moaning about menstruation and pills. P of TKQ.

 "We cannot well do without our sins; they are the highway to our virtues."

                                            Henry David Thoreau >>

 

Well.... nothing about DiPrima personally... obviously I think she has

something to say- I was the one who originially asked for info! BUT--- I *do*

hate it so much when "beat" poets start up w/ the name dropping. Especially

when the poems are just lists of names: "Jack this, Allen this..." I can't

think of anything specifically (although ruth weiss comes to mind) but it

really drives me crazy. Anyway, thanks to everyone who answered me. If I find

anything good I'll be sure to get back to y'all. :)

 

--Stephanie

 

 

               loss of temper no problem

               arrogance no problem

               boxes of empty beer cans &

               wine bottles no problem

               thousands of styrofoam cups

               no problem

               Gregory Corso no problem

               Allen Ginsberg no problem

               Diane di Prima no problem

               Anne Waldman's veins no

               problem

             "No Problem Party Poem" --Diane DiPrima

 

Oh hey you guys-- check out all the buddies she's got in that one! (Sorry-

couldn't resist)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 19:10:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Well-said!

On Mon, 9 Feb 1998, Paul A. Maher Jr. wrote:

 

> At the risk of ponitificating this opinion upon you folks...there are those

> out there who know what I'm talking about so agree amongst yourselves or

> voice in support. These various figures cannot be claimed as true "writers"

> who carried the spirit of the Beat Generation. true there was a Beat

> Generation which carries forth into this day with the same freeloaders and

> layabouts who want to call themselves Beat but are really jobless and

> without a self-identity. I split Kerouac away from this garbage because he,

> unlike the others who profess to be part of this alleged generation,(which

> was not really a generation but instead, a crew of oppurtunists who rode

> then and to this day on the coattails of Kerouac).

>    Kerouac wrote. Day in and day out he wrote and was therefore a writer. He

> stands alone in the history of American Literature as a writer of huge

> proportions. Like the writers of the Lost Generation he had genius and

> talent. He would have written had there not been a Beat Generation. What can

> be said for all the other mediocrities he had fostered from then till now?

> They wrote because they had to be encouraged. When they wrote in notebooks,

> it was Kerouac who typed up major portions of the manuscript and encouraged

> their writing (Burroughs) or showed them a style and they copied it forever

> after (Ginsberg who had always professed to be a mere imitator of Kerouac).

> Would Ferlinghetti be a known poet if he had not self-published his own

> poetry? Now Im not saying that none of the afore-mentioned writers aren't

> talented writers...just this, they all were supported in their chosen

> careers by Kerouac. They may be geniuses in their own right...but...well

> Burroughs literatire had floundered when he distanced himself from his

> fellow Beats and went on his own journey. Only his later post-cutup lit

> could ever touch the fire of Naked Lunch. Ginsberg's poetry thrived on his

> past inventions instead of trying to reinvent himself or just plain falling

> for lame shock-value tactics in his poetry (read "Come On Jack").

> At least Kerouac recognized this and stayed away. His mind was on his own

> true vision of the world and he continued to expound on it,though

> unsuccessfully with his savage bouts of drinking.

>   I'm just asking you all to really consider if this was a generation at all

> or...like the followers of Picasso who adopted Abstract Cubism in their

> repertoire of works but could not continue after it because they did not

> arrive their themselves. This era was all about Jack and that is that. P.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 18:11:45 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr. wrote:

> 

> At the risk of ponitificating this opinion upon you folks...there are those

> out there who know what I'm talking about so agree amongst yourselves or

> voice in support. These various figures cannot be claimed as true "writers"

> who carried the spirit of the Beat Generation. true there was a Beat

> Generation which carries forth into this day with the same freeloaders and

> layabouts who want to call themselves Beat but are really jobless and

> without a self-identity. I split Kerouac away from this garbage because he,

> unlike the others who profess to be part of this alleged generation,(which

> was not really a generation but instead, a crew of oppurtunists who rode

> then and to this day on the coattails of Kerouac).

>    Kerouac wrote. Day in and day out he wrote and was therefore a writer. He

> stands alone in the history of American Literature as a writer of huge

> proportions. Like the writers of the Lost Generation he had genius and

> talent. He would have written had there not been a Beat Generation. What can

> be said for all the other mediocrities he had fostered from then till now?

> They wrote because they had to be encouraged. When they wrote in notebooks,

> it was Kerouac who typed up major portions of the manuscript and encouraged

> their writing (Burroughs) or showed them a style and they copied it forever

> after (Ginsberg who had always professed to be a mere imitator of Kerouac).

> Would Ferlinghetti be a known poet if he had not self-published his own

> poetry? Now Im not saying that none of the afore-mentioned writers aren't

> talented writers...just this, they all were supported in their chosen

> careers by Kerouac. They may be geniuses in their own right...but...well

> Burroughs literatire had floundered when he distanced himself from his

> fellow Beats and went on his own journey. Only his later post-cutup lit

> could ever touch the fire of Naked Lunch. Ginsberg's poetry thrived on his

> past inventions instead of trying to reinvent himself or just plain falling

> for lame shock-value tactics in his poetry (read "Come On Jack").

> At least Kerouac recognized this and stayed away. His mind was on his own

> true vision of the world and he continued to expound on it,though

> unsuccessfully with his savage bouts of drinking.

>   I'm just asking you all to really consider if this was a generation at all

> or...like the followers of Picasso who adopted Abstract Cubism in their

> repertoire of works but could not continue after it because they did not

> arrive their themselves. This era was all about Jack and that is that. P.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

Its funny, i always considered jack the least of the three, as a

writer,  to me he wrote exciting prose that caught a moment in time.  I

thought that both allen and william wrote past the current moment, they

delved deeper and further into the ideas about life and about language

than jack did.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Tue, 10 Feb 1998 00:20:34 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Velvet Underground

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ON 2/9/98 eric mayhew WROTE:

>I love those lyrics.  VU and Nico has long been one of my favorite

>albums.  I always thought it was bleed for me, and not plead for me.  I

>am glad you cleared that up for me.

 

I thought it was "bleed for me" too until I visited the

excellent site, _The Velvet Underground: Album by Album_

at http://www.cs.wisc.edu/~ehansen/VU/

 

But this site could be "wrong".

 

The lyrics for "Venus In Furs" are at:

http://www.cs.wisc.edu/~ehansen/VU/nicoly.html#venus

 

I've copied the text below as it appears the above

referenced site.

---------------

Venus In Furs

 

by Lou Reed

 

Shiny, shiny, shiny boots of leather

Whiplash girlchild in the dark

Comes in bells, your servant, don't forsake him

Strike, dear mistress, and cure his heart

Downy sins of streetlight fancies

Chase the costumes she shall wear

Ermine furs adorn the imperious

Severin, Severin awaits you there

I am tired, I am weary

I could sleep for a thousand years

A thousand dreams that would awake me

Different colors made of tears

Kiss the boot of shiny, shiny leather

Shiny leather in the dark

Tongue of thongs, the belt that does await you

Strike, dear mistress, and cure his heart

Severin, Severin, speak so slightly

Severin, down on your bended knee

Taste the whip, in love not given lightly

Taste the whip, now plead for me

I am tired, I am weary

I could sleep for a thousand years

A thousand dreams that would awake me

Different colors made of tears

Shiny, shiny, shiny boots of leather

Whiplash girlchild in the dark

Severin, your servant comes in bells, please don't forsake him

Strike, dear mistress, and cure his heart

--------end of lyrics-----------------

 

>what do these lyrics mean to you?

 

My life work is to explore this question.

 

The idea of submission.

 

Severin = Severance

 

et cetera

 

 

 

 

! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! !

Gregory Severance                   morocco@walrus.com

 

http://www.walrus.com/~morocco/  <<< Bulldog Breath >>>

 

"I am not looking for a master; I am looking

for the books. In dreams I sometimes find the

books where it is written and I may bring back

a few phrases that unwind like a scroll. Then

I write as fast as I can type, because I am

reading, not writing."

 

 -- William S. Burroughs

 

>From "The Retreat Diaries" in

_The Burroughs File_, (San Francisco:

City Lights Books, 1984), p. 190.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 19:41:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maybe thats because Jack died first...before he had the chance to become

what AG and WSB became..

 

<<snip>>

> Its funny, i always considered jack the least of the three, as a

> writer,  to me he wrote exciting prose that caught a moment in time.  I

> thought that both allen and william wrote past the current moment, they

> delved deeper and further into the ideas about life and about language

> than jack did.

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 16:50:45 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Velvet Underground

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

> UNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORK

> 

> Gregory Severance  ||  morocco@walrus.com

> http://www.walrus.com/~morocco/ <<<BULLDOG BREATH>>>

> 

> "Severin, Severin, speak so slightly

> Severin, down on your bended knee

> Taste the whip, in love not given lightly

> Taste the whip, now plead for me"

> 

> from "Venus in Furs" by Lou Reed

> on the album _The Velvet Underground and Nico_ (1967)

> 

> UNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORK

 

Gregory,

I love those lyrics.  VU and Nico has long been one of my favorite

albums.  I always thought it was bleed for me, and not plead for me.  I

am glad you cleared that up for me.

what do these lyrics mean to you?

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 9 Feb 1998 20:08:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 06:59 PM 2/9/98 +0000, you wrote:

>whatever your thoughts are on diPrima, paul, i find your need to express your

>thoughts through such derogatory and loathesome word choices.

>and no, i'm not ms manners or emily post. just offended by putdowns in such

>guttersnipe language.

>there were many men connected and central to beats who slept and told, but no

>man leaps to calling them skanks.

>just my thoughts.

>see that you're still here swinging.

>so where in the cosmos did you fling your web site so that we unworthies cannot

>access it?

>mc

>Ginsberg is a skank too...how's that? I do not differentiate betwen men and

women believe me...she had awful poetry and is deserving of "guttersnipe"

criticism...that was her way. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 9 Feb 1998 20:14:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

>You have an interesting opinion here and an interesting way of

>articulating it. However, I don't agree.

> 

>I'll take that as a compliemnt..The Kerouac Quarterly page is being

improved upon. I find the page it is currently on is too limited for my

scope of ideas. I placed a lame cartoon there for those who are interested

in my other meager talents. I will notify subscribers of the quarterly where

it can be found. the third issue of The Kerouac Quarterly is going to the

printer next week. This will feature an essay by Columbia University Kerouac

scholar, Ann Douglas as well as other essays and other odds and ends. Those

who want it just notify me. Have to go edit some pieces now, goodnight. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Emc.Fedex.Com: 020998:1

Date:         Mon, 9 Feb 1998 19:26:09 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      THE DEAD/BEATS

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Deadhead + Beatfreak = Deadbeat(freak)

 

And you can certainly count me in that group.

 

John is correct.  The most direct connection between the Dead and

the Beats is through Neal.

 

Also, didn't Allen and Gary Snyder perform at the 1st "Be-in" in

San Francisco's Golden Gate Park?  And didn't the Dead play?

What year? '67 or '68 is my guess....

 

Does anyone know Jack's opinion of the Dead?  Any quotes from him

regarding Jerry and the band?  Can't imagine he liked them but I can't

recall reading anything regarding them...

 

ONE LAST DEAD QUESTION....Anyone know anything more about this

"Dead" amusement park "Terrapin Station" that is in the planning stages?

I originally thought it was a prankster type joke, but I hear from

sources close to Grateful Dead Merchandising it's actually a go...

 

Dawn

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 17:30:05 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: THE DEAD/BEATS

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dawn Zarubnicky wrote:

> 

> Deadhead + Beatfreak = Deadbeat(freak)

> 

> And you can certainly count me in that group.

> 

> John is correct.  The most direct connection between the Dead and

> the Beats is through Neal.

> 

> Also, didn't Allen and Gary Snyder perform at the 1st "Be-in" in

> San Francisco's Golden Gate Park?  And didn't the Dead play?

> What year? '67 or '68 is my guess....

> 

> Does anyone know Jack's opinion of the Dead?  Any quotes from him

> regarding Jerry and the band?  Can't imagine he liked them but I can't

> recall reading anything regarding them...

> 

> ONE LAST DEAD QUESTION....Anyone know anything more about this

> "Dead" amusement park "Terrapin Station" that is in the planning stages?

> I originally thought it was a prankster type joke, but I hear from

> sources close to Grateful Dead Merchandising it's actually a go...

> 

> Dawn

 

Dawn, you can find out about the amusement park on the official Greatful

Dead web page.  I don't recall the exact address, but it should be easy

to find.  "Terrapin Station" sounds like it will be something quite

interesting to anyone who enjoys the band, like myself.

 

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 21:55:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Ginsberg & Poe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Much has been said about Allen Ginsberg's debt to Whitman and Blake.

AG's Collected Poems, however, have more than a few references to E.A.

Poe.  To what extent did Poe influence Ginsberg?   Did Poe's work or

Poe's life have a greater influence on Ginsberg's sensibility?   Can we

identify any specific connections between Poe's writings (poems or

prose) and Ginsberg's work?  (Enough petty bickering.  Let's see if we

can start a constructive thread.)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 19:23:14 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: THE DEAD/BEATS

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> > Also, didn't Allen and Gary Snyder perform at the 1st "Be-in" in

> > San Francisco's Golden Gate Park?  And didn't the Dead play?

> > What year? '67 or '68 is my guess....

 

Ginsberg and Snyder did perform, also Michael McClure and

Lenore Kandel ... Jan '67 I think.

 

> > Does anyone know Jack's opinion of the Dead?  Any quotes from him

> > regarding Jerry and the band?  Can't imagine he liked them but I can't

> > recall reading anything regarding them...

 

I don't know any facts about this but I doubt he'd ever heard their music.

I've always imagined he would have hated their 60's image, but I think

he would have liked songs like "Uncle John's Band" and "Cumberland

Blues" and "Ripple".  But who knows?  Maybe he would have hated

the whole Workingman's Dead album, and his favorite would be "Aiko

Aiko".  Stranger things have happened.

 

> > ONE LAST DEAD QUESTION....Anyone know anything more about this

> > "Dead" amusement park "Terrapin Station" that is in the planning stages?

> > I originally thought it was a prankster type joke, but I hear from

> > sources close to Grateful Dead Merchandising it's actually a go...

 

Phil Lesh is behind it, and it's definitely happening.  I sure

hope it turns out to be more than an amusement park though.  I

think it's more like a home for Dead culture and a place to buy

soundboard tapes and stuffed animal dancing bears.  And I'm pretty

sure Jack Kerouac would not have liked dancing bears ... but

who knows?

 

---------------------------------------------------------

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|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 22:58:11 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nico 88 <NICO88@AOL.COM>

Subject:      Re: Velvet Underground (feel free to delete)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-09 19:59:47 EST, you write:

 

>  I always thought it was bleed for me, and not plead for me.

 

me too...

 

gregory, where'd you hear otherwise?

 

-- Ginny (a.k.a. NICO 88)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Date:         Mon, 9 Feb 1998 23:58:51 -0500

Reply-To:     Alex Howard <kh14586@acs.appstate.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Ginsberg & Poe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This is from the producer's notes to "Closed on Account of Rabies:  Poems

and Tales of Edgar Allen Poe by Hal Wilner of Mouth Almighty:

 

        "Everything leads to Poe."

        Allen Ginsberg was cooking me one of his trademark meals just last

February when he made this remark, referring to the album then in

production.  It was a typically insightful thing for Ginsberg to say, but

I wasn't really paying strict attention.  The certain knowledge that a

never-ending parade of macrobiotic food  was about to pass before my face

- food I couldn't refuse - was distracting me.  The plan was when Allen's

back was turned I would drown the food in soy sauce to make it bearable.

The basic TASTE of that food makes me crazy.  I admit that I always felt

great after eating that crap, but...

        "Everything leads to Poe," Allen repeated, blissfully unaware of

my eating plans.  "That's what the liner notes should be.  You can trace

all literary art to Poe's influence:  Burroughs, Baudelaire, Genet,

Dylan..."  The list went on.  "It all leads back to Poe."

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 05:18:47 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul,

 

I for one will miss the intellectuall incandensence of your masturbatory

fantasies--sorry we don't measure up to the exalted IQ level required for

Kerouac Quarterly--oh well

 

James

 

Paul A. Maher Jr. wrote:

 

> You guys (meaning those who most frequently post their tirades, opinions,

> academicisms, etc.) have done the impossible.You have turned Beat Literature

> in general and Jack Kerouac in particular into a dull subject. No mean to be

> offended but this is the dullest discussion group. What a bunck of f*****g

> bores! I have pulled my web page to put it out of the reach of you extermely

> monotonous wanna-Beats! I mean, I might not be the most exciting participant

> but face it...I cannot possibly be as boring and one-dimenasional as some of

> you folks. Those of you who really want the next issue of TKQ notify me

> privately. You others..feel free to write your incurious determinations to

> each other. I find it most wearying having to delete 90% of the posts that

> appear in my mailbox. P.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 05:21:42 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To quote someone a few months ago, who should know, Neil died of too high

RPM, too much of alot.  Most of it all good stuff.    Rest in peace, who

cares, Neill died for your sins.  That about sums it up--and now a generation

of suburbanite wanna be's can disect it.

 

James Stauffer

 

Mary Maconnell wrote:

 

> Okay..while we are on the subject of death I'll ask a potentially stupid

> question (of which I haven't been able to find the answer for thus far):

> How did Neal Cassady die?  Someone told me a tale of alcohol and/or drugs

> and railroad tracks.  Ick.  Anyone know for sure?  Thanks.  :)

> 

> Mary

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 05:26:50 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Don't worry Pat, I am still hear to be the list curmudgeon if it is

> required.  You won';t have to bear the burden youself.

 

JamesPatricia wrote

 

> =  I fear Paul's exit will leave me as the grumpiest old

> fart on the l

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 00:31:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "POMES, PENNY EACH." <breithau@KENYON.EDU>

Subject:      Ed Abbey

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ed Abbey may not be Beat but his writing can't be beat (sorry). Check out his

book of poems, EARTH APPLES, very good.

 

Dave B.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 21:33:05 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: Burroughs & Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Alex Howard wrote:

> 

> Interesting note tonight as I was flipping through the channels and came

> across david Bowie performing on E!  During "I'm Afraid of Americans" on

> the screen behind him which kept showing various images of the flag and

> our contiguous U.S. flashed Old Bull himself, reading, superimposed over

> the billowing flag.  I didn't know Bowie was a fan, but I'm not surprised.

> 

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State University

> kh14586@am.appstate.edu                       P.O. Box 12149

> http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

 

eerie!

i was just going to ask you all about the burroughs-bowie relationship,

as i only know a little about it. was 'the man who sold the world'

dedicated to him?

 

ksenija

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Envelope-to: BEAT-L@CUNYVM.CUNY.EDU

X-VMS-To: IN%"BEAT-L@CUNYVM.CUNY.EDU"

Date:         Mon, 9 Feb 1998 21:36:27 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mary Maconnell <MMACONNELL@MAIL.EWU.EDU>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Don't mean to drag a subject on but I *did* look up a website which dealt

with Neal specifically.  Interesting that Neal died before Jack did -- I

wonder if Jack

intentionally thought the world was at an end because Neal

died...that's always been a curiousity to me.

 

So (sigh) ... I'm going to see "Kerouac" again in Seattle this coming

weekend.  It's different every time.  :)

 

Take care, all.

 

Mary

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 23:53:37 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

Subject:      Re: if beat bores you

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

> Subject:

>         If Beat bores you, maybe you should join the Army or something.

>   Date:

>         Mon, 9 Feb 1998 15:32:07 +0100

>   From:

>         Jeffrey Scott Holland <jholland@ICLUB.ORG>

> 

> 

> Anyone who is bored with the threads being discussed here is free to

> delete them and/or go away. Or start your own discussion with someone on

> your own reading level.

> 

> I think most of the threads here are boring too, but for the totally

> *opposite* reasons......I don't think the level of conversation here is

> intelligent ENOUGH, yet these people seem to want everything to be

> dumbed down even more.

 

 

cathy writes:

Not 'dumbed down'  --maybe just try to reach an audience that perhaps

never made it to college?  Maybe, in addition to the 'big' words, try to

write in words that people can understand?????  Why do you exclude

people who are obviously interested in beat lit, but just can't use the

fancy words like you can???That is a very snobbish, elite attitude to

have.  Why do you think people get discouraged from learning??? BECAUSE

of attitudes like this, because of people who say" if you can't talk as

intelligently as us, you should leave, because you'll NEVER be able to

understand us."

 

Give the people who aren't up to your IQ level a chance, for god's sake!

Some of us are here to learn, perhaps some of us LOOK UP to the people

who can use the big words, and would like to be like them.  Perhaps if

you got off of the high horse you are on, you would look at this as an

opportunity to spread knowledge, to TEACH.....Don't withhold knowledge

just because someone might not immediately know what "aleotory' means.

 

 

I offer you--exhibit one:  my attempt at figuring out what someone is

trying to say by looking up words in the dictionary ( definitions are in

all caps.)

 

 

 

> >

> > In a message dated 2/7/98 3:05:09 PM Pacific Standard Time,

> > nhenness@UWATERLOO.CA writes:

 

> 

> > > As for approaches to the Wake vs. the Nova trilogy, the exegetical

 (INTERPRETATION) bent of

> > >  Joycean scholars wouldn't hold up with Burroughs. You can't be some kind

> > >  of hermeneutical(INTERPRETIVE) detective with Burroughs-- it would be

 fruitless-- since

> > >  the aleatory(OF OR DEPENDING ON CHANCE,LUCK,OR CONTINGENCY) syntactic(OF

 OR IN ACCORDANCE WITH THE RULES OF SYNTAX) structures of Burroughs' cut-up

 writing are

> > >  introduced to implicitly(WITHOUT RESERVATION OR DOUBT) prevent the

 possibility of explication.(CLEARLY EXPLAINING SOMETHING OBSCURE OR

 IMPLIED)....

> 

> 

> 

> 

 

cathy writes:

HUNH?????????I now ask for further clarification as this just seems to

be a bunch of double talk to me.....

 

could this mean the same as "Burroughs wrote what he did because he

didn't want anyone to figure out what he was writing about????"

 

 

 

JEff:>

> If these same "bored" listmembers actually had conversations with WSB,

> Kerouac, and Ginsberg, they'd be even more bored - Kerouac's

> inquisitive, probing mind covered vast territories of human thought,

> Ginsberg was given to lofty and academic dissections of such things as

> William Blake, and virtually everything from WSB's mouth was a lecture

> in magick or semantics or pataphysics or dialectics or history. Why do

> these bored listmembers even profess to be interested in Beat, anyway??

> Do they think it's just some hippy-dippy deadhead

> take-drugs-and-hitchhike kinda grooved-out loveburger bullshit?

 

 

 

cathy:

HEre, i must disagree--I believe that Burroughs, Kerouac, and Ginsberg,

would still have been talking the big words, but explaining them as they

went along to a person who wasn't up to their intellectual/academic

levels.  Go ahead, use the big words.  JUst please more clearly define,

repeat yourself in different ways so those of us who haven't had 25

years of english classes can understand.

 

 

My significant other has explained laws of physics and quantum theory to

me in language I can understand.  He dosen't mind doing it.  In fact he

is flattered that I want to learn something he knows about.

 

I also believe the beats were more than academicians, it wasn't all

lectures on majick or semantics or pataphysics or dialectics or

history.  YOu don't have to be interested in those things to be

interested in the beat generation.  All you have to be interested in is

life.

 

 

 

 

 cathy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 23:58:15 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

According to their most recent catalog, Penguin Books will be releasing

_Memoirs of a Beatnik_ next month.

Cordially,

Mike Skau

 

On Mon, 9 Feb 1998, Bill Gargan wrote:

 

> Several collections of DiPrima's poems remain in print.  Waterrow Books or

 City

>  Lights should have them available.  Also, be on the lookout for DiPrima's

 fort

> hcoming autobiography which should be released later this year.

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 00:17:06 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: If Beat bores you,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> > >If these same "bored" listmembers actually had conversations with WSB,

> > >Kerouac, and Ginsberg, they'd be even more bored - Kerouac's

> > >inquisitive, probing mind covered vast territories of human thought,

> > >Ginsberg was given to lofty and academic dissections of such things as

> > >William Blake, and virtually everything from WSB's mouth was a lecture

> > >in magick or semantics or pataphysics or dialectics or history. Why do

> 

> Well, I had many conversations with William and only a few with Allen.

> I certainly am stunned to hear Williams conversational style described

> as as lecture.  I almost never experienced that. With me william

> prefered to either tell a story, or to hear one told.  but to be frank

> whoever had this experiance with william may be simply relating what

> happened when they conversed with william.  William had a incredibly

> wide variety of friends and relationships.  i wasn't in on very many

> boring ones but i am interested in magic and language and how language

> works on us,  So I just might not of been bored.  i admit that sometimes

> william would go on and over the same "bit"  he worked things up and

> around.  I remember he explained  a lot of culinary business to me.  He

> knew I loved to cook and seemed to save food info for me.  He told me

> about 10 times how you could really tell if fish was fresh. I also got

> the most wonderful lesson one day on caviar.  We bonded on that one.

> this was over a 4 or 5 year period. Since I only trusted fish if i

> caught it (Kansas will do this to one) the information about fresh fish

> was of limited use.  I am smart but not a typical intellect.  William

> and i shared a terrible love for what i call bad books. These are cheap

> books of first hand accounts of adventure or biographies of different

> types (god we went through a long period of accounts of doctors and

> surgeons gone bad) i loved those. I also learned an incredible amount

> about cats, lemurs, and read all these spy books. I notice i don't read

> the spy books so i might of enjoyed reading those just to talk about

> them to william. I am currently trying to convince my cat sue that i am

> the alpha cat. I do love cats.  so maybe i wasn't the type of person

> that got lectured to.  I think that I would say if william was tired or

> put upon by fools he would get a little less graceous.  God he tolerated

> loads of crap from me. I know that what he wrote is more important than

> his conversational style. I would quess he used a lot of the

> conversations on the same subjects to work out things he was writing

> on.  I know for a fact he did this when he worked on the preface to

> queer he wrote.  It was sometimes hard to know him and to talk to him

> around then as it was depressing for him and put him in a black mood.

> But boring, no, not for me.

> patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Feb 1998 22:46:09 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Ed Abbey

To:           BEAT-L@CUNYVM.CUNY.EDU

 

POMES, PENNY EACH. wrote:

> 

> Ed Abbey may not be Beat but his writing can't be beat (sorry). Check out his

> book of poems, EARTH APPLES, very good.

> 

> Dave B.

 

Dave, I think Edward Abbey's book Desert Solitaire is in some respects

what I would consider to be Beat generated.  It has some qualities, but

also differs in some way.  Anyway my point is that Abbey is awesome, and

should be read by everyone.

 

peace

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251 (Unverified)

Date:         Tue, 10 Feb 1998 02:45:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:41 PM 2/8/98 -0500, you wrote:

>At 11:14 PM 2/7/98 EST, Aeronwy Thomas wrote:

>>wait, why did one person say that he dies because of hemmoraghing esophageal

>>varices" and another one say he died of a heart attack while drinking

beer and

>>yet another say that he died from cirrohosis? clear this up, please?

> 

>hemmoraghing esophageal varices is the real deal

> 

>Mike

> 

>What is it?  It sounds like bimbo eruptions or that

Alan Greenspan quote about some kind of exuberance.

It sounds like heartburn with a fatal cant to it.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 08:59:05 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      tales of death and alcohol

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ok. one more time. jack had severe cirrhosis of the liver, which could no longer

process any thing, esp alcohol, when this happens, people hemorrhage copiously

most through the esophagus. so while the actual cause of death was bleeding to

death, the liver and alcohol is what did him in.

when i worked as therapist at a substance abuse clinic many folks there died of

the same thing..

also, in the end, jack was probably under the influence of many brain storms

caused by poisons that liver could not process, which then attacks brain, and

leads to dementia in the worst case, severe changes in personality and thought

patterns in the least.

mc

 

 

mike rice wrote:

 

> At 07:41 PM 2/8/98 -0500, you wrote:

> >At 11:14 PM 2/7/98 EST, Aeronwy Thomas wrote:

> >>wait, why did one person say that he dies because of hemmoraghing esophageal

> >>varices" and another one say he died of a heart attack while drinking

> beer and

> >>yet another say that he died from cirrohosis? clear this up, please?

> >

> >hemmoraghing esophageal varices is the real deal

> >

> >Mike

> >

> >What is it?  It sounds like bimbo eruptions or that

> Alan Greenspan quote about some kind of exuberance.

> It sounds like heartburn with a fatal cant to it.

> 

> Mike Rice

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 09:02:38 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

gee, paul, i guess you count right along here with us simpletons, as 90% of yr

postings are bitching, snide, selfpitying, and outrageous

name calling and slander

i think yr glass house is under attack for good reasons.

ok bill, this is my last group posting on or to mr m.

mc

mike rice wrote:

 

> At 12:31 PM 2/9/98 -0500, you wrote:

> >You guys (meaning those who most frequently post their tirades, opinions,

> >academicisms, etc.) have done the impossible.You have turned Beat Literature

> >in general and Jack Kerouac in particular into a dull subject. No mean to be

> >offended but this is the dullest discussion group. What a bunck of f*****g

> >bores! I have pulled my web page to put it out of the reach of you extermely

> >monotonous wanna-Beats! I mean, I might not be the most exciting participant

> >but face it...I cannot possibly be as boring and one-dimenasional as some of

> >you folks. Those of you who really want the next issue of TKQ notify me

> >privately. You others..feel free to write your incurious determinations to

> >each other. I find it most wearying having to delete 90% of the posts that

> >appear in my mailbox. P.

> >"We cannot well do without our sins; they are the highway to our virtues."

> >                                           Henry David Thoreau

> >

> >If you think this is bad, try the Patti Smyth idolators on the Babel

> list.  Half of them sit around writing letters about her boring records

> and public appearances.  I get it in digest form and often erase the

> rest of it, after reading two or three posts.  A lot of these writers

> are just record collectors, not the least critical of Smith.  I hate

> the kind of showbiz that reduces fans to this level, but I find on

> the Babel list, many of these schmoes are doing it to themselves.

> 

> Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251 (Unverified)

Date:         Tue, 10 Feb 1998 04:06:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Buncha' bores!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 12:31 PM 2/9/98 -0500, you wrote:

>You guys (meaning those who most frequently post their tirades, opinions,

>academicisms, etc.) have done the impossible.You have turned Beat Literature

>in general and Jack Kerouac in particular into a dull subject. No mean to be

>offended but this is the dullest discussion group. What a bunck of f*****g

>bores! I have pulled my web page to put it out of the reach of you extermely

>monotonous wanna-Beats! I mean, I might not be the most exciting participant

>but face it...I cannot possibly be as boring and one-dimenasional as some of

>you folks. Those of you who really want the next issue of TKQ notify me

>privately. You others..feel free to write your incurious determinations to

>each other. I find it most wearying having to delete 90% of the posts that

>appear in my mailbox. P.

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

> 

>If you think this is bad, try the Patti Smyth idolators on the Babel

list.  Half of them sit around writing letters about her boring records

and public appearances.  I get it in digest form and often erase the

rest of it, after reading two or three posts.  A lot of these writers

are just record collectors, not the least critical of Smith.  I hate

the kind of showbiz that reduces fans to this level, but I find on

the Babel list, many of these schmoes are doing it to themselves.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 09:14:24 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      ooops!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

dave's jpeg was sent to me, not to list.

however picture of james me sherri tokin with jack's face in window of

city lights on JK alley (dead end-some poetic justice there) on her

birthday.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251 (Unverified)

Date:         Tue, 10 Feb 1998 04:15:20 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:40 AM 2/9/98 -0800, you wrote:

>Okay..while we are on the subject of death I'll ask a potentially stupid

>question (of which I haven't been able to find the answer for thus far):

>How did Neal Cassady die?  Someone told me a tale of alcohol and/or drugs

>and railroad tracks.  Ick.  Anyone know for sure?  Thanks.  :)

> 

>Mary

> 

>Sure, its in the Electric KoolAid Acid Test.  He froze to death in Southern

Mexico along a railroad line, after being zonked on speed overnight.  Yes,

froze to death in SOUTHERN California.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 10:58:13 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      dumbed down? (was:if beat bores you)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Cathy Wilkie wrote:

 

> Not 'dumbed down'  --maybe just try to reach an audience that perhaps

> never made it to college?  Maybe, in addition to the 'big' words, try to

> write in words that people can understand?????

 

=== Again, I write what I write. In the manner I am accustomed to. I am

not obligated to choose my words so as to have mass appeal, nor is it

worth the trouble. If you don't understand, ask. But I'm not going to

alter my own mode of speech for someone else. Sorry.

 

 

 

 

> Why do you exclude

> people who are obviously interested in beat lit, but just can't use the

> fancy words like you can???

 

=== I honestly don't think I use fancy words. I don't. This is just the

way I talk.  But it's all relative I guess. Sorry if you feel excluded.

I can't do anything about that.

 

 

 

 

>  Perhaps if

> you got off of the high horse you are on, you would look at this as an

> opportunity to spread knowledge, to TEACH.....Don't withhold knowledge

> just because someone might not immediately know what "aleotory' means.

 

=== I think you're confused - I said *I* was the one who didn't know

what 'aleatory' meant - I said *I* was the one who had to look it up in

the dictionary!! *I* didn't know what it meant.

 

Why am I on a high horse? Do you really think that people only use big

words to make others feel inadequate?? Get over it - I really talk like

this. And I'm not changing the way I talk.

 

I'm not here to be understood by all - I throw out my opinion from time

to time and if someone gets it, fine, and if they don't, it isn't my

problem. I'm not a teacher, and have no inclination to be one.

 

 

 

 

> JUst please more clearly define,

> repeat yourself in different ways so those of us who haven't had 25

> years of english classes can understand.

 

=== For the umpteenth time, I have only a high school education. I was

only in college for a total of four of five days before I dropped out.

 

 

=-=-=-=-=-=-=-=-=

J.S.Holland, KY

tired of repeating himself

=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 10 Feb 1998 05:11:49 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Buncha' bores!

Comments: To: jhasbro@tezcat.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"Bill Clinton was just like the boys that used to drive

down King Street in pink convertibles, catcalling about

our breasts.  We were told to stay away from those boys,

that they were trash. But we always had crushes on them.

We wanted them to come up to us, twist our nipples, and

fish their hands down our panties. They were smooth

operators and they lied.  Even today I have fantasies.

If a Bill Clinton smiled at me, I would have my head

burrowed into his scrotum in an instant."

 

Lucianne Goldberg, Linda Tripp literary representative,

in the New Yorker

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Tue, 10 Feb 1998 07:56:04 -0500

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From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Ginsberg & Poe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:55 PM 2/9/98 EST, you wrote:

>Much has been said about Allen Ginsberg's debt to Whitman and Blake.

>AG's Collected Poems, however, have more than a few references to E.A.

>Poe.  To what extent did Poe influence Ginsberg?   Did Poe's work or

>Poe's life have a greater influence on Ginsberg's sensibility?   Can we

>identify any specific connections between Poe's writings (poems or

>prose) and Ginsberg's work?  (Enough petty bickering.  Let's see if we

>can start a constructive thread.)

> 

ginsberg told a few people in Lowell at a tavern that with the Beats "it all

begins with Poe." "He was the first to make us paranoid." "He woke us from

our dogmatic slumber..." So there you go. Paul...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Content-Disposition: inline

Date:         Tue, 10 Feb 1998 08:28:35 -0500

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From:         David Huckabee <HUCKADT.RADONC@SHANDS.UFL.EDU>

Subject:      Re: Hello? -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Actually, not that anything said here was wrong, but from my

understanding, the degradation of the esophagus and the cirrhosis of

the liver are not necessarilly inter-related. The esophagus is usually

what kills most chronic alcoholics, since the liver is a much more

resilient organ. Probably, most of JK's internal systems were in pretty

bad shape by the time he died, so it was just a matter of time to see

which went first. Guess the GI tract lost.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 10:20:37 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Ginsberg & Poe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have to agree with Diane.  It is the visonary and mystical aspects of Poe's w

ork that would appeal to Ginsberg.  I also think the tragic and romantic image

of Poe that was presented to most of us in the 1950s would have attracted Allen

, particularly when considered again after having read Baudelaire, Rimbaud, Bla

ke and various Gnostic texts.  Poe would have appealed to Allen as someone who

epitomized Blake's dictum: "The road to excess leads to the palace of wisdom."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 16:37:52 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jo grant wrote:

 

> At the risk of starting another war, one of the best examples of a writer

> with great promise, treated like crap by most of the Beats,( including her

> Godfather AG) and the Beat affecianadoes was Jan Kerouac.

 

 

=== Yes indeedy.....Ginsberg's treatment of her was appalling.  I don't

understand it.  Does anyone know why he had such a bad attitude about

her?  I know she was hard to deal with sometimes, but that's no reason

for the betrayal and thievery that she experienced. And when are her

writings ever going to be back in print again??

 

=-=-=-=-=-=-=-=-=

Jeffrey Scott H

feral human of ky

=-=-=-=-=-=-=-=-=

 

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Date:         Tue, 10 Feb 1998 10:56:17 -0500

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From:         David Huckabee <HUCKADT.RADONC@SHANDS.UFL.EDU>

Subject:      tales of death and alcohol -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

agreed

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 16:11:26 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Neil,

 

Ya know, I sent Jeffrey Holland a private, civil message late yesterday

afternoon in which I tried to establish some common philosophical

ground. I even signed it _in good faith,_. He didn't get back to me. I

guess he doesn't want to discuss philosophy with me.

 

This is of course between you and me.

 

-John

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Authentication-Warning: landen.math.uwaterloo.ca: nhenness owned process

                         doing -bs

X-Sender: nhenness@landen.math.uwaterloo.ca

Date:         Tue, 10 Feb 1998 11:21:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Mon, 9 Feb 1998, John Hasbrouck wrote:

 

> Jeffrey Scott Holland wrote:

> >

> > And yes, there *is* a Zen Buddhist way to say that Black is White, and

> > that "lesser" arguments are the better. I do not invoke the Zen Buddhist

> > way, however; I am almost always being quite literal.

> >

> Of course any discussion of Zen only clouds the mind.

> 

> > Black and White are both myths created by our primitive sensory

> > abilities, by the way.

> >

> This is sophistry of such simple beauty and purity that I forced to

> defer to your utter mastery of this great art. As we all know, it is

> impossible to win any argument with such an opponent, since the rules of

> the game are constantly changing.

 

Actually John, Jeffrey is right, in a way. "Black" and "White" as colour

terms in English are just the extremes of the spectrum, their significance

has been culturally determined. For two interesting studies on the

development of colour terms in language, see Brent Berlin and Paul Kay,

_Basic Color Terms: Their Universality and Evolution_ (Berkeley:

University of California Press, 1969) and Paul Kay and Chad McDaniel, "The

Linguistic Significance of the Meanings of Basic Color Terms," _Language_,

54 (1978) 610-46.

 

There's lots of fascinating stuff about basic colour terms cross language

barriers, and there's actually a grammar that generates the system of all

basic colour terms for any language according to the number of basic

colour terms in it.

 

Neil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:12:52 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

 

> If anyone thinks that one should ignore such attacks

> that have no substance but "their imho" then we might as well let racial

> epitaths, jewish remarks, impotency jokes, and neonazi sympathies  work

> as commerce instead of thought and reason.

 

 

 

=== And well we should. America is supposed to be a free country, you

know, including the freedom to have bad opinions. And the Internet is

even freer.

 

I'm not defending Paul's position, mind you, or neonazi sympathies

either. But I am defending people's right to "their imho", no matter how

putrid, hateful, evil, malignant, or retarded.

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeff Holland, Kentucky

diggin' on Langston Hughes

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:29:44 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Hasbrouck wrote:

> 

 

> I even signed it _in good faith,_. He didn't get back to me. I

> guess he doesn't want to discuss philosophy with me.

 

=== Bingo. Not after the wanna-be-Perry Mason grilling I'd already

yawned my way through, "so, Mr.Holland, please enlighten me...", blah

blah blah, posture posture pose.

 

Besides, I had already said my final words on the matter, I repeat them

here now : "anything else I say at this point would only be

a restatement of what I have already said. If ya still don't get what

I'm sayin', I don't know any other way of puttin' it."

 

If ya don't wanna wade in my - what was the phrase you used? - "quagmire

of doggerel", then why come back for another heapin' helpin'?

 

 

 

> 

> This is of course between you and me.

 

=== *ROTFLMAO*

 

 

=-=-=-=-=-=-=-=-=-=-=

That Jeffrey Holland,

Nowheresville and groovin' on it.

=-=-=-=-=-=-=-=-=-=-=

 

To: mayhewe@SONOMA.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Velvet Underground

Cc: BEAT-L@CUNYVM.CUNY.EDU

Bcc: morocco@walrus.com

X-Attachments:

In-Reply-To: <34DFA465.4BB0@sonoma.edu>

References: <199802100033.TAA29889@ecsmtp.twi.com>

 

>what do these lyrics mean to you?

         .

         eat!

         )

         (

         )

         TV              (black & white)

         & a smile       (campbell)

()

         a T-shirt       (micky mouse)

         micky mouse          (T-shirt)

(        andy warhol          (Andrew Warhola)     )

         (    )

              eat!

         guitars         (1) lift the ring to can edge

         (TV)

         drum            (2) pull up ring pushing with thumb

         (    )

           eat

         barley &

         vegetables soup

         ()

         eat!

         .

 

021098

RSARLD50B26

Return-Path: <MAILER-DAEMON>

Date:         Tue, 10 Feb 1998 13:44:09 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Tue, 10 Feb 1998 19:32:20...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Tue, 10 Feb 1998 19:32:20 +0100 with subject "Re: Velvet

Underground"  has been  successfully distributed  to the  BEAT-L list  (253

recipients).

 

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Date:         Tue, 10 Feb 1998 19:53:31 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Langston Hughes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

two Langston Hughes pomes I'm gonna force on the assembled crowd:

 

=-=-=-=-=-=

 

 

"Fired"

 

Awake all night with loving

The bright day caught me

Unawares -- asleep.

 

"Late to work again",

The boss man said.

"You're fired!"

 

So I went on back to bed --

and dreamed the sweetest dream

With Caledonia's arm

Beneath my head.

 

 

=-=-=-=-=-=

 

 

"Midnight Dancer"

 

Wine-maiden

Of the jazz-tuned night,

Lips

Sweet as purple dew,

Breasts

Like the pillows of all sweet dreams

Who crushed

The grapes of joy

And dripped their juice

On you?

 

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

thrilled to have spoken

to Okie Jones on the

phone the other night

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:51:46 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

yo, sista pat;

i've slugged it out in seminars, with internet meetings with the well

gods(barlow, silberman, gans, etc), with just about any other guy that i've

had an interest or a disagreement with

this 'poor ladies' crapola is just that. hang in there with me.

i am who i am, gender is never a wall to  me.

marie

 

Patricia Elliott wrote:

 

> I didn't disparage jack, he isn't my favorite but i would be misstating

> if I didn't say that i believe  some sort of magic was involved in those

> three being friends and all coming to write as they did. Each different

> yet some common bell rang.  I agree with who ever said that the women of

> the beats are underesteemed. i have been a woman with the guys and find

> it takes a tough hide to slug it out.  I don't think one should have to

> "be able to take it"  It is a matter of time and space and eternal

> disgrace.

> pauls statement saying "poor diane" starts the message like rancid

> butter. give it a thought.  It isn't always the peripherial sots and

> odds that steadily discourage or disparage women with crap remarks.  It

> is a pitiful thought that having sex with those guys is a desparate act

> on someones part. If anyone thinks that one should ignore such attacks

> that have no substance but "their imho" then we might as well let racial

> epitaths, jewish remarks, impotency jokes, and neonazi sympathies  work

> as commerce instead of thought and reason.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:54:09 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

and, may i ask, whose desperation, jack's or diane's?

mc

 

jo grant wrote:

 

> Paul A. Maher Jr wrote:

> 

> >to add to this...there exists nothing in Kerouac's archives about him ever

> >having something to do with Diane DiPrima sexually. At the most he screwed

> >her out of sexual desperation. Folks..well, next post maybe. P.

> >"We cannot well do without our sins; they are the highway to our virtues."

> >                                           Henry David Thoreau

> 

> Hmm. So he "...[S]crewed her out of sexual desperation."

> 

> Interesting.

> 

> Tell us more about screwing out of sexual desperation. I've heard of people

> screwing out of financial desperation, but not sexual desperation.

> 

> Interesting new thread here.

> 

> j grant

> 

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                       625,506 Visitors  07-01-96 to 11-28-97

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 13:57:02 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: DiPrima - Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr

>I posted to poor Diane on the list some vicious comment about DiPrima when I

>meant to lay it on the list...DiPrima has nothing special to say. Her only

>claim to fame is having sex with prominent Beatmembers and writing about it.

>Jakc musta' been drunk. Really....Jack Kerouac wrote about the joy of life

>and of suffering ...and he was an original. Nothing like these wanna-Beat's

>who lay around moaning about menstruation and pills. P of TKQ.

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

 

Unwarranted disparagement...

 

Took time to dig out the excerpt DiPrima wrote about a sexual escapade with

JK. It was very  well written, a little slice of life, very erotic, by a

Beat Woman Writer--worth keeping.

 

She's very good.

 

IMO none of the women considered "Beat" have been given the credit they

deserve.

 

At the risk of starting another war, one of the best examples of a writer

with great promise, treated like crap by most of the Beats,( including her

Godfather AG) and the Beat affecianadoes was Jan Kerouac. And it hasn't

stopped. Even the final few paragraphs she wrote have two people, with

unlimited money, scrambling around in court to get them changed.

 

Is the most shameful, despicable form of censorship that which is done for

profit?

 

j grant

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:01:13 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      this is wearing thin, paul

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>"We cannot well do without our sins; they are the highway to our

virtues."

>                                           Henry David Thoreau

>as it seems to apply to only you and not other list members.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:03:28 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Langston Hughes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

loved them both, and brought to mind Ishmael Reed's

 

'do not read this poem'

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:15:00 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      beats and sherri's birthday

To:           BEAT-L@CUNYVM.CUNY.EDU

 

fred boggin will keep this jpeg on his web page until mon. anyone

interested in looking at our dissipation on sherri's birthday, go to:

http://www.escape.com/~bogin/kerouac.jpg

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:17:40 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Ginsberg & Poe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

bill, i also have to cast my vote with diane, having spent the day with the

collected poems and poe. visionary most certainly and the road to excess needs

 no

explanation.

mc

 

Bill Gargan wrote:

 

> I have to agree with Diane.  It is the visonary and mystical aspects of Poe's

 w

> ork that would appeal to Ginsberg.  I also think the tragic and romantic image

> of Poe that was presented to most of us in the 1950s would have attracted

 Allen

> , particularly when considered again after having read Baudelaire, Rimbaud,

 Bla

> ke and various Gnostic texts.  Poe would have appealed to Allen as someone who

> epitomized Blake's dictum: "The road to excess leads to the palace of wisdom."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:21:09 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

speaking as a painter vs poet: white = absence of color

black= all colors.

mc

 

Neil M. Hennessy wrote:

 

> On Mon, 9 Feb 1998, John Hasbrouck wrote:

> 

> > Jeffrey Scott Holland wrote:

> > >

> > > And yes, there *is* a Zen Buddhist way to say that Black is White, and

> > > that "lesser" arguments are the better. I do not invoke the Zen Buddhist

> > > way, however; I am almost always being quite literal.

> > >

> > Of course any discussion of Zen only clouds the mind.

> >

> > > Black and White are both myths created by our primitive sensory

> > > abilities, by the way.

> > >

> > This is sophistry of such simple beauty and purity that I forced to

> > defer to your utter mastery of this great art. As we all know, it is

> > impossible to win any argument with such an opponent, since the rules of

> > the game are constantly changing.

> 

> Actually John, Jeffrey is right, in a way. "Black" and "White" as colour

> terms in English are just the extremes of the spectrum, their significance

> has been culturally determined. For two interesting studies on the

> development of colour terms in language, see Brent Berlin and Paul Kay,

> _Basic Color Terms: Their Universality and Evolution_ (Berkeley:

> University of California Press, 1969) and Paul Kay and Chad McDaniel, "The

> Linguistic Significance of the Meanings of Basic Color Terms," _Language_,

> 54 (1978) 610-46.

> 

> There's lots of fascinating stuff about basic colour terms cross language

> barriers, and there's actually a grammar that generates the system of all

> basic colour terms for any language according to the number of basic

> colour terms in it.

> 

> Neil

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Tue, 10 Feb 1998 12:26:37 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: The "Beat" Generation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In light of this it is interesting to look at a passage from pg 51 of Some

of the Dharma.  Keep in mind this passage was written in 1953 or 1954, long

before Burroughs began work on what would become Naked Lunch.

________________

 

         If I had felicity with facility I'm telling you I'd be a millionaire...

 

 In Mexico, a life of leisure

& delicacy & solitude

& art perhaps--

A printer in Mexico City,

Proprietor of the Beautiful Press,

publishing saints only...

First issue will be  HUNCKE:  "Sing Sing Visions"

                               CASSADY:  "The First Third"

                               BURROUGHS:  "Naked Lunch"

                               GINSBERG:  "Acavalna the Cave of Night"

                               SOLOMON:  "Buddha's Madhouse"

                               KEROUAC:  "Doctor Sax"

                               FITZGERALD:  "Mad Murphy and Mighty Mike"

           The issue to be call'd "Six Unpublished Saints" with a big Number 1

 

(pg 51 SoD)

 

_________________

 

I had read how Kerouac often told Burroughs how he would be a great writer

and would write a book called Naked Lunch.  Here it is how Kerouac mapped

out in his fantasy this goal (along with a goal for others) and in the case

of Burroughs it came true.  As was pointed out Kerouac did a lot of the work

in typing up and consolidating Burrough's manuscript.

 

I don't know who Fitzgeral is (Tom Fitzgerald is a name I seem to remember

but don't know who he is.  First Third did get published (and is still read

and even spawned a movie this last year).  Hunckeeventually was published

and has the most comprehensive piece of work published as the Herbert Huncke

Reader.  Is Buddha's Madhouse the work published as Mishaps perhaps?  (I

think that is Solomon's book, right?).  I don't know what Acavalna the cave

of Night is or was.  Was it something Ginsberg wrote or something kerouac

was telegraphing for Ginsberg a la Naked Lunch for Burroughs?

 

And it is alos of note to see that Kerouac included Dr. Sax here, not on the

Road or Visions of Cody.  This passage was written at a time when Kerouac

couldn't get his phone number published despite the fact that he had already

published a relatively critically acclaimed work.

 

He did have a vision.

 

 

At 07:00 PM 2/9/98 -0500, you wrote:

>At the risk of ponitificating this opinion upon you folks...there are those

>out there who know what I'm talking about so agree amongst yourselves or

>voice in support. These various figures cannot be claimed as true "writers"

>who carried the spirit of the Beat Generation. true there was a Beat

>Generation which carries forth into this day with the same freeloaders and

>layabouts who want to call themselves Beat but are really jobless and

>without a self-identity. I split Kerouac away from this garbage because he,

>unlike the others who profess to be part of this alleged generation,(which

>was not really a generation but instead, a crew of oppurtunists who rode

>then and to this day on the coattails of Kerouac).

>   Kerouac wrote. Day in and day out he wrote and was therefore a writer. He

>stands alone in the history of American Literature as a writer of huge

>proportions. Like the writers of the Lost Generation he had genius and

>talent. He would have written had there not been a Beat Generation. What can

>be said for all the other mediocrities he had fostered from then till now?

>They wrote because they had to be encouraged. When they wrote in notebooks,

>it was Kerouac who typed up major portions of the manuscript and encouraged

>their writing (Burroughs) or showed them a style and they copied it forever

>after (Ginsberg who had always professed to be a mere imitator of Kerouac).

>Would Ferlinghetti be a known poet if he had not self-published his own

>poetry? Now Im not saying that none of the afore-mentioned writers aren't

>talented writers...just this, they all were supported in their chosen

>careers by Kerouac. They may be geniuses in their own right...but...well

>Burroughs literatire had floundered when he distanced himself from his

>fellow Beats and went on his own journey. Only his later post-cutup lit

>could ever touch the fire of Naked Lunch. Ginsberg's poetry thrived on his

>past inventions instead of trying to reinvent himself or just plain falling

>for lame shock-value tactics in his poetry (read "Come On Jack").

>At least Kerouac recognized this and stayed away. His mind was on his own

>true vision of the world and he continued to expound on it,though

>unsuccessfully with his savage bouts of drinking.

>  I'm just asking you all to really consider if this was a generation at all

>or...like the followers of Picasso who adopted Abstract Cubism in their

>repertoire of works but could not continue after it because they did not

>arrive their themselves. This era was all about Jack and that is that. P.

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 21:33:47 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Beats yes,

              Hippies/Deadheads no maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I wrote:

 

> >Do they think it's just some hippy-dippy deadhead

> >take-drugs-and-hitchhike kinda grooved-out loveburger bullshit?

 

 

 

and, bafflingly, Moritz Rossbach replied:

 

> yeah !

> not bullshit though

 

 

and JSH is moved to respond:

 

=== That is what you say. I maintain hippies and deadheads are a sad,

unfortunate by-product of the Beat movement. There is absolutely nothing

in common between Herbert Huncke and Timothy Leary except that they were

both con men.

 

I would much rather be in a beatnik coffee house in 1961, listening to

poetry and jazz, reading and learning and listening and enjoying art,

than to be at some Be-In in 1967 or acid-rock festival in 1968, with

selfish throngs of spoiled, ignorant, painted airheads, drugged-out

beyond self-control, calling you a Pig if you don't give them a handout,

doing their own thing at everybody else's expense (totally inimical to

the "Johnson" credo) giving up attending protest rallies when they

suddenly weren't fun and games anymore.....and it's only gotten worse in

modern times. Ben & Jerry's Ice Cream, Grateful Dead coffee mugs, key

chains, t-shirts, stickers, give me a fucking break! This is so far away

from "On The Road" it's like another planet.

 

I was a hippie in my youth, and learned the hard way that the hippie

ideals were a sham. I quickly evolved into a Yippie, but without Abbie's

sense of humor they were nothing. Eventually I learned that you just

can't beat the direct honesty and integrity of the original Beats. As

far as I'm concerned, the masses took a wrong turn in 1967 and the REAL

counterculture has been derailed ever since.

 

=-=-=-=-=-=-=-=-=

J.Scott Holland

ke nt uc ky

=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 21:38:30 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      oops

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have no idea how the phrase "maybe you should join the army or

something" ended up at the end of my "Beats yes, Hippies/Deadheads no"

post's title.........weird and wacky.

 

=-=-=

jsh

ky

=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 15:46:02 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         George Russell <CodyPomera@AOL.COM>

Subject:      Re: THE DEAD/BEATS-Terrapin Station

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Terrapin Station Project is going to happen and is set to open New Years

Eve 1999.  The remaining members of the Dead will play.  Maybe they'll have a

hologram of Jerry?  The museum will be dedicated to the Dead and their fans

with a Dead parking lot and a bunch of other stuff...I can't wait.

 

-George

 

-----------------------------------------------------------------------------

I'm afraid some day you'll play lonely games too,

Games you can't win because you'll play against you.

-Dr. Seuss

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 14:47:45 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr wrote:

 

>to add to this...there exists nothing in Kerouac's archives about him ever

>having something to do with Diane DiPrima sexually. At the most he screwed

>her out of sexual desperation. Folks..well, next post maybe. P.

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

 

Hmm. So he "...[S]crewed her out of sexual desperation."

 

Interesting.

 

Tell us more about screwing out of sexual desperation. I've heard of people

screwing out of financial desperation, but not sexual desperation.

 

Interesting new thread here.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 22:10:52 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

FRANKLIN CARTER wrote:

> 

> I joined this list to lurk and learn but I am learning more about the

> pathetic psychoses of Jeffrey Scott Holland than about the beats.

 

=== maybe you should try harder to lurk and learn.

 

 

 

> The crap coming out of his mouth is making me sick.

 

=== Well, you weren't supposed to *eat* it. It's strictly for decorative

use only; reread the directions.

 

 

 

 

> Can anyone help me out and tell

> me how to turn off this tv?

 

=== you could be a man and accept that some people's opinions do not

match yours.....or you could get over yourself and just NOT READ any

post that comes in with my name on it......or you could visit the Golden

Gate Bridge and wow us with your Wiley Coyote impersonation.

 

=-=-=-=-=-=-=-=-=

J.S.Holland, KY

surer than ever now that humanity is doomed

=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 15:25:31 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>jo grant wrote:

> 

>> At the risk of starting another war, one of the best examples of a writer

>> with great promise, treated like crap by most of the Beats,( including her

>> Godfather AG) and the Beat affecianadoes was Jan Kerouac.

> 

> 

>=== Yes indeedy.....Ginsberg's treatment of her was appalling.  I don't

>understand it.  Does anyone know why he had such a bad attitude about

>her?  I know she was hard to deal with sometimes, but that's no reason

>for the betrayal and thievery that she experienced. And when are her

>writings ever going to be back in print again??

> 

>=-=-=-=-=-=-=-=-=

>Jeffrey Scott H

>feral human of ky

>=-=-=-=-=-=-=-=-=

 

J. S.,

 

Gerry Nicosia is her literary executor and (I believe) has some things

happening with her Trainsong and Baby Driver.

 

If I hear details I'll pass them on to you.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 21:55:46 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Hello?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jacks world was at an end before Neal's--Neal just died first.

 

James

 

Mary Maconnell wrote:

 

> Don't mean to drag a subject on but I *did* look up a website which dealt

> with Neal specifically.  Interesting that Neal died before Jack did -- I

> wonder if Jack

> intentionally thought the world was at an end because Neal

> died...that's always been a curiousity to me.

> 

> So (sigh) ... I'm going to see "Kerouac" again in Seattle this coming

> weekend.  It's different every time.  :)

> 

> Take care, all.

> 

> Mary

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jack into bed. A letto con Jack. (Re: Diane di Prima)

Cc:

Bcc: mapaul@PIPELINE.COM

X-Attachments:

In-Reply-To: <1.5.4.32.19980209234403.006d105c@pop.pipeline.com>

References:

 

Buona sera a tutti gli amici beat,

 

Paul A. Maher Jr. says:

>to add to this...there exists nothing in Kerouac's archives about him ever

>having something to do with Diane DiPrima sexually. At the most he screwed

>her out of sexual desperation. Folks..well, next post maybe. P.

> 

Paul, maybe there's another point of view concerning Jack

Kerouac had sex with Diane Di Prima. i quote from an italian

beat scholar

 

         A letto con Jack. (guida alla beat generation

                         Emanuele Bevilacqua)

 

   E c'e' anche del sesso, naturalmente, nei giorni e

nelle notti dei beat. Una pagina da Memorie di una beatnik

 _Memoirs of a Beat_ e' piuttosto simbolica, perche' l'autrice

del libro Diane Di Prima, invita a casa Allen Ginsberg,

Jack Kerouac e altri amici.

   Dopo una serata di chiacchiere e di poesia ci fu una

"strana orgia indescrivibile". Si creano due gruppi, uno di

uomini, intorno a Ginsberg, e poi Diane e Jack...

 

i stop to elaborate... but

the tale continues in a *very* explicit hardcore description

of Jack like the greek deity Pan... it's a strange way that Jack

Kerouac gave for free his short stories to the catholic "Jubilee Magazine"

and at the same time had "strange orgy" with Diane Di Prima...

 

saluti a tutti,

Rinaldo.

-------Return-Path: <MAILER-DAEMON>

Date:         Tue, 10 Feb 1998 17:16:18 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Tue, 10 Feb 1998 23:04:42...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Tue, 10 Feb 1998 23:04:42 +0100 with subject "Jack into

bed.  A letto  con  Jack.  (Re: Diane  di  Prima)"  has been  successfully

distributed to the BEAT-L list (254 recipients).

 

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Date:         Tue, 10 Feb 1998 16:18:54 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I didn't disparage jack, he isn't my favorite but i would be misstating

if I didn't say that i believe  some sort of magic was involved in those

three being friends and all coming to write as they did. Each different

yet some common bell rang.  I agree with who ever said that the women of

the beats are underesteemed. i have been a woman with the guys and find

it takes a tough hide to slug it out.  I don't think one should have to

"be able to take it"  It is a matter of time and space and eternal

disgrace.

pauls statement saying "poor diane" starts the message like rancid

butter. give it a thought.  It isn't always the peripherial sots and

odds that steadily discourage or disparage women with crap remarks.  It

is a pitiful thought that having sex with those guys is a desparate act

on someones part. If anyone thinks that one should ignore such attacks

that have no substance but "their imho" then we might as well let racial

epitaths, jewish remarks, impotency jokes, and neonazi sympathies  work

as commerce instead of thought and reason.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 17:49:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i really don't know much about jan. i have always wanted to find out more

about her. it was surprising the first time i heard about the way allen

treated her, seeing as how he was her godfather. he threw her off nyu campus

when she wanted to speak about jack's literary archives! but i didn't know

about how the others treated her. i assumed it was just something personal

between them. also, i didn't know that she had a difficult personality, or

that she ever wrote. knowing that asking for so much background research will

probably bore people who feel their mailboxes are already deluged, please e-

mail me privately if you feel you can enlighten me. thanks a lot in advance

for the help. i appreciate it. =)

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Tue, 10 Feb 1998 18:15:40 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Jack into bed. (a question for Mr. Maher)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:04 PM 2/10/98 +0100,  Paul A. Maher Jr. wrote:

 

>to add to this...there exists nothing in Kerouac's archives about him ever

>having something to do with Diane DiPrima sexually. At the most he screwed

>her out of sexual desperation. Folks..well, next post maybe. P.

 

Paul,

 

Just out of curiousity, I posted a question in regards to any help

in finding info about something in JK's archives and I was wondering

if you could fill me in about the status of this (that is if you know

anything

about this, or will be viewing the archives in the near future), or find

out if such exists?

 

Sincerely,

Mike

 

-------------------------------------

Here is the original post:

 

On 2/06/98, I wrote:

 

>I was wondering if any of the scholars on the list

>know of/have seen, etc., anything in Kerouac's

>archives about his plan to continue "SEA: Sounds of

>the Pacific Ocean at Big Sur?"  I was recently perusing

>through _Satori in Paris_ and he mentions his plans

>to continue this after leaving Paris, but nothing is

>mentioned further on in the novel (from what I

>remember).  Kerouac also mentions this during the

>Jarvis/Curtis radio interview in Lowell, in September

>of 1962.  I don't remember seeing anything in any

>of the bio's etc. regarding any further work on this.

>Has anyone seen any further work in the archives?

> 

>Enquiring minds want to know. . .

>Mike

> 

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 17:24:05 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>i really don't know much about jan. i have always wanted to find out more

>about her. it was surprising the first time i heard about the way allen

>treated her, seeing as how he was her godfather. he threw her off nyu campus

>when she wanted to speak about jack's literary archives! but i didn't know

>about how the others treated her. i assumed it was just something personal

>between them. also, i didn't know that she had a difficult personality, or

>that she ever wrote. knowing that asking for so much background research will

>probably bore people who feel their mailboxes are already deluged, please e-

>mail me privately if you feel you can enlighten me. thanks a lot in advance

>for the help. i appreciate it. =)

> 

>aeronwy

 

Start with:

http://www.bookzen.com/kerouac.html

 

Look around. I have to get some more material together soon. I'll post it

to you.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 15:34:34 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Velvet Underground

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rinaldo Rasa wrote:

> 

> >what do these lyrics mean to you?

>                 .

>                 eat!

>                 )

>                 (

>                 )

>                 TV                      (black & white)

>                 & a smile               (campbell)

> ()

>                 a T-shirt               (micky mouse)

>                 micky mouse             (T-shirt)

> (               andy warhol             (Andrew Warhola)                )

>                 (       )

>                         eat!

>                 guitars         (1) lift the ring to can edge

>                 (TV)

>                 drum                    (2) pull up ring pushing with thumb

>                 (       )

>                   eat

>                 barley &

>                 vegetables soup

>                 ()

>                 eat!

>                 .

> 

> 021098

> RSARLD50B26

absolutely nothing

explain if you wish

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 00:42:50 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Levi Asher wrote:

 

> That's all right, you can go off on the Deadheads if you want, we

> know you secretly bop to "Touch of Grey" when it comes on the radio,

> like everybody else.

 

=== Oh heck no, that's way too modern fer me.  I did dig "Truckin'"

though. And that "Old And In the Way" album Garcia did.

 

 

 

 

> Their best songs came out of the

> early 70's, and these songs (not the 60's music) became the

> reportoire for all their shows.

 

=== But I wasn't talking about the band at all, you see, I have no real

problem with the band itself. I have a whole bag of live Dead tapes that

a guy gave me when I dropped some cash on him as he was hoboing his way

crosscountry by trainhopping - now THAT'S the kinda deadhead that gets

my respect. Anyway, to me the Dead were a decent enough blues jam band;

I was harping on the legions of demented followers, not the band.

 

 

 

> And the Dead were smart enough

> to leave Haight-Ashbury in 67 -- J. Scott Holland, maybe the

> reason you're so pissed off is that you hung around too long.

 

=== Actually I didn't pay any attention to the Dead until many years

later, like around "Shakedown Street" time. I was more of a Beatles,

Stones, Kinks 'n' Who kinda kid in the late 60's; I was behind the times

even as a child I guess. Well, the Who were still hip anyway. (I wish

Pete would write a novel. I hated his "Horse's Neck" collection but I

still think he has it in him.)

 

=-=-=-=-=-=-=-=-=-=-=

Jeffrey Holland - KY.

Actually listening to

Dean Martin (shhhh,

don't tell anyone)

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 00:47:32 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr. wrote:

 

> I guarantee you that the position the

> women were in with the Beats was exactly

> where they wanted to be.

 

=== You can't possibly be serious.

 

=-=-=

jshky

=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 18:52:48 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "J. Giles" <SilverSkie@AOL.COM>

Subject:      "bleed for me"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The line _is_ "bleed for me," that is if we're to believe Lou Reed. The lyrics

to "Venus in Furs" are printed in Reed's book, _Between Thought and

Expression: Selected Lyrics of Lou Reed_ (Hyperion, 1991).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Tue, 10 Feb 1998 19:08:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 02:47 PM 2/10/98 -0600, you wrote:

>Paul A. Maher Jr wrote:

> 

>>to add to this...there exists nothing in Kerouac's archives about him ever

>>having something to do with Diane DiPrima sexually. At the most he screwed

>>her out of sexual desperation. Folks..well, next post maybe. P.

>>"We cannot well do without our sins; they are the highway to our virtues."

>>                                           Henry David Thoreau

> 

>Hmm. So he "...[S]crewed her out of sexual desperation."

> 

>Interesting.

> 

>Tell us more about screwing out of sexual desperation. I've heard of people

>screwing out of financial desperation, but not sexual desperation.

> 

>Interesting new thread here.

> 

>j grant

> 

>                    HELP RECOVER THE MEMORY BABE ARCHIVES

>                             Details  on-line at

>                                 http://www.bookzen.com

>                      625,506 Visitors  07-01-96 to 11-28-97

> 

>Every man I know has suffered from sexual desperation at one time

or another, with a need that can't be quelled.  Financial desperation

is strictly for the cashless female.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: ttc13570@host.taconic.net

Date:         Tue, 10 Feb 1998 20:33:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         FRANKLIN CARTER <nilknarf@TACONIC.NET>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I joined this list to lurk and learn but I am learning more about the

pathetic psychoses of Jeffrey Scott Holland than about the beats.  The crap

coming out of his mouth is making me sick.  Can anyone help me out and tell

me how to turn off this tv?

 

Nilknarf

Not-diggin'-it

Not-Kentucky

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:35:12 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: Jan Kerouac : et tu, Ginsberg? (and etc)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-10 16:26:37 EST, you write:

 

<< 

 >jo grant wrote:

 >

 >> At the risk of starting another war, one of the best examples of a writer

 >> with great promise, treated like crap by most of the Beats,( including her

 >> Godfather AG) and the Beat affecianadoes was Jan Kerouac.

 >

 >

 >=== Yes indeedy.....Ginsberg's treatment of her was appalling.  I don't

 >understand it.  Does anyone know why he had such a bad attitude about

 >her?  I know she was hard to deal with sometimes, but that's no reason

 >for the betrayal and thievery that she experienced. And when are her

 >writings ever going to be back in print again??

 >

 >=-=-=-=-=-=-=-=-=

 >Jeffrey Scott H

 >feral human of ky >>

 

 

Yeah, I'd be interested in finding out about Jan Kerouac too. I actually saw

one of her books in a bargain bin at the local encore a while ago, and took a

look at it- but the blurb on the back made it sound like a rip off of OTR

(can't remember the title though-sorry). I passed it off as her trying to make

some money off of her father's reputation- which was admittedly an uninformed

and judgmental response, but what are you going to do.

 

ANyway, I think I'll take this oppurtunity to spew out some random comments:

 

first off: started reading AG's Indian Journals again, and a couple of times

he mentions Brion Gysin, only spells it "BriAn". Also lists his favorite pages

in JK's Mexico City Blues.

 

also- I know that the "petty bickering" gets annoying at times... usually it

really pisses me off- but at the moment I'm really enjoying this jeffrey scott

holland- john hasbrouck exchange. For some reason it is really cracking me up.

:) Man, the guys on this list are true wingnuts, in such a good way.

Seriously. You all make my zucchini4 mailbox worth checking some days.

 

I should be picking up a Diane DiPrima book this weekend if all goes as

planned. I'll post some of the best little poems, and then we can all make our

own decisions as to if she's just famous for screwing you know who. And I'm

about to go try a cut up experiment- my first, how exciting (unless magnetic

poetry counts- and I'm going to have to say I really love my magnetic poetry).

Let's all hope it goes well. If it does, and I'm in a good mood, I'll tell you

all about the time I contacted WSB via ouija board.

 

--Stephanie

 

ps- Do you any of you know much about the PoemFone Poets? (something else I'm

curious about... all I do is ask you guys questions! )

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 17:41:07 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

FRANKLIN CARTER wrote:

> 

> I joined this list to lurk and learn but I am learning more about the

> pathetic psychoses of Jeffrey Scott Holland than about the beats.  The crap

> coming out of his mouth is making me sick.  Can anyone help me out and tell

> me how to turn off this tv?

> 

> Nilknarf

> Not-diggin'-it

> Not-Kentucky

you sound pretty open-minded

it surprises me that people with certain mentalities can even handle

beat literature

give the guy a break

he is an individual

unlike some people i know

edm

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 17:42:22 -0800

Reply-To:     jmaynard@csubak.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <John_Maynard@FIRSTCLASS1.CSUBAK.EDU>

Subject:      Re: beats and sherri's birthday

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

 

> fred boggin will keep this jpeg on his web page until mon. anyone

> interested in looking at our dissipation on sherri's birthday, go to:

> http://www.escape.com/~bogin/kerouac.jpg

 

Hard to think of a better place to do one's dissipatin'...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sent-Mail: off

X-Expiredinmiddle: true

X-Sender-Ip: 149.151.190.53

Date:         Tue, 10 Feb 1998 18:45:12 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      a query.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

howdy postbeaters,

 

i have a thought i was pondering.  i was walking around campus after having

 picked

up a copy of the portable beat reader from the library, and i asked myself,

 "given

our history and evolution of society, political structure, art, etc. etc., what

 would

be a logical, and reasoned future?"  what i'm more curious about, though, is the

present condition of art(writing, music, visual art).  i admit that i've

 concentrated

too much on the classics up to but not including the present.  i'm greatly

 interested

in the beats, but what has it all led up to so far?  is there a group of writers

similar to and as collectively great as the beats today?  perhaps underrated,

 perhaps

not?  are they recognized today or will they be recognized tommorrow?  anyone

 care

to respond?

 

 

"The unexamined life is not worth living."-Socrates-

Al

 

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:50:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Other than not supporting Jan at the 1995 NYU Beat conference, just how was

Allen Ginsberg's treatment of Jan Kerouac so "appauling"?

 

Howard Park

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 17:52:06 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> FRANKLIN CARTER wrote:

> >

> > I joined this list to lurk and learn but I am learning more about the

> > pathetic psychoses of Jeffrey Scott Holland than about the beats.

> 

> === maybe you should try harder to lurk and learn.

> 

> > The crap coming out of his mouth is making me sick.

> 

> === Well, you weren't supposed to *eat* it. It's strictly for decorative

> use only; reread the directions.

> 

> > Can anyone help me out and tell

> > me how to turn off this tv?

> 

> === you could be a man and accept that some people's opinions do not

> match yours.....or you could get over yourself and just NOT READ any

> post that comes in with my name on it......or you could visit the Golden

> Gate Bridge and wow us with your Wiley Coyote impersonation.

> 

> =-=-=-=-=-=-=-=-=

> J.S.Holland, KY

> surer than ever now that humanity is doomed

> =-=-=-=-=-=-=-=-=

maybe he should just change the channel to the Golden Girls or something

cant stand an opinion or two, maybe Bea Arthur would be better

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:55:14 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> FRANKLIN CARTER wrote:

> >

> > I joined this list to lurk and learn but I am learning more about the

> > pathetic psychoses of Jeffrey Scott Holland than about the beats.

> 

> === maybe you should try harder to lurk and learn.

> 

> > The crap coming out of his mouth is making me sick.

> 

> === Well, you weren't supposed to *eat* it. It's strictly for decorative

> use only; reread the directions.

> 

> > Can anyone help me out and tell

> > me how to turn off this tv?

> 

> === you could be a man and accept that some people's opinions do not

> match yours.....or you could get over yourself and just NOT READ any

> post that comes in with my name on it......or you could visit the Golden

> Gate Bridge and wow us with your Wiley Coyote impersonation.

 

boy is there an advantage of being a woman.

i would never be a dead head

but have fucked dead heads

and found them to be as other men

have they not minds, not mouths.

old hippies not all shallow ,

some suvive the fall.

group hug everyone

p

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:31:32 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I joined this list to lurk and learn but I am learning more about the

>pathetic psychoses of Jeffrey Scott Holland than about the beats.

 

This made me laugh out loud.

 

Very funny and apt.

 

Not that this guy is a bad writer or unamusing himself or totally without

merit in the things he says.  (I actually quite enjoyed some of his

schtick).

 

I don't mind or even notice so called big words or esoteric vocabulary or

whatever it was his words were called.

 

Here's one: puerile.  I think San Pablo and droohls can fit that mold.  Not

necessarily a bad thing.  It goes with the territory.

 

 

So Joohls droohls sink or swim the light is out the light is on the dr is

real in.

 

Remember Beer's Law if you will.

 

>The crap

>coming out of his mouth is making me sick.  Can anyone help me out and tell

>me how to turn off this tv?

> 

>Nilknarf

>Not-diggin'-it

>Not-Kentucky

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 19:52:04 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> I would much rather be in a beatnik coffee house in 1961, listening to

> poetry and jazz, reading and learning and listening and enjoying art,

> than to be at some Be-In in 1967 or acid-rock festival in 1968, with

> selfish throngs of spoiled, ignorant, painted airheads, drugged-out

> beyond self-control, calling you a Pig if you don't give them a handout,

> doing their own thing at everybody else's expense (totally inimical to

> the "Johnson" credo) giving up attending protest rallies when they

> suddenly weren't fun and games anymore.....and it's only gotten worse in

> modern times. Ben & Jerry's Ice Cream, Grateful Dead coffee mugs, key

> chains, t-shirts, stickers, give me a fucking break! This is so far away

> from "On The Road" it's like another planet.

 

That's all right, you can go off on the Deadheads if you want, we

know you secretly bop to "Touch of Grey" when it comes on the radio,

like everybody else.

 

The one biggest point I've always wished people would understand

about the Grateful Dead is that even though the straight world

can't stop associating the Dead with 1967 Haight-Ashbury and

be-ins and all that, the 60's thing actually plays a very small

role in Deadhead culture.  Their best songs came out of the

early 70's, and these songs (not the 60's music) became the

reportoire for all their shows.  And the Dead were smart enough

to leave Haight-Ashbury in 67 -- J. Scott Holland, maybe the

reason you're so pissed off is that you hung around too long.

 

Just kidding, J. Scott -- seriously, you've got the best

.sig's I've ever seen ... but how long can you keep it up?

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: podulkca@uwec.edu

Date:         Tue, 10 Feb 1998 22:56:27 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the  Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:33 PM 2/10/98 -0500, you wrote:

>I joined this list to lurk and learn but I am learning more about the

>pathetic psychoses of Jeffrey Scott Holland than about the beats.  The crap

>coming out of his mouth is making me sick.  Can anyone help me out and tell

>me how to turn off this tv?

> 

>Nilknarf

>Not-diggin'-it

>Not-Kentucky

> 

I think it's all a matter of opinion. Like you, I too have been lurking and

learning, but I delete what I don't want. If you don't like what you hear,

all you have to do is ignore it! It's not that hard. Usually if you learn

something from the beats, it opens up your mind but not everyone can

understand.

Kat

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:03:01 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: a query.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>howdy postbeaters,

>is there a group of writers

>similar to and as collectively great as the beats today?  perhaps underrated,

> perhaps

>not?  are they recognized today or will they be recognized tommorrow?

 

 

Yes, and by chance they all subscribe and post to the beat-l

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 22:07:39 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr. wrote:.but I guarantee you

> that the position the women were in with the Beats was exactly where they

> wanted to be.

> It was never an act of oppression, just a fact of the times.virtues."

>                                            Henry David Thoreau

are you out of your gourd.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Tue, 10 Feb 1998 23:20:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:18 PM 2/10/98 -0600, you wrote:

>I didn't disparage jack, he isn't my favorite but i would be misstating

>if I didn't say that i believe  some sort of magic was involved in those

>three being friends and all coming to write as they did. Each different

>yet some common bell rang.  I agree with who ever said that the women of

>the beats are underesteemed. i have been a woman with the guys and find

>it takes a tough hide to slug it out.  I don't think one should have to

>"be able to take it"  It is a matter of time and space and eternal

>disgrace.

>pauls statement saying "poor diane" starts the message like rancid

>butter. give it a thought.  It isn't always the peripherial sots and

>odds that steadily discourage or disparage women with crap remarks.  It

>is a pitiful thought that having sex with those guys is a desparate act

>on someones part. If anyone thinks that one should ignore such attacks

>that have no substance but "their imho" then we might as well let racial

>epitaths, jewish remarks, impotency jokes, and neonazi sympathies  work

>as commerce instead of thought and reason.

> 

 

I said it was an act of desperation on jack's part...I could care less how

you perceive how women were treated. if they had a tough hide they did slug

it out. Most women writers are in a very tough battle in this world because

of male heirarchy thoug of course this isn't right...but I guarantee you

that the position the women were in with the Beats was exactly where they

wanted to be.

It was never an act of oppression, just a fact of the times. Did men shove

around Gertrude Stein? P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Tue, 10 Feb 1998 23:25:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Jack into bed. (a question for Mr. Maher)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jack always wrote but on more than one occasion he never fully realized an

idea before sketching out a new one. By that stage in the game he was too

tired and ill to do such powerful writing as "Sea". Though, he may have

thought about it in his head and sketched it out more fully in his

notebooks. I cannot act as an expert on what is in the archives but the

scope of this as explained to Jarvis I doubt was ever realized to such

dimensions. For one he would have had to done the world travelling to sketch

out the sounds of all the seas he mentioned. This I know he didn't do. Paul...

>Paul,

> 

>Just out of curiousity, I posted a question in regards to any help

>in finding info about something in JK's archives and I was wondering

>if you could fill me in about the status of this (that is if you know

>anything

>about this, or will be viewing the archives in the near future), or find

>out if such exists?

> 

>Sincerely,

>Mike

> 

>-------------------------------------

>Here is the original post:

> 

>On 2/06/98, I wrote:

> 

>>I was wondering if any of the scholars on the list

>>know of/have seen, etc., anything in Kerouac's

>>archives about his plan to continue "SEA: Sounds of

>>the Pacific Ocean at Big Sur?"  I was recently perusing

>>through _Satori in Paris_ and he mentions his plans

>>to continue this after leaving Paris, but nothing is

>>mentioned further on in the novel (from what I

>>remember).  Kerouac also mentions this during the

>>Jarvis/Curtis radio interview in Lowell, in September

>>of 1962.  I don't remember seeing anything in any

>>of the bio's etc. regarding any further work on this.

>>Has anyone seen any further work in the archives?

>> 

>>Enquiring minds want to know. . .

>>Mike

>> 

> 

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 22:32:47 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

J.S.Holland wrote:

>=== That is what you say. I maintain hippies and deadheads are a sad,

>unfortunate by-product of the Beat movement. There is absolutely nothing

>in common between Herbert Huncke and Timothy Leary except that they were

>both con men.

> 

>I would much rather be in a beatnik coffee house in 1961, listening to

>poetry and jazz, reading and learning and listening and enjoying art,

>than to be at some Be-In in 1967 or acid-rock festival in 1968, with

>selfish throngs of spoiled, ignorant, painted airheads, drugged-out

>beyond self-control, calling you a Pig if you don't give them a handout,

>doing their own thing at everybody else's expense (totally inimical to

>the "Johnson" credo) giving up attending protest rallies when they

>suddenly weren't fun and games anymore.....and it's only gotten worse in

>modern times. Ben & Jerry's Ice Cream, Grateful Dead coffee mugs, key

>chains, t-shirts, stickers, give me a fucking break! This is so far away

>from "On The Road" it's like another planet.

> 

>I was a hippie in my youth, and learned the hard way that the hippie

>ideals were a sham. I quickly evolved into a Yippie, but without Abbie's

>sense of humor they were nothing. Eventually I learned that you just

>can't beat the direct honesty and integrity of the original Beats. As

>far as I'm concerned, the masses took a wrong turn in 1967 and the REAL

>counterculture has been derailed ever since.

 

Deadheads, Hippies, Yippies, Beatniks, do not define the individual.

 

Read an article, see a film, trip, get stoned, read poetry, drink coffee,

bum around, pick up the language and decide to become a Deadhead, Hippie,

Yippie, Beatnik?

 

Doesn't work? Didn't for them, didn't for you?

 

so it goes.

 

But don't call people who are part of those groups "selfish throngs of

spoiled, ignorant, painted airheads, drugged-out beyond self-control."

Reserve your judgement. It's painfully obvious that with none of the groups

you named did you hang around long enough to gain any degree of

understanding concerning what they were about.

 

UNLESS, you were involved with people who had read an article, seen a film,

tripped, got stoned, read poetry, drank coffee, bummed around, picked up

the language and decided to become a Deadhead, Hippie, Yippie, Beatnik?

 

You said you were a hippie and learned that their ideals were a sham?

Saying that is a public admission that you were not a hippie and had no

idea what a Hippie's ideals were.

 

You only thought you were a hippie and you thought the people you were with

who called themselves hippies had ideals.

 

Define yourself.

 

j grant

 

 

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Tue, 10 Feb 1998 23:37:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg? (and etc)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The question is...would Jan Kerouac ever had been published if her father

wasn't dear old jack? Not for nothing did her father say, "You can use my

name..." That's all he could do for her to assure her survival in the mess

her world was at the time. Surely...you cannot believe that her writing was

all that compelling. It seemed to me like College Freshman Creative Writing

Course-type prosing to me when a good many of the students are already

immeresed in Jack Kerouac and aspire to be just like him. Paul...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Tue, 10 Feb 1998 23:40:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:50 PM 2/10/98 EST, you wrote:

>Other than not supporting Jan at the 1995 NYU Beat conference, just how was

>Allen Ginsberg's treatment of Jan Kerouac so "appauling"?

> 

>Howard Park

>That's it my friend, it never was. Ginsberg was rather patronizing to her

like he was to a good many other folks. Why would he want to get sucked into

the Estate battle void? He could recognize propaganda when he saw it. Those

anti-Estate figures should have been another addition to his Ballad of

Skeletons. Paul...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Feb 1998 20:45:08 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: a query.

Comments: To: Patricia Elliott <pelliott@sunflower.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>actually timothy, some of the best writers i have ever met, lurk but do

>not post on this list.

>inegmatically

>patricia

 

Clearly "subscribe and post" is a typo and meant to be "subscribe and/or post"

 

thanks for your astute vision and acuity Patricia.

 

 

> 

>Timothy K. Gallaher wrote:

>> 

>> >howdy postbeaters,

>> >is there a group of writers

>> >similar to and as collectively great as the beats today?  perhaps

>>underrated,

>> > perhaps

>> >not?  are they recognized today or will they be recognized tommorrow?

>> 

>> Yes, and by chance they all subscribe and post to the beat-l

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 22:56:31 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>>                    HELP RECOVER THE MEMORY BABE ARCHIVES

>>                             Details  on-line at

>>                                 http://www.bookzen.com

>>                      625,506 Visitors  07-01-96 to 11-28-97

>> 

>>Every man I know has suffered from sexual desperation at one time

>or another, with a need that can't be quelled.  Financial desperation

>is strictly for the cashless female.

> 

>Mike Rice

 

With a need that can't be quelled?

 

Sexual needs can be quelled in many ways. One way is to fuck. People who

are sexually desperate have a problem. Desperate people are rash, recklass,

frantic. Not good.

 

I've been hard up. JK said something about having to come down of the

mountain to get laid. Chances are he walked and didn't, in desperation, do

a one and a half somersault with a twist off the nearest cliff to get to

the nearest warm body fast. He was hard-up. Not sexually desperate.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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X-MSMail-Priority: Normal

Date:         Wed, 11 Feb 1998 00:05:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: THE DEAD/BEATS

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Deadhead + Beatfreak = Deadbeat(freak)

 

 

        I've been going by the handle/name "DeadBEAT" ever since my first days on

Local BBSes (Close to 10 years) and I made up the name because I love Beat

Gen literature, and most of my favorite authors/poets/artists are dead.

Quite literally dead-beats... :)

 

        I have to say, also.  I have never heard of a Beatfreak.

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

|"With all the demagoguery [today], poetry can stand

| out as the one beacon of sanity: a beacon of individual clarity,

| and lucidity in every direction--whether on the Internet or in coffee

| houses or university forums or classrooms."

|

|                                                    -- Allen Ginsberg

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 11 Feb 1998 00:12:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 10:07 PM 2/10/98 -0600, you wrote:

>Paul A. Maher Jr. wrote:.but I guarantee you

>> that the position the women were in with the Beats was exactly where they

>> wanted to be.

>> It was never an act of oppression, just a fact of the times.virtues."

>>                                            Henry David Thoreau

>are you out of your gourd.

>No but I love to put people on....P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Tue, 10 Feb 1998 23:14:56 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Other than not supporting Jan at the 1995 NYU Beat conference, just how was

>Allen Ginsberg's treatment of Jan Kerouac so "appauling"?

> 

>Howard Park

 

Hard to imagine anything more appalling than the way he treated Jack

Kerouac's daughter Jan at the 1995 NYU Beat conference. I think his actions

were not only unexplainable, they were unforgivable.

 

Sadly, it appeared that he choose sides.

 

After that, many people who revered him, were never able to listen to him,

talk to him, read him, think of him, without thinking of what he did that

day. I know people who think about that day and cry.

 

So sad.

 

AG broke hearts that day.

 

j grant

 

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 00:28:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Denver Doldrums #666 (dedicated to Soren Kierkegaard)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Denver Doldrums #666 (dedicated to Soren Kierkegaard)

by David B. Rhaesa

copyright 2-11-1998 (12:26 a.m. CST)

 

Dreadful derangement

Disorientation

Divided Darkness

dimming dementia

Distant Dreams

damn damn

defective decency defecating

debilitating degredations

doom

DOOM

DoOm

doOM

Disorder Decorating Divinity

Destruction

Destroy

DeConstruction

DeConstroy

DeCatastrophic Daydreams

Doctor Drew

Draw Down Dope Deals

Dirty Down Deals

Draw Dirty Deals

Dirty Draw Deals

Deal Dirty Drawers

 

Discussing Digusting Discussion

 

DR/dbr

 

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X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

Date:         Tue, 10 Feb 1998 23:13:40 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

And no Desolation Devil

to be found anywhere!

 

leon

 

 

-----Original Message-----

From: James Stauffer <stauffer@PACBELL.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, February 10, 1998 10:48 PM

Subject: Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

 

 

>Dissonant Discotechs Disjunct

> 

>JS--no copyright

> 

>David Bruce Rhaesa wrote:

> 

>> Denver Doldrums #666 (dedicated to Soren Kierkegaard)

>> by David B. Rhaesa

>> copyright 2-11-1998 (12:26 a.m. CST)

>> 

>> Dreadful derangement

>> Disorientation

>> Divided Darkness

>> dimming dementia

>> Distant Dreams

>> damn damn

>> defective decency defecating

>> debilitating degredations

>> doom

>> DOOM

>> DoOm

>> doOM

>> Disorder Decorating Divinity

>> Destruction

>> Destroy

>> DeConstruction

>> DeConstroy

>> DeCatastrophic Daydreams

>> Doctor Drew

>> Draw Down Dope Deals

>> Dirty Down Deals

>> Draw Dirty Deals

>> Dirty Draw Deals

>> Deal Dirty Drawers

>> 

>> Discussing Digusting Discussion

>> 

>> DR/dbr

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 07:29:09 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Correction

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Mike, you were right the first time, Mexico, not Southern California.  Not all

> of Mexico is hot, you know, and the combination of intoxicants the rumor

> always has involves barbituates and then drinking with a Mexican party, and

> then the bet to count railroad tracks.  Wasn't there.  Don't know--but S.

> California it was not.

 

I'm a little puzzled by the autopsy report turn the list is taking here--I take

it the death of Carl Wilson was not enought to satisfy the vampire spirit

stalking somewhere.

 

James

 

>  He froze to death in Southern

> Mexico along a railroad line, after being zonked on speed overnight.  Yes,

> froze to death in SOUTHERN California.

> 

> Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 10:18:17 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jo grant wrote:

 

> But don't call people who are part of those groups "selfish throngs of

> spoiled, ignorant, painted airheads, drugged-out beyond self-control."

> Reserve your judgement.

 

=== I was speaking from personal experience....I reserve the right the

make judgments on my own personal experiences.  I didn't say ALL hippies

were selfish, spoiled, etc. The several hundred thousand I witnessed

were. (Or *seemed to be*, to choose my words more legalistically, *in my

perception*.....)

 

 

 

 

> It's painfully obvious that with none of the groups

> you named did you hang around long enough to gain any degree of

> understanding concerning what they were about.

 

=== Ah, so if I don't agree with you, I must just not understand what it

was all about, eh?  Believe me, I understand all too well.

 

 

 

 

 

> You said you were a hippie and learned that their ideals were a sham?

> Saying that is a public admission that you were not a hippie and had no

> idea what a Hippie's ideals were.

 

=== More doubletalk. If I don't hold the same opinion of the hippie

ideal that you do, I must have just not been a hippie in the first

place, eh?  It's all about *you*, isn't it?

 

And what was it I was saying about selfish?

 

 

 

 

> Define yourself.

 

=== I could try, but I ain't gonna. I've already wasted way too many

words on deaf ears.

 

=-=-=

jsh

ky

=-=-=

 

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X-Sender: cen00746@207.17.135.251 (Unverified)

Date:         Wed, 11 Feb 1998 05:15:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I don't relate to the sixties Dead the Seventies dead

or any dead.  They are a group which never had a hit.

Their music stunk.  Their entire claim to fame was through

Kesey and the Acid Tests.  Their stuff is unlistenable.

Crapola, despite Garcia's millions.

 

Mike Rice

 

 

 

 

At 07:52 PM 2/10/98 -0800, you wrote:

>> I would much rather be in a beatnik coffee house in 1961, listening to

>> poetry and jazz, reading and learning and listening and enjoying art,

>> than to be at some Be-In in 1967 or acid-rock festival in 1968, with

>> selfish throngs of spoiled, ignorant, painted airheads, drugged-out

>> beyond self-control, calling you a Pig if you don't give them a handout,

>> doing their own thing at everybody else's expense (totally inimical to

>> the "Johnson" credo) giving up attending protest rallies when they

>> suddenly weren't fun and games anymore.....and it's only gotten worse in

>> modern times. Ben & Jerry's Ice Cream, Grateful Dead coffee mugs, key

>> chains, t-shirts, stickers, give me a fucking break! This is so far away

>> from "On The Road" it's like another planet.

> 

>That's all right, you can go off on the Deadheads if you want, we

>know you secretly bop to "Touch of Grey" when it comes on the radio,

>like everybody else.

> 

>The one biggest point I've always wished people would understand

>about the Grateful Dead is that even though the straight world

>can't stop associating the Dead with 1967 Haight-Ashbury and

>be-ins and all that, the 60's thing actually plays a very small

>role in Deadhead culture.  Their best songs came out of the

>early 70's, and these songs (not the 60's music) became the

>reportoire for all their shows.  And the Dead were smart enough

>to leave Haight-Ashbury in 67 -- J. Scott Holland, maybe the

>reason you're so pissed off is that you hung around too long.

> 

>Just kidding, J. Scott -- seriously, you've got the best

>.sig's I've ever seen ... but how long can you keep it up?

> 

>---------------------------------------------------------

>| Levi Asher = brooklyn@netcom.com                      |

>|                                                       |

>|     Literary Kicks: http://www.charm.net/~brooklyn/   |

>|      (the beat literature web site)                   |

>|                                                       |

>|          "Coffeehouse: Writings from the Web"         |

>|            (a real book, like on paper)               |

>|               also at http://coffeehousebook.com      |

>|                                                       |

>|                   *---*---*---*---*---*---*---*---*   |

>|                                                       |

>| "Nothing is capsulized in me, on either side of town" |

>|                                      -- Joni Mitchell |

>---------------------------------------------------------

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 11 Feb 1998 06:02:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

So it's nice to see that we have someone here with a degree in Human

Behavior. Where did you get your degree Jo Grant? I didn't think you and the

others would maintain a long pathetic thread over it. I only used the word

"desperate" to illustrate Kerouac's possible extreme (or drunken?) state of

mind to ever consider having sex with a love-goddess like Diane DiPrima. He

had his pick to be sure in his post-OTR days. The fact is there isno mention

of her being intimate with Jack in his journals and he wrote down

everything! So he was either to ashamed to write it down because of the risk

of being jibed by the rest of eternity knowing this or....Ms. DiPrima needed

to spice up that book of hers. Okay Mr. Kinsey? P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:13:56 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      the media beatnik

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Howard Park wrote:

 

> Beyond that, he seemed to

> contribute nothing more than a recitation of media driven stereotypes.

 

=== The media helped shape what the hippies actually became anyway.

 

 

 

 

> Here is some news - the beats, at the time, got the same stereotypical

 treatment -

> Beats were supposed to  be bongo playing, beret wearing, unshaven, smelly

> slobs who wrote really bad poetry.  Beat women were always very thin, slept

> with any man at the snap of a finger and had a vocabular consisting of "Daddy-

> O", "groovy" and "cool".  Allen Ginsberg, for one, just hated this stereotype.

 

=== I, however, thought it was just fine. It's a far more appealing

stereotype to me than the hippies, yippies, zippies, diggers, SDS-heads,

punks, goths, mods, rockers, teddy boys, bobbysoxers, flappers,

antpeople, blitzkids, New Romantics, headbangers, straight edgers,

crusts, "rave" geeks, and whatever other 20th century 'youth movements'

I am forgetting at this early hour without breakfast. Well, ok, the

diggers were pretty cool actually. And the Teds, too.

 

And 'unshaven' is a bit of a misnomer - the mass-media beatniks had

small beards and goatees, which require a modicum of grooming. Which is

more aesthetically appealing to me than Ginsberg's

Karl-Marx-in-the-morning monstrosity with bits of food trapped in it.

 

The media didn't necessarily portray their pop-beatnik vision as bad -

Maynard G. Krebs, the lazy Beatnik on "Dobie Gillis" should be an

inspiration to us all, Hollywoodized though he was. The same goes the

sterotyped beatniks on "The Beverly Hillbillies", Sheldon and Wiggy and

their Parthenon West coffee house, leading a lazy-yet-passionate

Warholian life. And life imitated art. And for a brief window in

history, I saw that it was good.

 

 

 

> The beats cracked open the culture

> of conformity.  One could make a case that "hippies" cracked it so wide open

> that they created another culture of conformity.

 

=== That's exactly what I am saying. "stupid throngs" is my

ungentlemanly  term for "culture of conformity".

 

 

 

 

 

>  In a sense, castigating

> "hippies" or any other group is only a short step away from racial or

> religious prejudice.

 

=== It never fails to astound me when people take this position.

 

 

=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, kentucky

kentucky radio and the big beat

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 11:41:42 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

perhaps what you need to do until mr holland comes to his senses is just

delete  mr holland's posts w/o reading and paying attention to the other

posts.. ... there ARE  diamonds here to be found in the mine/mine

mc

 

FRANKLIN CARTER wrote:

 

> I joined this list to lurk and learn but I am learning more about the

> pathetic psychoses of Jeffrey Scott Holland than about the beats.  The crap

> coming out of his mouth is making me sick.  Can anyone help me out and tell

> me how to turn off this tv?

> 

> Nilknarf

> Not-diggin'-it

> Not-Kentucky

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:42:52 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      typos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Speaking as someone who cannot abide typos, my apologies for all of them

that appeared in my "media beatnik" post.......no food in many hours and

my blood sugar is going in and out like the tide......

 

=-=-=

jsh

ky

glug

=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: podulkca@uwec.edu

Date:         Wed, 11 Feb 1998 06:43:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Kerouac's unpublished writings

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey.

Does anyone know if Kerouac's unpublished pieces off of the cd kicks joy

darkness are available anywhere?

 

 

Thanks,

kat

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 11:44:37 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Jan Kerouac : et tu, Ginsberg? (and etc)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i believe the book you didn't buy was _baby driver_

and in response to the rest of yr thoughts, no accounting for taste or humor

individually yrs,

mc

 

Zucchini4@AOL.COM wrote:

 

> In a message dated 98-02-10 16:26:37 EST, you write:

> 

> <<

>  >jo grant wrote:

>  >

>  >> At the risk of starting another war, one of the best examples of a writer

>  >> with great promise, treated like crap by most of the Beats,( including her

>  >> Godfather AG) and the Beat affecianadoes was Jan Kerouac.

>  >

>  >

>  >=== Yes indeedy.....Ginsberg's treatment of her was appalling.  I don't

>  >understand it.  Does anyone know why he had such a bad attitude about

>  >her?  I know she was hard to deal with sometimes, but that's no reason

>  >for the betrayal and thievery that she experienced. And when are her

>  >writings ever going to be back in print again??

>  >

>  >=-=-=-=-=-=-=-=-=

>  >Jeffrey Scott H

>  >feral human of ky >>

> 

> Yeah, I'd be interested in finding out about Jan Kerouac too. I actually saw

> one of her books in a bargain bin at the local encore a while ago, and took a

> look at it- but the blurb on the back made it sound like a rip off of OTR

> (can't remember the title though-sorry). I passed it off as her trying to make

> some money off of her father's reputation- which was admittedly an uninformed

> and judgmental response, but what are you going to do.

> 

> ANyway, I think I'll take this oppurtunity to spew out some random comments:

> 

> first off: started reading AG's Indian Journals again, and a couple of times

> he mentions Brion Gysin, only spells it "BriAn". Also lists his favorite pages

> in JK's Mexico City Blues.

> 

> also- I know that the "petty bickering" gets annoying at times... usually it

> really pisses me off- but at the moment I'm really enjoying this jeffrey scott

> holland- john hasbrouck exchange. For some reason it is really cracking me up.

> :) Man, the guys on this list are true wingnuts, in such a good way.

> Seriously. You all make my zucchini4 mailbox worth checking some days.

> 

> I should be picking up a Diane DiPrima book this weekend if all goes as

> planned. I'll post some of the best little poems, and then we can all make our

> own decisions as to if she's just famous for screwing you know who. And I'm

> about to go try a cut up experiment- my first, how exciting (unless magnetic

> poetry counts- and I'm going to have to say I really love my magnetic poetry).

> Let's all hope it goes well. If it does, and I'm in a good mood, I'll tell you

> all about the time I contacted WSB via ouija board.

> 

> --Stephanie

> 

> ps- Do you any of you know much about the PoemFone Poets? (something else I'm

> curious about... all I do is ask you guys questions! )

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 11:50:03 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

having been a

hippie

a yippee

and a lover of beat literature since jr high school,

i am at a loss at how to label me.

any takers?

individually yrs,

mc

 

Patricia Elliott wrote:

 

> Jeffrey Scott Holland wrote:

> >

> > FRANKLIN CARTER wrote:

> > >

> > > I joined this list to lurk and learn but I am learning more about the

> > > pathetic psychoses of Jeffrey Scott Holland than about the beats.

> >

> > === maybe you should try harder to lurk and learn.

> >

> > > The crap coming out of his mouth is making me sick.

> >

> > === Well, you weren't supposed to *eat* it. It's strictly for decorative

> > use only; reread the directions.

> >

> > > Can anyone help me out and tell

> > > me how to turn off this tv?

> >

> > === you could be a man and accept that some people's opinions do not

> > match yours.....or you could get over yourself and just NOT READ any

> > post that comes in with my name on it......or you could visit the Golden

> > Gate Bridge and wow us with your Wiley Coyote impersonation.

> 

> boy is there an advantage of being a woman.

> i would never be a dead head

> but have fucked dead heads

> and found them to be as other men

> have they not minds, not mouths.

> old hippies not all shallow ,

> some suvive the fall.

> group hug everyone

> p

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 11:53:55 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes,

              oops ,omission Hippies/Deadheads no maybe you should join the

              Army or something.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

naturally i assumed from my list of so called life styles,

deadhead would be taken as a given.

well, on this list i've learned never to assume a thing.

so

guilty of everything

as huncke would say

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:05:15 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thanks levi. how many people here have heard of the rex foundation, bass

player phil lesh's brain child, in which broke and avant-garde composers

receive not just a check for ten thou in the mail out of the blue, but also a

very specific explanation of just why and how he enjoys the composers' work,

how many know that drummer mickey hart is on board of smithstonian institue,

more erudite about the world and history of the drum and drumming than most

anyone around.

and last of all, if you never had a hit of owsly acid and danced yr pants off

with thousands of people, the wind and music blowing right through your body,

 

and you were of age to do it, and didn't out of snobbery or fear,

i pity you guys.

i'went to a weekend conference which turned into an encounter grou with

carolyn adams garcia ('mountain girl'), david gans,  john perry barlow, bear,

and steve silberman(who btw is a ginsberg scholar) the year following jerry

garcia's death, an amazing weekend of hearts and minds.

mc

 

Levi Asher wrote:

 

> The one biggest point I've always wished people would understand

> about the Grateful Dead is that even though the straight world

> can't stop associating the Dead with 1967 Haight-Ashbury and

> be-ins and all that, the 60's thing actually plays a very small

> role in Deadhead culture.  Their best songs came out of the

> early 70's, and these songs (not the 60's music) became the

> reportoire for all their shows.  And the Dead were smart enough

> to leave Haight-Ashbury in 67 -- J. Scott Holland, maybe the

> reason you're so pissed off is that you hung around too long.

> 

> ---------------------------------------------------------

> | Levi Asher = brooklyn@netcom.com                      |

> |                                                       |

> |     Literary Kicks: http://www.charm.net/~brooklyn/   |

> |      (the beat literature web site)                   |

> |                                                       |

> |          "Coffeehouse: Writings from the Web"         |

> |            (a real book, like on paper)               |

> |               also at http://coffeehousebook.com      |

> |                                                       |

> |                   *---*---*---*---*---*---*---*---*   |

> |                                                       |

> | "Nothing is capsulized in me, on either side of town" |

> |                                      -- Joni Mitchell |

> ---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:24:11 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: THE DEAD/BEATS

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Philibin wrote:

 

> > Deadhead + Beatfreak = Deadbeat(freak)

> 

>                I have to say, also.  I have never heard of a Beatfreak.

> 

>  yeah bill, but i have watched countless deadbeats freak....

 

mc

 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:31:07 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes,/off topic

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mike rice wrote:

 

> I don't relate to the sixties Dead the Seventies dead

> or any dead.  They are a group which never had a hit.

> Their music stunk.  Their entire claim to fame was through

> Kesey and the Acid Tests.  Their stuff is unlistenable.

> Crapola, despite Garcia's millions.

> 

 

jerry garcia's guitar playing is among the most amazing i've every heard, i

don't think you've ever really followed the line of fusion created in live

shows, improvisation, synchronicity, and pure beauty of jerry's spiraling

solos.

and then again, there were a lot of 'off nights'

but the best so overrule the bad shows.

feel sorry for you, mike.

this is the last public post i will make on this off beat thread.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:42:30 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

wow. you must be superman, not clark kent. you saw individually and talked

to individually each and every of these hundreds of thousands of people?

goodness, i don't remember meeting you at any of the shows...

mc

 

Jeffrey Scott Holland wrote:

 

> jo grant wrote:

> 

> > But don't call people who are part of those groups "selfish throngs of

> > spoiled, ignorant, painted airheads, drugged-out beyond self-control."

> > Reserve your judgement.

> 

> === I was speaking from personal experience....I reserve the right the

> make judgments on my own personal experiences.  I didn't say ALL hippies

> were selfish, spoiled, etc. The several hundred thousand I witnessed

> were. (Or *seemed to be*, to choose my words more legalistically, *in my

> perception*.....)

> 

> > It's painfully obvious that with none of the groups

> > you named did you hang around long enough to gain any degree of

> > understanding concerning what they were about.

> 

> === Ah, so if I don't agree with you, I must just not understand what it

> was all about, eh?  Believe me, I understand all too well.

> 

> > You said you were a hippie and learned that their ideals were a sham?

> > Saying that is a public admission that you were not a hippie and had no

> > idea what a Hippie's ideals were.

> 

> === More doubletalk. If I don't hold the same opinion of the hippie

> ideal that you do, I must have just not been a hippie in the first

> place, eh?  It's all about *you*, isn't it?

> 

> And what was it I was saying about selfish?

> 

> > Define yourself.

> 

> === I could try, but I ain't gonna. I've already wasted way too many

> words on deaf ears.

> 

> =-=-=

> jsh

> ky

> =-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 06:48:23 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

Comments: To: Diane Carter <dcarter@together.net>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane Carter wrote:

> 

> > David Bruce Rhaesa wrote:

> >

> > Denver Doldrums #666 (dedicated to Soren Kierkegaard) (revised)

> > by David B. Rhaesa

> > copyright 2-11-1998 (12:26 a.m. CST)

> >

 

Dear Dirty Drawers:

 

> > Dreadful derangement

> > Disorientation

> > Divided Darkness

> > dimming dementia

> > Distant Dreams

> > damn damn

> > defective decency defecating

> > debilitating degredations

> > doom

> > DOOM

> > DoOm

> > doOM

> > Disorder Decorating Divinity

> > Destruction

> > Destroy

> > DeConstruction

> > DeConstroy

> > DeCatastrophic Daydreams

> > Doctor Drew

> > Draw Down Dope Deals

> > Dirty Down Deals

> > Draw Dirty Deals

> > Dirty Draw Deals

> > Deal Dirty Drawers

> >

> > Discussing Digusting Discussion

 

                        as ever,

                        gypsy davey

> >

> > DR/dbr

> 

> You might add dear dirty drawers to add a Joycean flavor.

> DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Wed, 11 Feb 1998 13:09:12 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote on 2/11/98 11:50 AM

 

>having been a

>hippie

>a yippee

>and a lover of beat literature since jr high school,

>i am at a loss at how to label me.

>any takers?

>individually yrs,

>mc

 

goddess

 

 

 

 

UNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORK

 

Gregory Severance  ||  morocco@walrus.com

http://www.walrus.com/~morocco/ <<<BULLDOG BREATH>>>

 

"Severin, Severin, speak so slightly

Severin, down on your bended knee

Taste the whip, in love not given lightly

Taste the whip, now bleed [I like also like 'plead' here-gss] for me"

 

from "Venus in Furs" by Lou Reed

on the album _The Velvet Underground and Nico_ (1967)

 

UNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORKUNIQUENEWYORK

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Date:         Wed, 11 Feb 1998 08:13:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Kerouac's unpublished writings

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The full text of each is in the liner notes of the CD.  So far that's it.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 08:18:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Jan Kerouac : et tu, Ginsberg?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Care to enlighten us to AG's behavior?

On Tue, 10 Feb 1998, jo grant wrote:

 

> >Other than not supporting Jan at the 1995 NYU Beat conference, just how was

> >Allen Ginsberg's treatment of Jan Kerouac so "appauling"?

> >

> >Howard Park

> 

> Hard to imagine anything more appalling than the way he treated Jack

> Kerouac's daughter Jan at the 1995 NYU Beat conference. I think his actions

> were not only unexplainable, they were unforgivable.

> 

> Sadly, it appeared that he choose sides.

> 

> After that, many people who revered him, were never able to listen to him,

> talk to him, read him, think of him, without thinking of what he did that

> day. I know people who think about that day and cry.

> 

> So sad.

> 

> AG broke hearts that day.

> 

> j grant

> 

> 

> 

> 

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                       625,506 Visitors  07-01-96 to 11-28-97

> 

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 08:53:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Iiiiiiiiiii LIKE it!!! Ar you doing this with all the letters of the

alphabet, David, or did "d" just happen to get lucky? This is cool...

 

                         Sara Feustle

                    sfeustl@uoft02.utoledo.edu

                      Cronopio, cronopio?

 

> Dear Dirty Drawers:

> 

> > > Dreadful derangement

> > > Disorientation

> > > Divided Darkness

> > > dimming dementia

> > > Distant Dreams

> > > damn damn

> > > defective decency defecating

> > > debilitating degredations

> > > doom

> > > DOOM

> > > DoOm

> > > doOM

> > > Disorder Decorating Divinity

> > > Destruction

> > > Destroy

> > > DeConstruction

> > > DeConstroy

> > > DeCatastrophic Daydreams

> > > Doctor Drew

> > > Draw Down Dope Deals

> > > Dirty Down Deals

> > > Draw Dirty Deals

> > > Dirty Draw Deals

> > > Deal Dirty Drawers

> > >

> > > Discussing Digusting Discussion

> 

>                         as ever,

>                         gypsy davey

> > >

> > > DR/dbr

> >

> > You might add dear dirty drawers to add a Joycean flavor.

> > DC

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 14:56:59 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Marie, why is criticism of the hippie movement such a big deal?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

> 

> wow. you must be superman, not clark kent. you saw individually and talked

> to individually each and every of these hundreds of thousands of people?

> goodness, i don't remember meeting you at any of the shows...

 

 

=== I didn't meet ANY of the hundreds of thousands of Nazis marching in

formation that I see on old WWII Newsreels, but somehow I don't feel

hypocritical making generalizations about them. ANY criticism of ANY

group could be deconstructed and deflected by simply saying "oh, but you

didn't talk to each one individually..."

 

I am highly suspicious of the motives of ANY enormous group of people,

be they on the left wing, right wing, or off the map.

 

Y'all need to stop being so thin-skinned.....I am not the first person

to ever voice disillusionment with the hippie movement.

 

=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, kentucky

quack quack moo quack

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 15:15:27 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Beat-L Love-In '98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Despite the mountain of highly opinionated missives I've sent to this

list, I have yet to actually attack anyone directly and by name. By my

standards, I have been far more civil than the situation demands. Yet I

am continually harangued and attacked here by those who simply cannot

BEAR the agony of seeing something in print that does not agree with,

and reinforce, their fragile sense of self. Sad, really.

 

I don't mind the insults, I eat 'em on Ritz crackers with an olive. It

only convinces me that my holy mission is just, and that human beings

are so full of their own preconceptions that ungarbled, unfiltered

communication between two persons is probably impossible, except maybe

during sex....perhaps Beat-L should sponsor an Love-In.

 

=-=-=-=-=-=-=-=-=

Holland -=- Kentucky.

tape-recording rice krispies.

=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 14:18:31 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi jim: i guess my sense of parody didn't communicate itself well over the net.

i believe all those posts were signed 'individually yrs' - i have no labels even

tho many have tried to label me (thanks goddess no one has tried to libel me as

of yet). thanks for sharing your appreciation of 'my father's eyes' - weirdly

enough, i am about to receive those very same 'bilfold photos' in the mail from

his wife.

art imitates life?

life imitates art?

who could ever even try to label?

mc

 

Jim Main wrote:

 

> Why put a label on yourself? You are a free thinking poet who has to say what

> comes out.  Your poem "My Father's Eyes". Was moving and real.  It was

> touching and up-front.  It remindes me of Ginsberg's "Father Death Blues"

> Another touching and real poem.  I feel that we should take in what moves us

> and discard the rest. In my opinion, we should listen to the message and

> forget the life style, dress, hair, or lack of hair, or any other distraction

> that takes us away from learning and following our path. Jack had a purpose,

> he lived it the only way he could.  Allen and the rest of the bunch did the

> same.  For me, I listen to the message and try to grow from it.  I don't give

> a shit what the messenger does, just what he says....J. Main

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 14:24:55 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Marie,

              why is criticism of the hippie movement such a big deal?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

criticism without knowledge is not true criticism. you base your criticism on

stereotypes and what all esp. the media, mainstream. i'm just against criticism

that is foundless, unthinking, and verging on stupidity.

that's all

mc

 

Jeffrey Scott Holland wrote:

 

> Marie Countryman wrote:

> >

> > wow. you must be superman, not clark kent. you saw individually and talked

> > to individually each and every of these hundreds of thousands of people?

> > goodness, i don't remember meeting you at any of the shows...

> 

> === I didn't meet ANY of the hundreds of thousands of Nazis marching in

> formation that I see on old WWII Newsreels, but somehow I don't feel

> hypocritical making generalizations about them. ANY criticism of ANY

> group could be deconstructed and deflected by simply saying "oh, but you

> didn't talk to each one individually..."

> 

> I am highly suspicious of the motives of ANY enormous group of people,

> be they on the left wing, right wing, or off the map.

> 

> Y'all need to stop being so thin-skinned.....I am not the first person

> to ever voice disillusionment with the hippie movement.

> 

> =-=-=-=-=-=-=-=-=-=-=

> J.S.Holland, kentucky

> quack quack moo quack

> =-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 08:41:33 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      "Notes" on Western Lands

Comments: cc: burke-L <Burke-L@siu.edu>,

          kneckerman <poroi@blue.weeg.uiowa.edu>, 0Stine <StineKC@aol.com>,

          BEAR <MWBRYANT@aol.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Written on a School Specialty Supply

Jot-It-Down pad

no date

 

Western Lands

p.1

Gradually as he wrote, a disgust for his words accumulated until it

choked him and he could no longer BEAR to look at his words on a piece

of paper.  It was like arsenic {and old lace where i played teddy

brewster in high school} or lead {need a good lead paint remover on that

one!), which slowly builds up in the body until a certain point is

reached and then ... [i identify in a Kenneth Burkean sense with so much

of this including the ...] he hummed the refrain of Dead Man Blues by

Jelly Roll Morton.

 

p.1

which was illegal but no one bothered him about it.  [sounds like the

public's feeling about the paradox of state sanctioned murder]

 

p.1-2

often in morning he would lie in bed and watch grids of typewritten

words in front of his eyes that moved and shifted as he tried to read

the words, but he never could.

(note to self: wonder where these words came from??? we all know WSB was

a master word thief.  i used to see words on typewritten pages as early

as high school before teleprompters were in vogue]

 

p.2

He thought if he could just copy these words [note Charles Seeger POP of

Harvard drop-out Pete Seeger's words of advice: "Plagiarism is basic to

all culture] down, which were not his own words, he might be able to put

together another book and then ... and then what?

 

(and then what?)

(and then what?)

(and then what?)

... sounds like a good time for a 'nuther River City Reunion though the

last one had a rather high fatality rate

 

p.2

handwritten words . . . and they were all in his handwriting.  [i recall

going to bed alone once upon a time with Paul Tillich's "The Courage to

Be" and woke up with the words "THE HURT" written on the cover and it

was not my handwriting!!!!]

 

to be continued ... headed down to the Crossroads for nickel coffee

 

DR

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 10:03:34 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Arm

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I agree with Mr. Holland that I would rather be at a North Beach Coffeehouse

circa 1960 than a rock concert circa 1967.  Beyond that, he seemed to

contribute nothing more than a recitation of media driven stereotypes.  Here

is some news - the beats, at the time, got the same stereotypical treatment -

Beats were supposed to  be bongo playing, beret wearing, unshaven, smelly

slobs who wrote really bad poetry.  Beat women were always very thin, slept

with any man at the snap of a finger and had a vocabular consisting of "Daddy-

O", "groovy" and "cool".  Allen Ginsberg, for one, just hated this stereotype.

 

Likewise, hippies were stereotyped as hairy guys  with colorful clothes who

never saw a bath or shower without running the other way.   Hippie girls were

sort of the same except that even the hippie guys wanted them to shave thier

armpits occasionally.

 

Seriously, ever look at a high school or college yearbook circa 1945 - 66 or

so?  Virtually everyone, especially the men, look the same - short (but not

shaved) hair, no facial hair, white shirt, dark tie, dark jacket.  Individual

self-expression was really frowned upon.  The beats cracked open the culture

of conformity.  One could make a case that "hippies" cracked it so wide open

that they created another culture of conformity.  My experience is that people

often do appear the same, subject to stereotypes, on the outside.  If one

takes time to get to know the person inside the stereotypes break down.  That

is why it is silly to condem people as a group.  In a sense, castigating

"hippies" or any other group is only a short step away from racial or

religious prejudice.

 

As for the Grateful Dead - it does not bother me that everyone does not like

thier music, to each his own.  I am confused, however, why they seem to

inspire such  venom, even hate, by a small group of  rather bitter people?

One thing is a fact: the Grateful Dead sold more live performance tickets than

any other entertainers in human history.  They are also certainly the most

bootleged musicians ever.  Could they really have been all that bad?

 

Howard Park

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 16:11:29 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Beat-L Love-In '98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

> 

>  my own imho, this kind of shit is sooo boring,  saying i don't like the

> dead, hippies aren't sincere.

 

=== Someone asked the list, "do you think the Beats and Deadheads are

closely related?".....I gave my opinion and explained why. Many others

haven't even bothered to explain their position in any detail, they just

bark like nervous chihuahuas. It sounds to me as if you're saying "if

you can't say anything nice, don't say anything at all", which is

baloney with a capital loney.

 

And I never said "hippies aren't sincere".

 

If these discussions were in person rather than over impersonal e-mails,

I would hope things would not be so grrrrr grrrr arf grrrrr......while

everyone seems to be getting veins popping out on their heads and

frothing at the face like angry villagers on a rabies-induced crusade to

kill Frankenstein's monster, I am actually quite placid and just

partaking in seekerly discourse, though it may seem to the viewers at

home that my words are said with venom and bitters.....if we were

sitting around in my coffee house/bunker of creeps, I would hope peoples

would see that even my harshest opinions are stated in a mellow spirit

of oop-bop-sh-bam.

 

And yes, this is an invitation.

 

 

=-=-=-=-=-=-=-=-=-=-=

js holland

commonwealth = ky

try our delicious pie

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 16:30:07 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Marie,why is criticism of the hippie movement such a big deal?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

> 

> criticism without knowledge is not true criticism.

 

=== ah, and that which we disagree with we accuse of being "without

knowledge"......I see how the game works now.

 

 

 

> you base your criticism on

> stereotypes and what all esp. the media, mainstream.

 

=== No, I base my criticism on my own experiences. My experiences were

not the same as yours, I guess.

 

I never dreamed in a million years that so many people on a Beat list

would rise up in offense, "oh, that mean crank, he's saying the hippie

movement was a failure!!! How DARE he??" ...... maybe y'all should go

back and give "Won't Get Fooled Again" another listen.

 

I am so sick of discussing hippies, in fact, that we really oughta let

this thread drop like an overripe grapefruit right now. Let. It. Come.

Down.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Rev. Jeffrey Scott Holland - Berea,KY

licensed practitioner, Appalachian Voodoo

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 11:23:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sorry to do this but I'd like to know...I never heard about this..

On Thu, 12 Feb 1998, James Stauffer wrote:

 

> AG is not hear to defend himself, but Mr. Grant the the Nicosia fraternity

 will

>  be

> delighted to explain this--I hear the quiet sound of a can of worms reopening.

> 

> JS

> 

> Nancy B Brodsky wrote:

> 

> > Care to enlighten us to AG's behavior?

> >

> >

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:48:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Main <Mainbooks@AOL.COM>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To Jo Grant, regarding J.S. Holland, RIGHT-ON.....J. Main

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Wed, 11 Feb 1998 11:59:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

 

> how many people here have heard of the rex foundation, bass

> player phil lesh's brain child, in which broke and avant-garde composers

> receive not just a check for ten thou in the mail out of the blue, but

also a

> very specific explanation of just why and how he enjoys the composers'

work,

 

Just two noble and fitting recipients of the Dead's financial support in

their autumn years: Beat author/mentor Herbert Huncke and

painter/ethnologist/musicologist/film-maker Harry Smith (editor of the

recently re-released "Anthology of American Folk Music" on Smithsonian

Folkways...an astounding and ground-breaking collection of obscure American

music from the 1920's and early 30's).

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 13:15:11 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Main <Mainbooks@AOL.COM>

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Why put a label on yourself? You are a free thinking poet who has to say what

comes out.  Your poem "My Father's Eyes". Was moving and real.  It was

touching and up-front.  It remindes me of Ginsberg's "Father Death Blues"

Another touching and real poem.  I feel that we should take in what moves us

and discard the rest. In my opinion, we should listen to the message and

forget the life style, dress, hair, or lack of hair, or any other distraction

that takes us away from learning and following our path. Jack had a purpose,

he lived it the only way he could.  Allen and the rest of the bunch did the

same.  For me, I listen to the message and try to grow from it.  I don't give

a shit what the messenger does, just what he says....J. Main

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Juno-Line-Breaks: 10-11,16-20

Date:         Wed, 11 Feb 1998 18:15:25 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Dimock <juancito@JUNO.COM>

Subject:      Beatniks and Hippies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think an interesting question is buried somewhere in the

Beat/Dead/Hippie posts. Having been 10 years old in 1967, I was aware of

the changes and the "Hippies" but not yet old enough to participate. I

seem to always understand that the beatniks were somehow connected to the

hippies but was not sure at the time what the connection was. So I would

like to ask any out there who were in the middle of this transformation

what their feelings were. Earth Mother Goddess Marie: I'm especially

interested in your view since you were into the beats *before* the hippie

movement. Were you aware of a transformation of the Beats into hippies?

Did it seem like a logical tranformation at the time, or no

transformation at all even?

 

Last night on my local PBS station they repeated the episode of the

History of Rock and Roll that focused on Dylan and the Beatles. AG

remarked that upon hearing Dylan he felt that a torch had been passed

from the Beat genius to the next generation, and that things were in good

hands. Is this how others felt as well?

 

Best to all,

 

Jim

 

_____________________________________________________________________

You don't need to buy Internet access to use free Internet e-mail.

Get completely free e-mail from Juno at http://www.juno.com

Or call Juno at (800) 654-JUNO [654-5866]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 13:21:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Steve Edington <Sedington@AOL.COM>

Subject:      Outta Here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Don't want to get belligerent about this, but if we are going to get into

another round of the Kerouac Estate Wars, Jan, Gerry, etc. etc. ad nauseaum,

then I'm afraid I'm outta here...I signed on for a some conversation about

beat lore with like minded folk.

Steve E.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 20:11:20 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Robert DeNiro, Sr.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Anyone know where I might find writings by Robert DeNiro, father of the

actor of the same name?

 

Any ideas, Rinaldo? I noticed you have him included on your Beats

page....

 

=-=-=-=-=-=-=-=

Jeffrey the H

coughing up a lung for the kids to use as a pinata come next dia de los

muertos

=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 13:13:56 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Beat-L Love-In '98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> 

> Despite the mountain of highly opinionated missives I've sent to this

> list, I have yet to actually attack anyone directly and by name. By my

> standards, I have been far more civil than the situation demands. Yet I

> am continually harangued and attacked here by those who simply cannot

> BEAR the agony of seeing something in print that does not agree with,

> and reinforce, their fragile sense of self. Sad, really.

> 

> I don't mind the insults, I eat 'em on Ritz crackers with an olive. It

> only convinces me that my holy mission is just, and that human beings

> are so full of their own preconceptions that ungarbled, unfiltered

> communication between two persons is probably impossible, except maybe

> during sex....perhaps Beat-L should sponsor an Love-In.

> 

> =-=-=-=-=-=-=-=-=

> Holland -=- Kentucky.

> tape-recording rice krispies.

> =-=-=-=-=-=-=-=-=

 

 my own imho, this kind of shit is sooo boring,  saying i don't like the

dead, hippies aren't sincere.  (let me personally add that allt frats

rape shop girls and, methodist preachers do it in the choir box).  very

boring very boring.. here let me post something that will get people

ticked, then get a long train to nowhere posts going over what i said

rather than what one of the beats said, then defend my self as a  right

ous person  with a right to fee speech because that is how i really

feel, emphasis on feel, here.  now patricia  examines her real feelings,

oh i am bored.  half the world wars and most of the murders have more to

do with ego and attention than money.

 

beat groupie woman, knowing very well, i am getting what i wanted, yeah

man, i asked for this, hanging out with these people.

p

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 14:14:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Jerry Garcia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In terms of both his Beat connection and his generosity, listmembers might be i

nterested to learn that Jerry Garcia paid Herber Huncke's rent for a time at th

e Chelsea hotel.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Authentication-Warning: wheat.mnsfld.edu: [157.62.10.55] didn't use HELO

                         protocol

X-Sender: tcaulfie@wheat.mnsfld.edu

Date:         Wed, 11 Feb 1998 14:30:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Thomas Caulfield <tcaulfie@MNSFLD.EDU>

Subject:      Re: Beat-L Love-In '98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Can you hear the crickets now.  No one wants to play anymore.  We all took

our beats and went home.

 

tjc

 

>Despite the mountain of highly opinionated missives I've sent to this

>list, I have yet to actually attack anyone directly and by name. By my

>standards, I have been far more civil than the situation demands. Yet I

>am continually harangued and attacked here by those who simply cannot

>BEAR the agony of seeing something in print that does not agree with,

>and reinforce, their fragile sense of self. Sad, really.

> 

>I don't mind the insults, I eat 'em on Ritz crackers with an olive. It

>only convinces me that my holy mission is just, and that human beings

>are so full of their own preconceptions that ungarbled, unfiltered

>communication between two persons is probably impossible, except maybe

>during sex....perhaps Beat-L should sponsor an Love-In.

> 

>=-=-=-=-=-=-=-=-=

>Holland -=- Kentucky.

>tape-recording rice krispies.

>=-=-=-=-=-=-=-=-=

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 11 Feb 1998 13:34:38 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>AG is not hear to defend himself, but Mr. Grant the the Nicosia fraternity

>will

> be

>delighted to explain this--I hear the quiet sound of a can of worms reopening.

> 

>JS

> 

>Nancy B Brodsky wrote:

> 

>> Care to enlighten us to AG's behavior?

Nancy:

There's a link: BuddahGate at NYU -  http://www.bookzen.com/kerouac.html  -

Jan Keroauc asks for five minutes to talk about her father's literary

archives. Police, with Allen Ginsberg's approval, throw her out.

 

 

J.S.

 

What's to defend. The record is clear and was reported on and substantiated

by others than Gerald Nicosia and Jan Kerouac. I don't think the "Nicosia

fraternity" has ever been "delighted" going into this issue and since the

facts are on-line, there'll be no need to gointo it on the Beat List.

 

It's a painful issue. I've said nothing that can be considered slanted or

unfair about AG's behavior that day. Painful yes, but that's all.

 

I'll add this.If anyone wants to be on the mailing list to receive

information on Jan, her Dad's archives,or the memory babe Archive at

U.Mass, Lowell, send me a note asking that your E-mail address be added for

updates.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 13:46:22 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Jerry Garcia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Gargan wrote:

> 

> In terms of both his Beat connection and his generosity, listmembers might be

 i

> nterested to learn that Jerry Garcia paid Herber Huncke's rent for a time at

 th

> e Chelsea hotel.

 

 

Huncke touched everyone.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 11 Feb 1998 14:00:48 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jerry Garcia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>In terms of both his Beat connection and his generosity, listmembers might

>be i

>nterested to learn that Jerry Garcia paid Herber Huncke's rent for a time

>at th

>e Chelsea hotel.

 

For the last two years of his life.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:01:00 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mike rice wrote:

> 

> I don't relate to the sixties Dead the Seventies dead

> or any dead.  They are a group which never had a hit.

> Their music stunk.  Their entire claim to fame was through

> Kesey and the Acid Tests.  Their stuff is unlistenable.

> Crapola, despite Garcia's millions.

> 

> Mike Rice

> 

I just don't understand how someone can be SO ignorant.  What is the

basis for these claims you make.  Music is obviously a subjective

subject, and thus one's onpinion cannot sum up everyone else's.  You

should check some musical records, and you may find that what you say

holds no water.  The Dead were extremely well liked, and had a wealth of

musical talent.

Bar None

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 12:40:30 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beat-L Love-In '98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

 

 

Jeffrey S. Holland,

I agree with you on this.  I made an irrational rebuttle to the

degrading statements about the Dead.  However, I did this because I have

a sincere liking for the band.  In short, they were and are my favorite

musical group.  When somebody irrationaly attacks the very foundation of

the band's existence, it somehow irks me.

That is my justification.

eric

> 

> Patricia Elliott wrote:

> >

> >  my own imho, this kind of shit is sooo boring,  saying i don't like the

> > dead, hippies aren't sincere.

> 

> === Someone asked the list, "do you think the Beats and Deadheads are

> closely related?".....I gave my opinion and explained why. Many others

> haven't even bothered to explain their position in any detail, they just

> bark like nervous chihuahuas. It sounds to me as if you're saying "if

> you can't say anything nice, don't say anything at all", which is

> baloney with a capital loney.

> 

> And I never said "hippies aren't sincere".

> 

> If these discussions were in person rather than over impersonal e-mails,

> I would hope things would not be so grrrrr grrrr arf grrrrr......while

> everyone seems to be getting veins popping out on their heads and

> frothing at the face like angry villagers on a rabies-induced crusade to

> kill Frankenstein's monster, I am actually quite placid and just

> partaking in seekerly discourse, though it may seem to the viewers at

> home that my words are said with venom and bitters.....if we were

> sitting around in my coffee house/bunker of creeps, I would hope peoples

> would see that even my harshest opinions are stated in a mellow spirit

> of oop-bop-sh-bam.

> 

> And yes, this is an invitation.

> 

> =-=-=-=-=-=-=-=-=-=-=

> js holland

> commonwealth = ky

> try our delicious pie

> =-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 15:40:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mojo Risin <Ti418@AOL.COM>

Subject:      Re: Kerouac's unpublished writings

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i just picked one up at Borders in the import section. I highly reccomend it.

It has Ginsberg reciting the first 9 choruses of Brooklyn Bridge Blues,

Burroughs on Old Western Movies, and others accompanied by music (mostly jazz)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 13:15:10 -0800

Reply-To:     jmaynard@csubak.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <John_Maynard@FIRSTCLASS1.CSUBAK.EDU>

Subject:      Re: Outta Here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I could do without a resumption of those hostilities as well.  OTOH, why not

just ignore the messages you don't care to read?

 

Steve Edington wrote:

 

> Don't want to get belligerent about this, but if we are going to get into

> another round of the Kerouac Estate Wars, Jan, Gerry, etc. etc. ad nauseaum,

> then I'm afraid I'm outta here...I signed on for a some conversation about

> beat lore with like minded folk.

> Steve E.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:44:08 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <jholland@ICLUB.ORG>

Subject:      Re: Avant-garde and the beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Joey Mellott wrote:

 

> But what really interests me is that the line so often quoted by Burroughs

> fans (Nothing is true; everything is permitted.) was not coined by Burroughs

> himself.  It was one of the slogans Guy Debord and the Situationist

> International (SI) used.

 

=== Actually, it goes back much farther than that - it really was a

quote from Hassan I Sabbah, who was not a fictional creation of

Burroughs', but a real historical figure; Some etymologists think that

the word "assassin" is derived from his name. Other writers have used

Sabbah in their writings since Burroughs, including Robert Anton Wilson

and Hakim Bey.

 

=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

kentucky, USA

boing

boing

boing

boing

=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Wed, 11 Feb 1998 14:19:12 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Beat-L Love-In '98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 12:40 PM 2/11/98 -0800, you wrote:

>Jeffrey Scott Holland wrote:

> 

> 

>Jeffrey S. Holland,

>I agree with you on this.  I made an irrational rebuttle to the

>degrading statements about the Dead.  However, I did this because I have

>a sincere liking for the band.  In short, they were and are my favorite

>musical group.  When somebody irrationaly attacks the very foundation of

>the band's existence, it somehow irks me.

>That is my justification.

>eric

 

This hippy dead beat thing is interesting.

 

I tend to agree with Mike Rice and djroohlsyboy more on this.  But I put no

importance on it.  And I wouldn't express myself in the same manner per se

anymore.

 

I think this sort of thing is a more youngish way to do.  That's why before

I used the term puerile as in puer: boy.  This type of boyish competition

betwen bands and groups is very natural.  Most kids seem to define

themselves in this way.  Eric's post about how it irks him to hear these

sort of apparent put-downs is a good example of that.  If your group or

favorite is put down in another's opinion it often becomes like a personal

sting.  I remember a story my old buddy told about in High School some big

bad tough guy overheard my friend (a big big Dead Head) puting down Jim

Morrison.  The big guy looked at him and said "Don't be saying nothing bad

about Morrison, man."  "Not me, oh no, I wasn't putting down Morrison," he

quickly answered.  When I was in High school I'll bet if you said "Led

Zeppelin are garbage" soemone would respond, "them's fightin' words!"

 

But I think that this grows less with age.  Mainly because you realize that

these are generalizations and there are all sorts of worthwhile people and

things from all different aspects of life.

 

I grew up in the Bay area in the seventies and 80's and the dead to me were

an established institution as much as Bill Graham presents or the Opera or

what have you.  Just always there.  I just never thought their music was

very exciting or intriguing.  In other words boring (including, and no

offence to Levi or anyone else, a Touch of Gray--where it must be pointed

out that Jerry had a lot more than just a touch of gray, hardeehar).

Although one side of Terrapin station I do remember hearing and enjoying.

But that's an aesthetic taste.

 

I think the fun part about the Dead was the whole scene rather than the

music or the show.

 

Here's some real life conversations circa Orwell's year (1984).  (You have

to keep in mind the speech is slow New Jersey transplanted to Santa Cruz

Mountains talk and imagine a dingy basement room [a beatnik pad a la Life

magazine if you will] with a thre foot high stack of bootleg cassettes in

the corner--although one cool thing about the Dead is that they did allow

people to bring in tape recorders and make their own--something quite

commendable)

 

"Jerry's so torqued out on heroin, man..."

 

"Bobby's such a rockstar..."

 

"You can tell what kind of drugs Jerry is on by the color of his shirt.  If

he wears a red T-shirt he's on heroin.  If he wears a black T-shirt he's on

cocaine because the color will cover up the snot he puts on it when he wipes

his nose..."

 

"I saw Bobby in the lobby this morning.  I talked to him.  I asked him if he

wanted to go eat breakfast with us but he said no..."

 

"I wish I'd been at those egypt shows.  I heard they were great, but the

music sucked..."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:22:33 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Beats yes, Hippies/Deadheads no

To:           BEAT-L@CUNYVM.CUNY.EDU

 

here in the ol time space continuium, things flex and wax

 

y'got yer beats, but ya gots their antecedents, too, the romantics,

absenthe drinkers, symbolists, surrealists an etceteraists

 

now the young beats of 1957 were the old hippies of 1967, and the young

hippies of 1967 were the old punks of 1977, and the young punks of 1977

are playing the oldies circuit

 

 

the history of the second part of this century is anchored in world war

two, and the beats define a certain kind of thinking and curtulal

movement that found its fullest expression in those post war years

 

everythings in the shadow of the beats, and reflects an aspect of that

culture/thought, without mirroring it completely

 

there were other proto countercultural forces during those years, too,

politics and civil rights, the biker, surfer and nature boy subcultures

and they all fed into the mix of the 60s

 

kerouac hung with jack elliot, who used to follow woody g around.  young

bobby d dug both kerouac and woody, as did richard farina, who performed

in the bay area coffee houses and folk festivals of 1964, as did the

early members of the the dead, airplane, etc

 

dark star, st stephen, the eleven, china cat sunflower...to me thats

beat.....

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:43:50 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dissonant Discotechs Disjunct

 

JS--no copyright

 

David Bruce Rhaesa wrote:

 

> Denver Doldrums #666 (dedicated to Soren Kierkegaard)

> by David B. Rhaesa

> copyright 2-11-1998 (12:26 a.m. CST)

> 

> Dreadful derangement

> Disorientation

> Divided Darkness

> dimming dementia

> Distant Dreams

> damn damn

> defective decency defecating

> debilitating degredations

> doom

> DOOM

> DoOm

> doOM

> Disorder Decorating Divinity

> Destruction

> Destroy

> DeConstruction

> DeConstroy

> DeCatastrophic Daydreams

> Doctor Drew

> Draw Down Dope Deals

> Dirty Down Deals

> Draw Dirty Deals

> Dirty Draw Deals

> Deal Dirty Drawers

> 

> Discussing Digusting Discussion

> 

> DR/dbr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 11 Feb 1998 17:53:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> There's a link: BuddahGate at NYU -  http://www.bookzen.com/kerouac.html  -

>> Jan Keroauc asks for five minutes to talk about her father's literary

>> archives. Police, with Allen Ginsberg's approval, throw her out.

>> 

>An insult to the religion of Buddhism, soiled for a label on such a benign

atrocity...BuddhaGate? How about Assholegate...P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 18:12:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Matthew A. Parker" <MParker113@AOL.COM>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-11 15:04:28 EST, you write:

 

<< I just don't understand how someone can be SO ignorant.  What is the

 basis for these claims you make.  Music is obviously a subjective

 subject, and thus one's onpinion cannot sum up everyone else's.  You

 should check some musical records, and you may find that what you say

 holds no water.  The Dead were extremely well liked, and had a wealth of

 musical talent.

 Bar None

 eric >>

amen brotha'

matt

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 23:28:08 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Divine Desdamonas --.

    Damnable Demoiselles

        Dream Drumming

 

JS

 

Leon Tabory wrote:

 

> And no Desolation Devil

> to be found anywhere!

> 

> leon

> 

> -----Original Message-----

> From: James Stauffer <stauffer@PACBELL.NET>

> To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

> Date: Tuesday, February 10, 1998 10:48 PM

> Subject: Re: Denver Doldrums #666 (dedicated to Soren Kierkegaard)

> 

> >Dissonant Discotechs Disjunct

> >

> >JS--no copyright

> >

> >David Bruce Rhaesa wrote:

> >

> >> Denver Doldrums #666 (dedicated to Soren Kierkegaard)

> >> by David B. Rhaesa

> >> copyright 2-11-1998 (12:26 a.m. CST)

> >>

> >> Dreadful derangement

> >> Disorientation

> >> Divided Darkness

> >> dimming dementia

> >> Distant Dreams

> >> damn damn

> >> defective decency defecating

> >> debilitating degredations

> >> doom

> >> DOOM

> >> DoOm

> >> doOM

> >> Disorder Decorating Divinity

> >> Destruction

> >> Destroy

> >> DeConstruction

> >> DeConstroy

> >> DeCatastrophic Daydreams

> >> Doctor Drew

> >> Draw Down Dope Deals

> >> Dirty Down Deals

> >> Draw Dirty Deals

> >> Dirty Draw Deals

> >> Deal Dirty Drawers

> >>

> >> Discussing Digusting Discussion

> >>

> >> DR/dbr

> >

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 15:29:04 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Matthew A. Parker wrote:

> 

> In a message dated 98-02-11 15:04:28 EST, you write:

> 

> << I just don't understand how someone can be SO ignorant.  What is the

>  basis for these claims you make.  Music is obviously a subjective

>  subject, and thus one's onpinion cannot sum up everyone else's.  You

>  should check some musical records, and you may find that what you say

>  holds no water.  The Dead were extremely well liked, and had a wealth of

>  musical talent.

>  Bar None

>  eric >>

> amen brotha'

> matt

Thanks for the support Matt.  The Dead really speak for themselves, but

it continues to irk me that people are making baseless claims to their

obscurity and failure as a musical group.  It astounds me to say the

least.

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 18:36:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Re: Outta Here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

welcome steve...hey...i want to get a copy of your fine book.  don't let all

the trash talk get you down.  just delete it.  and go on to the next.  there

are some fine people here.  again, welcome and hello.

 

john j dorfner

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:21:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

          I have just joined up with this discussion thang, and I would have

to say that the underlying theme of deadheads and the whole hippe movement

being shallow I must say that when establishment saw the power in the beat and

later the hippie (peace and love GOD FORBID!)  they corrupted both

revolutionary and brilliant movements by turning them into fads.  People seem

to forget that when OTR came out(My person bible) it was marketed (somewhat)

as a corny teenage paperback.  Some people saw kerouac and the beats as some

sort of spectacle and that was the begining of the end.  Let me also add that

if you can't hear the soul in Jerry's playing I don't know how you can hear it

in Coltrane and Miles.

                                                                          Avoi

ding cliches at all costs and wishing I could sign off witha name like...

Tommy Snark

                                                    Matthew T. S.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:24:17 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      "BuddhaGate"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I saw the bookzen site on the so-called "buddhagate" and I will not

comment on it as I dont have an opinion as of yet but I just thought I'd

share with y'all that Jan Kerouac was born in my hometown! I never knew.

Does anyone know if she actually lived in Albany? Thanks.

~Nancy

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:24:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hey. i must confess, i know very little of beat lore in relation to all of

you, mostly because i'm not even legal yet. but i've been interested in it for

ages and this is the best way i can see to get my daily fix, so i figure that

that qualifies joining. can anyone tell me exactly what happened at that nyu

thins with jan and ag? esp jo, who seems to be very strongly touched by it?

thanks.

 

aerowny

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:31:00 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: for those who would help...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i've already checked out the bookzen site, so don't put yourself out in

helping to enlighten me about the jan/ag situation by sending me there.

thanks.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Wed, 11 Feb 1998 19:32:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the Arm

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I asked my girlfriend what she thought of the Grateful Dead?

 

She said she was grateful they were dead!

 

Even though it isn't literally true, I liked her statement.

 

Mike Rice

 

 

 

 

 

 

At 10:03 AM 2/11/98 EST, you wrote:

>I agree with Mr. Holland that I would rather be at a North Beach Coffeehouse

>circa 1960 than a rock concert circa 1967.  Beyond that, he seemed to

>contribute nothing more than a recitation of media driven stereotypes.  Here

>is some news - the beats, at the time, got the same stereotypical treatment -

>Beats were supposed to  be bongo playing, beret wearing, unshaven, smelly

>slobs who wrote really bad poetry.  Beat women were always very thin, slept

>with any man at the snap of a finger and had a vocabular consisting of

"Daddy-

>O", "groovy" and "cool".  Allen Ginsberg, for one, just hated this

stereotype.

> 

>Likewise, hippies were stereotyped as hairy guys  with colorful clothes who

>never saw a bath or shower without running the other way.   Hippie girls were

>sort of the same except that even the hippie guys wanted them to shave thier

>armpits occasionally.

> 

>Seriously, ever look at a high school or college yearbook circa 1945 - 66 or

>so?  Virtually everyone, especially the men, look the same - short (but not

>shaved) hair, no facial hair, white shirt, dark tie, dark jacket.  Individual

>self-expression was really frowned upon.  The beats cracked open the culture

>of conformity.  One could make a case that "hippies" cracked it so wide open

>that they created another culture of conformity.  My experience is that

people

>often do appear the same, subject to stereotypes, on the outside.  If one

>takes time to get to know the person inside the stereotypes break down.  That

>is why it is silly to condem people as a group.  In a sense, castigating

>"hippies" or any other group is only a short step away from racial or

>religious prejudice.

> 

>As for the Grateful Dead - it does not bother me that everyone does not like

>thier music, to each his own.  I am confused, however, why they seem to

>inspire such  venom, even hate, by a small group of  rather bitter people?

>One thing is a fact: the Grateful Dead sold more live performance tickets

than

>any other entertainers in human history.  They are also certainly the most

>bootleged musicians ever.  Could they really have been all that bad?

> 

>Howard Park

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:35:38 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: If Beat bores you,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from pelliott@sunflower.com of Tue, 10 Feb

> 

>> >If these same "bored" listmembers actually had conversations with WSB,

>> >Kerouac, and Ginsberg, they'd be even more bored - Kerouac's

>> >inquisitive, probing mind covered vast territories of human thought,

>> >Ginsberg was given to lofty and academic dissections of such things as

>> >William Blake, and virtually everything from WSB's mouth was a lecture

>> >in magick or semantics or pataphysics or dialectics or history. Why do

>> ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

>> 

>> this true, patricia? :)

>> 

>> Diane.

> 

> 

>Well, I had many conversations with William and only a few with Allen.

>I certainly am stunned to hear Williams conversational style described

>as as lecture.  I almost never experienced that. With me william

>prefered to either tell a story, or to hear one told.  but to be frank

>whoever had this experiance with william may be simply relating what

>happened when they conversed with william.  William had a incredibly

>wide variety of friends and relationships.  i wasn't in on very many

>boring ones but i am interested in magic and language and how language

>works on us,  So I just might not of been bored.  i admit that sometimes

>william would go on and over the same "bit"  he worked things up and

>around.  I remember he explained  a lot of culinary business to me.  He

>knew I loved to cook and seemed to save food info for me.  He told me

>about 10 times how you could really tell if fish was fresh. I also got

>the most wonderful lesson one day on caviar.  We bonded on that one.

>this was over a 4 or 5 year period. Since I only trusted fish if i

>caught it (Kansas will do this to one) the information about fresh fish

>was of limited use.  I am smart but not a typical intellect.  William

>and i shared a terrible love for what i call bad books. These are cheap

>books of first hand accounts of adventure or biographies of different

>types (god we went through a long period of accounts of doctors and

>surgeons gone bad) i loved those. I also learned an incredible amount

>about cats, lemurs, and read all these spy books. I notice i don't read

>the spy books so i might of enjoyed reading those just to talk about

>them to william. I am currently trying to convince my cat sue that i am

>the alpha cat. I do love cats.  so maybe i wasn't the type of person

>that got lectured to.  I think that I would say if william was tired or

>put upon by fools he would get a little less graceous.  God he tolerated

>loads of crap from me. I know that what he wrote is more important than

>his conversational style. I would quess he used a lot of the

>conversations on the same subjects to work out things he was writing

>on.  I know for a fact he did this when he worked on the preface to

>queer he wrote.  It was sometimes hard to know him and to talk to him

>around then as it was depressing for him and put him in a black mood.

>But boring, no, not for me.

>patricia

 

thanks, patricia :)  it's always fun to read your memories.

 

Diane.

 

--

---------------------------This Space For Rent--------------------------------

 

Diane Marie Homza

ek242@cleveland.freenet.edu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 16:43:10 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwy Thomas wrote:

> 

> hey. i must confess, i know very little of beat lore in relation to all of

> you, mostly because i'm not even legal yet. but i've been interested in it for

> ages and this is the best way i can see to get my daily fix, so i figure that

> that qualifies joining. can anyone tell me exactly what happened at that nyu

> thins with jan and ag? esp jo, who seems to be very strongly touched by it?

> thanks.

> 

> aerowny

 

just read the article on it on the book zen web page.  It will be more

than enough info to suit your needs i suppose.  It is quite clear and

detailed.  I read it last night.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:44:38 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      does any one talk about beats here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

umm.  i just joined because i'm helping to organize a ginsberg/kerouac class

at my school (jenn fedor--tread37 posted about this awhile ago), but so far i

haven't found any information that will valuable.  does anyone discuss

literature here, or do you just fling pointless insults at each other?  (not a

critsism.  just a question?)

 

--ce

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Wed, 11 Feb 1998 19:59:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Robert DeNiro, Sr.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Mr. DeNiro was an artist I think, not a writer. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:03:45 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr. wrote:

> 

> Yes I was wrong. Jack Kerouac, throughout his life, authored an extensive

> list of all the women he fucked and how many times checked next to their

> respective names.

 

Now you have my attention.  by any chance, can you give more of the

general statistics,  My husband really wants to know. he is yelling

"yes"

in the back ground.  He was especially interested on any statistics of

when jack was young,  on how many were acts of desperation sex. He says

he can imagine desperation sex.  Also he wants to know if jack got more

after he became a celebrity than before. Bob has a theory that

celebrities get more.  I say it depends on their college education.

 

thanks for a great post.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 20:04:08 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: why is the three important, poor ladies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Paul A. Maher Jr. wrote:

> 

>> I guarantee you that the position the

>> women were in with the Beats was exactly

>> where they wanted to be.

 

have any of these ladies told you this is true?  not the impression i got

from _minor characters_.

 

"Poor" Diane.

 

--

---------------------------This Space For Rent--------------------------------

 

Diane Marie Homza

ek242@cleveland.freenet.edu

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 11 Feb 1998 20:05:12 -0500

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From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yes I was wrong. Jack Kerouac, throughout his life, authored an extensive

list of all the women he fucked and how many times checked next to their

respective names. In 1957, among a list of some fifteen women whom I will

not mention to protect their privacy, was Diane DiPrima. (I can mention her

because she had already disclosed this in her lurid tell-all) He checked

next to her name that he fucked her once. She can rest secure in the

knowledge that she fell in somewhere betwen some Parisian girls and some

Arab whores in Tangiers. That's from K.'s hot list. Not my fabrication. Chew

on that. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 20:08:29 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jim Main <Mainbooks@AOL.COM>

Subject:      Re: does any one talk about beats here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

We just fling pointless insults at each other.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 17:09:49 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: does any one talk about beats here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

umm.  i just joined because i'm helping to organize a ginsberg/kerouac

class

> at my school (jenn fedor--tread37 posted about this awhile ago), but so far i

> haven't found any information that will valuable.  does anyone discuss

> literature here, or do you just fling pointless insults at each other?  (not a

> critsism.  just a question?)

> 

> --ce

 

 

You might find a better way to ask for a favor.  But, if you are looking

for beat discussion/info, i think you have found the place.  Just ask

specific questions and you will get answers.  Don't be vague, or you

will be ignored.

later

eric

 

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Date:         Wed, 11 Feb 1998 18:11:28 -0700

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

sorry to unload onto y'all, but i just read howl for the first time.  and i'm in

a madcap hitchike craze.  it's one of the greatest poems i've ever read.

 ginsberg

makes you feel the craze.  he rips out your soul and throws it into the midst of

it all.  i can almost feel the benzedrine nights the psychotic intellectual

 madness.

 i can hear the man screaming.  the violent mix of everything.  i can feel the

 beat

pulsing like poe's heart.  the roar of a jet screaming through the neurons.  the

vermin the seething that was the start of the calmer hippy era.  wow that's some

powerful shit!

 

Al

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

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Date:         Wed, 11 Feb 1998 19:55:29 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joey Mellott <peyotecoyote@IAH.COM>

Subject:      Avant-garde and the beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm reading a fascinating book at the moment called LIPSTICK TRACES.  It's

an examination of how the punk movement was the last in a long delineation

of avant-garde groups in the 20th century.  The beats are not mentioned, and

I think that is with good reason.  Burroughs seems the only one of the "holy

three" to ever get involved with the European avant-garde scene.  The beats

were not avant-garde; they were bohemian.  This is more of a compliment than

it may seem.  The avant-garde operates on the idea that novelty=genius.

This is not always the case.  Pet rocks were novel, but not the work of a

genius.  "Bohemian" has more to do with the lifestyle of the writer than any

stylistic quality.  Also, unlike the Surrealists or the Situationists, the

Beats were not a movement with an identifiable leader, they were a group of

friends, each with a unique perspective and style

 

But what really interests me is that the line so often quoted by Burroughs

fans (Nothing is true; everything is permitted.) was not coined by Burroughs

himself.  It was one of the slogans Guy Debord and the Situationist

International (SI) used.

 

The book is fascinating.  I definitely recommend it to anyone interested in

literary and art "movements."

 

Joey Mellott : poet, writer, and disgruntled high school student

peyotecoyote@iah.com

"I want God, I want poetry, I want real danger, I want freedom,

 I want goodness.  I want sin." - Aldous Huxley

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 21:02:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: does any one talk about beats here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

CE makes a valid point...

On Wed, 11 Feb 1998, <Carly Earnshaw> wrote:

 

> umm.  i just joined because i'm helping to organize a ginsberg/kerouac class

> at my school (jenn fedor--tread37 posted about this awhile ago), but so far i

> haven't found any information that will valuable.  does anyone discuss

> literature here, or do you just fling pointless insults at each other?  (not a

> critsism.  just a question?)

> 

> --ce

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Wed, 11 Feb 1998 21:32:59 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Put it this way...it was the year 1957. His celebrity status was secure that

year. I know of fifteen women on the list. Some I guess its safe to say have

already written about these exploits (DiPrima, Johnson), some are miscellaneous

(Arab women in Tangiers, Parisian women...are whores used out of

desperation?). The rest I am not at liberty to disclose because of obvious

reasons. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Date:         Wed, 11 Feb 1998 21:59:24 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Re: Kerouac's unpublished writings

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 03:40 PM 2/11/98 EST, you wrote:

>i just picked one up at Borders in the import section. I highly reccomend it.

>It has Ginsberg reciting the first 9 choruses of Brooklyn Bridge Blues,

>Burroughs on Old Western Movies, and others accompanied by music (mostly

jazz)

> 

> 

yes, that's where I found out about the Brooklyn Bridge Blues and all that.

I was wondering if they were planning to publish anything off of the cd

separately.

Kat

 

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Date:         Wed, 11 Feb 1998 20:04:29 -0700

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

actually, i did scream the poem out loud literally in my dorm room.  and i hope

 i

scared some people.  but anyways, it's good to dive right into the dark if you

 rise

out of it with an optimists energy.  it's good to be psychotically passionate in

all you do.

 

Al(ahandro)

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

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Date:         Wed, 11 Feb 1998 19:09:51 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> revolutionary and brilliant movements by turning them into fads.  People seem

> to forget that when OTR came out(My person bible) it was marketed (somewhat)

> as a corny teenage paperback.  Some people saw kerouac and the beats as some

 

Exactly ... the Beats were as phony as everybody else ... that's why

we love them.  I can't stand musicians or writers who have to always

keep a sophisticated cool distance from hype ... who won't just loosen

up and have fun acting stupid.

 

Some people need that "cool sophistication" though (and here in New

York they're always hanging around the Knitting Factory listening

to avant-garde jazz).  And that's fine.  But to think the Beats weren't

just as goofy as the Dead is wrong ... just watch "Pull My Daisy".

 

> if you can't hear the soul in Jerry's playing I don't know how you can hear it

> in Coltrane and Miles.

 

Agreed!  But I guess I should stop talking about the Dead before

people start telling me to shut up (if they haven't started

already).

 

And yes, we do basically just hurl insults at each other here.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 19:10:47 -0800

Reply-To:     stain@earthling.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Russell Harrison <stain@EARTHLING.NET>

Subject:      Re: Burroughs and Bowie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Indeed, David Bowie is a big fan of Burroughs. He has mentioned on

numerous occasions how the cutup method influenced his lyric-writing

(especially in his early period, e.g. Ziggy Stardust). Bowie was

featured last year on a MuchMusic segment that discusses musicians'

favourite books - he cited the cutup trilogy (as well, a cover of The

Third Mind was shown during the report)...

 

 

Russell Harrison

editor, cybeRhyme

Switch Magazine

Montreal, Quebec

http://www.switchmag.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [207.79.35.57]

Date:         Wed, 11 Feb 1998 19:43:36 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 All right, i know this is going to cause a bitch-fit out

of some people...so i better phrase this question

carefully...

 

 first off...i know i'm not liked around here excep for a

few people...

 so i'd just like to say i'm not an asshole, i just play

one on the internet...

 

 Who here, on this list, are honest-to-god beats?

 

 and not just people who study them...who hear travels on

whims, and lives hand-to-mouth at times, and doesn't mind

it a bit...

 who here steals?...

 who has children all over the country?...

 who's high right now?...

 

 i'm just curious...

 i know the beat culture was not only about those

things...but damn it, they DID the shit you guys only

dream about...

 who here DOES any of this?...

 

 Who, are the real beats....and who are just wanna-bes?

 

 -julian

 

 

 

 

 

 "The Believer is happy, the Doubter is wise"

-Hungarian Proverb

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:48:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yep.  Howl is definately about seening the shit going on around you and before

you can do anything you just have to scream it out ... to a certain extent.

You gotsta move on from the howlin someday though things get dark and ANGRY

when you dwell on them!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:49:10 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Howard Park <Hpark4@AOL.COM>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the

To:           BEAT-L@CUNYVM.CUNY.EDU

 

There used to be a saying among Deadheads , "ain't no time to hate".  I'm

sorry that apparently does not apply to Mr. Rice and his girlfriend.  Mike,

besides Jerry Garcia, what other recent deaths are you grateful for?  C'mon,

let the hate flow...

 

Howard Park

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:51:38 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      peyotecoyote

To:           BEAT-L@CUNYVM.CUNY.EDU

 

peyotecoyote huh?  Cool handle man!  There's not shroom in this town for the

both of us!  Ha!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:59:32 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Feedback on ONR - Alternative last capter

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  I'm looking for some feedback on this alternative last chapter I wrote to On

The Road-

Wise Holy Madmen- be afraid not to dis my storee yo!

 

So Dean drove back to New York and in my fevered haze, I thought I could see

his bony ankle pushing out of his shoe, leaning on the gas all the way; the

old car rumbling and sighing but moving for him like I knew it wouldn't for

me.  Later I understood that he must have been afraid of my disillusion in

that fever.  He was the ultimate cowboy of experience and life and I am sure

he could not bear to see me not understand because he believed we understood

everything and that knowledge would take care of us.  So I forgave Dean for

leaving me there in dry Mexico City just as I would have forgiven him if he

left me there to die.

        It was a long time before I had the energy to be a stranger again and hitch

hike back up to New York.  On a bright, moonlit night some where in Texas, I

came a cross a camp fire of old, gray, hobo men and I felt honored when they

made room for me and shared their whiskey and their stories.  And listening to

the stories of those men, I realized that maybe we had never found Old Dean

Moriarty, but where ever he is, he is proud because we found the America he

had searched for so long.  And maybe we had found Dean's father and he knew

because we found that spirit of the west I have tried to capture when I write

and sometimes failed and sometimes not.  And beside me suddenly I saw Dean's

angular chin and hard warm eyes and we had that American bug so sought after

that we sensed each other even though he was on the road between New York and

San Francisco and two disillusioned wives.  We sensed each other in the Texas

night and on the dusty road and I thanked him for showing me why our fathers'

believed in America and he grinned yes at me and I knew he would remain young

and all knowing forever.

                -well there it is   Thankyou Jack- From Matthew T. S.

 

"Possesion is the motivation that has hang up this goddamn nation!  Looks like

we always end up in a rut!  Every body now...  Tryin' to make it real compared

to What!"

                                                            -Les Mcaan

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 11 Feb 1998 23:08:46 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Kerouac Worked In a Gay Bar!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yes, Jack Kerouac, after leaving Edie Parker in Detroit went to New York for

some work. He was living on the campus there in 1944. One job he took for a

day or two was the Beggar's Bar which was a prominent gay bar (it no longer

exists). Kerouac, in a note to Edie, said he left the job at the bar because

he was being hit on by too many guys! So much for al those ponderances if

Kerouac was gay or not. There are many straight men who do indeed have some

gay encounters but it no more makes them gay than having a beer or two makes

you an alcoholic. Paul of The Kerouac Quarterly.....

> 

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 23:11:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Dick's Picks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

   All those undead unbeleivers out there- I ask you one favor- do a bong load

with Dick's Picks volume 1 on the stereo.  Hear Jerry's mind note:

INNOVATION!!

 

Basically, the deal with music is, when you start thinking about the effort

that's getting put into it you're gonna respect it a WHOLE lot more.  If you

forget the soul that Coltrane's blowin' you may as well label him a bar fly.

You get what I'm sayin' here-

It applies to any genre- football even  (GOD FORBID)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Wed, 11 Feb 1998 22:12:59 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Albert Min wrote:

 

> sorry to unload onto y'all, but i just read howl for the first time.  and

i'm in

> a madcap hitchike craze.  it's one of the greatest poems i've ever read.

>  ginsberg

> makes you feel the craze.  he rips out your soul and throws it into the

midst of

> it all.  i can almost feel the benzedrine nights the psychotic

intellectual

>  madness.

>  i can hear the man screaming.  the violent mix of everything.  i can

feel the

>  beat

> pulsing like poe's heart.  the roar of a jet screaming through the

neurons.  the

> vermin the seething that was the start of the calmer hippy era.  wow

that's some

> powerful shit!

 

How refreshing to read a post like this.  Albert's enthusiasm is positively

invigorating. There's nothing like someone reveling in the personal

discovery of something you have loved for years to renew your own deep

feelings.  Thank you, Albert.

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 23:13:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I could not agree with you more,Matt. That's the power of captialism.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 23:23:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: Beats yes, Hippies/Deadheads no maybe you should join the Arm

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I don't think my earlier message got through but here goes: Mike you are

wrong!! The dead did have a hit. In 1987 a touch of gray charted at no.9

on the billboard charts. Don't criticize without getting your facts

straight.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sent-Mail: off

X-Sender-Ip: 149.151.190.53

Date:         Wed, 11 Feb 1998 21:30:00 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Re: beatniks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey i'm still here!  i'm always awake at all hours.

 

Al(acrity)

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

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X-Sender-Ip: 149.151.190.53

Date:         Wed, 11 Feb 1998 21:37:38 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 

 

True beats never sleep at normal times.  All humans, beats or not, sleep at some

point.

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: abamzvbh@pop.flash.net

Date:         Wed, 11 Feb 1998 23:44:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         adam zerbinopoulos <abamzvbh@FLASH.NET>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian...

 

i don't mean to be mean or anything, it's just that your post seemed rather

pre-emptively antagonistic.  maybe if you tried approaching people with a

little more mellow attitude you would get more positive feedback. i say

this with all possible humility & kindness.

 

i'm not sure anyone who owns a computer & has regular enough access to it &

the internet to belong to a listserv really lives handtomouth all that

often, if ever.

 

>they DID the shit you guys only dream about...

>who here DOES any of this?...

 

can i assume from this that you are now lighitng up, and poor, and on a

spiritual quest, and posting from various computers around the country?

the use of 'you guys' seems to imply this...

 

> Who, are the real beats....and who are just wanna-bes?

 

beat, i feel, is a state of mind more than any combination of concrete

circumstances...  as jack says, a state of beatification...  jesus was

beat, and he was never high, and certainly didn't steal (though he did

travel extensively).  doestoyevsky was beat, & many others who don't meet

your criteria, though the lifestyle is a good indicator i'll admit.

 

i hope you don't feel i'm attacking you, i'm just offering another

interpretation...

 

adam

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 00:04:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does everybody just sign off this thing at midnight-  that's pretty pathetic

for yous beatniks YO!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 00:32:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "POMES, PENNY EACH." <breithau@KENYON.EDU>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

True Beats never sleep!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 00:36:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Damn straight!  We percieve all and die young!  At least we feel young when we

die.  You know what I'm jivin at!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 21:50:11 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: Kerouac's unpublished writings

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Brooklyn Bridge Blues was published in Some Of The Dharma.

 

now back to deleting these little snippy quarrels...

 

Adrien

 

Cathrine Podulke wrote:

> 

> yes, that's where I found out about the Brooklyn Bridge Blues and all that.

> I was wondering if they were planning to publish anything off of the cd

> separately.

> Kat

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 11 Feb 1998 23:55:07 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Put it this way...it was the year 1957. His celebrity status was secure that

>year. I know of fifteen women on the list. Some I guess its safe to say have

>already written about these exploits (DiPrima, Johnson), some are

>miscellaneous

>(Arab women in Tangiers, Parisian women...are whores used out of

>desperation?). The rest I am not at liberty to disclose because of obvious

>reasons. P.

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

 

 

If it's a list JK kept is it in a public library?  I'm not intersted in who

JK made-out with, but researchers might be interested in seeing it.

 

In the material you were looking at did JK ever say that he was fucking

whores, or anyone out of desperation?

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 11 Feb 1998 23:57:39 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>There used to be a saying among Deadheads , "ain't no time to hate".  I'm

>sorry that apparently does not apply to Mr. Rice and his girlfriend.  Mike,

>besides Jerry Garcia, what other recent deaths are you grateful for?  C'mon,

>let the hate flow...

> 

>Howard Park

 

I read that too, but I felt he made it clear that it was not said in

seriousness--more of a play on words.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 00:59:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

isn't it? i felt the same way. that poem was my first exposure to any beat

literatuire ever. it's what's got me hooked for life. =)

 

aerowny

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 22:00:03 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Matthew Sorensen wrote:

> 

> Does everybody just sign off this thing at midnight-  that's pretty pathetic

> for yous beatniks YO!

i am on until at least 2 every morning queer boy

i am a real beat

i am high and drunk right now

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 01:03:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i have so much fun just reciting it when i get in a rage (something that

occurs with great frequency during these angst-ridden teen years, =)). it

makes me feel so powerful and strong, as if i was drawing strength directly

from him.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 01:06:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well, i don't know about true beats. i certainly wouldn't presume to call

myself one. but i have to say, bleary-eyed, super-stressed teens slaving over

projects and homwork certainly keep erractic hours.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 01:08:14 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Beats post 2

To:           BEAT-L@CUNYVM.CUNY.EDU

 

um, why should you have to be drunk and high to be a real beat? beat is about

thinking, pjilosophy, the essence of form, not being stoned or trashed off

your ass.

 

aeronwy

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 12 Feb 1998 00:16:10 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Dick's Picks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>   All those undead unbeleivers out there- I ask you one favor- do a bong load

>with Dick's Picks volume 1 on the stereo.  Hear Jerry's mind note:

>INNOVATION!!

> 

>Basically, the deal with music is, when you start thinking about the effort

>that's getting put into it you're gonna respect it a WHOLE lot more.  If you

>forget the soul that Coltrane's blowin' you may as well label him a bar fly.

>You get what I'm sayin' here-

>It applies to any genre- football even  (GOD FORBID)

 

People can say what they want about the Dead, but almost anywhere you go,

there's a great bar, club, tavern, a down home type place, that devotes one

night a week to Dead music. Invariably here's a crowd and people are having

a great time.

 

It really was a family affair. All those tape recorders. The spirit of

"Take it and enjoy it, share it, dig it, danc, pick, sing...do your thing."

The pack of groupie merchandisers, all those t-shirts, pipes, stuff--the

scene.

 

I was never a "Deadhead" but I love the beautiful inlaid dead medal someone

placed on the dash of my old '66 Volvo.  Seeing dead stickers on cello

cases at the symphony. Seeing musicians who have broken all the records

having fun... crowds lovin' em even on nights hey were all fucked up.

 

what a family.

 

j grant

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Thu, 12 Feb 1998 00:20:32 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Beats post 2/are beats sober

To:           BEAT-L@CUNYVM.CUNY.EDU

 

cold stone sober, we

tango across the dining room

in one take.

mornings, even beats are straight

til the poached egg in the little

blue cup from denmark is cracked.

$90 furnishes the entire house,

one lamp for a dollar lights for years.

a cast iron lamp that sits on the

dining table now tonight,

sits there now. On after he is off.

the house transforms, room by room

mostly with color

from ghastly granny white to

beat red.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 07:29:48 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Beats yes,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> This whole thread continues to amaze.  Agreed, the dead were more a religion

> than a band in some ways, and they weren't my religion, but the crime of

> never having a hit!  Look back over the hit lists of the last 30 and see how

> many you want to keep.  The Dead were a great live band that never recorded

> particularly well.  But "Crapola"?  There is not accounting for taste.  As

> Levi said, "Touch of Grey" doesn't move you?  Every now and then I will

> happen on David Gans' radio show and something I have never heard, like a

> cover of Desolation Row has magic moments in it.  And those moments when the

> improvisation came together perfectly are what the band was about.  And Jerry

> played guitar like an angel.  As for the Terrapin Station theme park, well, .

> . .that's a  stretch for me, but we'll wait and see.

 

JS

 

>   They are a group which never had a hit.

> Their music stunk.  Their entire claim to fame was through

> Kesey and the Acid Tests.  Their stuff is unlistenable.

> 

> 

> Mike Rice

> 

> At 07:52 PM 2/10/98 -0800, you wrote:

> >> I would much rather be in a beatnik coffee house in 1961, listening to

> >> poetry and jazz, reading and learning and listening and enjoying art,

> >> than to be at some Be-In in 1967 or acid-rock festival in 1968, with

> >> selfish throngs of spoiled, ignorant, painted airheads, drugged-out

> >> beyond self-control, calling you a Pig if you don't give them a handout,

> >> doing their own thing at everybody else's expense (totally inimical to

> >> the "Johnson" credo) giving up attending protest rallies when they

> >> suddenly weren't fun and games anymore.....and it's only gotten worse in

> >> modern times. Ben & Jerry's Ice Cream, Grateful Dead coffee mugs, key

> >> chains, t-shirts, stickers, give me a fucking break! This is so far away

> >> from "On The Road" it's like another planet.

> >

> >That's all right, you can go off on the Deadheads if you want, we

> >know you secretly bop to "Touch of Grey" when it comes on the radio,

> >like everybody else.

> >

> >The one biggest point I've always wished people would understand

> >about the Grateful Dead is that even though the straight world

> >can't stop associating the Dead with 1967 Haight-Ashbury and

> >be-ins and all that, the 60's thing actually plays a very small

> >role in Deadhead culture.  Their best songs came out of the

> >early 70's, and these songs (not the 60's music) became the

> >reportoire for all their shows.  And the Dead were smart enough

> >to leave Haight-Ashbury in 67 -- J. Scott Holland, maybe the

> >reason you're so pissed off is that you hung around too long.

> >

> >Just kidding, J. Scott -- seriously, you've got the best

> >.sig's I've ever seen ... but how long can you keep it up?

> >

> >---------------------------------------------------------

> >| Levi Asher = brooklyn@netcom.com                      |

> >|                                                       |

> >|     Literary Kicks: http://www.charm.net/~brooklyn/   |

> >|      (the beat literature web site)                   |

> >|                                                       |

> >|          "Coffeehouse: Writings from the Web"         |

> >|            (a real book, like on paper)               |

> >|               also at http://coffeehousebook.com      |

> >|                                                       |

> >|                   *---*---*---*---*---*---*---*---*   |

> >|                                                       |

> >| "Nothing is capsulized in me, on either side of town" |

> >|                                      -- Joni Mitchell |

> >---------------------------------------------------------

> >

> >

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 07:37:19 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

AG is not hear to defend himself, but Mr. Grant the the Nicosia fraternity will

 be

delighted to explain this--I hear the quiet sound of a can of worms reopening.

 

JS

 

Nancy B Brodsky wrote:

 

> Care to enlighten us to AG's behavior?

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 07:43:03 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beatniks and Hippies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jim, i can best answer this based on events in my life, which began with my

first 'record player' the little boxes with one small speaker in front and

the inserts to put into 45s so they wouldn't wobble all around.

in 7th grade i read on the road

in 7th grade i was buying every dylan 45 that came out

before i bought dylan, i bought peter paul and mary - based on hearing 'the

springfield mine disaster ' :in the town of springfield you don't sleep

easy, down underground...etc' didn't buy them for their more upbeat tunes.

in 7th grade i moved from fear of atom bomb disaster (any one remember the

old get under yr desk and kiss yr ass pose drills?)

to the war on tv constantly as well as the war in my home

in 7th grade in my family i had seen enough violence and hatred to turn to

my peers instead of my family for advice and support

in 7th grade there were no peers who understood anything i wanted to talk

about

so i knew alienation at an early age

in 7th grade i started skipping school

in 8th grade i chose to write a 'book report' about HOWL and its comentary

on the insanity of life as we were living it-this resulted in a suspension

for obscentiy,  as did my paper on the then named leroy jones

in 8th grade i saw a centerfold picture (meant to scare) of a tripping

hippie gazing with wonderment at a naked light bulb\my first thought was, i

need to get ahold of some of that stuff.

reality sucks, i wanted to lift the illusion, the veil and see the other

side. without knowing it at an early age i began to think like a buddhist.

all though my early years we ate supper watching the horrors of vietnam and

the body counts -  body counts given out like scores at a football game!

in 8th grade i started hangin' with vietnam vets who came home not only

disillusioned and against the war, but with really good drugs.

i went from the beatest of beat reading and music to alternative highs and

joys of hippy life.

allen ginsberg was always there.

and the grateful dead followed with dark star, st stephen, uncle john's band

and all songs which in beatitude managed to retain the joy of living in the

midst of the insanity of the war and raids on cambodia,

hope this helps .

mc

 

Jim Dimock wrote:

 

> I think an interesting question is buried somewhere in the

> Beat/Dead/Hippie posts. Having been 10 years old in 1967, I was aware of

> the changes and the "Hippies" but not yet old enough to participate. I

> seem to always understand that the beatniks were somehow connected to the

> hippies but was not sure at the time what the connection was. So I would

> like to ask any out there who were in the middle of this transformation

> what their feelings were. Earth Mother Goddess Marie: I'm especially

> interested in your view since you were into the beats *before* the hippie

> movement. Were you aware of a transformation of the Beats into hippies?

> Did it seem like a logical tranformation at the time, or no

> transformation at all even?

> 

> Last night on my local PBS station they repeated the episode of the

> History of Rock and Roll that focused on Dylan and the Beatles. AG

> remarked that upon hearing Dylan he felt that a torch had been passed

> from the Beat genius to the next generation, and that things were in good

> hands. Is this how others felt as well?

> 

> Best to all,

> 

> Jim

> 

> _____________________________________________________________________

> You don't need to buy Internet access to use free Internet e-mail.

> Get completely free e-mail from Juno at http://www.juno.com

> Or call Juno at (800) 654-JUNO [654-5866]

 

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X-MSMail-Priority: Normal

Date:         Thu, 12 Feb 1998 08:44:43 +0100

Reply-To:     thomas.and@taby.mail.telia.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "thomas.and" <thomas.and@TABY.MAIL.TELIA.COM>

Subject:      quit subscription

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm sorry, but the beat-l list is totally taking over my computer, and I

have to leave it (at least until I get a separate e-mail adress...), but

how do I do?

Thanks, Thomas

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 07:44:57 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

wecome home, al.

mc

 

Albert Min wrote:

 

> sorry to unload onto y'all, but i just read howl for the first time.  and i'm

 in

> a madcap hitchike craze.  it's one of the greatest poems i've ever read.

>  ginsberg

> makes you feel the craze.  he rips out your soul and throws it into the midst

 of

> it all.  i can almost feel the benzedrine nights the psychotic intellectual

>  madness.

>  i can hear the man screaming.  the violent mix of everything.  i can feel the

>  beat

> pulsing like poe's heart.  the roar of a jet screaming through the neurons.

 the

> vermin the seething that was the start of the calmer hippy era.  wow that's

 some

> powerful shit!

> 

> Al

> 

> Free web-based email, Forever, From anywhere!

> http://www.mailexcite.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 07:50:02 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Avant-garde and the beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i must say, i'm partial to greil marcus, myself. the art work itself (chosen by

marcus) is worth the book. also, it follows a pattern that i had written

extensively of, but never went all the way to a phd: the tracing of the beats

back to  antinomianism, thru the transcendentalists to the beats. he fills in

many of the missing links. and his book on elvis ain't so bad, either

mc

 

Joey Mellott wrote:

 

> I'm reading a fascinating book at the moment called LIPSTICK TRACES.  It's

> an examination of how the punk movement was the last in a long delineation

> of avant-garde groups in the 20th century.  The beats are not mentioned, and

> I think that is with good reason.  Burroughs seems the only one of the "holy

> three" to ever get involved with the European avant-garde scene.  The beats

> were not avant-garde; they were bohemian.  This is more of a compliment than

> it may seem.  The avant-garde operates on the idea that novelty=genius.

> This is not always the case.  Pet rocks were novel, but not the work of a

> genius.  "Bohemian" has more to do with the lifestyle of the writer than any

> stylistic quality.  Also, unlike the Surrealists or the Situationists, the

> Beats were not a movement with an identifiable leader, they were a group of

> friends, each with a unique perspective and style

> 

> But what really interests me is that the line so often quoted by Burroughs

> fans (Nothing is true; everything is permitted.) was not coined by Burroughs

> himself.  It was one of the slogans Guy Debord and the Situationist

> International (SI) used.

> 

> The book is fascinating.  I definitely recommend it to anyone interested in

> literary and art "movements."

> 

> Joey Mellott : poet, writer, and disgruntled high school student

> peyotecoyote@iah.com

> "I want God, I want poetry, I want real danger, I want freedom,

>  I want goodness.  I want sin." - Aldous Huxley

 

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Date:         Wed, 11 Feb 1998 23:51:19 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwy Thomas wrote:

> 

> well, i don't know about true beats. i certainly wouldn't presume to call

> myself one. but i have to say, bleary-eyed, super-stressed teens slaving over

> projects and homwork certainly keep erractic hours.

> 

> aeronwy

fuck you bitch

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 11 Feb 1998 23:57:22 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Fucking the life out of William:

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Believe me

i said

leave me if you may

deliver your song

my dearest Quebec

when life takes you over

i will manage your debt

to believe is to conquer

you might as well say

to to kill is to prosper

in the world of today

i want to travel freely

if it takes all ive got

to leave is to bewilder

it the destiny of not

kill me my friend

a bargain will reap

when lovers are sinners

we all are deep

within silence

 

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:07:15 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

have you read any of joyce johnson? she was with him just before and after he

gained celebrity. she prefered him before. and her writings are not sexual

exploits: have you read minor characters? it begins with wonderful exploits of

herself growing up and becoming attracted to the village, washington square in

particular. her writings of the time with kerouac are written with well-wrought

descripton and prose. i know more about her life and the apartment they shared

then any other aspect of so called sexual celbrity hounding.

have you ever met joyce johnson? i have, often, as she has a summer cottage up

here in vt.

beware of sweeping generalizations.

this one woman, at least, i know of for sure.

and her writing is excellent. on its own merit

mc

 

Paul A. Maher Jr. wrote:

 

> Put it this way...it was the year 1957. His celebrity status was secure that

> year. I know of fifteen women on the list. Some I guess its safe to say have

> already written about these exploits (DiPrima, Johnson), some are

 miscellaneous

> (Arab women in Tangiers, Parisian women...are whores used out of

> desperation?). The rest I am not at liberty to disclose because of obvious

> reasons. P.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

 

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Date:         Thu, 12 Feb 1998 08:10:15 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

levi: "you the man!" and i'll never tell you to shut up. thanks for this

 wonderful

post.

mc

 

Levi Asher wrote:

 

> > revolutionary and brilliant movements by turning them into fads.  People

 seem

> > to forget that when OTR came out(My person bible) it was marketed (somewhat)

> > as a corny teenage paperback.  Some people saw kerouac and the beats as some

> 

> Exactly ... the Beats were as phony as everybody else ... that's why

> we love them.  I can't stand musicians or writers who have to always

> keep a sophisticated cool distance from hype ... who won't just loosen

> up and have fun acting stupid.

> 

> Some people need that "cool sophistication" though (and here in New

> York they're always hanging around the Knitting Factory listening

> to avant-garde jazz).  And that's fine.  But to think the Beats weren't

> just as goofy as the Dead is wrong ... just watch "Pull My Daisy".

> 

> > if you can't hear the soul in Jerry's playing I don't know how you can hear

 it

> > in Coltrane and Miles.

> 

> Agreed!  But I guess I should stop talking about the Dead before

> people start telling me to shut up (if they haven't started

> already).

> 

> And yes, we do basically just hurl insults at each other here.

> 

> ---------------------------------------------------------

> | Levi Asher = brooklyn@netcom.com                      |

> |                                                       |

> |     Literary Kicks: http://www.charm.net/~brooklyn/   |

> |      (the beat literature web site)                   |

> |                                                       |

> |          "Coffeehouse: Writings from the Web"         |

> |            (a real book, like on paper)               |

> |               also at http://coffeehousebook.com      |

> |                                                       |

> |                   *---*---*---*---*---*---*---*---*   |

> |                                                       |

> | "Nothing is capsulized in me, on either side of town" |

> |                                      -- Joni Mitchell |

> ---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:13:50 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well, julian: i live hand to mouth ($3.50 left for the rest of the

month, i do travel about the country, i don't work and i'm high right

now. as for fathering children, it would be a first for a woman.

but no, i'm not a beat.

i like the beats.

i like them a lot.

but no, i don't consider myself a beat.

individually yours,

mc

 

Julian Ruck wrote:

 

>  All right, i know this is going to cause a bitch-fit out

> of some people...so i better phrase this question

> carefully...

> 

>  first off...i know i'm not liked around here excep for a

> few people...

>  so i'd just like to say i'm not an asshole, i just play

> one on the internet...

> 

>  Who here, on this list, are honest-to-god beats?

> 

>  and not just people who study them...who hear travels on

> whims, and lives hand-to-mouth at times, and doesn't mind

> it a bit...

>  who here steals?...

>  who has children all over the country?...

>  who's high right now?...

> 

>  i'm just curious...

>  i know the beat culture was not only about those

> things...but damn it, they DID the shit you guys only

> dream about...

>  who here DOES any of this?...

> 

>  Who, are the real beats....and who are just wanna-bes?

> 

>  -julian

> 

>  "The Believer is happy, the Doubter is wise"

> -Hungarian Proverb

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:27:08 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats yes, Hippies/Deadheads no maybe you should join the

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi howard: 'nuthin' left to do but smile smile smile'.....

btw, yr green automobile story was wonderful.

mc

 

Howard Park wrote:

 

> There used to be a saying among Deadheads , "ain't no time to hate".  I'm

> sorry that apparently does not apply to Mr. Rice and his girlfriend.  Mike,

> besides Jerry Garcia, what other recent deaths are you grateful for?  C'mon,

> let the hate flow...

> 

> Howard Park

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:33:03 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Beats post 2/are beats sober

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patricia: you GO girl!

the word play on final line is great.

mc

 

Patricia Elliott wrote:

 

> cold stone sober, we

> tango across the dining room

> in one take.

> mornings, even beats are straight

> til the poached egg in the little

> blue cup from denmark is cracked.

> $90 furnishes the entire house,

> one lamp for a dollar lights for years.

> a cast iron lamp that sits on the

> dining table now tonight,

> sits there now. On after he is off.

> the house transforms, room by room

> mostly with color

> from ghastly granny white to

> beat red.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:37:16 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

as mr aeronwy did not leave his post in respond to list mode, i

graciously did it for him.

why do people on this list resort so often to meanspirited name calling?

 

it's really so sad that many of our recent, and some older, residents

have so small a vocablulary.

lighten up, let go of the hate, or at least keep it to yourself.

mc

 

eric mayhew wrote:

 

> Aeronwy Thomas wrote:

> >

> > well, i don't know about true beats. i certainly wouldn't presume to

> call

> > myself one. but i have to say, bleary-eyed, super-stressed teens

> slaving over

> > projects and homwork certainly keep erractic hours.

> >

> > aeronwy

> fuck you bitch

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:44:08 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      an open letter to eric mayhew

To:           BEAT-L@CUNYVM.CUNY.EDU

 

what kind of a post was that to mike rice's very respectful post re: the

dead?

how can you count yrself a deadhead with such venom in yr system?

why does this insecure name calling continue?

give it up eric.

i can't be the only one who is sick of your abusive language, one word

swears that contain absolutely nothing related to the list? i'd like to

give you a spray can, disconnect yr computer for the day and let you

release your venom.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Thu, 12 Feb 1998 03:45:06 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Robert DeNiro, Sr.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:59 PM 2/11/98 -0500, Paul Maher wrote:

 

>Mr. DeNiro was an artist I think, not a writer. P.

 

So was his mother, if I remember correctly.

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Thu, 12 Feb 1998 03:50:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Beats yes,

              Hippies/Deadheads no maybe you should join the

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 10:49 PM 2/11/98 EST, you wrote:

>There used to be a saying among Deadheads , "ain't no time to hate".  I'm

>sorry that apparently does not apply to Mr. Rice and his girlfriend.  Mike,

>besides Jerry Garcia, what other recent deaths are you grateful for?  C'mon,

>let the hate flow...

> 

>Howard Park

> 

>Howard, its a joke, don't get mad, she actually said it, and it was funny,

that's all.  I simply passed it on.  The remark itself in not exactly correct,

since it refers to the entire group.  It is not about Garcia, and,

incidentally,

I didn't say it, she did.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Thu, 12 Feb 1998 03:50:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I read Howl for the first time the day Ginsberg died.  I

thought it was very good, very funny, and laced with a

lot of bullshit.  My sister said the version she read that

day contained footnotes which indicated the poem was about

Ginsberg's mother and a friend incarcerated in a nuthouse

in upstate New York.  She said she thought it very sad.  I

just read the poem's surface and found it to be the opposite.

I'm guessing that Ginsberg wanted to have it both ways.

 

It is a wonderful poem.

 

Mike Rice

 

 

At 10:12 PM 2/11/98 -0600, you wrote:

>Albert Min wrote:

> 

>> sorry to unload onto y'all, but i just read howl for the first time.  and

>i'm in

>> a madcap hitchike craze.  it's one of the greatest poems i've ever read.

>>  ginsberg

>> makes you feel the craze.  he rips out your soul and throws it into the

>midst of

>> it all.  i can almost feel the benzedrine nights the psychotic

>intellectual

>>  madness.

>>  i can hear the man screaming.  the violent mix of everything.  i can

>feel the

>>  beat

>> pulsing like poe's heart.  the roar of a jet screaming through the

>neurons.  the

>> vermin the seething that was the start of the calmer hippy era.  wow

>that's some

>> powerful shit!

> 

>How refreshing to read a post like this.  Albert's enthusiasm is positively

>invigorating. There's nothing like someone reveling in the personal

>discovery of something you have loved for years to renew your own deep

>feelings.  Thank you, Albert.

> 

>Jym

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cen00746@207.17.135.251

Date:         Thu, 12 Feb 1998 03:51:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Beats yes, Hippies/Deadheads no maybe you should join the Arm

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:23 PM 2/11/98 -0500, you wrote:

>I don't think my earlier message got through but here goes: Mike you are

>wrong!! The dead did have a hit. In 1987 a touch of gray charted at no.9

>on the billboard charts. Don't criticize without getting your facts

>straight.

> 

> 

I stand corrected, but I've never heard of Touch of Gray.

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 09:22:37 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Harry Smith

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jym Mooney wrote:

 

>Just two noble and fitting recipients of the Dead's financial support in

>their autumn years: Beat author/mentor Herbert Huncke and

>painter/ethnologist/musicologist/film-maker Harry Smith (editor of the

>recently re-released "Anthology of American Folk Music" on Smithsonian

>Folkways...an astounding and ground-breaking collection of obscure American

>music from the 1920's and early 30's).

 

Jym

 

Dear Jym,

Thanks for mentioning two of my favorite beat characters in the same

sentence. Huncke's life and writing of course deserve as much discussion

as we can give him on this list, but it's a joy to hear Harry Smith's

name invoked. There's a quick bio of Harry somewhere on the net (try

doing a search with Alta-Vista). Harry is one of my heroes. I heard Sam

Charters (yes, Ann's husband) give a talk on Harry's life and work in

Boulder in 1994 at the Allen Ginsberg Conference held at Naropa. Up till

that point I hadn't put 2 and 2 together but it slowly dawned on me that

I had been influenced by Harry since I was very young. It was guitarist

John Fahey who turned me on to the Anthology back in the early eighties.

Sam Charters, who is a widely-respected first generation blues/jazz

scholar (and, for the trivia buffs, he produced a Fahey album in the

60s) put it all together for me in his talk, i.e. he showed me a major

connection between the Beats and the 50s-60s folk music / bohemian scene

in New York. Sam Charters produced the reissue of Harry's ANTHOLOGY OF

AMERICAN FOLK MUSIC, on Folkways, which includes the most comprehensive

and wonderful liner notes imaginable, as well as a beautifully

reproduced facsimile of Harry's original enclosed booklet (they matched

the ink and paper of the original). Then last year I read AMERICAN

MAGUS, which is a far-out oral biography of Harry Smith - I recommend it

to anyone interested in the Beats. It's available through Water Row

Books I believe (www.waterrowbooks.com - tell Jeff at Water Row that

Hasbrouck sent ya). AMERICAN MAGUS had a huge impact on me, one of those

books like ON THE ROAD that made me re-examine my entire value system

and ponder my place on the planet in this odd century. No one was ever

more BEAT than Harry - except perhaps Huncke. God bless Harry Smith.

 

-Hasbrouck

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 01:25:28 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Beats yes, Hippies/Deadheads no maybe you should join the Arm

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mike rice wrote:

> 

> At 11:23 PM 2/11/98 -0500, you wrote:

> >I don't think my earlier message got through but here goes: Mike you are

> >wrong!! The dead did have a hit. In 1987 a touch of gray charted at no.9

> >on the billboard charts. Don't criticize without getting your facts

> >straight.

> >

> >

> I stand corrected, but I've never heard of Touch of Gray.

> 

> Mike

you are a fuck

eric

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 01:40:15 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> James Stauffer wrote:

 

> Everyone on this list has found something in Beat literature that calls

> to them, that is why we are here.  Does that mean that they have

> adopted a version of a Beat code for life--whose code would that be,

> anyway?  You gonna follow Herbert Huncke or Brother Antonius or Thomas

> Merton?  Burroughs or Gary Snyder?  What universalities you can find

> are spiritual not behavioral or matters of style.

 

This is the greatest piece of wisdom that's hit the list all week.  And

it is precisely why discussing Beat literature should take center stage.

The Beats, as we all do, did the best they could living their lives from

one moment to the next but their legacy to the world exists in what they

wrote.  It is within their writing that one finds the universality of

human-ness that transcends all time periods and reaches into the area of

spiritual knowledge.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 01:54:14 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      The Western Lands

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To continue on a bit further from what David posted yesterday.  On page

3, "So William Seward Hall sets out to write his way out of death.

Death, he reflects, is equivalent of a declaration of spiritual

bankruptcy.  One must be careful to avoid the crime of concealing

assets...a precise inventory will often show the assets are considerable

and that bankruptcy is not justified.  A writer must be very punctilious

and scrupulous about his debts."

 

A lot said in a very short paragraph.  Anyone want to tackle the concept

of how one writes their way out of death.  What kind of death: physical,

mental, spiritual?  Perhaps are three.  For all the talk lately about

Burroughs destroying language, here he sets out in perfect simplicity

the thought that words are powerful enough to provide a way out of death.

"Death is the equivalent of spiritual bankruptcy."  Now that is a

statement with a lot of power behind its words.   In terms of writing

one's way out of death how would you go about listing your assets and

debits to find that you are in fact not spiritually bankrupt?

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 11:15:42 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Zoom, oom pow, zorch" <jholland@ICLUB.ORG>

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

> 

> as mr aeronwy did not leave his post in respond to list mode, i

> graciously did it for him.

 

=== It wasn't in "respond to list mode" because he didn't send it to the

list, he sent it to YOU, off the list. And now you've "graciously" sent

his personal e-mail to the whole list. That's about as low as crocodile

tits.

 

And if cowards hide behind foul mouths, I guess Kerouac, Ginsberg, and

Burroughs are cowards too.

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

berea, kentucky, zorch

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 11:27:41 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ignacio Montezuma <jholland@ICLUB.ORG>

Subject:      drugs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Noticed the topic of drugs has resurfaced several times in recent

posts.....I'd just like to go on record as saying that drugs are, in my

experience, a monumental waste of time. Alcohol, chocolate, and sex are

the only drugs I enjoy. It takes a rare breed of individual who can

handle drugs properly - WSB was one of them - but most people cannot.

I've left relationships because all they wanted to do was sit around and

get high all day. Boring. Life's too short.

 

Funny how lefties have now become just as square as the enemy. "Fuck 'em

all, squares on both sides." - William S.Burroughs

 

=-=-=-=-=-=-=-=

J.S.Holland, ky

Henry Mancini on the hi-fi

=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 11:44:20 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Retrovirus Jones <jholland@ICLUB.ORG>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian Ruck wrote:

 

>  Who here, on this list, are honest-to-god beats?

 

=== me.

 

 

 

>  and not just people who study them...who hear travels on

> whims, and lives hand-to-mouth at times, and doesn't mind

> it a bit...

 

=== I have hitch-hiked all over the country and gone to other countries

as well, including Mexico and Japan....I have been homeless many times

in my life, by choice. I have been a hobo for more years than not.

 

 

 

 

>  who here steals?...

 

=== Errrm, define "steal" :)  ....in a Robin Hood sense, of course. As

Ewoks would from the Empire. I stole a jug of chocolate milk once when I

was close to dying of starvation in Gainesville, GA in 1985....chugged

the whole thing in less than a minute and it gave me a trip more

psychedelic than any drug.

 

 

 

 

>  who has children all over the country?...

 

=== I probably do, but no one's alerted me, thankfully.

 

 

 

 

>  who's high right now?...

 

=== BZZZZNT!! You lost me. I stopped getting high years ago. I do a lot

of painting, and the paint fumes get me goofy enough as it is.

 

 

 

 

>  who here DOES any of this?...

 

=== come down to my place, the Creeps Outpost, in the woods of Richmond,

Kentucky, and I'll show ya how we do it. I'll also load you up with more

of my crummy homemade chapbooks, cassette tapes and art than any sane

human being could ever have any use for. And I'll hook you up with some

of the local talent.

 

 

 

> 

>  Who, are the real beats....and who are just wanna-bes?

 

=== I don't consider "armchair" beats to be unbeat, but I do think the

distinction should be made between the street poets and the

sit-at-homes.

 

Ginsberg, by the way, was pretty much an armchair beat, in my humble

opinion. You didn't see him slogging through the jungle with WSB.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

Berea, KY - moooooooooo

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 11:59:06 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Huncke's Uncle <jholland@ICLUB.ORG>

Subject:      Re: Ha Ha!  Toodle oooh!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Albert Min wrote:

> 

> hey folkeydoobeathipyiperies!

> 

> i must say that all of this is great!  i scrounge through all the messages

 when

>  i

> have the time and i'm having a blast.  everything.  the name calling, the cras

>  remarks,

> the info, the poems.  it's all fantastique!  a symphony fantastique!  i love

 it.

>  all a you are great.  it's such a laugh, a guffaw, i love the mix.  keep it

 up

>  folks!

 

 

==== I gotta agree Al! You guys have been great, really!! Let's give 'em

all a hand!! This is a great, great crowd! I love each and every one of

you as if you were my very own stuffed animals! Keep it up, folks, and

don't ever change! I saw the best minds of my generation sitting at

computers!! Dare to be you cause there's only one you and you're it!! We

got the Beat!! WA-HOOO!!!!! SURREALIST REVOLUTION!!  JIHAD!!! JIHAD!!!!

ARF!!

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

ky......nude in space

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 12:15:56 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Huncke's Uncle <jholland@ICLUB.ORG>

Subject:      apology to Marie Countryman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I owes Marie a big grape apology - - my mail server must be wonky

because I just now received a big splop of late mail, including

Aeronwy's "fuck you" post, which I had not received and thus falsely

concluded that he had only sent it to Marie and that in turn her quoting

it on the list was lower than crocodile tits but she didn't, and she

isn't, and I really do like her poetry anyway and had read her stuff

before I even heard of Beat-L, but I digress.........anyway, apologies

again, get the wet noodle from its case, I stand prepared.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

voting for my mom next election

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 13:13:00 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Bob Smith, insurance agent and male prostitute"

              <jholland@ICLUB.ORG>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian Ruck wrote:

> 

> i'm just wondering if there's any DOERS out there....

 

=== there's isn't a week where I'm not putting on a reading or a show

(we've brought Ginsberg, Vonnegut, Rollins, Laurie Anderson, and many

more to Lexington in years past, and conned Universities into footing

the bill), or taking part in a reading, or performing in a bar, or

performing on the street for spare change, or out hawking my crappy

chapbooks and tapes, or putting up subversive street literature on the

lampposts, or doing a radio shift at WRFL-FM Lexington, or doing

surrealist street performances by The Appalachian Voodoo Ensemble, which

is truly a sight to behold. I have absolutely no interest in fame or

money, especially since the entire shithouse is probably going to go up

in flames pretty soon anyway. I do what I do for the invisible angels

that watch my every move.

 

=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, kentucky

don't drink the fruitopia

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 13:29:39 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Connie Chung <jholland@ICLUB.ORG>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Julian Ruck wrote:

 

>  this summer i'm going around the country again...this time ongreyhound

> buses...

 

=== ugh, scary....I've met a few cool cats on buses, but by and large,

doing the Greyhound thing is hell....always sitting next to someone with

open boils who's talking to Allah.....for seven hours straight.....a bus

took off without me once at a stop and stranded me in Chattanooga,

TN....had to hitch a ride with a traveling Christian theatre troupe who

put on reenactments of Biblical events.....fun fun fun.

 

I always hitch rides with truck drivers.....it's safer than being in a

car, they're always bored shitless and glad to have someone to chit-chat

about country music with, and there's no worry of them raping or killing

you since they're always in a hurry to get this load of stringbeans to

Utah and they're taking little white pills and their log book's way

behind.

 

 

 

> 

>  and if you were serious on your offer to have me come down...i would

> love to...

 

=== Like Bob Barker sez, "come on down!"......the main Creeps Outpost is

at 129 S.1st Street, Richmond, KY.

 

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

ky, the dark & bloody ground

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Thu, 12 Feb 1998 07:33:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:55 PM 2/11/98 -0600, you wrote:

>>Put it this way...it was the year 1957. His celebrity status was secure that

>>year. I know of fifteen women on the list. Some I guess its safe to say have

>>already written about these exploits (DiPrima, Johnson), some are

>>miscellaneous

>>(Arab women in Tangiers, Parisian women...are whores used out of

>>desperation?). The rest I am not at liberty to disclose because of obvious

>>reasons. P.

>>"We cannot well do without our sins; they are the highway to our virtues."

>>                                           Henry David Thoreau

> 

> 

>If it's a list JK kept is it in a public library?  I'm not intersted in who

>JK made-out with, but researchers might be interested in seeing it.

> 

>In the material you were looking at did JK ever say that he was fucking

>whores, or anyone out of desperation?

> 

>j grant

> 

>   Yes , your mom. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 13:34:34 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Connie Chung <jholland@ICLUB.ORG>

Subject:      Re: The true beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Albert Min wrote:

> 

> i have to say that i've learned some of what a beat is and i can feel the

>  spirit,

> and that's just from some ginsberg and kerouac.

 

=== Try William Burroughs, Edward Abbey, Charles Bukowski, and the

Unabomber, too.

 

 

 

> i'm only 18 and i plan on

>  learnin

> a lil somethin and getting a degree.  ya know to please and parents and such

 and

> such.

 

=== Don't do it!! It's a trick!! It's a trap, Boxer, they're taking you

to the knacker's!! You don't owe nothin', ya gotta get runnin', it's the

best years of your life they want to steal!

 

 

=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

fish sticks forever

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 06:46:43 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

David Bruce Rhaesa wrote:

> 

> R. Bentz Kirby wrote:

> >

> > Was not Abe Lincoln a sufferer from MD/Bipolar?

> >

> 

> A wooden plaque with the Lincoln Memorial sits on my wall because of

> this rumour.  It is to remind me in hardtimes that some folks with my

> illness have amounted to something afterall.

> 

> Since the purchase i have come to the conclusion that the diagnosis is

> less than certain.  It is based on historians playing psychiatrist or

> psychiatrists playing historians.  I have to wonder if any one's diaries

> and journals and collective writings were left open to close scrutiny if

> some form of diagnosis would not spurt forth.  But i keep him on the

> wall nonetheless!

> 

> > --

> >

> > Peace,

> >

> > Bentz

> > bocelts@scsn.net

> > http://www.scsn.net/users/sclaw

 

jack kerouac

plays with lincoln

logs

between

norwich and nashua

state trooper

screams

you can't be a citizen of the world

and jack says

you don't know jack-taco about anything -

i'm a citizen of the universe.

 

d

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 13:56:41 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Kleenex <jholland@ICLUB.ORG>

Subject:      reading/doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reading about hitchhiking is not the same thing as hitchhiking.

 

Reading about Mexico is not the same as being there.

 

Reading about sex is not the same thing as doing it.

 

Living vicariously through the Beat writers' own adventures is good only

if it inspires you to go out and have some adventures of your own.

 

=-=-=-=-=-=-=-=

J.S. Holland

k e n t u c k y

now playing:

Blind Boy Fuller

=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:15:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-10 20:35:20 EST, you write:

 

<< Every man I know has suffered from sexual desperation at one time

 or another, with a need that can't be quelled.  Financial desperation

 is strictly for the cashless female.

 

 Mike Rice

  >>

This is getting really crass, but has no one ever heard of 'the mercy fuck'?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 08:54:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      One Version

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm sure I will pay for this, but I can't resist. I haven't read the

Nicosia version of events, but I was there at NYU. As I remember, Jan

and Jerry attempted to interrupt a scheduled symposium chaired by AG. AG

asked the crowd if they wanted to talk about poetry or the estate and

when the overwhelming response was "poetry", Jan and Gerry were asked to

leave. Aside from the "Kerouaco" afficonados and insiders, most of the

real people I spoke with during that conference didn't know much at all

about this allegedly huge conspiracy, and even fewer cared. Most people

were there to have fun and maybe learn something along the way. By the

end of the event, Jan and Gerry were pretty much a side show.

 

That's my honest recollection, not necessarily the truth, but how I saw

it. I submit that the alleged "true" description posted on the net is

one person's view and recollection as well. Anyone else there want to

share their memory?

 

Seems kind of sleazy to be slamming AG (who probably thought he was

"safe in heaven dead") for something that living people cannot even

agree upon. Can't you see him, Jack, Neal, Bill, and Herbert up there on

their cloud, stoned silly, having a good laugh at all this?

 

Mark Hemenway

 

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Date:         Thu, 12 Feb 1998 07:10:44 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Ha Ha!  Toodle oooh!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hey folkeydoobeathipyiperies!

 

i must say that all of this is great!  i scrounge through all the messages when

 i

have the time and i'm having a blast.  everything.  the name calling, the cras

 remarks,

the info, the poems.  it's all fantastique!  a symphony fantastique!  i love it.

 all a you are great.  it's such a laugh, a guffaw, i love the mix.  keep it up

 folks!

 

 

Al

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 14:11:19 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Jan K and AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jo,

 

I applaud you for putting the information in an accessible place and providing a

way to keep the estate wars off the list.  The fact that AG did not take Jan's

 side

at the NY affair is well documented.  Also well documented is the fact that AG

 was

in most respects an amazingly loving man.  Maybe his behavior was out of

 character,

maybe he had reasons.  I have no idea.

 

JS

 

jo grant wrote:

 

> >AG is not hear to defend himself, but Mr. Grant the the Nicosia fraternity

> >will

> > be

> >delighted to explain this--I hear the quiet sound of a can of worms

 reopening.

> >

> >JS

> >

> >Nancy B Brodsky wrote:

> >

> >> Care to enlighten us to AG's behavior?

> Nancy:

> There's a link: BuddahGate at NYU -  http://www.bookzen.com/kerouac.html  -

> Jan Keroauc asks for five minutes to talk about her father's literary

> archives. Police, with Allen Ginsberg's approval, throw her out.

> 

> J.S.

> 

> What's to defend. The record is clear and was reported on and substantiated

> by others than Gerald Nicosia and Jan Kerouac. I don't think the "Nicosia

> fraternity" has ever been "delighted" going into this issue and since the

> facts are on-line, there'll be no need to gointo it on the Beat List.

> 

> It's a painful issue. I've said nothing that can be considered slanted or

> unfair about AG's behavior that day. Painful yes, but that's all.

> 

> I'll add this.If anyone wants to be on the mailing list to receive

> information on Jan, her Dad's archives,or the memory babe Archive at

> U.Mass, Lowell, send me a note asking that your E-mail address be added for

> updates.

> 

> j grant

> 

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                       625,506 Visitors  07-01-96 to 11-28-97

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 15:18:29 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         banjo-playing nudists anonymous <jholland@ICLUB.ORG>

Subject:      Re: Beats don't fail me now!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Albert Min wrote:

> 

> you can't be beat.  you can be close, you can imitate, but you can't be beat.

>  kerouac,

> ginsberg, burroughs, etc. etc. were beat.

 

 

=== Actually, Herbert Huncke predated and inspired JK, AG, and WSB. So

if anyone is the ORIGINAL beat, it's Huncke, not those younsters who

came after him. WSB has openly said he used to try to imitate Huncke.

Huncke is the source of the term "Beat". It isn't some sort of private

club that requires Jack Kerouac's posthumous approval to join.

 

Anyone is Beat who says they are. Even if they're not. I'm the Sheik of

Araby if I say I am. If ya don't believe me, just ask me and I'll tell

ya so.

 

=-=-=-=-=-=-=

J.S.Holland

meditating on a Kiss Golfball

=-=-=-=-=-=-=

 

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Date:         Thu, 12 Feb 1998 07:47:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      The true beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i have to say that i've learned some of what a beat is and i can feel the

 spirit,

and that's just from some ginsberg and kerouac.  i'm only 18 and i plan on

 learnin

a lil somethin and getting a degree.  ya know to please and parents and such and

such.  a friend of mine has dropped out and takin to the road, but i hope to

 experience

that on top of school.  probably hit the road with nothin but a backpack during

 summers

and after school is all done.  one things for sure.  i refuse to be stuck in the

conventional life-style.  i've seen the road and i'll never forget it.

 

Al

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

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Date:         Thu, 12 Feb 1998 07:05:38 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Pay attention before getting self-righteous

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 well, i can see you gyus really pay attention...

 

 did i ever say you had to be stoned to be a beat?

 

 no...i was just asking who lives their lifestyle...

 

 i have noticed that far too many people study them and enjoy reading

about what they did...but don't DO anything themselves...

 

 and marie c....i have to tell you that you are one of the people i

respect most on this list.....to me, you are a beat....

 -julian

 

______________________________________________________

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 09:21:25 -0600

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From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      [Fwd: Re: Burke 's pollution/purification/redemption trilogy &

              advertsing]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

kenneth burke is my world's counterpart to william seward burroughs.

dbr

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Message-ID:  <34E30944.1A3F6D6A@siu.edu>

Date:         Thu, 12 Feb 1998 08:37:56 -0600

Reply-To: Kenneth Burke Discussion List <BURKE-L@SIU.EDU>

Sender: Kenneth Burke Discussion List <BURKE-L@SIU.EDU>

From: David Blakesley <dblake@SIU.EDU>

Subject:      Re: Burke 's pollution/purification/redemption trilogy &

              advertsing

To: BURKE-L@SIU.EDU

 

Burke-lers--

 

FYI, a version of the poster Dina refers to can be found on the Burke-L website

 at

 

http://www.siu.edu/departments/english/acadareas/rhetcomp/burke/human/index.html

 

Jerry Ross captured the image from the Chapin interview with KB, converted it to

 an

imagemap, and has written a good overview of his reading of Burke's "Definition

 of Human"

to accompany it.

 

Can't miss a chance to plug our website!

 

Dave Blakesley

 

Dina Stevenson wrote:

[snip]

 

> I have a photocopy of a poster of KBs "Definition of Man"  (from his

> kitchen --given to me by his daughter-in-law) which, to me, is a puzzle to

> which p/p/r is the answer.  I love that little verse.  I know he changed it

> at some point, but I like the version that appears in

> _Language_as_Symbolic_Action_ .

 

--

******************************************************

David Blakesley

Director of Writing Studies

Associate Professor of English

Southern Illinois University, Carbondale

 

Visit the virtual Burkeian parlor, home of Burke-L, at

 

http://www.siu.edu/departments/english/acadareas/rhetcomp/burke/index.html

 

 

*******************************************************

 

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Date:         Thu, 12 Feb 1998 07:26:57 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Ha Ha! Toodle oooh!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

*small bow...*

 

the world is a stage, and we are mearly actors...

 

*g*

 

i do my best...

 

-julian

 

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Date:         Thu, 12 Feb 1998 07:32:11 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 yes, well, i made my point earlier that "high doth not a beat make"

 

 this summer i'm going around the country again...this time ongreyhound

buses...on the "ameripass"...anyway, my lady love is coming with me...

 

 and if you were serious on your offer to have me come down...i would

love to...

 i have been laughing at your posts for awhile...

 

"and man, you have to laugh..."

-julian ruck

 

later...

-julian ruck

 

 

 

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 10:37:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What exactly is a BEAT? I dont think its a definable thing, its more of a

state of mind and a way of life, I think. I also think that it has nothing

to do with stealing and fathering children and getting high...

If it does, then count me out because all I do is write...

Of course, I would never presume to call myself a beat, anyway. I defy

labels...

~Nancy

 On Thu, 12

Feb 1998, Retrovirus Jones wrote:

 

> Julian Ruck wrote:

> 

> >  Who here, on this list, are honest-to-god beats?

> 

> === me.

> 

> 

> 

> >  and not just people who study them...who hear travels on

> > whims, and lives hand-to-mouth at times, and doesn't mind

> > it a bit...

> 

> === I have hitch-hiked all over the country and gone to other countries

> as well, including Mexico and Japan....I have been homeless many times

> in my life, by choice. I have been a hobo for more years than not.

> 

> 

> 

> 

> >  who here steals?...

> 

> === Errrm, define "steal" :)  ....in a Robin Hood sense, of course. As

> Ewoks would from the Empire. I stole a jug of chocolate milk once when I

> was close to dying of starvation in Gainesville, GA in 1985....chugged

> the whole thing in less than a minute and it gave me a trip more

> psychedelic than any drug.

> 

> 

> 

> 

> >  who has children all over the country?...

> 

> === I probably do, but no one's alerted me, thankfully.

> 

> 

> 

> 

> >  who's high right now?...

> 

> === BZZZZNT!! You lost me. I stopped getting high years ago. I do a lot

> of painting, and the paint fumes get me goofy enough as it is.

> 

> 

> 

> 

> >  who here DOES any of this?...

> 

> === come down to my place, the Creeps Outpost, in the woods of Richmond,

> Kentucky, and I'll show ya how we do it. I'll also load you up with more

> of my crummy homemade chapbooks, cassette tapes and art than any sane

> human being could ever have any use for. And I'll hook you up with some

> of the local talent.

> 

> 

> 

> >

> >  Who, are the real beats....and who are just wanna-bes?

> 

> === I don't consider "armchair" beats to be unbeat, but I do think the

> distinction should be made between the street poets and the

> sit-at-homes.

> 

> Ginsberg, by the way, was pretty much an armchair beat, in my humble

> opinion. You didn't see him slogging through the jungle with WSB.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland

> Berea, KY - moooooooooo

> =-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 10:44:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      question about kerouchat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Did someone mention that you could access kerouachat thru IRC? Can you

tell me how, again? Thanks..

~Nancy

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Thu, 12 Feb 1998 07:51:09 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

nancy said "what is a BEAT?"

 

 

well, to me, beat is a sort of philosophy, and your personal philosophy

dictates how you live your life...

 

i'm not saying we should be like jack kerouac...or ginsberg...or sony

bono...

 

i'm just wondering if there's any DOERS out there....

-julian

 

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Date:         Thu, 12 Feb 1998 08:21:35 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Mary Maconnell <MMACONNELL@MAIL.EWU.EDU>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I *REALLY* didn't want to join this.

 

BUT -- When I first joined this list someone told me that reading *is*

doing.

 

And some of us do things but share it with the people we live with

daily rather than blabbing to total strangers..

 

Mary

(ducking from the flames as you read..)  :)

 

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Date:         Thu, 12 Feb 1998 11:26:41 -0500

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From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

But wha exactly is "doing"?

On Thu, 12 Feb 1998, Julian Ruck wrote:

 

> nancy said "what is a BEAT?"

> 

> 

> well, to me, beat is a sort of philosophy, and your personal philosophy

> dictates how you live your life...

> 

> i'm not saying we should be like jack kerouac...or ginsberg...or sony

> bono...

> 

> i'm just wondering if there's any DOERS out there....

> -julian

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Thu, 12 Feb 1998 08:58:50 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: The true beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 take it from me...you won't regret it...

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Thu, 12 Feb 1998 09:10:29 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 to me, doing is performing some action that erinches your life, and

affects the area around you in some way...

ie. people...things...

 

 i'm not saying that reading isn't doing...but, there needs to be a

balance...

if you are enthralled by the idea of hitch-hiking...do it...

 

if certain drugs intrigue you...try them...(btw, i don't do drugs

anymore, so i'm not on crack when i say this...)

 

 when i say DO i mean act upon your curiousities (sp?)

and first impulses every once in awhile...

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Thu, 12 Feb 1998 10:27:18 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      Beats don't fail me now!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

you can't be beat.  you can be close, you can imitate, but you can't be beat.

 kerouac,

ginsberg, burroughs, etc. etc. were beat.  it was the specific time frame and

 the

environment and the atmosphere.  there were too many elements acting on all the

 real

beats.  you can't reinact them now.  ala "goonies", "that's their time, up

 there!

 this is our time, down here!"  you can be beat, but it's not quite exactly the

 same.

 don't qualify yourself to anyone elses qualities.

 

Al(falpha)

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

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Date:         Thu, 12 Feb 1998 13:01:02 -0500

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From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Avant-garde and the beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sorry man, I think that anyone who sell "Pet Rocks" to the masses is a

genius!

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I almost had a psychic girlfriend

but she dumped me before we met.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

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Date:         Thu, 12 Feb 1998 13:05:15 -0500

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From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Here we go...

Comments: To: Julian Ruck <julian42@HOTMAIL.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hahahahahahahaha!!!!!!!!!

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I almost had a psychic girlfriend

but she dumped me before we met.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

On Wed, 11 Feb 1998, Julian Ruck wrote:

 

>  All right, i know this is going to cause a bitch-fit out

> of some people...so i better phrase this question

> carefully...

> 

>  first off...i know i'm not liked around here excep for a

> few people...

>  so i'd just like to say i'm not an asshole, i just play

> one on the internet...

> 

>  Who here, on this list, are honest-to-god beats?

> 

>  and not just people who study them...who hear travels on

> whims, and lives hand-to-mouth at times, and doesn't mind

> it a bit...

>  who here steals?...

>  who has children all over the country?...

>  who's high right now?...

> 

>  i'm just curious...

>  i know the beat culture was not only about those

> things...but damn it, they DID the shit you guys only

> dream about...

>  who here DOES any of this?...

> 

>  Who, are the real beats....and who are just wanna-bes?

> 

>  -julian

> 

> 

> 

> 

> 

>  "The Believer is happy, the Doubter is wise"

> -Hungarian Proverb

> 

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

> 

 

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Date:         Thu, 12 Feb 1998 13:09:35 -0500

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From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Howl!

Comments: To: Jym Mooney <jymmoon@EXECPC.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

AMEN BROTHER!!!!

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

On Wed, 11 Feb 1998, Jym Mooney wrote:

 

> Albert Min wrote:

> 

> > sorry to unload onto y'all, but i just read howl for the first time.  and

> i'm in

> > a madcap hitchike craze.  it's one of the greatest poems i've ever read.

> >  ginsberg

> > makes you feel the craze.  he rips out your soul and throws it into the

> midst of

> > it all.  i can almost feel the benzedrine nights the psychotic

> intellectual

> >  madness.

> >  i can hear the man screaming.  the violent mix of everything.  i can

> feel the

> >  beat

> > pulsing like poe's heart.  the roar of a jet screaming through the

> neurons.  the

> > vermin the seething that was the start of the calmer hippy era.  wow

> that's some

> > powerful shit!

> 

> How refreshing to read a post like this.  Albert's enthusiasm is positively

> invigorating. There's nothing like someone reveling in the personal

> discovery of something you have loved for years to renew your own deep

> feelings.  Thank you, Albert.

> 

> Jym

> 

 

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Date:         Thu, 12 Feb 1998 13:12:06 -0500

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From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

No, they just PASS OUT!!! :-)

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

On Thu, 12 Feb 1998, POMES, PENNY EACH. wrote:

 

> True Beats never sleep!

> 

 

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Date:         Thu, 12 Feb 1998 13:20:34 -0500

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From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Pay attention before getting self-righteous

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Beats did their own thing, do yours and stop fucking worrying about

whether or not people fit into some brandywash clique!

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

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Date:         Thu, 12 Feb 1998 13:41:32 -0500

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From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have met her..yes. What I meant by mentioning her name is that it's no

secret that she had intimate relations with Kerouac. She does not mention it

in the sordid manner of DiPrima but nonetheless it's insinuated. So, that is

why I mentioned her name as being on the list of Kerouac's conquests. There

are at least 14 other women, DiPrima being one other. next to each name he

has a number meaning how many times he copulated (to put it lightly.)

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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From:         Albert Min <deadbaby@MAILEXCITE.COM>

Organization: MailExcite  (http://www.mailexcite.com)

Subject:      hooplah!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

howdydoo,

 

question:  what is benzedrine, exactly?

 

 

 

yours falsely,

appreciative al

 

 

 

Free web-based email, Forever, From anywhere!

http://www.mailexcite.com

 

>From CUNYVM.CUNY.EDU!owner-beat-l Thu Feb 12 21:06:39 1998

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Date:         Thu, 12 Feb 1998 14:55:41 -0500

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From:         JULIANA PABON <julie36@BU.EDU>

Comments: To: banjo-playing nudists anonymous <jholland@ICLUB.ORG>

To:           BEAT-L@CUNYVM.CUNY.EDU

In-Reply-To:  <34E2FEC0.1327@iclub.org>

 

so i would say that beat is living.

something difficult to find in ANYONE nowadays.

 

i have yet to meet a single soul, in my 21 years of life, that finds as

much glory in just "being" as they do in "planning".  i am not one to live

my life in the future, for the dream that might never be realized, for the

proverbial plateau that comes with "making it".

 

and yet i am at BU, working for my masters, paying off my trip to europe.

as much as we would all like to claim beathood, we're still stuck in the

same game. our only solace is that we KNOW that it's a game.

 

i am a solitary wanderer in an unfamiliar landscape...but

then again, i guess that's what's attractive about being "beat" in the

first place.

 

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From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: reading/doing--

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Springtimes 'a comin. We's all gettin a fever for the flavor...

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

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Date:         Thu, 12 Feb 1998 12:27:11 -0700

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From:         Sean Young <Sean.Young@DSW.COM>

Subject:      Re: Harry Smith

Comments: To: jhasbro@tezcat.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     John,

 

     Thanks for the post on Harry Smith. I was at the Ginsberg tribute in

     '94 also. I first came across Harry's work in '93 in Boulder for an

     evening tribute to Harry, they showed his films. Ginsberg, Ed Sanders,

     and Anne Waldman performed. It went on until about 2 in the morning, I

     had been going 35 hours without sleep. The combination of caffeine and

     wine and the films of Harry made it a rather intense experience.

 

     As well as the Anthology, I would recommend that everyone see his

     films. The Early Abstractions are animations where he painted directly

     on the film frame by frame. Mystic Fire home video has that collection

     and "Heaven and Earth Magic" available. Heaven and Earth Magic is

     probably his masterpiece (masterpiece; as in one masterpiece of his

     that is readily available, many of Harry's works were lost). I hope

     more of his films become available, "Mahogany" for example. Check out

     http://www.mysticfire.com/index.htm for stuff on Harry and The Beats

     as well.

 

     For Harry Smith's archive Web site check out:

     http://www.arthouseinc.com/smitharchives/smitharchives.html

 

     I have been reading American Magus. John is right, it is a revelation.

 

     Peace all,

 

     SDY

 

 

______________________________ Reply Separator _________________________________

Subject: Harry Smith

Author:  jhasbro@tezcat.com at Internet

Date:    2/12/98 9:22 AM

 

 

Jym Mooney wrote:

 

>Just two noble and fitting recipients of the Dead's financial support in

>their autumn years: Beat author/mentor Herbert Huncke and

>painter/ethnologist/musicologist/film-maker Harry Smith (editor of the

>recently re-released "Anthology of American Folk Music" on Smithsonian

>Folkways...an astounding and ground-breaking collection of obscure American

>music from the 1920's and early 30's).

 

Jym

 

Dear Jym,

Thanks for mentioning two of my favorite beat characters in the same

sentence. Huncke's life and writing of course deserve as much discussion

as we can give him on this list, but it's a joy to hear Harry Smith's

name invoked. There's a quick bio of Harry somewhere on the net (try

doing a search with Alta-Vista). Harry is one of my heroes. I heard Sam

Charters (yes, Ann's husband) give a talk on Harry's life and work in

Boulder in 1994 at the Allen Ginsberg Conference held at Naropa. Up till

that point I hadn't put 2 and 2 together but it slowly dawned on me that

I had been influenced by Harry since I was very young. It was guitarist

John Fahey who turned me on to the Anthology back in the early eighties.

Sam Charters, who is a widely-respected first generation blues/jazz

scholar (and, for the trivia buffs, he produced a Fahey album in the

60s) put it all together for me in his talk, i.e. he showed me a major

connection between the Beats and the 50s-60s folk music / bohemian scene

in New York. Sam Charters produced the reissue of Harry's ANTHOLOGY OF

AMERICAN FOLK MUSIC, on Folkways, which includes the most comprehensive

and wonderful liner notes imaginable, as well as a beautifully

reproduced facsimile of Harry's original enclosed booklet (they matched

the ink and paper of the original). Then last year I read AMERICAN

MAGUS, which is a far-out oral biography of Harry Smith - I recommend it

to anyone interested in the Beats. It's available through Water Row

Books I believe (www.waterrowbooks.com - tell Jeff at Water Row that

Hasbrouck sent ya). AMERICAN MAGUS had a huge impact on me, one of those

books like ON THE ROAD that made me re-examine my entire value system

and ponder my place on the planet in this odd century. No one was ever

more BEAT than Harry - except perhaps Huncke. God bless Harry Smith.

 

-Hasbrouck

 

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Date:         Thu, 12 Feb 1998 14:29:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Steve Edington <Sedington@AOL.COM>

Subject:      Info Request

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Okay, I'm not outta here. Its just that I didn't want to be sorting through

the latest round of "Estate Wars" in all the posts. (Doesn't look like its

happened anyway).

 

BUT THAT'S NOT WHAT I'M WRITING ABOUT-- Does anybody know if there is a video

documentary available anywhere on the life, work, etc. of William Burroughs?

I'm looking for something like Antonelli's "Kerouac", or the program that ran

on PBS last fall called "The Life and Times of Allen Ginsberg." I can't seem

to find anything comprable to these on WSB. Maybe no such thing exists yet.

Any leads would be appreciated. Reply through BEAT-L or give me a "direct hit"

at Sedington@aol.com.

Thanks, Steve E.

 

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Date:         Thu, 12 Feb 1998 14:31:45 -0500

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From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:15 AM 2/12/98 EST, you wrote:

>In a message dated 98-02-10 20:35:20 EST, you write:

> 

><< Every man I know has suffered from sexual desperation at one time

> or another, with a need that can't be quelled.  Financial desperation

> is strictly for the cashless female.

> 

> Mike Rice

>  >>

>This is getting really crass, but has no one ever heard of 'the mercy fuck'?

> 

I'll bite, tell me about the mercy fuck.

 

MIke Rice

 

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Date:         Thu, 12 Feb 1998 14:31:47 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: apology to Marie Countryman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 12:15 PM 2/12/98 +0100, you wrote:

>I owes Marie a big grape apology - - my mail server must be wonky

>because I just now received a big splop of late mail, including

>Aeronwy's "fuck you" post, which I had not received and thus falsely

>concluded that he had only sent it to Marie and that in turn her quoting

>it on the list was lower than crocodile tits but she didn't, and she

>isn't, and I really do like her poetry anyway and had read her stuff

>before I even heard of Beat-L, but I digress.........anyway, apologies

>again, get the wet noodle from its case, I stand prepared.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland

>voting for my mom next election

>=-=-=-=-=-=-=-=-=-=-=-=-=

> 

> 

What does Fuck You mean anyway, and who did Eric direct it

at?

 

Mike Rice

 

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Date:         Thu, 12 Feb 1998 13:49:35 -0600

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From:         Matthew James Shelton <Matthew_Shelton@MAIL.OKBU.EDU>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>>> Julian Ruck <julian42@HOTMAIL.COM> 02/11/98 09:43PM >>>

Who here, on this list, are honest-to-god beats?

 

 and not just people who study them...who hear travels on

whims, and lives hand-to-mouth at times, and doesn't mind

>>>>>>>>>>>>>> 

"Though they rushed back and forth across the country on the

slightest pretext, gathering kicks on the way, their real

journey was inward." - J.C. Holmes

 

Jack Kerouac considered Holmes to be Beat even though he had

settled down and started a family.  Just because someone

doesn't do drugs or travel around the country doesn't make

them any less Beat.  Beat is all about discovering your true

self, not about getting high.

 

Matt Shelton

matthew_shelton@mail.okbu.edu

 

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Date:         Thu, 12 Feb 1998 13:41:09 -0700

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From:         Melissa Baide <mbaide@WEBER.EDU>

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 15:46:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Re: Info Request

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-12 14:29:43 EST, you write:

 

<< Does anybody know if there is a video

 documentary available anywhere on the life, work, etc. of William Burroughs?

>> 

 

The documentary on William Burroughs is titled "Burroughs: The Movie",

directed by Howard Brookner. Available on video from Water Row Books. $39.95.

Jeffrey

WRB

 

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Date:         Thu, 12 Feb 1998 12:46:32 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

> 

> as mr aeronwy did not leave his post in respond to list mode, i

> graciously did it for him.

> why do people on this list resort so often to meanspirited name calling?

> 

> it's really so sad that many of our recent, and some older, residents

> have so small a vocablulary.

> lighten up, let go of the hate, or at least keep it to yourself.

> mc

> 

> eric mayhew wrote:

> 

> > Aeronwy Thomas wrote:

> > >

> > > well, i don't know about true beats. i certainly wouldn't presume to

> > call

> > > myself one. but i have to say, bleary-eyed, super-stressed teens

> > slaving over

> > > projects and homwork certainly keep erractic hours.

> > >

> > > aeronwy

> > fuck you bitch

i was drunk, sorry Aeronwy

i probably thought it was funny at the time

eric

 

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Date:         Thu, 12 Feb 1998 21:58:32 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "." <jholland@ICLUB.ORG>

Organization: the secret conspiracy to do stuff

Subject:      Alison Krauss

To:           BEAT-L@CUNYVM.CUNY.EDU

 

David Gold wrote:

> 

> > To be honest, Deanna Carter and Allison Krauss are the only female artists I

> > can really recommend to buy CDs of.  But it's just a coincidence.

> 

> Since when is Allison Krauss country?

 

 

 

=== Alison Krauss is Bluegrass, and Bluegrass *is* a style of country.

Closer to original country, in fact, than what country has mutated into

today.

 

Deana Carter is the one that I would say "since when is she country??"

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - - Berea, KY

listening to Rutherford & Burnett's "Little Stream of Whiskey"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Thu, 12 Feb 1998 12:59:27 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: hooplah!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:53 AM 2/12/98 -0700, you wrote:

>howdydoo,

> 

>question:  what is benzedrine, exactly?

> 

 

Benzedrine is a stimulant drug.

 

Benzedrine is a synthetic variant of ephedrine (the chemists tack on another

chemical group), a naturally occuring substance.  There are a lot of

ephedrine teas around in health food stores and herbal medicine shops.

 

Benzedrine is also called amphetamine (Benzedrine was the drug companies

name for it) and is a stimulant.  It's been used as a bronchodilator.  It is

related to the more notorious and stronger methamphetamine, a common drug of

abuse that is also known as speed, gofast, crystal meth, crystal or (in its

base form ) ice.

 

I think benzedrine was also used as a diet pill as well.

 

Benzedrine is also the same as dexedrine (if I recall correctly--I'll check

to verify this and correct it if I am wrong).  Dexedrine is called dexedrine

because it is the dextro-rotatory enantiomer of benzedrine.  That means that

many biologically active chemicals exist in two forms that are like mirror

images to each other, but only one form will be biologically active.  The

dextrotatory form (that means it bends plane polarized light to the right as

the opposed to the left which is the levorotatory form) of benezdrine is the

active form.  Examples of this that you probably have heard of are l-amino

acids like l-tryptophan or l-dopa the drug that is prescribed for

parkinson's disease.

 

These class of drugs work because they are related to the naturally occuring

neurotransmitters and hormones adrenalin (aka epinephrine), noradrenaline

(norepinephrine) and dopamine.  They all are based on a benzene ring (a six

membered aromatic carbon ring molecule--aromatic being a chemical term

meaning that it is "flat" or planar.  It looks like a hexagon.)  Hence

Benz-edrine from benz-ene. These compounds are also known as catecholamines

because a benzene ring with oxygen bonded to it is caled a catechol and

these drugs and neurotransmitters all contain nitrogen in ammonium form as

well called an amine group--hence catecholamine.

 

Most drugs in this class are stimulants and have various potencies and are

used as bronchiodilators as well.  But what is interesting is that mescaline

(the active part of peyote) and the various ecstasy drugs are also

catecholaminergic.  But they have a more similar psychological affect to the

hallucinogenic drugs such as pscilocin (from mushrooms), DMT or LSD which

are all indoleamines.

 

Here is a paragraph by Solomon Snyder, a researcher at the NIMH who has

studied brain chemistry for decades, about benzedrine. (I found this

paragraph here http://www.drugtext.nl/Mirrors/druglibrary/cocaine/amphhis.htm

 

________

 

 

Ephedrine was discovered by K. K. Chen, who was looking for a substitute for

Adrenalin as an antiathsmatic. Chen was

curious about Chinese herbal medicine, in particular ma huang. He and other

Lilly chemists quickly isolated ephedrine, and

verified that it widened bronchial passages. Since Adrenalin couldn't be

taken orally, and had a hell of a side-effect ephedrine

seemed vastly preferable. The rarity of ma huang quickly sent chemists

scrambling for a synthetic ephedrine, and sometime in

the 30's, one of them stumbled on Amphetamine.

 

Amphetamine was also a bronchiodilator, and could be inhaled directly,

delivering the relief within seconds. It was marketed

under the name Benzedrine and quickly became a legal, over the counter,

recreational drug.

 

..from a 1937 Journal of the American Medical Association

 

"Benzedrine Tablets were used at the department for Psychology at the

University of Minnesota to study ... effects on human

thought. It was found that the substance increased alertness... Apparently,

the effectiveness of the drug in delaying the onset of

sleep has induced many University of Minnesota students so seek the drug in

local Pharmacies."

 

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Date:         Thu, 12 Feb 1998 13:01:29 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mary Maconnell <MMACONNELL@MAIL.EWU.EDU>

Subject:      Re: hooplah!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hopefully no one has answered this already.  Benzedrine is an amphetamine.

It used to be sold over the counter but now is not.  And I don't know if it's

even available.

 

Yee haw!  :)

 

Mary

 

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Date:         Thu, 12 Feb 1998 16:05:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Weinberg <Waterrow@AOL.COM>

Subject:      Ray Bremser

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ray Bremser's new book, The Conquerors, will be available from us in a few

weeks.

Published by Water Row Press, this is Ray's newest collection of Beat-Jazz

poems

and his first book in almost twenty years.

In his book, Writings and Drawings, Bob Dylan mentions Ray Bremser as the best

Beat-Jazz poet, and, as Beat fans know, Ray's work was highly regarded by

Kerouac, Ginsberg, and Ferlinghetti. Ray is the author of such Beat poetry

classics as Poems of Madness and Angel; he's been published in every important

Beat anthology from the 1960s  The Beats edited by Seymour Krim to The

Portable Beat Reader edited by Ann Charters.

 

The Conquerors will be available to ship March 5th. 64 pgs. Hardcover. $12.95.

There are also 100 numbered copies signed by Ray Bremser, $19.95.

Jeffrey

Water Row Press

 

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X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Thu, 12 Feb 1998 21:26:10 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This is so wonderful, so beautiful, so horrible, so ugly, so real. Only

Howl, Kaddish and parts of Mexico City Blues and other scattered poems by

Kerouac have ever made me cry. I've never been pregnant, never had an

abortion, but as a woman, I can relate. I can feel everything that she so

vividly described...I think this refutes anyone's perception of Diane

DiPrima as a mere Beat-groupie or hanger-on. Thanks, Stephanie!

                        --Sara

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 22:43:47 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Thomas Van Moortel <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      Re: hooplah!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I seriously doubt Dexedrine is still available at the pharmacy.

The closest thing to amphetamines you can get at the pharmacy:

 

- Captagon (Asta Medica)

- Catorid (Boehringer Ingelheim)

 

In Europe, professors advise their students to go see a doc and

ask for a prescription rather than buy shit (speed) on the streets.

I have no idea whether these two medications are available in the

U.S.A., they are in Europe and widely used.

 

                                                --Thomas

 

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Date:         Thu, 12 Feb 1998 14:36:41 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

JSH wrote:

> Ginsberg, by the way, was pretty much an armchair beat, in my humble

> opinion. You didn't see him slogging through the jungle with WSB.

 

Wrong!  The guy was a fucking whirlwind his entire life.  He

once helped save a Mexican village from a volcano eruption.

He was in Prague, Cuba, South America (in the jungles with WSB),

India, Tangier -- travelled cross country many, many more times

than Kerouac or Cassady did, hung out with Kesey and Neal

on the Bus *and* with Leary in Millbrook, went to London to

help start the 60's Beat scene there ... Cherry Valley during

the late 60's ... founded Naropa school in Boulder Colorado ...

was at Woodstock 95 hanging out with Bob Dylan ... lived in East

Village, NYC up to the end of his life, visible all over the

place at bookstores, restaurants and readings, when even people

with more street-cred like Gregory Corso escaped for quieter

towns upstate ...

 

Kerouac, though, was an armchair beat.  Not that I mind --

a writer needs an armchair sometimes.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

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X-MSMail-Priority: Normal

Date:         Thu, 12 Feb 1998 17:05:35 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Best of Burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Norene wrote:

 

> I am interested in discussing the new Best of Burroughs recordings on

> Mercury. I am reviewing the 4-CD set for a magazine that is geared

> toward a pretty young (rock music fan) audience. So, if anybody has

> anything to say, that'd be real cool.

 

Holy cow, is this out now?!  I knew it was coming sometime.  Don't get

between me and the local CD store!

 

Jym

 

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X-MSMail-Priority: Normal

Date:         Thu, 12 Feb 1998 17:14:29 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul Maher wrote:

 

> >In the material you were looking at did JK ever say that he was fucking

> >whores, or anyone out of desperation?

> >

> >j grant

> >

> >   Yes , your mom. P.

 

How can anyone give any credibility to someone who claims to be a scholar

and yet consistently resorts to such childish repartee?

 

Jym

 

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Date:         Thu, 12 Feb 1998 18:38:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Jenn Fedor>" <Tread37@AOL.COM>

Subject:      Re: Kerouac Worked In a Gay Bar!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/12/98 3:52:55 AM, you wrote:

 

>Kerouac, in a note to Edie, said he left the job at the bar because

>he was being hit on by too many guys! So much for al those ponderances if

>Kerouac was gay or not. There are many straight men who do indeed have some

>gay encounters but it no more makes them gay than having a beer or two makes

>you an alcoholic.

 

 

i'm not saying that jack kerouac was gay, but i certainly do not think that

this is any proof that he was not.  it is pretty obvious that if he was gay,

he was far from open about it, but just because he wasn't comfortable being

hit on does not determine his sexuality at all.

 

pickles,

jenn

 

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Date:         Thu, 12 Feb 1998 18:42:08 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Jenn Fedor>" <Tread37@AOL.COM>

Subject:      Re: Beatniks and Hippies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

excellent post, marie.  you made my day.

 

frying pan shoes,

jenn :o)

 

 

In a message dated 2/12/98 12:47:15 PM, you wrote:

 

>jim, i can best answer this based on events in my life, which began with my

>first 'record player' the little boxes with one small speaker in front and

>the inserts to put into 45s so they wouldn't wobble all around.

>in 7th grade i read on the road

>in 7th grade i was buying every dylan 45 that came out

>before i bought dylan, i bought peter paul and mary - based on hearing 'the

>springfield mine disaster ' :in the town of springfield you don't sleep

>easy, down underground...etc' didn't buy them for their more upbeat tunes.

>in 7th grade i moved from fear of atom bomb disaster (any one remember the

>old get under yr desk and kiss yr ass pose drills?)

>to the war on tv constantly as well as the war in my home

>in 7th grade in my family i had seen enough violence and hatred to turn to

>my peers instead of my family for advice and support

>in 7th grade there were no peers who understood anything i wanted to talk

>about

>so i knew alienation at an early age

>in 7th grade i started skipping school

>in 8th grade i chose to write a 'book report' about HOWL and its comentary

>on the insanity of life as we were living it-this resulted in a suspension

>for obscentiy,  as did my paper on the then named leroy jones

>in 8th grade i saw a centerfold picture (meant to scare) of a tripping

>hippie gazing with wonderment at a naked light bulb\my first thought was, i

>need to get ahold of some of that stuff.

>reality sucks, i wanted to lift the illusion, the veil and see the other

>side. without knowing it at an early age i began to think like a buddhist.

>all though my early years we ate supper watching the horrors of vietnam and

>the body counts -  body counts given out like scores at a football game!

>in 8th grade i started hangin' with vietnam vets who came home not only

>disillusioned and against the war, but with really good drugs.

>i went from the beatest of beat reading and music to alternative highs and

>joys of hippy life.

>allen ginsberg was always there.

>and the grateful dead followed with dark star, st stephen, uncle john's band

>and all songs which in beatitude managed to retain the joy of living in the

>midst of the insanity of the war and raids on cambodia,

>hope this helps .

>mc

 

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Date:         Thu, 12 Feb 1998 18:45:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Jenn Fedor>" <Tread37@AOL.COM>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/12/98 1:16:41 PM, you wrote:

 

> as for fathering children, it would be a first for a woman.

>but no, i'm not a beat.

 

marie, i thought it was wonderful that you pointed this out because it was one

of the things that bugged me most about the post.  while we are trying to put

labels on what a beat is, tell me, is this toking, hitchhiking, action beat

also required to have a penis?  lets cut the definitions.

 

dream artichoke,

jenn :o)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 18:48:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Jenn Fedor>" <Tread37@AOL.COM>

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

if you are going to lend a gracious "fuck you," at least explain beyond that

so we can gain some insight and get a post worth reading.

 

sober,

jenn :o)

 

 

In a message dated 2/12/98 1:39:59 PM, you wrote:

 

>as mr aeronwy did not leave his post in respond to list mode, i

>graciously did it for him.

>why do people on this list resort so often to meanspirited name calling?

> 

>it's really so sad that many of our recent, and some older, residents

>have so small a vocablulary.

>lighten up, let go of the hate, or at least keep it to yourself.

>mc

> 

>eric mayhew wrote:

> 

>> Aeronwy Thomas wrote:

>> >

>> > well, i don't know about true beats. i certainly wouldn't presume to

>> call

>> > myself one. but i have to say, bleary-eyed, super-stressed teens

>> slaving over

>> > projects and homwork certainly keep erractic hours.

>> >

>> > aeronwy

>> fuck you bitch

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 18:53:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Jenn Fedor>" <Tread37@AOL.COM>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/12/98 5:10:59 PM, you wrote:

 

>I always hitch rides with truck drivers.....it's safer than being in a

>car, they're always bored shitless and glad to have someone to chit-chat

>about country music with, and there's no worry of them raping or killing

>you since they're always in a hurry to get this load of stringbeans to

>Utah and they're taking little white pills and their log book's way

>behind.

 

safer for whom?  i'm not condemning you at all, i am just pointing out that

for a young woman to travel "on the road"  these days, it isn't as easy or as

safe to hitch with a bored truck driver.  i'd like to say i could live in the

beat spirit and just go like that, but i can't help but be wary.  it is sad to

me that the world is this way, and i have to be so paranoid.

 

tuna,

jenn :o)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 18:55:39 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: Howl!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-12 01:02:01 EST, you write:

 

<< isn't it? i felt the same way. that poem was my first exposure to any beat

 literatuire ever. it's what's got me hooked for life. =)

 

 aerowny >>

 

Me too. I cried. It was one of those pieces that left me dazed for hours after

I was finished.... much like I was after reading the super excellent terrific

chapbook "sweet" by Nicole Blackman (www.nicole-blackman.com go there!!!)

yesterday.

 

And I first got interested in Ginsberg after reading about himin  Tim Leary's

_Flashbacks_ (which I was doing for a school research project thank you very

much... even though I'm not into drugs, it was still a whole lot of fun to get

up in front of my 8th grade history class and tell them all how to ensure a

good psychedelic trip...)

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: stu5293@sun.cc.westga.edu

Date:         Thu, 12 Feb 1998 18:57:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Kerouac Worked In a Gay Bar!

Comments: To: "<Jenn Fedor>" <Tread37@AOL.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey, if that's the only evidence you have- GO WITH THAT! Why does it

matter anyway? Alot of people ask me if he was, (I guess because of some

of his ties with certain others) but I don't think something so trivial as

that would deserve an answer.

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

On Thu, 12 Feb 1998, <Jenn Fedor> wrote:

 

> In a message dated 2/12/98 3:52:55 AM, you wrote:

> 

> >Kerouac, in a note to Edie, said he left the job at the bar because

> >he was being hit on by too many guys! So much for al those ponderances if

> >Kerouac was gay or not. There are many straight men who do indeed have some

> >gay encounters but it no more makes them gay than having a beer or two makes

> >you an alcoholic.

> 

> 

> i'm not saying that jack kerouac was gay, but i certainly do not think that

> this is any proof that he was not.  it is pretty obvious that if he was gay,

> he was far from open about it, but just because he wasn't comfortable being

> hit on does not determine his sexuality at all.

> 

> pickles,

> jenn

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:04:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: Beats post 2

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-12 01:10:39 EST, you write:

 

<< um, why should you have to be drunk and high to be a real beat? beat is

about

 thinking, pjilosophy, the essence of form, not being stoned or trashed off

 your ass.

 

 aeronwy

  >>

 

How about this: eradicating this "beat" thing from our vocabularly. First of

all the irony would be great, since this is afterall beat-l, and we could

focus on individual writers/writings, like everyone complains that we should.

And plus

I hate the word beat. I hate it. It turns artists into marketing

oppurtunities. (even though I personally love the iimage of a stoned guy

dressed in black beating bongos reciting poetry... not as a representation of

any real people.. it's just pretty goofy in a cool way, as a cartoon, you

know?)

 

And no offense Julian- but you just seem like someone looking for a head rush,

complete freedom... which is basicly chaos. But it doesn't seem like you're

looking to be a "beat" (remember- sal paradise always had to have his aunt

send him money while he was otr). You strike me more as a gutter punk.Go read

Jessica Hahn's (no not *that* J. Hahn) mini-book "Transient Ways". It's got

her poetry, short stories, diary entries written as she crossed the country on

freight trains in this great squatter's network, having a damn fine time too.

AS far as I can tell, it was serious.

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:14:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: Beats

Comments: To: mayhewe@SONOMA.EDU

To:           BEAT-L@CUNYVM.CUNY.EDU

 

excuse me? why are you cursing me? i didn't mean to insult you. what on earth

are you thinking? when i tlked about a super-stressed teen, i was referring to

myself. i think you'd better not be so hasty to curse people out next time.

god knows there are hot tempers on the list.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:18:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi. i'd just like to clear something up: my name is aeronwy thomas. i'm a

sixteen year old girl, ok? i have a lot of stress on me from school. that's

what i meant when i said i kept erratic hours. i often have to pull all-

nighters to finish work and then go to sleep when i come home from school to

catch up. i don't understand why that other guy said i was a bitch for saying

that.

 

maire, what did you mean when you said my post wasn't in form or whatever?

does that mean people can't answer back to me? i never knew that... why does

that happen? and thanks for sticking up for me, even if i'm not "mr."

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:19:16 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-12 12:13:33 EST, you write:

 

<<  to me, doing is performing some action that erinches your life, and

 affects the area around you in some way...

 ie. people...things... >>

 

Yeah, I'm sorry, I hate to be no fun, or bitch off on you... And I'm not a

grumpy old conservative church-going *whatever*... But I have to say:

 

*****stealing does not count as doing, when doing is a good and exciting

thing. It's still wrong, even if you yourself are poor (especially when that's

self imposed). Now you wouldn't see me hunting down a Jean Valjean. BUt my

father owns a store and kids shoplift from him all the time- it's a major

problem for him when he is trying to make some money and live his own life.

 

****Having children all over the country who grow up w/ out their father is a

bad thing too, for obvious reasons, and it should not qualify you for the

holiness you consider JK to have posessed.

 

***** And responding to your very first original post- Why have you "lived"

more than most people because you're bisexual and once roomed w/ a Wiccan? I

find that to be a little offensive.

 

Sorry. That was all kind of petty and off topic wasn't it? BTW- no Barnes and

Noble store in the greater Philadelphia area has any Diane DiPrima books.

What's up with that?

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:20:33 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

James Stauffer wrote:

> 

> > I really, really tried to sit on my hands and sit this one out--but the last

> > couple of days of insanely high volumes of pointless chatroom stuff has

> > broken my resolve.

> 

> Everyone on this list has found something in Beat literature that calls to

> them, that is why we are here.  Does that mean that they have adopted a

> version of a Beat code for life--whose code would that be, anyway?  You gonna

> follow Herbert Huncke or Brother Antonius or Thomas Merton?  Burroughs or Gary

> Snyder?  What universalities you can find are spiritual not behavioral or

> matters of style.  Labelling movements always produces some falsity.

> Individuals and individual writers are all different, and it is the

> individuality that counts, not the Beat label.  The group that this list

> centered on flowered in the 40/s and 50's the slowly morphed into other things

> in the later decades.  The world doesn't stay the same.  To try to be in some

> ways beat now, 50-60 years later is to be a living ananachronism, just as well

> be a DaDaist or a Transcendentalist.  You take what enriches you from a group

> of writers and you bring it to your own time, in your own way---But of course

> if some of you want to try of be 50's beatniks who I am to complain--might be

> a nice touch of local color in boho neighborhoods, that familiar goateed,

> bereted figure with his bongo's . . . . Maybe you could do sort of Beat

> Williamsburg--only black and white TV's, old cars, no computers for sure . . .

> 

> JS

> 

> > > Julian Ruck wrote:

> > >

> > > >  Who here, on this list, are honest-to-god beats?

 

Man... what crap. I really have to say that I appreciate this idolatry

of a big part of MY generation..but really guys you are way out on this

one--hardly anyone under 50 years of age could even come close to

understanding "BEAT" without intensive study...its not berets, bongos

and hitchhiking... what it was was a state of mind that said

"art"-(writing, painting & music) would or maybe could, change the

world... I dont now what it is you young types find so attractive about

the Beat Generation ,but I gotta feeling it aint' what you thought it

was. Read Ginsberg-he was the best at reflecting his generation. Its

kinda weird that I don't understand the current generation--so how come

you all think you knew a previous one you didnt live in? DIG IT?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:21:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: apology to Marie Countryman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

excuse me, but that fuck you was posted to me in response to my post. i would

never use such foul language on a public list. and i'm not Mr, but miss.

wanted to clear that up.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:23:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: apology to Marie Countryman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

eric directed that at me, though god only knows why. i'm getting really miffed

at it. why should someone say that to me? i didn't do anything.

 

aeronwy ---> not mr.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Thu, 12 Feb 1998 16:26:42 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

D. Patrick Hornberger wrote:

> 

> James Stauffer wrote:

> >

> > > I really, really tried to sit on my hands and sit this one out--but the

 last

> > > couple of days of insanely high volumes of pointless chatroom stuff has

> > > broken my resolve.

> >

> > Everyone on this list has found something in Beat literature that calls to

> > them, that is why we are here.  Does that mean that they have adopted a

> > version of a Beat code for life--whose code would that be, anyway?  You

 gonna

> > follow Herbert Huncke or Brother Antonius or Thomas Merton?  Burroughs or

 Gary

> > Snyder?  What universalities you can find are spiritual not behavioral or

> > matters of style.  Labelling movements always produces some falsity.

> > Individuals and individual writers are all different, and it is the

> > individuality that counts, not the Beat label.  The group that this list

> > centered on flowered in the 40/s and 50's the slowly morphed into other

 things

> > in the later decades.  The world doesn't stay the same.  To try to be in

 some

> > ways beat now, 50-60 years later is to be a living ananachronism, just as

 well

> > be a DaDaist or a Transcendentalist.  You take what enriches you from a

 group

> > of writers and you bring it to your own time, in your own way---But of

 course

> > if some of you want to try of be 50's beatniks who I am to complain--might

 be

> > a nice touch of local color in boho neighborhoods, that familiar goateed,

> > bereted figure with his bongo's . . . . Maybe you could do sort of Beat

> > Williamsburg--only black and white TV's, old cars, no computers for sure . .

 .

> >

> > JS

> >

> > > > Julian Ruck wrote:

> > > >

> > > > >  Who here, on this list, are honest-to-god beats?

> 

> Man... what crap. I really have to say that I appreciate this idolatry

> of a big part of MY generation..but really guys you are way out on this

> one--hardly anyone under 50 years of age could even come close to

> understanding "BEAT" without intensive study...its not berets, bongos

> and hitchhiking... what it was was a state of mind that said

> "art"-(writing, painting & music) would or maybe could, change the

> world... I dont now what it is you young types find so attractive about

> the Beat Generation ,but I gotta feeling it aint' what you thought it

> was. Read Ginsberg-he was the best at reflecting his generation. Its

> kinda weird that I don't understand the current generation--so how come

> you all think you knew a previous one you didnt live in? DIG IT?

 

this is quite absurd from the perspective of a "younger person"

I read on the road when I was 16 and since have been involved in reading

many other forms of Beat literature

I guess what this man is saying is that I should only read literature

from my generation

Oh wait, I don't like any of it

So I should not read at all

Tell me what I should do

I like the Beat Generation, actually I love it

I might not know it the way you do, but from what you are saying, you

never read any Plato, Aristotle, Hume, Dostoyevsky, or anything out of

your generation because you couldn't relate to it

Take into consideration the way others may be able to "relate" to the

beats in second hand ways

 

beatifically yours

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 19:32:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: hooplah!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

a drug.. i think it's classified as a depressant. do you want me to ask my

psych teacher? she knows.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 16:55:34 -0800

Reply-To:     jmaynard@csubak.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <John_Maynard@FIRSTCLASS1.CSUBAK.EDU>

Subject:      Re: reading/doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Kleenex wrote:

 

> Reading about hitchhiking is not the same thing as hitchhiking.

> 

> Reading about Mexico is not the same as being there.

> 

> Reading about sex is not the same thing as doing it.

> 

> Living vicariously through the Beat writers' own adventures is good only

> if it inspires you to go out and have some adventures of your own.

> 

 

That mean reading War and Peace is only good if it inspires me to invade

Russia?

 

 

 

> =-=-=-=-=-=-=-=

> J.S. Holland

> k e n t u c k y

> now playing:

> Blind Boy Fuller

> =-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Fri, 13 Feb 1998 01:03:37 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I wasn't offended by your comparison, what REALLY pissed me off was when

someone (I don't remember who) called her a "Beat Skank." That was just

totally uncalled for. Had she been a man and had written her sexual

memoirs, people wouldn't be making such a big deal out of it. Kerouac

boinked a lot of people, and I don't recall him, or Ginsberg, for that

matter, ever being refered to as a "skank." --Sara

 

At 02:19 PM 2/16/98 -0500, you wrote:

>I wasnt comparing DiPrima to DesBarres. I jsut commented that the

>description that someone posted of DiPrima sounded like DesBarres. Sorry

>if I offended anyone On Sun, 15 Feb 1998, Dennis Cardwell wrote:

> 

>> In a message dated 2/15/98 6:05:49 PM Pacific Standard Time,

>> sfeustl@UOFT02.UTOLEDO.EDU writes:

>> 

>> > .I think this refutes anyone's perception of Diane

>> >  DiPrima as a mere Beat-groupie or hanger-on. Thanks, Stephanie!

>> >                          --Sara

>> Someone compared Diane to Pam DesBarres, and I guess by extension was

calling

>> her a groupie.  I don't think of DiPrima as a groupie.  She was

>> there...writing, reading in coffee houses, and publishing right along

with the

>> rest of the male beats.  She was not a sexual service station like

DesBarres

>> and the other groupies and hangers on in the rock world.  She was one of

the

>> artists.

>> 

>>  Suppose, I know something about your sexual history...if you write

something

>> about it...you publicize it, as Diane did, I feel a perfect right to

comment

>> on what you have written...even to the extent of questioning your

veracity.  I

>> do not feel I have a right to say ugly things regarding your physical

>> appearance, sexual desireability, or  to make suppositions about the

motives

>> of your lovers, as at least one list member saw fit to do. DiPrima is a

living

>> human person with children.  She, or her children, may lurk on this list.

>> Dennis

>> 

> 

>********Had we a place to stand upon, we might raise the

>world.--Archimedes*********

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 17:05:41 -0800

Reply-To:     ncashen@klondyke.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         norene cashen <ncashen@KLONDYKE.NET>

Subject:      Best of Burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I am interested in discussing the new Best of Burroughs recordings on

Mercury. I am reviewing the 4-CD set for a magazine that is geared

toward a pretty young (rock music fan) audience. So, if anybody has

anything to say, that'd be real cool.

 

N Cashen

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 17:15:45 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: Best of Burroughs

Comments: To: ncashen@klondyke.net

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Is this a Mouth Almighty release? I didn't notice anything about

Burroughs at the Mouth Almighty website, nor the Mercury records page.

Could you please tell us more about this? What's on it? When is it being

released? There are a lot of people on the list who would love to know

the details of this potentially amazing cd set.

 

I'm surprised the set isn't being released on Rhino's Word Beat label...

 

please give us more info!

It'll divert some attention away from the spoilsports and killjoys on

the list.

 

Adrien

 

norene cashen wrote:

> 

> I am interested in discussing the new Best of Burroughs recordings on

> Mercury. I am reviewing the 4-CD set for a magazine that is geared

> toward a pretty young (rock music fan) audience. So, if anybody has

> anything to say, that'd be real cool.

> 

> N Cashen

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Fri, 13 Feb 1998 02:06:22 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Punk Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Anyone know if or where one could get a recording of Burroughs's "Bugger

the Queen?" My interest is piqued!!! --Sara

 

 

At 09:05 PM 2/16/98 +0100, you wrote:

>Bill Gargan wrote:

>> 

>> The problem with this definition is that it is too inclusive -- it could

just

> as easily define punk rock.

> 

>=== And that's not necessarily a bad thing. Punk, at one time anyway,

>was not antithetical to Beat. The Clash were very much an heir-apparent

>to the Beat lineage, and Allen Ginsberg even performed and recorded with

>them.....WSB wrote a punk rock song called "Bugger the Queen"....Patti

>Smith bridged the gap between Beat and Punk rather well......Richard

>Hell, Exene Cervenka and Henry Rollins have done some writings in a sort

>of post-Beat molding......

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Berea, KY

>fried chicken and guinness stout

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

Date:         Thu, 12 Feb 1998 19:20:44 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      sigh and ?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

beatl'ers

i havent been quite the presence i had been here on beat-l as i could no

longer check my email from work (boy the days are long) and now when i

check my emai i find...?

        very few pearls

        VERY few

                it is really worth our while slinging this hash or it is

just in el nino or what?

        a personal aside: mc yr a voice of wisdom (we WILL twirl to the

dead to gether YES I AM A DEADHEAD AS WELL as my saintfreinddear marie)

miss ya gal...

                yrs

                        derek

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 21:40:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

you mention something about watching "pull my daisy"?  is this to say it was

done in some sort of film format?  if so, where could i find a copy?

--ce

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 21:59:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Beats yes, Hippies/Deadheads no maybe you should join the Arm

To:           BEAT-L@CUNYVM.CUNY.EDU

 

you'd probably know it if you heard it.  it's one of those.  besides, the

actual phrase "touch of grey" is only mentioned once since it isn't in the

chorus.  the reason it was a hit is because they made a music video for it

that was reguarly played on mtv.  they weren't commonly on the charts since

they played away from the mainstream culture.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 21:15:21 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      zyprexa blues #134

Comments: cc: AVERY <donam@asu.edu>, auntdonna <dgh@MCI2000.com>,

          attias <hfspc002@email.csun.edu>, arthur nusbaum <SSASN@AOL.COM>,

          APPLE <edappel@epix.net>, Al Girtz <agirtz@yahoo.com>,

          "Achten, Greg" <gachten@PEPPERDINE.EDU>,

          ABILENE <dperkins@fas.harvard.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

sea

ewe

lay tur

nocturnal ant colonists.

 

DR/dbr

 

Return-Path: <race@midusa.net>

Date: Thu, 12 Feb 1998 21:17:36 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: "RStineman@aol.com" <RStineman@aol.com>,

        roDger <rapayn01@ulkyvm.louisville.edu>, ROC <kai@informatics.net>,

        robert_lay <rlay@onramp.net>, Robert Wick <rwick@cov.com>,

        reynaldo <rgarcia@tacc.org>, reicherT <ReicherT@nasd.com>,

        "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

        Rasa <rinaldo@gpnet.it>, "RandyStace@aol.com" <RandyStace@aol.com>,

        Randy Lake <rlake@almaak.usc.edu>, "R. Bentz Kirby" <bocelts@scsn.net>,

        "ptrax@midusa.net" <ptrax@midusa.net>, principal <dmcbeth@midusa.net>,

        presbynorthKS <pby_northern_kansas.parti@pcusa.org>,

        phares@FALCON.CC.UKANS.EDU

Subject: [Fwd: zyprexa blues #134]

Content-Disposition: inline

 

Message-ID: <34E3BAC9.4A7D@midusa.net>

Date: Thu, 12 Feb 1998 21:15:21 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

CC: AVERY <donam@asu.edu>, auntdonna <dgh@MCI2000.com>,

   attias <hfspc002@email.csun.edu>, arthur nusbaum <SSASN@AOL.COM>,

   APPLE <edappel@epix.net>, Al Girtz <agirtz@yahoo.com>,

   "Achten, Greg" <gachten@PEPPERDINE.EDU>,

   ABILENE <dperkins@fas.harvard.edu>

Subject: zyprexa blues #134

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

sea

ewe

lay tur

nocturnal ant colonists.

 

DR/dbr

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 22:18:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: drugs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

this seems to me a perfect example of how some people on this list tend to

treat beats as gods.  really, if you're going to condemn drugs, you might as

include the almightly and mortal beats.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

Date:         Thu, 12 Feb 1998 19:33:21 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         sherri <love_singing@MSN.COM>

Subject:      Re: does any one talk about beats here?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Carly, a point VERY well taken.  there have been a few great discussions

since i joined the list, but it seems mostly to have degenerated into drivel

or insults of one kind or another.

 

here's a challenge people - can we have an actual DISCUSSION regarding beat

lit without digressing and acting like 2 year olds when we don't care for

someone's opinion?

 

ciao, sherri

-----Original Message-----

From: <Carly Earnshaw> <Sockmunkie@AOL.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Wednesday, February 11, 1998 5:03 PM

Subject: does any one talk about beats here?

 

 

>umm.  i just joined because i'm helping to organize a ginsberg/kerouac

class

>at my school (jenn fedor--tread37 posted about this awhile ago), but so far

i

>haven't found any information that will valuable.  does anyone discuss

>literature here, or do you just fling pointless insults at each other?

(not a

>critsism.  just a question?)

> 

>--ce

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 12 Feb 1998 21:55:16 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Paul Maher wrote:

> 

>> >In the material you were looking at did JK ever say that he was fucking

>> >whores, or anyone out of desperation?

>> >

>> >j grant

>> >

>> >   Yes , your mom. P.

 

Just to refresh your memory I will repaeat what I asked you when you posted

information about the list Jack Kerouac kept of the women he had fucked.

 

I asked::

 

>If it's a list JK kept is it in a public library?

>I'm not intersted in who JK made-out with,

>but researchers might be interested in seeing it.

 

>In the material you were looking at did JK ever

>say that he was fucking whores,

>or anyone out of desperation?

 

That was a question about the availability of material that would be of

interest to researchers.

 

Your response was inappropriate.

 

It was the wrong thing to say to me Paul Maher, Jr.

 

j grant

 

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 22:56:49 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Kerouac Worked In a Gay Bar!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

good call jenn!!  word up sister!

 

(if he's our daddy!  where's da phone)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 20:10:42 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

> 

> well, julian: i live hand to mouth ($3.50 left for the rest of the

> month, i do travel about the country, i don't work and i'm high right

> now. as for fathering children, it would be a first for a woman.

> but no, i'm not a beat.

> i like the beats.

> i like them a lot.

> but no, i don't consider myself a beat.

> individually yours,

> mc

> 

 

dear marie,

 

i don't know you, but you, and a few others are a reason for my staying

oon this list. i was always a naive believer in kind words, so i find it

very hard to bear all this futile harsh talk. thanks.

 

ksenija

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 23:51:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For some us, doing doesnt mean risking our neck. Sure, Im intrigued by

hitchhiking, but Ive got a modicum of common sense that tells me that

hitchhiking may not be the best thing for me..same with drugs...

On Thu, 12

Feb 1998, Julian Ruck wrote:

 

>  to me, doing is performing some action that erinches your life, and

> affects the area around you in some way...

> ie. people...things...

> 

>  i'm not saying that reading isn't doing...but, there needs to be a

> balance...

> if you are enthralled by the idea of hitch-hiking...do it...

> 

> if certain drugs intrigue you...try them...(btw, i don't do drugs

> anymore, so i'm not on crack when i say this...)

> 

>  when i say DO i mean act upon your curiousities (sp?)

> and first impulses every once in awhile...

> -julian

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 23:54:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: The true beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Im also 18 and in college and Im having a blast. I love school adn I love

school in NYC. Its opened up a world of opportunities that I would not

have otherwise... On Thu, 12 Feb 1998, Connie Chung wrote:

 

> Albert Min wrote:

> >

> > i have to say that i've learned some of what a beat is and i can feel the

> >  spirit,

> > and that's just from some ginsberg and kerouac.

> 

> === Try William Burroughs, Edward Abbey, Charles Bukowski, and the

> Unabomber, too.

> 

> 

> 

> > i'm only 18 and i plan on

> >  learnin

> > a lil somethin and getting a degree.  ya know to please and parents and such

>  and

> > such.

> 

> === Don't do it!! It's a trick!! It's a trap, Boxer, they're taking you

> to the knacker's!! You don't owe nothin', ya gotta get runnin', it's the

> best years of your life they want to steal!

> 

> 

> =-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland

> fish sticks forever

> =-=-=-=-=-=-=-=-=-=-=

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 23:57:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Beats don't fail me now!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I agree with Al totally. that time has come and gone and theres no

recapturing it because its a totally different world for those that are of

this generation. Doing drugs isnt as easy as it used to be, hitchhiking

isnt the same as it used to be, nothing is the same.  On Thu, 12 Feb 1998,

Albert Min wrote:

 

> you can't be beat.  you can be close, you can imitate, but you can't be beat.

>  kerouac,

> ginsberg, burroughs, etc. etc. were beat.  it was the specific time frame and

>  the

> environment and the atmosphere.  there were too many elements acting on all

 the

>  real

> beats.  you can't reinact them now.  ala "goonies", "that's their time, up

>  there!

>  this is our time, down here!"  you can be beat, but it's not quite exactly

 the

>  same.

>  don't qualify yourself to anyone elses qualities.

> 

> Al(falpha)

> 

> 

> 

> Free web-based email, Forever, From anywhere!

> http://www.mailexcite.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 23:58:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Beats don't fail me now!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

One other thing: forget about sex sex sex...theres too many risks now. AG

and JK and all those people never had to contend with thte fear of AIDS...

On Thu, 12 Feb 1998, Albert Min wrote:

 

> you can't be beat.  you can be close, you can imitate, but you can't be beat.

>  kerouac,

> ginsberg, burroughs, etc. etc. were beat.  it was the specific time frame and

>  the

> environment and the atmosphere.  there were too many elements acting on all

 the

>  real

> beats.  you can't reinact them now.  ala "goonies", "that's their time, up

>  there!

>  this is our time, down here!"  you can be beat, but it's not quite exactly

 the

>  same.

>  don't qualify yourself to anyone elses qualities.

> 

> Al(falpha)

> 

> 

> 

> Free web-based email, Forever, From anywhere!

> http://www.mailexcite.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 00:27:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maybe you havent look hard enough...Im 18 and Ive found such people...

On Thu, 12 Feb 1998, JULIANA PABON wrote:

 

> so i would say that beat is living.

> something difficult to find in ANYONE nowadays.

> 

> i have yet to meet a single soul, in my 21 years of life, that finds as

> much glory in just "being" as they do in "planning".  i am not one to live

> my life in the future, for the dream that might never be realized, for the

> proverbial plateau that comes with "making it".

> 

> and yet i am at BU, working for my masters, paying off my trip to europe.

> as much as we would all like to claim beathood, we're still stuck in the

> same game. our only solace is that we KNOW that it's a game.

> 

> i am a solitary wanderer in an unfamiliar landscape...but

> then again, i guess that's what's attractive about being "beat" in the

> first place.

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 00:29:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have this quote on my door...it inspires me to live for the moment...

<<< snip snip>>

> >>>>>>>>>>>>>>

> "Though they rushed back and forth across the country on the

> slightest pretext, gathering kicks on the way, their real

> journey was inward." - J.C. Holmes

> 

> Jack Kerouac considered Holmes to be Beat even though he had

> settled down and started a family.  Just because someone

> doesn't do drugs or travel around the country doesn't make

> them any less Beat.  Beat is all about discovering your true

> self, not about getting high.

> 

> Matt Shelton

> matthew_shelton@mail.okbu.edu

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 22:08:46 -0800

Reply-To:     ncashen@klondyke.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         norene cashen <ncashen@KLONDYKE.NET>

Subject:      Re: Best of Burroughs More Info

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those of you who were interested in the Burroughs 4-CD set

forthcoming on Mercury Records. I have advance cassettes for review for

a rock magazine. The set is IMPERSONATOR! Liner notes for THE BEST OF

WSB on GIORNO POETRY SYSTEMS by David Gates (Senior writer at Newsweek)

due out some time in February or March? I don't know for sure. The set

contains readings from 1971-1987 with a few tape experiments and things

from the 60s. Stuff from JUNKIE, NAKED LUNCH, SOFT MACHINE, etc. Here's

an excerpt from those liner notes by Gates: "Burroughs was as

unmistakably American a writer as Twain -- whose boyhood adventure

stories and anti-authoritarian skepticism both bob up in the distorting

mirror of Burrough's work--or Whitman, whose democratic/homoerotic

expansiveness finally met its evil twin in the dystopian bleakness of

NAKED LUNCH (1959) and centrifugal sci-fi collage trilogy that followed:

THE TICKET THAT EXPLODED, THE SOFT MACHINE, and NOVA EXPRESS." Hope this

got to you all. I am new to this thing and though I lost the e-mail

address that makes the e-mail go to everyone.

 

NCashen

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 00:11:35 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Here we go...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Levi Asher wrote:

> 

> JSH wrote:

> > Ginsberg, by the way, was pretty much an armchair beat, in my humble

> > opinion. You didn't see him slogging through the jungle with WSB.

> 

> Wrong!  The guy was a fucking whirlwind his entire life.  He

> once helped save a Mexican village from a volcano eruption.

 

Levi,  what village was it. where.  I have heard some bague references

to this. any details?

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 00:18:37 -0600

Reply-To:     cawilkie@comic.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathy Wilkie <cawilkie@COMIC.NET>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What is the sound of one head knocking against a wall?

 

 

cathy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 12 Feb 1998 22:56:44 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      I am the beatest of all

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Man, you're talking about beat this beat that you're not beat hibbiddy

hibbidy blah blah blah

 

I am so beat.

 

I was just spending an hour out ON THE ROAD trying to score.  All cause my

ol' lady tol' me to go out and get some what she needs.

 

So I went to one spot and the last of it was gone so I went to the other

and they had some but it was all skank and I wouldn't buy that and I went

to the other and they wouldn't even give me the time of day no chance no

how even if they had some.  So i finally hit the right place and scored.

 

Beat I'm telling you beat.

 

I'm telling you those Little Mermaid Valentine's Day cards are hard to find!!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 07:51:49 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      beats on the street

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i squandered away my post limit yesterday on petty quarreling, and was

then unable to post this photo address:

it's sherri's north beach birthday bash with james gardner and yrs

truely

mc

 

 

Fred Bogin wrote:

 

> Marie--

> 

> I now have a new, improved version (it can be modified any time) at

> 

>       http://www.escape.com/~bogin/kerouac.html

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 08:18:09 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: hooplah!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Albert Min wrote:

> 

> howdydoo,

> 

> question:  what is benzedrine, exactly?

> 

> yours falsely,

> appreciative al

> 

> Free web-based email, Forever, From anywhere!

> http://www.mailexcite.com

 

 

bennies are uppers...speed...the nazis invented meth during wwll, and we

used bennies for the same.  they were part of every serviceman's GI

issue.  allen dulles once said he never would've survivve wwll without

bennies.  they're also upper broncho- dialators, and were sold over the

counter for allergies and asthma in inhailors, like vicks s now.  you

could break open the tubes and soak the chemically impregnated paper

inside in a cup of coffee and get high.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 08:22:58 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> I really, really tried to sit on my hands and sit this one out--but the last

> couple of days of insanely high volumes of pointless chatroom stuff has

> broken my resolve.

 

Everyone on this list has found something in Beat literature that calls to

them, that is why we are here.  Does that mean that they have adopted a

version of a Beat code for life--whose code would that be, anyway?  You gonna

follow Herbert Huncke or Brother Antonius or Thomas Merton?  Burroughs or Gary

Snyder?  What universalities you can find are spiritual not behavioral or

matters of style.  Labelling movements always produces some falsity.

Individuals and individual writers are all different, and it is the

individuality that counts, not the Beat label.  The group that this list

centered on flowered in the 40/s and 50's the slowly morphed into other things

in the later decades.  The world doesn't stay the same.  To try to be in some

ways beat now, 50-60 years later is to be a living ananachronism, just as well

be a DaDaist or a Transcendentalist.  You take what enriches you from a group

of writers and you bring it to your own time, in your own way---But of course

if some of you want to try of be 50's beatniks who I am to complain--might be

a nice touch of local color in boho neighborhoods, that familiar goateed,

bereted figure with his bongo's . . . . Maybe you could do sort of Beat

Williamsburg--only black and white TV's, old cars, no computers for sure . . .

 

JS

 

> > Julian Ruck wrote:

> >

> > >  Who here, on this list, are honest-to-god beats?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 03:50:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: DiPrima - Beat Skank

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/9/98 3:00:29 PM Pacific Standard Time,

mapaul@PIPELINE.COM writes:

 

> DiPrima has nothing special to say. Her only

>  claim to fame is having sex with prominent Beatmembers and writing about

it.

>  Jakc musta' been drunk. Really....Jack Kerouac wrote about the joy of life

>  and of suffering ...and he was an original. Nothing like these wanna-Beat's

>  who lay around moaning about menstruation and pills.

 

Thank you so much, Paul.  You have saved me a few dollars.  I have such great

respect for you as a person and a critic that I will certainly run the other

way if any obstreperous bookseller attempts to foist a DiPrima work upon me.

 

Can you please post a list to the list of the "wanna-beats who lay around

moaning about menstruation"?   I'm sure that those of us on the list who are

REAL MEN, like yourself, would like to avoid being sullied by any such cursed

writings.

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 03:52:34 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/9/98 3:06:04 PM Pacific Standard Time, jholland@ICLUB.ORG

writes:

 

> Timothy K. Gallaher wrote:

>  >

>  > So you are saying 500nM is the same as 700 nM?  Or that orange is blue?

> 

>  === I said nothing remotely of the sort.

> 

>  =-=-=

>  jsh

>  ky

>  =-=-=

 

Did so, did so, did so!   And we all saw ya!!

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 08:57:47 +0000

Reply-To:     jhasbro@tezcat.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Hasbrouck <jhasbro@TEZCAT.COM>

Subject:      Re: reading/doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

J.S.Holland wrote:

 

>Reading about hitchhiking is not the same thing as hitchhiking.

 

>Reading about Mexico is not the same as being there.

 

>Reading about sex is not the same thing as doing it.

 

>Living vicariously through the Beat writers' own adventures is good only

>if it inspires you to go out and have some adventures of your own.

 

>=-=-=-=-=-=-=-=

>J.S. Holland

>k e n t u c k y

>now playing:

>Blind Boy Fuller

>=-=-=-=-=-=-=-=

 

Granted. Nonetheless reading is still DOING something. It is a TYPE of

experience.

 

-John Hasbrouck, a Blind Boy Fuller fanatic who is convinced that he

used flatwound strings on his National Duolian guitar.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 03:58:06 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/9/98 3:27:44 PM Pacific Standard Time,

mapaul@PIPELINE.COM writes:

 

> there exists nothing in Kerouac's archives about him ever

>  having something to do with Diane DiPrima sexually. At the most he screwed

>  her out of sexual desperation.

 

You, sir, are no gentleman!   (Is it OK to say this in reply to such trash,

Mr. Gargan?)  I have several less acceptable remarks to make to Mr. Maher.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 09:16:30 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

being 'beat', what is and what isn't takes up a lot of space.  between

the original group, ginsberg, burroughs, kerouac, hunkie, carr, soloman,

cassady, and even corso, who the others didn't meet till about 1950, in

some ways there isn't a lot of common ground.  they all had different

political and social views, but shared a common sense of being

outsiders, and an acceptance of homosexuality and drug use

 

being broke and having childern at times that are inconvenient to one's

non existant career plans don't make one a beat, though they often go

together

 

despite all his other flakiness kerouac was probably the most devoted

writer of this century.  ginsberg's knowledge of poetry was

encyclopedic, as was his knowledge of history and politics.  burroughs,

if memory serves, had 2 degrees.  cassady, tho he didn't go to school

past age 14, preferred to spend time in the public library reading

philosophy.  and that's the story on all those guys

 

the beats weren't just a bunch of times square overcoat thieves, they

really were the best minds of their generation.  they worked hard at

their craft and they worked hard to get their books published, they

weren't just fixed on the eternal now of the joint in their mouths or

the mouth on their joint.  kerouac, despite the chaos in his life kept

his writings in meticulous shape and was concerned with their care up

till the last letter he wrote.

 

is carolyn cassady any less beat because she kept the kids, or

ferlinghetti less beat beacuse he runs a business (i know, he often says

he's not beat....)

 

to try to live self consciously as a beat is as dead end as trying to

self consciously fit into any role, hobo road, holyboy road, and that, i

think, should be the legacy of the beats,  that we're free to create our

own roles, pure american like

 

did anybody see that canadian snow boarder who lost his olympic gold

medal because of a positive reading for pot in a drug test?  there as a

film clip of him and he was a very normal dude of the snowboard, surfer,

skater, motocross variety.  just out there havin fun, smokin a little

pot, and functioning at a very high capacity.  that guy is beat.  right

here and now.  and i think the only way you can objectify the word

'beat' other than that is that if that guy is still snowboarding at 65

he'll be just a bit beater than if he doesn't

 

tkc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 09:42:15 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwy Thomas wrote:

> 

> hi. i'd just like to clear something up: my name is aeronwy thomas. i'm a

> sixteen year old girl, ok? i have a lot of stress on me from school. that's

> what i meant when i said i kept erratic hours. i often have to pull all-

> nighters to finish work and then go to sleep when i come home from school to

> catch up.

 

sounds beat to me

 

>i don't understand why that other guy said i was a bitch for saying

> that.

 

he said he was drunk.  sounds beat to me

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 09:47:12 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Beats post 2

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Zucchini4@AOL.COM wrote:

 

> How about this: eradicating this "beat" thing from our vocabularly.

 ...<snip>..

> I hate the word beat. I hate it. It turns artists into marketing

> oppurtunities

 

yeh, but the beats created it.

 

 

> 

> And no offense Julian- but you just seem like someone looking for a head rush,

> complete freedom... which is basicly chaos. But it doesn't seem like you're

> looking to be a "beat" (remember- sal paradise always had to have his aunt

> send him money while he was otr). You strike me more as a gutter punk.Go read

> Jessica Hahn's (no not *that* J. Hahn) mini-book "Transient Ways". It's got

> her poetry, short stories, diary entries written as she crossed the country on

> freight trains in this great squatter's network, having a damn fine time too.

> AS far as I can tell, it was serious.

> 

> --Stephanie

 

colin wilson's the outsiders is a good book about balancing the various

aspects of one's personality

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 10:32:27 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: reading/doing--

To:           BEAT-L@CUNYVM.CUNY.EDU

 

There seems to be this strange notion that some of you are "dooers" and the

rest of us are not.  We are all living our lives and I don't anyone that's

confused about the difference between reading and experience away from

books.  All of us do both, it's unavoidable--of course we could stop the

reading part if you think that would make us better folks, and spend less

time at the keyboard--but is that what you are doing?  I've hitchiked, have

no urge to do it at this point of my life, I go to Mexico and have a sex

life off and on--what straw man are you beating here.  Let's get back to

talking about something other than this nonsense and whether or not we love

the dead.  I haven't seen so much pointless drivel on this list in months.

People sitting at their keyboards complaining that the others being force

fed their posts aren't having a life--get a grip--mine is pretty full--how's

yours?

 

JS

 

Kleenex wrote:

 

> Reading about hitchhiking is not the same thing as hitchhiking.

> 

> Reading about Mexico is not the same as being there.

> 

> Reading about sex is not the same thing as doing it.

> 

> Living vicariously through the Beat writers' own adventures is good only

> if it inspires you to go out and have some adventures of your own.

> 

> =-=-=-=-=-=-=-=

> J.S. Holland

> k e n t u c k y

> now playing:

> Blind Boy Fuller

> =-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 10:35:02 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

aeronwy: i'm sorry that i made that mistake about your name; and your posts are

set to return to the list. it was the other guy who had a different format.

marie

 

> Aeronwy-

> I feel your pain! I did that in high school and Im still doing that in

> college!

> On Thu, 12 Feb 1998, Aeronwy Thomas wrote:

> 

> > hi. i'd just like to clear something up: my name is aeronwy thomas. i'm a

> > sixteen year old girl, ok? i have a lot of stress on me from school. that's

> > what i meant when i said i kept erratic hours. i often have to pull all-

> > nighters to finish work and then go to sleep when i come home from school to

> > catch up. i don't understand why that other guy said i was a bitch for

 saying

> > that.

> >

> > maire, what did you mean when you said my post wasn't in form or whatever?

> > does that mean people can't answer back to me? i never knew that... why does

> > that happen? and thanks for sticking up for me, even if i'm not "mr."

> >

> > aeronwy

> >

> 

> ********Had we a place to stand upon, we might raise the

> world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 10:54:40 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      fare the well, cath

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i can't help it, screaming with laughter, holding stomach in delicious

pain.

too bad we won't have cath around anymore . she signed off last night.

mc

 

Cathy Wilkie wrote:

 

> What is the sound of one head knocking against a wall?

> 

> cathy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 11:36:47 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      and now, for something entirely different,

To:           BEAT-L@CUNYVM.CUNY.EDU

 

how about some Corso and JK poetry?

 

my random picks for today include: kerouac, heaven and other pomes

 

The Sea Shroud

(a description of my last cartoon)

The Sea  Shroud comes out of a slip

of water in Brooklyn Harbor, night,

it emerges from a submerged tug

right from the enamel underwear

of the pilot's cabin

 

Right up through comes the shroud head,

a draining drape of wet weedy

watery sea net spray, ephemeral,

climbing to knock knees against the bow

and make the bit on the dock

 

And come on vanishing instead

reappearing as a Man

with a briefcase, on Borough Hall

saying nothing with a watery face

saying nothing, the briefcase full

of seaweed--what happens to floating

bonds when they get in the hand of the drape

 

Sea Shroud, turning Chinese Food to seaweed

in his all-abominable bag, Shroud

the taker of widow's monies in red allies

of shame & stagedoors, purple lagoon

Goon Shroud departs gloving the money

 

Earlier in the day he'd perched atop a

flagpole in a parking lot

on the waterfront, and looked around

to see which way Borough Hall

which way the little white doves

 

okay here: i'm not too ashamed to show my ignorance. i've always loved

the sound of this pome, (can't you help but hear his voice in your head

when he pronounces 'purple lagoon, goon shroud'?) but i wonder what

folks make of the meaning? (no prizes awarded except the acclaim of

actually writing about a piece of writing

 

just for fun:

A HAIKU

The little worm

    lowers itself from the roof

By a self shat thread.

 

(hmmm a self shat thread.... serendipidous choice regarding our recent

goings on, eh?)

 

Corso from ELEGAIC FEELINGS AMERICAN (for the dear memory of john

kerouac)

1

How inseperable you and the America you saw yet was

                never there to see: you and America, like the

                tree and the ground, are one and the same; yet how

                like a palm tree in the state of Oregon....dead

                ere it blossomed, like a snow polar loping the

                Miami-

How so that which you were or hoped to be, and the

                America not, the America you saw yet could

                not see

So like yet unlike the ground from which you stemmed;

                you stood upon America like a rootless

                 flat bottomed tree; to the squirrel there was no

                divorcement in its hop of ground to its climb

                of tree...until it saw no acorn fall, then it knew

                there was no marriage between the two; how

                 fruitless, how useless, the sad unnaturalness

                of nature; no wonder the dawn ceased being

                a joy...for what good the earth and sun

                when the tree inbetween is good for nothing...the

                inseparable trinity, once disserviced, becomes a

                cold fruitless meaningless thrice-marked

                deathlie in its awful amputation...O butcher

                 the pork chop is not the pig--The American

                alien in America is a bitter truncantation; and even

                this elegy, dear Jack, shall have a butchered

                tree, a tree beaten to a pulp, upon which it'll be

                contained--no wonder no good news can be

                written on such bad news

                .........

this exerpt brings fresh to my mind the jack of big sur, at the end of

the continent, at the end of his bright light...

 

just thought it might be time for all of us (me included) to get back to

the business at hand,

"all rest, drunken dumbshow"(AG)

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: podulkca@uwec.edu

Date:         Fri, 13 Feb 1998 09:33:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Re: The true beats.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:47 AM 2/12/98 -0700, you wrote:

>i have to say that i've learned some of what a beat is and i can feel the

> spirit,

>and that's just from some ginsberg and kerouac.  i'm only 18 and i plan on

> learnin

>a lil somethin and getting a degree.  ya know to please and parents and

such and

>such.  a friend of mine has dropped out and takin to the road, but i hope to

> experience

>that on top of school.  probably hit the road with nothin but a backpack

during

> summers

>and after school is all done.  one things for sure.  i refuse to be stuck

in the

>conventional life-style.  i've seen the road and i'll never forget it.

> 

>Al

> 

hey, i'll join ya if you're wantin' company down the road, i'm in the same

boat as you.

Cat

> 

>Free web-based email, Forever, From anywhere!

>http://www.mailexcite.com

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 10:05:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: cowards hide behind foul mouths

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwy-

I feel your pain! I did that in high school and Im still doing that in

college!

On Thu, 12 Feb 1998, Aeronwy Thomas wrote:

 

> hi. i'd just like to clear something up: my name is aeronwy thomas. i'm a

> sixteen year old girl, ok? i have a lot of stress on me from school. that's

> what i meant when i said i kept erratic hours. i often have to pull all-

> nighters to finish work and then go to sleep when i come home from school to

> catch up. i don't understand why that other guy said i was a bitch for saying

> that.

> 

> maire, what did you mean when you said my post wasn't in form or whatever?

> does that mean people can't answer back to me? i never knew that... why does

> that happen? and thanks for sticking up for me, even if i'm not "mr."

> 

> aeronwy

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Fri, 13 Feb 1998 10:30:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

                Tub to tub

                The whole journey--

                Just Hub-bub!

 

                                Issa

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Fri, 13 Feb 1998 10:57:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 

        "Words do not express things;

        Phrases do not show the mind-movement.

        He who receives (only) words is lost;

        To stagnate with sentences is to be deluded."

 

                                Joshu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Fri, 13 Feb 1998 10:59:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

                "The words of some men are thrown forcibly

                against you, and adhere like burs."

 

                                Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Fri, 13 Feb 1998 11:02:45 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

                "One thought fills immensity;

                To see eternity in an hour.

                If we see through his thought

                We see through the thinker of it."

 

                        f. the _Kegongyo_

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Fri, 13 Feb 1998 11:05:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [131.238.71.133]

Date:         Fri, 13 Feb 1998 08:37:22 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Beats post 2

To:           BEAT-L@CUNYVM.CUNY.EDU

 

And no offense Julian- but you just seem like someone looking for a head

rush,

complete freedom... which is basicly chaos. But it doesn't seem like

you're

looking to be a "beat" (remember- sal paradise always had to have his

aunt

send him money while he was otr). You strike me more as a gutter punk.Go

read

Jessica Hahn's (no not *that* J. Hahn) mini-book "Transient Ways". It's

got

her poetry, short stories, diary entries written as she crossed the

country on

freight trains in this great squatter's network, having a damn fine time

too.

AS far as I can tell, it was serious.

 

--Stephanie

 

well, hmm...

first off, i am looking for enlightenment...right now, i'm working on my

inner self,

so my social skills suck...so at times you'll have to forgive me...

 

secondly...

i have lived on my own since age 15, i know how to take care of

myself...

i HAVE hitchhiked, it's not so bad...

 

-julian

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [131.238.71.133]

Date:         Fri, 13 Feb 1998 08:48:02 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yeah, I'm sorry, I hate to be no fun, or bitch off on you... And I'm not

a

grumpy old conservative church-going *whatever*... But I have to say:

 

*****stealing does not count as doing, when doing is a good and exciting

thing. It's still wrong, even if you yourself are poor (especially when

that's

self imposed). Now you wouldn't see me hunting down a Jean Valjean. BUt

my

father owns a store and kids shoplift from him all the time- it's a

major

problem for him when he is trying to make some money and live his own

life.

 

stealing is very much a part of doing...i don't do it...but it is a form

of doing...

and if people are starving...let them steal...

in ancient sparta stealing was encouraged in young men, but if they were

caught

they were strictly punished...

not to say that we should be like sparta..but theft is a part of human

nature...

little thing called greed...

 

****Having children all over the country who grow up w/ out their father

is a

bad thing too, for obvious reasons, and it should not qualify you for

the

holiness you consider JK to have posessed.

 

never said jack was holy...and btw...i never had a father myself...and

it isn't nearly as

bad as everyone claims it is...

 

***** And responding to your very first original post- Why have you

"lived"

more than most people because you're bisexual and once roomed w/ a

Wiccan? I

find that to be a little offensive.

 

obviously you didn't pay any attention...why do YOU think that's what i

was saying...

don't minimize me..i have been through a lot..and there's a lot more to

come..

i just was pointing out that my life is not the normal life of an 18 yr

old male...

and that i feel more enriched by it..

my trials and tribulations have set me free...

 

Sorry. That was all kind of petty and off topic wasn't it? BTW- no

Barnes and

Noble store in the greater Philadelphia area has any Diane DiPrima

books.

What's up with that?

--Stephanie

 

yes...it was petty AND off topic..

but so's my response...

-julian

 

 

 

 

 "The Believer is happy, the Doubter is wise"

-Hungarian Proverb

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 11:56:25 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Beatniks and Hippies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

excellent post, marie.  you made my day.

> 

> frying pan shoes,

> jenn :o)

> 

> In a message dated 2/12/98 12:47:15 PM, you wrote:

> 

> >jim, i can best answer this based on events in my life, which began with my

> >first 'record player' the little boxes with one small speaker in front and

> >the inserts to put into 45s so they wouldn't wobble all around.

> >in 7th grade i read on the road

> >in 7th grade i was buying every dylan 45 that came out

> >before i bought dylan, i bought peter paul and mary - based on hearing 'the

> >springfield mine disaster ' :in the town of springfield you don't sleep

> >easy, down underground...etc' didn't buy them for their more upbeat tunes.

> >in 7th grade i moved from fear of atom bomb disaster (any one remember the

> >old get under yr desk and kiss yr ass pose drills?)

> >to the war on tv constantly as well as the war in my home

> >in 7th grade in my family i had seen enough violence and hatred to turn to

> >my peers instead of my family for advice and support

> >in 7th grade there were no peers who understood anything i wanted to talk

> >about

> >so i knew alienation at an early age

> >in 7th grade i started skipping school

> >in 8th grade i chose to write a 'book report' about HOWL and its comentary

> >on the insanity of life as we were living it-this resulted in a suspension

> >for obscentiy,  as did my paper on the then named leroy jones

> >in 8th grade i saw a centerfold picture (meant to scare) of a tripping

> >hippie gazing with wonderment at a naked light bulb\my first thought was, i

> >need to get ahold of some of that stuff.

> >reality sucks, i wanted to lift the illusion, the veil and see the other

> >side. without knowing it at an early age i began to think like a buddhist.

> >all though my early years we ate supper watching the horrors of vietnam and

> >the body counts -  body counts given out like scores at a football game!

> >in 8th grade i started hangin' with vietnam vets who came home not only

> >disillusioned and against the war, but with really good drugs.

> >i went from the beatest of beat reading and music to alternative highs and

> >joys of hippy life.

> >allen ginsberg was always there.

> >and the grateful dead followed with dark star, st stephen, uncle john's band

> >and all songs which in beatitude managed to retain the joy of living in the

> >midst of the insanity of the war and raids on cambodia,

> >hope this helps .

> >mc

 

When did the Grateful Dead become part of beatdom? Come on...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Fri, 13 Feb 1998 11:12:22 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Comments: To: jesse@globaldialog.com, nwu@nwu.org, iww@igc.apc.org

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Off-BEAT Humor from Iowa City

 

 

Tomorrow is Valentine's Day. So far all of you out there without a significant

"squeezable, huggable, kissable, loveable" other, go out and buy yourself the

best box of chocolates you can afford, because:

 

Top Twenty Reasons Why Chocolate is Better than Sex

 

1.  You can GET chocolate.

 

2.  "If you love me you'll swallow that" has real meaning with chocolate.

 

3.  Chocolate satisfies even when it has gone soft.

 

4.  You can safely have chocolate while you are driving.

 

5.  You can make chocolate last as long as you want it to.

 

6.  You can have chocolate even in front of your mother.

 

7.  If you bite the nuts too hard the chocolate won't mind.

 

8.  Two people of the same sex can have chocolate without being called nasty

names.

 

9.  The word "commitment" doesn't scare off chocolate.

 

10.  You can have chocolate on top of your desk during working hours without

upsetting your co-workers.

 

11.  You can ask a stranger for chocolate without getting your face slapped.

 

12.  You don't get hairs in your mouth with chocolate.

 

13.  With chocolate there's no need to fake it.

 

14.  Chocolate doesn't make you pregnant.

 

15.  You can have chocolate at any time of the month.

 

16.  Good chocolate is easy to find.

 

17.  You can have as many kinds of chocolate as you can handle.

 

18.  You are never too young or too old for chocolate.

 

19.  When you have chocolate it does not keep your neighbors awake.

 

20.  With chocolate, size doesn't matter.

 

-- Rashad (from material I stole off the Internet)

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 12:23:48 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      scope

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Folks, there's been an awful lot of mail on Beat-l lately.  Can we

PLEASE refrain from posting messages that are not directly related to

the writers of the Beat Generation and their works.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 17:56:20 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

abe lincoln? the beats?  the connection?

 

 

dude is wearing rimbaud's confirmation suit which was later owned by

patti smith, man, you gotta dig it.....

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Fri, 13 Feb 1998 13:29:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

One - It was the right thing to say because I felt like saying it TO YOU.

There are no rules of civility that I must follow when communicating with

Joe Grant and Co.

 

Two - For reasons of prudency, such "lists" are not in a library or

university because some people on that list are still alive and would not

appreciate it being public knowledge that Kerouac gave them the high hard

one. Unlike your practices, Grant, most people practice prudency and

discretion so as not to offend innocent people who may not want any part of

Kerouac history. They were probably only looking for a good time. P.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Fri, 13 Feb 1998 12:37:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>One - It was the right thing to say because I felt like saying it TO YOU.

>There are no rules of civility that I must follow when communicating with

>Joe Grant and Co.

 

You comment was wrong, is unacceptable, and PUBLICALLY I am informing you

that I will see you in Lowell and deal with your comments about my mother

persoanlly..

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: hlinh@pop.student.uib.no

Date:         Fri, 13 Feb 1998 19:43:26 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Xivind Haagensen <hlinh@POP.STUDENT.UIB.NO>

Subject:      Re: beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'm not beat

i just can't sleep

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 20:57:04 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Declan MacManus <jholland@ICLUB.ORG>

Organization: the secret conspiracy to do.... stuff

Subject:      Re: Mr. Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

James Stauffer wrote:

> 

> Paul,

> 

> Give it up.  You give yourself and your damn quarterly a bad name.  In a bar,

 on

> the street or in person somewhat wound thrash you, yet you sit there smugly at

> your keyboard like a nasty 6 year old.  Go home, No one wants to play with

 you.

> 

> JS

 

 

=== A post such as this, that contains nothing but personal attacks, is

just as bad to me as the 'rude' posts some of you claim to be so

outraged by. Not that I'm defending Maher - not by a long shot - but

your name-calling is just as much childish, pointless spam as his.

 

=-=-=-=-=-=-=-=-=-=-=

J.S.Holland - kentucky

vrooooom vrooooooooom

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 21:05:18 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         August Derleth <jholland@ICLUB.ORG>

Organization: Creeps Outpost - worst coffee in North America

Subject:      Moderated Beat-L?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What about the idea of a Moderated list? Not the type where Bill has to

sort through each mail and make a decision on it, but rather, a simple

rule - - if you make any personal attacks or insults toward a fellow

listmember, you're out. One strike, you're out. No second chance.

Whatcha say?

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland. kentucky.

listening to Wild Billy Childish

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

MR-Received: by mta FIRNVX; Relayed; Fri, 13 Feb 1998 15:27:37 -0500

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Posting-date: Fri, 13 Feb 1998 15:27:00 -0500 (EST)

Importance: normal

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A1-type: MAIL

Hop-count: 1

Date:         Fri, 13 Feb 1998 15:26:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "James F. Wood 253-7886" <WOODJ@MAIL.FIRN.EDU>

Subject:      Beat it

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What is a Beat?

Beat is doing.

Beat is being.

Beat is getting

high.

As high as you

want!

If you want to be

a beat

Just beat it.

So Be It!!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 20:44:31 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Speed

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Benzedrine is a member of the amphetamine family.  Rumor always has it

that it was a product of world WWII and was used, especially by

pilots, on both sides.  Atfter the war it was easiest to find in over

the counter nasal inhalers which could be broken open and the rush

accessed.  This is the form you see generally referred to in the 40's

and early 50's beat world.  By the sixties benzedrine was available in

pills, generally what were known as cross top bennies or beans from

Mexico.  Lots of other pharmacutical grade amphetimine was also

available, dexedrine dexymyl, etc, some mixed with mellowing agents.

These were "diet pills"  did the job to.  Then there was always the

king of speed, crystal meth.  IMHO speed, especially benzedrine and

dexedrine, are understimated in their importance in Beat culture.

Jack loved to write on bennies and weed.  It's a wonderful combination

but the bennies take their toll.  Amphetamine isn't good for you, but

you sure as hell can produce.  Speed and weed, in combination can get

you very very high, a similar (somewhat more functional) high to the

psychedelics.  It was a great artist and writers combination, as was

mixing speed and heroin in goofballs--just tear your head in two

seperate directions at once.

 

JS

 

Albert Min wrote:

 

> howdydoo,

> 

> question:  what is benzedrine, exactly?

> 

> yours falsely,

> appreciative al

> 

> Free web-based email, Forever, From anywhere!

> http://www.mailexcite.com

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Abe Lincoln

Cc:

Bcc: race@midusa.net,bocelts@scsn.net,rasa@gpnet.it

X-Attachments:

In-Reply-To:

References:

 

(FWD)source

 

http://www.drudgereport.com/1.htm

 

[excerpt]

 

XXXXX DRUDGE REPORT FINAL XXXXX 02:59:33 UTC THU FEB 12 1998 XXXXX

[excerpt]

...

X X X X X

 

HHS: ABE LINCOLN WAS BIPOLAR

 

Abraham Lincoln most likely suffered from a mental disorder, the

Substance Abuse and Mental Health Services Administration (SAMHSA), a

division of the U.S. Department of Health and Human Services, announced

on Wednesday.

 

"Abraham Lincoln is an inspiration to everyone who is living with

depression and/or bipolar disorder," the agency announces in a press

release designed to break the stigma associated with mental illness.

 

"From the time he was a teenager, Abraham Lincoln lived with what today

some people think might have been depression and bipolar disorder.

Bipolar disorder, also known as manic-depressive illness, is a mental

illness involving episodes of serious mania and depression."

 

John Lang of SCRIPPS HOWARD reports: "As evidence that Lincoln 'might'

have suffered from a bipolar disorder, the agency cites six references.

 

"One is from Encyclopedia Americana: 'Abraham Lincoln is believed to

have lived with alternating moods of hilarity and dejection'; another

from Collier's Encyclopedia: 'Abraham Lincoln, in December 1836, is

reported to have had an episode of severe depression after the sudden

death of Ann Rutledge, with whom he had fallen in love.' [Some

historians now discount the idea that Lincoln was in love with Ann

Rutledge.]"

 

But Dr. Melvyn Haas, associate director for medical affairs of SAMHSA's

Center for Mental Health Services, wants no part of his agency's attempt

to diagnose historical figures such as Lincoln.

 

He tells SH: "I think it would be extremely dangerous to attempt to sort

any of these out and come up with a diagnosis. I think it's against the

regulations of the American Psychiatric Association to make such a

diagnosis ethically."

 

X X X X X

...

 

The report is moved when circumstances warrant

(c) DRUDGE REPORT 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 13:31:53 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

tkc wrote:

> did anybody see that canadian snow boarder who lost his olympic gold

> medal because of a positive reading for pot in a drug test?  there as a

> film clip of him and he was a very normal dude of the snowboard, surfer,

> skater, motocross variety.  just out there havin fun, smokin a little

> pot, and functioning at a very high capacity.  that guy is beat.  right

> here and now.  and i think the only way you can objectify the word

> 'beat' other than that is that if that guy is still snowboarding at 65

> he'll be just a bit beater than if he doesn't

 

Yeah!  Now that's a manifesto.

 

Oh ... Patricia asked for info about Ginsberg and the incident

with the volcano eruption in Mexico.  The whole story is in

the biography of Ginsberg by Michael Schumacher.  I can't remember

the details, but I think Ginsy was in Mexico on some kind of

archaelogical mission, and when the volcano started erupting he

was the one who convinced a group of people that they had to all

go warn the nearby residents.  The story was a bit confusing, but

it definitely shows that this was a poet who did more than sit

around writing poetry.   Not that there's anything wrong with

sitting around writing poetry (right Marie Countryman?).

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

| "Nothing is capsulized in me, on either side of town" |

|                                      -- Joni Mitchell |

---------------------------------------------------------

 

Return-Path: <MAILER-DAEMON>

Date:         Fri, 13 Feb 1998 16:37:58 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 13 Feb 1998 22:30:11...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Fri, 13 Feb 1998 22:30:11 +0100 with subject "Re: Abe

Lincoln"  has been  successfully  distributed to  the  BEAT-L list  (250

recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 22:38:13 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dan Jellhoff <jholland@ICLUB.ORG>

Organization: Creeps Outpost - worst coffee in North America

Subject:      Poetry reading

To:           BEAT-L@CUNYVM.CUNY.EDU

 

=+=+=+=+=+=+=+=+=+=+=+=+=+=+=

You are all cordially invited

                        to

        a free poetry reading

 

                                ...at the

 C R E E P S

O U T P O S T

                                *March 15*

 

                                readings by:

=-=

Jeffrey Scott Holland ("714", "The Last Laugh", "Blue Mold", "One Minute

Past Eternity", "Chickenwire")

=-=

Todd Dockery ("Broken Teeth", "Standing at the End of a Dead End

Street", "Sodajerkers and Jitterbugs")

=-=

Samantha Endicott ("Confessions of an Escort", "Long Distance")

=-=

Taffy Monroe ("Men", "The Daily Planet", "The Girl From Disputanta",

"Poems for Lovers Past")

=-=

Nick Valle (".38 Slug", "Hardcore Motherfucker")

=-=

Doug Saretsky ("Bad Girl Stories", "Tapestry of Profanity")

=-=

Ed Hieronymus ("The Portable Ed", "Abortion Stories")

=-=

Ninnie Nu Ninnie - Performance Artist

=-=

Also possibly : Gwenda Bond, Jordan Green, Ron Whitehead, Brian Manley,

Stinky Pete Hrabak, Megann Thomas, Scooter Odum, and YOU.

 

=============================

musical interludes provided by Cheeseburger & Fries.

=============================

 

free coffee

almost free cake

free free free free free

 

Creeps Outpost

129 S. 1st Street

Richmond, KY

40475

 

=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

Berea, Ky - rrrrrrrrrrrr

=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Fri, 13 Feb 1998 16:39:06 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thenwhere exactly is this list?  and how do you have access and/or knowledge

of this?

 

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Date:         Fri, 13 Feb 1998 16:45:31 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

abe lincoln? the beats?  the connection?

 

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Date:         Fri, 13 Feb 1998 16:37:17 -0600

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From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Areonwy,

Unfortunately, sometimes the distance provided by the list-service allows

to people to behave as though they were closed up in their cars, able to

curse and give the finger to everyone with impunity. I hope that you will

believe that there are plenty of people on this list who were offended by

the insensitivity of the curse directed at you: it was mean-spirited and

undeserved. I hope that it will not discourage you from participating

further in this forum.

Cordially,

Mike Skau

 

On Thu, 12 Feb 1998, Aeronwy Thomas wrote:

 

> excuse me? why are you cursing me? i didn't mean to insult you. what on earth

> are you thinking? when i tlked about a super-stressed teen, i was referring to

> myself. i think you'd better not be so hasty to curse people out next time.

> god knows there are hot tempers on the list.

> 

> aeronwy

> 

 

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Date:         Fri, 13 Feb 1998 17:39:10 EST

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From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Could someone tell me why Abraham Lincoln is being discussed on Beat-L?

It's sort of a coincidence, cuz I'm comparing a work of Ginsberg's to The

Gettysburg Address, and would be interested in the reason for these postings.

In fact, I found this list while researching the topic...

><CYAN47I><

 

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Date:         Fri, 13 Feb 1998 17:00:19 -0600

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From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      BACK TO LITERATURE -J. DIDION

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie...thanks for the Corso and JK poetry....

 

can we please try and get back to nature of this list...namely

Literature......

 

The posts over the last few days about women writers had me thinking

of Joan Didion.  I picked up _Slouching Towards Bethlehem_ and _The

White Album_ at a used bookstore ages ago and have yet to read them.

Didion's name seems to pop up alot (not on this list..but other places).

..I don't know much about her?  Can anyone fill me in?  Any opinions of

her work?

 

What about Anne Waldeman as a female beat writer??

 

Dawn

 

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Date:         Fri, 13 Feb 1998 16:01:24 -0700

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From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      I wasn't wrong about Maher RE Was: di Prima ad naseum

To:           BEAT-L@CUNYVM.CUNY.EDU

 

J Grant asked Paul Maher aka TKQ:

 >In the material you were looking at did JK ever say that he was fucking

>whores, or anyone out of desperation?

 

A legitimate, restrained question, agreed I think given the bad blood

between these two guys.

 

But Maher responded:

 > Yes , your mom. P.

 

And this on the heels of his well respected  "eat me motherfucker" that we

all thot so well put.

 

Remember that "claptrap, youngster,  get the nouns and verbs" posts of

recent past?  Wasn't far off,  don't you think?   How long are you people

going to tolerate this Maher guy.  He's a pseudo beat intellectual

afficianado wannabe with more opinions than knowledge, and less courtesy.

The pseudo intellectual over-posting can be tolerated, but I think the brash

lack of courtesy needs to be spoken to.

 

Maher, sit on yr opinions longer, speak more politely to those who know more

than you, and digest other ideas longer than a knee jerk.  --Or, try a punk

group.

 

 

 

_____________________

Skydivers know why the birds sing

 

V.J. Eaton

Tempe, AZ

 

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Date:         Fri, 13 Feb 1998 17:08:10 -0600

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From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul Maher wrote to J. Grant (but posted to entire Beat-l):

 

----------

> From: Paul A. Maher Jr. <mapaul@PIPELINE.COM>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Re: I was wrong about DiPrima.

> Date: Friday, February 13, 1998 12:29 PM

> 

> One - It was the right thing to say because I felt like saying it TO YOU.

> There are no rules of civility that I must follow when communicating with

> Joe Grant and Co.

 

The problem here is that you chose to post your private insult to the

entire list.  That was a provocative action with absolutely no regard for

the feelings of Mr. Grant or any of the other 250+ people on the Beat-l.

If you must spew vile trash, do everyone else a favor and backchannel it to

only the person you wish to direct it to.

 

Thank you.

 

Jym

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: !!DON'T GIVE UP!! (was Re: Abe Lincoln)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <70ae8d2a.34e4befd@aol.com>

References:

 

Carly Earnshaw says:

>abe lincoln? the beats?  the connection?

   |          |          |

   |          |          |

my barcode num     |    the badge reader

ber unsticked     |     red light flashi

on the card        |    refused my name

           \      |    /

            \     |   /

         the town and the city

       / has almost 300 pages\

searching/                       \

for a bib\         pietas i saw    \

le in a j \        a dead rat o     \

ail      \-----     n the street      \

|                 today dead r       \

|                 at is beauti        \

|                 ful!             the book

|                \            guilty o

|                 \           f everyt

|                  \---------- hing is

|                  /          out of p

|                 /           rint\

mexico city blues-----\                  \

is sold out             \               I STOPPED

\                       |                 FOR A COF

 \                     HST              / FE TONITE

DEAD ra                BUR--------------\

t is be                IED              \maybe i h

autiful                IN                ave to bu

it's is                THE               ried the

useless                60s               rat pleas

\                        |               se

DON'T                    \               /

GIVE                      \             /

UP!!                     DON'T GIVE UP!!

\                        /

 \                           /

 

   a prayer...

 

---

rinaldo

14feb98

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Date:         Fri, 13 Feb 1998 15:15:50 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> Man... what crap. I really have to say that I appreciate this

idolatry

>> of a big part of MY generation..but really guys you are way out on

this

>> one--hardly anyone under 50 years of age could even come close to

>> understanding "BEAT" without intensive study...its not berets, bongos

>> and hitchhiking... what it was was a state of mind that said

>> "art"-(writing, painting & music) would or maybe could, change the

>> world... I dont now what it is you young types find so attractive

about

>> the Beat Generation ,but I gotta feeling it aint' what you thought it

>> was. Read Ginsberg-he was the best at reflecting his generation. Its

>> kinda weird that I don't understand the current generation--so how

come

>> you all think you knew a previous one you didnt live in? DIG IT?

> 

>this is quite absurd from the perspective of a "younger person"

>I read on the road when I was 16 and since have been involved in

reading

>many other forms of Beat literature

>I guess what this man is saying is that I should only read literature

>from my generation

>Oh wait, I don't like any of it

>So I should not read at all

>Tell me what I should do

>I like the Beat Generation, actually I love it

>I might not know it the way you do, but from what you are saying, you

>never read any Plato, Aristotle, Hume, Dostoyevsky, or anything out of

>your generation because you couldn't relate to it

>Take into consideration the way others may be able to "relate" to the

>beats in second hand ways

> 

>beatifically yours

>eric

> 

Hm.  Fine point, Eric.  There are very few things we have in our

Reality, but one of them is history.  It is the way of our progress.  If

we all live *solely* in today, interacted *only* with today, I think we

would seriously restrict our amount of progress and understanding of the

world.  In fact, we would totally eliminate it.  We must have the

literature from our past (along with other written, spoken,

architecture, oral, created artifacts), and we must read it.  We do not

need to understand it purely in the mindset of the age in which it was

written, but we may understand in our today's perspective.  That is what

literature is, or any form of art.  It is its timelessness, its eternal

wisdom.  The Beats said quite a few things, not just about the 50's, but

life itself.  I agree that to be a Beat one need not wear particular

clothes or be specific place... it is not even necessary to *try* to be

a Beat.  But to read, and attempt to understand their literature and

song, etc., is quite an honorable goal.  We study what they had to say,

and we try to be like they were, because they had true insight into

life.  Anyone can read that today, and what they do on the side is

purely auxillary and beside the point.

We read Aristotle not because we want to be like him, or becuase we

think we need to become like the Greeks.  He said many incorrect things,

applied Science in (currently) kooky ways; that is beside the point.  We

read him because of his interest in the world arround him, and his

understanding of human nature, etc.

Ack.  All this materialism and literalism.  Don't say "Oh well, you

fellows didn't live back then, so give it a break."  By saying that, you

do not live today.

 

Christopher

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Fri, 13 Feb 1998 18:22:35 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 14 Feb 1998 00:12:06...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 14 Feb  1998 00:12:06 +0100 with subject "!!DON'T

GIVE UP!! (was Re: Abe Lincoln)" has been successfully distributed to the

BEAT-L list (250 recipients).

 

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Date:         Fri, 13 Feb 1998 18:25:10 -0500

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From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Okay I'm sorry about your mother....I meant you...Kerouac had you on his list.

 

>P. See you in Lowell.....meet me at the Cosmo lounge.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Date:         Fri, 13 Feb 1998 15:29:13 PST

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From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: scope

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

>Folks, there's been an awful lot of mail on Beat-l lately.  Can we

>PLEASE refrain from posting messages that are not directly related to

>the writers of the Beat Generation and their works.

> 

Hi.  Please excuse my potential naivity, as I am reasonably new to this

ol' list, and am therefore perhaps unaware of the long-standing

philosophy of it.  But, it would seem to me that discussion tangentally

related to "the Beats" and "their works" should be certainly allowed.  I

agree that messages are most plethoric, yet, I say all the better.

Generations are nice to talk about not just because of the personalities

and the art produced within, but the rebounding repercussions, their

effect on later years, on current personalities, on the members of this

list.  By elaborating and articulating our thoughts on these associated

issues, that is how we all come to a greater understanding of the Beat

Generation and of ourselves, in this day and age.

Christopher.

 

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Date:         Fri, 13 Feb 1998 18:38:56 -0500

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From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I wasn't wrong about Maher RE Was: di Prima ad naseum

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:01 PM 2/13/98 -0700, you wrote:

>J Grant asked Paul Maher aka TKQ:

> >In the material you were looking at did JK ever say that he was fucking

>>whores, or anyone out of desperation?

> 

>A legitimate, restrained question, agreed I think given the bad blood

>between these two guys.

> 

>But Maher responded:

> > Yes , your mom. P.

> 

>Oh yes...I forgot...Mrs. Eaton was on that list too...she was double-teamed

by Ginsberg and Kerouac. Gosh darn it how unacademic of me. Now my

pseudointellectual beatness is tarnished. How will I ever impress V.J. Eaton

once more? Man oh man.....

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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Date:         Fri, 13 Feb 1998 18:42:04 -0500

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From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

If my "vileness" is so awful then you better stay from Beat Lit. and pick up

a Henry James novel. I can't believe I'm among such polite society. Your all

a bunch of bores who sit around monitoring what is and isn't proper to

say....judge me however you want I could care less. I have nothing to prove

to Jo Grant, V.J. eaton and the rest of them who follow similar lines. Why

don't you all take the trip to Lowell with Mr. Grant and "deal with me

personally in Lowell." Sincerely, Paul Maher.

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

 

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x-sender: morocco@pop.walrus.com

Date:         Fri, 13 Feb 1998 23:52:14 -0000

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From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Orifice surrealiste

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     From Stephen Barber, _Antonin Artaud: Blows and Bombs_

(London: Faber and Faber, 1993):

 

          The editorial control of the third issue of

     _La Revolution surrealiste_ was given over entirely to

     Artaud. He was determined to use this opportunity in

     the same way that he had wanted the Surrealist Research

     Centre to be used. The magazine would become the orifice

     for assaults upon all the social, religious and medicinal

     bodies which the Surrealists held in contempt. Artaud

     conceived of a series of open letters that would accom-

     plish this. They would convey a powerful and intimate

     refusal to their addressees. Artaud's idea for a written

     expectoration of direct insults cut across the predi-

     lection of many of the Surrealists for a vague and

     inoffensive esotericism. Breton in no way participated

     in the composition of the letters. He would later claim

     that Artaud had led the Surrealist movement in a danger-

     ous direction with this material, which was far more

     unsettling and precarious than the anguish experienced

     by Breton and Soupault from too close an involvement

     with automatic writing. Artaud's issue of _La Revolution

     surrealiste_ was published on 15 April 1925. It was to

     be the only issue edited by Artaud; Breton himself

     directed the fourth issue in July, which contained

     nothing at all by Artaud. (p. 24)

 

 

--------------------|||||||||||||||||--------------------

Gregory Severance                      morocco@walrus.com

http://www.walrus.com/~morocco   << BULLDOG BREATH >>

 

you better walk it as you talk it or you'll lose that beat

 

-Lou Reed

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 01:05:50 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Method Man <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      Mr Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Somebody suggested Mr Maher should go looking for a punk-list,

personally I believe gangsta-rap would be more up his alley.

 

                                        Yo' momma! ;)

 

                                        --Thomas (Stoned)

 

is that beat?

high on weed?

I really don't give a sh*t

doing, being blablablabla

 

WHY CAN'T WE ALL JUST GET ALONG?

 

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Date:         Fri, 13 Feb 1998 19:29:03 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

How are you comparing the two?

On Fri, 13 Feb 1998, Cheyanne C Ritz wrote:

 

> Could someone tell me why Abraham Lincoln is being discussed on Beat-L?

> It's sort of a coincidence, cuz I'm comparing a work of Ginsberg's to The

> Gettysburg Address, and would be interested in the reason for these postings.

> In fact, I found this list while researching the topic...

> ><CYAN47I><

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Fri, 13 Feb 1998 19:29:55 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul--

Could you possibly SHUT UP? If you have nothing nice to say, dont say it

at all.. this is what I tell my 2nd graders!

On Fri, 13 Feb 1998, Paul A. Maher Jr. wrote:

 

> Okay I'm sorry about your mother....I meant you...Kerouac had you on his list.

> 

> >P. See you in Lowell.....meet me at the Cosmo lounge.

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 19:32:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      TQK

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul--

You can take me off the mailing for TQK. I want nothing to do with it...

I posted this to the list because I want everyone to know what Im doing.

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Fri, 13 Feb 1998 18:05:52 -0700

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      You are a  patient  list owner

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Good job.  And you know . . .  Given present TKQ contrasts, I'm missing

Whitehead.  Is a swap possible, or at least a rotation schedule  :-)

 

Why Poe? as a thread over any x others, to be curious.

_____________________

Skydivers know why the birds sing

 

V.J. Eaton

Tempe, AZ

 

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x-sender: morocco@pop.walrus.com

Date:         Sat, 14 Feb 1998 01:09:07 -0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Weebly Wobblies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Poet at Play: 2 Feb 1998

(The making of "Meaning of America: I")

 

by Gregory Severance

 

 

SOURCE TEXT A

 

excerpts from:

Allen Ginsberg, "America," in _Howl and Other Poems_,

(San Francisco: City Lights Books, 1956).

 

Excerpt one:

 

     I'm addressing you.

     Are you going to let your emotional life be run by

          Time Magazine?

     I'm obsessed by Time Magazine.

     I read it every week.

     Its cover stares at me every time I slink past the corner

          candystore.

     I read it in the basement of the Berkeley Public Library.

     It's always telling me about responsibility. Business-

          men are serious. Movie producers are serious.

          Everybody's serious but me.

     It occurs to me that I am America.

     I am talking to myself again.

                                                     (pp. 40-1)

 

Excerpt two:

 

     I have mystical visions and cosmic vibrations.

                                               (p. 40)

 

Excerpt three:

 

     America I feel sentimental. . .

                                (p. 40)

 

 

SOURCE TEXT B

 

William S. Burroughs, interview by Conrad Knickerbocker,

in _Writers at Work: The "Paris Review" Interviews_, ed. George

Plimpton, 3rd ser. (New York: Viking Press, 1967; reprint, New

York: Penguin Books, 1977). The interview took place

on Jan. 1, 1965 in WSB's room at the Chase-Park Plaza Hotel,

Saint Louis, Mo.

 

     BURROUGHS:. . . [Henry Luce] has set up one of the

     greatest word-and-image banks in the world. I mean,

     there are thousands of photos, thousands of words

     about anything and everything, all in his files. All

     the best pictures go into the files. Of course,

     they're reduced to microphotos now. I've been inter-

     ested in the Mayan system, which was a control cal-

     endar. You see, their calendar postulated really

     how everyone should feel at a given time, with lucky

     days, unlucky days, et cetera. And I feel that

     Luce's system is comparable to that. It is a con-

     trol system. It has nothing to do with reporting.

     _Time-Life-Fortune_ is some sort of police organ-

     ization. (p. 163)

 

 

Step 1.23:

In two columns (with a quarter inch gutter between columns),

on an 8 1/2 by 11 inch leaf (loose-leaf, college-ruled),

using a Pilot ball point pen (medium point, black ink), I

inscribed source texts A & B. Here's an ascii transcription

of my doubled columned leaf:

 

      --------------          ------------------------

     | "America"    | 2-2-98 | Paris Review Interview |

     |              |        | w/ WSB p 163           |

      --------------          ------------------------

     I'm addressing you      Henry Luce has set

     are you going to        up one of the greatest

     let your emotional      word-and-image banks

     life be run by          in the world I mean

     Time Magazine I'm       there are thousands of

     obsessed by Time        photos, thousands of

     Magazine I read         words about anything

     it every week its       and everything all in

     cover stares at me      his files all the best

     every time I slink      pictures go into the files

     past the corner         of course they're reduced

     candystore I read       to microphotos now

     it in the basement      I've been interested in

     of the Berkeley Public  the Mayan system

     Library it's always     which was a control

     telling me about        calendar you see

     responsibility business their calendar

     men are serious         postulated really

     movie producers are     how everyone should

     serious everybody's     feel at a given time

     serious but me it       with lucky days

     occurs to me that       et cetera and I

     I am America I          feel that Luce's system

     am talking to           is comparable to that

     myself again.           It is a control system

     I have mystical         It has nothing to do

     visions and cosmic      with reporting. _Time-_

     vibrations. America     _Life-Fortune_ is some

     I feel sentimental      sort of police organization.

 

Step 1.88:

I made a typescript of the text resulting from step 1.23

using the BBEdit text editor on Macintosh and printing on

a laser printer. Here's an asciiscript of my typescript:

 

     I'm addressing you Henry Luce has set

     are you going to up one of the greatest

     let your emotional word-and-image banks

     life be run by in the world I mean

     Time Magazine I'm there are thousands of

     obsessed by Time photos thousands of

     Magazine I read words about anything

     it every week its and everything all in

     cover stares at me his files all the best

     every time I slink pictures go into the files

     past the corner of course they're reduced

     candystore I read to microphotos now

     it in the basement I've been interested in

     of the Berkeley Public the Mayan system

     Library it's always which was a control

     telling me about calendar you see

     responsibility business their calendar

     men are serious postulated really

     movie producers are how everyone should

     serious everybody's feel at a given time

     serious but me it with lucky days

     occurs to me that et cetera and I

     I am America I feel that Luce's system

     am talking to is comparable to that

     myself again it is a control system

     I have mystical it has nothing to do

     visions and cosmic with reporting Time

     vibrations America Life-Fortune is some

     I feel sentimental sort of police organization

 

 

Steps 1.23 and 1.88 were done in my office on the 6th floor

of the Time and Life Building (6th Ave. and 50th St., New

York City, America).

 

Working with the typescript from step 1.88 on the subway

from Rockefeller Center to my neighborhood in Brooklyn

(Prospect Heights, 7th Avenue station on the "D" and "Q"

line) and later at home, the poem, "Meaning of America: I",

emerged.

 

I retained all words, in order, from the typescript. I

added punctuation, changed the case of initial letters

of some words, changed the tense of some verbs, and

changed endings (from plural to singular,

from plural to possesive) of some nouns.

 

My movement toward making "Meaning of America: I" was

influenced by my correspondence with Cheyanne Ritz.

 

-------------------------------------------------

by Gregory Severance

 

Meaning of America: I

 

I'm addressing you, Henry.

Luce has set.

Are you going to up one of the greatest?

Let your emotional word-and-image bank's life be run

     by in the world.

I mean Time Magazine.

 

I'm there.

Are thousands of obsessed by Time photos, thousands

     of Magazines I read, words about anything, it?

Every week it's and.

Everything, all in cover, stares at me: his files,

     all, the best.

 

Every time I slink, pictures go into the files past

     the corner.

Of course they're reduced, Candystore.

I read to microphotos now.

 

It, in the basement, I've been interested in.

Of: the Berkeley public; the Mayan system Library.

It's always which was.

A control telling me about calendar.

 

You see, responsibility, business, their calendar,

     men, are serious--postulated, really.

Movie producers are how.

Everyone should serious everybody's feel.

At a given time serious but me, it with Lucky.

Days occur to me, that, et cetera.

 

And I?

I am America; I feel that.

Luce's system is talking to, is comparable to, that

     myself.

Again it is a control system I have.

Mystical: it has nothing.

 

To do visions and cosmic, with reporting Time vibrations,

     America-Life-Fortune is.

Some, I feel, sentimental sort of police organization.

 

February 2, 1998

New York City, America

------------------------------------------------------

** (5 Feb 1998: 01:00):

While proofing the above text I noticed that I had left

out some words from the typescript in making the poem.

I have worked those words into the revised poem above.

Here are the recovered words:

 

     . . . it with Lucky.

     Days occur to me. . .

 

-----------------------------

** (14 Feb 1998: 00:45):

While reading the above text at ABC No Rio's,

(a performance space and gallery on the

Lower East Side, 156 Rivington St., New York

City, America) "Our Unorganicized Reading",

on 8 Feb 1998 I realized that I had left out

two words: "unlucky days". These words now

appear in the "final" revision of "Meaning of

America: I," which is at:

http://www.walrus.com/~morocco/moa1.html

 

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

Gregory Severance

morocco@walrus.com

http://www.walrus.com/~morocco/

 

"In the Autumn of 1951 I began thinking of Cody Pomeray,

 thinking of Cody Pomeray."

 -- Jack Kerouac    VISIONS OF CODY

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 20:14:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: You are a  patient  list owner

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Whitehead is welcome back whenever he likes.  He left of his own free will.  An

stee too.  Reason I posted the Poe question is that I'm helping Burton Pollin,

a Poe Scholar, with information for an article on Poe's influence on AG.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 20:16:18 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Misdirected mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

My apologies to the list.  The last message I sent was intended only for V.J. E

aton not for the list.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 21:10:47 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dawn Sova <DawnDR@AOL.COM>

Subject:      Re: Misdirected mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Bill:

 

I'm one listmember who is happy that your message for VJ Eaton was posted to

the list.  I'm under contract with a reference publisher to produce a work

entitled Poe, A to Z (just finished 2 volumes of a 4-volume set on censorship

that includes works by AG and WSB).  After a long time of compiling

names/places/works, etc., I finally obtained a copy of Pollin's then-

experimental and revolutionary-for-1968 computer-produced indexing of Poe's

works.  I might have a few connections between EAP and AG to contribute ---

and maybe a few between EAP and WSB.  Turnabout might also occur.  I will

communicate further on this backchannel, of course.  For now, however, I

posted this to the list because what happened here for me represents what

intelligent (not name-calling and mother-slurring posts) can accomplish.  A

little thoughtful inquiry is great for the soul and the mind --- and this has

nothing to do with the level of education or extent of vocabulary that earlier

posts argued about.

 

Thank you.

 

Dawn

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Fri, 13 Feb 1998 20:49:11 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Misdirected mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Dear Bill:

> 

>I'm one listmember who is happy that your message for VJ Eaton was posted to

>the list.  I'm under contract with a reference publisher to produce a work

>entitled Poe, A to Z (just finished 2 volumes of a 4-volume set on censorship

>that includes works by AG and WSB).  After a long time of compiling

>names/places/works, etc., I finally obtained a copy of Pollin's then-

>experimental and revolutionary-for-1968 computer-produced indexing of Poe's

>works.  I might have a few connections between EAP and AG to contribute ---

>and maybe a few between EAP and WSB.  Turnabout might also occur.  I will

>communicate further on this backchannel, of course.  For now, however, I

>posted this to the list because what happened here for me represents what

>intelligent (not name-calling and mother-slurring posts) can accomplish.  A

>little thoughtful inquiry is great for the soul and the mind --- and this has

>nothing to do with the level of education or extent of vocabulary that earlier

>posts argued about.

> 

>Thank you.

> 

>Dawn

 

 

Dawn,

 

Are you familiar with the book, The Dread Road by Meridel LeSueur.

Published 1991 by West End Press, Albuquerque, NM.

 

Using an interesting format Meridel had three columns on the page.

 

1st: Quotations from Poe

 

2nd: The story

 

3rd: Notes aout the story.

 

Information on the book at: http://www.bookzen.com/books/0000066.html

 

Also a  much reproduced review and analysis by poet Chck Miller.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 22:32:24 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I just painted my nails and they are slowly drying, so please excuse the

typos.

The poem I'm comparing to the Address is Ginsberg's "America".  I did a big

ol' research project on the address last year, and what it means reminds me of

what "America" means to me.  Greg Severance (morocco@walrus.com) has been

working with me on this - he posted his poem based on "America" a while back.

(there is liquid quick dry all over the keyboard! sigh...I am so

irresponsible!)

Anyway, here is a part of that essay on the address from last year:

***

. . . If the men in the war and those buried in the hills of Gettysburg were

not fighting for an end to slavery, what reason was there?  This is the theme

of the Gettysburg Address. The address gave Americans a new definition, that

they were all an important part of a test they chose to undertake.  Those who

died for that choice had "gave their lives that the nation might live", as

Lincoln said in the address.  Lincoln did not want to dedicate the cemetery;

those who had died had already consecrated it.  Lincoln wanted to dedicate

every American life to "a new birth of freedom" he spoke of in the address.

This new birth of freedom was the direction Americans could take.  Extinction

of slavery and then the end of any form of inequality would be this "perfect

Union" expressed in the Declaration of Independence.  This is just what the

nation needed.  The battles of the Civil War and the battle of the "new birth

of freedom" were the same.  The Civil War

may be over, but the events leading up to the hopeful freedom carry over to

today, as Lincoln's words echo on.  Then and now, we are all as Americans

standing just "Downwind from Gettysburg" (Bradbury 77). . . .

(end)

and here is something I sent to Mr. Severance when I first started thinking

about writing a paper on "America":

***

I thought that I would supply you with some more information on what kind of

paper I have in mind.

Mostly I see this poem as an backlash of the non-majority, a backlash

recognized by Ginsberg and voiced.  He is talking to America but "It occurs to

(him) that I am America" (line49).  Almost like a dirty conscience whispering

insults in the background.

I did a research paper on Lincoln's Gettysburg Address, and what it meant then

and means now to us.  Reading those words, an America still gets the ideal of

what America means - he rewrote the Constitution's meaning with that speech.

Many others before Lincoln had tried this, but only Lincoln's speech survives

as the most finely worded and perfect definition.

What I want to prove through research is that Ginsberg's is in the same vein.

It is a poem that states something America must pin down --- the arguement

between the majority and minority; that America is not perfect as some like to

think - "America after all it is you and I who are perfect not the next

world".

There is an arguement, a division between those in charge and those can't just

watch any more.  Those in charge are dealing out atrocrocies like in lines

66-69.

America free Tom Mooney

America save the Spanish Loyalists

America Sacco & Vanzetti must not die

America I am the Scotsboro boys.

There are still things like this going on.

(end)

 

So that's about the extent of this so far -- I've got about, uh, four weeks or

so to write it, maybe more.  I'm doing it for a research paper in a Eng 104

class.  I dual credit from high school at a local university.

Soooo....any suggestions, ect; can be placed here.  I read Everything on this

listserv.  Or backchannel is welcome too.

I wouldn't even be doing this topic, probably, if there hadn't been support

from people when I first presented it here a while back.  Thanks guys.

><CYAN47I><

 

 

 

 

 

 

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 23:01:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/13/98 7:33:00 PM Pacific Standard Time, CYAN47I@AOL.COM

writes:

 

> I wouldn't even be doing this topic, probably, if there hadn't been support

>  from people when I first presented it here a while back.  Thanks guys.

>  ><CYAN47I><

Hey!     Thank you for dragging me back just as I was sinking into the morass.

You reminded me of the goodness we should hold onto at the core.

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 23:42:24 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: Abe Lincoln

To:           BEAT-L@CUNYVM.CUNY.EDU

 

aw, shucks.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 13 Feb 1998 23:47:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: I was wrong about DiPrima.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jo,

Why take his bait?

Consider the source, and just ignore the tasteless, adolescent comment as

unworthy of engaging your time, your concern, and your energy.

Cordially,

Mike Skau

 

On Fri, 13 Feb 1998, jo grant wrote:

 

> >One - It was the right thing to say because I felt like saying it TO YOU.

> >There are no rules of civility that I must follow when communicating with

> >Joe Grant and Co.

> 

> You comment was wrong, is unacceptable, and PUBLICALLY I am informing you

> that I will see you in Lowell and deal with your comments about my mother

> persoanlly..

> j grant

> 

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                       625,506 Visitors  07-01-96 to 11-28-97

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 00:11:19 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      yet another jeopardy! question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

another beat question of jeopardy friday....category was "Who's

talking" where clue was a character from a book and contestants had to

guess which book....$500 clue was "Sal Paradise"....no one answered.

And this was the tournament of champions!

 

*******

Jeff Taylor

jeff.taylor@vanderbilt.edu

taylorj@library.vanderbilt.edu

*******

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 00:15:19 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      who's beat on beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Some of you may be familiar with the excerpts on the _Kerouac_ video of

his appearance on Steve Allen's show. Asked by Steve Allen how he would

define "Beat" (if I'm remembering correctly), Kerouac answered,

"Sympathetic." Ask yourselves whose e-mailings to this list would fit

Kerouac's own public definition and whose would not.

Cordially,

Mike Skau

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 07:34:20 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      correction! re: beats on the street photo

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hii guys i made a whopper of a mistake when i sent fred boggins the

names to the picture

it is our very own jim stauffer in that picture on fred's page, not

gardner.

sorry james,

sorry all

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 08:04:51 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Levi Asher wrote:

 

>   Not that there's anything wrong with

> sitting around writing poetry (right Marie Countryman?).

> 

> -nope not at all, and nothing wrong with travelling 3,0000 miles to read

> it, which i just did,

 

    or riding a greyhound bus 29 hrs straight into black night to read it and

schmoooz with a group of poets ....

 

it's been a natural progression for me: sitting around writing poems has led

to long distance road and rail trips to read it and meet my pals both here

and there (louisville).

have a good one, levi

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 08:30:13 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> hi guys, i see that three quarters of my mail still consists of beat

> bashing.

 

in the spirit of getting on with what the list scope purports to be, i

typed out the poems of corso and JK with an eye toward

 

> to beginning discourse on the poems, the question i sked and the

> commentary

> i asked a few questions, and began some commentary, but no one i think

> saw the damned thing because fingers were too busily bustling about

> like maddened bees from the hive. since i write poetry, i chose poems.

 

i didn't expect to get a renaissance going, as i myself do not engage in

some topics myself, but thouroughly enjoy reading the discussions, and

chime in once in a while if i understand or feel i have something new to

offer.for example,

 

> i thoroughly enjoy diane

> carter's posts on the texts, and the folks that respond. i don't

> respond

> much but i read and enjoy them for the positive attitudesthe

> scholarship. i

> am more of a poet these days; hence the poetry selections,

 

is anyone interested in taking up this thread?i have  read many posts

complaining about the lack of conversation about the texts.

i offer you one.

any takers?

(coros's entire pome is up for grabs, i typed out its beginning for

folks who may not own a copy..

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 08:33:11 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Misdirected mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i got that misdirected mail, too.

 

the name whitehead was mentioned.

 

?is that rollo whitehead?  he's somebody i've been trying to contact.

?does he have an email?

 

?can somebody help me locate him?

 

thanks

 

tkc

 

ps poe and ginsberg are a great match.  i wish i could help with a

specific reference, but i can't, other than to say poe is one of those

seminal figures for everybody.  revisionist historian michael a hoffman

lll, who has a web site, has written recently about poe as an anti

masonic activist, and sees anti masonic symbolism in his stories, if

that's of any interest.......

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Sat, 14 Feb 1998 09:40:16 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Fire on the Mountain

Comments: To: Bohemian List <bohemian@maelstrom.stjohns.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Columbia Univ. radio station (WKCR 89.9 FM, New York)

is presenting a country music festival this weekend

(2/14-2/15 [maybe Mon too?]).

 

I'm a regular listener of WKCR's great trio of music shows on

every Sunday:

 

Amazing Grace 8am-10am gospel

 

The Moonshine Show 10am-12noon  blue grass & old timey

 

The Tennessee Border Show 12noon-2pm country & honky tonk

 

These shows are hosted by students and are commercial

free.

 

 

---------------------------------------------------------------

Gregory Severance | morocco@walrus.com

      http://www.walrus.com/~morocco/     <<<BULLDOG BREATH>>>

 

"Late in the evening about sundown

high on the hill and above the town

Uncle Pen played the fiddle

Lord how it would ring

you could hear it talk

you could hear it sing"

 

from "Uncle Pen" by Bill Monroe

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 01:59:46 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Marie Countryman wrote:

 

> is anyone interested in taking up this thread?i have  read many posts

> complaining about the lack of conversation about the texts.

> i offer you one.

> any takers?

 

Corso's "Elegiac Feelings American" is no doubt an eloquent tribute to

Jack Kerouac.  There are many expressions in it of what the Beat vision

was really all about:

 

"We come to announce the human spirit in the name of beauty and truth."

 

For those of you anxious to define Beat I would suggest that this is the

true Beat vision, and all of the hitchhiking, drugs, sex, and battered

relationships were merely byproducts of the search for the above.

 

But Corso's poem also enters that same area as Visions of Cody, where

Cody's fate was determined by his disillusionment with the American

dream.  Corso writes,

 

"What hope for the America so embodied in thee, O friend,

           when the very same alcohol that disembodied

           your brother redman of his America,

           disembodied ye--A plot to grab their land, we

           know--yet what plot to grab the ungrabbable

           land of one's spirit?  Thy visionary America were

           impossible to unvision--for when the shades of

           the windows of the spirit are brought down, that

           which was seen yet remain..."

 

And further on in the poem:

 

"And what has happened to our dream of beauteous

          America Jack?

Did it look beautiful to you, did it sound so too, in its cold

          electric blue, that America that spewed and

          stenched your home, your good brain, that

          unreal fake America, the caricature of America,

          that plugged in a wall America...a gallon of

          desperate whiskey a day it took ye to look that

          America in its disembodied eye..."

 

Why lie all of the blame on America?  It took Kerouac a gallon of whiskey

a day to look himself in the eye.  And his biggest disappointment that

I can see is that America was not grateful for his writings at the time.

 And why compare it to the plight of Native Americans? Not the same thing

at all.  That was the disembodiment of an entire people whose spiritual

connections were in nature.  As in this quote from Chief Seattle in a

letter to Washington:

 

"The shining water that moves in the streams and rivers is not just water

but the blood of our ancesters.  If we sell you our land, you must

remember that it is sacred.  Each ghostly reflection in the clear waters

of the lakes tells of events and memories in the life of my people.  The

water's murmur is the voice of my father's father.

  The rivers are our brothers.  They quench our thirst.  They carry our

canoes and feed our children.  So you must give to the rivers the

kindness you would give any brother.

  If we sell you the land, remember that the air is precious to us, that

the air shares its spirit with all the life it supports.  The wind that

gave our grandfather his first breath also receives her last sigh.  The

wind also gives our children the spirit of life.  So if we sell you our

land, you must keep it apart and sacred, as a place where man can go to

taste the wind that is sweetened by the meadow flowers."

 

Corso would have us believe that America let Jack Kerouac down in the

same way it let down the Native Americans.  I don't buy that concept

for a minute.  Although I'd love to hear from some people that

do. Kerouac's unhappiness didn't spring from the spirit of America, it

came from his own psychology, his own soul. Corso continues, "And you,

Jack, poor Jack, watched your father die, your America die, your God die,

your body die..." The only thing that died was human life, don't put the

blame on America or God.  We all watch family and friends die and get on

with our lives.  Kerouac's problem was that he could not.

DC

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (only for italo-american beat)-Dick a poetry by Antonio De Curtis.

Cc:

Bcc: rasa@gpnet.it

X-Attachments: C:\INTERNET\decurtis.gif;

In-Reply-To: <70ae8d2a.34e4befd@aol.com>

References:

 

-----------   in memoria di   ----------------

         Antonio De Curtis    "Toto'"

   Naples 15 february 1898 - Rome 15 april 1967

----------------------------------------------------

 

   Dick       by Toto'

 

   Tengo 'nu cane ch'e' fenomenale,

   se chiama "Dick", 'o voglio bbene assaie.

   Si perdere l'avesse? Nun sia maie!

   Per me sarebbe un lutto nazionale.

 

   Li' 'aggio crisciuto comm'a 'nu guaglione

   cu zucchero, biscotte e papparelle;

   ll'aggio tirato su cu 'e mmullechelle

   e ll'aggio dato buona educazione.

 

   Gnorsi', mo e' gruosso. E' quase giuvinotto.

   Capisce tutto... lle manca 'a parola.

   E' cane 'e razza, tene bbona scola,

   e' lupo alsaziano, e' poliziotto.

 

   Chello ca mo ve conto e' molto bello.

   In casa ha stabilito 'a gerarchia.

   Vo' bene 'a mamma ch'e' 'a signora mia,

   e a figliemo isso 'o tratta da fratello.

 

   'E me se penza ca lle songo 'o pate:

   si 'o guardo dinto a ll'uocchie mme capisce,

   appizza 'e rrecchie, corre, m'ubbidisce,

   e pe' fa' 'e pressa torna senza fiato.

 

   Ogn'anno, 'int'a ll'estate, va in amore,

   s'appecundrisce e mette 'o musso sotto.

   St'anno s'e' 'nnammurato 'e na bassotta

   ca nun ne vo' sape': nun e' in calore.

 

   Povero Dick, soffre 'e che manera!

   Porta pur'isso mpietto stu dulore:

   e' cane, si'... ma tene pure 'o core

   e 'o sango dinto 'e vvene... vo' 'a mugliera...

 

------------------------------------------------------

"Ebbene si', anche io ho una anima beat! Suvvia...

                         ---Antonio De Curtis

                         in arte Toto'

------------------------------------------------------

Return-Path: <MAILER-DAEMON>

Date:         Sat, 14 Feb 1998 09:03:03 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 14 Feb 1998 14:46:58...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 14 Feb 1998 14:46:58 +0100 with subject "(only for

italo-american  beat)-Dick  a  poetry  by Antonio  De  Curtis."  has  been

successfully distributed to the BEAT-L list (248 recipients).

 

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Date:         Sat, 14 Feb 1998 15:34:48 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Mr. Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul,

 

Give it up.  You give yourself and your damn quarterly a bad name.  In a bar, on

the street or in person somewhat wound thrash you, yet you sit there smugly at

your keyboard like a nasty 6 year old.  Go home, No one wants to play with you.

 

JS

 

Paul A. Maher Jr. wrote:

 

> At 04:01 PM 2/13/98 -0700, you wrote:

> >J Grant asked Paul Maher aka TKQ:

> > >In the material you were looking at did JK ever say that he was fucking

> >>whores, or anyone out of desperation?

> >

> >A legitimate, restrained question, agreed I think given the bad blood

> >between these two guys.

> >

> >But Maher responded:

> > > Yes , your mom. P.

> >

> >Oh yes...I forgot...Mrs. Eaton was on that list too...she was double-teamed

> by Ginsberg and Kerouac. Gosh darn it how unacademic of me. Now my

> pseudointellectual beatness is tarnished. How will I ever impress V.J. Eaton

> once more? Man oh man.....

> "We cannot well do without our sins; they are the highway to our virtues."

>                                            Henry David Thoreau

 

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Priority: normal

Date:         Sat, 14 Feb 1998 15:48:53 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <zman1956@postoffice3.bellatlantic.net>

From:         zman1956@POSTOFFICE3.BELLATLANTIC.NET

Subject:      Re: Beat Spirit

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Matthew,

 

I have read the book Beat Spirit and found it to be very interested.

Funny at times, candid, and somewhat helpful for anyone who desires

to write, paint, or inspire to be a better musician.

 For musicians the cut-up stuff from Big Bill will be something I will

try with some of my own music. All of today's music is basically a

tribute to W.B., look at the rappers now effecting folk artist. Yours

truly included.

 

Johnny Zarra

 

 

> Date:          Thu, 22 Jan 1998 19:07:38 -0800

> From:          Matthew Shelton <matthew_shelton@yahoo.com>

 

 

> Recently while looking through my local bookstore I found a book

> titled Beat Spirit by Mel Ash.  This book has activities designed to

> teach the Beat way of life.  I was wondering if anyone had read this

> book and if they had any opinions about it, positive or negative.

> 

> ==

> -----------------------------------------------------

> Matthew Shelton

> matthew_shelton@mail.okbu.edu

> -----------------------------------------------------

> 

> 

> _________________________________________________________

> DO YOU YAHOO!?

> Get your free @yahoo.com address at http://mail.yahoo.com

> 

 

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Date:         Sat, 14 Feb 1998 16:44:08 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      descripion of single eccentric woman's valentine day

To:           BEAT-L@CUNYVM.CUNY.EDU

 

first of all, happy v-day to this rowdy crowd one and all

prescription:

1 california wine

 (cheap. it took my last 3.50)

 2. talk store owner into giving up a bag of hersey's minatures, hell

i'm a steady customer.

3. sing along with my fave tunes, drinking wine and pillaging chocolates

at will.

4. put on jerry really doing it live.

5. dance to my cats

6. sing with the silly boys.

7. dance to dave matthew

8. crawl all over the rug looking for that last nice packed piece of

hash.

oh well 7 out of 8  not bad.

matter of fact, this is no different on v-day than when i wasn't single.

 

9.what does this mean?

 

any way lets all call it V-J day. hostilities down, dancing up, and turn

=up that volume, marie- ok.

bye bye

mc

 

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Date:         Sat, 14 Feb 1998 12:19:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Fwd:  Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

oops.  this was meant for the whole list.

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Date: Fri, 13 Feb 1998 20:33:15 -0800

From: eric mayhew <mayhewe@SONOMA.EDU>

Subject: Re: Is you is (Beat) or is you aint

To: Sockmunkie@aol.com

Reply-to: mayhewe@SONOMA.EDU

Message-id: <34E51E8B.5AC9@sonoma.edu>

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Sockmunkie@aol.com wrote:

> 

> us young folk aren't claiming to "know" anything about the beat generation.

> all we can do is make interpretations based on the art and archives and

> letters.   which, i presume, is more or less what you are doing.  even if

you

> have chilled out with jack and allen, your perceptions would merely be an

> interpreation of the truth.  so back off.

> 

> by the way eric, our generation (i'm assuming the our since you called

> yourself young) has some really good stuff going if you look beyond the best

> seller trash.  you should check it out.  good poetry:  marge peircy.

> chrystos.  mendy knott.  sandra cisneros.

 

 

was this to me, or the list

you sent it to me only

thanks for the poetry options\

eric

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 17:20:18 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

diane, this seems a bit cold blooded to me; it was written in an era that

was just beginning to realize (ie stop the deceit) of what all was done to

the native peoples of this continent. but i maintain that corso is not

saying that america crushed jack: in the opening stanzas he makes it clear

that kerouac failed to find his idealistic america and that this was a great

tragedy, as he took the way out inside a bottle rather than argue, dialogue,

perhaps grow. and of course god knows  the man had enough in his life that

was repressed or sublimnated (via writing) angst.

so i read it differently beginning right at the start(hich is the basic

elegy to jack and his wonder andl failures both: again i quote the opening

stanzass with some thoughts below

1

How inseperable you and the America you saw yet was

                never there to see: you and America, like the

                tree and the ground, are one and the same; yet how

                like a palm tree in the state of Oregon....dead

                ere it blossomed, like a snow polar loping the

                Miami-

How so that which you were or hoped to be, and the

                America not, the America you saw yet could

                not see

So like yet unlike the ground from which you stemmed;

                you stood upon America like a rootless

                 flat bottomed tree; to the squirrel there was no

                divorcement in its hop of ground to its climb

                of tree...until it saw no acorn fall, then it knew

                there was no marriage between the two; how

                 fruitless, how useless, the sad unnaturalness

                of nature; no wonder the dawn ceased being

                a joy...for what good the earth and sun

                when the tree inbetween is good for nothing...the

                inseparable trinity, once disserviced, becomes a

                cold fruitless meaningless thrice-marked

                deathlie in its awful amputation...O butcher

                 the pork chop is not the pig--The American

                alien in America is a bitter truncantation; and even

                this elegy, dear Jack, shall have a butchered

                tree, a tree beaten to a pulp, upon which it'll be

                contained--no wonder no good news can be

                written on such bad news

----the trees are rootless; which to me works on two levels: kerouac was a

rootless romantic soul in the world, idealist who turned on himself in his

later days, even moving from beloved lowell to florida, stopped being

interested in life. even more rootless.

-----that all players in the cast are cut off from roots and steadiness;

the native americans contain roots and the evil idealism of manifest destiny

did them in.

 

and the image of what makes something what it is often destroys it: the pig,

jack's alcoholism, the tree who died so we could read this very poem (a few

more thaoughts below)

O butcher

                 the pork chop is not the pig--The American

                alien in America is a bitter truncantation; and even

                this elegy, dear Jack, shall have a butchered

                tree, a tree beaten to a pulp, upon which it'll be

                contained--no wonder no good news can be

                written on such bad news

to me, corso is an important romantic within beat literature,no matter his

rep as the bad boy

also

i would wish to clear up JK's death: one does not have a hemmorage in one's

esophagus unless in an accident or a cirrhotic liver inability to any loger

filter blood.

same thing happe ed to wsb's son, who went into  coma, had transplant done

and woke up horrified to have someone else's body organ, as well as being

put out to find he was still alive

wow am i tangential today.

 

any other takers?

i want to hear some different takes on the meaning of white shroud.

mc

 

Diane Carter wrote:

 

> > Marie Countryman wrote:

> 

> > is anyone interested in taking up this thread?i have  read many posts

> > complaining about the lack of conversation about the texts.

> > i offer you one.

> > any takers?

> 

> Corso's "Elegiac Feelings American" is no doubt an eloquent tribute to

> Jack Kerouac.  There are many expressions in it of what the Beat vision

> was really all about:

> 

> "We come to announce the human spirit in the name of beauty and truth."

> 

> For those of you anxious to define Beat I would suggest that this is the

> true Beat vision, and all of the hitchhiking, drugs, sex, and battered

> relationships were merely byproducts of the search for the above.

> 

> But Corso's poem also enters that same area as Visions of Cody, where

> Cody's fate was determined by his disillusionment with the American

> dream.  Corso writes,

> 

> "What hope for the America so embodied in thee, O friend,

>            when the very same alcohol that disembodied

>            your brother redman of his America,

>            disembodied ye--A plot to grab their land, we

>            know--yet what plot to grab the ungrabbable

>            land of one's spirit?  Thy visionary America were

>            impossible to unvision--for when the shades of

>            the windows of the spirit are brought down, that

>            which was seen yet remain..."

> 

> And further on in the poem:

> 

> "And what has happened to our dream of beauteous

>           America Jack?

> Did it look beautiful to you, did it sound so too, in its cold

>           electric blue, that America that spewed and

>           stenched your home, your good brain, that

>           unreal fake America, the caricature of America,

>           that plugged in a wall America...a gallon of

>           desperate whiskey a day it took ye to look that

>           America in its disembodied eye..."

> 

> Why lie all of the blame on America?  It took Kerouac a gallon of whiskey

> a day to look himself in the eye.  And his biggest disappointment that

> I can see is that America was not grateful for his writings at the time.

>  And why compare it to the plight of Native Americans? Not the same thing

> at all.  That was the disembodiment of an entire people whose spiritual

> connections were in nature.  As in this quote from Chief Seattle in a

> letter to Washington:

> 

> "The shining water that moves in the streams and rivers is not just water

> but the blood of our ancesters.  If we sell you our land, you must

> remember that it is sacred.  Each ghostly reflection in the clear waters

> of the lakes tells of events and memories in the life of my people.  The

> water's murmur is the voice of my father's father.

>   The rivers are our brothers.  They quench our thirst.  They carry our

> canoes and feed our children.  So you must give to the rivers the

> kindness you would give any brother.

>   If we sell you the land, remember that the air is precious to us, that

> the air shares its spirit with all the life it supports.  The wind that

> gave our grandfather his first breath also receives her last sigh.  The

> wind also gives our children the spirit of life.  So if we sell you our

> land, you must keep it apart and sacred, as a place where man can go to

> taste the wind that is sweetened by the meadow flowers."

> 

> Corso would have us believe that America let Jack Kerouac down in the

> same way it let down the Native Americans.  I don't buy that concept

> for a minute.  Although I'd love to hear from some people that

> do. Kerouac's unhappiness didn't spring from the spirit of America, it

> came from his own psychology, his own soul. Corso continues, "And you,

> Jack, poor Jack, watched your father die, your America die, your God die,

> your body die..." The only thing that died was human life, don't put the

> blame on America or God.  We all watch family and friends die and get on

> with our lives.  Kerouac's problem was that he could not.

> DC

 

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Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Sat, 14 Feb 1998 09:51:14 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: (only for italo-american beat)-Dick a poetry by Antonio De

              Curtis.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rinaldo Rasa wrote:

> 

> -----------     in memoria di   ----------------

>                 Antonio De Curtis       "Toto'"

>         Naples 15 february 1898 - Rome 15 april 1967

> ----------------------------------------------------

> 

>         Dick            by Toto'

> 

>         Tengo 'nu cane ch'e' fenomenale,

>         se chiama "Dick", 'o voglio bbene assaie.

>         Si perdere l'avesse? Nun sia maie!

>         Per me sarebbe un lutto nazionale.

> 

>         Li' 'aggio crisciuto comm'a 'nu guaglione

>         cu zucchero, biscotte e papparelle;

>         ll'aggio tirato su cu 'e mmullechelle

>         e ll'aggio dato buona educazione.

> 

>         Gnorsi', mo e' gruosso. E' quase giuvinotto.

>         Capisce tutto... lle manca 'a parola.

>         E' cane 'e razza, tene bbona scola,

>         e' lupo alsaziano, e' poliziotto.

> 

>         Chello ca mo ve conto e' molto bello.

>         In casa ha stabilito 'a gerarchia.

>         Vo' bene 'a mamma ch'e' 'a signora mia,

>         e a figliemo isso 'o tratta da fratello.

> 

>         'E me se penza ca lle songo 'o pate:

>         si 'o guardo dinto a ll'uocchie mme capisce,

>         appizza 'e rrecchie, corre, m'ubbidisce,

>         e pe' fa' 'e pressa torna senza fiato.

> 

>         Ogn'anno, 'int'a ll'estate, va in amore,

>         s'appecundrisce e mette 'o musso sotto.

>         St'anno s'e' 'nnammurato 'e na bassotta

>         ca nun ne vo' sape': nun e' in calore.

> 

>         Povero Dick, soffre 'e che manera!

>         Porta pur'isso mpietto stu dulore:

>         e' cane, si'... ma tene pure 'o core

>         e 'o sango dinto 'e vvene... vo' 'a mugliera...

> 

> ------------------------------------------------------

> "Ebbene si', anche io ho una anima beat! Suvvia...

>                                         ---Antonio De Curtis

>                                         in arte Toto'

> ------------------------------------------------------

> 

>     ---------------------------------------------------------------

> 

>                               Name: decurtis.gif

>                Part 1.2       Type: GIF Image (image/gif)

>                           Encoding: base64

 

who can actually read this?

who can fill me in on Italian beats?

just some simple questions

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Sat, 14 Feb 1998 13:21:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Name the author/text. . .

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"This is the way it happened:

 

At the heart and core of the most furious center of the

city's life -- below Broadway at Times Square -- a little

after one o'clock in the morning, bewildered, aimless,

having no goal or place to which I wished to go, with

the old chaos and unrest inside me, I had thrust down

the stairs out of the great thronging street, the tidal

swarm of atoms who were pressing and hurrying forward

in as fierce a haste to be hurled back into their cells again

as they had shown when they had rushed out into the streets

that evening.

 

Thus, we streamed down from free night into the tunnel's

stale and fetid air again, we swarmed and hurried across

the floors of gray cement, we thrust and pushed our way

along as furiously as if we ran a race with time, as if some

great reward were to be won if only we could save two

minutes, or as if we were hastening onward, as fast as

we could go, toward some glorious meeting, some happy

fortunate event, some goal of beauty, wealth, or love on

whose shining mark our eyes were fastened."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 19:44:19 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Wednesday <jholland@ICLUB.ORG>

Organization: Creeps Records, P.O.Box 75, Renfro Valley, KY 40473

Subject:      v a l e n t i n e

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In memory of Al Capone and his St.Valentine's Day Massacre, 1929.

 

this year

give out valentines with anatomically correct hearts on them

give blood

give valentines to the bums downtown

hand candy out to the kids in the projects

this year

give the gift of liquor

vote for leather cherubs with pomade and wire cutters

go slumming with cupid

bring a switchblade and some pomes

this year

set up an old phonograph on the street and

listen to Bo Carter records

 

today was warm but not quite warm enough for outdoor nudity. i gave out

valentines to all who deserved them and even to some who did not because

my heart is a hamloaf, big as life, radiant as a catholic icon and

frankly delicious. i love each and every one of you for biologys own

sake in the spirit of that great romantic, the marquis de sade. happy

valentines day and may all yr herberts be huncke ones.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

j.s. holland, village idiot

"active as an atom since 1956"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 18:47:13 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: dig

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thank you rinaldo. i do use the small pad method and try with first

thought best thought(until the rewrites)

but most importantly,

yes, i write about my world which is by large a very common, poor but

with eyes  wide open life,

and i can always hear his voice joined in my in inner harmony when i

write the words.

marie

happy valentine's day, heart brother

mc

 

Rinaldo Rasa wrote:

 

> marie says:

> >but no, i'm not a beat.

> >i like the beats.

> >i like them a lot.

> >but no, i don't consider myself a beat.

> >individually yours,

> >mc

> 

> i think:

> the pomes written by marie countryman

> are suggestive in a way that match the

> kerouac common people life sketch

>         ...

>         And when you showed me Brooklyn Bridge

>         in the morning,

>          Ah God,

>         And the people slipping on ice in the street,

>         ... hymn --jk

> ---

> rinaldo.

> venice-mestre,

> italy.

> ---

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 18:50:15 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: v a l e n t i n e

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thank you, mr holland.

much appreciated to day by one such as  me self/

mc

 

Wednesday wrote:

 

> In memory of Al Capone and his St.Valentine's Day Massacre, 1929.

> 

> this year

> give out valentines with anatomically correct hearts on them

> give blood

> give valentines to the bums downtown

> hand candy out to the kids in the projects

> this year

> give the gift of liquor

> vote for leather cherubs with pomade and wire cutters

> go slumming with cupid

> bring a switchblade and some pomes

> this year

> set up an old phonograph on the street and

> listen to Bo Carter records

> 

> today was warm but not quite warm enough for outdoor nudity. i gave out

> valentines to all who deserved them and even to some who did not because

> my heart is a hamloaf, big as life, radiant as a catholic icon and

> frankly delicious. i love each and every one of you for biologys own

> sake in the spirit of that great romantic, the marquis de sade. happy

> valentines day and may all yr herberts be huncke ones.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> j.s. holland, village idiot

> "active as an atom since 1956"

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: folk beat. every italian is stranger in italy.

Cc:

Bcc: mayhewe@SONOMA.EDU

X-Attachments:

In-Reply-To: <34E5D992.6921@sonoma.edu>

References: <3.0.1.32.19980214144658.00721acc@pop.gpnet.it>

 

>> ------------------------------------------------------

>> "Ebbene si', anche io ho una anima beat! Suvvia...

   YES, FOLKS I HAVE A BEAT SOUL!

>>                                         ---Antonio De Curtis

>>                                         in arte Toto'

                                   FRIEND TO

                                   PIER PAOLO PASOLINI

>> ------------------------------------------------------

> 

>who can actually read this?

>who can fill me in on Italian beats?

>just some simple questions

>eric

> 

eric,

there's italian beat,

or better folk beat... capisc'amme!

 

the myth of america, the roman catholic background of JK,

Salvatore Paradiso as main character in "On the Road",

there are many italians in Sausalito? the folk beat is

not so lit as in Us of America. pier paolo pasolini is

appreciated by patti smith, the pope john paul I (papa

Luciani) is appreciated by patti smith... btw Papa Luciani

told us that GOD IS MOTHER.   g-o-d i-s m-o-t-h-e-r !

 

saluti,

rinaldo.

 

 To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: dig

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802121316.IAA28185@pike.sover.net>

References: <19980212034337.2253.qmail@hotmail.com>

 

marie says:

>but no, i'm not a beat.

>i like the beats.

>i like them a lot.

>but no, i don't consider myself a beat.

>individually yours,

>mc

 

i think:

the pomes written by marie countryman

are suggestive in a way that match the

kerouac common people life sketch

   ...

   And when you showed me Brooklyn Bridge

   in the morning,

    Ah God,

   And the people slipping on ice in the street,

   ... hymn --jk

---

rinaldo.

venice-mestre,

italy.

---

 

Return-Path: <MAILER-DAEMON>

Date:         Sat, 14 Feb 1998 18:03:10 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 14 Feb 1998 23:53:40...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 14 Feb 1998 23:53:40 +0100 with subject "dig" has

been successfully distributed to the BEAT-L list (247 recipients).

 

Return-Path: <MAILER-DAEMON>

Date:         Sat, 14 Feb 1998 18:03:11 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 14 Feb 1998 23:36:13...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 14 Feb 1998 23:36:13 +0100 with subject "folk beat.

every italian is  stranger in italy." has been  successfully distributed to

the BEAT-L list (247 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 18:11:23 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Name the author/text. . .

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Umm..Herbert Huncke?

On Sat, 14 Feb 1998, M. Cakebread wrote:

 

> "This is the way it happened:

> 

> At the heart and core of the most furious center of the

> city's life -- below Broadway at Times Square -- a little

> after one o'clock in the morning, bewildered, aimless,

> having no goal or place to which I wished to go, with

> the old chaos and unrest inside me, I had thrust down

> the stairs out of the great thronging street, the tidal

> swarm of atoms who were pressing and hurrying forward

> in as fierce a haste to be hurled back into their cells again

> as they had shown when they had rushed out into the streets

> that evening.

> 

> Thus, we streamed down from free night into the tunnel's

> stale and fetid air again, we swarmed and hurried across

> the floors of gray cement, we thrust and pushed our way

> along as furiously as if we ran a race with time, as if some

> great reward were to be won if only we could save two

> minutes, or as if we were hastening onward, as fast as

> we could go, toward some glorious meeting, some happy

> fortunate event, some goal of beauty, wealth, or love on

> whose shining mark our eyes were fastened."

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 00:28:41 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Milkman <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      Re: folk beat. every italian is stranger in italy.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rinaldo Rasa wrote:

> 

> >> ------------------------------------------------------

> >> "Ebbene si', anche io ho una anima beat! Suvvia...

>         YES, FOLKS I HAVE A BEAT SOUL!

> >>                                         ---Antonio De Curtis

> >>                                         in arte Toto'

>                                                         FRIEND TO

>                                                         PIER PAOLO PASOLINI

> >> ------------------------------------------------------

> >

> >who can actually read this?

> >who can fill me in on Italian beats?

> >just some simple questions

> >eric

> >

> eric,

> there's italian beat,

> or better folk beat... capisc'amme!

> 

> the myth of america, the roman catholic background of JK,

> Salvatore Paradiso as main character in "On the Road",

> there are many italians in Sausalito? the folk beat is

> not so lit as in Us of America. pier paolo pasolini is

> appreciated by patti smith, the pope john paul I (papa

> Luciani) is appreciated by patti smith... btw Papa Luciani

> told us that GOD IS MOTHER.     g-o-d i-s m-o-t-h-e-r !

> 

> saluti,

> rinaldo.

 

Dear Rinaldo,

 

Are you a priest or something?  I don't mind learning some Italian,

but it would be interesting if you could put a translation next/

under your Italian posts (like that prayer a while ago).  I would

LIKE to understand what you're saying.  Now if only the pope would

grow to appreciate Pasolini, that would be worth mentioning.

 

                                        saluti, Thomas

 

_L'important, c'est pas la chute, c'est la terrissage_

_What's important, isn't the fall, it's the landing_

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 18:29:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I can see Corso's comparison of Kerouac and the Indians.  I think it

works metaphorically.  America's hard-heartedness crushing everything

that was natural and good.   There's no doubt that Kerouac bears

responsibilty for his own fate but his disappointment in America, the

disparity he found between the promise inherent in the American dream

and the sterile world of 1950s U.S., certainly had some effect on his

psyche and his art.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 21:53:10 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: v a l e n t i n e

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This is a special Valentine's pour moi cuz this is the year I fell in luv with

the Beats!

Celebrate!

 

"Love.  He is our deepest self.  Mysterious, actual, delightful and sorrowful

at once, full of gentility and imprudence, a beneficent spirit, a god acting

thru human masks.  He is the same in all, neither man nor woman.  We all have

the same sense of bottom self.  He is the solitary.

     Thus love others as the self.  We are incorruptible . . . The god

survives.  Love is complete.  There is more than can be given.  None is wasted

no love is amiss none goes astray none perishes . . . It never lacks because

it is All.  It comes on the mind in visions.  Watch for it coming!  It enters

the house of the body without your seeking."    Allen Ginsberg Journal july 11

1954

 

Just thought everyone would like to read something you've all probably read a

million times anyway, but just in time for the holidays

><CYAN><

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 21:10:10 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Maggie Gerrity <u2ginsberg@YAHOO.COM>

Subject:      on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  I'm getting ready to start a paper for my American Lit. class

comparing and contrasting _On the Road_ to Hemingway's _The Sun Also

Rises_. Naturally, I've had no problem finding critical material

concerning the latter, but I'm stuggling to find critical material on

JK and, more specifically, OTR. Can anyone point me in the right

direction?

     Thanks,

        Maggie

 

 

 

 

==

"In dreams begin responsibilities."--Delmore Schwartz

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 00:30:38 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mr Mojo Risin <KrwlnKgSnk@AOL.COM>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

http://www.charm.net/~brooklyn/Books/OnTheRoad.html  ~  this page has a

outline of the 4 trips completed in the novel(on the road). check out the

hyperlink to jack kerouac - it has links and a bio.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 01:15:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie-

I tried and the closest thing I could find was 'Kerouac's Crooked Road' by

Tim Hunt

On Sat, 14 Feb 1998, Maggie Gerrity wrote:

 

>   I'm getting ready to start a paper for my American Lit. class

> comparing and contrasting _On the Road_ to Hemingway's _The Sun Also

> Rises_. Naturally, I've had no problem finding critical material

> concerning the latter, but I'm stuggling to find critical material on

> JK and, more specifically, OTR. Can anyone point me in the right

> direction?

>      Thanks,

>         Maggie

> 

> 

> 

> 

> ==

> "In dreams begin responsibilities."--Delmore Schwartz

> 

> _________________________________________________________

> DO YOU YAHOO!?

> Get your free @yahoo.com address at http://mail.yahoo.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 02:03:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TazminX@AOL.COM

Subject:      Re: Beat Spirit

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-14 16:02:16 EST, you write:

 

<<  Recently while looking through my local bookstore I found a book

 > titled Beat Spirit by Mel Ash.  This book has activities designed to

 > teach the Beat way of life.  I was wondering if anyone had read this

 > book and if they had any opinions about it, positive or negative.

 > >>

 

positive: fun activities, good general surface history of both main and

secondary players

negative: to me, the author is pretentious and condescending more often than

not

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 23:07:27 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>  I'm getting ready to start a paper for my American Lit. class

>comparing and contrasting _On the Road_ to Hemingway's _The Sun Also

>Rises_. Naturally, I've had no problem finding critical material

>concerning the latter, but I'm stuggling to find critical material on

>JK and, more specifically, OTR. Can anyone point me in the right

>direction?

>     Thanks,

>        Maggie

> 

 

Yes, Tim Hunt as mentioned, also see Memory Babe by Nicosia for critical

material on it.

 

And most directly there was a critical edition of On the Road published.  I

am pretty sure it is one of those Viking critical editions so find a

library that has that (university is your best bet).  It had plenty of

essays and questions all about On the Road.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 23:11:35 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>America's hard-heartedness crushing everything

>that was natural and good.

 

I don't understand this statement.

 

What does it mean?

 

>...and the sterile world of 1950s U.S...

 

This also, what does this mean?  I have heard such a term or description so

often that I think it has become some sort of a priori conclusion or dogma.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 03:33:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sad Enigma <Sadenigma@AOL.COM>

Subject:      a poem from the rain

To:           BEAT-L@CUNYVM.CUNY.EDU

 

SMASH YOUR ALARM CLOCK

 

there are no words of comfort

when the conspiracy is in my chronology

and darwin was close, he still gets a kiss

but today's population is evolved monkey shit

i'm sad enough to cry and somtimes i do

my ocean of tears give me aquatic vision

as i watch the forever forgotten robot slaves

who sleep in piss and vomit

with their cum dripping from sleeping finger tips

like a broken water faucet.

movie star posters are wall paper and blankets.

they need dreams, they need screams

WAKE UP, YOU'RE SCUM but your still alive

and am i under your skin, are you under there?

just dirty underwear? just another worry, who cares

the ghosts in my head have more life than you

time is death time is death  TIME IS DEATH

save your breath, until you remember.

it use to be fun you know........

 

     chad,  2-15-98

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Gramsci Square a poetry by Eugenio Montale.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <70ae8d2a.34e4befd@aol.com>

References:

 

         Gramsci Square       by Eugenio Montale

 

         Chaque jour je t'adore de plus en plus

         I'd like to stay with you in Gramsci Square

         in the sunset, peeping at the rotten mice

         of the pathways - I would

         go (in french tout de go), swift as ray,

         with you in the cloud of God, to penetrate

         the ice of Heaven and Hell.

         --------------------------------------------

 

this poem reminds me that today morning it's a warm mornin

the communists open their head near the square i live, it's

a warm morning, ok for all folks, specially cuz they are all

old people, sunny place, and idle pigeons, and cats near the

chinese take away shop, red flags at the entrance, these

reminds me the eugenio montale's poetry. montale meet allen

ginsberg at a party but refused to appreciate the beat poetry

cuz of he was jealous, though he wrote nice poetry (in english),

note that antonio gramsci is the founder of the actually

dismissed Italian Communist Party, have a beautiful sunday all you,

 

saluti,

Rinaldo.

--------

 Return-Path: <MAILER-DAEMON>

Date:         Sun, 15 Feb 1998 05:37:17 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 15 Feb 1998 11:27:45...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 15 Feb  1998 11:27:45 +0100 with subject "Gramsci

Square a poetry by Eugenio Montale." has been successfully distributed to

the BEAT-L list (252 recipients).

 

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Date:         Sun, 15 Feb 1998 05:28:09 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      what's going on?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 what's going on everyone?

 is the beat-l down or something?...

 i haven't gotten any beat mail in three days...

 

 or did i get kicked off?...

 if i did...i'd like to know why...

-julian

 

______________________________________________________

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Date:         Sun, 15 Feb 1998 11:45:48 EST

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From:         Gene Lee <GTL1951@AOL.COM>

Subject:      Re: a poem from the rain

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Chad

             Damn fine poem podner

                          Gene

 

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Date:         Sun, 15 Feb 1998 12:33:27 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from julian42@HOTMAIL.COM of Fri, 13 Feb

 

Julian--

You've stated many many times that your life is not that of the typical 18

year old male.  How do you define the normal life of the 18 year

old male?  Family?  College?  Trying to still reach that "american dream"?

I'm interested in what _you_ think normal is.  Most people would probably

say that my life was/is the "normal life for a (insert whatever age you want)

female," although I don't feel that way about it myself.

 

Diane.

 

(btw, I'm 22 if anyone's wondering, but get carded at the movie theatre

because people think I'm only 17)

 

 

>***** And responding to your very first original post- Why have you

>"lived"

>more than most people because you're bisexual and once roomed w/ a

>Wiccan? I

>find that to be a little offensive.

> 

>obviously you didn't pay any attention...why do YOU think that's what i

>was saying...

>don't minimize me..i have been through a lot..and there's a lot more to

>come..

>i just was pointing out that my life is not the normal life of an 18 yr

>old male...

>and that i feel more enriched by it..

>my trials and tribulations have set me free...

 

--

---------------------------This Space For Rent--------------------------------

 

Diane Marie Homza

ek242@cleveland.freenet.edu

 

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Date:         Sun, 15 Feb 1998 12:37:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Sources for Research on JK

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Good sources to begin research on JK & On The Road include:  Scott

Donaldson's Viking Critical Edition of OTR, Robert Milewski's Jack

Kerouac: An Annotated Bibliogrpahy Of Secondary Sokurces 1944-1979, my

entry in the Facts on File Bibliography of U.S. Literature, and, of

course, the MLA International Bibliography.  All of these materials

should be available in any college and larger public libraries.

 

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Date:         Sun, 15 Feb 1998 12:42:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 14 Feb 1998 23:11:35 -0800 Timothy K. Gallaher said:

>>America's hard-heartedness crushing everything

>>that was natural and good.

> 

>I don't understand this statement.

> 

>What does it mean?

> 

>>...and the sterile world of 1950s U.S...

> 

>This also, what does this mean?  I have heard such a term or description so

>often that I think it has become some sort of a priori conclusion or dogma.

 

It has to do with things like capitalism, manifest destiny, might makes right,

John Wayne ugly Americanism.   By sterile, I mean the stress on conformity, the

 celebration of "sameness" over individuality and creativity -- man in the grey

 flannel suit syndrome.  Yes, all of this has become somewhat of a cliche.  But

 there was a lot  of truth to it.

 

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Date:         Sun, 15 Feb 1998 13:07:33 EST

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From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Updike wrote a very interesting essay on the fifties.  I could try and

find it, if anyone's interested. . .

><CYAN><

 

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Date:         Sun, 15 Feb 1998 13:52:16 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Simply, one that is done to put the poor male out of his misery, to shut him

up, to get rid of him, etc

 

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X-Sender: vj@pop.primenet.com

Date:         Sun, 15 Feb 1998 12:19:03 -0700

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From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      Re: Sources for Research on JK

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Snipping from Bill Gargan's suggestions:

>Scott Donaldson's Viking Critical Edition of OTR

>Robert Milewski's Jack Kerouac: An Annotated Bibliogrpahy Of Secondary

Sorurces 1944-1979

>[Gargan's] entry in the Facts on File Bibliography of U.S. Literature, and

>MLA International Bibliography.

 

Also try:

 

The Kerouac write-up (by George Dardess) in the Dictionary of Literary

Biography, The Beats: Literary Bohemians in Postware America (Vol 16, Part

I).  It's worth skimming, tho for bibliographic references it is weak even

for then (1983).

 

Try also the Jack Kerouac/ Robert Pinget Number of The Review of

Contemporary Fiction (Summer 1983).

The what looks like courier text will burn yr eyes out, but you'll find

articles (not all re:OTR) from about the time K was going more mainstream

(meaning attention in the universities).  Nicosia is in there, JCH, Mottram,

Weinrich, Knight.  Some perhaps a bit more obscure:  Ronna Johnson, Joy

Walsh (perhaps overly in there). Tim Hunt of Kerouac's Crooked Road is in

there, which is arguably one of the earliest attempts at a K critical

publication (1981).

 

You get a better smattering of bib in the Kerouac/Pinget than in the DLB.

 

Good hunting.

 

 

 

 

 

_____________________

Skydivers know why the birds sing

 

V.J. Eaton

Tempe, AZ

 

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Date:         Sun, 15 Feb 1998 11:26:13 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 ok, i'm back on...

 i was removed...but out of technical needs...

 i'm back

 -julian

 

______________________________________________________

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Date:         Sun, 15 Feb 1998 14:51:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adam Johansen <adamjohansen@COMPUSERVE.COM>

Subject:      Digest

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Is this list available in a digest form because my ISPs mail-reader takes

*way* longer to download loads of little files than a smaller number of big

files and its taking forever for me to download the stuff on this list - it

takes between 5 and 10 minutes just to get a list of the titles of my

email!

 

If it is I'd appreciate it if somebody could tell me how to cancel my

subscription to the main list and resubscribe to the digest.

 

Thanks,

 

Adam

--

"We are hope despite the times," REM

 

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Date:         Sun, 15 Feb 1998 14:51:20 -0500

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From:         Adam Johansen <adamjohansen@COMPUSERVE.COM>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Message text written by "BEAT-L: Beat Generation List"

> 

> Jeffrey Scott Holland wrote:

> >

> > And yes, there *is* a Zen Buddhist way to say that Black is White, and

> > that "lesser" arguments are the better. I do not invoke the Zen

Buddhist

> > way, however; I am almost always being quite literal.

> >

> Of course any discussion of Zen only clouds the mind.

> 

> > Black and White are both myths created by our primitive sensory

> > abilities, by the way.

> >

> This is sophistry of such simple beauty and purity that I forced to

> defer to your utter mastery of this great art. As we all know, it is

> impossible to win any argument with such an opponent, since the rules of

> the game are constantly changing.

 

Actually John, Jeffrey is right, in a way. "Black" and "White" as colour

terms in English are just the extremes of the spectrum, their significance

has been culturally determined. For two interesting studies on the

development of colour terms in language, see Brent Berlin and Paul Kay,

_Basic Color Terms: Their Universality and Evolution_ (Berkeley:

University of California Press, 1969) and Paul Kay and Chad McDaniel, "The

Linguistic Significance of the Meanings of Basic Color Terms," _Language_,

54 (1978) 610-46.

 

There's lots of fascinating stuff about basic colour terms cross language

barriers, and there's actually a grammar that generates the system of all

basic colour terms for any language according to the number of basic

colour terms in it.

 

Neil

< 

 

This whole thing about colour is totally irrelevant apart from anything

else.

Black and white exist. They are essentially intensities/combinations of

either high or low intensities of electromagnetic radiation within the

visible spectrum. Maybe colour is not the best word. Anyway, extemes of

the spectrum are red and violet. If no visible light is present then

something

will appear black. How would you recommend describing it? What about

the combination of light in the visible spectrum which appears white?

 

But, more importantly, DOES IT REALLY MATTER?

 

Adam

 

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Date:         Sun, 15 Feb 1998 15:16:20 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

even though it it a nice idea to write something comparing the hallmark of the

lost generation with that of the beat generation, it seems like something many

people have already done a paper on. even though i haven't yet read the sun

also rises, the first time i heard of it and of the lost generation, i thought

to myself, now there's a funny thing: the lost vs. the beat generation. so if

something like that could occur to someone as inexperienced as me, i'm sure it

has been thought of a thousand times over.

 

if you still want to go ahead with the paper, i wish you all the best luck. do

let me know how it turns out. =) sorry if i sounded too discouraging.

 

aeronwy

 

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Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Sun, 15 Feb 1998 13:07:25 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwy Thomas wrote:

> 

> even though it it a nice idea to write something comparing the hallmark of the

> lost generation with that of the beat generation, it seems like something many

> people have already done a paper on. even though i haven't yet read the sun

> also rises, the first time i heard of it and of the lost generation, i thought

> to myself, now there's a funny thing: the lost vs. the beat generation. so if

> something like that could occur to someone as inexperienced as me, i'm sure it

> has been thought of a thousand times over.

> 

> if you still want to go ahead with the paper, i wish you all the best luck. do

> let me know how it turns out. =) sorry if i sounded too discouraging.

> 

> aeronwy

 

 

maybe you should read SAR, and compare the two.  Then your opinion will

have more basis.

eric

 

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Date:         Sun, 15 Feb 1998 23:07:48 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Subject:      "creature feature" (was:      Re: Beats yes,   )

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I agree with Mr. Holland that I would rather be at a North Beach

Coffeehouse

>circa 1960 than a rock concert circa 1967.  Beyond that, he seemed to

>contribute nothing more than a recitation of media driven stereotypes.

Here

>is some news - the beats, at the time, got the same stereotypical

treatment -

>Beats were supposed to  be bongo playing, beret wearing, unshaven, smelly

>slobs who wrote really bad poetry.  Beat women were always very thin, slept

>with any man at the snap of a finger and had a vocabular consisting of

"Daddy-

>O", "groovy" and "cool".  Allen Ginsberg, for one, just hated this

stereotype.

 

 

hey, i've seen these people on jeffrey's waterrow catalogue

but does any one know alittle bit about pinballs?

there is one called "the creature from the black lagoon" and as the story

goes sometimes you lose your ball and then the display shows exactly this

beat-stereotype-guy who sayz: "stay cool, daddy-o" because you got the ball

safer...

 

if you're not into pinball you better erase this post but if you are, maybe

you can tell the beat-lagoon connection?

 

later

moritz

 

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X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

Date:         Sun, 15 Feb 1998 15:45:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      marie's situation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

dear all

merie will be offline due to purely technical difficulties until mid next

week. all is ok - her server & password is being stubborn

yrs

derek

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

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x-sender: morocco@pop.walrus.com

Date:         Mon, 16 Feb 1998 01:07:46 -0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Artaud: Letter to Buddhists

Comments: To: Bohemian List <bohemian@maelstrom.stjohns.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Here's the text of:

Ancestors: Antonin Artaud, _Tricycle: The Buddhist

Review_ 5, no.2 (Winter 1995), p. 13.

 

-----------------------------

Antonin Artaud

Letters to the Schools of the Buddha

 

[On April 15, 1925, the French founder of the Theatre

of the Absurd, Antonin Artaud (1896-1948) published

his "Letter to the Schools of the Buddha" in the

third issue of _La Revolution Surrealiste_. In the same

issue were addresses to the Dalai Lama and the Pope

and a "Letter to the Directors of the Insane Asylums."

The issue was subtitled "1925: End of the Christian

Era."

     Read in the context of the artistic movement

from which it came, Artaud's "Letter" is less an

espousal of Buddhist ideas than an expression of

dissatisfaction with the materialism of modern

society. That dissatisfaction, in turn, led many

artists and intellectuals to embrace Buddhism in

the twenties and thirties, when gradually the actual

teachings of Buddhism came more to the fore.]

 

{begin Artaud's text, translated from the French

by Stephen Batchelor, 1993}

     You who are disincarnate, who know at what

point in its carnal trajectory, its insensitive

coming and going, that the soul finds the absolute

verb, the new speech, the interior ground; you

who know how one returns to oneself in thought

and how the spirit can save itself from itself;

you who are interior to yourselves; you for whom

the spirit is no longer on the carnal plane, here

there are hands for whom taking is not everything,

brains that see further than a forest of roofs,

the glare of facades, cog-wheel people and the

workings of fire and marble. Advancing is this

people of iron; advancing are words written with

the speed of light; advancing towards each other

with the force of bullets are the sexes: what

will change in the avenues of the soul? in the

spasms of the heart? in the despair of the spirit?

     So hurl into the water all the blank white men

who arrive with their little heads and well-behaved

minds. It is necessary that these dogs hear us;

we are not speaking of ancient human ills. Our

spirit suffers from needs other than those inherent

in life. We are suffering from corruption, from the

corruption of reason.

     Logical Europe endlessly smashes the spirit

between the hammers of two terms. She wrenches it

open and shuts it down. This strangulation has gone

far enough; for too long have we been suffering

beneath the harness. The Spirit is larger than

the spirit, the metamorphoses of life are manifold.

Like you, we abhor progress: come and tear down

our houses!

     While our scribes still continue to write,

our journalists to natter on, our critics to drone

away, our politicians to hold forth and our

judicial assassins to hatch their crimes in peace,

we know what life really is. Our writers, thinkers,

doctors and scribblers know exactly how to make

a mess of life. While all these scribes drool upon

us, whether from habit or compulsion, spiritual

emasculation or a failure to apprehend nuance, in

this dull sludge, on these turning grounds where

the highly esteemed spirit of man is endlessly

shifting around, we have harnessed thought the

best. Come Save us from these worms. Invent new

houses for us.

{end of Artaud text}

-----------------------------------------------

 

% % % % % % % % % % % %

Gregory Severance

morocco@walrus.com

http://www.walrus.com/~morocco/

 

"Where even Richard Nixon has got soul.

 Even Richard Nixon has got it --

 soul."

  --Neil Young  ["Campaigner"]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 20:46:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

BRASS FURNACE GOING OUT: Song, after an Abortion

 by Diane DiPrima

I

to say I failed, that is walked out

and into the arctic

                      How shd I know where I was ?

A man chants in the courtyard

                      the window is open

someone else drops a pecan pie

                      into the yard

two dogs down there play trumpet

                      there is something disturbed

about the melody.

 

and what of the three year old girl who poisoned her mother ?

that happens, it isn't just us, as you can see --

what you took with you when you left

remains to be seen.

II

I want you in a bottle to send to your father

with a long bitter note.I want him to know

I'll not forgive you, or him for not being born

for drying up, quitting

                    at the first harsh treatment

as if the whole thing were a rent party

& somebody stepped in your feet

III

send me your address a picture, I want to

keep in touch, I want to know how you

are, to send you cookies.

 

do you have enough sweaters, is the winter bad,

do you know what I've done, what I'm doing

do you care

write in detail of your day, what time you get up,

what you are studying,when you expect

to finish & what you will do.

is it chilly?

IV

your face dissolving in water, like wet clay

washed away, like a rotten water lily

rats on the riverbank barking at the sight

do they swim ?

the trees here walk right down to the edge

conversing

your body sank, a good way back

I hear the otters will bring it to the surface

 

and the wailing mosquitoes even stop to examine

the last melting details of eyelid & cheeckbone

the stagnant blood

who taught you not to tangle your hair in the seaweed

to disappear with finesse

 

the lion pads

                         along the difficult path

in the heart of the jungle

and comes to the riverbank

he paws your face

I wish he would drink it up

in that strong gut it would come

to life.

          but he waits till he floats

a distance

          drinks clean water

dances a little

           starts the long walk

again

 

           the silent giraffe lets loose

a mourning cry

           fish surface

           your mouth and the end of your nose

disappear.

 

the water was cold the day you slipped into the river

wind ruffled the surface, I carried you on my back

a good distance, then you slipped in

red ants started up my leg & changed their minds

I fed my eyeballs to a carnivorous snake

& chained myself to a tree to await your end.

your face no sooner dissolved than I thought I saw

a kneecap sticking up where the current is strongest

a turtle

            older than stars

walked on your bones

V

who forged this night, what steel

clamps down?

like gray pajamas on an invalid

if I knew the name of flowers, the habits

of quadrupeds, the 13 points of the compass ......

an aged mapmaker who lived on this street

just succumbed to rheumatism

 

I have cut the shroud to measure

                  bought the stone

a plot in the cemetery set aside

                   to bury your shadow

take your head & go!

& may the woman that you find know better

than talk to me about it

VI

your goddamned belly rotten, a home for flies.

blown out & stinking, the maggots curling  your hair

your useless neverused cock, the pitiful skull

the pitiful shell of a skull, dumped in the toilet

the violet, translucent folds

                                               of beginning life

VII

what is that I cannot bear to say ?

that if you had turned out mad, a murderer

a junkie pimp hanged & burning in lime

                         alone & filled w/the rotting dark

if you'd been frail and  a little given to weirdness

or starved or been shot, or tortured in hunger camps

if wd have been frolic & triumph compared to this --

 

I cant even cry for you,I cant hang on

that long

VIII

forgive, forgive

that the cosmic waters do not turn from me

that I should not die of thirst

IX

oranges & jade at the shrine

my footprints

wet on the stone

the bells in that clear air

wind from the sea

your shadow

flat on the flat rocks

the priestess (sybil)

spelling your name

crying out, behind copper doors

giving birth

atone

                    , silence, the air

moving outside

the door to the temple blowing on its hinges

thet was the spirit she said

it passed above you

 

the branch I carry home is mistletoe

& walk backwards, with my eyes on the sea

X

here in my room I sit at drawing table

as I have sat all day, or walked

from drawing table to bed,

or stopped at window

considering the things to be done

weighing  them in the hand and putting them down

hung up as the young Rilke.

here in my room all day on my couch a stranger

who does not speak

who does not take his eyes

off me as I walk & walk from table to bed.

 

and I cannot stop thinking I would be three months pregnant

we would be well out of  here & in the sun

even the telephone would be polite

we would laugh a lot, in the morning.

XI

your ivory teeth in the half light

your arms

flailing about.that is you

age 9 months

                   sitting up & trying to stand

cutting teeth.

                    your diaper trailing, a formality

elegant as a loincloth, the sweet stench

of babyshit in the house: the oil

rubbed into your hair.

blue off the moon your ghostshape

                     mistaken as brken tooth

your flesh rejected

                     never to grow - your hands

that should have closed around my finger

 

what moonlight

                      will play in your hair ?

I mean to say

            dear fish, I hope you swim

 

in another river.

I hope that wasn't

rebuttal, but a transfer, an attempt

that failed, but to be followed

              quickly by another

suck your thumb somewhere

Dear silly thing, explode

make someone's colors.

 

the senses (five)

                       a gift

to hear,see , touch, choke on & love

this life

the rotten globe

to walk in shoes

what apple doesnt get

                      at least this much ?

 

a caramel candy sticking in your teeth

you, age three

bugged

            bearing down on a sliding pond.

your pulled tooth in my hand

                                    (age six)

your hair with clay in it,

                                      your goddamn grin

XII

sun on the green plants, your prattle

among the vines.

that this possibility is closed to us.

my house is small, my windows look out on grey courtyard

there is no view of the sea.

will you come here again ? I will entertain you

as well as I can - I will make you comfortable

in spite of new york .

 

will

you

come here

again

 

my breasts prepare

to feed you : they do what they can

_____________

This is the only other poem (written by someone I don't know) to ever make me

cry besides "Howl". Hope you guys like it too.

 

Can you believe I had to special order a copy of her selected poems? It's

nuts. And most places couldn't even *get* me a copy- only "Memoirs of a

Beatnik". Oh well. It comes in on Thursday (hopefully)

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 21:47:51 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/15/98 6:05:49 PM Pacific Standard Time,

sfeustl@UOFT02.UTOLEDO.EDU writes:

 

> .I think this refutes anyone's perception of Diane

>  DiPrima as a mere Beat-groupie or hanger-on. Thanks, Stephanie!

>                          --Sara

Someone compared Diane to Pam DesBarres, and I guess by extension was calling

her a groupie.  I don't think of DiPrima as a groupie.  She was

there...writing, reading in coffee houses, and publishing right along with the

rest of the male beats.  She was not a sexual service station like DesBarres

and the other groupies and hangers on in the rock world.  She was one of the

artists.

 

 Suppose, I know something about your sexual history...if you write something

about it...you publicize it, as Diane did, I feel a perfect right to comment

on what you have written...even to the extent of questioning your veracity.  I

do not feel I have a right to say ugly things regarding your physical

appearance, sexual desireability, or  to make suppositions about the motives

of your lovers, as at least one list member saw fit to do. DiPrima is a living

human person with children.  She, or her children, may lurk on this list.

Dennis

 

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Date:         Sun, 15 Feb 1998 19:28:14 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have never seen a large audience of attentive faces listening in such awed

silence as when Diane Deprima read her poetry at the University of

California Santa Cruz last year. You could hear a pin drop. Listening to her

read her poetry that spanned an entire generation provided me the most

inspiring moments of the year 1997. It was not possible to feel anything

less than utmost respect and appreciation for the privilege of witnessing

this amazing person in action. She is still immersed in work. Her stature

and the enlightenment that her work provides will only grow as time goes on.

I have no doubrt about that.

 

leon

 

-----Original Message-----

From: Zucchini4@AOL.COM <Zucchini4@AOL.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, February 15, 1998 5:49 PM

Subject: Why we *should* all read Diane DiPrima

 

 

>BRASS FURNACE GOING OUT: Song, after an Abortion

> by Diane DiPrima

>I

>to say I failed, that is walked out

>and into the arctic

>                      How shd I know where I was ?

>A man chants in the courtyard

>                      the window is open

>someone else drops a pecan pie

>                      into the yard

>two dogs down there play trumpet

>                      there is something disturbed

>about the melody.

> 

>and what of the three year old girl who poisoned her mother ?

>that happens, it isn't just us, as you can see --

>what you took with you when you left

>remains to be seen.

>II

>I want you in a bottle to send to your father

>with a long bitter note.I want him to know

>I'll not forgive you, or him for not being born

>for drying up, quitting

>                    at the first harsh treatment

>as if the whole thing were a rent party

>& somebody stepped in your feet

>III

>send me your address a picture, I want to

>keep in touch, I want to know how you

>are, to send you cookies.

> 

>do you have enough sweaters, is the winter bad,

>do you know what I've done, what I'm doing

>do you care

>write in detail of your day, what time you get up,

>what you are studying,when you expect

>to finish & what you will do.

>is it chilly?

>IV

>your face dissolving in water, like wet clay

>washed away, like a rotten water lily

>rats on the riverbank barking at the sight

>do they swim ?

>the trees here walk right down to the edge

>conversing

>your body sank, a good way back

>I hear the otters will bring it to the surface

> 

>and the wailing mosquitoes even stop to examine

>the last melting details of eyelid & cheeckbone

>the stagnant blood

>who taught you not to tangle your hair in the seaweed

>to disappear with finesse

> 

>the lion pads

>                         along the difficult path

>in the heart of the jungle

>and comes to the riverbank

>he paws your face

>I wish he would drink it up

>in that strong gut it would come

>to life.

>          but he waits till he floats

>a distance

>          drinks clean water

>dances a little

>           starts the long walk

>again

> 

>           the silent giraffe lets loose

>a mourning cry

>           fish surface

>           your mouth and the end of your nose

>disappear.

> 

>the water was cold the day you slipped into the river

>wind ruffled the surface, I carried you on my back

>a good distance, then you slipped in

>red ants started up my leg & changed their minds

>I fed my eyeballs to a carnivorous snake

>& chained myself to a tree to await your end.

>your face no sooner dissolved than I thought I saw

>a kneecap sticking up where the current is strongest

>a turtle

>            older than stars

>walked on your bones

>V

>who forged this night, what steel

>clamps down?

>like gray pajamas on an invalid

>if I knew the name of flowers, the habits

>of quadrupeds, the 13 points of the compass ......

>an aged mapmaker who lived on this street

>just succumbed to rheumatism

> 

>I have cut the shroud to measure

>                  bought the stone

>a plot in the cemetery set aside

>                   to bury your shadow

>take your head & go!

>& may the woman that you find know better

>than talk to me about it

>VI

>your goddamned belly rotten, a home for flies.

>blown out & stinking, the maggots curling  your hair

>your useless neverused cock, the pitiful skull

>the pitiful shell of a skull, dumped in the toilet

>the violet, translucent folds

>                                               of beginning life

>VII

>what is that I cannot bear to say ?

>that if you had turned out mad, a murderer

>a junkie pimp hanged & burning in lime

>                         alone & filled w/the rotting dark

>if you'd been frail and  a little given to weirdness

>or starved or been shot, or tortured in hunger camps

>if wd have been frolic & triumph compared to this --

> 

>I cant even cry for you,I cant hang on

>that long

>VIII

>forgive, forgive

>that the cosmic waters do not turn from me

>that I should not die of thirst

>IX

>oranges & jade at the shrine

>my footprints

>wet on the stone

>the bells in that clear air

>wind from the sea

>your shadow

>flat on the flat rocks

>the priestess (sybil)

>spelling your name

>crying out, behind copper doors

>giving birth

>atone

>                    , silence, the air

>moving outside

>the door to the temple blowing on its hinges

>thet was the spirit she said

>it passed above you

> 

>the branch I carry home is mistletoe

>& walk backwards, with my eyes on the sea

>X

>here in my room I sit at drawing table

>as I have sat all day, or walked

>from drawing table to bed,

>or stopped at window

>considering the things to be done

>weighing  them in the hand and putting them down

>hung up as the young Rilke.

>here in my room all day on my couch a stranger

>who does not speak

>who does not take his eyes

>off me as I walk & walk from table to bed.

> 

>and I cannot stop thinking I would be three months pregnant

>we would be well out of  here & in the sun

>even the telephone would be polite

>we would laugh a lot, in the morning.

>XI

>your ivory teeth in the half light

>your arms

>flailing about.that is you

>age 9 months

>                   sitting up & trying to stand

>cutting teeth.

>                    your diaper trailing, a formality

>elegant as a loincloth, the sweet stench

>of babyshit in the house: the oil

>rubbed into your hair.

>blue off the moon your ghostshape

>                     mistaken as brken tooth

>your flesh rejected

>                     never to grow - your hands

>that should have closed around my finger

> 

>what moonlight

>                      will play in your hair ?

>I mean to say

>            dear fish, I hope you swim

> 

>in another river.

>I hope that wasn't

>rebuttal, but a transfer, an attempt

>that failed, but to be followed

>              quickly by another

>suck your thumb somewhere

>Dear silly thing, explode

>make someone's colors.

> 

>the senses (five)

>                       a gift

>to hear,see , touch, choke on & love

>this life

>the rotten globe

>to walk in shoes

>what apple doesnt get

>                      at least this much ?

> 

>a caramel candy sticking in your teeth

>you, age three

>bugged

>            bearing down on a sliding pond.

>your pulled tooth in my hand

>                                    (age six)

>your hair with clay in it,

>                                      your goddamn grin

>XII

>sun on the green plants, your prattle

>among the vines.

>that this possibility is closed to us.

>my house is small, my windows look out on grey courtyard

>there is no view of the sea.

>will you come here again ? I will entertain you

>as well as I can - I will make you comfortable

>in spite of new york .

> 

>will

>you

>come here

>again

> 

>my breasts prepare

>to feed you : they do what they can

>_____________

>This is the only other poem (written by someone I don't know) to ever make

me

>cry besides "Howl". Hope you guys like it too.

> 

>Can you believe I had to special order a copy of her selected poems? It's

>nuts. And most places couldn't even *get* me a copy- only "Memoirs of a

>Beatnik". Oh well. It comes in on Thursday (hopefully)

> 

>--Stephanie

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 23:08:22 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It was also the period in which rock 'n' roll was born.

 

On Mon, 16 Feb 1998, James Stauffer wrote:

 

> > >>...and the sterile world of 1950s U.S...

> > >

> > >This also, what does this mean?  I have heard such a term or description so

> > >often that I think it has become some sort of a priori conclusion or dogma.

> >

> > It has to do with things like capitalism, manifest destiny, might makes

 right,

> > John Wayne ugly Americanism.   By sterile, I mean the stress on conformity,

>  the

> >  celebration of "sameness" over individuality and creativity -- man in the

>  grey

> >  flannel suit syndrome.  Yes, all of this has become somewhat of a cliche.

>  But

> >  there was a lot  of truth to it.

> 

>   I think that both Tim and Bill have interesting arguments.  As one who

>  remembers

> the fifties as a young adolescent--sure, what Bill says is true, but this was

>  also

> an era that produced an enormous amount of good stuff in art, literature, and

> film.  Maybe it's because I was that young--got my drivers liscense in

 1958--but

>  it

> was a fun country too--more rural, a hell of a lot less of it paved and

> interstated, it was sexy too, it was James Dean and Chet Baker and Marilyn

>  Monroe

> and Natalie Wood.  A  lot more conformity, for sure, but it sure was easy to

 be

>  a

> rebel.  There was the bomb, to be sure, hanging over us all, but we were

 unaware

>  of

> the lurking ecological disaster, of Aids, or a whole lot of things.  I just

>  don't

> find the 50's sterile, certainly there was a pause after the depression and

 the

> war--but if such a thing were possible I don't know if I wouldn't gladly time

>  trip

> back to that era for awhile.  The energy and vitality were amazing--look at

>  those

> pictures of Jack and Neal--they radiate a wonderful sort of juice.  I don't

>  know,

> but a couple of days in a 56 Chevy back in the California in the 50's--doesn't

> sound too bad to me.

> 

> JS

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 00:30:38 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mr Mojo Risin <KrwlnKgSnk@AOL.COM>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

http://www.charm.net/~brooklyn/Books/OnTheRoad.html  ~  this page has a

outline of the 4 trips completed in the novel(on the road). check out the

hyperlink to jack kerouac - it has links and a bio.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 01:15:42 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Maggie-

I tried and the closest thing I could find was 'Kerouac's Crooked Road' by

Tim Hunt

On Sat, 14 Feb 1998, Maggie Gerrity wrote:

 

>   I'm getting ready to start a paper for my American Lit. class

> comparing and contrasting _On the Road_ to Hemingway's _The Sun Also

> Rises_. Naturally, I've had no problem finding critical material

> concerning the latter, but I'm stuggling to find critical material on

> JK and, more specifically, OTR. Can anyone point me in the right

> direction?

>      Thanks,

>         Maggie

> 

> 

> 

> 

> ==

> "In dreams begin responsibilities."--Delmore Schwartz

> 

> _________________________________________________________

> DO YOU YAHOO!?

> Get your free @yahoo.com address at http://mail.yahoo.com

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 02:03:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TazminX@AOL.COM

Subject:      Re: Beat Spirit

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-14 16:02:16 EST, you write:

 

<<  Recently while looking through my local bookstore I found a book

 > titled Beat Spirit by Mel Ash.  This book has activities designed to

 > teach the Beat way of life.  I was wondering if anyone had read this

 > book and if they had any opinions about it, positive or negative.

 > >>

 

positive: fun activities, good general surface history of both main and

secondary players

negative: to me, the author is pretentious and condescending more often than

not

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 23:07:27 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>  I'm getting ready to start a paper for my American Lit. class

>comparing and contrasting _On the Road_ to Hemingway's _The Sun Also

>Rises_. Naturally, I've had no problem finding critical material

>concerning the latter, but I'm stuggling to find critical material on

>JK and, more specifically, OTR. Can anyone point me in the right

>direction?

>     Thanks,

>        Maggie

> 

 

Yes, Tim Hunt as mentioned, also see Memory Babe by Nicosia for critical

material on it.

 

And most directly there was a critical edition of On the Road published.  I

am pretty sure it is one of those Viking critical editions so find a

library that has that (university is your best bet).  It had plenty of

essays and questions all about On the Road.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 14 Feb 1998 23:11:35 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>America's hard-heartedness crushing everything

>that was natural and good.

 

I don't understand this statement.

 

What does it mean?

 

>...and the sterile world of 1950s U.S...

 

This also, what does this mean?  I have heard such a term or description so

often that I think it has become some sort of a priori conclusion or dogma.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 03:33:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sad Enigma <Sadenigma@AOL.COM>

Subject:      a poem from the rain

To:           BEAT-L@CUNYVM.CUNY.EDU

 

SMASH YOUR ALARM CLOCK

 

there are no words of comfort

when the conspiracy is in my chronology

and darwin was close, he still gets a kiss

but today's population is evolved monkey shit

i'm sad enough to cry and somtimes i do

my ocean of tears give me aquatic vision

as i watch the forever forgotten robot slaves

who sleep in piss and vomit

with their cum dripping from sleeping finger tips

like a broken water faucet.

movie star posters are wall paper and blankets.

they need dreams, they need screams

WAKE UP, YOU'RE SCUM but your still alive

and am i under your skin, are you under there?

just dirty underwear? just another worry, who cares

the ghosts in my head have more life than you

time is death time is death  TIME IS DEATH

save your breath, until you remember.

it use to be fun you know........

 

     chad,  2-15-98

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Gramsci Square a poetry by Eugenio Montale.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <70ae8d2a.34e4befd@aol.com>

References:

 

         Gramsci Square       by Eugenio Montale

 

         Chaque jour je t'adore de plus en plus

         I'd like to stay with you in Gramsci Square

         in the sunset, peeping at the rotten mice

         of the pathways - I would

         go (in french tout de go), swift as ray,

         with you in the cloud of God, to penetrate

         the ice of Heaven and Hell.

         --------------------------------------------

 

this poem reminds me that today morning it's a warm mornin

the communists open their head near the square i live, it's

a warm morning, ok for all folks, specially cuz they are all

old people, sunny place, and idle pigeons, and cats near the

chinese take away shop, red flags at the entrance, these

reminds me the eugenio montale's poetry. montale meet allen

ginsberg at a party but refused to appreciate the beat poetry

cuz of he was jealous, though he wrote nice poetry (in english),

note that antonio gramsci is the founder of the actually

dismissed Italian Communist Party, have a beautiful sunday all you,

 

saluti,

Rinaldo.

--------

 Return-Path: <MAILER-DAEMON>

Date:         Sun, 15 Feb 1998 05:37:17 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 15 Feb 1998 11:27:45...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 15 Feb  1998 11:27:45 +0100 with subject "Gramsci

Square a poetry by Eugenio Montale." has been successfully distributed to

the BEAT-L list (252 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Sun, 15 Feb 1998 05:28:09 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      what's going on?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 what's going on everyone?

 is the beat-l down or something?...

 i haven't gotten any beat mail in three days...

 

 or did i get kicked off?...

 if i did...i'd like to know why...

-julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 11:45:48 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gene Lee <GTL1951@AOL.COM>

Subject:      Re: a poem from the rain

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Chad

             Damn fine poem podner

                          Gene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 12:33:27 -0500

Reply-To:     "Diane M. Homza" <ek242@cleveland.Freenet.Edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Diane M. Homza" <ek242@CLEVELAND.FREENET.EDU>

Subject:      Re: doing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Reply to message from julian42@HOTMAIL.COM of Fri, 13 Feb

 

Julian--

You've stated many many times that your life is not that of the typical 18

year old male.  How do you define the normal life of the 18 year

old male?  Family?  College?  Trying to still reach that "american dream"?

I'm interested in what _you_ think normal is.  Most people would probably

say that my life was/is the "normal life for a (insert whatever age you want)

female," although I don't feel that way about it myself.

 

Diane.

 

(btw, I'm 22 if anyone's wondering, but get carded at the movie theatre

because people think I'm only 17)

 

 

>***** And responding to your very first original post- Why have you

>"lived"

>more than most people because you're bisexual and once roomed w/ a

>Wiccan? I

>find that to be a little offensive.

> 

>obviously you didn't pay any attention...why do YOU think that's what i

>was saying...

>don't minimize me..i have been through a lot..and there's a lot more to

>come..

>i just was pointing out that my life is not the normal life of an 18 yr

>old male...

>and that i feel more enriched by it..

>my trials and tribulations have set me free...

 

--

---------------------------This Space For Rent--------------------------------

 

Diane Marie Homza

ek242@cleveland.freenet.edu

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 12:37:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Sources for Research on JK

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Good sources to begin research on JK & On The Road include:  Scott

Donaldson's Viking Critical Edition of OTR, Robert Milewski's Jack

Kerouac: An Annotated Bibliogrpahy Of Secondary Sokurces 1944-1979, my

entry in the Facts on File Bibliography of U.S. Literature, and, of

course, the MLA International Bibliography.  All of these materials

should be available in any college and larger public libraries.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 12:42:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 14 Feb 1998 23:11:35 -0800 Timothy K. Gallaher said:

>>America's hard-heartedness crushing everything

>>that was natural and good.

> 

>I don't understand this statement.

> 

>What does it mean?

> 

>>...and the sterile world of 1950s U.S...

> 

>This also, what does this mean?  I have heard such a term or description so

>often that I think it has become some sort of a priori conclusion or dogma.

 

It has to do with things like capitalism, manifest destiny, might makes right,

John Wayne ugly Americanism.   By sterile, I mean the stress on conformity, the

 celebration of "sameness" over individuality and creativity -- man in the grey

 flannel suit syndrome.  Yes, all of this has become somewhat of a cliche.  But

 there was a lot  of truth to it.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 13:07:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cheyanne C Ritz <CYAN47I@AOL.COM>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

John Updike wrote a very interesting essay on the fifties.  I could try and

find it, if anyone's interested. . .

><CYAN><

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 13:52:16 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: Diane di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Simply, one that is done to put the poor male out of his misery, to shut him

up, to get rid of him, etc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: vj@pop.primenet.com

Date:         Sun, 15 Feb 1998 12:19:03 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      Re: Sources for Research on JK

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Snipping from Bill Gargan's suggestions:

>Scott Donaldson's Viking Critical Edition of OTR

>Robert Milewski's Jack Kerouac: An Annotated Bibliogrpahy Of Secondary

Sorurces 1944-1979

>[Gargan's] entry in the Facts on File Bibliography of U.S. Literature, and

>MLA International Bibliography.

 

Also try:

 

The Kerouac write-up (by George Dardess) in the Dictionary of Literary

Biography, The Beats: Literary Bohemians in Postware America (Vol 16, Part

I).  It's worth skimming, tho for bibliographic references it is weak even

for then (1983).

 

Try also the Jack Kerouac/ Robert Pinget Number of The Review of

Contemporary Fiction (Summer 1983).

The what looks like courier text will burn yr eyes out, but you'll find

articles (not all re:OTR) from about the time K was going more mainstream

(meaning attention in the universities).  Nicosia is in there, JCH, Mottram,

Weinrich, Knight.  Some perhaps a bit more obscure:  Ronna Johnson, Joy

Walsh (perhaps overly in there). Tim Hunt of Kerouac's Crooked Road is in

there, which is arguably one of the earliest attempts at a K critical

publication (1981).

 

You get a better smattering of bib in the Kerouac/Pinget than in the DLB.

 

Good hunting.

 

 

 

 

 

_____________________

Skydivers know why the birds sing

 

V.J. Eaton

Tempe, AZ

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [131.238.71.133]

Date:         Sun, 15 Feb 1998 11:26:13 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 ok, i'm back on...

 i was removed...but out of technical needs...

 i'm back

 -julian

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Sun, 15 Feb 1998 14:51:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adam Johansen <adamjohansen@COMPUSERVE.COM>

Subject:      Digest

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Is this list available in a digest form because my ISPs mail-reader takes

*way* longer to download loads of little files than a smaller number of big

files and its taking forever for me to download the stuff on this list - it

takes between 5 and 10 minutes just to get a list of the titles of my

email!

 

If it is I'd appreciate it if somebody could tell me how to cancel my

subscription to the main list and resubscribe to the digest.

 

Thanks,

 

Adam

--

"We are hope despite the times," REM

 

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Date:         Sun, 15 Feb 1998 14:51:20 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adam Johansen <adamjohansen@COMPUSERVE.COM>

Subject:      Re: Black = White (was: Buncha' bores!)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Message text written by "BEAT-L: Beat Generation List"

> 

> Jeffrey Scott Holland wrote:

> >

> > And yes, there *is* a Zen Buddhist way to say that Black is White, and

> > that "lesser" arguments are the better. I do not invoke the Zen

Buddhist

> > way, however; I am almost always being quite literal.

> >

> Of course any discussion of Zen only clouds the mind.

> 

> > Black and White are both myths created by our primitive sensory

> > abilities, by the way.

> >

> This is sophistry of such simple beauty and purity that I forced to

> defer to your utter mastery of this great art. As we all know, it is

> impossible to win any argument with such an opponent, since the rules of

> the game are constantly changing.

 

Actually John, Jeffrey is right, in a way. "Black" and "White" as colour

terms in English are just the extremes of the spectrum, their significance

has been culturally determined. For two interesting studies on the

development of colour terms in language, see Brent Berlin and Paul Kay,

_Basic Color Terms: Their Universality and Evolution_ (Berkeley:

University of California Press, 1969) and Paul Kay and Chad McDaniel, "The

Linguistic Significance of the Meanings of Basic Color Terms," _Language_,

54 (1978) 610-46.

 

There's lots of fascinating stuff about basic colour terms cross language

barriers, and there's actually a grammar that generates the system of all

basic colour terms for any language according to the number of basic

colour terms in it.

 

Neil

< 

 

This whole thing about colour is totally irrelevant apart from anything

else.

Black and white exist. They are essentially intensities/combinations of

either high or low intensities of electromagnetic radiation within the

visible spectrum. Maybe colour is not the best word. Anyway, extemes of

the spectrum are red and violet. If no visible light is present then

something

will appear black. How would you recommend describing it? What about

the combination of light in the visible spectrum which appears white?

 

But, more importantly, DOES IT REALLY MATTER?

 

Adam

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 15:16:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwy Thomas <Aeronwytru@AOL.COM>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

even though it it a nice idea to write something comparing the hallmark of the

lost generation with that of the beat generation, it seems like something many

people have already done a paper on. even though i haven't yet read the sun

also rises, the first time i heard of it and of the lost generation, i thought

to myself, now there's a funny thing: the lost vs. the beat generation. so if

something like that could occur to someone as inexperienced as me, i'm sure it

has been thought of a thousand times over.

 

if you still want to go ahead with the paper, i wish you all the best luck. do

let me know how it turns out. =) sorry if i sounded too discouraging.

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Sun, 15 Feb 1998 13:07:25 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: on the road vs. the sun also rises

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwy Thomas wrote:

> 

> even though it it a nice idea to write something comparing the hallmark of the

> lost generation with that of the beat generation, it seems like something many

> people have already done a paper on. even though i haven't yet read the sun

> also rises, the first time i heard of it and of the lost generation, i thought

> to myself, now there's a funny thing: the lost vs. the beat generation. so if

> something like that could occur to someone as inexperienced as me, i'm sure it

> has been thought of a thousand times over.

> 

> if you still want to go ahead with the paper, i wish you all the best luck. do

> let me know how it turns out. =) sorry if i sounded too discouraging.

> 

> aeronwy

 

 

maybe you should read SAR, and compare the two.  Then your opinion will

have more basis.

eric

 

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X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2002.0

Date:         Sun, 15 Feb 1998 23:07:48 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Moritz Rossbach <moro0000@STUD.UNI-SB.DE>

Subject:      "creature feature" (was:      Re: Beats yes,   )

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I agree with Mr. Holland that I would rather be at a North Beach

Coffeehouse

>circa 1960 than a rock concert circa 1967.  Beyond that, he seemed to

>contribute nothing more than a recitation of media driven stereotypes.

Here

>is some news - the beats, at the time, got the same stereotypical

treatment -

>Beats were supposed to  be bongo playing, beret wearing, unshaven, smelly

>slobs who wrote really bad poetry.  Beat women were always very thin, slept

>with any man at the snap of a finger and had a vocabular consisting of

"Daddy-

>O", "groovy" and "cool".  Allen Ginsberg, for one, just hated this

stereotype.

 

 

hey, i've seen these people on jeffrey's waterrow catalogue

but does any one know alittle bit about pinballs?

there is one called "the creature from the black lagoon" and as the story

goes sometimes you lose your ball and then the display shows exactly this

beat-stereotype-guy who sayz: "stay cool, daddy-o" because you got the ball

safer...

 

if you're not into pinball you better erase this post but if you are, maybe

you can tell the beat-lagoon connection?

 

later

moritz

 

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X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

Date:         Sun, 15 Feb 1998 15:45:42 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      marie's situation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

dear all

merie will be offline due to purely technical difficulties until mid next

week. all is ok - her server & password is being stubborn

yrs

derek

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Mon, 16 Feb 1998 01:07:46 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Artaud: Letter to Buddhists

Comments: To: Bohemian List <bohemian@maelstrom.stjohns.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Here's the text of:

Ancestors: Antonin Artaud, _Tricycle: The Buddhist

Review_ 5, no.2 (Winter 1995), p. 13.

 

-----------------------------

Antonin Artaud

Letters to the Schools of the Buddha

 

[On April 15, 1925, the French founder of the Theatre

of the Absurd, Antonin Artaud (1896-1948) published

his "Letter to the Schools of the Buddha" in the

third issue of _La Revolution Surrealiste_. In the same

issue were addresses to the Dalai Lama and the Pope

and a "Letter to the Directors of the Insane Asylums."

The issue was subtitled "1925: End of the Christian

Era."

     Read in the context of the artistic movement

from which it came, Artaud's "Letter" is less an

espousal of Buddhist ideas than an expression of

dissatisfaction with the materialism of modern

society. That dissatisfaction, in turn, led many

artists and intellectuals to embrace Buddhism in

the twenties and thirties, when gradually the actual

teachings of Buddhism came more to the fore.]

 

{begin Artaud's text, translated from the French

by Stephen Batchelor, 1993}

     You who are disincarnate, who know at what

point in its carnal trajectory, its insensitive

coming and going, that the soul finds the absolute

verb, the new speech, the interior ground; you

who know how one returns to oneself in thought

and how the spirit can save itself from itself;

you who are interior to yourselves; you for whom

the spirit is no longer on the carnal plane, here

there are hands for whom taking is not everything,

brains that see further than a forest of roofs,

the glare of facades, cog-wheel people and the

workings of fire and marble. Advancing is this

people of iron; advancing are words written with

the speed of light; advancing towards each other

with the force of bullets are the sexes: what

will change in the avenues of the soul? in the

spasms of the heart? in the despair of the spirit?

     So hurl into the water all the blank white men

who arrive with their little heads and well-behaved

minds. It is necessary that these dogs hear us;

we are not speaking of ancient human ills. Our

spirit suffers from needs other than those inherent

in life. We are suffering from corruption, from the

corruption of reason.

     Logical Europe endlessly smashes the spirit

between the hammers of two terms. She wrenches it

open and shuts it down. This strangulation has gone

far enough; for too long have we been suffering

beneath the harness. The Spirit is larger than

the spirit, the metamorphoses of life are manifold.

Like you, we abhor progress: come and tear down

our houses!

     While our scribes still continue to write,

our journalists to natter on, our critics to drone

away, our politicians to hold forth and our

judicial assassins to hatch their crimes in peace,

we know what life really is. Our writers, thinkers,

doctors and scribblers know exactly how to make

a mess of life. While all these scribes drool upon

us, whether from habit or compulsion, spiritual

emasculation or a failure to apprehend nuance, in

this dull sludge, on these turning grounds where

the highly esteemed spirit of man is endlessly

shifting around, we have harnessed thought the

best. Come Save us from these worms. Invent new

houses for us.

{end of Artaud text}

-----------------------------------------------

 

% % % % % % % % % % % %

Gregory Severance

morocco@walrus.com

http://www.walrus.com/~morocco/

 

"Where even Richard Nixon has got soul.

 Even Richard Nixon has got it --

 soul."

  --Neil Young  ["Campaigner"]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 20:46:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

BRASS FURNACE GOING OUT: Song, after an Abortion

 by Diane DiPrima

I

to say I failed, that is walked out

and into the arctic

                      How shd I know where I was ?

A man chants in the courtyard

                      the window is open

someone else drops a pecan pie

                      into the yard

two dogs down there play trumpet

                      there is something disturbed

about the melody.

 

and what of the three year old girl who poisoned her mother ?

that happens, it isn't just us, as you can see --

what you took with you when you left

remains to be seen.

II

I want you in a bottle to send to your father

with a long bitter note.I want him to know

I'll not forgive you, or him for not being born

for drying up, quitting

                    at the first harsh treatment

as if the whole thing were a rent party

& somebody stepped in your feet

III

send me your address a picture, I want to

keep in touch, I want to know how you

are, to send you cookies.

 

do you have enough sweaters, is the winter bad,

do you know what I've done, what I'm doing

do you care

write in detail of your day, what time you get up,

what you are studying,when you expect

to finish & what you will do.

is it chilly?

IV

your face dissolving in water, like wet clay

washed away, like a rotten water lily

rats on the riverbank barking at the sight

do they swim ?

the trees here walk right down to the edge

conversing

your body sank, a good way back

I hear the otters will bring it to the surface

 

and the wailing mosquitoes even stop to examine

the last melting details of eyelid & cheeckbone

the stagnant blood

who taught you not to tangle your hair in the seaweed

to disappear with finesse

 

the lion pads

                         along the difficult path

in the heart of the jungle

and comes to the riverbank

he paws your face

I wish he would drink it up

in that strong gut it would come

to life.

          but he waits till he floats

a distance

          drinks clean water

dances a little

           starts the long walk

again

 

           the silent giraffe lets loose

a mourning cry

           fish surface

           your mouth and the end of your nose

disappear.

 

the water was cold the day you slipped into the river

wind ruffled the surface, I carried you on my back

a good distance, then you slipped in

red ants started up my leg & changed their minds

I fed my eyeballs to a carnivorous snake

& chained myself to a tree to await your end.

your face no sooner dissolved than I thought I saw

a kneecap sticking up where the current is strongest

a turtle

            older than stars

walked on your bones

V

who forged this night, what steel

clamps down?

like gray pajamas on an invalid

if I knew the name of flowers, the habits

of quadrupeds, the 13 points of the compass ......

an aged mapmaker who lived on this street

just succumbed to rheumatism

 

I have cut the shroud to measure

                  bought the stone

a plot in the cemetery set aside

                   to bury your shadow

take your head & go!

& may the woman that you find know better

than talk to me about it

VI

your goddamned belly rotten, a home for flies.

blown out & stinking, the maggots curling  your hair

your useless neverused cock, the pitiful skull

the pitiful shell of a skull, dumped in the toilet

the violet, translucent folds

                                               of beginning life

VII

what is that I cannot bear to say ?

that if you had turned out mad, a murderer

a junkie pimp hanged & burning in lime

                         alone & filled w/the rotting dark

if you'd been frail and  a little given to weirdness

or starved or been shot, or tortured in hunger camps

if wd have been frolic & triumph compared to this --

 

I cant even cry for you,I cant hang on

that long

VIII

forgive, forgive

that the cosmic waters do not turn from me

that I should not die of thirst

IX

oranges & jade at the shrine

my footprints

wet on the stone

the bells in that clear air

wind from the sea

your shadow

flat on the flat rocks

the priestess (sybil)

spelling your name

crying out, behind copper doors

giving birth

atone

                    , silence, the air

moving outside

the door to the temple blowing on its hinges

thet was the spirit she said

it passed above you

 

the branch I carry home is mistletoe

& walk backwards, with my eyes on the sea

X

here in my room I sit at drawing table

as I have sat all day, or walked

from drawing table to bed,

or stopped at window

considering the things to be done

weighing  them in the hand and putting them down

hung up as the young Rilke.

here in my room all day on my couch a stranger

who does not speak

who does not take his eyes

off me as I walk & walk from table to bed.

 

and I cannot stop thinking I would be three months pregnant

we would be well out of  here & in the sun

even the telephone would be polite

we would laugh a lot, in the morning.

XI

your ivory teeth in the half light

your arms

flailing about.that is you

age 9 months

                   sitting up & trying to stand

cutting teeth.

                    your diaper trailing, a formality

elegant as a loincloth, the sweet stench

of babyshit in the house: the oil

rubbed into your hair.

blue off the moon your ghostshape

                     mistaken as brken tooth

your flesh rejected

                     never to grow - your hands

that should have closed around my finger

 

what moonlight

                      will play in your hair ?

I mean to say

            dear fish, I hope you swim

 

in another river.

I hope that wasn't

rebuttal, but a transfer, an attempt

that failed, but to be followed

              quickly by another

suck your thumb somewhere

Dear silly thing, explode

make someone's colors.

 

the senses (five)

                       a gift

to hear,see , touch, choke on & love

this life

the rotten globe

to walk in shoes

what apple doesnt get

                      at least this much ?

 

a caramel candy sticking in your teeth

you, age three

bugged

            bearing down on a sliding pond.

your pulled tooth in my hand

                                    (age six)

your hair with clay in it,

                                      your goddamn grin

XII

sun on the green plants, your prattle

among the vines.

that this possibility is closed to us.

my house is small, my windows look out on grey courtyard

there is no view of the sea.

will you come here again ? I will entertain you

as well as I can - I will make you comfortable

in spite of new york .

 

will

you

come here

again

 

my breasts prepare

to feed you : they do what they can

_____________

This is the only other poem (written by someone I don't know) to ever make me

cry besides "Howl". Hope you guys like it too.

 

Can you believe I had to special order a copy of her selected poems? It's

nuts. And most places couldn't even *get* me a copy- only "Memoirs of a

Beatnik". Oh well. It comes in on Thursday (hopefully)

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 21:47:51 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/15/98 6:05:49 PM Pacific Standard Time,

sfeustl@UOFT02.UTOLEDO.EDU writes:

 

> .I think this refutes anyone's perception of Diane

>  DiPrima as a mere Beat-groupie or hanger-on. Thanks, Stephanie!

>                          --Sara

Someone compared Diane to Pam DesBarres, and I guess by extension was calling

her a groupie.  I don't think of DiPrima as a groupie.  She was

there...writing, reading in coffee houses, and publishing right along with the

rest of the male beats.  She was not a sexual service station like DesBarres

and the other groupies and hangers on in the rock world.  She was one of the

artists.

 

 Suppose, I know something about your sexual history...if you write something

about it...you publicize it, as Diane did, I feel a perfect right to comment

on what you have written...even to the extent of questioning your veracity.  I

do not feel I have a right to say ugly things regarding your physical

appearance, sexual desireability, or  to make suppositions about the motives

of your lovers, as at least one list member saw fit to do. DiPrima is a living

human person with children.  She, or her children, may lurk on this list.

Dennis

 

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Date:         Sun, 15 Feb 1998 19:28:14 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have never seen a large audience of attentive faces listening in such awed

silence as when Diane Deprima read her poetry at the University of

California Santa Cruz last year. You could hear a pin drop. Listening to her

read her poetry that spanned an entire generation provided me the most

inspiring moments of the year 1997. It was not possible to feel anything

less than utmost respect and appreciation for the privilege of witnessing

this amazing person in action. She is still immersed in work. Her stature

and the enlightenment that her work provides will only grow as time goes on.

I have no doubrt about that.

 

leon

 

-----Original Message-----

From: Zucchini4@AOL.COM <Zucchini4@AOL.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, February 15, 1998 5:49 PM

Subject: Why we *should* all read Diane DiPrima

 

 

>BRASS FURNACE GOING OUT: Song, after an Abortion

> by Diane DiPrima

>I

>to say I failed, that is walked out

>and into the arctic

>                      How shd I know where I was ?

>A man chants in the courtyard

>                      the window is open

>someone else drops a pecan pie

>                      into the yard

>two dogs down there play trumpet

>                      there is something disturbed

>about the melody.

> 

>and what of the three year old girl who poisoned her mother ?

>that happens, it isn't just us, as you can see --

>what you took with you when you left

>remains to be seen.

>II

>I want you in a bottle to send to your father

>with a long bitter note.I want him to know

>I'll not forgive you, or him for not being born

>for drying up, quitting

>                    at the first harsh treatment

>as if the whole thing were a rent party

>& somebody stepped in your feet

>III

>send me your address a picture, I want to

>keep in touch, I want to know how you

>are, to send you cookies.

> 

>do you have enough sweaters, is the winter bad,

>do you know what I've done, what I'm doing

>do you care

>write in detail of your day, what time you get up,

>what you are studying,when you expect

>to finish & what you will do.

>is it chilly?

>IV

>your face dissolving in water, like wet clay

>washed away, like a rotten water lily

>rats on the riverbank barking at the sight

>do they swim ?

>the trees here walk right down to the edge

>conversing

>your body sank, a good way back

>I hear the otters will bring it to the surface

> 

>and the wailing mosquitoes even stop to examine

>the last melting details of eyelid & cheeckbone

>the stagnant blood

>who taught you not to tangle your hair in the seaweed

>to disappear with finesse

> 

>the lion pads

>                         along the difficult path

>in the heart of the jungle

>and comes to the riverbank

>he paws your face

>I wish he would drink it up

>in that strong gut it would come

>to life.

>          but he waits till he floats

>a distance

>          drinks clean water

>dances a little

>           starts the long walk

>again

> 

>           the silent giraffe lets loose

>a mourning cry

>           fish surface

>           your mouth and the end of your nose

>disappear.

> 

>the water was cold the day you slipped into the river

>wind ruffled the surface, I carried you on my back

>a good distance, then you slipped in

>red ants started up my leg & changed their minds

>I fed my eyeballs to a carnivorous snake

>& chained myself to a tree to await your end.

>your face no sooner dissolved than I thought I saw

>a kneecap sticking up where the current is strongest

>a turtle

>            older than stars

>walked on your bones

>V

>who forged this night, what steel

>clamps down?

>like gray pajamas on an invalid

>if I knew the name of flowers, the habits

>of quadrupeds, the 13 points of the compass ......

>an aged mapmaker who lived on this street

>just succumbed to rheumatism

> 

>I have cut the shroud to measure

>                  bought the stone

>a plot in the cemetery set aside

>                   to bury your shadow

>take your head & go!

>& may the woman that you find know better

>than talk to me about it

>VI

>your goddamned belly rotten, a home for flies.

>blown out & stinking, the maggots curling  your hair

>your useless neverused cock, the pitiful skull

>the pitiful shell of a skull, dumped in the toilet

>the violet, translucent folds

>                                               of beginning life

>VII

>what is that I cannot bear to say ?

>that if you had turned out mad, a murderer

>a junkie pimp hanged & burning in lime

>                         alone & filled w/the rotting dark

>if you'd been frail and  a little given to weirdness

>or starved or been shot, or tortured in hunger camps

>if wd have been frolic & triumph compared to this --

> 

>I cant even cry for you,I cant hang on

>that long

>VIII

>forgive, forgive

>that the cosmic waters do not turn from me

>that I should not die of thirst

>IX

>oranges & jade at the shrine

>my footprints

>wet on the stone

>the bells in that clear air

>wind from the sea

>your shadow

>flat on the flat rocks

>the priestess (sybil)

>spelling your name

>crying out, behind copper doors

>giving birth

>atone

>                    , silence, the air

>moving outside

>the door to the temple blowing on its hinges

>thet was the spirit she said

>it passed above you

> 

>the branch I carry home is mistletoe

>& walk backwards, with my eyes on the sea

>X

>here in my room I sit at drawing table

>as I have sat all day, or walked

>from drawing table to bed,

>or stopped at window

>considering the things to be done

>weighing  them in the hand and putting them down

>hung up as the young Rilke.

>here in my room all day on my couch a stranger

>who does not speak

>who does not take his eyes

>off me as I walk & walk from table to bed.

> 

>and I cannot stop thinking I would be three months pregnant

>we would be well out of  here & in the sun

>even the telephone would be polite

>we would laugh a lot, in the morning.

>XI

>your ivory teeth in the half light

>your arms

>flailing about.that is you

>age 9 months

>                   sitting up & trying to stand

>cutting teeth.

>                    your diaper trailing, a formality

>elegant as a loincloth, the sweet stench

>of babyshit in the house: the oil

>rubbed into your hair.

>blue off the moon your ghostshape

>                     mistaken as brken tooth

>your flesh rejected

>                     never to grow - your hands

>that should have closed around my finger

> 

>what moonlight

>                      will play in your hair ?

>I mean to say

>            dear fish, I hope you swim

> 

>in another river.

>I hope that wasn't

>rebuttal, but a transfer, an attempt

>that failed, but to be followed

>              quickly by another

>suck your thumb somewhere

>Dear silly thing, explode

>make someone's colors.

> 

>the senses (five)

>                       a gift

>to hear,see , touch, choke on & love

>this life

>the rotten globe

>to walk in shoes

>what apple doesnt get

>                      at least this much ?

> 

>a caramel candy sticking in your teeth

>you, age three

>bugged

>            bearing down on a sliding pond.

>your pulled tooth in my hand

>                                    (age six)

>your hair with clay in it,

>                                      your goddamn grin

>XII

>sun on the green plants, your prattle

>among the vines.

>that this possibility is closed to us.

>my house is small, my windows look out on grey courtyard

>there is no view of the sea.

>will you come here again ? I will entertain you

>as well as I can - I will make you comfortable

>in spite of new york .

> 

>will

>you

>come here

>again

> 

>my breasts prepare

>to feed you : they do what they can

>_____________

>This is the only other poem (written by someone I don't know) to ever make

me

>cry besides "Howl". Hope you guys like it too.

> 

>Can you believe I had to special order a copy of her selected poems? It's

>nuts. And most places couldn't even *get* me a copy- only "Memoirs of a

>Beatnik". Oh well. It comes in on Thursday (hopefully)

> 

>--Stephanie

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 15 Feb 1998 23:08:22 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It was also the period in which rock 'n' roll was born.

 

On Mon, 16 Feb 1998, James Stauffer wrote:

 

> > >>...and the sterile world of 1950s U.S...

> > >

> > >This also, what does this mean?  I have heard such a term or description so

> > >often that I think it has become some sort of a priori conclusion or dogma.

> >

> > It has to do with things like capitalism, manifest destiny, might makes

 right,

> > John Wayne ugly Americanism.   By sterile, I mean the stress on conformity,

>  the

> >  celebration of "sameness" over individuality and creativity -- man in the

>  grey

> >  flannel suit syndrome.  Yes, all of this has become somewhat of a cliche.

>  But

> >  there was a lot  of truth to it.

> 

>   I think that both Tim and Bill have interesting arguments.  As one who

>  remembers

> the fifties as a young adolescent--sure, what Bill says is true, but this was

>  also

> an era that produced an enormous amount of good stuff in art, literature, and

> film.  Maybe it's because I was that young--got my drivers liscense in

 1958--but

>  it

> was a fun country too--more rural, a hell of a lot less of it paved and

> interstated, it was sexy too, it was James Dean and Chet Baker and Marilyn

>  Monroe

> and Natalie Wood.  A  lot more conformity, for sure, but it sure was easy to

 be

>  a

> rebel.  There was the bomb, to be sure, hanging over us all, but we were

 unaware

>  of

> the lurking ecological disaster, of Aids, or a whole lot of things.  I just

>  don't

> find the 50's sterile, certainly there was a pause after the depression and

 the

> war--but if such a thing were possible I don't know if I wouldn't gladly time

>  trip

> back to that era for awhile.  The energy and vitality were amazing--look at

>  those

> pictures of Jack and Neal--they radiate a wonderful sort of juice.  I don't

>  know,

> but a couple of days in a 56 Chevy back in the California in the 50's--doesn't

> sound too bad to me.

> 

> JS

> 

 

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Date:         Mon, 16 Feb 1998 09:06:23 +0200

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Edward Arnold <EArnold@BOENATWEST.CO.ZA>

Subject:      Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">

<HTML>

<HEAD>

 

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<BODY bgColor=#ffffff>

<DIV>&nbsp;</DIV>

<DIV>Does anyone have any thoughts, ideas or sources on a possible

relationship<BR>between Allen Ginsberg's poetry and the development of what one

could<BR>call postmodernist poetry? And how would one define

postmodernist<BR>poetry? This is my main problem at this point in

time.&nbsp;</DIV>

<DIV>&nbsp;</DIV>

<DIV>Mail me at:&nbsp;</DIV>

<DIV><A

href="mailto:EArnold@boenatwest.co.za">EArnold@boenatwest.co.za</A></DIV>

<DIV>&nbsp;</DIV>

<DIV><FONT color=#000000 size=2><FONT size=3>Thanks!</FONT></FONT></DIV>

<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV></BODY></HTML>

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Priority: normal

Date:         Mon, 16 Feb 1998 13:26:52 +0000

Reply-To:     kevintaylor@cheerful.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <kjohn@pop.intergate.bc.ca>

From:         Kevin Taylor <kjohn@INTERGATE.BC.CA>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On 16 Feb 98 at 9:06, Edward Arnold wrote:

> 

> Does anyone have any thoughts, ideas or sources on a possible

> relationship between Allen Ginsberg's poetry and the development of

> what one could call postmodernist poetry? And how would one define

> postmodernist poetry? This is my main problem at this point in time.

 

 

It was a drive-by versing

A poem invasion

An act of irresponsible aesthetics

Unmitigated form and passion

Premeditated meter

Alliteration

Aggravated by both rhythm

And rhyme

 

It was a drive-by vision

A prose inversion

 A wilding of fact and fantasy

 

By all accounts

A Declaration of Words

 

___________________________

Kevin Taylor - the drive-by poet

Vancouver BC

http://www.intergate.bc.ca/business/kjohn/poetry.htm

 

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x-sender: morocco@pop.walrus.com

Date:         Mon, 16 Feb 1998 15:07:12 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

D. Patrick Hornberger wrote on 2/16/98

>You guessed wrong--I want you to read the beats just like I read the

>Lost Generation--I'm only pointing out form my persepective it seems

>many of you students put an inaccurate twist on the Beat--such as what

>does the Grateful Dead have to do with it? Or country music--

[. . .]

 

"i like trains"

 

by Fred Eaglesmith

 

sixteen miles from arkadelphia

right near the texas border

traffic was stopped at a railway crossing

i took it to the border

i stoked the kettle i put it to the metal

i shook the gravel loose

i missed the train but i was happy with

a glimpse of a caboose

 

cause i like trains

i like fast trains

i like trains that call out through the rain

i like trains

i like sad trains

i like trains that whisper your name

 

i was born on a greyhound bus

my momma was a diesel engine

they tried to put me behind the wheel

but i wouldn't let them

you should have seen the look in their eyes

and how it turned to tears

when i finally told them i wanna be an engineer

 

now you think that i've got someone new

but darlin', that ain't true

i could never love another woman besides you

it's not some dewy-eyed

darlin', darlin' that's gonna drive you insane

but anymore i'd be listening for

the sound of a big ol' train

 

Fred Eaglesmith, _drive-in movie_ , Vertical

Records compact disk VER 4218-2, 1996.

 

 

*  *  *  *  *  *  *  *  *  *  *  *  *  *

Gregory Severance

morocco@walrus.com

http://www.walrus.com/~morocco/

 

"Come tell me seashell this--

 Shall we weep at dawn tomorrow--

 Shall we laugh at funny spoons,

 Or will spoons revenge themselves upon us,

 By becoming salad forks."

 -- H.M. (Her/His? Majesty) Koutoukas

 

    from the play

    ONLY A COUNTESS MAY DANCE WHEN SHE'S CRAZY

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 16 Feb 1998 10:07:47 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>In a message dated 2/15/98 6:05:49 PM Pacific Standard Time,

>sfeustl@UOFT02.UTOLEDO.EDU writes:

> 

>> .I think this refutes anyone's perception of Diane

>>  DiPrima as a mere Beat-groupie or hanger-on. Thanks, Stephanie!

>>                          --Sara

>Someone compared Diane to Pam DesBarres, and I guess by extension was calling

>her a groupie.  I don't think of DiPrima as a groupie.  She was

>there...writing, reading in coffee houses, and publishing right along with the

>rest of the male beats.  She was not a sexual service station like DesBarres

>and the other groupies and hangers on in the rock world.  She was one of the

>artists.

> 

> Suppose, I know something about your sexual history...if you write something

>about it...you publicize it, as Diane did, I feel a perfect right to comment

>on what you have written...even to the extent of questioning your veracity.  I

>do not feel I have a right to say ugly things regarding your physical

>appearance, sexual desireability, or  to make suppositions about the motives

>of your lovers, as at least one list member saw fit to do. DiPrima is a living

>human person with children.  She, or her children, may lurk on this list.

>Dennis

 

 

Well said Stephanie, Dennis and Sara.

 

I'm perplexed that so few people have responded to the slanderous comments

about Diane DiPrima  and the attempt to trivialize her as a writer.

 

I'm sitting here paging through DiPrima's "Revolutionary Letters Etc" from

City Lights. The Pocket Poets Series: Number 27.Looking at the haunting,

stunning, picture of DiPrima on the back of  "Revolutionary Letters Etc"

I'm reminded of a reading a  years ago. It was unforgettable.

 

Opinions about a person's writing ability always have a place here.

However, by speaking of her as ____"he"____ did, using those labels so

arrogantly, so viciously, and with no sense of her dedication and skill,

___"he"___ has provided a portrait of himself that is definitive--a picture

of his world, his words, his work. Not a pretty picture.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Mon, 16 Feb 1998 11:42:07 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Christopher Moore wrote:

> 

> >> Man... what crap. I really have to say that I appreciate this

> idolatry

> >> of a big part of MY generation..but really guys you are way out on

> this

> >> one--hardly anyone under 50 years of age could even come close to

> >> understanding "BEAT" without intensive study...its not berets, bongos

> >> and hitchhiking... what it was was a state of mind that said

> >> "art"-(writing, painting & music) would or maybe could, change the

> >> world... I dont now what it is you young types find so attractive

> about

> >> the Beat Generation ,but I gotta feeling it aint' what you thought it

> >> was. Read Ginsberg-he was the best at reflecting his generation. Its

> >> kinda weird that I don't understand the current generation--so how

> come

> >> you all think you knew a previous one you didnt live in? DIG IT?

> >

> >this is quite absurd from the perspective of a "younger person"

> >I read on the road when I was 16 and since have been involved in

> reading

> >many other forms of Beat literature

> >I guess what this man is saying is that I should only read literature

> >from my generation

> >Oh wait, I don't like any of it

> >So I should not read at all

> >Tell me what I should do

> >I like the Beat Generation, actually I love it

> >I might not know it the way you do, but from what you are saying, you

> >never read any Plato, Aristotle, Hume, Dostoyevsky, or anything out of

> >your generation because you couldn't relate to it

> >Take into consideration the way others may be able to "relate" to the

> >beats in second hand ways

> >

> >beatifically yours

> >eric

> >

> Hm.  Fine point, Eric.  There are very few things we have in our

> Reality, but one of them is history.  It is the way of our progress.  If

> we all live *solely* in today, interacted *only* with today, I think we

> would seriously restrict our amount of progress and understanding of the

> world.  In fact, we would totally eliminate it.  We must have the

> literature from our past (along with other written, spoken,

> architecture, oral, created artifacts), and we must read it.  We do not

> need to understand it purely in the mindset of the age in which it was

> written, but we may understand in our today's perspective.  That is what

> literature is, or any form of art.  It is its timelessness, its eternal

> wisdom.  The Beats said quite a few things, not just about the 50's, but

> life itself.  I agree that to be a Beat one need not wear particular

> clothes or be specific place... it is not even necessary to *try* to be

> a Beat.  But to read, and attempt to understand their literature and

> song, etc., is quite an honorable goal.  We study what they had to say,

> and we try to be like they were, because they had true insight into

> life.  Anyone can read that today, and what they do on the side is

> purely auxillary and beside the point.

> We read Aristotle not because we want to be like him, or becuase we

> think we need to become like the Greeks.  He said many incorrect things,

> applied Science in (currently) kooky ways; that is beside the point.  We

> read him because of his interest in the world arround him, and his

> understanding of human nature, etc.

> Ack.  All this materialism and literalism.  Don't say "Oh well, you

> fellows didn't live back then, so give it a break."  By saying that, you

> do not live today.

> 

> Christopher

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

You guessed wrong--I want you to read the beats just like I read the

Lost Generation--I'm only pointing out form my persepective it seems

many of you students put an inaccurate twist on the Beat--such as what

does the Grateful Dead have to do with it? Or country music--and now Abe

Lincoln? What?//???? Stick to the point--the point was art--partcularly

literature. Bye.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 12:56:10 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Given a recent thread, some of us may disagree on the definition of postmodern.

  Personally, I think AG was more of a modernist than a post-modernist.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

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Date:         Mon, 16 Feb 1998 10:26:04 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         sherri <love_singing@MSN.COM>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jesus, unbelievable that anyone would be so judgmental and egotistical as to

judge anyone's understanding without knowing anything about them.

understanding is an individual thing.  mindset has everything to do with how

one sees and relates, regardless of when one has entered this present

incarnation.  to presume that no one can understand something unless he/she

has lived it (and during a certain given period of time), is preposterous.

books and films wouldn't exist.  an writer, actor or director would be

unable to get inside of anything that wasn't part of his/her direct

experience.

 

even among those who lived a given lifestyle during a given era one will

find differences of understanding and opinion as to just what that lifestyle

was about.  they will even disagree as to what years constitute the era to

begin with.

while i'm no expert on Beat lit, it has struck me very strongly that the

"Beats" themselves didn't completely agree on what "Beat" was/is.  yet i

think there was a thread - the mindset - that strung them together.  as far

as i can tell, mindset, while it may be influenced by the times, knows no

boundaries....

ciao, sherri

 

-----Original Message-----

From: D. Patrick Hornberger <"eastwind@erols.com"@EROLS.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Monday, February 16, 1998 8:19 AM

Subject: Re: Is you is (Beat) or is you aint

 

 

>Christopher Moore wrote:

>> 

>> >> Man... what crap. I really have to say that I appreciate this

>> idolatry

>> >> of a big part of MY generation..but really guys you are way out on

>> this

>> >> one--hardly anyone under 50 years of age could even come close to

>> >> understanding "BEAT" without intensive study...its not berets, bongos

>> >> and hitchhiking... what it was was a state of mind that said

>> >> "art"-(writing, painting & music) would or maybe could, change the

>> >> world... I dont now what it is you young types find so attractive

>> about

>> >> the Beat Generation ,but I gotta feeling it aint' what you thought it

>> >> was. Read Ginsberg-he was the best at reflecting his generation. Its

>> >> kinda weird that I don't understand the current generation--so how

>> come

>> >> you all think you knew a previous one you didnt live in? DIG IT?

>> >

>> >this is quite absurd from the perspective of a "younger person"

>> >I read on the road when I was 16 and since have been involved in

>> reading

>> >many other forms of Beat literature

>> >I guess what this man is saying is that I should only read literature

>> >from my generation

>> >Oh wait, I don't like any of it

>> >So I should not read at all

>> >Tell me what I should do

>> >I like the Beat Generation, actually I love it

>> >I might not know it the way you do, but from what you are saying, you

>> >never read any Plato, Aristotle, Hume, Dostoyevsky, or anything out of

>> >your generation because you couldn't relate to it

>> >Take into consideration the way others may be able to "relate" to the

>> >beats in second hand ways

>> >

>> >beatifically yours

>> >eric

>> >

>> Hm.  Fine point, Eric.  There are very few things we have in our

>> Reality, but one of them is history.  It is the way of our progress.  If

>> we all live *solely* in today, interacted *only* with today, I think we

>> would seriously restrict our amount of progress and understanding of the

>> world.  In fact, we would totally eliminate it.  We must have the

>> literature from our past (along with other written, spoken,

>> architecture, oral, created artifacts), and we must read it.  We do not

>> need to understand it purely in the mindset of the age in which it was

>> written, but we may understand in our today's perspective.  That is what

>> literature is, or any form of art.  It is its timelessness, its eternal

>> wisdom.  The Beats said quite a few things, not just about the 50's, but

>> life itself.  I agree that to be a Beat one need not wear particular

>> clothes or be specific place... it is not even necessary to *try* to be

>> a Beat.  But to read, and attempt to understand their literature and

>> song, etc., is quite an honorable goal.  We study what they had to say,

>> and we try to be like they were, because they had true insight into

>> life.  Anyone can read that today, and what they do on the side is

>> purely auxillary and beside the point.

>> We read Aristotle not because we want to be like him, or becuase we

>> think we need to become like the Greeks.  He said many incorrect things,

>> applied Science in (currently) kooky ways; that is beside the point.  We

>> read him because of his interest in the world arround him, and his

>> understanding of human nature, etc.

>> Ack.  All this materialism and literalism.  Don't say "Oh well, you

>> fellows didn't live back then, so give it a break."  By saying that, you

>> do not live today.

>> 

>> Christopher

>> 

>> ______________________________________________________

>> Get Your Private, Free Email at http://www.hotmail.com

>You guessed wrong--I want you to read the beats just like I read the

>Lost Generation--I'm only pointing out form my persepective it seems

>many of you students put an inaccurate twist on the Beat--such as what

>does the Grateful Dead have to do with it? Or country music--and now Abe

>Lincoln? What?//???? Stick to the point--the point was art--partcularly

>literature. Bye.

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:27:31 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ice Station Zebra <jholland@ICLUB.ORG>

Organization: Creeps Records, P.O.Box 75, Renfro Valley, KY 40473

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

D. Patrick Hornberger wrote:

 

> hardly anyone under 50 years of age could even come close to

> understanding "BEAT" without intensive study

 

=== Oh please. The same could be said for any period of history!

"Intensive study"???

 

 

 

>...its not berets, bongos and hitchhiking

 

=== why not? I saw plenty of beret-wearing, bongo-beatin' hitchhiking

beatniks in the '60's.....oh, but I guess those just weren't REAL beats,

eh?  Well, *they* thought they were beats, and *I* thought they were

beats, so perhaps we are all the victim of mass hallucination.

 

 

 

> I dont now what it is you young types find so attractive

> about the Beat Generation ,but I gotta feeling it aint' what

> you thought it was.

 

=== If you don't understand why someone (regardless of age) would find

the Beat Generation attractive, I have to wonder whose viewpoint of it

is really skewed. Besides, at this late date in history it matters not -

the MYTH of "Beat" is all that remains and all that matters. The myth

has been wrested from the clammy grip of those who actually lived

through it, just like it happens to everything else that comes down the

pike. I endorse the myth of the laissez-faire art-dabbling bookworm

coffee house 'beatnik' because, watered down though it may seem to some,

it's still INFINITELY preferable to whatever malaise the aimless youth

of today are congealing in.......any kid that wants to put on a pair of

wayfarers, a black beret and sweater, buy the Rhino Beat Generation Box

Set and swallow it whole and proclaim themselves a beatnik is just fine

by me and welcome in my coffee house anytime.

 

 

 

> Its kinda weird that I don't understand the current

> generation--so how come you all think you knew a previous

> one you didnt live in?

 

=== Why don't you understand the current generation? It's a no-brainer.

The more things change, the more things stay the same, anyway.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Ken Nordine's "Reaching Into In"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:35:46 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ice Station Zebra <jholland@ICLUB.ORG>

Organization: Creeps Records, P.O.Box 75, Renfro Valley, KY 40473

Subject:      Re: harlan ellison

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Harlan also wrote some great pornography in the 50's under pseudonyms.

 

=-=-=-=-=-=-=-=-=-=-=

JSH's Creeps Outpost

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:17:35 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Ghost of Slim Gaillard <jholland@ICLUB.ORG>

Organization: Creeps Records, P.O.Box 75, Renfro Valley, KY 40473

Subject:      Oops, massive oops

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I just realized that I stoopidly sent a missive intended for Country-L

to Beat-L by mistake, the "Alison Krauss" post......doh!! Sorry about

that, but it probably made for a surreal moment.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

frying chicken in a big iron thing

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 14:19:09 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I wasnt comparing DiPrima to DesBarres. I jsut commented that the

description that someone posted of DiPrima sounded like DesBarres. Sorry

if I offended anyone On Sun, 15 Feb 1998, Dennis Cardwell wrote:

 

> In a message dated 2/15/98 6:05:49 PM Pacific Standard Time,

> sfeustl@UOFT02.UTOLEDO.EDU writes:

> 

> > .I think this refutes anyone's perception of Diane

> >  DiPrima as a mere Beat-groupie or hanger-on. Thanks, Stephanie!

> >                          --Sara

> Someone compared Diane to Pam DesBarres, and I guess by extension was calling

> her a groupie.  I don't think of DiPrima as a groupie.  She was

> there...writing, reading in coffee houses, and publishing right along with the

> rest of the male beats.  She was not a sexual service station like DesBarres

> and the other groupies and hangers on in the rock world.  She was one of the

> artists.

> 

>  Suppose, I know something about your sexual history...if you write something

> about it...you publicize it, as Diane did, I feel a perfect right to comment

> on what you have written...even to the extent of questioning your veracity.  I

> do not feel I have a right to say ugly things regarding your physical

> appearance, sexual desireability, or  to make suppositions about the motives

> of your lovers, as at least one list member saw fit to do. DiPrima is a living

> human person with children.  She, or her children, may lurk on this list.

> Dennis

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 14:22:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What do all these things mean? Modernist, etc. How do you differetiate

between the different styles?

On Mon, 16 Feb 1998, Bill Gargan wrote:

 

> Given a recent thread, some of us may disagree on the definition of

 postmodern.

>   Personally, I think AG was more of a modernist than a post-modernist.

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Mon, 16 Feb 1998 11:38:41 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Gargan wrote:

> 

> Given a recent thread, some of us may disagree on the definition of

 postmodern.

>   Personally, I think AG was more of a modernist than a post-modernist.

 

 

Can anyone define the two, modernist/post-modernist, in a short summary

or something, just so I can get a grasp on them.

 

thanks

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 14:50:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JULIANA PABON <julie36@BU.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i read this this morning.  according to Brenda Knight:

 

"Beat is underground, raw, unedited, pure, shocking.  Beat can't be

refined, sanitized, second-guessed, premeditated; it must be immediate.

Beat is an explosion, a vomiting of vision."

 

from _Women of the Beat Generation_

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 21:05:35 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         A Clockwork Mango <jholland@ICLUB.ORG>

Organization: Creeps Records, P.O.Box 75, Renfro Valley, KY 40473

Subject:      Punk Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Gargan wrote:

> 

> The problem with this definition is that it is too inclusive -- it could just

 as easily define punk rock.

 

=== And that's not necessarily a bad thing. Punk, at one time anyway,

was not antithetical to Beat. The Clash were very much an heir-apparent

to the Beat lineage, and Allen Ginsberg even performed and recorded with

them.....WSB wrote a punk rock song called "Bugger the Queen"....Patti

Smith bridged the gap between Beat and Punk rather well......Richard

Hell, Exene Cervenka and Henry Rollins have done some writings in a sort

of post-Beat molding......

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

fried chicken and guinness stout

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 21:36:23 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         A Clockwork Mango <jholland@ICLUB.ORG>

Organization: Creeps Records, P.O.Box 75, Renfro Valley, KY 40473

Subject:      Today's Generation  (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Carly Earnshaw said:

 

> okay, so i agree with a lot of the things that you said in

> your post to d.patrick.  what i don't agree with is your

> dismal outlook on today's generation.  remember, a lot of

> people would have called the beats "aimless youth" before

> they became famous and established a massive cult following.

> also, be sure not to exclude the subcultures of today's young

> generation....beat wasn't exactly mainstream and what was

> mainstream was fairly undesirable (well, to me anyway)

 

 

=== I'm not saying the youth of today is hopeless - in fact, things seem

much better now than they were about five years ago - but something I

have noticed in high school/college kids, in increasing number and

degree of intensity since the mid-1980's, is a growing lack of

curiosity. The popularity of the Internet seems to have reversed this

trend for the time being, but I wonder if it will be permanent or lead

to an even greater anhedonia.

 

There are always standout kids in each generation who think for

themselves and have an innate curiosity about life, but it seems they

are lesser in number today, and each are thrown all in increasingly

specialized directions, forced into ever-shrinking thought boxes - most

forms of remotely alternative music now have subgenres spinning off of

their subgenres. You can't just be Punk anymore, you have to choose

between hardcore, '77, straight edge, poli-punk, crust, stenchcore,

etc.  You can't just be Techno anymore, you have to choose between

Ambient, Rave, Trip Hop, House, Goth, Hip House, Manchester, Hard

Techno, etc.  The more people like me try to blur all boundaries and

make labels and distinctions vaguer, they just keep splitting hairs into

infinitesimally smaller fad-camps with shorter and shorter life spans.

Attention spans seem to be getting microscopic. The increasing

fragmentation makes it difficult to organize people into sharing any

common ideas.

 

Then again, perhaps I'm just nostalgic for the days when it was just "Us

vs. Them" and we all knew who They were.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland - gorged on fried birds - ky.

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:44:26 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> >>...and the sterile world of 1950s U.S...

> >

> >This also, what does this mean?  I have heard such a term or description so

> >often that I think it has become some sort of a priori conclusion or dogma.

> 

> It has to do with things like capitalism, manifest destiny, might makes right,

> John Wayne ugly Americanism.   By sterile, I mean the stress on conformity,

 the

>  celebration of "sameness" over individuality and creativity -- man in the

 grey

>  flannel suit syndrome.  Yes, all of this has become somewhat of a cliche.

 But

>  there was a lot  of truth to it.

 

  I think that both Tim and Bill have interesting arguments.  As one who

 remembers

the fifties as a young adolescent--sure, what Bill says is true, but this was

 also

an era that produced an enormous amount of good stuff in art, literature, and

film.  Maybe it's because I was that young--got my drivers liscense in 1958--but

 it

was a fun country too--more rural, a hell of a lot less of it paved and

interstated, it was sexy too, it was James Dean and Chet Baker and Marilyn

 Monroe

and Natalie Wood.  A  lot more conformity, for sure, but it sure was easy to be

 a

rebel.  There was the bomb, to be sure, hanging over us all, but we were unaware

 of

the lurking ecological disaster, of Aids, or a whole lot of things.  I just

 don't

find the 50's sterile, certainly there was a pause after the depression and the

war--but if such a thing were possible I don't know if I wouldn't gladly time

 trip

back to that era for awhile.  The energy and vitality were amazing--look at

 those

pictures of Jack and Neal--they radiate a wonderful sort of juice.  I don't

 know,

but a couple of days in a 56 Chevy back in the California in the 50's--doesn't

sound too bad to me.

 

JS

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 21:59:43 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Man With The Golden Pancreas <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Things have to get worse before they get better, and things were being

pushed and pulled in both free and unfree directions in the 1950's. Much

progress was being made in many areas, but it was in part necessitated

by the quantum leap in fascism - the KKK were stepping up their presence

and power, McCarthy and Reagan were sending the nation on a witch hunt

for Communists, We fought the pointless Korean War in the early 50's,

and began sending troops to Vietnam in the late 50's. And all the social

mores that were finally smashed in the 60's but magically had

regenerated like a lobster claw, and stronger than ever, by 1980.

 

Further, there was a definite immersion into materialism after World War

II, and a generation of kids grew up disillusioned watching mom and pop

turn into drones who worshipped their status symbols and possessions.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, Wanted for Questioning

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 22:15:55 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Man With The Golden Pancreas <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Punk Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Leo Getz wrote:

> 

> I fear I have to disagree with the Henry Rollins/beat-connection.

 

=== Well, that's why I made a point of saying "sort of Post-Beat",

guarding my words. Rollins' hateful "I hate the world, the world hates

me, I'm gonna eat some worms" writings aren't exactly "On The

Road"......but the bluntness and honesty of his stuff is his inheritance

from the Beats.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=

JSH of the Secret Police

=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 16 Feb 1998 16:51:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ladeda....

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) harlan ellison

Cc:

Bcc: HSbork@concentric.net,rasa@gpnet.it

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980215154448.68300A-100000@srv1.freenet.calgary.ab.ca>

References:

 

"H.S.B" <HSbork@concentric.net> wrote:

>>Well, I don't think that Harlan can be actually be considered a 'beat,'

>>though some of his writing is very similar (think of Ginsberg and Corso's

>>run on word metaphors: i.e. "lonleyache", which Harlan uses quite

>>extensively.)  Some of the things Harlan writes about, though, are very

>>similar-- themes about god, the American dream, love, life, etc.  So0me of

>>Bukowski's and Harlan's stories are pretty similar, though Ellison's are a

>>bit more fantastic.  Ellison is usually thought of as a 'sf' writer, which

>>is horseshit-- he prefers the term 'speculative fiction.'  I believe that he

>>was friendly whith some of the beats, and like I said, he ghost-wrote "How

>>To Tlak Dirty and Influence People," Lenny Bruce's 'auotbiography.'  I

>>include him as a beat writer because I don't like to restrict the definition

>>of 'beat writers' to just the Big Three....I believe that it's more of a way

>>of thinking and writing about life, and what makes up life.  I don't think

>>it died out with Kerouac and Cassidy-- people like Harlan (among other

>>writers) keep it alive.

>>-h-

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Mon, 16 Feb 1998 14:02:28 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

JULIANA PABON wrote:

> 

> i read this this morning.  according to Brenda Knight:

> 

> "Beat is underground, raw, unedited, pure, shocking.  Beat can't be

> refined, sanitized, second-guessed, premeditated; it must be immediate.

> Beat is an explosion, a vomiting of vision."

> 

> from _Women of the Beat Generation_

 

 

That is pretty awesome.  A short concise description, that actually does

the Beat Generation justice in terms of a description.

i like it

It makes everything people have been talking about seem pointless

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 17:03:29 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mmmhh..interesting. I think I agree with it but I also feel like BEAT cant

be explicitly explained. I think that Brenda Knight is decsribing the

characteristics of BEAT, so shes not really defining. Its a hard thing to

define...

Websters New World Dictionary, circa 1990 writes :adj 1. tired out, 2.of a

group of young persons,esp of the 1950's expressing social disillusionment

by unconventional dress, actions, ect. I dont know about the

unconventional dress but unconvential actions seems about right...

What do you think?

 On Mon, 16 Feb 1998, JULIANA PABON wrote:

 

> i read this this morning.  according to Brenda Knight:

> 

> "Beat is underground, raw, unedited, pure, shocking.  Beat can't be

> refined, sanitized, second-guessed, premeditated; it must be immediate.

> Beat is an explosion, a vomiting of vision."

> 

> from _Women of the Beat Generation_

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <MAILER-DAEMON>

Date:         Mon, 16 Feb 1998 17:03:49 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Mon, 16 Feb 1998 22:56:31...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message  dated Mon, 16 Feb  1998 22:56:31 +0100 with  subject "(FWD)

harlan ellison" has been successfully distributed to the BEAT-L list (254

recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 17:06:25 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Baudrillad said postmoderism is a term about evrything society isn't.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: translated in italian TOM CLARK, JACK KEROUAC A BIOGRAFY

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980215154448.68300A-100000@srv1.freenet.calgary.ab.ca>

References:

 

----------

> From: Rinaldo RASA <rasa@gpnet.it>

> Newsgroups: alt.books.beatgeneration

> Subject: translated in italian TOM CLARK, JACK KEROUAC A BIOGRAFY

> Date: lunedì 16 febbraio 1998 20.45

>

Hello friends,

 

In Italy

it's out (december 1997) the italian

translation of Tom Clark's "Jack Kerouac A Biography"

out in u.s.a published 1984 marlowe&company 632 broadway NY

 

in Italy:

named  "JACK - VITA E LEGGENDA DI KEROUAC"

publisher: MARLBORO COUNTRY BOOKS EDIMAR S.r.L.

MILANO, ITALY.

the book is traslated by Claudia Molinari.

 

it's seem a nice book.

 

saluti,

Rinaldo.

------ venice-mestre,italy---- rasa@gpnet.it ---

 

Return-Path: <MAILER-DAEMON>

Date:         Mon, 16 Feb 1998 17:20:48 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Mon, 16 Feb 1998 23:13:13...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Mon, 16 Feb 1998 23:13:13 +0100 with subject "translated

in  italian TOM  CLARK,  JACK  KEROUAC A  BIOGRAFY"  has been  successfully

distributed to the BEAT-L list (254 recipients).

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Allen Ginsberg on Burrough.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980215154448.68300A-100000@srv1.freenet.calgary.ab.ca>

References:

 

On Burroughs' Work, And Naked Lunch

 

The method must be purest meat

and no symbolic dressing,

actual visions & actual prisons

as seen then and now.

 

Prisons and visions presented

with rare descriptions

corresponding exactly to those

of Alcatraz and Rose.

 

A naked lunch is natural to us,

we eat reality sandwiches.

But allegories are so much lettuce.

Don't hide the madness!

 

Allen Ginsberg

1954

 

 

 

 

At 15.45 15/02/98 -0700, you wrote:

>dear all

>merie will be offline due to purely technical difficulties until mid next

>week. all is ok - her server & password is being stubborn

>yrs

>derek

> 

>_______________________________________________________________________________

>derek beaulieu

>c/o house press

>apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

>email:dabeauli@calcna.ab.ca

>phone (403)270-4440

>LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

>edition chapbook!

>_______________________________________________________________________________

> 

>Return-Path: <MAILER-DAEMON>

Date:         Mon, 16 Feb 1998 17:41:11 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Mon, 16 Feb 1998 23:33:47...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message  dated Mon,  16 Feb  1998 23:33:47  +0100 with  subject "Allen

Ginsberg on Burrough." has been successfully distributed to the BEAT-L list

(254 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 16 Feb 1998 17:47:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      www.kerouacquarterly.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dig it...I was booted from you precious realm but I found a crack in the wall.

 

Les critiques du veil art moderne ont ete surtout egares et cocufies par le

"moderne" meme. Effectivement rien na jamais vieilli plus vite et plus mal

que tout ce qu'a un moment ils qualifierent de "moderne."

 

Civil discourse is here...alive and well. I'm glad all your boring rabble

doesn't clog up my e-mail. Take care all....have fun and live out your

exciting lives...Paul of TKQ.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 17:58:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JULIANA PABON <julie36@BU.EDU>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it all boils down to definitions, yet again.  think about it...my

definition of "unconventional" can be completely different than yours..or

even webster's.  but if we take it all to mean a general expression of

"different", well, then i do feel that BEAT dictates unconventional

actions. how unconventional one needs to be in order to take up rank with

the likes that brenda knight writes about however, remain to be seen.

by defining ANYTHING we set limits to the very thing we attempt to

explain, but tell me, what do you feel makes someone unconventional??

 

 

On Mon, 16 Feb 1998, Nancy B Brodsky wrote:

 

> mmmhh..interesting. I think I agree with it but I also feel like BEAT cant

> be explicitly explained. I think that Brenda Knight is decsribing the

> characteristics of BEAT, so shes not really defining. Its a hard thing to

> define...

> Websters New World Dictionary, circa 1990 writes :adj 1. tired out, 2.of a

> group of young persons,esp of the 1950's expressing social disillusionment

> by unconventional dress, actions, ect. I dont know about the

> unconventional dress but unconvential actions seems about right...

> What do you think?

>  On Mon, 16 Feb 1998, JULIANA PABON wrote:

> 

> > i read this this morning.  according to Brenda Knight:

> >

> > "Beat is underground, raw, unedited, pure, shocking.  Beat can't be

> > refined, sanitized, second-guessed, premeditated; it must be immediate.

> > Beat is an explosion, a vomiting of vision."

> >

> > from _Women of the Beat Generation_

> >

> 

> ********Had we a place to stand upon, we might raise the

> world.--Archimedes*********

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 18:26:39 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Diane DiPrima and all that jazz....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i have to say, the recently posted is the only poem i've ever read of diane's,

but i've heard much of the criticism towards her asserting that she couldn't

write, was just a groupie, was making an easy buck off her sexual exploits

(pardon the pun), etc.   but i was impressed by the piece and it makes me

wonder if all those criticizing her are actually attempting to minimilize her,

as a beat writer,  into the same trivial and demeaning position that so many

of our beloved beats felt fitting for women.

--ce

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 15:39:04 -0800

Reply-To:     jmaynard@csubak.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Arthur Maynard <John_Maynard@FIRSTCLASS1.CSUBAK.EDU>

Subject:      Re: Oops, massive oops

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Ghost of Slim Gaillard wrote:

 

> I just realized that I stoopidly sent a missive intended for Country-L

> to Beat-L by mistake, the "Alison Krauss" post......doh!! Sorry about

> that, but it probably made for a surreal moment.

> 

 

Hey, I'd a lot rather read about Alison Krauss than "Estate Wars XVII:

The Final Countdown."

 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - Berea, KY

> frying chicken in a big iron thing

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 18:43:43 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i hate to do this, but....

perhaps the 50's were sexy....for white  heterosexual men.   Playboy (which

was pretty much the driving force behind the sexiness of the fifties--marilyn

monroe was the cenerfold for the first issue) came out with its first issue

(in '56 i believe)  and made sex the "natural and healthy"  ideal for the

white heterosexual male.  unfortunately, it also produced and reinforced

unrealistic images  for women to conform to in order to satisfy their male

lovers.  it also reinforced the idea that heterosexulity was the only accepted

norm.

 

i know this is getting off on a bit of a tangent, but while you cavort about

praising the positive aspects of the 50's, understand that it wasn't so

positive for a lot of people.  and for those who rebelled--hopefully--it

wasn't just a matter of sexiness and being cool, rather the only alternative

to an oppressive society.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 18:48:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Discussing this topic at any length would be beyond the scope of Beat-l.  A goo

d dictionary of critical theory or literary terms might be the best place to be

gin.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 18:51:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The problem with this definition is that it is too inclusive -- it could just a

s easily define punk rock.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: stu5293@sun.cc.westga.edu

Date:         Mon, 16 Feb 1998 18:55:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have to agree with this person. The notion that someone can't truly

understand a period or an era just because they never lived it is

preposterous! If you're going to say that, you might as well say that our

entire education system is bulls#!t because they teach on the basis of

passed down knowledge. I'll admit that our education system has its flaws,

but to say that no one has a clue just because all their knowledge comes

from research... the jokes on YOU! Go find Gary Snyder and explain to him

that all his degrees are bulls#!t because he may not have necessarily

lived in the cultures or times he studied.

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

On Mon, 16 Feb 1998, Ice Station Zebra wrote:

 

> D. Patrick Hornberger wrote:

> 

> > hardly anyone under 50 years of age could even come close to

> > understanding "BEAT" without intensive study

> 

> === Oh please. The same could be said for any period of history!

> "Intensive study"???

> 

> 

> 

> >...its not berets, bongos and hitchhiking

> 

> === why not? I saw plenty of beret-wearing, bongo-beatin' hitchhiking

> beatniks in the '60's.....oh, but I guess those just weren't REAL beats,

> eh?  Well, *they* thought they were beats, and *I* thought they were

> beats, so perhaps we are all the victim of mass hallucination.

> 

> 

> 

> > I dont now what it is you young types find so attractive

> > about the Beat Generation ,but I gotta feeling it aint' what

> > you thought it was.

> 

> === If you don't understand why someone (regardless of age) would find

> the Beat Generation attractive, I have to wonder whose viewpoint of it

> is really skewed. Besides, at this late date in history it matters not -

> the MYTH of "Beat" is all that remains and all that matters. The myth

> has been wrested from the clammy grip of those who actually lived

> through it, just like it happens to everything else that comes down the

> pike. I endorse the myth of the laissez-faire art-dabbling bookworm

> coffee house 'beatnik' because, watered down though it may seem to some,

> it's still INFINITELY preferable to whatever malaise the aimless youth

> of today are congealing in.......any kid that wants to put on a pair of

> wayfarers, a black beret and sweater, buy the Rhino Beat Generation Box

> Set and swallow it whole and proclaim themselves a beatnik is just fine

> by me and welcome in my coffee house anytime.

> 

> 

> 

> > Its kinda weird that I don't understand the current

> > generation--so how come you all think you knew a previous

> > one you didnt live in?

> 

> === Why don't you understand the current generation? It's a no-brainer.

> The more things change, the more things stay the same, anyway.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - Berea, KY

> listening to Ken Nordine's "Reaching Into In"

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: mapaul@pop.pipeline.com

Date:         Mon, 16 Feb 1998 19:02:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Re: Mr. Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jo Grant wrote -

 

I'm perplexed that so few people have responded to the slanderous coments

about Diane DiPrima and the attempt to trivialize her as a writer.

 

Don't be perplexed - maybe others do not share your world view of things. I

was wrong about remarking about her physical appearance but not about her

poetry. That is my opinion. I have the background to criticize her poetry

with my experience as a student and scholar of literature and writing. Why

do I not draw upon this supposed knowledge? because I have more fun doing it

like this. I do not get bent out of shape when people criticize a favorite

writer of mine. I could care less. Opinion, as vicious and unsettling it

might sound, does not confer slander. If I had called her a thief, a

murderer etc.then your allegations would have ground but...as usual they do

not. Things sound like they do when Nicosia is feeding you things to say for

your web page.

 

  The picture of her promiscuity should not come as a shock to her children

since she has depicted that so explicitly thus far.

 

Jo Grant orates further like the Socrates he really is:

 

"However, by speaking of her as -"he"-did, using those labels so arrogantly,

so viciously, and with no sense of her dedication and skill -"he"-has

provided a portarit of himself that is definitive--a picture of his world,

hs words, his work. Not a pretty picture."

 

yes I am very upset that I do not suit your idea of a proper Beat-L participant.

You are so far off the mark Grant...anyone who knows me knows that this "world"

that you speak of so pointedly does not make up even a tenth of a tenth

percent of my total cosmogony. This is your world...mine is filled with

color and light. My paintbrush is dipped in gold and my mind is lucid and

shiny.Should I choose to paint it with terror and drama, then it is so.

 

The truth is that Bill Gargan gives you the latitude to pontificate about

your petty worldviews which are neither compelling nor truthful. At least

I...when I write things that may offend,upset, etc other people (of which I

am truly sorry for anything like thatto those who read for fun and joy of

Beat Lit) it is my honesty which dictates my spirit. Unlike you...who is

afraid to make an intelligent opinion or remark without it being spoonfed

from a like-minded party. Paul Maher, Jr. (the"he" that is in question here)

of The Kerouac Quarterly.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: stu5293@sun.cc.westga.edu

Date:         Mon, 16 Feb 1998 19:02:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Are you trying to say that sex isn't natural? The examples you spoke of

from the 50's just proved to society that sex is a beautiful thing and

many dangers inherent in sex are there because of outdated taboos. As far

as standards go, anyone who looks in Playboy and thinks that they're going

to find someone who looks like that is going to spend alot of time with

their nose and other body parts stuck in the pages. There's nothing wrong

with fantasizing, but don't you won't to be able to COMMUNICATE with the

person that you just shared a beautiful moment with?

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ghandi would've smacked you in the head!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

On Mon, 16 Feb 1998, <Carly Earnshaw> wrote:

 

> i hate to do this, but....

> perhaps the 50's were sexy....for white  heterosexual men.   Playboy (which

> was pretty much the driving force behind the sexiness of the fifties--marilyn

> monroe was the cenerfold for the first issue) came out with its first issue

> (in '56 i believe)  and made sex the "natural and healthy"  ideal for the

> white heterosexual male.  unfortunately, it also produced and reinforced

> unrealistic images  for women to conform to in order to satisfy their male

> lovers.  it also reinforced the idea that heterosexulity was the only accepted

> norm.

> 

> i know this is getting off on a bit of a tangent, but while you cavort about

> praising the positive aspects of the 50's, understand that it wasn't so

> positive for a lot of people.  and for those who rebelled--hopefully--it

> wasn't just a matter of sexiness and being cool, rather the only alternative

> to an oppressive society.

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:06:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      hey jhs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

okay, so i agree with a lot of the things that you said in your post to d.

patrick.  what i don't agree with is your dismal outlook on today's

generation.  remember, a lot of people would have called the beats "aimless

youth" before they became famous and established a massive cult following.

also, be sure not to exclude the subcultures of today's young

generation....beat wasn't exactly mainstream and what was mainstream was

fairly undesirable (well, to me anyway)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:12:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I guess I associate unconventionality with nonconformity

On Mon, 16 Feb 1998, JULIANA PABON wrote:

 

> it all boils down to definitions, yet again.  think about it...my

> definition of "unconventional" can be completely different than yours..or

> even webster's.  but if we take it all to mean a general expression of

> "different", well, then i do feel that BEAT dictates unconventional

> actions. how unconventional one needs to be in order to take up rank with

> the likes that brenda knight writes about however, remain to be seen.

> by defining ANYTHING we set limits to the very thing we attempt to

> explain, but tell me, what do you feel makes someone unconventional??

> 

> 

> On Mon, 16 Feb 1998, Nancy B Brodsky wrote:

> 

> > mmmhh..interesting. I think I agree with it but I also feel like BEAT cant

> > be explicitly explained. I think that Brenda Knight is decsribing the

> > characteristics of BEAT, so shes not really defining. Its a hard thing to

> > define...

> > Websters New World Dictionary, circa 1990 writes :adj 1. tired out, 2.of a

> > group of young persons,esp of the 1950's expressing social disillusionment

> > by unconventional dress, actions, ect. I dont know about the

> > unconventional dress but unconvential actions seems about right...

> > What do you think?

> >  On Mon, 16 Feb 1998, JULIANA PABON wrote:

> >

> > > i read this this morning.  according to Brenda Knight:

> > >

> > > "Beat is underground, raw, unedited, pure, shocking.  Beat can't be

> > > refined, sanitized, second-guessed, premeditated; it must be immediate.

> > > Beat is an explosion, a vomiting of vision."

> > >

> > > from _Women of the Beat Generation_

> > >

> >

> > ********Had we a place to stand upon, we might raise the

> > world.--Archimedes*********

> >

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:17:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      according to Brenda Knight

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     >"Beat is underground, raw, unedited, pure, shocking.  Beat can't be

>refined, sanitized, second-guessed, premeditated; it must be immediate.

>Beat is an explosion, a vomiting of vision."

 

Ahhh, Beat described as life should be.  A brilliant statement.

M. T. Sorensen

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:36:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Lord Buckley, Lenny Bruce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

      I just heard Lord Buckley's Hip Ghan and also Lenny Bruce's routine

about marrying a horse.  Does anybody know where I can here more of these

guys' stuff?  Maaan, thats some brilliant surreal stuff.  For some reason that

stuff hits some strange undercurrents/sensorypickups and gets so goofy its

just not goofy anymore- its got that deep, illustrious ramblin' thang goin'

on.  Anyhoo, anybody got any leads for me?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 01:42:33 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leo Getz <thomas.van.moortel@SKYNET.BE>

Organization: None

Subject:      Re: Punk Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A Clockwork Mango wrote:

> 

> Bill Gargan wrote:

> >

> > The problem with this definition is that it is too inclusive -- it could

 just

>  as easily define punk rock.

> 

> === And that's not necessarily a bad thing. Punk, at one time anyway,

> was not antithetical to Beat. The Clash were very much an heir-apparent

> to the Beat lineage, and Allen Ginsberg even performed and recorded with

> them.....WSB wrote a punk rock song called "Bugger the Queen"....Patti

> Smith bridged the gap between Beat and Punk rather well......Richard

> Hell, Exene Cervenka and Henry Rollins have done some writings in a sort

> of post-Beat molding......

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - Berea, KY

> fried chicken and guinness stout

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Mr Holland,

 

I fear I have to disagree with the Henry Rollins/beat-connection.

If I were to smoke a cigarette, let alone a blunt anywhere NEAR

Henry Rollins, he'd kick the sh*t out of me probably, albeit

verbally.  Henry Rollins gives more about staying in shape and

publishing books and playing in movies and staying healthy and

writing music and publishing music and eating yogurt and being

a health-freak... not the type of guy I think Jack Kerouac or

Neal Cassady would really be able to have a good time with.

And it there's one thing I think those two wanted, is just,

'to have a good time'.  Fact that they lived their lives to

the max, Kerouac even writing -to me- brilliant literature,

using drugs (i relate to drugs, i LIKE drugs), doing it more

than most of us, even having -more or less- 'serious' relation-

ships (something I heard Rollins say in an interview once he

hadn't had, quote 'a girlfriend in years'... that says enough

to me) and still accomplish what JK accomplished in his way

too short life, tho he lived at twice the speed some of us do...

Anyway, I do very much appreciate Rollins very much as

an artist: his lyrics/the anger/real feelings/the pain/and he's

actually a really FUNNY guy too!  No kidding!

 

_I wanna disconnect myself_

_Pull my brains damn out and unplug myself_

_I want nothing right now_

 

_If you could see the you that I see when I see you see me,

 you'd see yourself so differently, believe me_

 

--Sincerely,

  Thomas Van Moortel (alien)

--listening to Tricky's Brand New You're Retro                          --baked as a

cookie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:44:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JULIANA PABON <julie36@BU.EDU>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

and yet again my friend, what is nonconformity??

if what i stand for is completely out of your realm, if what i believe in

does not make it to your belief of what is "right", if how i live my life

is reminiscent of the social taboo...then are you a noncomformist? does a

mere disqualification of others make us unconventional?

 

On Mon, 16 Feb 1998, Nancy B Brodsky wrote:

 

> I guess I associate unconventionality with nonconformity

> On Mon, 16 Feb 1998, JULIANA PABON wrote:

> 

> > it all boils down to definitions, yet again.  think about it...my

> > definition of "unconventional" can be completely different than yours..or

> > even webster's.  but if we take it all to mean a general expression of

> > "different", well, then i do feel that BEAT dictates unconventional

> > actions. how unconventional one needs to be in order to take up rank with

> > the likes that brenda knight writes about however, remain to be seen.

> > by defining ANYTHING we set limits to the very thing we attempt to

> > explain, but tell me, what do you feel makes someone unconventional??

> >

> >

> > On Mon, 16 Feb 1998, Nancy B Brodsky wrote:

> >

> > > mmmhh..interesting. I think I agree with it but I also feel like BEAT cant

> > > be explicitly explained. I think that Brenda Knight is decsribing the

> > > characteristics of BEAT, so shes not really defining. Its a hard thing to

> > > define...

> > > Websters New World Dictionary, circa 1990 writes :adj 1. tired out, 2.of a

> > > group of young persons,esp of the 1950's expressing social disillusionment

> > > by unconventional dress, actions, ect. I dont know about the

> > > unconventional dress but unconvential actions seems about right...

> > > What do you think?

> > >  On Mon, 16 Feb 1998, JULIANA PABON wrote:

> > >

> > > > i read this this morning.  according to Brenda Knight:

> > > >

> > > > "Beat is underground, raw, unedited, pure, shocking.  Beat can't be

> > > > refined, sanitized, second-guessed, premeditated; it must be immediate.

> > > > Beat is an explosion, a vomiting of vision."

> > > >

> > > > from _Women of the Beat Generation_

> > > >

> > >

> > > ********Had we a place to stand upon, we might raise the

> > > world.--Archimedes*********

> > >

> >

> 

> ********Had we a place to stand upon, we might raise the

> world.--Archimedes*********

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Mon, 16 Feb 1998 19:48:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Who is "Beat"?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Okay--I'm not sure that I've got this right--I am new to the Beat-L chat

thing--but I'm thinking now about something I read--was it by Pat Hornberger

or Christopher Moore--?

 

Anyway--the whole idea of who is capable of understanding what it means to

be "Beat" -- it's well within anyone's understanding provided they take the

trouble to learn a little about the cultural climate of the 1950's without

lambasting or idealizing it. Either way, it's a bad thing. I was born in

1952--and though I was raised in an environment which provided me with

certain intellectual opportunities, it could also be seen as somewhat

stultifying. I was encouraged to think for myself--but not to take it so far

as to say or do anything "subversive." The syndrome of "shutdown" which

Ginsberg claimed was strangling the academy (Columbia in particular) was

everywhere--mass conformity, the rise of a consumer culture that homogenized

every real cultural innovation so the general public would find it

palatable--this was the way of things then and the only thing that has

changed in that area is that more people are conscious of it now as an

ongoing process. To say that you have to be over fifty to understand what it

means to be "Beat" is about as condescending as the Generation X types who

think the Beats are tired old anachronisms who refuse to fade away.

 

If you're willing to take the trouble to learn a little about the

fifties--and if you keep an open mind--the whole concept of being "Beat" is

easy to understand. I teach English on the high school level and one of my

favorite elective courses is devoted to the writings of the Beats. My

students--none of whom were born before 1980--had no problem understanding

the concept--of course, they were allowed to see videos, press clippings,

photos and to hear recordings from that period. So what then is Hornberger's

or Moore's problem?

 

Sounds like a bad case of cultural chauvinism to me.

 

 

                                                    Jeff Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 01:50:05 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JSH <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Today's Generation  (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

TazminX@AOL.COM wrote:

> 

> In a message dated 98-02-16 19:52:27 EST, you write:

> 

> << There are always standout kids in each generation who think for

>  themselves and have an innate curiosity about life, but it seems they

>  are lesser in number today, >>

> 

> lesser number today? there were really only 5 - 10 key members (in my opinion)

> of the beat generation.

 

 

=== In the first place, I wasn't talking about the Beat Generation. In

the second place, you're mixing the terminology - the core members of

the 'Beats' are not the entire 'Beat Generation' itself. Any

'generation' tag such as this (or "generation x") is always a misnomer

anyway, since no 5-10 people can ever represent an entire generation,

but nevertheless.....I was not referring to the Beats specifically in

the above quote, I was referring to, as I said, each and any generation.

 

 

 

> so where does that leave us? who are our nonconformists? the uni-bomber?

 

=== I think the Unabomber is the most important act of "non serviam" to

happen since the Weathermen. I have my suspicions that Ted Kaczynski and

the author of the manifesto and the perps behind the bombings are three

different persons/entities, including the CIA, but that doesn't matter.

The manifesto and the Myth of the Unabomber are the important thing.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

JSH : trippin' on peanut butter and elvis costello

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 19:54:32 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      the 50's stereotype and playboy

To:           BEAT-L@CUNYVM.CUNY.EDU

 

no, no, no.  i'm not saying that sex isn't natural at all.  what i'm saying is

that the 50's concept of sexuality presented it as being natural ONLY for

white male heterosexuals.   extramarital sex was still unacceptable for

females (but not males)  homosexuality was still considered perverse and

deviant.   black males remained societally de-sexed (a hand down from

slavery).  and black women were considered sexual temptresses (again a result

of slavery).   (i apologise for not discussing other groups here, but my

knowledge is limited)

 

sex is good  (or, at least, it can be).  but the morality of the 50's did not

allow for a diverse understanding of sexuality.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:03:37 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

so i'm helping to organize a class on jack and allen.  we must have otr read

by tomarrow.  i am interested in anyone's opinions, ideas, etc.  for topics of

discussion during the meeting.  i'm not looking for "wow!  on the road changed

my life!"   i'm hoping more for, biographical, historical information, etc.

it would also be helpful if anyone can give me a basic rundown of which

characters correspond to which actual people.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:10:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/16/98 5:08:20 PM Pacific Standard Time,

Sockmunkie@AOL.COM writes:

 

> it would also be helpful if anyone can give me a basic rundown of which

>  characters correspond to which actual people.

 

See the appendix to Ann Charters' biography of JK.

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:11:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Carlo Marx- Allen Ginsberg

Old Bull Lee- William S. B.

Sal Paradise- hmmmmmmmmmmm, must I ??

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:33:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mr Mojo Risin <KrwlnKgSnk@AOL.COM>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

this a page with all the character alias in all of Kerouac books

http://www.charm.net/~brooklyn/Lists/KerouacNames.html

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:41:10 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: your mail

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Unconventionality and nonconformity arent necessarily negative, not for me

anyway. All I meant was that people should do things that they want to do

and not what everyone wants them to do..

 On Mon, 16 Feb 1998, JULIANA

PABON wrote:

 

> and yet again my friend, what is nonconformity??

> if what i stand for is completely out of your realm, if what i believe in

> does not make it to your belief of what is "right", if how i live my life

> is reminiscent of the social taboo...then are you a noncomformist? does a

> mere disqualification of others make us unconventional?

> 

> On Mon, 16 Feb 1998, Nancy B Brodsky wrote:

> 

> > I guess I associate unconventionality with nonconformity

> > On Mon, 16 Feb 1998, JULIANA PABON wrote:

> >

> > > it all boils down to definitions, yet again.  think about it...my

> > > definition of "unconventional" can be completely different than yours..or

> > > even webster's.  but if we take it all to mean a general expression of

> > > "different", well, then i do feel that BEAT dictates unconventional

> > > actions. how unconventional one needs to be in order to take up rank with

> > > the likes that brenda knight writes about however, remain to be seen.

> > > by defining ANYTHING we set limits to the very thing we attempt to

> > > explain, but tell me, what do you feel makes someone unconventional??

> > >

> > >

> > > On Mon, 16 Feb 1998, Nancy B Brodsky wrote:

> > >

> > > > mmmhh..interesting. I think I agree with it but I also feel like BEAT

 cant

> > > > be explicitly explained. I think that Brenda Knight is decsribing the

> > > > characteristics of BEAT, so shes not really defining. Its a hard thing

 to

> > > > define...

> > > > Websters New World Dictionary, circa 1990 writes :adj 1. tired out, 2.of

 a

> > > > group of young persons,esp of the 1950's expressing social

 disillusionment

> > > > by unconventional dress, actions, ect. I dont know about the

> > > > unconventional dress but unconvential actions seems about right...

> > > > What do you think?

> > > >  On Mon, 16 Feb 1998, JULIANA PABON wrote:

> > > >

> > > > > i read this this morning.  according to Brenda Knight:

> > > > >

> > > > > "Beat is underground, raw, unedited, pure, shocking.  Beat can't be

> > > > > refined, sanitized, second-guessed, premeditated; it must be

 immediate.

> > > > > Beat is an explosion, a vomiting of vision."

> > > > >

> > > > > from _Women of the Beat Generation_

> > > > >

> > > >

> > > > ********Had we a place to stand upon, we might raise the

> > > > world.--Archimedes*********

> > > >

> > >

> >

> > ********Had we a place to stand upon, we might raise the

> > world.--Archimedes*********

> >

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:42:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Today's Generation  (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What high school/college kids? Certaintly not me, and I think more the

rule than the exception....

On Mon, 16 Feb 1998, A Clockwork Mango wrote:

 

> Carly Earnshaw said:

> 

> > okay, so i agree with a lot of the things that you said in

> > your post to d.patrick.  what i don't agree with is your

> > dismal outlook on today's generation.  remember, a lot of

> > people would have called the beats "aimless youth" before

> > they became famous and established a massive cult following.

> > also, be sure not to exclude the subcultures of today's young

> > generation....beat wasn't exactly mainstream and what was

> > mainstream was fairly undesirable (well, to me anyway)

> 

> 

> === I'm not saying the youth of today is hopeless - in fact, things seem

> much better now than they were about five years ago - but something I

> have noticed in high school/college kids, in increasing number and

> degree of intensity since the mid-1980's, is a growing lack of

> curiosity. The popularity of the Internet seems to have reversed this

> trend for the time being, but I wonder if it will be permanent or lead

> to an even greater anhedonia.

> 

> There are always standout kids in each generation who think for

> themselves and have an innate curiosity about life, but it seems they

> are lesser in number today, and each are thrown all in increasingly

> specialized directions, forced into ever-shrinking thought boxes - most

> forms of remotely alternative music now have subgenres spinning off of

> their subgenres. You can't just be Punk anymore, you have to choose

> between hardcore, '77, straight edge, poli-punk, crust, stenchcore,

> etc.  You can't just be Techno anymore, you have to choose between

> Ambient, Rave, Trip Hop, House, Goth, Hip House, Manchester, Hard

> Techno, etc.  The more people like me try to blur all boundaries and

> make labels and distinctions vaguer, they just keep splitting hairs into

> infinitesimally smaller fad-camps with shorter and shorter life spans.

> Attention spans seem to be getting microscopic. The increasing

> fragmentation makes it difficult to organize people into sharing any

> common ideas.

> 

> Then again, perhaps I'm just nostalgic for the days when it was just "Us

> vs. Them" and we all knew who They were.

> 

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> J.S.Holland - gorged on fried birds - ky.

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:45:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ann Charter's Beat Reader has all the info you need..

On Mon, 16 Feb 1998, <Carly Earnshaw> wrote:

 

> so i'm helping to organize a class on jack and allen.  we must have otr read

> by tomarrow.  i am interested in anyone's opinions, ideas, etc.  for topics of

> discussion during the meeting.  i'm not looking for "wow!  on the road changed

> my life!"   i'm hoping more for, biographical, historical information, etc.

> it would also be helpful if anyone can give me a basic rundown of which

> characters correspond to which actual people.

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 16 Feb 1998 20:49:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Eugene

Comments: To: Hey Joe <hey-joe@gartholamew.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Eugene

(In memory of Eugene Deherme)

 

Vibration released.

Friend, 48, gone, gone, gone.

Rogue cells eaten.

Transformed to

Release energy to

New form.

 

This prayer for

Friend, music, meditation

Altered states, yoga, and poetry.

Soul to soul stood we.

Brothers.

Talking without words.

This prayer for me, from me.

 

No more shall his spirit

Fill my heart.

No more shall his feeling

This way come.

No more shall I walk

Among this garden.

Gone, gone, gone.

Alone.

 

Eugene,

Splendid in life.

More splendid now.

Free from form

Energy disperses

And reforms as galaxies collide.

Eugene, I shall miss your

Friendship.

Eugene,

Do not fail

To

Keep

On

Keeping

On

Across

The

Milky

Way

And then onward.

 

Februray 16, 1998

To an unknown brother for a wise cyber-friend.

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

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Date:         Mon, 16 Feb 1998 22:39:40 EST

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From:         TazminX@AOL.COM

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-16 19:04:55 EST, you write:

 

<< Had she been a man and had written her sexual

 memoirs, people wouldn't be making such a big deal out of it. Kerouac

 boinked a lot of people, and I don't recall him, or Ginsberg, for that

 matter, ever being refered to as a "skank."  >>

 

is it a surprise to anyone that there was a double standard? especially in the

50's?

 

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Date:         Mon, 16 Feb 1998 19:52:02 -0800

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From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> What do all these things mean? Modernist, etc. How do you differetiate

> between the different styles?

 

I'll take a quick shot at this ... if you agree that there is

such a thing as a traditional or classical approach to art

or music or writing, then the modernist style would be a

style that attempts to break away from the traditional/classical

in a bold, definitive way.

 

So if Michelangelo, Beethoven and Shakespeare are

classical, Monet, Stravinsky and T.S. Eliot are modernist.

Post-modernism is then usually meant to describe a style

that is aware of modernism, but more accepting of traditional

or classical elements in a modern, sometimes ironic setting.

Post-modernism is often humorous and self-conscious where

modernism is serious and highly political.  Andy Warhol,

Bob Dylan and Kurt Vonnegut seem like good examples

of post-modernists.

 

I agree that Ginsberg seemed more modernist than

post-modernist -- his career was spent engaging and

fighting the old guard, and he didn't seem to care much

for ironic distance.  Burroughs seemed more post-modern,

and Kerouac really worked within traditional (pre-modern)

forms, mainly straight narrative fiction.

 

All these classifications fall apart easily, of course, if

you poke at them at all.  I find the terms useful anyway.

Interestingly, the only art form in which the terms really

hold up well is architecture.  The modernist movement in

architecture attempted to strip away all decorative or

non-essential elements, so a modernist building is usually

a completely clean, simple glass box.  Post-modern

architecture allows decorative elements to return, but

as discrete additions to otherwise clean, stripped-down

modern buildings.  So in New York City the Public Library

is classical, the Seagram Building is modern, the Chrysler

Building (with it's spire and metal gargoyles) is

post-modern.

 

OK, I'll stop sounding like a textbook now.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

|       "I think somebody better put out the big light" |

|                                     -- Elvis Costello |

---------------------------------------------------------

 

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Date:         Mon, 16 Feb 1998 21:55:47 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Lord Buckley, Lenny Bruce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Matthew Sorenson wrote:

 

>       I just heard Lord Buckley's Hip Ghan and also Lenny Bruce's routine

> about marrying a horse.  Does anybody know where I can here more of these

> guys' stuff?  Maaan, thats some brilliant surreal stuff.  For some reason

that

> stuff hits some strange undercurrents/sensorypickups and gets so goofy

its

> just not goofy anymore- its got that deep, illustrious ramblin' thang

goin'

> on.  Anyhoo, anybody got any leads for me?

 

Can't speak for Buckley, but much good Bruce material is out on CD.

Fantasy has two "twofer" CD's (two LP's on one CD) out featuring four of

Lenny's LP's...The Lenny Bruce Originals Vol. 1 (The Sick Humor Of Lenny

Bruce and Interviews Of Our Times) and Vol. 2 (Togetherness and Lenny

Bruce-American).  World Pacific (a subsidiary of Capitol Records) has The

Carnegie Hall Concert (AKA the "midnight concert"), an uncut, unedited

performance from 1961 on two CD's.  Rhino has re-released the

Bizarre/Straight Records album called The Berkeley Concert (another

unedited performance, produced by Frank Zappa).  And there's a low-fi

performance from Chicago in 1962 on Viper's Nest Records called Lenny Bruce

Live! Busted!, which features the actual bust of our hero by Chicago's

finest for naughty language.

 

Enjoy!

 

Jym

 

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Date:         Mon, 16 Feb 1998 23:02:39 -0500

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From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Its no surprise to me and its an old and chliched debate..

On Mon, 16 Feb 1998 TazminX@AOL.COM wrote:

 

> In a message dated 98-02-16 19:04:55 EST, you write:

> 

> << Had she been a man and had written her sexual

>  memoirs, people wouldn't be making such a big deal out of it. Kerouac

>  boinked a lot of people, and I don't recall him, or Ginsberg, for that

>  matter, ever being refered to as a "skank."  >>

> 

> is it a surprise to anyone that there was a double standard? especially in the

> 50's?

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Mon, 16 Feb 1998 22:05:14 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Why we *should* all read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

TazminX@AOL.COM wrote:

> 

> In a message dated 98-02-16 19:04:55 EST, you write:

> 

> << Had she been a man and had written her sexual

>  memoirs, people wouldn't be making such a big deal out of it. Kerouac

>  boinked a lot of people, and I don't recall him, or Ginsberg, for that

>  matter, ever being refered to as a "skank."  >>

> 

> is it a surprise to anyone that there was a double standard? especially in the

> 50's?

 

good point except the poor soul saying it said it in the 90's.  He also

gaurenteed that none of the women involved with the beats.. , oh it was

a bunch of silly crap.

 

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Date:         Mon, 16 Feb 1998 23:31:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TazminX@AOL.COM

Subject:      Re: Punk Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-16 19:56:38 EST, you write:

 

<< Henry Rollins gives more about staying in shape and staying healthy and

 eating yogurt and being a health-freak... not the type of guy I think Jack

Kerouac or

 Neal Cassady would really be able to have a good time with.

 And it there's one thing I think those two wanted, is just,

 'to have a good time'.  Fact that they lived their lives to

 the max, >>

 

hmmm...almost sounds like a description of Japhy Ryder! Jack..oops, I mean

Ray..seemed more than happy to "live life to the max" climbing a mountain

fueled by bulgar and freeze dried vegetables. my point is yes i think they all

had a great time drinking and all that but i believe what attracted all of the

beats to each other was a mental thing.  not what they wore or ate.  expanding

consciousness does not have to happen thru drugs.

 

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Date:         Mon, 16 Feb 1998 23:49:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         TazminX@AOL.COM

Subject:      Re: Today's Generation  (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-16 19:52:27 EST, you write:

 

<< There are always standout kids in each generation who think for

 themselves and have an innate curiosity about life, but it seems they

 are lesser in number today, >>

 

lesser number today? there were really only 5 - 10 key members (in my opinion)

of the beat generation.  everyone followed their lead.  so it seems, as

always, the more things change....

we live in a homogenized society where everything is instantaneously

mainstream (i blame TV, particularly MTV, and the internet). so where does

that leave us? who are our nonconformists? the uni-bomber? jeffrey dahmer

(sp?)? are they the only ones rebelling against society? doing something

different? maybe.

the problem of people not thinking for themselves is not unique to the 90s.

the majority of americans are probably not even aware that they don't think

for themselves.  they just follow the status quo and believe all the crap they

are spoon fed because they don't know any better.  they don't know that they

can question everything/anything.

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 16 Feb 1998 23:03:59 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane DiPrima and all that jazz....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>i have to say, the recently posted is the only poem i've ever read of diane's,

>but i've heard much of the criticism towards her asserting that she couldn't

>write, was just a groupie, was making an easy buck off her sexual exploits

>(pardon the pun), etc.   but i was impressed by the piece and it makes me

>wonder if all those criticizing her are actually attempting to minimilize her,

>as a beat writer,  into the same trivial and demeaning position that so many

>of our beloved beats felt fitting for women.

>--ce

 

A great poem. I sure would like to see anything/everything (poetry) any one

has written on the subject of abortion, that comes close. I'd sure add it

to my files.

 

As for diminishing the women beats, I think it's obvious. Can't imagine

that anyone would be surprised.

 

j grant

 

 

 

 

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Date:         Mon, 16 Feb 1998 23:23:05 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Lord Buckley, Lenny Bruce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>      I just heard Lord Buckley's Hip Ghan and also Lenny Bruce's routine

>about marrying a horse.  Does anybody know where I can here more of these

>guys' stuff?  Maaan, thats some brilliant surreal stuff.  For some reason that

>stuff hits some strange undercurrents/sensorypickups and gets so goofy its

>just not goofy anymore- its got that deep, illustrious ramblin' thang goin'

>on.  Anyhoo, anybody got any leads for me?

 

Lenny Bruce has at least the folowing two CDs:

 

Lenny Bruce Originals Vol 1 and Vol 2.

 

I know there are more.

 

Lord Buckley must have CDs.

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Date:         Mon, 16 Feb 1998 21:32:31 PST

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From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: Ginsberg query?/Re: Eric: Modernism vs. Postmodernism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ahh, L. Ascher beat me to the definition of Modernism and Postmodernism.

It's quite a nice a nice explanation though, so perhaps so much the

better.  Oh well.  I'll add mine too, just for kicks (which will have no

references to anything else as I typed it away from this newsgroup).

 

These are my thoughts on Modernism and Postmodernism as it pertains to

Art.  I can t say I m a student of Critical Theory, but this is what

I ve found in my reading.  I have also asked this question to one of my

professors who happens to be a scholar in comparative modern literature,

and therefore I shall be receiving an answer from him tomorrow, at which

time I will send an addendum to this message.

Modernism, in its general definition, is the departure from the old,

traditional method.  In the case of the 20th century variety of

Modernism, the  old school  would be Realism.

A bit of history:  Romanticism, a departure from Neoclassicism (a

revival of the Classical ideas) placed emphasis on the emotions and

passions of the human kind.  It exalted the common man, showed an

appreciation of the external world, and utilized older, more traditional

styles.  I believe that this coincided with Impressionism in the visual

arts.  Realism, the following Era, as is evident in the word, stressed

Reality, the things that are real.  Naturalism, an off-shoot of Realism,

a member of which was Melville, emphasized observation of life with all

its evils, devoid of idealization.

Now, Modernism.  The way I see it, it attempted to express feelings and

ideas in creating abstractions and fantasies, as opposed to

demonstrating exactly what is real.  Cezanne was the  father  of this

movement.  Modernism was very idealistic, believing in continual

progress and perhaps eventual attainment of perfection through

technology and rationalism.  After WWII, most saw the computer and

plastics and airplanes as our way to salvation.  Rationalism and

rationality were key; however, this also led to the relative disinterest

in radical, non-modernistic thought.  Hence, the  sterile 50 s , as

someone on BEAT-L put it.  Modernism focused on the essential

characteristics of medium, in a sense, formalism.  Art from this era

also required interaction between the painting and the observer; as

opposed to a painting of a tree, in which any Joe Shmoe can see a tree,

a modernist painting would be, say, various geometrical designs, and the

audience would have to understand the underlying motive of the painter

(or author, or poet, depending on medium) to draw a conclusion of the

meaning.

Does that make any sense at all?  Picasso, van Gogh, Mondrian, were all

constituents of this Age.

Postmodernism is simply (or not so simply) the ridicule of the Modern

age.  It denies, or at least weakens its faith, in rationalism, preferrs

uncertainty, and uses much irony, mockery, parody, and humor.  In a way,

as it both utilizes past cultural movements and makes fun of them, it is

a sort of Meta-art, critiquing art in its own art.  Much illogical,

nonsensical stuff here, including Surrealism and Dadaism.

It is quite difficult to categorize Postmodernism as its basic tenet is

its absence of analytical categories, handy for scholars to use and

dissect.  Both Modernism and Postmodernism are abstract in ways

Modernism abstracts to show Logic and Ideals, Postmodernism abstracts to

show lack of Ideals and Reason.

I think that s all I can say about that.  I hope I haven t muddled

everything even more.

In this context, I would have to evaluate Ginsberg as a Postmodernist.

 

>> What do all these things mean? Modernist, etc. How do you

>>differetiate

>> between the different styles?

> 

>I'll take a quick shot at this ... if you agree that there is

>such a thing as a traditional or classical approach to art

>or music or writing, then the modernist style would be a

>style that attempts to break away from the traditional/classical

>in a bold, definitive way.

> 

>So if Michelangelo, Beethoven and Shakespeare are

>classical, Monet, Stravinsky and T.S. Eliot are modernist.

>Post-modernism is then usually meant to describe a style

>that is aware of modernism, but more accepting of traditional

>or classical elements in a modern, sometimes ironic setting.

>Post-modernism is often humorous and self-conscious where

>modernism is serious and highly political.  Andy Warhol,

>Bob Dylan and Kurt Vonnegut seem like good examples

>of post-modernists.

> 

>I agree that Ginsberg seemed more modernist than

>post-modernist -- his career was spent engaging and

>fighting the old guard, and he didn't seem to care much

>for ironic distance.  Burroughs seemed more post-modern,

>and Kerouac really worked within traditional (pre-modern)

>forms, mainly straight narrative fiction.

> 

>All these classifications fall apart easily, of course, if

>you poke at them at all.  I find the terms useful anyway.

>Interestingly, the only art form in which the terms really

>hold up well is architecture.  The modernist movement in

>architecture attempted to strip away all decorative or

>non-essential elements, so a modernist building is usually

>a completely clean, simple glass box.

 

Frank Lloyd Wright, no?

 

>  Post-modern

>architecture allows decorative elements to return, but

>as discrete additions to otherwise clean, stripped-down

>modern buildings.  So in New York City the Public Library

>is classical, the Seagram Building is modern, the Chrysler

>Building (with it's spire and metal gargoyles) is

>post-modern.

 

Art Deco, to be more precise.  But this is confusing, as it was built in

the 1930's, firmly in the Age of Modernism.  Wacky stuff.

 

>---------------------------------------------------------

>| Levi Asher = brooklyn@netcom.com                      |

 

 

-Christopher Moore

 

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Date:         Mon, 16 Feb 1998 21:51:41 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: Today's Generation (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> There are always standout kids in each generation who think for

>> themselves and have an innate curiosity about life, but it seems >>

they

>> are lesser in number today, >>

> 

>lesser number today? there were really only 5 - 10 key members (in >my

opinion)

>of the beat generation.  everyone followed their lead.  so it seems,

>as

>always, the more things change....

>we live in a homogenized society where everything is instantaneously

>mainstream (i blame TV, particularly MTV, and the internet). so where

does

>that leave us? who are our nonconformists? the uni-bomber? jeffrey

dahmer

>(sp?)? are they the only ones rebelling against society? doing

something

>different? maybe.

>the problem of people not thinking for themselves is not unique to the

90s.

>the majority of americans are probably not even aware that they don't

think

>for themselves.  they just follow the status quo and believe all the

crap they

>are spoon fed because they don't know any better.  they don't know that

they

>can question everything/anything.

> 

 

I don't mean to criticize your entire point here, but I would like to

make several exceptions.  There are a heck of a lot of non-conformists

(and not just non-conformists for the sake of non-conforming).  The

problem with them is that they're not mainstreem, thereby receiving very

little publicity and notoriety.  Surely murders and unabombers will,

because of the nature and outcome of their non-conformity.  But many

many others either keep to themselves, do not have leadership potential

or want (as some of the well-known Beats did), or just do not attract

attention.  In the Beat Generation, I am positive there were plenty more

than 5-10, or even 50-100, who generally held the ideals, who genuinely

went against the status quo and prevailing philosophy at the time.

And now, today, I can be certain that there are so many (surely a minute

minority, of course, fractions of a percent, yet still a sizeable

number)  who do think for themselves.  Again, as it's not a mass

movement, and, inherent in these free-thinkers, they do not conglomerate

as easily as other people, they are not so known.  But to stereotype

*everybody* by the vast majority sort of bothers me.

It's what's going to happen with democracy, but it just does irk me

sometimes.

Christopher.

 

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Date:         Mon, 16 Feb 1998 22:00:06 PST

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From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> so i'm helping to organize a class on jack and allen.  we must   >>

have otr read

>> by tomarrow.  i am interested in anyone's opinions, ideas, etc.  >>

for topics of

>> discussion during the meeting.  i'm not looking for "wow!  on the >>

road changed

>> my life!"   i'm hoping more for, biographical, historical        >>

information, etc.

>> it would also be helpful if anyone can give me a basic rundown of >>

which

>> characters correspond to which actual people.

 

Ahh.  Why don't you discuss the issues of Romanticism vs. Realism, as in

Dean vs. Sal?  Or the issues of transcendentalism inherent in the novel,

or the Freedom aspect, orthe "on the road, moving" aspect, etc. etc.

Themes are neat.

Christopher.

 

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From:         "n. r." <nremez@HOTMAIL.COM>

Subject:      Re: Is you is (Beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>From owner-beat-l@cunyvm.cuny.edu Mon Feb 16 15:55:40 1998

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>Date:         Mon, 16 Feb 1998 18:55:14 -0500

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         The Last Hurrah! <stu5293@WESTGA.EDU>

>Subject:      Re: Is you is (Beat) or is you aint

>To:           BEAT-L@CUNYVM.CUNY.EDU

>In-Reply-To:  <34E87B86.1CEC@iclub.org>

> 

>I have to agree with this person. The notion that someone can't truly

>understand a period or an era just because they never lived it is

>preposterous!

 

 

Even if we young ones accept that we can't fully understand events that

occured almost half a century ago, is it not enough to show our

appreciation by embracing what has been left behind for us?  To be

excluded by something as futile as time and the pattern of birth order

seems almost immoral.

 

You've got me, I'm young and ignorant but I'm also trying to better

myself.  Discovering the Beat Generation was an entrance into a world

that I will never fully be a part of.  That time is over.  I'm envious

of those that lived it, but all the same, no one is going to tell me

that my appreciation is not valid.

 

natasha.

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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X-Sender: kh14586@am.appstate.edu

Date:         Tue, 17 Feb 1998 01:44:35 -0500

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From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Ginsberg query?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Interestingly, the only art form in which the terms really

> hold up well is architecture.  The modernist movement in

> architecture attempted to strip away all decorative or

> non-essential elements, so a modernist building is usually

> a completely clean, simple glass box.  Post-modern

> architecture allows decorative elements to return, but

> as discrete additions to otherwise clean, stripped-down

> modern buildings.  So in New York City the Public Library

> is classical, the Seagram Building is modern, the Chrysler

> Building (with it's spire and metal gargoyles) is

> post-modern.

 

Interesting that you bring this up.  For anyone who's read _The

Fountainhead_ by Ayn Rand, did anyone see any resemblances between the

group of writers organized and held up as "the great new artists" by the

critic (sorry, can't remember his name this moment) and our friends the

Beats?  I found it quite startling that Rand created a bunch of poets and

writers and playwrights whose styles and ideas mirrored the Beats and

other artists that would come to prominance years after she wrote it.  For

someone looking at the differences between Modern and post-modern,

architecture is a good place to start as well as other visual arts.  Here,

its easier to get a handle on the ways of thinking.

 

No one's ideas of what they are and aren't have completely satisfied me

nor my understanding of them, mostly because they're bigger, I think, than

a simple definition would allow.  Took me a semester's worth of American

art history to get a working idea with which to apply it to other

disciplines.  It is a _highly_ academic discussion that would be mighty

nifty to pursue but not one that lends itself to such a large group

conversing out-of-order via email without a common understanding and

experience of what everything means.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

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Date:         Tue, 17 Feb 1998 01:56:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: BACK TO LITERATURE -J. DIDION

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 05:00 PM 2/13/98 -0600, you wrote:

>Marie...thanks for the Corso and JK poetry....

> 

>can we please try and get back to nature of this list...namely

>Literature......

> 

>The posts over the last few days about women writers had me thinking

>of Joan Didion.  I picked up _Slouching Towards Bethlehem_ and _The

>White Album_ at a used bookstore ages ago and have yet to read them.

>Didion's name seems to pop up alot (not on this list..but other places).

>..I don't know much about her?  Can anyone fill me in?  Any opinions of

>her work?

> 

>What about Anne Waldeman as a female beat writer??

> 

>Dawn

> 

>I read Slouching Toward Bethlehem and didn't like it.  She wrote a book

about driving on the LA Freeway whose title I can't recall.  She writes

pretty fair journalism, and she and her husband, John Gregory Dunne, brother

of Dominic, write horribly commercial screenplays like the Third Star is Born

and Up Close and Personal.  Dunne wrote recently that The English Patient was

a descendant of Out of Africa.  I disagree, it is the son of Lawrence of

Arabia

and David Lean.

 

Mike Rice

 

Just rememberd the book, Play It As It Lays.  It was boring and awful.  J.

G. Dunne

wrote an interesting scrrenplay of his novel, True Confessions, in which he

gets

Monsignor Robert De Niro, getting dressed to perform a mass, says to a

developer,

"Oh Yaeh, we met her, but you fucked her!"

 

Mike Rice

 

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Date:         Tue, 17 Feb 1998 01:57:12 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Today's Generation  (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

sad, sad, but true. and what can you do about it.  say, "hey man.  you don't

think for yourself, and um, i do."  but of course, we've all been socialized

with awful stuff to an insane degree.  none of us can escape it.  the best we

can do is try.  so,sad, so sad.

 

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Date:         Tue, 17 Feb 1998 02:02:49 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i would really like to hear what you think about some of this stuff.  you

could start with the romantic vs. realist  stuff.  all this beat stuff is

pretty new to me and everyone else in the class and i'd like to bring as much

to it as possible.  thanks.

 

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Date:         Tue, 17 Feb 1998 02:07:07 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      marie countryman, i love your poetry....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

and just the way you write in general.  i've gotten the impression that you're

an established (eh-hem, published) poet.  is there any way i can get a hold of

your work.

 

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X-Sender: podulkca@uwec.edu

Date:         Tue, 17 Feb 1998 04:35:22 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cathrine Podulke <podulkca@UWEC.EDU>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>it would also be helpful if anyone can give me a basic rundown of which

>characters correspond to which actual people.

> 

Look in Kerouac's _Book of Dreams_. It has a list of who's who in OTR and

two other of his books.

 

Kat

 

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Date:         Tue, 17 Feb 1998 09:46:21 +0000

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From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: brass furnace going out(after abortion)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

powerful pome, stephanie: certainly not the work of some (loosely quoted here)

"wanna be lying around complaining of cramps and menstrual blood"

thank you for typing it in its entirety.

mc

 

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Date:         Tue, 17 Feb 1998 10:20:41 +0000

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From:         Marie Countryman <country@SOVER.NET>

Subject:      diprima/stephanie/jeff at waterrow

To:           BEAT-L@CUNYVM.CUNY.EDU

 

stephanie: what volume did that come from , that incredible pome? no

diprima anywhere on the shelves in my town. jeff: do you carry it?

mc

 

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Date:         Tue, 17 Feb 1998 10:35:36 +0000

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From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

YO! sista-woman! (with a tip of the hat to mr stauffer as well: many realities

exist in the same time period, my brother's 57 chevy was really cool, and the

 men

who went forward with rockand roll and began to break out of the conformist

rules.) but actually, in many ways it was the era, beat and mainstream that saw

little to offer from women except food on the table and sex in the bed (or in

 the

beats case, just about anywhere)  yes, it was also the era that spawned those

gruesome happy family shows on tv ('father knows best') and in 'girls fiction' -

ie, who remembers the 'bobbies twins? and betty crocker and aunt jemima and

 emily

post and garters and girdles and 'training bras' - i never did get that concept!

i asked my mother what sporting event they were for.

mc

 

 

i hate to do this, but....

 

> perhaps the 50's were sexy....for white  heterosexual men.   Playboy (which

> was pretty much the driving force behind the sexiness of the fifties--marilyn

> monroe was the cenerfold for the first issue) came out with its first issue

> (in '56 i believe)  and made sex the "natural and healthy"  ideal for the

> white heterosexual male.  unfortunately, it also produced and reinforced

> unrealistic images  for women to conform to in order to satisfy their male

> lovers.  it also reinforced the idea that heterosexulity was the only accepted

> norm.

> 

> i know this is getting off on a bit of a tangent, but while you cavort about

> praising the positive aspects of the 50's, understand that it wasn't so

> positive for a lot of people.  and for those who rebelled--hopefully--it

> wasn't just a matter of sexiness and being cool, rather the only alternative

> to an oppressive society.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 10:57:48 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: marie countryman, i love your poetry....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

and just the way you write in general. i've gotten the impression that you're

 

> an established (eh-hem, published) poet.  is there any way i can get a hold of

> your work.

 

well i sure am taken aback (albeit flattered as well). i had done years of

academic writing as grad studendt, etc, over 20 yrs ago.. strangely, coming out

of a total train wreck of marriage and total breakdown, including madness and

hospitalization,  i wrote my first pome the day that allen ginsberg died, and

have not stopped since.  i sure wish i could get published (who here wouldn't?

and there are those on the list who have). if you send me email privately

country@sover.net

i'll zap you some pomes unpublished.

i did have 2 pieces in john amato's articulata: a place for poetry

but both have been extensively editied since then. derek did a beautiful

 chapbook

for me of my In Somnia poem, which has since undergone radical surgery. but

remains a beautiful piece of printing, labor of love design.

mc

 

 

and just the way you write in general. i've gotten the impression that you're

 

> an established (eh-hem, published) poet.  is there any way i can get a hold of

> your work.

 

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X-Sender: hlinh@pop.student.uib.no

Date:         Tue, 17 Feb 1998 12:06:28 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nils-Xivind Haagensen <hlinh@POP.STUDENT.UIB.NO>

Subject:      Re: is you is (beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

to eric:

I don't think there's ONE CORRECT way to understand something, anything, do

you? So what if you don't approve of "our" way to read beat literature, why

should that bother me? Why should it bother you? When you and your beat

friends read On the Road (at 16) did you agree on absolutely everything? I

don't think that's possible, and certainly not desirable. No-one's a more

priviliged reader than anyone else, if you ask me eric, and you shouldnt,

that is you to say you cant accuse anyone of "wrongdoing" in this respect.

And I don't have to tell you to dig it just in order to talk (or, in this

case, write) to you¨, do I?

 

sincerly

nils

 

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Date:         Tue, 17 Feb 1998 08:49:15 -0500

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From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Why We Should Read Diane DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Because from her poem "Rant. " Too long to quote here, but includes:

 

"... There is no way out of the spiritual battle

the war is the war against the imagination

you can't sign up as a conscientious objector

....

the taste in all our mouths is the taste of our power

and it is bitter as death

 

bring yr self home to yrself, enter the garden

the guy at the gate with the flaming sword is yrslf

 

The war is the war against the human imagination

And no one can fight it but you/ & no one can fight it for you...."

 

****

"Rant" Copyright (c) by Diane di Prima from Pieces of a Song by Diane di

Prima, published 1990 by City Lights Books

 

from a poster by White Fields Press for the literary renaissance, thank

you Ron Whitehead.

 

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Date:         Tue, 17 Feb 1998 08:04:48 -0800

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From:         Mary Maconnell <MMACONNELL@MAIL.EWU.EDU>

Subject:      Kerouac limited edition cd

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This weekend I went on an excursion to Seattle (where I had a great time

seeing the Kerouac play and coffee afterwards, btw!) and stopped in at

Borders Books and Music and Whatever Else They Sell.  I ordered the two

Kerouac cds they could get in -- one is a box set (3, I think), and the

other is the limited edition cd.

 

Does anyone own either of these?  I think I remember someone saying they

picked up the limited edition one -- how much was it?  The man there said

the price didn't come up on the computer so I'm a bit worried.  :)  I know

the other is about $50.

 

What about the quality and content?

 

Thanks,

Mary

 

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Date:         Tue, 17 Feb 1998 16:53:26 +0000

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From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

Carly

 

<P>I wasn't arguing that the 50's were perfect, just that the notion that

the awful 50's basically drove JK to commit suicide.&nbsp; Societies are

almost always oppressive, that is what they are for (if you buy the argument

Freud makes in <I>Civilization and Its Discontents</I>, and creative types

generally rebel--at least that has been true for the last two or three

centuries--they would probably have been rebellious sooner except that

the only way to make an artistic living used to be through either the king

or the church.&nbsp; Kerouac, Cassidy, Corso, etc, were white men.&nbsp;

The 50's see the birth of rock n roll, the start of the civil rights movement

in many ways, a real flowering of writing about homosexuality.&nbsp; Jobs

were much easier.&nbsp; It was much easier to move around the country,

find a job, stay for awhile and move on.&nbsp; It was fluid, in some ways.&nbsp;

Not good for women, I agree, but that was true inside and out of the Beat

world.&nbsp; My only point is that certainly the 50's were for a huge majority

a time of grey flannel conformity at the same time there was an explosion

of rebellious creativity and exploration.

 

<P>JS

<BR>&nbsp;

<BLOCKQUOTE TYPE=CITE>perhaps the 50's were sexy....for white&nbsp; heterosexual

men.&nbsp;&nbsp; Playboy (which

<BR>was pretty much the driving force behind the sexiness of the

 fifties--marilyn

<BR>monroe was the cenerfold for the first issue) came out with its first

issue

<BR>(in '56 i believe)&nbsp; and made sex the "natural and healthy"&nbsp;

ideal for the

<BR>white heterosexual male.&nbsp; unfortunately, it also produced and

reinforced

<BR>unrealistic images&nbsp; for women to conform to in order to satisfy

their male

<BR>lovers.&nbsp; it also reinforced the idea that heterosexulity was the

only accepted

<BR>norm.

 

<P>i know this is getting off on a bit of a tangent, but while you cavort

about

<BR>praising the positive aspects of the 50's, understand that it wasn't

so

<BR>positive for a lot of people.&nbsp; and for those who

 rebelled--hopefully--it

<BR>wasn't just a matter of sexiness and being cool, rather the only alternative

<BR>to an oppressive society.</BLOCKQUOTE>

&nbsp;</HTML>

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Date:         Tue, 17 Feb 1998 12:52:03 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JULIANA PABON <julie36@BU.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

the problem with america is that anything original becomes a theme park.

 

really, would you be as interested in what is beat is it were a prereq

class you had to take to get out of college???  we are all inherently

attracted to this because not everybody is.  if beat went mainsteam we'd

be the first to "look" for something else.

it's inherent.  and yes, it is sad...so sad...

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: SyNaPsEs

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01ITOGNMVKXU8Y74OY@mail.ewu.edu>

References:

 

Hunter S. Thompson said, "the spirit of the 60s was really dead by 1967"

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Date:         Tue, 17 Feb 1998 12:12:09 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Kerouac limited edition cd

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Mary Maconnell wrote:

 

> This weekend I went on an excursion to Seattle (where I had a great time

> seeing the Kerouac play and coffee afterwards, btw!) and stopped in at

> Borders Books and Music and Whatever Else They Sell.  I ordered the two

> Kerouac cds they could get in -- one is a box set (3, I think), and the

> other is the limited edition cd.

> 

> Does anyone own either of these?  I think I remember someone saying they

> picked up the limited edition one -- how much was it?  The man there said

> the price didn't come up on the computer so I'm a bit worried.  :)  I

know

> the other is about $50.

 

What is this limited edition CD?  I did once see one of the three albums

collected in the Rhino box set released as a single CD by Verve within the

last year (sorry, can't remember which album it was).  Is this possibly

what Mary has ordered?

 

Jym

 

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Date:         Tue, 17 Feb 1998 13:13:51 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Tue, 17 Feb 1998 19:05:54...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Tue, 17 Feb 1998 19:05:54 +0100 with subject "SyNaPsEs"

has been successfully distributed to the BEAT-L list (251 recipients).

 

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Date:         Tue, 17 Feb 1998 13:20:06 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Kerouac limited edition cd

To:           BEAT-L@CUNYVM.CUNY.EDU

 

the kerouac musical?  what's up with that?  sounds like it would be awful.

 

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Date:         Tue, 17 Feb 1998 13:51:16 -0500

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From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: corso and kerouac topics/pomes

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:07 PM 2/15/98 EST, you wrote:

>John Updike wrote a very interesting essay on the fifties.  I could try and

>find it, if anyone's interested. . .

>><CYAN><

> 

>I'm interested even tho I may have already read it in the New Yorker,

and forgotten about it .

 

Mike Rice

 

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Approved-By: WXGBC@CUNYVM.CUNY.EDU

Date:         Tue, 17 Feb 1998 12:18:03 -0800

Reply-To:     mayhewe@SONOMA.EDU

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         eric mayhew <mayhewe@SONOMA.EDU>

Subject:      Re: is you is (beat) or is you aint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nils-Xivind Haagensen wrote:

>

> to eric:

> I don't think there's ONE CORRECT way to understand something, anything, do

> you? So what if you don't approve of "our" way to read beat literature, why

> should that bother me? Why should it bother you? When you and your beat

> friends read On the Road (at 16) did you agree on absolutely everything? I

> don't think that's possible, and certainly not desirable. No-one's a more

> priviliged reader than anyone else, if you ask me eric, and you shouldnt,

> that is you to say you cant accuse anyone of "wrongdoing" in this respect.

> And I don't have to tell you to dig it just in order to talk (or, in this

> case, write) to you¨, do I?

>

> sincerly

> nils

 

I am sorry, I don't know what you are saying.  I was just trying to tell

everyone that there is a reason to study beat literature.  I was not

saying there is a correct way to understand things.  Maybe you confused

me for someone else.  Try to clear things up if you will.

 

eric

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 22:09:57 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Wills & His Texas Playboys <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: something like a william tell style execution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

a friend recently told me that wsb shot his wife in the head.  it was

written

> off as an accident, and he wasn't even charged with manslaughter.   this

> struck me as a bit odd.  can anyone bring a little more light to the story for

> me?

 

=== On September 6, 1951 at a drunken get-together in Mexico, Bill was

playing with his gun and said to Joan, "I guess it's about time for our

William Tell act." She placed a glass on her head.  He fired and missed,

shooting her in the head, killing her instantly. WSB was questioned by

the Mexican Police and was not arrested but the case was still open and

pending when WSB packed up and skipped out.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Kokomo Arnold's "Back To The Woods"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 16:16:02 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      kerouac musical

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i read about a Kerouac Musical on a beat web page last night.  that's what i

meant.  does anyone know anything about it?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 16:18:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      something like a william tell style execution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

a friend recently told me that wsb shot his wife in the head.  it was written

off as an accident, and he wasn't even charged with manslaughter.   this

struck me as a bit odd.  can anyone bring a little more light to the story for

me?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: eam23@dunx1.ocs.drexel.edu

Date:         Tue, 17 Feb 1998 16:43:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         beth <elizabeth.ann.mekker@DREXEL.EDU>

Subject:      Re: Today's Generation  (was: hey jhs)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Or perhaps people do question society and its realms, but do not yet

verbalize that malcontent to the rest of the world, including us.  Perhaps

it's just a phone call away from taking over the lives and thoughts of

thousands, of becoming another movement.  Or perhaps we don't

listenandspread the glorious new(s).  beth...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 16:46:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rodney Lee Phillips <philli31@PILOT.MSU.EDU>

Subject:      Re: beat videos--welch--San Diego archive

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello James--

 

Please contact me if you would via back-channel.  I'd like to hear more about

the Welch materials in the San Diego Archive.  I've got some interesting news

about my book on the West coast Beats.

 

Best,

 

Rod Phillips

philli31@pilot.msu.edu

 

 > > While working in the New Poetry

Archive at UC San Diego last week on

Lew > Welch I found references to a some film or video footage of Lew reading.

> Has anyone seen these.  When Gary Glazner was on the list he also mentioned

> some Welch footage.  Anyclues would be appreciated or also Gary's e-mail if

> anyone has it, or if he is lurking these days.

> 

> One of the main attractions of the San Diego archive is the collection of

> the papers of Donald Allen who edited the New American Poets, anothology,

> Evergreen Review, and published poetry for Grove Press and then his own

> Grey Fox in Bolinas.  His records are beautifully organized and kept and

> there are good letters from almost any poet of the period you may be

> studying.  It's a great collection and the folks there are helpful.  There

> is something about holding a letter by Jack or Lew in your hand that goes

> beyond reading the same thing in a book--even if it were available. I am

> also getting the tape (audio) of Lew's lecture that became "How I work as a

> Poet."

> 

> James Stauffer

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 17:57:25 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matthew  Sorensen <Tcsorensen@AOL.COM>

Subject:      Re: something like a william tell style execution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yeah, WSB put a glass on his wife's head (After a rather large fix,

apparently), and tried to shoot it off and killed her.  He was on the run from

the law anyway, so he started traveling around in South America, Argentina I

think, and hiding out there.  Dats da deal!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 21:08:20 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: something like a william tell style execution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bob Wills & His Texas Playboys wrote:

> 

> a friend recently told me that wsb shot his wife in the head.  it was

> written

> > off as an accident, and he wasn't even charged with manslaughter.   this

> > struck me as a bit odd.  can anyone bring a little more light to the story

 for

> > me?

> 

> === On September 6, 1951 at a drunken get-together in Mexico, Bill was

> playing with his gun and said to Joan, "I guess it's about time for our

> William Tell act." She placed a glass on her head.  He fired and missed,

> shooting her in the head, killing her instantly. WSB was questioned by

> the Mexican Police and was not arrested but the case was still open and

> pending when WSB packed up and skipped out.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - Berea, KY

> listening to Kokomo Arnold's "Back To The Woods"

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

I would recommend reading the preface william wrote to Queer, Viking

edition,copyright 1985.  It deals candidly with that period and that

incident.  It was an incredibly tragic moment for william, more so for

joan of course.  I believe the repercussions contributed to william jrs.

tragic life.  I also would say that I consider the preface some of the

best and strongest writing written anywhere in that decade.

        I was keeping house for William during the period he wrote the

preface.  I remember it as a very hard time for him. He read some of the

manuscript to me, then he stopped reading, and handed me the manuscript

 to read one afternoon. I was lying across the couch cryin hard through

the end.  i do not cry easily. I was left with a sense of sorrow so deep

that i had dark dream after dream. I also gained some real understanding

of william.  I eternally blame myself for things and won't let things

go.  Somewhere in those passages was a message that one could let go

only by accepting responsibility for what had happened.

        James came in and they looked at each other.  I feel that this writing

was something that had to occur, something about James and Williams

relationship was involved.  James was a postitive force in williams life

to a remarkable degree. I thought that William had dealt with facing

this black thing and going through it.  i remember a story of some

interviewer asking him if he had any regrets.  His response was shock,

he certainly had regrets. He did not forget what he had done, he

remembered.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 22:17:55 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: diprima/stephanie/jeff at waterrow

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-17 11:08:22 EST, you write:

 

<< stephanie: what volume did that come from , that incredible pome? no

 diprima anywhere on the shelves in my town. jeff: do you carry it?

 mc >>

 

I have no idea- found it on the internet. I've run into the same problem that

you have- no DiPrima anywhere in this great Metropolitan City (and I've been

bitching about it on Beat-L- sorry you guys...) However- hopefully my copy of

Pieces of Song will be in soon... Until then, another poems I got off the web:

 

Be careful.

With what relief do we fall back on

the tale, so often told in revolutions

that now we must

organize, obey the rules, so that later

we can be free. It is the point

at which the revolution stops. To be carried forward

later & in another country, this is

the pattern, but we can

break the pattern

                  learn now we see

with all our skin, smell with our eyes too

sense & sex are boundless & the call

is to be boundless in them, make the joy

now, that we want, no shape

for space & time now but the shapes we will

REVOLUTIONARY LETTER #48

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 21:20:56 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      beat buffet on sunday 1;30

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You are invited to my house sunday,in lawrence, for a buffet.  david

race will be staying here at the beat hotel. i still have a pallet on

the floor that is very comfortable for any beat wayfarers.  Lunch will

be around 1:30.  I am celebrating a good draft of my short story, a

friends promotion to editor of cappers, that david will be in town. and

my success as the fattest woman in my aerobic swimming class.

 I truely want to thank everyone for the wonderful help on my story.  I

feel it finally is getting somewhere.

so, crepes, ham, cakes, pies, byob

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [204.210.0.21]

Date:         Tue, 17 Feb 1998 19:21:46 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: Who is

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 I teach English on the high school level and one of my

>favorite elective courses is devoted to the writings of the Beats. My

>students--none of whom were born before 1980--had no problem

understanding

>the concept--of course, they were allowed to see videos, press

clippings,

>photos and to hear recordings from that period. So what then is

Hornberger's

>or Moore's problem?

> 

>Sounds like a bad case of cultural chauvinism to me.

> 

> 

>                                                    Jeff Perchuk

> 

 

I'd like to say that it was *not* I who was saying that one had to be of

age during a lit. or art or cultural movement to understand it and to

learn it, or vice versa.  I, in fact, was one who refuted that claim by

I don't remember whom, the claim that some people on this list, teens,

college students, etc., would never understand the Beat Movement because

they did not live during that time.

I totally agree with you, J. Perchuk, in what you said about

appreciation and increasing comprehension of a past culture.  I was

saying how any literature movement is so essential to today, or any

cultural movement, because it has eternal significance on the human

condition, blahdy blah blah.

Thanks for reinforcing and reiterating my point.  It is very essential.

 

Christopher Moore.

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 22:26:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Last Time I committed Suicide

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sorry if this was discussed already, but...

 

Gotta love that title. And letters that went between Neal Cassady and Jack

Kerouac now presented as drama- very veyr interesting! So my friend and I

decide to rent this video, but it turns out the ever vomitous Keanu Reeves

(rememeber him? the man who ruined "my own private idaho"?) plays Kerouac!! Is

this for real? Has anyone seen the movie? Has anyone read the script/seen

another production (if there was any other production, stage etc)?

 

Thank you.

 

--Stephanie

 

and ps- Marie, I didn't type all of Brass Furnace Going out, I found it that

way, although wouldn't it have been a labor of love if I did transcribe the

whole thing! Although I actually may have with my lazy self, if it had been

neccesary. My top 4 poems:

 

"Brass furnace etc" Diane DiPrima

"The Love Song of J Alfred Prufrock" TS Eliot

"Howl"

"The Lords" Jim Morrison

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Tue, 17 Feb 1998 22:59:20 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: Last Time I committed Suicide

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> decide to rent this video, but it turns out the ever vomitous Keanu

Reeves

> (rememeber him? the man who ruined "my own private idaho"?) plays

Kerouac!! Is

 

 

        I am sure that this has been covered, but...

 

        Keanu doesn't play Kerouac.  It is a letter from neal to jack, with neal

describing an event that took place prior to even meeting kerouac.

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

["The strongest reason for the people to retain the right to keep and bear

[ arms is, as a last resort, to protect themselves against tyranny in

[ government."

[                                                  -- Thomas Jefferson

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 20:00:29 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Last Time et al

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Sorry if this was discussed already, but...

> 

>Gotta love that title. And letters that went between Neal Cassady and Jack

>Kerouac now presented as drama- very veyr interesting! So my friend and I

>decide to rent this video, but it turns out the ever vomitous Keanu Reeves

>(rememeber him? the man who ruined "my own private idaho"?) plays Kerouac!!

 

This character is not supposed to be Kerouac.  It was a Denver friend of

Cassady's.  I do recognize that the movie makers did try to pattern him and

the made up friend in the movie on Kerouac and Ginsberg respectively, but

Reaves wasn't supposed to be Kerouac.

 

This question and the one about the William Tell incident indicate again

that there oughter be a faq.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 20:08:11 -0800

Reply-To:     eatcarpaccio@geocities.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anthony <eatcarpaccio@GEOCITIES.COM>

Organization: Cad Corporation

Subject:      Re: Last Time I committed Suicide

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     I saw the movie as well and enjoyed it a lot.  I thought that it

had a decent amount of beat content and I especially like the way that

Cassady's battle between the "American Dream" and "On The Road" was

portrayed, which made sense because he was one of the only ones out of

those guys who was actually married for an extended period of time.  I

also liked how there was ambiguity about his decision up until the last

few minutes when he runs off.  And you gotta love the music.

     Although Keanu seemed to represent the perpetually drunk version of

Kerouac, I'm not so sure that he did.  It seems that for a movie like

that, in support of the beats, they wouldn't make Kerouac out to seem so

pathetic and besides, the premise that he was writing a letter with

"Dear Jack" at the top in the very beginning and very end seems not to

agree with this "Harry" guy.  If anyone has more insight, or an answer

to the question, I'd like to know.  I'd also love to see the letter that

the movie was based upon.

 

-Anthony

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 23:23:40 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Diane be praised/double standard

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It seems to me that this discussion has wandered far afield.  The truth

is that she is a great poet.  As a friend of mine said:

 

"Diane is a very powerful, gifted, and disciplined writer."

 

Her sex life does not diminish that.  The fact that someone would state

that she is not a poet because she liked sex a lot, does say something

about that person and the person's motives.  And it is not

complimentary.  This woman is a major poet and we demean her by

continuing a discussion of her sex life or calling her vulgar names.  It

is what is called a red herring as it distracts from the real issue, the

double standard.  I do believe that the discussion of the double

standard for men and women bears merit.  I agree with those who point

out that if she were a man, then she would be thought of in an heroic

vein for her honesty and sense of adventure.

 

If there is an appropriate book of her poetry available, I would suggest

we start a discussion of her poetry.

 

I like this brief excerpt from "Alba, for a Dark Year"

 

the star, the child, the light

returns

the darkness will not win completely

nor will the green dragon

entirely devour the sun

 

what is this softness that will not take no

for an answer

that penetrates and masses

like love

in an empty heart?

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 17 Feb 1998 21:00:45 -0800

Reply-To:     eatcarpaccio@geocities.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Anthony <eatcarpaccio@GEOCITIES.COM>

Organization: Cad Corporation

Subject:      Anti-Government

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm trying to amass evidence that the beats were anti-government and I

was wondering if anyone knew of any good quotes from Naked Lunch.

That would be especially helpful, but as always, any input is good.  My

main points of evidence right now are the censorship trials and some

good quotes about the police from OTR.

 

Thanks,

 

--Anthony

 

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X-Sender: kh14586@am.appstate.edu

Date:         Wed, 18 Feb 1998 00:24:06 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Who is

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> learn it, or vice versa.  I, in fact, was one who refuted that claim by

> I don't remember whom, the claim that some people on this list, teens,

> college students, etc., would never understand the Beat Movement because

> they did not live during that time.

 

I'll agree but take it a step further though and say that it is very

difficult (without serious study and broad examination of popular culture)

for some of the youngers to really truly _get_ how much of popular culture

today has been shaped and influenced by the Beats and just how much of our

current (young) American worldview owes to the Beats.  Ha!

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

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X-Originating-IP: [204.210.0.22]

Date:         Tue, 17 Feb 1998 22:11:07 PST

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From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: my tutorial with jack

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>i would really like to hear what you think about some of this >stuff.

you

>could start with the romantic vs. realist  stuff.  all this beat >stuff

is

>pretty new to me and everyone else in the class and i'd like to >bring

as much

>to it as possible.  thanks.

> 

I seem to have, during a point of weakness, lent my copy of OTR to

somebody else in a different county.  I better get that back soon.  But

I have a few notes about some issues I was thinking about after reading

OTR.

There was the issue of the "frontier" with Sal's desire to go West, just

as it has always been in America, with Manifest Destiny and the Wild

West, and the Gold Rush, etc. etc.

Romanticism holds with Dean Moriarty for obvious reasons: he was the

embodiement of Idealism, doing exactly what he wanted to do and no less,

achieving what is only dreams to many others, like always Going,

visiting friends whenever, etc. etc.

Realism in Sal, with his internal struggle wanting to let himself Go and

be like Dean, but at the end perhaps realizing that what should

sometimes be grounded in Earth and not always flying away to somewhere

else.

As all the Beats did, the characters in OTR rejected the Status Quo.

I wrote down Transcendentalism as an important feature in this book;

find it.

Here is a list of historically significant events of the times that

seemed to have repurcussions in the book:

40's; WWII; Hiroshima; Rosenbergs; Cold War; Containment; Red Scare;

Baby Boom; Television; and importantly, American Dream/Ideal.

 

I wish I either had my boook or more time this evening, but I'm sure

that many people on this list have a much more thorough working

knowledge of OTR and would be glad to fill you in on the details.

 

Christopher.

 

______________________________________________________

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Date:         Wed, 18 Feb 1998 00:18:15 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: beat buffet on sunday 1;30

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>You are invited to my house sunday,in lawrence, for a buffet.  david

>race will be staying here at the beat hotel. i still have a pallet on

>the floor that is very comfortable for any beat wayfarers.  Lunch will

>be around 1:30.  I am celebrating a good draft of my short story, a

>friends promotion to editor of cappers, that david will be in town. and

>my success as the fattest woman in my aerobic swimming class.

> I truely want to thank everyone for the wonderful help on my story.  I

>feel it finally is getting somewhere.

>so, crepes, ham, cakes, pies, byob

>patricia

 

Oh how I wish I could be there.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Date:         Wed, 18 Feb 1998 01:19:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Diana Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I cannot for the life of me imagine why people get hung-up about Diprima's

sexuality---not that it might not be something to consider when reviewing

her poetry, but really, it is silly to dwell upon it as something MORE

important than the writing itself. She's a damned fine poet--and anyone with

an ounce of critical sense should be able to see that. All this

defensiveness about her status as a woman who was subordinated to the other

writers in the movement is made by people who probably don't know how her

work as well as they should. The poetry speaks for itself---why should

anybody have to defend her after the fact anyway? We all know that women had

a harder time pursuing literary or artistic careers back then--so what? A

lot of post-modern criticism seems puerile and silly precisely because of

its tendency to veer off into areas that, quite simply, are not relevant at

all. Besides--the post-modern approach (in my opinion) is anathema to anyone

who really wants to enjoy the writings of the Beats.

 

I dig Diprima's poetry--and I am not really thinking of the author's gender

when I'm reading something that speaks to me on a gut level. And, quite

frankly, I don't allow my critical sense to get tangled up with gender

polemics that are as boring as they are frustrating.

 

 

                                         Jeff Perchuk

 

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X-Sender: cen00746@207.17.135.251 (Unverified)

Date:         Wed, 18 Feb 1998 01:57:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: something like a william tell style execution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:18 PM 2/17/98 EST, you wrote:

>a friend recently told me that wsb shot his wife in the head.  it was written

>off as an accident, and he wasn't even charged with manslaughter.   this

>struck me as a bit odd.  can anyone bring a little more light to the story

for

>me?

> 

>There is no straight story about this.  One says the Mexican authorities

investigated and found it was accidental.  It is my view that it was

accidental.  Others say Burroughs bought off the federales and left the

Mexican jurisdiction, before someone got wise.  I don't think there is a

final believable version of this story, that you can count on.

 

Mike Rice

 

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Date:         Wed, 18 Feb 1998 01:03:30 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      My top 4 poems:

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>and ps- Marie, I didn't type all of Brass Furnace Going out, I found it that

>way, although wouldn't it have been a labor of love if I did transcribe the

>whole thing! Although I actually may have with my lazy self, if it had been

>neccesary. My top 4 poems:

> 

>"Brass furnace etc" Diane DiPrima

>"The Love Song of J Alfred Prufrock" TS Eliot

>"Howl"

>"The Lords" Jim Morrison

 

 

Stephanie,

 

I don't have Di Prima's Selectred Poems. When I added the poem to my web

site I tried to follow the format you used when you E-mailed it to the list.

 

Hope it's close. As soon as you have the book let me know.

 

Check: http://www.bookzen.com/books/0872860590_b.html

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Date:         Wed, 18 Feb 1998 07:43:18 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: BACK TO LITERATURE -J. DIDION

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

Mike,

<BR>&nbsp;

<BR>All goes to show how tastes differ.&nbsp; For Didion is boring, for

me she seems very focused, sharp, minimalist.&nbsp; I like <I>The White

Album </I>and <I>Play it as it Lays</I> although they now would seem perhaps

somewhat stuck in their 70's time frame.&nbsp; She writes wonderfully about

neruosis and alienation, not particularly cheery stuff--rather in the vein

of Plath or Sexton. To blame her for what you don't like about John Gregory

Dunne's work is rather unfair, I think.&nbsp; Individually they write very

differently, and the way screenplays are mauled through committee's--it's

very hard to tell who to blame for what you do or don't like in a screenplay.

 

<P>JS

 

<P>mike rice wrote:

<BLOCKQUOTE TYPE=CITE>>

<BR>>I read Slouching Toward Bethlehem and didn't like it.&nbsp; She wrote

a book

<BR>about driving on the LA Freeway whose title I can't recall.&nbsp; She

writes

<BR>pretty fair journalism, and she and her husband, John Gregory Dunne,

brother

<BR>of Dominic, write horribly commercial screenplays like the Third Star

is Born

<BR>and Up Close and Personal.&nbsp; Dunne wrote recently that The English

Patient was

<BR>a descendant of Out of Africa.&nbsp; I disagree, it is the son of Lawrence

of

<BR>Arabia

<BR>and David Lean.

 

<P>Mike Rice

 

<P>Just rememberd the book, Play It As It Lays.&nbsp; It was boring and

awful.</BLOCKQUOTE>

&nbsp;</HTML>

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Date:         Wed, 18 Feb 1998 07:51:22 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: Beat Poetesses

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Mark,

 

Thanks for posting the DiPrima fragment.  There are a number of interesting

woman writers associated with the Beat label also who avoided being

labelled as "skanks" by Paul Maher but who are also very rewarding.  For me

those would include Denise Levertov and Joanne Kyger and some lovely things

from Michael McClure's ex-wife Joanne McClure. Lots of others, but those

are my current favorites.

 

JS

 

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Date:         Wed, 18 Feb 1998 08:39:50 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: (FWD) harlan ellison

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rinaldo Rasa wrote:

> 

> "H.S.B" <HSbork@concentric.net> wrote:

> >>Well, I don't think that Harlan can be actually be considered a 'beat,'

...snip...

> >>-h-

 

 

harlan ellison also wrote the beat influenced 'memos from purgatory' ,

and i think he also had an early collection of short stories called

'gentleman junkie', which, if memory serves was reprints from mens

magazine fiction, and he did a col for the LA free press in the late

60s.  he also does a lot of TV work.  not a beat 'technically' (uh, oh,

here we go again...) but he sure do write good

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 18 Feb 1998 08:48:53 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: www.kerouacquarterly.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul A. Maher Jr. wrote:

> 

> Dig it...I was booted from you precious realm but I found a crack in the wall.

> 

> Les critiques du veil art moderne ont ete surtout egares et cocufies par le

> "moderne" meme. Effectivement rien na jamais vieilli plus vite et plus mal

> que tout ce qu'a un moment ils qualifierent de "moderne."

> 

> Civil discourse is here...alive and well. I'm glad all your boring rabble

> doesn't clog up my e-mail. Take care all....have fun and live out your

> exciting lives...Paul of TKQ.

 

 

i'm still kinda new here and don wanna make no fuss with people, and i

don't seem to be getting all the threads on many of these topics, but:

 

1.  this guy is an asshole

 

2.  his web page sucks

 

3.  he makes a big deal about himself being, and associating with

serious scholars, but he lets the sampas family decide for him who's a

seroius scholar

 

4.  if he's so into the beats why does he need grant money to situate

his zine at a college so its serious scholarship can continue.  the

point i'm making is this: it seems to be a labor of a laborious ego, not

a labor of love.

 

5.  he's an asshole

 

tkc

 

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Date:         Wed, 18 Feb 1998 12:24:31 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joan Vollmer <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: something like a william tell style execution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mike rice wrote:

 

>  Others say Burroughs bought off the federales and left the

> Mexican jurisdiction, before someone got wise.

 

=== Haven't heard that one. WSB was so broke during this period it's

doubtful he had the cash to bribe the federales *and* leave the country.

He was constantly nickel-and-dime-ing Ginsberg to death...

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Nelson Pinedo

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Wed, 18 Feb 1998 08:06:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Whitman scholars?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Anybody have any references for me?  I'm looking for comments either positive

or negative by Walt Whitman scholars on the work of AG.  I'd appreciate back

channel tips if you've got 'em.

Thanks,

Dennis

 

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Date:         Wed, 18 Feb 1998 08:09:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Last Time I committed Suicide

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I didnt realize that Keanu Reeves depicted Kerouac in LTICS. What makes

you think this, esp since his name wasnt Jack in the movie, I dont think?

On Tue, 17 Feb 1998 Zucchini4@AOL.COM wrote:

 

> Sorry if this was discussed already, but...

> 

> Gotta love that title. And letters that went between Neal Cassady and Jack

> Kerouac now presented as drama- very veyr interesting! So my friend and I

> decide to rent this video, but it turns out the ever vomitous Keanu Reeves

> (rememeber him? the man who ruined "my own private idaho"?) plays Kerouac!! Is

> this for real? Has anyone seen the movie? Has anyone read the script/seen

> another production (if there was any other production, stage etc)?

> 

> Thank you.

> 

> --Stephanie

> 

> and ps- Marie, I didn't type all of Brass Furnace Going out, I found it that

> way, although wouldn't it have been a labor of love if I did transcribe the

> whole thing! Although I actually may have with my lazy self, if it had been

> neccesary. My top 4 poems:

> 

> "Brass furnace etc" Diane DiPrima

> "The Love Song of J Alfred Prufrock" TS Eliot

> "Howl"

> "The Lords" Jim Morrison

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Wed, 18 Feb 1998 10:34:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         JULIANA PABON <julie36@BU.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

in light of all the fussing about diane, i picked up _Women of the Beat

Generation_...and, well, y'all should take a look.

 

"In many ways women of the Beat were cut from the same cloth as the men:

fearless, angry, high risk, too smart, restless, highly irregular.  They

took chances, made mistakes, made poetry, made love, made  history.  Women

of the Beat weren't afraid to get dirty.  They were compassionate,

careless, charismatic, marching to a different drummer, out of step.

Muses who birthed a poetry so raw and new and full of power that it

changed the world.  Writers whose words weave spells, whose stories bind,

whose vision blinds.  Artists, for whom curing the disease of art kills."

 

-Brenda Knight

 

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Date:         Wed, 18 Feb 1998 10:50:28 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: Who is

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Christopher Moore wrote:

> 

>  I teach English on the high school level and one of my

> >favorite elective courses is devoted to the writings of the Beats. My

> >students--none of whom were born before 1980--had no problem

> understanding

> >the concept--of course, they were allowed to see videos, press

> clippings,

> >photos and to hear recordings from that period. So what then is

> Hornberger's

> >or Moore's problem?

> >

> >Sounds like a bad case of cultural chauvinism to me.

> >

> >

> >                                                    Jeff Perchuk

> >

> 

> I'd like to say that it was *not* I who was saying that one had to be of

> age during a lit. or art or cultural movement to understand it and to

> learn it, or vice versa.  I, in fact, was one who refuted that claim by

> I don't remember whom, the claim that some people on this list, teens,

> college students, etc., would never understand the Beat Movement because

> they did not live during that time.

> I totally agree with you, J. Perchuk, in what you said about

> appreciation and increasing comprehension of a past culture.  I was

> saying how any literature movement is so essential to today, or any

> cultural movement, because it has eternal significance on the human

> condition, blahdy blah blah.

> Thanks for reinforcing and reiterating my point.  It is very essential.

> 

> Christopher Moore.

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

WOW--when did I say you had to experience a generation to know it? Does

E-mail automatically change my words in transmission or what?

What I DID SAY - was could the "young non-beat generation" please quit

adding characters, sounds and never will be beat literature into the

category of Beat (which most scholars would say was primarily a

literature movement, now more interupted as a social movement)---- at

the same time I'm glad I caused a little spark out there...but please

try to read it right. Thanks

Old Beat Patrick

 

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X-Sender: mapaul@pop.pipeline.com

Date:         Wed, 18 Feb 1998 10:59:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <mapaul@PIPELINE.COM>

Subject:      Apology to Beat-L

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To members of the Beat-L,

 

I apologize to those who have taken grave offense to comments discerned

malicious or offensive or otherwise by me. Though my nature is savagely

opinionated, it is nonetheless passionate and can be construed wrongly by

those select members of the Beat-L who have less than tolerable natures for

my excesses. I do this out of truth and not to be taken back into the folds

of the Beat-L. It is best I stay out to build on positive things in my

research for book and quarterly and correct those positive qualities in my

self which are so gravely lacking. Best to all, Paul Maher, Jr. of TKQ.

 

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Date:         Wed, 18 Feb 1998 14:57:14 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mr Mojo Risin <KrwlnKgSnk@AOL.COM>

Subject:      Re: My top 4 poems:

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'm glad to hear about jim morrison as a good poet. which he really was. i've

been a huge morrison fan(obviously through the best band- the doors) alot

longer than a 'beat literature fan'. I was wondering if you consider it(jim's

poetry) to be 'beat'. I do know that he read 'on the road' a couple times and

was good friends with Michael McClure.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: LUNCH...(was Re: Anti-Government)

Cc: eatcarpaccio@geocities.com

Bcc:

X-Attachments:

In-Reply-To: <34EA6AF0.6B1CAE4C@geocities.com>

References:

 

Anthony email addressed

eatcarpaccio@geocities.com writes:

^^^^^^^^^^^^

>I'm trying to amass evidence that the beats were anti-government and I

>was wondering if anyone knew of any good quotes from Naked Lunch.

  

   peoples knows better carpaccio as

   Lunch not as a venetian painter...

 

   NAKED LUNCH----------------------.   

   EAT                              |

   CARPACCIO--------------arrigo cipriani at harry's bar

   IT'S                   in venice,italy give u a menu

   SOMETHING              with carpaccio, raw meat sliced.

   LIKE

   A CRYPTIC              eat meat is the message?

   MESSAGE                  \ /

                         war

   IM' a vegetarian (& pacifist... i hope.)

 

 

saluti,

Rinaldo.

-------

Return-Path: <MAILER-DAEMON>

Date:         Wed, 18 Feb 1998 16:55:54 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Wed, 18 Feb 1998 22:48:14...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your  message   dated  Wed,  18   Feb  1998  22:48:14  +0100   with  subject

"LUNCH...(was Re: Anti-Government)" has been successfully distributed to the

BEAT-L list (255 recipients).

 

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Date:         Wed, 18 Feb 1998 21:09:25 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Diana Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/18/98 6:11:04 AM, you wrote:

 

>We all know that women had

>a harder time pursuing literary or artistic careers back then

 

 

back then?  ha!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [204.210.0.22]

Date:         Wed, 18 Feb 1998 18:37:22 PST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      NPR

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just a note:

Did anyone listen to National Public Radio this evening (1555 PDT)?

There were five minutes devoted to Diane DiPrima.  I found it quite

nice.  They had an English Professor from some school in the midwest (I

think) speak briefly about her, her Beat nature, etc., and then two of

her poems were read, one about her Grandfather, and another about...

shoot, I don't remember off the top of my head right now.

Sort of interesting.

 

Christopher.

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 18 Feb 1998 22:45:49 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: Diana Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>In a message dated 2/18/98 6:11:04 AM, you wrote:

> 

>>We all know that women had

>>a harder time pursuing literary or artistic careers back then

> 

> 

>back then?  ha!

 

Thought those following this thread would enjoy knowing that NPR broadcast

a 10 minute segment on DiPrima today.  Summarized her career from New York

with the Beats in the 50s, San Francisco in the 60s and 70s, and to the

present.  Read two of her poems.  It was great.

 

Preston

 

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X-Sender: tjneuman@joust.rs.itd.umich.edu

Date:         Wed, 18 Feb 1998 22:16:43 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tracy J Neumann <tjneuman@UMICH.EDU>

Subject:      unsubscribe beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ideleted the info on how to unsubscribe--please take me off!! Sorry to

send this to everyone!

 

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Date:         Thu, 19 Feb 1998 00:13:36 -0500

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From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Diane Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Date: Wed, 18 Feb 1998 23:55:08

>To: Sockmunkie@AOL.COM

>From: Jeffrey Perchuk <legacy@admin.con2.com>

>Subject: Diane Diprima

> 

>Yes, I wrote that (about Diprima having a tough time because of her

gender)--so what of it? Or are you upset that I didn't launch an long

jeremaid about how unfair it was--? If that's what you're looking for, then

I can't help you. What's past is past--and if Diprima had obstacles to

overcome--well, then it probably made her a better poet. If you REALLY have

something to say--then gender problems notwithstanding--you'll say it.

Whatever else there is in Diprima's writings--there's none of the whining,

self-referntial tripe that passes for "feminist" poetry nowadays. Which is

why it's so BORING to read. If Diprima had confined herself to that

alone--she wouldn't be worth my attention. So what's yer gripe, then?

> 

> 

>I like discussing LITERATURE---not gender polemics. Maybe it's because I'm

44 years old and consider that kind of thing just a little.....tedious. If

you want to talk about literature, I can talk until the cows come home.

Everything else is just.....nonsense. But then--that's not a terribly

post-modern point of view--is it now?

> 

>Ho-hum.

> 

> 

>                                           J. Perchuk

> 

> 

> 

 

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Date:         Thu, 19 Feb 1998 00:03:57 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Avalokitesvara's B-Day Today

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Today is Avalokitesvara's birthday (the 19th).

 

Kerouac wrote in SoD

 

O Lord Avalokitesvara

Emptiness without end

Bless all living & dying

     things

In the endless past

In the endless present

In the endless future

         amen

 

He/She is also known as Kuan Yin (pronounced gwan een) the Goddess of mercy

 

How they know her birthday I sure don't know.

 

I have a cool picture of her riding a dragon if anyone wants to see it.

 

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Date:         Thu, 19 Feb 1998 05:41:33 -0600

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From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      before dawn at the new beat-hotel

To:           BEAT-L@CUNYVM.CUNY.EDU

 

coffee sipping

listening to my clothes

spinning and pounding towards

dryness

gathering another load

for the wash

listening to the walls

and floors

sipping coffee

smoking cigarettes

another morning breaking open

in lawrence on the prairie.

 

david rhaesa

in lawrence kansas

 

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Date:         Thu, 19 Feb 1998 04:31:51 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Re: Diane Diprima/feminism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"everybody's talkin' 'bout baghism shagism ragism tagism,

ism ism ism....all we are saying...is give peace a

chance..."

-john lennon

 

 

 

-julian

 

 

 

 "The Believer is happy, the Doubter is wise"

-Hungarian Proverb

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Thu, 19 Feb 1998 04:34:11 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 i was wondering if anyone knew where i could get the text to the

"prufuck" (sp?) poem, i have been told it's the greatest thing since

sliced bread...

 

-julian

 

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Date:         Thu, 19 Feb 1998 04:49:07 PST

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From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      rhetoric and truth

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

> 

thought you guys would enjoy this...i know it's long, but

it's well worth the read, i assure you...there's even a

quote from buroughs though i wonder if its the same one we

hold dear to our hearts....

-julian

 

 

 

> 

>RHETORIC AND TRUTH

>by

>Robert Wade Kenny

> 

> 

> 

> 

> 

> 

>Wade Kenny

>Department of Communication

>University of Dayton

>300 College Park

>Dayton, OH 45469-1410

> 

> 

> 

> 

> 

>Imagine a mute family who juggle balls to communicate.

 The son

>studies Russel and Frege, and he's invited here, to our

Crisis in

>Criteria conference. Introduced as a speaker on What can

we say about

>truth the young scholar appears, opens his briefcase, and

furiously

>juggles seven multi-colored balls, while his translator

reads, "X over

>Y cubed over the square root of T_." It takes about three

minutes and

>when it's over, postmodernists present spring to their

feet with

>applause, because they think they have found a new

champion.  After

>all, what could caricature the capacity, the very limit

of symbolicity

>more forcefully than a juggling philosopher; how better

mock its

>limited range in referencing anything other than itself.

  Could truth

>appear in juggling ellipses?  Ridiculous!   It's almost

as absurd as

>thinking that you could convey Truth by blowing air

through a piece of

>meat, which, ironically,  is what I am doing right now.

> But is it ridiculous?  I'll address that question later

in my

> delivery, after I fulfill my promise to situate rhetoric

historically

> in relation to the issue of relativism and criteria. The

status and

> focus of rhetoric as a discipline has been largely

determined by

> Aristotle's famous pronouncement that it is the

counterpart to

> dialectic, and that one learns it to develop  the

"available means of

> persuasion".   If you agree with Aristotle that the road

to truth is

> a dialectical one,  then you will probably see rhetoric

as marginal

> to this symposium's issues, or perhaps instrumental in

developing the

> crisis which the symposium addresses. In the best case,

a wise

> statesman, having a capacity for dialectic and rhetoric,

finds the

> royal road to the ethical, the good, and the true via

the former,

> then persuades his followers to take this route with

him, through the

> latter.  In the worst case, a rogue, unschooled in

dialectic but

> talented at rhetoric, can lead an audience away from the

truth.

>The partition between philosophy and rhetoric, as Plato

and later

>Aristotle developed it, was not, however, always so clear

for the

>Greeks.   Early Sophists who both practiced and gave

instruction in

>the art of rhetoric, also disposed on issues

philosophical. Guided by

>the understanding that utterances are always contingent,

the Sophists

>were also well-aware that the impact of such utterances

was largely

>the result of the speaker's eloquence. Thus, whether an

early Sophist

>discoursed on rhetoric, pedagogy, historiography, or

epistemology he

>respected the fact that the cornerstone of his argument

was not the

>reality to which his words gave reference but rather the

argument

>itself.  This, of course, makes meaningful the famous

Protagoran

>aphorism, "Strengthen the weak argument, and weaken the

strong."

>Perhaps the best philosophical illustration we have of

this

>Sophistical technique is Gorgias's treatise on

Being/Non-Being.   In

>what remains of this text, so firmly connected with

TRUTH, we see the

>markings of a deconstructive project.  The Sophists seem

to grasp that

>language plays games with its user - that it is, as

Burroughs tells

>us, "a virus from outerspace."  That opinion allowed

Gorgias and his

>peers a certain freedom, so that while early philosophers

fished for

>the hidden truth submerged within the sea of language,

 Sophists were

>surfboarding on the waves.

> At any event rhetoric was saddled with a two-thousand

year tradition,

> in which it sees itself through a philosopher's eyes,

until this

> century, when it experienced two major turning points.

The first,

> traceable to the writing of I.A. Richards, rejects the

notion that

> rhetoric should be the study of the available means of

persuasion.

> Instead, according to Richards, rhetoric should be, "the

study of

> misunderstanding and its remedies."  Richards was

opposed to lofty

> speech: he wanted to privilege clear speaking - language

which was

> understood by this listener on this occasion.

 Rhetoricians who

> follow the tradition he has established investigate

discourse to

> determine how effectively it has carried its meaning

between the

> sender and the receiver.

>An even more radical turn for rhetoric has transpired

over the past

>fifty years and is originally situated in the writings of

Kenneth

>Burke.  Burke argues convincingly that confederacy is but

partially

>realized through the Aristotelian rhetoric of persuasion.

 He

>similarly disclaims against Richard's rhetoric of

understanding.

>People agree on what should be done, Burke argues, when

they agree on

>the named status of things.  Burke says, "To call a man a

murderer, is

>to propose a hanging." And equally:  To call a man a

football is to

>propose a kicking. To call a man a balloon is to propose

a pricking.

>To call a man glue is to propose a sticking. According to

Burke,

>everything comes to us and changes before us as a result

of the

>transformations of language, attributions of substance -

what Burke

>refers to as identification. Consequent to this idea,

rhetoricians

>find themselves reconsidering the wisdom of their

Sophistical

>predecessors, particularly around the issue of the logos.

 We ask

>ourselves, as does the philosopher, what is the relation

between being

>and language. Anecdotally I say that Heidegger sought

Being only to

>find language, whereas Burke sought language only to find

Being.  And

>when one searches either of these great thinkers

thoroughly, I believe

>she will eventually find the other.

> As a student of Kenneth Burke, I find myself most

interested in an

> ontological rhetoric.  Approaching the question of TRUTH

from this

> perspective, it seems I would be forced to draw out an

argument which

> reduces truth to a simplistic "true for you, but not for

me",

> argument.  That just isn't the case. TRUTH, however,

like many words

> carries a variety of hats.  I have little time, so I

would like to

> describe but three of them, all very important.  I will

call them the

> Elevations of the TRUTH.

> 

>ELEVATION ONE:

> 

> Rhetoric has always been a productive art, concerned

with binding

> people's motives.  Even a minister who extols to his

flock about

> barn-raising can measure the outcome of his text in

terms of number

> of barns raised.  Material conditions around and within

our material

> bodies hold us accountable to the texts we deliver.  If

I tell you

> it's a Portabello mushroom and it isn't, you will die no

matter how

> effective my words might be.   As Heidegger says,

"entities can smash

> in upon us and destroy us," and this is because entities

transcend

> language. It is our historical task to map language onto

nature in

> some adequate sense, that we might survive.  This

mapping of language

> onto nature is Being, or as a good friend would claim,

the logos.

> Material reality, regardless the convoluted manner that

humanity

> relates to it, is coded, and our survival depends upon

successful

> coding and recoding of that reality.  There is no pure

relativism

> here, rather there is the requirement for adequacy of

text in a

> recalcitrant world, a world which, although it exists as

a language

> is grounded in a beyond language, in something that

bites back.

>The code for material existence is layered in terms of

its

>universality - there are differences between Eskimos and

Tahitians,

>but there are also similarities.  And their differences

are in many

>cases quite similar.  In these simple cultures, bound

much more

>rigorously to their specific material conditions, we see

the

>metabiological significance of world, a phenomenon which

is not

>random, but rather relatively precise.  Western culture

is much more

>complex and far more heavily involved in the play of

possibilities

>engendered by technology and technique - this has allowed

and perhaps

>even necessitated a relativistic and deconstructive

project -- for our

>culture may require significant levels of fragmentation

in order to

>endure.

> Thus, TRUTH can be described as an adequate

map-of-the-world, which

> deals with the consequentiality of the extant status of

whatever it

> is that kicks back, that is "out there" that we have

situated this

> world-map upon. Such a description allows us to identify

the FALSE as

> that which is not adequate, but does not pinpoint an

absolute truth.

> 

>Admittedly, such world-maps lack the absolute TRUTH

status that we

>might think we are seeking, for it's possible that I

could eat this

>Portabello mushroom and survive, or that a spike could go

through my

>head and I would live (Phinneas Gage for example).  Are

we only

>speaking of probabilities here when we use this term

TRUTH?  Well then

>why use it?

> The world is governed by contingency, which essentially

means that we

> don't know what will happen next.  I could die before

finishing this

> talk.  The roof could collapse.  You could leave.  But

if a society

> acknowledged absolute contingency, what could you get

done.  The

> attribution of truth where there is only likelihood

assuages the

> community, allows them to get along in an everyday way.

 Much of the

> time you don't want to look too closely at what might

happen.  Thus

> we have one characterization of TRUTH - as a term which

praises  and

> even elevates the adequacy of a text describing our

relationship to

> the world and blames a text which does the opposite - an

elevation

> which might be useful in that it allows us to dwell with

confidence

> in realms which are uncertain.  Praise and blame are, I

should add,

> cornerstones of the rhetorical art.

 

>ELEVATION TWO:

> Because we have such a rough and ready notion of the

TRUTH, many of

> us, and most of us much of the time, live each day the

way everybody

> else does, just sort of on-automatic, with no sense of

how strange it

> is to be a human and the responsibility that goes with

it.  But once

> in a while, for some of us more often than others, we

come upon a

> situation which we can't handle in an everyday way - one

for which

> there is no stock form of response.  These situations

can be

> terrifying, for they expose to us the fundamental manner

that we are

> in the world - they show us that all the ready-made

reactions which

> we had up to this point were equally without guarantee

and, though

> they as often as not worked, in fact were also

tranquilizing us

> against the absolute contingency of existence.  At such

moments when

> a choice must be made that has not come before us, we

feel as if we

> have lost the TRUTH that I have described just above.

 But it is

> probably the case that we have found another TRUTH, even

more

> profound.

>The first part of this second elevation of the TRUTH is

the

>recognition of uncertainty and doubt -- the very

impossibility of

>certain knowledge about the world as it is disclosed.

 One's known

>world collapses: the loved one leaves, or dies.  The

building is

>destroyed in an explosion.  And these breaks in the world

are not

>experienced as mere moments of understanding, but are

ontologically

>driven.  Elsewhere I refer to them as existential

amputations, because

>I really am the world I have built around me and I feel

its break as a

>break in me.  Kenneth Burke says, for example after the

death of his

>wife that he feels as if he outlived both her and

himself.  To be out

>there, in the realm of the nothing, is to be exposed to

the horror

>which is also and everywhere a part of existence - an

existential

>horror for humans, who at the same time are able to make

good against

>it.  From this horror, which is itself a truth, comes the

commitment,

>which is an even greater truth, for it is a truth of

responsibility.

>It is a truth of the will.  A great moment in the

development of each

>of us, is the moment when we see the absolute collapse of

everything

>we hold dear, and yet commit to come back, to rebuild, to

make the

>world again.  This is what Camus means when he says "We

must imagine

>Sisyphus as happy."  What a profound statement.  It has

literally

>brought me to tears on more than one occasion in my life,

because it

>has reminded me of a fundamental charge that existence

has given me -

>a charge to make the world, else there will not be a

world.  What more

>profound responsibility, and at the same time more

profound honor

>could be given to an entity than this.  Not that it finds

the world,

>but that it makes it.  And how does it make this world?

 Through

>co-being with others, in language that generates this

co-world.

> A critical responsibility of rhetoric is to patch these

holes in

> Being, a necessary condition for collective human life -

for we need

> everyday and automatic responses not only to get along

with each

> other, but even to find each other.

>And so there is an ongoing rhetorical project within

which we all

>engage, patching the walls of our social world with

rhetorical cement,

>sometimes in an automatic way, as when we make jokes

about the Hale

>Bop suicides in order to keep that issue from

fundamentally surfacing,

>but also sometimes in a manner of fundamental commitment

to return

>from the abyss, a notion which a Jungian would claim,

underwrites the

>vast majority of our journeying mythology.  Producing

discursive

>confidence where no certainty actually exists is not a

sign of human

>weakness - it is a strength.  When it occurs in an

everyday way, it

>can be problematic, but it is also a fundamental

condition for the

>paradoxically perverse-joy which is collective life.

 This is the

>first elevation of truth.  Then, when it occurs because

one has made a

>commitment to be in the world by making that world even

in the face of

>the absurdity of such a project, it is a triumph of the

will, and this

>is, of course, the second elevation. If postmodernism

glories in its

>parasitic relationship with these world-making projects,

simply

>because it deliberately smashes holes into the walls, or

if it studies

>the walls and assumes that it is the primary source of

the damage,

>then it is a naive project.  The holes come anyway,

whether we wish

>them to or not.  Postmodernism and deconstructionism pose

no genuine

>or original threat to culture. They are both luxuries, to

some extent

>excesses in the intellectual arena as they are in the

public realm. At

>the same time, they are useful checkpoints for a culture

which is

>materially well-situated and perhaps a little too

self-assured.

> Thus far I have argued that we can overcome the

theoretically

> crippling impact of postmodern relativism by returning

to the

> philosophy from which such misguided notions emerge.

There we will

> discover that there may be no true way to live,

nevertheless all

> cultures and persons must strive for a relation between

the way they

> live and the material limits in which they are situated.

> 

>Elevation three:

> The third elevation of truth that I would like to

describe also finds

> a comfortable home in rhetoric for it begins with the

notion that it

> cannot be told, but it can be shown.  This is much the

case in music.

>  I cannot tell you Beethoven's Ninth symphony, but I can

show you the

> symphony.  This is one of the ways that music is more

profound than

> language, because it so forcefully resists any

deliberate or

> indeliberate attempt to transform it into an object of

cognition.

> Instead it falls within the realm of the aesthetic and

is thus one

> step closer to the fullness of Being, which is the third

elevation of

> the truth I wish to discuss.  The Being who inquires

into Being is of

> course the human Being.   The sculpture of the monkey

playing Hamlet

> with the skull, grandly illustrates the triumph and at

the same time

> absurdity of this, that he seeks to do the unavailable -

seeks to

> think Being.  And yet, might not this seeking be an even

greater

> triumph than the sought? Heidegger once said, "We have

not yet begun

> to think, least of all myself."  And in the same text,

he chastises

> those who would "think" by engaging in a process of

classification

> and somehow assuming that a completed list meant that a

thinking had

> occurred.  It's certainly not the way Einstein thought.

 In the

> Ghiselin book, he claims that he thought with his

stomach, a process

> much more subtle and beyond the manipulation of symbols.

It is the

> beauty of music that reveals its TRUTH.  We are

compelled by its

> beauty, we surrender to its beauty.  It is a beauty we

cannot break

> into pieces, dissect and destroy.  Rhetoric is also

capable of this

> achievement because it is, in part, the eloquent

articulation of a

> language.  A language that would show the TRUTH by

revealing Being.

> But can we approach this notion of the TRUTH in any

descriptive

> sense?  Again borrowing from the primary notions of

existentialism

> and a rhetoric which is co-written into it, I think it's

possible.

> Here is my dream.  I am in my high school gymnasium and

I suddenly

> float up from the floor and across the gym.  About

fifteen feet in

> the air  I reach the opposite wall, where there is a

wooden ledge.  I

> run my hand along it and find, to my surprise, chalk

dust. Several

> things make this dream interesting to me.  First, is the

obvious fact

> that, in my dream I am my body in the gym, but in order

for me to

> have that dream I would have to be creating both my

dream body and

> the dream gym.  Also, in order to be surprised when I

found the chalk

> dust on the ledge, I would have to have put the chalk

dust there, and

> I would have to hide from my dream self the fact that I

put it there.

>  In my dream, I create a self and a world, and I feel as

if I am

> totally separate from that world, as a subject in it.

This is very

> similar to what Existentialists think life is like.  If

you look at

> the cube before you, for example you'll see three

dimensionality.

> And yet how does that 3d get there?  You make it.

 You've been

> trained to make it.  It is your logos.  Yet you

experience it as if

> it's happening out there, apart from you. That part of

the bigger you

> is out in the world, co-involved with the production of

the world

> that you experience and you don't even feel as if it's

part of you.

> Apparently, we are among things, yet feel as if we stand

out separate

> as an object beside other objects.

>This part of us which is among things transcends our ego,

hence

>Sartre's text "The Transcendence of the Ego".  So part of

us is out

>there, feeling as if it does not belong to us at all.

 We're alienated

>from it, alienated from the fullness of what we are, and,

if so, the

>first step in obtaining any kind of experience of TRUTH

would be the

>experience of the fullness of my own Being, which would

at least

>involve the breaking down of the barrier between the ego

and the

>transcendent ego.  But then there is a second step.  For

clearly the

>Necker Cube is not solely produced by the transcendent

ego.  Rather

>the transcendent ego seems to engage in a dance with a

partner that

>surpasses any part of the individual person. You don't

see Necker

>cubes everywhere.  What is it that the Transcendent ego

dances with?

>I suspect that, whenever we break down the walls which

separate us

>from our own transcendence, we find ourselves immediately

and

>intimately in contact with the answer.

> To describe that experience is always a failed project,

because one

> cannot commit it to the realm of language in that sense.

 But there's

> nothing unusual in that, for whenever language attempts

to articulate

> Being it arises as both a failure and a success. If my

father is in

> surgery and the doctor appears afterward, I await in a

state of

> Being.  I see the doctor and I say, "Is he okay?"

 "Who?" "My father,

> is he okay?" "He just had a triple bypass.  How could he

be okay?"

> "Well, I mean is he going to live?" "Do you mean till

next week?"

> "No.  I mean will he recover from this surgery?" "Well,

perhaps from

> this surgery." "Do you mean he hasn't been completely

cured?" "How

> could he be completely cured.  We just finished surgery

five minutes

> ago." In such an imaginary world the doctor can

continually show the

> inadequacy of the son's questions.  But the son can

equally continue

> to fashion the question.  This is because the question

does not find

> its origins in the son's language.  It finds its origins

in the son's

> Being.  His condition of Being in the world.  This is

his truth.  A

> truth which calls him, and a truth which he is destined

to betray at

> every turn, in both his language and his experience.

 Burke terms

> this condition linguistically a terministic screen.

 Every word both

> reflects and deflects the reality it addresses.

Nevertheless, in the

> call of Being, the Truth of Being reveals itself as the

continual

> dissatisfaction with what exists and the yearning to go

beyond it.

> To speak the TRUTH of Being as I described it above is

always a

> failed project but in the attempt and in the return for

the

> subsequent attempt there is the continuing return to the

condition of

> being, which is the Truth itself. When I think of the

great

> philosophers, it matters little to me what they say.

 Their saying is

> a path I follow to try to trace their Being, much as I

stand before

> one of Monet's cathedrals and try to return to the Being

which made

> the painting come to life.  And I think that each of

these

> philosophers used the process of their writing to place

them in the

> Truth of Being, regardless regardless  whether they

claimed they had

> identified it.  In that sense, the history of philosophy

is never a

> history of demonstrated truths, but a narrative of

truths that have

> been lived, and the philosopher's task is to trace

through the

> failings in each writer's language, to the truth of

Being which the

> text has betrayed.  Philosophy, like music, is true not

because of

> the knowledge that it produces, but because of the

beauty that it

> produces in its attempt to sing Being, as did

Parmenides.  In this

> dimension, philosophy has always been, when at its best

rhetorical.

>When we inquire into Truth, or into our very self, and

the two

>questions are not so far apart, we see how language as

our instrument

>plays with us.  But if we learn to play with language

instead.  If we

>learn to surf instead of fish.  Then we may find that we

are looking

>up more than we are looking down.  And up is the

direction of the

>answer.

> 

>Thankyou

> 

 

 

 

 

 "The Believer is happy, the Doubter is wise"

-Hungarian Proverb

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [207.79.35.27]

Date:         Thu, 19 Feb 1998 05:08:02 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Julian Ruck <julian42@HOTMAIL.COM>

Subject:      Gia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 i was wondering if anyone saw the hbo special on "gia"...the late 70s,

>early 80s model...?

>they read some of her poetry, and depicted much of her life...she's

>probably, no, she IS the most beat model i've ever heard of...

>-julian

> 

>ps, also, in the way of movies...did anyone see 'the last temptation of

>christ'?

> 

>i think it's shock factor alone had a beat feel to it...that, and david

>bowie was in it...*g*

> 

>______________________________________________________

>Get Your Private, Free Email at http://www.hotmail.com

> 

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 08:59:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Kerouac CDs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Listening to the Kerouac CDs is like meeting him again for the first

time. It's like finding a new friend. He wrote his stuff to be spoken

and what better way to hear it than through his own voice. The same for

Ginsberg.

 

I also recommend the CD- Kicks, Joy Darkness by Ryko Disc. Came out last

year. It's performers and artists- Patti Smith, Lee Ranaldo, Richard

Hell, etc.... Reading/performing Kerouac material. Startling, exciting

way to hear how others connect with the Kerouac- and to see how he

speaks to the 90's (for the Gen-X'ers, etc who want to connect).

 

Mark Hemenway

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 08:13:32 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      goodbye

To:           BEAT-L@CUNYVM.CUNY.EDU

 

beat-lers

goodbye - i find that i am no longer enraptured by the bickering nd

arguing, fighting and swaering - i will miss some of the eople, but i

assume i will contuniue to talk to them off list. so

adios

my freinds

derek

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 09:47:47 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Diane Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Perchuk wrote:

> 

> What's past is past--and if Diprima had obstacles to

> overcome--well, then it probably made her a better poet. If you REALLY have

> something to say--then gender problems notwithstanding--you'll say it.

> Whatever else there is in Diprima's writings--there's none of the whining,

> self-referntial tripe that passes for "feminist" poetry nowadays. Which is

> why it's so BORING to read. If Diprima had confined herself to that

> alone--she wouldn't be worth my attention. So what's yer gripe, then?

> >

> >

> >I like discussing LITERATURE---not gender polemics. Maybe it's because I'm

> 44 years old and consider that kind of thing just a little.....tedious. If

> you want to talk about literature, I can talk until the cows come home.

> Everything else is just.....nonsense. But then--that's not a terribly

> post-modern point of view--is it now?

> >

> >Ho-hum.

> >

> >

> >                                           J. Perchuk

 

gosh, it is good to see such a great post.  Interesting, confined to

literature, insightful.  44 and can talk literature , and none of that

boring whiney antifemenist crap you hear.

 

i think it is silly to think that chauvinism, racism, anti-type wars, or

any kind of knee jerk thinking doesn't affect which voices are published

or encouraged. The exchange of views and perspective become limited by

that approach. but i also look at labels like major and minor as

limiting.

One of the attractions i feel for beat literature and poetry is their

use of language to liberate.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 17:09:01 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: goodbye

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'll miss you here, derek, as i stay and do the work for the angels.

we came on this list simultaneously with ron.

that leaves me

mc

not goin' any wheres

 

 

Derek A. Beaulieu wrote:

 

> beat-lers

> goodbye - i find that i am no longer enraptured by the bickering nd

> arguing, fighting and swaering - i will miss some of the eople, but i

> assume i will contuniue to talk to them off list. so

> adios

> my freinds

> derek

> 

> 

 _______________________________________________________________________________

> derek beaulieu

> c/o house press

> apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

> email:dabeauli@calcna.ab.ca

> phone (403)270-4440

> LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

> edition chapbook!

> 

 _______________________________________________________________________________

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 18:15:57 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         DJ Happy Harry Hard-On <thomas.van.moortel@SKYNET.BE>

Organization: No One's Driving

Subject:      Re: Avalokitesvara's B-Day Today

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

> 

> Today is Avalokitesvara's birthday (the 19th).

> 

> Kerouac wrote in SoD

> 

> O Lord Avalokitesvara

> Emptiness without end

> Bless all living & dying

>      things

> In the endless past

> In the endless present

> In the endless future

>          amen

> 

> He/She is also known as Kuan Yin (pronounced gwan een) the Goddess of mercy

> 

> How they know her birthday I sure don't know.

> 

> I have a cool picture of her riding a dragon if anyone wants to see it.

 

Thanks for mentioning this.  I would actually like to see it.

 

                                                --Thomas

 

> L'important c'est pas la chute, c'est la terrissage

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 17:23:20 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: the early mc poetry.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

rinaldo, i do not mind the fragments as i know and feel the love you put

into sending them.

thankyou

it's been a very hard month, and you gave me a gift today. a reminder of

what i can do, who i am

marie

 

Rinaldo Rasa wrote:

 

> marie says:

> >i wrote my first pome the day that allen ginsberg died, and

> >have not stopped since.

> 

> Two poems fragmented of Marie Countryman's poetry:

> 

> ---

> to allen wherever he may be

> ...

> today as i mourn your death,

> allen ginsberg,

> i also celebrate your birth.

> fare the well.

> mc

> (1)

> ---

> (1) there's no date but Sun, 6 Apr 1997

> 

> ---

> (2)

> ...

> no other fruit

> has ever been sweeter

> than the pears

> of my writing tree.

> mc (sunday, april 13,)

> ---

> 

> (2)poem written on Sun, 13 Apr 1997

> ---

> 

> Marie, i hope i do not have shattered yr poems snipping

> yr words if this occours i deeply apologies - yr statement concerning

> the dawn of yr poetry is biographical correct - but i think

> u are always walkin thru aisles walls of dreams looking for

> real word/flowers.

> 

> cari saluti a tutti,

> Rinaldo.

> --------

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Hungarian Proverb

Cc:

Bcc:

X-Attachments:

In-Reply-To: <19980219123151.25383.qmail@hotmail.com>

References:

 

julian says:

>"The Believer is happy, the Doubter is wise"

>-Hungarian Proverb

 

julian,

im' of ancestral hungarian origins but for

sure never heard of this proverb mybe in the

transylvanian woods its' worth to be happy

than wise,

 

saluti, Rinaldo.

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 17:41:35 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: NPR & Di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i wish i had tuned in. as my writing reflects, i believe the same goal of not

separating private/public life. and aren't we all reaching for the goal of

"creating a rich inner

life" and "poetry being a means of awakening the imagination."?

mc

 

Also interesting were the comments about her not seperating her public and

private life in her writings and having a goal of "creating a rich inner

life" and "poetry being a means of awakening the imagination."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 1998 17:46:51 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      diprima/waterrow bks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i accidenntally deleted post that named latest poetry book by diprima;

and i havn't received an answer from waterrow books re: their stock of

diprima.

i can't use any other online book sellers as i don't have a credit card,

which complicates this part of my life but is a boon to the rest.

i can have it special ordered in town, am wondering if any one has a

list of her poetry as well as the latest.

thanks,

mc

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the early mc poetry.

Cc:

Bcc: country@SOVER.NET

X-Attachments:

In-Reply-To: <199802171605.LAA11306@pike.sover.net>

References: <e68db87a.34e9371d@aol.com>

 

marie says:

>i wrote my first pome the day that allen ginsberg died, and

>have not stopped since.

 

Two poems fragmented of Marie Countryman's poetry:

 

---

to allen wherever he may be

...

today as i mourn your death,

allen ginsberg,

i also celebrate your birth.

fare the well.

mc

(1)

---

(1) there's no date but Sun, 6 Apr 1997

 

---

(2)

...

no other fruit

has ever been sweeter

than the pears

of my writing tree.

mc (sunday, april 13,)

---

 

(2)poem written on Sun, 13 Apr 1997

---

 

Marie, i hope i do not have shattered yr poems snipping

yr words if this occours i deeply apologies - yr statement concerning

the dawn of yr poetry is biographical correct - but i think

u are always walkin thru aisles walls of dreams looking for

real word/flowers.

 

cari saluti a tutti,

Rinaldo.

--------

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 19 Feb 1998 12:07:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: NPR & Di Prima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Just a note:

>Did anyone listen to National Public Radio this evening (1555 PDT)?

>There were five minutes devoted to Diane DiPrima.  I found it quite

>nice.  They had an English Professor from some school in the midwest (I

>think) speak briefly about her, her Beat nature, etc., and then two of

>her poems were read, one about her Grandfather, and another about...

>shoot, I don't remember off the top of my head right now.

>Sort of interesting.

> 

>Christopher.

> 

 

Indeed it was. The name that comes to mind is Cathy Roman at the U of

Indiana, Bloomington. They were a link to NPR from radiio station WGIU.

 

Di Prima's new book, from City Lights is PIECES OF A SONG.

 

Also interesting were the comments about her not seperating her public and

private life in her writings and having a goal of "creating a rich inner

life" and "poetry being a means of awakening the imagination."

 

Looks like I'll have her on the air for an interview (Madison) in the near

future. If anyone has questions they would like to ask her, send them and

I'll do exactly that. I'm starting to attract some volunteer help with the

BookZen site and will see if we can get the interview transcribed to share

with anyone interested.

 

Finally, has anyone saved the posts on the thread that began when DiPrima

was referred to as a "Kerouac desperation fuck?"  I've been looking them

over and it's very interesting. This morning, I was describing the thread

to my best friend, who responded with a story that just happened to a

conservator who had been approached (via E-mail) about the availability of

what was touted as being the "absolutely best magnetic tape" for

preservation librarians to use. Individuals responded with questions about

specific characteristics that they were looking for. They were told that

the tape had it all.

 

As the questions continued, the answers became less and less specific. Each

question and answer was saved. In the end the magnetic tape was not

significantly different from what was already available. Just someone with

a BS sales pitch looking for quick $'s with no regard for the work

preservationists, conservationists, etc. are doing--without any concern for

the material they are preserving. An education in wading through the BS and

getting to the facts.

 

Back to Di Prima.

 

This little incident with Di Prima being referred to as a "Beat wanna-be,

scag, desperation fuck..." points up the FACT that women, be they writers,

witresses, artists, service workers, you name the jobt, still face serious

obsticles. whgen we see it happen, we either respond, or end up on the side

of the oppressors.

 

j grant

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) new interactiv robot on the www

Cc:

Bcc:

X-Attachments:

In-Reply-To: <19980219123151.25383.qmail@hotmail.com>

References:

 

matt@mom.spie.org writes:

>Hello,

> 

>We have developed a interactive robot  which can be controlled via

>Internet. With a small input you can move slices of the Tower of hanoi

>with getting feedback over a server pushed live camera (no plugin

>necessary)

>Here the address where you can try our interactive robot

>http://www.fh-konstanz.de/studium/ze/cim/projekte/webcam/index.html

> 

>have fun

> 

> Markus ( mailto:ecmb143@fh-konstanz.de )

> 

>Team of the Internetroboter at the Fachhochschule Konstanz

>http://www.fh-konstanz.de/studium/ze/cim/projekte/webcam/

>mailto:netrobot@fh-konstanz.de

> 

Return-Path: <MAILER-DAEMON>

Date:         Thu, 19 Feb 1998 13:20:25 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 19 Feb 1998 19:04:30...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 19 Feb 1998 19:04:30 +0100 with subject "the early

mc  poetry." has  been successfully  distributed to  the BEAT-L  list (256

recipients).

 

Return-Path: <MAILER-DAEMON>

Date:         Thu, 19 Feb 1998 13:20:29 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 19 Feb 1998 18:24:14...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 19 Feb 1998 18:24:14 +0100 with subject "Hungarian

Proverb"  has  been  successfully  distributed to  the  BEAT-L  list  (256

recipients).

 

Return-Path: <MAILER-DAEMON>

Date:         Thu, 19 Feb 1998 13:22:19 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 19 Feb 1998 19:15:08...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated  Thu, 19 Feb 1998 19:15:08 +0100  with subject "(FWD) new

interactiv robot on the www" has been successfully distributed to the BEAT-L

list (256 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

X-Attachments: C:\GUANYIN.JPG;

Date:         Thu, 19 Feb 1998 11:23:12 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      JPG Avalokitesvara

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Here is a jpeg if guan yin aka guan shi yin or Avalokitesvara riding a

dragon, her preferred method of transportation.

 

Today is her birthday.

 

If you have trouble opening it in a graphics program then use netscape.

 

 

Attachment Converted: "c:\pbox\rinaldo\attach\GUANYIN.jpg"

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Thu, 19 Feb 1998 15:26:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Avalokitesvara's B-Day Today

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 12:03 AM 2/19/98 -0800, you wrote:

 

>Today is Avalokitesvara's birthday (the 19th).

 

Avalokitesvara was the bodhisattva known for compassion.

According to one etymology the name means "the Lord who

looks down".  In India, Avalokitesvara is of masculine form,

although in China, "he" was venerated in feminine form under

the name Kuan-yin (Kannon in Japan).  This gender shift is one

example of the power to take any shape that is needed to benefit

believers (a section in the _Lotus sutra_ lists many examples of such

shape shifting - 25th section I believe).  Many women feel a special

closeness to "her" and pray to this "goddess of mercy" due to "her"

promise to bring children to those who lack them and her promise

to take care of infants who die, including aborted foetuses.

 

Just some basic info. . .

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Thu, 19 Feb 1998 15:32:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Diane Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:47 AM 2/19/98 -0600, you wrote:

>Jeffrey Perchuk wrote:

>> 

>> What's past is past--and if Diprima had obstacles to

>> overcome--well, then it probably made her a better poet. If you REALLY have

>> something to say--then gender problems notwithstanding--you'll say it.

>> Whatever else there is in Diprima's writings--there's none of the whining,

>> self-referntial tripe that passes for "feminist" poetry nowadays. Which is

>> why it's so BORING to read. If Diprima had confined herself to that

>> alone--she wouldn't be worth my attention. So what's yer gripe, then?

>> >

>> >

>> >I like discussing LITERATURE---not gender polemics. Maybe it's because I'm

>> 44 years old and consider that kind of thing just a little.....tedious. If

>> you want to talk about literature, I can talk until the cows come home.

>> Everything else is just.....nonsense. But then--that's not a terribly

>> post-modern point of view--is it now?

>> >

>> >Ho-hum.

>> >

>> >

>> >                                           J. Perchuk

> 

>gosh, it is good to see such a great post.  Interesting, confined to

>literature, insightful.  44 and can talk literature , and none of that

>boring whiney antifemenist crap you hear.

> 

>i think it is silly to think that chauvinism, racism, anti-type wars, or

>any kind of knee jerk thinking doesn't affect which voices are published

>or encouraged. The exchange of views and perspective become limited by

>that approach. but i also look at labels like major and minor as

>limiting.

>One of the attractions i feel for beat literature and poetry is their

>use of language to liberate.

>patricia

> 

> 

 

 

Gee, Patricia--What an interesting reponse to my post. I suppose I could

take it either way, but...

 

 

In any case, I won't dispute that the publishing situation which prevailed

then was bad indeed--of course it was. The outlets available for the "new

consciousness" were few and far between. And as badly as guys like Kerouac,

Cassady and others treated women, the internal contradiction of advocating

freedom male freedom while denying it to women eventually gave way. In point

of fact, it is the women of the movement who now have the last word for the

ironically simple reason that they outlived the men. Early burnout may have

given the writing a romantic, fatalistic edge, but it also left the legacy

of these writers to the people who, in my opinion, were best suited to the

job---the women who shared the lives of these men. Publication and

recognition may have come late for them--but it came, at long last. And

perhaps in the intervening time the natural maturing process gave the books

by Joyce Johnson and Jan Kerouac a dimension of thoughtfulness and depth

that was lacking in the more frenetic writings of Kerouac and Cassady.

 

As for labels and "knee-jerk" responses to literature--my own responses are

pretty well thought out and NOT dictated by narrow political concerns. I

keep hearing people tell me "The personal is the political" but I

categorically reject that in terms of literary analysis. Yes, racism and

chauvinism determined to a large extent whose voice gets heard, but if it

was based SOLELY on that, then there wouldn't be as much good writing out

there as there is now. Sometimes--all protests to the contrary, quality wins

out--not political dogma. I'm not denying the activist mentality in much of

the writing, but me, I enjoy the nuance and beauty of language; the bizarre

images and their "convulsive beauty"; the adherence to form without being

enslaved by it; the freshness and innovation.

 

If you want to read your own sense of indignation into the literature you

confront--that's your right. I'm not even downplaying the element of social

protest and activism in this regard--it's just not as interesting to me as

the writing itself.  If there's something wrong with that, blame the people

who educated me. They taught me to look for quality in literature. And that

hasn't changed.

 

 

Thanks for listening.

 

 

                                        Jeff Percjuk

 

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Date:         Thu, 19 Feb 1998 21:20:33 +0000

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From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I must agree with the love of my life. *GRIN* I personally abhor

Catholicism for all its violence and hatred and think Edgar Cayce was a

quack, but that doesn't make me love/relate to Kerouac's poetry and prose

any less. Kerouac also turned rather conservative toward the end of his

life, if I recall correctly, but that does not in any way discount the

wonderful, beautiful person and amazing writer that he was.

                        --Sara

 

 

> 

>Hi to all,

> 

>I *personally* try not to give too much attention to the Catholic/

>Buddhist/Caycean/whatever influences on J.K. or N.C.-life.  Sure,

>and especially in Jack's case, it was important in every way he

>lived his life but there's this saying

> 

>_They say there's just enough religion in the world to make men

> hate one another but not enough to make them love_

> 

>That's my *opinion*.

> 

>                                                Sincerely,

> 

>                                                --Thomas

> 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: James Purdy.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980219081214.16582B-100000@calcna.ab.ca>

References:

 

...i remember this writer in early 80s was translated

wide in italian, and i love his short novel, poems

and piece. then he disapperead and now i dont' know

where he is...

 

http://www.conjunctions.com/archives/c20-jp.htm

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Date:         Thu, 19 Feb 1998 16:42:28 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 19 Feb 1998 22:36:18...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 19 Feb 1998 22:36:18 +0100 with subject "James

Purdy."  has been  successfully distributed  to the  BEAT-L list  (254

recipients).

 

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Date:         Thu, 19 Feb 1998 23:05:42 +0000

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From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Kerouac, Catholicism, whatta can o' worms....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy: I was raised Catholic, and spent 14 years of my life in Catholic

schools. I know more than I want to about the Catholic religion. Yes, OK,

many other religions' histories are  bloody, but the history of Catholicism

is by far the bloodiest. Look at history, and you'll see what I'm talking

about. To say that there is no "hatred" in the Catholic religion, however,

is naïve. These are people who think gays deserve to die if they want to

love each other. These are people who believe that an innocent newborn

baby, if not baptized, will "burn in Hell." For the above reasons, I have

no respect for Catholicism. But the fact that Kerouac was sorta' Catholic

has no impact on the quality and beauty of his writing. That's all I was

saying.--Sara

 

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Date:         Fri, 20 Feb 1998 00:21:01 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dr Rockit <thomas.van.moortel@SKYNET.BE>

Organization: D for Doctor

Subject:      Re: Avalokitesvara's B-Day Today

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

> 

> At 03:26 PM 2/19/98 -0500, you wrote:

> >At 12:03 AM 2/19/98 -0800, you wrote:

> >

> >>Today is Avalokitesvara's birthday (the 19th).

> >

> >Avalokitesvara was the bodhisattva known for compassion.

> >According to one etymology the name means "the Lord who

> >looks down".  In India, Avalokitesvara is of masculine form,

> >although in China, "he" was venerated in feminine form under

> >the name Kuan-yin (Kannon in Japan).  This gender shift is one

> >example of the power to take any shape that is needed to benefit

> >believers (a section in the _Lotus sutra_ lists many examples of such

> >shape shifting - 25th section I believe).  Many women feel a special

> >closeness to "her" and pray to this "goddess of mercy" due to "her"

> >promise to bring children to those who lack them and her promise

> >to take care of infants who die, including aborted foetuses.

> >

> >Just some basic info. . .

> >

> >Mike

> >

> >

> 

> Thanks for this nice synopsis, Mike.  I am sure you know more than me about

> this sort of thing.  I just knew it was Avalokitesvara's birthday because I

> went to the Hsi Lai Temple (the one where Gore went to get laundered money,

> also named yesterday as an unindicted co-conspirator in the indicted of

> Maria Hsia the DNC fundraiser) the other day to here a fellow named Chen

> Li-an give a talk on being a Buddhist (which I am not).  He's a nice man who

> was a government official in Taiwan and ran for president of the ROC in 1996.

> 

> I saw their bulletin boards talking about Avalokitesvara's birthday and it's

> on their calender they give out.

> 

> All I know is Kuan Yin is also know as kuan shi yin and is also spelled Guan

> and is pronounced gwan een.

> 

> I would say to anyone out there who's a Buddhist to visit the Hsi Lai Temple

> (it is in Hacienda Heights, California--not LA).  It's the biggest Buddhist

> Temple outside of Asia and you'd think it's really cool.

> 

> Just don't contribute any money to politicians who might be there.

> 

> I got that picture from a little book called the High King Kuan Yin Sutra

> put out by the True Buddha School (www.tbsn.org)

> 

> Just for fun here is that sutra. ....

 

Sorry I cut the sutra out, but all I really wanted to say is

thanks from the bottom of my heart for typing that all out,

sharing it with us, i love it!

I'm gonna learn Chinese!

 

                                        Sincerely,

 

                                        --Thomas

 

> and the way I feel just makes me want to scream 'come home'

 

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Date:         Thu, 19 Feb 1998 15:22:34 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Avalokitesvara's B-Day Today

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 03:26 PM 2/19/98 -0500, you wrote:

>At 12:03 AM 2/19/98 -0800, you wrote:

> 

>>Today is Avalokitesvara's birthday (the 19th).

> 

>Avalokitesvara was the bodhisattva known for compassion.

>According to one etymology the name means "the Lord who

>looks down".  In India, Avalokitesvara is of masculine form,

>although in China, "he" was venerated in feminine form under

>the name Kuan-yin (Kannon in Japan).  This gender shift is one

>example of the power to take any shape that is needed to benefit

>believers (a section in the _Lotus sutra_ lists many examples of such

>shape shifting - 25th section I believe).  Many women feel a special

>closeness to "her" and pray to this "goddess of mercy" due to "her"

>promise to bring children to those who lack them and her promise

>to take care of infants who die, including aborted foetuses.

> 

>Just some basic info. . .

> 

>Mike

> 

> 

 

Thanks for this nice synopsis, Mike.  I am sure you know more than me about

this sort of thing.  I just knew it was Avalokitesvara's birthday because I

went to the Hsi Lai Temple (the one where Gore went to get laundered money,

also named yesterday as an unindicted co-conspirator in the indicted of

Maria Hsia the DNC fundraiser) the other day to here a fellow named Chen

Li-an give a talk on being a Buddhist (which I am not).  He's a nice man who

was a government official in Taiwan and ran for president of the ROC in 1996.

 

I saw their bulletin boards talking about Avalokitesvara's birthday and it's

on their calender they give out.

 

All I know is Kuan Yin is also know as kuan shi yin and is also spelled Guan

and is pronounced gwan een.

 

I would say to anyone out there who's a Buddhist to visit the Hsi Lai Temple

(it is in Hacienda Heights, California--not LA).  It's the biggest Buddhist

Temple outside of Asia and you'd think it's really cool.

 

Just don't contribute any money to politicians who might be there.

 

I got that picture from a little book called the High King Kuan Yin Sutra

put out by the True Buddha School (www.tbsn.org)

 

Just for fun here is that sutra.  It's pretty short and has a romanized

chinese interspersed with the english translation.

 

 

 

 

 

The High King Avalokitesvara (Kuan Yin) Sutra

 

 

 

                           GAO WANG GUAN SHI YIN ZHEN JING:

 

                                   High King Kuan Yin Sutra:

 

                                    GUAN SHI YIN PU SA,

 

                                Homage to Kuan Yin Bodhisattva

 

                                          NA MO FO,

 

                                    Homage to the Buddhas,

 

                                          NA MO FA,

 

                                     Homage to the Dharma,

 

                                        NA MO SENG,

 

                                     Homage to the Sangha.

 

                                     FO-GUO YOU YUAN.

 

                     An affinity with the Pure Lands opens the Dharma Doors,

 

                 FO FA XIANG YIN, CHANG LE WO JING, YOU YUAN FO FA.

 

           By engaging permanence, bliss identity and purity, one is blessed

with the Dharma

 

                   NA MO MO HO BO RE BO LUO MI SHI DA SHEN ZHOU.

 

                       Namo Maha Prajna Paramita, a great spiritual mantra.

 

                   NA MO MO HO BO RE BO LUO MI SHI DA MING ZHOU

 

                       Namo Maha Praina Paramita, a great wisdom mantra.

 

                  NA MO MO HO BO RE BO LUO MI SHI WU SHANG ZHOU.

 

                         Namo Maha Prajna Paramita, a supreme mantra.

 

               NA MO MO HO BO RE BO LUO MI SHI WU DENG DENG ZHOU.

 

                        Namo Maha Prajna Paramita, an unequalled mantra.

 

                               NA MO JING GUANG MI MI FO,

 

                               Namo the Pure Light Secret Buddha,

 

                                         FA ZANG FO,

 

                                  the Dharma Treasury Buddha,

 

                           SHI TZE HOU SHEN ZU YOU WANG FO,

 

                    the Tranquil King Buddha with Lion's roar and divine speed,

 

                              FO GAO SHE MI DENG WANG FO,

 

                       the Sumeru Light King Buddha announced by Buddha,

 

                                          FA HU FO,

 

                                  the Dharma Protector Buddha,

 

                             JIN GANG ZANG SHI ZI YOU XI FO,

 

                            the Vajra Treasury Roaming Lion Buddha,

 

                                       BAO SHENG FO,

 

                                  the Precious Victory Buddha,

 

                                       SHEN TONG FO,

 

                                 the Supernatural Power Buddha,

 

                             YAO SHI LIU LI GUANG WANG FO,

 

                             the Medicine Crystal Light King Buddha,

 

                           PU GUANG GONG DE SHAN WANG FO,

 

                         the Universal Light Merit Mountain King Buddha,

 

                            SHAN ZHU GONG DE BAO WANG FO,

 

                              the Merit Retaining jewel King Buddha,

 

                                        GUO QU Ql FO,

 

                                    the Seven Past Buddhas,

 

                                 WEI LAI XIAN JIE QIAN FO,

 

                        the Future Thousand Buddhas of this fortunate eon,

 

                                      QIAN WU BAI FO,

 

                                  the Fifteen Hundred Buddhas,

 

                                      WAN WU QIAN FO,

 

                                 the Fifteen Thousand Buddhas,

 

                                   WU BAI HUA SHENG FO,

 

                            the Five Hundred Flower Victory Buddhas,

 

                                 BAI YI JIN GANG ZANG FO,

 

                             the Ten Billion Vajra Treasury Buddhas,

 

                                      DING GUANG FO,

 

                                   and the Fixed Light Buddha,

 

                                LIU FANG LIO FO MING HAO:

 

                                 The Buddhas of Six Directions:

 

            DONG FANG BAO GUANG YUE DIAN YUE MIAO ZUN YIN WANG FO,

 

        To the East the Precious Light Moon Palace Venerable Wonderful Voice

King Buddha,

 

                            NAN FANG SHU GEN HUA WANG FO,

 

                         to the South the Tree-Root Flower King Buddha,

 

                   XI FANG ZAO WANG SHEN TONG YAN HUA WANG FO,

 

                    to the West the Spiritual Power Flower Blazing King Buddha,

 

                             BEI FANG YUE DIAN QING JING FO,

 

                           to the North the Moon Palace Purity Buddha,

 

                       SHANG FANG WU SHU JING JEN BAO SHOU FO,

 

                         Above, the countless Vigor jewel Crown Buddhas,

 

                           XIA FANG SHAN JI YUE YIN WANG FO.

 

                          Below, the Tranquil Moon Sound King Buddha.

 

                                     WU LIANG ZHU FO,

 

                                    All the countless Buddhas,

 

                                        DUO BAO FO,

 

                                      Many Jewels Buddha,

 

                                     SHI JIA MOU NI FO,

 

                                      Shakyamuni Buddha,

 

                                           MI LE FO'

 

                                       Maitreya Buddha,

 

                                          A CHU FO,

 

                                      Akshobhya Buddha,

 

                                         MI TUO FO.

 

                                       Amitabha Buddha.

 

                            ZHONG YANG YI QIE ZHONG SHENG,

 

                                 All beings in the Central Realm,

 

                                 ZAI FO SHI JIE ZHONG ZHE,

 

                                   and those in the Pure Lands,

 

                     XIANG ZHU YU DI SHANG, JI ZAI XU KONG ZHONG

 

                       while moving upon the Earth and through the Heavens,

 

                              Cl YOU YU YI QIE ZHONG SHENG,

 

                         shower limitless compassion upon all living beings,

 

                                   GE LING AN WEN XIU XI

 

                               affording them equanimity and peace,

 

                                      ZHOU YE XIU CUI

 

                              that they might cultivate day and night

 

                                XIN CHANG QIU SONG Cl JING

 

                                 By constantly invoking this sutra,

 

                      NENG MIE SHENG SI KU, XIAO CHU ZHU DO HAI,

 

  one is liberated from the suffering of birth and death, and freed from all

the many kinds of suffering.

 

                              NA MO DA MING GUAN SHI YIN,

 

                              Homage to the great wisdom Kuan Yin,

 

                                 GUAN MING GUAN SHI YIN,

 

                                     the observant Kuan Yin,

 

                                  GAO MING GUAN SHI YIN,

 

                                      the noble Kuan Yin,

 

                                  KAI MING GUAN SHI YIN,

 

                                the expansively-minded Kuan Yin,

 

                                      YAO WANG PU SA,

 

                                 the Medicine King Bodhisattva,

 

                                     YAO SHANG PU SA,

 

                                the supreme Medicine Bodhisattva,

 

                                   WEN SHU SHI LI PU SA,

 

                                      Manjusri Bodhisattva,

 

                                       PU XIAN PU SA,

 

                                   Samantabhadra Bodhisattva,

 

                                   XU KONG ZANG PU SA,

 

                                    Akasagarbha Bodhisattva,

 

                                   DI ZANG WANG PU SA,

 

                                     Ksitigarbha Bodhisattva,

 

                           QING LIANG BAO SHAN YI WAN PU SA,

 

                     the billions of Clear Cool Treasure Mountain Bodhisattvas,

 

                        PU GUANG WANG LU LAI HUA SHENG PU SA,

 

                     the Universal Light Venerable King Tathagata Bodhisattva.

 

                                  NIAN NIAN SONG Cl JING,

 

                                  Chanting this sutra continually,

 

                             Ql FO SHI ZUN, JI SHOU ZHOU YUE:

 

                       the Seven World-Honored Buddhas recite this mantra:

 

  LI PO LI PO DI, QIU HO QIU HO DI, TUO LUO NI DI, NI BO LA DI, BI LI NI DI,

MO HO QIE

                             DI, ZHEN LING QIAN DI, SA PO HO.

 

       Lee-poh-lee-poh-deh, kyo-ho-kyo-ho-deh, toh-loh-nee-deh,

nee-ah-la-deh, pee-lee-nee-deh,

                         mo-ho-kya-deh, jen-len-chen deh, so-ha (7 times)

 

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Date:         Thu, 19 Feb 1998 17:43:21 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: diprima/Pieces Of A Song

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>i accidenntally deleted post that named latest poetry book by diprima;

>and i havn't received an answer from waterrow books re: their stock of

>diprima.

>i can't use any other online book sellers as i don't have a credit card,

>which complicates this part of my life but is a boon to the rest.

>i can have it special ordered in town, am wondering if any one has a

>list of her poetry as well as the latest.

>thanks,

>mc

 

PIECES OF A SONG by Diane Di Prima,

here is Ferlingghetti's address:

City Lights Publishers

261 Columbus Ave.

San Francisco, CA  94133

  (415) 362-8193

 

BUT,

 

I'm sure Waterrow has, or will have it.

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Thu, 19 Feb 1998 23:48:49 +0000

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From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I see what you're saying, but I don't recall any Buddhist Inquisition or

Buddhist Crusades.... Or have I missed something? I'm not saying that ALL

religions are evil, it just seems that MANY of them do way more harm than

good! Remember the Branch Davidians? Heaven's Gate? Tellya what, my

grandfather is a minister, and he just got thrown off the elder council of

his church for STALKING A 30 YEAR OLD WOMAN! My grandma is constantly

finding Pentouse and Hustler and Big Butt and who knows what else amidst

his Bible-stuff. He also grabbed my ass when I was 13 years old, and is a

racist. Then there's Jim Bakker, Oral Roberts and his 900-foot Jesus, Jimmy

"sob, sniffle" Swaggart, and all those other obnoxious dudes with bad

hairdos. --Sara

 

t 12:33 PM 2/20/98 -0800, you wrote:

>ahoy there,

> 

>i must say that this was what kerouac was trying to change in everyone.

>Buddhism, shamanism, catholicism, and on and on and on.  wasn't JK tryin

>to say they were all basically the same?  ya'll keep talkin bout the

>horrors and violence and such of catholicism, but that's the people in

>the religion.  has nothin to do with the religion itself.  They're all

>pretty much the same if you ask me.

> 

>Al

> 

 

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Date:         Thu, 19 Feb 1998 18:51:19 EST

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From:         Zucchini4@AOL.COM

Subject:      Re: T. S. Elliot

Comments: To: DebyLGW16@aol.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-19 07:35:11 EST, Julian wrote:

 

<< 

  i was wondering if anyone knew where i could get the text to the

 "prufuck" (sp?) poem, i have been told it's the greatest thing since

 sliced bread...

 

 -julian

  >>

 

The Love song of J. Alfred Prufrock

 

TS Eliot

 

Let us go then, you an I,

When the evening is spread out against the sky

Like a patient etherized upon a table;

Let us go, through certain half-deserted streets,

The muttering retreats

Of restless nights in one-night cheap hotels

And sawdust restaraunts with oyster shells;

Streets that follow like a tedious argument

Of insidious intent

To lead you to an overwhelming question...

Oh, do not ask, "What is it?"

Let us go and make our visit.

 

In the room the women come and go

Talking of Michelangelo.

 

The yellow fog that rubs its back upon the window-panes,

The yellow smoke that rubs its muzzle on the window-panes,

Licked its tongue into the corners of the evening,

Lingered upon the pools that stand in drains,

Let fall upon its back the soot that falls from chimneys.

Slipped by the terace, made a sudden leap,

And seeing that it was a soft October night,

Curled once about the house and fell asleep.

 

And indeed there will be a time

For the yellow smoke that slides along the street,

Rubbing its back upon the window-panes;

There will be time, there will be time

To prepare a face to meet the faces that you meet;

There will be time to murder and create,

And time for all the works and days of hands

That lift and drop a question on your plate;

Time for you and time for me,

And time yet for a hundred indecisions,

And for a hundred visions and revisions,

Before the taking of toast and tea.

 

In the room women come and go,

Talking of Michelangelo.

 

And indeed there will be time

To wonder, "Do I dare?' and "Do I dare?"

Time to turn back and descend the stair

With a bald spot in the middle of my hair-

(They will say: "How his hair is growing thin!")

My morning coat, my collar mounted firmly to the chin,

My necktie rich and modest, but asserted by a simple pin-

(They will say: "But how is arms and legs are thin!")

Do I dare

Disturb the universe?

In a minute there is time

For decisions and revisions which a minute will reverse.

 

For I have known them all already, known them all-

Have known the evenings, mornings, afternoons,

I have measured out my life with coffee spoons;

I know the voices dying with a dying fall

Beneath the music from a farther room.

So how should I presume?

 

And I have known the eyes already, knwon them all-

The eyes that fix you in a formulated phrase,

And when I am formulated, sprawling on a pin,

When i am pinned and wriggling on the wall,

Then how should I begin

To spit out all the butt-ends of my days and ways?

 

And how should I presume?

 

And I have known the arms already, known them all-

Arms that are braceleted and white and bare

(But in the lamp light, downed with light brown hair!)

Is it perfum from a dress

That makes me so digress?

Arms that lie along a table, or wrap about a shawl.

And should I then presume?

And how should I begin?

 

Shall I say, I have gone at dusk through narrow streets

And watched the smoke that rises from the pipes

Of lonely men in shirt sleeves, leaning out of windows?

 

I should have been a pair of ragged claws

Scuttling across the floors of silent seas.

 

And the afternoon, the evening, sleeps so peacefully!

Smoothed by long fingers.

Asleep... tired... or it malingers

Stretched on the floor, here beside you and me.

Should I, after tea and cakes and ices,

Have the strength to force the moment to its crisis?

But though I have wept and fasted, wept and prayed,

Though I have seen my head (grown slightly bald) brought in upon a platter

I am no prophet- and here's no great matter;

I have seen the moment of my greatness flicker,

And I have seen the eternal Footman hold my coat, and snicker

And in short, I was afraid.

 

And would it have been worth it, after all,

After the cups, the marmalade, the tea,

Among the porcelain, among some talk of you and me,

Would it have been worth while

To have bitten off teh matter with a smile,

To have squeezed the univers into a ball

To roll it toward some overwhelming question,

To say, "I am Lazarus, come from the dead,

Come back to tell you all, I shall tell you all"-

If one, settling a pillow by her head,

Should say: "That is not what I meant at all.

That is not it at all."

 

And would it have been worth it, after all,

Would it have been worthwhile,

After the sunsets and the dooryards and the sprinkled streets,

After the novels, after the teacups, after the skirts that trail along the

floor-

And this, and so much more?-

It is impossible to say just what I mean!

But as if a magic lantern threw the nerves in patterns on a screen;

Would it have been worthwhile

If one, settling a pillow or throwing off a shawl,

And turning toward the window, should say,

"That is not it at all,

That is not what I meant at all."

 

No! I am not Prince Hamlet, nor was meant to be;

Am an attendant lord, one that will do

To swell a progress, start a scene or two

Advise the prince; no doubt, an easy tool,

Deferential, glad to be of use,

Politic, cautious, and meticulous;

Full of high sentence, but a bit obtuse;

At times, indeed, almost ridiculous-

Almost, at times, the Fool.

 

I grow old... I grow old...

I shall wear the bottoms of my trousers rolled.

 

Shall I part my hair behind? Do i dare to eat a peach?

I shall wear white flannel trousers, and walk upon the beach.

I have heard the mermaids singing each to each.

 

I do not think they will sing for me.

 

I have seen them riding seaward on the waves

Combing the white hair of the waves blown back

When the wind blows the water white and black.

 

We have lingered in the chambers of the sea

By seagirls wreathed with seaweed red and brown

Til human voices wake us and we drown.

 

______________

Dammit, that's long. Sorry for spelling mistakes. But anyway. Oh yeah:

Favorite Poem #5:

 

"The Last Benjamin of Tudela"

Yehuda Amichai

 

25 pages long and amazing.

 

--Stephanie

 

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Date:         Thu, 19 Feb 1998 16:01:31 PST

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From:         susie sinor <susie_sinor@HOTMAIL.COM>

Subject:      neal cassady

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'm doing a report in my american history class on neal cassady and his

importance in american culture, history, etc.

i know the obvious stuff, but i'm looking for some good references to

use.

i live in a real small town, so the library is no help.

if you have any ideas, e-mail me please.

 

susie

 

susie_sinor@hotmail.com

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Fri, 20 Feb 1998 00:24:26 +0000

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From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: Catholism/Kerouac/Cassady/Cayce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What I'm saying is not that one should ignore the influences of religion on

Kerouac, but no matter one's personal feelings on the subject, the

influence of religion does not have any bearing on the beauty of his

writing. I can see where Kerouac would have liked aspects of Catholicism.

On paper, SOME of it sounds like a good idea. But I don't think Kerouac, if

alive today, would agree with the pope on ANYTHING, and especially not the

pope's treatment of gays. I think he was more of what they call a

"cafeteria-Catholic:" he took what he liked and left the rest. Same goes

for Buddhism.

                                --Sara

 

At 03:22 PM 2/20/98 -0600, you wrote:

>Putting aside any personal feeling about religion...organized or otherwise..

> 

>I don't see how you can read Kerouac's work and not be conscious of his

>religious upbringing (Catholic) and his later investigations into

>Buddhism.  Particularly because his work is so personal.

> 

>Also, Cayce was such an important influence on Cassady and Kerouac's

>relationship with Cassady you can't disregard him.  It doesn't matter

>what *you* feel about Cayce, consider how Cassady was effected influenced

>by Cayce.

> 

>If you don't consider the "religious" influence of Catholism, Buddhism,

>Cayce(ism) etc. on the author, I think you are limiting your perspective.

> 

>Dawn

> 

 

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Date:         Thu, 19 Feb 1998 19:34:42 -0500

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From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      "The Love Song Of J. Alfred Prufrock"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Anybody interested in the numerous obscure references and allusions in

Eliot's poem should read, "From Ritual To Romance" by Jesse L. Weston

(publisher unknown, sorry) Julian--take note--!!

 

 

 

                                 Jeff Perchuk

 

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Date:         Thu, 19 Feb 1998 19:59:36 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Diane Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jesus christ, wasn't even sure what it was i said to get everyone up in arms,

'til i went back and checked.

in my personal opinion, gender issues and literature are intimately linked,

virginia woolf is one amazing author i'm currently submersed in that would

probably have agreed.  i'm sorry not everyone is of the same opinion on that

matter, but 'sokay with me.

--ce

 

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Date:         Thu, 19 Feb 1998 21:00:08 EST

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From:         Creeeeeeep@AOL.COM

Subject:      unsubscribe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Please remove me from list.

 

Thanks

 

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Date:         Thu, 19 Feb 1998 21:47:43 -0500

Reply-To:     ksix3@immaculata.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         kathleen six <ksix3@IMMACULATA.EDU>

Organization: Immaculata College

Subject:      Kerouac and/or Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I was on the list a couple of years ago but I never wrote anything.

Anyway, I am doing my final senior thesis on On The Road and how it

affected the youth of the fifties and how it was affected by the

environment of the fifties.  My teacher is skeptical about my ability to

present Kerouac in a serious setting and I hope some of you will be able

to help me prove her wrong.  If anyone has any sites, articles, books,

etc... that they think I should look into please e-mail me at

ksix3@immaculata.edu.

Thanks.  I find all of the other posts interesting too.  I've been

reading works by and about the Beat generation since I was a freshman in

high school.  ( I am now a senior in college)  I am really enjoying

myself reading this list as well as doing my other research.

Thanks,

 

Katey

 

P.S.  If anyone has any sources for T.S. Eliot, especially concerning

The Wasteland, please let me know.  Thanks again.

 

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Date:         Thu, 19 Feb 1998 20:50:03 -0600

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From:         "Christa St. Peter" <astrid@NORSHORE.NET>

Subject:      Re: neal cassady

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does your library have inter-library loan? I live in a very small town

also, so I have to get books this way all the time.

 

----------

> From: susie sinor <susie_sinor@HOTMAIL.COM>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: neal cassady

> Date: Thursday, February 19, 1998 6:01 PM

> 

> i'm doing a report in my american history class on neal cassady and his

> importance in american culture, history, etc.

> i know the obvious stuff, but i'm looking for some good references to

> use.

> i live in a real small town, so the library is no help.

> if you have any ideas, e-mail me please.

> 

> susie

> 

> susie_sinor@hotmail.com

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Thu, 19 Feb 1998 21:56:40 -0500

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From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I would suggest that you look in The Complete Poems and Plays of T.S.

Eliot.  It will be worth it.  But, I am not sure about sliced bread.

 

Julian Ruck wrote:

 

>  i was wondering if anyone knew where i could get the text to the

> "prufuck" (sp?) poem, i have been told it's the greatest thing since

> sliced bread...

> 

> -julian

> 

> ______________________________________________________

> Get Your Private, Free Email at http://www.hotmail.com

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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Date:         Thu, 19 Feb 1998 22:23:27 -0500

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From:         Phil Chaput <philzi@TIAC.NET>

Subject:      NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Found this on the Kerouac Quarterly Home page. It's a press release from

St. Martin's Press. The book will be out Spring/Summer this year.

 

This one should be interesting, I know it has me drooling for more.I can

hear the clacking of keys on the beat-l already. Any comments? Phil Chaput

 

 

        Subterranean Kerouac: The Hidden Life of Jack Kerouac by Ellis

Amburn described as

        follows by St. Martin's Press...

 

        The first biography of Jack Kerouac to portray fully the intense

inner life that

        inspired his work - by his last editor, the biographer, Ellis Amburn.

 

        Drawing upon original interviews and his own relationship with

Kerouac, Ellis Amburn

        has revealed an inner Kerouac who has not appeared in any previous

biography, a man

        torn by his conflicting desires and beliefs.

 

        Born to a poor, alcoholic father and a devoutly Catholic mother,

Kerouac always

        struggled with poverty, his drinking, and his doubts about his own

lifestyle of substance

        abuse, indolence, and promiscuity.

 

        Perhaps the greatest of Kerouac's conflicts centered around his

sexual relationships with

        men. While other biographers have only hinted at Kerouac's

experiences with men,

        Amburn addresses these directly, and sheds a new light on their

profound impact on a

        man who remained convinced until his death that his homosexuality

was in fact immoral.

 

        Deeply insightful, refreshing, and certainly controversial,

Subterranean Kerouac is a

        necessary book for any Kerouac fan or scholar.

 

        "The key to understanding Kerouac lies in his divided nature. He

was both straight and

        gay, a rebel and a reactionary, awandering mystic and an inveterate

homebody, a hobo

        and a dedicated professional." -from the book Subterranean Kerouac.

 

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Date:         Thu, 19 Feb 1998 22:25:35 -0500

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From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Diane Diprima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:41 PM 2/19/98 EST, you wrote:

>sorry to upset you so much, but in my personal opinion, gender issues and

>literature are intimately linked.  virginia woolf, jane austin, and many, many

>others may have agreed with me.  sorry you don't.

> 

> 

 

Okay--let me see if I can explain this properly. I am NOT discounting the

importance of gender with respect to these issues--and it's not that I don't

think it's important--but obviously, because I am a male the issue doesn't

resonate with me as deeply as it might with you. What I AM objecting to is

the strident, combative type of feminist criticism that is all to familiar

these days. Gender politics can sometimes overshadow discussions of the

literature to such an extent that the real meaning of the work in question

gets lost in all the confusion. There's more to Woolf's writing--or

DiPrima's--than just the question of gender. Maybe they interest me more as

stylists--I'm not really sure. But I DO know that when criticism becomes so

narrowly focused on one issue as to be almost obsessive (and I'm not

accusing YOU of doing this either) then I think it can be a drawback. And

unfortunately, many so-called "post-modern" interpretations are precisely

that. I could give numerous examples, but what would be the point?

 

It's not that I don't think these issues are not important. They just aren't

the focal point of my interest. That's all.

 

 

                                             Jeff Perchuk

 

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Date:         Thu, 19 Feb 1998 22:35:50 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

According to Ellis Amburn:

> 

>        Perhaps the greatest of Kerouac's conflicts centered around his

>sexual relationships with

>        men. While other biographers have only hinted at Kerouac's

>experiences with men,

>        Amburn addresses these directly, and sheds a new light on their

>profound impact on a

>        man who remained convinced until his death that his homosexuality

>was in fact immoral.

> 

>        Deeply insightful, refreshing, and certainly controversial,

>Subterranean Kerouac is a

>        necessary book for any Kerouac fan or scholar.

> 

>        "The key to understanding Kerouac lies in his divided nature. He

>was both straight and

>        gay, a rebel and a reactionary, awandering mystic and an inveterate

>homebody, a hobo

>        and a dedicated professional." -from the book Subterranean Kerouac.

> 

 

        It sounds like Mr. Amburn is getting his information straight from

MEMORY BABE.  In MEMORY BABE, there are descriptions of Jack Kerouac's

sexual adventures with at least twenty men, including Gore Vidal, Allen

Ginsberg, Robert Giroux, and an FBI agent!  I even quote Jack Kerouac in a

portion of Ted Berrigan's PARIS REVIEW interview that was suppressed by

George Plimpton, where Kerouac described his sexual pleasures (apparently

much like Bill Clinton's): "Blowjobs, yes!  Assholes, no!"  What does Amburn

mean, "only hinted at by other biographers"?  How much more graphic was I

supposed to be?  It was in fact my supposed portrayal of Jack's

"homosexuality" (actually I refer to it as bisexuality) that the Sampas

family objected so much to in MEMORY BABE.

                                                        --Gerald Nicosia

 

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Date:         Thu, 19 Feb 1998 22:54:14 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Kerouac's Contradictions Are Hardly News

To:           BEAT-L@CUNYVM.CUNY.EDU

 

        Of Jack Kerouac, Gerald Nicosia wrote in MEMORY BABE:

 

        "He was able to resolve nothing because he was speaking directly

from a genius whose locus was outside his personality--a genius that might

be triangulated somewhere between Riviere du Loup, Hollywood, and Heaven.

He was a hillbilly scholar and a hokey saint, with Japanese mezzotints and

works by El Greco, Rouault, Picasso, Van Gogh, Rousseau, and Gauguin sharing

his bedroom walls with little pictures of the Virgin Mary and St. Joseph and

the crucifix above the bed.  He was determined to blast out from his very

heart all the garbage of the age, the processed shit with which fifties

America was stuffed like a Christmas turkey--even if much of the time he was

flipping or weeping, really weeping--and to give his tortured and grappling

nation a voice, even though the job would kill him; and knowing that, he had

taken it on anyway, and there was no reforming him now." (MEMORY BABE, p. 596)

 

        So now we are to applaud Mr. Ellis Amburn for having discovered the

contradictions in Kerouac?  Perhaps we should applaud him for having

discovered the wheel and the laws of gravity too.

 

                                                        --Gerald Nicosia

 

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Date:         Thu, 19 Feb 1998 23:24:35 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>According to Ellis Amburn:

>> 

>>        Perhaps the greatest of Kerouac's conflicts centered around his

>>sexual relationships with

>>        men. While other biographers have only hinted at Kerouac's

>>experiences with men,

>>        Amburn addresses these directly, and sheds a new light on their

>>profound impact on a

>>        man who remained convinced until his death that his homosexuality

>>was in fact immoral.

>> 

>>        Deeply insightful, refreshing, and certainly controversial,

>>Subterranean Kerouac is a

>>        necessary book for any Kerouac fan or scholar.

>> 

>>        "The key to understanding Kerouac lies in his divided nature. He

>>was both straight and

>>        gay, a rebel and a reactionary, awandering mystic and an inveterate

>>homebody, a hobo

>>        and a dedicated professional." -from the book Subterranean Kerouac.

>> 

> 

>        It sounds like Mr. Amburn is getting his information straight from

>MEMORY BABE.  In MEMORY BABE, there are descriptions of Jack Kerouac's

>sexual adventures with at least twenty men, including Gore Vidal, Allen

>Ginsberg, Robert Giroux, and an FBI agent!  I even quote Jack Kerouac in a

>portion of Ted Berrigan's PARIS REVIEW interview that was suppressed by

>George Plimpton, where Kerouac described his sexual pleasures (apparently

>much like Bill Clinton's): "Blowjobs, yes!  Assholes, no!"  What does Amburn

>mean, "only hinted at by other biographers"?  How much more graphic was I

>supposed to be?  It was in fact my supposed portrayal of Jack's

>"homosexuality" (actually I refer to it as bisexuality) that the Sampas

>family objected so much to in MEMORY BABE.

>                                                        --Gerald Nicosia

 

 

I mst say I did think Phil's message sounded rather self-serving.  I don't

think we need the carnival barker approach to interest the people here in

another kerouac biography.  That sensationalistic national enquirer

approach might be a good hook for the general populace in selling the book,

but to me, Phil, it just sounded like empty hype or self serving strutting.

 

I am sure this book will have more info than the others because more was

available to the author.  But I would be a lot more interested in the part

II of the letters.

 

Jerry, I know these guys seem to be jealous of you and are always trying to

get your goat or try to make their camp look good at the expense of others,

but don't let it bother you.

 

The thing is their product (Kerouac) is a good product and I don't see why

they have such an inferiority complex and try to compensate by seeming to

want to make themselves look better than others.

 

I doubt the author feels this way and assume the publishing house will be

professional in the marketing and presentation of the book.

 

And Phil, I do appreciate (and think most here also do) the info about the

book's publication date.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: buddhism - kerouac graffiti

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980219081214.16582B-100000@calcna.ab.ca>

References:

 

buongiorno amici beat,

 

in "The Scripture of the Golden Eternity" by Jack Kerouac

there's a drawing made by Robert La Vigne picturing Jack

while's reading (NY,1970). JK has around his neck a necklace

with a rood (perhaps a rosary, the same blessed by the pope?).

it's a strange (jack was 34 when wrote the "Scripture") way

to underline his catholic background anyhow the thounghts goes

to the buddhism...

 

saluti,

Rinaldo.

-------

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Date:         Fri, 20 Feb 1998 08:32:08 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

spelling mistakes and all, you made my day. how nice to sit down with a cup

of coffee and read that old friend again. yesterday, i searched and

temporarily misplaced my copy of _the wasteland and other poemes_ which

contains the prufrock.

thanks

marie

 

 

 

> 

 

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Date:         Fri, 20 Feb 1998 08:37:15 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: goodbye

To:           BEAT-L@CUNYVM.CUNY.EDU

 

derek

 

i hope yr here long enough to get this

 

i never have been able to get thru to you using the e mail addresses you

provide, and for some reason it takes a week or ten days for my mail to

be returned, instead of the usual several minutes.  others may be having

that problem too

 

thanks for introducing me to this group

 

see yez around the campus

 

tkc

 

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Date:         Fri, 20 Feb 1998 03:41:37 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 20 Feb 1998 09:28:47...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Fri, 20 Feb 1998 09:28:47 +0100 with subject "buddhism -

kerouac graffiti" has been successfully distributed to the BEAT-L list (252

recipients).

 

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Date:         Fri, 20 Feb 1998 08:46:47 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: neal cassady

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> > From: susie sinor <susie_sinor@HOTMAIL.COM>

> > To: BEAT-L@CUNYVM.CUNY.EDU

> > Subject: neal cassady

> > Date: Thursday, February 19, 1998 6:01 PM

 

 

just do a net search under his name, you'll get to levi asher's great

site, the pranksters' site, and a buncha other stuff, theres even a site

with some writing of his.

 

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Date:         Fri, 20 Feb 1998 04:57:15 -0500

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From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:34 AM 2/19/98 PST, you wrote:

> i was wondering if anyone knew where i could get the text to the

>"prufuck" (sp?) poem, i have been told it's the greatest thing since

>sliced bread...

> 

>-julian

> 

>______________________________________________________

>Get Your Private, Free Email at http://www.hotmail.com

> 

>Plug the name into a search engine on your browser, and you will

probably find it, as I found Howl the day Ginsberg died.

 

Mike Rice

 

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Date:         Fri, 20 Feb 1998 04:59:19 -0500

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From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Gia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 05:08 AM 2/19/98 PST, you wrote:

> i was wondering if anyone saw the hbo special on "gia"...the late 70s,

>>early 80s model...?

>>they read some of her poetry, and depicted much of her life...she's

>>probably, no, she IS the most beat model i've ever heard of...

>>-julian

>> 

>>ps, also, in the way of movies...did anyone see 'the last temptation of

>>christ'?

>> 

>>i think it's shock factor alone had a beat feel to it...that, and david

>>bowie was in it...*g*

>> 

>>______________________________________________________

>>Get Your Private, Free Email at http://www.hotmail.com

>> 

> 

> 

>______________________________________________________

>Get Your Private, Free Email at http://www.hotmail.com

> 

>I saw it two weeks ago and don't remember a thing.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 10:05:23 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Gia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

canadian film, jesus of montreal takes the gold in my eyes.

mc

 

mike rice wrote:

 

> At 05:08 AM 2/19/98 PST, you wrote:

> > i was wondering if anyone saw the hbo special on "gia"...the late 70s,

> >>early 80s model...?

> >>they read some of her poetry, and depicted much of her life...she's

> >>probably, no, she IS the most beat model i've ever heard of...

> >>-julian

> >>

> >>ps, also, in the way of movies...did anyone see 'the last temptation of

> >>christ'?

> >>

> >>i think it's shock factor alone had a beat feel to it...that, and david

> >>bowie was in it...*g*

> >>

> >>______________________________________________________

> >>Get Your Private, Free Email at http://www.hotmail.com

> >>

> >

> >

> >______________________________________________________

> >Get Your Private, Free Email at http://www.hotmail.com

> >

> >I saw it two weeks ago and don't remember a thing.

> 

> Mike Rice

 

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Date:         Fri, 20 Feb 1998 08:15:08 -0500

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From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Tim Gallaher wrote:

 

>I doubt the author feels this way and assume the publishing house will be

>professional in the marketing and presentation of the book.

 

What Phil sent was a press release from St. Martin's Press, so I think it

shows the angle they're using to promote the book. Does seem a bit

sensational. The PR doesn't make me want to rush out and buy it when it's

released.

 

Michael

 

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Date:         Fri, 20 Feb 1998 08:45:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/20/98 5:20:10 AM Pacific Standard Time,

peent@SERVTECH.COM writes:

 

<< Tim Gallaher wrote:

 

 >I doubt the author feels this way and assume the publishing house will be

 >professional in the marketing and presentation of the book.

 

 What Phil sent was a press release from St. Martin's Press, so I think it

 shows the angle they're using to promote the book. Does seem a bit

 sensational. The PR doesn't make me want to rush out and buy it when it's

 released.

 

 Michael >>

 

The angle of promotion is to aim directly at the core of what mass-market

America will snap up.  We KNOW by now that screaming purple headlines about

sexual involvement with others (males, females, cute sheep, or Mother Thumb

and the Sisters of Mercy) will fly off the shelves.  That's what a publishing

company wants to do, sell "units".

I'm just glad that there is an audience for JK and others, and that new

material is forthcoming.  My guess is that the author has little say in

promotional decisions.  Lurid promotion does not necessarily indicate a lurid

book.  Wait for the thing, give it a read, then decide if it's any good.

Dennis

 

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Date:         Fri, 20 Feb 1998 15:23:12 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dr Rockit <thomas.van.moortel@SKYNET.BE>

Organization: D for Doctor

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rinaldo Rasa wrote:

> 

> buongiorno amici beat,

> 

> in "The Scripture of the Golden Eternity" by Jack Kerouac

> there's a drawing made by Robert La Vigne picturing Jack

> while's reading (NY,1970). JK has around his neck a necklace

> with a rood (perhaps a rosary, the same blessed by the pope?).

> it's a strange (jack was 34 when wrote the "Scripture") way

> to underline his catholic background anyhow the thounghts goes

> to the buddhism...

> 

> saluti,

> Rinaldo.

> -------

 

Hi to all,

 

I *personally* try not to give too much attention to the Catholic/

Buddhist/Caycean/whatever influences on J.K. or N.C.-life.  Sure,

and especially in Jack's case, it was important in every way he

lived his life but there's this saying

 

_They say there's just enough religion in the world to make men

 hate one another but not enough to make them love_

 

That's my *opinion*.

 

                                                Sincerely,

 

                                                --Thomas

 

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Date:         Fri, 20 Feb 1998 09:51:04 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

  My guess is that the author has little say in

>promotional decisions.  Lurid promotion does not necessarily indicate a lurid

>book.  Wait for the thing, give it a read, then decide if it's any good.

>Dennis

 

Well said. Geez! I haven't posted because I'm so sick of the petty bullshit

with "sides and camps". How could anyone say I was trying to

goad anyone into anything. Christ, all I did was post a press release. I

have never had a bad word to say about Gerry's book. Give me a break. Now I

remember why I haven't posted anything for weeks. You guys could turn a

bible reading into an estate war. You act like I wrote the F..... book. I

won't bother posted any more beat news any more. It's too much of a hassle.

Phil

 

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Date:         Fri, 20 Feb 1998 12:03:20 -0500

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From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Pic and Satori

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I picked up a copy of Satori in Paris and Pic today for seven dollars, off

the street and in good condition. On the back of the book, theres a blurb

that says "Jack Kerouac was the father and presiding spirit of the Beat

Generation". Im not so sure about that. I think there were many fathers

to the BG, if there were any at all...

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Fri, 20 Feb 1998 09:04:00 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I must agree with the love of my life. *GRIN* I personally abhor

>Catholicism for all its violence and hatred

 

Sara this isn't a knock or put down but an attempt to communicate;  I don't

think you know how bigoted and prejudiced this statement is.  Also I don't

think you know much about the history of other religions if you are to make

this distinction about Catholicism).

 

>and think Edgar Cayce was a

>quack

 

I agree here.

 

I write this to you becaue I think you are speaking about of lack of

awareness rather than any malice, if no there'd be no point in trying to

communicate this.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 12:04:11 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Moloch

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I saw a book called "Moloch" today by Henry Miller. Is this any relation

to AG"s use of the word in his poem, titled the same?

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 09:08:35 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Tim Gallaher wrote:

> 

>>I doubt the author feels this way and assume the publishing house will be

>>professional in the marketing and presentation of the book.

> 

>What Phil sent was a press release from St. Martin's Press, so I think it

>shows the angle they're using to promote the book. Does seem a bit

>sensational. The PR doesn't make me want to rush out and buy it when it's

>released.

 

Yeah, that was exactly the feeling I got: that I didn't want to go out and

buy it.

 

> 

>Michael

 

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Date:         Fri, 20 Feb 1998 09:49:50 -0800

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From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

                                                        February 20, 1998

Phil Chaput writes:

>Well said. Geez! I haven't posted because I'm so sick of the petty bullshit

>with "sides and camps". How could anyone say I was trying to

>goad anyone into anything.

 

        Sorry if I overreacted, but for months I've been reading the posts

of Mr. Maher and his cohorts, to the effect that Mr. Amburn's new Kerouac

biography is going to "demolish" MEMORY BABE, etc.  Now I have nothing

against Mr. Amburn, and I will make my judgment on his Kerouac biography

AFTER I read it, not before, as any intelligent person would.

        But forgive me if I have to laugh, when Mr. Chaput appears with his

tone of "oh gosh!  I never heard such exciting revelations about Kerouac!"

and everything that is mentioned, the sexual conflicts, the spiritual

conflicts, is gone over in great detail in my book, which I began twenty

years before Mr. Amburn started his.

        Gregory Corso used to tell me: "Credit the daddies."  That's all I

ask, fellas, with all your allegiance to John Sampas and all your talk of

"reducing MEMORY BABE to rubble."

                                                --Gerald Nicosia

 

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Date:         Fri, 20 Feb 1998 17:51:41 +0000

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From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

dawn i just finished my reply, and then el nino ate it. i'll write again

tomorrow.

mc

 

Dawn Zarubnicky wrote:

 

> Marie...

> 

> I'm wondering if you could expand on your TS Eliot post..

> What about Eliot's work appeals to you?...

> 

> In class I've been forced to read Prufrock and Wasteland more than

> a few times, and it's never appealed to me. Am I missing something?

> It seems so cold and empty and obscure to me...like Eliot is cramming all

> these references into one poem to let us know how "intelligent" he is

> and what he knows....I'm sure I'm probably in the minority with my

> opinion because I have been told numerous times Eliot is the standard

> by which other modern poets are measured....

> 

> Can anyone enlighten me?

> 

> Dawn

> PS...I do like the "coffee spoons" line though and love the Crash Test

> Dummies song....

 

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Date:         Fri, 20 Feb 1998 17:56:01 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

stephanie, you are truly amazing. add to what stephanie says, read the images,

like the sky as a patient on the table, the fog as a cat, wondrously written and

never just for effect.

i bow to you, stephanie

and may not need to send another reply, as you have gotten a mindfull of

information here.

mc

 

Zucchini4@AOL.COM wrote:

 

> In a message dated 98-02-20 16:13:38 EST, you write:

> 

> << In class I've been forced to read Prufrock and Wasteland more than

>  a few times, and it's never appealed to me. Am I missing something?

>  It seems so cold and empty and obscure to me...like Eliot is cramming all

>  these references into one poem to let us know how "intelligent" he is

>  and what he knows....I'm sure I'm probably in the minority with my

>  opinion because I have been told numerous times Eliot is the standard

>  by which other modern poets are measured....

> 

>  Can anyone enlighten me?

> 

>  Dawn >>

> 

> Forget about the references. :) A poet friend of mine (makes me sound so

> sophisticated doesn't it?) sent me this poem, saying it had changed her life

> (I assume in inspiring her to write). The only explanation was:

> 

> "In the room women come and go,

> Talking of Michelangelo.

> 

> He's basicly saying that Michelangelo has achieved a kind of immortality that

> Eliot himself will never reach..."

> 

> So I read it and loved it, and we all lived happily ever after. I didn't even

> know it was that crammed w/allusions. Now I'm going to have to go find a book

> of criticism or something truly un fun like that.

> 

> Personally, it just spoke to me. It's such a universal experience- death and

> your own failures, the acceptance of your imperfection, and the desperation

> that accompanies the passing of your life... And I'm only 15, not a lot of my

> life has gone by. But it's the whole theme of "growing up"... we all think

> we'll grow up to be beautiful loved famous people... But the women will keep

> talking about michelangelo, we are not prophets, the mermaids will not sing

> for us, and finally we will wake from these dreams, our arms and legs will be

> thin, we'll drown.... Etc.

> 

> It's not the type of style I'm usually into either... certainly not as fanatic

> as AG or JK and their buddies. But by the end, the very simplicity of each

> phrase is heartbreaking. "Do I dare to eat a peach?" Who would of thought a

> line like that could have such an effect?

> 

> Of course now you all are going to think I'm really stupid, because everyone's

> *studied* the poem, and I probably got everything wrong. *sigh*

> 

> --Stephanie

> (who tried really hard)

> 

> ps- here's an odd WSB refernce for you. I'm reading this book on writing,

> "Bird by Bird" by [someone] Lamotte, and she's talking about all the little

> critics in her head as she tries to write, and they're all stereotypes,

> until... Something about how (in her head, mind you) William Burroughs is

> either dozing or shooting up because she has the "intelligence and spark of a

> houseplant."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 13:20:09 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: NEWS ON NEW KEROUAC BIOGRAPHY

To:           BEAT-L@CUNYVM.CUNY.EDU

 

no, wait, phil, come back....

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 13:27:54 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Pic and Satori

To:           BEAT-L@CUNYVM.CUNY.EDU

 

seems it would be more appropriate to say the beat phenomena was an

illegitimate child.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 12:39:11 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

> 

> >I must agree with the love of my life. *GRIN* I personally abhor

> >Catholicism for all its violence and hatred

> 

> Sara this isn't a knock or put down but an attempt to communicate;  I don't

> think you know how bigoted and prejudiced this statement is.  Also I don't

> think you know much about the history of other religions if you are to make

> this distinction about Catholicism).

> 

> >and think Edgar Cayce was a

> >quack

> 

> I agree here.

> 

> I write this to you becaue I think you are speaking about of lack of

> awareness rather than any malice, if no there'd be no point in trying to

> communicate this.

 

 

sara, i agree with you "I personally abhor Catholicism for all its

violence and hatred" and disagree with timothy, i don't agree with

either of you about cayce but i only think  these things because i know

what i am talking about rather than being simply misinformed.  I don't

think that having these opinions are malicious. No more than I think

that timothys opinions are formed to be malicious.  I was surprised at

Williams tolerance for catholicism , he had deeper problems with hating

truman for dropping the bombs.

patricia

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Fri, 20 Feb 1998 10:52:37 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Kerouac, Catholicism, whatta can o' worms....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:05 PM 2/19/98 +0000, you wrote:

>Timothy: I was raised Catholic, and spent 14 years of my life in Catholic

>schools. I know more than I want to about the Catholic religion. Yes, OK,

>many other religions' histories are  bloody, but the history of Catholicism

>is by far the bloodiest.

 

This is untrue.

 

 Look at history, and you'll see what I'm talking

>about. To say that there is no "hatred" in the Catholic religion

 

Who said this?

 

>however,

>is naïve. These are people who think gays deserve to die if they want to

>love each other.

 

This is a slur and distortion.

 

>These are people who believe that an innocent newborn

>baby, if not baptized, will "burn in Hell."

 

This statement is not 100% accurate and even given its' acceptance this

particular belief has not led to the violence you rightly disdain.

 

>For the above reasons, I have

>no respect for Catholicism.

 

No respect for catholicism is a harsh enough statement in that it is so

absolute, but my impression was of a pronounced hatred rather than a lack of

respect.  Lack of respect and hatred/animosity are two different things.

 

Like I said I wrote the reply because I thought you were worth it.  I

wouldn't even bother to make the effort with a died in the wool racist or

religious bigot.

 

I used to have similar opinions and bigotries about religion.  It is very

easy and politically correct to have these views.  But I think they limit us

and most importantly are not accurate and are marks of prejudice and bigotry

as much as is racism or anti-semitism.

 

 

I don't know that you are really interested in examining these questions

that come to my mind about your anti-catholicism.  I'm not trying to insult

you or start a fight.  It's just that it pains me to see people hold these

shortsighted views because I was in the same boat for a long time as well. 

 

 

 But the fact that Kerouac was sorta' Catholic

>has no impact on the quality and beauty of his writing. That's all I was

>saying.--Sara

> 

> 

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Fri, 20 Feb 1998 11:05:38 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 12:39 PM 2/20/98 -0600, you wrote:

>Timothy K. Gallaher wrote:

>> 

>> >I must agree with the love of my life. *GRIN* I personally abhor

>> >Catholicism for all its violence and hatred

>> 

>> Sara this isn't a knock or put down but an attempt to communicate;  I don't

>> think you know how bigoted and prejudiced this statement is.  Also I don't

>> think you know much about the history of other religions if you are to make

>> this distinction about Catholicism).

>> 

>> >and think Edgar Cayce was a

>> >quack

>> 

>> I agree here.

>> 

>> I write this to you becaue I think you are speaking about of lack of

>> awareness rather than any malice, if no there'd be no point in trying to

>> communicate this.

> 

> 

>sara, i agree with you "I personally abhor Catholicism for all its

>violence and hatred" and disagree with timothy, i don't agree with

>either of you about cayce but i only think  these things because i know

>what i am talking about rather than being simply misinformed.

 

Interestingly that was the point I was making about Sara's statement to her,

so I will take this point well.  At the same time I want to point out that

thinking someone is a quck is very different than abhorring him or her.

 

I think to abhor Catholicism for its' violence and hatred can only be to

ignore its' charity and love.

 

I abhor the violence and hatred done in the name of Catholicism and every

other major religion.  I respect and (I don't know the opposite word for

abhor--but that's the word I would use here so I'll use...)love the charity

and love that has been done under the influence of catholicsm and also under

the influence of every other major religion.

 

I think to abhor Catholicism for its' violence and hatred is somewhat

logical and reasonable, but one must then have to abhor all religions for

the same reasons. This leads to atheism.  But then to see the violence and

hatred perpetuated by atheists leaves one nowhere.

 

I always felt if Kerouac had lived he would be helping out Mother Teresa and

others like her rather than hanging out with whatever new trend was going on.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 14:10:34 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matt Sanford <Mato15@AOL.COM>

Subject:      Re: neal cassady

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 <A HREF="http://www.charm.net/~brooklyn/People/NealCassady.html">Neal Cassady

</A>

 

Here's a good websight that might help you.  It is mostly a biography of his

life involved with other writers such as Kerouac

 

Matt

 

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Date:         Fri, 20 Feb 1998 20:23:17 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glamorous Hooligan <thomas.van.moortel@SKYNET.BE>

Organization: UK Subs

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

 

> I always felt if Kerouac had lived he would be helping out Mother > Teresa and

> others like her rather than hanging out with whatever new trend was > going

 on.

 

I'm sorry man, but this has got me *rolling on the floor*.

I'll try and write a *meaningful* and *respectful* reply when

I got all of my senses back.

 

                                        --Thomas

 

_listening to Tricky's Brand new You're Retro_

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Fri, 20 Feb 1998 11:44:45 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: buddhism - kerouac graffiti

Comments: To: thomas.van.moortel@skynet.be

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:23 PM 2/20/98 +0100, you wrote:

>Timothy K. Gallaher wrote:

> 

>> I always felt if Kerouac had lived he would be helping out Mother >

Teresa and

>> others like her rather than hanging out with whatever new trend was > going

> on.

> 

>I'm sorry man, but this has got me *rolling on the floor*.

>I'll try and write a *meaningful* and *respectful* reply when

>I got all of my senses back.

> 

>                                        --Thomas

> 

 

Do that.

 

Keep in mind, what did Kerouac do when around 1959 he actually had some money?

 

Also remember if Kerouac lived he would have cleaned up his act in terms of

drinking.

 

 

>_listening to Tricky's Brand new You're Retro_

> 

> 

 

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                      VAA24584

Date:         Fri, 20 Feb 1998 20:58:21 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glamorous Hooligan <thomas.van.moortel@SKYNET.BE>

Organization: UK Subs

Subject:      Re: Kerouac, Catholicism, whatta can o' worms....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

>

> At 11:05 PM 2/19/98 +0000, you wrote:

> >Timothy: I was raised Catholic, and spent 14 years of my life in Catholic

> >schools. I know more than I want to about the Catholic religion. Yes, OK,

> >many other religions' histories are  bloody, but the history of Catholicism

> >is by far the bloodiest.

>

> This is untrue.

>

>  Look at history, and you'll see what I'm talking

> >about. To say that there is no "hatred" in the Catholic religion

>

> Who said this?

>

> >however,

> >is naïve. These are people who think gays deserve to die if they want to

> >love each other.

>

> This is a slur and distortion.

>

> >These are people who believe that an innocent newborn

> >baby, if not baptized, will "burn in Hell."

>

> This statement is not 100% accurate and even given its' acceptance this

> particular belief has not led to the violence you rightly disdain.

>

> >For the above reasons, I have

> >no respect for Catholicism.

>

> No respect for catholicism is a harsh enough statement in that it is so

> absolute, but my impression was of a pronounced hatred rather than a lack of

> respect.  Lack of respect and hatred/animosity are two different things.

>

> Like I said I wrote the reply because I thought you were worth it.  I

> wouldn't even bother to make the effort with a died in the wool racist or

> religious bigot.

>

> I used to have similar opinions and bigotries about religion.  It is very

> easy and politically correct to have these views.  But I think they limit us

> and most importantly are not accurate and are marks of prejudice and bigotry

> as much as is racism or anti-semitism.

>

> I don't know that you are really interested in examining these questions

> that come to my mind about your anti-catholicism.  I'm not trying to insult

> you or start a fight.  It's just that it pains me to see people hold these

> shortsighted views because I was in the same boat for a long time as well.

>

>  But the fact that Kerouac was sorta' Catholic

> >has no impact on the quality and beauty of his writing. That's all I was

> >saying.--Sara

> >

> >

 

Mr Gallaher,

 

maybe Sara's statement about having 'no respect' for Catholicism,

seems harsh to you, but i would like to know about your own encounters

with the Catholic Religion.  Sara spent 14 years in Catholic schools,

she must have some idea what's she's talking about.  It pains you

people having these 'shortsighted' views, well it pained her having

to go through 14 years of views of some kind, fed with a spoon &

abuse through a medium called 'education', if you get my point.

We could get into an endless discussion about which religion caused

the 'most' of bloodshed & all.  That would be just stupid. 

For instance: you hear and see stories through the media almost

every day about (muslim) fundamentalists blowing people up or

going on killing sprees in villages, wasting everybody in them.

But when do you ever hear anybody say on National tv the Pope

(Pope: God is mother_head-check!) is a 'mass-murderer', yes

that's how far I'll go, because the pope objects to condoms and all

those strong religious African people listen & believe in that man

with hundreds of thousands of people carrying the HIV-virus

with them.  What is your *opinion* on that.  That is my view

on the person Catholic people believe to be 'their spiritual

leader' blablabla.  Anyway, I loathe any fundamentalist religion,

so yes I'm an atheist.  Could you please explain yourself when

you say ...to see the violence and hatred perpetuated by atheists

leaves one nowhere... So I'm nowhere then?  Geez, I'm smoking

a fat blunt and thinking about the girl I love and maybe I am

'out there'... I believe Mother Is Nature.  I got beliefs.

But they got nothing to with religion.  They weren't forced

upon me.  I opened my eyes and felt the sun and saw the moon

and heard the birds and looked upon the stars and danced in

the rain... I don't know what the f* I am, or who the f* I am,

but I believe our whole life is a search for who we are...

I can't remember who said it: but it was this:

'The only thing that can be agreed upon, is that nothing can be

agreed upon'.  And to say atheism has caused more violence/just

as much than any religion, hell, it's caused LESS bloodshed than

all other religions together.

 

> They say there's just enough religion in the world to make men

> hate one another, but not enough to make them love

 

                                                --Respect,

 

                                                --Thomas

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 21:06:28 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glamorous Hooligan <thomas.van.moortel@SKYNET.BE>

Organization: UK Subs

Subject:      Mother Theresa

To:           BEAT-L@CUNYVM.CUNY.EDU

 

If Mr Theresa is a Saint, then so is Malcolm X/Little/Malik el-Shabazz.

Cos I saw a documentary on Mr Theresa and all I can remember is the

horror in her 'houses of death', because people that were dying on the

spot did not receive enough/none at all medication, i do not remember,

and it had nothing do with problems as to transportation/funds, but

with 'saint' Mother Theresa's personal, Catholic, beliefs.

 

                                        --'By Any Means Necessary'

 

                                        --Thomas

 

> getting by, looking ahead, the day you die

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 21:22:05 +0100

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From:         JSH <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Kerouac and Anti-Catholicism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I don't see how anyone can defend Catholicism against the various

criticisms that have been made here. Even if I were Christian (which I

am not), there's no Biblical, scriptural basis for ANY of the Catholic

trappings like Popes, Bishops, the Vatican Bank, Mass, the Monstrance,

the Eucharist, the occult-like rituals and wacky pantheon of quasi-pagan

Saints.......Catholic doctrine clearly states that the Pope is "Altus

Christus", meaning 'another Christ', and that the Pope's word is equal

to that of Christ's, as he supposedly has a direct hotline to God and

that anything the Pope says or does is done at God's request. Anyone who

wants to believe this, fine : it's still theoretically a free world. But

I believe it is a trunkful of hard baloney.

 

Of course, if you're not a Christian at all, it's ALL baloney.

 

Kerouac turned from Catholicism to Buddhism, as we all know. But many do

not seem to realize that at the end of his life, he had come full circle

and wandered right back into the comfy arms of Catholicism, much like

Winston Smith's last dying thought was how much he loved Big Brother. If

you are raised strict Catholic, there is no way to completely get the

programming out of your head. The same could be said for any religion,

of course, but all my Catholic and former-Catholic friends are the ones

who have made the observation to me. Kerouac was very depressed towards

the end, and needed the warmth and familiarity of childhood memories,

home, and yes, the Catholic mentality. And that's okay. Whatever gets

you through the night, it's all right. I just wonder if Kerouac would

have gone back to Buddhism had he lived, and regained some strength to

his psyche.

 

This is not the place for a religious argument, of course. If someone

can find a passage in the Bible that mentions Popes and such in it,

please point it out to me, but otherwise, please withhold the urge to

clutter the list with simplistic flames. I am speaking strictly

factually and detached, I have no particular hatred for Catholicism - as

a Voodooist myself, Catholic imagery is often appropriated, and I think

Catholicism is a very pretty religion, creating much beautiful art and

architecture - but I still have to be the prick who points out that the

miraculous apparition of the Virgin Mary on that woman's burrito looks

more like the Zig-Zag Man to me.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

a vote for me is a vote for cheesecake

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Fri, 20 Feb 1998 12:33:02 PST

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From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ahoy there,

 

i must say that this was what kerouac was trying to change in everyone.

Buddhism, shamanism, catholicism, and on and on and on.  wasn't JK tryin

to say they were all basically the same?  ya'll keep talkin bout the

horrors and violence and such of catholicism, but that's the people in

the religion.  has nothin to do with the religion itself.  They're all

pretty much the same if you ask me.

 

Al

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Fri, 20 Feb 1998 13:03:45 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Mother Theresa

Comments: To: thomas.van.moortel@skynet.be

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:06 PM 2/20/98 +0100, you wrote:

>If Mr Theresa is a Saint, then so is Malcolm X/Little/Malik el-Shabazz.

>Cos I saw a documentary on Mr Theresa and all I can remember is the

>horror in her 'houses of death', because people that were dying on the

>spot did not receive enough/none at all medication, i do not remember,

>and it had nothing do with problems as to transportation/funds, but

>with 'saint' Mother Theresa's personal, Catholic, beliefs.

 

You've opened up my eyes.  These poor souls should have gone to Cedars Sinai

Bombay where they would have received free first class medical treatment.

 

I wonder why they didn't?

 

 

> 

>                                        --'By Any Means Necessary'

> 

>                                        --Thomas

> 

>> getting by, looking ahead, the day you die

> 

> 

 

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X-Emc.Fedex.Com: 022098:1

Date:         Fri, 20 Feb 1998 15:04:11 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      Re: neal cassady

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You also may want to do a Neal Cassady search in newspapers and periodicals

and see the "mainstream medias" perception of Cassady and the Pranksters

and such at the time...could make for a great comparison (?)

 

Dawn

 

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Date:         Fri, 20 Feb 1998 13:05:15 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Kerouac, Catholicism, whatta can o' worms....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:58 PM 2/20/98 +0100, you wrote:

Mr. Van Moorte,

 

thanks for this respose.  I know where you are coming.  I see myself 10 or

15 years ago in this sort of viewpoint and visceral feeling.

 

 

>Mr Gallaher,

> 

>maybe Sara's statement about having 'no respect' for Catholicism,

>seems harsh to you

 

This first sentence is wrong.  I made it clear that a statement about having

no respect is quite different than abhorring something.  I have no major

problem with such a statement about having no respect.  There are definately

a lot of things about Catholicism I don't have respect for also.

 

 

 

>, but i would like to know about your own encounters

>with the Catholic Religion.  Sara spent 14 years in Catholic schools,

>she must have some idea what's she's talking about.

 

I am not Catholic.  I am glad to point this out in that people won't think

I'm biased (one way or the other).

And once agian, I never said she did not know what she was talking about in

terms of Catholicism and in fact pointed out that in many ways her feelings

were rational and logical.

 

 

>It pains you

>people having these 'shortsighted' views, well it pained her having

>to go through 14 years of views of some kind, fed with a spoon &

>abuse through a medium called 'education', if you get my point.

>We could get into an endless discussion about which religion caused

>the 'most' of bloodshed & all.  That would be just stupid.

>For instance: you hear and see stories through the media almost

>every day about (muslim) fundamentalists blowing people up or

>going on killing sprees in villages, wasting everybody in them.

>But when do you ever hear anybody say on National tv the Pope

>(Pope: God is mother_head-check!) is a 'mass-murderer', yes

>that's how far I'll go, because the pope objects to condoms and all

>those strong religious African people listen & believe in that man

>with hundreds of thousands of people carrying the HIV-virus

>with them.  What is your *opinion* on that.

 

I generally think mass murdereres are people who kill many people.

 

No one has to listen to the Pope.

 

But at the same time, the Pope stressing not only not to use birth control

but to only have sex when you are married and only with the person you are

maried to.

 

If all the people in the world followed the Pope's suggestions to the

letter, sexually transmitted HIV would be ended.

 

So maybe you are a mass murderer for not recommending what the Pope says.

(I don't think you are but that is your logic).

 

>That is my view

>on the person Catholic people believe to be 'their spiritual

>leader' blablabla.  Anyway, I loathe any fundamentalist religion,

>so yes I'm an atheist.  Could you please explain yourself when

>you say ...to see the violence and hatred perpetuated by atheists

>leaves one nowhere...

 

What I mean it is leads to cynicism which breeds a lack of respect and

bigotry toward groups you disagree with.

 

>So I'm nowhere then?  Geez, I'm smoking

>a fat blunt and thinking about the girl I love and maybe I am

>'out there'... I believe Mother Is Nature.  I got beliefs.

>But they got nothing to with religion.  They weren't forced

>upon me.

 

And why do you think other people have beliefs forced on them?

 

For example, Sara here would be the perfect example of someone who had

catholic beliefs forced on her and we know her opinion.  Clearly all the

force and authority of the Catholic church has not forced her into anything.

She has her own views.

 

No one can have a belief forced on them.

 

>I opened my eyes and felt the sun and saw the moon

>and heard the birds and looked upon the stars and danced in

>the rain... I don't know what the f* I am, or who the f* I am,

>but I believe our whole life is a search for who we are...

>I can't remember who said it: but it was this:

>'The only thing that can be agreed upon, is that nothing can be

>agreed upon'.  And to say atheism has caused more violence/just

>as much than any religion, hell, it's caused LESS bloodshed than

>all other religions together.

> 

 

No.  This is important.  I agree that scorecards aren't really productive

because whatever form hatred and murder and genocide come in they are all

the same in their reprehensibility.

 

But atheism has probably killed more than all religions combined.  Communist

China and Soviet Russia amount to 100 million and make Hitler look like a

piker.  That is not even including Pol Pot and the Vietnamese etc...

 

Part of this is due to that the age of the atheist despots has been the 20th

century where there were more people to kill and more modern ways to get

that job done.  The old inquisitors didn't have the population base or the

technology that the 20th century despots have had.

 

I also, am somewhat disapointed in that I tought you were going to react to

the Kerouac and Mother Teresa line of mine.  I thought that is what made you

laugh.

 

(Oh I spoke too soon. I see. Mother Teresa is bad.

 

And I have a fair amount of respect for Malcom X, but fail to see the

connection or analogy between him and Mother Teresa.  Malcom X was a social

political leader and like almost all of them was influenced by his religious

beliefs.  Mother Teresa was a care giver.  Bith these sorts of people have

roles to play in the world.  If you are looking for non-Catholic "saints"

they are out there.  I am not suprised you couldn't think of any).

 

Take care,

 

we are all friends on the beat l (I hope at least) and also I don't want to

clutter up the beat-l with this  semi-political talk.  It may be ranging

outside the shpere of what others might want to read.

 

 

 

>> They say there's just enough religion in the world to make men

>> hate one another, but not enough to make them love

> 

>                                                --Respect,

> 

>                                                --Thomas

> 

> 

 

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X-Sender: philzi@pop.tiac.net

Date:         Fri, 20 Feb 1998 16:11:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Paul A. Maher Jr." <philzi@TIAC.NET>

Subject:      To clarify

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This is from Paul he seems to be having some trouble posting.

 

>To the Beat-L Naysayers and Nicosia disciples:

> 

> 

>Let me reiterate my point about DiPrima since it seems that I am being

>grossly misquoted. I simply stated that:

> 

>a.) Many facets of the alleged "Beat" Generation may have been "beat" for

>their own reasons but did not comprise a "generation".

> 

>That was the origin of this thread.

> 

>b.) DiPrima, a poet in her own right (of which I never detested)does not

>reside in the same classification as Kerouac, as Burroughs, as Ginsberg, as

>Corso, etc. I'm sorry...she doesn't.But neither does Bob Dylan, Michael

>McClure, Charles Bukowski etc. They are artists in their own right.I further

>stated that Kerouac, as a 20th Century American author can be assumed the

>right to stand on his own since all those other writers in the alleged

>"Beat" generation owe their allegiance to him for putting them on the map.

>That, I said, was and is a FACT.

> 

>c.) DiPrima wrote of her own free will of her sexual conquests. I stated

>that she only have had to had sex with Kerouac (in 1957) at a time when he

>had pretty much his choice of women. I made the mistake of classifying her

>in a derogatory way but...and I will always say this, existing photos of the

>time show her to be slovenly and unkempt. "Beat" you might say. I stated

>further that Kerouac was either a.) drunk or b.) desperate. Not a one of you

>know desperation? Maybe she was desperate too....but the primary documents

>tell a bigger truth. Kerouac kept a list in his archive of all the women he

>had had sex with and how many times each. That is my proof. Since he used

>this for his own private reasons why would he lie? Kerouac wrote that he had

>sex with her, ONCE. What does that say about the degree of that

>relationship? Is he lying? If he is, then why? Shame? Modesty? (they are

>notes to himself so why?) and...quite frankly who cares? This has no bearing

>on her talents as a poet.

> 

>To put this in another manner...in a way that won't bring down the house(or

>it may because there is always someone who takes things out of context and

>raises an objection). What would you say if a young, pretty woman had had

>sex with Charles Bukowski (about twenty years ago in his drunken, slovenly

>prime) for one night? Could this be true love? I would say if she had sex

>with Bukowski she would have had to be a pig herself. He was a slovenly,

>nasty, misogynistic pig but yet, at moments a great, insightful writer.

> 

>I think if you have an opinion on this list your doomed.

> 

>I in no way meant that women poets, writers, artists were inferior to male

>writers. That is the biggest misquote I've ever heard. As someone who had

>majored in literature for five years...it is the biggest load of bull I've

>ever read. Be smart and raise an intelligent argument if your going to

>object. I have no reason to apologize to DiPrima no more than I would

>apologize to Ginsberg for pushing his libido in our faces for the greater

>part of his career.

> 

> 

>Sincerely, Paul of TKQ.....

 

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Date:         Fri, 20 Feb 1998 15:13:39 -0600

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From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie...

 

I'm wondering if you could expand on your TS Eliot post..

What about Eliot's work appeals to you?...

 

In class I've been forced to read Prufrock and Wasteland more than

a few times, and it's never appealed to me. Am I missing something?

It seems so cold and empty and obscure to me...like Eliot is cramming all

these references into one poem to let us know how "intelligent" he is

and what he knows....I'm sure I'm probably in the minority with my

opinion because I have been told numerous times Eliot is the standard

by which other modern poets are measured....

 

Can anyone enlighten me?

 

Dawn

PS...I do like the "coffee spoons" line though and love the Crash Test

Dummies song....

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Fri, 20 Feb 1998 13:14:47 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:48 PM 2/19/98 +0000, you wrote:

>I see what you're saying, but I don't recall any Buddhist Inquisition or

>Buddhist Crusades.... Or have I missed something?

 

Actually yes you have.  The history of Asia is filled with war and

inquisition just as is the history of europe and I am sure the history of

Africa.  The question then becomes are these due to the particluar religion

of that area or is whatever religion exists at a particular time and place

used in the universal human quest for power?  I think more the latter.

 

 

 

>I'm not saying that ALL

>religions are evil, it just seems that MANY of them do way more harm than

>good! Remember the Branch Davidians? Heaven's Gate? Tellya what, my

>grandfather is a minister, and he just got thrown off the elder council of

>his church for STALKING A 30 YEAR OLD WOMAN! My grandma is constantly

>finding Pentouse and Hustler and Big Butt and who knows what else amidst

>his Bible-stuff. He also grabbed my ass when I was 13 years old, and is a

>racist. Then there's Jim Bakker, Oral Roberts and his 900-foot Jesus, Jimmy

>"sob, sniffle" Swaggart, and all those other obnoxious dudes with bad

>hairdos. --Sara

> 

 

Yes, these guys give religion a bad rep.  I have always felt that charlatans

like these do a lot more harm for Christianity than any atheist could ever

hope to.

 

 

>t 12:33 PM 2/20/98 -0800, you wrote:

>>ahoy there,

>> 

>>i must say that this was what kerouac was trying to change in everyone.

>>Buddhism, shamanism, catholicism, and on and on and on.  wasn't JK tryin

>>to say they were all basically the same?  ya'll keep talkin bout the

>>horrors and violence and such of catholicism, but that's the people in

>>the religion.  has nothin to do with the religion itself.  They're all

>>pretty much the same if you ask me.

>> 

>>Al

>> 

> 

> 

 

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Date:         Fri, 20 Feb 1998 13:19:35 -0800

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From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Fw: Re: buddhism - kerouac graffiti

Comments: To: Sherri <love_singing@msn.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I appreciate Sherry and Al saying very succintly what I've been trying to say.

 

I will make one comment though.  I don't think that an analysis of

population dynamics bears out the claim that Catholicism is a major factor

in so-called over-population.  The areas of massive population growth are

non-catholic countries.  Conversely traditional Catholic countries like

France, Spain, Ireland and others are not experiencing population growth.

 

I think modernization and economic prosperity are related to the slow down

of population growth as much as any thing.

 

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Date:         Fri, 20 Feb 1998 15:22:49 -0600

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From:         Dawn Zarubnicky <dmzarubnicky@FEDEX.COM>

Subject:      Catholism/Kerouac/Cassady/Cayce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Putting aside any personal feeling about religion...organized or otherwise..

 

I don't see how you can read Kerouac's work and not be conscious of his

religious upbringing (Catholic) and his later investigations into

Buddhism.  Particularly because his work is so personal.

 

Also, Cayce was such an important influence on Cassady and Kerouac's

relationship with Cassady you can't disregard him.  It doesn't matter

what *you* feel about Cayce, consider how Cassady was effected influenced

by Cayce.

 

If you don't consider the "religious" influence of Catholism, Buddhism,

Cayce(ism) etc. on the author, I think you are limiting your perspective.

 

Dawn

 

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Date:         Fri, 20 Feb 1998 17:35:13 EST

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From:         Zucchini4@AOL.COM

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-20 16:13:38 EST, you write:

 

<< In class I've been forced to read Prufrock and Wasteland more than

 a few times, and it's never appealed to me. Am I missing something?

 It seems so cold and empty and obscure to me...like Eliot is cramming all

 these references into one poem to let us know how "intelligent" he is

 and what he knows....I'm sure I'm probably in the minority with my

 opinion because I have been told numerous times Eliot is the standard

 by which other modern poets are measured....

 

 Can anyone enlighten me?

 

 Dawn >>

 

Forget about the references. :) A poet friend of mine (makes me sound so

sophisticated doesn't it?) sent me this poem, saying it had changed her life

(I assume in inspiring her to write). The only explanation was:

 

"In the room women come and go,

Talking of Michelangelo.

 

He's basicly saying that Michelangelo has achieved a kind of immortality that

Eliot himself will never reach..."

 

So I read it and loved it, and we all lived happily ever after. I didn't even

know it was that crammed w/allusions. Now I'm going to have to go find a book

of criticism or something truly un fun like that.

 

Personally, it just spoke to me. It's such a universal experience- death and

your own failures, the acceptance of your imperfection, and the desperation

that accompanies the passing of your life... And I'm only 15, not a lot of my

life has gone by. But it's the whole theme of "growing up"... we all think

we'll grow up to be beautiful loved famous people... But the women will keep

talking about michelangelo, we are not prophets, the mermaids will not sing

for us, and finally we will wake from these dreams, our arms and legs will be

thin, we'll drown.... Etc.

 

It's not the type of style I'm usually into either... certainly not as fanatic

as AG or JK and their buddies. But by the end, the very simplicity of each

phrase is heartbreaking. "Do I dare to eat a peach?" Who would of thought a

line like that could have such an effect?

 

Of course now you all are going to think I'm really stupid, because everyone's

*studied* the poem, and I probably got everything wrong. *sigh*

 

--Stephanie

(who tried really hard)

 

ps- here's an odd WSB refernce for you. I'm reading this book on writing,

"Bird by Bird" by [someone] Lamotte, and she's talking about all the little

critics in her head as she tries to write, and they're all stereotypes,

until... Something about how (in her head, mind you) William Burroughs is

either dozing or shooting up because she has the "intelligence and spark of a

houseplant."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 23:44:54 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Glamorous Hooligan <thomas.van.moortel@SKYNET.BE>

Organization: UK Subs

Subject:      Blunted Beatz

To:           BEAT-L@CUNYVM.CUNY.EDU

 

-=I GOT THE DEVIL IN ME=-

 

up against the wall

behaving like DeNiro

Scorcese inna Babylon

doin all my enemies

bloodPressure inna freefall

keep it movin ya Gatta

keep it movin catch

yer playing yerself Jeru

da Damaja sounds like me

Lilly playing with my head

whatizit awareness of

The Bomb inside your brain

can you turn to that?

its juz a problem with my Thalamus

Dr Benway a presription please

let them nEuroNs transmit

that's the way this GOVERNMENT

planned it stop at the

BORDER MY PRECIOUS triptylamine

or whatever SS black booted Reuptake

INHIBITOR just get off the bomb

everything is going to the beat

and have you ever seen a BLUNT

needle inside that bass boom

she wuvs me what does that mean?

y'all ready to have a party OUT THERE

i can't hear ya them neurons jump

from A to B, stinging pain somewhere

just dislocated my insula let it go

red is my color and green too

tho she's gonna change that the race

is on but i won't compete, say them

neurons i wanna dial 911 doc

one week is all we need to check

YOUR LUNGS please hand them over

the only way to enter's with gold

don't tell me you cut yourself 48 times

and still managed to miss the

artery The DOLLAR is where it's at

it's a disease like any other virus

is there anybody out THERE?

to let me know that i'm in HERE?

and if you know that i'm in HERE?

could you get me outta THERE?

and should i rework this?

position the flamethrower and

a steady healthier happier satisfiction

god spellt backwards is dog now

we all know there's no such thing

as a coin cidence

Somebody

Act

Rapidly

Attention

It's

Leaving

Our

Vibrating

Exit,

Young,

Ophelia,

Ullyses

 

=-Tea-N-Toast-=

13 is my lucky number

and 666 is my funder

 

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Date:         Fri, 20 Feb 1998 14:53:21 PST

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From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ya see though.  that's what i'm sayin.  there're always gonna be bad

people from all backgrounds and all different situations.  but the

religions themselves aren't bad at all.  it's the people who believe in

them and rationalize their own behaviors according to their misconstrued

interpretations of their faith.  the fact is, all the religions point in

the same direction.

 

AL

 

 

>I see what you're saying, but I don't recall any Buddhist Inquisition

or

>Buddhist Crusades.... Or have I missed something? I'm not saying that

ALL

>religions are evil, it just seems that MANY of them do way more harm

than

>good! Remember the Branch Davidians? Heaven's Gate? Tellya what, my

>grandfather is a minister, and he just got thrown off the elder council

of

>his church for STALKING A 30 YEAR OLD WOMAN! My grandma is constantly

>finding Pentouse and Hustler and Big Butt and who knows what else

amidst

>his Bible-stuff. He also grabbed my ass when I was 13 years old, and is

a

>racist. Then there's Jim Bakker, Oral Roberts and his 900-foot Jesus,

Jimmy

>"sob, sniffle" Swaggart, and all those other obnoxious dudes with bad

>hairdos. --Sara

> 

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: God is Blanc.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802202114.NAA12622@hsc.usc.edu>

References:

 

   "..come writers and critics who

   prophecie with your pen..."

                         ---bob dylan

 

   buddha was an ancient warrior

   san francesco was an ancient warrior

 

   have a prayer for anybody

   dont'hate!

 

   yr life - yr life

   isn't empty - isn't beautiful

   visions of gerard

   written january 56 (12 nites)

 

   gerard a budding priest

   but gerard wasn't a warrior

   and God is Blanc d'or

   le ciel ye tont blanc

 

la buona notte a tutti,

Rinaldo.

--------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 18:02:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Kerouac's Catholicism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Let's not go too far off the beaten track with a discussion of the pros and con

s of Catholicism.  I'm sure there are more appropriate lists for such discussio

ns.  Of course, remarks on Catholicism as it relates to Kerouac and the Beats i

s fair game.

 

Return-Path: <MAILER-DAEMON>

Date:         Fri, 20 Feb 1998 18:10:23 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 21 Feb 1998 00:00:11...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 21 Feb 1998 00:00:11 +0100 with subject "God is

Blanc."  has been  successfully  distributed to  the  BEAT-L list  (252

recipients).

 

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Date:         Fri, 20 Feb 1998 17:42:07 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patti Meyer <chattypatty@EARTHLINK.NET>

Subject:      new member

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello All, I just wanted to introduce myself as a new member. I have to

admit that I am a rookie in the Beat Generation stuff, but very

enthusiastic. I found this list after I read "Dharma Bums" by J.K. I

really liked the book, and want to know more about the Beat Gen.

thanks.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 19:03:58 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i have to agree with dawn.  i apparently missed the boat on the ts eliot

craze.  prufrock never amazed me.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 19:14:18 EST

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From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

so i heard that bob dylan was inspired to write by jack's mexico city blues.

first off, i would like to say that i've read the first couple of choruses in

the book and was umm..confused by them.  can anyone shed any light?

secondly, i am a massive dylan fan, and was wondering if any one was aware of

any beat references in his songs, as i've never noticed any.

and third, i figure bob probably met at least some of the beats in his life

time, but i don't know for sure.  i figured you guys might.  any clue?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Fri, 20 Feb 1998 18:50:02 -0600

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From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Carly Earnshaw wrote:

 

> secondly, i am a massive dylan fan, and was wondering if any one was

aware of

> any beat references in his songs, as i've never noticed any.

> and third, i figure bob probably met at least some of the beats in his

life

> time, but i don't know for sure.  i figured you guys might.  any clue?

 

Well, that's Ginsberg in the photo on the back of "Bringing It All Back

Home," and Ginsberg was a member of Dylan's Rolling Thunder Revue in the

mid-70's (there's a great photo of Bob and Ginsberg sitting at Kerouac's

grave and singing).

 

Dylan's "Desolation Row" was written around the time he is supposed to have

been reading Jack's "Desolation Angels," and much of the imagery and turns

of phrase can be seen to be influenced by Jack.

 

And that's just a start, I'm sure you'll hear about a lot more...

 

Regards,

 

Jym

 

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Date:         Fri, 20 Feb 1998 19:51:03 -0500

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From:         adam zerbinopoulos <abamzvbh@FLASH.NET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

maybe i can help a little, though just a little.

 

i'm not sure about beat references in songs, except one possible theory

involving his song 'subterranean homesick blues', though i've never really

listened all that closely... maybe someone else can be more illuminating

than that.

 

i do know that bob dylan has his picture taken w/allen circa 1975 at jack's

grave.  i guess that means they somehow know each other.  (i saw the

picture in _angelheaded hipster_)

 

a.

 

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Date:         Fri, 20 Feb 1998 18:56:32 -0600

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From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Adam wrote:

 

> i'm not sure about beat references in songs, except one possible theory

> involving his song 'subterranean homesick blues', though i've never

really

> listened all that closely... maybe someone else can be more illuminating

> than that.

 

Yeah, that reminds me, Ginsberg lurks in the background of the promotional

film clip produced for this song in 1965.

 

Jym

 

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Date:         Fri, 20 Feb 1998 20:07:20 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

okay, so here's another bob dylan question.   i should preface this by saying,

i know a lot of people don't consider bob dylan a beat.  and  for those who

don't, please excuse this.

my question is actually based on rumor i heard that i am attempting to confirm

or refute.  i friend told me that his song, "just like a woman"  is actually

about a sexual incounter dylan had with a man.  does any one have any

responses to the nature of its validity?

 

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Date:         Fri, 20 Feb 1998 21:33:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matt Sanford <Mato15@AOL.COM>

Subject:      Hunter S. Thompson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know how or if Hunter S. Thompson was involved with the beat

writers.  I know he always thought of himself as above the beat movement, or

not involved with it, but I was just curious if he actually did have some

connections to some of the writers.  Thanks...

                          Matt

 

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X-Sender: philzi@pop.tiac.net

Date:         Fri, 20 Feb 1998 22:28:40 -0500

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From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:14 PM 2/20/98 EST, you wrote:

>so i heard that bob dylan was inspired to write by jack's mexico city blues.

>first off, i would like to say that i've read the first couple of choruses in

>the book and was umm..confused by them.  can anyone shed any light?

>secondly, i am a massive dylan fan, and was wondering if any one was aware of

>any beat references in his songs, as i've never noticed any.

>and third, i figure bob probably met at least some of the beats in his life

>time, but i don't know for sure.  i figured you guys might.  any clue?

> 

>I know Dylan was in Lowell with Ginsberg in 1976 and that's when he took

the pictures at Jack's grave. He also did some filming at the Grotto

(ref.Dr. Sax) for his film Renaldo and Clara. I heard the story about Tony

Sampas driving them up to the cemetery and they were listening to tapes of

Jack on the drive. Phil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 22:32:05 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Well, as a lawyer whose life is measured out in time slips, I appreciate

Eliot's observation about the coffee spoons.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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Date:         Fri, 20 Feb 1998 22:37:11 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: Hunter S. Thompson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

above the beat movement?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Feb 1998 22:58:06 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

so i heard that bob dylan was inspired to write by jack's mexico city

blues.

> first off, i would like to say that i've read the first couple of choruses in

> the book and was umm..confused by them.  can anyone shed any light?

> secondly, i am a massive dylan fan, and was wondering if any one was aware of

> any beat references in his songs, as i've never noticed any.

> and third, i figure bob probably met at least some of the beats in his life

> time, but i don't know for sure.  i figured you guys might.  any clue?

 

I know that he (bd) invited william backstage when he played kc, and

william went.  I believe he knew allen first

p

 

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Date:         Fri, 20 Feb 1998 23:05:00 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Carly wrote:

 

> okay, so here's another bob dylan question.   i should preface this by

saying,

> i know a lot of people don't consider bob dylan a beat.  and  for those

who

> don't, please excuse this.

> my question is actually based on rumor i heard that i am attempting to

confirm

> or refute.  i friend told me that his song, "just like a woman"  is

actually

> about a sexual encounter dylan had with a man.  does any one have any

> responses to the nature of its validity?

 

Interesting!  I always heard that "Just Like A Woman" was written about

Andy Warhol protege/model Edie...oh damn, can't think of her last name.

Anyway, she pilled herself into oblivion in the end.  Another casualty of

the "swinging 60's."

 

Jym

 

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X-Sender: legacy@admin.con2.com

Date:         Sat, 21 Feb 1998 00:52:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Kerouac's Catholicism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 06:02 PM 2/20/98 EST, you wrote:

>Let's not go too far off the beaten track with a discussion of the pros and con

>s of Catholicism.  I'm sure there are more appropriate lists for such discussio

>ns.  Of course, remarks on Catholicism as it relates to Kerouac and the Beats i

>s fair game.

> 

> 

 

Bill -- It's only recently that I have started to actually post

messages--and already I've allowed my outspoken approach get me into hot

water--but here we go again--(I'll try to be diplomatic)

 

I find it interesting--and predictable--that the folks who want to attack

Catholicism are the ones who had bad childhood experiences with it. It's

only natural, I suppose. But in case you haven't noticed--and I'm sure you

have--anti-Catholicism is the last "politically correct" type of bigotry

which is not supposed to elicit anything more than raised eyebrows and a

smug, condescending look on the part of the listener. I'm not accusing

anybody HERE of doing that (heavens, no--!) --but let's face it--a lot of

people will NOT be able to discuss JK's Cathlolicism without projecting

their personal feelings onto the matter. For my own part--as you know--I am

married to a Catholic and b being an atheist myself, I harbor no great love

for Catholic theology. But I think I can be objective up to a point. Anyway,

its interesting to note that JK's brand of Catholicism was a curious blend

of mysticism, theism and sentimentality which was also very

traditional--even staid. When Ginsberg was waxing poetic about the mystical

potentials of LSD (after ingesting it at Leary's house) Kerouac's reply was

characteristic of him ("Walking on water wasn't done in a day.") By which, I

guess, he meant that there was no quick fix with respect to enlightenment,

although I think he appreciated Ginsberg's desire to GET there.

 

My point is this---a lot of the vitriol directed at JK's Roman Catholic

tendencies is obviously coming from some other place than mere theoretical

disapproval. So don't be surprised at it. I am curious, though--how far

afield can we wander on this topic before what we say loses relevancy? This

isn't meant to be a smart-ass question--I'd really like to know where the

focus should be. If it is in the direction of literature--then I would have

to say that as JK's life came to a close--his Cathlolicism grew stronger and

more fervent (desperation, perhaps?) while his writing got worse and worse.

Of course, I don't blame his Cathlolicism for that---but the link should be

explored--don't you think? And, in all truth, I think that while you can't

call Kerouac a traditional Catholic--neither can you call him a

"traditional" Buddhist.

 

So if anybody out there has any thoughts the link between JK's Catholicism

and his literary aesthetic--imagery, spontaneous prose, religious

symbols--I'd like to hear about it.

 

 

                                        Thanks,

 

                                            J. Perchuk

 

 

 

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Date:         Fri, 20 Feb 1998 23:56:38 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jym Mooney wrote:

> 

> Carly wrote:

> 

> > okay, so here's another bob dylan question.   i should preface this by

> saying,

> > i know a lot of people don't consider bob dylan a beat.  and  for those

> who

> > don't, please excuse this.

> > my question is actually based on rumor i heard that i am attempting to

> confirm

> > or refute.  i friend told me that his song, "just like a woman"  is

> actually

> > about a sexual encounter dylan had with a man.  does any one have any

> > responses to the nature of its validity?

> 

> Interesting!  I always heard that "Just Like A Woman" was written about

> Andy Warhol protege/model Edie...oh damn, can't think of her last name.

> Anyway, she pilled herself into oblivion in the end.  Another casualty of

> the "swinging 60's."

> 

> Jym

my impression is that many of bob's songs are "about" so many things at

different layers of meaning that saying it was "about X" or "about Y"

misses so much of his art.  an incident in life may have been part of an

inspiration but the writing tends to move in and out of the incidents

and by the end it could be anyone's actions that the songs are "about".

this is some of the beauty of his recent releases.  "Yesterday going too

fast - today going too slow" is "about" some actual incident perhaps but

his mixture universalizes in a way that -- at least for me -- one can

move into the meaning to where the listener is included in what the

story of the song is "about".

 

and of course, the beats had an influence on dylan.  tarantula is

dylanesque attempts at Burroughsian writing for example.  But as always

with Bob he is an expert thief and took what he wanted and moved along

his own road.

 

rambling along obviously too late in the evening at the Beat-Hotel where

we believe that Bob and Johnny Cash need to hook up for another round of

Nashville Skyline.

 

david rhaesa

at the Beat-Hotel in lawrence

 

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Date:         Fri, 20 Feb 1998 22:57:13 PST

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From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      Re: Kerouac's Catholicism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Heidi ho,

 

i just finished reading the Dharma Bums and i have to say that i think

JK was at his prime when he began to believe in universality.  i think

the buddhism broke him free from his catholic upbringing which led him

to see himself from a removed point of view.  i can empathize cause i

was raised in a very traditional manner, religious and otherwise.  you

start to see different perspectives and begin to realize how similar all

the perspectives really are.  JK's path to virtue was universal.  i

haven't yet read any of his later works, but the ones i've read so far

seem to show this.

 

ouisa,

Al

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Sat, 21 Feb 1998 07:19:17 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: new member

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patti: welcome aboard the bus, aboard the ship of fools, the list.

mc

 

Patti Meyer wrote:

 

> Hello All, I just wanted to introduce myself as a new member. I have to

> admit that I am a rookie in the Beat Generation stuff, but very

> enthusiastic. I found this list after I read "Dharma Bums" by J.K. I

> really liked the book, and want to know more about the Beat Gen.

> thanks.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 07:24:09 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"idiot wind blowing circles around my skull from the grand coolie dam to the

capitol"

i remember ginsberg wrote a letter to dylan just crazy for the entire song

idiot wind but was knocked out by the above quote. so in some ways, AG and BD

has some synergy going for some time

just a random thought from the dustbin of my memories

mc

 

Jym Mooney wrote:

 

> Adam wrote:

> 

> > i'm not sure about beat references in songs, except one possible theory

> > involving his song 'subterranean homesick blues', though i've never

> really

> > listened all that closely... maybe someone else can be more illuminating

> > than that.

> 

> Yeah, that reminds me, Ginsberg lurks in the background of the promotional

> film clip produced for this song in 1965.

> 

> Jym

 

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Date:         Sat, 21 Feb 1998 07:44:23 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well, i dunno but i believe that the lines 'she makes love just like a

woman/but she breaks just like a little girl'.....is pretty clear that he is

writing, singing, about a woman.

$00.2 for the day

 

Patricia Elliott wrote:

 

> Jym Mooney wrote:

> >

> > Carly wrote:

> >

> > > okay, so here's another bob dylan question.   i should preface this by

> > saying,

> > > i know a lot of people don't consider bob dylan a beat.  and  for those

> > who

> > > don't, please excuse this.

> > > my question is actually based on rumor i heard that i am attempting to

> > confirm

> > > or refute.  i friend told me that his song, "just like a woman"  is

> > actually

> > > about a sexual encounter dylan had with a man.  does any one have any

> > > responses to the nature of its validity?

> >

> > Interesting!  I always heard that "Just Like A Woman" was written about

> > Andy Warhol protege/model Edie...oh damn, can't think of her last name.

> > Anyway, she pilled herself into oblivion in the end.  Another casualty of

> > the "swinging 60's."

> >

> > Jym

> my impression is that many of bob's songs are "about" so many things at

> different layers of meaning that saying it was "about X" or "about Y"

> misses so much of his art.  an incident in life may have been part of an

> inspiration but the writing tends to move in and out of the incidents

> and by the end it could be anyone's actions that the songs are "about".

> this is some of the beauty of his recent releases.  "Yesterday going too

> fast - today going too slow" is "about" some actual incident perhaps but

> his mixture universalizes in a way that -- at least for me -- one can

> move into the meaning to where the listener is included in what the

> story of the song is "about".

> 

> and of course, the beats had an influence on dylan.  tarantula is

> dylanesque attempts at Burroughsian writing for example.  But as always

> with Bob he is an expert thief and took what he wanted and moved along

> his own road.

> 

> rambling along obviously too late in the evening at the Beat-Hotel where

> we believe that Bob and Johnny Cash need to hook up for another round of

> Nashville Skyline.

> 

> david rhaesa

> at the Beat-Hotel in lawrence

 

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Date:         Sat, 21 Feb 1998 01:56:10 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac's Catholicism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Jeffrey Perchuk wrote:

 

> So if anybody out there has any thoughts the link between JK's

> Catholicism

> and his literary aesthetic--imagery, spontaneous prose, religious

> symbols--I'd like to hear about it.

 

Having had a few days of mail pile up, I was quite surprised to see such

a large number of posts expressing such vehemence toward Catholicism.  As

Jeff pointed out, the emotionalism has little to do with the theology.

Without going into it in depth, I do want to point out that all of the

sacraments of the Catholic church do have their basis in scripture, and a

study of the Bible or a class in various religions would reveal these.

All religions historically have a history of violence, even the variences

in different types of Buddhism.  As far as Christian religions go,

focusing on their foundation in grace and love will get one closer to the

truth of the meaning than the various dos and do nots that vary with

denominations.  Relating this to Kerouac, one other poster got to the

heart of the manner when he recognized the idea of "universality" in

religious experience.  All religions are experiences of the transcendent,

and with Kerouac this idea of experiencing the transcendent is at the

heart or core of all of his writings.

 

Having just recently read Visions of Gerard, it became clear to me

Kerouac's internalization of Catholicism was very similar to his

internalization of Buddhism.  Because Gerard died at 9, and Kerouac was

only 4 at the time, you have to come to the conclusion that in Visions of

Gerard, Kerouac is reworking his understanding of their childhood with

the knowledge he has gained as an adult.  Compare for example this

passage from Visions of Gerard and one from The Golden Eternity.

 

(from Visions of Gerard, pg. 38)

"...But God is merciful and God above all is kind, and kind is kind, and

kindness is all, and it all works out that the mortal angel at the alter

rail as the church hour roars with empty silence (everybody gone now,

including the last priest, Gerard's priest) is bathed in blisskindness

whether it be pointed out or not that the other easier ways might do the

job as well, which may be doubtful, snow being snow, divinity divinity,

holiness holiness, believing believing.

  All alone at the rail he suddenly becomes conscious of the intense

roaring of silence, it fills every ear and seens to permeate throughout

the marble and the flowers and the darkening flickering air with the same

pure transparency--The heaven heard sound for sure, hard as a diamond,

empty as a diamond, bright as a diamond--Like unceasing compassion its

continual near-at-hand seawash and solace, some subtle solace intended to

teach some subtler reward than the one we've printed and that for which

the architects raised.

  Enveloped in peaceful joy, my little brother hurries out the empty

church and goes running and skampering home to supper thr raw marched

streets."

 

compare the images in this after-confession epiphany of sorts with those

in The Scriptures of the Golden Eternity:

 

"God is not outside us but is just us, the living and the dead, the

never-lived and never-died.  That we should learn it only now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it's already done, there's no more to do.

 

This is the knowledge that sees the golden eternity in all things, which

is us, you, me, and which is no longer us, you, me."

 

To follow the teachings of Jesus is to arrive at the same kind of

egolessness that is also the heart of Buddhism.  Also, in the sacraments

of the Catholic church, the eucharist, reconcilation, etc. one not only

accepts the grace/love of Christ's sacrifice but awakens the Christ or

God within, leading to a fuller spiritual life.  So, in looking at

Kerouac's literature Catholicism and Buddhism need not be at opposite

poles, one or the other.  It is a much more universalness of experience

with the transcendent and the underlying mystery within all things.

There is much more I would like to discuss about Kerouac's religious

images and prose if anyone is up for it.

DC

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: tangled up in bob....

Cc:

Bcc:

X-Attachments:

In-Reply-To: <43a5e8e5.34ee1c5c@aol.com>

References:

 

Carly Earnshaw wrote:

>and was wondering if any one was aware of

>any beat references in his songs, as i've never noticed any.

>and third, i figure bob probably met at least some of the beats in his life

>time, but i don't know for sure.  i figured you guys might.  any clue?

> 

buongiorno Carly,

 

one of the recurrent themes of the beat murmur was pacifism.

a post-atomic age scene, an agonizig fear 'bout the nuke, the

bomb. it was in 1962 i remember that cuban-usa crisis that

caught my eyes on the tv (was 12 year old). this episode was

the climax of the 60s. and Bob Dylan have his song _A Hard Rain's

A-Gonna Fall_ devoted to this political event

 

              I heard the sound of a thunder

              that roared out a warning

              I heard the rorar of a wave

              that could drown the whole world

 

saluti,

Rinaldo.

-------To: thomas.van.moortel@skynet.be

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Blunted Beatz

Cc: BEAT-L@CUNYVM.CUNY.EDU

Bcc:

X-Attachments:

In-Reply-To: <34EE0766.24EA@skynet.be>

References:

 

Glamorous Hooligan wrote:

>-=I GOT THE DEVIL IN ME=-

> 

>up against the wall

>behaving like DeNiro

[...]

sad news Robert De Niro was kicked off by tha staff

of performers engaged to recite the Giovanni Paolo II

the pope poems

 

(dou remember De Niro in _Main Street_ by Scorsese?,

GREAT!)

 

yr poemas is to time, thanks.

 

HAVE MY BEST

saluti,

Rinaldo

-------Return-Path: <MAILER-DAEMON>

Date:         Sat, 21 Feb 1998 05:31:50 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 21 Feb 1998 11:18:07...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 21 Feb 1998 11:18:07 +0100 with subject "Re: Blunted

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Subject:      Message ("Your message dated Sat, 21 Feb 1998 11:07:12...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

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Date:         Sat, 21 Feb 1998 11:56:50 +0100

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From:         Mexican Radio <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Al Min wrote:

> 

> ya see though.  that's what i'm sayin.  there're always gonna be bad

> people from all backgrounds and all different situations.  but the

> religions themselves aren't bad at all.  it's the people who

> believe in them and rationalize their own behaviors according

> to their misconstrued interpretations of their faith.

 

=== By the same token, one could also rationalize that the Nazi Party,

the Republican party, the Democratic Party, Aryan Nations, the KKK, etc.

aren't bad at all,  it's just the people IN them....

 

Any religion that says there is no direct way a person can talk to God

without first going through the religion's intermediaries - well, let's

just say they obviously aren't fundamentally innocent and benevolent....

 

 

 

> the fact is, all the religions point in

> the same direction.

 

=== speak for yourself. MY religion points as far south to the others'

north as possible.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

blasting Astrud Gilberto for the neighbors

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

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X-Authentication-Warning: elk.uvm.edu: wgay owned process doing -bs

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Date:         Sat, 21 Feb 1998 08:01:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William N. Gay" <wgay@ZOO.UVM.EDU>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It was about Edie Sedgwick, supposedly. Her biography is well worth the

read.

 

On Fri, 20 Feb 1998, Jym Mooney wrote:

 

> Carly wrote:

> 

> > okay, so here's another bob dylan question.   i should preface this by

> saying,

> > i know a lot of people don't consider bob dylan a beat.  and  for those

> who

> > don't, please excuse this.

> > my question is actually based on rumor i heard that i am attempting to

> confirm

> > or refute.  i friend told me that his song, "just like a woman"  is

> actually

> > about a sexual encounter dylan had with a man.  does any one have any

> > responses to the nature of its validity?

> 

> Interesting!  I always heard that "Just Like A Woman" was written about

> Andy Warhol protege/model Edie...oh damn, can't think of her last name.

> Anyway, she pilled herself into oblivion in the end.  Another casualty of

> the "swinging 60's."

> 

> Jym

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 16:44:05 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: new member AND a bit about burroughs AND kerouac's dharma bums

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patti Meyer schrieb:

> 

> Hello All, I just wanted to introduce myself as a new member. I have to

> admit that I am a rookie in the Beat Generation stuff, but very

> enthusiastic. I found this list after I read "Dharma Bums" by J.K. I

> really liked the book, and want to know more about the Beat Gen.

> thanks.

 

hello,

 

this email gives me the opportunity to introduce myself to this list.

well, you can call it re-introducing, cause i've been on this list some

months ago before having to shut down my free university email account.

now i am online from home and here again among the beat aficionados. :)

 

i'm a bit more than a newbie in the beat generation theme, having read

most of burroughs' books, some of ginsberg's more famous poems (howl &

kaddish brought me to tears, needless to say) and on the road, dharma

bums, pic and some poems by kerouac.

 

i'd say that burroughs is my favourite beat author, though i'd say that

after having developed the cutup method of writing, he was no more beat

than any other writer who's not associated with the beat circle. in

fact, in "the job", this great interview he gave years ago to monsieur

odier, he said that he didn't sympathise with the beat movements goals

to reform society thru peace and love, he just was friends with some

beat figures like kerouac, ginsberg, etc...

 

now you've mentioned "dharma bums", pattie... i read that book, too and

found it to be the most extraordinary book of kerouac next to on the

road. though i never read the original, but only an old german

translation my father bought ages ago, i really "dig" the mad & excited

spirituality of this book. sometimes, this book even "beats" "on the

road", because, more than "on the road", it reflects kerouac's search

for eternity.

 

jens

jensm@moving-people.net

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 03:30:00 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

It's all or nothing. Ezra Pound understood this. When Freud read a selections

of Pound's work he wrote to Pound inviting him to be analyzed. "I think

I can get rid of those demons," said Freud. Pound wrote back and said,

"Thank you for your offer of analyses, but I don't think so. I'm sure you

<I>could</I> get rind of my demons but you would get rid of my angels as

well."</HTML>

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 11:42:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Dylan and the Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Al Aronowitz, who used to be on the list, played a big hand in

introducing Dylan to Ginsberg.  I think there is a story, or portion of

the story on his web page.   If you have a real interest in Dylan there

are good stories on Al's page about the Beatles and Dylan etc.  Check it

out at:

 

http://www.bigmagic.com/pages/blackj/

 

I will copy Al with this post and ask, "Hey Al, even if you are not on

the list anymore, you can still post.  Do you have any comments on the

influence the Beats, Kerouac, Ginsberg, Burroughs, or others had on

Dylan?  The topic is kinda going around.  Also, if you could tell list

members exactly how to get to your stories about Dylan and Ginsberg, it

might be appreciated.  Thanks."

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 03:45:30 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: buddhism - kerouac graffiti

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

Joseph Smith once said: "I told the breatheren that the Book of Mormon

was the most correct of any book on earth, and the keystone of our religion,

and a man would get nearer to God by abiding by its precepts, than by any

other book."

 

<P>Apostle replied: "Books do not bring any earthling closer to God. God

shepherds me into the flock - "The lot is cast into the lap but its every

decision is from the Lord" But if God had not sung this into my heart,

I would doubt it. Some say doubt everything you read (including this) -

and unless the voice of God tells you otherwise trust no written word.

Trust that which is written in your own blood. Trust God to be the creator

of what you feel and no book on earth will bring you closer to God. To

every face I would say: <I>No written conclusion is beyond

 judgement."</I></HTML>

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 11:49:00 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ginsberg and Dylan were good friends.  Al Aronowitz introduced them.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 11:53:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie:

 

As I recall, Allen spotted this quote and wrote to Bob telling him that it was

what Bob intended it to be, a perfect description of Amerika.  As I recall, the

Grand Coulee Dam was a make work project that caused substantial damage to the

environment, covered some important land and was generally not needed.  Bob used

it both to hightlight the excess and stupidity coming out of the Capitol and how

it was all going to kill us in the end.  I believe, but could be wrong, that it

also connected with Woody's songs he wrote for the WPA.  One of which may have

been about the GCD.

 

But, even if I have some facts wrong here, the result was that Bob was blown

 away

that Allen picked up on the image of Amerika that he intended, as none of his

friends did, and he invited Allen to go on Rolling Thunder Review.  Of course

they all ended up together at Jack Kerouac's grave singing to the spirit of

Jack.  I, if my wife has not trashed it, still have the RS mag with the picture.

It also is in Renaldo and Clara.

 

RTR was a kinda beat thing.  I believe that some of the folks on the tour, like

Roger McGuinn have very fond memories of the whole thing.  Though I doubt that

they could do it all again, at least like that!

Maybe some more folks on the list know more about this than I do.

 

Marie Countryman wrote:

 

> "idiot wind blowing circles around my skull from the grand coolie dam to the

> capitol"

> i remember ginsberg wrote a letter to dylan just crazy for the entire song

> idiot wind but was knocked out by the above quote. so in some ways, AG and BD

> has some synergy going for some time

> just a random thought from the dustbin of my memories

> mc

> 

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 03:58:41 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: Moloch

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

Can't say about the AG angle. As I know it Miller took Moloch from the

Old Testament Semitic deity to whom parents sacrificed their children...and

definately not from <I>"Moloch horridus"</I> the Australian desert-living

lizard that feeds on ants.</HTML>

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 04:36:19 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Well, he was a banker...

 

 

Not that there's anything wrong with that...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2106.4

Date:         Sat, 21 Feb 1998 11:50:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joey Mellott <peyotecoyote@IAH.COM>

Subject:      Burroughs and the lettrists

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Having almost finished LIPSTICK TRACES, I believe that Burroughs desire to

destroy language is not unique for its time.  He was one of the first

*Americans* to propose the idea, but a group of Paris intellectuals and

writers (the lettrists) followed a similar philosophy.  The lettrists

asserted the principle of psychogeography, the idea (abeit, not too

original) that the space an individual surrounds himself with affects his

perception.  They thought that a new architecture could be designed to

increase leisure and happiness.  Another one of the lettrists tenets was

that language as it exists today should be decimated.  Instead, the

lettrists proposed to replace words with a super symbolic stylized alphabet,

sort of like the Chinese have, but with each symbol carrying special nuances

that only a few could understand.  Burroughs used the cut-up to undermine

language.  The lettrists used what they called detournment, a technique

similar to Burroughs' cut-up but involving printed items (photographs,

newspaper articles, etc.  Much more like a collage than a cut up.

    I am aware that Burroughs spent some time in Paris and London in the

seventies.  Does anyone know if Burroughs read anything by the lettrists?

Did Burroughs meet any former lettrists or situationists (Guy Debord's

group) in Paris?  I find the parallels in Burroughs and the lettrists

theories most fascinating.

 

Joey Mellott : poet, writer, and aspiring ascendant

peyotecoyote@iah.com

"I want God, I want poetry, I want real danger, I want freedom,

 I want goodness.  I want sin." - Aldous Huxley

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 09:58:20 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: Burroughs and the lettrists

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 21 Feb 1998, Joey Mellott wrote:

 

> "I want God, I want poetry, I want real danger, I want freedom,

>  I want goodness.  I want sin." - Aldous Huxley

 

Good Lord, Aldous, with all that wanting no wonder you had no room for

anything else!

 

 

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

  Michael R. Brown                        foosi@global.california.com

 

      www.marymaclane.com - coming soon to your very own brouser

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 13:11:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matt Sanford <Mato15@AOL.COM>

Subject:      Re: Hunter S. Thompson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"Above the Beat movement?" ---I know it sounds funny but I did read an article

in Rolling Stone mag in which he mentioned this, maybe not in such a dis-

respectful way, but he did mention it...i dunno.

 

Mat

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 12:48:57 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

R. Bentz Kirby wrote:

> I believe, but could be wrong, that it

> also connected with Woody's songs he wrote for the WPA.  One of which may have

> been about the GCD.

 

GCD is a woody reference the whole Roll on Columbia Roll on period when

he was paid to follow the work in the Pacific Northwest and write

songs.  Some found this anti-thetical to woody's anti-governmental

positions feeling he was selling out and becoming a propagandist for the

government -- that his guitar was no longer killing fascists but

promoting them.  These same people hate having Burroughs in Nike

commercials and whatnot.  I've never understood why one can't take a

buck where it comes from without necessarily being poisoned by the

givers belief-systems.

 

david rhaesa

at the beat-hotel in lawrence

eating spinach feta cheese bread from Great Harvest on vermont street.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 19:05:13 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

RE:

......Woody's songs he wrote for the WPA.  One of which may have

> > been about the Grand Coulee Dam

 

there's a woody guthrie memorial generating station at the dam.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 21:14:41 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mexican Radio <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane Carter wrote:

 

> Without going into it in depth, I do want to point out that

> all of the sacraments of the Catholic church do have their

> basis in scripture, and a study of the Bible or a class in

> various religions would reveal these.

 

 

===  Just because Jesus said "Take, eat, this is my body" does not mean

he intended ritual ceremonies with people lining up to eat

transubstantiated wafers.

 

Having a "basis" in scripture doesn't mean something is scripturally

sound. Any para-Christian cult manages to find some sort of "basis" in

scripture, fer cryin' out loud! But regardless of what rituals and

bric-a-brac were inspired by things said in the Bible, there's nothing

in there, and certainly not in the red letters, that even hints that

Christ intended Popes, Bishops, Cardinals, Confessionals, Hail Marys,

Rosarys, dashboard Saints, Transubstantiation, The Crusades, The

Inquisition, P2, and the Vatican Bank.

 

The crucifixes with the skull and crossbones on them are pretty keen,

though.

 

Tenuous thread of Beat relevancy : does anyone know if any of the Beats

dug Tom Lehrer? Tom Lehrer did a hilarious satirical attack on

Catholicism called "The Vatican Rag", and his brand of iconoclastic

black humor would be right up the Beats' alley....sort of Steve Allen's

evil twin.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

watching "A Streetcar Named Desire" yet again

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 20:41:34 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it's not what he did for a living, it is about what he wrote. educated

in grad school in early 70s, i had been given deep appreciation of his

works. i just love his rhythms, allusions, guilt, transcendance, and

sheer imagery that is not there as a knicknack on the table, but a

supporting beam for the room in which the table exists.

a recovering catholic

mc

 

Paul Buckberry wrote:

 

> Well, he was a banker...

> 

> Not that there's anything wrong with that...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 20:43:31 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Marie:  T. S. Elliot/ps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i don't remember how this thread got started , but t. s. was not a beat

and this is beat-l.

also he loved cats, and cat imagery in his pomes knock me out still,

esp. the fog in prufrock.

ok,

back to regular channel.

mc

 

Paul Buckberry wrote:

 

> Well, he was a banker...

> 

> Not that there's anything wrong with that...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 22:32:43 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Manchurian Candidate <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Stannard Ridgeway wrote:

 

> but this was never the issue in

> the first place.

> 

> Pay more attention.

 

=== So I'm making it the issue *now*. In the second place, like.

Sometimes I think I'm the only one who *is* paying attention.

 

 

 

> 

> And Leherer is great.  Very funny fellow.

> 

> I think that Mark Russell would be the Lehrer copiest who isn't as smart,

> clever or funny etc...

 

=== Agreed. He lacks Lehrer's black humor and ascerbic sarcasm, too.

 

 

 

> 

> But I never thought of Leherer and the beats as kindred spirits.

 

=== Well, I didn't say "kindred spirits", but I can imagine the Beats

enjoying his very (anti-)political "That Was The Year That Was" album,

and the TV show from which it was drawn, "That Was The Week That Was",

which contained healthy doses of satirical political commentary.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Count Basie's "One O' Clock Jump"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sat, 21 Feb 1998 16:43:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:44 AM 2/21/98 +0000, you wrote:

>well, i dunno but i believe that the lines 'she makes love just like a

>woman/but she breaks just like a little girl'.....is pretty clear that he is

>writing, singing, about a woman.

>$00.2 for the day

> 

>Patricia Elliott wrote:

> 

>> Jym Mooney wrote:

>> >

>> > Carly wrote:

>> >

>> > > okay, so here's another bob dylan question.   i should preface this by

>> > saying,

>> > > i know a lot of people don't consider bob dylan a beat.  and  for those

>> > who

>> > > don't, please excuse this.

>> > > my question is actually based on rumor i heard that i am attempting to

>> > confirm

>> > > or refute.  i friend told me that his song, "just like a woman"  is

>> > actually

>> > > about a sexual encounter dylan had with a man.  does any one have any

>> > > responses to the nature of its validity?

>> >

>> > Interesting!  I always heard that "Just Like A Woman" was written about

>> > Andy Warhol protege/model Edie...oh damn, can't think of her last name.

>> > Anyway, she pilled herself into oblivion in the end.  Another casualty of

>> > the "swinging 60's."

>> >

>> > Jym

>> my impression is that many of bob's songs are "about" so many things at

>> different layers of meaning that saying it was "about X" or "about Y"

>> misses so much of his art.  an incident in life may have been part of an

>> inspiration but the writing tends to move in and out of the incidents

>> and by the end it could be anyone's actions that the songs are "about".

>> this is some of the beauty of his recent releases.  "Yesterday going too

>> fast - today going too slow" is "about" some actual incident perhaps but

>> his mixture universalizes in a way that -- at least for me -- one can

>> move into the meaning to where the listener is included in what the

>> story of the song is "about".

>> 

>> and of course, the beats had an influence on dylan.  tarantula is

>> dylanesque attempts at Burroughsian writing for example.  But as always

>> with Bob he is an expert thief and took what he wanted and moved along

>> his own road.

>> 

>> rambling along obviously too late in the evening at the Beat-Hotel where

>> we believe that Bob and Johnny Cash need to hook up for another round of

>> Nashville Skyline.

>> 

>> david rhaesa

>> at the Beat-Hotel in lawrence

> 

> 

 

It makes more sense to me to look for the connection between Dylan's songs

and Ginsberg's poetry--if you're trying to see whether or not Dylan was

'Beat.' When Kerouac appeared on the Steve Allen show in,

what--1957--1959?--and was asked how he defined 'Beat' (he took the question

good-naturedly, because I think he liked and respected Allen) -- his first

word was 'sympathetic.' Okay, then--if you want to look for that

'sympathetic' link between Dylan's songs and the Beat stuff--well, it's easy

enough to find. Ginsberg, much more than Kerouac or Burroughs, had a highly

developed social conscience from the early days of his youth. Remember that

one of Ginsberg's boyhood ambitions was to be a crusading labor lawyer and

he was a great admirer of Gene Debs. You can link that up to the Woody

Guthrie influence in Dylan--and you see it in "Howl" when he is calling out

for the redemptive power of LOVE--and sympathy and understanding for the

junkies, the hookers, the hobos and hustlers, the mentally ill (victims of

lobotomies and such) hispters, wanderers, the lovelost, the disillusioned,

the outcasts, the heartbroken among us. And justice too--the emphasis on

justice is important. Dylan wanted pretty much the same thing--with perhaps

a more militant edge, I grant you. Otherwise, what was he thinking about in

such songs as "The Lonesome Death Of Hattie Caroll" or "The Ballad Of Davey

Moore" or "The Ballad Of Hollis Brown" or "Blowing In The Wind"? Even a song

like "Masters Of War" MUST have been inspired, at least in part, by some of

the things in "Howl"---in that song, Dylan wrote---"And I hope that you

die/And your death will come soon/I'll follow your casket/on a pale

afternoon/And I'll watch while you're lowered/on to your death bed/then I'll

stand over your grave/til I'm sure that you're dead..."   How far is that in

sentiment, really, from a line like "Go fuck yourself with your atom bomb."?

You don't think the anger came from the same place, for both of them? There

is a prophetic quality in the writing of both--maybe more in

Ginsberg--prophetic utterance, I guess you'd call it--in which profound

anger and outrage is requisite. I also believe that this "prophetic" quality

is part of the Hebrew (Biblical, really) literary tradition such as you see

in the Book Of Isaiah, for instance.

 

Also, consider--they were both (more or less) urbanized American Jews who

felt very much out of synch with their cultural and political heritages.

They had similar sensibilities and read many of the same works, without a

doubt. Although separated by years, I think they are both very much a part

of the same poetic tradition--I have found it interesting, for example, to

find traces of Surrealist influence in their writings--and again, for two

poets who were deeply committed politically, the radicalism of the

Surrealists, was, I think, an appealing feature. Of course--I can't PROVE

any of this--but it seems to make sense. Also, being influenced by the

Surrealists explains the subversive humor and satire in Dylan--some of which

went completely over the heads of the folks it was aimed at--and it also

brings to mind the amazing flights of fancy--the distortions of

language--the bizarre imagery and closed symbolism---which are a big part of

Dylan's prose writings ("Tarantula" comes to mind--but check out some of the

liner notes written by Dylan himself--especially the ones from "Highway 61,

Revisited"). Isn't that what Andre Breton meant by "convulsive beauty" ?

 

In the end, Dylan could definitely be called 'Beat' but he would be a

relative latecomer--but that doesn't rule out the connection, all the same.

I guess it goes back to the use of the word 'sympathetic' which JK used in

that interview. Anybody who was going to take Herbert Huncke, Allen

Ginsberg, or any of the poor souls described in "Howl"seriously would HAVE

to be of a 'sympathetic' turn of mind. That's where Dylan comes in, at least

for me.

 

                                         Jeff Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 13:55:04 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Jeffrey Scott Holland wrote:

> 

> ===  Just because Jesus said "Take, eat, this is my body" does not mean

> he intended ritual ceremonies with people lining up to eat

> transubstantiated wafers.

 

What basis do you have for knowing what "he intended?" This looks to me

like the beginning of a ritual: "Then he took the bread, said the

blessing, broke it, and gave it to them, saying, 'This is my body, which

will be given for you; do this in memory of me.' And likewise the cup

after they had eaten, saying, 'This cup is the new covenant in my blood,

which will be shed for you.'" (Luke 22:19-20)

 

This is my last post on Catholicism unless you would like to discuss it

in relation to Kerouac.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 17:04:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Moloch

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 22 Feb 1998 03:58:41 +1100 Paul Buckberry said:

>--------------38F5F9A595A00DA776304B62

>Content-Type: text/plain; charset=us-ascii; x-mac-type="54455854";

> x-mac-creator="4D4F5353"

>Content-Transfer-Encoding: 7bit

> 

>Can't say about the AG angle. As I know it Miller took Moloch from the

>Old Testament Semitic deity to whom parents sacrificed their

>children...and definately not from "Moloch horridus" the Australian

>desert-living lizard that feeds on ants.

> 

>--------------38F5F9A595A00DA776304B62

>Content-Type: text/html; charset=us-ascii

>Content-Transfer-Encoding: 7bit

> 

><HTML>

>Can't say about the AG angle. As I know it Miller took Moloch from the

>Old Testament Semitic deity to whom parents sacrificed their children...and

>definately not from <I>"Moloch horridus"</I> the Australian desert-living

>lizard that feeds on ants.</HTML>

> 

>--------------38F5F9A595A00DA776304B62--

 

 Yes, same god.  See AG's annotated edition of Howl for additional info.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 14:06:03 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: st. dean

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Carly Earnshaw wrote:

> 

> okay, so with all the talk of catholisim going on, i guess this is an

> appropriate time to ask this question.  i'm reading on the road for the

> second

> time and i've noticed quite a few references to dean as becoming,

> towards the

> end of the book, a saint, an angel, and whatnot.  this seems a little

> bizzarre

> to me since i had the general impression that sal had become

> dissillusioned

> with dean.  does anyone have any insight or commentary on the matter?

 

It's not really bizarre when you consider the mythic dimensions that

Kerouac gave to the "Neal" character, whether as Dean in OTR or Cody in

Visions of Cody.  When you look closely for heroes you will find both

Neal and Kerouac's brother Gerard often approaching this state of

angel/saint/goodness.  There is also the disillusionment but it is based

more on the fact that everyone dies, than it is on the fact that humans

let you down.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sat, 21 Feb 1998 17:09:12 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:01 AM 2/21/98 -0500, you wrote:

>It was about Edie Sedgwick, supposedly. Her biography is well worth the

>read.

> 

>On Fri, 20 Feb 1998, Jym Mooney wrote:

> 

>> Carly wrote:

>> 

>> > okay, so here's another bob dylan question.   i should preface this by

>> saying,

>> > i know a lot of people don't consider bob dylan a beat.  and  for those

>> who

>> > don't, please excuse this.

>> > my question is actually based on rumor i heard that i am attempting to

>> confirm

>> > or refute.  i friend told me that his song, "just like a woman"  is

>> actually

>> > about a sexual encounter dylan had with a man.  does any one have any

>> > responses to the nature of its validity?

>> 

>> Interesting!  I always heard that "Just Like A Woman" was written about

>> Andy Warhol protege/model Edie...oh damn, can't think of her last name.

>> Anyway, she pilled herself into oblivion in the end.  Another casualty of

>> the "swinging 60's."

>> 

>> Jym

>> 

> 

> In case anyone's interested, the the actress you're thinking of was Edie

Sedgwick.

 

 

                                            J. Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 14:16:03 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Eliot was a beat in denial

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> R. Bentz Kirby wrote:

> 

> TS Eliot was a beat, he was just in a serious bout of denial that he

> never overcame.  Still his true spirit shown through despite his best

> efforts to cover it up.  Jack K acknowledged him as one of the greatest

> American poets of the 20th century.  There was a reason and it is beat

> and it is in his poems.  That is one reason I love Prufrock so much,

> his

> struggle is more available there.

 

Sorry Bentz, I'm still not buying the T.S. Eliot was a beat argument, not

if you are talking about the movement in literary terms.  T.S. Eliot was

an excellent poet and he wrote about the struggles of the human

condition.  But the very fact that he could not let go of structure and

form and "what a poem should be" places him in a line of thinking that

was the very thing Beat literature rebelled against and tore apart.  If

everyone that wrote about the human struggle is beat, then so are several

centuries of English and American literature.

DC

 

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X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Sat, 21 Feb 1998 23:08:48 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      F@*K Iraq

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Not like I'm one to talk, but what the fuck does this SPAM have to do with

Beat-anything?! I mean, for real! --Sara

 

 

At 05:38 PM 2/22/98 +0100, you wrote:

>Date:         Sun, 22 Feb 1998 12:59:39 +0100

>Sender:       Discussions on Philosophical Bases of Managing the Information

>              Society <PHILS-VU@NIC.SURFNET.NL>

>From:         Arie Dirkzwager <aried@XS4ALL.NL>

>Subject:      Re: <nettime> Don't Bomb Iraq Petition

> 

>        I advise everyone to sign this petition. The first Gulf war polluted

>large areas with radioactive uranium waste, many soldiers who fought there

>are suffering weird illnesses presumably caused by the weapons they used,

>Iraq is not the only state with mass-destructive chemical and biological

>weapons - others even have operational nuclear ones. I'm most certainly not

>in favour of Saddam and his politics, but there are more efficient ways of

>getting rid of him.

> 

>Arie

> 

>At 09:54 PM 2/22/98 +1100, you wrote:

> 

>From: terry allen <tallen@igc.org>

>Subject: <nettime> Don't Bomb Iraq Petition

> 

> 

>People of the World--

> 

>If appearances hold true, there will soon be another military

>attack under United Nations auspices on Iraqi territory.  The following

>petition is a modest effort to encourage and focus opposition to the use

>of violence against Iraq.  It is directed to the United States

>government, and particularly to President William J. Clinton, because of

>the leading role played by the United States in encouraging a military

>attack.

>If you support this effort, please add your name, home city, and

>home nation to the list and forward it to others.  Should you happen to

>be the 100th, 200th, ..., or millionth person to sign, please forward a

>copy to peace@appleseed.spi.net.  The assembled names will be forwarded

>electronically to President Clinton and other US government officials.

>They will not be printed nor will they be used for any other purpose.

> 

>Should you wish to communicate with President Clinton, try any

>of the following:

> 

>Address: The White House

>         1600 Pennsylvania Ave

>         Washington, DC 20500

>Phone: 202-456-1414

>Email: president@whitehouse.gov

> 

>        US citizens may also wish to advise their Congressional

>representatives of their positions.   Congressional representatives may

>be reached via mail by writing:

> 

>Representative <name>                   Senator <name>

>US House of Representatives             US Senate

>Washington DC   20515                   Washington DC 20510

> 

>The phone number of the Capitol switchboard is 202-224-3121; from there,

>you can reach the office of any Congressperson.  If you don't know who

>your Congressional representatives are, try

> 

>http://www.house.gov/writerep/ for Representatives and

>http://www.senate.gov/senator/state.html for Senators.

> 

>===================================================

> 

> 

>>ONE MILLION NAMES FOR PEACE

>> 

>>To President William J. Clinton and other officials of the government

>>of

>>the United States of America:

>> 

>>We, the undersigned world citizens, strongly oppose any further

>>military

>>attacks against the nation of Iraq.   Past military campaigns have

>>already wrought unconscionable destruction that has primarily

>>affected

>>ordinary

>>citizens of Iraq and not personnel of the Iraqi government.  The

>>rubric

>>of the United Nations should not be employed to justify further such

>>destruction.  Please desist in your efforts to execute another

>>military

>>strike.  We desire that you commit yourself to peaceful resolution of

>>existing conflicts with the government of Iraq.

>> 

>>1.  Jamie Pehling, Garden Grove, USA

>>2.  Kelly Rittenhouse, Palo Alto, USA

>>3.  Tom Warner, Seattle, USA

>>4.  Charles Scheiner, White Plains, NY USA

>>5.  Lynn Fredriksson, Washington DC, USA

>>6.  Ben Terrall, San Francisco, CA, USA

>>7.  Thomas Johnson, San Francisco, CA, USA

>>8.  Clare Campbell, San Francisco, CA, USA

>>9.  John Fitzgerald, San Francisco, CA, USA

>>10. Hiram Kato, San Francisco, CA, USA

>>11. George Fox, San Francisco, CA, USA

>>12. David Politzer, Altadena, CA, USA

>>13. Adam Politzer, Altadena, CA, USA

>>14. Noah Politzer, Altadena, CA, USA

>>15. Joan Terrall, Altadena, CA, USA

>>16. Mary Terrall, Altadena, CA, USA

>>17. Susan T. Simon, New York, NY, USA

>>18. Lee Simon, New York, NY, USA

>>20. Molly Simon, New York, NY, USA

>>21. Greg Simon, New York, NY, USA

>>22. Jim Terrall, Cornwall, CT, USA

>>23. Lib Tobin, Cornwall, CT, USA

>>24. Robert Terrall, Sharon, CT, USA

>>25. Martha Porter, Sharon, CT, USA

>>26. Pamela Sexton, Watsonville, CA, USA

>>27. Curt Gabrielson, Watsonville, CA, USA

>>28. Azwar Hamid, Yogyakarta, Indonesia

>>29. Kristin Sundell, Cambridge, MA, USA

>>30. Larissa Snorek, San Francisco, CA, USA

>>31. Wendy Aniseh Khan, San Francisco, CA USA

>>32. Jesus Hermosillo, San Francisco CA USA

>>33. Art Fridrich, Chicago, IL USA

>>34. Kenneth Weeks, Palatka, FL USA

>>35. Juan Reardon, Martinez, CA

>>36. John A. Reardon, Martinez, CA

>>37. Rick Goldsmith, Berkeley, CA

>>38. Pat Goudvis, Boston, MA

>>39. Bill Turnley

>>40. Karen Branan

>>41. Terry Allen, Richmond, VT USA

>>42. Paul Garrin, New York, NY, USA

>>43. Arie Dirkzwager, NL.

>44. Rinaldo Rasa, Venezia, Italia.

> 

> 

>Terry Allen, editor

>CAQ

>1500 Massachusetts Ave. #732

>Washington, DC 20005, USA

>202-331-9763 voice

>202-331-9751 fax

>caq@igc.org e-mail

> 

> 

>44 Old Brooklyn Rd.

>Richmond, VT 05477

>802-434-3767

>tallen@igc.org personal e-mail

>web site: http://www.caq.com

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 15:25:53 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Moloch

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>>Can't say about the AG angle. As I know it Miller took Moloch from the

>>Old Testament Semitic deity to whom parents sacrificed their children...and

>>definately not from <I>"Moloch horridus"</I> the Australian desert-living

>>lizard that feeds on ants.</HTML>

>> 

>>--------------38F5F9A595A00DA776304B62--

> 

> Yes, same god.  See AG's annotated edition of Howl for additional info.

 

 

I would assume the lizard's name comes from the OT (Old Testament--not Open

Transport) as well.

 

Molech was also called Milcom in the King James version (at least I seem to

remember that--please correct me if I am wrong).

 

Children were burned alive to him and hence the phrase "pass through the

fire".  See these verses:

 

 

Lev. 18:21   And thou shalt not let any of thy seed pass through the fire

to Molech, neither shalt thou profane the name of thy God: I am the LORD.

 

Lev. 20:2   Again, thou shalt say to the children of Israel, Whosoever he

be of the children of Israel, or of the strangers that sojourn in Israel,

that giveth any of his seed unto Molech; he shall surely be put to death:

the people of the land shall stone him with stones.

 

Lev. 20:3   And I will set my face against that man, and will cut him off

from among his people; because he hath given of his seed unto Molech, to

defile my sanctuary, and to profane my holy name.

 

Lev. 20:4   And if the people of the land do any ways hide their eyes from

the man, when he giveth of his seed unto Molech, and kill him not:

 

Lev. 20:5   Then I will set my face against that man, and against his

family, and will cut him off, and all that go a whoring after him, to

commit whoredom with Molech, from among their people.

 

1Kgs. 11:5   For Solomon went after Ashtoreth the goddess of the Zidonians,

and after Milcom the abomination of the Ammonites.

 

1Kgs. 11:7   Then did Solomon build an high place for Chemosh, the

abomination of Moab, in the hill that is before Jerusalem, and for Molech,

the abomination of the children of Ammon.

 

1Kgs. 11:33   Because that they have forsaken me, and have worshipped

Ashtoreth the goddess of the Zidonians, Chemosh the god of the Moabites,

and Milcom the god of the children of Ammon, and have not walked in my

ways, to do that which is right in mine eyes, and to keep my statutes and

my judgments, as did David his father.

 

2Kgs. 16:3   But he walked in the way of the kings of Israel, yea, and made

his son to pass through the fire, according to the abominations of the

heathen, whom the LORD cast out from before the children of Israel.

 

2Kgs. 23:10   And he defiled Topheth, which is in the valley of the

children of Hinnom, that no man might make his son or his daughter to pass

through the fire to Molech.

 

2Kgs. 23:13   And the high places that were before Jerusalem, which were on

the right hand of the mount of corruption, which Solomon the king of Israel

had builded for Ashtoreth the abomination of the Zidonians, and for Chemosh

the abomination of the Moabites, and for Milcom the abomination of the

children of Ammon, did the king defile.

 

2Chr. 33:6   And he caused his children to pass through the fire in the

valley of the son of Hinnom: also he observed times, and used enchantments,

and used witchcraft, and dealt with a familiar spirit, and with wizards: he

wrought much evil in the sight of the LORD, to provoke him to anger.

 

Jer. 32:35   And they built the high places of Baal, which are in the

valley of the son of Hinnom, to cause their sons and their daughters to

pass through the fire unto Molech; which I commanded them not, neither came

it into my mind, that they should do this abomination, to cause Judah to

sin.

 

Ezek. 16:21   That thou hast slain my children, and delivered them to cause

them to pass through the fire for them?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 17:42:34 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Stannard Ridgeway <gallaher@HSC.USC.EDU>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Diane Carter wrote:

> 

>> Without going into it in depth, I do want to point out that

>> all of the sacraments of the Catholic church do have their

>> basis in scripture, and a study of the Bible or a class in

>> various religions would reveal these.

> 

> 

>===  Just because Jesus said "Take, eat, this is my body" does not mean

>he intended ritual ceremonies with people lining up to eat

>transubstantiated wafers.

> 

>Having a "basis" in scripture doesn't mean something is scripturally

>sound. Any para-Christian cult manages to find some sort of "basis" in

>scripture, fer cryin' out loud! But regardless of what rituals and

>bric-a-brac were inspired by things said in the Bible, there's nothing

>in there, and certainly not in the red letters, that even hints that

>Christ intended Popes, Bishops, Cardinals, Confessionals, Hail Marys,

>Rosarys, dashboard Saints, Transubstantiation, The Crusades, The

>Inquisition, P2, and the Vatican Bank.

> 

 

You've mentioned this twice now.  I have a lot of agreement here with you

actually in terms of certain aspects of Catholicism as practiced (and this

sort of thing occurs in Buddhism and Protestantism and Hinduism and all

other religions to one degree or another), but this was never the issue in

the first place.

 

Pay more attention.

 

And Leherer is great.  Very funny fellow.

 

I think that Mark Russell would be the Lehrer copiest who isn't as smart,

clever or funny etc...

 

But I never thought of Leherer and the beats as kindred spirits.

 

 

>The crucifixes with the skull and crossbones on them are pretty keen,

>though.

> 

>Tenuous thread of Beat relevancy : does anyone know if any of the Beats

>dug Tom Lehrer? Tom Lehrer did a hilarious satirical attack on

>Catholicism called "The Vatican Rag", and his brand of iconoclastic

>black humor would be right up the Beats' alley....sort of Steve Allen's

>evil twin.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Berea, KY

>watching "A Streetcar Named Desire" yet again

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 18:30:18 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Stannard Ridgeway wrote:

> 

>> but this was never the issue in

>> the first place.

>> 

>> Pay more attention.

> 

>=== So I'm making it the issue *now*. In the second place, like.

>Sometimes I think I'm the only one who *is* paying attention.

> 

> 

 

Fair enough Jeffery, and an interesting topic it is to me, but your

original entry post was quite a non-sequuitar.

 

When I said Leherer didn't seem a kindred spirit, I also would mean that I

never made the same connection as you in that they might listen or

appreciate Lehrer.  That's all, who knows the truth?  (the shadow and maybe

Patrica Elliot)

 

But once again I must reiterate Pay Attention.

 

 

> 

>> 

>> And Leherer is great.  Very funny fellow.

>> 

>> I think that Mark Russell would be the Lehrer copiest who isn't as smart,

>> clever or funny etc...

> 

>=== Agreed. He lacks Lehrer's black humor and ascerbic sarcasm, too.

> 

> 

> 

>> 

>> But I never thought of Leherer and the beats as kindred spirits.

> 

>=== Well, I didn't say "kindred spirits", but I can imagine the Beats

>enjoying his very (anti-)political "That Was The Year That Was" album,

>and the TV show from which it was drawn, "That Was The Week That Was",

>which contained healthy doses of satirical political commentary.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Berea, KY

>listening to Count Basie's "One O' Clock Jump"

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 21:30:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      st. dean

To:           BEAT-L@CUNYVM.CUNY.EDU

 

okay, so with all the talk of catholisim going on, i guess this is an

appropriate time to ask this question.  i'm reading on the road for the second

time and i've noticed quite a few references to dean as becoming, towards the

end of the book, a saint, an angel, and whatnot.  this seems a little bizzarre

to me since i had the general impression that sal had become dissillusioned

with dean.  does anyone have any insight or commentary on the matter?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 21:31:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Steve Edington <Sedington@AOL.COM>

Subject:      Cassady

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Several days back someone asked about biographical information on Neal

Cassady. There is one biography that I know of called The Holy Goof by William

Plummer (Paragon House, 1981). There's not much in it that hasn't also been

written elsewhere in bios of other beats (Kerouac, Ginsberg, et. al.) but you

do get it all in one place in this one. A good part of the book is about NC

and Ken Kesey. The overall text jumped around too much for my taste, but its

still worth reading for anyone looking for an overview of NC's life.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 22:49:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Eliot was a beat in denial

To:           BEAT-L@CUNYVM.CUNY.EDU

 

TS Eliot was a beat, he was just in a serious bout of denial that he

never overcame.  Still his true spirit shown through despite his best

efforts to cover it up.  Jack K acknowledged him as one of the greatest

American poets of the 20th century.  There was a reason and it is beat

and it is in his poems.  That is one reason I love Prufrock so much, his

struggle is more available there.  I figure Dylan took the line "Inside

the Museum, infinity goes up on trial" from Prufrock.

 

Terrible case of denial.  If only Ginsberg could have liberated him.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 23:29:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Dylan/Christ/Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Disillusioned words like bullets bark

As human gods aim for their mark

Made everything from toy guns that spark

To flesh-colored Christs that glow in the dark

It's easy to see without looking too far

That not much

Is really sacred.

It's Allright Ma

 

Woe to you, scribes and Pharisees, hypocrites! for you cleanse the

outside of the cup and of the plate, but inside they are full of

extortion and rapacity.  You blind Pharisee! first cleanse the inside of

the cup and of the plate, that the outside also may be clean.

Matthew 23: 25-26

 

Would it have been worth while,

To have bitten off the matter with a smile,

To have squeezed the universe into a ball

To roll it towards some overwhelming question,

J. Alfred Prufrock

 

What is the universe

    but a lot of waves

And a craving desire

    is a wave

Belonging to a wave

    in a world of waves

So why put down,

    wave?

Come on wave, WAVE!

Lucien Midnight

 

Is this the God of Gods, the one I heard about

in memorized language Universities murmur?

Dollar bills can buy it! the great substance

exchanges itself freely through all the world's

poetry money, ...

Holy Ghost on the Nod Over the Body of Bliss

 

PS:  This exercise taught me that Ginsberg used punctuation like Jesus

did.  Hhhmmmm!

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Sat, 21 Feb 1998 22:31:51 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Diane Carter wrote:

> 

>> Without going into it in depth, I do want to point out that

>> all of the sacraments of the Catholic church do have their

>> basis in scripture, and a study of the Bible or a class in

>> various religions would reveal these.

> 

>Jeffrey Scott Holland wrote:

>===  Just because Jesus said "Take, eat, this is my body" does not mean

>he intended ritual ceremonies ....

 

YES,

 

only remember that was a ritual ceremony and if there hadn't been room at

the table they would have lined up.

 

BUT, as far as I'm concerned: They ate together. The MAN was coming.  They

had to know the TRIP was coming to an end. There is nothing that indicates

he laid an ecclesiastical father/son this-is-my-blood-this-is-my-body trip

on his pals at what was, as it turned out, a final supper. He was a simple

working man--a carpenter. No pretensions, no need for leaders. No need for

followers. It was a let's-continue-the-trip-scene, no mater what kind of

heat comes down. And the heat always comes down when social changes is in

the wind. No different around the table there, than around the table at the

Inn in Kansas, or wherever you happen to be breaking bread or wind.

 

You can eat, you can drink, you can smoke, toke, trip and no one gives a

shit, UNTIL you start talking about equity and getting a fair share of the

bread from the oven or the bank. From that point on, whenever you gather

with your friends, be aware that it might be a last supper.

 

j grant

 

 

 

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 21 Feb 1998 23:43:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Cat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 2/21/98 5:04:31 PM Pacific Standard Time,

jholland@ICLUB.ORG writes:

 

<< f Beat relevancy : does anyone know if any of the Beats

 dug Tom Lehrer? Tom Lehrer did a hilarious satirical attack on

 Catholicism called "The Vatican Rag", and his brand of iconoclastic

 black humor would be right up the Beats' alley....sort of Steve Allen's

 evil twin.

 

 =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 Jeffrey Scott Holland - Berea, KY

 watching "A Streetcar Named Desire" yet again >>

 

Better yet, what would Tennessee Williams think of "first you get down on your

knees, fiddle with your rosaries, bow your head with great respect, and

GENUFLECT, GENUFLECT, GENUFLECT!!!"

 

Ave, Maria...gee, it's good to see ya

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 01:04:57 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: st. dean

To:           BEAT-L@CUNYVM.CUNY.EDU

 

okay, but i just finished on the road, again.  and dean is so awful to sal.

so what i don't understand is, if sal is  becoming more and more aware of how

selfish dean is, why does jack elevate him to devine status?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 01:52:34 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: Burroughs and the lettrists

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Are the letterists related to the deconstructionists?

 

  Jaces Lacan's works are very similat to Burroughs on the abilty of

lanugage to affect the thought patterns.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: philzi@pop.tiac.net

Date:         Sun, 22 Feb 1998 02:09:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: st. dean

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 02:06 PM 2/21/98 -0800, you wrote:

>>Carly Earnshaw wrote:

>> 

>> okay, so with all the talk of catholisim going on, i guess this is an

>> appropriate time to ask this question.  i'm reading on the road for the

>> second

>> time and i've noticed quite a few references to dean as becoming,

>> towards the

>> end of the book, a saint, an angel, and whatnot.  this seems a little

>> bizzarre

>> to me since i had the general impression that sal had become

>> dissillusioned

>> with dean.  does anyone have any insight or commentary on the matter?

 

I think he was seeing Neal as a replacement for Gerard his own brother.

There was a tremendous void there when Gerard died he wanted Neal to be

like a brother, hence the angelical qualities and Saintliness that Jack

attributed to Gerard were also attributed to Neal.     Phil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: philzi@pop.tiac.net

Date:         Sun, 22 Feb 1998 02:17:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: Marie:  T. S. Elliot/ps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:43 PM 2/21/98 +0000, you wrote:

>i don't remember how this thread got started , but t. s. was not a beat

>and this is beat-l.

>also he loved cats, and cat imagery in his pomes knock me out still,

>esp. the fog in prufrock. MC

 

So he and Jack did have something in common. They both loved cats. Phil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 02:46:42 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: st. dean

To:           BEAT-L@CUNYVM.CUNY.EDU

 

oh, nice, very nice, especially since several times in the novel, sal tells

people that dean is his brother.  do you know of any letters or anything, any

other books, that might support this idea, besides visions of cody?  i tried

to read that damn thing and just couldn't get through it.

--ce

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 02:53:00 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      on the road letters

To:           BEAT-L@CUNYVM.CUNY.EDU

 

could anyone enlighten me as to which letters (i have the selected letters of

jk edited by ann charters) correspond most with on the road?  it would be

really helpful if anyone could point out key letters since i'm doing this for

a class and i have a limited amount of reading time to do this in. thanks for

all the advice everyone's been giving so far.  it's been really informative

and interesting.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 08:13:16 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ann waldman went, as well. but i believe the friendship began a long time ago.

liner notes to blood on the tracks contain more info.

mc

 

R. Bentz Kirby wrote:

 

> Marie:

> 

> As I recall, Allen spotted this quote and wrote to Bob telling him that it was

> what Bob intended it to be, a perfect description of Amerika.  As I recall,

 the

> Grand Coulee Dam was a make work project that caused substantial damage to the

> environment, covered some important land and was generally not needed.  Bob

 used

> it both to hightlight the excess and stupidity coming out of the Capitol and

 how

> it was all going to kill us in the end.  I believe, but could be wrong, that

 it

> also connected with Woody's songs he wrote for the WPA.  One of which may have

> been about the GCD.

> 

> But, even if I have some facts wrong here, the result was that Bob was blown

>  away

> that Allen picked up on the image of Amerika that he intended, as none of his

> friends did, and he invited Allen to go on Rolling Thunder Review.  Of course

> they all ended up together at Jack Kerouac's grave singing to the spirit of

> Jack.  I, if my wife has not trashed it, still have the RS mag with the

 picture.

> It also is in Renaldo and Clara.

> 

> RTR was a kinda beat thing.  I believe that some of the folks on the tour,

 like

> Roger McGuinn have very fond memories of the whole thing.  Though I doubt that

> they could do it all again, at least like that!

> Maybe some more folks on the list know more about this than I do.

> 

> Marie Countryman wrote:

> 

> > "idiot wind blowing circles around my skull from the grand coolie dam to the

> > capitol"

> > i remember ginsberg wrote a letter to dylan just crazy for the entire song

> > idiot wind but was knocked out by the above quote. so in some ways, AG and

 BD

> > has some synergy going for some time

> > just a random thought from the dustbin of my memories

> > mc

> >

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 08:24:19 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Eliot was a beat in denial

To:           BEAT-L@CUNYVM.CUNY.EDU

 

gotta agree with you there, DC

mc

 

Diane Carter wrote:

 

> > R. Bentz Kirby wrote:

> >

> > TS Eliot was a beat, he was just in a serious bout of denial that he

> > never overcame.  Still his true spirit shown through despite his best

> > efforts to cover it up.  Jack K acknowledged him as one of the greatest

> > American poets of the 20th century.  There was a reason and it is beat

> > and it is in his poems.  That is one reason I love Prufrock so much,

> > his

> > struggle is more available there.

> 

> Sorry Bentz, I'm still not buying the T.S. Eliot was a beat argument, not

> if you are talking about the movement in literary terms.  T.S. Eliot was

> an excellent poet and he wrote about the struggles of the human

> condition.  But the very fact that he could not let go of structure and

> form and "what a poem should be" places him in a line of thinking that

> was the very thing Beat literature rebelled against and tore apart.  If

> everyone that wrote about the human struggle is beat, then so are several

> centuries of English and American literature.

> DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 08:50:37 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: st. dean

To:           BEAT-L@CUNYVM.CUNY.EDU

 

do you know of any letters or anything, any

> other books, that might support this idea, besides visions of cody?  i tried

> to read that damn thing and just couldn't get through it.

> --ce

 

 

visions of cody is an early version of on the road and is really

important.  it's some of kerouac's best writing and has a tape

transcript fragment of neal talking about his early life.  you should

try again.

 

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X-Sender: cen00746@207.17.135.251 (Unverified)

Date:         Sun, 22 Feb 1998 04:13:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Marie:  T. S. Elliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:36 AM 2/22/98 +1100, you wrote:

>Well, he was a banker...

> 

> 

>Not that there's anything wrong with that...

> 

> 

Its T S Eliot, folks.

 

Mike Rice

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: AVE MARIA. (the prayer)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <43a5e8e5.34ee1c5c@aol.com>

References:

 

   Ave Maria gratia plena dominus tecum

   benedicta tua mulieribus et benedictus

   fructus ventris tui Jesus.

   Sancta Maria mater dei ora pro nobis peccatoribus

   nunc et in ora mortis nostrae.

   Amen.

Return-Path: <MAILER-DAEMON>

Date:         Sun, 22 Feb 1998 04:56:28 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 22 Feb 1998 10:44:36...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 22 Feb 1998 10:44:36 +0100 with subject "AVE MARIA.

(the prayer)"  has been  successfully distributed to  the BEAT-L  list (255

recipients).

 

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Priority: normal

Date:         Sun, 22 Feb 1998 10:24:49 ARG

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <rvcalvo@mail.satlink.com>

From:         LacOv <rvcalvo@SATLINK.COM>

Subject:      we are the gingival sunflower

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi, my first post here!

 

I think I'm going to have a lot of good time w/ you here and learn and share

a lot of things.

I only want to introduce myself saying that my life would have been totally

different if I wouldn't know the beats, the surrealist and people in that line.

(I think this is the same for you).

Personally my first insight in the so called beat movement was an interview

with  William Burroughs I read in an underground magazine when I was 14 (I'm

22 now) and since then i'm completely hooked.

Then came NaKed Lunch and Kerouac and Ginsberg and Ferlinghetti and

 

Well, that's almost all.

 

PS#1: I read somewhere in the net, that the New York Post had published last

WSB journal entries... Do you know if they are available somewhere on-line??

 

PS#2:: I have read that Woodard, a WSB friend was in Tierra del Fuego.

Somebody know if this is true? ( I live in Tierra del Fuego myself)

 

Best Regards

 

LacOv

 

(a wannabe writer, psychonaut and empty bathtub))

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 11:53:50 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Manchurian Candidate <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote:

> >

> > ===  Just because Jesus said "Take, eat, this is my body" does not mean

> > he intended ritual ceremonies with people lining up to eat

> > transubstantiated wafers.

 

 

and Diane Carter replied:

 

> What basis do you have for knowing what "he intended?"

 

 

and JSH responds:

 

=== A sentence that states "Just because X does not mean X" doesn't mean

I am claiming to know what Jesus intended. I am merely pointing out a

lack of chain of evidence for the Catholic's claim that they DO know

what he intended. I have no idea what he intended - and neither does

anyone else.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to The Who's "Now I'm A Farmer"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 22:49:31 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Robert Shelton wrote: "Despite this work's enduring melodic appeal, its

view of women is controversial. The title is a male platitude that

justifiably angers women. I think Dylan is ironically toying with that

platitude."

 

Marion Meade wrote in the New York Times on March 14, 1971, that

"there's no more complete catalogue of sexist slurs" than this song

where Dylan "defines women's natural traits as greed, hypocrisy, whining

and hysteria."

 

Bill King: "Dylan's finest poem on the failure of human relationships

because of illusion created by social myth."

 

Could be Dylan may be out and out criticizing sexist men as much as the

woman, or women, who fail them. The line for me that turns the sharp

edges all fuzzy is: "I was hungry and it was your world."

 

But the same sex angle, I dunno. If I were you I'd be asking my "friend"

for sources. Full interrogation if necessary with bamboo shoots.

 

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X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      MAA07712

Date:         Sun, 22 Feb 1998 11:57:31 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      pome: delete at will: my father's billfold

To:           BEAT-L@CUNYVM.CUNY.EDU

 

companion piece to 'my father's eyes' in which these photos were

mentioned. and yes, they literally came in the mail yesterday.

 

 

my father's billfold

 

delivered to my door today

photos from his wife

the ones he kept  in all billfolds

he carried all his life.

 

my father can't  recognize

nor remember

-if he ever had a billfold-

-if he ever had a family-

- a son, a wife, or me.

the irony:

just as in life, now in his dying,

he was always absentee.

 

 

the photos - cracked, stained,

fading with sweat and age

black and white now sepia

but we all look the same

me at five

my brother at eight

and our mother - his  wife.

 

i look at me looking at me:

i can barely remember this child

of five

with the huge brown eyes

full of secrets,

full of sadness,

frozen in time.

 

i adored my dad, and

had so little of him,

and yet it just occurs to me

that if i lacked him,

he always had me -

in his pocket in his billfold,

a paper doll family.

 

with me in his billfold,

we sat on countless barstools,

in his way together,

he forever drinking

me forever hopeful,

forever frozen,

forever five.

 

(c) marie countryman 2/22/98(on her 45th birthday)       .

 

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X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      NAA24510

Date:         Sun, 22 Feb 1998 13:21:26 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      mc again draft 2, delte at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

 

> this is the piece that completes 'my father's eyes'

> first draft

> my father's billfold

> 

> delivered to my door today

> photos from his wife

> the ones he kept  in all billfolds

> he carried all his life.

> 

> my father can't  remember

> -if he ever had a billfold-

> -if he ever had a family-

> - a son, a wife, or me.

> the irony:

> just as in life, now in his dying,

> he was always absentee.

> 

> the photos - cracked, stained,

> fading with sweat and age

> black and white now sepia

> but we all look the same

> me at five

> my brother at eight

> and our mother - his  wife.

> 

> i look at me looking at me:

> i can barely remember this child

> of five

> with the huge brown eyes

> full of secrets,

> full of sadness,

> frozen in time.

> 

> i adored my dad, and

> had so little of him,

> and yet it just occurs to me

> that if i bemoaned the lack of  him,

> he always had me -

> in his pocket, in his billfold,

> a paper doll family.

> 

> with me in his billfold,

> we sat on countless barstools,

> in his way together,

> he forever drinking

> me forever hopeful,

> forever frozen,

> forever five.

>      (c) marie countryman 2/22/98(on her 45th birthday        .

 

 

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Date:         Sun, 22 Feb 1998 13:45:35 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: F@*K Iraq

To:           BEAT-L@CUNYVM.CUNY.EDU

 

michael: please tell craig how much i love his pome and how it speaks to me,

 

thanks for forwarding it on to the list

mc

 

Michael Czarnecki wrote:

 

> There is no separation. Poetry, politics, life, death, violence, peace.

> Allen's  life was one of involvement with what was happening out there in

> the world and not just on the pages of his journals and books. When it

> comes to speaking out, doing something about the atrocities that affect

> real lives, how much of a bother is a single post on Beat-l?

> 

> And below a poem from Craig Czury concerning Iraq and Poets and how there

> is no separation.

> 

> DIARY WITHOUT NAMES

> 

> while they won't show us the dead

> or the weeping and mangled faces between the rubble

> ~

> while they interview the heroic pilots

> talking about having met their objective

> with the ease of just having flown back from the video arcade

> ~

> i want all you 5th graders to crouch down under your desks

> for the next 15 minutes (15 days 15 centuries of saturation bombing)

> ~

> i want you to think about all the 5th grade-aged iraqi poets

> at this moment huddled under our bombs in bomb shelters

> struggling to find the exact words

> we have struggled all week in our poems

> to express what is happening to us now them in their lives

> under our bombs

> ~

> (at a time when the world is speaking guns and missiles

> we have the balls to speak poetry? only children)

> ~

> i would like to dedicate today's poetry class

> to the 39 year old iraqi poet who made love last night

> to a young iraqi music student

> between the zippers and torn buttons of their clothes

> in a crowded bomb shelter (muffled implosion

> with the last spoken tremor a sigh)

> ~

> friends

> there is one of you in every corner of this earth

> 

> --------------------------------------------------------Craig Czury

 

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X-Sender: philzi@pop.tiac.net

Date:         Sun, 22 Feb 1998 09:45:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: tangled up in bob....

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> But, even if I have some facts wrong here, the result was that Bob was

blown

>>  away

>> that Allen picked up on the image of Amerika that he intended, as none

of his

>> friends did, and he invited Allen to go on Rolling Thunder Review.  Of

course

>> they all ended up together at Jack Kerouac's grave singing to the spirit of

>> Jack.  I, if my wife has not trashed it, still have the RS mag with the

> picture.

>> It also is in Renaldo and Clara.

 

There is also a great book by Sam Shepard called "Rolling Thunder Logbook"

with several pictures of Bob and Allen at the grave it has the story and

poetry. Here's a Lowell poem from the book. By the way they did a concert

in Lowell at the University and it was quite a treat to see Dylan and Allen

in Lowell also Joan Baez and Rambil' Jack Elliot. I was in the front row.

 

LOWELL LOCATIONS

 

Grave

Library

High School

Mill Co.

Baptise Church (what saint will deliver us?)

Moody St. Bridge.

Textile Lunch

Orphanage

Grotto

Castle (Dr. Sax)

Birthplace

Nick's Lounge

Pool Hall (play for high stakes-souls and sings sins)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 15:55:05 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         RatFink <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Ginsberg and Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Gargan wrote:

> 

> Wishing doesn'nt make it so.  T.S. Eliot can't be considered Beat in any

> sense, even as an influence.  The Beats were neo-romantics; Eliot

> harkened back to 17th century neo-classical forms.  The Beats were

> rebelling against the kind of "new critical" Eliot inspired verse that

> dominated English departments in the 1940s and 1950s.

 

 

=== I agree, but it must be said that Ginsberg, the most well-read of

the Beats, really and truly was a closet neo-classicist. And even his

most rebellious writings were not really seeking to rebel *against* what

had gone before, but fighting for the right to be placed *alongside*

what had gone before. And that's not a bad thing.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland eating Malt Balls

in glorious sunny Berea, KY

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 16:32:00 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Voice of Harold <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In the first place, this is 1998. The planet is effectively under a

rudimentary technocratic police state.  Petitions serve NO purpose other

than to provide the Powers That Be with a handy list of the names of

their opponents.

 

Secondly, there is no point taking sides pro or con in the Clinton vs.

Hussein boxing match, because it is a fixed fight. The U.S.A. and Iraq

are not enemies. The U.S.A. provided Iraq with its weaponry in the

1980s, just as we did with Iran and Libya. The U.S.A. didn't eliminate

Saddam in the Gulf War because we didn't WANT to, he's serving a PURPOSE

for U.S. interests by doing what he is doing.

 

The Government and the media continually belabor the point that the U.S.

does not remove dictators from power, and that the FBI somehow keeps

tabs on the CIA to make sure they don't overstep their boundaries. This

is a lie of Orwellian proportions. It is a freely admitted matter of

historical record that the U.S. Intelligence Community has had a hand in

everything from co-opting Nazi Scientists after WW2, overthrowing

dictators like Quirino, Arbenz, and Mossadegh, conducting secret

operations in Vietnam, Indonesia, Tibet, Haiti, etc. Meanwhile, certain

dictators like Hussein, Khadafy and Castro remain curiously untouchable.

Why? Because they are serving some purpose for certain American business

interests and Government. Qui Bono?

 

The point is, the zeit has been sewn up and the Eschaton is about to be

immanentized. Tanks will roll and bombs will fall wherever "they" want

them to, and no piddly little petition is going to change that. Asking

them for Peace will get you the same response as Oliver Twist's request

for gruel.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland - Berea, KY

stocking up on MRE packs

=-=-=-=-=-=-=-=-=-=-=-=-=

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD)Don't Bomb Iraq Petition

Cc: peace@appleseed.spi.net

Bcc: rasa@gpnet.it

X-Attachments:

In-Reply-To: <43a5e8e5.34ee1c5c@aol.com>

References:

 

Date:         Sun, 22 Feb 1998 12:59:39 +0100

Sender:       Discussions on Philosophical Bases of Managing the Information

              Society <PHILS-VU@NIC.SURFNET.NL>

From:         Arie Dirkzwager <aried@XS4ALL.NL>

Subject:      Re: <nettime> Don't Bomb Iraq Petition

 

        I advise everyone to sign this petition. The first Gulf war polluted

large areas with radioactive uranium waste, many soldiers who fought there

are suffering weird illnesses presumably caused by the weapons they used,

Iraq is not the only state with mass-destructive chemical and biological

weapons - others even have operational nuclear ones. I'm most certainly not

in favour of Saddam and his politics, but there are more efficient ways of

getting rid of him.

 

Arie

 

At 09:54 PM 2/22/98 +1100, you wrote:

 

From: terry allen <tallen@igc.org>

Subject: <nettime> Don't Bomb Iraq Petition

 

 

People of the World--

 

If appearances hold true, there will soon be another military

attack under United Nations auspices on Iraqi territory.  The following

petition is a modest effort to encourage and focus opposition to the use

of violence against Iraq.  It is directed to the United States

government, and particularly to President William J. Clinton, because of

the leading role played by the United States in encouraging a military

attack.

If you support this effort, please add your name, home city, and

home nation to the list and forward it to others.  Should you happen to

be the 100th, 200th, ..., or millionth person to sign, please forward a

copy to peace@appleseed.spi.net.  The assembled names will be forwarded

electronically to President Clinton and other US government officials.

They will not be printed nor will they be used for any other purpose.

 

Should you wish to communicate with President Clinton, try any

of the following:

 

Address: The White House

         1600 Pennsylvania Ave

         Washington, DC 20500

Phone: 202-456-1414

Email: president@whitehouse.gov

 

        US citizens may also wish to advise their Congressional

representatives of their positions.   Congressional representatives may

be reached via mail by writing:

 

Representative <name>                   Senator <name>

US House of Representatives             US Senate

Washington DC   20515                   Washington DC 20510

 

The phone number of the Capitol switchboard is 202-224-3121; from there,

you can reach the office of any Congressperson.  If you don't know who

your Congressional representatives are, try

 

http://www.house.gov/writerep/ for Representatives and

http://www.senate.gov/senator/state.html for Senators.

 

===================================================

 

 

>ONE MILLION NAMES FOR PEACE

> 

>To President William J. Clinton and other officials of the government

>of

>the United States of America:

> 

>We, the undersigned world citizens, strongly oppose any further

>military

>attacks against the nation of Iraq.   Past military campaigns have

>already wrought unconscionable destruction that has primarily

>affected

>ordinary

>citizens of Iraq and not personnel of the Iraqi government.  The

>rubric

>of the United Nations should not be employed to justify further such

>destruction.  Please desist in your efforts to execute another

>military

>strike.  We desire that you commit yourself to peaceful resolution of

>existing conflicts with the government of Iraq.

> 

>1.  Jamie Pehling, Garden Grove, USA

>2.  Kelly Rittenhouse, Palo Alto, USA

>3.  Tom Warner, Seattle, USA

>4.  Charles Scheiner, White Plains, NY USA

>5.  Lynn Fredriksson, Washington DC, USA

>6.  Ben Terrall, San Francisco, CA, USA

>7.  Thomas Johnson, San Francisco, CA, USA

>8.  Clare Campbell, San Francisco, CA, USA

>9.  John Fitzgerald, San Francisco, CA, USA

>10. Hiram Kato, San Francisco, CA, USA

>11. George Fox, San Francisco, CA, USA

>12. David Politzer, Altadena, CA, USA

>13. Adam Politzer, Altadena, CA, USA

>14. Noah Politzer, Altadena, CA, USA

>15. Joan Terrall, Altadena, CA, USA

>16. Mary Terrall, Altadena, CA, USA

>17. Susan T. Simon, New York, NY, USA

>18. Lee Simon, New York, NY, USA

>20. Molly Simon, New York, NY, USA

>21. Greg Simon, New York, NY, USA

>22. Jim Terrall, Cornwall, CT, USA

>23. Lib Tobin, Cornwall, CT, USA

>24. Robert Terrall, Sharon, CT, USA

>25. Martha Porter, Sharon, CT, USA

>26. Pamela Sexton, Watsonville, CA, USA

>27. Curt Gabrielson, Watsonville, CA, USA

>28. Azwar Hamid, Yogyakarta, Indonesia

>29. Kristin Sundell, Cambridge, MA, USA

>30. Larissa Snorek, San Francisco, CA, USA

>31. Wendy Aniseh Khan, San Francisco, CA USA

>32. Jesus Hermosillo, San Francisco CA USA

>33. Art Fridrich, Chicago, IL USA

>34. Kenneth Weeks, Palatka, FL USA

>35. Juan Reardon, Martinez, CA

>36. John A. Reardon, Martinez, CA

>37. Rick Goldsmith, Berkeley, CA

>38. Pat Goudvis, Boston, MA

>39. Bill Turnley

>40. Karen Branan

>41. Terry Allen, Richmond, VT USA

>42. Paul Garrin, New York, NY, USA

>43. Arie Dirkzwager, NL.

44. Rinaldo Rasa, Venezia, Italia.

 

 

Terry Allen, editor

CAQ

1500 Massachusetts Ave. #732

Washington, DC 20005, USA

202-331-9763 voice

202-331-9751 fax

caq@igc.org e-mail

 

 

44 Old Brooklyn Rd.

Richmond, VT 05477

802-434-3767

tallen@igc.org personal e-mail

web site: http://www.caq.com

 

Return-Path: <MAILER-DAEMON>

Date:         Sun, 22 Feb 1998 11:45:52 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 22 Feb 1998 17:38:15...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 22 Feb 1998 17:38:15 +0100 with subject "(FWD)Don't

Bomb Iraq  Petition" has been  successfully distributed to the  BEAT-L list

(255 recipients).

 

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X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Sun, 22 Feb 1998 17:21:37 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: 2/25/98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

My condolences, Marie. *hug* --Sara

 

At 04:04 PM 2/25/98 +0000, you wrote:

>from some of the dharma:

> 

>I KNEEL BEFORE THE DEAD

> 

>i flopped his dead arm.

>"he's gone," i thougth .

>"He came and grew this body,

>then he went away.--

> 

>Where is he gone to?

>I don't think he will return,

>Not if he's smart.

>He saw it wasn't worth it.

>He came once, he lasted ,

>        he was like a light

>Extinguishable in 60 years.

>Me, too my arm'll be dead.

> 

>Now he sees me sitting , in thought,

>It's hard for him to understand my body,

>'The spaces and the big wheels--

>I won't see him any more

>In those high vibrations

>But it'll be all the same

>Farewell, farewell,

>And farewell to farewell,

>This is the shrouded travelller,

>And shadows in the jazz age."

> 

>my father, who loved jazz, died today, 2/25/98

>mc

> 

 

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Date:         Sun, 22 Feb 1998 11:48:32 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: F@*K Iraq

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rinaldo, I hear you.  I think some leeway for nonliterary posts since it

originates from the most beat italian.  remember to add what would

william , jack, allen, say to this. signing is just doing the job.

patirica

 

Sara Feustle wrote:

> 

> Not like I'm one to talk, but what the fuck does this SPAM have to do with

> Beat-anything?! I mean, for real! --Sara

> 

> At 05:38 PM 2/22/98 +0100, you wrote:

> >Date:         Sun, 22 Feb 1998 12:59:39 +0100

> >Sender:       Discussions on Philosophical Bases of Managing the Information

> >              Society <PHILS-VU@NIC.SURFNET.NL>

> >From:         Arie Dirkzwager <aried@XS4ALL.NL>

> >Subject:      Re: <nettime> Don't Bomb Iraq Petition

> >

> >        I advise everyone to sign this petition. The first Gulf war polluted

> >large areas with radioactive uranium waste, many soldiers who fought there

> >are suffering weird illnesses presumably caused by the weapons they used,

> >Iraq is not the only state with mass-destructive chemical and biological

> >weapons - others even have operational nuclear ones. I'm most certainly not

> >in favour of Saddam and his politics, but there are more efficient ways of

> >getting rid of him.

> >

> >Arie

> >

> >At 09:54 PM 2/22/98 +1100, you wrote:

> >

> >From: terry allen <tallen@igc.org>

> >Subject: <nettime> Don't Bomb Iraq Petition

> >

> >

> >People of the World--

> >

> >If appearances hold true, there will soon be another military

> >attack under United Nations auspices on Iraqi territory.  The following

> >petition is a modest effort to encourage and focus opposition to the use

> >of violence against Iraq.  It is directed to the United States

> >government, and particularly to President William J. Clinton, because of

> >the leading role played by the United States in encouraging a military

> >attack.

> >If you support this effort, please add your name, home city, and

> >home nation to the list and forward it to others.  Should you happen to

> >be the 100th, 200th, ..., or millionth person to sign, please forward a

> >copy to peace@appleseed.spi.net.  The assembled names will be forwarded

> >electronically to President Clinton and other US government officials.

> >They will not be printed nor will they be used for any other purpose.

> >

> >Should you wish to communicate with President Clinton, try any

> >of the following:

> >

> >Address: The White House

> >         1600 Pennsylvania Ave

> >         Washington, DC 20500

> >Phone: 202-456-1414

> >Email: president@whitehouse.gov

> >

> >        US citizens may also wish to advise their Congressional

> >representatives of their positions.   Congressional representatives may

> >be reached via mail by writing:

> >

> >Representative <name>                   Senator <name>

> >US House of Representatives             US Senate

> >Washington DC   20515                   Washington DC 20510

> >

> >The phone number of the Capitol switchboard is 202-224-3121; from there,

> >you can reach the office of any Congressperson.  If you don't know who

> >your Congressional representatives are, try

> >

> >http://www.house.gov/writerep/ for Representatives and

> >http://www.senate.gov/senator/state.html for Senators.

> >

> >===================================================

> >

> >

> >>ONE MILLION NAMES FOR PEACE

> >>

> >>To President William J. Clinton and other officials of the government

> >>of

> >>the United States of America:

> >>

> >>We, the undersigned world citizens, strongly oppose any further

> >>military

> >>attacks against the nation of Iraq.   Past military campaigns have

> >>already wrought unconscionable destruction that has primarily

> >>affected

> >>ordinary

> >>citizens of Iraq and not personnel of the Iraqi government.  The

> >>rubric

> >>of the United Nations should not be employed to justify further such

> >>destruction.  Please desist in your efforts to execute another

> >>military

> >>strike.  We desire that you commit yourself to peaceful resolution of

> >>existing conflicts with the government of Iraq.

> >>

> >>1.  Jamie Pehling, Garden Grove, USA

> >>2.  Kelly Rittenhouse, Palo Alto, USA

> >>3.  Tom Warner, Seattle, USA

> >>4.  Charles Scheiner, White Plains, NY USA

> >>5.  Lynn Fredriksson, Washington DC, USA

> >>6.  Ben Terrall, San Francisco, CA, USA

> >>7.  Thomas Johnson, San Francisco, CA, USA

> >>8.  Clare Campbell, San Francisco, CA, USA

> >>9.  John Fitzgerald, San Francisco, CA, USA

> >>10. Hiram Kato, San Francisco, CA, USA

> >>11. George Fox, San Francisco, CA, USA

> >>12. David Politzer, Altadena, CA, USA

> >>13. Adam Politzer, Altadena, CA, USA

> >>14. Noah Politzer, Altadena, CA, USA

> >>15. Joan Terrall, Altadena, CA, USA

> >>16. Mary Terrall, Altadena, CA, USA

> >>17. Susan T. Simon, New York, NY, USA

> >>18. Lee Simon, New York, NY, USA

> >>20. Molly Simon, New York, NY, USA

> >>21. Greg Simon, New York, NY, USA

> >>22. Jim Terrall, Cornwall, CT, USA

> >>23. Lib Tobin, Cornwall, CT, USA

> >>24. Robert Terrall, Sharon, CT, USA

> >>25. Martha Porter, Sharon, CT, USA

> >>26. Pamela Sexton, Watsonville, CA, USA

> >>27. Curt Gabrielson, Watsonville, CA, USA

> >>28. Azwar Hamid, Yogyakarta, Indonesia

> >>29. Kristin Sundell, Cambridge, MA, USA

> >>30. Larissa Snorek, San Francisco, CA, USA

> >>31. Wendy Aniseh Khan, San Francisco, CA USA

> >>32. Jesus Hermosillo, San Francisco CA USA

> >>33. Art Fridrich, Chicago, IL USA

> >>34. Kenneth Weeks, Palatka, FL USA

> >>35. Juan Reardon, Martinez, CA

> >>36. John A. Reardon, Martinez, CA

> >>37. Rick Goldsmith, Berkeley, CA

> >>38. Pat Goudvis, Boston, MA

> >>39. Bill Turnley

> >>40. Karen Branan

> >>41. Terry Allen, Richmond, VT USA

> >>42. Paul Garrin, New York, NY, USA

> >>43. Arie Dirkzwager, NL.

> >44. Rinaldo Rasa, Venezia, Italia.

> >

> >

> >Terry Allen, editor

> >CAQ

> >1500 Massachusetts Ave. #732

> >Washington, DC 20005, USA

> >202-331-9763 voice

> >202-331-9751 fax

> >caq@igc.org e-mail

> >

> >

> >44 Old Brooklyn Rd.

> >Richmond, VT 05477

> >802-434-3767

> >tallen@igc.org personal e-mail

> >web site: http://www.caq.com

> >

 

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Date:         Sun, 22 Feb 1998 11:51:07 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Joey Mellott <peyotecoyote@IAH.COM>

Subject:      Re: Burroughs and the lettrists

To:           BEAT-L@CUNYVM.CUNY.EDU

 

-----Original Message-----

From: Mark Ricard <bonmark@WEBTV.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, February 22, 1998 12:52 AM

Subject: Re: Burroughs and the lettrists

 

 

>Are the letterists related to the deconstructionists?

 

>  Jaces Lacan's works are very similat to Burroughs on the abilty of

>lanugage to affect the thought patterns.

 

I don't think the two are related.  The lettrists (which eventually

dissolved into two camps, Isou's lettrists and Debord's Lettrist

International) began as a youth avant-garde movement dedicated to negation,

the destruction of language, and redesigning architecture.  The two camps

were radically different.  Isou's group was most concerned with mobilizing

the youth for revolution, on the basis that, at least in the late '40's to

early '50's, the "youth" were totally alienated in the capitalist market.

This makes Isou an early prophet of youth culture.  Debord's faction, which

formed officially in 1952 or 1953, was more interested in architecture as

the key to molding emotion.  They advocated a "no work, all leisure" policy,

and the destruction of a world based on only empty spectacle.  If they are

related to the deconstructionists, it's only by theory, not acquaintance.

 

Joey Mellott : poet, writer, and jaded intellectual

peyotecoyote@iah.com

"I want God, I want poetry, I want real danger, I want freedom,

 I want goodness.  I want sin." - Aldous Huxley

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 10:09:45 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Jeffrey Scott Holland wrote:

>> >

>> > ===  Just because Jesus said "Take, eat, this is my body" does not mean

>> > he intended ritual ceremonies with people lining up to eat

>> > transubstantiated wafers.

> 

> 

>and Diane Carter replied:

> 

>> What basis do you have for knowing what "he intended?"

> 

> 

>and JSH responds:

> 

>=== A sentence that states "Just because X does not mean X" doesn't mean

>I am claiming to know what Jesus intended. I am merely pointing out a

>lack of chain of evidence for the Catholic's claim that they DO know

>what he intended. I have no idea what he intended - and neither does

>anyone else.

 

Then your original comment ought to have been "does not NECESARILY mean

he intended ritual ceremonies..." rather than the specific "does not

mean..." you did use.

 

But more importantly you are shirking the meat of the response.

 

Diane points out how Jesus said "do this in memory of me".  Pretty clear in

this case this ceremony did seem to be something Jesus intended to have

people continue.

 

Now, I said I agreed with you n terms of a lot of this vis a vis

catholicism (talk about a messed up setence on my part).

 

But this particular claim isn't one of them for the above reason.  But I do

agree that the Catholic idea of transubstiation doesn't hold up at a

scriptural level the same way that eating bread and drinking wine when

gathering together does.

 

 

 

 

 

 

 

 

.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Berea, KY

>listening to The Who's "Now I'm A Farmer"

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: peent@cyber2.servtech.com

Date:         Sun, 22 Feb 1998 13:29:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: F@*K Iraq

To:           BEAT-L@CUNYVM.CUNY.EDU

 

There is no separation. Poetry, politics, life, death, violence, peace.

Allen's  life was one of involvement with what was happening out there in

the world and not just on the pages of his journals and books. When it

comes to speaking out, doing something about the atrocities that affect

real lives, how much of a bother is a single post on Beat-l?

 

And below a poem from Craig Czury concerning Iraq and Poets and how there

is no separation.

 

 

DIARY WITHOUT NAMES

 

while they won't show us the dead

or the weeping and mangled faces between the rubble

~

while they interview the heroic pilots

talking about having met their objective

with the ease of just having flown back from the video arcade

~

i want all you 5th graders to crouch down under your desks

for the next 15 minutes (15 days 15 centuries of saturation bombing)

~

i want you to think about all the 5th grade-aged iraqi poets

at this moment huddled under our bombs in bomb shelters

struggling to find the exact words

we have struggled all week in our poems

to express what is happening to us now them in their lives

under our bombs

~

(at a time when the world is speaking guns and missiles

we have the balls to speak poetry? only children)

~

i would like to dedicate today's poetry class

to the 39 year old iraqi poet who made love last night

to a young iraqi music student

between the zippers and torn buttons of their clothes

in a crowded bomb shelter (muffled implosion

with the last spoken tremor a sigh)

~

friends

there is one of you in every corner of this earth

 

 

--------------------------------------------------------Craig Czury

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 13:35:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      [Fwd: Dylan and the Beats]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I didn't see this on the list, so I am forwarding on Al's response with

the links to his site.

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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Message-ID: <34F05952.31E6@bigmagic.com>

Date: Sun, 22 Feb 1998 11:59:40 -0500

From: Al Aronowitz <blackj@bigmagic.com>

Reply-To: blackj@bigmagic.com

X-Mailer: Mozilla 3.01 (Win95; I)

MIME-Version: 1.0

To: "R. Bentz Kirby" <bocelts@scsn.net>

Subject: Re: Dylan and the Beats

References: <34EF03E7.6274305B@scsn.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

X-Info: Visit the Internet Cafe On-Line at http://www.bigmagic.com.

 

R. Bentz Kirby wrote:

> 

> Al Aronowitz, who used to be on the list, played a big hand in

> introducing Dylan to Ginsberg.  I think there is a story, or portion of

> the story on his web page.   If you have a real interest in Dylan there

> are good stories on Al's page about the Beatles and Dylan etc.  Check it

> out at:

> 

> http://www.bigmagic.com/pages/blackj/

> 

> I will copy Al with this post and ask, "Hey Al, even if you are not on

> the list anymore, you can still post.  Do you have any comments on the

> influence the Beats, Kerouac, Ginsberg, Burroughs, or others had on

> Dylan?  The topic is kinda going around.  Also, if you could tell list

> members exactly how to get to your stories about Dylan and Ginsberg, it

> might be appreciated.  Thanks."

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

 

BENTZ:  As I recall, BG sites are (1) intro:

http://www.bigmagic.com/pages/blackj/column1.html

BEAT PAPERS OF AL ARONOWITZ starts with

http://www.bigmagic.com/pages/blackj/column21.html

 

Beatles sites:

http://www.bigmagic.com/pages/blackj/column2.html--

http://www.bigmagic.com/pages/blackj/column16.html

http://www.bigmagic.com/pages/blackj/column17.html

http://www.bigmagic.com/pages/blackj/column18.html

http://www.bigmagic.com/pages/blackj/column19.html

 

Mick Jagger site

http://www.bigmagic.com/pages/blackj/column30.html

 

Grateful Dead related Sites

http://www.bigmagic.com/pages/blackj/column2.html

http://www.bigmagic.com/pages/blackj/column5.html

http://www.bigmagic.com/pages/blackj/column6.html

http://www.bigmagic.com/pages/blackj/column10.html

http://www.bigmagic.com/pages/blackj/column12.html

http://www.bigmagic.com/pages/blackj/column14.html

http://www.bigmagic.com/pages/blackj/column20.html

http://www.bigmagic.com/pages/blackj/column22.html

 

Jimi Hendrix site

http://www.bigmagic.com/pages/blackj/column13.html

 

***************************************

Al Aronowitz THE BLACKLISTED JOURNALIST

http://www.bigmagic.com/pages/blackj

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 13:56:05 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      T.S. Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Wishing doesn'nt make it so.  T.S. Eliot can't be considered Beat in any

sense, even as an influence.  The Beats were neo-romantics; Eliot

harkened back to 17th century neo-classical forms.  The Beats were

rebelling against the kind of "new critical" Eliot inspired verse that

dominated English departments in the 1940s and 1950s.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 13:00:48 -0600

Reply-To:     nothingman@earthlink.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nathaniel Varner <nothingman@EARTHLINK.NET>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Voice of Harold wrote:

> 

> In the first place, this is 1998. The planet is effectively under a

> rudimentary technocratic police state.  Petitions serve NO purpose other

> than to provide the Powers That Be with a handy list of the names of

> their opponents.

> 

> Secondly, there is no point taking sides pro or con in the Clinton vs.

> Hussein boxing match, because it is a fixed fight. The U.S.A. and Iraq

> are not enemies. The U.S.A. provided Iraq with its weaponry in the

> 1980s, just as we did with Iran and Libya. The U.S.A. didn't eliminate

> Saddam in the Gulf War because we didn't WANT to, he's serving a PURPOSE

> for U.S. interests by doing what he is doing.

> 

> The Government and the media continually belabor the point that the U.S.

> does not remove dictators from power, and that the FBI somehow keeps

> tabs on the CIA to make sure they don't overstep their boundaries. This

> is a lie of Orwellian proportions. It is a freely admitted matter of

> historical record that the U.S. Intelligence Community has had a hand in

> everything from co-opting Nazi Scientists after WW2, overthrowing

> dictators like Quirino, Arbenz, and Mossadegh, conducting secret

> operations in Vietnam, Indonesia, Tibet, Haiti, etc. Meanwhile, certain

> dictators like Hussein, Khadafy and Castro remain curiously untouchable.

> Why? Because they are serving some purpose for certain American business

> interests and Government. Qui Bono?

> 

> The point is, the zeit has been sewn up and the Eschaton is about to be

> immanentized. Tanks will roll and bombs will fall wherever "they" want

> them to, and no piddly little petition is going to change that. Asking

> them for Peace will get you the same response as Oliver Twist's request

> for gruel.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=

> J.S.Holland - Berea, KY

> stocking up on MRE packs

> =-=-=-=-=-=-=-=-=-=-=-=-=

a petition might not mean shit, but remember, silence is acceptance.

fight the true war.

peace.

 

nothingman

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 14:16:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: T.S. Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill:

 

My point, or question is, what was Eliot doing with all his form?  It is

gamesmanship.  But is it not some form of avoidance or something?  As JK

said in THE ORIGINS OF JOY IN POETRY "In spite of the dry rules he set down

his poetry is itself sublime."  And I agree.  So, what is it that shines

through from Eliot's poetry?

 

I believe that despite Eliot's "negative rules like objective correlative,

etc." the poetic spirit shown through and that maybe we should examine Eliot

from that point and not the school that he created, or at least helped

create, and see what the muse is saying through him.

 

I guess my problem is that I don't know enough about his rules and

references to see anything but the poetry.

 

I agree that the Beats, primarily Ginsberg, tore down the house Eliot

built.  And thank God.  I just continue to struggle to understand why Eliot

and Ginsberg speak to me so strongly from two different perches.  Perches

that are at war with each other.  There is much more to Eliot than meets the

eye.  I think it bears some analysis and while I certainly agree with both

you and Diane that Eliot is not "beat", my point was that perhaps this

aspect was "surpressed" and shines through his structure, or in spite of the

structure.  And is what shines through any different that what is spoken by

Ginsberg and others who are considered Beat.  I am not so sure that there is

difference in the substance.

 

Just food for thought.

 

Bill Gargan wrote:

 

> Wishing doesn'nt make it so.  T.S. Eliot can't be considered Beat in any

> sense, even as an influence.  The Beats were neo-romantics; Eliot

> harkened back to 17th century neo-classical forms.  The Beats were

> rebelling against the kind of "new critical" Eliot inspired verse that

> dominated English departments in the 1940s and 1950s.

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 19:36:58 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> I have no idea what Dylan's same sex experience was, but that seems to me to

 be

> a preposterous way to read "Just like a woman"  which always seemed to me a

> brilliant song about the way women, even pretty hip, seemingly tough ones,

 have

> a tender and breakable little girl inside.  the contrast is between woman and

> girl

 

You talk, just like a woman

But you break, like a little girl

 

JS

 

>  i friend told me that his song, "just like a woman"  is actually

> about a sexual incounter dylan had with a man.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

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Date:         Sun, 22 Feb 1998 11:53:16 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Fw: How do I add my signature to the petition?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">

<HTML>

<HEAD>

 

<META content=text/html;charset=iso-8859-1 http-equiv=Content-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">

<META content='"MSHTML 4.71.1712.3"' name=GENERATOR>

</HEAD>

<BODY bgColor=#ffffff>

<DIV>&nbsp;</DIV>

<DIV><FONT face=Arial size=2><B>-----Original Message-----</B><BR><B>From:

</B>Leon Tabory &lt;<A

href="mailto:letabor@cruzio.com">letabor@cruzio.com</A>&gt;<BR><B>To: </B><A

href="mailto:aried@XS4ALL.NL">aried@XS4ALL.NL</A> &lt;<A

href="mailto:aried@XS4ALL.NL">aried@XS4ALL.NL</A>&gt;<BR><B>Date: </B>Sunday,

February 22, 1998 11:23 AM<BR><B>Subject: </B>How do I add my signature to the

petition?<BR><BR></DIV></FONT>

<DIV><FONT color=#000000 size=2>So how do I add my name to the

petition?</FONT></DIV>

<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>

<DIV><FONT color=#000000 size=2>Leon Tabory</FONT></DIV>

<DIV><FONT color=#000000 size=2>Dachau alumnus</FONT></DIV></BODY></HTML></x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Authentication-Warning: elk.uvm.edu: wgay owned process doing -bs

X-Sender: wgay@elk.uvm.edu

Date:         Sun, 22 Feb 1998 15:00:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "William N. Gay" <wgay@ZOO.UVM.EDU>

Subject:      Re: F@*K Iraq

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Certainly if Ginsberg were alive, he would've signed this petition at the

very least. Hopefully connections to various individuals and lists will

yield a million names!

 

On Sat, 21 Feb 1998, Sara Feustle wrote:

 

> Not like I'm one to talk, but what the fuck does this SPAM have to do with

> Beat-anything?! I mean, for real! --Sara

> 

> 

> At 05:38 PM 2/22/98 +0100, you wrote:

> >Date:         Sun, 22 Feb 1998 12:59:39 +0100

> >Sender:       Discussions on Philosophical Bases of Managing the Information

> >              Society <PHILS-VU@NIC.SURFNET.NL>

> >From:         Arie Dirkzwager <aried@XS4ALL.NL>

> >Subject:      Re: <nettime> Don't Bomb Iraq Petition

> >

> >        I advise everyone to sign this petition. The first Gulf war polluted

> >large areas with radioactive uranium waste, many soldiers who fought there

> >are suffering weird illnesses presumably caused by the weapons they used,

> >Iraq is not the only state with mass-destructive chemical and biological

> >weapons - others even have operational nuclear ones. I'm most certainly not

> >in favour of Saddam and his politics, but there are more efficient ways of

> >getting rid of him.

> >

> >Arie

> >

> >At 09:54 PM 2/22/98 +1100, you wrote:

> >

> >From: terry allen <tallen@igc.org>

> >Subject: <nettime> Don't Bomb Iraq Petition

> >

> >

> >People of the World--

> >

> >If appearances hold true, there will soon be another military

> >attack under United Nations auspices on Iraqi territory.  The following

> >petition is a modest effort to encourage and focus opposition to the use

> >of violence against Iraq.  It is directed to the United States

> >government, and particularly to President William J. Clinton, because of

> >the leading role played by the United States in encouraging a military

> >attack.

> >If you support this effort, please add your name, home city, and

> >home nation to the list and forward it to others.  Should you happen to

> >be the 100th, 200th, ..., or millionth person to sign, please forward a

> >copy to peace@appleseed.spi.net.  The assembled names will be forwarded

> >electronically to President Clinton and other US government officials.

> >They will not be printed nor will they be used for any other purpose.

> >

> >Should you wish to communicate with President Clinton, try any

> >of the following:

> >

> >Address: The White House

> >         1600 Pennsylvania Ave

> >         Washington, DC 20500

> >Phone: 202-456-1414

> >Email: president@whitehouse.gov

> >

> >        US citizens may also wish to advise their Congressional

> >representatives of their positions.   Congressional representatives may

> >be reached via mail by writing:

> >

> >Representative <name>                   Senator <name>

> >US House of Representatives             US Senate

> >Washington DC   20515                   Washington DC 20510

> >

> >The phone number of the Capitol switchboard is 202-224-3121; from there,

> >you can reach the office of any Congressperson.  If you don't know who

> >your Congressional representatives are, try

> >

> >http://www.house.gov/writerep/ for Representatives and

> >http://www.senate.gov/senator/state.html for Senators.

> >

> >===================================================

> >

> >

> >>ONE MILLION NAMES FOR PEACE

> >>

> >>To President William J. Clinton and other officials of the government

> >>of

> >>the United States of America:

> >>

> >>We, the undersigned world citizens, strongly oppose any further

> >>military

> >>attacks against the nation of Iraq.   Past military campaigns have

> >>already wrought unconscionable destruction that has primarily

> >>affected

> >>ordinary

> >>citizens of Iraq and not personnel of the Iraqi government.  The

> >>rubric

> >>of the United Nations should not be employed to justify further such

> >>destruction.  Please desist in your efforts to execute another

> >>military

> >>strike.  We desire that you commit yourself to peaceful resolution of

> >>existing conflicts with the government of Iraq.

> >>

> >>1.  Jamie Pehling, Garden Grove, USA

> >>2.  Kelly Rittenhouse, Palo Alto, USA

> >>3.  Tom Warner, Seattle, USA

> >>4.  Charles Scheiner, White Plains, NY USA

> >>5.  Lynn Fredriksson, Washington DC, USA

> >>6.  Ben Terrall, San Francisco, CA, USA

> >>7.  Thomas Johnson, San Francisco, CA, USA

> >>8.  Clare Campbell, San Francisco, CA, USA

> >>9.  John Fitzgerald, San Francisco, CA, USA

> >>10. Hiram Kato, San Francisco, CA, USA

> >>11. George Fox, San Francisco, CA, USA

> >>12. David Politzer, Altadena, CA, USA

> >>13. Adam Politzer, Altadena, CA, USA

> >>14. Noah Politzer, Altadena, CA, USA

> >>15. Joan Terrall, Altadena, CA, USA

> >>16. Mary Terrall, Altadena, CA, USA

> >>17. Susan T. Simon, New York, NY, USA

> >>18. Lee Simon, New York, NY, USA

> >>20. Molly Simon, New York, NY, USA

> >>21. Greg Simon, New York, NY, USA

> >>22. Jim Terrall, Cornwall, CT, USA

> >>23. Lib Tobin, Cornwall, CT, USA

> >>24. Robert Terrall, Sharon, CT, USA

> >>25. Martha Porter, Sharon, CT, USA

> >>26. Pamela Sexton, Watsonville, CA, USA

> >>27. Curt Gabrielson, Watsonville, CA, USA

> >>28. Azwar Hamid, Yogyakarta, Indonesia

> >>29. Kristin Sundell, Cambridge, MA, USA

> >>30. Larissa Snorek, San Francisco, CA, USA

> >>31. Wendy Aniseh Khan, San Francisco, CA USA

> >>32. Jesus Hermosillo, San Francisco CA USA

> >>33. Art Fridrich, Chicago, IL USA

> >>34. Kenneth Weeks, Palatka, FL USA

> >>35. Juan Reardon, Martinez, CA

> >>36. John A. Reardon, Martinez, CA

> >>37. Rick Goldsmith, Berkeley, CA

> >>38. Pat Goudvis, Boston, MA

> >>39. Bill Turnley

> >>40. Karen Branan

> >>41. Terry Allen, Richmond, VT USA

> >>42. Paul Garrin, New York, NY, USA

> >>43. Arie Dirkzwager, NL.

> >44. Rinaldo Rasa, Venezia, Italia.

> >

> >

> >Terry Allen, editor

> >CAQ

> >1500 Massachusetts Ave. #732

> >Washington, DC 20005, USA

> >202-331-9763 voice

> >202-331-9751 fax

> >caq@igc.org e-mail

> >

> >

> >44 Old Brooklyn Rd.

> >Richmond, VT 05477

> >802-434-3767

> >tallen@igc.org personal e-mail

> >web site: http://www.caq.com

> >

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 12:34:39 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: F@*K Iraq

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Certainly if Ginsberg were alive, he would've signed this petition at the

>very least. Hopefully connections to various individuals and lists will

>yield a million names!

 

Ginsberg did not have a good track record in not being fooled into

supporting despots.  Nothing personal against Ginsberg, he even admitted it

later.

 

The poem about the 39 year old Iraqi poet and and the affair with the music

student (a complete fabrication fantasy I assume) left out the part where

they would be punished for adultery etc...

 

I cannot take a poem like that seriously any more than I would take a poem

of opposite political timbre seriously.

 

A lot of these pro-peace types of poems or petitions remind me of the

Tibetans or Indians of America who thought some sort of magic charms could

protect them as they were mowed down with bullets.

 

 

If we all sign this petition we will be protected...

 

[And please note I am making no statement on the potential bombing of Iraq

one way or the other in terms of being for it or against it in this post]

 

 

>On Sat, 21 Feb 1998, Sara Feustle wrote:

> 

>> Not like I'm one to talk, but what the fuck does this SPAM have to do with

>> Beat-anything?! I mean, for real! --Sara

>> 

 

I would say I am closer to Sara's point of view in this than the other.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 16:59:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: pome: delete at will: my father's billfold

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I very much like your poem. Very sad... again... it seems like the only poems

you post are sad! Let's see some happy stuff. :) And happy birthday!

 

--Stephanie

 

Three Laments

      Diane di Prima

 

1.

Alas

I believe

I might have become

a great writer

but

the chairs

in the library

were too hard

 

2.

I have

the upper hand

but if I keep it

I'll lose the circulation

in one arm

 

3.

So here I am the coolest in New York

what dont swing I don't push.

 

In some Elysian field

by a big tree

I chew my pride

like cud.

 

(That was just a random poem for y'all. --S.)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 14:25:04 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: religion, again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> J. Perchuk wrote:

> Besides--if it's SO uncool to be Catholic (I can't believe that I, as

> an

> atheist, have to play devil's advocate here---the irony is

> DELICIOUS)--then

> explain to me Keroauc's complex involvement with it. I mean--that's >

> what all these posts are about--right?

 

Consider this section from Desolation Angels where he considers what it

means to wear the cross.

 

"I just sit with a quart of beer and dont look at anyone--the only thing

that attracts my attention from out of my thoughts is that beautiful

silver crucifix Raphael's been wearing around his neck, and I mention

it--

  'Then it's yours!' and he takes it off and hands it to me--'Really,

truly, take it!'...

 

It has a little silver chain, I pass it over my head and under my collar

and wear the cross--I feel strangely glad--Meantime Raphael has been

reading the Diamondcutter of the Wise Vow (Diamond Sutra) that I

paraphrased on Desolation, has it on his lap. 'Do you understand it

Raphael?' There you'll find everything there is to know'...

 

Finally I read sections of it to the party to take their minds off the

girl jealousies--

 'Subhuti, living ones who know, in teaching meaning to others, should

first be free themselves from all the frustrating desires aroused by

beautiful sights, pleasant sounds, sweet tastes, fragrance, soft

tangibles, and tempting thoughts.  In their practice of generosity, they

should not be blindly influenced by any of these intriguing shows.  And

why? Because, if in their practice of generosity they are not blindly

influenced by such things they will pass through a bliss and merit what

is beyond calculation and beyond imagining...'

 

I wake up in the morning with my cross around my neck, I realize what

thicks and thins I'll have to wear this through, and ask myself 'What

would Catholics and Christians say about me wearing the cross to ball and

to drink like this?--but what would Jesus say if I went up to him and

said 'May I wear Your cross in this world as it is?'

  No matter what happens, may I wear your cross?--are there many kinds of

purgatories not?

  '...not blindly influenced...'"

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 16:35:45 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Voice of Harold wrote:

> 

> In the first place, this is 1998. The planet is effectively under a

> rudimentary technocratic police state.  Petitions serve NO purpose other

> than to provide the Powers That Be with a handy list of the names of

> their opponents.

> 

 

No , petitions help people understand where they stand and are often the

first step in doing the right thing.  They are effective tools for the

individual to use as a beginning focus.  to act is to start to learn.

or no i disagree, i would prefer to sign and identify myself so some one

else is not standing alone.

patricia

> Secondly, there is no point taking sides pro or con in the Clinton vs.

> Hussein boxing match, because it is a fixed fight. The U.S.A. and Iraq

> are not enemies. The U.S.A. provided Iraq with its weaponry in the

> 1980s, just as we did with Iran and Libya. The U.S.A. didn't eliminate

> Saddam in the Gulf War because we didn't WANT to, he's serving a PURPOSE

> for U.S. interests by doing what he is doing.

> 

> The Government and the media continually belabor the point that the U.S.

> does not remove dictators from power, and that the FBI somehow keeps

> tabs on the CIA to make sure they don't overstep their boundaries. This

> is a lie of Orwellian proportions. It is a freely admitted matter of

> historical record that the U.S. Intelligence Community has had a hand in

> everything from co-opting Nazi Scientists after WW2, overthrowing

> dictators like Quirino, Arbenz, and Mossadegh, conducting secret

> operations in Vietnam, Indonesia, Tibet, Haiti, etc. Meanwhile, certain

> dictators like Hussein, Khadafy and Castro remain curiously untouchable.

> Why? Because they are serving some purpose for certain American business

> interests and Government. Qui Bono?

> 

> The point is, the zeit has been sewn up and the Eschaton is about to be

> immanentized. Tanks will roll and bombs will fall wherever "they" want

> them to, and no piddly little petition is going to change that. Asking

> them for Peace will get you the same response as Oliver Twist's request

> for gruel.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=

> J.S.Holland - Berea, KY

> stocking up on MRE packs

> =-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 23:37:30 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dortmunder <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: religion, again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Perchuk wrote:

 

> Or is it that some folks

> think 'Beatness' is too hip and counter-culture to take something as

> conventional as Catholicism that seriously?

 

=== I thought this went without saying.

 

 

 

> (remember my comment to Bill about anti-Catholicism being a

> 'politically correct' type of bigotry?) Well, I'm not saying folks

> here are bigots.

 

=== Good. Because being against an organization is not analogous to

bigotry. Even if it's a religious organization like the Vatican.

 

 

=-=-=-=-=-=-=-=-=

J.S.Holland - KY

drinking amaretto

=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 23:48:30 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Amstel <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Perchuk wrote:

 

> I say, discuss it if it has any relevance to the Beat thing. If it

> does...well, then, okay. But if it doesn't--then why are we

> bothering with it at all?

 

=== Because "the Beat thing" encompasses all of life. Tomorrow we may

discuss civil rights, bricklaying, and Mexican coins.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - - Berea, KY

listening to The Jam's "Pretty Green"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 19:07:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: T.S. Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think both of us agree that Eliot is one of the greatest poets in the

English language.  Ginsberg and Eliot may have very different aesthetic

approaches but they both write poetry that strikes us as being true and

beautiful.   Most people who can recognize good poetry, it seems to me,

can appreciate both styles, even if they like one better than the other.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Sun, 22 Feb 1998 19:20:57 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

J.S.Holland - Berea, KY wrote:

 

>In the first place, this is 1998. The planet is effectively under a

>rudimentary technocratic police state.  Petitions serve NO purpose other

>than to provide the Powers That Be with a handy list of the names of

>their opponents.

> 

>Secondly, there is no point taking sides pro or con in the Clinton vs.

>Hussein boxing match, because it is a fixed fight.

 

People who were organizing and demonstrating in Columbus, Ohio during the

Vietnam War--and I hope no one thinks that anti-war activities didn't play

a big hand in bringing that conflict to an end--were also involved in the

demonstations the other day. The public's response to the pitch Clinton's

team was making to the world was broadcast LIVE. Clinton figured he had the

public behind him for another quick, sugical strike at Iraq and screw any

civilians that got in the way.

 

The response from Middle America-- from DEMONSTRATORS--forced Clinton to

pull back and lighten up.

 

I  can understand your cynicism; however, there have been major

demonstrations in cities right across the country. Damn poor press coverage

(Yawn), but the Internet is really humming and Clinton--even though he

badly misjudged Columbus--watches the polls.

 

When someone complains about a petition opposing  senseless aggression not

having a place on the Beat List I can only say, "Read a little less Jack

Keroauc and a little more Angela Davis."

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 20:21:02 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      religion, again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In 'Satori in Paris', Kerouac said "I love God", I believe. His

relationship with catholcism and Buddhism has always been interesting to

me.

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sun, 22 Feb 1998 20:34:04 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: T.S. Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:07 PM 2/22/98 EST, you wrote:

>I think both of us agree that Eliot is one of the greatest poets in the

>English language.  Ginsberg and Eliot may have very different aesthetic

>approaches but they both write poetry that strikes us as being true and

>beautiful.   Most people who can recognize good poetry, it seems to me,

>can appreciate both styles, even if they like one better than the other.

> 

> 

 

Bill - I see NO connection whatsoever between what Eliot was doing as a poet

and what was happening with the Beats--can you see Ginsberg taking Eliot's

"objective correlative" to heart? I mean, that's the same constipated, tired,

old, anachronistic theorizing that was choking the life out of English

poetry--the very thing that Williams and Ginsberg were trying to avoid. In

Ginsberg's case, he certainly couldn't ignore the place that Eliot held in

the modern poetic tradition--but that's a far cry indeed from feeling some

kind of meaningful kinship with him--if anything, he had more in common with

Pound--something he acknowledged many times. Maybe Ginsberg appreciated

Eliot's descriptions of the barrenness and sterility of modern life--but I

don't know what he could've seen beyond that. The "objective correlative"

strikes me as a bit too formulaic and calculating for someone like Ginsberg

and the other Beats--although, in Eliot's time, it may have been appreciated

for its emphasis on desciptive concreteness  in poetry. Still and all,

Ginsberg would have felt (I think) that the objective correlative was

basically insincere because it presupposed that certain objects and

situations are "formulas" for emotion--which they are not. Ginsberg's

expansiveness, his Whitmanic disregard for the "formulaic" approach, and his

emotional bluntness were COMPLETELY out of step with what Eliot was doing.

So how then could you really say Eliot was "Beat" ?

 

The truth is, you can't. I think people had better go back and take a good,

LONG look at what Eliot was doing as a poet. Even if some of the Beats

looked up to and acknowledged Eliot's contribution to modern poetry--that

doesn't mean that he was 'Beat' -- this is just a case of mistaken identity

that could easily be cleared up by spending a few hours with any good poetry

anthology.

 

 

                                               Jeff Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 20:43:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeff said to Bill:

 

> So how then could you really say Eliot was "Beat" ?

> 

> The truth is, you can't.

> 

Jeff, Bill said, in response to me, that Eliot is not beat.  I then

replied and the reply by Bill is to my comments.  In this post, he was

merely stating the points on which he and I agreed.  So, not that it

really matters, but to keep the record straight, your comments really

should be directed to me.

 

And no one in this dialogue has denied what you say.  I was arguing that

maybe there was something "beat" hidden inside his work.  He was a force

for Ginsberg to struggle against and in this fashion helped create the

atmosphere that gave birth to what we call the beats.

 

So where does that leave me, not in disagreement with you, Bill or Diane

really, just wondering if there is not another way to look at Eliot than

what we have been taught.  Eliot labored in some ways to create this

form.  I believe it was Charles Plymell that pointed out that Eliot had

to have his poetry edited by Pound.  Since I am "self educated" in the

poetry arena, I was not aware of this and find it somewhat curious as

well.  But, there was something in Eliot's poetry that reaches out

beyond the things he did to hem it in and define it.  I am not really

sure it is any different ultimately than the Beats.

 

As stated before, I am attempting to develope an better understanding of

why Ginsberg and Eliot are my favorite poets as they seem, on the

surface to be so different.

 

Take care,

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 1998 21:13:01 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@WEBTV.NET>

Subject:      Re: (FWD)Don't Bomb Iraq Petition

To:           BEAT-L@CUNYVM.CUNY.EDU

 

count me in

 

45. Mark RIcard Monroeville,PA

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sun, 22 Feb 1998 21:49:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:43 PM 2/22/98 -0500, you wrote:

>Jeff said to Bill:

> 

>> So how then could you really say Eliot was "Beat" ?

>> 

>> The truth is, you can't.

>> 

>Jeff, Bill said, in response to me, that Eliot is not beat.  I then

>replied and the reply by Bill is to my comments.  In this post, he was

>merely stating the points on which he and I agreed.  So, not that it

>really matters, but to keep the record straight, your comments really

>should be directed to me.

> 

>And no one in this dialogue has denied what you say.  I was arguing that

>maybe there was something "beat" hidden inside his work.  He was a force

>for Ginsberg to struggle against and in this fashion helped create the

>atmosphere that gave birth to what we call the beats.

> 

>So where does that leave me, not in disagreement with you, Bill or Diane

>really, just wondering if there is not another way to look at Eliot than

>what we have been taught.  Eliot labored in some ways to create this

>form.  I believe it was Charles Plymell that pointed out that Eliot had

>to have his poetry edited by Pound.  Since I am "self educated" in the

>poetry arena, I was not aware of this and find it somewhat curious as

>well.  But, there was something in Eliot's poetry that reaches out

>beyond the things he did to hem it in and define it.  I am not really

>sure it is any different ultimately than the Beats.

> 

>As stated before, I am attempting to develope an better understanding of

>why Ginsberg and Eliot are my favorite poets as they seem, on the

>surface to be so different.

> 

>Take care,

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

> 

> 

 

My apologies for the confusion, Bentz--regardless of where the comments

should have been directed--the point remains the same. Of course, I'm glad

to see that we agree--but I still don't think that Eliot had much in common

with the Beats as such, and also--your point that Eliot was somewhat to be

credited with helping the movement along because he was the obstacle that

the Beats had to overcome--well, I think that's a stretch. Using that logic,

you could say that ANYONE who opposed the Beats was instrumental in helping

them to develop--and that could include people like Norman Podhoretz, Herb

Caen and Herbert Gold as well. Would you call those guys "Beat" or "square"?

(by the standards of the day, that is). Still, you raise an interesting

point--how deeply rooted Ginsberg & co. were in the traditions they tried to

subvert and replace. Now THAT is a point worth considering and exploring.

 

Thanks for the input.

 

                                              Jeff Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sun, 22 Feb 1998 21:53:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:20 PM 2/22/98 -0600, you wrote:

>J.S.Holland - Berea, KY wrote:

> 

>>In the first place, this is 1998. The planet is effectively under a

>>rudimentary technocratic police state.  Petitions serve NO purpose other

>>than to provide the Powers That Be with a handy list of the names of

>>their opponents.

>> 

>>Secondly, there is no point taking sides pro or con in the Clinton vs.

>>Hussein boxing match, because it is a fixed fight.

> 

>People who were organizing and demonstrating in Columbus, Ohio during the

>Vietnam War--and I hope no one thinks that anti-war activities didn't play

>a big hand in bringing that conflict to an end--were also involved in the

>demonstations the other day. The public's response to the pitch Clinton's

>team was making to the world was broadcast LIVE. Clinton figured he had the

>public behind him for another quick, sugical strike at Iraq and screw any

>civilians that got in the way.

> 

>The response from Middle America-- from DEMONSTRATORS--forced Clinton to

>pull back and lighten up.

> 

>I  can understand your cynicism; however, there have been major

>demonstrations in cities right across the country. Damn poor press coverage

>(Yawn), but the Internet is really humming and Clinton--even though he

>badly misjudged Columbus--watches the polls.

> 

>When someone complains about a petition opposing  senseless aggression not

>having a place on the Beat List I can only say, "Read a little less Jack

>Keroauc and a little more Angela Davis."

> 

>j grant

> 

>                    HELP RECOVER THE MEMORY BABE ARCHIVES

>                             Details  on-line at

>                                 http://www.bookzen.com

>                      625,506 Visitors  07-01-96 to 11-28-97

> 

> 

> 

Look--I'm not big on the military move against Saddam, either. But is this

the place to take it up? If you think the discussion on JK and Catholicism

generated some bad feeling--well, this could be even more contentious. I

say, discuss it if it has any relevance to the Beat thing. If it

does...well, then, okay. But if it doesn't--then why are we bothering with

it at all?

 

Just a thought.

 

 

                                                  Jeff Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sun, 22 Feb 1998 22:02:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: religion, again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 08:21 PM 2/22/98 -0500, you wrote:

>In 'Satori in Paris', Kerouac said "I love God", I believe. His

>relationship with catholcism and Buddhism has always been interesting to

>me.

> 

>********Had we a place to stand upon, we might raise the

>world.--Archimedes*********

> 

> 

 

Yes--it is interesting, I think. In fact, what's REALLY interesting is that

you can be a good Buddhist and be a Jew or even an atheist. Why not a

Catholic? People (some of them, anyway) seem a little irked because Keroauc

WAS so devoutly Catholic, especially at the end. Or is it that some folks

think 'Beatness' is too hip and counter-culture to take something as

conventional as Catholicism that seriously? (remember my comment to Bill

about anti-Catholicism being a 'politically correct' type of bigotry?) Well,

I'm not saying folks here are bigots. They're not, of course. What I'm

saying is...the Catholic element in Keroauc's life--and his writing--is one

more interesting angle to be explored. For those people who had unfortunate

parochial school experiences (yeah, I had them too although I'm a Jew and it

happened in the synagogue)--well, is it Keroauc's Catholicism you're talking

about--or is it your own?

 

More food for thought, eh?

 

 

                                                  J. Perchuk

 

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Date:         Sun, 22 Feb 1998 23:18:15 -0500

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From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: religion, again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:37 PM 2/22/98 +0100, you wrote:

>Jeffrey Perchuk wrote:

> 

>> Or is it that some folks

>> think 'Beatness' is too hip and counter-culture to take something as

>> conventional as Catholicism that seriously?

> 

>=== I thought this went without saying.

> 

> 

> 

>> (remember my comment to Bill about anti-Catholicism being a

>> 'politically correct' type of bigotry?) Well, I'm not saying folks

>> here are bigots.

> 

>=== Good. Because being against an organization is not analogous to

>bigotry. Even if it's a religious organization like the Vatican.

> 

> 

>=-=-=-=-=-=-=-=-=

>J.S.Holland - KY

>drinking amaretto

>=-=-=-=-=-=-=-=-=

> 

> 

 

It's good that you said that--but remember also that I am an atheist, so I

have no great allegiance to Catholic dogma--but I DO have a great respect

for fairness. It's just that I'm reminded of a co-worker who remarked to

me--with a straight face--that Mother Theresa was a "dangerous woman." Why,

I asked her? She replied that "She's against abortion--and people LISTEN to

what she says." Well, golly gee--I guess she's just going to have to trust

people to make up their own minds--what could be more condescending and

patronizing than that? To assume that people are SO weak-minded that they'll

follow blindly the words of a prominent spiritual leader? The comment was so

loony on the face of it, that I didn't press the issue. But it WAS a rather

peculiar thing to about a woman who has spent the better part of her life

doing things that would be unthinkable for the rest of us. I mean, when I

think of people who are dangerous--I think of O.J. Simpson, Ted Kaczynski,

Jeffrey Dahmer or Bill Clinton (only if you're a White House intern, I

guess)--but Mother Theresa? PUH-LEEZE. It's THAT kind of silly, dogmatic, PC

type thinking that masquerades as "progressivism"--and which would GLADLY

deny Catholics their First Amendment freedoms on the grounds that their

brand of religion spreads "hatred" (I live in NYC--we have a VERY militant

gay community that blames the Catholic Church for everything from AIDS to

the hole in the ozone layer). I mean, the Church is retrograde and static,

yes, I admit--but there are more dangerous folks floating around the good

ole USA. And I know very well that to criticize the Church is not to show

"hatred" for it. But check out some of the comments of the folks on this

list--and the underlying emotionalism. There's definitely something else

going on here besides a theological dispute.

 

Besides--if it's SO uncool to be Catholic (I can't believe that I, as an

atheist, have to play devil's advocate here---the irony is DELICIOUS)--then

explain to me Keroauc's complex involvement with it. I mean--that's what all

these posts are about--right?

 

                                            J. Perchuk

 

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Date:         Sun, 22 Feb 1998 20:21:49 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: (FWD)Don't Bomb Iraq Petition

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Add Michael R. Brown, Burlingame, California

 

 

Add Karena Aslanian, San Jose, California

 

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Date:         Sun, 22 Feb 1998 23:23:40 -0500

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From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:48 PM 2/22/98 +0100, you wrote:

>Jeffrey Perchuk wrote:

> 

>> I say, discuss it if it has any relevance to the Beat thing. If it

>> does...well, then, okay. But if it doesn't--then why are we

>> bothering with it at all?

> 

>=== Because "the Beat thing" encompasses all of life. Tomorrow we may

>discuss civil rights, bricklaying, and Mexican coins.

> 

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - - Berea, KY

>listening to The Jam's "Pretty Green"

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

> 

As cynical as it may sound--I've done my part for civil rights, I have no

interest in Mexican coins, and no talent for bricklaying. I took my lumps

from cops with tape over their badges a long time ago during any number of

pro-peace and pro-civil rights demonstration back in the sixties. My biggest

political concern now is censorship--which, by the way, is a big part of

this thing with Saddam and Iraq. Now that I'm in my mid-40's, I'll let

somebody stand on the barricades and get their head kicked in. I wish them

well, I'll even give 'em some $ towards their bail if need be--but I'm a

little more focused now. Good luck to you.

 

 

 

                                       Jeff Perchuk

 

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Date:         Sun, 22 Feb 1998 23:26:11 EST

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From:         "POMES, PENNY EACH." <breithau@KENYON.EDU>

Subject:      Death of a hipster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

From:   MX%"knoxcat@baileygrp.com" 22-FEB-1998 23:21:45.63

To:     MX%"breithau@kenyon.edu"

CC:

Subj:   hip

 

Obit from the NYTimes

 February 22, 1998

 

 

      Anton Rosenberg, 71, a Hipster Ideal

 

      By ROBERT McG. THOMAS Jr.

 

         EW YORK -- Anton Rosenberg, a storied sometime artist and occasional

 musician who

embodied the

         Greenwich Village hipster ideal of 1950s cool to such a laid-back

 degree and with

such determined detachment

      that he never amounted to much of anything, died Feb. 14 at a hospital

 near his home

in Woodstock, N.Y. He was

      71 and best known as the model for the character Julian Alexander in Jack

 Kerouac's

novel "The Subterraneans."

 

      The cause was cancer, his family said.

 

      He was a painter of acknowledged talent, and he played the piano with such

 finesse

that he jammed with Charlie

      Parker, Zoot Sims and other jazz luminaries of the day.

 

      But if Rosenberg never made a name for himself in either art or music --

 or pushed

himself to try -- there was a

      reason: once he had been viewed in his hipster glory, leaning languidly

 against a

car parked in front of Fugazzi's bar

      on the Avenue of the Americas, there was simply nothing more he could do

 to enhance

his reputation.

 

      For as Kerouac recognized, Rosenberg in his 20s, a thin, unshaven, quiet

 and strange

young man of such dark good

      looks that he was frequently likened to the French actor Gerard Philipe,

 was the

epitome of hip, an extreme esthetic

      that shunned enthusiasm, scorned ambition and ridiculed achievement.

 

      It was Kerouac's friend Allen Ginsberg who discovered Fugazzi's and its

 coterie of

hipsters of such bedrock cool

      that he dubbed them the subterraneans, a term Kerouac adopted as the title

 of his

book published in 1958.

 

      Like other Kerouac works, the book, which was written in 1953, is the most

 thinly

disguised of fictions, one whose

      most striking deception was shifting its locale from New York to San

 Francisco to

protect the publisher from any

      libel action by the very real Greenwich Village regulars who populated its

 pages

under fictitious names. To

      Kerouac, they were cynosures of cool.

 

      "They are hip without being slick," he wrote. "They are intelligent

 without being

corny, they are intellectual as hell

      and know all about Pound without being pretentious or talking too much

 about it,

they are very quiet, they are very

      Christlike."

 

      As for Rosenberg, or Julian Alexander, as he was called, he was "the angel

 of the

subterraneans," a loving man of

      compelling gentleness, or as Kerouac put it: "Julian Alexander certainly

 is

Christlike."

 

      By the time he made the Greenwich Village scene, Rosenberg, a native of

 Brooklyn

whose father was a wealthy

      industrialist, had served a year in the Army, studied briefly at the

 University of

North Carolina and spent a year in

      Paris, ostensibly studying art on the GI Bill but in reality soaking up

 the Left

Bank bohemian atmosphere and

      haunting the Cafe Flore and the Cafe Deux Magots with James Baldwin, Terry

 Southern

and other incipient icons of

      American cool.

 

      Back in New York by 1950, Rosenberg opened a print shop on Christopher

 Street and

plunged into the hip world

      centered on the San Remo at Bleecker and Macdougal Streets.

 

      He lived for a while in the East 11th Street tenement Ginsberg called

 Paradise

Valley and had such an instinct for

      future chic that he was one of the first artists to move to an industrial

 loft in a

bleak neighborhood below Canal

      Street years before it became the fashionable Tribeca.

 

      In a different life, Rosenberg might have used the loft to turn out

 masterpieces.

But as an ultimate hipster he had

      other priorities, which became apparent one famous Halloween night when

 the crew,

alerted to a shipment from

      Exotic Plant Co. of Laredo, Texas, peeled off from the San Remo and

 congregated in

the loft for an all-night peyote

      party cum jam session.

 

      Drugs, of course, were more than an accouterment of hip. They were its

 very essence.

And while marijuana, then an

      exotic drug used only by jazz musicians, was universal among the stoned

 cool

hipsters, it was heroin that set the

      subterraneans apart.

 

      Rosenberg, who appears as a character in William Burroughs' book "Junkie,"

 was an

addict for most of his adult

      life, which might help explain why he never made a name for himself in art

 or music

or held a regular job after his

      print shop failed in the 1960s.

 

      Fortunately, Rosenberg, whose survivors include his wife, Joan, and a

 brother, Ross,

of Orlando, Fla., had the

      foresight to marry a schoolteacher so enamored of his charming, creative

 ways that

she cheerfully supported the

      family while Rosenberg continued to paint, play music, amuse his friends

 and family.

 

      He also served as a surprisingly effective role model for his three sons:

 Shaun, a

Manhattan restaurateur who owns

      Orson's on Second Avenue; Matthew, a computer consultant from the Bronx,

 and Jeremy,

of Manhattan, a New

      York City police detective who specializes in drug enforcement.

 

 

 

 

 

       Home | Sections | Contents | Search | Forums | Help

 

        Copyright 1998 The New York Times Company

 

 

 

 

--------------------------------------------------------------------------------

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Date:         Sun, 22 Feb 1998 22:35:11 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Happy Trails

Comments: cc: stauffer@PACBELL.NET

To:           BEAT-L@CUNYVM.CUNY.EDU

 

James Stauffer wrote:

> 

> Dear Beat-L

> 

> I think it is time for me to leave for awhile.

 

i will miss your posts.  check back in.  the ebb and flow has been

uneven and too many thoughtless post, especially by me. more courtesy,

more thought less flame is needed.  I would love to discuss the man who

taught his ass hole to talk in relation to respecting all religous and

government institutions.

patricia

 

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Date:         Mon, 23 Feb 1998 04:41:24 +0000

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From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: FU*K IRAQ

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Well, Gyenis, er... um... I'm glad my message from a long time ago inspired

you. *grin* I especially like the "FUCK THE WORLD" part. --Sara

 

 

At 04:07 AM 2/28/98 -0500, you wrote:

>FU*CK IRAQ

>____________

> 

>FU*CK THE WORLD

>    I WANT TO GET OFF

> 

>FU*CK THE WORLD

>    I WANT TO GET ON

> 

>FU*CK THE WORLD

>    I WANT TO GET FU*CKED

> 

>FU*CK THE WORLD

>    I CAN'T GET FU*CKED

>CAUSE AFTER ALL

>    I AIN'T THE FU*CKEN PRESIDENT

> 

>SO NOW I SAY

>    FU*CK IRAQ

> 

>AND I'LL FU*CK THE REST OF THE WORLD

>    LATER....

> 

 

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Date:         Mon, 23 Feb 1998 00:35:59 -0500

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@EHC.EDU>

Subject:      Smile on Yr Brother

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey list!

I've been writing research papers since 8am yesterday and was inspired

by the speculation about what Jack, Bill, and Allen would say about the

Iraq BS.  My opinion is that Jack would've said "Nuke Em!" given his

Buckleyesque inclinations during life.  Allen would've taken what I

would consider an obscure political stance (solving nothing -- I'm

currently frustrated with his ideaologies as I learn more).  Bill

would've been intelligent about it, realizing the legitimacy of the

issues the US raises, while still respecting the smoke screen that it is

for the Whitehouse.  There's just something that tells me that he

would've been for a good explosion or two.  So, given the inspiration

that I am "suffering," I present my pome.  It's a farce, both on beat

poetry, the issue, and the writers.  Forgive me.

 

Dessert Souffle

 

Jack Kerouac,

the drunken buddhist sage

said "Let s bomb Iraq,

back to the stone age!"

 

And then there s Allen,

our beat-zen daddy

said "Castro s cool,

but Saddam is a baddy"

 

But oh, for Bill,

tired of the kicks,

said "teach Iraqis

to make fire from sticks"

 

thanks

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

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Date:         Mon, 23 Feb 1998 07:58:51 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: pome: delete at will: my father's billfold

To:           BEAT-L@CUNYVM.CUNY.EDU

 

stephanie: thanks for the diprima, nice birthday gift. i only write sad pomes,

some bittersweet, a few innocent child like. but mostly sad

mc

 

Zucchini4@AOL.COM wrote:

 

> I very much like your poem. Very sad... again... it seems like the only poems

> you post are sad! Let's see some happy stuff. :) And happy birthday!

> 

> --Stephanie

> 

> Three Laments

>       Diane di Prima

> 

> 1.

> Alas

> I believe

> I might have become

> a great writer

> but

> the chairs

> in the library

> were too hard

> 

> 2.

> I have

> the upper hand

> but if I keep it

> I'll lose the circulation

> in one arm

> 

> 3.

> So here I am the coolest in New York

> what dont swing I don't push.

> 

> In some Elysian field

> by a big tree

> I chew my pride

> like cud.

> 

> (That was just a random poem for y'all. --S.)

 

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Date:         Mon, 23 Feb 1998 00:06:34 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ksenija Simic <xenias@EUNET.YU>

Subject:      Re: pome: delete at will: my father's billfold

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie Countryman wrote:

>

> companion piece to 'my father's eyes' in which these photos were

> mentioned. and yes, they literally came in the mail yesterday.

>

> my father's billfold

>

> delivered to my door today

> photos from his wife

> the ones he kept  in all billfolds

> he carried all his life.

>

> my father can't  recognize

> nor remember

> -if he ever had a billfold-

> -if he ever had a family-

> - a son, a wife, or me.

> the irony:

> just as in life, now in his dying,

> he was always absentee.

>

> the photos - cracked, stained,

> fading with sweat and age

> black and white now sepia

> but we all look the same

> me at five

> my brother at eight

> and our mother - his  wife.

>

> i look at me looking at me:

> i can barely remember this child

> of five

> with the huge brown eyes

> full of secrets,

> full of sadness,

> frozen in time.

>

> i adored my dad, and

> had so little of him,

> and yet it just occurs to me

> that if i lacked him,

> he always had me -

> in his pocket in his billfold,

> a paper doll family.

>

> with me in his billfold,

> we sat on countless barstools,

> in his way together,

> he forever drinking

> me forever hopeful,

> forever frozen,

> forever five.

>

> (c) marie countryman 2/22/98(on her 45th birthday)       .

 

 

another beautiful one

 

though it is already late to wish you a happy birthday, it is not late

to wish you a beautiful, sunny&funny, creative, poetic and loving year

until your next birthday, and the next, etc.

 

ksenija

 

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Date:         Mon, 23 Feb 1998 08:12:41 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: pome: delete at will: my father's billfold

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ksenija:

thank you.

could you please contact me direct at country@sover.net?

thanks

 

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Date:         Mon, 23 Feb 1998 08:31:44 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: mc again draft 2, delte at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i plan to read my father's eyes/my father's billfold and the insomnia

pome next week.

thank you. i wrote the pome with the photos spread out in front of me,

they really did arrive in the mail.

as for the list, some youngster wrote that 'all your pomes are sad,

write a happy one!

believe me yr decision is a good one. i stay on because of a few folks

from netherlands, scandinavia, who don't post often but who are looking

into translating my pomes. now ain't that a kick. no publishing here,

but ....

marie

and yes, it is as real as it gets. i cried my way through the writing of

it.

be well my friend

marie

 

James Stauffer wrote:

 

> Marie,

> 

> This is an amazing poem.  I will need to spend more time with it, but

> it is as real as it gets.  Blood and emotional guts.  Which is what

> you do, my dear.   Amazing

> 

> James

> 

> Marie Countryman wrote:

> 

> > Marie Countryman wrote:

> >

> > > this is the piece that completes 'my father's eyes'

> > > first draft

> > > my father's billfold

> > >

> > > delivered to my door today

> > > photos from his wife

> > > the ones he kept  in all billfolds

> > > he carried all his life.

> > >

> > > my father can't  remember

> > > -if he ever had a billfold-

> > > -if he ever had a family-

> > > - a son, a wife, or me.

> > > the irony:

> > > just as in life, now in his dying,

> > > he was always absentee.

> > >

> > > the photos - cracked, stained,

> > > fading with sweat and age

> > > black and white now sepia

> > > but we all look the same

> > > me at five

> > > my brother at eight

> > > and our mother - his  wife.

> > >

> > > i look at me looking at me:

> > > i can barely remember this child

> > > of five

> > > with the huge brown eyes

> > > full of secrets,

> > > full of sadness,

> > > frozen in time.

> > >

> > > i adored my dad, and

> > > had so little of him,

> > > and yet it just occurs to me

> > > that if i bemoaned the lack of  him,

> > > he always had me -

> > > in his pocket, in his billfold,

> > > a paper doll family.

> > >

> > > with me in his billfold,

> > > we sat on countless barstools,

> > > in his way together,

> > > he forever drinking

> > > me forever hopeful,

> > > forever frozen,

> > > forever five.

> > >      (c) marie countryman 2/22/98(on her 45th birthday        .

 

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Date:         Mon, 23 Feb 1998 09:34:04 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Scrapper Blackwell <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jo grant wrote:

 

> The response from Middle America-- from DEMONSTRATORS--

> forced Clinton to pull back and lighten up.

> 

> I  can understand your cynicism; however, there have been major

> demonstrations in cities right across the country.

 

=== why are you talking about demonstrations?! I'm all for

demonstrations! We were talking about petitions. Politicians don't pay

attention to petitions, but they *do* pay attention to demonstrations.

We need less of the former and more of the latter. Don't write your name

on a piece of paper, write your feelings on a sign and carry it.

 

 

 

> When someone complains about a petition opposing senseless

> aggression not having a place on the Beat List I can only say,

> "Read a little less Jack Keroauc and a little more Angela Davis."

 

=== "Senseless aggression"? You make it sound like some dry political

event discussed by Kissinger and Haldeman over cocktails. A senile,

drunken Yeltsin actually used the phrase "World War III" to describe

Russia's response if Clinton bombs Iraq, Clinton seems determined to do

it anyway, and even if Yeltsin blinks, the environmental fallout from

another Iraq war threatens to be catastrophic. This could be the most

serious event the world has faced since the Cuban Missile Crisis. This

ain't the time for petitions. Save that for when your local zoning board

wants to build a new mall or something. Kofi Annan has achieved a peace

agreement with Saddam, and Albright said last night that the U.S.

reserves the right to bomb Iraq anyway! There's somethin' happenin'

here, and what it is, for once, is exactly clear. Read plenty of BOTH

Jack Kerouac AND Angela Davis, or read Abbie Hoffman, who combines the

two.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

watching TV, no way to delay

that trouble comin' every day

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 10:26:26 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Simpatico <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Death of a hipster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Very saddened to hear of Rosenberg's passing, he was a perfect role

model for us all. And it's a damn shame the New York Times gave him such

a pathetic eulogy.

 

 

> he never amounted to much of anything

 

=== I can't believe they actually said something like this in an

obituary!

 

 

> Drugs, of course, were more than an accouterment of

> hip. They were its very essence.

 

=== bullshit.

 

 

 

> marijuana, then an exotic drug used

> only by jazz musicians

 

=== uh......right.

 

 

 

 

> In a different life, Rosenberg might have used the loft to

> turn out masterpieces

 

=== Oh, so he's an art critic now. I wonder if he's even seen

Rosenberg's paintings?

 

 

 

 

> had the foresight to marry a schoolteacher so enamored of his

> charming, creative ways that she cheerfully supported the

> family while Rosenberg continued to paint

 

=== This is just too condescending and smug. I dont think he married her

with "foresight" of her money, not that schoolteachers get paid a whole

hell of a lot anyway.

 

Mind you, I don't mind beatniks being portrayed as lazy mooches - I am

one myself - but this is the man's obituary, fer Chrissake!

 

I dunno, maybe Rosenberg woulda just said "no, no, it's all true. let

'em print it."

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - KY

goofed out on Easter candy

=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 09:21:47 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: T.S. Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I agaree completely.  This is what I was arguing originally with Bentz.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 15:26:03 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Pilsner <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Civil Rights, Bricklaying, and Mexican Coins

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Perchuk wrote:

 

> As cynical as it may sound--I've done my part for civil rights, I have no

> interest in Mexican coins, and no talent for bricklaying.

 

 

=== I do my part for civil rights every day by being a weirdo in public

and thus reminding people that it's not illegal (yet) to do so.

 

The Mexican cincocentavo is the exact same size and has the same

edge-groove as an American quarter, they cost only pennies apiece from a

wholesale coin dealer, and they work in all vending machines and most

older pay phones.

 

Bricklaying requires no real talent, though professional bricklayers

would no doubt be quick to shout me down on that. It's a handy skill to

learn for the coming weird times.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J.Holland and his cat, "Kitty"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 09:27:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bentz is right that Eliot was certainly a force AG had to work against.

It's true also that Pound, in a sense, served as a bridge between the

two poets.  Ginsberg certainly studied Eliot at Columbia and I'm sure

had some appreciation for Eliot as a poet, particularly in his student

years when he was reading so much of the 17th Century verse that

influenced "Gates Of Wrath."  In the end,  Allen chose Kit Smart and

Blake over Donne, Williams and Whitman over Eliot.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 12:40:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Marlene Giraud>" <M84M79@AOL.COM>

Subject:      Re: mc again draft 2, delte at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-23 08:35:57 EST, you write:

 

<< i plan to read my father's eyes/my father's billfold and the insomnia

 pome next week.

 thank you. i wrote the pome with the photos spread out in front of me,

 they really did arrive in the mail.

 as for the list, some youngster wrote that 'all your pomes are sad,

 write a happy one!

 believe me yr decision is a good one. i stay on because of a few folks

 from netherlands, scandinavia, who don't post often but who are looking

 into translating my pomes. now ain't that a kick. no publishing here,

 but ....

 marie

 and yes, it is as real as it gets. i cried my way through the writing of

 it.

 be well my friend

 marie >>

 

 

marie, lovely pome. somehow i wish you would expand on the second to last

stanza...but who am i?

a happy poem?  i wouldn't know how to define something like that.

funny how things affect us.        i wonder what jack would say...

~~marlene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 13:27:27 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: BACK TO LITERATURE -J. DIDION

To:           BEAT-L@CUNYVM.CUNY.EDU

 

mike rice wrote:

> 

> At 05:00 PM 2/13/98 -0600, you wrote:

> >Marie...thanks for the Corso and JK poetry....

> >

> >can we please try and get back to nature of this list...namely

> >Literature......

> >

> >The posts over the last few days about women writers had me thinking

> >of Joan Didion.  I picked up _Slouching Towards Bethlehem_ and _The

> >White Album_ at a used bookstore ages ago and have yet to read them.

> >Didion's name seems to pop up alot (not on this list..but other places).

> >..I don't know much about her?  Can anyone fill me in?  Any opinions of

> >her work?

> >

> >What about Anne Waldeman as a female beat writer??

> >

> >Dawn

> >

> >I read Slouching Toward Bethlehem and didn't like it.  She wrote a book

> about driving on the LA Freeway whose title I can't recall.  She writes

> pretty fair journalism, and she and her husband, John Gregory Dunne, brother

> of Dominic, write horribly commercial screenplays like the Third Star is Born

> and Up Close and Personal.  Dunne wrote recently that The English Patient was

> a descendant of Out of Africa.  I disagree, it is the son of Lawrence of

> Arabia

> and David Lean.

> 

> Mike Rice

> 

> Just rememberd the book, Play It As It Lays.  It was boring and awful.  J.

> G. Dunne

> wrote an interesting scrrenplay of his novel, True Confessions, in which he

> gets

> Monsignor Robert De Niro, getting dressed to perform a mass, says to a

> developer,

> "Oh Yaeh, we met her, but you fucked her!"

> 

> Mike Rice

Seems to me this group has really  its direction-- how do I cancel?

--i.e.. get out of this list??

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 13:30:25 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: The 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

James Stauffer wrote:

> 

> Carly

> 

> I wasn't arguing that the 50's were perfect, just that the notion that

> the awful 50's basically drove JK to commit suicide.  Societies are

> almost always oppressive, that is what they are for (if you buy the

> argument Freud makes in Civilization and Its Discontents, and creative

> types generally rebel--at least that has been true for the last two or

> three centuries--they would probably have been rebellious sooner

> except that the only way to make an artistic living used to be through

> either the king or the church.  Kerouac, Cassidy, Corso, etc, were

> white men.  The 50's see the birth of rock n roll, the start of the

> civil rights movement in many ways, a real flowering of writing about

> homosexuality.  Jobs were much easier.  It was much easier to move

> around the country, find a job, stay for awhile and move on.  It was

> fluid, in some ways.  Not good for women, I agree, but that was true

> inside and out of the Beat world.  My only point is that certainly the

> 50's were for a huge majority a time of grey flannel conformity at the

> same time there was an explosion of rebellious creativity and

> exploration.

> 

> JS

> 

> 

>      perhaps the 50's were sexy....for white  heterosexual men.

>      Playboy (which

>      was pretty much the driving force behind the sexiness of the

>      fifties--marilyn

>      monroe was the cenerfold for the first issue) came out with

>      its first issue

>      (in '56 i believe)  and made sex the "natural and healthy"

>      ideal for the

>      white heterosexual male.  unfortunately, it also produced

>      and reinforced

>      unrealistic images  for women to conform to in order to

>      satisfy their male

>      lovers.  it also reinforced the idea that heterosexulity was

>      the only accepted

>      norm.

> 

>      i know this is getting off on a bit of a tangent, but while

>      you cavort about

>      praising the positive aspects of the 50's, understand that

>      it wasn't so

>      positive for a lot of people.  and for those who

>      rebelled--hopefully--it

>      wasn't just a matter of sexiness and being cool, rather the

>      only alternative

>      to an oppressive society.

> 

 

Janet Pilgrim was the first Playgirl-not MM

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Mon, 23 Feb 1998 13:33:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "James F. Wood 253-7886" <WOODJ@MAIL.FIRN.EDU>

Subject:      FYI

To:           BEAT-L@CUNYVM.CUNY.EDU

 

An interesting article called "Cyberbeats " in the March  issue of Wired,

page 166f.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 10:42:04 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Angela Davis? Abby Hoffman?  Why you leave out Father Coughlin?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 13:59:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Marlene Giraud>" <M84M79@AOL.COM>

Subject:      Re: FYI

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-23 13:36:29 EST, you write:

 

<< An interesting article called "Cyberbeats " in the March  issue of Wired,

 page 166f.

  >>

is there any way you could post this?

~~marlene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      TAA25829

Date:         Mon, 23 Feb 1998 19:01:44 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      last draft delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

   my father's billfold

 

   delivered to my door today

   photos from his wife

   the ones he kept  in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as in living now in dying,

   he was always absentee.

 

   the photos - cracked, stained,

   faded with sweat and age

   black and white now sepia

   but we all look the same:

   me at five

   my brother at eight

   and our mother - his  wife.

 

   i look at me looking at me:

   i can barely remember this child

   of five with the huge brown eyes

   full of secrets,

   full of sadness,

   frozen in time.

 

   i adored my dad, and

   had so little of him,

   and yet it just occurs to me

   that if i bemoaned the lack of  him,

   he always had me in his pocket, -

   in his billfold,

   a paper doll family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   forever frozen,

   forever five.

        (c) marie countryman 2/22/98(on her 45th birthday        .

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 19:14:55 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: AVE MARIA. (the prayer)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Thanks Rinaldo, for reminding us of this lovely prayer (mantra) in the

proper language here in our decline with the vernacular mass.

 

JS

 

Rinaldo Rasa wrote:

 

>         Ave Maria gratia plena dominus tecum

>         benedicta tua mulieribus et benedictus

>         fructus ventris tui Jesus.

>         Sancta Maria mater dei ora pro nobis peccatoribus

>         nunc et in ora mortis nostrae.

>         Amen.

 

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                      TAA03570

Date:         Mon, 23 Feb 1998 19:27:58 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      whoops - sent wrong revision delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

   my father's billfold

 

   delivered to my door today

   photos from his wife

   the ones he kept  in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as in living now in dying,

   he was always absentee.

 

   the photos - cracked, stained,

   faded with sweat and age

   black and white now sepia

   but we all look the same:

   me at five

   my brother at eight

   and our mother - his  wife.

 

   i look at me looking at me:

   i can barely remember this child of five

   with the huge brown eyes

   full of secrets,

   full of sadness,

   forever frozen in time.

 

   i adored my dad, and

   had so little of him,

   and yet in actuality

   if i bemoaned the lack of  him,

   he always had me in his pocket -

   in his billfold:

   a paper doll family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   forever frozen,

   forever five.

        (c) marie countryman 2/22/98(on her 45th birthday        .

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 19:30:36 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: just like a woman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I must have been out of touch, but these strange pc analyses of Dylan amaze

me.

 

There is alot of mysogyny in Dylan, in the Stones, the the Blues, for gods

sake.  This is a mid sixties song, the term "sexist" was relatively new, and

everybody still was.  Is this one any more sexist that "It's all over now,

Baby Blue?"  A lot of Dylan's songs are about relationshional hurt, the

nasty stuff that happens between men and women, the bad side as well as the

good side of love.  Listen to the way Bessie Smith talks about men, or any

other female blues singer.  That music is mostly about what it is like to

lose in the war of the sexes.  Listen you groups of men, even very evolved

ones, bitch about men, listen to even fairly evolved guys, by themselves,

telling each other what has been done to them, and "I was hungry, and it was

your world" doesn't seem too far off the mark.  Dylan inherits alot from the

blues.   The deconstructionist trick of trying to turn these things into

attacks on sexism itself would certainly come as a shock to those of us

memorizing these things at the time.

 

> Robert Shelton wrote: "Despite this work's enduring melodic appeal, its

> view of women is controversial. The title is a male platitude that

> justifiably angers women. I think Dylan is ironically toying with that

> platitude."

 

Dylan is plenty ironic, he's ironic about having been screwed over

 

> 

> 

> Marion Meade wrote in the New York Times on March 14, 1971, that

> "there's no more complete catalogue of sexist slurs" than this song

> where Dylan "defines women's natural traits as greed, hypocrisy, whining

> and hysteria."

> 

 

And of course there aren't any women who are greedy, hypocitical, hysterical

and whining?

 

> Bill King: "Dylan's finest poem on the failure of human relationships

> because of illusion created by social myth."

> 

> Could be Dylan may be out and out criticizing sexist men as much as the

> woman, or women, who fail them. The line for me that turns the sharp

> edges all fuzzy is: "I was hungry and it was your world."

> 

> But the same sex angle, I dunno. If I were you I'd be asking my "friend"

> for sources. Full interrogation if necessary with bamboo shoots.

 

  And there I agree.

 

JS

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 20:16:51 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Happy Trails

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Beat-L

 

I think it is time for me to leave for awhile.  I have writing I need

to work harder on, a life to live, and other things I should be doing

for awhile, may be back--maybe sooner than I think once withdrawal

sets in. It's just that this thing can be an addiction and a

tremendous sucker of time.  So much easier to respond to Beat-L posts

than to stare at that blank screen and try to fill it.

 

It has been a great experience, and I have met great folks on this

list, most of whom I am in back channel with anyway, but some of which

I have lost touch with with drive failures and all.  Lots of them are

already gone, but I just wanted to say farewell as far as the list is

concerned to some of my favorites both past and current, and hope you

stay in touch--those ones whose posts I never instantly delete, like I

am too much anymore.  It's still a great place, but maybe it's just

nostalgia that makes me think it has been much more exciting than it

is now. Thanks first to Bill and Fred for the list.  I'll miss

Rinaldo, Patricia, David, Marie C,  John Hasbrouck, Tim Boiuleau,

Charley plymell, Diane DeRooy, Lisa Rabey,  Kevin Killian, Rodney

Phillips, John Mitchell, Levi, Leon, Sherri, Rod Anastee, Bentz,

Richard Hough, Tim Gallagher, sa griffin,  and others I whose names

will rush up as soon as I send this. I enjoyed a good flame war as

much as anyone, but hope that those I have pissed off will forgive me

my  excesses and most of you are more than worthy opponents and can

take it anyway!

 

This list has given me alot, I have made friends who are some of the

closest people in my life, but it is time to move on for awhile

 

God bless (whichever form of her you prefer)

 

Happy Trails.

 

James Stauffer

 

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X-MIME-Autoconverted: from 8bit to quoted-printable by mail-gw.pacbell.net id

                      UAA05372

Date:         Mon, 23 Feb 1998 20:29:38 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      Re: mc again draft 2, delte at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie,

 

This is an amazing poem.  I will need to spend more time with it, but

it is as real as it gets.  Blood and emotional guts.  Which is what

you do, my dear.   Amazing

 

James

 

Marie Countryman wrote:

 

> Marie Countryman wrote:

> 

> > this is the piece that completes 'my father's eyes'

> > first draft

> > my father's billfold

> >

> > delivered to my door today

> > photos from his wife

> > the ones he kept  in all billfolds

> > he carried all his life.

> >

> > my father can't  remember

> > -if he ever had a billfold-

> > -if he ever had a family-

> > - a son, a wife, or me.

> > the irony:

> > just as in life, now in his dying,

> > he was always absentee.

> >

> > the photos - cracked, stained,

> > fading with sweat and age

> > black and white now sepia

> > but we all look the same

> > me at five

> > my brother at eight

> > and our mother - his  wife.

> >

> > i look at me looking at me:

> > i can barely remember this child

> > of five

> > with the huge brown eyes

> > full of secrets,

> > full of sadness,

> > frozen in time.

> >

> > i adored my dad, and

> > had so little of him,

> > and yet it just occurs to me

> > that if i bemoaned the lack of  him,

> > he always had me -

> > in his pocket, in his billfold,

> > a paper doll family.

> >

> > with me in his billfold,

> > we sat on countless barstools,

> > in his way together,

> > he forever drinking

> > me forever hopeful,

> > forever frozen,

> > forever five.

> >      (c) marie countryman 2/22/98(on her 45th birthday        .

 

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "James F. Wood 253-7886" <WOODJ@MAIL.FIRN.EDU>

Subject:      .

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-23 13:36:29 EST, you write:

 

<< An interesting article called "Cyberbeats " in the March  issue of Wired,

 page 166f.

  >>

is there any way you could post this?

~~marlene

Sorry I have no way to post the article .

Jim

 

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x-sender: morocco@pop.walrus.com

Date:         Mon, 23 Feb 1998 22:11:55 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Double Dharma 101

Comments: To: BOHEMIAN LIST <bohemian@maelstrom.stjohns.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dan Barth, http://www.walrus.com/~morocco/dan.html

of northern California, America sent me a series

of email messages on Feb. 10, 1998 containing quotes from

Jack Kerouac, _Some of the Dharma_ (New York: Viking Penguin,

1997).

 

---------------------------------------------------------------

                      DOUBLE DHARMA 101

                     by Gregory Severance

 

Jack Kerouac                        Antonin Artaud

_Some of the Dharma_                _The Theater and its Double_

 

The Eternal and tranquil Mind      Never before, when it is life

Is bringing you this Program       itself that is in question,

Direct from Rosy Essence           has there been so much talk

(p. 7)                             of civilization and culture.

                                   (p. 7)

If you were not here

To see the world                   If confusion is the sign of

With your special                  the times, I see at the root

Conditioned eyes                   of this confusion a rupture

What makes you think               between things and words,

It would look like that?           between things and the ideas

(p. 7)                             and signs that are their

                                   representation.

                                   (p. 7)

 

The tongue is in a diseased condition    It is useless to give

Eye sees fantastic blossoms in the air   precise reasons for this

Your ego-personality is a pile of shit   contagious delirium.

Raised high by your conception of it.    (p. 26)

(p. 26)

 

A LIFE OF SPONTANEOUS AND           We are told that the Myster-

RADIANT EFFORTLESSNESS. That        ies of Eleusis confined them-

immanent auspiciousness we all      selves to the _mise en scene_

feel in ourselves is the Buddha-    of a certain number of moral

nature hidden like a gem in         truths.

soiled rags.                        (p. 52)

(p. 52)

 

(In this mighty paragraph I can     This is why an image, an

hear the huge slappings on the      allegory, a figure that masks

asses of the Gods.)                 what it would reveal have more

(p. 71)                             significance for the spirit

                                    than the lucidities of speech

                                    and its analytics.

                                    (p. 71)

 

Just like when I was a kid and      The spectacle will be calcu-

knew that I should wear my over-    lated from one end to the

alls all the time and every day     other, like a code (un lan-

should be Saturday, is Tao to me.   gage).

(p. 98)                             (p. 98)

 

O for the simple truth of a         The theater still remains the

railroad man in a caboose, on       most active and efficient

a cold night, in front of his       _site of passage_ for those

fire, an old Conductor of the       immense analogical disturbances

Dharma Train.                       in which ideas are arrested in

(p. 109)                            flight at some point in their

                                    transmutation into the abstract.

                                    (p. 109)

 

This world is like the first        2. the second is that I do not

pages of Dostoevsky's "Eternal      want to be plagiarized, which

Husband."                           has happenned to me several

(p. 117)                            times.

                                    (p. 117)

 

Jack Kerouac, _Some of the          Antonin Artaud, _The Theater

Dharma_ (New York: Viking           and its Double_, trans. Mary

Penguin, 1997).                     Caroline Richards (New York:

     Quotes selected by             Grove Press, 1958).

Dan Barth.                               Quotes selected by

                                    Gregory Severance.

 

 

                     February 21-23, 1998

              Montauk, New York / New York City

                           America

-----------------------------------------------------------------

 

 

* + * + * + * + * + * + * + * + * + * + * + * + * + *

Gregory Severance                 morocco@walrus.com

 

http://www.walrus.com/~morocco  <<BULLDOG BREATH>>

 

http://www.mindspring.com/~us012808/door.html

                         <<BULLDOG BREATH BOOKSTORE>>

 

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

"It's my life and it's my wife."

-- Lou Reed ["Heroin"]

 

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

 

"But at the far end of the universe

the million eyed Spyder that hath no name

spinneth of itself endlessly" -Allen Ginsberg

["Lysergic Acid"]

 

* + * + * + * + * + * + * + * + * + * + * + * + * + *

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Mon, 23 Feb 1998 17:13:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: religion, again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 02:25 PM 2/22/98 -0800, you wrote:

>> J. Perchuk wrote:

>> Besides--if it's SO uncool to be Catholic (I can't believe that I, as

>> an

>> atheist, have to play devil's advocate here---the irony is

>> DELICIOUS)--then

>> explain to me Keroauc's complex involvement with it. I mean--that's >

>> what all these posts are about--right?

> 

>Consider this section from Desolation Angels where he considers what it

>means to wear the cross.

> 

>"I just sit with a quart of beer and dont look at anyone--the only thing

>that attracts my attention from out of my thoughts is that beautiful

>silver crucifix Raphael's been wearing around his neck, and I mention

>it--

>  'Then it's yours!' and he takes it off and hands it to me--'Really,

>truly, take it!'...

> 

>It has a little silver chain, I pass it over my head and under my collar

>and wear the cross--I feel strangely glad--Meantime Raphael has been

>reading the Diamondcutter of the Wise Vow (Diamond Sutra) that I

>paraphrased on Desolation, has it on his lap. 'Do you understand it

>Raphael?' There you'll find everything there is to know'...

> 

>Finally I read sections of it to the party to take their minds off the

>girl jealousies--

> 'Subhuti, living ones who know, in teaching meaning to others, should

>first be free themselves from all the frustrating desires aroused by

>beautiful sights, pleasant sounds, sweet tastes, fragrance, soft

>tangibles, and tempting thoughts.  In their practice of generosity, they

>should not be blindly influenced by any of these intriguing shows.  And

>why? Because, if in their practice of generosity they are not blindly

>influenced by such things they will pass through a bliss and merit what

>is beyond calculation and beyond imagining...'

> 

>I wake up in the morning with my cross around my neck, I realize what

>thicks and thins I'll have to wear this through, and ask myself 'What

>would Catholics and Christians say about me wearing the cross to ball and

>to drink like this?--but what would Jesus say if I went up to him and

>said 'May I wear Your cross in this world as it is?'

>  No matter what happens, may I wear your cross?--are there many kinds of

>purgatories not?

>  '...not blindly influenced...'"

>DC

> 

> 

 

My response to this, Diane, is simply....beautiful, just, beautiful. I don't

know who could have given a better response than the man himself. Simply

fabulous. Thank you--!

 

 

                             J. Perchuk

 

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X-Sender: legacy@admin.con2.com

Date:         Mon, 23 Feb 1998 17:35:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Civil Rights, Bricklaying, and Mexican Coins

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 03:26 PM 2/23/98 +0100, you wrote:

>Jeffrey Perchuk wrote:

> 

>> As cynical as it may sound--I've done my part for civil rights, I have no

>> interest in Mexican coins, and no talent for bricklaying.

> 

> 

>=== I do my part for civil rights every day by being a weirdo in public

>and thus reminding people that it's not illegal (yet) to do so.

> 

>The Mexican cincocentavo is the exact same size and has the same

>edge-groove as an American quarter, they cost only pennies apiece from a

>wholesale coin dealer, and they work in all vending machines and most

>older pay phones.

> 

>Bricklaying requires no real talent, though professional bricklayers

>would no doubt be quick to shout me down on that. It's a handy skill to

>learn for the coming weird times.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>J.Holland and his cat, "Kitty"

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

> 

 

I appreciate the info, J. Holland--but as for needing a skill for "the

coming weird times" (whatever THAT means--I'm not quite sure) I already have

a negotiable skill--I teach high school English for a living. Maybe you

should direct your advice to those people (here, or anywhere, for that

matter) who have NO skills whatsoever. I don't know how you imagine "The

coming weird times"--maybe as some cinematic, post-apocalyptic armaggedon

type scenario replete with all the grotesque nuclear holocaust imagery we

have come to know--but I know this, at least--it will require people with

SKILLS--not just EMPTY MOUTHS TO FEED. I know this may be off the track (or

maybe it's not, I'm not sure). As for being a weirdo in public--hey, that's

your First Amendment right, I guess, as long as it involves personal

expression. And as a staunch opponent of censorship of ANY kind, I say, the

weirder, the better. Go for it, man!

 

I just wanted to make sure my point got through. By the way--thanks for the

information on numismatics. If I ever decide to go back to Mexico, it may

come in handy.

 

                                         Adios!

 

                                         J. Perchuk

 

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Date:         Mon, 23 Feb 1998 17:40:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Matt Sanford <Mato15@AOL.COM>

Subject:      brion gysin

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know some good weblinks about Gysin that I may check out, possibly

some of his writings would be helpful, or maybe just suggestions.  Also, check

out the latest Ray Gun magazine, it has a good article about Burroughs, Gysin,

and others...

 

m

 

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                         doing -bs

X-Sender: nhenness@landen.math.uwaterloo.ca

Date:         Mon, 23 Feb 1998 20:09:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Neil M. Hennessy" <nhenness@UWATERLOO.CA>

Subject:      vacation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

will be back when i have time for the list.

 

bye for now,

neil

 

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Date:         Mon, 23 Feb 1998 20:10:14 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: the 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

no, no, i'm pretty sure marilyn was the first.  the shot is a pretty famous

one, titled "golden dreams".  its a bird's eye shot.  marilyn completely nude,

on her side,  on a red statin looking background, with her back so her ass and

breasts stuck out.  its the kind of (soft) porn that poses as art so as to not

look as cheap.  well, actually, i'd rather not comment on what is and isn't

art, because that's a whole other can of worms, but that's some of the

critisism on that particular shot.

 

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X-Sender: ileif@popd.ix.netcom.com

Date:         Mon, 23 Feb 1998 19:23:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Irving Leif <ileif@IX.NETCOM.COM>

Subject:      Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Mark,

 

Sorry for this interruption to your life, but I have to ask you something

seeing that you are from Monroeville.

 

Do you know the Bracken family from Monroeville?

 

I was once engaged to Pamela Bracken who grew up there.

 

Thanks!!

 

Irving Leif

 

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Date:         Mon, 23 Feb 1998 21:55:47 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Euhyun Jennifer Chun <ejc@GWIS2.CIRC.GWU.EDU>

Subject:      on a side note - DC area 'Beat Club'

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Check this one out kids. jEnn

ps. for more information, e.mail beat@gwis2.circ.gwu.edu

 

*snip snip*

 

Primarily we are an organization with the objective to spread and share

ideas, literature, music, art, and information about cultural events going

on in the DC-MD-VA area that might be of interest to the students of GWU.

We are not an "organization" per se, in that we do not have mandatory

meetings, dues, restrictions, and other items of that sort which would be

included in the format of most other student organizations.  Rather, we

would prefer to act as an instrument to expose students the new cultures

and ideas, different types of literature, art, music (and so forth),

and/or things that they are well-versed in, but would like to pursue in

greater depth.  In addition, we wish to and encourage students to share

what they love with other students, in an attempt to exchange and share

information that may not have been previously available.

 

This may seem broad, so please allow me to be more specific.  Essentially,

we have two types of meetings.  Our "internal" meetings take place

bimonthly.  At these types of meetings we talk about what we have done

since the last meeting, suggest ideas of what to do on/off campus, plan

for future events, and other things of this sort.  This is usually

somewhat brief, so afterwards we alott for time for members to read aloud

(poetry, short story, etc.), play music, and so forth.  Our "external"

meetings are those that take place at events in the area.  For these we

meet somewhere on campus at a specified time, and attend them as a group.

These events will be announced in our newsletter, along with other

suggestions that will not be coordinated events. (see below)

 

I hope that this overview is informative.  Please remember that we are

more informal than most other clubs, so that the club means as much to you

as you would like to get out if, with no pressure.  Of course, this means

that we are only as successful as the members make it, and for the moment

this seems to be a distinct advantage. Hope to talk to you soon.

 

--Jason

 

_______________________________________

THE BEAT CLUB- ELECTRONIC NEWSLETTER

 

Well you crazy cats, I have come up with a few things that I thought you

all might be interested in.

 

First off, I would like to announce our first external Beat Club meeting

ever.  The destination will be The Kennedy Center at on 02/25 at 6:00p, to

see Hesperus (playing traditional string and wind instruments in a program

fusion of  European medieval with American Appalachian music). It should

be fun.  I would like to meet in front of Funger Hall at 5:30p.  Try to

come, it should be a very interesting experience.

 

Here are a few other events you might be interested in:

 

1. Red Dragon Press Reading (poetry reading)- 1508 U St., 02/20, 7P.

Phone: 202.667.8148.

 

2. The Analects of Confucius (Lecture)- 02/26, 6:30p.  202.707.3302

        Library of Congress

        James Madison Building

        Montepelier Room

        1st & Independence Ave., SE

 

3 Relations between late antique, early jewish, and early Christian Art

(lecture/art)-National Gallery of Art, East Building Aud., 02/22, 2p.

 

4. NSO, w/Leonard Slatkin (!) (music)-02/26 7:30p, Kennedy Center

Includes' Gershwin's "Rhapsody in

Blue"-->Go to this, great conductor and music.

 

5. Sno-core tour (music)-includes Primus and Blink 182--I can't go but I

simply must plug Primus.  Capital Ballroom, 03/11, 5p

 

6. Hum (music)-Worship.  Worship.  Worship.  9:30 club, 03/05.

 

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X-Originating-IP: [204.210.0.22]

Date:         Mon, 23 Feb 1998 21:41:22 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: Diane's comments, Tom Lehrer,

              and Liturgy (was: Kerouac's Catholicism)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>>Jeffrey Scott Holland wrote:

>>> >

>>> > ===  Just because Jesus said "Take, eat, this is my body" does not

mean

>>> > he intended ritual ceremonies with people lining up to eat

>>> > transubstantiated wafers.

>> 

>> 

>>and Diane Carter replied:

>> 

>>> What basis do you have for knowing what "he intended?"

>> 

>> 

>>and JSH responds:

>> 

>>=== A sentence that states "Just because X does not mean X" doesn't

mean

>>I am claiming to know what Jesus intended. I am merely pointing out a

>>lack of chain of evidence for the Catholic's claim that they DO know

>>what he intended. I have no idea what he intended - and neither does

>>anyone else.

> 

>Then your original comment ought to have been "does not NECESARILY mean

>he intended ritual ceremonies..." rather than the specific "does not

>mean..." you did use.

> 

>But more importantly you are shirking the meat of the response.

> 

>Diane points out how Jesus said "do this in memory of me".  Pretty

clear in

>this case this ceremony did seem to be something Jesus intended to have

>people continue.

> 

>Now, I said I agreed with you n terms of a lot of this vis a vis

>catholicism (talk about a messed up setence on my part).

> 

>But this particular claim isn't one of them for the above reason.  But

I do

>agree that the Catholic idea of transubstiation doesn't hold up at a

>scriptural level the same way that eating bread and drinking wine when

>gathering together does.

> 

 

Just to throw a little something into the mix, though not totally about

Eating the Host...

In Dostoevksy's "The Idiot", the main character, Prince Myshkin,

delivered quite a diatribe against Roman Catholicism in the perspective

of a Russian Orthodox.  Of course this is a fictional novel, but his

beliefs were held by many, particularly, I believe, the slavophils.  He,

elaborating to much lengths, of course, reprimanded the Catholic Church

for preaching a church outside of temporal existence when in fact they

were highly involved in the affairs of their subjects.  He also accused

them of the standard ills, viz. deceit, treachery, scandals, murder,

that whole bit.  The character in the book also mentioned that the

Catholic Church, at least since 16th century, has just been a

continuation of the Holy Roman Empire, not the kindest

politico-geographic assimilation.  Pius IX, he alluded to, made a

doctrine of Papal Infallibility, in his eyes, a preposterous claim.  He,

of course getting worked up, claimed Catholicism as the basis for

Atheism (because subjects became so distraught and disillusioned with

their leaders) and Socialism (needed to place morality somewhere).

I just thought I might add this.

Although: I certainly agree with whomever has said that the Catholics

are certainly not the worst offenders we've had... there have been some

unpleasant, mean-ish ones (although, on the other hand... you might not

want to invite too many 18th century Jesuits to a dinner party).

 

Christopher.

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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X-Originating-IP: [204.210.0.22]

Date:         Mon, 23 Feb 1998 22:00:03 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: "Cyberbeats" in Wired

To:           BEAT-L@CUNYVM.CUNY.EDU

 

><< An interesting article called "Cyberbeats " in the March  issue of

Wired,

> page 166f.

>  >>

>is there any way you could post this?

>~~marlene

>Sorry I have no way to post the article .

>Jim

> 

This article should hypothetically be on the Wired.com website next

month... they post their articles from their magazines up there the

month following publication.  At that time, it can be copied over onto

BEAT-L, I believe.

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Feb 1998 22:19:56 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: "Cyberbeats" in Wired

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I looked at this issue.  It has a little girl on the cover who's supposed

to be a clone.

 

Page 166 has nothing about Cyberbeats.

 

There is no page 166f

 

Can you clarify or provide more information.

 

>><< An interesting article called "Cyberbeats " in the March  issue of

>Wired,

>> page 166f.

>>  >>

>>is there any way you could post this?

>>~~marlene

>>Sorry I have no way to post the article .

>>Jim

>> 

>This article should hypothetically be on the Wired.com website next

>month... they post their articles from their magazines up there the

>month following publication.  At that time, it can be copied over onto

>BEAT-L, I believe.

> 

>______________________________________________________

>Get Your Private, Free Email at http://www.hotmail.com

 

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                      KAA23947

Date:         Tue, 24 Feb 1998 10:33:58 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      mc: yet again, delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

this is it:

 

   my father's billfold

 

   delivered to my door today

   were the photos from his wife:

   the ones he kept in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as living now in dying,

   he was always absentee.

 

   the photos - cracked and stained,

   faded with sweat and aged

   by the all the years of his life,

   black and white now sepia:

   me at five

   my brother at eight

   and mom, his dead wife.

 

   as i look at me looking up at me

   i can barely remember this child

   but  the huge brown eyes are mine:

   full of secrets,

   full of sadness,

   forever frozen in time.

 

   i so adored my dad,

   and had so little of him-

  yet  suddenly i see

  that always he had me-

  a paper doll,

  inhabiting his billfold

  with his paper family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   me forever frozen,

   me forever five.

        (c) marie countryman 2/22/98(on her 45th birthday        .

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      KAA27090

Date:         Tue, 24 Feb 1998 10:43:57 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      mc: arrhhh i've got blisters on my fingers delet at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

microscopic changes:

but i finally am pleased:

 

i finally am pleased:

 

   my father's billfold

 

   delivered to my door today

   were the photos from his wife:

   the ones he kept in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as living now in dying,

   he was always absentee.

 

   the photos - cracked and stained,

   faded with sweat and aged

   by the all the years of his life,

   black and white now sepia:

   me at five

   my brother at eight

   and mom, his dead wife.

 

   as i look at me looking up at me

   i can barely remember this child

   but  the huge brown eyes are mine:

   full of secrets,

   full of sadness,

   forever frozen in time.

 

   i so adored my dad,

   and had so little of him-

  yet  suddenly i see

  that always he had me-

  just like a paper doll,

  inhabiting his billfold

  with his paper family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   me forever frozen,

   me forever five.

        (c) marie countryman 2/22/98(on her 45th birthday        .

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 06:54:06 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John J Dorfner <Jjdorfner@AOL.COM>

Subject:      Re: "Cyberbeats" in Wired

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it's on page 116  March '98 issue of Wired

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 07:58:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nico 88 <NICO88@AOL.COM>

Subject:      Re: CIA Report on Bay of Pigs

Comments: To: Peacefalen@aol.com, RPMatthews@aol.com, OlenkaV@aol.com,

          JoSmiley@aol.com, SlugBug747@aol.com, PixiSparkl@aol.com,

          Mudhonie2@aol.com, john_kallas@time-inc.com, Oldihome@aol.com,

          OSCJUN@aol.com, theland@gorge.net, ADDaisy@aol.com, trireme@epix.net,

          TinBytch@aol.com, Aeschylus3@aol.com, Rowrbazzle@aol.com,

          JMD1997@aol.com, CNLM97@aol.com, Rutabaga4@aol.com,

          Jwalgrant@aol.com, bhmlswe@hotmail.com, GianniD@aol.com,

          KBPRODS@aol.com, SarahC420@aol.com, jyee@chewonki.org,

          PIANOWITZ@aol.com, Arlingtn57@aol.com, Feets12345@aol.com,

          Lorenzo81@aol.com, MarissaP@aol.com, SHruska309@aol.com,

          Elixir356@aol.com, IIvey@aol.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

for those of you who live in NYC, i'm figuring many of you saw this on the

cover of the Times yesterday. if not, or if you're elsewhere, here you go...

 

________________________________________________________

from The New York Times; February 22, 1998

 

C.I.A. Bares Own Bungling in Bay of Pigs Report

  By TIM WEINER

 

ASHINGTON -- One of the most secret documents of the

Cold War is out: the CIA's brutally honest inquest into the 1961

Bay of Pigs fiasco, which laid the blame for the disastrous invasion of

Cuba squarely on the agency's own institutional arrogance, ignorance and

incompetence.

The 150-page document also cautioned those who would use the CIA to

overthrow enemies, saying that job belongs to the Pentagon and its broad

arsenal of military forces around the globe.

The report painted a picture of an agency shot through with deadly

self-deception, one whose secret operations were "ludicrous or tragic or

both." In mounting the Cuban operation, almost none of the CIA officers

were able to speak Spanish, yet those same officers heaped contempt on

their Cuban "puppets" hand-picked to replace Fidel Castro, the report

said.

The Bay of Pigs invasion, carried out in April 1961, was organized by the

CIA and was intended to lead to the overthrow of Castro, whose

Communist government just 90 miles from the Florida coast was seen as a

beachhead for Soviet influence in the Western Hemisphere.

While the basic facts of the commando raid on Cuba are known, the

report, titled "The Inspector General's Survey of the Cuban Operation," is

an untapped well of cold, hard facts. A leading historian of the operation,

Peter Wyden, wrote wistfully in his book "Bay of Pigs: The Untold Story"

(Simon & Schuster, 1979) that the report was "probably buried forever."

Last week, after 36 years of secrecy during which all but one copy of the

report was destroyed, a Freedom of Information Act request by the

National Security Archive, a nonproft group, unearthed the sole surviving

volume, which was locked in the safe of the director of CIA. The report,

written by the CIA's inspector general, Lyman Kirkpatrick, after a

six-month investigation, is a record of bungling by the best and the

brightest and makes for chilling reading.

The CIA's leaders believed that it was President John F. Kennedy's

failure to approve an attack on Cuba's air force to coincide with the

landing of commandos that caused the deaths of nearly 114 raiders.

Another 1,189 were captured; the rest of the 1,500 either never landed or

made their way back to safety.

And in their rebuttals to the report by Kirkpatrick, they wrote that his

depiction of "unmitigated and almost willful bumbling and disaster" -- in the

words of Gen. Charles Cabell, then deputy director of the CIA -- was

motivated by personal malice. Kirkpatrick had wanted to be the agency's

spymaster, but his career advancement stalled when he contracted polio in

the early 1950s.

The report said the operation, whose planning began in April 1960,

started as a classic covert action "in which the hand of the United States

would not appear." The plan called for a group of exiled Cuban leaders,

supported by a CIA cadre, to build political momentum slowly toward

toppling Castro, who had taken power 16 months earlier.

Very quickly, "this operation took on a life of its own," the report said.

"The agency was going forward without knowing precisely what it was

doing."

The CIA's officers "became so wrapped up in the operation as such that

they lost sight of ultimate goals." Their budget multiplied from $4.4 million

to $46 million. Within a year, they created an unruly, ill-trained, crudely

supported invasion force whose cover was blown, and whose existence

had been broadly hinted at in newspaper reports before the operation

took place. "Plausible denial" -- the ability of the United States to lie

convincingly about its role in the invasion -- became "a pathetic illusion,"

the report said.

With crisscrossing lines of communication and control among bases and

camps in Miami, Key West, New Orleans, Nicaragua and Guatemala, all

under sporadic command from headquarters, the CIA created a "complex

and bizarre organizational situation" that was doomed to fail.

The officers chosen to staff the huge operation were in many instances

incapable; "very few spoke Spanish or had Latin-American background

knowledge," the report said.

Even today, CIA officials say that this lack of foreign languages and

experience remains one of the biggest problems at the agency.

Agency employees treated the Cubans training to overthrow Castro "like

dirt." The abuse left the hungry, barefoot, disillusioned trainees "wondering

what kind of Cuban future they were fighting for."

The Revolutionary Council, the CIA-created alternative to Castro,

became the agency's "puppets," as described in the report. "Isolated in a

Miami safe house, 'voluntarily' but under strong persuasion, the

Revolutionary Council members awaited the outcome of a military

operation which they had not planned and knew little about while

agency-written bulletins were issued to the world in their name."

If the CIA could not work with Cubans, Kirkpatrick warned

prophetically, "how can the agency possibly succeed with the natives of

Black Africa or Southeast Asia?"

President Kennedy had been in office just three months when the invasion

took place. The report argued that he might not have fully grasped the

details of the raid, because the CIA did not fully explain them. "Detailed

policy authorization for some specific actions was either never fully

clarified or only resolved at the 11th hour," it said. "Even the central

decision as to whether to employ the strike force was still somewhat in

doubt up to the very moment of embarkation."

The CIA convinced itself and the White House that the invasion would

magically create in Cuba "an organized resistance that did not exist,"

composed of 30,000 Cubans who would "make their way through the

Castro army and wade the swamps to rally to the liberators." This was

self-deception, the report said, adding drily, "We are unaware of any

planning by the agency or by the U.S. government for this success."

On April 15, 1961, CIA pilots knocked out part of Castro's air force,

and were set to finish the job. At the last minute, on April 16, Kennedy

called off the air strikes, but the message did not reach the 1,511

commandos headed for the Bay of Pigs. Three days of fighting destroyed

the invading force. A brigade commander sent his final messages: "We are

out of ammo and fighting on the beach. Please send help," and: "In water.

Out of ammo. Enemy closing in. Help must arrive in next hour."

It never came. Over the next few days two American teams and a crew of

Cuban frogmen plucked 26 survivors off the beaches and reefs.

After the inquiry completed its work, the agency clearly viewed the report

as poison: "In unfriendly hands, it can become a weapon unjustifiably to

attack the entire mission, organization, and functions of the agency,"

warned Cabell, the deputy director at the time. Nevertheless, the CIA

agreed to release the report as part of a slow process of making public

parts of its past.

Read with hindsight, the accumulated weight of the details in Kirkpatrick's

report makes a case that "the fundamental cause of the disaster" was the

CIA's incompetence, not Kennedy's failure to follow through with the air

raids in support of the commandos.

The agency failed the president by failing to tell him "that success had

become dubious and to recommend that the operation be therefore

canceled," it said.

The consequence of canceling was chagrin: "The world already knew all

about the preparations, and the government's and the agency's

embarrassment would have been public," the report said. The cost of

continuing was "failure, which brought even more embarrassment, carried

death and misery to hundreds" and wounded American prestige. "The

choice was between retreat without honor and a gamble between

ignominious defeat and dubious victory," the report said.

"The agency chose to gamble, at rapidly decreasing odds," in an operation

sabotaged by bad intelligence, incompetent staffing, illusionary planning,

and self-deception. In the future, it concluded, when the White House

wanted to engage in major covert operations "which may profoundly

affect world events," it should call the Defense Department, not the CIA.

The report was released under the Freedom of Information Act to the

National Security Archive, which collects and publishes declassified

government documents.

Peter Kornbluh, director of the archive's Cuba Documentation Project,

called the report "one of the most important examples of self-criticism

ever written inside the agency." He said it would be posted on Sunday at

the archive's Web site: http://www.seas.gwu.edu/nsarchive.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 15:08:20 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Lager <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Christopher's comments on Timothy's comments on my comments on

              Diane's comments, and a partridge in a pear tree

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Christopher, loved your comments re Dostoevsky and Papal infallibilty,

but in the course of quoting the previous post, you removed the line

that attributes the bottom segment to Timothy K. Gallaher.

 

This may seem picky, but no matter how hard I try to make it crystal

clear what the quotations are and what my own words are (by spelling out

"Diane said.." and "then JSH responds..." and putting a "===" in front

of my responses, I STILL get frequent hate mail from people who

seemingly cannot read the ">" brackets and tell who said what in a post,

and angrily attribute someone else's comments to me!

 

(One of my favorites, from a listmember who will go unnamed, continually

referred to me as "Julian", confusing me with Julian Ruck, and she even

quoted my post in its entirety, which I had clearly signed "Jeffrey

Scott Holland"...)

 

In short, William S.Burroughs is the greatest author of the twentieth

century. Thank you all, goodnight, and drive safely.

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

hypnotist of ladies

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 10:51:55 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: the 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

no, no, i'm pretty sure marilyn was the first.  the shot is a pretty

famous

> one, titled "golden dreams".  its a bird's eye shot.  marilyn completely nude,

> on her side,  on a red statin looking background, with her back so her ass and

> breasts stuck out.  its the kind of (soft) porn that poses as art so as to not

> look as cheap.  well, actually, i'd rather not comment on what is and isn't

> art, because that's a whole other can of worms, but that's some of the

> critisism on that particular shot.

 

Dont want to argue here..but Playboys Premier issue (not the Pilot

issue) had Janet Pilgrim as the first Playgirl---MM was shown in an

early issue but she was not called a "Playgirl".Pilgrim wnet on to work

at PLayboy Magaine for many years.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 10:53:06 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: the 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

no, no, i'm pretty sure marilyn was the first.  the shot is a pretty

famous

> one, titled "golden dreams".  its a bird's eye shot.  marilyn completely nude,

> on her side,  on a red statin looking background, with her back so her ass and

> breasts stuck out.  its the kind of (soft) porn that poses as art so as to not

> look as cheap.  well, actually, i'd rather not comment on what is and isn't

> art, because that's a whole other can of worms, but that's some of the

> critisism on that particular shot.

Ofcourse I dont have any idea what this fact has to with Beats anyhow???

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 12:50:40 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "<Carly Earnshaw>" <Sockmunkie@AOL.COM>

Subject:      Re: the 50's stereotype

To:           BEAT-L@CUNYVM.CUNY.EDU

 

sorry, at one point all of this did relate.  since it got off topic i've been

backchanneling my messages, though i can't speak for anyone else.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 19:11:47 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Oatmeal Stout <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have always heard about these WSB books, but my eyes have never beheld

copies of them.....does anyone know more about these? Are they novels,

cut-ups, nonfiction, essays, what?

 

 

"Roosevelt After Inauguration" - I know this was a short piece published

in Floating Bear in 1961, but there was a book by the same name

published by Fuck You Press in 1964....is this just a reprint of the

piece in a small book, or is more material added?

 

"Dead Fingers Talk" - I hear a lot about this novel but I understand

it's never been published in America.....why? Anyone have this?

 

"Four Horsemen of the Apocalypse" - Published only in Germany, and in

the German language? Was there ever an English translation?

 

"Cobblestone Gardens" - published by Cherry Valley Press in 1976. What

IS this??

 

"Electronic Revolution" - Left Bank Books, 1971 - ????

 

"The Retreat Diaries" - ????

 

"Le Festin Nu" - ????

 

"Early Routines" - ????

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Bukowski's "Hostage" CD

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 18:33:08 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Neal

To:           BEAT-L@CUNYVM.CUNY.EDU

 

neal covers his own life real well up to age ten  in the first third.

 

the letters to jack kerouac in the first third cover his teen years, and

there's a piece of a tape that kerouac transcribed in visions of cody

that covers his teen years, too.

 

nicosia wrote a nice entry in the dictionary of literary biography.

 

as ever prints neal and allen g's letters from 1947 onward, and

kerouac's letters include some to neal's denver friends, to help round

things out

 

Steve Edington wrote:

> 

> Several days back someone asked about biographical information on Neal

> Cassady. There is one biography that I know of called The Holy Goof by William

> Plummer (Paragon House, 1981). There's not much in it that hasn't also been

> written elsewhere in bios of other beats (Kerouac, Ginsberg, et. al.) but you

> do get it all in one place in this one. A good part of the book is about NC

> and Ken Kesey. The overall text jumped around too much for my taste, but its

> still worth reading for anyone looking for an overview of NC's life.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 18:36:05 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

if you check out the literary outlaw bio you'll find descriptions of

some of this stuff.

 

cobblestone gardens is a favorite of mine: burroughs' childhood. non

fiction

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 19:43:59 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: mc: yet again, delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

well hello and goodbye bob. i write in spirit of beat dom. always warn

others if it does not apply to their interests. poetry has its place, as i

receive responses more favorable then this.

hope you find yr way thru the maze and don't encounter the minator as yo

wend yr way out.

obviously, you need to bail.

but as you subscribed, you got directions how to unsub:

use them

mc

 

Bob Lewis wrote:

 

> delete at will- good idea! i think i'll do that, along with the iraqi

> petition, and all other things i'm not very interested in.

> what i'm interested in is reading beat literature.  not deciding who's

> beat and who's not.  also not interested in ts eliot, bob dylan and 90%

> of the other crap thats discussed.

> (i use the word crap, because that's what I think it is. doesn't

> necessarily make it so.)

> (i have to put that in, because i know someone is going to respond and

> say i don't appreciate these things. i'll save ya the trouble and say it

> myself- i dont appreciate these things.)

> what i really want to do is log off of this list formerly known as the

> beat list. so please oh please would someone post instructions on the

> matter.

> thank you very much-

> one fed up customer.

> 

> _____________________________________________________________________

> You don't need to buy Internet access to use free Internet e-mail.

> Get completely free e-mail from Juno at http://www.juno.com

> Or call Juno at (800) 654-JUNO [654-5866]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Tue, 24 Feb 1998 19:56:41 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Scott Holland wrote on 2/24/98:

>I have always heard about these WSB books, but my eyes have never beheld

>copies of them.....does anyone know more about these? Are they novels,

>cut-ups, nonfiction, essays, what?

 

[. . . . snip . . . .]

 

>"Cobblestone Gardens" - published by Cherry Valley Press in 1976.

>What IS this??

 

[. . . . snip . . . .]

 

>"The Retreat Diaries" - ????

> 

[ . . . . snip . . . .]

 

Gregory Severance replies:

 

Some of this info has already been posted

while I was eating dinner and composing this.

 

I have in front of me here a book:

 

William S. Burroughs, _The Burroughs File_

(San Francisco: City Lights Books, 1984).

 

Texts bearing the titles, _Cobblestone Gardens_ and

_The Retreat Diaries_ appear in this collection

of WSB material. Here are the citations given

on the publishing history page (p. 12):

 

     _The Retreat Diaries_, The City Moon, City Moon

        Broadcast 3, 1976 (New York)

 

     _Cobble Stone Gardens_, Cherry Valley Editions

        (edited by Charles and Pam Plymell), 1976

        (New York)

 

_Cobble Stone Gardens_ takes up 16 pages in this book and

seems to be more on the side of non-fiction/autobiography.

 

_The Retreat Diaries_ takes up 19 pages. It is an essay

that resulted from notes taken by WSB while on a two week

retreat in upstate New York in the summer of 1975.

 

 

 

 

 

 

% % % % % % % % % % % %

Gregory Severance

morocco@walrus.com

http://www.walrus.com/~morocco/

 

"Where even Richard Nixon has got soul.

 Even Richard Nixon has got it --

 soul."

  --Neil Young  ["Campaigner"]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 21:49:11 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Kirin <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Tom Christopher wrote:

> 

> if you check out the literary outlaw bio you'll find descriptions of

> some of this stuff.

 

=== why, so there is.....funny, I've read "Literary Outlaw" a hundred

times and didn't remember the references to "Cobblestone Gardens" and

others.....I've also skimmed "The Burroughs File" before in the

bookstore and never noticed that "Gardens" was reprinted in its entirety

therein....in the immortal words of Chi Chi Rodriguez, "What A Stupid I

Am".

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeff Holland's Traveling Sideshow

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 22:30:14 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Heineken <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

All WSB bibliographies I've seen on the web are incomplete. I'm trying

to compile a list of all books by WSB (not counting interview books like

"The Job", RE/Search, or Bockris)...I would also like to fill in the

gaps in my collection if anyone has copies for sale or trade. For the

record, I have:

 

Naked Lunch

Interzone

Exterminator!

The Place of Dead Roads

Soft Machine

Junky

The Yage Letters

Wild Boys

The Ticket That Exploded

My Education

Tornado Alley

Port Of Saints

Queer

Cities of the Red Night

The Cat Inside

Nova Express

Ghost of Chance

Painting And Guns

The Adding Machine

The Western Lands

Blade Runner

The Last Words of Dutch Schultz

Letters of WSB, 1945-1959

 

 

I do not have the following, and would like to obtain them. Thanks to

those who pointed out the reprints of some of these texts in "The

Burroughs File". I still would like to own original editions in any

condition...

 

Ah Pook Is Here

Electronic Revolution

Book of Breeething

Ali's Smile, Naked Scientology

Helnwein Faces

Dead Fingers Talk

Le Festin Nu

Early Routines

Cobblestone Gardens

The Retreat Diaries

Four Horsemen of the Apocalypse

Roosevelt After Inauguration

The Burroughs File

Letters To Allen Ginsberg

Minutes To Go

Seven Deadly Sins

The Third Mind

 

 

And lastly, these entries turned up on Amazon.com's database....are

these by our WSB, or by another William S.Burroughs??....

 

Strange, Amazing & Mysterious Places

Lasers

New York Inside Out

Snack

 

 

Are there any other books written by (not about) WSB that do not appear

on this list?

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - KY

Get the new Creeps Outpost Cupcake Card!

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 22:51:54 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Heineken <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Whoops, some addendums to my own list, more books I don't have:

 

Ruski (who published this, Patricia?)

APO-33 Bulletin

Let The Mice In

 

=-=-=

JSH

ky

awooo

=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 17:32:47 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Steve Edington <Sedington@AOL.COM>

Subject:      Neal

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Several days back someone asked about biographical information on Neal

Cassady. There is one biography that I know of called The Holy Goof by William

Plummer (Paragon House, 1981). There's not much in it that hasn't also been

written elsewhere in bios of other beats (Kerouac, Ginsberg, et. al.) but you

do get it all in one place in this one. A good part of the book is about NC

and Ken Kesey. The overall text jumped around too much for my taste, but its

still worth reading for anyone looking for an overview of NC's life.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 23:33:37 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Hudepohl <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bob Lewis wrote:

 

> also not interested in ts eliot, bob dylan and 90%

> of the other crap thats discussed.

 

=== the big existential dilemma here is that this list seems to be torn

between two warring factions, one who sees this as a list FOR Beats, and

those who see it as a list ABOUT Beats, specifically the first original

batch of big kahunas.

 

But the poets, beatniks, proto-Beats, and assorted Hipster Be-bop

Junkies don't just wanna talk ABOUT Beat like it was, in the words of

Joe Pesci, "some remote fuckin' expanse in ancient history", we wanna

talk and think and live and ooze in the moment that IS, dig; a Beat mind

is always thinkin', gears a-turnin', daddy-o, and in the course of just

one wine-soaked evening a person in a quasi-Kerouacian state o'mind

might talk about all kinds o' shtuff, like war, fallout shelters, Ezra

Pound, Green Acres, bottled water, Tiger shit, the new mint flavored

Yoo-Hoo, Smurfs, Unrequited love, The State of the Union, fried stuff,

pain, garlic, parking tickets, Why Johnny can't read, Catholicism,

Ism-ism, Leonardo Da Vinci, Fiberglas, Cake, skinny-dipping, virtual

pets, Andre Gide, imitation crab meat, Adam Ant, watercress, Dixieland

Jazz, literacy, Ed Wood, nihilism, tits, carpentry, dirt, hormones,

regret, bad surrealist haikus, semi-automatic weapons, mittens, the

importance of being Ernest Tubb, school glue, bondage, The Ultimate

Spinach, erlenmeyer flasks, Carol Channing, baked potatoes, LeRoi Jones,

geodes, table saws, Poker, Hubert Humphrey, "Cheiro's Book of Numbers",

lint, carbohydrates, why you can't keep your eyes open when sneezing,

turpentine, Sacco & Vanzetti, Fats Domino, Vietnam, Squirrels, Royal

Jelly, the IWW, and Marie's Father's Billfold.

 

All from ze beat viewpoint, of course, you unnerstand.

 

 

 

>  i dont appreciate these things.

 

=== learn to appreciate everything, because everything is significant.

 

 

 

 

> so please oh please would someone post instructions on the

> matter.

 

=== Like, man, you can check out any time you like, but you can never

leave.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - ky

chasing the ghost of Lorca

=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 17:54:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-24 18:06:26 EST,

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Bukowski's "Hostage" CD

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 writes:

 

<< "Electronic Revolution" - Left Bank Books, 1971 - ???? >>

 

Supposedly out of print. A few months ago I saw it lying around a Borders

(this was before I knew how rare it was), and later when I tried to find t

again it wasn't there.  <A HREF="http://www.hyperreal.org/wsb/elect-rev.html">

The Electronic Revolution</A> http://www.hyperreal.org/wsb/elect-rev.html

I think this site has the full text, though. It's a really neat book.Not quite

done reading it, but I'd love to discuss it when I have.

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Juno-Line-Breaks: 1,4,6,9,12-14

Date:         Tue, 24 Feb 1998 18:40:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bob Lewis <kokupokit@JUNO.COM>

Subject:      Re: mc: yet again, delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

delete at will- good idea! i think i'll do that, along with the iraqi

petition, and all other things i'm not very interested in.

what i'm interested in is reading beat literature.  not deciding who's

beat and who's not.  also not interested in ts eliot, bob dylan and 90%

of the other crap thats discussed.

(i use the word crap, because that's what I think it is. doesn't

necessarily make it so.)

(i have to put that in, because i know someone is going to respond and

say i don't appreciate these things. i'll save ya the trouble and say it

myself- i dont appreciate these things.)

what i really want to do is log off of this list formerly known as the

beat list. so please oh please would someone post instructions on the

matter.

thank you very much-

one fed up customer.

 

_____________________________________________________________________

You don't need to buy Internet access to use free Internet e-mail.

Get completely free e-mail from Juno at http://www.juno.com

Or call Juno at (800) 654-JUNO [654-5866]

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 17:49:16 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Oatmeal Stout wrote:

> 

> I have always heard about these WSB books, but my eyes have never beheld

> copies of them.....does anyone know more about these? Are they novels,

> cut-ups, nonfiction, essays, what?

> "The Retreat Diaries" - ????

> 

 

The Retreat Diaries,  a city Moon Publication, small book, white cover,

red siluette of william on cover.

City Moon Broadcast number 3

containing,

        The Retreat Diaries by WSB

        With the dream of Tibet by ag

        introduction by james Grauerholz

 

it is one of my favorite books,  They originally cost me $2.50.  I have

several.  I heard a good condition unautographed one recently sold for

$200. I heard another one sold for $50.  It pieces have probably been

printed in other works.

I also have a little chap book called Ruski, by wsb. which is a

delight.  It was inspired by an old acquiantance of mine, Rusky the

beautiful blue russian cat,  it was williams mean old blue russain.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Tue, 24 Feb 1998 19:02:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:11 PM 2/24/1998 +0100, Jeffrey Scott Holland wrote:

 

>I have always heard about these WSB books, but my eyes have never beheld

>copies of them.....does anyone know more about these? Are they novels,

>cut-ups, nonfiction, essays, what?

 

I have these two:

 

>"Dead Fingers Talk" - I hear a lot about this novel but I understand

>it's never been published in America.....why? Anyone have this?

 

If I remember correctly, this is sections of _Naked Lunch_, The Soft

Machine_, and _The Ticket that Exploded_ and is interspersed with

unpublished material that makes up a new book.  I believe that this

was originally supposed to be an intro-reader to Burroughs in England,

due to the backlash that _Naked Lunch_ was causing elsewhere.  The

British publisher felt if they could get enough critical support for

_DFT_ they could get support from the literary community to defend

an eventual publishing of _NL_ in England.

 

>"Four Horsemen of the Apocalypse" - Published only in Germany, and in

>the German language? Was there ever an English translation?

 

This edition is German/English.  One half of the book is in German

the other English.  I believe this was a speech that Burroughs

presented in 1980 at the Institute of Eurotechnics.

 

Burroughs, William Seward.  _Four Horsemen of the Apocalypse_.  Bonn,

W. Germany: Expanded Media Editions, 1988.

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [204.210.0.21]

Date:         Tue, 24 Feb 1998 16:24:21 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Christopher Moore <benelux@HOTMAIL.COM>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I have always heard about these WSB books, but my eyes have never

beheld

>copies of them.....does anyone know more about these? Are they novels,

>cut-ups, nonfiction, essays, what?

 

>"Le Festin Nu" - ????

 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Berea, KY

>listening to Bukowski's "Hostage" CD

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

JSH:  "Le Festin Nu" is a French translation of "Naked Lunch".  I

purchased a copy of it in Paris last summer for 40F.  I don't have it

next to me at the moment, so I'm not sure when it was published or who

the translater is, although, if you're interested, I can find out by

next month (you see, the book is at my father's house).

Christopher.

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 18:26:50 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sorry as to your question,

         The Retreat Diaries is an essay, containing sections of williams diary

when he was on a buddist retreat suggested by Rinpoche

 

it also contains a dream by james G. which is a nice little peice,

probably not reproduced elswhere. The piece  by allen G. is about a

dream he had of tibet

 

Ruski is a tiny grey chapbook (1984)

 

I will copy some of the pages, so you can get a feel for it.

 

They called him the Great Gatsby, Came from nowhere, rented a big house

and started giving parties, plenty of good booze and chow.  It wasn't

long before they found out his bounty was not exactly free.  He levied a

toll on his guests and that tol was known as Ruski.  ruski was a

purple-gray cat.  The color is known as Russian Blue, so he called his

cat Ruski.

 

 

"You see he's a KGB Colonel and bucking for General"

        They thought this was funny at first; someone would say somethingand he

would ask, "What do you think about that, Ruski?" and translate Ruski's

answer back, which was always tactless and insulting.

        And Ruski had questions for guests...personal questions.

patricia

Patricia Elliott wrote:

> 

> Oatmeal Stout wrote:

> >

> > I have always heard about these WSB books, but my eyes have never beheld

> > copies of them.....does anyone know more about these? Are they novels,

> > cut-ups, nonfiction, essays, what?

> > "The Retreat Diaries" - ????

> >

> 

> The Retreat Diaries,  a city Moon Publication, small book, white cover,

> red siluette of william on cover.

> City Moon Broadcast number 3

> containing,

>         The Retreat Diaries by WSB

>         With the dream of Tibet by ag

>         introduction by james Grauerholz

> 

> it is one of my favorite books,  They originally cost me $2.50.  I have

> several.  I heard a good condition unautographed one recently sold for

> $200. I heard another one sold for $50.  It pieces have probably been

> printed in other works.

> I also have a little chap book called Ruski, by wsb. which is a

> delight.  It was inspired by an old acquiantance of mine, Rusky the

> beautiful blue russian cat,  it was williams mean old blue russain.

> patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Tue, 24 Feb 1998 18:41:13 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

J.S. Holland wrote:

 

> I have always heard about these WSB books, but my eyes have never beheld

> copies of them.....does anyone know more about these? Are they novels,

> cut-ups, nonfiction, essays, what?

> 

> "Roosevelt After Inauguration" - I know this was a short piece published

> in Floating Bear in 1961, but there was a book by the same name

> published by Fuck You Press in 1964....is this just a reprint of the

> piece in a small book, or is more material added?

 

The Fuck You Press edition was a mimeo reprint of the Floating Bear piece.

In 1979 City Lights

published ROOSEVELT AFTER INAUGURATION And Other Atrocities, which included

the title piece, a facsimile of the hand-drawn (by Ginsberg) cover for the

Fuck You Press edition, plus three other short pieces...Sects And Death,

The Whole Tamale, and When Did I Stop Wanting To Be President?

 

> "Cobblestone Gardens" - published by Cherry Valley Press in 1976.

> "The Retreat Diaries" - ????

 

These two are reprinted along with some other early material in The

Burroughs File (City Lights 1984).

 

Regards,

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Tue, 24 Feb 1998 18:45:16 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

 

> Sorry as to your question,

>          The Retreat Diaries is an essay, containing sections of williams

diary

> when he was on a buddist retreat suggested by Rinpoche

> 

> it also contains a dream by james G. which is a nice little peice,

> probably not reproduced elswhere. The piece  by allen G. is about a

> dream he had of tibet

 

As far as I can tell, the complete Retreat Diaries (including Grauerholz's

and Ginsberg's contributions) is reprinted in The Burroughs File.

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Tue, 24 Feb 1998 20:50:01 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

J.S. Holland wrote:

 

> And lastly, these entries turned up on Amazon.com's database....are

> these by our WSB, or by another William S.Burroughs??....

> 

> Strange, Amazing & Mysterious Places

 

This is a large coffee table book about the pyramids, Angkor Wat, Machu

Picchu, Pompeii, etc. with an introduction (only) by WSB.

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 21:52:44 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Heineken wrote:

> 

> Whoops, some addendums to my own list, more books I don't have:

> 

> Ruski (who published this, Patricia?)

 

Hand-Job Press

christopher Blake

brooklyn, New York

500 copies, numbered.  i have Nu. 29

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 22:03:46 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeff Taylor <taylorjb@CTRVAX.VANDERBILT.EDU>

Subject:      Re: WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> All WSB bibliographies I've seen on the web are incomplete. I'm trying

> to compile a list of all books by WSB (not counting interview books like

> "The Job", RE/Search, or Bockris)

 

Indispensible is _William S. Burroughs: A Reference Guide_ by Michael

B. Goodman & Lemuel B. Coley (New York: Garland Pub., 1990)

 

It's not entirely complete, but lists almost everything by or about

WSB (incl. his books, translations, articles, reviews, secondary

sources, manuscript collections, films, recordings, etc.) up thru '90.

 

I myself am attempting to compile a bibliography of things not

included in the Goodman bib., as well as things that have come out

since '90. Hope to post it in a few days.

 

*******

Jeff Taylor

jeff.taylor@vanderbilt.edu

taylorj@library.vanderbilt.edu

*******

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: philzi@pop.tiac.net

Date:         Tue, 24 Feb 1998 23:43:21 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bob Lewis wrote:

 

also not interested in ts eliot, bob dylan and 90%

of the other crap thats discussed.

 

>=== the big existential dilemma here is that this list seems to be torn

>between two warring factions, one who sees this as a list FOR Beats, and

>those who see it as a list ABOUT Beats, specifically the first original

>batch of big kahunas.

> 

>But the poets, beatniks, proto-Beats, and assorted Hipster Be-bop

>Junkies don't just wanna talk ABOUT Beat like it was, in the words of

>Joe Pesci, "some remote fuckin' expanse in ancient history", we wanna

>talk and think and live and ooze in the moment that IS, dig; a Beat mind

>is always thinkin', gears a-turnin', daddy-o, and in the course of just

>one wine-soaked evening a person in a quasi-Kerouacian state o'mind

>might talk about all kinds o' shtuff, like war, fallout shelters, Ezra

>Pound, Green Acres, bottled water, Tiger shit, the new mint flavored

>Yoo-Hoo, Smurfs, Unrequited love, The State of the Union, fried stuff,

>pain, garlic, parking tickets, Why Johnny can't read, Catholicism,

>Ism-ism, Leonardo Da Vinci, Fiberglas, Cake, skinny-dipping, virtual

>pets, Andre Gide, imitation crab meat, Adam Ant, watercress, Dixieland

>Jazz, literacy, Ed Wood, nihilism, tits, carpentry, dirt, hormones,

>regret, bad surrealist haikus, semi-automatic weapons, mittens, the

>importance of being Ernest Tubb, school glue, bondage, The Ultimate

>Spinach, erlenmeyer flasks, Carol Channing, baked potatoes, LeRoi Jones,

>geodes, table saws, Poker, Hubert Humphrey, "Cheiro's Book of Numbers",

>lint, carbohydrates, why you can't keep your eyes open when sneezing,

>turpentine, Sacco & Vanzetti, Fats Domino, Vietnam, Squirrels, Royal

>Jelly, the IWW, and Marie's Father's Billfold.

> 

>All from ze beat viewpoint, of course, you unnerstand.

 

Now if that ain't beat. I'll bend over and kiss my ass and beat my meat at

the same time in Times Square on New Years Eve. It's so beat it's

beeeeeeeeeeeeeeeeeeeeeat and even beeeeeeeeeeeeeeeeeeeeeeeater still It's

even beboparooba-piddlee-diddlee-beat sweeeeeeeeeeeeeeeeeet beeeeeeeat

 

Marie, that poem was fucking great. I'll slide through oodles of nonsensical

hogwash to read one poem like that any day. Keep em coming MC. PC

 

To Bob: You may leave the list at any  time by sending a "SIGNOFF BEAT-L"

command in the body of the text  to the e-mail address

LISTSERV@CUNYVM.CUNY.EDU

and poof you will no longer get any boring posts. Thanks for coming and

don't let the door hit you in the ass on the way out. PC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Feb 1998 23:41:08 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jeffrey Perchuk wrote:

> 

> At 11:43 PM 2/24/98 -0500, you wrote:

> >Bob Lewis wrote:

> >

> >also not interested in ts eliot, bob dylan and 90%

> >of the other crap thats discussed.

> >

> >>=== the big existential dilemma here is that this list seems to be torn

> >>between two warring factions, one who sees this as a list FOR Beats, and

> >>those who see it as a list ABOUT Beats, specifically the first original

> >>batch of big kahunas.

> >>

> >>But the poets, beatniks, proto-Beats, and assorted Hipster Be-bop

> >>Junkies don't just wanna talk ABOUT Beat like it was, in the words of

> >>Joe Pesci, "some remote fuckin' expanse in ancient history", we wanna

> >>talk and think and live and ooze in the moment that IS, dig; a Beat mind

> >>is always thinkin', gears a-turnin', daddy-o, and in the course of just

> >>one wine-soaked evening a person in a quasi-Kerouacian state o'mind

> >>might talk about all kinds o' shtuff, like war, fallout shelters, Ezra

> >>Pound, Green Acres, bottled water, Tiger shit, the new mint flavored

> >>Yoo-Hoo, Smurfs, Unrequited love, The State of the Union, fried stuff,

> >>pain, garlic, parking tickets, Why Johnny can't read, Catholicism,

> >>Ism-ism, Leonardo Da Vinci, Fiberglas, Cake, skinny-dipping, virtual

> >>pets, Andre Gide, imitation crab meat, Adam Ant, watercress, Dixieland

> >>Jazz, literacy, Ed Wood, nihilism, tits, carpentry, dirt, hormones,

> >>regret, bad surrealist haikus, semi-automatic weapons, mittens, the

> >>importance of being Ernest Tubb, school glue, bondage, The Ultimate

> >>Spinach, erlenmeyer flasks, Carol Channing, baked potatoes, LeRoi Jones,

> >>geodes, table saws, Poker, Hubert Humphrey, "Cheiro's Book of Numbers",

> >>lint, carbohydrates, why you can't keep your eyes open when sneezing,

> >>turpentine, Sacco & Vanzetti, Fats Domino, Vietnam, Squirrels, Royal

> >>Jelly, the IWW, and Marie's Father's Billfold.

> >>

> >>All from ze beat viewpoint, of course, you unnerstand.

> >

> >Now if that ain't beat. I'll bend over and kiss my ass and beat my meat at

> >the same time in Times Square on New Years Eve. It's so beat it's

> >beeeeeeeeeeeeeeeeeeeeeat and even beeeeeeeeeeeeeeeeeeeeeeeater still It's

> >even beboparooba-piddlee-diddlee-beat sweeeeeeeeeeeeeeeeeet beeeeeeeat

> >

> >Marie, that poem was fucking great. I'll slide through oodles of nonsensical

> >hogwash to read one poem like that any day. Keep em coming MC. PC

> >

> >To Bob: You may leave the list at any  time by sending a "SIGNOFF BEAT-L"

> >command in the body of the text  to the e-mail address

> >LISTSERV@CUNYVM.CUNY.EDU

> >and poof you will no longer get any boring posts. Thanks for coming and

> >don't let the door hit you in the ass on the way out. PC

> >

> >

> 

> I don't see what all the fuss is about--if there's something you wanna talk

> about, then go ahead and talk. But maybe people will like it better when it

> hooks up with the Beat thing in a clear, definable way. I'm not even sure

> myself what the parameters of this whole thing really are. So I guess we'll

> just have to make it up as we go along------?

> 

>                                             J. Perchuk

i don't mind occassional forays into something else than beat literature

or art but the amount of unrelated crap that has blessed the list lately

was making me think I wanted off. I hated losing James Stauffer, he has

a good mind, a good heart and is different enough from me to give my

mine a little extra electricity.  i have no desire to join the endless

chats of where you coming from man than i had in answering the question

what's your sign.  I really like maries poem and i appreciate the

warning subject titles, even though i have a suggestion that she start

numbering final versions so we can tell them apart.  I printed off the

billfold poem and plan to hand it to a certain sob that sits in a bar

and waxes about family. If you can't actually relate it to beat

literature or art then PLEASE consider backchannel.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Wed, 25 Feb 1998 00:49:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:43 PM 2/24/98 -0500, you wrote:

>Bob Lewis wrote:

> 

>also not interested in ts eliot, bob dylan and 90%

>of the other crap thats discussed.

> 

>>=== the big existential dilemma here is that this list seems to be torn

>>between two warring factions, one who sees this as a list FOR Beats, and

>>those who see it as a list ABOUT Beats, specifically the first original

>>batch of big kahunas.

>> 

>>But the poets, beatniks, proto-Beats, and assorted Hipster Be-bop

>>Junkies don't just wanna talk ABOUT Beat like it was, in the words of

>>Joe Pesci, "some remote fuckin' expanse in ancient history", we wanna

>>talk and think and live and ooze in the moment that IS, dig; a Beat mind

>>is always thinkin', gears a-turnin', daddy-o, and in the course of just

>>one wine-soaked evening a person in a quasi-Kerouacian state o'mind

>>might talk about all kinds o' shtuff, like war, fallout shelters, Ezra

>>Pound, Green Acres, bottled water, Tiger shit, the new mint flavored

>>Yoo-Hoo, Smurfs, Unrequited love, The State of the Union, fried stuff,

>>pain, garlic, parking tickets, Why Johnny can't read, Catholicism,

>>Ism-ism, Leonardo Da Vinci, Fiberglas, Cake, skinny-dipping, virtual

>>pets, Andre Gide, imitation crab meat, Adam Ant, watercress, Dixieland

>>Jazz, literacy, Ed Wood, nihilism, tits, carpentry, dirt, hormones,

>>regret, bad surrealist haikus, semi-automatic weapons, mittens, the

>>importance of being Ernest Tubb, school glue, bondage, The Ultimate

>>Spinach, erlenmeyer flasks, Carol Channing, baked potatoes, LeRoi Jones,

>>geodes, table saws, Poker, Hubert Humphrey, "Cheiro's Book of Numbers",

>>lint, carbohydrates, why you can't keep your eyes open when sneezing,

>>turpentine, Sacco & Vanzetti, Fats Domino, Vietnam, Squirrels, Royal

>>Jelly, the IWW, and Marie's Father's Billfold.

>> 

>>All from ze beat viewpoint, of course, you unnerstand.

> 

>Now if that ain't beat. I'll bend over and kiss my ass and beat my meat at

>the same time in Times Square on New Years Eve. It's so beat it's

>beeeeeeeeeeeeeeeeeeeeeat and even beeeeeeeeeeeeeeeeeeeeeeeater still It's

>even beboparooba-piddlee-diddlee-beat sweeeeeeeeeeeeeeeeeet beeeeeeeat

> 

>Marie, that poem was fucking great. I'll slide through oodles of nonsensical

>hogwash to read one poem like that any day. Keep em coming MC. PC

> 

>To Bob: You may leave the list at any  time by sending a "SIGNOFF BEAT-L"

>command in the body of the text  to the e-mail address

>LISTSERV@CUNYVM.CUNY.EDU

>and poof you will no longer get any boring posts. Thanks for coming and

>don't let the door hit you in the ass on the way out. PC

> 

> 

 

I don't see what all the fuss is about--if there's something you wanna talk

about, then go ahead and talk. But maybe people will like it better when it

hooks up with the Beat thing in a clear, definable way. I'm not even sure

myself what the parameters of this whole thing really are. So I guess we'll

just have to make it up as we go along------?

 

 

                                            J. Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 25 Feb 1998 00:23:20 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What information does anyone have about thebook and the author

 

"Minor Characters" by Joyce Johnson. Was told she  wrote about the

hangers-on to the fifties Beats.

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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X-Sender: cen00746@207.17.135.251

Date:         Wed, 25 Feb 1998 01:58:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: CIA Report on Bay of Pigs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I read the piece in Barnes asnd Ignoble.  Did you rewrite this

whole article?

 

Miike rice

 

 

 

 

At 07:58 AM 2/24/98 EST, you wrote:

>for those of you who live in NYC, i'm figuring many of you saw this on the

>cover of the Times yesterday. if not, or if you're elsewhere, here you go...

> 

>________________________________________________________

>from The New York Times; February 22, 1998

> 

>C.I.A. Bares Own Bungling in Bay of Pigs Report

>  By TIM WEINER

> 

>ASHINGTON -- One of the most secret documents of the

>Cold War is out: the CIA's brutally honest inquest into the 1961

>Bay of Pigs fiasco, which laid the blame for the disastrous invasion of

>Cuba squarely on the agency's own institutional arrogance, ignorance and

>incompetence.

>The 150-page document also cautioned those who would use the CIA to

>overthrow enemies, saying that job belongs to the Pentagon and its broad

>arsenal of military forces around the globe.

>The report painted a picture of an agency shot through with deadly

>self-deception, one whose secret operations were "ludicrous or tragic or

>both." In mounting the Cuban operation, almost none of the CIA officers

>were able to speak Spanish, yet those same officers heaped contempt on

>their Cuban "puppets" hand-picked to replace Fidel Castro, the report

>said.

>The Bay of Pigs invasion, carried out in April 1961, was organized by the

>CIA and was intended to lead to the overthrow of Castro, whose

>Communist government just 90 miles from the Florida coast was seen as a

>beachhead for Soviet influence in the Western Hemisphere.

>While the basic facts of the commando raid on Cuba are known, the

>report, titled "The Inspector General's Survey of the Cuban Operation," is

>an untapped well of cold, hard facts. A leading historian of the operation,

>Peter Wyden, wrote wistfully in his book "Bay of Pigs: The Untold Story"

>(Simon & Schuster, 1979) that the report was "probably buried forever."

>Last week, after 36 years of secrecy during which all but one copy of the

>report was destroyed, a Freedom of Information Act request by the

>National Security Archive, a nonproft group, unearthed the sole surviving

>volume, which was locked in the safe of the director of CIA. The report,

>written by the CIA's inspector general, Lyman Kirkpatrick, after a

>six-month investigation, is a record of bungling by the best and the

>brightest and makes for chilling reading.

>The CIA's leaders believed that it was President John F. Kennedy's

>failure to approve an attack on Cuba's air force to coincide with the

>landing of commandos that caused the deaths of nearly 114 raiders.

>Another 1,189 were captured; the rest of the 1,500 either never landed or

>made their way back to safety.

>And in their rebuttals to the report by Kirkpatrick, they wrote that his

>depiction of "unmitigated and almost willful bumbling and disaster" -- in the

>words of Gen. Charles Cabell, then deputy director of the CIA -- was

>motivated by personal malice. Kirkpatrick had wanted to be the agency's

>spymaster, but his career advancement stalled when he contracted polio in

>the early 1950s.

>The report said the operation, whose planning began in April 1960,

>started as a classic covert action "in which the hand of the United States

>would not appear." The plan called for a group of exiled Cuban leaders,

>supported by a CIA cadre, to build political momentum slowly toward

>toppling Castro, who had taken power 16 months earlier.

>Very quickly, "this operation took on a life of its own," the report said.

>"The agency was going forward without knowing precisely what it was

>doing."

>The CIA's officers "became so wrapped up in the operation as such that

>they lost sight of ultimate goals." Their budget multiplied from $4.4 million

>to $46 million. Within a year, they created an unruly, ill-trained, crudely

>supported invasion force whose cover was blown, and whose existence

>had been broadly hinted at in newspaper reports before the operation

>took place. "Plausible denial" -- the ability of the United States to lie

>convincingly about its role in the invasion -- became "a pathetic illusion,"

>the report said.

>With crisscrossing lines of communication and control among bases and

>camps in Miami, Key West, New Orleans, Nicaragua and Guatemala, all

>under sporadic command from headquarters, the CIA created a "complex

>and bizarre organizational situation" that was doomed to fail.

>The officers chosen to staff the huge operation were in many instances

>incapable; "very few spoke Spanish or had Latin-American background

>knowledge," the report said.

>Even today, CIA officials say that this lack of foreign languages and

>experience remains one of the biggest problems at the agency.

>Agency employees treated the Cubans training to overthrow Castro "like

>dirt." The abuse left the hungry, barefoot, disillusioned trainees "wondering

>what kind of Cuban future they were fighting for."

>The Revolutionary Council, the CIA-created alternative to Castro,

>became the agency's "puppets," as described in the report. "Isolated in a

>Miami safe house, 'voluntarily' but under strong persuasion, the

>Revolutionary Council members awaited the outcome of a military

>operation which they had not planned and knew little about while

>agency-written bulletins were issued to the world in their name."

>If the CIA could not work with Cubans, Kirkpatrick warned

>prophetically, "how can the agency possibly succeed with the natives of

>Black Africa or Southeast Asia?"

>President Kennedy had been in office just three months when the invasion

>took place. The report argued that he might not have fully grasped the

>details of the raid, because the CIA did not fully explain them. "Detailed

>policy authorization for some specific actions was either never fully

>clarified or only resolved at the 11th hour," it said. "Even the central

>decision as to whether to employ the strike force was still somewhat in

>doubt up to the very moment of embarkation."

>The CIA convinced itself and the White House that the invasion would

>magically create in Cuba "an organized resistance that did not exist,"

>composed of 30,000 Cubans who would "make their way through the

>Castro army and wade the swamps to rally to the liberators." This was

>self-deception, the report said, adding drily, "We are unaware of any

>planning by the agency or by the U.S. government for this success."

>On April 15, 1961, CIA pilots knocked out part of Castro's air force,

>and were set to finish the job. At the last minute, on April 16, Kennedy

>called off the air strikes, but the message did not reach the 1,511

>commandos headed for the Bay of Pigs. Three days of fighting destroyed

>the invading force. A brigade commander sent his final messages: "We are

>out of ammo and fighting on the beach. Please send help," and: "In water.

>Out of ammo. Enemy closing in. Help must arrive in next hour."

>It never came. Over the next few days two American teams and a crew of

>Cuban frogmen plucked 26 survivors off the beaches and reefs.

>After the inquiry completed its work, the agency clearly viewed the report

>as poison: "In unfriendly hands, it can become a weapon unjustifiably to

>attack the entire mission, organization, and functions of the agency,"

>warned Cabell, the deputy director at the time. Nevertheless, the CIA

>agreed to release the report as part of a slow process of making public

>parts of its past.

>Read with hindsight, the accumulated weight of the details in Kirkpatrick's

>report makes a case that "the fundamental cause of the disaster" was the

>CIA's incompetence, not Kennedy's failure to follow through with the air

>raids in support of the commandos.

>The agency failed the president by failing to tell him "that success had

>become dubious and to recommend that the operation be therefore

>canceled," it said.

>The consequence of canceling was chagrin: "The world already knew all

>about the preparations, and the government's and the agency's

>embarrassment would have been public," the report said. The cost of

>continuing was "failure, which brought even more embarrassment, carried

>death and misery to hundreds" and wounded American prestige. "The

>choice was between retreat without honor and a gamble between

>ignominious defeat and dubious victory," the report said.

>"The agency chose to gamble, at rapidly decreasing odds," in an operation

>sabotaged by bad intelligence, incompetent staffing, illusionary planning,

>and self-deception. In the future, it concluded, when the White House

>wanted to engage in major covert operations "which may profoundly

>affect world events," it should call the Defense Department, not the CIA.

>The report was released under the Freedom of Information Act to the

>National Security Archive, which collects and publishes declassified

>government documents.

>Peter Kornbluh, director of the archive's Cuba Documentation Project,

>called the report "one of the most important examples of self-criticism

>ever written inside the agency." He said it would be posted on Sunday at

>the archive's Web site: http://www.seas.gwu.edu/nsarchive.

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 07:17:40 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      The significance of numbering crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patricia:(and phil) i'm glad you lke the poems. the numerical system will

 benefit

me as well as those out there setting up chapbooks for them (the finished ones i

mean). i get easily confused as well.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 10:01:07 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Red Ale <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Excerpt from "714"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

...an excerpt from "714", a novel by Jeffrey Scott Holland

 

 

 

 

                Jonathan Ray is staring into the computer monitor, grinning like a

lost

Mexican wrestler who's just stumbled onto the treasure of the Sierra

Madre. The answers he has been seeking have fallen into his virtual lap,

thanks to the magic of the Internet. Now there is nothing to stop him

from

putting his master plan into effect. Venceremos!

 

        BAM BAM BAM BAM BAM BAM

 

        The door. Jonathan's heart freezes. Not expecting company.

Sitting here

naked, and all sorts of illicit items laying out in plain view. *I will

try not to breathe*, Jonathan said to himself. *If they catch me in here

like this, all is lost*. The door knocked again.

        Moments the size of battleships passed. *They'll give up and

come back

later.*

        Whoever was on the other side produced a set of keys, and the

sound of

them jingling sent Jonathan's blood pressure soaring. The sound of them

being inserted into the keyhole nearly sent his head flying off. He

lunged for the door as it began to open, pushing a heavy box of records

with his foot against the door to help block it.

        "Ah, excuse me, I'm, uh, changing clothes in here. Heh."

        "*I'm* sorry, I didn't think anyone was in here...." It was

either the

man who owned this office building or it was his flunky, couldn't tell

by the voice.

        "Be right with you." I relocked the door and hastily put on my

cleanest

suit, which was not clean by even a hobo's standards. Wrinkled all to

hell, and lunch and cumstains all over the pants. Where's my hat?

Where's my hat? Grabbed a CD to check my reflection in it. Jesus. I look

like Jim the Wino from 'Taxi'. I grabbed the phone, quickly dialed my

own

pager number, and hung up.

        Opened the door and tried to adopt the posture and tone of a

respectable businessman, a man of finance, and a captain of industry.

        The office building owner's flunky stood there, with the bitch

across

the hall standing behind him, craning her neck and gawking like an

onlooker at a traffic accident. Both of looked first not at me, but at

my office behind me. They had clearly come to sneak a peek at what goes

in here. There were liquor bottles and trash everywhere. Ellen's bra was

draped over the couch, and there were many large water bottles filled

with urine around my desk. I had a bad habit of being so sucked into

surfing the net that I didn't even get up to piss, I just sat there and

peed in empty water bottles; and they had begun to pile up.

        Then they looked at me, up and down, and their faces made no

attempt to

conceal their distaste. An uncomfortable moment passed.

        The bitch spoke, in the condescending voice of a daytime talk

show

hostess: "Exactly what kind of business do you run, Mr.Ray?"

        I knew that I should kiss ass. I knew that what I said and did

at this

juncture would determine whether I'd be allowed to stay here. Problem

is, I just dont like being put on trial like this. "I will not have any

damn

ultimatums put to me", as Oliver Stone's Jim Garrison said.

        "I am an importer/exporter of Japanese nostrums", I said with a

straight face. They managed a wan nod and a weak "oh...". The door they

had been knocking on said clearly in huge letters, "JONATHAN RAY -

COLLECTOR AND DEALER OF ANTIQUES" so it was a profoundly dumb question

in the first place.

        "We've had a report of, ah, an odd smell coming from around

here. We

were just checking in to make sure something hadn't spilled or

something....." Jeez, I don't smell *that* bad.

        "It's probably the Tiger urine, I'm really sorry about that.

I've been

packaging it for a client in Okinawa." My pager went off. "Oh, got a

page." I consulted its readout. "Well, gotta make this call. Let me get

back to you, okay? We'll do lunch." I slammed the door on their pasty

republican faces, mouths open like stunned goldfishes.

 

        Might as well start packing now.

 

 

                            **************

 

 

        Sure enough, next morning a letter was taped to my front door:

 

Bob Dullard

Dullard Office Complex

105 Five St.

Richmond, KY 40475

 

October 11, 1996

 

Jonathan Ray

JSR Antiques

105 Five St., #207

Richmond, KY 40475

 

 

Dear Mr.Ray:

 

Please consider this a notice for your eviction by November 1, 1996, due

to you not complying with what I feel to be standard business behavior

and operations as well as complaints made by other, good standing

tenants in this building. Please return your key by the above date.

 

Sincerely,

Bob Dullard

 

 

 

                              **************

 

 

        "Due to you not complying"....what clumsy phrasing, doesn't this

shmuck

know how to dictate a letter? Never trust a guy with a male secretary,

anyway, I always say.  "Standard business behavior", hell, it's not like

I come to work in a clown costume with my pecker hanging out. I come in

quietly, mind my own business, never played music loud until the

building closed and everyone else went home......but these monkeys know

I'm the enemy. They can smell it. And I don't mean the smell rising off

my shoes.... These fuckers can smell the enemy...... Like dogs can

smell fear. You can wear a suit and tie, but you can't hide your lyin'

eyes. Dwight Frye said that. Or somebody like that.

        I suppose now is the time to try my luck in Atlanta for awhile.

Get

another office over there or something, shack up with Polly for a

season.....what a pain it's going to be moving all this crap out of

this office, 10,000 record albums, all these books and clothes and

shit.

        Later that night, after the building was silent and all other

offices were empty, I drank whiskey until the wee hours, playing records

and packing. I began screaming.

        "You bald headed itchy-assed bastards!!! Don't you know who I

am??? I am the God of Hell Fire!! You're not just evicting ME, ya know,

you're also evicting Blind Willie Johnson! And Jaybird Coleman! And

Sharkey Bonano! And Red Norvo! And Stovepipe Smith! And Muggsy Spanier!

And...." on into the night.

 

 

                       ***************

 

 

        I got moved out on time, thanks to Jesse's help. I left the desk in

there, but took the drawers with me so no one else could use it. It

weighed a ton and it took three big guys to get it in there in the first

place. I also left a mountain of garbage in there, including the bottles

of urine and some old socks. Went in dressed up in a clean snazzy

business

suit to drop off the key. Before I could even get up to the office, some

yuppie stopped me and asked me "can I HELP you with something??" as if I

was

a bum that just staggered in off the street or something. You can wear a

suit

and tie, but one thing you can't hide is when you're crippled inside.

Jack

Lemmon said that. Or somebody like that.

 

 

 

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - KY

hearing pancakes call his name

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 10:10:03 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Red Ale <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: Excerpt from "714"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

oops, cut-n-pasting text from SimpleText sometimes makes it come out all

wonky when pasted into an e-mail, and wonky it was indeed. Sorry about

the unintended random layout; Just pretend I'm trying to be Hubert

Selby,Jr.

 

 

=-=-=

JSH

Kyyyyyyyyyyy

=-=-=

 

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X-Sender: cen00746@207.17.135.251

Date:         Wed, 25 Feb 1998 05:03:28 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Reality Check

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Have a look at Time Magazine's essay on the CNN "Town Meeting."

Its really just a TV hype that backfired on the network and

Clinton.  The day after the State of the Union, Clinton came

to my area and got a lot of local folks to wave flags and act

like they approved of his State of the Union.  Of course, they

did no such thing.  They may not have even watched it.  They were

just glad he brought his "munificense" to our area.  These kinds

of TV spectacles are a fraud.  As a practitioner of small town

politics, I can tell you that "loading a meeting", usually a

committee meeting, during consideration of a local special interest

issue, is easy as pie.  I've done it myself on more than one occasion.

Even the canniest politician can't quite figure out you've done it.

Manipulating public opinion is easy as pie if you know how the news

cycles work and how to influence them.  That is why public opinion is

rarely worth listening to, since almost all public opinion is manipulated

by people who know how to do it.  The folks interviewed by the pollsters

don't even know generally how to state the issues properly (the pollsters

have to do that for them), let alone react to them seriously.

 

Mike Rice

 

George Will's column in the back of Newsweek also points up the

ludicrousness of TV town meetings.

 

 

At 09:34 AM 2/23/98 +0100, you wrote:

>jo grant wrote:

> 

>> The response from Middle America-- from DEMONSTRATORS--

>> forced Clinton to pull back and lighten up.

>> 

>> I  can understand your cynicism; however, there have been major

>> demonstrations in cities right across the country.

> 

>=== why are you talking about demonstrations?! I'm all for

>demonstrations! We were talking about petitions. Politicians don't pay

>attention to petitions, but they *do* pay attention to demonstrations.

>We need less of the former and more of the latter. Don't write your name

>on a piece of paper, write your feelings on a sign and carry it.

> 

> 

> 

>> When someone complains about a petition opposing senseless

>> aggression not having a place on the Beat List I can only say,

>> "Read a little less Jack Keroauc and a little more Angela Davis."

> 

>=== "Senseless aggression"? You make it sound like some dry political

>event discussed by Kissinger and Haldeman over cocktails. A senile,

>drunken Yeltsin actually used the phrase "World War III" to describe

>Russia's response if Clinton bombs Iraq, Clinton seems determined to do

>it anyway, and even if Yeltsin blinks, the environmental fallout from

>another Iraq war threatens to be catastrophic. This could be the most

>serious event the world has faced since the Cuban Missile Crisis. This

>ain't the time for petitions. Save that for when your local zoning board

>wants to build a new mall or something. Kofi Annan has achieved a peace

>agreement with Saddam, and Albright said last night that the U.S.

>reserves the right to bomb Iraq anyway! There's somethin' happenin'

>here, and what it is, for once, is exactly clear. Read plenty of BOTH

>Jack Kerouac AND Angela Davis, or read Abbie Hoffman, who combines the

>two.

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - Berea, KY

>watching TV, no way to delay

>that trouble comin' every day

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

> 

 

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X-Sender: cen00746@207.17.135.251

Date:         Wed, 25 Feb 1998 05:03:30 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Death of a hipster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Rosenberg's important but what about the 91 year old comic

who authored the one liner, "Take My Wife, Please!"  Isn't

he important, and why are these jewish american comedians

starting to live as long as the 19th century French painters.

 

Mike Rice

 

 

 

At 10:26 AM 2/23/98 +0100, you wrote:

>Very saddened to hear of Rosenberg's passing, he was a perfect role

>model for us all. And it's a damn shame the New York Times gave him such

>a pathetic eulogy.

> 

> 

>> he never amounted to much of anything

> 

>=== I can't believe they actually said something like this in an

>obituary!

> 

> 

>> Drugs, of course, were more than an accouterment of

>> hip. They were its very essence.

> 

>=== bullshit.

> 

> 

> 

>> marijuana, then an exotic drug used

>> only by jazz musicians

> 

>=== uh......right.

> 

> 

> 

> 

>> In a different life, Rosenberg might have used the loft to

>> turn out masterpieces

> 

>=== Oh, so he's an art critic now. I wonder if he's even seen

>Rosenberg's paintings?

> 

> 

> 

> 

>> had the foresight to marry a schoolteacher so enamored of his

>> charming, creative ways that she cheerfully supported the

>> family while Rosenberg continued to paint

> 

>=== This is just too condescending and smug. I dont think he married her

>with "foresight" of her money, not that schoolteachers get paid a whole

>hell of a lot anyway.

> 

>Mind you, I don't mind beatniks being portrayed as lazy mooches - I am

>one myself - but this is the man's obituary, fer Chrissake!

> 

>I dunno, maybe Rosenberg woulda just said "no, no, it's all true. let

>'em print it."

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - KY

>goofed out on Easter candy

>=-=-=-=-=-=-=-=-=-=-=-=-=-=

> 

> 

 

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Date:         Wed, 25 Feb 1998 05:03:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <mrice@CENTURYINTER.NET>

Subject:      Re: Eliot

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:27 AM 2/23/98 EST, you wrote:

>Bentz is right that Eliot was certainly a force AG had to work against.

>It's true also that Pound, in a sense, served as a bridge between the

>two poets.  Ginsberg certainly studied Eliot at Columbia and I'm sure

>had some appreciation for Eliot as a poet, particularly in his student

>years when he was reading so much of the 17th Century verse that

>influenced "Gates Of Wrath."  In the end,  Allen chose Kit Smart and

>Blake over Donne, Williams and Whitman over Eliot.

> 

>But Eliot is still a great poet, though as a banker in a business suit,

its hard to call him beat.  All these guys are great poets.  New approaches

to poetry do not defeat old notions, they only have to fight to take their

place beside them, opinion and criticism being such a conservative thing.

 

Mike Rice

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 11:14:54 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Guinness <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      List Guidelines, or the lack thereof

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill Gargan wrote:

 

> As the listowner, let me put this matter to rest.  As it states

> in the Welcome Message, this is a list devoted to the lives and

> works of the literary movement known as the Beat Generation.

> Those looking for the other type of list are in the wrong place.

 

 

=== But the aforementioned literary movement lives on to this very day,

with or without the approval or cooperation of its progenitors. If Jack

Kerouac were on this list, he would be encouraged to wax philosophical

about whatever popped into his skull, would he not? I am just as

interested in what goes on in the heads of modern-day

post-proto-quasi-para-pseudo-whatever-sorta-Beats today as old

Jacker-Wack.

 

I'm a bit confused, then - are you saying Marie Countryman should NOT be

posting her poem about her father? Should I NOT be posting small

excerpts from my novel? Should all the others who have been posting

their own works NOT do so? Please clarify.

 

Most of the conversation on this list has NOT been directly related to

the "lives and works of the literary movement known as the Beat

Generation.".....but what's a listowner to do? Roll out the Zyklon-B?

You can lead a llama to Wrigley Field, but you can't make him shell out

three bucks for a hot dog.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - KY

listening to Sonny Rollins

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 10:16:33 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it is also a very fine book indeed on its own merits. read it.

mc

 

Jym Mooney wrote:

 

> Joyce Johnson was living with Kerouac at the time OTR was published.  She

> was also a close friend of Elise Cowan.  "Minor Characters" (which I read

> last year) offers some nice insights into the BG scene from a point of view

> not usually heard from in that notorious boys' club.

> 

> Jym

> 

> ----------

> > From: jo grant <jgrant@BOOKZEN.COM>

> > To: BEAT-L@CUNYVM.CUNY.EDU

> > Subject: Re: Joyce Johnson

> > Date: Wednesday, February 25, 1998 12:23 AM

> >

> > What information does anyone have about thebook and the author

> >

> > "Minor Characters" by Joyce Johnson. Was told she  wrote about the

> > hangers-on to the fifties Beats.

> >

> > j grant

> >

> >                     HELP RECOVER THE MEMORY BABE ARCHIVES

> >                              Details  on-line at

> >                                  http://www.bookzen.com

> >                       625,506 Visitors  07-01-96 to 11-28-97

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 12:37:40 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cerveza <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: a question posed

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sharon Laurie wrote:

 

>  I'm wondering what draws people to beatness/beat writings/beat

> generation lives.

> For anyone who would like to comment --  I would be interested to

> know when you first identified with and were moved by Kerouac/

> Ginsberg/the beat concept/etc. -- and how has it played out in

> your life past or present?

 

 

=== As a child, I was one of those weird prodigies who could read at a

high school level by the age of 6, but had zilch for common sense or

social skills (my first grade teacher thought I was autistic because I

never spoke and preferred to be alone) ... I was a pre-teen when I got a

copy of Abbie Hoffman's "Revolution For The Hell Of It", which scarred

me for life :) From there it was a short jump to getting into Ginsberg

and then all the Beats, and peripheral folks.

 

Oddly enough, WSB is my absolute all-time favorite writer now, but it

took me many, many years to arrive there. I tried to read WSB early on

but as a kid he bored me... I had a false impression of him as a dry,

dull, professorial type and as "The Soft Machine" was my first taste of

his writing, I thought he was good for nothing but pretentious

gibberish. Now, of course, I'm just the opposite - I worship WSB and

think Ginsberg is relatively dry, dull and professorial.....odd how Time

is its own revisionist .....

 

My reasons for being attracted to the Beats are partially out a love for

the time period in general, and out of a respect for intellectual

seekers, adventurers and rebels in any era;  and the Beats, along with

the greater myth of the art-dabbling, bookworm "Beatnik", provide the

best (to my sensibilities) representative of that quest I've seen.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

visit the Creeps Outpost!

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 22:57:32 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: Death of a hipster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"I don't have any regrets...they can talk about me plenty when I'm

gone!"

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 23:55:24 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

winner

loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

 

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 08:01:08 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think Joyce Johnson was writing more about the women of the beat

generation, since the BG was a boys club,really...

On Wed, 25 Feb 1998, jo grant wrote:

 

> What information does anyone have about thebook and the author

> 

> "Minor Characters" by Joyce Johnson. Was told she  wrote about the

> hangers-on to the fifties Beats.

> 

> j grant

> 

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                       625,506 Visitors  07-01-96 to 11-28-97

> 

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Content-MD5: 4glAZeKRIxBHWoYxIt6dVQ==

Date:         Wed, 25 Feb 1998 14:22:56 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nicolai Pharao <nicpha@CPHLING.DK>

Subject:      Re: Questions about rare WSB books

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Is "The Four Horsemen of the Apocalypse" the same as the text "Apocalypse", as

read by WSB on "Dead City Radio", or are they two different texts ?

 

Last I heard "Ah Pook Is Here" (which includes "The Book of Breeething") was out

of print.

 

Searching through book store catalogs I have come across books on weather

control and cloud patterns by a William Burroughs. Does anyone know if these are

by WSB ? It seems likely in light of his interest in Reich's orgone theory, but

I've never seen them mentioned in any bibliography of WSB.

 

nicolai

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Wed, 25 Feb 1998 07:27:10 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Joyce Johnson was living with Kerouac at the time OTR was published.  She

was also a close friend of Elise Cowan.  "Minor Characters" (which I read

last year) offers some nice insights into the BG scene from a point of view

not usually heard from in that notorious boys' club.

 

Jym

 

----------

> From: jo grant <jgrant@BOOKZEN.COM>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Re: Joyce Johnson

> Date: Wednesday, February 25, 1998 12:23 AM

> 

> What information does anyone have about thebook and the author

> 

> "Minor Characters" by Joyce Johnson. Was told she  wrote about the

> hangers-on to the fifties Beats.

> 

> j grant

> 

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                       625,506 Visitors  07-01-96 to 11-28-97

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 08:29:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sean Elias <SPElias@AOL.COM>

Subject:      Re: WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-24 21:51:42 EST, you write:

 

<< 

 J.S. Holland wrote:

 

 > And lastly, these entries turned up on Amazon.com's database....are

 > these by our WSB, or by another William S.Burroughs??....

 >

 > Strange, Amazing & Mysterious Places

 

 This is a large coffee table book about the pyramids, Angkor Wat, Machu

 Picchu, Pompeii, etc. with an introduction (only) by WSB.

 

 Jym

  >>

 

A picture book, as I remember it.  Who was the photographer??

 

Wasn't there also a similar item--a collaboration done between WSB and

?Charles Gilford???????

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 14:29:26 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cerveza <jholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: WSB's oeuvre

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Some more unknown-to-me WSB books, which I learned of from J.D. Books'

fine site......

 

= The Exterminator (with Brion Gysin) (NOT the same as 1973's

"Exterminator!") ..... Auerhahn Press, 1960.

 

= Time (with Brion Gysin).... 'C' Press, 1965.

 

= Streets of Chance.....Red Ozier Press, 1981.

 

= La Machine Molle (French translation of "The Soft Machine")...1971

 

= Doctor Benway.......Bradford Morrow, 1979.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - KY

listening to sound effects records

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 00:41:38 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: Signing off List

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

 

 

<P><U>&nbsp;Day Of Leaving</U>

 

<P>Today you will be leaving this list.&nbsp; Please<B> do not eat

 anything.</B>&nbsp;

If you are thirsty, you may drink a little water.&nbsp; Insert the list

provided into the bonce (head).&nbsp; The following method is recommended:

 

<P>&nbsp;(I) Take the list (take it easy, but take it).

 

<P>&nbsp;(II) Lie on left side and draw your knees up towards your chest,

right leg higher than the left.

 

<P>&nbsp;(III) Gently take the list into the bonce, pointed end first.&nbsp;

The list should be inserted as far as possible using forefinger (index

finger) and left in contact with the wall of the bonce.

 

<P>&nbsp;(IV) Lower your right leg again, it will help you hold the list

in place.

 

<P>&nbsp;(V) You will feel an immediate urge to go to the toilet.&nbsp;

Do not respond to this feeling, the list will not work for at least 15

minutes.&nbsp; A BEAT evacuation will occur after 15 to 60 minutes.

 

<P>&nbsp;(VI) If you need assistance, be sure that a bedpan, diaper, commode

or help to the bathroom is available.</HTML>

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 06:04:52 -0800

Reply-To:     jdbooks@iname.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "J.D. Books" <jdbooks@ROCKETMAIL.COM>

Subject:      Re: Questions about rare WSB works

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Beat-L,

 

     Regarding: Jeffrey Scott Holland's inquiry into the various

Burroughs' titles:

 

     I have always heard about these WSB books, but my eyes have never

beheld copies of them.....

 

     Over the last year or so I too have become quite interested in

William Burroughs' works, and during this time have slowly switched

from "collecting" to "selling" his works.  That this response to Mr.

Holland is a priori self-serving, I find solace in my belief that

sharing by what information I am able to helps serve a greater purpose.

 

     Realizing early on that the limited availability of many of his

rare, scarce, or "limited editions" would mean little access to the

majority of those also interested in his ideas and books (be it for

reading, academic research, or simply viewing purposes), I have

endeavored to accompany most of the Burroughs' titles on my homepage

with a JPEG (photograph), that those who are unable to acquire an

original or out-of-print title may at least have the pleasure of

"beholding" them.

 

does anyone know more about these? Are they novels, cut-ups,

nonfiction, essays, what?

 

"Roosevelt After Inauguration" - I know this was a short piece

published in Floating Bear in 1961, but there was a book by the same

name published by Fuck You Press in 1964....is this just a reprint of

the piece in a small book, or is more material added?

 

The Fuck You Press edition (the first printing which has a cover price

of fifty cents versus the second printing for $1.00) is a paper

pamphlet of fourteen pink, white, and blue leaves.  It is staple- bound

and mimeographed. The front cover serves as the title page with an

American flag with dollar signs instead of stars drawn above the  title

and a skull with a daisy in its teeth inside a star of David.  As you

stated it was which, though I have seen have never had as part of my

inventory.  Burroughs chose to publish it under the pseudonym of "Willy

Lee" alias William Burroughs.

 

According to Michael Goodman (one of the earliest to compile a

bibliography on Burroughs), states that "Roosevelt After Inauguration"

is "a scatological and satiric list of the appointments Roosevelt made

to high cabinet and government offices.  Among the appointees are

"'Transvestite Lizzie - - Congressional librarian'" and '"Lonny the

Pimp - - Ambassador at Large."

 

As you noted it did appear in Floating Bear 9:8-10, which was being

edited by Diane di Prima and Leroi Jones, NY 1961.  The piece,

"Routine: Roosevelt After Inauguration" was distributed free to a

mailing list but its distribution was soon forced to stop.  Villiers

Press also censored the material which was supposed to make up a

portion of "The Yage Letters."  Eventually Ed Sanders published with

his own Fuck You Press.

 

An excellent reference book is the Maynard & Miles bibliography

(published by The University of Virginia Press), where the vast

majority of Burroughs' primary works up through 1973 contain cover

photographs of the First editions as well as any foreign First

editions(both hardbound and the paperbacks if applicable).

 

 

"Dead Fingers Talk" - I hear a lot about this novel but I understand

it's never been published in America.....why? Anyone have this?

 

Dead Fingers was published only in England.  It is, as another writer

responded, comprised of material from Naked Lunch as well as other

title's.  Apparently, it places the original works into a more

"concordant" format, thereby lessening the disjointedness which is

present in his earlier publications.  Goodman notes that "arranging and

rearranging of the chronology of events" Burroughs allows the reader to

"Get out of time and into space."

 

"Four Horsemen of the Apocalypse" - Published only in Germany, and in

the German language? Was there ever an English translation?

 

Though it was published in Germany by Expanded Media Editions (1984),

and apparently only softbound copies were produced, it is a bi-lingual

work with both German and English text.

 

"Cobblestone Gardens" - published by Cherry Valley Press in 1976. What

IS this??

 

Cobblestone Gardens, as many have noted already, is reprinted in "The

Burroughs File."  There were 50 hardbound signed copies printed which

do however contain many more photographs than shown in "The Burroughs

File."

 

>From what I have read thus far, it is a reflection on his upbringing in

St. Louis, "Pershing Avenue St. Louis Missouri in the 1920's . . . Red

brick three-story houses, lawns in front, large backyards with gardens

separated by high wooden fences overgrown with morning glory and rose

vines and at back of the yard an ash pit and no one from Sanitation

sniffing around in those day."

 

I had read somewhere that Burroughs had felt remorse over not display a

greater appreciation for his parents help while they were alive.  The

book is "Dedicated to the memory of my mother and father- 'We never

know how much we learn|

     From those who never will return." -Edward Arlington Robinson from

"The Man Flamonde."

 

"Electronic Revolution" - Left Bank Books, 1971 - ???? This was

published in Cambridge by Blackmoor Head in 1971.  It is a limited

edition of 500 copies. 50 copies included two silkscreens signed by

Gysin and were encased.  The first copy, copy "A" contained all the

sheets which comprise the original manuscript.

 

It is an early appearance of Burroughs' ideas regarding the possible

uses, and abuses, which can be achieved via the tape recorder and

cut-up or spliced recordings.

 

The 1967 Grove Press edition of "The Ticket That Exploded" contains a

segment entitled "The Invisible Generation," where similar ideas are

explored.

 

"The Retreat Diaries" - ???? I would like note to that Mr. James

Grauerholz, who can be credited as being the impetus behind Burroughs'

latter works, (most notably the Trilogy beginning with "Cities of the

Red Night," which he "edited into present time," and concludes with

"The Western Lands") was the publisher of City Moon Books in New York

(1976).  It is likely that the seeds of their partnership were sown

during the publication of this title.  Much of Burroughs artistic

output as well as the care he later required both from a managerial

perspective and later in regards to his failing health is due to their

creative alliance, which was similar in many regards to the type of

creative alliance which Burroughs had so enjoyed with his closest

companion Mr. Gysin who died in 1986, the same year that their last

collaboration "The Cat Inside" was published.

 

"Early Routines" - ???? Published in Santa Barbara by Cadmus editions

in 1981. It is a collaborative work with the well-known artist David

Hockney.  There were 26 lettered copies Signed by both, 150 numbered

copies Signed by Burroughs, as well as a trade edition. As for content

- I can't locate a good passage at the moment; rather I am beginning to

think of coffee.

 

As Goya observed:

  -   "The sleep of reason produces monsters."

 

Best of luck on the bibliography that  ----   mentioned he is working

on.  When you feel it's completed please mail me (or E-mail me a

copy).  I would greatly appreciate any information regarding Burroughs'

works which have yet to surface.

 

Best,

 

Jonathan Baker

 

 c/o  --  J.D. Books  --   314-645-7605   --

          P.O. Box 9110

   St. Louis  MO  63117-0110

E-mail: jdbooks@iname.com

http://www.abebooks.com/home/jdbook/

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 09:29:25 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Tue, 24 Feb 1998 23:33:37 +0100 Hudepohl said:

>Bob Lewis wrote:

> 

>> also not interested in ts eliot, bob dylan and 90%

>> of the other crap thats discussed.

> 

>=== the big existential dilemma here is that this list seems to be torn

>between two warring factions, one who sees this as a list FOR Beats, and

>those who see it as a list ABOUT Beats, specifically the first original

>batch of big kahunas.

> 

>But the poets, beatniks, proto-Beats, and assorted Hipster Be-bop

>Junkies don't just wanna talk ABOUT Beat like it was, in the words of

>Joe Pesci, "some remote fuckin' expanse in ancient history", we wanna

>talk and think and live and ooze in the moment that IS, dig; a Beat mind

>is always thinkin', gears a-turnin', daddy-o, and in the course of just

>one wine-soaked evening a person in a quasi-Kerouacian state o'mind

>might talk about all kinds o' shtuff, like war, fallout shelters, Ezra

>Pound, Green Acres, bottled water, Tiger shit, the new mint flavored

>Yoo-Hoo, Smurfs, Unrequited love, The State of the Union, fried stuff,

>pain, garlic, parking tickets, Why Johnny can't read, Catholicism,

>Ism-ism, Leonardo Da Vinci, Fiberglas, Cake, skinny-dipping, virtual

>pets, Andre Gide, imitation crab meat, Adam Ant, watercress, Dixieland

>Jazz, literacy, Ed Wood, nihilism, tits, carpentry, dirt, hormones,

>regret, bad surrealist haikus, semi-automatic weapons, mittens, the

>importance of being Ernest Tubb, school glue, bondage, The Ultimate

>Spinach, erlenmeyer flasks, Carol Channing, baked potatoes, LeRoi Jones,

>geodes, table saws, Poker, Hubert Humphrey, "Cheiro's Book of Numbers",

>lint, carbohydrates, why you can't keep your eyes open when sneezing,

>turpentine, Sacco & Vanzetti, Fats Domino, Vietnam, Squirrels, Royal

>Jelly, the IWW, and Marie's Father's Billfold.

> 

>All from ze beat viewpoint, of course, you unnerstand.

> 

> 

> 

>>  i dont appreciate these things.

> 

>=== learn to appreciate everything, because everything is significant.

> 

> 

> 

> 

>> so please oh please would someone post instructions on the

>> matter.

> 

>=== Like, man, you can check out any time you like, but you can never

>leave.

> 

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=

>Jeffrey Scott Holland - ky

>chasing the ghost of Lorca

>=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

 

As the listowner, let me put this matter to rest.  As it states in the Welcome

Message, this is a list devoted to the lives and works of the literary movement

 known as the Beat Generation.  Those looking for the other type of list are in

 the wrong place.

 

Return-Path: <"country"@sover.net>

Date: Wed, 25 Feb 1998 15:23:26 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 2/25/98

 

my father died today

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 10:37:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sharon Laurie <Shasheblu@AOL.COM>

Subject:      a question posed

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi,

I'm new on the list --

Jeffrey Scott Holland and PC, thank you for getting me laughing out loud with

your last evening's beat comedy/poetry/sensibility ---

I got to thinking about the people who were moved to join this list.  I'm

wondering what draws people to beatness/beat writings/beat generation lives.

For anyone who would like to comment --  I would be interested to know when

you first identified with and were moved by Kerouac/Ginsberg/the beat

concept/etc. -- and how has it played out in your life past or present?

--Sharon

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 16:04:50 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      2/25/98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

from some of the dharma:

 

I KNEEL BEFORE THE DEAD

 

i flopped his dead arm.

"he's gone," i thougth .

"He came and grew this body,

then he went away.--

 

Where is he gone to?

I don't think he will return,

Not if he's smart.

He saw it wasn't worth it.

He came once, he lasted ,

        he was like a light

Extinguishable in 60 years.

Me, too my arm'll be dead.

 

Now he sees me sitting , in thought,

It's hard for him to understand my body,

'The spaces and the big wheels--

I won't see him any more

In those high vibrations

But it'll be all the same

Farewell, farewell,

And farewell to farewell,

This is the shrouded travelller,

And shadows in the jazz age."

 

my father, who loved jazz, died today, 2/25/98

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Wed, 25 Feb 1998 17:57:08 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aaron Sinkovich wrote on 2/25/98 8:42 PM

[. . . snip . . . ]

>2. "America when I was seven momma took me to Communist Cell meetings..."

>What were the Communist Cell meetings.  Who is Scott Nearing,  Mother Bloor,

>and Israel Amter.  What does mensch mean?   Also, I'm using the City Lights

>edition Howl and Other Poems, but when I looked at "America" in The Portable

>Beat Reader, there was a change in the text in this line.  After Mother

>Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in the

>dicrepancies between texts?

[. . . snip . . .]

 

Ginsberg revised the poem "America" for publication in his

_Collected Poems 1947-1980_ (New York: Harper and Row, 1984.)

He talks about the revision in the Preface to _Collected Poems_.

The revised version was reprinted in subsequent anthologies such

as _The Portable Beat Reader_.

 

* * * * | * * * * | * * * * | * * * * | * * * * |

Gregory Severance             morocco@walrus.com

 

             <<BULLDOG BREATH>>

       http://www.walrus.com/~morocco/

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 12:09:43 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: a question posed

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sharon Laurie wrote:

> 

> Hi,

> I'm new on the list --

> Jeffrey Scott Holland and PC, thank you for getting me laughing out loud with

> your last evening's beat comedy/poetry/sensibility ---

> I got to thinking about the people who were moved to join this list.  I'm

> wondering what draws people to beatness/beat writings/beat generation lives.

> For anyone who would like to comment --  I would be interested to know when

> you first identified with and were moved by Kerouac/Ginsberg/the beat

> concept/etc. -- and how has it played out in your life past or present?

> --Sharon

Well, i was fishing, and running around with william and since he was a

good friend i thought i should read his stuff.  I liked it a lot. My

parents admired his work. I didn't get a lot of the humor until I heard

him read.  My understanding was incredibly  fuller after hearing him

read his works.

        He introduced me to a lot of writers, and artists. Allen G, who was the

sweetest high energy dude, Timothy Leary who acted like a stoned

professor, Terry southern who loved to eat duck, these guys I liked.

        because of him and my housesitting while he travel I talked on the

phone to Frank Zappa, Paul Bowles, both were immediate, sharp and nice.

and well, he also introduced me to some clinkers like Ted M the skunk

boy.

David Ohle, who is an old friend of mine introduced me to William, also

through David I met Ken Kesey. The university of Kansas has been a

vehicle  me to see and hear, Bon fire of the vanity guy, buck minster

fuller, etc.

i associate beat literature with freedoms, of language, expression,

humor, fishing, orange juice, art, sex, food, books, books and books.

William was a reader. It was something we really had in common.

patricia

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: WSB's oeuvre

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34F33B6E.3334@iclub.org>

References: <199802250044.SAA17024@core0.mx.execpc.com>

 

Jeffrey Scott Holland says:

>All WSB bibliographies I've seen on the web are incomplete. I'm trying

>to compile a list of all books by WSB (not counting interview books like

>"The Job", RE/Search, or Bockris)...[snipped]...

>Jeffrey Scott Holland - KY

 

buon giorno amici,

 

if this is of interest there's the italian translation

of RE/SEARCH by William S. Burroughs Brion Gysin

ShaKe EDIZIONI UNDERGROUND

(c) Re/Search Publication

(c) 1992 ShaKe edizioni underground

ISBN 88-86926-22-7

MILANO, ITALIA.

per ordini diretti e informazioni

postal: ShaKe, via C. Balbo 10, 20136 Milano, Italia.

voice : 02/583117306

Decoder Bbs, 02/29527597 N-8-1 300-14000 bd

2pm - 8 pm    mon-sun

 

 

Lunga vita alla Stampa Underground e al suo Network Globale!

http://www4.iol.it/decoder

 

hope this help.

 

saluti,

Rinaldo.

--------

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 13:35:05 -0500

Reply-To:     "henkel@wmich.edu" <henkel@wmich.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Scott Henkel <henkel@WMICH.EDU>

Organization: OVPR

Subject:      Re: a question posed

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I didn't get a lot of the humor until I heard him read.

 

Do any of you out there have good stories of readings that you've attended

or heard about? I'd be interested in reading these. I hear that Ginsberg

was spectacular live. I bet that many others also have (had) good stage

presence (MC among them).

Scott

 

Return-Path: <MAILER-DAEMON>

Date:         Wed, 25 Feb 1998 13:46:39 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Wed, 25 Feb 1998 19:29:48...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Wed, 25 Feb 1998 19:29:48 +0100 with subject "Re: WSB's

oeuvre"  has  been  successfully  distributed  to  the  BEAT-L  list  (253

recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 19:01:27 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

minor characters is still in print.  i just got a copy for about eight

dollars.  good book.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 20:44:31 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      rare wsb books (-> electronic revolution)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hello,

 

i followed the postings about "rare wsb books" and found out that one

edition of "electronic revolution" wasn't mentioned.

 

about 3 years ago, i found it by chance in a used-books-store here in

munich, germany. i bought one of 5 copies and when i came back the next

day, set on fire by the cut up method , all remaining copies were sold.

:(

 

william s. burroughs: electronic revolution (english/german),expanded

media edition, 5th printing 1991, bonn (germany), softcover, 2 b/w

photos, ca. 140 pages

 

the address of expanded media edition is:

 

expanded media edition

p. o. box 190 136

5300 bonn 1

germany

 

unfortunately i only know the old german postal code which expired abt.

7 years ago, but i think the letters will still come through...

 

they also have a vast sortiment of wsb- and beat-related

books/films/videos/whatever-you-can-think-of in store, for example a

bi-lingual edition of "naked scientology" (wsb fighting scientology thru

newspaper articles etc...) or the video "the life and times of allen

ginsberg". even when you live in the united states and therefore nearer

to the beat circle and sources of information, it's definitely worth a

postcard to ask for their free catalogue.

 

you can also do a web search to see whether "expanded media edition" has

a homepage & online order options, but i doubt it.

 

looking at the numerous postings on this topic, i hope this posting

hasn't been totally useless. :)

 

greetings,

jens

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Wed, 25 Feb 1998 12:39:04 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: 714

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What's the name of the Mexican wrestler?

 

Is it...EL MALIGNO???

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Authentication-Warning: wheat.mnsfld.edu: [157.62.11.42] didn't use HELO

                         protocol

X-Sender: sinkovia@wheat.mnsfld.edu

Date:         Wed, 25 Feb 1998 15:43:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aaron Sinkovich <sinkovia@MNSFLD.EDU>

Subject:      Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm doing an analysis of Ginsberg's "America" for a college class.  I need

to dissect the whole poem line by line, and I've run into some road blocks.

Most of the references I was able to define, but I'd appreciate any help

with the following  items:

 

1. Who is "Uncle Max"?

2. "America when I was seven momma took me to Communist Cell meetings..."

What were the Communist Cell meetings.  Who is Scott Nearing,  Mother Bloor,

and Israel Amter.  What does mensch mean?   Also, I'm using the City Lights

edition Howl and Other Poems, but when I looked at "America" in The Portable

Beat Reader, there was a change in the text in this line.  After Mother

Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in the

dicrepancies between texts?

3.  Who were the Spanish Loyalists?  What are the related to?

 

Thanks. --Aaron

 

----------------------------------------------------------------------

Aaron F. Sinkovich

sinkovia@mnsfld.edu

http://mustuweb.mnsfld.edu/users/sinkovia

----------------------------------------------------------------------

 

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                         protocol

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Date:         Wed, 25 Feb 1998 15:58:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aaron Sinkovich <sinkovia@MNSFLD.EDU>

Subject:      Re: a question posed

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Hi,

>I'm new on the list --

>Jeffrey Scott Holland and PC, thank you for getting me laughing out loud with

>your last evening's beat comedy/poetry/sensibility ---

>I got to thinking about the people who were moved to join this list.  I'm

>wondering what draws people to beatness/beat writings/beat generation lives.

>For anyone who would like to comment --  I would be interested to know when

>you first identified with and were moved by Kerouac/Ginsberg/the beat

>concept/etc. -- and how has it played out in your life past or present?

>--Sharon

> 

I first heard about Allen Ginsberg and the Beats in a newspaper article

while in high school.  I liked some of the issues that the article discussed

and as an aspiring poet and writer it seemed like something worth

investigating.  I soon read On the Road and began my journey into beat

literature.  In college, I took a course junior year on The Beat Generation

and really began to appreciate the Beats. I ever since then I've been

interested.  The attitudes, ideas, and personalities is what draws me to

them.  Kerouac's use of language is another reason I keep reading them. I'm

also interested in existentialism and see many elements of that philosophy

in the Beats.  --Aaron

 

----------------------------------------------------------------------

Aaron F. Sinkovich

sinkovia@mnsfld.edu

http://mustuweb.mnsfld.edu/users/sinkovia

----------------------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Wed, 25 Feb 1998 16:38:35 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:55 PM 2/25/98 +1100, you wrote:

>winner

>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

> 

>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

> 

>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

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>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

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>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

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>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

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>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

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>loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

> 

> 

 

Can you explain the significance of the previous "message"? Is it just

mindless vituperation directed at somebody in particular, or are you just

trying to show us you know how to type one word over and over ad nauseam?

 

Jeez!

 

 

                                                      J. Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 16:38:47 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4@AOL.COM

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-25 15:48:41 EST, Aaron F. Sinkovich write:

 

<< 1. Who is "Uncle Max"?

 2. "America when I was seven momma took me to Communist Cell meetings..."

 What were the Communist Cell meetings.   >>

 

[had a dream about:]

 

MAX FROHMAN

 

-of uncle Max who was a large frail man

I loved, who had a Canadian mustache,

and thru my boyhood slept in bed till noon

So that I never knocked at his door early

lest his heart be disturbed- of his cozy

childless house, and his phonographic machine

where I first heard Bellini & Saint Saens

Introduction & Rondo Capricioso, those

delicate first violin strings' notes few-

prophesy and sad breath. And Elanor who

had died, and my few visits to Max

thereafter, childhood over & my wanderings

begun. And Max stayed where he was,

in the same apartment, drinking coffee

in the noon hour for his breakfast & made

his accounts, went to his office on Subway,

-Last I saw him I visited & read him

poems on the death of Elanor- like

a longhaired vulture, over the table in

his kitched we wept.

 

>From the  Indian Journals.

 

Hope this helped. Also- I think AG's father was a communist, a big one too,

right?

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Wed, 25 Feb 1998 23:15:20 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Sneaker Sutra

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dharma bum, Dan Barth, http://www.walrus.com/~morocco/dan.html

sent me the following text on Feb. 24, 1998. I am

posting it here with his permission. -- gss

 

-----------------------------------------------------------------

            On First Looking Into Ginsberg's Sneakers

                       by Daniel Barth

 

 

I had three days off for Chinese New Year (didn't you?)  and

decided to drive down to Stanford University (much have I

travelled in the Golden State) and check out the Allen Ginsberg

Papers in Special Collections at Green Library. You may recall

hearing a few years ago about Stanford's purchase of Ginsberg's

extensive archive, for a reported 1 million dollars. No one I

have talked to, including Mr. Ginsberg (he was still alive at

the time-no, I am not channeling his spirit-at least I don't

think I am-though I have been having these sunflower visions

lately-ah, well), has been willing to verify that figure. Allen

told me that after taking into account storage fees-the papers

had been "on deposit" at Columbia University-and secretaries'

salaries and other incidentals he hardly made anything. But in

the next breath he told me he would not be teaching at Brooklyn

College that semester, would instead be traveling.

 

Million or no million, the collection is now safely housed at

Stanford. It has been fully catalogued and boxed and enveloped

in the latest state-of-the-art big bucks major university special

collections fashion-nice, nice, very nice-and is available for

research by students, scholars and other interested individuals.

The arrangement is thus:

 

Guide to the Allen Ginsberg Papers, 1937-1994

 

Container List

 

      Series 1: Correspondence, 1942-1994

 

      Series 2. Notebooks and journals

 

      Series 3. Manuscripts

 

      Series 4. Business Records

 

      Series 5. Financial Records

 

      Series 6. Committee on Poetry Records

 

      Series 7. Teaching Materials

 

      Series 8. Political files

 

      Series 9. Religious materials

 

      Series 10. Photographs

 

      Series 11. Audiovisual recordings

 

      Series 12. Computer files

 

      Series 13. Periodicals

 

      Series 14. Clipping files

 

      Series 15. Memorabilia

 

      Series 16. Posters

 

      Series 17. Printed ephemera

 

      Series 18. Artwork

 

      Series 19. Music

 

Within each of these categories there are many boxes, and in most

boxes at least a few folders. The content of the Audiovisual file,

for instance, reads like this:

 

Series 11. Audiovisual recordings

 

      Subseries a. Audiocassettes

 

      Subseries b. Reel-to-reel tapes ; 7 in.

 

      Subseries c. Reel-to-reel tapes ; 11 in.

 

      Subseries d.  Blake reel-to-reel tapes ; 7 in.

 

      Subseries e.  Blake reel-to-reel tapes ; 11 in.

 

      Subseries f.  Master reel-to-reel tapes

 

      Subseries g.  Sound discs ; 7 in.

 

      Subseries h.  Sound discs ; 12 in.

 

      Subseries i.  Compact discs

 

      Subseries j.  Videocassettes ; 1/2 in.

 

      Subseries k.  Videocassettes ; 3/4 in.

 

      Subseries l.  Videotape ; 16 mm.

 

      Subseries m.  Motion films

 

      Subseries n.  Laser discs

 

      Subseries o.  Miscellaneous

 

      Subseries p.  Use copies

 

 

 

The people at Stanford's Green Library are friendly and helpful.

The procedure is to check in on the first floor, receive a pass,

then register again at Special Collections on the third floor.

Due to earthquake damage from the major 1989 quake (that's the

Loma Prieta quake, the one that interrupted the World Series, 7.1

on the Richter, for those of you keeping score) most of the

special collection materials are housed elsewhere on campus. A

paging system is in effect whereby materials requested are

delivered by campus courier twice a day. I had been made aware

of this ahead of time and had several boxes waiting for me when

I arrived.

 

I first looked into some of Ginsberg's most recent correspondence,

including "letters, postcards, and other items sent to Ginsberg

by fans." Yes, that letter and those poems that you sent him are

here. As other chroniclers and biographers have reported, he saved

everything. "Allen . . . was interested in posterity," wrote Jane

Kramer in Allen Ginsberg in America, "and seemed, sometimes, to be

collecting his life instead of living it."

 

These letters came from all over, places like Morgantown, West

Virginia; Santa Monica, California; Grandview, Iowa; Tamarac,

Florida; Middletown, Delaware; Seeheim-Jugenheim, Denmark; Cosby,

Indiana; Manhattan, Kansas; Hiddenhausen, West Germany; Tourcoing,

France; Dorion, Quebec; Marlin, Texas. The letters begin : "Dear

Allen, I am a poet. These are some of my poems. I wanted you to

have them & read them."; "Dear Mr. Ginsberg, I am sixteen years

old, I attend a high school that is out in the middle of nowhere.";

"Dearest Allen, Greetings my beloved poet."; "Mr. Ginsberg, I am

21 years old and almost without hope."; "Dear Mr. Ginsberg, If you

are reading this miracles are possible!"; "My dear friend Allen,

You are so close to me that I think it's more than high time I

write to you, considering, after all, that you have changed my

life."; "Dear Allen, I've been meaning to contact you for years

and am just now getting my act together."

 

Often these letters had (and have) one or more poems by the

sender included, sometimes entire, long, unsolicited manuscripts.

Publishers would also send Allen complete manuscripts in type-

script, hoping for a jacket blurb. He had to have been touched,

and also overwhelmed, by the nature and volume of correspondence

he received. Up until about 1990 he tried to answer each letter

personally. At that point, suffering from heart problems, he

composed a form letter and used it for most replies.

 

I couldn't resist having a look at the memorabilia files. Here's

part of that list:

 

Box    Folder     Contents

 4      1       Acapulco Gold cannabis papers

 4      2       American Book award plaque 1990

 4      3       Beard clippings

 4      4       Book case key

 4      5       Brooch

 4      6       Catholic religious paraphenalia

 4      7       Dust jacket. Japanese.

 4      8       Merchant Marine Identification cards (2)

 4      9       Naropa bumper sticker

 4      10      National Register of Prominent Americans certificate

 4      11      Paper angels

 4      12      Pocket knife

 4      13      Postcards

 4      14      Republican National Committee membership card

 4      15      Ribbon

 4      16      Van Gogh's ear [rubber toy]

 4      17      100% Pure Urine. Publicity pack for Steal this

                book / by Abbie Hoffman

 4      18      Florins 1660 [i.e. 960]

 4      19      Ratnas

 5              Autographed baseball, Candlestick Park 1994 June 1

 5              Bottle with message inside

 5              For Allan [sic] Ginsberg. Wooden sculpture of

                man's head

 5              Tea container

 5              Tennis shoes

 5              Wallace Stevens Fellowship award 1987 Apr. 9

 6              Curare. -- 1 jar.

 6              Yage. -- 3 sticks.

 

I think there is a kind of cosmic comedy at work here, very much

intentional on Allen's part.  It's an archival demonstration of

what he called "the undifferentiated consciousness which notices

everything at once and doesn't discriminate between what's more

important and what's less." [Kramer, AG in America,  p. 137]

 

Yes, the beard clippings are here-one baggie and three envelopes

of same. (Look for my paper, "The Beard of the Bard Deconstructed"

in a forthcoming issue of Postmodern Grooming.) And the famous

tennis shoes? They are here, in a manila "Adventures in Poetry"

envelope, dilapidated looking Russian-made shoes that Ginsberg

was wearing when he was expelled from Czechoslovakia in 1965

shortly after being crowned King of the May. The explanation in

the file is that he saved them to show the shoddy nature of

Soviet workmanship. Well, there may have been sentimental reasons

too. And what's this? I can just barely make it out-looks like

some kind of vestigial swoosh mark on the side, with hammer and

sickle rampant.

 

The curare is here, in what looks like a cold cream jar, and the

yage, three gnarly roots, about six inches long by one and a half

inches wide. It doesn't have much smell but . . . did you get

that telepathic message I sent you? I tellya this stuff makes

e-mail look like the Mexican postal service.

 

I was interested in the courses Allen taught at Brooklyn College

and so had a look at a couple of the boxes of teaching materials.

The materials I perused included his course descriptions, out-

lines, notes, reading lists, student papers and poems for courses

titled "20th Century Expansive Verse," "Literary History of the

Beat Generation," and "Living Poetry." As ever, Allen was very

thorough. It's a learning experience just to look through these

files. His bibliographies supply excellent suggestions for further

reading. There are also audio and video tapes of many of Allen's

Brooklyn College classes, certainly a valuable resource.

 

I concluded my Ginsberg researches at Stanford by looking at some

of his notebooks and journals from the mid-'50s, and at the most

recent box (1990s) of printed ephemera. The ephemera file has all

kinds of things: restaurant checks, movie festival programs, lists

of poetry award winners, invitations to press conferences, a Paris

Metro map, academic conference agendas, broadsides, pamphlets,

theatre tickets, college catalogs, advertisements, bookmarks,

postcards, et cetera. This file documents Allen's international

travels and reputation, his awards and honors. It's like getting

to look through all the  boxes in old Uncle Allen's attic. It's

pretty amazing. He had quite a life in poetry.

 

In all I spent about eight hours in the Special Collections

reading room at Green Library. Obviously I only began to scratch

the surface. But I saw enough to be able to recommend a trip to

Stanford for anyone with a serious (or seriously playful) interest

in Allen Ginsberg and Beat literature.

 

The sneakers are there

And so's the beard hair.

Don't eat the yage,

You'll still leave agog, eh?

 

 Ainsi soit il.  (Thus it is.)

 

Silent, upon a high spot in Northern California,

 

 

Daniel Barth

 

 

Sincere thanks to William McPheron, Polly Armstrong, Arel Lucas,

Peter Whidden, Sara Timby and Carol Peterson of the Department of

Special Collections, Stanford University Libraries. Information

about the Ginsberg Papers at Stanford is available on the world

wide web at: http://sunsite.berkeley.edu:28008/ead/stanford/M0733/

or http://www-sul.stanford.edu/depts/spc/spc.html   For further

information contact: Department of Special Collections, Green

Library, 557 Escondido Mall, Stanford, CA 94305. Unless otherwise

indicated, citations above are from: Allen Ginsberg Papers, M0733,

Department of Special Collections, Stanford University Libraries,

Stanford, California.

 

 

DB

-----------------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 19:45:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nico 88 <NICO88@AOL.COM>

Subject:      Re: CIA Report on Bay of Pigs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-25 01:58:49 EST, you write:

 

> I read the piece in Barnes asnd Ignoble.  Did you rewrite this

>  whole article?

> 

>  Miike rice

 

no, no, took it from the Times website...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 19:56:13 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nico 88 <NICO88@AOL.COM>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-25 15:48:41 EST, you write:

 

> 3.  Who were the Spanish Loyalists?  What are the related to?

> 

 

In the Spanish Civil War, these were the republicans, --- those who were

fighting the facists to maintain the democracy that had just been won.

(in case you didnt know, Franco defeated the republican army and led Spain

thru another 4 decades of facist dictatorship.)

 

by the way,  Naomi Ginsberg had ties to the communist party that went way

back.  i'm not entirely sure of Louis' politics.

--Ginny

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 20:25:12 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sundee Bumgarner <Surubu1@AOL.COM>

Subject:      Re: 2/25/98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You  are in my thoughts, Marie.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Wed, 25 Feb 1998 20:04:25 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Spanish Civil War

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>In a message dated 98-02-25 15:48:41 EST, you write:

> 

>> 3.  Who were the Spanish Loyalists?  What are the related to?

>> 

> 

>In the Spanish Civil War, these were the republicans, --- those who were

>fighting the facists to maintain the democracy that had just been won.

>(in case you didnt know, Franco defeated the republican army and led Spain

>thru another 4 decades of facist dictatorship.)

> 

>by the way,  Naomi Ginsberg had ties to the communist party that went way

>back.  i'm not entirely sure of Louis' politics.

>--Ginny

 

Thought I should inform the person who asked about the Spanish Loyalists

that a close friend and neighbor, Clarence Kailin, fought with the Lincoln

Brigade and wrote a book about his best friend John Cookson who was one of

the Brigade members who died in Spain.

 

Clarence isn't on-line,but if you have questions you wold like me to give

him, I'm sure he would respond.

 

j grant

 

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 22:46:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: Death of a hipster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Paul Buckberry wrote:

 

> "I don't have any regrets...they can talk about me plenty when I'm

> gone!"

 

Oh yeah!  Well I guess you can say that if you just won three grammies

and got to sing with Soy Body or whatever it said on that dude.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [149.151.190.53]

Date:         Wed, 25 Feb 1998 20:04:12 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      Re: Death of a hipster

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it said "Soy Bomb", i think.  what the hell does that mean anyway?

 

 

>Paul Buckberry wrote:

> 

>> "I don't have any regrets...they can talk about me plenty when I'm

>> gone!"

> 

>Oh yeah!  Well I guess you can say that if you just won three grammies

>and got to sing with Soy Body or whatever it said on that dude.

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

> 

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Feb 1998 23:10:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dennis Cardwell <DCardKJHS@AOL.COM>

Subject:      Re: Selby

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 > In a message dated 2/25/98 6:05:20 AM Pacific Standard Time,

 > jholland@ICLUB.ORG writes:

 >

 > << Just pretend I'm trying to be Hubert

 >  Selby,Jr. >>

 

 > Now there is a name I would like to see mentioned more often on this list!

 > This is only the second time since October when I subscribed that Selby's

name

 > has appeared.  He's a true genius.  No one has captured the language of the

 > street or the screams and groans that occur in one's mind as well as he.

 > Dennis >>

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

Date:         Wed, 25 Feb 1998 20:28:51 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         sherri <love_singing@MSN.COM>

Subject:      marie countryman

To:           BEAT-L@CUNYVM.CUNY.EDU

 

marie asked me to post to the list that she's knocked out her keyboard.

apparently, she can receive messages, but is unable to reply or initiate

any.  for those who don't know - her father died today.  i will be in touch

with her by phone - so if anyone wants me to relay any messages to her -

please backchannel me (i get the list in digest now, so it's better to get

your messages personally).

 

ciao, sherri

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 09:43:27 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: The significance of crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> >winner

> >loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

> >

 

[...]

 

> >loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

> >

> >loserloserloserloserloserloserloserloserloserloserloserloserloserloserloser

> >

> >

> 

> Can you explain the significance of the previous "message"? Is it just

> mindless vituperation directed at somebody in particular, or are you just

> trying to show us you know how to type one word over and over ad nauseam?

> 

> Jeez!

> 

>                                                       J. Perchuk

 

it reminds me of one of ernst jandls poems. jandl is a contemporary

austrian

poet whose work has very much in common with dadaistic poetry and

"concrete poetry".

jandl concentrates on spoken word performances wherein the words lose

their

meaning and only the sound of the words survive. :)

 

jens

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 09:43:39 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> In the Spanish Civil War, these were the republicans, --- those who were

> fighting the facists to maintain the democracy that had just been won.

> (in case you didnt know, Franco defeated the republican army and led Spain

> thru another 4 decades of facist dictatorship.)

> 

> by the way,  Naomi Ginsberg had ties to the communist party that went way

> back.  i'm not entirely sure of Louis' politics.

> --Ginny

 

as far as i know, louis was a leftist, too, but not as radical as naomi.

because of this fact, they often had arguments about politics. different

views on politics were also among the reasons, why louis parents were

against their marriage.

 

to learn more about the political climate in the ginsberg family, i'd

suggest you should read "aunt rose", another poem by allen ginsberg that

contains some more references to the spanish loyalists. as far as i

know, it's been published along with "kaddish". you sure will find it in

ginsbergs "collected poems".

 

- jens

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 09:43:45 +0100

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From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 2. "America when I was seven momma took me to Communist Cell meetings..."

> What were the Communist Cell meetings.  Who is Scott Nearing,  Mother Bloor,

> and Israel Amter.  What does mensch mean?   Also, I'm using the City Lights

> edition Howl and Other Poems, but when I looked at "America" in The Portable

> Beat Reader, there was a change in the text in this line.  After Mother

> Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in the

> dicrepancies between texts?

 

"Mensch" is German for "human being", but I dont know the meaning of

this word in here. Maybe Ginsberg used this word as an emphasis for what

a great man Scott Nearing was.

 

And "ewig weiblich", also a German expression, means something like

"eternally female".

 

- Jens

 

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Date:         Thu, 26 Feb 1998 09:44:13 +0100

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From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> minor characters is still in print.  i just got a copy for about eight

> dollars.  good book.

 

it's an excellent book. i just read the new german translation entitled

"warten auf kerouac"(waiting for kerouac). unlike other clumsy

translations, i think this translation of the title elucidates the real

message of this book. i think johnson really is one of the "major

characters" of the beat scene.

 

jens from germany

 

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Date:         Thu, 26 Feb 1998 08:28:05 -0500

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From:         "James F. Wood 253-7886" <WOODJ@MAIL.FIRN.EDU>

Subject:      Marie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

WOW Marie, so sorry , love and peace to you!

Jim

 

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Date:         Thu, 26 Feb 1998 08:33:18 -0500

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From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Mensch is a common Jewish saying for someone who is a good guy, a real

mensch...AG was a real mensch

On Thu, 26 Feb 1998, Jens Moellenhoff wrote:

 

> > 2. "America when I was seven momma took me to Communist Cell meetings..."

> > What were the Communist Cell meetings.  Who is Scott Nearing,  Mother Bloor,

> > and Israel Amter.  What does mensch mean?   Also, I'm using the City Lights

> > edition Howl and Other Poems, but when I looked at "America" in The Portable

> > Beat Reader, there was a change in the text in this line.  After Mother

> > Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in the

> > dicrepancies between texts?

> 

> "Mensch" is German for "human being", but I dont know the meaning of

> this word in here. Maybe Ginsberg used this word as an emphasis for what

> a great man Scott Nearing was.

> 

> And "ewig weiblich", also a German expression, means something like

> "eternally female".

> 

> - Jens

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

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Date:         Thu, 26 Feb 1998 08:45:21 -0500

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From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"Minor Characters" has a chapter or two about the author's life with

Kerouac. The book, though, is her autobiography and describes how a girl

from a "nice middle class family" connected with and became part of the

beat-bohemian-Village scene in the fifties. It's a great book, done with

much objectivity, sensitivity and honesty. Without the frenzy of a lot

of the better known beat authors. Joyce is still very much around,

teaching, I think  at Columbia.

 

I also recommend "Nothing to Declare" by Holmes. The book is a

collection of character sketches of the known and unknown members of the

early beat scene in New York. His sketch about Kerouac is great.

 

There a lot of books about the "scene" written by participants who

either didn't make the Times Book Review or who made it in other areas.

Any body got some titles to share?

 

Mark Hemenway

 

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Date:         Thu, 26 Feb 1998 14:41:30 +0000

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From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Marie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thank you jim, and i wish the same for you. it looks like i have one

more father pome to write.

marie

 

James F. Wood 253-7886 wrote:

 

> WOW Marie, so sorry , love and peace to you!

> Jim

 

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Date:         Thu, 26 Feb 1998 14:49:04 +0000

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From:         Marie Countryman <country@SOVER.NET>

Subject:      thank you all so much

To:           BEAT-L@CUNYVM.CUNY.EDU

 

the first thing i did this morining - this very looong morning as i could not

sleep last night, was to rush out and replace my key board i felt so loved and

cared for. as most of you know, my writings are raw autobiography somehow

fused into poetic form via pain, mostly. the father series of poems is the

most deeply i have ever delved into myself. i know that this is not a poetry

list, but i can't help myself - i know how often writings were exchanged and

opinions welcomed by the writers we all love and write about, and i guess i

follow in their path. you all have been so patient and generous with my

endless revisions, and some of you wrote backchannel to me re: editing which

was so helpful/

any way, what i wanted to say is that i was always the 'black sheep' of my

family,

and you all have soothed the wounds of being on the outside again of an

important family milestone.

the last pome of the father cycle will be written after the memorial and

burial - his ashes are being shipped from florida so he may lay side by side

with my mother.

thank you all so very very much.

and to all who have said, tell me what i can do, i reply, you already have:

bless you all

marie

 

sherri wrote:

 

> marie asked me to post to the list that she's knocked out her keyboard.

> apparently, she can receive messages, but is unable to reply or initiate

> any.  for those who don't know - her father died today.  i will be in touch

> with her by phone - so if anyone wants me to relay any messages to her -

> please backchannel me (i get the list in digest now, so it's better to get

> your messages personally).

> 

> ciao, sherri

 

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Date:         Thu, 26 Feb 1998 07:51:15 -0800

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From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To be a mentsch a person has to be more than good.  Mentschen are people who

also know how to, and DO take practical care of themselves and others. To

qualify as a mentsch a person has to be mature as well as good.  BTW the e

is pronounced like the e in "help", not like an e in "we". BTW  "moensh" is

the german word for human, used often like person in english. The yiddish

pronounciation is "mentsch".

 

leon

 

 

nal Message-----

From: Nancy B Brodsky <nbb203@IS8.NYU.EDU>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, February 26, 1998 5:33 AM

Subject: Re: Questions on Ginsberg's "America"

 

 

>Mensch is a common Jewish saying for someone who is a good guy, a real

>mensch...AG was a real mensch

>On Thu, 26 Feb 1998, Jens Moellenhoff wrote:

> 

>> > 2. "America when I was seven momma took me to Communist Cell

meetings..."

>> > What were the Communist Cell meetings.  Who is Scott Nearing,  Mother

Bloor,

>> > and Israel Amter.  What does mensch mean?   Also, I'm using the City

Lights

>> > edition Howl and Other Poems, but when I looked at "America" in The

Portable

>> > Beat Reader, there was a change in the text in this line.  After Mother

>> > Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in

the

>> > dicrepancies between texts?

>> 

>> "Mensch" is German for "human being", but I dont know the meaning of

>> this word in here. Maybe Ginsberg used this word as an emphasis for what

>> a great man Scott Nearing was.

>> 

>> And "ewig weiblich", also a German expression, means something like

>> "eternally female".

>> 

>> - Jens

>> 

> 

>********Had we a place to stand upon, we might raise the

>world.--Archimedes*********

> 

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 26 Feb 1998 10:13:06 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Tibetian New Year

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know how the Tibetan's celebrate the new year?

 

Happy LOSAR eve (Tibetan New Year),

 

Xe

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Thu, 26 Feb 1998 11:37:13 EST

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From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Sneaker Sutra

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Daniel, thanks for this wonderful post.  This is the type of communication that

 Beat-l was intended for.5

 

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Date:         Thu, 26 Feb 1998 08:53:59 -0800

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From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A bit  more on mentschen and gender:

 

On further thought it occurs to me that person is a bit more gender neutral

than is moensh or mentsch. "weibliche" in german refers to "wifeish" in

English more than "womanly". Brings to mind the difficulties words have

reflecting the maturing (changing) attitudes about gender equality. Like we

are hearing already some rumblings about the prefixes in wo-men or fe-males.

"Feh" for example is an expression that describes disapproval, if not

disgust both in German as well as in Yiddish.

 

Ineterstingly both mentsh and moensh refer to either gender, but  the words

also tell about which gender is used to getting the respect.  "Yah Moensh!"

is often used the way "hey man!" is used in English, addressing both males

and females.  Language that betrays subtly historical inequalities in

respect to women and men.  It takes much time for maturing attitudes to be

reflected in commonly used words. Takes a long time for  meanings in

anachronistic words become hollow, than embarrassing reminders,  than

hopefully funny sounding, before they are discarded.

 

leon

 

-----Original Message-----

From: Nancy B Brodsky <nbb203@IS8.NYU.EDU>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, February 26, 1998 5:33 AM

Subject: Re: Questions on Ginsberg's "America"

 

 

>Mensch is a common Jewish saying for someone who is a good guy, a real

>mensch...AG was a real mensch

>On Thu, 26 Feb 1998, Jens Moellenhoff wrote:

> 

 

>> > Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in

the

>> > dicrepancies between texts?

>> 

>> "Mensch" is German for "human being", but I dont know the meaning of

>> this word in here. Maybe Ginsberg used this word as an emphasis for what

>> a great man Scott Nearing was.

>> 

>> And "ewig weiblich", also a German expression, means something like

>> "eternally female".

>> 

>> - Jens

>> 

> 

>********Had we a place to stand upon, we might raise the

>world.--Archimedes*********

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 12:20:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Basically, mensch means a good-natured, all around good guy...

On Thu, 26 Feb 1998, Leon Tabory wrote:

 

> To be a mentsch a person has to be more than good.  Mentschen are people who

> also know how to, and DO take practical care of themselves and others. To

> qualify as a mentsch a person has to be mature as well as good.  BTW the e

> is pronounced like the e in "help", not like an e in "we". BTW  "moensh" is

> the german word for human, used often like person in english. The yiddish

> pronounciation is "mentsch".

> 

> leon

> 

> 

> nal Message-----

> From: Nancy B Brodsky <nbb203@IS8.NYU.EDU>

> To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

> Date: Thursday, February 26, 1998 5:33 AM

> Subject: Re: Questions on Ginsberg's "America"

> 

> 

> >Mensch is a common Jewish saying for someone who is a good guy, a real

> >mensch...AG was a real mensch

> >On Thu, 26 Feb 1998, Jens Moellenhoff wrote:

> >

> >> > 2. "America when I was seven momma took me to Communist Cell

> meetings..."

> >> > What were the Communist Cell meetings.  Who is Scott Nearing,  Mother

> Bloor,

> >> > and Israel Amter.  What does mensch mean?   Also, I'm using the City

> Lights

> >> > edition Howl and Other Poems, but when I looked at "America" in The

> Portable

> >> > Beat Reader, there was a change in the text in this line.  After Mother

> >> > Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in

> the

> >> > dicrepancies between texts?

> >>

> >> "Mensch" is German for "human being", but I dont know the meaning of

> >> this word in here. Maybe Ginsberg used this word as an emphasis for what

> >> a great man Scott Nearing was.

> >>

> >> And "ewig weiblich", also a German expression, means something like

> >> "eternally female".

> >>

> >> - Jens

> >>

> >

> >********Had we a place to stand upon, we might raise the

> >world.--Archimedes*********

> >

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: in italia non abbiamo avuto kerouac, ginsberg e gli hipsters

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34F33B6E.3334@iclub.org>

References: <199802250044.SAA17024@core0.mx.execpc.com>

 

cari amici,

 

"Mondo Beat" 12 november 1966 first italian beat magazine.

 

the magazine was harbored by the anarchist headq "Sacco e Vanzetti"

in Milan. the ciclostyled number zero of the magazine was supported by

Giuseppe Pinelli, the anarchist who died on december 1969

honored by the play "Accidental death of an anarchist" written and

performed by the 1998 nobel literature prize, the playwriter Dario Fo.

 

its' clear that leftism has something to do with the beats in his

way. those italian beats dont' recognized jack kerouac as a guru,

so the "european-beat-show" (1966) of JK was described as a man who

speak. Buon, vecchio Kerouac, ti ricordi di Gesu'?

 

saluti,

Rinaldo.

-------Return-Path: <MAILER-DAEMON>

Date:         Thu, 26 Feb 1998 13:42:46 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 26 Feb 1998 19:34:05...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 26 Feb 1998 19:34:05 +0100 with subject "in italia

non abbiamo avuto kerouac, ginsberg  e gli hipsters" has been successfully

distributed to the BEAT-L list (249 recipients).

 

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Date:         Thu, 26 Feb 1998 14:09:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rodney Lee Phillips <philli31@PILOT.MSU.EDU>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aaron--

 

To answer part of your question: Scott Nearing was an early "back to the land"

advocate who wrote a book in the 1950s (along with his wife Helen) entitled

_Living the Good Life_.  The book detailed their life of subsistance farming

in Vermont (?) removed from all ties with the american cash economy.  Nearing

had been a member of the american Communist party, but later left--or was

forced out of--the party over a difference of opinion with party leadership.

 

Your question reminded me of one which has plagued me for years about the poem

"America."  Ginsberg's line--something like--"you have no idea how good the

party was in 1835."  At first, i believed this to be a mere slip or

typo--inserting 1835 for the correct date, 1935.  But this supposed slip was

never corrected in any of the poem's textual versions.  And when I heard

Ginsberg read the poem publicly in 1992, he read it as it is in the text:

1835.  Anybody on the list have any thoughts on this?

 

Rod Phillips

James Madison College, MSU>

> I'm doing an analysis of Ginsberg's "America" for a college class.  I need

> to dissect the whole poem line by line, and I've run into some road blocks.

> Most of the references I was able to define, but I'd appreciate any help

> with the following  items:

> 

> 1. Who is "Uncle Max"?

> 2. "America when I was seven momma took me to Communist Cell meetings..."

> What were the Communist Cell meetings.  Who is Scott Nearing,  Mother Bloor,

> and Israel Amter.  What does mensch mean?   Also, I'm using the City Lights

> edition Howl and Other Poems, but when I looked at "America" in The Portable

> Beat Reader, there was a change in the text in this line.  After Mother

> Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in the

> dicrepancies between texts?

> 3.  Who were the Spanish Loyalists?  What are the related to?

> 

> Thanks. --Aaron

> 

> ----------------------------------------------------------------------

> Aaron F. Sinkovich

> sinkovia@mnsfld.edu

> http://mustuweb.mnsfld.edu/users/sinkovia

> ----------------------------------------------------------------------

> 

 

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Date:         Thu, 26 Feb 1998 12:32:45 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ANDREW CHRISTENSEN <achristensen@WEBER.EDU>

Subject:      List Guidelines, or the lack thereof -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

as the list owner, you may be able to put another

matter to rest.

 

How do I get off the list?

 

I have tried several times . . . . Four times.

I tried both "list" addresses.  It hasn't worked.

 

Please help.

 

thanks.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 20:46:08 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> To be a mentsch a person has to be more than good.  Mentschen are people who

> also know how to, and DO take practical care of themselves and others. To

> qualify as a mentsch a person has to be mature as well as good.  BTW the e

> is pronounced like the e in "help", not like an e in "we". BTW  "moensh" is

> the german word for human, used often like person in english. The yiddish

> pronounciation is "mentsch".

> 

> leon

 

sorry, but the german word for "human" or "person" is spelled "mensch".

i should know this because i am german. :)

 

- jens

 

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Date:         Thu, 26 Feb 1998 20:46:34 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hemenway . Mark schrieb:

 

> "Minor Characters" has a chapter or two about the author's life with

> Kerouac. The book, though, is her autobiography and describes how a girl

> from a "nice middle class family" connected with and became part of the

> beat-bohemian-Village scene in the fifties. It's a great book, done with

> much objectivity, sensitivity and honesty. Without the frenzy of a lot

> of the better known beat authors. Joyce is still very much around,

> teaching, I think  at Columbia.

 

but don't you think that johnson's friendship with kerouac was essential

for how her entire life developed? it's not as unimportant as you might

think, or as anyone might think when reading your statement "[the book]

has a chapter or two about the author's life with kerouac". the

"kerouac" theme goes through almost the entire book.

 

- Jens

 

p.s. are we talking about the same book? :)

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 26 Feb 1998 14:29:52 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Questions on Nearing, the CP and Bloor

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Aaron--

> Nearing had been a member of the american Communist party, but later

>left--or was

>forced out of--the party over a difference of opinion with party leadership.

> 

>Ginsberg's line--something like--"you have no idea how good the

>party was in 1835."  At first, i believed this to be a mere slip or

>typo--inserting 1835 for the correct date, 1935.  But this supposed slip was

>never corrected in any of the poem's textual versions.  And when I heard

>Ginsberg read the poem publicly in 1992, he read it as it is in the text:

>1835.  Anybody on the list have any thoughts on this?

> 

>Rod Phillips

>James Madison College, MSU>

>> I'm doing an analysis of Ginsberg's "America" for a college class.  I need

>> to dissect the whole poem line by line, and I've run into some road blocks.

>> Most of the references I was able to define, but I'd appreciate any help

>> with the following  items:

>> 

>> 1. Who is "Uncle Max"?

>> 2. "America when I was seven momma took me to Communist Cell meetings..."

>> What were the Communist Cell meetings.  Who is Scott Nearing,  Mother Bloor,

>> and Israel Amter.  What does mensch mean?   Also, I'm using the City Lights

>> edition Howl and Other Poems, but when I looked at "America" in The Portable

>> Beat Reader, there was a change in the text in this line.  After Mother

>> Bloor, it reads "the Silk-striker' Ewig- Weibliche".  Any comments in the

>> dicrepancies between texts?

>> 3.  Who were the Spanish Loyalists?  What are the related to?

>> 

>> Thanks. --Aaron

 

Aaron and Rod,

 

Not positive, there were a few times that members bolded from the CP, but

Scott Nearing might have broken with them in 1991. The CP convention was

held in Cleveland (12-05-91) that year and there was a serious break when

about 1000 members, critical of the undemocratic actions that were taking

place, quite and formed the Committees of Correspondence.

 

Regarding the date in "America" of 1835 he couldn't have been referring to

the Communist Party because that predates the Manifesto and the revolutions

significantly. It's probably a typo, even though you heard AG use the date

in a reading. Actually1935 was a high point for the CP in the US which

indicates a typo--and keem mind and all it's difficult to keep in all up

front.

 

Mother Bloor was a Chicago Socialist and close friend of Upton Sinclair.

She worked in the Chicago meat packing plants and fed material to Sinclair

when he was writing "The Jungle." Sinclair, Bloor, and Meridel LeSueur were

friends. I think Isreal Amter might have been part of that circle. That

"circle" included (and I've grabbed part of a paragraph from an article

about LeSueur - http://www.bookzen.com/books/0000066a1.html - that Chuck

Miller wrote to give you a sense of the times and who they were interacting

with:

 

"... We talked all the while of the writers she had known over the

years--Jack Conroy, Richard Wright, Emma Goldman, Algren, Zona Gale,

Drieser, Kenneth Fearing, Mari Sandoz, Alexander Berkman...Boris Israel,

and more that I did not know.* For me it was like a feast of finding out

something more than the official version...Algren managing to break with

nearly all his old friends, turning on them somehow...Conroys boozing and

womanizing...Drieser chasing Meridel around a

table in New York trying to get at her, calling her the [Iowa] Corn virgin

. . . Emma Goldmans wondering why LeSueur didn't want to make it with such

a famous writer as Dreiser, although meanwhile Meridel thinking that

Goldman seemed like the only woman she knew who had control over her sex

and love life, a notion perhaps dispelled in later years by Goldmans own

diary...Mari

Sandoz being a good leftist...Berkman treating her with respect and almost

like an adult when she was thirteen years old...Kenneth Fearing coming to a

bad end with drink...when they had his wake in New York the funeral parlor

had two rooms set up for him, one for his blue-blood family from Oak Park,

the other for his hard-drinking and writer friends from New York...Zona

Gale breaking with her when she had children, insisting that a woman

couldn't be both a writer and a mother at the same time. And the important

thing for me, I realized after that night, was that she treated you

somewhat like an equal, although you clearly weren't. Here was perhaps the

greatest writer I had known and I felt perfectly at ease with her. She

somehow gave you that generous permission to be yourself whatever you were,

whereas in a thousand others that I had met there was always the sense of

their class position, of their role as a published or well known writer and

you being unknown, unpublished, a nobody in effect. "

 

LeSueur died in Hudson, Wisconsin three years ago (11-96) where she was

living with her daughter Rachel.

 

For as long as I knew Meridel Inever heard her mention any of the Beat

wroiters or poets--with the exception of Charlie Plymell. Even though

Meridel spent a good deal of her life wandering the U.S. and Mexico. She

was a writer who was very close to the working poor.

 

j grant

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Feb 1998 20:55:26 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@MAILER.FSU.EDU>

Subject:      Re: Sneaker Sutra

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Daniel, thanks for this wonderful post.  This is the type of communication that

> Beat-l was intended for.5

 

 

I, too, appreciate this post very much.

 

Preston

 

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X-Sender: vj@pop.primenet.com

Date:         Thu, 26 Feb 1998 18:30:16 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "V.J. Eaton" <vj@PRIMENET.COM>

Subject:      Re: Joyce Johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I also recommend "Nothing to Declare" by Holmes.

                Nothing More to Declare

 

>The book is a collection of character sketches

                is a collection of essays  of the characters, scene, and

times . . .

 

>of the known and unknown members of the early beat scene in New York.

>His sketch about Kerouac is great.

                A classic

 

>There a lot of books about the "scene" written by participants who

>either didn't make the Times Book Review or who made it in other areas.

>Any body got some titles to share?

 

Try, if you can find:

        Larry Rivers, What Did I Do? the Unauthorized Biography (by Larry

Rivers)

        Jay Landesman, Rebel without Applause

        Seymour Krim, What's This Cat's Story?

        Seymour Krim, Views of a Nearsighted Cannoneer

        Anything of the period by Paul Krassner (publr, The Realist)  will

get you underground.

__________________

 

You Am lit/mod lit prof people:

Holmes & Krim, --essays, teach them. . . it'd be fun.  And my bet's on it's

going to happen anyway, so lead the mule. There's $0.02.

 

--Good hunting.

 

 

 

_____________________

Skydivers know why the birds sing

 

V.J. Eaton

Tempe, AZ

 

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Date:         Thu, 26 Feb 1998 22:26:27 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Brian Peterson <peterson@EZNET.NET>

Subject:      Re: Tibetian New Year

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I celebrated New Year with some Tibetan families in Lindsay, Ontario

several years ago.  Many families got together and rented a hall in town

to hold a dinner party.  Some of the local talent  performed elaborate

folk dances in costume and others did instrumentals and sung Tibetan

songs.  After the dinner and entertainment,  partying continued on

through the night.  The participants danced to contemporary music and

many partook of spirits at a cash bar.  Late into the evening celebrants

started doing many rounds of dialogue involving folks stories and

Buddhist sayings. 

 

>From the dance hall,  I went to a friends house along with several other

people for coffee and a little relaxation.  Arriving back at my Tibetan

host's house around three in the morning I found several Tibetans

playing card games and sitting in groups socializing.  Early in the

morning after a large breakfast with other guests we started a round of

visiting  families at their homes.  Like everyone was having open

house.  Rice beer flowed like water, fantastic repasts awaited us

everywhere we went.  At one family's house we did a Buddhist meditation

practice with drums and bells. In the evening I headed back to the USA.

 

I understand in Tibet around New Years the monasteries would do Lama

dances which would portray various events in Buddhist literature.

Villagers would travel for miles to see these events and camp outside

the monastery.  The homes in the villages would be freshly whitewashed,

new prayer flags would be hung.  Visiting relatives and friends would go

on for the whole week after New Years and sometimes longer.

(is this beat?)

Brian

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 26 Feb 1998 22:53:00 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: From Tibetian Beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Earlier I asked about Tibetian New Years celebrations and received the

following from one professing to be both Beat and Tibetian.

 

 

       As colorful new prayer flags are hung out over each home, the

       smell of incense wafts through the villages. At dawn on New

       Year's Day, Tibetans visit monasteries, shrines, and chortens to

       make offerings. Then families venture out to drink the new year's

       chang (unhopped beer) with friends, to picnic in the parks and

       meadows, or to watch an archery tourney. Devotees journey to

       the Jokhang temple in Lhasa to donate yak butter that keeps the

       lamps burning well into the year. At Barkor Plaza the giant

       incense burners work overtime to handle hundreds of people

       queued up to throw in their offerings of juniper branchs. New

       sculptures of yak butter and tsampa (roasted barley flour) are

       displayed. Made by the lamas (monks), the sculptures depict

       deities and Buddhist scenes, and will be unveiled at the Butter

       Sculpture Festival at the first full moon of the year (15 days

       after New Year's Day).

 

       New Year's Eve is Lu Yugpa, an opportunity to banish evil spirits

       from the old year and clear the way for starting the new year

       right. A frenzied house-cleaning chases away the evil spirits to

       let the good ones in. Some houses make a ritual soup for the

       spirits, which is put outside on a bed of burning straws. In the

       monasteries at Lhasa and Shigatse, lamas walk in procession

       with tsampa dough dolls. Their destination is the monastery

       forecourt where, amid much chanting, the images are burned

       and the spirits driven away. At Tashilhumpo monastery on this

       last day of the year, the lamas perform masked dances to

       symbolize the triumph of good over evil.

 

And a doctor advised to

 

> Injesting the mushroom Aminita (Red Fly Agaric) which has hallucinagenic

> as well as other mind expanding properties.

 

Sounds llike a great way to banish evil spirits.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Thu, 26 Feb 1998 21:22:03 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      : Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">

<HTML>

<HEAD>

 

<META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>

<META content='"MSHTML 4.71.1712.3"' name=GENERATOR>

</HEAD>

<BODY bgColor=#ffffff>

<DIV>

<DIV><FONT color=#000000 size=2>Nancy twice reaffirms that the commonly used

yiddish word &quot;mensch&quot; basically describes a good natured, all around

good guy.</FONT></DIV>

<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>

<DIV><FONT color=#000000 size=2>I maintain that the German word

&quot;mensch&quot; is neutral about positive or negative qualities of a human

person, </FONT></DIV>

<DIV><FONT color=#000000 size=2>&nbsp;&nbsp;&nbsp; (Thanks jens for correcting

my misspelling. It's been many years since my superficial acquaintance with the

German language. Yiddish on the other hand I grew up with. It was the language

used primarily by my family in eastern Europe and in our entire Jewish

community)</FONT></DIV>

<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>

<DIV><FONT color=#000000 size=2>I maintain that the Jewish word is

&quot;mentsch&quot; and that it looks far beyond the qualities of good nature or

regular good guy&quot;. Mensh has a foreign, German sound to my

ears.</FONT></DIV>

<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>

<DIV><FONT size=2>Why should anybody care?</FONT></DIV>

<DIV><FONT size=2></FONT>&nbsp;</DIV>

<DIV><FONT size=2>Only if you want to truly understand how Allen Ginzberg saw

the person that he went out of the way to describe in the Yiddish word

&quot;mentsch&quot;. There is quite a long way to go from being a good natured,

regular good guy and being a mentsch where I grew up. They are not incompatible,

but they are not the same.</FONT></DIV>

<DIV><FONT size=2></FONT>&nbsp;</DIV>

<DIV><FONT size=2>Mentsh where I grew up was an ace in the hand of Shadchens

(matchmakers) who were forever trying to reassure the parents of the daughters

that the man they had for them was not just a good natured regular good guy, but

a prize, a mentsch, who would relieve them of their worry about how well their

daughters would be provided and cared for. If anyone is interested in finding

out more, I refer you to Yiddish dictionaries.</FONT></DIV>

<DIV><FONT size=2></FONT>&nbsp;</DIV>

<DIV><FONT size=2>I hope I am not boring you. I hope you don't think I am

quibbling. I hope I am contributing to your understanding of what Allen tried to

tell us about his uncle. Now I will try to be a mentsh and shut up.</FONT></DIV>

<DIV><FONT size=2></FONT>&nbsp;</DIV>

<DIV><FONT size=2>Leon</FONT></DIV></DIV></BODY></HTML></x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Thu, 26 Feb 1998 22:07:42 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         sherri <love_singing@MSN.COM>

Subject:      Re: BEAT-L Digest - 25 Feb 1998 to 26 Feb 1998 (#1998-58)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i just want to thank all of you for some very interesting posts today.

maybe i'll have time to directly respond to some of them tomorrow.  but,

really i learnede some interesting things from today's posts.  ciao, sherri

p.s. marie, glad to see you back!

 

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Date:         Fri, 27 Feb 1998 00:24:14 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: : Re: Questions on Ginsberg's "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Leon Tabory wrote:

> 

> Nancy twice reaffirms that the commonly used yiddish word "mensch"

> basically describes a good natured, all around good guy.

> 

> I maintain that the German word "mensch" is neutral about positive or

> negative qualities of a human person,

>     (Thanks jens for correcting my misspelling. It's been many years

> since my superficial acquaintance with the German language. Yiddish on

> the other hand I grew up with. It was the language used primarily by

> my family in eastern Europe and in our entire Jewish community)

> 

> I maintain that the Jewish word is "mentsch" and that it looks far

> beyond the qualities of good nature or regular good guy". Mensh has a

> foreign, German sound to my ears.

> 

> Why should anybody care?

> 

> Only if you want to truly understand how Allen Ginzberg saw the person

> that he went out of the way to describe in the Yiddish word "mentsch".

> There is quite a long way to go from being a good natured, regular

> good guy and being a mentsch where I grew up. They are not

> incompatible, but they are not the same.

> 

> Mentsh where I grew up was an ace in the hand of Shadchens

> (matchmakers) who were forever trying to reassure the parents of the

> daughters that the man they had for them was not just a good natured

> regular good guy, but a prize, a mentsch, who would relieve them of

> their worry about how well their daughters would be provided and cared

> for. If anyone is interested in finding out more, I refer you to

> Yiddish dictionaries.

> 

> I hope I am not boring you. I hope you don't think I am quibbling. I

> hope I am contributing to your understanding of what Allen tried to

> tell us about his uncle. Now I will try to be a mentsh and shut up.

> 

> Leon

Excellant point.  I think the Yiddish word is related to the German but

has the different meaning.  It remind me of american word humor and the

english word humour, sounds alike but have very different meanings.

i love those quibbles over the meaning of a word. Good questions make

for good answers.

p

 

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Date:         Fri, 27 Feb 1998 15:00:51 +0800

Reply-To:     Yan Feng <yfeng@geocities.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Yan Feng <yfeng@GEOCITIES.COM>

Subject:      Beats on Stamps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I saw three stamps with JK, AG, and WSB's head portrait on Nov'97 issue of

Globe(a chinese magzine which is partly online). You can go to following url

to have a look. I wonder if it is real or just images.

http://www.itc.com.cn/globe/97_11/g_nov04.htm

The essay begin saying, he went to USA and planned to visit Allen Ginsberg,

but to his/her surprise AG had passed the day before.

But throughout the essay i felt the author wrote it with a temper sorts of

tease ( i don't know the most suitable word). This is the temper of

mainstream on beat writers.

 

Yan

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 00:30:35 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Beats on Stamps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>I saw three stamps with JK, AG, and WSB's head portrait on Nov'97 issue of

>Globe(a chinese magzine which is partly online). You can go to following url

>to have a look. I wonder if it is real or just images.

>http://www.itc.com.cn/globe/97_11/g_nov04.htm

>The essay begin saying, he went to USA and planned to visit Allen Ginsberg,

>but to his/her surprise AG had passed the day before.

>But throughout the essay i felt the author wrote it with a temper sorts of

>tease ( i don't know the most suitable word). This is the temper of

>mainstream on beat writers.

> 

>Yan

 

 

It looks like the stamp that Levi Asher made for his web site Literary

Kicks.  If you've not seen it the address for it is

 

http://www.charm.net/~brooklyn

 

I don't think the US has put Ginsberg on a stamp yet (but of course that is

only a matter of time).

 

Levi also has a stamp of Kerouac illustration.

 

(And I know this is a side issue but what is it with the encoding for gb.

I use Netscape 3.0 and the character set that they use at this site

[charset=gb_2312-80] actually makes it so I cannot read three words.  That

sohoo site does the same thing.)

 

Thanks for letting us know of this site.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 10:06:29 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: More Joyce johnson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

when i went to hear her read, i was delighted that she began with her

teeenage adventures in the village, growing up years. and i think as well,

her brief chapters about living with JK were not so much that he was beat,

but that he was doing what she so much wanted to do, write, get published

perhaps, lead an interesting life.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 10:13:58 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: an open letter to the list

To:           BEAT-L@CUNYVM.CUNY.EDU

 

if i already sent this, apologies. my mailer was slightly nuked when i

drowned my keyboard the other night

mc

 

Marie Countryman wrote:

 

> > i want you all to know how much your private condolences helped me

> > through a long sleepless and difficult night. (you too sundee).  after

> > i drowned the keyboard, i was still able to use my mouse and read and

> > read letter after letter full of caring and kindnesses in as many

> > different ways as there are individuals on this list.

> 

> thank you for putting up with my tireless (tiresome, to some) revisions

> of my father pomes. it just seemed i needed to go through that process

> and now i know why.peace to you all

> marie

 

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Date:         Fri, 27 Feb 1998 08:11:22 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      More Joyce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jens:

You wrote:

<but don't you think that johnson's friendship with <kerouac was

essential for how her entire life <developed? it's not as unimportant as

you might <think, or as anyone might think when reading your <statement

"[the book] has a chapter or two about <the author's life with kerouac".

the "kerouac" theme <goes through almost the entire book.

<p.s. are we talking about the same book? :)

Jens, You caught me in a philosophical mood, so for what it's worth....

Sorry, I didn't see the Kerouac theme running through the whole book.

Although I am a confirmed Kerouaco, I have also come to realize that he

was just one figure in the beat scene that was only one scene in the

cultural richness of NYC. It started before his arrival, swirled around

him, and continued long after he left for the Western Lands. If you read

the other beat writers, particularly the observers like Jay Fleichman

[sic], Holmes, Sanders (I just picked up Tales of Beatnik Glory on the

sale table and B&N) maybe you can get a better feel for the richness of

that era, and the place that Kerouac occupied in his own community. Not

everybody had that high an opinion of Jack.

 

What I was really trying to communicate is that Joyce Johnson is a very

talented author in her own right and has a lot to say about growing up

and life in the big city. Perhaps, her experience with Kerouac did shape

her life and writing, but I think her work is much more than "my life

with Jack Kerouac." Finally, yes, there is only a chapter or two

specifically about her life with Jack Kerouac.

 

Actually, nobody reads the same book as anyone else. Everyone reads

through the lens of their own experience, knowledge and understanding.

 

Thanks for listening.

 

Mark Hemenway

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 14:15:34 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: jane

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thanks patricia, as always, for putting the human dimension into this

complicated man, wsb, your william.

mc

 

Patricia Elliott wrote:

 

> I drove by his house

> still beat red

> but a still life

> no glimpse of an elderly

> pajama clad man reaching for the paper.

> the sides of the yard

> wildly unkept to screen

> the backyard that was

> a beat scene

> where bill hatke gardened

> his garden appeared in an altered form in rolling stones

> where pits were dug, bogs and ponds

> so william could throw pellets at the fish.

> The front porch with trellis of red roses

> that he amazed my child with showing her

> there was no scent.

> A lot of amazement was shared

> because he found it amazing.

> I felt like i lost him

> listening to crap

> then i recalled

> when we first met,

> how strangers told me

> this and that,

> the velco man, that all myths clung to.

> So i write little memories of

> fish and tirades.

> How he could hold your hand for moment.

> he is coming back.

> i have decided to visit his cats

> I think of the guilt, that i

> who didn't ever ask the questions

> and barely remember the clues

> He sat and told me about the similarities

> between the calico he called jane

> and his memories of jane bowles

> and i best remember the cat.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 09:22:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: More Joyce

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Joyce is certainly a very talented person in her own right as anyone who has re

ad her fiction can attest.  "In the Night Cafe" might still be available but mo

st of her other books are out of print.  You can probably find them, however, a

t most university or larger public library systems.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 16:43:01 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: as ever inquiry

To:           BEAT-L@CUNYVM.CUNY.EDU

 

jenn: if you have a good local bookstore, they can check out electronically if

it is in print. that's how i found my copy, for 10 bucks, waxy bookcover over

bookcover, first edition.

mc

 

Tread37 wrote:

 

> calling austin, calling memphis...

> 

> hello, beat listers.  i am on a desperate search for the book "as ever," a

> book of letters between allen ginsberg and neal cassady.  i was wondering if

> anyone could tell me how or where i can get a hold of it.  thanks guys, i

> appreciate it.

> 

> beans,

> jenn :o)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Authentication-Warning: wheat.mnsfld.edu: [157.62.11.38] didn't use HELO

                         protocol

X-Sender: sinkovia@wheat.mnsfld.edu

Date:         Fri, 27 Feb 1998 11:58:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aaron Sinkovich <sinkovia@MNSFLD.EDU>

Subject:      questions on "America"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Thanks to everyone who gave me input on the questions I asked.  It was very

helpful.  I liked the discussion on the word "mensch."  For those who care,

Mother Bloor refers to Ella Reeve Bloor who was a communist party figure.  I

found some info on her at ArchivesUSA by simply plugging her name into the

hotbot search engine.  I printed out the info, but I don't have it with me

here.  I'm still having trouble with the name Israel Amter though.   Any info?

 

--Aaron

 

----------------------------------------------------------------------

Aaron F. Sinkovich

sinkovia@mnsfld.edu

http://mustuweb.mnsfld.edu/users/sinkovia

----------------------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 11:51:16 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      jane

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I drove by his house

still beat red

but a still life

no glimpse of an elderly

pajama clad man reaching for the paper.

the sides of the yard

wildly unkept to screen

the backyard that was

a beat scene

where bill hatke gardened

his garden appeared in an altered form in rolling stones

where pits were dug, bogs and ponds

so william could throw pellets at the fish.

The front porch with trellis of red roses

that he amazed my child with showing her

there was no scent.

A lot of amazement was shared

because he found it amazing.

I felt like i lost him

listening to crap

then i recalled

when we first met,

how strangers told me

this and that,

the velco man, that all myths clung to.

So i write little memories of

fish and tirades.

How he could hold your hand for moment.

he is coming back.

i have decided to visit his cats

I think of the guilt, that i

who didn't ever ask the questions

and barely remember the clues

He sat and told me about the similarities

between the calico he called jane

and his memories of jane bowles

and i best remember the cat.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats on Stamps

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01bd434d$759231e0$LocalHost@---->

References:

 

Yan Feng writes:

>I saw three stamps with JK, AG, and WSB's head portrait on Nov'97 issue of

>Globe(a chinese magzine which is partly online). You can go to following url

>to have a look. I wonder if it is real or just images.

>http://www.itc.com.cn/globe/97_11/g_nov04.htm

>The essay begin saying, he went to USA and planned to visit Allen Ginsberg,

>but to his/her surprise AG had passed the day before.

>But throughout the essay i felt the author wrote it with a temper sorts of

>tease ( i don't know the most suitable word). This is the temper of

>mainstream on beat writers.

> 

>Yan

> 

Yan,

 

i found some time ago (on the below web site)a Jack Kerouac's picture

on an Us of America stamp, i was nice surprised as you,

if u arent too busy please check

 

http://www3.mondadori.com/libri/babele/yesterday/forum/kerouac/nf_bio.html

 

ps. being from Venice, Italy im' just a little courious 'bout

what place of China u are from. if im' too much intrusive

please have my apologies in advance.

 

saluti a tutti,

Rinaldo.

-------

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Denn wovon lebt der Mensch?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <003a01bd433f$c307a260$455de3a5@mbay69.cruzio.com>

References:

 

cari amici beat,

 

open the book "The Hydrogen Jukebox" [Jukebox all'idrogeno]

a wonderful cover with Robert Frank's photo named "Teardrops"

at page 162

i've a glance to the Allen Ginsberg's poem "America" verse

..."Scott Nearing was a grand old man a real mensch Mother Bloor"...

at page 163

 

in italian language Fernanda Pivano translates

..."Scott Nearing era un gran vecchio un vero maschio Madre Bloor"...

 

then i think [[ mensch=maschio=manly,masculine=macho ]]

 

or something like

the Bertolt Brecht statement in "Wiegenlieder" ''...Und nur Karl

Marx und Lenin stand/Wie wir Arbeiter eine Zukunft haben...'' a

bold person, very hard man, im' not literate in german language

but i remind to meself (& to all intrsted) the Bertolt Brecht poem

 

[Denn wovon lebt der Mensch?] Aus Die Dreigroschenoper.

I.

Ihr Herrnn, die ihr uns lehrt, wie man brav leben

Und Sund und Missetat vermeiden kann

Zuerst musst ihr uns was zu fressen geben

Dann konnt ihr reden: damit fangt es an.

Ihr, die ihr euren Wanst und unsre Bravheit liebt

Das eine wisset ein fur allemal:

Wie ihr es immer dreht und wie ihr's immer schiebt

Erst kommt das Fressen, dann kommt die Moral.

Erst muss es moglich sein auch armen Leuten

Vom grossen Brotlaib sich ihr Teil zu schneiden.

Denn wovon lebt der Mensch? Indem er stundlich

Der Menschen peingt, auszieht, anfallt, abwurgt und frisst.

Nur dadurch lebt der Mensch, dass er so grundlich

Vergessen kann, dass er ien Mensch doch ist.

Ihr Herren, bildet euch nur da nichts ein:

Der Mensch lebt nur von Missetat allein!

                              ---Bertolt Brecht

 

saluti,

Rinaldo.

-------

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: questions on "America"

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802271658.LAA29296@wheat.mnsfld.edu>

References:

 

>I'm still having trouble with the name Israel Amter though.   Any info?

> 

>--Aaron

he was an american communist

Return-Path: <MAILER-DAEMON>

Date:         Fri, 27 Feb 1998 14:07:57 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 27 Feb 1998 20:00:05...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Fri, 27 Feb 1998 20:00:05 +0100 with subject "Denn wovon

lebt der Mensch?" has been successfully distributed to the BEAT-L list (246

recipients).

 

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Date:         Fri, 27 Feb 1998 14:07:59 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 27 Feb 1998 19:06:59...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Fri, 27 Feb 1998 19:06:59 +0100 with subject "Re: Beats

on  Stamps" has  been successfully  distributed  to the  BEAT-L list  (246

recipients).

 

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Date:         Fri, 27 Feb 1998 14:13:38 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 27 Feb 1998 20:06:39...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your  message dated  Fri,  27  Feb 1998  20:06:39  +0100  with subject  "Re:

questions on "America"" has been successfully distributed to the BEAT-L list

(246 recipients).

 

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X-Sender: gallaher@hsc.usc.edu

Date:         Fri, 27 Feb 1998 11:23:10 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Beats on Stamps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 07:06 PM 2/27/98 +0100, you wrote:

>Yan Feng writes:

>>I saw three stamps with JK, AG, and WSB's head portrait on Nov'97 issue of

>>Globe(a chinese magzine which is partly online). You can go to following url

>>to have a look. I wonder if it is real or just images.

>>http://www.itc.com.cn/globe/97_11/g_nov04.htm

>>The essay begin saying, he went to USA and planned to visit Allen Ginsberg,

>>but to his/her surprise AG had passed the day before.

>>But throughout the essay i felt the author wrote it with a temper sorts of

>>tease ( i don't know the most suitable word). This is the temper of

>>mainstream on beat writers.

>> 

>>Yan

>> 

>Yan,

> 

>i found some time ago (on the below web site)a Jack Kerouac's picture

>on an Us of America stamp, i was nice surprised as you,

>if u arent too busy please check

 

This also is the same stamp that Levi Asher produced for his web site.

 

On Levi's site, Literary Kicks, the Kerouac stamp is at this URL

 

http://www.charm.net/~brooklyn/People/JackKerouac.html

 

and the Ginsberg stamp is at this URL

 

http://www.charm.net/~brooklyn/People/AllenGinsberg.html

 

The Burroughs stamp is at this URL

 

http://www.charm.net/~brooklyn/People/WilliamSBurroughs.html

 

Levi has done a good job because the stamps seem to be very real.

 

But they are pieces of art as of now and not yet real stamps for use in

sending mail via the US Postal Service.

 

Neither rain nor snow nor sleet nor hail...but I sure have noticed a lot of

times we seem to get no mail on saturdays.....

 

I will from now on refer to Levi Asher as: Levi Asher and his world-famous

pseudo-stamps.

 

 

> 

>http://www3.mondadori.com/libri/babele/yesterday/forum/kerouac/nf_bio.html

> 

>ps. being from Venice, Italy im' just a little courious 'bout

>what place of China u are from. if im' too much intrusive

>please have my apologies in advance.

> 

>saluti a tutti,

>Rinaldo.

>-------

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 15:12:24 -0500

Reply-To:     "henkel@wmich.edu" <henkel@wmich.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Scott Henkel <henkel@WMICH.EDU>

Organization: OVPR

Subject:      Beats and the digital revolution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I've always thought (or wanted to think) that the way I (and no doubt many

other writers on Beat-L) share writings or ideas for essays, stories, etc.

over e-mail has a parallel between the way Jack et al shared through

letters.

 

I read this in the Chronicle of Higher Education today, and thought I might

share it with the list.

Scott

_____________

 

 

A glance at the March issue of Wired:

 

How the Beat movement paved the way for the digital revolution

 

           Long before personal computers and e-mail became common, William

S.

           Burroughs, Allen Ginsberg, Jack Kerouac, and other writers in

the Beat

           movement expressed ideas about art and creativity that have now

been realized

           in cyberspace, writes David Batstone, a professor of social

ethics at the

           University of San Francisco.

 

           Dr. Batstone compares the theme of Kerouac's On the Road with

the theories

           of Sherry Turkle, a professor at the Massachusetts Institute of

Technology

           who studies personal identity in the digital age. The two write

in vastly

           different social contexts, he says, but they have very similar

ideas about

           personal identity.

 

           Kerouac also "foresaw a day when the means of communication

would

           facilitate not only spontaneous prose, but a more immediate

exchange of ideas

           as well" -- a notion prescient of e-mail. Similarly, Burroughs

developed a

           montage-like style of writing in which he cut and pasted

together pieces of text

           to "design" a book, much like today's World-Wide Web pages, Dr.

Batstone

           writes.

 

           (The magazine's Web site is http://www.wired.com)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 15:34:10 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tread37 <Tread37@AOL.COM>

Subject:      as ever inquiry

To:           BEAT-L@CUNYVM.CUNY.EDU

 

calling austin, calling memphis...

 

hello, beat listers.  i am on a desperate search for the book "as ever," a

book of letters between allen ginsberg and neal cassady.  i was wondering if

anyone could tell me how or where i can get a hold of it.  thanks guys, i

appreciate it.

 

beans,

jenn :o)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Fri, 27 Feb 1998 14:58:56 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Ginsberg on DiPrima

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-rich> "Diane di Prima, revolutionary activist of the 1960s Beat literary

renaissance, heroic in life and poetics: a learned humorous bohemian,

classically educated and twentieth-century radical, her writing,

informed by Buddhist equanimity, is exemplary in imagist, political and

mystical modes. A great woman poet in second half of American century,

she broke barriers of race-class identity, delivered a major body of

verse brilliant in its particularity." --Allen Ginsberg

 

 

Comments arttached to DiPrima's most recent book,  "Pieces of a Song:

Selected Poems," from City Lights. ISBN 0-87286-237-2 , 204 pp, $12.95

 

 

 

        <fontfamily><param>Times</param><smaller>        Small & Academic

Press Publishers and Authors

 

                  Display Books Free At BookZen

 

                                792,482 Visitors  07-01-96 to 02-01-98

 

                         http://www.bookzen.com</smaller></fontfamily>

 

</x-rich>

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Date:         Fri, 27 Feb 1998 13:54:18 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Beats on Stamps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> I will from now on refer to Levi Asher as: Levi Asher and his world-famous

> pseudo-stamps.

 

The best story I heard about these stamps was from a friend

of mine who knows people who hang out with Gregory Corso, and

who once got invited to a dinner party at Corso's place.  At the

dinner Gregory actually pulled out a printout of the pseudo-stamp I

did of him (http://www.charm.net/~brooklyn/People/GregoryCorso.html),

and told everybody "Look, in Italy they put me on a stamp".

 

My friend later took him aside and whispered "You know, that's

not a real stamp, some guy in Queens made it with a scanner".

Corso whispered back "I know, just don't tell everybody else".

 

I love it ... one of my prouder moments in life ...

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

|       "I think somebody better put out the big light" |

|                                     -- Elvis Costello |

---------------------------------------------------------

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats on Stamps

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802272154.NAA03502@netcom14.netcom.com>

References: <199802271923.LAA29773@hsc.usc.edu> from "Timothy K. Gallaher" at              Feb 27, 98 11:23:10 am>

 

Levi wrote:

>At the

>dinner Gregory actually pulled out a printout of the pseudo-stamp I

>did of him (http://www.charm.net/~brooklyn/People/GregoryCorso.html),

>and told everybody "Look, in Italy they put me on a stamp".

> 

Levi,

of course if im italian i fall for it like Gregory Corso!

btw yr stamp is on the web in the home page of the greatest

publisher house now here in italy (mondadori in milan) his

owner is Silvio Berlusconi the italian merchant of commercial

TV and millionaire and right centrist politician...

but his publisher house has out the best titles of the Kerouac.

saluti,

Rinaldo.

-------Return-Path: <MAILER-DAEMON>

Date:         Fri, 27 Feb 1998 18:29:57 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 28 Feb 1998 00:21:52...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 28 Feb 1998 00:21:52 +0100 with subject "Re: Beats

on  Stamps" has  been successfully  distributed  to the  BEAT-L list  (246

recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Feb 1998 21:51:39 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      Re: as ever inquiry

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-02-27 15:37:29 EST, you write:

 

<< hello, beat listers.  i am on a desperate search for the book "as ever," a

 book of letters between allen ginsberg and neal cassady.  i was wondering if

 anyone could tell me how or where i can get a hold of it.  thanks guys, i

 appreciate it.

 

 beans,

 jenn :o) >>

 

hey jenn....call 1-800-kerouac then call me ;-)

~~marlene

 

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X-Sender: legacy@admin.con2.com

Date:         Fri, 27 Feb 1998 23:23:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: as ever inquiry

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 09:51 PM 2/27/98 EST, you wrote:

>In a message dated 98-02-27 15:37:29 EST, you write:

> 

><< hello, beat listers.  i am on a desperate search for the book "as ever," a

> book of letters between allen ginsberg and neal cassady.  i was wondering if

> anyone could tell me how or where i can get a hold of it.  thanks guys, i

> appreciate it.

> 

> beans,

> jenn :o) >>

> 

>hey jenn....call 1-800-kerouac then call me ;-)

>~~marlene

> 

> 

 

Hello, Jenn - Regarding the book "As Ever" -- I don't know if this helps at

all, but the book's full title is "As Ever - The Collected Correspondence of

Allen Ginsberg & Neal Cassady" (Creative Arts Book Company, 1977)

 

ISBN 0-916870-08-1 (paper)

ISBN 0-916870-09X (cloth)

 

Lib. Of Congress Card Catalog No. 77-082182

 

 

                               - Jeff Perchuk (Legacy Antiquarian Books)

 

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Date:         Sat, 28 Feb 1998 13:02:39 +0800

Reply-To:     Yan Feng <yfeng@geocities.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Yan Feng <yfeng@GEOCITIES.COM>

Subject:      Re: Beats and the digital revolution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think so too.

call yourself net beat, a very nice name.

-----Original Message-----

*¢1/4þÈË: Scott Henkel <henkel@wmich.edu>

ÊÕ1/4þÈË: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

ÈÕÆÚ: 1998Äê2ÔÂ28ÈÕ 4:13

Ö÷Ìâ: Beats and the digital revolution

 

 

I've always thought (or wanted to think) that the way I (and no doubt many

other writers on Beat-L) share writings or ideas for essays, stories, etc.

over e-mail has a parallel between the way Jack et al shared through

letters.

 

I read this in the Chronicle of Higher Education today, and thought I might

share it with the list.

Scott

_____________

 

 

A glance at the March issue of Wired:

 

How the Beat movement paved the way for the digital revolution

 

           Long before personal computers and e-mail became common, William

S.

           Burroughs, Allen Ginsberg, Jack Kerouac, and other writers in

the Beat

           movement expressed ideas about art and creativity that have now

been realized

           in cyberspace, writes David Batstone, a professor of social

ethics at the

           University of San Francisco.

 

           Dr. Batstone compares the theme of Kerouac's On the Road with

the theories

           of Sherry Turkle, a professor at the Massachusetts Institute of

Technology

           who studies personal identity in the digital age. The two write

in vastly

           different social contexts, he says, but they have very similar

ideas about

           personal identity.

 

           Kerouac also "foresaw a day when the means of communication

would

           facilitate not only spontaneous prose, but a more immediate

exchange of ideas

           as well" -- a notion prescient of e-mail. Similarly, Burroughs

developed a

           montage-like style of writing in which he cut and pasted

together pieces of text

           to "design" a book, much like today's World-Wide Web pages, Dr.

Batstone

           writes.

 

           (The magazine's Web site is http://www.wired.com)

 

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Date:         Sat, 28 Feb 1998 13:23:37 +0800

Reply-To:     Yan Feng <yfeng@geocities.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Yan Feng <yfeng@GEOCITIES.COM>

Subject:      Re: Beats on Stamps

To:           BEAT-L@CUNYVM.CUNY.EDU

 

gb encoding is for simplified chinese and used mainly in mainland china. In

Taiwan of China people use traditional chinese with encoding of Big5. it is

a sorry thing.

 

Thanks for introducing me to the web sites.

 

( Rinaldo, I am from Tianjin, a city near Beijing. It is my pleasure to let

folks oversea know me)

 

Yan

> 

>It looks like the stamp that Levi Asher made for his web site Literary

>Kicks.  If you've not seen it the address for it is

> 

>http://www.charm.net/~brooklyn

> 

>I don't think the US has put Ginsberg on a stamp yet (but of course that is

>only a matter of time).

> 

>Levi also has a stamp of Kerouac illustration.

> 

>(And I know this is a side issue but what is it with the encoding for gb.

>I use Netscape 3.0 and the character set that they use at this site

>[charset=gb_2312-80] actually makes it so I cannot read three words.  That

>sohoo site does the same thing.)

> 

>Thanks for letting us know of this site.

> 

>Yan,

> 

>i found some time ago (on the below web site)a Jack Kerouac's picture

>on an Us of America stamp, i was nice surprised as you,

>if u arent too busy please check

> 

>http://www3.mondadori.com/libri/babele/yesterday/forum/kerouac/nf_bio.html

> 

>ps. being from Venice, Italy im' just a little courious 'bout

>what place of China u are from. if im' too much intrusive

>please have my apologies in advance.

> 

>saluti a tutti,

>Rinaldo.

 

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X-Sender: gnicosia@earthlink.net

Date:         Fri, 27 Feb 1998 23:24:50 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Jack Micheline's passing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To my friend on the Beat-L:    Feb 27, 1998

        It is with heavy heart that I tell you of the passing of one of the

few remaining Beat greats: Jack Micheline.  He died, apparently of a heart

attack, on the Bart train to Orinda this morning--in the East Bay Area near

San Francisco.  He was 68 and had been suffering from diabetes for several

years.

        Jack Kerouac wrote the introduction to Micheline's first book, RIVER

OF RED WINE, in 1958.  Kerouac wrote: "He has that swinging free style I

like ... and his sweet lines revive the poetry of open hope in America."

Over the next forty years Micheline published more than 20 books of poetry,

forging an authentic voice of the American streets, half jazz, half street

hustler, and his reading style was dynamic and inimitable.  At the 1982 On

the Road conference at the Naropa Institute in Boulder, Ken Kesey gave

Micheline an award for "best performance" at that ten-day conference, which

was filled with superstars from Abbie Hoffman to Burroughs to Anne Waldman,

et al.  Micheline was a mentor to Charles Bukowski, who declared Micheline

one of the few poets he genuinely admired.  In fact Bukowski wrote: "When

Jack is turned on he is capable of writing a better poem than I could ever

write."  Micheline was also a short story writer, and his stories were

praised by both Allen Ginsberg--for "precise eye and an economical phrasing

for concrete particular details of persons, looks, scenes, situations and

actions"--and by Hubert Selby, Jr., who wrote that Micheline "forces us to

become aware of certain truths we would all like to hide from."  Even Norman

Mailer praised Micheline's "lyrical intensity" and said his stories "seek to

deal, and I think deal successfully, with the completeness of experience in

what society is sometimes fond to call its social depths."

        I was honored to call Micheline my friend.  I wrote his biographical

entry for the Dictionary of Literary Biography 15 years ago (Volume 16, the

Beats), and I will miss him dearly.  For those of you who don't know his

work, there was a recent collection of his work that spans his entire

career--a really wonderful introduction to the humanity and compassion and

musical soul of Micheline, called SIXTY-SEVEN POEMS FOR DOWNTRODDEN SAINTS.

It's available from FMSBW Press, 84 Sycamore St., San Francisco, CA 94110.

Publisher Matt Gonzalez.

        Pax vobiscum, Jack, and may you rest in peace.

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Sat, 28 Feb 1998 01:38:36 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Jack Micheline's passing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sorry to hear about Jack Micheline Gerry. Lovely thoughts on his passing.

 

If you write more please pass them on to me so I can add them to an obit on

BookZen.  If you see an obit that is worthy of him please share it with me.

 

Hopeyou and the family are well.

 

joe

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                      625,506 Visitors  07-01-96 to 11-28-97

 

 

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Date:         Sat, 28 Feb 1998 04:07:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GYENIS <GYENIS@AOL.COM>

Subject:      FU*K IRAQ

To:           BEAT-L@CUNYVM.CUNY.EDU

 

FU*CK IRAQ

____________

 

FU*CK THE WORLD

    I WANT TO GET OFF

 

FU*CK THE WORLD

    I WANT TO GET ON

 

FU*CK THE WORLD

    I WANT TO GET FU*CKED

 

FU*CK THE WORLD

    I CAN'T GET FU*CKED

CAUSE AFTER ALL

    I AIN'T THE FU*CKEN PRESIDENT

 

SO NOW I SAY

    FU*CK IRAQ

 

AND I'LL FU*CK THE REST OF THE WORLD

    LATER....

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 01:40:33 -0800

Reply-To:     vic.begrand@sk.sympatico.ca

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

Subject:      Re: Jack Micheline's passing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

After reading 'Poet Of The Streets' for the first time six years ago, I

was blown away by his words, which were very much like his buddy

Kerouac's. I saw him once on Conan O'Brien, where he recited an

hilarious poem about duck soup or something like that...his paintings

also have that whimsical feel to them.

 

Another one goes down.

 

Adrien

 

Gerald Nicosia wrote:

> 

> To my friend on the Beat-L:    Feb 27, 1998

>         It is with heavy heart that I tell you of the passing of one of the

> few remaining Beat greats: Jack Micheline.  He died, apparently of a heart

> attack, on the Bart train to Orinda this morning--in the East Bay Area near

> San Francisco.  He was 68 and had been suffering from diabetes for several

> years.

>         Jack Kerouac wrote the introduction to Micheline's first book, RIVER

> OF RED WINE, in 1958.  Kerouac wrote: "He has that swinging free style I

> like ... and his sweet lines revive the poetry of open hope in America."

> Over the next forty years Micheline published more than 20 books of poetry,

> forging an authentic voice of the American streets, half jazz, half street

> hustler, and his reading style was dynamic and inimitable.  At the 1982 On

> the Road conference at the Naropa Institute in Boulder, Ken Kesey gave

> Micheline an award for "best performance" at that ten-day conference, which

> was filled with superstars from Abbie Hoffman to Burroughs to Anne Waldman,

> et al.  Micheline was a mentor to Charles Bukowski, who declared Micheline

> one of the few poets he genuinely admired.  In fact Bukowski wrote: "When

> Jack is turned on he is capable of writing a better poem than I could ever

> write."  Micheline was also a short story writer, and his stories were

> praised by both Allen Ginsberg--for "precise eye and an economical phrasing

> for concrete particular details of persons, looks, scenes, situations and

> actions"--and by Hubert Selby, Jr., who wrote that Micheline "forces us to

> become aware of certain truths we would all like to hide from."  Even Norman

> Mailer praised Micheline's "lyrical intensity" and said his stories "seek to

> deal, and I think deal successfully, with the completeness of experience in

> what society is sometimes fond to call its social depths."

>         I was honored to call Micheline my friend.  I wrote his biographical

> entry for the Dictionary of Literary Biography 15 years ago (Volume 16, the

> Beats), and I will miss him dearly.  For those of you who don't know his

> work, there was a recent collection of his work that spans his entire

> career--a really wonderful introduction to the humanity and compassion and

> musical soul of Micheline, called SIXTY-SEVEN POEMS FOR DOWNTRODDEN SAINTS.

> It's available from FMSBW Press, 84 Sycamore St., San Francisco, CA 94110.

> Publisher Matt Gonzalez.

>         Pax vobiscum, Jack, and may you rest in peace.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 11:38:44 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Re: Beats and the digital revolution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yan Feng wrote:

 

> call yourself net beat, a very nice name.

 

Scott Henkel cited from WIRED:

 

> Kerouac also "foresaw a day when the means of communication would

> facilitate not only spontaneous prose, but a more immediate

> exchange of ideas as well" -- a notion prescient of e-mail. Similarly, >

 Burroughs developed a montage-like style of writing in which he cut

> and pasted together pieces of text to "design" a book, much like

> today's World-Wide Web pages, Dr. Batstone writes.

 

that's exactly what i think makes the online world an exciting place to

live in...

 

every e-mail is a cutup of thoughts, a get-together of different

thoughts and cultures, every webpage is a source for cutups, and

burroughs has been the godfather of the cyberpunks. have you ever tried

to cut up html source codes from different sites? might be interesting.

 

take the white house page, cut it up with wired.com, some xxx pages, the

new york times pages, some online sources about the cutup technique and

so on...

 

i'd encourage everyone interested in this topic to read "electronic

revolution" by william s. burroughs. it's an essential book for every

cyber punk or cyber beat. it is available online somewhere out there...

but altavista can definitely find it. :)

 

- jens

 

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Priority: normal

Date:         Sat, 28 Feb 1998 12:15:49 ARG

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <rvcalvo@mail.satlink.com>

From:         Jorge Calvo <rvcalvo@SATLINK.COM>

Subject:      spiNa biFida tinfoiL

To:           BEAT-L@CUNYVM.CUNY.EDU

 

What do you think about AKBAR DEL PIOMBO books?. Have been written by William

Lee diving these stuffed universe looking for some bucks and having fun

writing those erotic stories while in Paris in the Beat Hotel? Or not?

I can't decide (I'm currently reading "The Fetish Crowd")

 

 

-----------------------------------

 

By the way, kind of a late answer so I will not explain wich is every book, etc

 because

some other people of this list have already done it. I only wanted to say that I

saw those books in several bookstores in London. Maybe they are out

of print but still available.

 

> 

> "Four Horsemen of the Apocalypse" - Published only in Germany, and in

> the German language? Was there ever an English translation?

 

> "Cobblestone Gardens" - published by Cherry Valley Press in 1976. What

> IS this??

 

> "Electronic Revolution" - Left Bank Books, 1971 - ????

 

 

Regards

 

LacOv

 

---------- --

rvcalvo@satlink.com

 

Ushuaia

Tierra del Fuego

Argentina

...

 

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Date:         Sat, 28 Feb 1998 23:47:44 +0800

Reply-To:     Yan Feng <yfeng@geocities.com>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Yan Feng <yfeng@GEOCITIES.COM>

Subject:      Re: FU*K IRAQ

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It seems that US and his two little brother, J and UK, have decided to raid

Irag whatever the issue develops to.

For what? for USA's benefits? but what about......

Add me on the petition. I like it. it sounds like:

YOU RAID IRAG

WE BOMB YOUR MAILBOX

 

    Yan

 

 

>FU*CK IRAQ

>____________

> 

>FU*CK THE WORLD

>    I WANT TO GET OFF

> 

>FU*CK THE WORLD

>    I WANT TO GET ON

> 

>FU*CK THE WORLD

>    I WANT TO GET FU*CKED

> 

>FU*CK THE WORLD

>    I CAN'T GET FU*CKED

>CAUSE AFTER ALL

>    I AIN'T THE FU*CKEN PRESIDENT

> 

>SO NOW I SAY

>    FU*CK IRAQ

> 

>AND I'LL FU*CK THE REST OF THE WORLD

>    LATER....

> 

 

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Date:         Sat, 28 Feb 1998 15:51:34 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      (pome) mc 2/25/98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

(should be centered)

 

2/25/95

 

my father died today

again, so far apart from me

yet together in our own strange way-

2/22 is my birthday.

so, we share the water sign, pices

me in birth-

he in death.

 

i don't know what to make of that.

not being one to place much stock

in the making of astrology charts

or even anniversaries

but,

this is one i cannot stop

from entering the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago,

while i was growing up,

when he was growing old,

(his mind had left, his body refused to go).

 

but the pain in my heart tells me this is not so,

now that he has left,

and we await

the return of his ashes from a southern state.

 

 

 

 

(c)marie countryman, feb 28, 1998

 

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X-Sender: legacy@admin.con2.com

Date:         Sat, 28 Feb 1998 13:39:26 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: FU*K IRAQ

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:07 AM 2/28/98 EST, you wrote:

>FU*CK IRAQ

>____________

> 

>FU*CK THE WORLD

>    I WANT TO GET OFF

> 

>FU*CK THE WORLD

>    I WANT TO GET ON

> 

>FU*CK THE WORLD

>    I WANT TO GET FU*CKED

> 

>FU*CK THE WORLD

>    I CAN'T GET FU*CKED

>CAUSE AFTER ALL

>    I AIN'T THE FU*CKEN PRESIDENT

> 

>SO NOW I SAY

>    FU*CK IRAQ

> 

>AND I'LL FU*CK THE REST OF THE WORLD

>    LATER....

> 

> 

 

No comment other than.....well said, Attila. My thoughts exactly!

 

 

 

                                             Jeff Perchuk

 

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x-sender: morocco@pop.walrus.com

Date:         Sat, 28 Feb 1998 19:22:14 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Fwd: the invisible Jack Micheline

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Jim Gardner, poet, http://www.rahul.net/jag/gardner.html

posted the following text today.

 

The "news" Jim refers to in the first sentence is

G. Nicosia's recent post to BEAT-L. --Gregory Severance

 

---------------- Begin Forwarded Message ----------------

Date:        Feb. 28, 1998

From:        Jim Gardner, jag@rahul.net

To:          The Bohemian Mailing List

 

Thanks for forwarding news about Jack Micheline's death,

Greg.

 

I logged on this morning having just made this sad discovery

during a neighborhood walk. I returned home with

intention of writing a few of my thoughts about my

marginal, and ironic, encounters with Micheline in

the past two and a half years.

 

Jack Micheline, great poet I think, in that being

a perfect archetype of a whole continent of poets

and poetry unique to our, and his, time. A poet

carried on a wave of the greatest explosion of youth

consciousness in all of human history (1946-1969),

carried on and growing with them, growing old just

ahead of most of them, signpost that.

 

I walked down to Planet Health for organic

milk and coffee beans and saw in the window of

Abandoned Planet a small shrine for Jack. I realized

then he had died but still didn't know the details.

I was surprised, as death always surprises, for

I had just lain eyes on Jack Thurday afternoon

sitting in a chair on 16th Street.

 

 

I saw his friend, the artist Head, walk over to the

shrine but we did not speak. The shrine in the window

told some of Jack's story in an oddly Alexandrian

iconography. This bookstore has anterooms painted

recently by Jack, who lived across the street in

the Curtis Hotel.

 

 

To die on BART. Somehow that strikes me as the

sort of thing that Micheline would do. His final

"fuck you" to the crowd. That final "fuck you"

to a nation and time that made him invisible to

those without an eye for such precious palpabilities

that leer out just behind the daily news--eyes of

a disapproving old crank of a poet--"what're you

looking at, boy!". Over the last year, when I would

see Jack Micheline on the street, he might have cream

cheese on his chin, he might sneer, he might be

speaking of Van Gogh with a youngster he'd seen favor in,

he might remind me of Joni Mitchell singing about her visit

to Memphis and the aged, exploited W. C. Handy--who sneered

at her rock-starness driving up in a limo--having made it

on riffs he and the old Memphis bluesters laid down decades

before. Handy, bed-ridden, willing to bum a smoke and a drink--

looks at Mitchell--"I don't like you." That might be Jack,

the invisible man, W. C. Handy down Beale Street, underbelly

of glamor life you might see at 630am on city streets.

The maker of gestures must walk away in seeming defeat

as nighttime ends, leave truth to lie in the heat of

the street crossing...hobble off like the ghosts of

time that we really are.

 

Having met Jack last August (and him not by any means

liking my looks) at the Adobe Books reading, this was

just another typical  near-miss run-in with him. He sat

outside Mission Grounds on Thursday in a wooden chair. He

did look downcast and I can say I'll never forget

the despair I saw in his eyes as I passed.

 

Leafing through SIXTY-SEVEN POEMS FOR DOWNTRODDEN

SAINTS--which indicated the poet's age as well as

the number of poems--one might think Micheline

was not a great poet. One would be wrong. From

his early days, to his days running with Bukowski

(whom he mentioned nearly every time I heard him

speak with some young Mission boheme at Adobe on

afternoons), Jack possessed a lyric capacity that

could be quite stunning in its simplicity.

 

During the Adobe reading on Aug 17, 1997--Jack,

suffering from eyeglasses missing a temple, held

mesmerized a crowd of about 60 with sing-song readings

of his gem-like works:

 

A Poet Can Be A Shoemaker

.

.

Don't expect anyone to

 

Understand to blow

 

A kiss in a cold night

 

A poet can be a shoemaker

 

A waitress who never

 

Wrote a line

 

A poet could be the

 

Invisible man

 

        From a letter to Ben Gulyas

        January 5, 1989

 

One could nearly well know from seeing Jack that he

was the archetypal 20thc. American poet--invisible,

at such a right angle to the business of America

as to serve as its unbidden conscience. A conscience

more often spat at and shit on than adhered to and

honored for its simple common decency. Jack--plebian,

for the working man, who I am told drove away every

patron he ever had.

 

 

In 1961, Jack was writing in the full-blown Beat style

that was not, I think, his native tongue. And yet his

achievements in that slovenly genre in some spots surpass

that of his masters--

 

Nine Guns for a Sailor

.

.

.

I saw you standing your far out eyes to the sea

on a deck of a ship that was gone long ago

in the lots you were sitting and the weed six feet high

and the Brooklyn night ran wild

just a boy and a dream just a boy

just a wild kid, hot in the pants with far out eyes

crazy Maggie and the Blimp

Irish beer and Mulligan stew

the gang on the corner and the dollar and the dying

Bay Ridge parkway, Erie Basin, Fifty-seventh by the sea

and those chicks on the corner by the sea

no more sea

sailor boy

no more sea

I saw you standing with your far out eyes on a bridge of a ship

and the waves twelve feet high

and the park by the ferry where Susie lost her cherry

and the gang called the monks done you in

rolling fifty dog face soldiers

do 'em in for good old glory

with a fucking mickey finn

and those junkies with those eyes gone crazy

playing Bartok with a trombone and the Bird with some old bones

and the real was your brother

and the real dies at twenty

and the real they hide and cover

on a one way street called hell

lost your bennies in the sea

no more sea

sailor boy

no more sea

I saw you standing with those far out eyes on a bridge of a ship

and the neon always racing and your blood

nine guns for a sailor Cubby O for the sea

no more sea

sailor boy

no more sea

.

.

1961

Jack Micheline

 

 

Yes, crazy Maggie. Yes, mulligan stew. This one is in every sense

more meaty than many of the jottings we called Beat.

Jack was given one poem in "The Portable Beat Reader," an indic-

ation of the amnesiacal poetry community than of his own

stature as a poet. Driving off patrons will find one struggling

to barely be recognized as The Invisible Man. But no matter, it

was a miracle he made it in at all.

 

When I returned to Louisville in October 1997, I was made aware

by my friend John Papanek that Micheline had gained a certain

currency and a following among the small but serious literary

set there--and among one 23 year old friend of his most spec-

ifically --who loved Jack Micheline's poems. When John and his

united partner Nicky stopped in San Francisco during a West Coast

honeymoon tour--we made a brief, not really notable visit

to one of Jack's favorite haunts, to patrons he had not

driven off or been forgotten by at Adobe Books. The authentic

poetry goods were carried off by Mr. Papanek and Jack has a bit

of a timeless home in Kentucky these days. And if he could know

the tar-bright delight of that Victorian town, he'd know, might

know after all--he should be at home there. For all time

hovering and streaming with its urban secrets, insomuch as

Brooklyn, the Bronx, the Mission.

 

I, for one, will always hold dear my night at Jack's reading

as I crouched down behind books that screamed out to me,

"Louisville, lost, love, los gatos, meww, purr, it is one

night, it is, it is, lost for all time, ...black tar...black

tar in the night."

 

Night City

.

.

.

.

Above the sounds

dark cities

lie in shadows

foghorns blast in silence

prayers of lost children

by light of mountains

darkness to light

light to darkness

I stand looking

down at the city

steeples rise in magic shapes

arcs of bridges

cover the river

steam white crosses

illuminate the eye

black tar of loneliness

billboards neon red

buildings stand and fall

but man remains

like dying timbers

in a forest

man remains

on a warehouse stairway

to the moon

three empty wine bottles stand

Nuns

Vipers

Holy Mary Face

that is not yours

but you are all

madness of cities

King majesty

drunk with awe

quiet, tired, restless city

Black tar in the night

Black tar in the night

.

.

1957

Rooftop on Crosby Street

New York City

from "sixty-seven poems for downtrodden saints"

 

 

thanks Jack

sorry you didn't like my looks

but I didn't mind so much

as I wore it as an emblem

of my own invisibility

 

to dwell in the universal specific

nearby you was gift enough

 

 

J.

 

 

 

James A.  Gardner        The solid book we wrote     *

*       __o                        Cannot be found today    *

*     __\<,_                                           *

*    (_)/ (_)      http://www.rahul.net/jag/        *

 

----------------- End Forwarded Message -----------------

 

* * * * * * * * * * * * * * * * * * *

* Gregory Severance                 *

* morocco@walrus.com                *

* http://www.walrus.com/~morocco/   *

*                                   *

* "War! What is it good for?        *

*  Absolutely nothing.              *

*  Say it again."                   *

* * * * * * * * * * * * * * * * * * *

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      TAA20684

Date:         Sat, 28 Feb 1998 19:23:01 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      mc pome #2/25/98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

at least i got the date right this time

(not centered)

 

2/25/98

 

my father died today

again, he was

so far apart from me

 yet together,

 in our own strange way-

 (2/22 is my birthday).

which,  in a way,

  makes us both pices:

me in birth-

he in death.

 

i don't know what to make of that.

 (not being one to place much stock

in astrology charts),

or even anniversaries:

but,

this is one i cannot stop

 from entering the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago:

 while i was growing up,

  when he was growing old,

(his mind had left, his body refused to go).

 

but the pain in my heart tells me this is not so,

now that he has left,

 and we await

  the return of his ashes

    from a southern state.

 

 

 

 

(c)marie countryman, feb 28, 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      TAA26406

Date:         Sat, 28 Feb 1998 19:52:54 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the final trilogy (mc)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

my father's trilogy

 

  one:

 my father's eyes

 

        delivered in the mail today

        were photos of my father:

        taken by his present wife

        in VA hospice, Florida.

 

        empty eyed, he stares,

        (restrained, and

        wheel chair bound),

        slack-jawed into the cameras lens

        oblivious,  the shutter snaps

        a photo of

        his consciousness-

        a  porch light

        growing dim.

 

        just when i thought it safe,

        old memories attack

        he was mostly vacant then,

        coming home, if at all,

        long past supper time

        (trailing smoke and whiskey fumes

        on way in,

        turning back on mother's rage

        on way out) again.

 

        my father was a tin man,

        a traveling salesman,

        who conned respectability

        who shirked responsibility

        living a separate life in bars

        on  road,

        to keep him family-free.

 

        if i had my life to live again,

        id never have been a family man

        (thus annihilating me).

 

        the last time i saw my father

        was four years ago, or more.

        we fought -

        over what, i cant  recall-

        i locked myself up in my truck

        but lacking the ignition key,

        was stuck,

        locked up,

        and so succumbed once more.

 

        he cried and begged forgiveness,

        and as i unlocked the door,

        crawling in, he  laid his head

        upon my lap

        sparking memories of forgotten past,

         that further distance wrought.

 

 

        estranged  all these past years

        (i moved up north

        he, south)-

        both thinking there would be more time for love unchained

        from childhood pain-

        (and of course there never was).

 

        now he stares at no one

        in this photo -except me-

        sent by his wife,

        who wrote and asked,

        how was it that i didnt i know

        he carried always in billfold

        snapshots of my brother,

        mom, and me?

 

        my answer, a sigh, a no,

        he told so little to me

        and now there's nothing  left,

 

        no connection,

        dislocation,

            my silent

                shatteringscreams within-

                    and  the urge to flee.

 

        (c) 1998 Marie Countryman

 

 

 

 

 

two:

   my father's billfold

 

   delivered to my door today

   were the photos from his wife:

   the ones he kept in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as living now in dying,

   he was always absentee.

 

   the photos - cracked and stained,

   faded with sweat and aged

   by the all the years

   of his life,

   black and white now sepia:

   me at five

   my brother at eight

   and mom, his dead wife.

 

   as i look at me looking up at me

   i can barely remember this child

   but  the huge brown eyes are mine:

   full of secrets,

   full of sadness,

   forever frozen in time.

 

   i so adored my dad,

   and had so little of him-

  yet  suddenly i see

  that always he had me-

  just like a paper doll,

  inhabiting his billfold

  with his paper family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   me forever frozen,

   me forever five.

        (c) marie countryman 2/22/98(on her 45th birthday )       .

 

three:

2/25/98

 

my father died today

again, he was

so far apart from me

 yet we were together,

 in our own strange way-

 (2/22 is my birthday).

which, in a way,

  makes us both pices:

me in birth-

he in death.

 

i don't know what to make of that.

 (not being one to place much stock

in astrology charts),

or even anniversaries:

but,

this is one i cannot stop

 from entering the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago:

 while i was growing up,

  when he was growing old,

(his mind had left, his body refused to go).

 

but the pain in my heart tells me this is not so,

now that he has left,

 and we all await

  the return of his mortal ashes

    from a southern state.

 

 

 

 

(c)marie countryman, feb 28, 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 21:01:02 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      where the discussion about "mensch" can lead to

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi all,

 

here is something that might add useful information to the discussion

about the word "mensch" in allen ginsberg's poem "america". leon tabory

had taken "mensch" as a yiddish word, and i had taken "mensch" as a

german word. well, we both were right, since the yiddish language is a

mixture of different languages (german, hebrew, russian, polish,

etc...).

 

after i had corrected him, i wrote to leon tabory apologizing for having

corrected him, because i though he, as a survivor of the nazi regime,

would have bitter feelings about a german correcting his use of the

yiddish/german language.

 

he wrote that he didn't feel bitter at all, but told me a story why my

correction was useful to him and reminded him of something very

important. since this story belongs to the discussion about the word

"mensch", i'll repost it here. anyone who thinks that this doesnt belong

to the beat topic might delete this message.

 

i hope you agree with it, leon. you're a real mensch. :)

 

-- jens

 

Leon Tabory wrote:

 

> The reason I especially appreciate your correction is this. Your correction

> did remind me of something, but it was something very positive and

> interesting in my life. I kept asking myself how come in my mind the German

> word mensh just wants to add an umlaut. I was wondering if I just go

> overboard in hearing umlauts in the German language. It is true that I like

> the music of the drawn out combination of vowels in umlauts that add so much

> melody and soften the harshness of consonants with an expansive

> expressiveness that seems to communicate more from the feelings than just

> hard descriptions in vowels that are squeezed in almost as if they were

> embarrassments between the hard facts of consonants that dominate them. To

> me the umlaut almost saves the German language from being overpowered by

> powerful oppressiveness of harsh sounds of technological consonants.

> 

> That's true of the English language, I suddenly became aware again of how

> american English especially where vowels get shortened and squeezed out of

> the way. Time is money and there is no time for expansive vowels. The

> pressures are severe.

> 

> Suddenly a scene that keeps recurring in my mind now for over fifty years

> popped in my mind. I never forgot the words of Herr Professor Carl

> Hagenmueller in Muenchen in 1945. He was sad that I decide to go to the

> United States and was trying to persuade me to stay in Germany

>  "wo der mensh (thanks jens) den menshen naher ist". ( I am not sure of the

> grammar or syntax, but it sounded like it.

> 

> I can still see the tall professor with his erect aristocratic bearing at an

> advanced age (maybe in the seventies), His thick white grey mustache

> extending on both sides of his kind intelligent  face in the nicely

> furnished but only single room he shared with his diminutive wife ( He also

> had a mistress who played the piano for us when he took me to visit her for

> a dinner that she prepared for us), but I digress. I suddenly realize that I

> should write downmy memories of DR. Karl Hagenmueller, but not in this post

> that is getting too long already and holding a captive audience.

> 

> I met Dr. Karl (Carl?, I still have one of his letters to me, should dig it

> up) Hagenmueler after the war, in May 1945 when I found a room to rent next

> to his in an apartment of the only house that remained intact on Sendlinger

> Torplatz in Munchen. When he said those words I thought that was very

> strange for him to think that after my war experiences, but I have over the

> years come to contemplate that "wo der mensh naher den menshen ist" many

> many times. In fact it is the one phrase of all the delightful enlightening

> conversations I had with the older german Physicist who took me under his

> wing and whom I admire to this day. Somehow I added an umlaut in there.

> 

> BTW Jens I am tempted to post this to the list, I think many people mght

> find it interesting, but I can't find enough beat relatedness there. There

> is here beat life style relationship, but not literary. Beat lifestyle

> because Karl while far from lving the beat life, has nevertheless shown me

> how not to judge things by prevalent unthinking standards, to look for the

> pearls in any wreckage, etc.. He was also serving for me as a model of how a

> person can succeed to live a life in the midst of insanity.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 20:33:31 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      delete ALL messages from mc today

To:           BEAT-L@CUNYVM.CUNY.EDU

 

part three sucks

sorry for bandwidth

am leaving for poetry group in which i can wrestle with my demons and

leave beat-l for beats.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 15:56:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         KRUMMX <KRUMMX@AOL.COM>

Subject:      writings and all that good stuff

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i guess this is a reply question to the guy talking about the digital

revolution

but its asked  to all of you

Is anyone out there willling to colaberate on stories etc and

exchange works and possibly get some sort of BEAT-L publication going around

 

jus wondering

 

seAn

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by skycorp.skynet.be id

                      WAA17702

Date:         Sat, 28 Feb 1998 22:12:29 +0100

Reply-To:     thomas.van.moortel@skynet.be

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ed Rush <thomas.van.moortel@SKYNET.BE>

Organization: Watching Windows

Subject:      Re: writings and all that good stuff

To:           BEAT-L@CUNYVM.CUNY.EDU

 

KRUMMX wrote:

>

> i guess this is a reply question to the guy talking about the digital

> revolution

> but its asked  to all of you

> Is anyone out there willling to colaberate on stories etc and

> exchange works and possibly get some sort of BEAT-L publication going around

>

> jus wondering

>

> seAn

 

Well seAn, personally I believe the written word has to be promoted

in any way possible, remember 'Television, The Drug of a Nation'?

And there is such a thing as a 'Delete' button available on our

computers, delete at will is the motto.  I do not know what the

sentiments about this of the list-owner are, personally I believe

some of the prose/poetry list-members write ánd post, is ONE of

the things that make this list worthwile for me.  TALK HARD!

 

                                                Sincerely, Thomas

 

> L'important c'est pas la chute, c'est la terrissage

 

-=I've got the S.F. Blues=-

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: PRE-modern poem (this is a reply to Re: FU*K IRAQ)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802281839.NAA27733@admin.con2.com>

References:

 

   the wooden table

   the wooden guns

  

   HOWL

   H-O-W-L

 

   what are u f******?

   what are u hammering?

 

 

-------

Rinaldo

28feb98

 

-----------------------------------------------------------

february 16,1998 TIMES the weekly newsmagazine writes:

IMAGES - TIME FEBRUARY 16, 1998 PAGE 16

"An Accident Waiting to Happen" written by --Kate Noble

 

At memorial service in the Dolomite village of Cavalese the

Rev. Lorenzo Casarotti declared, "The skies are not for the

most powerful or the most aggressive, they are for everyone

Today there are 20 people crying out against those who took

over our skies." The 20 were passengers killed when an Amer

ican military jet sliced through the supporting cable of th

e ski lift they were taking from the village to the slopes

of Monte Cermis. The victims came from Germany, Belgium, It

aly, Poland, Austria and Holland. It appeared that the EA-6

B Prowler aircraft, on U.S. Marine training exercise from i

ts base at Aviano, 90 km from Cavalese, severed the cable w

ith its tail fin. The pilot was Captain Richard Ashby, 30,

of Mission Viejo, Calif., who, with his crew, withheld comm

ent on the incident. Italian Defense Minister Beniamino And

reatta asserted that the aircraft had been fluing as much 9

km off course and lower that its authorized altitude, an al

legation denied by U.S. officials. Cavalese resident Renzo

Alegretti spoke for many:"Everyone  hates how they fly thro

ugh here at supersonic speeds. They are crazy, completly ir

responsible. It was an accident waiting to happen."

-----------------------------------------------------------

 

 

Sat, 28 Feb 1998 GYENIS wrote:

>>FU*CK IRAQ

>>____________

>> 

>>FU*CK THE WORLD

>>    I WANT TO GET OFF

>> 

>>FU*CK THE WORLD

>>    I WANT TO GET ON

>> 

>>FU*CK THE WORLD

>>    I WANT TO GET FU*CKED

>> 

>>FU*CK THE WORLD

>>    I CAN'T GET FU*CKED

>>CAUSE AFTER ALL

>>    I AIN'T THE FU*CKEN PRESIDENT

>> 

>>SO NOW I SAY

>>    FU*CK IRAQ

>> 

>>AND I'LL FU*CK THE REST OF THE WORLD

>>    LATER....

>> 

>> 

 

Sara Feustle says:

>Well, Gyenis, er... um... I'm glad my message from a long time ago inspired

>you. *grin* I especially like the "FUCK THE WORLD" part. --Sara

 

Sat, 28 Feb 1998 Jeffrey Perchuk  wrote:

> 

>No comment other than.....well said, Attila. My thoughts exactly!

> 

> 

> 

>                                             Jeff Perchuk

__________________________________________________________(1)____

 

(1)

Jens Moellenhoff writes:

>every e-mail is a cutup of thoughts, a get-together of different

>thoughts and cultures, every webpage is a source for cutups

_________________________________________________________________

Return-Path: <MAILER-DAEMON>

Date:         Sat, 28 Feb 1998 17:39:52 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sat, 28 Feb 1998 23:28:16...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sat, 28 Feb 1998 23:28:16 +0100 with subject "PRE-modern

poem (this is a reply to  Re: FU*K IRAQ)" has been successfully distributed

to the BEAT-L list (248 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 17:45:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      a marlene poem. delete if you so please.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A quarter shot of vodka

                                        and a warm place to sleep

      i like your half-smiles

       and blue bandana

       the way you crawl up next to me

                                    like a seduction

       your crooning

                leaning

                          red mouth moon moves

       i like to catch you

       making love to the jukebox

       soaking in pink yellow nightlights

       fiddling with the strap

                                    of your worn-in green tank top

            and pretending

            i don't notice

      You bubble in my mouth like soda fizz

          lemom lime

         100 proof

          tying cherry stems

      and mixing the aftertaste

   You make me lose control         and it's nice

                           hazy-green-soft-buzz

    pool tables and lesbians

    blue-grass and mixed drinks

    cushioned stools

    disco lights

    a crowd of five to cheer us on

                                            and it's trip-dip-drip-dance all

night long

    with salt and sweet

     curling my senses

     making me laugh

     out loud   high pitched   gurgled   tipsy   crazy   wild wild   laughs

 I like you drunk

         swollen emotions

         nervous faces

         bitten lips

         broken cloves

    how you'd like to cuddle up and make me smile again

    how we play and hide and dance and smoke and love

  Let's feed our addictions

    and try not to worry

        revel in the blue-green cologne comfort scent of eachother

        get lost in the easy taste of a good friend

  Let's never sober up

    we can make excuses tomorrow

                                    tonight let's

           down shots and eat popcorn

     giggle at middle-aged drag-queen bartenders

     and never go home as we

                                                     wonder about Charlene

                                                      at 2am

                                                              in dowtown

 

New Orleans.

 

~~ by marlene

              2-6-98      1:59am

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 17:50:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      a suggestion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i propose we all read something together and discuss. we haven't done that in

awhile. how about sunflower sutra? thats one of my favorites.

perhaps the subterraneans.(thats what i'm reading now)

i dunno. just a suggestion.

any takers?

~~marlene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gargan@postoffice.worldnet.att.net (Unverified)

Date:         Sat, 28 Feb 1998 19:27:16 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: william gargan <gargan@worldnet.att.net>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Micheline

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 Gerry, thanks for posting the news of Micheline's death.  He was a great

poet.   I bought the following broadside from him at a Beat reading years

ago at the Village Gate, NYC.

 

 

                                 Poem

 

 

Genius is a ragged lion

  holding sunlight in his hands

 

Friend of outlaw, rare grotesque

  Aone he flies with eyes of eagles

 

 

Lunatic

 

     Ape,

 

          Angel

 

              Demon

 

                  Fiend

 

 

Torn and spit upon by cowards

 

   he walks with angels and despair

 

Genius, poet ragged lion

 

   holding sunlight in his hands

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 19:51:34 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: mc pome #2/25/98

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Marie

        I extend to you my deepest sympathy for the loss you have suffered.

Which perhaps mean jack- since we dont really know one another. But... that is

a beautiful poem that you wrote- as have been all of the poems that you have

posted. Still... I can relate to the loss of a father that was lost long ago..

happened to me. Doesnt make it any easier- or less painful.

          My spritual beliefs are so convoluted right now- that I could never

offer any silly advice in that area- but.. i feel that you know where thats

at.

         What i am trying to say- my thoughts and prayers are with you.. and

yours

                                                 Gene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 23:09:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Hpark4 <Hpark4@AOL.COM>

Subject:      Jack Micheline

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It is sort of depressing that it is the death of yet another beat that moves

me to post.

 

My only memory of Jack was from the NYU Beat conference in 1994, the one the

year before the big blowup.

 

Jack was a tall man who was very conspicious.  I had no idea who he was until

the poetry reading in the Loeb Center, one of the evenings.  I thought Jack

stole the show.  He was passionate and evocative of a long past time of rivers

of red wine on skid row.  He also seemed somehow uncorruptable and entirely

comfortable with who he was...the sort of guy that might be dismissed by a

harried commuter as a a slightly crazy street person at first glance.  Of

course, he was sort of a street person - he embodied that, oh so proudly.  I

would have loved to have known him.

 

I don't think Jack was ever published by any other than the smallest of small

presses.  He deserved to be better known although I'm not sure he wanted that.

In any case, his poetry was truly, to borrow an image from Allen Ginsberg, a

tall sunflower amidst the rough world of the streets.  San Francisco, the most

"beat" of the cities, is much less beat tonight without Jack.

 

Howard Park

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 28 Feb 1998 22:37:13 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Freight Train Dream #333

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Sitting

punching keys

viewing roddy piper movie

hearing freight train whistle

blocks from new crib

dream

of bobbie's

dream

while riding on a train going

west

i search for the

long lost friends i had

and where they've gone

and find

so many through

this machine

that my fingers

type

and type

across America

and across the oceans

an America

so different from Allen's

and yet so much

the same

an America in which

the pride of the pledge of allegiance

REQUIRES

belief in the right to read

and believe in Karl Marx

and the Marx brothers

and sing

the songs of Joe Hill

if one wants to on a Saturday night

or dream the dreams

of Apple Pie

and Jack Kerouac

prowling Davenport Iowa

as I did so many times

and wake

the wakefulness

of the dreamer of dreams

back in my new crib

in a place

at the center

of this pattern

we call America.

 

david rhaesa

2-26-1998

10:39 p.m. CT

 

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X-Originating-IP: [151.198.86.144]

Date:         Sat, 28 Feb 1998 23:12:59 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      !!Warning!!Expunge at your leisure!!Warning!!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Soughingleaves

 

 

Light... (-?)Sound

hits me from aways away,

(i can't hit the awries)

it's laughter and winded chitters.

 

The bogs are too much for my platinuMud feet,,,

"Lo!  there's a large root up yonder!"

"And a trunk spitting

leave(')s beyond."

        can't quite spit the

leaves beyond,

 

over the obvious oblong

(in the sphere (of course) )

I Can't Stand To See Asymmetrious Curvations,

'neath the moon

and above the arck

 

i can't make the in-between

split the end in the middle

Snortin 'ole Port

an' guzzlin that Coke

"An' that there'z a Vitreous

an' stagnant lake."

with a sidewinded smile

and an hidroneous pride

 

"I'll stick to it."

"I'll get those leaves over one day."

 

 

by the Al

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      JAA03041

Date:         Sun, 1 Mar 1998 09:18:47 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      mc has not left the building

To:           BEAT-L@CUNYVM.CUNY.EDU

 

one of the reasons i have been so dogged in my endless rewrites of this

trilogy is that i grew up relating to the beats both to them, and in

relation to their children, left behind with mothers, whoever, while

they took to the road.

i also am aware that this is not a poetry list. so, i am asking anyone

here who has an interest in reading any further poems to please contact

me at country@sover.net and i will attempt to cc: further writings not

directly related to the beats. but since i started this one, rejected

it, picked it back up, soothed and smoothed out the wrinkles, i will end

public pomes with this final draft:

 

my father's trilogy

 

  one:

 my father's eyes

 

        delivered in the mail today

        were photos of my father:

        taken by his present wife

        in VA hospice, Florida.

 

        empty eyed, he stares,

        (restrained, and

        wheel chair bound),

        slack-jawed into the cameras lens

        oblivious,  the shutter snaps

        a photo of

        his consciousness-

        a  porch light

        growing dim.

 

        just when i thought it safe,

        old memories attack

        he was mostly vacant then,

        coming home, if at all,

        long past supper time

        (trailing smoke and whiskey fumes

        on way in,

        turning back on mother's rage

        on way out) again.

 

        my father was a tin man,

        a traveling salesman,

        who conned respectability

        who shirked responsibility

        living a separate life in bars

        on  road,

        to keep him family-free.

 

 "if had my life to live again,

        I'd never have been a family man"

        (thus annihilating me).

 

        the last time i saw my father

        was four years ago, or more.

        we fought -

        over what, i cant  recall-

        i locked myself up in my truck

        but lacking the ignition key,

        was stuck,

        locked up,

        and so succumbed once more.

 

        he cried and begged forgiveness,

        and as i unlocked the door,

        crawling in, he  laid his head

        upon my lap

        sparking memories of forgotten past,

         that further distance wrought.

 

 

        estranged  all these past years

        (i moved up north

        he, south)-

        both thinking there would be more time for love unchained

        from childhood pain-

        (and of course there never was).

 

        now he stares at no one

        in this photo -except me-

        sent by his wife,

        who wrote and asked,

        how was it that i didn't i know

        he carried always in billfold

        snapshots of my brother,

        mom, and me?

 

        my answer, a sigh, a no,

        he told so little to me

        and now there's nothing  left,

 

        no connection,

        dislocation,

            my silent

                shatteringscreams within-

                    and  the urge to flee.

 

 

 

 

 

 

 

two:

   my father's billfold

 

   delivered to my door today

   were the photos from his wife:

   the ones he kept in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as living now in dying,

   he was always absentee.

 

   the photos - cracked and stained,

   faded with sweat and aged

   by the all the years

   of his life,

   black and white now sepia:

   me at five

   my brother at eight

   and mom, his dead wife.

 

   as i look at me looking up at me

   i can barely remember this child

   but  the huge brown eyes are mine:

   full of secrets,

   full of sadness,

   forever frozen in time.

 

   i so adored my dad,

   and had so little of him-

  yet  suddenly i see

  that always he had me-

  just like a paper doll,

  inhabiting his billfold

  with his paper family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   me forever frozen,  me forever five.

 

three:

2/25/98

 

today i received a telephone call:

my father died today.

again, i alone in the family,

felt he was

so far apart from me.

yet like his billfold daughter,

we were together in our own strange way:

 (2/22 is my birthday)

which, if you bend the astral rules,

 makes us both Pisces:

me in birth-

he in death.

 

i don't know what to make of that.

 (not being one to place much stock

in such charts),

or even anniversaries:

but,

this is one i cannot stop

 from  piercing to the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago:

 while i was growing up,

  when he was growing old,

(his mind had left, his body refused to go).

 

but the pain in my heart tells me this is not so,

now that he has finally left,

yet i am suspended in my disbelief

as we all await

   the return of his ashes

   from a southern state.

 

(c)marie countryman, feb 22-28, 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      JAA06745

Date:         Sun, 1 Mar 1998 09:38:14 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the last third

To:           BEAT-L@CUNYVM.CUNY.EDU

 

of course, too hasty with the send button. posted wrong last third.

apologies. and this is the last pome to go out indiscriminately to a

list devoted to beat lit. mc

 

three:

2/25/98

 

today i received a telephone call:

my father died today.

again,  alone in the family,

up north,

i felt his great distance from me.

yet like his billfold daughter,

we were together in our own strange way:

 (2/22 is my birthday)

which, if you bend the astral rules,

 makes us both Pisces:

me in birth-

he in death.

 

i don't know what to make of that.

 (not being one to place much stock

in such charts),

or even anniversaries:

but,

this is one i cannot stop

 from  piercing to the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago:

 while i was growing up,

  when he was growing old,

(his mind had left, his body refused to go).

 

but the pain in my heart tells me this is not so,

now that he has finally left,

never to return, however late

as we all await

   the return of his ashes

       from a southern state.

 

(c)marie countryman, feb 22-28, 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cosmic@pop3.clark.net

Date:         Sun, 1 Mar 1998 05:33:44 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Cosmic Baseball Association <cosmic@CLARK.NET>

Subject:      Kerouac Chronology

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In honor of Kerouac's 76th birthday anniversary (3/12) the Cosmic Baseball

Association has posted a Jack Kerouac Chronology.  There are many

knowledgeable members on this list and we would appreciate it if you would

contribute any additional dates to this on-going project.  Also, for those

that can check it out, any corrections or comments you might have regarding

the chronology will also be appreciated.

 

For those with access to the World Wide Web, the Kerouac Chronology is at URL:

 

http://www.clark.net/pub/cosmic/jkchrono.html

 

 

Regards,

Andrew Lampert

cosmic@clark.net

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 09:45:21 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@CALCNA.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      RELEASED: i do not know this story/ boneyard: a suite

To:           BEAT-L@CUNYVM.CUNY.EDU

 

pamela george was a native woman. she was picked up, as a prostitute, by 2

white young men and when she refused to "service" both of them at once -

they murdered her and dumped her body in the next province. the 2 men both

admitted their crime when the trial went to court - the judge however

recommended that the members of the jury should consider the

"promising futures" of the 2 muderers when determining their sentence.

        the 2 men recieved a slap on the wrist.

 

I DO NOT KNOW THIS STORY / BONEYARD: A SUITE, the latest release from

HOUSE PRESS is a perfomance poem & reply to this case and perception of

natives,

women and their stories. released in conjunction with the University of

Calgary's Grad Students In Tension Conference - I DO NOT KNOW THIS STORY /

BONEYEARD: A SUITE (by tjsnow, cjfyffe, courtney thompson, shereen tuomi,

ian samuels and jonathon c, wilcke with arrangement and art by derek

beaulieu) is released in an edition of 50

numbered copies - watermarked bamboo laid paper pages, handprinted 3

colour linoblock covers on jute stock & handbound.

copies are $15.00 each including shipping and handling. please contact

House Press at:

 

dabeauli@calna.ab.ca    or

dabeauli@freenet.calgary.ab.ca

 

for more information.

thanks

derek beaulieu

House Press

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 12:33:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      Re: Freight Train Dream #333

To:           BEAT-L@CUNYVM.CUNY.EDU

 

lovely piece, david. i've missed your posts.

as usual, you all move me. patricia and marie and david.

sigh...

~~marlene

 

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Date:         Sun, 1 Mar 1998 12:39:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         KRUMMX <KRUMMX@AOL.COM>

Subject:      Re: writings and all that good stuff

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ok so heres some of my poetry attached to the mail

 

 

seAn

        

 

 

           WORDS SCRIBBLED ON PAPER

 

 

I.   Malevolent Weakness

 

      A praise of nothingness is what I offer you

      A rejection of the nothingness that was something

      I say everything I think

      I speak nothing I say

      No one heres what i speak

      No one wants to anymore

      Physical appearences have gotten in the way

      Mental appearences are not there cause they say so

      Try to make me what Im not

      Watch the malevikent ones they will never survive

      But their weak ones alway seem to get out alive

      They find it dead in the upper room

      Quitting will bring us all doom

      Homicide is a darker side to suicide

      Everyone you hate is the darker side

      Others become the suicide

      They are all lost because I wasnt found

      They loved someone that made them hate everyone else

      An imortal wants to die but cant

      A mortal wants to live but cant

      The less you have something the more you need it

      The more you have of it you cant stand

      Would you ever stand or would you rather fall

      Who will  your life belong to

      The one who is meant to die

      Or the weak one who always survives

 

 

 

II.  CROSS BEARER

 

     Respect is lost for you and your group

     Liars you have made us

     A betrayal to us for society

     Does our crucificication begin now

     YOURE so religious are you not

     Killing for a GOD

     Who is against killing

     Getting revenge for what we did

     When we saught revenge ourselves

     We end up bearing the same cross you wear

     Doesnt life always work out perfect like this

     Are we meant for this to happen to us

     Are we big enough rejects that we get popular

     Bury me in this earth before that day

     Its shame would kill me

     Death is better than a bad life

     Bad lifes are perfect

     Popular are worse lives

     GOOD IS EVIL

     And it is corupt

     For you have to trust in it when you dont want to

     Evil is not good

     We all live so why do we not all die

     Illeteriacy is the only way to understand the words

     Words that the cross bearer shall speak

 

 

 

III. IMORALITY

 

     If Luicifer fell what makes us not able to

     He was a servant from another world

     We were servants of the weakness of man

     But he burns in HELL

     Were stuck living the good life

     Our aquantinces want the HELL in life

     They cant handle it

     Home is where the HELL is and if they cant stand home

     How will they stand the unbearable HELL

     This darkness of the soul    

     It becomes the light of an evil

     Society can not change this true nature of the soul

     At least not in the ones that society ignores

     Those become the socially weak ones

     Others are malevolent in society

     These weaker will always survive

     They have one that was even weaker physically to follow

     He bore the worst pain so no one would have to

     Yet others want the pain that they are not prepared for

 

 

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 12:40:00 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      Re: mc has not left the building

To:           BEAT-L@CUNYVM.CUNY.EDU

 

marie my dear,

it seems like you've inspired the lot of us. strange how we all post our

poetry one after another. i personally don't mind it. in fact, i look forward

to it. seems beat to me. and the poetry soothes me as this air of death chokes

us. i say, keep it coming.

~~marlene

 

 

In a message dated 98-03-01 09:23:40 EST, you write:

 

<< one of the reasons i have been so dogged in my endless rewrites of this

 trilogy is that i grew up relating to the beats both to them, and in

 relation to their children, left behind with mothers, whoever, while

 they took to the road.

 i also am aware that this is not a poetry list. so, i am asking anyone

 here who has an interest in reading any further poems to please contact

 me at country@sover.net and i will attempt to cc: further writings not

 directly related to the beats. but since i started this one, rejected

 it, picked it back up, soothed and smoothed out the wrinkles, i will end

 public pomes with this final draft:

  >>

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Sun, 1 Mar 1998 13:01:36 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Kerouac/Reich at the New School for Social Research?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know if Kerouac took any classes with

Reich at the New School for Social Research?  I'm not

exactly clear on the dates Kerouac went there, but

if I'm correct, I believe Reich taught there for a few years in

the late 1930's, early 1940's.  The reason for this question

is I have been reading Reich's _The Murder of Christ_ (Toronto:

Noonday Press, 1953) and he is talking about sin and "man" being

stuck in the "trap" of his emotional and character structure.

Reich brings up a similar view of "IT" that Kerouac

brings up in _OTR_, and states:

 

        Jesus knew that children have "IT."  He loved children

        and he was childlike himself; knowing and yet naive;

        trusting and yet cautious; streaming with love and

        kindness, and yet able to hit hard; gentle and yet strong,

        just as the child of the future is.  This is not idealization.

        We are fully aware of the fact that the least bit of idealization

        of these children would amount to looking at reality

        through a mirror where it cannot be grasped. (p. 18)

 

I could go on with a few other parallels, but I'm procrastinating

at the moment (paper on "Luther's Social Ethics Today" is due

tomorrow) and don't have the time.

 

Just thought someone might be interested in continuing

this thread?

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Sun, 1 Mar 1998 15:00:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      "American Pop"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just watching a video-promo-copy of the animated film

"American Pop" by Ralph Bakshi and there was a

coffee-house scene with a "hipster" smoking a

joint reciting "Howl."  As well as a "Kerouac" car ride

a la _OTR_ with jazz and a "Brando" voice coming from

the car saying, "I've been on the road for 6 months."

 

m

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 19:16:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Ginsberg, Burroughs burials

Comments: To: Mark Johnson <ninmar@mindspring.com>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think I read in the paper that AG was in fact, cremated and his ashes

scattered, (in the East? maybe?)

On Sun, 1 Mar 1998, Mark Johnson wrote:

 

> Hi all.  Does anyone on the list know for sure where Ginsberg and/or

> Burroughs are buried?  I would assume the former in NYC and the latter

> in Lawrence, KS. or thereabouts.  Seems I read where Ginsberg was

> cremated and the ashes scattered somewhere.  Any clues?  Mark J

> 

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 20:08:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy B Brodsky <nbb203@IS8.NYU.EDU>

Subject:      America-

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have to analyze the poem "America" but I need some help. Could someone

please backchannel me if you are willing to help? I know that someone on

the list is also doing this but I forget what his (your) name is, so

sorry!

~Nancy

 

********Had we a place to stand upon, we might raise the

world.--Archimedes*********

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 20:15:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Stephen Eickele Voss <svoss@GWIS2.CIRC.GWU.EDU>

Subject:      Re: America-

Comments: To: Nancy B Brodsky <nbb203@IS8.NYU.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy,

 

I honestly don't mean this as a plug for my webpage, but if you want to

hear ginsberg reading the poem, you can go to www.beatcafe.com, and go to

the spoken word section.  As far as analyzing the poem, that's not

something I've ever been particularly adept at, but I wish you luck in

your pursuit.

 

-Steve voss

www.beatcafe.com

 

On Sun, 1 Mar 1998, Nancy B Brodsky wrote:

 

> I have to analyze the poem "America" but I need some help. Could someone

> please backchannel me if you are willing to help? I know that someone on

> the list is also doing this but I forget what his (your) name is, so

> sorry!

> ~Nancy

> 

> ********Had we a place to stand upon, we might raise the

> world.--Archimedes*********

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 20:26:10 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Stephen Eickele Voss <svoss@GWIS2.CIRC.GWU.EDU>

Subject:      My apologies.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

That message was only supposed to go to Nancy, sorry to clog up people's

mailboxes even more.

 

-Steve Voss

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Sun, 1 Mar 1998 18:07:00 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Jack Micheline Memorial

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello Beat-L friends:   March 1, 1998

        For those of you in the San Francisco Bay Area, there will be a

memorial to Jack Micheline at the nameless church (how appropriate) on the

corner of Camp St. and Guerrero St. in San Francisco, on Tuesday evening

March 3--doors open at 7PM.  Food and readings begin at 8PM.  In Jack's

spirit it is open to everyone.  Jack's son, Vincent Silvear, will be

present, as will his publisher Matt Gonzalez, and a good portion of the San

Francisco literary community--hopefully Ferlinghetti too.

        I look forward to seeing you there.

        Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 18:47:28 -0800

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@MINDSPRING.COM>

Subject:      Ginsberg, Burroughs burials

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi all.  Does anyone on the list know for sure where Ginsberg and/or

Burroughs are buried?  I would assume the former in NYC and the latter

in Lawrence, KS. or thereabouts.  Seems I read where Ginsberg was

cremated and the ashes scattered somewhere.  Any clues?  Mark J

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 1 Mar 1998 23:56:21 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         NICO 88 <NICO88@AOL.COM>

Subject:      Re: Ginsberg, Burroughs burials

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-03-01 19:18:15 EST, you write:

 

> I think I read in the paper that AG was in fact, cremated and his ashes

>  scattered, (in the East? maybe?)

> 

 

I believe that half of AG's ashes were burried w/ his father in Newark, NJ.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2106.4

Date:         Mon, 2 Mar 1998 07:13:46 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: RELEASED: i do not know this story/ boneyard: a suite

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi Derek,

 

I didn't mail you that 20 dollar check because if I had it would have cost

me another fifteen for a  a bounced check. It's ok now though. If you still

have it please confirm and I will mail it to you immediately

 

leon

-----Original Message-----

From: Derek A. Beaulieu <dabeauli@CALCNA.AB.CA>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Sunday, March 01, 1998 9:01 AM

Subject: RELEASED: i do not know this story/ boneyard: a suite

 

 

>pamela george was a native woman. she was picked up, as a prostitute, by 2

>white young men and when she refused to "service" both of them at once -

>they murdered her and dumped her body in the next province. the 2 men both

>admitted their crime when the trial went to court - the judge however

>recommended that the members of the jury should consider the

>"promising futures" of the 2 muderers when determining their sentence.

>        the 2 men recieved a slap on the wrist.

> 

>I DO NOT KNOW THIS STORY / BONEYARD: A SUITE, the latest release from

>HOUSE PRESS is a perfomance poem & reply to this case and perception of

>natives,

>women and their stories. released in conjunction with the University of

>Calgary's Grad Students In Tension Conference - I DO NOT KNOW THIS STORY /

>BONEYEARD: A SUITE (by tjsnow, cjfyffe, courtney thompson, shereen tuomi,

>ian samuels and jonathon c, wilcke with arrangement and art by derek

>beaulieu) is released in an edition of 50

>numbered copies - watermarked bamboo laid paper pages, handprinted 3

>colour linoblock covers on jute stock & handbound.

>copies are $15.00 each including shipping and handling. please contact

>House Press at:

> 

>dabeauli@calna.ab.ca    or

>dabeauli@freenet.calgary.ab.ca

> 

>for more information.

>thanks

>derek beaulieu

>House Press

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 2 Mar 1998 12:21:48 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Freight Train Dream #333

To:           BEAT-L@CUNYVM.CUNY.EDU

 

David,

 

I place things on my desk as they arrive. Piles form, messes everywhere,

but slowly I keep pluggng away at the daily work and taking things off the

piles.

 

Something new arrives--I slip in under a stack, slowly it emerges; however,

I'm troubled about the material you sent me. I can't sem to putmy hand on

it. Nothing has left my office. It'shere, but I'mnot sure what form it is

in. Did you send me a manuscript, or did you send thematerial on a disk?

 

I'm very troubled about this and am so backed up I can't stop to slowlytake

my office appart.

 

I want tofind it. Can youhelp me by teling me what I'm looking for?

 

Peace,

joe

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Mar 1998 13:23:16 -0500

Reply-To:     "eastwind@erols.com"@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "D. Patrick Hornberger" <"eastwind@erols.com"@EROLS.COM>

Organization: EASTWIND PUBLISHING

Subject:      Re: List Guidelines, or the lack thereof -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ANDREW CHRISTENSEN wrote:

> 

> as the list owner, you may be able to put another

> matter to rest.

> 

> How do I get off the list?

> 

> I have tried several times . . . . Four times.

> I tried both "list" addresses.  It hasn't worked.

> 

> Please help.

> 

> thanks.

YES How does one get off the list???

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats and the digital revolution

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01bd4406$1b6469e0$LocalHost@---->

References:

 

Yang wrote:

>I think so too.

>call yourself net beat, a very nice name.

 

Politics and Cultural Studies in Interasia

Interview with Kuan-Hsing Chen

By Geert Lovink

Taipei, december 20, 1997

 

[excerpt]

 

Geert Lovink: How would you describe the Internet generation? People

        seem to use e-mail and there are WWW-adresses being

        advertized here and there. But there is no cyber-culture

        yet, at least it is not visible.

 

Kuan-Hsing Chen: The commercial Internet is not as big as elsewhere. It

        is still largely depending on the academic

        infrastructure. Internet is a crystal light of society:

        those with more power and resources will have a bigger

        space. The lesbian groups are an exception, not the

        gays, by the way. The younger generation of feminists

        are making an active use of the Net, mainly because of

        the commodification of queer identity. These are writers

        with cultural capital and names.

Return-Path: <MAILER-DAEMON>

Date:         Mon, 2 Mar 1998 14:13:14 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Mon, 02 Mar 1998 20:02:11...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Mon, 02 Mar  1998 20:02:11 +0100 with subject "Re: Beats

and the digital revolution" has been successfully distributed to the BEAT-L

list (253 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Mar 1998 16:02:04 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4 <Zucchini4@AOL.COM>

Subject:      For the WSB bibliography

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A little Black book, one one side English, and then flip it over, the same

thing in German. Here are the title Pages:

 

William Burroughs

"Electronic Revolution"

Expanded Media Editions

c. 1970, 1971, und 1976 by WIlliam S. Burroughs

All rights reserved.

9th edition 1996

Expanded Media Editions

Postfach 190 136

D-53037 Bonn

Printed by Koninklijke Wvhrmann bv, Zutphen

 

William Burroughs

"Die elektronische Revolution"

Expanded Media Editions

c. 1970, 1971, und 1976 by WIlliam S. Burroughs

Alle deutschen Rechte bei EME

\bersetzt von Carl Weissner

9. Auflage 1996

Expanded Media Editions

Postfach 190 136

53037 Bonn

Cover- Vorlage von Chris Kohlhvfer

Autorenphoto von Brion Gysin

Gesamtherstellung: Koninklijke Wvhrmann bv, Zutphen

 

 

For whatever that's worth.

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Mar 1998 16:10:52 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sorted <junky@BURROUGHS.NET>

Subject:      burroughs.net

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hello all.

 

 

there is an alpha version of burroughs.net now up. not everything is fully

operational yet, and the design of the secondary pages will most likely be

changed.

but the full bibliography is back up, although it is in dire need of some

updating...

 

i'd appreciate any suggestions on content, etc...

 

also, check out this month's issue of 'Raygun'. article about william layed

out in his scrapbook style.

 

regards,

-zach

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 2 Mar 1998 23:18:42 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         DCardKJHS <DCardKJHS@AOL.COM>

Subject:      Lightbulb

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Mr. Gargan,

One of the other lists to which I subscribe has a sigline at the bottom of

each post giving unsub directions.  No one ever posts asking how to get off

that list.

To unsub BEAT-L:  Send e-mail to Listserv@CUNYVM.CUNY.EDU

in the body of the mail type UNSUBSCRIBE BEAT-L

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      JAA13699

Date:         Tue, 3 Mar 1998 07:31:19 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      the last third mc delete at will

To:           BEAT-L@CUNYVM.CUNY.EDU

 

it's still the same pome  so i'm still within my self imposed rulles,

but this is for those of you who have been following my painstaking

progress wit hthis very difficult subject:

 

three:

2/25/98

 

today i received a telephone call:

my father died today.

again,  estranged from the family,

up here in north country,

i felt his great distance from me.

yet like his billfold daughter,

we were together in our own strange way:

 (2/22 is my birthday)

which, if you bend the astral rules,

 makes us both Pisces:

me in birth-

he in death.

 

i don't know what to make of that.

 (not being one to place much stock

in such charts),

or even anniversaries:

but,

this is one synchronicity i cannot stop

 from  piercing to the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago:

 while i was growing up,

  when he was growing old,

(his mind had left, his body refused to go).

 

but the pain in my heart tells me this is not so,

now that he has finally left,

never to return, however late

as we all await

   the delivery of his ashes

       from a southern state.

 

(c)marie countryman, feb 22-28, 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Mar 1998 12:16:30 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: discussion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patricia, since you bring him so warm and to life for me, i would want to

hear about 'fishing with the old man' -could you perhaps begin with that

for a few minutes and then move on to the beat community and mourning?

no one i ever read speaks of your 'william' in the way that you do. it

owuld be a shame for folks to miss the man in the midst of the legend ...

mc

 

Patricia Elliott wrote:

 

> this is a little late but this evening I will be on a panal to talk

> about william.  On the panel I will be with David Ohle, James G, Jim

> McCrary.  This is part of a Lawrence History Class at KU.  It will be

> video taped and played on our little local channel next week. I expect

> to be "on" for about 5 to 10 minutes, out of a two hour shoot.  If you

> were in the audience what question would you have.  I probably will talk

> either about fishing with the old man or the beatnet movement that

> helped me so much to grieve and to continue to discover.

> raise your hands.  I have known about this for months and am sorry it

> didn't occur to me until now to post this.

> patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Mar 1998 08:49:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         SPElias <SPElias@AOL.COM>

Subject:      Re: Ginsberg, Burroughs burials

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Where's Billy B...???????

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Mar 1998 10:04:25 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      discussion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

this is a little late but this evening I will be on a panal to talk

about william.  On the panel I will be with David Ohle, James G, Jim

McCrary.  This is part of a Lawrence History Class at KU.  It will be

video taped and played on our little local channel next week. I expect

to be "on" for about 5 to 10 minutes, out of a two hour shoot.  If you

were in the audience what question would you have.  I probably will talk

either about fishing with the old man or the beatnet movement that

helped me so much to grieve and to continue to discover.

raise your hands.  I have known about this for months and am sorry it

didn't occur to me until now to post this.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Mar 1998 11:37:37 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: rare wsb books (-> electronic revolution)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I revised my photo page, making it easier to read and load.  I placed a

scan of Ruski and Nova Bu. 5 for anyone who is interested.

http://www.sunflower.com/~pelliott/pictures.html

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Mar 1998 21:21:02 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      Burroughs and the digital revolution

To:           BEAT-L@CUNYVM.CUNY.EDU

 

here is another quotation that could strengthen my thesis that burroughs

really was the godfather of the cyberpunks or cybernauts or cyber-beats

or whatever you wanna call them/us...

 

"so we have the paradox of an author fighting words with words, who

seeks to bring down the machinery of media control by working within the

bowels of commercial pop culture. since the release of CALL ME BURROUGHS

[in 1965], the mass communication systems that he attacked for so long

have mutated, and their power has been dispersed if not overthrown. it's

tempting to say that, with the advent of the internet, the reality

studio has indeed been invaded by millions of cyberspace anarchists."

- barry alfonso,

as read in the linernotes to the reissue of

CALL ME BURROUGHS, the old man's first recordings

 

- jens

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 3 Mar 1998 22:56:25 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      forum

To:           BEAT-L@CUNYVM.CUNY.EDU

 

test

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Tue, 3 Mar 1998 23:58:58 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: Kerouac/Reich at the New School for Social Research?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those interested, I thought I'd forward this to the

list (with Dan's permission of course).

 

Mike

 

----------------------------------------------------

>Date: Tue, 3 Mar 1998 09:42:35 -0800

>To: "M. Cakebread" <cake@ionline.net>

>From: bookem@pacific.net (Dan Barth)

>Subject: Re: Kerouac, New School, Reich

> 

>Mike,

> 

>A little further checking shows that your speculations regarding Reich's

>influence on Kerouac are right on the money. In 'Naked Angels', John Tytell

>says that Kerouac "compared himself to Wilhelm Reich, predicting that lke

>Reich he would die in disgrace, poverty and isolation"[71]. Before that he

>talks about Burroughs introducing Kerouac and Ginsberg to "books like 'The

>Cancer Biopathy' by Wilhelm Reich"[39]. Later he reprints part of a letter

>that Ginsberg wrote to Reich.

> 

>In 'Desolate Angel', Dennis McNally writes: "Many experiences contributed

>to Kerouac's conception of spontaneous sketching: Neal's letters, the idea

>of unrestricted orgasm in Reich, . . . "[139]. In 'Jack Kerouak: A

>Biography', Tom Clark gets more specific. He quotes from a letter Kerouac

>wrote to Carolyn Cassady in 1952: "for God's sake read and dig Wilhelm

>Reich's 'Function of the Orgasm' before it's too late . . ."[126}. Clark

>goes on for a couple of pages about Reich's influence on Kerouac, and

>concludes: "Like almost everything else that came into his life, the

>theories of Wilhelm Reich had been processed out again as aids to

>writing"[128].(This with regard to Kerouac's "Essentials of Spontaneous

>Prose" where he talks about writing "in accordance . . . with laws of

>orgasm"[128].

> 

>And finally, Regina Weinreich, in 'The Spontaneous Poetics of Jack Kerouac'

>devotes several pages to a discussion of "IT." She says:"Kerouac enlarges

>on the meaning of 'IT' by alluding to Wilhelm Reich, whose work Kerouac was

>reading during the period prior to the writing of 'On the Road'"[54].

> 

>Best,

> 

>Dan

 

------------------------------------------------------

On Sun, 1 Mar 1998 13:01:36 -0500, I wrote:

Subject: Kerouac/Reich at the New School for Social Research?

 

>Does anyone know if Kerouac took any classes with

>Reich at the New School for Social Research?  I'm not

>exactly clear on the dates Kerouac went there, but

>if I'm correct, I believe Reich taught there for a few years in

>the late 1930's, early 1940's.  The reason for this question

>is I have been reading Reich's _The Murder of Christ_ (Toronto:

>Noonday Press, 1953) and he is talking about sin and "man" being

>stuck in the "trap" of his emotional and character structure.

>Reich brings up a similar view of "IT" that Kerouac

>brings up in _OTR_, and states:

> 

>        Jesus knew that children have "IT."  He loved children

>        and he was childlike himself; knowing and yet naive;

>        trusting and yet cautious; streaming with love and

>        kindness, and yet able to hit hard; gentle and yet strong,

>        just as the child of the future is.  This is not idealization.

>        We are fully aware of the fact that the least bit of idealization

>        of these children would amount to looking at reality

>        through a mirror where it cannot be grasped. (p. 18)

> 

>I could go on with a few other parallels, but I'm procrastinating

>at the moment (paper on "Luther's Social Ethics Today" is due

>tomorrow) and don't have the time.

> 

>Just thought someone might be interested in continuing

>this thread?

> 

>Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Mar 1998 03:38:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jjdorfner <Jjdorfner@AOL.COM>

Subject:      Re: rare wsb books (-> electronic revolution)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thank you for sharing these photographs.  and i want to hear more about

fishing with William S. Burroughs.

 

john j dorfner

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Mar 1998 12:34:42 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: forum

To:           BEAT-L@CUNYVM.CUNY.EDU

 

patricia! oh thanks for telling of the forum, and thanks for telling of the

william that you knew. so little of that, i agree.

marie

 

Patricia Elliott wrote:

 

> I thought the forum went well.  Jim McCrary moderated.  He is a poet

> that has worked in Burroughs communciations for several years. Then

> James, (in a flannel shirt) spoke.  He gave a good geographical history

> which surprised me by the length and then I relized he left a few places

> out.  William lived in Lawrence longest of anywhere.  He also spoke of

> the growing spiritulism and family the enveloped william here, and that

> william embraced.

>         I did speak of the william I knew, the friend. I also knew him as

> writer and artist but thought too few people would see him as a human

> rather than as an intellect/genius type.  Wayne Propst was very

> restrained.  I really love Wayne and know how he must miss William.  He

> and William were around each other a lot and william was a true mentor

> to him.

>         I wish I had said something about David Ohle. Who as traditional for

> him made brief remarks.  He is a writer and a man that William, I,

> James, and Wayne respect.  He has a remarkable mind and imagination and

> talent. The panel brought out several interesting subject. many key

> ones  of course are left out in only a hour.  One of the interesting

> ones for me is who typed which manuscript.  Jim typed my education which

> was dreams that william would write on a card in the middle of the night

> when awakening from a dream.  David typed the majority of books created

> during the Lawrence years.

>         One of the aspects spoke of was Williams absolutely remarkable memory.

> He not only remember events, literature and little oddities but his

> dreams.  The fact that he read incredibly much was discussed, I wish

> more of the eccentric breadth of his reading material had been spoken

> of.

>         It was fun.  We were on after a dry acedemic discussing the 50's in

> Lawrence spoke. His Lawrence spoke of acedemic matters and watering

> holes, ignoring a major flood and politic or social atmosphere.  We

> weren't a dry group. Wayne has got to be one of the liveliest people I

> have ever known.

>         Jim McCrary's wife came up and said she was glad that I mentioned how

> people protrayed william as a mysogonist were not people close to him.

>         I talked about the period of time when I was getting to know William.

> How people would tell me how he hated women and his mysogeny was world

> class.  One guy included that William was very polite but hated women.

> Then one day, I was sitting with William and i knew we were friends,

> that there was tender affection between us.  I also realized that those

> experts weren't ever in the room, the dining room where so much action

> took place.  I trusted my heart.  It helped that the most adamant guy

> saying this to me had an antiwomen and I think also homophobic attitudes

> of the group.  I found William so unprejudiced that it was a lesson.

> 

> Patricia

> 

> http://www.sunflower.com/~pelliott/pictures.html

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Mar 1998 09:37:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Reich

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Joy Walsh has an essay on  k and Reich somewhere in Moody Street Irregulars.  I

f you need the citation, please email me privately.  I'll check the MSI index I

 have at home.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [205.212.125.86]

Date:         Wed, 4 Mar 1998 06:43:30 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         john boggs <jaboggs@HOTMAIL.COM>

Subject:      Re: a suggestion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

good idea, count me in.

 

>i propose we all read something together and discuss. we haven't done

that in

>awhile. how about sunflower sutra? thats one of my favorites.

>perhaps the subterraneans.(thats what i'm reading now)

>i dunno. just a suggestion.

>any takers?

>~~marlene

> 

 

 

 

               -john boggs

              ----------------------------------------------------

                ...allegories are so much lettuce

                     Don't hide the madness.

                                             -allen ginsberg

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Mar 1998 10:27:40 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      forum

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I thought the forum went well.  Jim McCrary moderated.  He is a poet

that has worked in Burroughs communciations for several years. Then

James, (in a flannel shirt) spoke.  He gave a good geographical history

which surprised me by the length and then I relized he left a few places

out.  William lived in Lawrence longest of anywhere.  He also spoke of

the growing spiritulism and family the enveloped william here, and that

william embraced.

        I did speak of the william I knew, the friend. I also knew him as

writer and artist but thought too few people would see him as a human

rather than as an intellect/genius type.  Wayne Propst was very

restrained.  I really love Wayne and know how he must miss William.  He

and William were around each other a lot and william was a true mentor

to him.

        I wish I had said something about David Ohle. Who as traditional for

him made brief remarks.  He is a writer and a man that William, I,

James, and Wayne respect.  He has a remarkable mind and imagination and

talent. The panel brought out several interesting subject. many key

ones  of course are left out in only a hour.  One of the interesting

ones for me is who typed which manuscript.  Jim typed my education which

was dreams that william would write on a card in the middle of the night

when awakening from a dream.  David typed the majority of books created

during the Lawrence years.

        One of the aspects spoke of was Williams absolutely remarkable memory.

He not only remember events, literature and little oddities but his

dreams.  The fact that he read incredibly much was discussed, I wish

more of the eccentric breadth of his reading material had been spoken

of.

        It was fun.  We were on after a dry acedemic discussing the 50's in

Lawrence spoke. His Lawrence spoke of acedemic matters and watering

holes, ignoring a major flood and politic or social atmosphere.  We

weren't a dry group. Wayne has got to be one of the liveliest people I

have ever known.

        Jim McCrary's wife came up and said she was glad that I mentioned how

people protrayed william as a mysogonist were not people close to him.

        I talked about the period of time when I was getting to know William.

How people would tell me how he hated women and his mysogeny was world

class.  One guy included that William was very polite but hated women.

Then one day, I was sitting with William and i knew we were friends,

that there was tender affection between us.  I also realized that those

experts weren't ever in the room, the dining room where so much action

took place.  I trusted my heart.  It helped that the most adamant guy

saying this to me had an antiwomen and I think also homophobic attitudes

of the group.  I found William so unprejudiced that it was a lesson.

 

Patricia

 

http://www.sunflower.com/~pelliott/pictures.html

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Mar 1998 10:10:20 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      k, Reich, Gargan

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i got an unknown domain/server trying to write Bill Gargan privately re.

kerouac and Reich ... bill, if you get this, i'm interested :)

 

 

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Wed, 4 Mar 1998 10:17:39 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Micheline Memorial A Great Event

Comments: cc: kenk@efn.org

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To my friends on the Beat-L:    March 4, 1998

        Just wanted to report the overwhelming success of the Jack Micheline

memorial last night at "the church with no name" in SF--actually a church

being rebuilt on the site of the original Mission Dolores.  About 500 people

of all ages turned out, including lots of great writers: Michael McClure,

Harold Norse, Herbert Gold, Neeli Cherkovski, Floyd Salas, Jack Hirschman,

and there were messages from Ken Kesey and others who couldn't come in

person.  Kush, a SF institution, acted as MC.  Many great memorial poems

were written for Jack, his paintings were up, as well as many photo collages

from various phases of his career.  It was heartwarming to see that Jack,

who had struggled as a poor street poet so much of his life, was able to

achieve this crowning recognition, if only in death--and also it was

heartwarming to see the power he had, even in death, to bring so many

diverse people together.

        There was a huge wreath of flowers from Lynda Bukowski, Charles

Bukowski's widow, and Ferlinghetti has even offered to help get a street in

San Francisco named for Jack.

        I can only say, if you haven't read him, get a copy of his selected

poems, which is now in print, called SIXTY SEVEN POEMS FOR DOWNTRODDEN

SAINTS, or look up some of his great out-of-print works, such as SKINNY

DYNAMITE and POET OF THE STREETS.

        Best always, Gerry Nicosia

 

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X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id

                      TAA19436

Date:         Wed, 4 Mar 1998 19:21:27 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      maturing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

my father's trilogy

 

  one:

 my father's eyes

 

        delivered in the mail today

        were photos of my father:

        taken by his present wife

        in VA hospice, Florida.

 

        empty eyed, he stares,

        (restrained, and

        wheel chair bound),

        slack-jawed into the cameras lens

        oblivious,  the shutter snaps

        a photo of

        his consciousness-

        a  porch light

        growing dim.

 

        just when i thought it safe,

        old memories attack

        he was mostly vacant then,

        coming home, if at all,

        long past supper time

        (trailing smoke and whiskey fumes

        on way in,

        turning back on mother's rage

        on way out) again.

 

        my father was a tin man,

        a traveling salesman,

        who conned respectability

        who shirked responsibility

        living a separate life in bars

        on  road,

        to keep him family-free.

 

 "if had my life to live again,

        I'd never have been a family man"

        (annihilating me).

 

        the last time i saw my father

        was four years ago, or more.

        we fought -

        over what, i cant  recall-

        i locked myself up in my truck

        but lacking the ignition key,

        was stuck,

               and so succumbed once more.

 

        he cried and begged forgiveness,

        and as i unlocked the door,

        crawling in, he laid his head upon my lap

        sparking memories of forgotten past

        that further distance wrought.

 

 

        estranged  all these past years

        (i moved up north

        he, south)-

        both thinking there would be more time for love unchained

        from childhood pain-

        (and of course there never was).

 

        now he stares at no one

        in this photo,

        sent by his wife,

        who wrote and asked,

        how was it that i didn't i know

        he carried always billfold snaps

               of my brother,

        mom, and me?

 

        my answer, a sigh, a no,

        he told so little to me

        and now there's nothing  left,

              no connection,

        dislocation,

            the end of childhood fantasies.

 

       two:

   my father's billfold

 

   delivered to my door today

   were the photos from his wife:

   the ones he kept in all billfolds

   he carried all his life.

 

   my father can't  remember

   -if he ever had a billfold-

   -if he ever had a family-

   - a son, a wife, or me.

   oh, the irony:

   just as living now in dying,

   he was always absentee.

 

   the photos - cracked and stained,

   faded with sweat and age,

   black and white now sepia:

   me at five

   my brother at eight

   and mom, his dead wife.

 

   as i look at me looking up at me

   i can barely remember this child

   but  the huge brown eyes are mine:

   full of secrets,

   full of sadness,

   forever frozen in time.

 

   i so adored my dad,

   and had so little of him-

  yet  suddenly i see

  that always he had me-

  just like a paper doll,

  inhabiting his billfold

  with his paper family.

 

   with me in his billfold,

   we sat in countless bars,

   in his way together:

   he forever drinking

   me forever hopeful,

   forever frozen,

  forever five.

 

three:

2/25/98

 

today i received a telephone call:

my father died today.

again a disconnection -

(i cannot feel shared sorrow):

 as,ironically we shared the most,

as black sheep of the family,

and as his billfold daughter.

we are together in our own strange way:

 (2/22 is my birthday)

which, if you bend the astral rules,

 makes us both Pisces:

me in birth-

he in death.

 

i don't know what to make of that.

 (not being one to place much stock

in such charts),

or even anniversaries:

but this

is one synchronicity i cannot stop

 from  piercing to the core of me.

 

i am stunned at the depth of my grief,

having told myself i lost him long ago:

 while i was growing up,

  when he was growing old,

   but the pain in my heart tells me this is not so,

now that he has finally left,

never to return, however late

as we now all await

   the delivery of his ashes

       from a southern state.

(c)marie countryman, feb 22-28, 1998

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 4 Mar 1998 16:12:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Fred Bogin <FDBBC@CUNYVM.CUNY.EDU>

Organization: Brooklyn College Library

Subject:      Forwarded from Al Aronowitz

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Al Aronowitz asked Bill to forward this to the list so I un-mimed it,

translated it from from MS Word to ASCII, and uploaded it to Beat-l.

Enjoy.

         fb

 

 

March 1, 1998

 

I'm pleased to tell you how enthusiastically and without

equivocation legendary performers Richie Havens and The Band's

Rick Danko joined master musician David Amram, saxophone wizard

Hayes Greenfield and singer-songwriters Ellis Paul and Christian

Bauman in volunteering to perform at our tribute to Allen

Ginsberg and his Beat Generation in the Central Park Bandshell

June 12.  The legendary Pete Seeger also has indicated that he'll

be there.

 

John Scher, his staff, Amiri Baraka and I have only just started

to line up performers for the event, at which you, too, as a

member of THE ALLEN GINSBERG MEMORIAL COMMITTEE,  are cordially

invited to come up and take a turn at the mike to read, recite or

maybe give a performance of some kind or maybe just show up to

give a wave and take a bow.  The Central Park Bandshell

accommodates at least 15,000.

 

We like to call the committee's tribute to Allen and his Beat

Generation AN INTERNATIONAL CONVOCATION OF THE BEST MINDS,

although the event might also be called A Convention of the

Enlightened.

 

With an expected marathon of readers to appear between musical

performances, the tribute will start Friday, June 12, in New

York's Central Park Bandshell and will continue Saturday, June

13, in Newark, N.J., a 13-minute or so train ride away.  In

Newark, committee chairman Amiri Baraka hopes to be able to

resume the tribute in New Jersey's new Performing Arts Center.

Within that ultra-ultra modern structure, commonly called the

PAC, admission tickets can be sold and a VIP reception can be

held.  Further events might possibly take place the evening of

June 13 in Newark's Weequahic Park Stadium.

 

I myself am witness to the fact that Allen and his Beat

Generation freed us from the lingering Victorianism which still

imprisoned the culture, the language and the behavior of the

America in which I grew up.  Too often, tradition imprisons us in

orthodoxy and binds us to the past,  preventing us from stepping

into the future.

 

You can hear it in the music and you can see it on the stage, in

dance, on TV, in the movies, in books, magazines, periodicals and

everyday speech and behavior, Allen and his Beats have really

loosened up our culture.  Allen certainly changed my life.  The

Beats truly were a force in the ongoing war between candor and

hypocrisy, between truth and bullshit.  Yes, that's my position.

The Beats helped enlighten us.

 

As I said, we have only just started to round up a cast for the

"show" at our INTERNATIONAL CONVOCATION OF THE BEST MINDS, but if

other performers respond with the immediate and unquestioning

"yes" given by those we've already asked, we feel hopeful that

the tribute will have a cast which reflects the wide range and

texture of those influenced by Allen and the Beats.

 

Among poets, Andrei Voznesensky faxed me he would come, but that

was when he thought the tribute was going to be held last August.

Unfortunately, Lawrence Ferlinghetti told me he couldn't be in

New York because he'd be in Italy.  Michael McClure and Pete

Hamill said they'd be in Central Park.  From Iceland, Birgitta

Jonsdottir promised to come read.  From Prague, Gwen Albert said

she'd try to lead a delegation.  From Colombia, Medellin's

Prometeo Festival chairman Fernando Rendon said June 12 conflicts

with his own festival, but he would try to send a representative.

 

Others I remember who said they'd be here include Merilene M.

Murphy, president of Telepoetics, Inc., and Telepoetics/Los

Angeles; Danika Dinsmore, co-founder and executive director of

Northwest Spokenword Lab (SPLAB!) in Auburn, WA; Kurt Heintz,

site director of "This is Telepoetics/Chicago"; Ide Hintze of

Vienna said she'd come and on and on and on.  No, we won't lack

for poets.

 

In the beginning, we asked you to lend us the prestige of your

name to give THE ALLEN GINSBERG MEMORIAL COMMITTEE more clout in

its effort to get the June 12 date in Central Park, which Elias

Levenson of the Parks Department marketing staff has been kind

enough to confirm.  Now we ask you to contribute the prestige of

your name once again, this time to the lineup of those who will

take a short turn at the microphone, even if just to take a bow.

 

We wish to express our thanks to John Scher and his staff at

Metropolitan Entertainment Group, concert promoters, who have

been so gung-ho in volunteering to act as producer of the

tribute, reflecting the same kind of enthusiasm shown by you in

your reply to our invitation to become a member of THE ALLEN

GINSBERG MEMORIAL COMMITTEE.  But then, we wouldn't have written

you in the first place if we didn't suspect you shared at least

some of our enthusiasm.  A very enthusiastic Ken Viola of John

Scher's staff asks that you please let me know as soon as

possible if you wish to participate in the June 12-13 tribute.

No admission fees will be collected at the Central Park event,

and we're sure we can guarantee you a "sellout" crowd.

 

Just as we have just started to line up featured entertainers for

the tribute, we also have just started to round up all the

sponsors necessary to underwrite the cost of the event and we

appeal for your help.  With no dues or income, THE ALLEN GINSBERG

MEMORIAL COMMITTEE is entirely voluntary and spontaneous and has

no treasury.  This tribute will come off as an event that will be

remembered only with your cooperation.

 

Best,

 

Al Aronowitz

Secretary

THE ALLEN GINSBERG MEMORIAL COMMITTEE

Box 964

Elizabeth, NJ 07208-0964

blackj@bigmagic.com

 

THE ALLEN GINSBERG MEMORIAL COMMITTEE :

 

Amiri Baraka, Chairman<BR>

Eugene Brooks, Honorary Member<BR>

Connie Brooks, Honorary Member<BR>

Ann Brooks, Honorary Member<BR>

Edith Ginsberg, Honorary Member<BR>

George N. Tobia Jr., Counsel<BR>

John Scher, Producer<BR>

David Amram, Robert Frank, Michael McClure, George Plimpton, Aram

Saroyan, Charlie Rothchild, Lawrence Ferlinghetti, Amina Baraka,

Jim Ragan, Alfred Leslie, Ed Adler, Robert Creeley, Anne Waldman,

Gary Snyder, Yoko Ono, Ed Sanders, Ann Charters, Robert Viscusi,

Bob Fass, Eric Drooker, Tuli Kupferberg, Larry Sloman, St. Clair

Bourne, Kinky Friedman, John Tytell, Chris Felver, Joseph Grant,

John Perry Barlow, Andrei Voznesensky, Richard Cammarieri,

Jonathan Lim, Fred McDarrah, Kurt Vonnegut, Rosebud Pettet, John

Zacherle, Barry Feinstein, David Stanford, Levi Asher, Lillian

Davis, Pete Hamill, David Greenberg, Danny Schechter, Robert A.

Sobieszek, Gerry Goffin, Barney Rosset, Hettie Jones, Jerry

Wexler, Jerome Rothenberg, Danny Shot, Arnold Weinstein, Janine

Vega, Robert Lavigne, Joel Dorn, Bill Gargan, Jimmy Lyons, Quincy

Troupe, Charley Plymell, Pamela Beach Plymell, Ed Dorn, Ellis

Paul, Brigid Murnaghan, Hiro Yamagata, Kevin Moore, George Reed,

Latif (William) Harris, Dennis Hopper, Johnny Depp, Joyce

Johnson, Brett Aronowitz Luke, Ray Bremser, Brenda (Bonnie

Bremser) Fraser, Jules Feiffer, Leonard Cohen, Oscar Janiger,

Kathleen Delaney Janiger, Paul Krassner, Arthur Perley. Attila

Gyenis, Morris Dickstein, Taylor Mead, Diane DiPrima, John

Sampas, Gerald Nicosia, Steve Cannon, John Sinclair, Ted Joans,

Art D'Lugoff, Ahmet Ertegun, Fernando Rendon, Gloria Cavatal,

Marcus Williamson, Kenneth Koch, Birgitta Jonsdottir, Hayes

Greenfield, Merilene Murphy, Peter Hale, Pavel Grushko, Kirill P.

Grushko, Toni Morrison, John Ashbery, Sam Shepard, Michael Dean

Odin Pollock, Mary Rudge, Gozo Yoshimasu, Ken Kesey, Ken Babbs,

Jonas Mekas, Peter Coyote, Ide Hintze, George Krevsky, Dennis

Gould, Bernard Kops, Irving Rosenthal, Paul Nelson, George

Aguilar, Krishna Fells, Lucas Gutierrez, Andrew Matovich, Heather

Haley, Jean Portante, E. Ethelbert Miller, Andrea Thompson, Ken

Sherman, Dave and Ana Christy, Barbara Read, Theodore Wilentz,

David Gascoyne, Regina Weinrich, Kevin Ring, Robin Blaser, Carl

Hanni, Ron Whitehead, Pi-Oh, Philip Salom, Dr. Maya Angelou,

Sharon Levy, Kathy Acker, Gordon Ball, Bob Holman, Bill Berkson,

Philip Whalen, Michael Scammell, Karen Kennerly, Charles Potts,

Scott Preston, Barry Gifford, Galway Kinnell, Robert Peters,

Larry Fagin, Robert Bove, Theo Dorgan, John Reeves, Vincent

Farnsworth, Gloria Frym, Gary David, Rita Dove, Larry Winfield,

Natalie Goldberg, Steve Sanfield, Douglas Brinkley, Vaclav Havel,

Aaron Yamaguchi, Eithne Strong, Joe McDonald, Kurt Heintz,

Natalie Goldberg, Robert Lax, Andrei Codrescu, Lee Ranaldo, Pete

Seeger, Hunter Thompson, Clark Coolidge, Jack Micheline, Joe

Napora, Tom Robbins, David Hershkovits, John Brandi, Barry Miles,

Jonathan Williams, Ani DiFranco, Steve Ben Israel, Jack

Hirschman, Richie Havens, Valery Oisteanu, Hersch Silverman, Ira

Cohen, David Meltzer, Miguel Agarin, Ben Schafer, Jeremy Pikser,

Christian Bauman, Jordan Green, Vin Scelza, Sophia, Jann Wenner,

E.L. Doctorow.

 

Still awaiting positive responses from the following, all of whom

have been contacted:

 

Bob Dylan, John Eastman, Paul McCartney, Linda McCartney, Neil

Aspinall, Ron Delsener, George Harrison, John Wieners, Ishmael

Reed, Bruce Springsteen, Lew Lapham, Howard Stern, Don Imus, Tom

Friedman, Frank Rich, Sally Grossman, Liz Smith, Richard

Goldstein, Joanne Kyger, Sara Dylan, Joel Siegal, Andrew Wylie,

Ted Koppel, Cecil Taylor, Scott Muni, Sterling Lord, Brian

Hamill, Brice Marden, Jack Newfield, Henry Stern, Carolyn

Cassady, Norman Mailer, Lisa Phillips, Richard Gere, James

Grauerholz, Jim Dickson, Ornette Coleman, George Soros, Lita

Hornick, Felipe Feliciano, Don Allen, Lew Welch, Daisy Aldan,

Barbara Guest, Gwendolyn Brooks, Ntozake Shange, Larry Rivers,

Archie Shepp, Odetta Gordon, Jaap Blonk, Michael Horovitz, Miriam

Patchen, Grace Paley, Peter Orlovsky, Howard Hart, Patti Smith,

Megas, Dirk Gortler, Bill Morgan, Bono, Rand Ragusa, Lou Reed,

George Herms, , Alan Kaufman, Duncan McNaughton, Holiness Dalai

Lama, Jim Carroll, Michael Stipe, Lenny Kaye, Seamus Heaney,

Cathal O'Searcaigh, Peter Sirr, John Giorno, John Updike, Maggie

Estep, Thom Gunn, Annie Liebowitz, Beverly Smith, James Laughlin,

Robert Hunter, Brother Patrick Hart, Ron Seitz. Christopher

Underwood, Jan Pinkow, Marco Cassini, Michael Andre, Reetika

Vazirani, Ann Hollander, Ann Douglas, Matthew Smith, Jerry

Poynton, Ron Padgett, Ellen Gilchrist, Lionel Ziprin, Gelek

Rintoche, Robert Pinsky, Nanao Sakaki, Carol Merrill.

 

Still to be contacted (Anyone's help in providing a correct

mailing address for any of the following will be appreciated):

 

Yevgeny Yevtushenko, Jose Angel Figueroa, Sarah Wright, Marion

Brown, John Giorno, Gil Sorentino, Hubert Selby, Mrs. Bob

Kaufman, Michael Horovitz, Esteban Moore, Gonzalo Rojas, Ersi

Sotiropoulou, Haroldo de Campos, Tony Harrison, Mazisi Kunene,

Lauri Anderson, Rickie Lee Jones, Tom Wait, Joe Strummer, J. D.

Salinger.

 

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X-Sender: peent@cyber2.servtech.com

Date:         Wed, 4 Mar 1998 17:01:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: Forwarded from Al Aronowitz

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Still awaiting positive responses from the following, all of whom

>have been contacted:

 

>Bob Dylan, John Eastman, Paul McCartney, Linda McCartney, Neil

>Aspinall, Ron Delsener, George Harrison . . . . Lew Welch

 

What does this mean??   LEW WELCH!!!!! All of whom have been contacted? Is

there another Lew? Have I missed something?

 

Michael

 

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x-sender: morocco@pop.walrus.com

Date:         Wed, 4 Mar 1998 23:42:06 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Artaud: 4 Sep 1896--4 Mar 1948

Comments: To: Bohemian List <bohemian@maelstrom.stjohns.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Antonin Artaud died 50 years ago (Mar. 4, 1948) in

Ivry-sur-Seine, France.

 

Here's a passage from an essay by Susan Sontag:

 

     Both in his work and in his life, Artaud

     failed. His work includes verse; prose

     poems; film scripts; writings on cinema,

     painting, and literature; essays, diatribes,

     and polemics on the theater; several plays,

     and notes for many unrealized theater

     projects, among them an opera; a historical

     novel; a four-part dramatic monologue

     written for radio; essays on the peyote

     cult of the Tarahumara Indians; radiant

     appearances in two great films (Gance's

     _Napoleon_ and Dreyer's _The Passion of

     Joan of Arc_) and many minor ones; and

     hundreds of letters, his most accomplished

     "dramatic" form--all of which amount to

     a broken, self-mutilated corpus, a vast

     collection of fragments. What he bequeathed

     was not achieved works of art but a

     singular presence, a poetics, an aesthetics

     of thought, a theology of culture, and a

     phenomenology of suffering.(pp. xix-xx)

 

     _Antonin Artaud: Selected Writings_, ed.

     and with an introduction by Susan Sontag

     (Berkeley: University of California Press,

     1988).

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

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Date:         Wed, 4 Mar 1998 17:04:13 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      Re: maturing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi marie,

 

i haven't been posting much, but i wanted to tell you how fantastic your

poem is.  i've been following your revisions, and i wanna thank you for

posting them.

 

best wishes,

Al

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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X-Sender: philzi@pop.tiac.net

Date:         Wed, 4 Mar 1998 23:31:13 -0500

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From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Kerouac Quarterly update

To:           BEAT-L@CUNYVM.CUNY.EDU

 

There has been some very interesting and new links added to Paul Maher's

Kerouac Quarterly Web site. Complete with a {Credit Your Daddies Homage to

Gerry Nicosia}

and lots of other info check it out. Here's the link.PC

 

http://www.freeyellow.com/members/upstartcrow/page9.html

 

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                      JAA07193

Date:         Thu, 5 Mar 1998 09:47:02 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         James Stauffer <stauffer@PACBELL.NET>

Subject:      fwd:Jack Micheline

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thought the list might be interested in this piece re: Micheline from former

list member sa griffin--who orchestrated the wonderful "exploding poem" last

year

 

j. stauffer

 

s.a. griffin wrote:

 

> here is what I wrote for the April 10th issue of Damaged Goods... let me

> know what you think. I tried to be honest.

> 

> 

> 

> ONWORD

> S.A. Griffin

> 

> "the spiritual man is mad" Hosea 9:7

> 

> There is no cure for mortality.

> 

> We bend the sacred steel of living with our battered souls, shifting as we

> see fit in order to belong. The Russian madman laughing at the sky behaved

> like a bit of paranoid split. Born Silver, Jack Micheline was human, and to

> be human is contradiction in and of itself. The man with the gray hat and

> khaki's who peddled his books and paintings from a banged up suitcase, the

> man I knew was a great performer, could dance the word, wax jazz, had the

> need and seemed to reach out for the fix of living as he pitched the word.

> As poets, we often struggle to explain this need as LOVE. We swirl inside

> this stainless vortex as dark figures on the path. As the glory of moment.

> Jack had the gift of moment. Called Whitman's wild child, he was also quite

> often, an almost unbearable pain in the ass, tolerated because he was

> sometimes capable of pulling daggers out of bleeding rock in the

> subterranean circus of hope. He had charm, had style. He liked the carnival

> wink of the con, the nickle/dime hustle, the broads, the bookies and the

> track and was captivated by the math of beating the odds; we call this

> seduction luck and try to rehearse it as if it could be owned. He could

> toss a good hand just to play the fool and was often drunk on bitter wine

> of his own terrible design yet witnessed the color all around him shouting,

> "beauty is everywhere Baudelaire." He held imaginary conversations with

> greatness, pissed in lawyer's shoes and carried arms against the oppressive

> filth of fuck. He railed at the system and success. It seemed his inner

> child was raised by wolves. He called himself genius, the ragged lion

> framed with bold primitive strokes as a cactus imbued with the wondrous

> ability of spinning images as a sweet balm for the prick of ignorance. He

> was often the fat Skinny Dynamite of pussy, dick, drink and hung his hat on

> the certain knowledge that every race must have a winner...

> 

> He stopped ticking on the BART train Friday Febraury 27th sometime just

> before noon departing San Francisco on his way to Orinda according to the

> obit. Gave up the ghost somewhere on the track singing, "WACKY DAKY DOO

> DAKY DOO... WACKY DAKY DOO, DAKY DOO. Hey that's it kid, you got it, now sing

> baby, sing!" It's a long ride and a fine line crossing over the

> inexplicable here to there. But yeah man, you got that music, that song,

> yeah baby, beauty is everywhere... the sound of traffic after midnite. The

> cat asleep in the lap of the abstract affirmative. The ordinary act of

> survival as we pull ourselves out of the sack  to mount the day and hump

> the voluptuous light, any light. Nothing matters anymore. Forgive. Let the

> twisted pain of hatred pass. Exist outside the burning flesh of the present

> where one can no longer feel the bitter sting of this glorious hustle.

> Reach no longer, transcend this swirling wound of humanity and into the

> forever/now. You've beat the clock baby, time is in your pocket... GONG gong

> GONG gong GOING going GONE gone GONE MAN, GONE...like, gone! The beat of

> weeping butterfly. The beat of color. The beat of bleeding sidewalk firm

> with the purgatory of desire. The sure thing. Beat of feet, of skyline, of

> yes, of go on over to the better's box and collect your winnings mad Jack

> because myth is bigger than trees, than the manic asphalt wilderness, than

> the need to be, to belong.

> 

> We will read him, talk about him and his work, publish him, have a few

> laughs and remember him for who and what he was: a sometimes cantankerous

> mother fucker and often a helluva poet and storyteller... a man of his own

> time and place who by and large seemed to live on his own terms. Can't do

> much better that that. He was Beat, whatever that was, and it seems that

> when he performed was maybe the only time he was truly at peace or happy.

> He lived/loved to work a crowd.

> 

> Yes, he was the real deal as poet, no doubt, you can count on that one up

> to ten. I would assume that the folks in San Francisco will be mourning

> their adopted son for some time with their flowers in their hair, beat in

> hand jumping over the moon. That at least, regionally, he will be elevated

> to some kind of rock star status. He will be all myth now, much moreso than

> he ever was in life. He was obviously a friend to many... the broken, the

> broke. Was Bob Kaufman's pal, A.D. Winans; introduced to the shindig via no

> spit on the ball Jack Kerouac. Blasted bop jazz poetic with Mingus. Broke

> bread with Ginsberg, Ferlinghetti, Bukowski and drank their grape... he built

> bridges to cross his raging river of red wine and he burned them with a

> take no prisoners attitude.

> 

> There is the victory of death and the temporary immortality of the word.

> 

> Jack Micheline was a poet.

> 

> Daky daky doo, daky doo... that's it man, you got it!

> 

> ... now sing.

> 

> Long live Harold Goldfinger!

 

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Date:         Thu, 5 Mar 1998 05:04:00 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Well said.

 

Thanks.

 

Patricia Elliott wrote:

 

> Dear Gerald,

>         I was so happy to read your posts.  When the message was posted about

> visiting the web site, I thought , should I see what kind of crap they

> put up but decided not to. I had been so offended by so many of the

> posts Paul wrote that i decided not to go there any furthere.  I found

> his slurs about DiPrima such as skag, etc. so bizarre that I thought we

> were getting alcoholic rants.  When Paul assured me he didn't drink i

> thought. That i would no longer read his posts or support in any way his

> delusion that I thought of him anything but a crackpot in regard to beat

> scholarship.  His reference to women associated with the beat women not

> getting any better than they deserve, etc.  is pitiful.  I don't buy the

> coin in any slot.  I shudder to think what his trade is doing to any

> real research on Jack.

> Please ignore the ignoble and continue to place your posts on the list.

> I have to hope that you will resist responding as you did because those

> school boys are snickering thinking they bothered you.  The charge of

> pornographer is the first charge against many of the beats. Truth and

> honesty discover more than just clits and bunions.

> patricia

 

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Date:         Thu, 5 Mar 1998 07:53:34 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         SPElias <SPElias@AOL.COM>

Subject:      Re: forum/on language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To Pat:

 

I have read and enjoyed your posts to this list for many months now. You have

posted many absolutely excellent descriptions of Mr. B's passing and funeral

rites, helped me to understand 'bardo' and driven me to tears w/ these...I am

curious...as well as you knew WSB, you refer to him as 'William"....did no one

call him 'Bill'?...or was he such a respectful character that people never

thought of shortening his 'name'?  You refer to Jim as jim, but never william

as bill,   i'm just curious and slightly confused        <3

 

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Date:         Thu, 5 Mar 1998 08:19:15 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@DRC.COM>

Subject:      Stamp Out Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A proposal for a Kerouac stamp was submitted several years ago and is

still active. However, it takes a lot of interest from the public and

influential people to get a stamp design approved. I saw a USPS survey

not to long ago which asks the public to pick stamp topics to

commemorate the 50's. Guess who was not on the list. If you would like

to see a series of Beat stamps, start writing to the Postmaster General,

USPS, L'Enfant Plaza, Washington, D.C. Bug your local post office. Get a

hold of those surveys and do a write in. Write your congressman and

senator. Getr your friends and family to do the same.

 

We have Bugs Bunny, Richard Nixon, James Dean. It's time for Jack.

 

 

Mark Hemenway

 

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Date:         Thu, 5 Mar 1998 07:58:10 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: forum/on language

To:           BEAT-L@CUNYVM.CUNY.EDU

 

SPElias wrote:

> 

> To Pat:

> 

> I have read and enjoyed your posts to this list for many months now. You have

> posted many absolutely excellent descriptions of Mr. B's passing and funeral

> rites, helped me to understand 'bardo' and driven me to tears w/ these...I am

> curious...as well as you knew WSB, you refer to him as 'William"....did no one

> call him 'Bill'?...or was he such a respectful character that people never

> thought of shortening his 'name'?  You refer to Jim as jim, but never william

> as bill,   i'm just curious and slightly confused        <3

 

who is this Pat you are writing to?  Sometimes people call me Pat.  I

have heard William called Bill by some people, not a lot. I haven't ever

called James G.- Jim, but I have heard some do that.   I have an habit

of calling people by the name they use when they introduce themselves.

He would say William.  I certainly repected william but we were friends,

it wasn't a professor/student relationship. We visited, ran around

together and yes dare I say partied together.  Another relationship was

I often had odd jobs with William Burroughs Communications. In other

words James hired me to work.  My work varied, I kept house, house sit,

repaired the roof, found salvage, chauffered,cooked. I was around 7

months pregnant when they hired David Ohle and I to replace the

backporch roof.  Due to my lumbering state William insisted that I call

him out when I went up and down the ladder.  Then he would hold the

ladder steady.  He did not do this for David so I felt quite nurtured.I

deeply admired William. I cried the other night when I got home from the

forum but I am not melancholy.  William at times was a melancholy person

but He spent real effort to appreciate his life and was brave.

patricia

 

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Date:         Thu, 5 Mar 1998 09:08:16 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         SPElias <SPElias@AOL.COM>

Subject:      Re: forum/on language/WSB

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 98-03-05 08:59:29 EST, you write:

 

<< He spent real effort to appreciate his life and was brave. >>

 

 

Patricia:

 

     Thank you for another wonderful, informative post.

 

       S.e.....

 

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x-sender: morocco@pop.walrus.com

Date:         Thu, 5 Mar 1998 15:54:59 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Stamp Out Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Aeronwytru wrote on 3/5/98

>but what are you talking about? a jack stamp was issued ages ago, when first

>class still cost us 29 cents. you can see it on varoius beat websites. are

>you

>talking about another one?

> 

>aeronwy

> 

 

I don't know if there ever was a stamp issued by the

United States Postal service with the image of Jack

Kerouac on it. Maybe there was.

 

But I would be wary of beleiving that a Jack Kerouac

stamp was issued based on seeing an image of a Jack Kerouac

stamp on "various beat websites".

 

 

 

* * * * | * * * * | * * * * | * * * * | * * * * |

Gregory Severance             morocco@walrus.com

 

             <<BULLDOG BREATH>>

       http://www.walrus.com/~morocco/

 

         <<BULLDOG BREATH BOOKSTORE>>

 http://www.mindspring.com/~us012808/door.html

 

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Date:         Thu, 5 Mar 1998 07:55:07 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mary Maconnell <MMACONNELL@MAIL.EWU.EDU>

Subject:      Beat Magnet!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi everyone!

 

Yesterday I perused our local 'weird' store for 'weird' items and it

turns out I found a great thing.  I purchased a refrigerator magnet that

looks like a paperback cover -- of "Junkie" by William Lee!  Well, I

immediately turned to my decidedly non-literary friend and asked him

if he knew what it was (of course he didn't).  After I told him he had

to tell me to calm down as I was just glad and happy to find something

like this.

 

It's cool and I'm happy and wondering if anyone else knew these existed?

 

Take care,

 

Mary

 

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Date:         Thu, 5 Mar 1998 11:38:35 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tazmin X <TazminX@AOL.COM>

Subject:      Re: a suggestion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ditto

 

In a message dated 98-03-04 09:44:08 EST, you write:

 

<< good idea, count me in.

 

 >i propose we all read something together and discuss. we haven't done

 that in

 >awhile. how about sunflower sutra? thats one of my favorites.

 >perhaps the subterraneans.(thats what i'm reading now)

 >i dunno. just a suggestion.

 >any takers?

 >~~marlene >>

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: rolling thoughts

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802281839.NAA27733@admin.con2.com>

References:

 

   3 pm railway station

   (back home)

   march afternoon

   a sort of flowering wind

   (black sky)

   blond hair ()

   parkin lot bicycles

   cars & bus people

   rolling thoughts

   (spring)

   spring

   the 2th invention

   after the wheel

   3:10 pm bus stop

 

-------

Rinaldo

05mar98

-------

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X-Sender: gnicosia@earthlink.net

Date:         Thu, 5 Mar 1998 10:05:33 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To the good folk of the Beat-List:   March 5, 1998

        I am outraged that the Beat-List continues to be used as a vehicle

for character assassination by Phil Chaput and Paul Maher, Jr.  Last night

there was a post from Mr. Chaput, directing you all to read a supposed

"Homage to Gerry Nicosia" on Maher's web page.  If you went to the web page,

you found a vicious, lying attack on me, which refers to me, among other

things, as a pornographer.  The person who makes this charge was convicted

of stealing thousands of dollars worth of rare books from the University of

Massachusetts, Lowell's special collections at the Mogan Center, the same

special collections library from which materials were stolen from my own

MEMORY BABE archive.

        (My supposed pornography, for those who are interested,  is a book

called BUGHOUSE BLUES, co-authored with a gay friend of mine named Richard

Raff, a wonderfully witty, brilliant man who was tormented by the need to

live "in the closet" in Chicago back in the 70's.  The book tells of his

sexual and social struggles, and in fact he killed himself shortly after we

completed the book.  That his life story is considered "pornography" by Mr.

Maher and Mr. Chaput gives you an indication of the caliber of their

character, especially when one of their close friends is also known to be gay.)

        In the past it has been asserted that I provoked these individuals

into attacking me.  Well, I have said nothing about the Kerouac Estate or

John Sampas for the past 5 months.  My main recent posting has been about

the loss of my dear friend, Beat poet Jack Micheline.  And yet the Beat-List

is now being used to attack me once again, with the same kind of

below-the-belt, lying assault that was used twice before.  In addition, Mr.

Maher, Mr. Chaput's cohort, is filling my email box with private, personal

emails that are obscene and harassing attacks on me.  In doing so, he may

well be violating a recent federal law, the Communications Decency Act of 1997.

        Mr. Maher has business dealings with John Sampas, gets most of the

material for his little Kerouac Quarterly from Sampas.  Mr. Chaput by his

own acknowledgement is an associate of Mr. Sampas.  I am Jan Kerouac's

literary executor, and in that capacity am attempting to carry out her legal

fight to recover and preserve the Jack Kerouac archive, which Mr. Sampas has

been selling off to dealers and collectors, and which he has so far refused

to place into a library, contrary to Jack Kerouac's own wishes.

        Can anyone fail to see what is really going on here?

        I call upon Mr. Gargan to put an end, once and for all, to this

vile, vicious use of the Beat-List for private, financial motivation--to end

the character assassination attempts against myself.

        Yours truly, Gerald Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 18:19:55 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: maturing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

thanks, al, for saying this as sometimes i imagine 250 odd souls sneering

"countyman!" in the best seinfield tradition of "newman!"

also rinaldo i must be honest here "the lines" are dave matthews lyrics.

but you sure make me glad i'm here, guys.

i'll be leaving early tomorow morning and returning twilight time on sunday.

then perhaps it will have the closure i'm still struggling for (a quartet vs

triology, hmm)

peace and helath you guys

mc

Rinaldo Rasa wrote:

 

> Al wrote:

> >hi marie,

> >

> >i haven't been posting much, but i wanted to tell you how fantastic your

> >poem is.  i've been following your revisions, and i wanna thank you for

> >posting them.

> >

> >best wishes,

> >Al

> 

> hello

> dear friends,

> 

> i quote Jack Kerouac

> fragment from "Mexico City Blues"

>                 114th Chorus

>         You dont have to worry bouth death,

>         Everything you do, is like your hero

>         The Sweetest angelic tenor of man

>         Wailing sweet bop

>         On a front afternoon

> 

> my humble opinion is that

> the poetry of Marie Countryman is at his best when

> poems does something of love bout the world, so i

> quote a marie's poem:

> 

> ============================================

> wanna dance?

> 

> "i eat too much

> i drink too much

> i want too much

> toooo much"

> dave mathews on the cd

> dancing to my cats,

> want to dance with alley cats

> whose up?

> who wants to dance?

> let's get together,

> spoken word, music dance our pants off

> (even if you hate dave, he's the best to dance to , except jerry)

> i want to dance with stray cats

> alley cats

> dance

> soul flies out into the cosmos for that brief amoount of time,

> souls meet, dance, dozey do, return, twirl,

> come down crashing

> and up again

> dance,

> i want to dance

> yeaaahhhhhh

> mc

> ============================================

> 

> that's best right when marie is on the jk's poem track,

> 

> saluti a tutti,

> Rinaldo.

> --------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 18:23:11 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: a suggestion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'll be gone for several days, also have a pritty good score of suggested

readings in the past. i hope you guys pick up something and i'll run with it

 when

i return. between muggings of poetry.

mc

 

M84M79 wrote:

 

> hi folks,

> alrighty, i was introduced to a kerouac/ginsberg tutorial that my friends have

> been orchestrating. last night i was there for the discussion on "sunflower

> sutra." as a group we came to the conclusion that the sunflower could

> represent neal cassady. other thoughts were AG's soul, the universal soul. i

> was troubled with the repetition of locomotive and felt that the imagery was

> strongly connected to NC. i'm also confused as to why the sunflower imagery is

> so negative towards the beginning of the piece and it's significance. any

> thoughts, challenges, suggestions?

> ~~marlene

> 

> In a message dated 3/5/98 4:40:56 PM, you wrote:

> 

> >ditto

> >

> >In a message dated 98-03-04 09:44:08 EST, you write:

> >

> ><< good idea, count me in.

> >

> > >i propose we all read something together and discuss. we haven't done

> > that in

> > >awhile. how about sunflower sutra? thats one of my favorites.

> > >perhaps the subterranean.(thats what i'm reading now)

> > >i dunno. just a suggestion.

> > >any takers?

> > >~~marlene >>

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: maturing

Cc:

Bcc:

X-Attachments:

In-Reply-To: <19980305010413.7955.qmail@hotmail.com>

References:

 

Al wrote:

>hi marie,

> 

>i haven't been posting much, but i wanted to tell you how fantastic your

>poem is.  i've been following your revisions, and i wanna thank you for

>posting them.

> 

>best wishes,

>Al

 

hello

dear friends,

 

i quote Jack Kerouac

fragment from "Mexico City Blues"       

         114th Chorus

   You dont have to worry bouth death,

   Everything you do, is like your hero

   The Sweetest angelic tenor of man

   Wailing sweet bop

   On a front afternoon

 

 

my humble opinion is that

the poetry of Marie Countryman is at his best when

poems does something of love bout the world, so i

quote a marie's poem:

 

============================================

wanna dance?

 

"i eat too much

i drink too much

i want too much

toooo much"

dave mathews on the cd

dancing to my cats,

want to dance with alley cats

whose up?

who wants to dance?

let's get together,

spoken word, music dance our pants off

(even if you hate dave, he's the best to dance to , except jerry)

i want to dance with stray cats

alley cats

dance

soul flies out into the cosmos for that brief amoount of time,

souls meet, dance, dozey do, return, twirl,

come down crashing

and up again

dance,

i want to dance

yeaaahhhhhh

mc

============================================

 

that's best right when marie is on the jk's poem track,

 

saluti a tutti,

Rinaldo.

--------Return-Path: <MAILER-DAEMON>

Date:         Thu, 5 Mar 1998 13:42:15 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 05 Mar 1998 19:30:48...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 05 Mar 1998 19:30:48 +0100 with subject "Re:

maturing" has been successfully distributed  to the BEAT-L list (250

recipients).

 

Return-Path: <MAILER-DAEMON>

Date:         Thu, 5 Mar 1998 13:42:22 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 05 Mar 1998 18:59:28...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 05 Mar 1998 18:59:28 +0100 with subject "rolling

thoughts"  has been  successfully distributed  to the  BEAT-L list  (250

recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Thu, 5 Mar 1998 13:54:10 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: Kerouac Quarterly update (Yawn)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I saw that first post Chaput sent announced the "interesting and new links"

but chose to ignore it.

 

After seeing Nicosia's post I decided to take a look.

 

To Gerry I say,

"Don't be offended Gerry. That page out of the KQ is a mirror to the site

and reflects nothing more than the image of the person who created it.

Another stretch added to the road to it's own KO, rather than  KQ."

 

 

To Maher I say:

"I'm a little embarrased that I became angry with you because of your

comment about my mother. I'm feeling more pity than anger.  I still want to

meet you, and will.  But mostly to get a look at you. I'm curious. Like I

was when I got my first microscope when I was a kid on a farm in Northern

Minnesota. The first thing that comes to mind, reading your coments, was

the scum that rose to the top of the rain barrel. You remind me of that

scum Maher, the scum in the rain barrel that always floated to the top--a

position you will continue to habitat. Right at home and seemingly

comfortable with the scum"

 

Tah tah little man.

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 15:44:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@AOL.COM>

Subject:      Re: Stamp Out Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

but what are you talking about? a jack stamp was issued ages ago, when first

class still cost us 29 cents. you can see it on varoius beat websites. are you

talking about another one?

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Thu, 5 Mar 1998 12:52:03 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Stamp Out Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 03:44 PM 3/5/98 EST, you wrote:

>but what are you talking about? a jack stamp was issued ages ago, when first

>class still cost us 29 cents. you can see it on varoius beat websites. are you

>talking about another one?

> 

>aeronwy

> 

> 

 

Hee, hee, heee

 

Levi ought better begin to worry about being accused of counterfitting.

 

(Just joking I am sure you realize).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 15:01:22 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Gerald,

        I was so happy to read your posts.  When the message was posted about

visiting the web site, I thought , should I see what kind of crap they

put up but decided not to. I had been so offended by so many of the

posts Paul wrote that i decided not to go there any furthere.  I found

his slurs about DiPrima such as skag, etc. so bizarre that I thought we

were getting alcoholic rants.  When Paul assured me he didn't drink i

thought. That i would no longer read his posts or support in any way his

delusion that I thought of him anything but a crackpot in regard to beat

scholarship.  His reference to women associated with the beat women not

getting any better than they deserve, etc.  is pitiful.  I don't buy the

coin in any slot.  I shudder to think what his trade is doing to any

real research on Jack.

Please ignore the ignoble and continue to place your posts on the list.

I have to hope that you will resist responding as you did because those

school boys are snickering thinking they bothered you.  The charge of

pornographer is the first charge against many of the beats. Truth and

honesty discover more than just clits and bunions.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 16:28:33 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      Re: a suggestion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi folks,

alrighty, i was introduced to a kerouac/ginsberg tutorial that my friends have

been orchestrating. last night i was there for the discussion on "sunflower

sutra." as a group we came to the conclusion that the sunflower could

represent neal cassady. other thoughts were AG's soul, the universal soul. i

was troubled with the repetition of locomotive and felt that the imagery was

strongly connected to NC. i'm also confused as to why the sunflower imagery is

so negative towards the beginning of the piece and it's significance. any

thoughts, challenges, suggestions?

~~marlene

 

 

In a message dated 3/5/98 4:40:56 PM, you wrote:

 

>ditto

> 

>In a message dated 98-03-04 09:44:08 EST, you write:

> 

><< good idea, count me in.

> 

> >i propose we all read something together and discuss. we haven't done

> that in

> >awhile. how about sunflower sutra? thats one of my favorites.

> >perhaps the subterranean.(thats what i'm reading now)

> >i dunno. just a suggestion.

> >any takers?

> >~~marlene >>

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 17:00:23 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         NICO 88 <NICO88@AOL.COM>

Subject:      Re: Beat Magnet!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

ya, i have the same one :)

 got it up in Woodstock.

--Ginny.

 

To: owner-beat-l@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Returned Mail: User Unknown

Cc: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

Good evening,

the following message come to me 3 times,

please what's up? any idea?

yrs

rinaldo.

-------

 

Return-Path: <MAILER-DAEMON@iname.com>

From: Mail Delivery Subsystem <MAILER-DAEMON@iname.com>

To:         Rinaldo Rasa <rinaldo@GPNET.IT>

Date: Thu, 5 Mar 1998 13:42:49 -0500 (EST)

Subject: Returned Mail: User Unknown

Auto-Submitted: Auto-generated (failure)

 

<INSERT EXPLANATION HERE>

   ----- The following addresses had permanent fatal errors -----

          BEAT-L@CUNYVM.CUNY.EDU

original message follows

 

Return-Path: <MAILER-DAEMON>

Date:         Thu, 5 Mar 1998 17:15:08 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Thu, 05 Mar 1998 23:03:49...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Thu, 05 Mar 1998 23:03:49 +0100 with subject "Returned

Mail: User Unknown" has been  successfully distributed to the BEAT-L list

(249 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 5 Mar 1998 17:18:19 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@AOL.COM>

Subject:      Re: Returned Mail: User Unknown

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i have no idea, but i have gotten it too. it usually comes if your message

couldn't be distributed, but i got mine at the same time as another message

saying my post had been successfully distributed, so who knows?

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gallaher@hsc.usc.edu

Date:         Thu, 5 Mar 1998 14:50:42 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yeah.

 

You know, last time Phil posted the note about the new book I replied that

it seemed like a backhanded put down of Nicosia and the other biographers.

Phil rplied that it was just the publishers press release (something that is

not mentioned at the KQ site) and that this idea of sides was preposterous

and that the message was solely to let the fact that this new book was

coming out be known.

 

But this last post was appropos of nothing.  And it clearly is simply done

to bother Jerry.

 

Weird.

 

 

 

At 03:01 PM 3/5/98 -0600, you wrote:

>Dear Gerald,

>        I was so happy to read your posts.  When the message was posted about

>visiting the web site, I thought , should I see what kind of crap they

>put up but decided not to. I had been so offended by so many of the

>posts Paul wrote that i decided not to go there any furthere.  I found

>his slurs about DiPrima such as skag, etc. so bizarre that I thought we

>were getting alcoholic rants.  When Paul assured me he didn't drink i

>thought. That i would no longer read his posts or support in any way his

>delusion that I thought of him anything but a crackpot in regard to beat

>scholarship.  His reference to women associated with the beat women not

>getting any better than they deserve, etc.  is pitiful.  I don't buy the

>coin in any slot.  I shudder to think what his trade is doing to any

>real research on Jack.

>Please ignore the ignoble and continue to place your posts on the list.

>I have to hope that you will resist responding as you did because those

>school boys are snickering thinking they bothered you.  The charge of

>pornographer is the first charge against many of the beats. Truth and

>honesty discover more than just clits and bunions.

>patricia

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Date:         Thu, 5 Mar 1998 18:22:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@IONLINE.NET>

Subject:      Re: rare wsb books (-> electronic revolution)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:37 AM 3/3/1998 -0600, patricia wrote:

 

>http://www.sunflower.com/~pelliott/pictures.html

 

I found the picture entitled, "Top of Williams other bookcase in the front

room" of interest.  The picture on the bookcase says, "It is necessary

to travel.  It is not necessary to live. - William Seward Burroughs"

 

This is similar to the prologue in Celine's _Journey to the End of Night_:

 

"Travel is useful, it exercises the imagination.  All the rest is

disappoinment and fatigue.  Our journey is entirely imaginary.

That is its strength.

 

It goes from life to death.  People, animals, cities, things, all

are imagined.  It's a novel, just a fictitious narrative.  Littre

says so, and he's never wrong.

 

And besides, in the first place, anyone can do as much.  You just

have to close your eyes.

 

It's on the other side of life."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: sinkovia@wheat.mnsfld.edu (Unverified)

Date:         Thu, 5 Mar 1998 20:52:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aaron Sinkovich <sinkovia@MNSFLD.EDU>

Subject:      Re: a suggestion

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I believe the locomotive imagery from "Sunflower Sutra" represents the

industrialism-mechanicalism that has invaded and overrun society from the

time of the industrial revolution; its great power and influence is

represented in the locomotive, which I also associate with capitalism.  This

industrialism/capitalism dirties the soul of man (the sunflower) and

corrupts him, destroys him.  There are also associations between

nature/earth/man&soul and manmade/mechanical/machine brought on by the

imagery of the sunflower and the locomotive.  ---Aaron

 

>hi folks,

>alrighty, i was introduced to a kerouac/ginsberg tutorial that my friends have

>been orchestrating. last night i was there for the discussion on "sunflower

>sutra." as a group we came to the conclusion that the sunflower could

>represent neal cassady. other thoughts were AG's soul, the universal soul. i

>was troubled with the repetition of locomotive and felt that the imagery was

>strongly connected to NC. i'm also confused as to why the sunflower imagery is

>so negative towards the beginning of the piece and it's significance. any

>thoughts, challenges, suggestions?

>~~marlene

> 

> 

>In a message dated 3/5/98 4:40:56 PM, you wrote:

> 

>>ditto

>> 

>>In a message dated 98-03-04 09:44:08 EST, you write:

>> 

>><< good idea, count me in.

>> 

>> >i propose we all read something together and discuss. we haven't done

>> that in

>> >awhile. how about sunflower sutra? thats one of my favorites.

>> >perhaps the subterranean.(thats what i'm reading now)

>> >i dunno. just a suggestion.

>> >any takers?

>> >~~marlene >>

> 

 

----------------------------------------------------------------------

Aaron F. Sinkovich

sinkovia@mnsfld.edu

http://mustuweb.mnsfld.edu/users/sinkovia

----------------------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: philzi@pop.tiac.net

Date:         Thu, 5 Mar 1998 23:55:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 02:50 PM 3/5/98 -0800, you wrote:

>Yeah.

> 

>You know, last time Phil posted the note about the new book I replied that

>it seemed like a backhanded put down of Nicosia and the other

biographers.(Very weird thinking)

>Phil replied that it was just the publishers press release (something that is

>not mentioned at the KQ site) and that this idea of sides was preposterous

>and that the message was solely to let the fact that this new book was

>coming out be known.

> 

>But this last post was apropos of nothing.  And it clearly is simply done

>to bother Jerry.

> 

>Weird.

Weird is the right word.

 Why don't you post a list of links that we can't post on the beat-l so as

not to bother Gerry. (A BANNED SITE LIST) Then only let ass suckers like

you, Jo, Pat, Bentz, et al on the list, It can then be called the "I want

to suck Gerry's big fat ass and little weenie list" This list is starting

to remind me of the Rush Limbaugh show. You know how he only lets callers

on that agree with him. Then you should also ban anyone from the list that

contradicts GN as well. Then you should group anyone with Paul that talks

about the bogus lawsuit and anything that he says, the other person must

have said as well.It has to be true. Then you should assume that anyone who

knows John Sampas is part of a plot to get you. Then you should go back and

read my post then read Gerry's and see what a paranoid delusional person he

is. All I did was post a link to Paul's site because he can't post it

anymore. Gerry and Jo got him thrown off the list. Who the fuck is this gay

guy GN is talking about? I have no opinion of him or his book(BUGHOUSE

BLUES???) because I haven't read it nor do I care to. I have no problems

with gays,lots of my friends are gay, my best friend is gay, why I have

even been seen in public holding hands and kissing gay people.I would even

kiss you Gerry. Does that make me gay too? Oh my god what will my mother,

wife and three children say. Gerry go fight Paul Maher, my name is Phil

Chaput can you get that through your thick skull. I do not say or think

what Paul says or thinks.I don't even live in the same town as him. If you

folks have a beef with Paul talk to him not me I am not his brother or

keeper. See Gerry I did not call you a pornographer that's Paul that did

that my name is Phil. I did not call you anything in that page because I

did not write that page that was Paul, my name is Phil.If anyone wants me

banned from the list (even you Gerry)I will go willingly as this list has

drifted way off the beat course. By the way the Memory Babe archive at

U-Lowell is not closed and I ask anyone to phone and ask them for

themselves to see if it is as I did.The answer I got was NO THE ARCHIVE IS

NOT CLOSED. Gerry and Jo Grant know that but they continue to solicit money

from you good people saying it is closed. Gerry don't write me because I

will refuse to write back. I can't stand you. Phil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 00:09:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dirty womb <Dirtywomb@AOL.COM>

Subject:      Re: Stamp Out Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i went to the post office today and they had a vote for yr 50's stamp thing

and  it said under the arts catigory  new york skools  and that said  they had

a unique indentity  or somthing   would that mean the beatniks?  and if so why

are they afraid to put beats     i don't know     well  have a nice night

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 00:26:51 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: maturing/no crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I too have been enjoying the poems that Marie has been posting.  This

is the year of the great deaths. To lose allen and william, seem to

herald so much.  We do have lots to do.  I forgot to mention but in the

forum the other night I described this beatnet community that spanned

the world. i specifically talked about you Rinaldo.  So if your ears

burned last night it was because i was introducing you to a hundred

students and some really boring professors.  as part of how the beat

movement is not just the original guys but their influence that

continues to throb.

I wish I had a cinematic and audio list of william,  I am always finding

out the william recorded something new or played some part.  James

mentioned that he recorded junky and naked lunch at a studio here.  I

don't know if and when they will come out.  He also spoke of unpublished

material, such as the diaries to come.  i hope the weird scrap books

that william kept, i thought of them as idea books.I doubt if they would

interest more than the burrough scholars though.

ciao

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 06:37:26 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"all else drunken dumbshow"

 

AG

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 06:39:12 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: San Francisco reading

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i can't be there, but great time should be had by all. good wishes

mc

 

Levi Asher wrote:

 

> For San Francisco (actually Oakland/Bay Area) Beat-L'er's --

> if anybody's free this Saturday night, there's going to be

> an interesting reading of poetry/fiction/etc. by web writers

> in a studio in Oakland, run by Christian Crumlish who

> co-edited my book "Coffeehouse: Writings From The Web"

> with me.

> 

> I'll be reading along with several others ... and I invited

> John Cassady to come and play a few songs ... (Neal's son --

> he's not a Web writer but he's a very good guitarist) ...

> anyway it will definitely be an unusual night.

> 

> It's in a private studio at 646 Kennedy Street in Oakland,

> on the bay side of 880.  Go to www.zoka.com/map for good

> directions.  I wish I could write to all the Bay Area

> Beat-L'er's I'm in touch with personally to invite, but

> it's all last-minute planning and time is running out --

> so please come!

> 

> Write to me at brooklyn@netcom.com for more info if

> the above is confusing.

> 

> ---------------------------------------------------------

> | Levi Asher = brooklyn@netcom.com                      |

> |                                                       |

> |     Literary Kicks: http://www.charm.net/~brooklyn/   |

> |      (the beat literature web site)                   |

> |                                                       |

> |          "Coffeehouse: Writings from the Web"         |

> |            (a real book, like on paper)               |

> |               also at http://coffeehousebook.com      |

> |                                                       |

> |                   *---*---*---*---*---*---*---*---*   |

> |                                                       |

> |       "I think somebody better put out the big light" |

> |                                     -- Elvis Costello |

> ---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 01:52:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bigsurs4me <Bigsurs4me@AOL.COM>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Phil Chaput wrote:

>If anyone wants me banned from this list (even you Gerry)I will go

willingly...

 

 

 

Thanks for the offer, Phil... why don't you "go willingly"...

 

We all know you won't, though.  You're having too much fun stirring up the

muck.   Geeeshh...

 

 

 

Jerry Cimino

Fog City Facts & Fiction

1-800-KER-OUAC

www.kerouac.com

 

(My name is Jerry, not Gerry, but Jerry)...

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 01:34:43 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Jerry Cimino

Jerry, I want to take this moment to ask you.  When did you first note

the Beats.  What was your first or signifigant encounter. i hope you

take a minute to anwer.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 00:26:33 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      San Francisco reading

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For San Francisco (actually Oakland/Bay Area) Beat-L'er's --

if anybody's free this Saturday night, there's going to be

an interesting reading of poetry/fiction/etc. by web writers

in a studio in Oakland, run by Christian Crumlish who

co-edited my book "Coffeehouse: Writings From The Web"

with me.

 

I'll be reading along with several others ... and I invited

John Cassady to come and play a few songs ... (Neal's son --

he's not a Web writer but he's a very good guitarist) ...

anyway it will definitely be an unusual night.

 

It's in a private studio at 646 Kennedy Street in Oakland,

on the bay side of 880.  Go to www.zoka.com/map for good

directions.  I wish I could write to all the Bay Area

Beat-L'er's I'm in touch with personally to invite, but

it's all last-minute planning and time is running out --

so please come!

 

Write to me at brooklyn@netcom.com for more info if

the above is confusing.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

|       "I think somebody better put out the big light" |

|                                     -- Elvis Costello |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 00:31:52 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: Stamp Out Beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> >but what are you talking about? a jack stamp was issued ages ago, when first

> >class still cost us 29 cents. you can see it on varoius beat websites. are

 you

> >talking about another one?

> 

> Hee, hee, heee

> 

> Levi ought better begin to worry about being accused of counterfitting.

 

The funny thing is, lots of people think those stamps were real, and

they were done on the cheapiest, crummiest equipment -- a little

dinky handheld scanner, and a cheapo paint program with like

two tools on the toolbar -- just goes to show something, I dunno

what.

 

Now I use a flatbed color scanner and Photoshop with Kai's Power

Tools, etc., but nothing comes out that great.

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

|       "I think somebody better put out the big light" |

|                                     -- Elvis Costello |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: philzi@pop.tiac.net

Date:         Fri, 6 Mar 1998 09:17:56 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Phil Chaput <philzi@TIAC.NET>

Subject:      Re: The character assassins are back

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:52 AM 3/6/98 EST, you wrote:

>>Phil Chaput wrote:

>>If anyone wants me banned from this list (even you Gerry)I will go

>willingly...

> 

> 

> 

>Thanks for the offer, Phil... why don't you "go willingly"...

> 

>We all know you won't, though.  You're having too much fun stirring up the

>muck.   Geeeshh...

 

I see you still haven't finished those Sophomore child psychology classes

yet. Keep plugging you might get through them.

 

>Jerry Cimino

>Fog City Facts & Fiction

>1-800-KER-OUAC

>www.kerouac.com

> 

>(My name is Jerry, not Gerry, but Jerry)...

 

I wasn't talking to you.

 

I will let you know when and if I sign off. Phil

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 16:15:38 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         some old nobody <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Devil's Advocate

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For the record : I side, obviously, with Gerry Nicosia's excellent work

and Jo Grant's excellent web site......but I still have to play devil's

advocate and observe :

 

Y'all are getting way too bent out of shape over this Maher crap. Why

anyone would even bother to get outraged over such a childish, moronic,

crudely constructed web page as Maher's is beyond me. The nursery-school

drawing of Jan Kerouac's grave clearly shows that we are dealing with a

subnormal brain here. No one with a fraction of an intellect could take

Maher's anti-Nicosia rant seriously for a second - it's clearly the

product of a small mind with a severe chip on his shoulder and it makes

no logical, cohesive sense whatsoever. Then again, neither do half the

posts on Beat-L.

 

Phil Chaput's comments rang true regarding how if you voice something in

disagreement with the others on this list, how quickly and soundly you

are beaten down and attacked. I learned almost immediately after

joining, how insular and reactionary this list can be. For instance,

I'll probably be attacked for "siding" with Chaput for writing this,

even though I disagree with most everything else Chaput said, and any

friend of Sampas is no friend of mine.

 

I would respectfully disagree with Mr.Nicosia when he says "I call upon

Mr. Gargan to put an end, once and for all, to this vile, vicious use of

the Beat-List for private, financial motivation--to end

the character assassination attempts against myself." I don't think

Maher is making much money off being an ass in public, and I certainly

would defend his right to state his opinion on this list, no matter how

vile, misinformed, and just plain stupid it is.

 

For what it's worth, I also called and was told the archive was not

closed. On the other hand, whoever I spoke to sounded sorta clueless.

 

And what's wrong with being called a pornographer?

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

thinking about Shrimp and Beer Cheese

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: stu5293@sun.cc.westga.edu

Date:         Fri, 6 Mar 1998 10:25:41 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Unsubscribe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

This thing is boring. Take me off!

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jesus paid for our sins ... now let's get our money's worth.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

There are three kinds of people: those who can count & those

   who can't.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I said "no" to drugs, but they just wouldn't listen.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 07:29:59 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Unsubscribe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>This thing is boring. Take me off!

> 

>:-) Lee :-)

 

OK Everybody.  Lee's gone.  We can start being interesting again.

 

 

> 

>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

>Jesus paid for our sins ... now let's get our money's worth.

>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

>There are three kinds of people: those who can count & those

>   who can't.

>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

>I said "no" to drugs, but they just wouldn't listen.

>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 09:04:39 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Interesting Observation Appropos SoD

To:           BEAT-L@CUNYVM.CUNY.EDU

 

If you remember back I mentioned I heard a talk at Hsi Lai Temple by Chen

Li-an, the politician/buddhist practitioneer from Taiwan.

 

He said something very interesting near the beginning of the lecture and to

me it resonated with what kerouac did with Some of the Dharma.

 

Early on Chen asked:  What is Buddism anyway?  The Sutras are hard to

understand.  Even in modern Chinese.  Why is that?  Many sutra texts are

experimental data books.  Some Sutras are not to understand but to

establish certain feelings and to experience them.

 

(The above is a paraphrase based on my notes)

 

That clicked with me in terms of what Some of the Dharma seems to be and

also in what it seems to do.  I found this idea of Sutra as a lab notebook

for the practitioner intriguing (dare I say interesting?!!?).

 

Both the experimental notebook aspect and the intent to establish feelings

and experience both seem to be what Some of Dharma is about.

 

Some of the Dharma aka Jack's Lab Book.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: What is Buddism? - Re: Interesting Observation Appropos SoD

Cc:

Bcc:

X-Attachments:

In-Reply-To: <v01510100b1256e1aa44a@[128.125.223.102]>

References:

 

Timothy K. Gallaher says:

>Early on Chen asked:  What is Buddism anyway?  The Sutras are hard to

>understand.  Even in modern Chinese.  Why is that?  Many sutra texts are

>experimental data books.  Some Sutras are not to understand but to

>establish certain feelings and to experience them.

 

Timothy, noticed u (&others) are in deep interested in Buddhism &

the questio what's buddhism? is really good for example

this evening back home in bus near the highway intersection

venice mestre treviso there was a person maybe involved in

a car crash lying on the pavement the stomach turned to the

dark blue sky  the person aside me talk me dont' look at

touching me a bit    ___of course  _the cause of the world's woe

is birth_(jk)___   an evening soft spring suddenly became a pain

feeling_____________ often im' thinking what's the meaning

of events___________thinking buddhism______ impossible to think

__the pain is too much... saluti, Rinaldo.

Return-Path: <MAILER-DAEMON>

Date:         Fri, 6 Mar 1998 14:12:40 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Fri, 06 Mar 1998 20:01:51...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated  Fri, 06 Mar 1998 20:01:51 +0100  with subject "What is

Buddism? - Re: Interesting Observation Appropos SoD" has been successfully

distributed to the BEAT-L list (246 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 16:57:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Chaput

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Bill:

 

Phil said:

 

 

> Then only let ass suckers like

> you, Jo, Pat, Bentz, et al on the list, It can then be called the "I want

> to suck Gerry's big fat ass and little weenie list"

> 

Personally, I think this is not acceptable behavior.  I have never asked

that someone be banned from any of the lists that I am on.   And, I

won't ask it now.  But, I felt that it should be called to your

attention.

 

You will note that I have tried to stay out of this foolishness.  I did

accidentally post to the list an amen to Patricia's post that I meant to

back channel.  But this is childish and it is hard to understand why

Phil indulges in this type of behavior.

 

Thanks for whatever you decide to do.

 

BTW, I would backchannel this, but like someone else commented, all my

posts to you at the address on your email bounce.

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 17:24:31 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@CALCNA.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      ANNOUNCEMENT: al/ph/abet:(de)find

To:           BEAT-L@CUNYVM.CUNY.EDU

 

          A An B C D E F G H I J K L M N O P Q R S T Th U V W X Y Z

            "a little book abt such big things" -  marie countryman

 

     RELEASED:

 

        House Press has just released "al/ph/abet:(de)find" a rewriting of

     a 28 letter alphabet, based on each letter's individual emotions and

     personality. Re-appraising how we use language and what associations

     the author is faced with everytime he confronts the keyboard;

     "al/ph/abet:(de)find" tries to reveal another world inhabited by

     letters with grudges, personalities and personal histories.

        "al/ph/abet:(de)find" is published in a limited edition of 28

     copies with each copy hand bound with handprinted artstock front &

     back covers.

        "al/ph/abet:(de)find" is $20.00 per copy, postage included.

        contact House press at:

 

                dabeauli@calcna.ab.ca

 

     for more information or to order a copy.

 

      A An B C D E F G H I J K L M N O P Q R S T Th U V W X Y Z

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 17:25:22 -0700

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@CALCNA.AB.CA>

Organization: Calgary Community Network Assoc.

Subject:      ANNOUNCEMENT: i do not know this story / boneyard: a suite

To:           BEAT-L@CUNYVM.CUNY.EDU

 

     RELEASED:

 

        House Press has just released "i do not know this story /

     boneyard: a suite" a reaction to the pamela george case here in

     canada. With poetry by tjsnow, courtney thompson, ian samuels,

     jonathon c. wilcke, shereen tuomi and cj fyffe, this chapbook

     confronts a controversial rape/murder case where the accused were

     given a extremely light sentence due to their "promising futures". "i

     do not know this story / boneyard: a suite" questions the way we see

     natives and whites, myth and the stories of women.

        "i do not know this story / boneyard: a suite" is published in a

     limited edition of 50 numbered copies with each copy handbound with

     handprinted jute artstock covers and watermarked bamboo pages.

        "i do not know this story / boneyard: a suite" is $15.00 per

        copy, postage included. contact House press at:

 

                dabeauli@calcna.ab.ca

 

     for more information or to order a copy.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 6 Mar 1998 20:56:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Phil Chaput is no longer on the Beat-l list.  Anyone wishing to communicate wit

h him should email him privately.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 04:30:06 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Gerald Nicosia wrote:

 

>         A crazy fantasy?  Maybe.  But think how much less suffering

> there

> would have been in that case.  And aren't Buddhists supposed to be

> "suppressing" suffering, not adding to it?

 

Kerouac never accepted the postive points of either Buddhism or

Catholicism.  Following the path of either he would have been happier and

less self-destructive.  He accepted "all is suffering" and in fact lived

it.  He never got to the part that says "The supression of suffering can

be achieved."  He also seemed to believe that God created the world, but

clung to "why does God kill us?" without getting to the part of the

mystery of Christ's death and resurrection.  He says in "Desolation

Angels" or his time on the mountain, "I learned that I hate myself,"

which is the truth that seemed to drive his life, especially in terms of

relationships with himself and others.  I don't think Buddhism made his

life negative, I think he chose the first noble truth simply because it

fit with his idea of life.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 04:55:44 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Jeffrey Scott Holland wrote:

> 

> === In all honesty, and this time I'm *not* just trying to play devil's

> advocate, I really don't see his philosophy as negative in the first

> place.

Take a look at these quotes from "Desolation Angels" and tell me what you

see as positive about them:

 

"I resign from the attempt to be happy..."

 

"I look at the distant fires in distant mountains and see the little

imaginary blossoms of sight discussed in the Surangama Sutra whereby I

know it's all an ephemeral dream of sensation.  What earthly use to know

this? What earthly use is anything?"

 

"Desolation Adventure finds me finding at the bottom of myself abysmal

nothingness worse than that no illusion even--my mind's in rags."

 

"...all we're doing is fighting our deaths."

 

"And already in my life I've had two wives and sent one away and ran away

from the other, and hundreds of lover-girls everyone of em betrayed or

screwed in some way by me..."

 

"A peaceful sorrow at home is the best I'll ever be able to offer the

world..."

 

> === But what would he have written about? Would these 30 books be even

> worth reading? Would he write anything as great as "Visions of Cody"

> and

> "Desolation Angels"? I seriously doubt it. I also think that had

> Kerouac

> lived, Ginsberg's star might not have shone so brightly. I think that

> the world came to see Ginsberg as the keeper of the flame, so to speak,

> in the void left by Kerouac's passing. With Kerouac alive, Ginsberg

> would be knocked back down to the number 2 guy. Depending on just how

> wretched Kerouac's later writings might have turned out, Ginsberg might

> have eclipsed him anyway on his own merits. Hard to say.

 

You've mistaken if you think that great writers have to be driven and

tortured by self-destruction to have something to write about.  Kerouac's

writing was no less appealing when he was describing joy; it's only that

his joy was fleeting as he became more and more overcome by despair.  As

for Ginsberg, I don't have a clue by what ruler you are measuring

success, but the greatness of Ginsberg's work stands on its own.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 15:36:48 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Unmarked Helicopter <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote:

 

> I don't know any Buddhists who take such a

> cynical view of procreation, raising children, etc.

 

=== I could introduce you to a few.

 

 

 

> Obviously this was stuff he deeply felt, though it's hard to say

> how much of it might have been from alcoholic depression.

 

=== Alcohol is a truth serum. The things we say and feel in such a state

are closer to our true Id than otherwise.

 

 

 

> he avoided relationships with women (other than his mother),

> disowned his daughter, and looked for sex from other men, where

> there was no "danger" of creating children or a lasting

> partnership.

 

=== But who can judge him for this? He simply did what he felt he must,

as we all do.

 

 

 

> What if, instead, Jack gave up his particular negative Buddhist

> philosophy at that point?

 

=== In all honesty, and this time I'm *not* just trying to play devil's

advocate, I really don't see his philosophy as negative in the first

place.

 

 

 

> What if he tried to give up booze, developed a

> stable match with Helen, and eventually got married, say, in 1958?

 

=== He would have been boring as hell, and would have probably been

essentially a neutered dog in a kennel.

 

 

 

> He'd be celebrating his 40th wedding anniversary now, a robust

> and hale 76 years old, with another 30 or so books added to

> his canon.

 

=== But what would he have written about? Would these 30 books be even

worth reading? Would he write anything as great as "Visions of Cody" and

"Desolation Angels"? I seriously doubt it. I also think that had Kerouac

lived, Ginsberg's star might not have shone so brightly. I think that

the world came to see Ginsberg as the keeper of the flame, so to speak,

in the void left by Kerouac's passing. With Kerouac alive, Ginsberg

would be knocked back down to the number 2 guy. Depending on just how

wretched Kerouac's later writings might have turned out, Ginsberg might

have eclipsed him anyway on his own merits. Hard to say.

 

 

 

>  But think how much less suffering there

> would have been in that case.  And aren't Buddhists supposed to be

> "suppressing" suffering, not adding to it?

 

=== without suffering, there is little art. And I wouldn't say Buddhists

are supposed to supress suffering - they aren't superheroes. The Buddha

nature is more about non-intervention.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to Son House's "American Defense"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 16:57:19 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Unmarked Helicopter <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Michael R. Brown wrote:

 

> Id alone is not true self. True self is whole self.

 

=== Fair enough; I was only using the term "Id" on a whim. I do not

subscribe to Freudian thinking.

 

 

 

> > But who can judge him for this? He simply did what he felt

> > he must, as we all do.

> 

> And if one feels one must judge ...

 

=== And if one feels they must judge they who judge, etc. etc.

Everything is permitted. Nothing is Forbidden.

 

 

 

 

> Can one only create in Benzedrine jags or alcohol loosenesses?

 

=== Of course not. I didn't say that. Can one create BETTER under such

circumstances? Possibly.

 

 

 

 

> So creativity requires unhealth?

 

=== I didn't say that either. But maybe the best kind does.

 

 

 

 

> If one is empathic, there's plenty of suffering out there to be tormented by.

 

=== Which could ultimately drive one to drugs and drink. A strange loop.

 

 

 

 

> > The Buddha nature is more about non-intervention.

> 

> That's not consustent with Mahayana Buddhism and the Bodhisattvic ideal.

 

=== If you eat at Mahayana's, don't order the swordfish. "Bodhisattavas

never engage in conversations whose resolutions depend on words and

logic." - Shakyamuni Buddha, 500 B.C.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

thinking about pancakes & syrup

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 17:15:23 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         High Fructose Corn Syrup <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane Carter wrote:

 

> Take a look at these quotes from "Desolation Angels" and tell

> me what you see as positive about them

 

=== We're talking about two different levels here. I KNOW the things

he's saying are "negative", in that he's not talking about bunnies and

duckies and blue skies and sunshine. However, I think this "negative"

outlook is a correct and "positive" outlook to have. Gerry made it sound

to me that he was saying this attitude was a bad one to have. I think

it's a quite healthy one.

 

 

 

 

> You've mistaken if you think that great writers have to be

> driven and tortured by self-destruction to have something to

> write about.

 

=== "Great" is of course a subjective term. I am simply speaking from my

own experience. I am not "mistaken" by reading what I like.

 

 

 

 

> Kerouac's writing was no less appealing when he was describing

> joy

 

=== I agree. Probably because one writes about Joy with a new zeal and

perspective after one has seen Hell.

 

 

 

 

> the greatness of Ginsberg's work stands on its own.

 

=== I'm talking his later work, which I don't think measures up to his

earlier work. But again, "greatness" is a subjective term that cannot be

verified in a lab by scientists in white smocks.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

fantasizing about Greta Van Susteren

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 17:35:40 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         High Fructose Corn Syrup <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

 

> Alcohol is a known depressant

 

=== yep.

 

 

 

> the stories I heard about Jack and how

> he drank and what he was like were sad and horrific.

 

=== yep.

 

 

 

> William overcame his great weight (junk) and i think his later works

> were better for it.

 

=== WSB was still doing junk by the 1980's and wrote "The Place Of Dead

Roads" while on it. He was also still drinking like a fish to the very

end of his life.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, KY

listening to the Appalachian Voodoo Ensemble

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 18:30:37 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         High Fructose Corn Syrup <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Patricia Elliott wrote:

 

> Far as like a fish, I don't agree, I think william was one of

> those contolled alcoholics, with cycles of more and less

 

=== Well, sure, but it's the cycles of more that I'm referring to. Hal

Willner said that when he was recording with him, WSB kept drinking and

drinking and drinking from sunup to sundown and refilling Hal's glass

until he was quite drunk, yet WSB showed little or no intoxication.

Finally Hal had to say, "enough! I can't keep up with you!"

 

 

 

> Suffering does put you through a fire and many artists have a

> sensibility that probably can not preclude suffering.

 

=== I think WSB was a great writer when he was sober, when he was drunk,

when he was on junk or when he was off, or when he was kicking. His

suffering and his experiences are certainly a factor in his perceptions,

though, and helped make him the man he was, and the writer he was.

 

 

 

 

> But god save the fool who thinks a drink will elevate his writing.

 

=== *A* drink, no. But many drinks over a period of years.....possibly.

Drunkenness breeds folly, and folly builds character.

 

 

=-=-=-=-=-=-=-=-=

J.S.Holland, KY

staring at a bug

=-=-=-=-=-=-=-=-=

 

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X-Sender: gnicosia@earthlink.net

Date:         Sat, 7 Mar 1998 10:37:51 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello to everyone on the Beat-List!     March 7, 1998

        I am almost finished reading SOME OF THE DHARMA, and I'm deeply

troubled by the negativity toward women, children, marriage, and life

itself.  There has been a lot of hype of this book as a great modern

interpretation of Buddhism, but I don't know any Buddhists who take such a

cynical view of procreation, raising children, etc.  Kerouac advocates that

people stop having children, and snidely quips that "pretty girls make

graves."  Obviously this was stuff he deeply felt, though it's hard to say

how much of it might have been from alcoholic depression.  This philosophy

dictated much of his life, the way he avoided relationships with women

(other than his mother), disowned his daughter, and looked for sex from

other men, where there was no "danger" of creating children or a lasting

partnership.

        As I read the book, I kept getting this vision: what if, say,

Kerouac had given up Buddhism in 1956, when he met Helen Weaver?  This

beautiful, outgoing brunette also had a mind the equal of his own--she later

became famous for her translations of Artaud and other French writers.  He

describes their affair in Desolation Angels, where he calls her Ruth

Heaper--he obviously loved her, and used to refer to her "belly of wheat,"

quoting the Song of Solomon.  But instead of cementing a relationship with

her, he'd disappear for four or five nights on a wild drunken binge,

spoiling all her plans and leaving her in tears, till finally her therapist

told her to break it off.  And then, if you remember the scene in Desolation

Angels, Jack storms into her apartment and accuses her of letting her

therapist ruin their relationship!

        What if, instead, Jack gave up his particular negative Buddhist

philosophy at that point?  What if he tried to give up booze, developed a

stable match with Helen, and eventually got married, say, in 1958?  He'd be

celebrating his 40th wedding anniversary now, a robust and hale 76 years

old, with another 30 or so books added to his canon.  And maybe, in this

scenario, he would also have developed a decent relationship with his

daughter Jan, and encouraged her to take care of her own health problems

(including a blood disease she inherited from him), so that she didn't end

up self-destructing as well at age 44.  Maybe Jan, now 46, would be showing

up at his wedding anniversary with a few of her own kids, his grandchildren.

        A crazy fantasy?  Maybe.  But think how much less suffering there

would have been in that case.  And aren't Buddhists supposed to be

"suppressing" suffering, not adding to it?

        I'd love to hear your thoughts on this one.

        Best always, Gerry Nicosia

 

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Date:         Sat, 7 Mar 1998 14:34:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Subterr7 <Subterr7@AOL.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think in Buddhism one does not supress suffering, but "sees it" and lets it

go.  The process seems simple ,but it is not.

  Some of the Dharma is interesting in its glimspe into the mind of Kerouac,

but as for its insights into Buddhism they are few.   He may have had some

moments of "satori" but they were typical of a westerner approaching Buddhist

philosophy for the first time, and trying to interphet it in light of a

previous held , or currently held, religious philosophy.  In Kerouac case,

Catholism.

  It is interesting to compare Kerouac's approach to Buddhism and Synder's or

Ginsberg.

  I think Kerouac would have had a negative attitude toward women etc. whether

he had read Buddhist thought or not.  It is appears to form in his early

years, as shown by Nicosia's excellant biography.

  Just some thoughts,

   Jack Gregorio

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 11:47:01 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sat, 7 Mar 1998, Unmarked Helicopter wrote:

 

> Gerald Nicosia wrote:

 

> > Obviously this was stuff he deeply felt, though it's hard to say

> > how much of it might have been from alcoholic depression.

 

> Alcohol is a truth serum. The things we say and feel in such a state

> are closer to our true Id than otherwise.

 

Id alone is not true self. True self is whole self.

 

> > there was no "danger" of creating children or a lasting

> > partnership.

 

> But who can judge him for this? He simply did what he felt he must,

> as we all do.

 

And if one feels one must judge ...

 

> > What if he tried to give up booze, developed a

> > stable match with Helen, and eventually got married, say, in 1958?

 

> He would have been boring as hell, and would have probably been

> essentially a neutered dog in a kennel.

 

Can one only create in Benzedrine jags or alcohol loosenesses?

 

> > He'd be celebrating his 40th wedding anniversary now, a robust

> > and hale 76 years old, with another 30 or so books added to

> > his canon.

 

> But what would he have written about? Would these 30 books be even

> worth reading? Would he write anything as great as "Visions of Cody" and

> "Desolation Angels"? I seriously doubt it.

 

So creativity requires unhealth? Creativity, not only language per

Burroughs, as virus?

 

> >  But think how much less suffering there

> > would have been in that case.  And aren't Buddhists supposed to be

> > "suppressing" suffering, not adding to it?

 

> without suffering, there is little art.

 

If one is empathic, there's plenty of suffering out there to be tormented

by.

 

> And I wouldn't say Buddhists are supposed to supress suffering - they

> aren't superheroes. The Buddha nature is more about non-intervention.

 

That's not consustent with Mahayana Buddhism and the Bodhisattvic ideal.

 

 

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 14:47:39 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      What if?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerry:

 

I am not versed enough to imagine what Jack woulda coulda been like, so

it is hard for me to imagine.  What always impressed me from his writing

was the split that he seemed to feel in himself.  I think it was best

shown by his division between Buddhism and Catholism, or his general

attitude towards women vs his relationship with his mother.  This seemed

to be too large a gulf for him to bring together.

 

I see him as becoming restless, or like Rimbaud, abandoning writing to

survive.

 

I do imagine what it would have been like if Jimi Hendrix had not died.

The Hey Joe list has posts on this fantasy from time to time.  Perhaps

someone might take a shot a writing out a "memoire" from a 72 year old

Jack K.  If someone has the imagination, it might be interesting.

Someone has been posting such a fantasy about Little Walter and Jimi

Hendrix jamming to the Hey Joe list and it was very interesting.

 

We know the difference in Neil and Jack dying young and William and

Allen living much longer.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: stu5293@sun.cc.westga.edu

Date:         Sat, 7 Mar 1998 14:51:13 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         The Last Hurrah! <stu5293@WESTGA.EDU>

Subject:      Unsubscribe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I thought I was taken off this list yesterday? Apparently not, so could

you please unsubscribe me?

 

:-) Lee :-)

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Jesus paid for our sins ... now let's get our money's worth.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

There are three kinds of people: those who can count & those

   who can't.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I said "no" to drugs, but they just wouldn't listen.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 21:03:14 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Self-Rising Biscuit <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: drink

To:           BEAT-L@CUNYVM.CUNY.EDU

 

R. Bentz Kirby wrote:

 

> I have to go with Patricia on this one.  Thinking that drink will

> "make" you better has lead many a person to ruin.

 

=== But I never said that in the first place.

 

 

> Surviving it may make you

> wiser, but not necessarily a better writer.

 

=== I never said it NECESSARILY made one a better writer. I said it

POSSIBLY, key word here being POSSIBLY, might for some.

 

=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, kentucky

barking dogs in distance

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 12:09:29 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@NETCOM.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote:

>         What if, instead, Jack gave up his particular negative Buddhist

> philosophy at that point?  What if he tried to give up booze, developed a

> stable match with Helen, and eventually got married, say, in 1958?  He'd be

> celebrating his 40th wedding anniversary now, a robust and hale 76 years

> old, with another 30 or so books added to his canon.  And maybe, in this

> scenario, he would also have developed a decent relationship with his

> daughter Jan, and encouraged her to take care of her own health problems

> (including a blood disease she inherited from him), so that she didn't end

> up self-destructing as well at age 44.  Maybe Jan, now 46, would be showing

> up at his wedding anniversary with a few of her own kids, his grandchildren.

>         A crazy fantasy?  Maybe.  But think how much less suffering there

> would have been in that case.  And aren't Buddhists supposed to be

> "suppressing" suffering, not adding to it?

 

A really interesting thought.  And a nice image.

 

I guess I think Jack's negativity goes deeper than his Buddhism.  The

Dalai Lama is a relentlessly positive Buddhist -- it *is* possible,

and preferable, to be a positive Buddhist.  I think Jack was infused

with what Kierkegaard calls a "tragic sense of life" as a child or

teenager.  When he left his gloomy (but comforting) home base to

follow Neal and Allen and Bill around the world, I think his

tragic sense made him different from the others, sadder and

more doubting, even as he joined in with the festivities and

tried to play along -- in a way this is a central theme to On The

Road and Town and the City (and Dharma Bums, and Big Sur, and

Desolation Angels, etc.)  Jack's sadness was in a way the most

basic thing about him.  I do think he tried to keep the bitterest

side of his sadness out of his published works, which is noble

and compassionate of him.  In his private papers and unpublished

manuscripts we see the more poisonous side ... I think we should

remember he may not have wanted the world to ever see him this way.

 

So back to the Buddhism question -- I think if he didn't

find a philosopical rationale for his negativity in the

Buddhist religion, he would have found it elsewhere.  Maybe if

he'd lived, he would have joined his gloomy compatriot Bob

Dylan in becoming an apocalypic born-again Christian in the

late 70's.

 

Anyway -- good conversation starter Gerald!

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

|       "I think somebody better put out the big light" |

|                                     -- Elvis Costello |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 21:11:12 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Monosodium Glutamate <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A ROARING, RAGTIME, EPIC. wrote:

> 

> I disagree with the statement that alcohol is "a truth serum."

 

=== Why? It is well known for being the magic elixir that loosens the

screws at the back of the tongue.

 

 

> In Jack's case I think the booze only fueled

> his anger and distorted his true personality.

 

=== How do you know this wasn't just his NEW true personality?

 

 

=-=-=-=-=-=-=-=-=-=-=

J.S.Holland, ky ky ky

Thinkin' about string

=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 21:15:00 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Partially Hydrogenated Soybean Oil <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Alex Howard wrote:

> 

> That is such a dangerous, _dangerous_ attitude to have, I'm not

> even going to express how horrified I am.

 

 

=== Funny, that's my reply to you as well.

 

=-=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland - Berea, KY

licensed practicioner of Appalachian Voodoo

=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 14:49:12 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Unmarked Helicopter wrote:

> 

> Gerald Nicosia wrote:

> 

> > I don't know any Buddhists who take such a

> > cynical view of procreation, raising children, etc.

> 

> === I could introduce you to a few.

> 

I could introduce you to many who don't, who take the higher road as

serious path to find.

 

> > Obviously this was stuff he deeply felt, though it's hard to say

> > how much of it might have been from alcoholic depression.

> 

> === Alcohol is a truth serum. The things we say and feel in such a state

> are closer to our true Id than otherwise.

> 

Alcohol is a known depressant,  the stories I heard about Jack and how

he drank and what he was like were sad and horrific.

> > he avoided relationships with women (other than his m

other),

> > disowned his daughter, and looked for sex from other men, where

> > there was no "danger" of creating children or a lasting

> > partnership.

> 

> === But who can judge him for this? He simply did what he felt he must,

> as we all do.

i don't necessarily agree with either he.  Do any of us only do what we

want or is it a mix.  jack had complex relationships with women.  He

stayed friends with Edie after the divorce.  That spoke something.

> 

> > What if, instead, Jack gave up his particular negative Buddhist

> > philosophy at that point?

> 

> === In all honesty, and this time I'm *not* just trying to play devil's

> advocate, I really don't see his philosophy as negative in the first

> place.

> 

> > What if he tried to give up booze, developed a

> > stable match with Helen, and eventually got married, say, in 1958?

> 

> === He would have been boring as hell, and would have probably been

> essentially a neutered dog in a kennel.

> 

it wasn't being a drunk and depressed that made Jack interesting.  It

was his mind, his spirit, his charm, much of which was destroyed by

alcohol.

> > He'd be celebrating his 40th wedding anniversary now, a robust

> > and hale 76 years old, with another 30 or so books added to

> > his canon.

> 

> === But what would he have written about? Would these 30 books be even

> worth reading? Would he write anything as great as "Visions of Cody" and

> "Desolation Angels"? I seriously doubt it. I also think that had Kerouac

> lived, Ginsberg's star might not have shone so brightly. I think that

> the world came to see Ginsberg as the keeper of the flame, so to speak,

> in the void left by Kerouac's passing. With Kerouac alive, Ginsberg

> would be knocked back down to the number 2 guy. Depending on just how

> wretched Kerouac's later writings might have turned out, Ginsberg might

> have eclipsed him anyway on his own merits. Hard to say.

> 

> >  But think how much less suffering there

> > would have been in that case.  And aren't Buddhists supposed to be

> > "suppressing" suffering, not adding to it?

> 

> === without suffering, there is little art. And I wouldn't say Buddhists

> are supposed to supress suffering - they aren't superheroes. The Buddha

> nature is more about non-intervention.

> 

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> Jeffrey Scott Holland - Berea, KY

> listening to Son House's "American Defense"

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Ginsberg being knocked down is silly, Ginsberg made himself a keeper of

the flame as part of his heart.  His work and williams work are truely

great, it was a wonderful chemistry of freinds that let these men meet.

William overcame his great weight (junk) and i think his later works

were better for it.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 15:37:01 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> > William overcame his great weight (junk) and i think his later works

> > were better for it.

> 

> === WSB was still doing junk by the 1980's and wrote "The Place Of Dead

> Roads" while on it. He was also still drinking like a fish to the very

> end of his life.

> 

on the drinking i agree that he drank too much, but i am a teatottler,

always have been. I think almost everyone drinks too much.  Far as like

a fish, I don't agree, I think william was one of those contolled

alcoholics, with cycles of more and less but I have known out of control

alcoholics that really drink like a fish.  From descriptions that was

Jack in his later years.  I don't speak to williams best works, I don't

diparrage naked Lunch, place of dead roads, my favorite is western

lands. But I didn't mean that one can't produce a masterpiece on or off.

Inever meant to imply the writing was automatically improved by on or

off a vice. I think the man was.  I wouldn't propose that the states

made for better writing or worse.  I wouldn't imagine that to be what

made these men's writing great.  i think it is their intellect and their

heart. Suffering does put you through a fire and many artists have a

sensibility that probably can not preclude suffering.  But god save the

fool who thinks a drink will elevate his writing.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Date:         Sat, 7 Mar 1998 17:58:51 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> === *A* drink, no. But many drinks over a period of years.....possibly.

> Drunkenness breeds folly, and folly builds character.

 

That is such a dangerous, _dangerous_ attitude to have, I'm not even going

to express how horrified I am.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 18:02:02 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@AOL.COM>

Subject:      Re: Unsubscribe

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'm sorry, but i can't stand people who don't take responsibility for things.

it's really disgusting to get messages from people demanding to be

unsubscribed and asking why they haven't. it says very clearly to either print

out or save the original welcome message so you'll know how to unsubcribe.

it's not our responsibility to unsubscribe you, lee. we can't, as much as we

might like to.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 18:21:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "A ROARING, RAGTIME, EPIC." <breithau@KENYON.EDU>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I disagree with the statement that alcohol is "a truth serum." This might be

perhaps true for a non-alcoholic drinker but NOT TRUE for someone like Kerouac

 in

the later stages of alcoholism. In Jack's case I think the booze only fueled

his anger and distorted his true personality. I base this statement on personal

experience as well as from having know many, many hardcore alkies who have

cleaned up their act to reveal new layers of unsung personality traits.

 

Dave B.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 18:31:16 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 Ive heard that buddhism says that there is no life without suffering.

 

>I think in Buddhism one does not supress suffering, but "sees it" and lets it

>go.  The process seems simple ,but it is not.

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 18:34:19 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      drink

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It was said by Patricia and JS Holland:

 

 

> > But god save the fool who thinks a drink will elevate his writing.

> 

> === *A* drink, no. But many drinks over a period of years.....possibly.

> Drunkenness breeds folly, and folly builds character.

> 

I have to go with Patricia on this one.  Thinking that drink will "make"

you better has lead many a person to ruin.  Surviving it may make you

wiser, but not necessarily a better writer.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Sat, 7 Mar 1998 23:41:04 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote on 3/7/98,

commenting on his reading of _Some of the Dharma_:

[. . . .snip. . . .]

>     As I read the book, I kept getting this vision: what if,

>say, Kerouac had given up Buddhism in 1956, when he met Helen

>Weaver? This beautiful, outgoing brunette also had a mind the

>equal of his own--she later became famous for her translations

>of Artaud and other French writers.

[. . . .snip. . . .]

 

Gregory Severance rejoins:

On Wed. (3/4) I received in the mail from Amazon.com:

 

_Antonin Artaud: Selected Writings_, ed. Susan

   Sontag, trans. Helen Weaver (Berkeley: University

   of California Press, 1988).

 

My perception is that Kerouac missed the point of

Buddhism and that Ginsberg didn't.

 

Here, from Corso:

 

     Alas, Jack, seems I cannot requiem thee without

          requieming America, and that's one requiem

          I shall not presume, for as long as I live there'll

          be no requiems for me

     For though the tree dies the tree is born anew, only until

          the tree dies forever and never a tree born

          anew...shall the ground die too

                                       (p. 4)

 

Gregory Corso, _Elegiac Feelings American_ (New York:

   New Directions, 1970).

 

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

"Well I'm nobody's sugar-daddy now."

 

LOVESICK BLUES

by Irving Mills and Charles Friend

as performed by Hank Williams

No. 1 Best Selling Retail Country & Western Record

March 1949

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 16:26:12 -0800

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@MINDSPRING.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

A crazy fantasy?  Maybe.  But think how much less suffering there

would have been in that case.  And aren't Buddhists supposed to be

"suppressing" suffering, not adding to it?

        I'd love to hear your thoughts on this one.

        Best always, Gerry Nicosia

 

Yeah, and if my aunt had balls, she'd be my uncle.  For better or worse,

Kerouac was busier producing literature than Kodak moments.  Had he been

"straighter" would we have the history and writing that are his true

legacy?  Mark J

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 16:34:25 -0800

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@EHC.EDU>

Subject:      genealogy

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey all --

 

I know that this will really be asking some of you to pull info out of

your bums, but I know there are some of you that have done some

extensive research on Kerouac (Gerry :) ) --

So, can any of you tell me what the names of Jack's grandparents are.

If you can supply both sets, that's fine, but I specifically am looking

for Gabrielle's parents' names.

 

Please help...

Chris

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 21:26:14 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      AG Memorial

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those of you in the NYC area, there will be a AG/JK/WSB memorial in

Astoria, Queens at Stonewall and Sons, 33-18 B'way. March 28th at 7:30, if

you would like to read, call Tom Kelly at 718-204-5774

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 22:42:32 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Stephen Eickele Voss <svoss@GWIS2.CIRC.GWU.EDU>

Subject:      a call for help..

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi.  My name's Steve Voss, and I've been a relative lurker on this

wonderful mailing list for quite awhile.  I'm posting for a rather selfish

reason, and hope no one is too offended.  I would like help in bettering

my web site, the beat cafe (www.beatcafe.com), most specifically, I'm

interested in improving upon a lot of the biographies I have on the web

page. If anyone would be interested in writing biographies on the

following people:

 

Bob Kaufman

Kenneth Rexroth

LeRoi Jones (Amiri Baraka)

Gregory Corso

Gary Snyder

Denise Levertov

Diane diPrima

and

John Clellon Holmes

 

I would be grateful.  You'd get full credit on the page, and all that good

stuff, and some, small degree of exposure.

 

Also, I've been working hard on putting together a section of people's

writings that have a beat influence, or that I otherwise think are

important, and invite anyone to submit their writings (stories, poems,

etc.) for me to put on my page.  I hope to have a little section for each

person's writing, with maybe a short bio, and even a picture if possible,

so that each person could have a mini-publication on the web.

 

Thanks for reading,

Steve Voss

www.beatcafe.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 22:51:49 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: a call for help..

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Ive been to this site and its pretty good. I printed out the first page

with the quote from JC Holmes and put it on my door...

>Hi.  My name's Steve Voss, and I've been a relative lurker on this

>wonderful mailing list for quite awhile.  I'm posting for a rather selfish

>reason, and hope no one is too offended.  I would like help in bettering

>my web site, the beat cafe (www.beatcafe.com), most specifically, I'm

>interested in improving upon a lot of the biographies I have on the web

>page. If anyone would be interested in writing biographies on the

>following people:

> 

>Bob Kaufman

>Kenneth Rexroth

>LeRoi Jones (Amiri Baraka)

>Gregory Corso

>Gary Snyder

>Denise Levertov

>Diane diPrima

>and

>John Clellon Holmes

> 

>I would be grateful.  You'd get full credit on the page, and all that good

>stuff, and some, small degree of exposure.

> 

>Also, I've been working hard on putting together a section of people's

>writings that have a beat influence, or that I otherwise think are

>important, and invite anyone to submit their writings (stories, poems,

>etc.) for me to put on my page.  I hope to have a little section for each

>person's writing, with maybe a short bio, and even a picture if possible,

>so that each person could have a mini-publication on the web.

> 

>Thanks for reading,

>Steve Voss

>www.beatcafe.com

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 23:00:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey Jerry

             you ask an awful ot of what ifs- why dont you give up whatever

stupid beliefs you have. What if you knew every damn thing? what if you were

the ruler of the universe and could dictate all? what if you were Jack? what

if you knew really what exactly tortured him? what if you could write

something truly awesome like he did?

          Hey man, you dont know Buddhism- I dont think you  know any thing?

How is that for a big what if?

                                       Gene Lee

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 23:08:57 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think that it is human nature to ask, "what if". What's wrong with

exploring what could have been, what might have been? That's what we do--we

ponder, we wonder, we ask, we look into the past, the present, the future,

the way the world could have been. Let me ask thi, and I ask myself

frequently,...what would have happened if Hitler's mother hadnt died at the

hands of Jewish doctors or if he hadnt been rejected the Jewish directors

of the art school he applied to in Vienna? So, please..dont trash Jerry for

being human.

~Nancy

>Hey Jerry

>             you ask an awful ot of what ifs- why dont you give up whatever

>stupid beliefs you have. What if you knew every damn thing? what if you were

>the ruler of the universe and could dictate all? what if you were Jack? what

>if you knew really what exactly tortured him? what if you could write

>something truly awesome like he did?

>          Hey man, you dont know Buddhism- I dont think you  know any thing?

>How is that for a big what if?

>                                       Gene Lee

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sat, 7 Mar 1998 23:21:08 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>           Hey man, you dont know Buddhism- I dont think you  know any thing?

> How is that for a big what if?

>                                        Gene Lee

 

hoo doo .who do that voodoo.what an unique oblique point. Have we met?

You sound familiar.

 

I think this flight of fancy has resulted in many good posts. I thought

that it was good that I was caught making a little too sweet on william.

While i usually saw him wait til 4 to break the cap i am sure that there

were millions of thing i don't know and could miss.

 

I felt while buddism or catholism didn't save jack, i know if it wasn't

important how he died as what he did.   He left a legacy that moved our

world a little.

I enjoyed a moment of imagining a Jack that had found more personal

happiness, he gave a lot to us.

patricia

William, allen, the major and the minors, i cringe at the thought that

we determine success by rather by some lucky fluck on suvived or sold

or

 

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Date:         Sat, 7 Mar 1998 23:46:53 -0600

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From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Please excuse my last post. I was distracted while writing and then

accidently clicked send.

patricia

ps.

I have a much improved draft of my story.  It is a lot better, thank

you  for the many backchannels and the help.  This is a nice community.

patricia

 

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X-Sender: gnicosia@earthlink.net

Date:         Sat, 7 Mar 1998 22:32:04 -0800

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From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:00 PM 3/7/98 EST, you wrote:

>Hey Jerry

>             you ask an awful ot of what ifs- why dont you give up whatever

>stupid beliefs you have. What if you knew every damn thing? what if you were

>the ruler of the universe and could dictate all? what if you were Jack? what

>if you knew really what exactly tortured him? what if you could write

>something truly awesome like he did?

>          Hey man, you dont know Buddhism- I dont think you  know any thing?

>How is that for a big what if?

>                                       Gene Lee

> 

Hey, Gene,

        You sure you're name's not Maher?  Or is it Dirk Vulgate?

        How's that for detective work?

        Best always, Gerry Nicosia

 

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Date:         Sat, 7 Mar 1998 22:57:33 -0800

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From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

                                March 7, 1998

        Whether Gene Lee is a real person or a pseudonym for one of our

banished brethren, he's stimulated me to write another post.

        I guess I want to say to all of you, though I wrote a book claiming

Kerouac's greatness as a 20th century writer, that I have deep problems with

accepting a big part of his personal philosophy.  I look at his life, the

wrecked relationships, the abandoned daughter, the utter

self-destructiveness, and I can't help feeling that this man got badly off

track.  When he was "on," his mind was simply amazing.  He wrote sometimes

as if he had a pipeline to God--he understood in their full complexity some

of the really powerful forces that drive human life: the need for love, the

need for joy, the need for freedom.  But when he was wrong (and yes, Gene,

this is my OPINION only), he was terribly wrong, about everything being

empty of meaning, about life being futile, about bringing children into this

world as being a great evil.  Remember how he castigated Corso for having a

baby: "You brought something into this world just to die, man!"

        I think there's a danger with a writer we love as much as Kerouac,

of taking everything he wrote uncritically, of just accepting everything he

wrote as "great"--especially now with many of these manuscripts that Kerouac

did not see published in his lifetime, and which he may well have changed

his views about had he lived longer, getting printed because of his fame and

posthumous commercial success.  Again, that's not to say these books are not

worth reading; it's just to say, reader beware.  If you don't factor

Kerouac's life into a lot of the things he says, you may be getting sold a

bill of goods.  He may have been kidding himself too, whistling in the dark.

In fact, that's quite apparent in many places in SOME OF THE DHARMA, where

he promises himself over and over that he will give up drinking, sex,

friendships, etc. and devote his life to meditation and teaching.  He

claimed to be offering a map to disciples, of how to get to peace and

enlightenment, but I suggest that the map did not lead where he said it did.

        Again, I welcome your thoughts on this subject.  I was pleased by

the range of responses to my last post.

        Best always, Gerry Nicosia

 

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Date:         Sun, 8 Mar 1998 01:41:49 -0600

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From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Imagination

To:           BEAT-L@CUNYVM.CUNY.EDU

 

3-8-1998

 

some folks forwarded me a pile of e-mails about me again today.  i had

the usual enjoyment at moments and pangs at others....did i write that

...i guess i did.  they seem interested in it still.  that counts for

something.

 

i wrote three good sentences in my work in progress "advise on editing

spontaneous prose" --  boy will this blow their minds when i finish it!

 

life is better than average.

 

jack kerouac

 

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Date:         Sun, 8 Mar 1998 01:14:47 -0800

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From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Gerald Nicosiawrote:

 

>    I guess I want to say to all of you, though I wrote a book claiming

> Kerouac's greatness as a 20th century writer, that I have deep problems

> with accepting a big part of his personal philosophy.  I look at his

> life, the wrecked relationships, the abandoned daughter, the utter

> self-destructiveness, and I can't help feeling that this man got badly

> off track.  When he was "on," his mind was simply amazing.  He wrote

> sometimes as if he had a pipeline to God--he understood in their full

> complexity some of the really powerful forces that drive human life:

> the need for love, the need for joy, the need for freedom.  But when he

> was wrong (and yes, Gene, this is my OPINION only), he was terribly

> wrong, about everything being empty of meaning, about life being

> futile, about bringing children into this world as being a great evil.

> Remember how he castigated Corso for having a baby: "You brought

> something into this world just to die, man!"

>         I think there's a danger with a writer we love as much as

> Kerouac, of taking everything he wrote uncritically, of just accepting

> everything he wrote as "great"

 

I agree almost entirely with what you are saying in this post.  It's one

thing to respect and admire Kerouac's writing, he certainly had a gift.

It's quite another thing to want to use his lifestyle as a model for your

own behavior, and I think many young people are so enamoured by his

writing style that they also want to follow his lifestyle.  I think that

area also brings up overall the subject of what is loved about the beat

lifestyle as opposed to what is loved about the literature of the beat

generation.  You hit the heart of it when you say that Kerouac wrote

about "the need for love, the need for joy, the need for freedom." And

this is in fact the heart of beat literature.  The self-destructiveness

that characterizes Kerouac's life did not add to this voice, in fact, it

detracted from it.  The human and spiritual search that drove all the

beat writers led them into pitfalls in their own life that we as readers,

can clearly avoid if we critically examine their lives as well as their

works.  The joy of living life to its fullest, the importance of enjoying

every moment that we have because we will die is what people should

clearly see as the beat vision.  They could have done things differently,

and if they had the ability to look at their lifes in retrospect they

probably would have.  That's why we have an advantage.  We can look at

the negatives and positives and choose not to make the same mistakes they

did. If Kerouac had shown love and support to his daughter in life, it

would have ended much suffering then and now.  I doubt Burroughs in his

last days would have advised any young person to become an addict.  The

idea that "we die" became so all-consuming to Kerouac that he gave up

living before he was dead.  The positives of his writing speak for

themselves, but the negatives are something we should learn from.

DC

 

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Date:         Sun, 8 Mar 1998 12:11:42 +0100

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From:         Audrey Carsons <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gene Lee wrote:

 

> i personally do not accept everything that Jack

> wrote as being great- in fact i think quite a bit of

> garbage was published under his name- Pic comes to mind-

 

=== what's wrong with "Pic"??

 

 

 

> Satori in Paris as well

 

=== I agree here, it's one of his weakest moments.

 

 

 

> - and also a whole

> lot of his poetry was really just rambling thoughts that

> meant only something to him.

 

=== uh, welcome to Beat Literature.

 

 

 

 

> Also- as a practicing Buddhist

 

=== keep practicing.

 

 

 

> and therefore willl repeat Om Mani Padme Hum 20

> times to erase whatever bad karma i might have

> incrued by my actions.

 

=== If only it were that easy.

 

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland's Creeps Outpost

...purveyors of garbage and

rambling thoughts that only

mean something to us

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 12:37:36 +0100

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From:         Kim Carsons <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote:

 

> I have deep problems with accepting a big part of his personal

> philosophy.  I look at his life, the wrecked relationships, the

> abandoned daughter, the utter self-destructiveness, and I

> can't help feeling that this man got badly off track.

 

=== When someone changes from the way we liked them, why do people

always say they went off track? Everyone from Miles Davis to John Lennon

to William S.Burroughs has been accused to having "gone off" just

because they stopped doing what was expected of them. Kerouac was a

tormented soul, and tormented souls don't always behave in the ways

their public wants them to. He *wanted* to be self-destructive. No one

could stop him. It isn't "off track" to be on a NEW track, even if it's

a train to nowhere. We have no choice but to accept his actions and his

philosophy.

 

 

 

> he was terribly wrong, about everything being

> empty of meaning, about life being futile, about

> bringing children into this world as being a great evil.

 

=== Have you honestly never felt this way yourself? Not even for a brief

time? In a very real zen way, life IS futile and devoid of meaning, but

that's the open doorway to placing one's OWN meaning on the clean slate

and beginning with hope anew. Being a nihilist can be a way for an

idealist to psychically recharge their batteries.

 

 

 

 

> I think there's a danger with a writer we love as much as Kerouac,

> of taking everything he wrote uncritically, of just accepting

> everything he wrote as "great"

 

=== I don't know what "great" writing is and I don't think anyone else

does either. I only like what interests me, and Kerouac the man himself

interests me, so I am interested in virtually everything he wrote.

"Desolation Angels" and "Visions of Cody" are my favorites, but I don't

know if they're "great" literature or not, that doesn't concern me.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland, ky

watching birds eat worms

=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 13:05:02 +0100

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From:         Pinkie <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane Carter wrote:

 

> I doubt Burroughs in his

> last days would have advised any young person to become an addict.

 

=== Burroughs went to his grave insisting that junk, and all drugs,

should be completely legalized, and that it was much less harmful than

many other American pasttimes.

 

=-=-=-=-=-=-=-=-=-=-=-=

J.S.Holland - kentucky

where pumpkins are sexy

=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 13:19:24 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Old Sarge <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Michael R. Brown wrote:

 

> it is quite irrelevant if everyone applauds

> your derring-do, you are destroying yourself.

 

=== To destroy ourselves is an intrinsic human right.

 

 

 

> None of the three died

> early from self-abusive behavior.

 

=== Some people are tougher than others. It's a miracle WSB lived to

such a ripe old age. Jack wasn't as durable and cashed in his chips

earlier. That's just the way the cookie crumbles.

 

 

 

> > He *wanted* to be self-destructive. No one could stop him.

> 

> With a mind like his, he could have if he'd wished.

 

=== But he *DIDN'T* wish to!! That's the whole freakin' point. Why can't

you people respect the man's wishes??

 

 

 

> 

> Die young and leave a good-looking corpus, eh?

 

=== No, more like Do What Thou Wilt with your own life, even if that

means running it into the ground. Age and beauty have nothing to do with

it.

 

 

 

> > We have no choice but to accept his actions and his philosophy.

> 

> Fiddelsticks. He blew it big-time at the end.

 

=== That is *your* opinion, and it obviously differs from Kerouac's own

opinion, and it was HIS life so he's the final authority.

 

 

 

 

> Good insight - but better to find a working reconciliation

> between one's nihilistic and idealistic thrusts

 

=== I think that's what Kerouac *was* doing.... I mean, it's not like he

was talking like Nietzsche or DeSade or something.

 

=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland

my old kentucky home

=-=-=-=-=-=-=-=-=-=-=-=

 

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Date:         Sun, 8 Mar 1998 14:42:44 +0100

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From:         Old Sarge <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Michael R. Brown wrote:

 

> Because his wishes were not omnipotent. I don't give a rat's ass

> what Jack _wished_ if it led to the deterioration of his writing,

> his life, his body, and his ability to get out of the house and

>away from Momma.

 

=== I can't believe I'm actually hearing this. We indeed live, as

Burroughs stated, in "a nation where no one is allowed to mind his own

business." Jack's wishes should be the final word. Something Sampas

doesn't understand, either.

 

 

 

> If, as you've said, everything is permitted, then judgment and

> disapproval - and love with them - are permitted too.

 

=== Well, I said it but in an ironic sense, plus I was only quoting

Burroughs, who was in turn quoting Hassan I Sabbah.

 

 

 

 

> > === No, more like Do What Thou Wilt with your own life, even if that

> > means running it into the ground.

> 

> Ja. And I am doing what I wilt with my life in smacking Jack on

> his little footballer's ass for blowing a chance.

 

=== But your will, then, is to intervene, whereas mine is to simply let

events take their course. The urge to intervene and thus impose one's

will on others can be an ugly disease of the ego. If Jack Kerouac were

about to jump off a bridge, I would try to talk him out of it, of

course, but if I failed and he insisted on jumping, I would not

physically attempt to stop him.

 

 

 

> Ehh, "corpus" in this context meant literary canon - totality of opera

> omnia, you know?

 

=== I got the pun. I was remarking on the "die young" part.

 

 

 

> * laughter * And who else's opinion does it have to be?

 

=== Jack Fucking Kerouac's. And no one else's.

 

 

 

 

> That's what criticism is all about, my dear.

 

=== And we all know that critics are about as useful and as beloved as

lawyers.

 

And I beseech thee to remember Burroughs' reply when Kerouac called him

"my dear".

 

There is a difference between being critical and being judgmental. I

know Kerouac did a lot of bad things and stupid things. This is being

critical. But I *Don't* say he shouldn't have done them and I don't hold

it against him and I refuse to treat him as if he was some sort of

misguided mental patient who needed help. And I don't say he was wrong

for doing these bad things. This is being judgmental. Kerouac simply

WAS, and the things he did simply WERE. Accept them , and thusly accept

Kerouac himself, totally.

 

=-=-=-=-=-=-=-=-=

J.S.Holland, ky

watching the skies

=-=-=-=-=-=-=-=-=

 

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Date:         Sun, 8 Mar 1998 14:57:46 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mary Celeste <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      Gerry's comments on JK's ruined life

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote:

> 

> Really, Mr. Holland (or is it "Old Sarge," or is it "Helicopter

> Man"?) what is the meaning of all these different internet names!??

 

=== It has something to do with inconsistency and hobgoblins.

 

 

> 

> In any case, what is your basis for saying Kerouac didn't think he ruined

> his life?

 

=== I didn't exactly say that. He didn't seem to think he was ruining

his life at the moments he was doing these 'bad' things....the regrets

came LATER.....I said that *I* didn't NECESSARILY think he ruined his

life. And whether he thought he did or not, he did what he did on his

own free will. No one was pointing a gun at his head. Sure, Kerouac

expressed regrets, but did he change? Not really. He behaved the way he

behaved, for better or for worse. I'm not endorsing his behavior, but to

some people who have been in the mouth of hell and back, his actions may

make a little sense than to others who sit on the outside and scratch

their heads in wonder. I don't mean to say that I completely understand

Kerouac - far from it - but I give him benefit of the doubt, just as I

would a relative who has done terrible things.

 

=-=-=-=-=-=-=-=-=

J.S.Holland - ky

"In the year 2000 there will be no election"

=-=-=-=-=-=-=-=-

 

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Date:         Sun, 8 Mar 1998 10:31:05 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey Jerry

       let me tell you pal- if you are thinking about quitting your day job to

be a detective- i have some advice for you- DONT! You dont know me pal, and

you dont want to know me.

        I keep thinking that one day I might get around to reading your book,

but know now after that little piece of flightful fancy fluff that meant

absolutely nothing- that i never will.

                               Best always    Gene

 

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Date:         Sun, 8 Mar 1998 10:38:06 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Okay

    on a more serious note- i personally do not accept everything that Jack

wrote as being great- in fact i think quite a bit of garbage was published

under his name- Pic comes to mind- Satori in Paris as well- and also a whole

lot of his poetry was really just rambling thoughts that meant only something

to him.

       But- i owe an amazing debt to the man- for awakening me to the idea

that a big intersesting beautiful world existed out there- and if I didnt get

off my butt I would just let it pass by.

       Also- as a practicing Buddhist- I see the inherent weaknesses of Some

of the Dharma- Jack was not exactly the greatest Buddhist teacher to come down

the pike- but it is has much beauty in there and is well worth the read.

       Excuse my anger somewhat- tho I have no regrets for my comments- I feel

kinda bad about lashing out- and therefore willl repeat Om Mani Padme Hum 20

times to erase whatever bad karma i might have incrued by my actions.

                                          Gene Lee

 

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Date:         Sun, 8 Mar 1998 17:09:04 +0100

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         John Dillinger <sholland@ICLUB.ORG>

Organization: Creeps Outpost, 129 S.1st Street, Richmond, KY 40475

Subject:      WSB, drugs, advice, meddling

To:           BEAT-L@CUNYVM.CUNY.EDU

 

R. Bentz Kirby wrote:

> 

> But that doesn't mean that he advised people to take them.  Just that they

> should not be against that law.  Two different propositions here.

 

=== WSB wasn't the type to advise anyone to take drugs, be they young or

old, or be he in his "last days" or earlier. He also, pointedly, was not

the type to advise someone NOT to take them. WSB was a Johnson and tried

not to meddle in the affairs of others.

 

=-=-=-=

jsh ky

baaaaa

=-=-=-=

 

> 

> Pinkie wrote:

> 

> > Diane Carter wrote:

> >

> > > I doubt Burroughs in his

> > > last days would have advised any young person to become an addict.

> >

> > === Burroughs went to his grave insisting that junk, and all drugs,

> > should be completely legalized, and that it was much less harmful than

> > many other American pasttimes.

> >

> > =-=-=-=-=-=-=-=-=-=-=-=

> > J.S.Holland - kentucky

> > where pumpkins are sexy

> > =-=-=-=-=-=-=-=-=-=-=-=

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

 

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Date:         Sun, 8 Mar 1998 08:26:39 -0800

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From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, GTL1951 wrote:

 

>         I keep thinking that one day I might get around to reading your book,

> but know now after that little piece of flightful fancy fluff that meant

> absolutely nothing- that i never will.

 

Self-imposed limitation is a sad thing.

 

>                                Best always    Gene

 

Mmhmmm.

 

 

 

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   http://www.marymaclane.com - coming soon to your very own brouser

 

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Date:         Sun, 8 Mar 1998 08:29:28 -0800

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From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, GTL1951 wrote:

 

>        Excuse my anger somewhat- tho I have no regrets for my comments- I feel

> kinda bad about lashing out- and therefore willl repeat Om Mani Padme Hum 20

> times to erase whatever bad karma i might have incrued by my actions.

>                                           Gene Lee

 

Emperor: What merit will I accumulate by practicing Zen?

 

Zennist: No merit, no accumulation.

 

Emperor: What is the point, then?

 

Zennist: No point.

 

Emperor: Who are you?

 

Zennist: Don't know.

 

 

 

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  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

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Date:         Sun, 8 Mar 1998 08:37:45 -0800

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From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, Kim Carsons wrote:

 

> === When someone changes from the way we liked them, why do people

> always say they went off track?

 

Acting self-destructively is much more than merely "going off the

track" and "changing from the way we liked them." Our bodies have certain

objectively-existing limits and needs. When you go past these limits or do

not take care of those needs, it is quite irrelevant if everyone applauds

your derring-do, you are destroying yourself.

 

> Everyone from Miles Davis to John Lennon to William S.Burroughs has

> been accused to having "gone off" just because they stopped doing what

> was expected of them.

 

Davis and Burroughs were lucky to have survived and remained relatively

functional with what they did to their bodies. None of the three died

early from self-abusive behavior.

 

> He *wanted* to be self-destructive. No one could stop him.

 

With a mind like his, he could have if he'd wished.

 

> It isn't "off track" to be on a NEW track, even if it's a train to nowhere.

 

Die young and leave a good-looking corpus, eh?

 

> We have no choice but to accept his actions and his philosophy.

 

Fiddelsticks. He blew it big-time at the end.

 

> Being a nihilist can be a way for an idealist to psychically recharge

> their batteries.

 

Good insight - but better to find a working reconciliation between one's

nihilistic and idealistic thrusts, as Burroughs attempted to.

 

 

 

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  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

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Date:         Sun, 8 Mar 1998 11:40:17 -0500

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From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Im actually enjoying Satori in Paris right now, I think its a nice change

of pace from his heavier stuff.

>Okay

>    on a more serious note- i personally do not accept everything that Jack

>wrote as being great- in fact i think quite a bit of garbage was published

>under his name- Pic comes to mind- Satori in Paris as well- and also a whole

>lot of his poetry was really just rambling thoughts that meant only something

>to him.

>       But- i owe an amazing debt to the man- for awakening me to the idea

>that a big intersesting beautiful world existed out there- and if I didnt get

>off my butt I would just let it pass by.

>       Also- as a practicing Buddhist- I see the inherent weaknesses of Some

>of the Dharma- Jack was not exactly the greatest Buddhist teacher to come down

>the pike- but it is has much beauty in there and is well worth the read.

>       Excuse my anger somewhat- tho I have no regrets for my comments- I feel

>kinda bad about lashing out- and therefore willl repeat Om Mani Padme Hum 20

>times to erase whatever bad karma i might have incrued by my actions.

>                                          Gene Lee

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

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Date:         Sun, 8 Mar 1998 18:02:05 +0100

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From:         Dutch Schultz <sholland@ICLUB.ORG>

Organization: Creeps Press, P.O.Box 75, Renfro Valley, KY, 40473

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Michael R. Brown wrote:

 

> All criticism is invasive and coercive, eh? Who loves Jack more: you

> who would see him formaldehyde himself, or me who would have raised

> a righteous ruckus and maybe even kidnapped him off to a cabin to dry out?

 

=== Well, there's the $64,000 question, and I one that I can't answer.

I'm just glad I'm not faced with the decision to kidnap or not to

kidnap.

 

 

 

> 

> > Jack's wishes should be the final word.

> 

> Guess _Memory Babe_ should never have been written.

 

=== That's not for me to judge. Jack is dead and only Jack knows if he

approves or not. Me, I'm glad the book was written.

 

 

 

> False dualism. One's will, even an intervening will, is part

> of events taking their course. The will is not a stranger to the

> universe. This is a false quietism: according to it, the natural

> course is just for things to roll along, and all will or assertion

> an unnatural disturbance.

 

=== There are enough loopholes in the fibrous material between reality

and linguistics that we could bat this one back and forth for days. My

position, simply, is that I prefer to let events take their course, with

notable exceptions being that I intervene against people who do NOT want

to let other people's events take their course. In other words, I might

not intervene to stop a suicide, but I would certainly intervene to stop

a murder.

 

 

 

 

> No urge, no imposition, no ego. Just action and empathy.

 

=== but in my empathy, I empathize with him as to why he did the things

that he did.  Had I been a friend of his, I would not have made direct

intervention to stop him.  I would let my opinion be known but I would

not preach to him and berate him, even if it's "for his own good".

 

 

 

> If you are concerned with diseases of the ego, why are you reifying

> ego-decisions and ego-wishes of Kerouac's into unquestionable law?

 

=== huh? All I'm saying is that Kerouac should have the final say

regarding what he does in his life, as should we all. I would not

presume to tell Jack Kerouac what he should or not should do.

 

 

 

 

> Then cease criticizing.

 

=== Oh, but criticizing criticisms is okay. In fact, it's our civic duty

;)

 

 

 

 

> > But I *Don't* say he shouldn't have done them

> 

> Like Burroughs and [implicitly] his mentor Count Korzybski, I don't think

> the word "should" has any meaning in reality.

 

=== me either. that's precisely why I said I don't say he shouldn't have

done them.

 

 

 

> > and I don't hold it against him

> 

> I do.

 

=== why? It's his business.

 

 

 

> I find that "wrong" and "bad" are not very meaningful terms

 

=== I agree, they're judgmental and subjective. Which is why I started

this whole thread in the first place, because I'm hearing, or think I'm

hearing, people saying he did "wrong" and "bad " things. Whereas my

attitude is "he did what he did, and it's done. deal with it."

 

 

 

> > Kerouac simply WAS, and the things he did simply WERE.

> 

> No. Ever hear of the interconnectedness of all things? Nothing just

> "simply" is. The whole web is connected.

 

=== I wholeheartedly agree, actually, but one could blow a gasket trying

to delineate the difference between the levels on which we're both

approaching it. Everything *is* connected, but there is still a level at

which we still have to call a tree a tree. There is a sense in which

"each man's death diminishes my life slightly", as I think John Donne

said, but there is a more immediate sense where no, it probably doesn't.

To stay conscious of the microscopic interconnectivity of everything

could drive one mad, and it may just be that's what drove Kerouac to the

conclusion that life had no meaning. Nothing is Everything, but the flip

side of the koan is that Everything is Nothing. Not everyone manages to

cross that dark night of the soul.

 

 

 

 

> an abstract understanding of "things taking their own course," you

> have dehumanized him - and yourself, insofar as you're expressing

> yourself here.

 

=== then I dehumanize myself as well, because it's how I expect, nay,

*demand* - to be treated myself.

 

=-=-=-=-=-=-=-=-=-=

J.S.Holland, ky

drinking amaretto

=-=-=-=-=-=-=-=-=-=

 

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Date:         Sun, 8 Mar 1998 09:37:01 -0800

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From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, Old Sarge wrote:

 

> Michael R. Brown wrote:

 

> > it is quite irrelevant if everyone applauds

> > your derring-do, you are destroying yourself.

 

> === To destroy ourselves is an intrinsic human right.

 

Criticism denies no right to action. I think everyone here is wel aware

that [GASP!] people hold differing opinions and even weltanschuangen.

 

> > None of the three died

> > early from self-abusive behavior.

 

> === Some people are tougher than others. It's a miracle WSB lived to

> such a ripe old age.

 

Part-miracle, and part that strange rational medical judiciousness on

Bill's part. No accident oneof his major routines was _Doctor_ BenWay.

Bill took himself just to the edge medically - so that he could go to and

over the edge spiritually.

 

> Jack wasn't as durable and cashed in his chips earlier.

 

Jack fucked himself up worse and more continuously. And, no doubt, he was

not as hardy as the frailer-seeming Bill.

 

> That's just the way the cookie crumbles.

 

Life is short enough. Defeatism just makes a short thing shorter.

 

> > > He *wanted* to be self-destructive. No one could stop him.

> >

> > With a mind like his, he could have if he'd wished.

> 

> === But he *DIDN'T* wish to!! That's the whole freakin' point. Why can't

> you people respect the man's wishes??

 

Because his wishes were not omnipotent. I don't give a rat's ass what Jack

_wished_ if it led to the deterioration of his writing, his life, his

body, and his ability to get out of the house and away from Momma. If, as

you've said, everything is permitted, then judgment and disapproval - and

love with them - are permitted too.

 

"I come not because I loved Caesar less, but because I loved him more."

 

> > Die young and leave a good-looking corpus, eh?

 

> === No, more like Do What Thou Wilt with your own life, even if that

> means running it into the ground.

 

Ja. And I am doing what I wilt with my life in smacking Jack on his little

footballer's ass for blowing a chance. And I'm flourishing, not wilting.

 

Age and beauty have nothing to do with it.

 

Ehh, "corpus" in this context meant literary canon - totality of opera

omnia, you know?

 

> > > We have no choice but to accept his actions and his philosophy.

 

> > Fiddelsticks. He blew it big-time at the end.

 

> === That is *your* opinion

 

* laughter * And who else's opinion does it have to be?

 

> and it obviously differs from Kerouac's own opinion,

 

That's what criticism is all about, my dear.

 

> and it was HIS life so he's the final authority.

 

He had the authority to live it. So?

 

> > Good insight - but better to find a working reconciliation

> > between one's nihilistic and idealistic thrusts

 

> === I think that's what Kerouac *was* doing....

 

Probably was trying. But in the end he gave in to his self-nihilating

thrusts. Unlike Nietzsche or deSade, for instance.

 

 

 

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From:         Mark Johnson <ninmar@MINDSPRING.COM>

Subject:      [Fwd: Re: If Kerouac Gave Up Buddhism]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 

Message-ID: <3501E5A4.2647@mindspring.com>

Date: Sat, 07 Mar 1998 16:26:12 -0800

From: Mark Johnson <ninmar@mindspring.com>

Reply-To: ninmar@mindspring.com

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To: BEAT-L: Beat Generation List <BEAT-L@CUNYVM.CUNY.EDU>

Subject: Re: If Kerouac Gave Up Buddhism

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A crazy fantasy?  Maybe.  But think how much less suffering there

would have been in that case.  And aren't Buddhists supposed to be

"suppressing" suffering, not adding to it?

        I'd love to hear your thoughts on this one.

        Best always, Gerry Nicosia

 

Yeah, and if my aunt had balls, she'd be my uncle.  For better or worse,

Kerouac was busier producing literature than Kodak moments.  Had he been

"straighter" would we have the history and writing that are his true

legacy?  Mark J

 

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X-Sender: gnicosia@earthlink.net

Date:         Sun, 8 Mar 1998 10:19:01 -0800

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From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: the complex Mr. Holland

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:19 Jeffrey Holland wrote:

> 

>> > We have no choice but to accept his actions and his philosophy.

>> 

>> Fiddelsticks. He blew it big-time at the end.

> 

>=== That is *your* opinion, and it obviously differs from Kerouac's own

>opinion, and it was HIS life so he's the final authority.

> 

 

Really, Mr. Holland (or is it "Old Sarge," or is it "Helicopter Man"?) what

is the meaning of all these different internet names!??

 

In any case, what is your basis for saying Kerouac didn't think he ruined

his life?  Did you ever read Ronny Lowe's memoirs of Kerouac's last days in

Florida.  He recounts an episode of taking Kerouac to a minor league

baseball game, and they watch Kerouac's favorite young pitcher blow a game.

Lowe says, "Gee, Jack, I'm sorry you're favorite pitcher lost."  Kerouac

says, painfully, "Don't worry, he's got a lot more chances.  Unlike me."

Much of what Lowe writes suggests that Kerouac was painfully aware of having

"blown" his life.  I'd like to see/hear your evidence otherwise.

        Best always, Gerry Nicosia

 

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Date:         Sun, 8 Mar 1998 14:03:36 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         AlienRains <AlienRains@AOL.COM>

Subject:      New member

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey,

I will introduce myself.  I'm a senior in high school.  I am currently writing

a paper about Allen Ginsberg for English.  This is probably the first time I

have actually been interested in what I was writing about.  It seems like I

don't mind that it has taken me literally days to complete this task, but I

really find his life and poetry so interesting.

I guess I am so excited because I too write poetry (at least I think that is

what it is).  I started to write poetry about five years ago, but I haven't

told anyone about it.  bye

Kelly

 

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Date:         Sun, 8 Mar 1998 14:08:44 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yes

   you are right- it aint that easy- why i keep practicing- never said I had

it all down

                          Gene

 

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Date:         Sun, 8 Mar 1998 14:15:50 EST

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From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

So Michael

      does that mean when we impose the self limitations on ourselves of not

being terrible human beings- not hurting and killing one another- not wasting

our precious time on earth involved with useless and destructive things- is a

bad thing?

                       hmmmmmm    Gene

 

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Date:         Sun, 8 Mar 1998 14:30:42 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

But that doesn't mean that he advised people to take them.  Just that they

should not be against that law.  Two different propositions here.

 

Pinkie wrote:

 

> Diane Carter wrote:

> 

> > I doubt Burroughs in his

> > last days would have advised any young person to become an addict.

> 

> === Burroughs went to his grave insisting that junk, and all drugs,

> should be completely legalized, and that it was much less harmful than

> many other American pasttimes.

> 

> =-=-=-=-=-=-=-=-=-=-=-=

> J.S.Holland - kentucky

> where pumpkins are sexy

> =-=-=-=-=-=-=-=-=-=-=-=

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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Date:         Sun, 8 Mar 1998 11:32:32 -0800

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From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, Old Sarge wrote:

 

> Michael R. Brown wrote:

 

> > Because his wishes were not omnipotent. I don't give a rat's ass

> > what Jack _wished_ if it led to the deterioration of his writing,

> > his life, his body, and his ability to get out of the house and

> >away from Momma.

 

> === I can't believe I'm actually hearing this.

 

You don't see any deterioration from the young hero who lived On the

Road to a besotted alky squatting inthe matriarchal nest, afraid?

 

> We indeed live, as Burroughs stated, in "a nation where no one is

> allowed to mind his own business."

 

All criticism is invasive and coercive, eh? Who loves Jack more: you

who would see him formaldehyde himself, or me who would have raised

a righteous ruckus and maybe even kidnapped him off to a cabin to dry out?

 

> Jack's wishes should be the final word.

 

Guess _Memory Babe_ should never have been written.

 

> Something Sampas doesn't understand, either.

 

I'm a Nicosian, thanks so much.

 

> > If, as you've said, everything is permitted, then judgment and

> > disapproval - and love with them - are permitted too.

 

> === Well, I said it but in an ironic sense, plus I was only quoting

> Burroughs, who was in turn quoting Hassan I Sabbah.

 

Then I guess criticism is okay.

 

> > > === No, more like Do What Thou Wilt with your own life, even if that

> > > means running it into the ground.

 

> > Ja. And I am doing what I wilt with my life in smacking Jack on

> > his little footballer's ass for blowing a chance.

 

> === But your will, then, is to intervene, whereas mine is to simply let

> events take their course.

 

False dualism. One's will, even an intervening will, is part of events

taking their course. The will is not a stranger to the universe. This is a

false quietism: according to it, the natural course is just for things to

roll along, and all will or assertion an unnatural disturbance. We're all

natural, baby. This computer is natural. There _is_ no unnaturalness,

metaphysically; it's just a descriptive term useful for connoting

psychological situations: "working at IBM was so cold and corporate, it

was unnatural." "He was very detached even when we had sex. He was

unnatural." The Tao that can be deviated from is not the Tao. Kerouac

abided by the Tao when he pickled himself; I abide by the Tao in scourging

him for it; you abide by the Tao in scourging me for my scourging. And so

on - in excelsis gloria.

 

> The urge to intervene and thus impose one's will on others can be an

> ugly disease of the ego.

 

No urge, no imposition, no ego. Just action and empathy. The Bodhisattva

way includes _upaya_ - skillful means of intervention.

 

> If Jack Kerouac were about to jump off a bridge, I would try to talk him

> out of it, of course, but if I failed and he insisted on jumping, I

> would not physically attempt to stop him.

 

How interventionist of you. ;)

 

Consider the consequences. I'm just not that impressed with a momentary

break with reality or state of despair. If Kerouac wanted to take his

life, he would find a way. I wouldn't be hobbling him permanently - just

giving him the chance to rethink/refeel it.

 

> > * laughter * And who else's opinion does it have to be?

 

> === Jack Fucking Kerouac's. And no one else's.

 

If you are concerned with diseases of the ego, why are you reifying

ego-decisions and ego-wishes of Kerouac's into unquestionable law?

 

> > That's what criticism is all about, my dear.

 

> === And we all know that critics are about as useful and as beloved as

> lawyers.

 

Then cease criticizing.

 

> And I beseech thee to remember Burroughs' reply when Kerouac called him

> "my dear".

 

I've forgotten.

 

> There is a difference between being critical and being judgmental.

 

Ahh, now there is a difference.

 

> I know Kerouac did a lot of bad things and stupid things. This is being

> critical.

 

Which is exactly what Gerry said, with more emphasis.

 

> But I *Don't* say he shouldn't have done them

 

Like Burroughs and [implicitly] his mentor Count Korzybski, I don't think

the word "should" has any meaning in reality. So strike one.

 

> and I don't hold it against him

 

I do.

 

> and I refuse to treat him as if he was some sort of misguided mental

> patient who needed help.

 

Inappropriate metaphor. Kerouac was sometimes in need of intervention, and

sometimes not. He wasn't a helpless goofball all his life, and he wasn't

in full possession of his faculties all his life either.

 

> And I don't say he was wrong for doing these bad things.

 

I find that "wrong" and "bad" are not very meaningful terms, unless they

are used in the sense of a tender empathy for life. To my mind, Elie

Wiesel offered the _only_ defensible idea of right and wrong, in a speech

he gave at the White House that passed almost unnoticed: to paraphrase,

the good is that which supports life and heightens sensitivity to life;

the evil is that which destroys life and lessens sensitivity to life.

 

This hooks in obviously with lots of Ginsberg's work, as well as

Burroughs' last journal entry on love, and the Whitman-Lawrence axis that

was part of the historical background of Beat literature.

 

We've had many thousands of years of judgemental abstract "objective"

moralities, and they have failed: because when one gets down to it, they

wind up being the imposition of a transcendental concept [derived from we

know not where] upon the flow of life. It's not structurally tenable.

 

> This is being judgmental.

 

Criticism out of love, empathy, and support is not. Criticism out of

alienated moralism is.

 

> Kerouac simply WAS, and the things he did simply WERE.

 

No. Ever hear of the interconnectedness of all things? Nothing just

"simply" is. The whole web is connected.

 

> Accept them , and thusly accept Kerouac himself, totally.

 

Will you smile when I say I accept him more wholly than you do? You have

lit upon a partial truth, but you withhold your natural empathy and

concern and engagement from him. In the name of abstract independence and

an abstract understanding of "things taking their own course," you have

dehumanized him - and yourself, insofar as you're expressing yourself

here.

 

If I had been in Kerouac's life, he would have had me, shirt off,

struggling for and against him at one. That's the way of the earthly

angel.

 

 

 

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  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 11:39:11 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: Gerry's comments on JK's ruined life

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, Mary Celeste wrote:

 

> Gerald Nicosia wrote:

 

> > Really, Mr. Holland (or is it "Old Sarge," or is it "Helicopter

> > Man"?) what is the meaning of all these different internet names!??

 

> === It has something to do with inconsistency and hobgoblins.

 

"They know not the subtle ways ... " (Emerson, _Brahma_)

 

> > In any case, what is your basis for saying Kerouac didn't think he ruined

> > his life?

 

> === I didn't exactly say that. He didn't seem to think he was ruining

> his life at the moments he was doing these 'bad' things....the regrets

> came LATER.....

 

Yes, when it was too late.

 

> I said that *I* didn't NECESSARILY think he ruined his

> life. And whether he thought he did or not, he did what he did on his

> own free will. No one was pointing a gun at his head.

 

Another fuzzy-thought false dichotomy. The alternative is not

leave-the-guy-alone-to-drink-and-hide versus point-a-gun-at-his-head.

There is an, ahh, Middle Way, you know?

 

> Sure, Kerouac expressed regrets, but did he change? Not really.

 

Perhaps because friends left him in the lurch. We're not solitary

individualistic atoms. We're social primates, and sometimes a spanking and

a caress together is what's needed.

 

> He behaved the way he behaved, for better or for worse.

 

Like Buddha, like Hitler. So?

 

> I'm not endorsing his behavior, but to some people who have been in the

> mouth of hell and back, his actions may make a little sense than to

> others who sit on the outside and scratch their heads in wonder.

 

Do you think the only respectful thing we may do for another human being

is observe them and spout off words, while respectfully maintaining a

distance, and let "events take their course?"

 

> I don't mean to say that I completely understand Kerouac - far from it -

> but I give him benefit of the doubt, just as I would a relative who has

> done terrible things.

 

I give him the benefit of the doubt and I'd stride in there and try to

help. Again and again. And take fisticuffs if it was needed.

 

 

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 11:44:20 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, GTL1951 wrote:

 

> So Michael

>       does that mean when we impose the self limitations on ourselves of not

> being terrible human beings- not hurting and killing one another- not wasting

> our precious time on earth involved with useless and destructive things- is a

> bad thing?

 

"Bad" means nothing apart from empathy. Here's my counter-question: do you

think human nature is so corrupt and bestial - so Originally tained - that

we need to _impose_ such limitations? Or are they not expressions of one's

true nature, articulated to guide us in emergencies and stressful times?

 

I hew to the latter.

 

As some Buddhist, it might have been the present Dalai Lama, said: "The

Bodhisattvic Vows are descriptive, not prescriptive. The Bodhisattva acts

this way naturally, spontaneously, not in accordance with any guiding

precept or morality."

 

 

 

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  Michael R. Brown                        foosi@global.california.com

 

   http://www.marymaclane.com - coming soon to your very own brouser

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 11:46:21 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I've often thought of what ifs as well.  What if Edie Parker told Jack she

was pregnant and they had gotten married then and had a son together.

 

Also, the Pretty Girls Make Graves line on pg 151 is quoted a lot and gets

a lot of play.  But overlooked is that it is the last line of a five page

prose-poem type piece that starts off: "STRANGE CEMETARY IN JAMAICA"

 

It comes as part of this 5 page piece on graveyards, life and death.

 

Pages 147 - 151

 

And the "pretty girls" line certainly is anger or hatred at God or natural

selection rather than at women.

 

It is also indictative of Kerouac's knowing himself and how "messed up"

that anger is that immediately after the 5 page piece inspired the Jamaica

cemetary he re-iterates the 8 points of the 8 fold path, as if he were

trying to remind himself and convince himself that this 8 fold way could be

the anitidote to the disease that bothered him.  I think it also acts as a

type of confession tacked on to the Jamaica garveyard piece in that by

including that he is acknowledging how misanthropic his thoughts and

feelings become in this graveyard meditation.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 11:46:21 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Sun, 8 Mar 1998, R. Bentz Kirby wrote:

 

> But that doesn't mean that he advised people to take them.  Just that they

> should not be against that law.  Two different propositions here.

 

Bravo, RBK. Burroughs was a libertarian. His letters in the 1940s-1950s

series contain very insightful if bilious criticisms of socialism. At the

same time, he was against the sinister military-industrial cartel complex

as well.

 

 

> Pinkie wrote:

> 

> > Diane Carter wrote:

> >

> > > I doubt Burroughs in his

> > > last days would have advised any young person to become an addict.

> >

> > === Burroughs went to his grave insisting that junk, and all drugs,

> > should be completely legalized, and that it was much less harmful than

> > many other American pasttimes.

> >

> > =-=-=-=-=-=-=-=-=-=-=-=

> > J.S.Holland - kentucky

> > where pumpkins are sexy

> > =-=-=-=-=-=-=-=-=-=-=-=

> 

> 

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

> 

 

 

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

  Michael R. Brown                        foosi@global.california.com

 

      www.marymaclane.com - coming soon to your very own brouser

 

+  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +  -  +

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 14:24:34 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: New member

To:           BEAT-L@CUNYVM.CUNY.EDU

 

AlienRains wrote:

> 

> Hey,

> I will introduce myself.  I'm a senior in high school.  I am currently writing

> a paper about Allen Ginsberg for English.  This is probably the first time I

> have actually been interested in what I was writing about.  It seems like I

> don't mind that it has taken me literally days to complete this task, but I

> really find his life and poetry so interesting.

> I guess I am so excited because I too write poetry (at least I think that is

> what it is).  I started to write poetry about five years ago, but I haven't

> told anyone about it.  bye

> Kelly

 

Hey, great to hear from you.  I found just trying to write has improved

my reading, and vice versa.  I wrote a journal for years and put a lot

of poetry in there.  I found it helped me express observations.  What is

the theme of your paper on Allen?

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 16:39:21 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "A ROARING, RAGTIME, EPIC." <breithau@KENYON.EDU>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Regarding heroin vs alcohol, it's true, booze is a pure toxin while heroin is

far less toxic. Notice that most deaths connected with heroin are because the

strength is unkown or it is cut with some sort of garbage. Those deaths would

be eliminated with legalized heroin.

 

There is an interesting letter reprinted in the anniversary issue of TIME from

Aldous Huxley. When his DOORS OF PERCEPTION appeared, he was accused of wanting

mescaline to take the place of the martini as far as social drug use was

cocerned. Huxley said in his reprinted letter that no, that was not what he

said, that he thought mescaline had too many drawbacks to be used as a

repalcement for the after dinner drink but indicated something should, as booze

isn't exactly the best recreational substance to play around with. Check it

out.

 

As for me, I'd rather have an after-dinner peyote button than a scotch!

 

  ----Dave B.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 16:42:14 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "A ROARING, RAGTIME, EPIC." <breithau@KENYON.EDU>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Welcome aboard Kelly. Show us one of your poems if you want to.

 

Dave B.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 16:53:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Some of the DHARMA beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For a look at Some of the Dharma from a practicing Buddhist's point of view,

don't miss the upcoming issue of DHARMA beat, which contains a review by Dan

Barth, writer and teacher, whose stuff has been appearing here lately,

forwarded by Gregory Severance.

 

Dan has great credentials, and an expert point of view on the matter. To

subscribe to DHARMA beat, or to request a copy, write to Attila Gyenis at

GYENIS@aol.com.

 

For those of you who haven't known me before, I've been working for the last

year on a long investigative piece on the Jack Kerouac archive controversy.

I've now completed my research and interviews and am ready to publish. It is a

much different story than you've had the opportunity to hear so far.

 

In the process of doing research for that story, I came upon some breaking

news regarding the Estate of Jan Kerouac. I've put this information on a

webpage and published it this morning. I've asked Joe Grant at BookZen to link

it to his site.

 

I hope you'll all take the time to read it. The url is:

<A HREF="http://members.aol.com/Jackofdays/background.html">Jan Kerouac: In

the background</A> , or http://members.aol.com/Jackofdays/background.html

 

Please let me know if you have questions or comments on my story.

 

Thanks

Diane

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 22:21:12 +0000

Reply-To:     stauffer@pacbell.net

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         james stauffer <stauffer@PACBELL.NET>

Subject:      [Fwd: Micheline Memorial/Tribute in L.A.]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> forwarded from sa griffin in LA

> 

> THIS CAT ATE EVERYTHING

> 

> Memorial/tribute for Jack Micheline, Saturday the 28th of March, 5p.m. at

> Skylight Books in Los Angeles. If anyone is interested in participating

> please contact me, S.A. Griffin, at my email address :

> sagriffin@mindspring.com

> 

> ------------------------

> 

> all the best

> s.a.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 18:20:38 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Could someone tell if my posts are getting through my responding to this?

Sorry about the spam...

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Sun, 8 Mar 1998 17:26:31 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@EXECPC.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Loud and clear.

 

----------

> From: Nancy Brodsky <nbb203@IS8.NYU.EDU>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject:

> Date: Sunday, March 08, 1998 5:20 PM

> 

> Could someone tell if my posts are getting through my responding to this?

> Sorry about the spam...

> ***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 18:27:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Thank you! I was wondering because I got no response to my last two posts

about the reading in Queens and my reaction to that what if letter.

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Date:         Sun, 8 Mar 1998 23:33:57 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Artaud: 4 Sep 1896--4 Mar 1948

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gregory Severance wrote on 3/4/98:

>>Antonin Artaud died 50 years ago (Mar. 4, 1948) in

>>Ivry-sur-Seine, France.

>> 

>>Here's a passage from an essay by Susan Sontag:

>> 

>>     Both in his work and in his life, Artaud

>>     failed. His work includes verse; prose

 

       [. . . .snip. . . .]

 

>>     phenomenology of suffering.(pp. xix-xx)

>> 

>>     _Antonin Artaud: Selected Writings_, ed.

>>     and with an introduction by Susan Sontag

>>     (Berkeley: University of California Press,

>>     1988).

 

Jeffrey Perchuk responded on 3/8/98:

>The excerpt from Sontag was interesting, though highly annoying.

>It always annoys me to see a great artist ripped apart by a

>dilettante who is obviously eaten up with hatred and envy.

>I'll take a fucking LAUNDRY LIST by Artaud any day before the

>finest thing Sontag has ever written. Who the hell is SHE to so

>airily dismiss the work of an artist she cannot even begin to

>understand, much less surpass? Especially when she is writing

>as the editor of an anthology of his work! Even if what she

>said were true, people will still be marveling at Artaud's

>life and work long after Sontag's name has been forgotten. If

>Sontag insists on playing Griswold to Artaud's Poe, then the

>very least the rest of us can do is say something in response.

>Artaud is dead, to be sure, but he speaks more eloquently than

>Sontag ever will, even if she lives to be one hundred years old.

>WHEN are we going to stop this absurd practice of listening to

>contemporary writers savage the reputations of earlier authors

>just because they feel the urge to commit their names to the

>printed page one more time?

> 

>Her arrogance is almost as boundless as her stupidity.

 

Gregory Severance replies on Mar. 8, 1998 from

Brooklyn, New York, America:

Hmmmmmmm . . .

 

Jeffrey, based on the tone of your response, I believe that

you were annoyed by the excerpt from Susan Sontag's essay that

I posted on Mar. 4. I also believe you when you say:

 

     It always annoys me to see a great artist ripped

     apart by a dilettante who is obviously eaten up

     with hatred and envy. I'll take a fucking LAUNDRY

     LIST by Artaud any day before the finest thing Sontag

     has ever written. (Jeffrey Perchuk in post to BEAT-L

     on Mar. 8, 1998)

 

I disagree with everything else you say in your response. Also,

I neither perceive Sontag as "a dillettante who is obviously

eaten up with hatred and envy" nor that she ripped Artaud

apart in the passage I quoted or in the essay the passage is

extracted from.

 

Here's more from Sontag's essay:

 

     [Artaud's]. . . activities, however dispersed they may

     have been, always reflect Artaud's quest for a total art

     form, into which the others would merge--as art itself

     would merge into life.

          Paradoxically, it was this very denial of indepen-

     dence to the different territories of art which brought

     Artaud to do what none of the Surrealists had even

     attempted: completely rethink one art form. Upon that

     art, theater, he has had an impact so profound that the

     course of all recent serious theater in Western Europe

     and the Americas can be said to divide into two periods--

     before Artaud and after Artaud. No one who works in the

     theater now is untouched by the impact of Artaud's

     specific ideas about the actor's body and voice, the

     use of music, the role of the written text, the interplay

     between the space occupied by the spectacle and the

     audience's space. Artaud changed the understanding of

     what was serious, what was worth doing. Brecht is the

     century's only other writer on the theater whose

     importance and profundity conceivably rival Artaud's.

     But Artaud did not succeed in affecting the conscience

     of the modern theater by himself being, as Brecht was,

     a great director. His influence derives no support

     from the evidence of his own productions. His practical

     work in the theater between 1926 and 1935 was apparently

     so unseductive that it has left virtually no trace,

     whereas the idea of theater on behalf of which he urged

     his productions upon an unreceptive public has become

     ever more potent. (p. xxxviii)

 

     _Antonin Artaud: Selected Writings_, ed. and with an

     introduction by Susan Sontag, trans. Helen Weaver

     (Berkeley: University of California Press, 1988).

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

"Have you ever been experienced?

 Not necessarily stoned but

 Beautiful."

 

"Are You Experienced?"

by Jimi Hendrix

on The Jimi Hendrix Experience's 1967 album:

_Are You Experienced_ (Reprise 6261)

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Sun, 8 Mar 1998 18:43:03 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Artaud: 4 Sep 1896--4 Mar 1948

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:42 PM 3/4/98 -0000, you wrote:

>Antonin Artaud died 50 years ago (Mar. 4, 1948) in

>Ivry-sur-Seine, France.

> 

>Here's a passage from an essay by Susan Sontag:

> 

>     Both in his work and in his life, Artaud

>     failed. His work includes verse; prose

>     poems; film scripts; writings on cinema,

>     painting, and literature; essays, diatribes,

>     and polemics on the theater; several plays,

>     and notes for many unrealized theater

>     projects, among them an opera; a historical

>     novel; a four-part dramatic monologue

>     written for radio; essays on the peyote

>     cult of the Tarahumara Indians; radiant

>     appearances in two great films (Gance's

>     _Napoleon_ and Dreyer's _The Passion of

>     Joan of Arc_) and many minor ones; and

>     hundreds of letters, his most accomplished

>     "dramatic" form--all of which amount to

>     a broken, self-mutilated corpus, a vast

>     collection of fragments. What he bequeathed

>     was not achieved works of art but a

>     singular presence, a poetics, an aesthetics

>     of thought, a theology of culture, and a

>     phenomenology of suffering.(pp. xix-xx)

> 

>     _Antonin Artaud: Selected Writings_, ed.

>     and with an introduction by Susan Sontag

>     (Berkeley: University of California Press,

>     1988).

> 

>--------------------------------------------------

>Gregory Severance             morocco@walrus.com

> 

>              <<BULLDOG BREATH>>

>      http://www.walrus.com/~morocco/

> 

>            <<BULLDOG BREATH BOOKSTORE>>

>  http://www.mindspring.com/~us012808/door.html

> 

>*******************************************************

> 

> 

 

The excerpt from Sontag was interesting, though highly annoying. It always

annoys me to see a great artist ripped apart by a dilettante who is

obviously eaten up with hatred and envy. I'll take a fucking LAUNDRY LIST by

Artaud any day before the finest thing Sontag has ever written. Who the hell

is SHE to so airily dismiss the work of an artist she cannot even begin to

understand, much less surpass? Especially when she is writing as the editor

of an anthology of his work! Even if what she said were true, people will

still be marveling at Artaud's life and work long after Sontag's name has

been forgotten. If Sontag insists on playing Griswold to Artaud's Poe, then

the very least the rest of us can do is say something in response. Artaud is

dead, to be sure, but he speaks more eloquently than Sontag ever will, even

if she lives to be one hundred years old. WHEN are we going to stop this

absurd practice of listening to contemporary writers savage the reputations

of earlier authors just because they feel the urge to commit their names to

the printed page one more time?

 

 

Her arrogance is almost as boundless as her stupidity.

 

 

Jeez!

 

 

                                            Jeff Perchuk

 

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x-sender: morocco@pop.walrus.com

Date:         Sun, 8 Mar 1998 23:54:19 -0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@WALRUS.COM>

Subject:      Re: Artaud: 4 Sep 1896--4 Mar 1948

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy Brodsky wrote on 3/9/98:

>I have to agree with Jefferey on this one. Have you ever read

>"Interpretation"by Sontag? Enough said..

 

No. But I'd like to. Is it an essay? Where can

I find it?

 

 

* * * * * * * * * * * * * * * * * * *

* Gregory Severance                 *

* morocco@walrus.com                *

* http://www.walrus.com/~morocco/   *

*                                   *

* "War! What is it good for?        *

*  Absolutely nothing.              *

*  Say it again."                   *

* * * * * * * * * * * * * * * * * * *

 

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Date:         Sun, 8 Mar 1998 16:13:00 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Some of the DHARMA beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>For a look at Some of the Dharma from a practicing Buddhist's point of view,

>don't miss the upcoming issue of DHARMA beat, which contains a review by Dan

>Barth, writer and teacher, whose stuff has been appearing here lately,

>forwarded by Gregory Severance.

> 

>Dan has great credentials, and an expert point of view on the matter. To

>subscribe to DHARMA beat, or to request a copy, write to Attila Gyenis at

>GYENIS@aol.com.

> 

>For those of you who haven't known me before, I've been working for the last

>year on a long investigative piece on the Jack Kerouac archive controversy.

>I've now completed my research and interviews and am ready to publish. It is a

>much different story than you've had the opportunity to hear so far.

> 

>In the process of doing research for that story, I came upon some breaking

>news regarding the Estate of Jan Kerouac. I've put this information on a

>webpage and published it this morning. I've asked Joe Grant at BookZen to link

>it to his site.

> 

>I hope you'll all take the time to read it. The url is:

><A HREF="http://members.aol.com/Jackofdays/background.html">Jan Kerouac: In

>the background</A> , or http://members.aol.com/Jackofdays/background.html

> 

>Please let me know if you have questions or comments on my story.

> 

>Thanks

>Diane

 

Where will you publish this article?

 

I did your the piece at your web site.  I assume this is not the piece you

mention above.  I must say that what I read did not provide me with any

details or information that clarified this controversey.

 

It was a nice literary approach in that it was the a story of the intrepid

journalist who was sympathetic to the cries of injustice from Gerry Nicosia

even up to the point where the Sampas are seen as "evil" in the journalists

eyes.

 

But then, slowly but surely the tables change and a fuller picture comes

forth and in fact it is Gerry Nicosia who is the heavy "unstable" bad guy.

 

It is intriguing, but I did not read any details.  Where is the beef?

There was the issue of the $20ooo check from bancroft library.  But there

was no real depth and the statement that the UC Berlekely lawyers advised

giving the check to Nicosia was not addressed as to the UC officials

reasons.

 

I have no idea about these lawsuits.  I don't know who is right or wrong,

is there a forged will etc...That is impossible for me to know.  Hopefully

the legal system will work in that regard.  In the time being we can

appreciate the books that the estate has put out.  I feel that Book of

Blues, The Letters, Some of the Dharma, the picture biography are all nice

publications and this is very appreciated by me as a member of the general

public.

 

Diane, I am just trying to point out that whereas your piece did act as an

op-ed I think it did fail as an investigative piece because there was

little if any actual details or quotes provided.

 

Now I will bring up something that is bound to cause unpleasantness (and I

am sure Gerry will not overlook this).

 

Your Jackofdays book proposal where a quote from kerouac is used for each

day of the year sounds like a great idea.  I like it.  But would not this

necessitate the cooperation and approval of the estate?

 

I am implying what I am implying, yes, but in a question form.  Not as an

accusation of any sort.  I appreciated reading what you wrote and look

forward to reading the full article you mention, so please let us know

where it will be published.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 19:23:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sedington <Sedington@AOL.COM>

Subject:      Jack's Grandparents

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Chris Dumond asked about Jack's grandparents. They are part of a book I've

written and hope to self-publish before too much longer called "Kerouac's

Nashua Connection". I live in Nashua, NH ("Lacoshua" of Town & City) and

really got going on the Kerouac genealogy a few years ago. My home is about a

five minute drive from the cemetery where Jack's grandparents, parents (Leo

and Gabrielle), brother Gerard, Aunt Mary Louise, and daughter Jan are buried.

 

Jack's paternal grandparents are Jean Baptiste and Clementine Bernier

Kerouac--mentioned in Jack's intro to "Lonesome Traveler." They emigrated from

St. Hubert, Quebec in 1890 and settled in Nashua. Jean Baptiste died in 1906

at age 58 and Clementine in 1908 at age 59. Although Jack writes in several

places as if he knew his grandfather, Jean Baptiste actually died 16 years

before Jack was born.

 

Gabrielle's parents were Louis Levesque and Josephene Jean Levesque. They,

too, emigrated from Quebec, but I cannot determine exactly when. They were

married in Nashua  on May 7, 1894. Gabrielle was actually born in St. Pacome,

Quebec in 1895--Josephene went back up there to have her baby. Jack mentions

this in "Desolation Angels" saying that Gabrielle had a twin sister who died

at birth. Jack also implies in the same "DA" passage that Josephene died

giving birth to Gabrielle, but she actually died in Nashua about a year

later--possibly while giving birth to another daughter. She was only 20 years

old.

 

While I'm on this, Gabrielle was never really an orphan--if an orphan is a

child who loses both parents--although Jack plays up the "my mother was an

orphan" line in various places in his novels. Gabrielle Levesque lived with

her father, Louis, and his second wife (Louis remarried in 1904 to an Amanda

Dube) until Louis' sudden death in 1911, by which time Gabrielle was 16.

Gabrielle and her step-mother stayed in touch until Amanda's death sometime in

the early 1950s. Amanda is the "Aunt Ti Ma" in "Vanity of Duluoz" with whom

Jack lived in Brooklyn while attending Horace Mann. By then (1939) Amanda had

remarried to Peter Adamakis--"Nick the Greek Evangelakos" of "VD"--and had

relocated to Brooklyn, NY.

 

Well, Chris, you asked a simple question and got, I'm sure, one hell of a lot

more answer than you wanted! Sorry about that. I hope to get whole book out

one of these times.

 

Take care--Steve Edington

 

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Date:         Sun, 8 Mar 1998 23:02:41 -0500

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From:         Bill Philibin <deadbeat@BUFFNET.NET>

Subject:      Re: WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> sensibility that probably can not preclude suffering.  But god save the

> fool who thinks a drink will elevate his writing.

 

 

        Well said...  Maybe minus the "god save" part, but that's just a personal

observation on my part :)

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

|              "All human beings are becoming humanoids...

|               All over the world, not just in America.

|               We're just getting there faster

|               since we're the most advanced country."

|

|                                          -- From The Movie "Network"

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

 

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Date:         Sun, 8 Mar 1998 23:18:23 -0500

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      AG's America

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know if there are biographical/autobiographical accounts of

AG's experience with communism when he was a boy, as referred to in the

poem, "America" where writes "momma took me to communist cell meetings when

I was 7", or something to that effect anyway. I have a copy of Dharma Lion

but I can't find much on his communist influence in it. Any leads would be

appreciated. Thanks!

~Nancy

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

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Date:         Sun, 8 Mar 1998 23:38:46 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Artaud: 4 Sep 1896--4 Mar 1948

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have to agree with Jefferey on this one. Have you ever read

"Interpretation"by Sontag? Enough said..

>Gregory Severance wrote on 3/4/98:

>>>Antonin Artaud died 50 years ago (Mar. 4, 1948) in

>>>Ivry-sur-Seine, France.

>>> 

>>>Here's a passage from an essay by Susan Sontag:

>>> 

>>>     Both in his work and in his life, Artaud

>>>     failed. His work includes verse; prose

> 

>       [. . . .snip. . . .]

> 

>>>     phenomenology of suffering.(pp. xix-xx)

>>> 

>>>     _Antonin Artaud: Selected Writings_, ed.

>>>     and with an introduction by Susan Sontag

>>>     (Berkeley: University of California Press,

>>>     1988).

> 

>Jeffrey Perchuk responded on 3/8/98:

>>The excerpt from Sontag was interesting, though highly annoying.

>>It always annoys me to see a great artist ripped apart by a

>>dilettante who is obviously eaten up with hatred and envy.

>>I'll take a fucking LAUNDRY LIST by Artaud any day before the

>>finest thing Sontag has ever written. Who the hell is SHE to so

>>airily dismiss the work of an artist she cannot even begin to

>>understand, much less surpass? Especially when she is writing

>>as the editor of an anthology of his work! Even if what she

>>said were true, people will still be marveling at Artaud's

>>life and work long after Sontag's name has been forgotten. If

>>Sontag insists on playing Griswold to Artaud's Poe, then the

>>very least the rest of us can do is say something in response.

>>Artaud is dead, to be sure, but he speaks more eloquently than

>>Sontag ever will, even if she lives to be one hundred years old.

>>WHEN are we going to stop this absurd practice of listening to

>>contemporary writers savage the reputations of earlier authors

>>just because they feel the urge to commit their names to the

>>printed page one more time?

>> 

>>Her arrogance is almost as boundless as her stupidity.

> 

>Gregory Severance replies on Mar. 8, 1998 from

>Brooklyn, New York, America:

>Hmmmmmmm . . .

> 

>Jeffrey, based on the tone of your response, I believe that

>you were annoyed by the excerpt from Susan Sontag's essay that

>I posted on Mar. 4. I also believe you when you say:

> 

>     It always annoys me to see a great artist ripped

>     apart by a dilettante who is obviously eaten up

>     with hatred and envy. I'll take a fucking LAUNDRY

>     LIST by Artaud any day before the finest thing Sontag

>     has ever written. (Jeffrey Perchuk in post to BEAT-L

>     on Mar. 8, 1998)

> 

>I disagree with everything else you say in your response. Also,

>I neither perceive Sontag as "a dillettante who is obviously

>eaten up with hatred and envy" nor that she ripped Artaud

>apart in the passage I quoted or in the essay the passage is

>extracted from.

> 

>Here's more from Sontag's essay:

> 

>     [Artaud's]. . . activities, however dispersed they may

>     have been, always reflect Artaud's quest for a total art

>     form, into which the others would merge--as art itself

>     would merge into life.

>          Paradoxically, it was this very denial of indepen-

>     dence to the different territories of art which brought

>     Artaud to do what none of the Surrealists had even

>     attempted: completely rethink one art form. Upon that

>     art, theater, he has had an impact so profound that the

>     course of all recent serious theater in Western Europe

>     and the Americas can be said to divide into two periods--

>     before Artaud and after Artaud. No one who works in the

>     theater now is untouched by the impact of Artaud's

>     specific ideas about the actor's body and voice, the

>     use of music, the role of the written text, the interplay

>     between the space occupied by the spectacle and the

>     audience's space. Artaud changed the understanding of

>     what was serious, what was worth doing. Brecht is the

>     century's only other writer on the theater whose

>     importance and profundity conceivably rival Artaud's.

>     But Artaud did not succeed in affecting the conscience

>     of the modern theater by himself being, as Brecht was,

>     a great director. His influence derives no support

>     from the evidence of his own productions. His practical

>     work in the theater between 1926 and 1935 was apparently

>     so unseductive that it has left virtually no trace,

>     whereas the idea of theater on behalf of which he urged

>     his productions upon an unreceptive public has become

>     ever more potent. (p. xxxviii)

> 

>     _Antonin Artaud: Selected Writings_, ed. and with an

>     introduction by Susan Sontag, trans. Helen Weaver

>     (Berkeley: University of California Press, 1988).

> 

>--------------------------------------------------

>Gregory Severance             morocco@walrus.com

> 

>"Have you ever been experienced?

> Not necessarily stoned but

> Beautiful."

> 

>"Are You Experienced?"

>by Jimi Hendrix

>on The Jimi Hendrix Experience's 1967 album:

>_Are You Experienced_ (Reprise 6261)

> 

>              <<BULLDOG BREATH>>

>      http://www.walrus.com/~morocco/

> 

>            <<BULLDOG BREATH BOOKSTORE>>

>  http://www.mindspring.com/~us012808/door.html

> 

>*******************************************************

***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Sun, 8 Mar 1998 22:48:50 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: None of the DHARMA beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>In the process of doing research for that story, I came upon some breaking

>news regarding the Estate of Jan Kerouac. I've put this information on a

>webpage and published it this morning. I've asked Joe Grant at BookZen to link

>it to his site.

 

WHICH JOE GRANT, HAVING DISCUSSED THE CONTROVERSY AT GREAT LENGTH WITH JAN

KEROUAC PERSONALLY, HAS DECLINED TO DO.

 

AFTER READING THE MATERIAL I UNDERSTAND WHY JAN KEROUAC ALSO DECLINED A

SIMILAR REQUEST BY THIS "JOURNALIST."

 

> 

>I hope you'll all take the time to read it. The url is:

><A HREF="http://members.aol.com/Jackoffdays/background.html">Jan Kerouac: In

>the background</A> , or http://members.aol.com/Jackoffdays/background.html

 

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

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Date:         Mon, 9 Mar 1998 00:16:03 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: Some of the DHARMA beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> >

> >For those of you who haven't known me before, I've been working for the last

> >year on a long investigative piece on the Jack Kerouac archive controversy.

> >I've now completed my research and interviews and am ready to publish. It is

 a

> >much different story than you've had the opportunity to hear so far.

> >

> >In the process of doing research for that story, I came upon some breaking

> >news regarding the Estate of Jan Kerouac. I've put this information on a

> >webpage and published it this morning. I've asked Joe Grant at BookZen to

 link

> >it to his site.

> >

> >I hope you'll all take the time to read it. The url is:

> ><A HREF="http://members.aol.com/Jackofdays/background.html">Jan Kerouac: In

> >the background</A> , or http://members.aol.com/Jackofdays/background.html

> >

> >Please let me know if you have questions or comments on my story.

> >

> >Thanks

> >Diane

 

Diane,  This didn't seem to be the same article you described.

Is this a blurb for some literary essay you have written?

Is this Jo's website you have listed?

I read two peices.  Neither were what I think of as investigative.  I

think investive is uninvolved or subjective.  Doesn't mean you have to

be subjective, but i think that it does preclude the word investigative.

Is the article somewhere else?

I think the most interesting aspects is it sounds like Gerry is very

irascable and nasty to interveiwers and is oppininated.  I think that I

might understand some of your points more if taken outside the context

of so much of your emotions.  It seemed you were accusing many people of

misconduct and then Gerry in particular of some of it or all of it.   I

wasn't sure when you were painting with a fine brush or a broad brush.

Perhaps organizing the essay diffent would help me, seperating gossip

stuff from the legal and document material that can be verified.  It

seemed to blended together.

I am sure there is a little truth everywhere, but I was hoping for more

clarification  on the status of Jack's estate.  My quess is you have

some information that could make a coherent argument. maybe going

through the material and editing out feelings and quess work might be

good.  I wish Gerry was more distant , I dread how every time some crack

pot baits him he has to say tooo much.  he should use his ammo much more

sparingly. The amount of emotions and name calling is not healthy to the

future of saving any of the materials for future innocent readers and

scholars.

patricia

patricia

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 9 Mar 1998 00:28:36 -0600

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>Could someone tell if my posts are getting through my responding to this?

>Sorry about the spam...

>***I'm in the milk and the milk's in me. God Bless Milk and God Bless ME!***

 

YEP.

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

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Date:         Sun, 8 Mar 1998 22:34:05 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      The Truth and the Lies

Comments: cc: jgrant@bookzen.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

To all my friends on the Beat-L:      March 8, 1998

        Well, they've wrecked another Sunday for me.

        I should have expected it.  I've been doing too well in court.  I've

been winning slowly, decision by decision.  Tomorrow my attorney will take

part in a major hearing in Albuquerque, which will compel the other side to

produce all the business documents of Jan Kerouac that so far they have

denied me, even though I have a court order making me her literary executor.

And we are momentarily expecting the decision from the appellate court in

Santa Fe, which will empower me to try Jan's case against the Sampas family

in St. Petersburg, Florida--the case that is based upon her claim that her

grandmother Gabrielle's will was forged.

        (Bill Gargan, please take note.  You asked me not to talk about the

Kerouac Estate and the Sampas family here on the Beat-List.  And for five

months I observed your dictum.  Then lately, no matter what I talked about,

Jack Micheline's death, Kerouac's Buddhism, etc., the hot and heavy barbs

started flying at me.  "Go see Paul Maher's web page and learn all about

Gerald Nicosia's career as a pornographer!" etc.  Now, today, Ms. Diane De

Rooy arrives on the Beat-List with an invitation to come visit her website

and read how I have committed fraud and embezzlement in my role as Jan's

literary executor.  The next thing I know, posts about my supposed crimes in

the estate wars are popping up here.  So I'm going to take the liberty of

answering these charges--just one time--since I feel I am entitled to that.)

        Interesting that the people who come up with these attacks on me all

seem to have business dealings with John Sampas.  Paul Maher depends on Mr.

Sampas for Kerouac materials and permissions for his little magazine, THE

KEROUAC QUARTERLY.  Ms. DeRooy wants to publish "Jackadays," a daybook or

calendar of sorts, with a quote of Kerouac's for each day of the year.  That

idea will make her a million bucks, but of course she has to get permission

from, and split profits with--guess who???  John Sampas.

        Ms. DeRooy's two pieces--"30 Years on the Road" and "Kerouac Heirs

Charge Executor with Misconduct"--are filled with twisted facts,

half-truths, and mostly outright lies. I will deal with them, one by one.  I

begin with "30 Years on the Road":

        Poor "tiny person" Jan Kerouac died "at the center of a cyclone, too

small to fight against it, too weak-willed to keep from feeding into it."

Supposedly she was victimized by "hangers-on who used her for their own

self-aggrandizement."  Jan was, in truth, one of the strongest people I ever

met, who lived with kidney dialysis four times a day for the last five years

of her life, and still managed to bring and sustain a lawsuit against the

far richer and healthier Sampas family, threatening to bring down the very

foundations of their fortune.

         Ms. DeRooy accuses me of having "perjured myself in court

documents."  This is a serious charge, but she does not tell us what

documents.  She does not explain what is the perjury.  That's like my

saying, Joe Palooka killed three people--but I don't give the names, dates,

or circumstances.  Just take it on faith, he killed three people.

        Ms. DeRooy accuses me of fundraising in the name of Paul Blake, Jack

Kerouac's nephew, and then betraying him.  Since Paul lost his home (and

then his wife left him) a year ago, he has fallen on hard times.  In fact,

the last I heard, he is now homeless.  I did not do "fundraising" for him or

promise to share any money with him.  I suggested at that time that people

on the Beat List might want to help him, and, as per Paul's request, I

listed his PO box on the Beat-List.  What I said quite clearly was that if

Gabrielle's will is tossed out as a forgery, Paul will come into one-third

of a multi-million dollar estate.  I have also suggested from time to time

that Mr. Sampas should voluntarily share some of the wealth of the Kerouac

Estate with Paul, which Mr. Sampas has never (to my knowledge) attempted to

do.  I have personally sent money to Paul from time to time, and I have also

tried very hard to get help for his medical problems, but at present I do

not know how to reach him.  If Ms. De Rooy knows, I wish she would share

this information.

        Ms. De Rooy states that neither of Jan's heirs, exhusband John Lash

or half brother David Bowers, knew that I was negotiating a sale of her own

archive to the Bancroft Library in Berkeley, that it was a surprise when she

told Lash of the deal on February 15, 1998.  But in her next article,

"Kerouac Heirs Charge Misconduct," we learn that John Lash wrote to the

Bancroft Library in October, 1997, demanding that money from sale of Jan's

archive be sent directly to him.  Contradictions never bother Ms. DeRooy.

        We also learn that John Sampas refers to Jan as "my niece."  Now

that she's dead, she's his dear niece.  When she was alive, he managed to

cut down her royalty income, even as she was dying and needed money for

medicines and food.  I have letters from Jan's copyright lawyer, Herbert

Jacoby, written to agent Sterling Lord, expressing outrage that anyone would

try to cut off money from a dying woman.  In the LOWELL SUN, June 3, 1995,

the Sampas family (including John) said they "would not join in any

negotiations with Jan Kerouac" to help her get her father's papers into a

library.  So much for "dear niece."

        On to "Kerouac Heirs Charge Executor With Misconduct":

        Ms. DeRooy accuses me of charging the Sampas family with fraud.  No,

Ms. DeRooy, I did not accuse them.  Jan Kerouac--their "dear niece"--accused

them in a formal lawsuit which she filed against them, in the Superior Court

in St. Petersburg, Florida, alleging that her grandmother's will was forged.

        Ms. DR alleges that I am "keeping 100 percent of the proceeds" of

the sale of Jan's archive to the Bancroft.  On the contrary, the $20,000

went directly into an account labeled "Estate of Jan Kerouac."  Exact

records have been kept of how that money is being spent.  It is true I have

had to pay some of my own expenses incurred as literary executor--for

example, my trips to St. Petersburg and Albuquerque for court appearances

for my lawyer and myself.  This is because John Lash locked up all of Jan's

royalty income for two years, and refused to pay all but a tiny portion of

my expenses.  John Lash, for the record, has made a financial deal with John

Sampas, but the terms, according to Lash's lawyers, are "confidential." The

strategy, however, is very clear.  They have shut off my funding, so that

eventually I will run out of gas.  Nobody can perform a job forever without

getting their expenses paid.  If they can't beat me in court, they figure

they'll starve me out.  Now they're upset that I actually have some money

available to pay my bills.

        Tough luck, guys.

        Lash, by the way, has been reimbursing 100% of HIS expenses,

including his own lawyers' bills.  I.e., he's been paying his lawyers with

Jan's money to fight me.

        The codicil to Jan's will, the testamentary letters, and the court

order following her death all make one thing very clear: John Lash is not

empowered to conduct any of the LITERARY business of Jan's estate.  Only I,

Gerald Nicosia, have that power.  That is why Tony Bliss of the Bancroft

dealt with me and not John Lash regarding the sale of Jan's literary

archive.  It is true the Sterling Lord Agency and publisher Viking Penguin

have refused to honor my court order, but then both of those institutions

make a great deal of money from their dealings with John Sampas, and Mr.

Sampas has plied his persuasive powers with both of them.

        Mr. Sampas has no such persuasive powers with the Bancroft Library

in Berkeley.

        Tough luck again, fellas.

        Mr. Lash claims he naively turned over Jan's papers to me because

"my lawyers told me I had to turn them over."  Wrong again, Mr. Lash and Ms.

DeRooy.  Judge Gerard Thomson of the Probate Court in Albuquerque ORDERED

Mr. Lash to turn over these documents to me.  These documents had been

wrongfully withheld from me for a whole year.  Had he not turned them over,

he would have been in contempt of court.

        Next, we get into the order of BIG LIES.

        Ms. DR claims the U Mass Library has closed my archive, not because

of a threat from John Sampas, but because of their "concern that Nicosia's

archive contains photocopies of documents owned by other libraries."  She

names three of these libraries: the Newberry in Chicago, the New York

Public, and Columbia University.  She does not list any of these supposedly

purloined documents.  Why?  Because THERE ARE NO XEROXED DOCUMENTS FROM THE

NEW YORK PUBLIC LIBRARY or COLUMBIA UNIVERSITY in the MEMORY BABE archive!!!

I never entered the New York Public Library until 1995, 12 years after

MEMORY BABE was published, and five years after my archive went to U Mass,

Lowell.  As for Columbia University, I did not place any of my research

xeroxes from Columbia in the MEMORY BABE archive because they were very

clearly marked: "Not for resale or deposit in other collections."  Yes,

there are a few xeroxes of Kerouac letters to Malcolm Cowley (from the

Newberry Library) in the MEMORY BABE archive, but they were copied and kept

in my archive with Malcolm Cowley's permission.

        The fact is, U Mass Lowell made the MEMORY BABE collection available

to scholars until about June of 1995, when John Sampas came to complain to

them that there was material in the archive that might adversely affect his

lawsuit with Jan Kerouac.  (I have a post card from scholar Jim Jones, who

was turned away from the collection, stating just this.)  At that point,

fearing a lawsuit from Mr. Sampas, U Mass, Lowell closed most of the

material in the collection, including the 300 taped interviews, to the

public--in complete disregard of the covenant we made when I placed the

material there.  I had required that all of this material be made

perpetually available for public study.  Now the cassette tapes are

seriously deteriorating, and the university will not reproduce them on fresh

tape stock, will not let anyone listen to them, and will not resell them

back to me, even though I have offered to pay the university back the full

amount they paid me for the collection.

        Ms. DR claims Jan Kerouac had a "cordial and businesslike

relationship" with the Sampas family.  What I have are about 800 documents,

letters from and to Jan and her attorneys, over the period 1982-1996,

complaining that Jan is not being properly paid the money that is due her

from the Kerouac Estate, and that the Sampas family is even making it

difficult for her to know what deals are being made, how much money is being

earned, etc.  On September 24, 1991, Jan Kerouac wrote to Sterling Lord, the

Sampases' agent, claiming she did not receive money from THE TOWN AND THE

CITY until "with the help of my long-standing attorney Saul Cohen, I managed

to wrest away my rightful half from the clutches of Stella Sampas, who at

first tried valiantly to keep me from getting anything."  Farther on in the

letter, she demands of Lord: "what has become of all the royalties for those

unaccounted-for titles all this time--have the royalties only gone to the

other side [the Sampas family]?  This happened before, with THE DHARMA BUMS

in June of '88 when Stella had to reimburse $1,200 of my money.  And I

distinctly remember in May of this year, that I called and spoke to you ...

and you mentioning a check that was on your desk for BIG SUR, which you said

had nothing to do with me--that it was for the other side of the Estate.

So, where did that money go???  To Helen Supernant [John Sampas's sister]?

... I'm only asking for what's rightfully mine."

        Apparently that's not one of the letters the Sampases showed Ms. De

Rooy.

        Ms. De Rooy claims John Sampas always shared with Jan "proceeds from

sales, to collectors, of Jack Kerouac's letters and personal effects."  He

never shared ANY of that money with her.  Jan told me over and over again

that he never gave her a penny of that money, nor would she have wanted it,

since she did not want him selling those things to collectors.  In Jan's

whole archive of papers--20,000 documents, that I have spent 8 months going

thru piece by piece--I did not see one letter from John Sampas saying,

"Here's your half for ten of Jack's letters that I just sold," or "Here's

your half of the money from Johnny Depp for the raincoat," etc.  Nothing to

that effect.  Zero.  Zilch.  Nada.  Now you may say, "Nicosia, you probably

removed those letters to Jan from John Sampas."  But Mr. Lash's lawyers

catalogued Jan's papers for a whole year before I ever got them--and Mr.

Lash is Mr. Sampas's friend.  And if I tried to remove evidence of John

Sampas having paid money to Jan Kerouac, that evidence would still show up

in Lash's lawyers' catalogue of Jan's effects.  But there is no mention of

any correspondence between Jan and Sampas in Lash's catalogue.

        Ms. DR claims it was illegal for Jan Kerouac to go to the Bancroft

Library and ask if they would be interested in housing her father's literary

archive.  Well, if she tried to SELL it to them, when she didn't yet own it,

I suppose that would be illegal. (Like trying to sell the Brooklyn Bridge.)

But talking with them about whether they'd LIKE to own the archive--that's

illegal???  Who's she kidding???

        It's true Jan's attorney Tom Brill drew up a document for her to

sign--in March, not April, 1996--terminating my future role as literary

executor.  But Brill was badly screwing up on the case--in fact, he

eventually screwed up so badly that he was thrown off the case by the judge

in Florida, and held in contempt of court. Brill suspected I was advocating

that Jan fire him, and so he wanted to get me out of the picture.  Jan

thought it over, and thought better of it.  Under the pressure of media

attacks (when the papers were calling her a grave robber, etc. for wanting

to move Jack's body to Nashua) she said a few harsh words to me, and there

were some bad feelings between us for a week or two.  Then she called me the

night before Easter (April 6) and said she was sorry for having hurt my

feelings.  She never signed the document.

        According to Ms. DR, she never signed it because she was "nearly

blind, and had moved to an assisted-living facility in Albuquerque."  This

is pure hogwash.  Jan did not move to the nursing home until the last week

in May, about ten days before she died (on June 5).  Before that, she was

living in a house that she rented.  She had eye problems but could still

read well enough with a magnifying lense.  Ms. De Rooy also claims she

didn't sign it because she "was afraid of me."  More hogwash.

        On May 2, 1996, a month before she died, Jan gave her last official

interview to an Italian film company from Rome, headed by Giorgio Moser.

The interviewer was bilingual actress Dianne Jones.  The film company was

doing a Beat documentary for the Venice Biennale but couldn't make it to New

Mexico, so JAN SENT THEM TO ME, to represent her views.  I live in Marin

County.  That night, when they got back to San Francisco, the Italians

interviewed Jan by phone from their hotel room in San Francisco to her home

in Albuquerque.  I was not present at this interview in any sense, and so

could not have influenced it.

        Jan tells the interviewer she had just got done watching Seinfeld.

So much for being blind.

        Dianne Jones asks her about me.  Jan says: "Well I've known Gerry

for a long time, for like 20 years.  I met him originally when he came up to

Washington State to interview my mother for his book, for MEMORY BABE.  And

so that's how long I've known him.  I can't even remember all the details of

all the things that we've done together.  It's been a long friendship."

        A little later, Dianne asks her if there are any other people

helping her.  Jan replies: "MOSTLY GERRY IS THE ONE WHO WINDS UP HELPING ME

THE MOST, FROM AFAR!"

        Compare this with De Rooy's version: "She told [her brother] she was

afraid of him.  She said, 'I have to remove myself from Gerry Nicosia

because he's incredibly unstable.'"

        Jan doesn't even mention Lash or her half-brother on this, her last

tape.

        Dianne also asks her about the possibility of reconciling with John

Sampas.  Jan replies: "It's funny because, a lot of people tell me, 'Oh come

on, why don't you just be nice and have a settlement?'  Well, sure, I would,

except that it's like asking the Jews to kiss Hitler and make up!  They've

completely trod on me, and here I am on life support, and they've taken away

half my income.  I mean, I'm not about to cozy up to them after all this.

They've been totally evil to me."

        So much for her "cordial and businesslike relationship with the

Sampases."

        De Rooy also claims that I forced Jan to deal with the Bancroft,

that I kept her off balance "like on a game show," that I was "always

throwing stuff at her she wasn't able to deal with" and that I demonstrated

my "domineering style" when Jan and I met with Tony Bliss at the Bancroft in

1995 (at which half brother David Bowers was present), that I "badgered" Jan

and forced her to "stay on track."

        Compare this with Jan's own words, on her last tape, about what she

wanted for her father's archive:

        "What I want to do is, I don't want to just get all the stuff that

the Sampases have and keep it for myself and sell it off like they're doing.

What I want to do is put it in a museum.  I'm very clear about which museum

that I want it to be, which is the Bancroft Library in Berkeley.  And I know

the curator, Tony Bliss, and we've pledged it to him.  Because I want it to

be in an archive for the public and everyone who loves Kerouac to be able to

go and see.  Whereas now it's just in the hands of John Sampas and the rest

of his family in Lowell, Massachusetts, and they're controlling everything...

        Jan goes on: "This new generation, of X-ers or whatever you want to

call them, that are coming up now, have a very uncanny affection for the

Beats, and for Jack Kerouac in particular, and I would like to help in

leaving the legacy to them and to all people who appreciate the Beat

Generation and what it signifies, and the wild, spontaneous prose that my

father started, and so that these people don't wind up just completely

ruining the whole thing by stealing ... it's like a stolen legacy.  And I

might just die in the process, that's very possible, because of my

condition, but even if I do, I want to make sure that it's carried on and

then that my father's name is finally honored, and the whole thing goes down

in history as being a ... that I resurrected or helped to resurrect his

dignity and his honor."

        Poor "weak-willed, tiny person" indeed.

        Lash claims (as per De Rooy) that his legal fight with me "has

nothing to do with firing" me.  But one of the first things his lawyers

asked the court, in November, 1996, was for the right to fire me.

        Ms. DR claims my appointment ends when all the bills are paid.  No,

an executor's job ends when there are no more properties to deal with; and a

literary executor's job ends when the copyrights all expire, which is like

fifty years from now.

        Tough luck again, fellas.

        In filing their motion asking for the Bancroft money, Lash's lawyers

ignored the fact that the appellate court in Santa Fe has overriding

jurisdiction, and it is the appellate court that will decide who controls

what. Until that decision is made, my lawyer and I have suggested that both

executors work from a joint bank account.  Lash's lawyers refused.

        Jan's archive is already safely in the Bancroft Library, where she

wanted it.

        I am aware that Ms. DR may claim I have made up Jan's words on her

last taped interview.  For that reason, I will make this unedited tape

available to anyone who requests it for sincere, scholarly interest--not for

reproduction, publication, or broadcast.  I will charge $50 for a copy of

the tape, postpaid.  I am aware that is a rather steep charge, but I feel it

is necessary to keep the Sampas/Lash contingent from wearing me out (and

using up my precious time) with hundreds of superfluous requests.  (John

Lash already has a copy of the tape; so does David Bowers.)  The charge is

not for Jan's words, but for my trouble in providing them.  I reserve the

right to refuse to send the tape to anyone whose motives seem suspect--in

which case, the full amount will be returned to sender.  Send requests to PO

Box 130, Corte Madera CA 94976.

        A word about the tape.  The master resides with the Italian film

company in Rome.  An unedited copy was provided to my lawyer Jerome Field

when an official request was submitted.  Approximately ten members of the

film company were present, including Giorgio Moser and his son, when the

interview was made, and they will vouch for the tape's authenticity, as well

as the date that it was made.  Besides, there is considerable internal

evidence in the tape itself that dates it to the beginning of May, 1996.

        So much for "scratching the surface,"  Ms. De Rooy.  Perhaps next

time, you can scratch a little deeper.

        Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 01:49:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Re: The Truth and the Lies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerry has now had his say, and I have had mine. I stand by my story, and aside

from that statement, will not post any responses to the list.

 

I will be happy to answer any questions or comments made directly to me, if I

can.

 

Diane De Rooy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Sun, 8 Mar 1998 23:47:15 -0800

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@MINDSPRING.COM>

Subject:      testing one too

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Could someone respond to this message so I know I'm getting through to

the list?  I've sent recent posts, but they have not appeared in my

email.  Thanks,  Mark J

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 07:58:56 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hi gerry: i must agree so far as my reading of the text goes, most pronounced

is feat/hatred of women.

mc

 

Gerald Nicosia wrote:

 

> Hello to everyone on the Beat-List!     March 7, 1998

>         I am almost finished reading SOME OF THE DHARMA, and I'm deeply

> troubled by the negativity toward women, children, marriage, and life

> itself.  There has been a lot of hype of this book as a great modern

> interpretation of Buddhism, but I don't know any Buddhists who take such a

> cynical view of procreation, raising children, etc.  Kerouac advocates that

> people stop having children, and snidely quips that "pretty girls make

> graves."  Obviously this was stuff he deeply felt, though it's hard to say

> how much of it might have been from alcoholic depression.  This philosophy

> dictated much of his life, the way he avoided relationships with women

> (other than his mother), disowned his daughter, and looked for sex from

> other men, where there was no "danger" of creating children or a lasting

> partnership.

>         As I read the book, I kept getting this vision: what if, say,

> Kerouac had given up Buddhism in 1956, when he met Helen Weaver?  This

> beautiful, outgoing brunette also had a mind the equal of his own--she later

> became famous for her translations of Artaud and other French writers.  He

> describes their affair in Desolation Angels, where he calls her Ruth

> Heaper--he obviously loved her, and used to refer to her "belly of wheat,"

> quoting the Song of Solomon.  But instead of cementing a relationship with

> her, he'd disappear for four or five nights on a wild drunken binge,

> spoiling all her plans and leaving her in tears, till finally her therapist

> told her to break it off.  And then, if you remember the scene in Desolation

> Angels, Jack storms into her apartment and accuses her of letting her

> therapist ruin their relationship!

>         What if, instead, Jack gave up his particular negative Buddhist

> philosophy at that point?  What if he tried to give up booze, developed a

> stable match with Helen, and eventually got married, say, in 1958?  He'd be

> celebrating his 40th wedding anniversary now, a robust and hale 76 years

> old, with another 30 or so books added to his canon.  And maybe, in this

> scenario, he would also have developed a decent relationship with his

> daughter Jan, and encouraged her to take care of her own health problems

> (including a blood disease she inherited from him), so that she didn't end

> up self-destructing as well at age 44.  Maybe Jan, now 46, would be showing

> up at his wedding anniversary with a few of her own kids, his grandchildren.

>         A crazy fantasy?  Maybe.  But think how much less suffering there

> would have been in that case.  And aren't Buddhists supposed to be

> "suppressing" suffering, not adding to it?

>         I'd love to hear your thoughts on this one.

>         Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 08:22:27 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

wow.

we agree on something, mr nicosia,

and i appreciate the style in which you have presented your opinion. i hope we

can all move back apace and get some perspective on whatever subject is a crack

accross our ass and find something worth while to say, in a manner which

invites thoughts and not slings and arrows.

mc

 

Gerald Nicosia wrote:

 

>                                 March 7, 1998

>         Whether Gene Lee is a real person or a pseudonym for one of our

> banished brethren, he's stimulated me to write another post.

>         I guess I want to say to all of you, though I wrote a book claiming

> Kerouac's greatness as a 20th century writer, that I have deep problems with

> accepting a big part of his personal philosophy.  I look at his life, the

> wrecked relationships, the abandoned daughter, the utter

> self-destructiveness, and I can't help feeling that this man got badly off

> track.  When he was "on," his mind was simply amazing.  He wrote sometimes

> as if he had a pipeline to God--he understood in their full complexity some

> of the really powerful forces that drive human life: the need for love, the

> need for joy, the need for freedom.  But when he was wrong (and yes, Gene,

> this is my OPINION only), he was terribly wrong, about everything being

> empty of meaning, about life being futile, about bringing children into this

> world as being a great evil.  Remember how he castigated Corso for having a

> baby: "You brought something into this world just to die, man!"

>         I think there's a danger with a writer we love as much as Kerouac,

> of taking everything he wrote uncritically, of just accepting everything he

> wrote as "great"--especially now with many of these manuscripts that Kerouac

> did not see published in his lifetime, and which he may well have changed

> his views about had he lived longer, getting printed because of his fame and

> posthumous commercial success.  Again, that's not to say these books are not

> worth reading; it's just to say, reader beware.  If you don't factor

> Kerouac's life into a lot of the things he says, you may be getting sold a

> bill of goods.  He may have been kidding himself too, whistling in the dark.

> In fact, that's quite apparent in many places in SOME OF THE DHARMA, where

> he promises himself over and over that he will give up drinking, sex,

> friendships, etc. and devote his life to meditation and teaching.  He

> claimed to be offering a map to disciples, of how to get to peace and

> enlightenment, but I suggest that the map did not lead where he said it did.

>         Again, I welcome your thoughts on this subject.  I was pleased by

> the range of responses to my last post.

>         Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 08:31:48 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: New member

To:           BEAT-L@CUNYVM.CUNY.EDU

 

welcome kelly, just remember to keep your umbrella buy your side to shield you

from periodic shit storms here.

you may at times feel as though you walked onto a schoolyard  but we actually do

write about the beats sometimes, when we are not busily writing about one

another.

marie c.

 

AlienRains wrote:

 

> Hey,

> I will introduce myself.  I'm a senior in high school.  I am currently writing

> a paper about Allen Ginsberg for English.  This is probably the first time I

> have actually been interested in what I was writing about.  It seems like I

> don't mind that it has taken me literally days to complete this task, but I

> really find his life and poetry so interesting.

> I guess I am so excited because I too write poetry (at least I think that is

> what it is).  I started to write poetry about five years ago, but I haven't

> told anyone about it.  bye

> Kelly

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 9 Mar 1998 02:40:19 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: the complex Mr. Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>As for me, I'd rather have an after-dinner peyote button than a scotch!

> 

>  ----Dave B.

 

Chewing up a peyote button after-dinner?   A modest scotch would  help make

the taste more palatable

 

(Said in jest. I understand how important the purging is when participating

in a peyote ritual and the taste and the emetic qualities make that a

normal, expected part of the ritual. Once that is behind the participant it

become clear, very clear, why peyote is an important "sacrement" to some

Native Americans.)

 

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

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                           822,552 Visitors  07-01-96 to 03-01-98

 

 

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Date:         Mon, 9 Mar 1998 22:19:25 +1100

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From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: WSB, Junk, Kerouac, Booze, etc.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Little humans

Big humans

Words I can scarcely utter

But, oh brother, do I get sick

When I find them in my butter

 

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Date:         Mon, 9 Mar 1998 09:12:23 -0500

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From:         henry morin <OldScratch@IBM.NET>

Subject:      Diane's post about Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Here is the article so people can hear both sides.

 

30 years on the road ...

 

 

 

                             BY DIANE DE ROOY

 

21 OCTOBER 1997: I'M STANDING OVER JAN KEROUAC'S RESTING PLACE at sunset

in Nashua, New Hampshire. Her ashes lie to the east of the grand family

headstone, under a small

demarcation on the yellowed sod, maybe 2 feet wide and 5 feet long, a

rectangle with rounded

corners, where the earth was last opened up to lay a Kerouac to rest.

 

The smallness of her grave is the story of Jan's life. She took up little

space in her father's

consciousness. She never amounted to much in the literary realm. Her

actions didn't leave a great

wake on the waters of the world. This tiny person died in the center of a

cyclone, too small to fight

against it, too weak-willed to keep from feeding into it.

 

Jack Kerouac's daughter's life was one of abandonment, terminally bad

health, self-destructive habits

and hangers-on who used her for their own self-aggrandizement.

 

                     ==============================

 

I READ KEROUAC IN 1969, and throughout the Seventies, collected as many of

his out-of-print

books as I could find in used book stores in Los Angeles, where I lived for

a few years. When Jan's

book, BABY DRIVER, came out in 1981, I read it and was just outraged to

learn that Kerouac had

a daughter he'd abandoned. I was raising an abandoned 2-year-old son by

then, myself, and that

colored my feelings. Jan lived just down the road from me right about then,

in Ellensburg (Kittitas). I

lived in Wenatchee, Washington. I wrote her a letter urging her not to give

up, not to fall into the trap

of being abandoned, not to ruin her own life because of her father. She

never wrote back.

 

I almost burned all my Kerouac books because I so loathed this man, this

self-absorbed egomaniac

who cared so little for his own child. I didn't, of course, but I did have

them all stacked in a fire pit in

the back yard, ready to go, when I was too horrified by the act of

book-burning to carry it off.

 

Last year, I allowed myself to make friends based on our common interest in

Kerouac. As a result, I

read Nicosia's stuff about Jan on the web, including the horror stories

about Jack's papers being sold

to collectors by this greedy family who'd forged the will and stolen

everything from Jan. I

immediately set out to find Gerald Nicosia and offer my considerable help

(dry wit) in preserving the

archive, through my experience in political organizing and journalism.

 

However, I decided right away the best way I could make a difference would

be to be a journalist,

tell the story factually and open a national dialog, shine a spotlight on

the situation and see if people

cared enough to respond. Nicosia sent me a thick information package that

was supposed to show

me the way.

 

But I found so many holes in his telling of Jan's story, which had a

"National Enquirer" feel to it from

the beginning, that I had many serious questions. I phoned him for an

interview, which lasted 3 hours.

During that time, when I asked him direct questions, he would say, "That's

not the question you

should be asking. You SHOULD be asking this:..." and then he'd launch off

on a spin. It was

wearying.

 

Although I explained my motivations up front--"I'm a journalist, I am

interviewing you, don't tell me

anything 'off the record,' because everything you say here can end up in

print or on NPR," he treated

me like he thought I was his press agent or groupie. I persisted, asking

him hard questions, and in the

last 10 minutes of the interview, he suddenly decided I was some kind of

spy for the Sampas family

and demanded I give him the name of a confidant who'd given me an earlier

interview. My confidant

hadn't said anything negative about Nicosia, but had simply reported on

Gerry's behavior at the

1995 NYU Beat Generation conference.

 

That 10 minutes turned into the weirdest psychodrama I'd ever stumbled

into. He became meek,

cajoling, shaming, then accusing, aggressive, threatening. I hung up the

phone on him.

 

Regardless of his behavior, I pitched the story, as I understood it, to

NPR. My editor sent me back

to get the other side of the story: what's in the archive, how much has

been sold, what do the

Sampases say about this, etc. I did my best to find these things out, but I

drew the line at direct

contact with the Sampas family, as I was convinced they were evil.

 

In the meantime, all these people were surfacing to talk to me, people

who'd never spoken out

before, including relatives and employees in Ginsberg's and Burroughs'

camps, Jan's cousin, Paul

Blake, scholars and collectors, people who knew things. What they had in

common was a) a love of

Jan and/or Jack and b) horror stories about Gerry Nicosia.

 

The deeper I dug, the more I found out. It was surprisingly hard for me to

get to the point where I

could entertain the idea that Nicosia, allegedly respected for his book,

could actually be lying, could

have motivations of greed and power, could have used Jan, could be the bad

person these others

were saying he was. I thought he was maybe incompetent, or mentally

unbalanced, from stress,

perhaps. But I had to cross a line at some point into believing he was

simply, deliberately, lying,

including perjuring himself in court documents I'd gotten copies of.

 

Finally, in July, I contacted the Sampas family. They didn't want to talk

to me, of course. It was hard

to gain their trust long enough to keep them on the phone for five minutes,

but I did.

 

>From that point on, I followed all leads. I followed the leads the Sampases

gave me, and I followed

the leads Gerry had given me. I decided not to take anyone's word for

anything, but to get the goods

right in front of me, in black and white, and to be skeptical of everything

everyone said in the

process. I reworked my story a few times and pitched it again, first to

NPR, then to magazines. In

the time it took to get rejected, I found out I still didn't have the facts

straight, someone was still not

talking, or someone had surfaced to dispute someone else. It was maddening.

 

In October, I had planned to go to Lowell for the Jack Kerouac festival. My

plans fell through, but I

was left holding this plane ticket. I decided to go interview the Sampas

family and see Jack's archive,

if they'd let me. They said yes. I was told I could have a couple of hours.

They ended up giving me

two entire days.

 

I saw source materials, authentic papers and legal documents, letters from

Jan to Stella and John,

cancelled checks, Jack's papers and unpublished books. Either I was seeing

the real thing, or these

people had created an elaborate forgery to convince me of their side of the

story. Me? Who am I

that they'd do this? I knew I was still missing the point, that I wasn't

prepared to tell this story up until

then, and I was glad I'd invested in the trip.

 

There was a point during all that interviewing and investigating where I

realized I had lost my

journalistic credentials. People were entrusting me with secrets. I had

become an "insider." This

didn't mean I couldn't tell the truth. It just meant I couldn't claim

journalist status anymore, or tell the

story while leaving myself out of it.

 

I had been tracking Nicosia's sale of Jan Kerouac's archive to the Bancroft

Library at UC-Berkeley

since last October. At that time, I had called the library to ask a

question about the Jack Kerouac

archive, and the person I spoke to let it slip that they'd just inked a

deal to purchase Jan's archive

from Gerald Nicosia. I had a feeling, after all his fund-raising in the

name of the Kerouac heirs and

his promises to share with Paul Blake (who says Nicosia better never set

foot on his property again),

that they'd never see a dime. So I waited to see what would happen, waited

for an announcement

from Gerry.

 

As I was making follow-up phone calls, trying to finish up my Jack Kerouac

archive story, I called

the Bancroft to inquire after the status of Jan's stuff. When I was told

the purchase was finalized, I

contacted the heirs for my final interviews with them, checking on probate

status and Nicosia's

performance. Neither of them knew about the sale.

Jan Kerouac: Rest in Peace

 

John Lash reminded me that "tomorrow is Jan's birthday." She would have

been 46 on 16 February

1998.

 

I contacted John Sampas for final thoughts from him and mentioned that it

was about to be Jan's

birthday, the woman he refers to as "my niece." He told me he had received

an order from the

engravers about 10 days earlier to have Jan's name added to the Kerouac

headstone. As

deedholder, he has to sign off on these things. He corrected the spelling

of her name, which the

engraver had as "Jen," and signed it, so Jan has now been added, on her

birthday, virtually, to the

family at last.

 

The heirs have worked quietly in the background, doing what needed to be

done without media

coverage. Both Bowers and Lash had relationships with Jan that had nothing

to do with Jack, who

they thought was a bum. Lash was constantly warning Jan away from

involvement in what he called

"the Cult of Kerouac," which I took as the working title for my story.

 

Nicosia and I are both on the Beat-L newsgroup, a forum devoted to the

discussion of Beat

literature. People commonly post important birth and death anniversaries

there. Not a peep out of

him on 16 Feb. But a few days later he sent a couple of indignant posts

about a forthcoming

biography and how plagiaristic it was of MEMORY BABE.

 

The story that follows only scratches the surface, but it does, for the

first time, allow the other side to

speak. Jan Kerouac: Rest in Peace. If you have questions or comments,

please write to me at

jackofdays@aol.com

 

                                                       Copyright 1998 Diane

De Rooy

 

Kerouac heirs charge executor with

              misconduct in Bancroft sale

 

 

 

                             BY DIANE DE ROOY

 

FRAUD, GREED, MISMANAGEMENT OF AN IMPORTANT LITERARY ARCHIVE - these

are the watchwords used by Bay-area writer Gerald Nicosia to describe the

handling of Jack

Kerouac's literary estate for the last five years.

 

Now some say those same terms describe Nicosia's stewardship of the

literary legacy left behind by

the Beat Generation icon's daughter.

 

Nicosia, author of MEMORY BABE, a biography of Jack Kerouac, had an

off-and-on association

with Kerouac's abandoned daughter, Jan, starting in 1978 when he was

researching his book.

 

Jan Kerouac's 1981 autobiography, BABY DRIVER, was the story of life

without her famous father

and the deep kinship she shared with her mother, brother and husband. She

died in 1996, five years

after suffering kidney failure. She was 44.

 

In a 1995 codicil to her Will, Jan appointed Nicosia her Literary Executor,

authorizing him to make

money for her heirs during probate.

 

Nicosia, who includes "literary agent" on his resume, was instructed to

publish, republish, sell or

license Jan Kerouac's literary materials in exchange for a flat 10 percent

commission.

 

Jan's heirs are her brother, David Bowers, and her ex-husband, John Lash.

Lash is also General

Executor, responsible for the checkbook and settling probate matters.

 

In mid-February, Bowers and Lash learned that Nicosia had sold Jan's

literary archive-letters,

photos and taped dictations of at least one unpublished novel-to the

Bancroft Library at University

of California-Berkeley, for $20,000.

 

Contacted by Bowers, Nicosia said he's keeping 100 percent of the proceeds

of that sale. "He told

me, 'It's not fair that John Lash as general executor can pay his legal

expenses from the estate and I

don't get to pay mine," Bowers said.

 

Lash authorized a $700 payment to Nicosia to reimburse him for the trip he

made to Albuquerque to

examine Jan's papers in 1996. "I deemed it to be a reasonable expense for

the benefit of the estate,"

he explained. The codicil makes no provisions to reimburse the literary

executor for legal or personal

expenses.

 

"He never received permission to hire a lawyer," Lash added, "and after

five inquiries from our

attorneys, his lawyer has never responded, so we don't even know the terms

under which his lawyer

is working."

 

Anthony Bliss, Curator of Rare Books and Literary Manuscripts for the

Bancroft Library, said the

decision to purchase Jan's archive was made by the library council on

November 10, 1997. "We are

delighted to have it, obviously," he said. "Jan is a person who is going to

be worthy of study in her

own right, and we're happy to be able to offer people this opportunity."

 

Lash doesn't necessarily take issue with Nicosia's sale of Jan Kerouac's

archive, but is "astonished"

by the way Bliss handled the purchase. "I learned in October that the sale

was imminent. I sent a

registered letter to Anthony Bliss with a copy of the codicil, putting him

on notice of proper legal

procedure for payment to the estate." The codicil stipulates that Nicosia's

10 percent is payable to

him upon receipt of any such income by the estate.

 

But in December 1997, the Bancroft issued a $20,000 check to Gerry Nicosia.

 

"It's unbelievable to me that a professional man could behave this way,"

Lash said. "The least he

could have done would be to write a letter to the estate saying, 'We've

received your registered

letter and we chose to handle the transaction this way,' but we never heard

a word."

 

Bliss said the letter from Lash was referred to university counsel, who

also advised issuing the check

directly to Nicosia.

 

Since the heirs were never informed that the sale had been finalized, they

didn't realize the money

had been paid to Nicosia directly.

 

The total indebtedness of Jan Kerouac's estate came to $85,000, Lash said,

but he and Bowers

were reluctant to let go of the four boxes of letters, papers and

photographs that comprised her

literary archive, even for the money it could bring. "They were the last

evidence of a person we

cared very much about," he said. "We both said, 'We're not ready,' but my

lawyers told me I had to

turn them over, that Gerry has the right to do what's best for the estate."

 

Controversy around a literary archive is beginning to look like familiar

territory for Nicosia.

 

In 1987 he sold his MEMORY BABE research archive to the University of

Massachusetts-Lowell

for $7,500. The collection, part of which was photocopied from other

libraries with Beat Generation

holdings, has been under a cloud of wariness since Nicosia began

threatening a lawsuit to retrieve it

in June 1996. He claims UMass has barred access to his materials under

political pressure from

representatives of Jack Kerouac's estate.

 

But staff at the Mogan Center in Lowell, where Nicosia's archive is housed,

say the author failed to

get legal releases from interview subjects of their taped conversations

with him. Of perhaps greater

concern to UMass, Nicosia's archive contains photocopies of documents owned

by other

libraries-including the Newberry in Chicago, New York Public, and Columbia

University-that

legally cannot be sold or donated to another institution without permission.

 

Even as he was closing the sale of Jan's archive last fall, Nicosia issued

a fund-raising appeal by mail

and over the Internet, asking donors to help him raise $20,000 to mount a

lawsuit against

UMass-Lowell. In his appeal, he also states that the Bancroft Library has

expressed an interest in

buying the MEMORY BABE archive, once he's recovered it.

 

In 1993 Nicosia began campaigning with Jan to challenge the heirs of Jack

Kerouac's estate for

possession of his literary archive. Alleging a forged will, Jan Kerouac

brought a lawsuit against the

Sampas family of Lowell, Massachusetts, in May 1994. Stella Sampas Kerouac,

Jack's third wife,

had inherited one-third of her husband's estate following his death in

1969. The rest was bequeathed

to her by Kerouac's mother, who died in 1973.

 

Jan Kerouac began seeking royalties from her father's books in 1982 and

received her first payment

for back royalties from Stella Kerouac in 1985. She had a cordial and

businesslike relationship with

Stella and her family, which included sharing in proceeds from sales, to

collectors, of Jack Kerouac's

letters and personal effects.

 

After she filed her lawsuit in 1994, according to Nicosia, he and Jan

entered "the process of

negotiating with a library," specifically, the Bancroft, to sell Jack

Kerouac's archive, although neither

of them was legally allowed to represent the Kerouac Estate.

 

Nicosia's appointment as literary executor was eyed with some suspicion by

Jan Kerouac's heirs, as

well as by her attorney, Tom Brill. In the last six months of her life, she

made repeated phone calls to

family members complaining of his negative effects on her, and expressing

serious qualms about the

1994 lawsuit. Because of the severe stress the relationship was putting on

Jan's health, her attorney

stepped in, sending a letter to Nicosia in March 1996, stating he was not

to contact Jan directly, but

to channel any communication to her through Brill's office.

 

At Jan's request, Brill also drew up another document, dated April 15,

1996, which revoked the

1995 codicil appointing Nicosia literary executor.

 

By that time, Jan was nearly blind, had moved to an assisted-living

facility in Albuquerque, and

needed help with household tasks and to perform dialysis four times daily.

She had stacks of

incomplete, disorganized paperwork lying around the apartment. She called

John Lash in Belgium,

and asked him to help her get her papers in order and "file the annulment"

that would revoke the

codicil. Lash made travel plans, but before he was scheduled to leave, Jan

was admitted to Lovelace

Hospital in Albuquerque, N.M., where she died on June 5, 1996.

 

David Bowers discovered the papers among Jan's things after Nicosia and

Brill arrived in

Albuquerque a few days after her death. "[Gerry] turned to Brill and said,

'You drew these up?'"

Bowers recalled. "And Tom Brill said, 'Yes, she asked me to, and I was just

doing my job.' And

Gerry was freaking out about it, saying 'Well, it wasn't signed, it's not a

legal document.' But it made

me uneasy about Gerry's relationship to her."

 

At that moment, Bowers said he realized he was holding the papers his

sister had referred to in one

of their last telephone conversations. "She said, 'There's another part of

the will you don't have a

copy of that I have to change,'" he said. Even though Jan had signed the

codicil in June 1995, she

didn't mention its existence to Bowers, Lash, or Brill until early in 1996,

after she had a major

falling-out with Nicosia.

 

"She told me she was afraid of him," Bowers remembered. "She said, 'I have

to remove myself from

Gerry Nicosia because he's incredibly unstable.'"

 

Nicosia's style with Jan was "like she was on a game show all the time,

with only so much time to

answer the question," Bowers said. "He was always throwing stuff at her she

wasn't able to deal

with.

 

Bowers was especially put off by Nicosia's domineering style when he sat in

on a 1995 meeting with

Anthony Bliss at the Bancroft Library. "He would interrupt her at every

turn because she was getting

off the track," Bowers said.

 

Gerry "badgered" Jan, Bowers added, ignoring her fears that publicity over

the 1994 lawsuit had

reduced her to a laughingstock. "He'd say, 'These people are getting to

you,' and 'These people are

after you.'"

 

After Jan's death, her heirs decided to get out of the lawsuit that had

taken such a personal and

financial toll on her. In September 1996, Lash filed a motion to dismiss.

"That's when the situation

exploded," he said, "when Gerry blocked my action in that matter."

 

Lash said the ensuing power struggle between the two executors resulted in

his asking the

Albuquerque court to rule on whether or not he had the right to dismiss the

lawsuit.

 

"For the last year-and-a-half, Gerry has been saying that the estate

entered this motion to remove

him as executor," Lash said. "But it has nothing to do with firing him."

 

The point is almost moot, however, since an executor's tenure lasts only

until the day an estate is

probated. Once Jan Kerouac's creditors are paid, Nicosia's appointment ends.

 

Attorneys for the heirs of Jan's estate contacted Nicosia giving him a

deadline to turn over $18,000,

their share of the proceeds. He did not comply. On Monday, Feb. 23, a

motion was filed in state

district court in Albuquerque asking the probate court to intervene.

 

Phone calls to Gerry Nicosia, asking for his comment, were not returned.

 

Purchase of the Jan Kerouac archive was funded by an endowment from the

August M. Higginson

Fund, one of Bancroft's many resources that support library acquisitions.

The library has not yet

taken physical possession of Jan's archive, but according to Bliss, it

expects to "any day now."

 

                                                       Copyright 1998,

Diane De Rooy

                                                           jackofdays@aol.com

 

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Priority: normal

Date:         Mon, 9 Mar 1998 14:18:45 +0000

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Authenticated sender is <sk312@pophost.city.ac.uk>

From:         daniel fascione <m.d.fascione@CITY.AC.UK>

Subject:      subscription commands

To:           BEAT-L@CUNYVM.CUNY.EDU

 

my apologies for sending this to the list, but i need the commands to

unsubscribe from beat-l.

can anyone please help.

thanks

daniel

 

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X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 9 Mar 1998 08:50:02 -0600

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From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Mother Bloor, Scott Nearing and 1835--a bit late...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

(Found the following msg that I somehow overlooded and did not send when

questions were asked about Scott Nearing, the date in AG's "AMERICA" and

Mother Bloor.)

 

Not positive, but Scott Nearing might have broken the Communist Party back

in 1991. The convention was held in Cleveland (12-05-91) that year and

there was a serious break when about 1000 members, critical of the

undemocratic actions that were taking place, quite and formed the

Committees of Correspondence.

 

Regarding the date in "America" of 1835 he couldn't have been referring to

the Communist Party because that predates the Manifesto and the revolutions

significantly. It's probably a typo, even though you heard AG use the date

in a reading. On the other hand,1935 was a high point for the CP,

particularly in the US.

 

Mother Bloor was a courageous, Socialist, Chicago packing plant worker who

fed material to Upton Sinclair when he was writing "The Jungle."

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

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X-Sender: gnicosia@earthlink.net

Date:         Mon, 9 Mar 1998 07:19:24 -0800

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: The Truth and the Lies

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:49 AM 3/9/98 EST, you wrote:

>Gerry has now had his say, and I have had mine. I stand by my story, and aside

>from that statement, will not post any responses to the list.

> 

>I will be happy to answer any questions or comments made directly to me, if I

>can.

> 

>Diane De Rooy

> 

Translated:

"I'll slander you, and when you confront me with evidence of that slander,

I'll smile."

                        --Gerald Nicosia

 

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Date:         Mon, 9 Mar 1998 16:24:31 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: AG's America

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy Brodsky wrote:

> 

> Does anyone know if there are biographical/autobiographical accounts of

> AG's experience with communism when he was a boy,....snip....

 

 

seems there were some references in the barry miles bio, and you might

find something in memory babe and literary outlaw, the burroughs bio.

 

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Date:         Mon, 9 Mar 1998 11:28:04 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Michael

         Buddhism expounds the theory that all sentient beings have a buddha-

some or more aware or even capable than others. Self- limitation is a big part

of Buddhism- as in: if you do not attempt to follow the eightfold path- then

enlightenment cannot be attained. The opposite pole of this is nihlism- which

by your statement of negating self-limits- i suppose you adhere to. This way

leads to nothing but suffering- and sadly- re-birth.

     In the above statement I meant to write buddha-nature. Exucse the typo.

But- whatever path one chooses to take- then he should live that- until he

maybe realizes it is the wrong path. Ultimately- none of us will truly know

what is right and wrong until we pass on. Faith can help- its all we have.

      Personally- my what if question is this: what is JK had truly given

himself to his buddhist beliefs? Instead of strangling himself in the dualism

of Catholic ritual- which eventually that struggle led him to destroy himself.

                                      Gene Lee

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 11:50:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: Some of the DHARMA beat

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane

         GO GIRL!!!!!!!! What a fine job you have done- i am really proud of

you my dear friend- and... i hope that the beat world turns on that scumbag

Nicosia. I know- as a practicing buddhist- i shouldnt feel that way about him-

but.. the man is a toatl douchebag!

       i thouroughly enjoyed both articles- tho- i did notcie some typos in

there- but... a minor flaw!

       You did real good Diane.

                your buddha-boy    Gene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Mon, 9 Mar 1998 09:23:47 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 11:50 AM 3/9/98 EST, you wrote:

>Diane

>         GO GIRL!!!!!!!! What a fine job you have done- i am really proud of

>you my dear friend- and... i hope that the beat world turns on that scumbag

>Nicosia. I know- as a practicing buddhist- i shouldnt feel that way about him-

>but.. the man is a toatl douchebag!

>       i thouroughly enjoyed both articles- tho- i did notcie some typos in

>there- but... a minor flaw!

>       You did real good Diane.

>                your buddha-boy    Gene

> 

OK, Paul Maher, time for Sampas to get you a new email address.  This is

getting forwarded straight to Bill Gargan.

                        --Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 12:33:11 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      America

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The possibilty that "1835" in America is a typo changes the meaning of the

stanza. I had interepreted it as Ginsberg reacting to the McCarthyism of

the sixties by looking back at communism when he was a child and then,

saying.."but the party was awesome in the 1830's", you know what I mean?

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 13:02:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 09-Mar-98 9:54:47 AM Pacific Standard Time,

gnicosia@EARTHLINK.NET writes:

 

<< OK, Paul Maher, time for Sampas to get you a new email address.  This is

 getting forwarded straight to Bill Gargan.

                         --Gerry Nicosia  >>

 

I just want to say, lest anyone should wonder, that Gene Lee is a real person

with a real address in Florida. I met Gene last year in the Beat Generation

chat room on AOL and have had many interesting conversations with him about

the practice of meditation, as well as poety. Gene is an "epic" poet who was

kind enough to send me his 1997 collection in chapbook format for Christmas.

 

His enthusiasm for my work is flattering, and more so since I happen to know

he does exist. I remember last year, the "Who is Diane De Rooy" thread. I hope

I can spare him--and all of us--a similar, tedious "investigation."

 

Gene, welcome to the world of goofs. You have now officially been

indoctrinated into the "Oops! I meant that to be a Private Post" club of the

Beat-L newsgroup. Many members are nodding their heads in complete

understanding.

 

ddr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 18:13:52 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      anger/doesn't like to be reminded of fits

To:           BEAT-L@CUNYVM.CUNY.EDU

 

commanlity of communication

peace

the ground, not the figure

nor the

school yard grunts.

mc

 

JK: MEXICO CITY BLUES

113th chorus

Got up and dressed up

    and went out & got laid

Then died and got buried

    in a coffin in the grave,

Man -

    Yet everything is perfect,

Because it is empty,

because it is perfect

    with emptiness,

Because it is not even happening.

 

Everything

is Ignorant of its own emptiness -

Anger

Doesn't like to be reminded of fits -

You start with the Teaching

    Inscrutable of the Diamond

And end with it, your goal

    is your startingplace,

N0 race was run, no walk

    of prophetic tonails

Across Arabies of hot

    meaning - you just

    numbly dont get there

 

p168; donald allen; the new american poetry

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 13:39:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerry

         forward what you will- i really dont care- but... that letter was a

persoanl correspondence that I inadverdantley mailed to the list. For that i

apologize. The list is not the place for personal correspondence and it was a

button clicking mistake.

         i was always raised to admit when I did wrong- I do so now. I might

not necessarily agree with what you say- but i will defend your right to say

them. I see now the potential this list has for bringing out the narrow minded

anger of individuals. Afraid I fell prey to that. I think you are wrong on

your Kerouac opinions- but they are yours to be wrong or right on.

                                                    Gene Lee

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 13:42:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane

        i appreciate you support- and... that was a pretty damn big Oops! I

will watch my fingers in the future- and read addresses better.

                           Gene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 14:45:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GYENIS <GYENIS@AOL.COM>

Subject:      Kerouac Birthday readings

To:           BEAT-L@CUNYVM.CUNY.EDU

 

BOSTON's Annual KEROUAC BIRTHDAY Reading

this year on Tuesday March 10

 

7-10 p.m.                               $5.00

 

at Old West Church

131 Cambridge St

Boston Massacusetts

 

sponsored by Jack Powers (Stone Soup Poets)

tel. 617-227-0845

 

 

featured readers:

 

ED SANDERS

JOHN WEINERS

 

also, Jack Micheline will be remembered.

John Landry will read Kerouac's intro to Micheline's RIVER OF RED WINE

(the only intro Kerouac wrote) and a selection of Micheline's hallmark

poems and songs.

Jack Micheline died on a BART train in San Francisco Friday Feb. 27

of a heart attack. He was 68.

 

also to check out other Kerouac events go to

<A HREF="http://members.aol.com/kerouaczin/calender.html">Jack Kerouac

Calender and events</A>

which is at http://members.aol.com/kerouaczin/calender.html

enjoy and Happy Birthday Jack

Attila

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 15:25:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ireneaus13 <Ireneaus13@AOL.COM>

Subject:      UNSUBSCRIBE

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Please take me off the list. thanks.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 13:02:46 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: America

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Nancy Brodsky wrote:

> 

> The possibilty that "1835" in America is a typo changes the meaning of

> the

> stanza. I had interepreted it as Ginsberg reacting to the McCarthyism

> of

> the sixties by looking back at communism when he was a child and then,

> saying.."but the party was awesome in the 1830's", you know what I

> mean?

 

Scott Nearing's dates were from 1883-1983.  Obviously he lived a long

time but was not alive in 1835.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Mon, 9 Mar 1998 13:38:09 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:02 PM 3/9/98 EST, you wrote:

>In a message dated 09-Mar-98 9:54:47 AM Pacific Standard Time,

>gnicosia@EARTHLINK.NET writes:

> 

><< OK, Paul Maher, time for Sampas to get you a new email address.  This is

> getting forwarded straight to Bill Gargan.

>                         --Gerry Nicosia  >>

> 

>I just want to say, lest anyone should wonder, that Gene Lee is a real person

>with a real address in Florida. I met Gene last year in the Beat Generation

>chat room on AOL and have had many interesting conversations with him about

>the practice of meditation, as well as poety. Gene is an "epic" poet who was

>kind enough to send me his 1997 collection in chapbook format for Christmas.

> 

>His enthusiasm for my work is flattering, and more so since I happen to know

>he does exist. I remember last year, the "Who is Diane De Rooy" thread. I hope

>I can spare him--and all of us--a similar, tedious "investigation."

> 

>Gene, welcome to the world of goofs. You have now officially been

>indoctrinated into the "Oops! I meant that to be a Private Post" club of the

>Beat-L newsgroup. Many members are nodding their heads in complete

>understanding.

> 

>ddr

> 

                                                March 9, 1998

Considering everything else you lied about Diane, including the supposed

presence of New York Public LIbrary documents in the MEMORY BABE archive,

there is no reason at all we should believe you here.  I would like you to

have a letter written by U Mass, Lowell, listing all the New York Public

Library xeroxes that are in my archive, send that letter to Mr. Gargan, and

I authorize him to print it here on the Beat List.

        Until such time as that, I think everything you say should be held

up to the most stringent examination.

        --Gerald Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Mon, 9 Mar 1998 13:43:41 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:39 PM 3/9/98 EST, you wrote:

>Gerry

>         forward what you will- i really dont care- but... that letter was a

>persoanl correspondence that I inadverdantley mailed to the list. For that i

>apologize. The list is not the place for personal correspondence and it was a

>button clicking mistake.

>         i was always raised to admit when I did wrong- I do so now. I might

>not necessarily agree with what you say- but i will defend your right to say

>them. I see now the potential this list has for bringing out the narrow minded

>anger of individuals. Afraid I fell prey to that. I think you are wrong on

>your Kerouac opinions- but they are yours to be wrong or right on.

>                                                    Gene Lee

> 

Anybody who'd believe you, pal, would believe the moon was made of green

cheese.  SOrry, you can't do your dirty work and walk off that easy.

        --GN

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 00:49:56 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Penny Arcade <sholland@ICLUB.ORG>

Organization: Creeps Press, P.O.Box 75, Renfro Valley, KY, 40473

Subject:      Re: Diane's post about Nicosia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

By way of Henry Morin, Diane De Rooy said:

 

> I almost burned all my Kerouac books because I so loathed this

> man, this self-absorbed egomaniac who cared so little for his

> own child. I didn't, of course, but I did have them all stacked

> in a fire pit in the back yard, ready to go

 

=== And we're supposed to expect her to be rational on everything else?

Anyone who would even THINK about burning books just because they didn't

like the person who wrote it obviously can't be trusted to write sane

articles about said author.

 

 

 

> But I found so many holes in his telling of Jan's story, which

> had a "National Enquirer" feel to it

 

> In the meantime, all these people were surfacing to talk to

> me, people who'd never spoken out before, including relatives

> and employees in Ginsberg's and Burroughs' camps

 

=== So first she compares Nicosia to the National Enquirer, then

proceeds to use the National Enquirer's own favorite trick : anonymous,

unnamed sources.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - ky

listening to Bukowski's "Hostage"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 19:45:18 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         DCardKJHS <DCardKJHS@AOL.COM>

Subject:      Re: subscription commands

To:           BEAT-L@CUNYVM.CUNY.EDU

 

E-mail  listserv@CUNYVM.CUNY.EDU

in the body of the e-mail type:  Unsubscribe BEAT-L

 

Mr. Gargan,

Another list to which I subscribe includes a line of unsub instruction at the

bottom of each post.  NO ONE EVER posts asking for such instructions.

Dennis

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Mon, 9 Mar 1998 17:25:06 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      another victory

Comments: cc: eapoe@chelmsford.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

                                March 9, 1998

        As I agreed with Mr. Gargan last fall, I will restrict my "estate"

postings on the Beat List to news of court decisions.

        There was a decision today in Albuquerque, at the lower, probate level.

        The decision was completely in my favor.

        We asked that Mr. Lash stop hindering our attempts to get Jan

Kerouac's business documents (for example, from Sterling Lord and Viking

Penguin).  We also asked for a mutual exchange of accountings between the

two executors (myself and Mr. Lash), rather than the one-sided demand Mr.

Lash had been making for me to provide him with my accounting while his

accounting was to be hidden from me.

        The judge ruled that I have a right to see Jan Kerouac's business

documents.

        The judge ruled that there should be a mutual exchange of

accountings between the executors.

        Translated: that means I can no longer be shut out of my literary

executor job by the sort of blindfold that had been placed on me.

        The bigger issues, such as my ability to carry on Jan Kerouac's

lawsuit to recover and preserve her father's archive, still remain to be

decided by the higher, New Mexico appellate court.

        As in the past when a ruling was made in my favor, I expect a rash

of "douchebag" postings, as well as further accusations of supposed criminal

activity on my part. And surely an update of Paul Maher's website.  I can

even name the people that will make these postings, but I will refrain from

this.  These few people have made the Beat List a shooting gallery, with

myself the bearer of the target.  I believe Mr. Gargan will be making an

announcement regarding this problem in the next few days.

        If anyone wants further details, you can reach me directly at

GNicosia@earthlink.net

        Thanks for your support.

        Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 22:57:02 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Shasheblu <Shasheblu@AOL.COM>

Subject:      a question posed again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi,

 A while ago I asked people to discuss the origin of their connection to the

beats.  ("A question posed" 2-25-98).  Well, I never got to read the

responses, because of e-mail problems now resolved.  If this is a hassle,

don't worry about it, but anyone who did post a response, I'd appreciate if

you re-send your response to me at my e-mail address. (Shasheblu.aol.com)

Many thanks.

--Sharon

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 9 Mar 1998 22:44:53 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: another victory

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The tougher the battles, the sweeter the victories.

 

j grant

 

 

>                                March 9, 1998

>        As I agreed with Mr. Gargan last fall, I will restrict my "estate"

>postings on the Beat List to news of court decisions.

>        There was a decision today in Albuquerque, at the lower, probate

>level.

>        The decision was completely in my favor.

>        We asked that Mr. Lash stop hindering our attempts to get Jan

>Kerouac's business documents (for example, from Sterling Lord and Viking

>Penguin).  We also asked for a mutual exchange of accountings between the

>two executors (myself and Mr. Lash), rather than the one-sided demand Mr.

>Lash had been making for me to provide him with my accounting while his

>accounting was to be hidden from me.

>        The judge ruled that I have a right to see Jan Kerouac's business

>documents.

>        The judge ruled that there should be a mutual exchange of

>accountings between the executors.

>        Translated: that means I can no longer be shut out of my literary

>executor job by the sort of blindfold that had been placed on me.

>        The bigger issues, such as my ability to carry on Jan Kerouac's

>lawsuit to recover and preserve her father's archive, still remain to be

>decided by the higher, New Mexico appellate court.

>        As in the past when a ruling was made in my favor, I expect a rash

>of "douchebag" postings, as well as further accusations of supposed criminal

>activity on my part. And surely an update of Paul Maher's website.  I can

>even name the people that will make these postings, but I will refrain from

>this.  These few people have made the Beat List a shooting gallery, with

>myself the bearer of the target.  I believe Mr. Gargan will be making an

>announcement regarding this problem in the next few days.

>        If anyone wants further details, you can reach me directly at

>GNicosia@earthlink.net

>        Thanks for your support.

>        Best always, Gerry Nicosia

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by sunflower.com id WAA22781

Date:         Mon, 9 Mar 1998 22:56:32 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      Re: a question posed again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Shasheblu wrote:

>

> Hi,

>  A while ago I asked people to discuss the origin of their connection to the

>  beats.  ("A question posed" 2-25-98).  Well, I never got to read the

>  responses, because of e-mail problems now resolved.  If this is a hassle,

>  don't worry about it, but anyone who did post a response, I'd appreciate if

>  you re-send your response to me at my e-mail address. (Shasheblu.aol.com)

> Many thanks.

> --Sharon

>

I was introduced to william and we became friends.  I met allen through

him. Our first serious social interaction was fishing.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: sfeustl@uoft02.utoledo.edu

Date:         Tue, 10 Mar 1998 05:09:07 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

Subject:      Re: beat ice cream

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I personally recommend "Cherry Garcia." But get the yogurt, cuz' the ice

cream is like 99.9% saturated fat. --Sara

 

 

 

At 01:34 AM 3/27/98 -0500, you wrote:

>I think that's Phish ice cream you're describing

> 

>--Sharon, who tried Phish ice cream for the first time a week ago

> 

>Tread37 wrote:

>there are tiny phudge phish in it.  and caramel, i think.  good stuff.  wooo!

>go ben and jerry! :o)

> 

>in response to Nancy:

><<Anyway, Wavy Gravy ice cream is very good, which makes

> Ben&Jerry's very very beat! :) >>

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 9 Mar 1998 23:16:42 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: subscription commands

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>E-mail  listserv@CUNYVM.CUNY.EDU

>in the body of the e-mail type:  Unsubscribe BEAT-L

> 

>Mr. Gargan,

>Another list to which I subscribe includes a line of unsub instruction at the

>bottom of each post.  NO ONE EVER posts asking for such instructions.

>Dennis

 

When thinking people subscribe to a list they keep the original notice so

they know how to unsubscribe.

 

They are usually reminde to do so.

 

Yet every day or so some dufuss indignantly shouts, "UNSUBSCRIBE ME!" A And

not infrequently they get pissed when no one takes the time to send them

directions.

 

ARGH!

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Date:         Mon, 9 Mar 1998 23:18:38 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@BOOKZEN.COM>

Subject:      Re: America

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> Nancy Brodsky wrote:

>> 

>> The possibilty that "1835" in America is a typo changes the meaning of

>> the

>> stanza. I had interepreted it as Ginsberg reacting to the McCarthyism

>> of

>> the sixties by looking back at communism when he was a child and then,

>> saying.."but the party was awesome in the 1830's", you know what I

>> mean?

> 

>Scott Nearing's dates were from 1883-1983.  Obviously he lived a long

>time but was not alive in 1835.

>DC

 

I don't Nancy. There wasn't a party in 1835.. It's either a typo or AG is

saying something we haven't snapped to.

 

There was great strength in he Communist Party in this counry in 1935 and

AG would have been exposed to that strength where he grew up. That's why I

feel it's probably a typo.

 

DC: Of course Nearing wasn't alive in 1835. Did I miss a post that implied

that he was?

 

j grant

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 9 Mar 1998 23:22:48 -0800

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@MINDSPRING.COM>

Subject:      Re: a question posed again

To:           BEAT-L@CUNYVM.CUNY.EDU

 

First exposure--"On the Road" read mostly with flashlight under the

covers when I was 13-14.  Naked Lunch soon thereafter (18-19) read on

pot in first apartment.  Read most of Snyder in college and later

GINSBURG, Whalen, Corso, Ferlinghetti, et. al.  Met Ginsburg on several

occasions and have photocopy of "Plutonium Ode" in his handwriting along

with signed copies of "Howl, Reality Sandwiches, etc."  Met and

interviewed Burroughs in NYC in 1978 and gave him a manuscript of mine

which he critiqued through James Grauerholz.  Spent about an hour with

him in loft on Bowery and Prince.  Met Snyder in college and have

continued to follow his work as well.  Have signed copies of several

Burroughs works (paper).  Good question, Sharon.  Last ran into Allen in

14th Street Post office just after Collected Works published two years

ago or so.  Mark J

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 08:38:51 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      may i suggest a brief intermission?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

the dukes are uup again, circling round their libraries, i don't want to

enter into that game, so i made up my own, kind of a reverse cutup (wsb

boys, don't jump me for this, i'm just goofin'). it is called magna art,

the art of randomly picking words from my fridge (or a dictionary with

eyes closed) and playing with them.

ok at 5 am this mroning (EST) i sat down with word string single column

to begin to play magna art, when i discovered after at least a half hour

or forehead sweating work that it had all disappeard, i cried "no! el

nino is back!" or the elves. so,

ok, the computer swallowed my home work but i'll do my best to recapture

the game.

i've been a bit blocked since returning the funeral and finding all that

stuff still roiling here, so i have taken to gazing at the magna poetry

set on my (empty) fridge:

i had originally placed all words singly . the computer ate them,

but i'll go with my original pick up of the words(thus breaking my own

rules as you will see below):

however, true magna art requires rules: 1) words should be picked

randomnly no matter how much they group in not so senseless clumps that

are painful to break up (2) you can add maximum 3 words to make some

jabber-sense - they must be marked with an * (3) you may reuse same word

two times maximum 2 words but must be shown as () . now, as i may have

tipped my hand too much, or not, you are free to rearrange my words or

pick out random (as possible) list of words and pass it on.

i hate rules

i hope you do too

because i am not going to spend another hour recreating my work of

spontaneous art,

what you see is spontaneous clumpings taken directly from the fridge,

so,

you are free to use these words - would like to see else could  be done

them as clumped,  or a list of yr own. that we can play with. title came

with fridge(batteries not included)

 

 

do beat girls read?

 

bluely willing

heave at me here watch

skin say and some iron our day

only two trudge

 

two eggs

curse it

purple of recall

 

boiling sea

did say

forest

and breast worship

sweat leg (worship)

these urge drool, lather.

 

mean poke *at fluff

felt butt lust

felt (butt)

above diamond

 

why frantic

smear

knifeless

meat under

puppy

 

ugly garden

winter kill rose

and blow at tiny moon

*and

tiny head rock

club and these urge

true of no  fiddleler

but mean my way thorugh

bitter blood still.

 

 

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 08:43:46 +0000

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: UNSUBSCRIBE

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"oh mama, can this really be the end,

to be stuck inside of mobile

with the memphis blues again.

 

 

Paul Buckberry wrote:

 

> "You can check out any time you like but you can never leave"

 

  oh btw, my 13 yr old nephew's english teacher is using dylan lyrics to

teach poetics.

i thought that was pretty cool. he does too.

zip

glash

bone.

gone.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 23:11:27 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: UNSUBSCRIBE

To:           BEAT-L@CUNYVM.CUNY.EDU

 

"You can check out any time you like but you can never leave"

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 10:48:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Riddle me this...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Okay, this is from Satori in Paris, pg 83:

The innkeeper says:"well pay your room bill and go down rue VIctor Hugo, on

the corner is cognac, go get your valise and settle your affairs  and come

back here find out if theres a room tonight, beyond that old buddy old Neal

Cassady cant go no further..."

OKay, so where did Neal Cassady come from? I read that line and I was like,

"whoa, where did that come from? How does this Breton innkeeper know about

Neal? Kerouac hasnt talked about Neal in this book..."

Any ideas?

~Nancy

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 12:15:05 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         M84M79 <M84M79@AOL.COM>

Subject:      Re: Some of Paul Maher

To:           BEAT-L@CUNYVM.CUNY.EDU

 

hello folks,

alright, i hate to step into these discussions, but i have to clear up one

thing. i have also known gene aside from the list. actually, i'm the one who

told him about it. i have been surprised at the bitterness of his posts

lately, and told him so. but he isn't paul maher. i'm almost positive.

gerry, i think you're overreacting a wee bit. don't get me wrong, it's

completely understandable. i know you're dealing with a lot of shit. i know

that this whole thing seems ridiculous. but i'll vouch for gene. at least that

he is himself.

i wish we could move on from this and get back to discussing the beats. but oh

well, ahhh me, sigh sigh sigh...

~~marlene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 11:53:20 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      crap

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I was shocked and insulted at the name calling and nastiness directed at

me by phil C. I know that phil had a list of names but i was on the list

and thought it sickening and took it personal.  When Gene came on I

thought it might be paul because it seemed like one continuous thread,

but then thought it wasn't the same language pattern, I wasn't sure.  I

now believe that there is a Gene.  I know I should just leave this alone

because I am so sick of the nastiness and attacks but...

I would like to ask Gene some questions because it seemed so consistant.

Were you on the list for a while?

Did someone encourage you to get on the list or to  barrage Gerry

whenever he posted?  I ask because I have a dreadful curiousity.  I know

you may chose to answer or not.  But I envision some e-mail saying that

paul was kicked off and you should get on and give it to gerry good. I

am stupid enough that when I am asked a question unless it involves

someone else's privacy i answer.

 

         I have tried to stay open minded about "sides" because there is

usually truth on both side.  The behavoir of the sampas camp married to

the paranoia of Gerry has created such an ocean of shit.

 

Diane D. telling us we would get a investigative report telling another

side then getting us to read her emotional personal essay with so much

heresay and opinion on stuff was weird. From her post I thought it was

on Jo's web site.  So I thought that was where the url was.  I chose not

to go to Pauls site from the earlier post because he had been acting

like such a crackpot. I could imagine Jo being fair enough to post

another side if the article was concientiously written. To be fair I

probably would of gone to the article if it had been presented as a

slanted personal thing.  I resent being mislead.

Her posts usually show coherent thought.

        I am teed off , if anyone plans to post more information let us all

hope it is factual and not full of emotional garbage.  Please edit your

information.

got it off my rather large lumpy chest.

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 13:22:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Minor Characters

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I just finished reading Joyce Johnson's book, after hearing it mentioned so

many times, and I loved it, to say the least. I thought her writing was

graceful, and evocative of the times she grew up in, some of which overlapped

my childhood experiences (the Fifties).

 

I meant to quote some things from her book here for discussion, but I mailed

it to her yesterday and asked her to inscribe it for me, so I don't have the

book next to me. But I would very much like to discuss this book, for a bunch

of reasons.

 

The main thing I found notable in the book is how much her depiction of jack

matched my own impressions of him. I had a sort of "homecoming" feeling,

reading her words about him, his shyness, his inconsistencies, his

disappointments, his fatalism. I appreciated, as well, the way she kept

herself and others in the "Beat orbit" that revolved around jack and Allen and

the "boys club," rather than trying to revise history so that the "minor

characters" took center stage.

 

Those people in that orbit with Johnson did not attain the spotlight, like

jack did, but they were far from "minor characters," which of course, is

Johnson's point. Elise Cowen, LeRoi and Hettie Jones, Alene Lee, Lucien and

Cessa (sp?) Carr (Cherry Valley! waving to CP and Pam), and the many others

she writes about are fascinating elements of the group consciousness that

comprised the community of Beats.

 

All in all, it's a very satisfying read. If you haven't read it yet, I

recommend it. If others have points to make on the book, I'd love to hear

them, discuss them.

 

ddr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 10 Mar 1998 18:18:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Future of Beat-l

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Some of you may have noticed that the list has been changed at present

to a moderated list.  I did this because I did not want any messages

being posted while I decided whether or not to shut down the list for

good.   I started Beat-l to facilitate scholarly communication about the

writers of the Beat Generation and to serve as a bulletin board for

poetry readings, new publications, and Beat-related events.  I never

dreamed that the discourse would sink to the level we've all experienced

on the list from time to time this past year.   When I spoke to my

listserv administrator about closing the list earlier this evening, he

asked me to consider several possible alternatives including running a

moderated list.  I agreed to think about various possibilities and

report back to him on Wednesday and Thursday.  I'm not planning to post

any messages for a day or two, so it might be best not to send any

messages to the list at this time.  I've enjoyed meeting most of you on

the list and I wish everyone well.   On the whole, the list has been a

very rewarding experience for me.  I hope it has been rewarding for you

too.

Bill Gargan, listowner

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 10:00:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      2nd Annual Jackwake on AOL

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

As we did last year, we will meet again to honor the life of Jack Kerouac in

the Beat Generation chat room on America OnLine.

 

If you are on AOL, you can get to the chat room by clicking on this link:

<A HREF="aol://2719:2-2-beat%20generation">beat generation</A>

 

The event begins at 3pm EST, noon PST, 8pm London... and so on. Last year we

read poems and our own writings. We did the same for Allen when he passed in

April, and for William in August. These were enriching experiences.

 

For more information, contact me.

 

A note on Bill Gargan's announcement: I hope Beat-L will continue, in some

form, and that it will serve the purpose for which it was intended. I have a

feeling every listmember would say the same thing to you today. Thanks, Bill.

 

Diane De Rooy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: duncang@spider.ento.csiro.au

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 10:03:05 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Duncan Gray <Duncan.Gray@ento.csiro.au>

Subject:      Ginsberg mini Festival in Melbourne, Australia

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Somebody e-mailed me this info, so this is all I know;

 

also - in melb there is The Beat Train - Ginsberg Mini Festival - on

a train from footsgray to melb... 25th Mar...

 

-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-_-

Duncan Gray      Stored Grain Research Laboratory

CSIRO Entomology, GPO Box 1700, Canberra ACT 2601

Ph. (02) 6246 4178  Fax (02) 6246 4202              Australia

----------------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 11:56:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rodney Lee Phillips <philli31@pilot.msu.edu>

Subject:      Re: Minor Characters

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

I too liked Johnson's _Minor Characters_.  I teach it in courses on the

American 60's and find it makes a good counterpoint to texts like _On The

Road_ and _Dharma Bums_.  The average college freshman has a tendancy to

romanticize the seemingly unlimited freedom and individualism present in

Kerouac's books, and Johnson's memoir does a good job of showing the darker

side of these forces.  The experiences of Johnson and people like Hettie Jones

and Elise Cowan make it clear that the freedom and individualism of many of

the Beats came at a price--and often this price was paid by others.  What

strikes me as great about the book is Johnson's even-handed treatment of

Kerouac's often poor treatment of her.  She's not vindictive in the slightest,

and simply describes him in very humn, and humane , terms.

 

Rod Phillips

James Madison College> > I just finished

reading Joyce Johnson's book, after hearing it mentioned

so > many times, and I loved it, to say the least. I thought her writing was

> graceful, and evocative of the times she grew up in, some of which overlapped

> my childhood experiences (the Fifties).

> 

> I meant to quote some things from her book here for discussion, but I mailed

> it to her yesterday and asked her to inscribe it for me, so I don't have the

> book next to me. But I would very much like to discuss this book, for a bunch

> of reasons.

> 

> The main thing I found notable in the book is how much her depiction of jack

> matched my own impressions of him. I had a sort of "homecoming" feeling,

> reading her words about him, his shyness, his inconsistencies, his

> disappointments, his fatalism. I appreciated, as well, the way she kept

> herself and others in the "Beat orbit" that revolved around jack and Allen and

 

> the "boys club," rather than trying to revise history so that the "minor

> characters" took center stage.

> 

> Those people in that orbit with Johnson did not attain the spotlight, like

> jack did, but they were far from "minor characters," which of course, is

> Johnson's point. Elise Cowen, LeRoi and Hettie Jones, Alene Lee, Lucien and

> Cessa (sp?) Carr (Cherry Valley! waving to CP and Pam), and the many others

> she writes about are fascinating elements of the group consciousness that

> comprised the community of Beats.

> 

> All in all, it's a very satisfying read. If you haven't read it yet, I

> recommend it. If others have points to make on the book, I'd love to hear

> them, discuss them.

> 

> ddr

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 11:59:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      first exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

the good question about our various exposures to beat literature is up

again.  i can't recall if i responded.  my long and stream of

consciousness reply from 1992 is in a piece typed in pretty much one

setting at a macintosh titled "Mississippi" - it should be somewhere on

jo grant's website soon.

 

the short of it is that a student of mine who was an English major in my

two years at Dartmouth College gave me a copy of Kerouac which i read

slowly - the same student introduced me to the music of phil ochs and

bob dylan.  a friend later played the WSB LP "Breakthrough in the Grey

Room" and his notions concerning cut-ups jelled with much of my own

thinking concerning dylan's lyrics and rhetorical theories.  Ginsberg's

connections are small but significant.  His pocket books were evident on

the bookshelves of students i enjoyed teaching over and over during my

teaching years.

 

so that's the short of it.  the version jo grant has is slightly more

surreal :)

 

dbr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 12:00:34 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Derek A. Beaulieu" <dabeauli@calcna.ab.ca>

Organization: Calgary Community Network Assoc.

Subject:      KEROUAC CONNECTION?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

     beat-l'ers

     does anyone know if the Kerouac Connection has been re-invigorated and

     brought back to life (as was rumored)? very interested in hearing more

     abt it - i thought there was a fundraiser going on at some point to

     raise $ to get it going again (& i had a review slated for including

     in an upcoming issue...)

     can anyone enlighten me?

     thanks

     derek

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 12:22:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@is8.nyu.edu>

Subject:      Re: first exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

My first encounter with the Beat Generation came from reading my moms

autographed copy of HOWL way back in the eighth grade, I think. I was

hooked, needless to say.

~Nancy

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 12:27:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Re: KEROUAC CONNECTION?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 12-Mar-98 9:01:06 AM Pacific Standard Time,

dabeauli@calcna.ab.ca writes:

 

<< does anyone know if the Kerouac Connection has been re-invigorated and

      brought back to life (as was rumored)? very interested in hearing more

      abt it  >>

 

Derek, I spoke to Mitch Smith about a week ago, I guess. I've been wondering

about the KC, myself, as have most people who've seen it and read it over the

years.

 

His bookstore, Turtle Island Books, failed last year and Mitch decided to

relocate to the Bay Area. By now, he should be unpacking boxes in San Mateo.

He did tell me that he'd found a business partner to sell advertising for the

KC, and that he has enough editorial content for an issue. But as to when that

will happen? Nothing, apparently, is firm. It does sound like he may be closer

to getting an issue out than he was last year when I first spoke to him about

it.

 

For subscription and other inquiries, you can email him at KeroConnec@aol.com.

I see him online once in a while, so I know he checks his mail. I'd contact

him there, Derek.

 

I'm about 2 hours away from opening up the beat generation chat room on AOL

for our second annual jackwake. I hope you AOLers and IRC users can show up

and join us in our celebration, which will go on until midnight PST. Bring a

gallon of red wine... the cheaper, the better...

====

It was in Centralville I was born... Across the wide basin to the hill-on Lupine

Road, March 1922, at five o'clock in the afternoon of a red-all-over

suppertime, as drowsily beers were tapped in Moody and Lakeview saloons and

the river rushed with her cargoes of ice over reddened slick rocks, and on the

shore the reeds swayed among mattresses and cast-off boots of Time, and lazily

pieces of snow dropped plunk from bagging branches of black thorny oily pine

in their thaw, and beneath the wet snows of the hillside receiving the sun's

lost rays the melts of winter mixed with roars of Merrimac-I was born. Bloody

rooftop. Strange deed. All eyes I came hearing the river's red; I remember

that afternoon, I perceived it through beads hanging in a door and through

lace curtains and glass of a universal sad lost redness of mortal damnation...

-JK, "Dr. Sax"

=====

Those who talk about the future are scoundrels. It is the present that

matters. To evoke one's posterity is to make a speech to maggots.

- Louis Ferdinand Celine

 

happy birthday, jack!

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 12:36:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Re: Minor Characters

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 12-Mar-98 9:00:29 AM Pacific Standard Time,

philli31@pilot.msu.edu writes:

 

<< Johnson's memoir does a good job of showing the darker

 side of these forces.  The experiences of Johnson and people like Hettie

Jones

 and Elise Cowan make it clear that the freedom and individualism of many of

 the Beats came at a price--and often this price was paid by others.  What

 strikes me as great about the book is Johnson's even-handed treatment of

 Kerouac's often poor treatment of her.  She's not vindictive in the

slightest,

 and simply describes him in very humn, and humane , terms. >>

 

Yes, Rod, I agree, enthusiastically. She could have been bitter or resentful;

she could have gone on about opportunities denied her. But she didn't. And her

vision of Kerouac is palpable, real, as you say, "human, and humane." She knew

he was a contradiction, a conflicted man, not a superhero or a cartoon. She

showed him in all his dimensions and her writing foreshadowed his eventual

downfall and demise, certainly and with acceptance.

 

Although the book is not a biography, but an autobiographical accounting,

Johnson managed to bring jack to life, and I'd like to see her get more credit

for her telling of the story of jack's life.

 

ddr

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 21:54:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sockmunkie <Sockmunkie@aol.com>

Subject:      suicide and dharma bums

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

so my question is, does anyone know who the character of rosie buchanan--the

woman who kills herself--in dharma bums is based on?   also, does anyone have

biographical information on her?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 22:04:38 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4 <Zucchini4@aol.com>

Subject:      The unpublished "Desolation Journal"?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

So my sister gets some environmentalist magazine... "Sierra"... I'm guessing

it has something to do with the club and all of those wildlife calenders she

owns... And in the march/april issue there's this lovely article: "Rolling

Towards the Moon: Jack Kerouac's last great adventure." It's all about the

hiking in the _Dharma Bums_. Actually, the article's pretty boring. But it has

these quotes in it:

 

"As seen from Starvation Ridge, Desolation Peak is like a Chinese mountain

with pointy firs and gray rocks and a cute round point with the little Pagoda

Lookout on top- it looked like a dreaming meadow mount when first seen from

the lake below, but when climbed it was an inaccessible world parapet."

 

"A mad sunset pouring in sea foams of cloud through unimaginable crags, with

every rose tint of no-hope beyond, I feel just like it, brilliant and bleak

beyond words- pow-"

 

"I can feel the world rolling towards the moon."

 

And they're all credited as coming from JKs unpublished Desolation Journal. So

my question: what is this journal, and how come this guy Jack Sutter (who

wrote the article) gets to go mountain climbing with it in hand, and I don't?

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 12 Mar 1998 22:06:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@scsn.net>

Subject:      First Exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

My first exposure to the Beats was from Bob Dylan.  When I read some

article or interview with Dylan he mentioned Jack Kerouac.  Later, I

read about Rolling Thunder Review and saw Dylan at Kerouac's grave.  I

then began reading Kerouac and Burroughs and buying up the Pocket Poets

series form City Lights.  That was back in the mid-70's.

 

--

Peace,

 

Bentz Kirby

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:28:17 EST

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@zipcon.com>

Organization: art language wholsale retail

Subject:      Re: suicide and dharma bums

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Sockmunkie wrote:

> 

> ----------------------------Original message----------------------------

> so my question is, does anyone know who the character of rosie buchanan--the

> woman who kills herself--in dharma bums is based on?   also, does anyone have

> biographical information on her?

 

 

 

natalie jackson.  she was neal's girlfriend.  jack tells the story well

and you'll find more info in memory babe

 

tkc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [151.198.234.47]

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:29:23 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Al Min <babygutsoup@hotmail.com>

Subject:      Re: first exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Good Day alL,

 

my first beat exposure was a ginsberg poem.  we read it in class in high

school. i thought it was a superb poem, but i thought every poem we read

was fab.  it wasn't until OTR that i jumped into the whole deal.  now i

find myself learning french just to read rimbaud in the original

language along with other beat influences.  i'd never even heard of

burroughs or many of the others until recently.  i love it all.

 

V(Al)halla

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:31:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         DCardKJHS <DCardKJHS@aol.com>

Subject:      Re: first exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

My first exposure to Beat was through Mad magazine in about 1957 or 58.

Kerouac was mentioned frequently and I thought it was a made up word or name

like Potrezebie or poiuyt.  I was 10 in 1957.  In 1964 I saw a reference

someplace (?) to Kerouac which clarified things.  I bought The Dharma Bums,

read it in one sitting, and was hooked.  I was already familiar with yabyum

from extensive interest in anything carnal.  I had been to Desolation Valley

in the Sierras with the Boy Scouts and somehow made an association.

>From 65-70 I was in college in Northern California buying and reading every

raggedy used piece of Kerouac I could find.  Didn't read Town and the City.

Didn't read Thomas Wolfe either.  Kerouac turned me on to jazz.  First I

checked out Charlie Parker albums from the library.  Then, I hit Dizzy,

Miles....and on and on.

In 65 I "discovered" both Ginsberg and Burroughs. Howl and Naked Lunch.  Wow!

I was 18.

In 1970, I moved to San Francisco.  City Lights, Vesuvio, easy availability of

all the beat literature I could handle.  I lived within walking distance of

Columbus and Broadway.  Charters JK bio came out while I was there trying to

get published in Rolling Stone.  Their Straight Arrow Books was her publisher.

I am still in awe of her and her husband (still?) Sam.  Sam Charters had done

all the Blues research and travel that I wanted to do.  He had written liner

notes for Lightnin' Hopkins, fer chrisakes!!  He had edited Some Poems/Poets,

Studies in American Underground Poetry Since 1945 which included great stuff

by Spicer, Duncan, Eigner, even!  In addition to the expected stuff from

Ginsberg, Ferlinghetti, Snyder, Robert Creeley, Charles Olson, and freaking

Lew Welch!

Man, I was in heaven. Then, in 1973, I left SF and moved up north to Trinity

County.  I was gonna be a poet.  For real, this time, not just the goddam

drivel I had messed with as a "youth".  I was a grown man (Ha!) 25 years old.

I loved it up in the woods.  I wrote a lot.  I switched from smoking dope and

dropping acid and mescaline to drinking beer.  I got big and strong, working

with a splitting maul, spreading horse manure by the dumptruck load.  I read

and I wrote.  I was Japhy Ryder, in my dreams, I was Japhy Ryder.  I loved my

life.  I loved my friends.

Then my father died.

 

I decided to grow up...I thought that meant I should shave,  begin a "career",

marry, and raise a family.  So I did.

I've been teaching Junior High (7th grade English) since 1976.  I'm the best

goddam 7th grade English teacher you ever saw.  I love those kids.  I hate the

school system.  My son heads for UC Santa Cruz next September to major in

Literature.  I love my wife and she loves me even when I spend too many hours

reading the BEAT-L posts.  I used to be a reader and writer.  I've devolved

with age into little more than a collector of books that remain unread on the

shelves.  English teachers in the California school system don't have time to

read.

 

Have I strayed too far from the thread?  Did you want to know more about my

entre into the Beat demimonde?  No matter, I'm beat.  I'm beat right down to

my socks.  But I'm Beatific, too.

Glad to know you.

Dennis

 

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X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:32:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Yan Feng <yfeng@geocities.com>

Subject:      Re: First Exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

My first exposure to Beats was from a book with name like " an introduction

to modern literature". In it is a chapter containing excerpts from works of

beats. I am very interested in On the Road. But I can't find beat books in

stores. Last summer after i decided to travel some, i have looked for OTR

and hoped i can take it at hand. Until back and new semester began, I

borrowed one from library. Not very long after I subscribed this list. It's

huge exposure to Beats!

 

Yan

 

>----------------------------Original message----------------------------

>My first exposure to the Beats was from Bob Dylan.  When I read some

>article or interview with Dylan he mentioned Jack Kerouac.  Later, I

>read about Rolling Thunder Review and saw Dylan at Kerouac's grave.  I

>then began reading Kerouac and Burroughs and buying up the Pocket Poets

>series form City Lights.  That was back in the mid-70's.

> 

>--

>Peace,

> 

>Bentz Kirby

>http://www.scsn.net/users/sclaw

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:35:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jjdorfner <Jjdorfner@aol.com>

Subject:      Re: suicide and dharma bums

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

the woman was a lover of Neal's.  her name was Natalie Jackson.  she died in

1955 after climbing up on a roof, taking a piece of glass and trying to cut

her own throat, then leaping/falling 3 stories to her death.

don't think neal or jack for that matter, ever got over it.

 

john

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:36:08 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sedington <Sedington@aol.com>

Subject:      Rosie Buchanan/Natalie Jackson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I may not have this entirely right, but I believe the Rosie character in

"Dharma Bums" is drawn from a woman named Natalie Jackson with whom Neal

Cassady was having one of his numerous affairs in the mid-50s.

Carolyn was with the kids in San Jose and Natalie was Neal's "girlfriend" in

SF when Neal's Southern Pacific RR job took him there. Seems like I read

somewhere she was Neal's "date" and the Gallery Six reading.

I think the story is that Neal talked her into taking part in a scam with him

whereby she went with Neal to the Cassady's bank and posed as Carolyn so they

could withdraw a large sum of money that Neal had gotten in a settlement over

an accident he had while a brakeman on the SP railroad. Neal then used the

money to bet on a "sure thing" betting scheme he'd concocted at a

racetrack--and, of course, lost it all. Natalie was terrified that she was

going to be arrested and jailed for falsely posing as Carolyn, so when she saw

the police around the building where she was living she panicked and jumped

through the window. [That incident is described in DB]

This is the version that comes to mind without my checking any sources--its

too early and I haven't had my first cup of coffee yet. Maybe some of the rest

of you can refine it a bit.

Steve Edington

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:37:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@drc.com>

Subject:      First Exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

A naked Allen Ginsberg in Life Magazine, and believe it or not, Maynard

G. Krebbs on the Dobie Gillis Show. He was cool then and he's cool now.

Watching re-runs 30 years later on Nick at Night, Maynard was the only

well adjusted, comfortable withb himself character on the show.

Wooorrrrrrkkkk?!

 

Mark Hemenway

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Content-Disposition: inline

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:40:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jack Foley <JFOLEY@crs.loc.gov>

Subject:      suicide and dharma bums -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I think that's Natalie Jackson.  I have no bio info beyond what the various

Kerouac bios have to say.

-- Jack Foley

 

>>> Sockmunkie <Sockmunkie@aol.com> 03/12/98 09:54pm >>>

----------------------------Original message----------------------------

so my question is, does anyone know who the character of rosie

buchanan--the

woman who kills herself--in dharma bums is based on?   also, does anyone

have

biographical information on her?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: kh14586@am.appstate.edu

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:45:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@acs.appstate.edu>

Subject:      Request of information (fwd)

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

Got this request and have no real notion as to where to send this person

myself.  Thought if anyone would know, they'd be here.

 

---------- Forwarded message ----------

Date: Fri, 13 Mar 1998 12:43:14 +0100

From: Luca Guerneri <gguerner@tin.it>

To: kh14586@porter.appstate.edu

Subject: Request of information

 

I visited your website and found it extremely interesting. I'a an

Italian literay translator working

on the Italian version of Old Angel Midnight. It is such a hard task...

do you know where I could find

some detailed information concerning the book? Please contact me: my

email is gguerner@tin.it.

Thanks

 

l u c a

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: jgrant@pop.globaldialog.com

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 14 Mar 1998 15:50:11 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         jo grant <jgrant@bookzen.com>

Subject:      Re: "Wake Up"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Hoping one of the booksellers who frequent the BeatL can help this fellow.

Thanks,

j grant

 

 

>From: "yo mama" <usanetsuxxx@hotmail.com>

>To: librarian@bookzen.com

>Subject: Re: "Wake Up"

>Date: Fri, 13 Mar 1998 08:31:11 PST

 

>my names miller and i wanted to know if you could help me. im tryin to

>find a way to get a hold of a copy of "wake up", by kerouac. it was

>publishd in serialized form between 93-95 by "tricycle: a buddhist

>review". if you know where i can get copys of this, or somthing, lemme

>know.

>             thanx.  miller

> 

>______________________________________________________

>Get Your Private, Free Email at http://www.hotmail.com

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                             Details  on-line at

                                 http://www.bookzen.com

                           822,552 Visitors  07-01-96 to 03-01-98

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Alan Kaufman a younger generation poet.

Cc: Akpoem@aol.com

Bcc:

X-Attachments:

In-Reply-To: <Pine.OSF.3.96.980313140047.28369A-100000@am.appstate.edu>

References:

 

good sunday friends, this is of some interesting:

 

"A new young Kerouac...Alan Kaufman's poetry has the bebop sound of the best

Beat poetry." Ruthe Stein, SAN FRANCISCO CHRONICLE

 

check Alan Kaufman on this url:

http://members.aol.com/Akpoem/index.html

 

i have updated the BeatSuperNova adding Alan to the list of beats

http://www.gpnet.it/rasa/thebeats.htm

 

saluti,

Rinaldo.

-------

Return-Path: <MAILER-DAEMON>

Date:         Sun, 15 Mar 1998 05:42:04 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 15 Mar 1998 11:32:54...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message  dated Sun,  15 Mar  1998 11:32:54  +0100 with  subject "Alan

Kaufman a younger generation poet." has been submitted to the moderator of

the BEAT-L list: William Gargan <WXGBC@CUNYVM.CUNY.EDU>.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:53:04 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: suicide and dharma bums

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

Yhea Natalie Jackson was Neal's chick..there is a picture of her and neal in

allen ginsberg's "Howl" transcripts by Barry Miles....

 

crystal meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:53:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: First Exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

Some beat books you want wanna try are...

 

"The Portable Beat Reader" by Ann Charters

"The Beat Generation" by Bruce Cook

or some groovy stories on some crazy beats called "Tales Of Beatnik Glory" By

Ed Sanders/

 

Crystal Meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:54:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ann MacGibbon <macgibbon@mediaone.net>

Subject:      First Exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

My first exposure to the "Beat" sensibility was when I discovered the music

of Bob Dylan and the Doors in the mid-1960s.&nbsp; I was a teenager then--living

in Muncie, Indiana.&nbsp; I remember that when I began to listen to this

music I felt something like, "Oh my God, there are other people out there

like me!"&nbsp; It was a revelation.&nbsp; Like Mark, I also watched "Dobie

Gillis" and enjoyed Maynard G. Krebs, though now I see that the portrayal

was insulting to the real "Beats," who were novelists, poets, and artists.

 

<P>I think I was subliminally aware of Jack Kerouac then, too, but I didn't

read <I>On the Road</I> until about 1969, when I was preparing to drive

across the country with my boyfriend.&nbsp; The book made a huge impression

on me, but I didn't read any more Kerouac until a few years ago when I

returned to college at U. Mass. Lowell.&nbsp; I became deeply interested

in Kerouac and spent my undergrad years reading everything by and about

him and finding ways to study him in my classes.&nbsp; Needless to say,

when&nbsp; I reread <I>On the Road </I>as a mature adult I appreciated

it in a completely different way than I had as a young woman!&nbsp; But

I still love the book and see it as a classic--maybe even great--American

novel.&nbsp; There's no doubt in my mind that Kerouac was a genius--he

had a truly original mind and he changed the face of our culture forever.

 

<P>Ann MacGibbon

<BR>&nbsp;

<BR>&nbsp;

<BR>&nbsp;</HTML>

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:55:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@scsn.net>

Subject:      Second thoughts on first exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

HMMM, my second thoughts on first exposure.  I now remember that in a

college English class we read Ferlinghetti's Coney Island or something

like that.  The one where he has a carnival image.  I didn't know he was

a "beat" poet, and I guess some say he ain't.  But that would be my

first beat exposure on the works side.

 

Before that, I remember reading a story on Kerouac when he died.  I

would say the article came out, maybe in Rolling Stone in late '69 or

early '70.  He was drunk and ranting about Viet Nam and patriotism. I

remember thinking he sounded like an ass and wondering why people

thought he was a great writer.

 

A few years later, I began to seperate the man and his writing.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:56:39 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Levi Asher <brooklyn@netcom.com>

Subject:      Re: first exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

I first heard of the Beats around age 14, when I read

about Neal Cassady in "The Electric Kool-Aid Acid Test".

Also there was a great music magazine called "Crawdaddy"

around that time, more underground than Rolling Stone

but somehow widely available in boring Long Island, where

William S. Burroughs had a regular column (so did

Paul Krassner).  I read Burroughs' "The Great Shit Glut",

which is now available in "The Adding Machine".  Needless

to say: Wow.  The image of soft pigs that you can stick

forks into definitely made an impression on me.

 

Later on I read Allen Ginsberg's liner notes to Bob

Dylan's Desire.  That was all the Beat reading I did

until I was an adult and my sister Sharon persuaded

me to read "On The Road", which was only about five

years ago ...

 

---------------------------------------------------------

| Levi Asher = brooklyn@netcom.com                      |

|                                                       |

|     Literary Kicks: http://www.charm.net/~brooklyn/   |

|      (the beat literature web site)                   |

|                                                       |

|          "Coffeehouse: Writings from the Web"         |

|            (a real book, like on paper)               |

|               also at http://coffeehousebook.com      |

|                                                       |

|                   *---*---*---*---*---*---*---*---*   |

|                                                       |

|       "I think somebody better put out the big light" |

|                                     -- Elvis Costello |

---------------------------------------------------------

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:57:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@walrus.com>

Subject:      Fwd: Hassan I Sabbah

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

This was forwarded to the Bohemian mailing list by

the Louisville based poet, Paul McDonald. Paul's

collection of poetry, _Write of Passage_ is at:

http://www.levity.com/corduroy/archives/writeofpassage.htm

 

Gregory

---------------- Begin Forwarded Message ----------------

Date:        03/12  2:32 PM

From:        Paul McDonald

To:          The Bohemian Mailing List

__________________________________________________

 

PATTI SMITH, IGGY POP READ WORKS ABOUT CULT LEADER

HASSAN I SABBAH

 

  Patti Smith, Iggy Pop, Jah Wobble, the Golden Palominos'

Nicole Blackman, and others will be reading various authors'

works about the legend of the cult leader Hassan I Sabbah

from Alamut, for a spoken word and musical album called

_The Hashisheen_. Hassan I Sabbah is considered by many as

one of the forefathers of cultism.

 

  Other artists -- who will be reading the Hassan I Sabbah-

inspired works of Arthur Rimbaud, William S. Burroughs,

Brion Gysin, Freya Stark, Gerard de Nerval, and Marco Polo --

include actress Lizzy Mercier Descloux, musician Sussan Deihan,

Psychic TV's Genesis P-Orridge, Nus' Percy Howard, performance

artist/musician Anne Clark, author Ira Cohen, and author Peter

Wilson. In addition, ex-Golden Palomino Nicky Skopelitis,

producer/remixer Bill Laswell (also of Golden Palominos

fame), Techno Animal, and Eyeless in Gaza will be contributing

musical tracks for the album as well.

 

  According to Janet Rienstra, who is co-producing the

readings with Laswell, _The Hashisheen_ is expected to be

released sometime in the spring on Meta Records and will

possibly be distributed through Caroline Records. However,

the two producers are still waiting for final clearance on

a couple of written pieces from the Burroughs estate, though

they have indicated that permission will be granted, says

Rienstra.

 

  In addition, some of the works from the album will be

read during a reading titled _Illuminations_ on April 22 in

New York at St. Marks Church. Though no one has been confirmed

to read at press time, many artists who have previously worked

with Laswell are expected to participate in the spoken word

event.

 

-Tina Johnson

__________________________________________________

 

all contents are the copyright (c) 1996, 1997,1998 of N2K Inc.

any derivative works of this content must hyperlink to and credit:

"Rocktropolis allstar News at http://allstarmag.com">

 

Send comments, inquiries, hot scoops and

slow wet kisses to contact@allstarmag.com.

 

-----------------------------------------------------

To get off, please email:  remove-allstarmag@list.allstarmag.com

To climb on, please email: join-allstarmag@list.allstarmag.com

To comment, please email:  allstarmag-owner@list.allstarmag.com

 

 

----------------- End Forwarded Message -------------------------

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

"Spanish Johnny drove in from the underworld last night

 with bruised arms and broken rhythm and a beat up old Buick,

 but dressed just like dynamite."

 

"Incident on 57th Street"

by Bruce Springsteen

on the album

_The Wild the Innocent and the E Street Shuffle_

Columbia 32432, 1973

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

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x-sender: morocco@pop.walrus.com

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:58:17 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@walrus.com>

Subject:      Fwd: And Speaking of Hassan...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Here's an announcement authored by Paul McDonald.

 

Gregory

---------------- Begin Forwarded Message ----------------

Date:        03/12  8:02 PM

From:        Paul McDonald

To:          The Bohemian Mailing List

 

Announcing:

 

_A Burroughs Compendium: Calling the Toads_

By Ron Whitehead

 

The book is a collection of interviews with

William Burroughs with a lot of photographs,

interviews, memories, and transmissions from:

John Tytell, Douglas Brinkley, Lee Ranaldo,

Ron Whitehead, Tariq Zayid & Dee, rlmar, Allen

Ginsberg, and Neil Hennessey

 

photographs: Chris Felver, Jon Blumb, Mellon,

Gordon Ball, Allen Ginsberg, & Lee Ranaldo

 

isbn: 0-9659826-0-2

price: $15.00 (postage included)

 

order direct from:

Ring Tarigh

po box 1345

Westerly, RI  02891

 

checks made payable to: Ring Tarigh

 

info provided by Denis Mahoney, hasan@riconnect.com

 

Paul

 

----------------- End Forwarded Message -----------------

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

"Well I'm nobody's sugar-daddy now."

 

LOVESICK BLUES

by Irving Mills and Charles Friend

as performed by Hank Williams

No. 1 Best Selling Retail Country & Western Record

March 1949

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

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x-sender: morocco@pop.walrus.com

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 13:58:48 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@walrus.com>

Subject:      Correction: Fwd: Hassan I Sabbah

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Gregory Severance wrote on 3/14/98:

[snip]

>the Louisville based poet, Paul McDonald. Paul's

>collection of poetry, _Write of Passage_ is at:

>http://www.levity.com/corduroy/archives/writeofpassage.htm

 

What I wrote above is not accurate. Paul's poetry

is not at that URL. What is there is an _announcement_

of his book, _Write of Passage_. For a brief bio of

Paul visit:

http://www.levity.com/corduroy/pmcdonald.htm

 

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: rinaldo@pop.gpnet.it (Unverified)

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 14:05:23 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rinaldo Rasa <rinaldo@gpnet.it>

Subject:      Alan Kaufman a younger generation poet.

Comments: cc: Akpoem@aol.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

good sunday friends, this is of some interesting:

 

"A new young Kerouac...Alan Kaufman's poetry has the bebop sound of the best

Beat poetry." Ruthe Stein, SAN FRANCISCO CHRONICLE

 

check Alan Kaufman on this url:

http://members.aol.com/Akpoem/index.html

 

i have updated the BeatSuperNova adding Alan to the list of beats

http://www.gpnet.it/rasa/thebeats.htm

 

saluti,

Rinaldo.

-------

 

Return-Path: <MAILER-DAEMON>

Date:         Sun, 15 Mar 1998 14:06:22 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Message ("Your message dated Sun, 15 Mar 98 14:05:23 EST...")

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

Your message dated Sun, 15 Mar 98 14:05:23 EST with subject "Alan Kaufman a

younger generation poet."  has been successfully distributed  to the BEAT-L

list (250 recipients).

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 14:06:58 EST

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@zipcon.com>

Organization: art language wholsale retail

Subject:      Re: Rosie Buchanan/Natalie Jackson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Sedington wrote:

> 

> ----------------------------Original message----------------------------

> I may not have this entirely right, but I believe the Rosie character in

> "Dharma Bums" is drawn from a woman named Natalie Jackson with whom Neal

> Cassady was having one of his numerous affairs in the mid-50s.

> Carolyn was with the kids in San Jose and Natalie was Neal's "girlfriend" in

> SF when Neal's Southern Pacific RR job took him there. Seems like I read

> somewhere she was Neal's "date" and the Gallery Six reading.

> I think the story is that Neal talked her into.....snip.....

> Steve Edington

 

 

my understanding is that neal's feelings for natalie were very deep, she

was much more than a casual affair.  she was smart, funny and

beautiful.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 19:47:01 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@is8.nyu.edu>

Subject:      Re: Second thoughts on first exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

That would be Coney Island of the Mind...great collection!

>----------------------------Original message----------------------------

>HMMM, my second thoughts on first exposure.  I now remember that in a

>college English class we read Ferlinghetti's Coney Island or something

>like that.  The one where he has a carnival image.  I didn't know he was

>a "beat" poet, and I guess some say he ain't.  But that would be my

>first beat exposure on the works side.

> 

>Before that, I remember reading a story on Kerouac when he died.  I

>would say the article came out, maybe in Rolling Stone in late '69 or

>early '70.  He was drunk and ranting about Viet Nam and patriotism. I

>remember thinking he sounded like an ass and wondering why people

>thought he was a great writer.

> 

>A few years later, I began to seperate the man and his writing.

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 15 Mar 1998 19:47:24 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ann MacGibbon <macgibbon@mediaone.net>

Subject:      Second thoughts on first exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

R. Bentz Kirby wrote:

 

<P>&nbsp; "I now remember that in a college English class we read Ferlinghetti's

Coney Island or something like that."

 

<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This reminded me that I got

a copy of Ferlinghetti's <I>A Coney Island of the Mind </I>as a high school

graduation present from a rather unconventional friend of my parents.&nbsp;

I loved it then and I still have it.&nbsp; I also remembered that I read

<I>The Electric Kool-Aid Acid Test </I>even before I read <I>On the

 Road--</I>probably

in '69<I>.&nbsp; </I>I was a big fan of Tom Wolf then.&nbsp; It's funny

thinking back to those days.&nbsp; I don't remember if I realized who Neal

Cassady was when I read the book--maybe that's what got me interested in

reading Kerouac; I'm just not sure.

 

<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; However, I know that now

I see many people and events as connected in a way I wasn't aware of when

I was younger.&nbsp; I'm not sure if I understood how much the Beats had

influenced the things members of my generation were doing in the '60s.&nbsp;

Today I think Kerouac's work was very much the catalyst for much of what

happened.&nbsp; As William Burroughs once wrote, "Kerouac opened a million

coffee bars and sold a million pairs of levis to both sexes.&nbsp; Woodstock

rises from his pages."

 

<P>Ann MacGibbon

<BR>&nbsp;</HTML>

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 09:23:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jjdorfner <Jjdorfner@aol.com>

Subject:      Re: "Wake Up"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

you can purchase back copies of Tricycle magazine...in which "wake up"

appeared.  go into a bookstore and look at a tricycle magazine and there

should be a order form or a phone number where you can call and order which

ever back copies you desire.

good luck

john j dorfner

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

x-sender: morocco@pop.walrus.com

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 09:29:54 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@walrus.com>

Subject:      Re: First Exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I remember hearing my grandfather use the word "beatnik"

while he was driving on U.S. 1 in New Smyrna Beach,

Florida. I was about six or seven years old  (1968-69).

He was referring to some people with long hair we had just

passed. His tone of voice was not sympathetic. I remember

my grandmother saying, "It doesn't bother me if they

have long hair, as long as they keep it clean."

 

My first encounter with beat literature happenned in

the New Smyrna Beach Public Library. I discovered

Ginsberg's poems, "A Supermarket in California,"

"America," and "Sunflower Sutra," in Mark Strand's

anthology, _The Contemporary American Poets: American

Poetry Since 1940_ (New York: New American Library, 1969).

I was in high school at the time (I graduated from

New Smyrna Beach Sr. High in 1980) and didn't know

what the hell Ginsberg was talking about. But there

was something about those poems that my dewy eyes

kept going back to. I was bewitched. This encounter

with Ginsberg marked the moment that I began to see

"what is on the end of every fork."

 

--------------------------------------------------

Gregory Severance             morocco@walrus.com

 

"Have you ever been experienced?

 Not necessarily stoned but

 Beautiful."

 

"Are You Experienced?"

by Jimi Hendrix

on The Jimi Hendrix Experience's 1967 album:

_Are You Experienced_ (Reprise 6261)

 

              <<BULLDOG BREATH>>

      http://www.walrus.com/~morocco/

 

            <<BULLDOG BREATH BOOKSTORE>>

  http://www.mindspring.com/~us012808/door.html

 

*******************************************************

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 09:30:35 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      first contact with beats

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

i want to thank jo grant for getting my beatish poetics "Mississippi" up

on his manuscript page at <http://www.bookzen.com>

 

as i said, it is a surreal description of my imaginary connections with

beat literary figures.  it was one of my first real attempts at

spontaneous prose -- i typed it on a Macintosh in the attic of an old

funeral home on a hill in Rock Island, Illinois looking over the

Mississippi River to Davenport Iowa ... a Davenport not much changed

from the description in On the Road 40 years ago.

 

dbr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 09:49:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@drc.com>

Subject:      Natalie Jackson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I believe Natalie is the woman with Neal in the photo on the cover of

the latest Viking Edition of Visions of Cody. The picture I remember

most is of her and Neal under a theater marque.

 

Mark Hemenway

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 15:09:16 EST

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@ehc.edu>

Subject:      Burroughs Seen At Blockbuster!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Greetings!

 

Hello everyone.  I was in the "special interest" section of the

blockbuster movie store the other day and saw a Burroughs movie.  I

think it was called "The Burroughs Story" or "The Burroughs Files" or

something like that.  It had a picture of Burroughs on the back in a

surgeon's outfit with blood all over him.  Does anyone know about this?

Is it worth the $3.50?  (stupid question, I know)

 

Thanks,

 

Chris

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 15:18:04 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: Natalie Jackson

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

Yheea thats right Neal And Natalie under a theater marque...It read " Marlon

Brando" The wild one, stranger wore a gun and tarazan the ape man!..

 

 

And the beat Goes On..

Crystal

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 15:20:40 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@sover.net>

Subject:      Re: first exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

i listened to dylan in 7th grade, discovered kerouac on the road same year,

and it ain't stopped since

mc

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 15:21:59 EST

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From:         Sedington <Sedington@aol.com>

Subject:      Gone in October

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Anybody know where or how I can get ahold of an article/essay by John Clellon

Holmes called "Gone in October"? He wrote it sometime after Kerouac's death.

The title is self-explanatory.

Thanks--Steve Edington  Sedington@aol.com

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 21:48:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Jym Mooney <jymmoon@execpc.com>

Subject:      Re: Gone in October

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Steve Sedington wrote:

 

> Anybody know where or how I can get ahold of an article/essay by John

Clellon

> Holmes called "Gone in October"? He wrote it sometime after Kerouac's

death.

 

Probably the easiest source to locate is "Representative Men" (University

of Arkansas Press 1988), a collection of Holmes' biographical essays, a

remarkable book!  Also includes two other pieces on Kerouac, two on

Ginsberg, and much more.

 

Jym

 

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Date:         Mon, 16 Mar 1998 21:49:51 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Ann MacGibbon <macgibbon@mediaone.net>

Subject:      Gone in October

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><HTML>

Steve--

 

<P>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I have a copy of an essay

called "Gone in October--Update," in a collection called <I>Representative

Men:&nbsp; The Biographical Essays of John Clellon Holmes.&nbsp; </I>It

was published by the University of Arkansas Press in 1988.&nbsp; It may

be out of print.&nbsp; In the introduction Holmes says the piece was originally

a journal entry written right after Jack's death, "later expanded and polished

into its present shape."&nbsp; It appeared in Playboy Magazine February,

1973, and also in a book called <I>Gone in October, </I>Limberlost Press,

Idaho, 1985.&nbsp; It's about 40 pages long.

 

<P>Ann

<BR>&nbsp;</HTML>

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 16 Mar 1998 21:50:42 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Preston Whaley <paw8670@mailer.fsu.edu>

Subject:      Re: Gone in October

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Steve,

 

Funny you mention this title.  i just picked it up at the FSU library.

It's a collection of essays. "Gone in October" refers to the collection,

but it also indicates the title of one essay in the collection:  The

Limberlost Press, 1985.  I know this doesn't help you much, but the book

exists.  You should be able to find it through a library, interlibrary

loan, or order it from City Lights or something.

 

Preston

 

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Date:         Tue, 17 Mar 1998 15:51:24 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         NICO 88 <NICO88@aol.com>

Subject:      Re: First Exposures

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

ciao a tutti.

um.... so, my first exposure to "the beats" occured about 3 years ago, in the

winter/spring of 8th grade. i was heavily into Jim Carroll, reading his poetry

and the B-ball diaries about the same time as the movie came out. (blah.)  i

dont know whether it was in the books themselves, or interviews with JC, but i

kept hearing about this group of people/writers/poets/musicians who, it

seemed, influenced quite a number of people.  after a conversation with my dad

about it, he unearthed his old copy of The Portable Beat Reader from the

storage room and lent it to me.  I learned that Allen Ginsberg had an office

in my dad's building in union square; and that June we saw him in the elevator

one day.  i was too shy to initiate any conversation myself, but my dad

started talking to him about something or other, about how i was really into

his work, and how i discovered him through Jim Carroll, et cetera. so i

started talking with Allen in the elevator about The Basketball Diaries, about

discrepancies between the book and the movie and whatnot. (Allen started

talking about this one scene where Jim is hustling in the bathroom of the 34th

street train station and how in the movie they make it seem as if he is hating

it and how in real life he was kind of enjoying it and blah blah blah and my

father still talks to this day about how inappropriate he felt this

conversation was, how "just because he's Allen Ginsberg he can converse with

my 13 year old daughter about such things." i dont know what the logic was

there, on my fathers part; i mean i'd already read the book twice anyhow.)

Anyhow, we asked Allen if he would be reading anywhere soon, and he told us

about the Kerouac symposium that was going on at NYU the following week,

culminating in a big deal show at Town Hall with Allen, Ferlinghetti, Corso,

DiPrima, Sanders, Waldman, Amram, Bremser, Lee Ranaldo and more.  I ended up

going to this Town Hall event; it was, of course, quite a fitting introduction

to the entire Beat Generation, for a kid of 13.

   Yup, that was my first Allen Ginsberg story.   :)

            -- Ginny.

 

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Date:         Tue, 17 Mar 1998 15:52:02 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         NICO 88 <NICO88@aol.com>

Subject:      Re: "Wake Up"

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 98-03-16 09:26:03 EST, you write:

 

> you can purchase back copies of Tricycle magazine...in which "wake up"

>  appeared.  go into a bookstore and look at a tricycle magazine and there

>  should be a order form or a phone number where you can call and order which

>  ever back copies you desire.

>  good luck

>  john j dorfner

> 

 

yes, also, on their website you can survey all back issues, the titles of all

articles, etc.   or, call them at 1 800 950 7008.

 

-- Ginny.

 

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x-sender: morocco@pop.walrus.com

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 17 Mar 1998 16:31:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gregory Severance <morocco@walrus.com>

Subject:      Fwd: Review of Ron Whitehead CD

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Here's a review written by Paul McDonald.

 

--Gregory

------------Begin forwarded message------------------------

Date:        Mar. 16, 1998

From:        Paul McDonald

To:          The Bohemian Mailing List

 

REVIEW OF "TAPPING MY OWN PHONE"

by

Paul McDonald

 

Ron Whitehead does not sleep.  Anyone who has known the

Louisville, Kentucky Poet or had any contact with him over

the last seven years knows this, and instead of beating his

chest bloody and whinning about it, he celebrated his lack

of sleep with over 300 INSOMNIACATHONS, or marathon poetry

readings, that lasted 24, 36, 48, even 72 hours in places as

diverse as New York University, The Eisenhower Center at the

University of New Orleans, and the Meer dan Woorden Festival

in the Netherlands.

 

When that wasn't enough to keep him occupied he decided to

try his hand at publishing, putting out rare viable poetic

copy not only of the Louisville Community, but of cutting

edge authors from all walks of life:  Professors, like Douglas

Brinkley, author of "The Majic Bus."  Spiritual Icons, like

the Dali Lama and Thomas Merton.  Nobel Laureates like Seamus

Heaney and politicians like President Jimmy Carter.

 

This past winter, it looked as if Ron Whitehead would finally

get a decent nights sleep as he quit his teaching job, unplugged

his phone, turned off his computer, gathered his family around

him, and began, "...to go underground."

 

Yet, Whitehead still refuses to acknowledge the duality of

consciousness, and so his dreams have merged with the waking

state.  This usually results in madness.  But Whitehead

ascribes to the philosophy put forth by Salavor Dali:

 

                "The only difference between me and a madman

                 is that I am not insane..."

 

So even in the seemingly secure environment of home and hearth,

Ron Whitehead has managed to articulate his dreams in a new

spoken word CD entitled "Tapping My Own Phone..."

 

Allen Ginsberg once called Ron Whitehead an energetic poetic

Bodhisattva.  The title piece delves into the price one must

pay to maintiain those Bodhisattvic Vows:

 

               "every time I hear an airplane or helicopter

               or car door slam I know The Secret Service the FBI

               and the IRS Swat Teams have finally arrived

               cause I published a poem by the President of

               The United States of America without his

               fully conscious permission...

               ...so yes I've become a little jumpy

               but I'm staying one step ahead tapping my

               own phone videotaping my every move

               watching myself day and night replaying

               the tapes cause I got a bad bad bad case

               of the deep fear paranoia anxiety despair

               and suicide blues..."

 

It is no secret that Ron Whitehead has a love for the Beat

Generation. Three poems are homages to that movement. "San

Francisco, 1993" is about his visit to writer Lawrence

Ferlinghetti;  "Calling The Toads" about his association with

the late William S. Burroughs; and "Asheville" a stream of

consciousness ode originally written in 1994 and revised upon

the death of Allen Ginsberg. The Beat influence is most

noticeable in "GIMME BACK MY WIG: The Hound Dog Taylor Blues"

(written after officiating at a basketball game where a

spectator who didn't like Whitehead's calls or the length

of his hair attempted to rip his head off), "Shithouse

Manifesto," and "Without Blinking."  But even in those works

the influence is secondary.  Most of the poems are drawn

directly from the experience of living in Kentucky. The most

riveting being "Jasper Joyce" written about his grandfather,

a coalminer and Pentacostal Holy Roller Snake Handler. In

this piece Whitehead probes the fear and wonder a child feels

upon seeing his grandfather speak in tongues and take up serpents.

 

Whitehead begins the CD with the poem "The Bone Man," a solemn

shamanic invocation, and then, with each succeeding piece,

shifts into a high-powered throttle of bardic recitative,

drawing the listener deep into the poetic experience.

 

The intesity and energy vary enough to keep the listener

intrigued.  Not only do these works soar like an Amiri

Baraka Rant, they can take on a Zen-like subtlety most

evident in the works "Netherlands," "You Grow Wild In My

Heart," and "Listen."

 

The CD comes full circle from the beginning strains of fear

and paranoia to the resolute conviction of "I Will Not Bow

Down/Pledge of Allegiance":

 

              "I will not Bow Down America

               I will not Bow Down

                       to your Government

                       to your Religion...

               I will not Bow Down America

                       to your invasion of privacy

                       to your moral absolutes...

                       to your Assassins...

                       to your attempt to make me the model citizen

                               of Your State of Your Church...

 

              "America

                       I pledge allegiance

                       to the woman I love

                       and to our children...

                       to my friends and allies

                       my guides and angels

                       both seen and unseen...

                       I pledge alligence to Resurrection of the

                       Heart..."

 

"Tapping My Own Phone" is an important audio document of a

restless poet who will not sleep and who will not be silenced.

It can be ordered directly through the publisher Ring Tarigh,

P.O. Box 1345 Westerly, RI  02891, email - hasan@riconnect.com;

or through AK Press Distribution, P.O. Box 40682,

San Francisco, CA  94140-0682, phone - 415-864-0892,

FAX - 415-864-0893, email - akpress@org.org,

http://db.akpress.org/capps/mall/index.cfm

-----------------End forwarded message-------------------------------

 

+ + + + + + + + + + + + + + + + + + + + + + + + + + + +

Gregory Severance      morocco@walrus.com

 

http://www.walrus.com/~morocco/     <<BULLDOG BREATH>>

 

"I remember with particular amusement,

 people with three-cornered hats fishing

 in the dawn." -- Richard Brautigan

      TROUT FISHING IN AMERICA

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 17 Mar 1998 16:35:58 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         paul caspers <caspers@worldonline.nl>

Subject:      kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

howdy

 

a mate wants to have the entire text + title of the following kerouac poem

for his girlfriend. please help him out if you know anything!!

 

>It starts off

> 

>>I've been doing this all my life

>>Going after people who interest me

>>Because the only people for me are the mad ones

>>The ones who are mad to live,mad to talk

> 

>Now the rest is a bit sketchy but mentions roman candles exploding like

>stars....

 

thanx

paul

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 12:25:39 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@aol.com>

Subject:      Re: kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

this "poem" is actually an excerpt from kerouac's on the road. well, on seond

thought, it might have been taken out as a poem, i think i came across a

version of it once. anyway, it was titled "bohemian". i don't have that with

me now, so i'm sending the prose version. maybe someone else will have it in

poetry. ps - if my boyfriend gave this to me i'd think he was tres lame. using

your own stuff is so much better. he seems like someone just eager to impress

for the sole purpose of scoring. though you may say otherwise, it won't change

my impression of him. anyway, it goes:

 

But then they danced down the street like dingledodies, and I shambled after

as I've been doing all my life after people who interest me, because the only

people for me are the mad ones, the ones who are madto live, mad to talk, mad

to be saved, desirous of everything at the same time, the ones who never yawn

or say a commonplace thing, but burn, burn, burn like fabulous yellow roman

candles exploding like spiders across the stars and in the middle you see the

blue centerlight pop and everybody goes "Awww!"

 

chillin,

aeronwy

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 12:27:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jack Foley <JFOLEY@crs.loc.gov>

Subject:      kerouac -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

It might be a poem, but I believe it's also prose in On the Road, either near

the beginning or at the end.

-- Jack Foley

 

>>> paul caspers <caspers@worldonline.nl> 03/17/98 04:35pm >>>

----------------------------Original message----------------------------

howdy

 

a mate wants to have the entire text + title of the following kerouac poem

for his girlfriend. please help him out if you know anything!!

 

>It starts off

> 

>>I've been doing this all my life

>>Going after people who interest me

>>Because the only people for me are the mad ones

>>The ones who are mad to live,mad to talk

> 

>Now the rest is a bit sketchy but mentions roman candles exploding like

>stars....

 

thanx

paul

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 12:28:11 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@is8.nyu.edu>

Subject:      Re: kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

This is from On The Road. Unfortunately, I lost my copy (!), so I cant tell

you what page its on but its in there somewhere. Its one of my favorite

lines in the whole book.

~Nancy

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 12:29:34 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Re: kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

It's not a poem, but an oft-quoted line from early in ON THE ROAD, describing

the immediate kinship between Neal Cassady and Allen Ginsberg. Following a

preface by jack where he writes "From that moment on I saw very little of

Dean, and I was a little sorry too. Their energies met head-on; I was a lout

compared, I couldn't keep up with them,"  a few lines later he writes:

 

They rushed down the street together, digging everything in the early way they

had, which later became so much sadder and perceptive and blank. But then they

danced down the street like dingledodies, and I shambled after as I've been

doing all my life after people who interest me, because the only people for me

are the mad ones, the ones who are mad to live, mad to talk, mad to be saved,

desirous of everything at the same time, the ones who never yawn or say a

commonplace thing, but burn, burn, burn like fabulous yellow roman candles

exploding like spiders across the stars and in the middle you see the blue

centerlight pop and everybody goes "Awww!"

=======================

The entire passage is on pages 8 and 9 of both my editions of ON THE ROAD.

Easy to find, hard to forget.

 

Diane

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 12:30:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Liliana Gil Valdivia <logovo@tij.cetys.mx>

Subject:      Re: kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Paul,

 

Its from the beginning of "On the Road" when Sal recalls Carlo and Dean

meeting. Its the passage that everyone seems points to when discussing OtR.

 

"They rushed the streets together, digging everything in the early way they

had, which later became so much sadder and perceptive and blank. But then

they danced down the streets like dingledodies, and I shambled after as I've

been doing all my life after people who interest me, because the only people

for me are the mad ones, the ones who are mad to live, mad to talk, mad to

be saved, desirous of everything at the same time, the ones who never yawn

or say a commonplace thing, but burn, burn, burn like fabulous yellow roman

candles exploding like spiders across the stars and in the middle you see

the blue centerlight pop and everybody goes "Awww!"

 

That bit you quoted if I'm not mistaken was used in a Volvo commercial

something over a year ago. Always strange to see something like that.

Expecting now to hear "I saw the best minds of my generation destroyed by

madness" to openning a spot for Surge or maybe Microsoft.

 

saludos,

 

-liliana

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 12:30:40 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@execpc.com>

Subject:      Re: kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Paul Caspers wrote:

 

> a mate wants to have the entire text + title of the following kerouac

poem

> for his girlfriend. please help him out if you know anything!!

> 

> >It starts off

> >

> >>I've been doing this all my life

> >>Going after people who interest me

> >>Because the only people for me are the mad ones

> >>The ones who are mad to live,mad to talk

> >

> >Now the rest is a bit sketchy but mentions roman candles exploding like

> >stars....

 

This is not a poem, it is an excerpt from Kerouac's novel "On The Road."

It's on the fourth or fifth page or so.  Also available in the section

reprinted in "The Portable Beat Reader."

 

Jym

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 18 Mar 1998 15:33:59 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bigsurs4me <Bigsurs4me@aol.com>

Subject:      Re: kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Paul,

 

This is the most famous Kerouac line that there is.  It's from the first eight

or ten pages of On The Road.  It starts off, "The only people for me are the

mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous

of everything at the same time, the ones who never yawn or say a commonplace

thing, but burn, burn, burn like fabulous yellow roman candles exploding like

spiders across the stars..."

 

 

To the best of my knowledge it does not exist as a poem or as a singlular

written document outside of On The Road.  We do sell T-SHirts with this quote

on it.  Check out our website at www.kerouac.com or call 1-800-KER-OUAC.

 

Jerry Cimino

Fog City Facts & Fiction

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 19 Mar 1998 16:28:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@drc.com>

Subject:      Jim Carroll

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Just want to recommend Jim Carroll's poetry, his music too for that

matter. It certainly sounds beat to me. Powerful stuff.

 

 

Mark Hemenway

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 19 Mar 1998 16:45:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      Carefree/Carelessness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

towards the end of 1 in OTR:

"Besides, all my New York friends were in the negative nightmarish

position of putting down society and giving their tired bookish or

political or psychoanalytic reasons, but dead just raced in society,

eager for bread and love; he didn't care one way or the other...."

 

Does this seem an accurate view of Neal's social perspective?  Does Jack

jump on it b/c it is easier for him to keep close to Neal's view than

the New York friends?  Does Neal's carefree attitude turn into a

carelessness, and why?

 

just some things i'm wondering on a snowy afternoon in Kansas.

 

dbr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 19 Mar 1998 19:56:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ZePhyra11 <ZePhyra11@aol.com>

Subject:      kerouac newbie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

i'm in my first year of college, and have recently read "desolation angels."

it is the first kerouac i've read (frankly, because i was looking for "on the

road" but it was currently checked out).  I loved it.  it had such an effect

on me that i'm reading kerouac's poetry like crazy, and my boyfriend bought me

a copy of "on the road" for my birthday, and i'm going to delve into that as

soon as i get a chance.  i guess my question is: what other kerouac novels do

you guys recommend?  i went to barnes and noble and have discovered that there

are numerous works by this great man.

 

--carly

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 19 Mar 1998 19:57:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bryan Farrow <bryan_farrow@yahoo.com>

Subject:      Re: Carefree/Carelessness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

the relationship between kerouac and cassidy seems to me one of

salvation. i just had to read Boswell's Life of Johnson for an 18th c.

course, and it that book the author just gives himself completely --

in a psychogenic, religious, almost visceral way -- to Johnson. In The

Life, Johnson serves as the introspective, contemplative body, and

Boswell its foppish satellite. In OTR, Cassidy is the controlling

force, although a frenzied, always-shifting one, and Kerouac his

attendant, though more introspective and I think skeptical. Anyone

else, like me, have a friend that sort of grounds you?

 

 

 

---David Bruce Rhaesa <race@midusa.net> wrote:

> 

> ----------------------------Original

message----------------------------

> towards the end of 1 in OTR:

> "Besides, all my New York friends were in the negative nightmarish

> position of putting down society and giving their tired bookish or

> political or psychoanalytic reasons, but dead just raced in society,

> eager for bread and love; he didn't care one way or the other...."

> 

> Does this seem an accurate view of Neal's social perspective?  Does

Jack

> jump on it b/c it is easier for him to keep close to Neal's view than

> the New York friends?  Does Neal's carefree attitude turn into a

> carelessness, and why?

> 

> just some things i'm wondering on a snowy afternoon in Kansas.

> 

> dbr

> 

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Thu, 19 Mar 1998 19:58:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: Jim Carroll

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

Ho yhea Jim Carroll, hes definitely beat...i went to see him when i drovw up

to Michigan two weeks ago...he was fantastic..!!!

 

Crystal

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:45:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      Re: Carefree/Carelessness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Bryan Farrow wrote:

> 

> ----------------------------Original message----------------------------

> the relationship between kerouac and cassidy seems to me one of

> salvation. i just had to read Boswell's Life of Johnson for an 18th c.

> course, and it that book the author just gives himself completely --

> in a psychogenic, religious, almost visceral way -- to Johnson. In The

> Life, Johnson serves as the introspective, contemplative body, and

> Boswell its foppish satellite. In OTR, Cassidy is the controlling

> force, although a frenzied, always-shifting one, and Kerouac his

> attendant, though more introspective and I think skeptical. Anyone

> else, like me, have a friend that sort of grounds you?

> 

I'll pay attention to this view some as i re-read but my impression is

that Jack and Neal weren't grounding for each other. It seems that the

two together were un-grounded energy ignoring or opposing all grounding

influences.  It seems that they fed on each other's energy but in the

direction of the extreme.  It seems they brought out the wildest in the

other.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:46:38 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <sholland@iclub.org>

Organization: Creeps Filmworks, 101 Center Court, Berea, KY 40403

Subject:      bohemian mailing list

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Gregory Severance wrote:

> 

> To:          The Bohemian Mailing List

 

 

=== What is this Bohemian mailing list, and how do I get on it?

 

 

=-=-=-=-=-=-=-=-=

jsh from ky

bored shirtless

=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:47:28 EST

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@mindspring.com>

Subject:      Re: Carefree/Carelessness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Does Neal's carefree attitude turn into a

carelessness, and why?

 

just some things i'm wondering on a snowy afternoon in Kansas.

 

dbr

 

I think from the descriptions we have that Neal wanted to live fast, die

young and leave a preety corpse, as the saying goes.  He seems to have

succeeded in all three pursuits.  Bookish, essentially introverted types

like Jack have always been drawn to wild, raw, impulsive types like

Neal.  If it hadn't been Neal, it would have been someone else.  Neal

was his muse and he both aped and critiqued him.  Trying to keep up with

Neal probably killed him too.  He should have learned from Neal's

example, but then hindsight is twenty-twenty.  Mark J

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:48:40 EST

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@mindspring.com>

Subject:      Re: kerouac newbie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

guess my question is: what other kerouac novels do

you guys recommend?  i went to barnes and noble and have discovered that

there

are numerous works by this great man.

 

Mexico City Blues for poetry plus Dream Book (he recorded his dreams)

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:49:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@zip.com.au>

Organization: Zip Internet

Subject:      [Fwd: kerouac newbie]

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 Carly, hi...I personally recommend you read all the "numerous works by

this great man." To me

when someone gets "hooked" on JK as you obviously have done it doesn't

matter where you start

or where you end; a good suggestion might be to read them in the order

they were published

(that's what I did...it made sense). Some will tell you this book is "a

must" or "this one first" "no,

this one's better" here, there, this, that...his in you now, girl, so I

say simply start...you have, so

keep going.

 

Always merry and bright.

 

 

Message-ID: <3511F3F2.FD29FC1E@zip.com.au>

Date: Fri, 20 Mar 1998 15:43:30 +1100

From: Paul Buckberry <buckb@zip.com.au>

Organization: Zip Internet

X-Mozilla-Draft-Info: internal/draft; vcard=0; receipt=0; uuencode=0; html=0;

 linewidth=0

X-Mailer: Mozilla 4.04 (Macintosh; I; 68K)

MIME-Version: 1.0

To: BEAT-L: Beat Generation List <BEAT-L@CUNYVM.CUNY.EDU>

Subject: Re: kerouac newbie

References: <f4bf29d0.3511a9e8@aol.com>

Content-Type: text/html; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

<x-html><HTML>

&nbsp;Carly, hi...I personally recommend you read all the "numerous works

by this great man." To me when someone gets "hooked" on JK as you obviously

have done it doesn't matter where you start or where you end; a good suggestion

might be to read them in the order they were published (that's what I did...it

made sense). Some will tell you this book is "a must" or "this one first"

"no, this one's better" here, there, this, that...his in you now, girl,

so I say simply start...you have, so keep going.

 

<P>Always merry and bright.

<BR>&nbsp;

<BR>&nbsp;</HTML>

 

</x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:56:24 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jjdorfner <Jjdorfner@aol.com>

Subject:      Re: kerouac newbie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

carly...

 

Dr. Sax

Visions of Cody

Visions of Gerard

Book of Dreams

 

 

some great books...by this great author.

 

welcome to the club.

 

john j dorfner

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:57:12 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      Re: kerouac newbie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

ZePhyra11 wrote:

> 

> ----------------------------Original message----------------------------

> i'm in my first year of college, and have recently read "desolation angels."

> it is the first kerouac i've read (frankly, because i was looking for "on the

> road" but it was currently checked out).  I loved it.  it had such an effect

> on me that i'm reading kerouac's poetry like crazy, and my boyfriend bought me

> a copy of "on the road" for my birthday, and i'm going to delve into that as

> soon as i get a chance.  i guess my question is: what other kerouac novels do

> you guys recommend?  i went to barnes and noble and have discovered that there

> are numerous works by this great man.

> 

> --carly

Vanity of Duluoz is wonderful, i think, at looking back on youth.

Dharma Bums and Big Sur are both really nice.  The former gives a

glimpse of Jack's forays into Zen Buddhism and the latter some of his

difficulties with alcoholism.  But definitely read On the Road.

 

dbr

 

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X-Sender: cen00746@207.17.135.251

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 13:59:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         mike rice <cen00746@centuryinter.net>

Subject:      Re: Carefree/Carelessness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 07:57 PM 3/19/98 EST, you wrote:

>----------------------------Original message----------------------------

>the relationship between kerouac and cassidy seems to me one of

>salvation. i just had to read Boswell's Life of Johnson for an 18th c.

>course, and it that book the author just gives himself completely --

>in a psychogenic, religious, almost visceral way -- to Johnson. In The

>Life, Johnson serves as the introspective, contemplative body, and

>Boswell its foppish satellite. In OTR, Cassidy is the controlling

>force, although a frenzied, always-shifting one, and Kerouac his

>attendant, though more introspective and I think skeptical. Anyone

>else, like me, have a friend that sort of grounds you?

> 

> 

> 

>---David Bruce Rhaesa <race@midusa.net> wrote:

 

I have two great friends who don't exactly ground me, its more like

they put the brakes on me and I don't always appreciate it.

 

Mike Rice

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 14:00:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jack Foley <JFOLEY@crs.loc.gov>

Subject:      The RIVAL Tradition in FlashPoint

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

           ATTENTION: Lovers of Off-Beat, Post-Beat, Avant-Pop!

 

                                   RON SUKENICK

                   Author of UP, OUT, 98.6, & BLOWN AWAY

                                      discusses

               the millenia-old alternative to mainstream narrative

                                           in

                            THE RIVAL TRADITION*

                                           in

 

                                  FLASHPOINT

                  (http://webdelsol.com/FLASHPOINT/)

          "Along the frontier where the arts & politics clash ..."

 

           *(http://webdelsol.com/FLASHPOINT/sukeint1.htm)

 

       Baraka  Brennan  Brody  Clark  Coe  Eshleman  Gould  Haas   Hickman

Katz  Parcelli  Scroggins  Stuefloten  VanderMeer  Wallace

 

                    Part of the literary arts complex at

                                WEB DEL SOL

                        (http://www.webdelsol.com/)

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 14:02:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jack Foley <JFOLEY@crs.loc.gov>

Subject:      kerouac newbie -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Kerouac's very best, in my opinion, is Visions of Cody (but fair warning: there

are long, slow stretches in the middle, esp. the tape recording; it's best in

 the

last 150 pages).  But I'm also partial to The Subterraneans, The Dharma

Bums, Dr. Sax, Tristessa, and Big Sur.  Not a novel, but very good are the

stories and sketches in Lonesome Traveler.  (After two readings, I still don't

care much for Maggie Cassidy.  Kerouac never wrote an uninteresting book,

though.  After the best, try also Visions of Duluoz and Satori in Paris.)  And

there's even more.

-- Jack Foley

>>> ZePhyra11 <ZePhyra11@aol.com> 03/19/98 07:56pm >>>

----------------------------Original message----------------------------

i'm in my first year of college, and have recently read "desolation angels."

it is the first kerouac i've read (frankly, because i was looking for "on the

road" but it was currently checked out).  I loved it.  it had such an effect

on me that i'm reading kerouac's poetry like crazy, and my boyfriend bought

me

a copy of "on the road" for my birthday, and i'm going to delve into that as

soon as i get a chance.  i guess my question is: what other kerouac novels do

you guys recommend?  i went to barnes and noble and have discovered that

there

are numerous works by this great man.

 

--carly

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Content-Disposition: inline

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 14:06:23 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jack Foley <JFOLEY@crs.loc.gov>

Subject:      kerouac newbie -Reply

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

----------------------------Original message----------------------------

Kerouac's very best, in my opinion, is Visions of Cody (but fair warning: there

are long, slow stretches in the middle, esp. the tape recording; it's best in

 the

last 150 pages).  But I'm also partial to The Subterraneans, The Dharma

Bums, Dr. Sax, Tristessa, and Big Sur.  Not a novel, but very good are the

stories and sketches in Lonesome Traveler.  (After two readings, I still don't

care much for Maggie Cassidy.  Kerouac never wrote an uninteresting book,

though.  After the best, try also Visions of Duluoz and Satori in Paris.)  And

there's even more.

-- Jack Foley

>>> ZePhyra11 <ZePhyra11@aol.com> 03/19/98 07:56pm >>>

----------------------------Original message----------------------------

i'm in my first year of college, and have recently read "desolation angels."

it is the first kerouac i've read (frankly, because i was looking for "on the

road" but it was currently checked out).  I loved it.  it had such an effect

on me that i'm reading kerouac's poetry like crazy, and my boyfriend bought

me

a copy of "on the road" for my birthday, and i'm going to delve into that as

soon as i get a chance.  i guess my question is: what other kerouac novels do

you guys recommend?  i went to barnes and noble and have discovered that

there

are numerous works by this great man.

 

--carly

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 20 Mar 1998 14:07:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm probably in the minority when I say that I think one of Kerouac's

best and most neglected novels is "The Town and The City."  It's a big,

traditional, Wolfean novel that Kerouac later disavowed for being too

"crafted."  However, Kerouac wasn't always right.  Despite its

conventional style, TTATC contains the seeds of much of Kerouac's later

work.  It's a good read.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 19:58:38 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Re: kerouac newbie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

For me, it seems like I read Kerouac differently when I was very young than I

did when I logged some years and experience under my belt. The first book I

read was ON THE ROAD, and it was perfect for the Sixties, like a secret being

revealed, that there had always been an undercurrent of madness, even in my

parents' generation, but they tried to hide it. When my dad (always a step

behind the times) called me a beatnik and threatened to throw me out of the

house, I just laughed, until I read ON THE ROAD. Then I understood how

threatened he was by my generation.

 

Last year I read VISIONS OF GERARD again and was awestruck by it. It was the

second book I read by Jack back in 1969. Then I re-read BIG SUR, another

favorite of mine, and once again, fireworks went off.

 

Reading these two back to back is a very interesting psychological study of

jack. Oddly enough, these books have many common dovetails to one another.

"Gerard" explains much of "Big Sur," and both books illustrate that spiritual

reaching out and falling short that really defined his life.

 

As others have said, all his books are worth reading. Some will speak to you

more than others. But I'd say, try this juxtaposition, Gerard/Big Sur and see

how it feels. Pretty rich stuff, I think.

 

Diane

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 19:59:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@sover.net>

Subject:      happy happy joy joy

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

newbies are being greeted and helped generously,

we are back talking about the works themselves.

today i felt a fresh breeze waft out of my computer as i fired up the

mailer.

peace everyone,

and to all the workers of the list, have a great weekend.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 20:00:29 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@scsn.net>

Subject:      Re: Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Bill:

 

This was probably the LAST book by Kerouac that I read.  I fully agree with

you that it is not given proper credit, even by fans.  While it is

derivative of Wolfe, but what American writer since he was published does

not owe some debt to Wolfe, it rings true with its own voice and shows the

seeds that Jack was sowing to become the writer he was later.

 

On the other hand, I can see how he would disavow it as it was a "flop"

commerically, labelled his as a derivative writer and was so structured

when compared with his other work.  If you are a Kerouac fan and have not

read this book, you owe it to yourself to find a copy at your library.

 

Bill Gargan wrote:

 

> I'm probably in the minority when I say that I think one of Kerouac's

> best and most neglected novels is "The Town and The City."  It's a big,

> traditional, Wolfean novel that Kerouac later disavowed for being too

> "crafted."  However, Kerouac wasn't always right.  Despite its

> conventional style, TTATC contains the seeds of much of Kerouac's later

> work.  It's a good read.

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 20:01:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@aol.com>

Subject:      book of dreams

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

yes, yes, yes! i won't claim to have read everything kerouac ever published,

but of the things that i have, this is by far my favorite. i don't know why i

love it, exactly. i do know that i get a kick out of someone who tried to

record his dreams. i remember reading somewhere about what he went through

trying to record them. in fact, in might even have been in the preface.

whatever. it's a sheer pleasure to read it. much more innovative and at the

same time soothing than traditional (if his other work can be called that,

which i doubt) beat lit. try it!

 

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Fri, 20 Mar 1998 20:02:05 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@aol.com>

Subject:      Re: Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

i can't say if town and the city is such a good read becuase i've never read

it. which, i think, was bill's point. and i have to agree - i always seem to

exclude it when i try to mentally list his work. it certainly doesn't pop into

my mind often. does anyone else find that they forget it? it usually only

surfaces when some cheeky (or, rarely, a sincerely curious) person tries to

pick my brain on kerouac trivia and asks what his first novel was. i'll pick

it up over the summer and let you all know what i think of it. i wish i didn't

have to wait that long, but i gotta wait till school finishes before i'll have

time.

 

later,

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:03:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Ricard <bonmark@webtv.net>

Subject:      Re: Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I've read part of Dharma Bums and On The Road and it's clear to me that

kerouac is looking for a big brother. When I read about Cody dying at

ten these two books made much more sense. Kerouac is looking for the

male role model he lost in Cody. Any comments on this?

 

Mark

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:05:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@moving-people.net>

Subject:      book of dreams by burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

speaking of dreams and beats... did anyone read "my education" by william

burroughs?

i read it aproximately half a year after its release & only by then realized how

important dreams have actually been for burroughs' writing, whether concerning

the style or the contents. he had stated this fact in many interviews (for

example in "with william burroughs" by victor bockris, a must-read for every

burroughsian & warholian), but i didn't have much proof for this statement

 untill

i read "my education".

 

here's a few sentences from the book which i underlined, because i thought

 they'd

be most interesting & important & true. please feel free to dicuss them.

 

"for years i wondered why dreams are so often so dull when related and this

morning i find the answer, which is very simple-like most answers, you have

always known it: no context... [...] [conventional dreams] are as boring and as

commonplace as the average dreamer. there is a special class of dreams, in my

experience, that are not dreams at all but quite as real as so-called waking

 life

[...] but, if one can specify degrees of reality, more real by the impact of

unfamiliar scenes, places, personnel, even odors."

 

"am i an alien? alien from what exactly? perhaps my home is the dream city, more

real than my so-called waking life, precisely because it has no relation to

waking life."

 

"<dreams mean nothing,> crick croaks, <just neural housecleaning. the quicker we

forget our dreams the better.> he's telling me my dreams, where i get my best

sets and characters, are meaningless. meaningless to whom, exactly? they can't

even think straight. as if <meaning> floats about in a vacuum, with no relation

to time, place or person."

 

and what about burroughs statement that dreams (like cutups) can refer to future

events? has anyone of you had any experiences with that? i don't want to turn

BEAT-L into PSYCHOLOGY-L or PARANORMAL-L, but these topics are very important,

looking at the beat's goal to change reality, find other realities in inner and

outer space.

 

jens

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:05:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      Dream vs. Reality

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Towards the end of 2 in OTR:

 

"'...If you want to go to Chicago you'd do better going across the

Holland Tunnel in New York and head for Pittsburgh,' and I knew he was

right.  It was my dream that screwed up, the stupid hearthside idea that

it would be wonderful to follow one great red line across America

instead of trying various roads and routes."

 

Jack's dream shows itself "stupid" when faced with the realities of

weather and traffic.  Hitching isn't something that can be planned out

over maps and hearthside dreaminess.  Does this tendency of Jack to

think his way away from reality show up in other significant places

we've read about Jack?  Can we identify with the feelings of total

stupidity when our dreaminess takes us away from the practical side of

living?

 

dbr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:07:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@sover.net>

Subject:      beat-ls who were on my poetry list

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

i nuked my address book (one keyboard 2 phones, a vcr all in a month)

those of you who were receiving my poems in a sublist, could you please send

me a 'test' message? my mailer won't let me separate the beat list from the

sender.

anyone else is welcome to do the same

thanks for the bandwidth, bill. this will keep the flow more in the beat

list scope

mc

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:08:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Xavier Anguera <x.anguera@telematic.net>

Subject:      Looking for K's Spanish translations

To:           BEAT-L@CUNYVM.CUNY.EDU

 

<x-html><html><head></head><BODY bgcolor="#D8D0C8"><p><font size=2 color="#000000" face="Arial">Hi, friends!<br>I'm looking for Kerouac's (and other Beats) books translated to Spanish. I'm not able to read a complete book in literary style in English (I hope I'll be able to do it soon), so I prefer translations. I could find only five Kerouac's books in Spanish: OTR, The Subterraneans, Vissions of Cody, Dharma Bums and a little anthology of his poetry. I know that other titles were published in Spain years ago, but now it's impossible to find them. I wonder if other titles are available in Mexican, Argentinian or another Spanish-speaking country editions.<br><br>Can you help me? All friendly messages are welcome. Thanks.<br><br>Xavier Anguera<br>mail: x.anguera@telematic.net<br><br>**If anybody is interested in Spanish (or Catalan) from Beat books (or about Beats), I can provide them with a modest list of titles.</p>

</font></body></html></x-html>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: cake@ionline.net

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:09:22 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "M. Cakebread" <cake@ionline.net>

Subject:      Re: Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 02:07 PM 3/20/1998 EST, Bill Gargan wrote:

>I'm probably in the minority when I say that I think one of Kerouac's

>best and most neglected novels is "The Town and The City."  It's a big,

>traditional, Wolfean novel that Kerouac later disavowed for being too

>"crafted."  However, Kerouac wasn't always right.  Despite its

>conventional style, TTATC contains the seeds of much of Kerouac's later

>work.  It's a good read.

 

It reminds me of Wolfe's collection of short stories entitled

 _From Death to Morning_.  Especially the Time's Squarelo

(kitty stepped on keyboard) narrative in the short story "Death

the Proud Brother."  I agree, this novel is neglected.

Most people I know have only read _OTR_ and

_DB_.  They seem to stop reading K after these two.  I think

most people get attracted to Kerouac due to the hype of these

novels and then leave it at that.  Their loss I guess. . .

They sum up Kerouac in these two works - a dreadful shame

indeed!!

 

Mike

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:10:40 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sockmunkie <Sockmunkie@aol.com>

Subject:      carly

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

wow, that kinda confused me--my name's carly too.  any how, i haven't read a

ton of kerouac, yet.  i'm just about to read desolation angels.  so far i've

done on the road and dharma bums.  i'm going chronologically, but skipping

visions of cody.  a lot of people would call me nuts for doing that, but that

sucker's one tough read.  allan ginsberg actually thought visions of cody was

much better than on the road, so whadda you do?  i dunno.  anyhow, from what

i've read so far, dharma bums tops my list--it's more thoughtful and

discriptive than on the road, and some would say that it definitely shows how

much his writing style had matured.  if you like jack's poetry, i sincerely

urge you to pick up some ginsberg stuff; there's a giant red book, call the

colleted works of allan ginsberg, and that will pretty much have you

covered--out of that (just for starters) i reccomend "transcription of organ

music," "please master," "sunflower sutra,"  "many loves," and of course,

"howl".  i could go on, and on, but i'll leave you with these--you'll find the

rest just thumbing through.

--carly nicole

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 11:11:25 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sockmunkie <Sockmunkie@aol.com>

Subject:      Re: Carefree/Carelessness

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

i didn't particuarly think sal was sceptical of dean until the end of the

book.  granted, we are skeptical of dean throughout since kerouac, himself,

was already dissillusioned with dean when he began writing the book.  sal, as

a character, though, had to go through the motions of the narrative before

arriving at this point.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:50:28 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: carly

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

Damn straight Carly,

That thought crosses my cerebelllum everytime i read a letter talking about

kerouac on this list....Which in fact, Jack is really great...but my true

love, is definitely Allen Ginsberg...he remains the best poet ever in my

soul...and always will be.....i have everything he has ever written...and

everytime i do performance poetry..iam inspired by him and have the passion to

execute the spoken word with stellar magnificence.....allen is one of the most

daring and controversial poets ever...who i guess doesn't get much play

anywhere i have seen.....i have yet to find that perfect allen ginsberg dharma

lion head bastard with an exaggerated large male [ha!]organ whom ill surely

have "golden copulations" with on the streets of my windy city...Carly you

should also check out his poems illuminated they are also orgasmic...

 

see you later hon,

Love Meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: hemorin@pop3.ibm.net

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:51:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         henry <OldScratch@ibm.net>

Subject:      Re: Dream vs. Reality

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 11:05 AM 3/21/98 EST, you wrote:

>----------------------------Original message----------------------------

>Towards the end of 2 in OTR:

> 

>"'...If you want to go to Chicago you'd do better going across the

>Holland Tunnel in New York and head for Pittsburgh,' and I knew he was

>right.  It was my dream that screwed up, the stupid hearthside idea that

>it would be wonderful to follow one great red line across America

>instead of trying various roads and routes."

> 

>Jack's dream shows itself "stupid" when faced with the realities of

>weather and traffic.  Hitching isn't something that can be planned out

>over maps and hearthside dreaminess.  Does this tendency of Jack to

>think his way away from reality show up in other significant places

>we've read about Jack?  Can we identify with the feelings of total

>stupidity when our dreaminess takes us away from the practical side of

>living?

> 

>dbr

> 

>you have to remember when Jack did it threr where no interstate hi-way

system as we no it today,having hitchhiked across the country twice

myself,once in 68 and again in 71

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:53:06 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: book of dreams by burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

have you read Yage Letters by allen ginsberg and Burroughs???

 

meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:53:55 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sedington <Sedington@aol.com>

Subject:      Neglected Kerouac/Brother

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

On "Neglected Kerouac":

It seems like I read somewhere [Sorry, I'm always saying that since I tend not

to remember what I read where unless I write it down] that Kerouac attached

some mystical significance to the fact the Neal Cassady was born in the same

year that Gerard died--1926--as a replacement to the lost Gerard.

 

Jack actually lost a "brother" a second time with the death of Sebastian

"Sammy" Sampas at Anzio in 1944. He closed some of his letters to Sammy with

"Your brother, Jean" (See the "Selected Letters").

 

Kerouac also took to the road for the first time shortly after the death of

his father. I wonder if the search for "old Dean Moriarty" (OTR) had an

element of JK also wanting to recover in some way his own lost father?

 

S'long--Steve E.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:54:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@scsn.net>

Subject:      dreams

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

David:

 

In your post on dreams, you said:

 

 

> and what about burroughs statement that dreams (like cutups) can refer to

 future

> events? has anyone of you had any experiences with that?

> 

And in truth, on Thursday night, while sleeping at a friends house, I

had a dream about a friend of mine falling and hitting his head.  I woke

and remembered the dream.  I got up and forgot that I was in the corner

of an attic room with a sloped ceiling.  Of course, I hit my head.  The

dream immediately flashed through my mind.  Maybe not earth shaking, but

I had thought about posting that to the list because of my interest in

dreams.  So, there you go and it was a few hours before the reality.  I

thought it was strange, and wondered how often that happens and we don't

remember.

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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X-Sender: gnicosia@earthlink.net

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:55:25 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@earthlink.net>

Subject:      Re: Looking for K's Spanish translations

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 11:08 AM 3/21/98 EST, you wrote:

>Hi, friends!

>I'm looking for Kerouac's (and other Beats) books translated to Spanish.

>I'm not able to read a complete book in literary style in English (I hope

>I'll be able to do it soon), so I prefer translations. I could find only

>five Kerouac's books in Spanish: OTR, The Subterraneans, Vissions of Cody,

>Dharma Bums and a little anthology of his poetry. I know that other titles

>were published in Spain years ago, but now it's impossible to find them. I

>wonder if other titles are available in Mexican, Argentinian or another

>Spanish-speaking country editions.

> 

>Can you help me? All friendly messages are welcome. Thanks.

> 

>Xavier Anguera

>mail: x.anguera@telematic.net

 

Hi, Xavier,     March 21, 1998

        You can find my biography of Kerouac, MEMORY BABE, in a fine

translation from Circe Ediciones in Barcelona.  If you need the address, let

me know.

        Best always, Gerry Nicosia

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sat, 21 Mar 1998 14:56:59 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Koch <jenskoch@post1.tele.dk>

Subject:      SV: Burroughs Seen At Blockbuster!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I actually saw this movie in a small theatre at Danish film festival last week. It is hilarously funny at times, although I would advise viewers not to watch the surgeon segment on an empty stomach...

You'll never spend 43.50 wiser ...

Jens

 

----------------------------Original message----------------------------

Greetings!

 

Hello everyone.  I was in the "special interest" section of the

blockbuster movie store the other day and saw a Burroughs movie.  I

think it was called "The Burroughs Story" or "The Burroughs Files" or

something like that.  It had a picture of Burroughs on the back in a

surgeon's outfit with blood all over him.  Does anyone know about this?

Is it worth the $3.50?  (stupid question, I know)

 

Thanks,

 

Chris

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 11:44:29 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Mark Johnson <ninmar@mindspring.com>

Subject:      Re: book of dreams by burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 02:53 PM 3/21/98 EST, you wrote:

>----------------------------Original message----------------------------

> 

> 

>have you read Yage Letters by allen ginsberg and Burroughs???

> 

>meth

 

yes...MarkJ

> 

"If it ain't broke, don't fix it."  (anon)

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 11:45:26 EST

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From:         Aeronwytru <Aeronwytru@aol.com>

Subject:      Re: Dream vs. Reality

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

yes, definitely. for better or worse, i live my life like that, more or less.

i hate being practical and i always let me fantastical notions lead me astray.

truly, i always seem to know in the deep recess of my mind that it won't work

out, but i do it anyway. and i think jack was like that too. not so much in

his books, but more in his life. just from reading his biographies and other

profiles you can infer that although he was emotionally led, he usually had a

sense of realism to his actions.

 

aeronwy

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 11:51:52 EST

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From:         Michael Skau <mskau@cwis.unomaha.edu>

Subject:      Kerouac and Time

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Please pardon me if anyone has already called attention to this; I've been

gone for about 3 weeks and had my beat-l stopped.

1) In _Time_ magazine, 2 March 1998, the following short piece appeared:

GOOD, AL, BUT THAT'S WITH A W. Everyone knows Allen Ginsberg was a great

poet. Did he also have ESP? Here is a poem he wrote in 1949:

Sweet Levinsky in the night

Sweet Levinsky in the light

do you giggle out of spite,

or are you laughing in delight

Sweet Levinsky, sweet Levinsky

In other lines, Ginsberg asks if Levinsky trembles when the cock crows and

employs such words as _Dissemble_, _tearful_ and _fearful_. The Levinsky

in the poem is actually Leon Levinsky, a relatively minor character in

Jack Kerouac's first novel, _The Town and the City_.

(p. 19)

[Is anyone else out there as surprised as I am to find _Time_ asserting

without quibble that Ginsberg "was a great poet"?]

2) The Ginsberg piece appears right across the page from an article with a

section about "William Seward." (p.18)

3) In a review of Russell Banks's new novel _Cloudsplitter_, the reviewer,

John Skow, provides a brief biography of Banks and comments, "Before this,

at 16, he had stolen a car and Kerouacked off to California." (p. 76) This

occurs in the very same issue of _Time_.

Aside from the fact that such behavior sounds more like Cassady than

Kerouac, we are left with a crucial question:

Is _Time_ beat?

Cordially,

Mike Skau

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 18:53:16 EST

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From:         Bill Philibin <deadbeat@buffnet.net>

Subject:      Re: Neglected Kerouac

Comments: cc: WXGBC@CUNYVM.BITNET

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

> I'm probably in the minority when I say that I think one of Kerouac's

> best and most neglected novels is "The Town and The City."  It's a big,

 

 

        I personally love TTATC.  It gives us great insite into the heart and mind

of Jack.

 

        -Bill

 

[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

["They that can give up essential liberty to obtain a little temporary

[ safety deserve neither liberty nor safety."

[                                                 -- Benjamin Franklin

[---  ICQ UIN = 188335  --|--  PrettyGoodPrivacy v2.6.2 Key By Request --]

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 18:53:57 EST

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From:         Mark Johnson <ninmar@mindspring.com>

Subject:      Re: Kerouac and Time

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 11:51 AM 3/22/98 EST, you wrote:

>----------------------------Original message----------------------------

>Please pardon me if anyone has already called attention to this; I've been

>gone for about 3 weeks and had my beat-l stopped.

>1) In _Time_ magazine, 2 March 1998, the following short piece appeared:

>GOOD, AL, BUT THAT'S WITH A W. Everyone knows Allen Ginsberg was a great

>poet. Did he also have ESP? Here is a poem he wrote in 1949:

>Sweet Levinsky in the night

>Sweet Levinsky in the light

>do you giggle out of spite,

>or are you laughing in delight

>Sweet Levinsky, sweet Levinsky

>In other lines, Ginsberg asks if Levinsky trembles when the cock crows and

>employs such words as _Dissemble_, _tearful_ and _fearful_. The Levinsky

>in the poem is actually Leon Levinsky, a relatively minor character in

>Jack Kerouac's first novel, _The Town and the City_.

>(p. 19)

>[Is anyone else out there as surprised as I am to find _Time_ asserting

>without quibble that Ginsberg "was a great poet"?]

>2) The Ginsberg piece appears right across the page from an article with a

>section about "William Seward." (p.18)

>3) In a review of Russell Banks's new novel _Cloudsplitter_, the reviewer,

>John Skow, provides a brief biography of Banks and comments, "Before this,

>at 16, he had stolen a car and Kerouacked off to California." (p. 76) This

>occurs in the very same issue of _Time_.

>Aside from the fact that such behavior sounds more like Cassady than

>Kerouac, we are left with a crucial question:

>Is _Time_ beat?

>Cordially,

>Mike Skau

> 

 

Remember the old quiz show, Beat the Clock?  I rest my case... Mark J

"If it ain't broke, don't fix it."  (anon)

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 18:54:44 EST

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From:         Sockmunkie <Sockmunkie@aol.com>

Subject:      Re: Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

hey.  i agree with you on the brother role model theory, but "cody" is neal

cassady.  jack's brother who died, was gerald.  maybe you already knew this

and your fingers just slipped.

 

--carly nicole

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 18:55:15 EST

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From:         Sockmunkie <Sockmunkie@aol.com>

Subject:      Amerika, Amerika

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

does anyone have any suggestions as to why the speaker of Amerika identifies

himself as catholic, when ginsberg himself was jewish, and not much into

fictional poetry?

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Sun, 22 Mar 1998 19:00:25 EST

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From:         Jeffrey Perchuk <legacy@admin.con2.com>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 10:37 AM 3/7/98 -0800, you wrote:

>Hello to everyone on the Beat-List!     March 7, 1998

>        I am almost finished reading SOME OF THE DHARMA, and I'm deeply

>troubled by the negativity toward women, children, marriage, and life

>itself.  There has been a lot of hype of this book as a great modern

>interpretation of Buddhism, but I don't know any Buddhists who take such a

>cynical view of procreation, raising children, etc.  Kerouac advocates that

>people stop having children, and snidely quips that "pretty girls make

>graves."  Obviously this was stuff he deeply felt, though it's hard to say

>how much of it might have been from alcoholic depression.  This philosophy

>dictated much of his life, the way he avoided relationships with women

>(other than his mother), disowned his daughter, and looked for sex from

>other men, where there was no "danger" of creating children or a lasting

>partnership.

>        As I read the book, I kept getting this vision: what if, say,

>Kerouac had given up Buddhism in 1956, when he met Helen Weaver?  This

>beautiful, outgoing brunette also had a mind the equal of his own--she later

>became famous for her translations of Artaud and other French writers.  He

>describes their affair in Desolation Angels, where he calls her Ruth

>Heaper--he obviously loved her, and used to refer to her "belly of wheat,"

>quoting the Song of Solomon.  But instead of cementing a relationship with

>her, he'd disappear for four or five nights on a wild drunken binge,

>spoiling all her plans and leaving her in tears, till finally her therapist

>told her to break it off.  And then, if you remember the scene in Desolation

>Angels, Jack storms into her apartment and accuses her of letting her

>therapist ruin their relationship!

>        What if, instead, Jack gave up his particular negative Buddhist

>philosophy at that point?  What if he tried to give up booze, developed a

>stable match with Helen, and eventually got married, say, in 1958?  He'd be

>celebrating his 40th wedding anniversary now, a robust and hale 76 years

>old, with another 30 or so books added to his canon.  And maybe, in this

>scenario, he would also have developed a decent relationship with his

>daughter Jan, and encouraged her to take care of her own health problems

>(including a blood disease she inherited from him), so that she didn't end

>up self-destructing as well at age 44.  Maybe Jan, now 46, would be showing

>up at his wedding anniversary with a few of her own kids, his grandchildren.

>        A crazy fantasy?  Maybe.  But think how much less suffering there

>would have been in that case.  And aren't Buddhists supposed to be

>"suppressing" suffering, not adding to it?

>        I'd love to hear your thoughts on this one.

>        Best always, Gerry Nicosia

> 

> 

 

Dear Gerry - I'm glad that you posted this message and although I am a

little late in responding to it, I would like to because of my own interest

in Kerouac's work. Like many people on the list, I have taken away a great

deal from JK's work, but I cannot say that I the "what if" exercise very

productive or fulfilling. Let me explain why...

 

As a lover of literature, a writer and a teacher myself, I have devoted a

good deal of time to reading the work of authors I love and reflecting on

the issues that their work raises. However, if I wanted to start the "what

if" game and begin to ask that writers conform to MY ideal of what a

productive life would be, then I am overstepping my bounds. I could start

postulating "what ifs" with any number of writers-- for example, what if

Pound had not been an anti-Semite who propounded lunatic economic theories?

What if DeQuincey hadn't "wasted" his life as an opium addict? What if

Dostoyevsky had not been an alcolholic and a chronic gambler? What if Joyce

had been a "good" Catholic instead of the unruly malcontent that the Church

considers him to be? What if Mailer had never tried to "rehabilitate" Jack

Henry Abbot? What if all the writers who behaved in a self-destructive,

cruel or irrational manner had behaved better?

 

Well, there is an answer to all these hypothetical questions, but not one

that you might approve of, Gerry. The truth is that a writer's life and how

"well" he or she has lived it, is NOT the business of his biographer or his

critics. A writer WRITES -- regardless of what detours, mishaps, bad

decisions and fuckups might be part of his life. My interest, as a teacher,

scholar and writer is not to moralize about how much suffering MIGHT have

been avoided if all these men and women had just acted more in their own

self-interest. Yes, Gerry, they might have lived longer, produced more

books, and been happier--but I say only MAYBE. The fact is, if they had done

the "common sense" thing, then they'd be living YOUR life, Gerry -- not

THEIR OWN. There is a connection between a writer's life and what he or she

writes. The hell, suffering and personal degradation that writers inflict on

themselves and those around them are often the price that must be paid if

these  these works of art are ever going to come into being. You cannot

"clean up," denude, rectify, corrcet, reprogram or twist the lives of these

people into a position where they lose whatever it is that made them so

unique. People who think that way, Gerry, forget that a writer's life IS his

art, and to lament the bad choices that this author or that made (and no one

is really denying that some of these choices WERE extremely stupid and

ill-conceived) well, what of it? What about the millions of people with NO

talent who manage to fuck up their own lives and the lives of those around

them? Why pick on a writer whose life is already over? Sorry, but while I

admire the work you have done in this area, Gerry, I think this is the wrong

approach to take on any writer, especially one whose personal life was as

chaotic and disaster-ridden as Keroauc's. Even the most "normal" and

"well-adjusted" author's life would have a hard time standing up to

second-guessing like that, and keep in mind that we are talking about a life

that has already been lived. Truth is, you may be doing Keroauc's image more

harm than good by lamenting how many mistakes he made, because it encourages

people to focus on the sensationalistic and lurid aspects of JK's life

(there were many) instead of on the writing, a fact which Kerouac himself

was always complaining about. Only in recent times have we seen the

emergence of serious-minded and objective evaluation of JK's (and other Beat

authors) work, as an anodyne to the simplistic moralizing that was a

constant thorn in the side of people like Kerouac, Ginsberg and Burroughs.

There are enough moralists, sob-sisters and second-guessers around who hate

the Beats and use their questionable actions as an entering wedge for

"criticism" that is nothing more than thinly veiled disgust--why do you

think we need to help these characters along?

 

The writing endures--after that, everything else--moral condemnation,

second-guessing, 20-2o hindsight, simplistic and reductive "solutions" to

so-called "social deviance" -- all this is largely irrelevant.

 

Thanks for taking the time to listen. Looking forward to your reply.

 

 

                                             Jeff Perchuk

 

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X-Info: Visit the Internet Cafe On-Line at http://www.bigmagic.com.

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:04:07 EST

Reply-To:     blackj@bigmagic.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Al Aronowitz <blackj@bigmagic.com>

Subject:      SOS

Comments: cc: bigchief@bigmagic.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

need a website bulletin board for allen ginsberg tribute june 12.

arthur perley volunteere to help but wants me to work on elaborate thing

like my own column.  now too jammed up to do so.  he also wants chat

room. all i need is bulletin board for postings from cfommittee members

who say they're coming and also any thng from anybody else who wants to

post message re: the tribute.  frank beacham volunteered to help but i

asked him and he says he doesn't know exactly how to do it.  can levi

and attila help?  i'm just too swamped.  i already got a lot of email

that ought to be posted.  my own column is too slow, coming out every

month.  maybe bill gargan, who runs the beat-l list can give some advice

on how to work it out. --al

--

***************************************

Al Aronowitz THE BLACKLISTED JOURNALIST

http://www.bigmagic.com/pages/blackj

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:05:13 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tcsorensen <Tcsorensen@aol.com>

Subject:      Catch Phrase?..

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I am looking for the impossible.  I am doing an oral report on the beat

writers and I desire an brief eloquent summary of the spirit of these American

icons.  Does any body out there have it wasting away in the brain?  Let me

quote you in the report, you will be credited of course... anybody?

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:06:05 EST

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@ehc.edu>

Subject:      Neglected Kerouac

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Hello.

 

In many ways, I believe Kerouac substituted Neal for Gerard.  I believe

that Kerouac even comes out and states this in many of his novels.  At

the very least, one can say the quest for masculinity was certainly atop

the list of perplexities.  To quote lengthly from one of my favorite

parts of Desolation Angels:

 

Nothing could stop me from writing big books of prose and poetry for

nothing, that is, with no hope of ever having them published -- I was

simply writing them because I was an "Idealist" and believed in "Life"

and was going about justifying it with my earnest scriblings --

Strangely enough, thest scribblings were the first of their kind in the

world, I was originating (without knowing it, you say?) a new way of

writing about life, no fiction, no craft, no revising afterthoughts, the

heartbreaking discipline of the veritable fire ordeal where you cant go

back but have made the vow of "speak now or forever hold your tongue"

and all of it innocent go-ahead confession, the dicipline of making the

mind the slave of the tongue with no chance to lie or re-elaborate (in

keeping not only with the dictums of Dichtung Warheit Goethe but those

of the Catholic Church my childhood)-- I wrote those manuscripts as I'm

writing this one in cheap nickel notebooks by candlelight in poverty and

fame -- <italics>Fame</italics> of self -- For I was Ti Jean, and the

difficulty in explaining all this and "Ti Jean" too is that readers who

havent read up to this point in the earlier works are not filled in on

the background -- the background being my brother Gerard who said things

to me before he died, though I don't remember a word, maybe I do

remember a few (I was only four) -- But said things to me about a

<i>reverence</i> for life, no, at least a reverence for the <i>idea</i>

of life, which I translated as meaning that life itself is the Holy

Ghost --

        That we all wander thru flesh, while the dove cries for us, back to the

Dove of Heaven --

        So I was writing to honor that, and had friends like Irwin [GINSBERG]

Garden and Cody [CASSIDY] Pomeray who said I was doing okay and

encouraged me....

end quote

 

It freaks me out that I can cite Kerouac without thinking... perhaps

only because most of it makes "sense".  To me, this means that Jack saw

Neal as his brother re-incarnate (I believe he says this in Visions of

Cody) and if I may go out on a limb, that he saw Ginsberg as a father

figure in MANY aspects.

I don't see the neal connection being contested, but I'd like to know

what you folks think about what I had to say about Ginsberg.

 

Chris

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:07:33 EST

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@ehc.edu>

Subject:      Re: a bunch of stuff

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Sorry not to have included this in my previous mailing.

The shift to a moderated list has been astounding -- cheers Bill!

 

On Kerouac's trail... hitchhiking or whatever -- The Interstate system

was underconstruction DURING Jack's travels.  It's my understanding that

he followed Rt 6 across most of America.  I wouldn't consider this an

"innerstate" but you can follow it (pulling this out of my ass) I

believe from Pennsylvania across most of the nation.

 

Secondly... I WOULD NEVER call Jack and Neal's relationship a grounding

relationship by any streach of the imagination!!!  ---more like those

pendulum balls which just keep clicking against each other in nearly

perpetual motion.  I think Jack realized the true nature of their

relationship (not that I pretend to) and saw what Neal was at one level,

but idealized him on another.  I also wouldn't blame Neal for the way

Jack's life went.  They were very different people as far as I'm

concerned.  By the time Neal died, Jack already had screwed his body up

so badly, there wasn't much hope.  Jack was already dead as far as I'm

concerned.

 

Bye

Chris

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:09:18 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@sunflower.com>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Jeffrey Perchuk wrote:

 

> >

> 

> Dear Gerry - I'm glad that you posted this message and although I am a

> little late in responding to it, I would like to because of my own interest

> in Kerouac's work. Like many people on the list, I have taken away a great

> deal from JK's work, but I cannot say that I the "what if" exercise very

> productive or fulfilling. Let me explain why...

> 

> As a lover of literature, a writer and a teacher myself, I have devoted a

> good deal of time to reading the work of authors I love and reflecting on

> the issues that their work raises. However, if I wanted to start the "what

> if" game and begin to ask that writers conform to MY ideal of what a

> productive life would be, then I am overstepping my bounds.

 

happily, I am not bound by the same rules, Jeff.  I love the what if

game. because it is an exercise of understanding.  My area of interest

is more william b and allen than Jack but I have specific permission to

play the what if game by william.  When we drove around the country side

william and i would play what if, not only about our lifes but on the

surrounding environs.  At first I wasn't too good but as the years

rolled on i got a lot better.  By imagining things slightly different

you gain understanding not only of how things are but how they could be,

and how change occurs.  I was playing what if about william just before

i read your post.  what if james hadn't headed to newyork and knocked on

williams door.  what if william hadn't followed james to lawrence.  some

of williams best writing (imuho) was written after william lived here.

william loved to play what if, not as a regret game but as a mental

exercise.  It is central to my interest in beat literature or most

literature that the idea of looking hard and really understanding things

become a part of ones approach to living. the exercise of the mind is

part of the job.  I do not need a bible with answers, but a book of damn

good questions.

 

 The truth is that a writer's life and how

> "well" he or she has lived it, is NOT the business of his biographer or his

 

I can't see the NEED to take such a narrow approach to business. I look

at how william lived his live and treasure some of the things i learned

from him every day.  I also treasure those things he learned from his

mistakes. (Like don't call the police unless you know what they will do

and you want them to do it, )  I also watched him let his great

curiosity keep him too close to snakes.

> critics. A writer WRITES -- regardless of what detours, mishaps, bad

> decisions and fuckups might be part of his life. My interest, as a teacher,

> scholar and writer is not to moralize about how much suffering MIGHT have

> been avoided if all these men and women had just acted more in their own

> self-interest. Yes, Gerry, they might have lived longer, produced more

> books, and been happier--but I say only MAYBE. The fact is, if they had done

> the "common sense" thing, then they'd be living YOUR life, Gerry -- not

> THEIR OWN. There is a connection between a writer's life and what he or she

> writes. The hell, suffering and personal degradation that writers inflict on

> themselves and those around them are often the price that must be paid if

> these  these works of art are ever going to come into being.

 

i really think this is silly,  I accept the greatness and the horror but

to think that all is inevitable is too simplistic.  Stretch it out.

 

> "well-adjusted" author's life would have a hard time standing up to

> second-guessing like that, and keep in mind that we are talking about a life

> that has already been lived. Truth is, you may be doing Keroauc's image more

> harm than good by lamenting how many mistakes he made,

 

my god, i don't give a rats ass about keroacs image compared to better

understanding both the writing and the writer.  I feel "-no criticism"

is degrading to both.

 

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:10:08 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@earthlink.net>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 07:00 PM 3/22/98 EST Jeffrey Perchuk wrote: The fact is, if they had done

>the "common sense" thing, then they'd be living YOUR life, Gerry -- not

>THEIR OWN. There is a connection between a writer's life and what he or she

>writes. The hell, suffering and personal degradation that writers inflict on

>themselves and those around them are often the price that must be paid if

>these  these works of art are ever going to come into being....

. Truth is, you may be doing Keroauc's image more

>harm than good by lamenting how many mistakes he made, because it encourages

>people to focus on the sensationalistic and lurid aspects of JK's life

 

Dear Jeffrey:

I found your response strangely offpoint.

I was not advocating a new "approach" to Kerouac; I was simply relating a

vision I had had while reading SOME OF THE DHARMA, as well as some of my own

feelings that had been aroused by the book.  I did not claim to be

propounding literary criticism.  Nor did I suggest Jack Kerouac should live

as Gerald Nicosia or that Gerald Nicosia should live as Jack Kerouac.

It seems absurd for you to say that I am "harming" Jack Kerouac by

suggesting that there is sometimes an uncomfortable level of negativity in

his writing.  I honestly don't know where you're coming from.  You remind me

of some of the Sampas family members who told me that I should not tell

people that Jack was an alcoholic or that he was sometimes rude and crude to

women (when drunk).  I don't think Jack Kerouac needs our protection or for

us to pretend his dark side wasn't there.  What good would it serve if we

pretended Jack was just doing what a genius had to do--as you suggest?

Would it make his work more saleable?

I don't think geniuses have to degrade or destroy themselves to do their

work.  As Gregory Corso once commented to me, "I've smelled the farts of a

lot of poets; but I never smelled a poem's fart."  He was making a point:

that the artist and the art are indeed separate.  The poet may stink as a

person--it's certainly nothing to brag about--but the stink doesn't

necessarily extend to what he creates.  By the same token--or in reverse--if

we acknowledge the beauty of a work of art, we don't have to pretend the

artist had the same beauty in his personal life.

Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:12:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bryan Farrow <bryan_farrow@yahoo.com>

Subject:      looking for a recommendation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I am very tempted to part with 50 of my few too dollars in exchange

for a Kerouac CD-box set I saw advertised in a Rhino Records

catalogue. I watched a Kerouac documentary a few nights ago -- one

that featured an interview with our Memory Babe on the Steve Allen

show. At first, I thought Allen's piano-playing over the Q+A dialogue

was dismissive and arrogant, though I guess that was his schtick.

Anyway, some of the jazz riffs he played under Kerouac's reading of

the end of OTR worked well. Does anyone know if the CD has more of

this? Is it worth the money? Thanks (in advance for the referral, and

in retrospect for plenty to think about in in my cold-water flat)

bryan

 

==

---------------------------------------

Bryan R. Farrow

388-323D Dillard, Sta. 2

Charlottesville, VA 22904

(804) 243-0918

bryan_farrow@yahoo.com,

bryan_farrow@hotmail.com

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 10:19:55 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@sover.net>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

the writing endures.

and was written in the time place and by the person that JK was; that is all we

have. i too, was shocked to find out that i had shelled out over 30 bucks to

find so much bitterness about women children and others. but it is a crack, a

crevice into what propelled the work and the man's life choices.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Mon, 23 Mar 1998 10:27:27 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      What if?

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In general, I share Jeff's reservations about the value of the "what if"

approach to literary criticism.  However, I think that such an approach

can sometimes be very useful to jump start a discussion, something I

think Gerry was aiming for in his post.   Although posing a question

such as "what if Gerrard had lived" may be pointless in and of itself,

for instance, it might lead to a broad examination of the impact of

Gerrard's death on Jack's life and work.   So, taken withalong with

other critical approaches, "what if?" might be a useful way to approach

some topics.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 14:27:35 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Re: Catch Phrase?..

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 23-Mar-98 7:48:19 AM Pacific Standard Time,

Tcsorensen@aol.com writes:

 

<< an brief eloquent summary of the spirit of these American icons. >>

 

In the Introduction to "The Portable Beat Reader," Ann Charters includes a

coupla pithy quotables.

 

First, Kerouac on what's Beat and what's Not:

In "The Philosophy of the Beat Generation," which he wrote for Esquire

magazine in March 1958, Kerouac made clear that the group that originated the

idea of a "Beat Generation" was short-lived, consisting only of a few friends

in the 1940s such as Ginsberg, Carr, Burroughs, Huncke, and Holmes, who had

scattered and left New York years before. But after the Korean War, in the

early 1950s, according to Kerouac, the "postwar youth emerged cool and beat,

had picked up the gestures and the style; soon it was everywhere, the new

look...the bop visions became common property of the commercial, popular

cultural world...The ingestion of drugs became official (tranquilizers and the

rest); and even the clothes style of the beat hipsters carried over to the new

rock'n'roll youth...and the Beat Generation, though dead, was resurrected and

justified."

 

And Charters' own analysis, which I think can be used to sum up:

<<Like the work of the radical writers of the 1930s...Beat poetry and fiction

was an alternative literature by writers who were sweeping in their

condemnation of their country's underlying social, sexual, political, and

religious values. Earlier modernist poets like Ezra Pound or Lost Generation

writers like Ernest Hemingway had attacked the system from the safeguard of

their life abroad as expatriates, but the Beat Generation writers protested

their country's excesses on the front lines. They advocated personal and

social changes that made them heroes to some readers, and heretics to

others.>>

 

So, to me, what's essential about the Beats includes the spontaneity of the

uprising, the universal consciousness of these men and women that demanded and

created change, and their in-your-face participation in that change

("America/I'm putting my queer shoulder to the wheel").

 

By the way, that entire Introduction to the Beat Reader is the best, most

succinct summary of Beat I've ever read. Charters managed to distill almost

everything into a few powerful pages. I recommend you read that, if you

haven't done so already.

 

Diane De Rooy

 

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X-MSMail-Priority: Normal

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 14:27:57 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <jymmoon@execpc.com>

Subject:      Re: looking for a recommendation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Bryan Farrow wrote:

 

> I am very tempted to part with 50 of my few too dollars in exchange

> for a Kerouac CD-box set I saw advertised in a Rhino Records

> catalogue. I watched a Kerouac documentary a few nights ago -- one

> that featured an interview with our Memory Babe on the Steve Allen

> show. At first, I thought Allen's piano-playing over the Q+A dialogue

> was dismissive and arrogant, though I guess that was his schtick.

> Anyway, some of the jazz riffs he played under Kerouac's reading of

> the end of OTR worked well. Does anyone know if the CD has more of

> this? Is it worth the money? Thanks (in advance for the referral, and

> in retrospect for plenty to think about in in my cold-water flat)

> bryan

 

By all means, buy, borrow, or steal this box set!  The first CD features

Kerouac reading accompanied by Steve Allen on piano; the second CD has K.

reading accompanied by Al Cohn and Zoot Sims on saxes; the third CD is K.

reading unaccompanied.  Each CD (which represent the three albums K.

recorded in the late 50's) features bonus tracks (including the Steve Allen

show appearance mentioned above).  Speaking for myself, I found Kerouac's

poetry and prose to be much more accessible after I had heard the cadences

of his spoken word.  It was a real ear-and-mind-opening experience!

 

Enjoy!

 

Jym

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 14:30:45 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sockmunkie <Sockmunkie@aol.com>

Subject:      desolation angels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

first off i want to thank everyone who gave me suggestions for topics on otr

and db.  some of you may remember that i am helping to organize/mediate a

discussion class on kerouac/ginsberg at my college.  we've now reached

desolation angels, and i'm curious if anyone has any  suggestions for

discussion topics regarding themes, etc.  at the same time we are reading

desolation angels, we are also want to be reading letters and ginsberg poetry.

so if anyone can think of any particuarly good letters or poetry that would

fit in well with da, i'd aprreciate your comments.

thanks,

carly nicole.

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 14:35:18 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 22-Mar-98 4:01:28 PM Pacific Standard Time, Jeff Perchuk

writes:

 

<< However, if I wanted to start the "what

 if" game and begin to ask that writers conform to MY ideal of what a

 productive life would be, then I am overstepping my bounds. I could start

 postulating "what ifs" with any number of writers-- for example, what if

 Pound had not been an anti-Semite who propounded lunatic economic theories?

 What if DeQuincey hadn't "wasted" his life as an opium addict? What if

 Dostoyevsky had not been an alcolholic and a chronic gambler? What if Joyce

 had been a "good" Catholic instead of the unruly malcontent that the Church

 considers him to be? What if Mailer had never tried to "rehabilitate" Jack

 Henry Abbot? What if all the writers who behaved in a self-destructive,

 cruel or irrational manner had behaved better? >>

 

And Gerry Nicosia had written:

<<What if, instead, Jack gave up his particular negative Buddhist

>philosophy at that point?  What if he tried to give up booze, developed a

>stable match with Helen, and eventually got married, say, in 1958?  He'd be

>celebrating his 40th wedding anniversary now, a robust and hale 76 years

>old, with another 30 or so books added to his canon.  And maybe, in this

>scenario, he would also have developed a decent relationship with his

>daughter Jan, and encouraged her to take care of her own health problems

>(including a blood disease she inherited from him), so that she didn't end

>up self-destructing as well at age 44.  Maybe Jan, now 46, would be showing

>up at his wedding anniversary with a few of her own kids, his grandchildren.

>        A crazy fantasy?>>

 

And patricia wrote:

<<william loved to play what if, not as a regret game but as a mental

exercise.  It is central to my interest in beat literature or most

literature that the idea of looking hard and really understanding things

become a part of ones approach to living. the exercise of the mind is

part of the job.  I do not need a bible with answers, but a book of damn

good questions.>>

 

And now, I say:

Gerry's original post seemed wrongheaded from the first sentence, where he

said he had almost "finished" reading "Some of the Dharma". That's like saying

you've almost finished reading the Bible. "Some of the Dharma" is not a book

you sit down and read cover to cover and evaluate, all in a short space of

time. Like so many other books by visionary writers, its messages are not all

revealed simultaneously, or even sequentially.

 

Also up front in Gerry's letter was a roundly conclusive analysis of Kerouac's

opinions toward women, children, etc. Although he allows that this might have

had something to do with jack's drinking, again, he misses the point.

 

Kerouac was conflict on wheels, that "walking contradiction" come to life.

It's a losing game to try to imagine what he'd do consistently. Even his best

friends didn't know. This may be best demonstrated in "Scripture of the Golden

Eternity," where it was well-noted by Anne Waldman that Kerouac embodied that

"negative capablility" of being able to hold two conflicting thoughts in his

head at one time. It is the essence of yin/yang. Truly, conflict is more a

part of life than harmony, for most people, and especially for artists.

 

Kerouac had the opportunity to settle down and live statically when he married

Stella and moved to Florida in 1966. The fact that he died a few years later

can't be linked to embracing Buddhism in the mid-1950s. He never demonstrated

any consistency in his life, any staying power. His military service, his

college career, his marriages, his friendships, all were subject to the

vicissitudes of his life.

 

A 40th wedding anniversary, hale and robust, bouncing grandchildren on his

knee? Not Kerouac. There's nothing in his life to indicate that he ever had a

shot at this scene, and even less to indicate that he ever would have desired

it.

 

Jack's friend in St. Petersburg, Ronny Lowe, who was the last person to see

him alive, once asked Jack if he had any children, which set Kerouac right off

in an angry rant: "My books are my children,' Jack said, "and they will still

be around when your children's children's children are dust!"

 

Kerouac knew his limitations, which formed his path. "Some of the Dharma" goes

a long way toward explaining that.

 

Diane De Rooy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 14:35:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@moving-people.net>

Subject:      Re: book of dreams by burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

QNofMETH schrieb:

 

> ----------------------------Original message----------------------------

> 

> have you read Yage Letters by allen ginsberg and Burroughs???

> 

> meth

 

sure i did read it, just as every earnest burroughsian would do. :) it's

great!

if you haven't read it yet, go to your nearest bookshop & get a copy.

 

but where is the exact connection to burroughs' dream theory?

 

jens

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 14:36:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@moving-people.net>

Subject:      Re: Amerika, Amerika

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Sockmunkie schrieb:

 

> ----------------------------Original message----------------------------

> does anyone have any suggestions as to why the speaker of Amerika identifies

> himself as catholic, when ginsberg himself was jewish, and not much into

> fictional poetry?

 

well... just see it as a joke. when i heard him read "america" on the "holy

sould jelly roll" cd (rhino wordbeat 1994) where he sounded like a mad comedian,

i realized that this poem is full of irony. you simply gotta buy the records,

even if only for this reading of "america"!

 

jens

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 21:00:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: book of dreams by burroughs

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

Nope no connection to the dream theory just wondering if you read,,,yhea i

have a copy....its groovy...

 

 

and the beat goes on...meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Mon, 23 Mar 1998 21:01:09 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@aol.com>

Subject:      Re: Amerika, Amerika

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

 

 

youre damn straight..allen was just screwing around...this rendition is on

"The Beat Generation", and "Holy Soul Jelly Roll" audio...i highly recommend

these recordings.

 

 

and the beat goes on..

Meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Mar 1998 11:51:07 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      New Welcome Message

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Welcome to BEAT-L, an online discussion forum devoted to the

study of the lives and works of the writers of the Beat

Generation, especially Jack Kerouac, Allen Ginsberg, and

William Burroughs.  BEAT-L is an unmoderated list open to

anyone interested in the Beat Generation.  Scholars, writers,

students, laymen -- all are welcome to join the discussion

and share their ideas.  In addition to providing an outlet

for discussion of Beat texts, the listserv is intended to

facilitate scholarly communication and to serve as a bulletin

board or calendar for poetry readings, announcements of new

publications, upcoming conferences and other Beat related

events.

 

Beat-l is an academic discussion list -- not a chat room.

The rules of netiquette that apply here, therefore, will

correspond to the kind of etiquiette that would govern one's

behavior in a college classroom.   Discussions will often

lead to disagreements but rebuttals to another's postings or

beliefs should always be made in a rational, logical, and

mature manner.   Insults, accusations, disparaging remarks,

character assassinations, and ad hominum attacks will not be

tolerated. Everyone on the list will be expected to treat one

another with respect and civility.

 

There is one topic, now in the courts, that has led to a

barrage of querulous and acrimonious posts on Beat-l -- the

Kerouac Estate controversy.  Since this issue will be decided

in the courts, and since there are several web pages

discussing various sides of this issue, this topic is banned

from discussion on Beat-l.  Anyone who is uncertain as to

whether or not a message might violate this ban should check

with the listowner before posting.  Those wishing more

information on the estate controversy can find it through

various search engines on the internet.

 

All postings should fall within the scope of the list as

stated above and be of interest to the group as a whole.  If

side issues develop that are of interest to some listmembers,

they should continue that discussion privately.  For example,

someone might initiate a discussion of Jack Kerouac as an

existentialist writer.  After several postings, a thread

might develop on the nature of existentialism.  At the point

that the discussion focuses more on existentialism than

Kerouac, the conversation should be switched to backchannel.

 

Listmembers should always consider whether a reply to a post

should be sent to the list or responded to privately.  Short

messages like "Nice going" or "You hit the nail on the head,"

for instance, are probably better sent directly to the person

who posted the message rather than to the list.  Sending such

messages privately will keep listmember's mailboxes from

becoming cluttered.   Likewise, avoid repeating messages --

especially long ones -- unless absolutely necessary.

Snipping or summarizing long posts when replying to them

makes it easier on everyone to read through their mail.

Finally, make sure the subject of the post is clearly

indicated in the subject line.  Those uninterested in that

subject can delete it without reading it.

 

Copyrighted material should not be posted to the list without

permission (fair use rules applying) nor should private

correspondence be posted without the permission of the

author.  If interesting material is found on a web site, post

the url rather than the material itself.  Interested parties

can examine it if they so desire, without having it clutter

up the mailboxes of those who have no interest.  Cunyvm has

problems handling files that are not in ascii format.  Before

attempting to post photographs, attachments, or large data

files to Beat-l, please check with the listowners.  It is

usually a better idea to load these files on a web page and

post the url to the list.

 

 

All new members added to Beat-l will have their posts

reviewed for a period of time to be determined by the

listowner.  This will help guarantee that new members know

and understand the scope of the list and abide by the above

netiquette guidelines.

 

Anyone violating the above guidelines will, at the sole

discretion of the listowner, have their messages reviewed

before posting, have their posts blocked from the list, or be

removed from the list entirely, depending on the nature and

the frequency of the offense.  Action will be swift and

severe for those who engage in flames or post on the Kerouac

Estate controversy.

 

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Date:         Tue, 24 Mar 1998 11:52:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Welcome message

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have uploaded the new "Welcome Message" to listserv and distributed it

to all current listmembers via Beat-l.  Please read the message

carefully.  The rules and regulations as stated in this message will be

strictly enforced.  I anticipate that these changes will make the list a

little more formal and academic  and that they will create an atmosphere

that will encourage everyone on the list to be respectful and civil to

one another.  I will change the list back to an unmoderated format over

the next or two.  Let's hope we can all make beat-l work.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 14:32:42 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      Damn Good Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

OTR #3:

"A tall, lanky fellow in a gallon hat stopped his car on the wrong side

of the road and came over to us; he looked like a sheriff.  We prepared

our stories secretly.  He took his time coming over. 'You boys going get

get somewhere, or just going?'  We didn't understand his question, and

it was a damn good question."

 

Seems like this is still a damn good question.  What does the Beat

Generation provide us as an answer?  Years separate from the lankly

fellow's question but it still seems worthy of considering.  Though it

doesn't come from a scholar, it seems to question the scholarly

underpinnings of studying the Beat Generation.  I don't know that I have

a good answer to the question but look forward to the answers of others.

 

d

 

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X-MSMail-Priority: Normal

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 15:34:46 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Jym Mooney <jymmoon@execpc.com>

Subject:      Good Will Hunting

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Just saw this fine movie by Gus Van Sant tonight, and noticed at the end of

the credits that it is dedicated to the memory of Allen Ginsberg and

William Burroughs.

 

Jym

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 15:40:31 EST

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@ehc.edu>

Subject:      Desolation Angels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Hello again.

 

I'm so excited to be able to talk so much about Desolation Angels.  It

is by far and away my favorite Kerouac novel.  In my opinion it contains

the height of Jack's spontaneaous prose along with the thrill of the

cross country travel and all the major players included.  Not only this,

but it dives far more deeply and maturely (and frankly) into the

problems in Jack's life.

Some themes you might want to look at:

Sexuality

Religion

family conflict

  * over Gerard

  * over his father

  * over his mother

** a general feeling of guilt regarding his family, especially his

mother **

success and failure as a continuum

 

-- it's interesting to note how many times Jack looks back in retrospect

during this novel and how many justifications he makes for his writing.

Far more than in On the Road or even Dharma Bums, if I had to recommend

ONE Kerouac novel, this would be it.  Pay special attention to religion

in this one -- I was glad to find that on the cover of my latest edition

of this book Nelson Algren is quoted as saying that the book may explain

the role of religion in the beat world better than any other.

Not to ruin it for you, but the part where the book gets it's namesake

where Jack dons the silver cross... read this passage and perhaps the

beatitudes out of your bible and *BANG* a whole lot makes sense and a

new perspective is revealed.

 

shiny and happy

 

Chris

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

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X-Sender: gnicosia@earthlink.net

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 15:41:35 EST

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From:         Gerald Nicosia <gnicosia@earthlink.net>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

At 02:35 PM 3/23/98 EST, you wrote:

>Gerry's original post seemed wrongheaded from the first sentence, where he

>said he had almost "finished" reading "Some of the Dharma". That's like saying

>you've almost finished reading the Bible. "Some of the Dharma" is not a book

>you sit down and read cover to cover and evaluate, all in a short space of

>time. Like so many other books by visionary writers, its messages are not all

>revealed simultaneously, or even sequentially.

> 

>Jack's friend in St. Petersburg, Ronny Lowe, who was the last person to see

>him alive, once asked Jack if he had any children, which set Kerouac right off

>in an angry rant: "My books are my children,' Jack said, "and they will still

>be around when your children's children's children are dust!"

> 

Ms. DeRooy seems to have joined the bash-Nicosia club.

As I wrote to Bill Gargan, I was hardly writing literary criticism of Some

of the Dharma.  I was giving my feelings on reading the book.  To say I have

committed sacrilege against the Bible of Kerouacophiles is plain nutty.  You

don't have to read every page of a book to have an opinion about it.

Kerouac himself never read more than half of Swann's Way--the first of the

seven books in Remembrance of Things Past--yet he referred frequently to

Proust throughout his life, and spouted all sorts of opinions about him.

        As for Ronny Lowe, he is a friend of mine, and he told me that when

Jack made that quote about books being his children, he was extremely angry

and defensive, and didn't seem convinced of the boast himself.  I suggest

Ms. DeRooy check this out with Ron Lowe herself, if she doesn't believe me.

        I'm on the road for a few days.

        Best always, Gerry Nicosia

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 16:03:53 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@drc.com>

Subject:      Jack and Neal

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Try "Visions of Cody" for a first hand look into the relationship

between Jack and Neal (and for the other version of 'On the Road').

 

Mark Hemenway

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 17:30:05 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@moving-people.net>

Subject:      Re: looking for a recommendation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

> Bryan Farrow wrote:

> 

> > I am very tempted to part with 50 of my few too dollars in exchange

> > for a Kerouac CD-box set I saw advertised in a Rhino Records

> > catalogue. I watched a Kerouac documentary a few nights ago -- one

> > that featured an interview with our Memory Babe on the Steve Allen

> > show. At first, I thought Allen's piano-playing over the Q+A dialogue

> > was dismissive and arrogant, though I guess that was his schtick.

> > Anyway, some of the jazz riffs he played under Kerouac's reading of

> > the end of OTR worked well. Does anyone know if the CD has more of

> > this? Is it worth the money? Thanks (in advance for the referral, and

> > in retrospect for plenty to think about in in my cold-water flat)

> > bryan

 

Oh boy, you're ASKING whether you should buy these CDs, I don't get it! Buy

them, they're worth every single cent!

The broadcasting of parts of these CDs (about 5 years ago) was my first audio

encounter with Kerouac. After having raced thru "On the Road", these recordings

were a revelation to me, then a weird 17-year-old boy (now a

23-year-old-errr... boy)

My favourites from this collection are the "American Haikus", though I am not

much into Asian poetry.

 

In my medicine cabinet

the winter fly has died

of old age.

                        - Jack Kerouac

 

They played parts of all the CDs late at night on my favourite radio station,

and I taped it all. In fact, I still have the tapes. :) They're my favourites.

 

Jens from Germany

 

P.S.

Months after the new German translation of On The Road has come out, they now

will broadcast a German radioplay based on On the Road. It'll be next friday

night, and if anyone is curious what they did to old Jack's work over here,

I'll give you a short report on this radioplay. Anyone interested?

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 17:30:58 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@together.net>

Subject:      Re: If Kerouac Gave Up Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

> Diane De Rooy wrote:

 

> Kerouac knew his limitations, which formed his path. "Some of the

> Dharma" goes

> a long way toward explaining that.

 

That Kerouac was a walking contradiction, that he fluxuated between

extremes, and thrived on conflict, (especially to the extent that it

drove his writing) are all valid conclusions.  But I'm not convinced that

"he knew his limitations which formed his path."  In fact, I think that

"Some of the Dharma" shows clearly that he struggled with Buddhism with a

mindset and personality that clouded his understanding and was a

limitation. But he never saw how his "thinking" was what limited it.

Granted he didn't want a wife and children and couldn't be happy in that

environment but did he understand why?  Did he truly understand how his

family environment or the death of Gerard affected his wanderings, his

lack of "staying power" or how death or despair about dying precluded a

different view of life?  Did he understand how his mother so profoundly

influenced/ruled his life?  Kerouac's path was one of constant flux and

change and one that was ruled by emotions and emotional turmoil. He lived

it and he wrote about it and we understand it because we are often caught

in the same conflicts.  But did he ever understand his weaknesses and

limitations and see how they obstructed his path?  I've never read "Some

of the Dharma" from cover to cover and I'm not sure it's even a good

thing to try.  I pick it up and read small portions at a time, and even

so I'm usually overwhelmed by how, for Kerouac, all is emptiness and

sadness, and how his spiritual quest is obscured by the vicissitudes of

his psychological life.  We all follow our own particular path and

have our particular limitations and strengths.  We are driven by them

but not everyone necessarily "sees" them. So, I guess I would ask, if you

think Kerouac knew his limitations. what were they?  I would say he lived

them but he didn't necessarily "see" them.

DC

 

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X-Sender: mdemo@hamlet.ucs.indiana.edu

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 17:34:15 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Matt Demo <mdemo@indiana.edu>

Subject:      Re: kerouac newbie

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I would definitely recommend Dharma Bums, that's my favorite.

 

Matt

 

On Thu, 19 Mar 1998, ZePhyra11 wrote:

 

> ----------------------------Original message----------------------------

> i'm in my first year of college, and have recently read "desolation angels."

> it is the first kerouac i've read (frankly, because i was looking for "on the

> road" but it was currently checked out).  I loved it.  it had such an effect

> on me that i'm reading kerouac's poetry like crazy, and my boyfriend bought me

> a copy of "on the road" for my birthday, and i'm going to delve into that as

> soon as i get a chance.  i guess my question is: what other kerouac novels do

> you guys recommend?  i went to barnes and noble and have discovered that there

> are numerous works by this great man.

> 

> --carly

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Mar 1998 19:55:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Morgan book signing

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those listmembers in the New York metropolitan area, Bill Morgan,

author of the "Beat Generation in New York: A Walking Tour of Jack

Kerouac's City," will be doing a book signing and slide show in the

Barnes & Noble book store at Astor Place on April 9th at 7:30.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Tue, 24 Mar 1998 20:03:56 EST

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From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Planet News: A Tribute to AG

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I came upon the following notice in the April/May issue of the St.

Mark's "Poetry Project":  "Planet News: A Tribute to Allen Ginsberg

celebrates five decades of Ginsberg's social activism and pollitical

awarness.  The event will take place in the Cathederal at St. John the

Divine (Amsterdam Ave. and 112th Street) on Thursday, May 14 at 7:30

p.m.  There will be performances, talks and readings by Philip Glass,

Sonya Sanchez, The Fugs, Anne Waldman, Jayne Cortez, Steven Taylor,

Stephan Smith, Pedro Pietri, Andy Clausen, Danny Schechter, David

Dellinger, and others to be announced.  Admission is free.  For more

information contact Bob Rosenthal at (212) 358-9534.

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 20:12:03 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4 <Zucchini4@aol.com>

Subject:      Re: carly

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 98-03-21 14:52:04 EST, you write:

 

<< lion head bastard with an exaggerated large male [ha!]organ whom ill surely

 have "golden copulations" >>

 

Ok, have to ask about the "golden copulations" line... because it's also in

this Jim Morrison poem... "An American Prayer" I think or maybe "The New

creatures" I don't know. So I'm guessing it's also in something Ginsberg? Oh

man.

 

--Stephanie

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 20:12:55 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

Subject:      Re: looking for a recommendation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Jens Moellenhoff wrote:

> 

> 

> P.S.

> Months after the new German translation of On The Road has come out, they now

> will broadcast a German radioplay based on On the Road. It'll be next friday

> night, and if anyone is curious what they did to old Jack's work over here,

> I'll give you a short report on this radioplay. Anyone interested?

 

i'm nearly certain that most of us would be interested.  maybe that's

going over board ... how can i imagine what most on a list this diverse

would be interested in ... suffice to say that I would be interested and

hope that you give us a grand and full report.

 

d

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 20:20:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@aol.com>

Subject:      what if- just a concept

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Well now

          I for one am not going to get into the what if's games anymore-

but... i suggest that we all re-read Dr.Sax.

           Let us forget- for the moment- if we can.. that ol JK was a blood

and flesh human being- with all faults that being that entails

              and... dwell on this beauteous work... that brings us back to

the magic of childhood... and the fear of evil things we cannot understand...

yet- try to imagine away- by mebbe... playing made-up baseball games and race

track games... on a rainy dreary Lowell day while Mom and Pop are sipping

coffee in the back

          and... maybe.... actually creating a work of lyrical prose poetry

that will stand down the ages- perhaps next to Swanns Way

          rivaled mebbe by some of the passages in Visions of Cody- excluding

those boring tape passages

      so that... instead of expounding in what if's... and who are yous? and

jsut exactly how doggone smart i am

       and by golly...i know it all...

           why dont we just read the man.... come on back here some time later

                  and say..... WOW!

                                                            Gene

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 20:32:51 EST

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@mindspring.com>

Subject:      Re: Catch Phrase?..

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

I am looking for the impossible.  I am doing an oral report on the beat

writers and I desire an brief eloquent summary of the spirit of these

American

icons.  Does any body out there have it wasting away in the brain?  Let

me

quote you in the report, you will be credited of course... anybody?

 

 

They dig deep in the sad earth to plant new trees of change and joy.

Mark J

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 20:33:44 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Hemenway . Mark" <MHemenway@drc.com>

Subject:      Kerouac CD

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

1. Yes, it's worth the money. If you want to hear Kerouac reading his

own stuff, it's the only game in town.

 

2. Kerouac pioneered/popularized jazz and poetry.It was his schtick. His

poetics were based on (See the Book of Blues) the concept of jazz

poetry, to capture the essence, the form of Jazz on the the page.

 

3. One CD in the set is the Kerouac appearance on the Steve Allen Show.

The Second CD is Zoot Sims on sax behind Jack, the third is just Jack.

 

Mark Hemenway

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Tue, 24 Mar 1998 20:39:42 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@aol.com>

Subject:      Kerouac's (and other's) feet of clay

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 24-Mar-98 1:42:42 PM Pacific Standard Time,

gnicosia@earthlink.net writes:

 

<< Ms. DeRooy seems to have joined the bash-Nicosia club.

 As I wrote to Bill Gargan, I was hardly writing literary criticism of Some

 of the Dharma.  I was giving my feelings on reading the book.  To say I have

 committed sacrilege against the Bible of Kerouacophiles is plain nutty.  You

 don't have to read every page of a book to have an opinion about it. >>

 

I have no interest in bashing anyone. I believe we are all the best

advertisements for ourselves, and that every point in a discussion has a

counterpoint. How a person chooses to debate will have an effect on the

outcome of the debate. Therefore, I choose to debate rationally, hoping for a

rational outcome.

 

As I stated in my original response, Kerouac was a study in conflict. I don't

think this point could be refuted by anyone who knows anything about his life.

I also stated that he was inconsistent in virtually all areas. Again, this is

a point that cannot be refuted.

 

There is virtually nothing in Gerry's highly speculative post that I agree

with. What is the connection between jack's study of Buddhism and his

progressive disease of alcoholism, inability to commit to marriage, or bad

parenting? Are you saying he would have done better as a Catholic? What does

religion or spirituality have to do with aging well, fidelity, devotion to a

child, or writing 30 more books in 40 years? I'm sure many atheists have lived

great lives and done great things, as well as many spiritually conflicted

people. The path of least resistance (conformity) does not necessarily lead to

heaven or nirvana, literally or figuratively.

 

I actually saw Gerry's post as a thinly veiled bashing of Kerouac, more than a

productive topic for discussion. It's ironic that living, conscious beings

have to be careful about what we say about one another, but anyone can claim

to be a biographer and reinvent the life of someone who is dead.

 

But more than that, the speculative nature of Gerry's post sent me back to his

book, MEMORY BABE. Here is more irony: in this forum where people are always

asking what the best books are to read by or about Kerouac, one of the bevy of

Kerouac biographers is sitting in our midst. If I say what I believe, that

MEMORY BABE is a bad biography of jack, I'm pretty sure I'd be accused of

making a personal attack. And yet, my belief is based on reading Gerry's book

and then reviewing some of the source materials he used, speaking with many of

the people he interviewed, getting feedback from other writers and scholars.

 

I have a number of complaints and criticisms of MEMORY BABE, and many of these

were echoed by book reviewers and scholars. Criticism of a person's book,

scholarship, writing style--this is fair game in the world. We do it all the

time on this list.

 

It is my opinion that Gerry is not an expert on Kerouac. MEMORY BABE is

certainly not "definitive," as Gerry himself claims (letter to Sergeant David

Tousignant, posted at BookZen). No one has written a definitive biography of

Kerouac yet, and I don't expect we'll see one for a while.

 

The "what if" letter draws speciously on an idea with no apparent foundation.

That is the part that made me think of MEMORY BABE, where the writer did the

same thing. In both cases, he attempts to create Kerouac out of some oral or

written history. But he doesn't just allow the words to speak for themselves.

First, he runs them through the sieve of his own personal experience and

context.

 

<<The realization of what a challenge it is just to begin to know oneself, let

alone anyone else, makes one want to reserve judgment forever. In my own case,

as a chronicler of human lives, I've come to value bigraphy at its best as a

sort of transplantation of life onto the printed page, a recreation that, if

it is pure enough, makes judgment superfluous. Biographers who forge on in

pursuit of absolute judgments usually find themselves, like Job, contending

with forces as primordial and bloodless asa whirlwinds and lightning, forces

more apt to smash human pretensions than to answer our paltry questions.>>

 

That last paragraph was Gerry's, lifted verbatim from the Preface to the New

Edition of MEMORY BABE. It addresses my points more efficiently than I can.

The first part, about making judgments, is contradictory to Gerry's "what if"

post. The second part is an overly melodramatic way of saying a simple thing.

 

That sort of spin-doctoring really illustrates my arguments in opposition to

Gerry's post on Kerouac and Buddhism, and comes close to summing up the

function of MEMORY BABE in my list of resource materials on Kerouac. And

Gerry's own "absolute judgments" made in his post, as well as in his book,

have indeed invited scrutiny, which is "more apt to smash human pretensions

than to answer our paltry questions," just as he feared.

 

A biographer should not be a sacred cow, above reproach or criticism. Claiming

scholar's credentials does not make one person an expert. Blind allegiance to

a person's point of view, published or otherwise, was certainly a hallmark of

the 1950s, and the Beat Generation smashed lock-step thinking to smithereens

with their art and their lives. Everyone on this list, from 16-year-old high

school students working on their first term papers to the aging old Beat

eyewitnesses who lurk in the shadows, are equals. We all have brains, we all

seek answers to questions, and we all are driven by this common attraction to

"Beat" principles.

 

Jack Kerouac was a deeply flawed human being, another irrefutable fact of his

life. But that doesn't mean we can't learn from him, and for that very reason.

I believe that drawing close to the reality of jack and being able to see him

without blinking is an important exercise for the soul. It is for me, anyway.

In doing so, I find I have no need to reinvent him.

 

Diane De Rooy

 

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X-Sender: gallaher@hsc.usc.edu

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 25 Mar 1998 09:25:53 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@hsc.usc.edu>

Subject:      Re: Kerouac CD

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Once again, if you'd like to hear some excerpts from these worthwhile

recordings go here:

 

http://www-hsc.usc.edu/~gallaher/k_speaks/kerouacspeaks.html

 

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Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 25 Mar 1998 09:29:16 EST

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From:         Jackofdays <Jackofdays@aol.com>

Subject:      Kerouac's path

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

In a message dated 24-Mar-98 2:42:50 PM Pacific Standard Time, Diane Carter

writes:

 

<< So, I guess I would ask, if you think Kerouac knew his limitations. what

were they?  I would say he lived them but he didn't necessarily "see" them. >>

 

I think my statement is based on gut feelings more than any one statement.

This is largely because of jack's tendency to swing from one idea to another

and then back again.

 

But I picked out a bunch of little things from various sources that, to me,

seem to underscore my belief that he did know his limitations, and they formed

his path. I offer a combination of his own words, along with a few from others

he read, who influenced his thinking, and not in an "Eastern" way:

 

I was awakened to show the way, chosen to die in the degradation of life,

because I am Mortal Golden Eternity. -Scripture of the Golden Eternity

 

Death is the other side of the same coin, we call now, life-Visions of Gerard

 

"Do I have a baby daughter somewhere?  I have not troubled to find out..."

-Visions of Cody

 

...I was born. Bloody rooftop. Strange deed. All eyes I came hearing the

river's red; I remember that afternoon, I perceived it through beads hanging

in a door and through lace curtains and glass of a universal sad lost redness

of mortal damnation...

-Dr. Sax

 

I'm writing this book because we're all going to die-In the loneliness of my

life, my father dead, my brother dead, my mother faraway, my sister and wife

far away, nothing here but my own tragic hands that once were guarded by a

world, a sweet attention, that now are left to guide and disappear their own

way into the common dark of all our death, sleeping in me raw bed, alone and

stupid; with just this one pride and consolation: my heart broke in the

general despair and opened up inwards to the Lord, I made a supplication in

this dream.

-Visions of Cody

 

Someday you'll be lying

there in a nice trance

and suddenly a hot

soapy brush will be

applied to your face

-It'll be unwelcome

-someday the

undertaker will shave you

-Mexico City Blues

 

"You see, I was marching in the drill field with the guys, and I threw my gun

down and went to the library to read. And they said, `What's the matter with

you?'...I said `It is not that I will not accept discipline. It's that I cannot.

I am not a warrior  - I'm a scholar.' "

-Tape of Kerouac's last night in Northport, 26 August 1964, home of Larry

Smith (researched and published by Patrick Fenton, New York Newsday).

 

"I do not feel capable at this time of taking an examination and I beg to be

excused, at least temporarily, from the responsibility."

1949 note to Professor Elbert Lenrow, instructor of "The 20th Century Novel in

America," The New School for Social Research in New York, from "Two

Unpublished Student Papers" by Kerouac. Special Collections, Green Library,

Stanford University (Researched by Dan Barth)

 

There's heat and warm joy in my house. I linger at the window looking in. My

heart breaks to see they're moving so slowly, with such dear  innocence

within, they don't realize time and death will catch them-not now."

-Home at Christmas

 

Those who talk about the future are scoundrels. It is the present that

matters. To evoke one's posterity is to make a speech to maggots.

- Louis Ferdinand Celine

 

Which of us has known his brother? Which of us has looked into his father's

heart? Which of us has not remained forever prison-pent? Which of us is not

forever a stranger and alone?

-THOMAS WOLFE

========================

A thing I sense about Kerouac is his belief and simultaneous rejection of the

Christian concept of predestination. When two forces collide like that, I

always think of Zen, which always makes me think of Buddhism, which leads me

to understand Kerouac's search for answers there, and his brilliant ability to

melt the two into a unique spiritual alloy familiar to many who struggle and

seek.

 

E. M. Forster believed in predestination, but believed people could fight it,

"wriggling... against it...and in the whole universe the only really interesting

movement is this wriggle." Jack wriggled, without a doubt, but in the end, he

went down the path he learned at the age of four with the death of Gerard: We

are born to die.

 

Or, as jack said:

The point is we're waiting, not how comfortable we are while waiting.

Paleolithic man waited by caves for the realization of why he was there, and

hunted; modern men wait in beautified homes and try to forget death and birth.

We're waiting for the realization that this is the golden eternity.

 

It came on time.

-Scripture of the Golden Eternity

 

 

Diane De Rooy

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

Date:         Wed, 25 Mar 1998 09:30:00 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@sover.net>

Subject:      dr sax

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

dr sax

my favorite

like my own childhood

like my own reality right now. i have four cookie sheets with magna art pieces

spread out. i play scrabble pomes with myself. also memories of browny kitchen

suppers, wild imagination, and intricate games played alone

also hanging out in the wrinkly tar pavement corners of pawcatuck, ct.

i'm getting my copy out now.

mc

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 14:57:56 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Damn Good Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

when burroughs met cassady during his first cross country drive with

kerouac, burroughs asked what the point was to cassady's manic rushing

around.

 

cassady, appearently never having posed the question to himself was left

speechless

 

the fact that burroughs would ask that of cassady indicates a division

of opinion even then, and maybe such questions are beside the point

 

it doesn't seem like there's much of a shared philosophy between between

these guys, just more of a general dissatisfaction with the promise of a

grey flannel strait jacket

 

despite the amount of artistic and intellectual discipline the beats had

on a personal level i suspect the answer is 'just goin' but i also think

it's one o them questions that no matter how you answer, you'll take the

other side soon enough.

 

 

 

David Bruce Rhaesa wrote:

> 

> ----------------------------Original message----------------------------

> OTR #3:

> "A tall, lanky fellow in a gallon hat stopped his car on the wrong side

> of the road and came over to us; he looked like a sheriff.  We prepared

> our stories secretly.  He took his time coming over. 'You boys going get

> get somewhere, or just going?'  We didn't understand his question, and

> it was a damn good question."

> 

> Seems like this is still a damn good question.  What does the Beat

> Generation provide us as an answer?  Years separate from the lankly

> fellow's question but it still seems worthy of considering.  Though it

> doesn't come from a scholar, it seems to question the scholarly

> underpinnings of studying the Beat Generation.  I don't know that I have

> a good answer to the question but look forward to the answers of others.

> 

> d

 

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Date:         Wed, 25 Mar 1998 09:58:27 EST

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Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: Sedington <Sedington@aol.com>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      What if...? & "Some of.." as Bible

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

This message was  originally submitted by Sedington@AOL.COM to  the BEAT-L list

at CUNYVM.CUNY.EDU.  If you simply  forward it back to  the list, using  a mail

command that generates "Resent-" fields (ask your local user support or consult

the documentation of your mail program if in doubt), it will be distributed and

the explanations you  are now reading will be removed  automatically. If on the

other hand you edit the contributions you  receive into a digest, you will have

to remove this  paragraph manually. Finally, you should be  able to contact the

author  of this  message by  using  the normal  "reply" function  of your  mail

program.

 

----------------- Message requiring your approval (54 lines) ------------------

I hesitate to join this discussion for fear of being consigned to the "bash

Nicosia club." Are GN's opinions so sacrosanct that anyone who takes issue

with them automatically becomes a member of this "club"? [No "flame" intended

folks--just an honest question arising from some recent posts.] Anyway, and to

wit:

 

While Gerry's original post on the "If Kerouac Gave Up Buddhism" issue raised

an intriguing question, it was, as I read it, grounded on a false premise;

namely that Buddhism itself was somehow at the root of JK's conflicted,

convoluted, and at times misogynistic attitudes toward women--and that if he'd

given up Buddhism somewhere back in the mid-1950's then he would have also

shucked off these attitudes, entered into a longlasting and stable marriage,

and would be enjoying grandparenthood today. That's a hell of a lot more than

I can swallow for a variety of reasons.

 

Kerouac's highly mixed attitudes toward women were in place well before he

embraced Buddhism and remained in place after he did indeed move away from it.

In a broader context, its my opinion that a human being's, attitudes, biases,

fears, loves, hatreds, etc., etc., arise from deep within our personal and

collective (a la Carl Jung) human psyches, and that we use religion of one

type or another to reinforce those attitudes, biases, fears, etc.  Kerouac's

attitudes about women arose from any number of sources--many of which we'll

probably never even know of--but at least some of them having to do with his

little-boy type of relationship with his mother. JK may have used his own take

on Buddhism to give voice to these attitudes at a particular time in his

life--and this seems to be what Gerry is picking up on--but to suggest that

Buddhism somehow "caused" these attitudes is really unsubstantiated, and in

the opinion I've already stated, a false premise.

 

On a related matter--if I may--I thought Ms. DeRooy's analogy with "Some of

the Dharma" and the Bible was apt in more ways than one. Another way the

comparison works, in addition to the one she made, is that "Some of..." can be

used for "proof-texting" about Kerouac, much in the same way that Christian

fundamentalists will lift up a certain Biblical passage to "prove" a point

about one thing or another. Just as one can find a Biblical passage to "prove"

any point they want to make, or to reinforce any prejudice or bias they may

hold, if they look long and hard enough; one can also find any kind of Jack

Kerouac that one wants to see in "Some of the Dharma". This, in fact, is what

I think Gerry has done. He has begun with a conclusion about a certain aspect

of Kerouac's life and then selected out certain passages from "Some of the

Dharma" which supposedly "prove" his conclusion.

 

I think Diane DeRooy is closer to the mark on this one--you have to look at

Kerouac's entire, sometimes crazy, and often self-contradictory life and

work--and draw your conclusions about the whole "Kerouac gestalt" on that

basis. Like another great American writer, poet, and hobo--Walt Whitman--Jack

Kerouac contradicted himself, big-time and throughout his life. To understand

Kerouac is to at least try to understand his many and massive contradictions,

and not try to put him in a box based on a certain kind of reading of certain

selected portions of his writings.

 

Enough (more than enough) for now. If this be "bashing" then so be it..I

prefer to think of it as one guy's opinion..

Steve Edington

 

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Date:         Wed, 25 Mar 1998 10:00:38 EST

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Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: Jens Moellenhoff <jensm@moving-people.net>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      "on the road", a german language radio play

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

This message was originally submitted  by jensm@MOVING-PEOPLE.NET to the BEAT-L

list at  CUNYVM.CUNY.EDU. If you  simply forward it back  to the list,  using a

mail command  that generates "Resent-" fields  (ask your local user  support or

consult  the documentation  of  your mail  program  if in  doubt),  it will  be

distributed  and  the  explanations  you   are  now  reading  will  be  removed

automatically. If on the other hand you edit the contributions you receive into

a digest, you will have to  remove this paragraph manually. Finally, you should

be able  to contact  the author  of this  message by  using the  normal "reply"

function of your mail program.

 

----------------- Message requiring your approval (27 lines) ------------------

David Bruce Rhaesa wrote:

 

> ----------------------------Original message----------------------------

> Jens Moellenhoff wrote:

> >

> >

> > P.S.

> > Months after the new German translation of On The Road has come out, they

 now

> > will broadcast a German radioplay based on On the Road. It'll be next friday

> > night, and if anyone is curious what they did to old Jack's work over here,

> > I'll give you a short report on this radioplay. Anyone interested?

> 

> i'm nearly certain that most of us would be interested.  maybe that's

> going over board ... how can i imagine what most on a list this diverse

> would be interested in ... suffice to say that I would be interested and

> hope that you give us a grand and full report.

> 

> d

 

Okay, I just decided to send that report to BEAT-L. You'll all get it next

 Saturday

afternoon Central European Time.

 

Beatific Greetings,

Jens

 

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Date:         Wed, 25 Mar 1998 10:29:21 EST

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Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: "L-Soft list server at The City University of NY

              (1.8c)" <LISTSERV@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      BEAT-L: Ytirarevni@AOL.COM requested to join

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Sun, 22 Mar 1998 11:27:56

 

A request  for subscription to  the BEAT-L list (BEAT-L:  Beat Generation

List) has been received from Ytirarevni@AOL.COM.

 

You   can,  at   your   discretion,  send   the   following  command   to

LISTSERV@CUNYVM.CUNY.EDU (or  LISTSERV@CUNYVM.BITNET) to add  this person

to the list:

 

                ADD BEAT-L Ytirarevni@AOL.COM Ytirarevni

 

PS: In  order to  facilitate the  task, this  message has  been specially

formatted   so   that   you   only   need   to   forward   it   back   to

LISTSERV@CUNYVM.CUNY.EDU  (or  LISTSERV@CUNYVM.BITNET)  and fill  in  the

password  to have  the  command  executed. Note  that  while the  formats

produced by the forwarding function  of most mail packages are supported,

replying will seldom work, so make sure to forward and not reply.

-------------------------------------------------------------------------

// JOB PW=XXXXXXXX

ADD BEAT-L Ytirarevni@AOL.COM Ytirarevni

// EOJ

 

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Date:         Wed, 25 Mar 1998 11:50:31 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Sockmunkie <Sockmunkie@AOL.COM>

Subject:      Re: looking for a recommendation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'd like to hear it.

--carly nicole

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 12:15:09 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         ZePhyra11 <ZePhyra11@AOL.COM>

Subject:      golden copulations

To:           BEAT-L@CUNYVM.CUNY.EDU

 

this line is in "ghost song" actually.  maybe he says it more than one poem

though.

 

this is just a rough translation of the poem...the real thing is in my

boyfriend's "book of jim morrison's poetry" or something like that, at home.

 

although i haven't read a *great* deal of beat poetry...jim's poetry has some

echoes of it (as far as i can see.)

is that line in ginsberg's poetry?

 

here's the poem "ghost song" if anybody's interested. :o)

 

(* carly

 

 

awake

shake dreams from your hair, my pretty child

my sweet one

choose the day

choose the sign of your day

the day's divinity

first thing you see

 

the vast radiant beach

and cool jeweled moon

couples naked, race down by its quiet side

and we laugh like soft mad children

snug, in the woolily cotton brains of infancy

music and voices are all around us

 

choose, they croon, the ancient ones

the time has come again

choose now, they croon, beneath the moon

beside an ancient lake

enter again, the sweet forest

enter the hot dream, come with us

everything is broken up and dances

 

indians scattered on dharma's highway, bleeding

ghosts crowd the young child's fragile eggshell womb

 

we have assembled inside this ancient and insane theater

to propagate our lust for life

and flee the swarm of wisdom in the streets

barns of storm, the windows kept

and only one of all the rest

can save us from the divine mockery of words

music enflames temperment

 

oh great creator of being

grant us one more hour

to perform our art

and perfect our lives

we need great golden copulations

 

when a true kings' murderers are allowed to run free

a thousand magicians rise in the land

 

where are the feasts we were promised

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 11:40:27 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Jack and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

R. Bentz Kirby wrote:

> 

> Does anyone have available Burroughs' quote on the "dangers" of

> Buddhism.  For some reason I was thinking he said something about

> Kerouac and it was like a warning not to dabble in Buddhism.   I was

> unfamiliar with the quote, have seen it here before and was thinking

> maybe it was relevant to some of the portions of the thread on

> Kerouac's

> practice of Buddhism.   I would appreciate it if one knows the quote if

> they could post it.  Thanks.

 

Burroughs said to Kerouac: "A man who uses Buddhism or any other

instrument to remove love from his being in order to avoid suffering, has

committed, in my mind, a sacrilege comparable to castration."

(from Joyce Johnson's Introduction to "Desolation Angels")

DC

 

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Date:         Wed, 25 Mar 1998 17:23:37 EST

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Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MorganBill <MorganBill@AOL.COM>

Subject:      Re: Burrough's article

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Along this same thread as the Cassady/Burroughs discussion, there's an article

in the April 1998 issue of Harper's Magazine about Burroughs entitled "The

Forgotten Killer".  It presents the theory that Burroughs image has

overshadowed his writing and that people may not be able to read his works due

to his fame.  I always think of how difficult it is to look at something like

The Statue of Liberty as a sculpture since the symbol is so saturated with

other meanings.  But I don't believe that Burroughs' work will be eclipsed by

his fame.

I thought of it in the context of Cassady and Burroughs being so unlike each

other.  I've always felt that none of the Beats fit into a single mold.

Kerouac and Ginsberg are not alike in many ways, Corso and Ferlinghetti are

not alike, Burroughs and Holmes are not alike, etc.  It's amazing that

Ginsberg was able to convince people that this was a group to begin with.

Bill Morgan

 

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Date:         Wed, 25 Mar 1998 17:05:54 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Times of Disorder

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Two quick points:

1) Did everybody see the cartoon in the _NY Times Book Review_? In the 22

March 1998 issue, on p. 35 (the penultimate page) is a full-color,

full-page cartoon by Seymour Chwast; it's a mock ad for something called

_Beats on Broadway_ and contains the following blurbs: "See disillusioned

writers in their own pads"; "The 50's literary icons will thrill you!"; "A

musical romp with those merry bohemians"; "Jack Kerouac sings 'On the

Road'"; "Hear depraved poets reading in Greenwich Village cellars"; "Watch

Allen Ginsberg dance as 'Howl' is seized by customs agents"; "GIRLS! with

Larry Ferlinghetti Greg Corso Ken Rexroth Billy Burroughs & his bongo

band." Anyone know who the artist Chwast is?

2) Yesterday I got a card from Thomas Christian of _Chronicles of

Disorder_; the card indicates that issue #5 of the Chronicles, "due

fall/1998," will be devoted to William Burroughs. Address: P.O. Box 721;

Schenectad, NY 12301.

Cordially,

Mike Skau

 

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Date:         Wed, 25 Mar 1998 17:20:12 -0600

Reply-To:     Michael Skau <mskau@cwis.unomaha.edu>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

Subject:      Re: Damn Good Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Wed, 25 Mar 1998, Michael Skau wrote:

 

> The interesting point of this passage is that it poses the alternatives of

> process or product. Perhaps the answer to the man's question lies in the

> title of the novel--_On the Road_ (not Barth's _The End of the Road_).

> Cordially,

> Mike Skau

> 

> On Tue, 24 Mar 1998, David Bruce Rhaesa wrote:

> 

> > ----------------------------Original message----------------------------

> > OTR #3:

> > "A tall, lanky fellow in a gallon hat stopped his car on the wrong side

> > of the road and came over to us; he looked like a sheriff.  We prepared

> > our stories secretly.  He took his time coming over. 'You boys going get

> > get somewhere, or just going?'  We didn't understand his question, and

> > it was a damn good question."

> >

> > Seems like this is still a damn good question.  What does the Beat

> > Generation provide us as an answer?  Years separate from the lankly

> > fellow's question but it still seems worthy of considering.  Though it

> > doesn't come from a scholar, it seems to question the scholarly

> > underpinnings of studying the Beat Generation.  I don't know that I have

> > a good answer to the question but look forward to the answers of others.

> >

> > d

> >

> 

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 18:23:50 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Re: Times of Disorder

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 25-Mar-98 3:07:34 PM Pacific Standard Time, Mike writes:

 

<<  it's a mock ad for something called _Beats on Broadway >>

 

Mike, was this cartoon presented just without context, or did it relate to

something else in the book review section?

 

Wish I'd seen it. Sounds hilarious.

 

Diane

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 19:15:31 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Times of Disorder

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those of you that arent familiar with Chronicles of Disorder, its a

very formidable publication put out by a very formidable guy, and its pure

homegrown stuff from my hometown!

Speaking of cartoons, there was a strip in the Village Voice a couple of

weeks ago by Maakies, in which the best minds of my generation line is

paraphrased and changed to " I saw the best minds of my generation

destroyed by bad poetry". Needless to say, its taped to my wall!

~Nancy

 

>Two quick points:

>1) Did everybody see the cartoon in the _NY Times Book Review_? In the 22

>March 1998 issue, on p. 35 (the penultimate page) is a full-color,

>full-page cartoon by Seymour Chwast; it's a mock ad for something called

>_Beats on Broadway_ and contains the following blurbs: "See disillusioned

>writers in their own pads"; "The 50's literary icons will thrill you!"; "A

>musical romp with those merry bohemians"; "Jack Kerouac sings 'On the

>Road'"; "Hear depraved poets reading in Greenwich Village cellars"; "Watch

>Allen Ginsberg dance as 'Howl' is seized by customs agents"; "GIRLS! with

>Larry Ferlinghetti Greg Corso Ken Rexroth Billy Burroughs & his bongo

>band." Anyone know who the artist Chwast is?

>2) Yesterday I got a card from Thomas Christian of _Chronicles of

>Disorder_; the card indicates that issue #5 of the Chronicles, "due

>fall/1998," will be devoted to William Burroughs. Address: P.O. Box 721;

>Schenectad, NY 12301.

>Cordially,

>Mike Skau

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 19:26:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: Rosevalley <Rosevalley@aol.com>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: May 14  Planet News

To:           BEAT-L@CUNYVM.CUNY.EDU

 

More information on Planet News

 

----------------------------Original message----------------------------

Dear Bill

I will put the press release text into the body of this letter.  The poetry

Project lacked Patti's and Natalie's names.

 

    Allen Ginsberg Trust/PO Box 582/Stuyvesant Station/N.Y.C., N.Y. 10009

      212 358 9534   (fax) 212 358 9529

 

 

*******FOR IMMEDIATE RELEASE******

__________________________________________________________________

 

Planet News: A Tribute to ALLEN GINSBERG will be held at St. John the

Divine Cathedral, NYC on Thursday evening, May 14, 1998 at 7pm Free

__________________________________________________________________

 

         For more information, contact:

          Bob Rosenthal, Trustee

          Allen Ginsberg Trust

           212-358-9534

 

 On Thursday evening, May 14th, 1998, 7pm, at St. John the Divine Cathedral in

Manhattan, the Committee on Poetry and the Allen Ginsberg Trust will present

"Planet News: A Tribute to Allen Ginsberg." The event will be free and open to

the public.

 

 Allen Ginsberg's groundbreaking and visionary work provided inspiration to

poets and political activists throughout the world for five decades. To honor

Allen's spirit and to celebrate his life, his poetry, and his social

commitment, the tribute will feature a 3-hour program of poets, musicians and

activist speakers who either worked closely with Allen or were influenced by

him. Thus far, confirmed performers and participants include: Amiri Baraka,

Patti Smith, The Fugs, Philip Glass, Natalie Merchant, Anne Waldman, Sonia

Sanchez, Dave Dellinger, Jayne Cortez, Danny Schechter, Stephan Smith, Pedro

Pietri, Andy Clausen,  Steven Taylor, David Greenberg and special guests.

 

 Allen Ginsberg was renowned for his ability to inspire people to work for a

better world;  tribute organizers hope that this event will advance Allen's

progressive ideals as we enter a new millenium. Besides performing their own

original materials, some of the participants will be performing Allen

Ginsberg's poems and songs, including a few previously unpublished pieces. The

event will also include informational tabling by groups promoting humanitarian

causes which Allen endorsed.

 

 The tribute Organizing Committee is being chaired by the poet Ed Sanders, and

being coordinated by Bob Rosenthal, Ginsberg's longtime assistant and current

Trustee. New York's Cathedral of St. John the Divine is located at 1047

Amsterdam Avenue at 112th Street.

 

#  #  #

 

Thanks

 

Bob

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 19:42:56 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: "L-Soft list server at The City University of NY

              (1.8c)" <LISTSERV@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      BEAT-L: dufour@ULISSE.IT requested to join

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

Mon, 23 Mar 1998 10:17:47

 

A request  for subscription to  the BEAT-L list (BEAT-L:  Beat Generation

List) has been received from Francesco Dufour <dufour@ULISSE.IT>.

 

You   can,  at   your   discretion,  send   the   following  command   to

LISTSERV@CUNYVM.CUNY.EDU (or  LISTSERV@CUNYVM.BITNET) to add  this person

to the list:

 

              ADD BEAT-L dufour@ULISSE.IT Francesco Dufour

 

PS: In  order to  facilitate the  task, this  message has  been specially

formatted   so   that   you   only   need   to   forward   it   back   to

LISTSERV@CUNYVM.CUNY.EDU  (or  LISTSERV@CUNYVM.BITNET)  and fill  in  the

password  to have  the  command  executed. Note  that  while the  formats

produced by the forwarding function  of most mail packages are supported,

replying will seldom work, so make sure to forward and not reply.

-------------------------------------------------------------------------

// JOB PW=XXXXXXXX

ADD BEAT-L dufour@ULISSE.IT Francesco Dufour

// EOJ

 

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X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2106.4

Date:         Wed, 25 Mar 1998 19:48:24 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Comments:     Resent-From: Bill Gargan <WXGBC@CUNYVM>

Comments:     Originally-From: "Leon Tabory" <letabor@cruzio.com>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: looking for a recommendation

To:           BEAT-L@CUNYVM.CUNY.EDU

 

----------------------------Original message----------------------------

This message was originally submitted  by letabor@CRUZIO.COM to the BEAT-L list

at CUNYVM.CUNY.EDU.  If you simply  forward it back to  the list, using  a mail

command that generates "Resent-" fields (ask your local user support or consult

the documentation of your mail program if in doubt), it will be distributed and

the explanations you  are now reading will be removed  automatically. If on the

other hand you edit the contributions you  receive into a digest, you will have

to remove this  paragraph manually. Finally, you should be  able to contact the

author  of this  message by  using  the normal  "reply" function  of your  mail

program.

 

----------------- Message requiring your approval (24 lines) ------------------

 

-----Original Message-----

From: Jens Moellenhoff <jensm@moving-people.net>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Tuesday, March 24, 1998 2:31 PM

Subject: Re: looking for a recommendation

 

>P.S.

>Months after the new German translation of On The Road has come out, they

now

>will broadcast a German radioplay based on On the Road. It'll be next

friday

>night, and if anyone is curious what they did to old Jack's work over here,

>I'll give you a short report on this radioplay. Anyone interested?

 

Only get a moment or two these days to check  in. I still will find time for

this one!  Can't wait to read whatever you would send on about it.

Fascinating.

 

Thank you Jens

 

Leon

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 19:08:51 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Times of Disorder

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Nancy Brodsky wrote:

> 

> Speaking of cartoons, there was a strip in the Village Voice a couple of

> weeks ago by Maakies, in which the best minds of my generation line is

> paraphrased and changed to " I saw the best minds of my generation

> destroyed by bad poetry". Needless to say, its taped to my wall!

> ~Nancy

> speaking of beat stuff in cartoon form, a near cartoon that is actually

a photograph was sent to me by a friend at the University of Louisville

pulled out of the Utne Reader with a row of bewildered West Point cadets

sitting in class reading "Howl"!  It's not on my wall - b/c it's in a

box as yet unpacked from my move.

 

d

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 20:59:53 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Times of Disorder

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Oh thats a hoot! I want to see that one!

>Nancy Brodsky wrote:

>> 

>> Speaking of cartoons, there was a strip in the Village Voice a couple of

>> weeks ago by Maakies, in which the best minds of my generation line is

>> paraphrased and changed to " I saw the best minds of my generation

>> destroyed by bad poetry". Needless to say, its taped to my wall!

>> ~Nancy

>> speaking of beat stuff in cartoon form, a near cartoon that is actually

>a photograph was sent to me by a friend at the University of Louisville

>pulled out of the Utne Reader with a row of bewildered West Point cadets

>sitting in class reading "Howl"!  It's not on my wall - b/c it's in a

>box as yet unpacked from my move.

> 

>d

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: legacy@admin.con2.com

Date:         Wed, 25 Mar 1998 22:13:54 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Perchuk <legacy@ADMIN.CON2.COM>

Subject:      Re: Second thoughts on first exposure

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 01:55 PM 3/15/98 EST, you wrote:

>----------------------------Original message----------------------------

>HMMM, my second thoughts on first exposure.  I now remember that in a

>college English class we read Ferlinghetti's Coney Island or something

>like that.  The one where he has a carnival image.  I didn't know he was

>a "beat" poet, and I guess some say he ain't.  But that would be my

>first beat exposure on the works side.

> 

>Before that, I remember reading a story on Kerouac when he died.  I

>would say the article came out, maybe in Rolling Stone in late '69 or

>early '70.  He was drunk and ranting about Viet Nam and patriotism. I

>remember thinking he sounded like an ass and wondering why people

>thought he was a great writer.

> 

>A few years later, I began to seperate the man and his writing.

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

> 

> 

 

Bentz - How glad I am that you mentioned this at this time -- ("...I began

to separate the man from his writing.") This is exactly what I was trying to

explain to Gerry Nicosia when I criticized his "what if" suppositions a few

days back. I don't know why he felt that he "couldn't understand where I was

coming from." You certainly seem to have no problem grasping the concept.

 

I any case, thanks. You clarified my position very well indeed.

 

 

                                            Jeff Perchuk

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 22:41:33 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Jack and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone have available Burroughs' quote on the "dangers" of

Buddhism.  For some reason I was thinking he said something about

Kerouac and it was like a warning not to dabble in Buddhism.   I was

unfamiliar with the quote, have seen it here before and was thinking

maybe it was relevant to some of the portions of the thread on Kerouac's

practice of Buddhism.   I would appreciate it if one knows the quote if

they could post it.  Thanks.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 21:55:29 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Jack and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

R. Bentz Kirby wrote:

> 

> Does anyone have available Burroughs' quote on the "dangers" of

> Buddhism.  For some reason I was thinking he said something about

> Kerouac and it was like a warning not to dabble in Buddhism.   I was

> unfamiliar with the quote, have seen it here before and was thinking

> maybe it was relevant to some of the portions of the thread on Kerouac's

> practice of Buddhism.   I would appreciate it if one knows the quote if

> they could post it.  Thanks.

> 

> --

> 

> Peace,

> 

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

 

i think that the gist of the quote is that taken to its logical

extension a buddhist would never leave his/her Orgonne box.

 

burroughs seemed to believe in a principle of "FUN" in life which

sometimes gets lost in the sense of resignation towards life that "some"

buddhists seem to believe.

 

i'd like to see the direct quote too.

 

d

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Wed, 25 Mar 1998 23:32:07 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Desolation Angels and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I always thought that one of the saddest expressions of depression was

the ending of Desolation Angels.  Jacks says:

 

Later I'm back in New York sitting around with Irwin and Simon and

Raphael and Lazarus, and now we're famous writers more or less, but they

wonder why I'm so sunk now, so unexcited as we sit among our published

books and poems, tho at least, since I live with Memere in a house of

her own miles from the city, it's a peaceful sorrow.  A peaceful sorrow

at home is the best I'll ever be able to offer the world, in the end,

and so I told my Desolation Angels goodbye.  A new life for me.

 

There are expressions of his despair in this book:

 

"... and all we're doing is fighting to our deaths---

In fact, why do I fight myself?"   pg 67 in my paperback.

 

In any event, I find that this book reported a change that Jack noticed

in himself.  One that separated him from his friends and is described in

Electric Koolaid Acid Test by Tom Wolfe.  It seems to me that Jack just

said, I give up and let go to sind into depression.

 

Still, this book is one of my favorites by Keouac.

 

In  Ann Charters' biography, I find these comments:

 

"His Buddhism was a tangled and personal matter, but its most immediate

appeal to him was that it served as a defense and as a philosophic way

of justifying his suffering to himself."  Pgs 190-91.

 

It always seemed to me, that for some reason, Kerouac chose to sink into

his own suffering.  Did he?  Did he use Buddhism as an excuse or vehicle

to do so?  I don't know.  But I thought these ideas might fit into this

thread somewhere.

 

Take whatever you want and leave the rest.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 16:00:52 +1100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Paul Buckberry <buckb@ZIP.COM.AU>

Organization: Zip Internet

Subject:      Re: Damn good question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think most would have heard that hoary old chestnut: How many beats

does it take to change a light-bulb? Answer: There are no answers, only

questions.

 Could it be Neal had heard this joke before?

 

<Always merry and bright>

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 00:01:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      a correction

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In my post on "Kerouac's path," I wrongly attributed this poem:

 

Someday you'll be lying

there in a nice trance

and suddenly a hot

soapy brush will be

applied to your face

-It'll be unwelcome

-someday the

undertaker will shave you

 

It is Orizaba 210 Blues, Chorus 2, from Book of Blues, not Mexico City Blues.

 

Diane

 

 

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X-Sender: kh14586@am.appstate.edu

Date:         Thu, 26 Mar 1998 00:19:37 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Alex Howard <kh14586@ACS.APPSTATE.EDU>

Subject:      Re: Desolation Angels and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

> Later I'm back in New York sitting around with Irwin and Simon and

> Raphael and Lazarus, and now we're famous writers more or less, but they

> wonder why I'm so sunk now, so unexcited as we sit among our published

> books and poems, tho at least, since I live with Memere in a house of

> her own miles from the city, it's a peaceful sorrow.  A peaceful sorrow

> at home is the best I'll ever be able to offer the world, in the end,

> and so I told my Desolation Angels goodbye.  A new life for me.

> 

 

This is one of the reasons I think Desolation Angels is one of Kerouac's

most important works.  It gives literary evidence of an important point in

Keoruac's life, when he visibly turns from the airy, optamistic outlook

coming out of Dharma Bums and in Book One of DA to the more world-weary,

beleagured sadness that would become more and more evident with each work

written afterwards.  I think it deserves some good analysis and

recognition.

 

------------------

Alex Howard  (704)264-8259                    Appalachian State University

kh14586@am.appstate.edu                       P.O. Box 12149

http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 01:32:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Re: Desolation Angels and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Is there anyone on the list who might be willing to have a go at reading this

book and commenting on it the way the list did with Visions of Cody?  I think

I am going to read it again.

 

Alex Howard wrote:

 

> >

> > Later I'm back in New York sitting around with Irwin and Simon and

> > Raphael and Lazarus, and now we're famous writers more or less, but they

> > wonder why I'm so sunk now, so unexcited as we sit among our published

> > books and poems, tho at least, since I live with Memere in a house of

> > her own miles from the city, it's a peaceful sorrow.  A peaceful sorrow

> > at home is the best I'll ever be able to offer the world, in the end,

> > and so I told my Desolation Angels goodbye.  A new life for me.

> >

> 

> This is one of the reasons I think Desolation Angels is one of Kerouac's

> most important works.  It gives literary evidence of an important point in

> Keoruac's life, when he visibly turns from the airy, optamistic outlook

> coming out of Dharma Bums and in Book One of DA to the more world-weary,

> beleagured sadness that would become more and more evident with each work

> written afterwards.  I think it deserves some good analysis and

> recognition.

> 

> ------------------

> Alex Howard  (704)264-8259                    Appalachian State University

> kh14586@am.appstate.edu                       P.O. Box 12149

> http://www1.appstate.edu/~kh14586             Boone, NC  28608

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 06:47:30 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Damn Good Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Tom Christopher wrote:

> 

> when burroughs met cassady during his first cross country drive with

> kerouac, burroughs asked what the point was to cassady's manic rushing

> around.

> 

> cassady, appearently never having posed the question to himself was left

> speechless

> 

> the fact that burroughs would ask that of cassady indicates a division

> of opinion even then, and maybe such questions are beside the point

 

paradoxically, burroughs later came up with talk of stasis-horrors and

travel is necessary notions.  wasn't burroughs basically a farmer at

this time?  something about farming seems to connect one to a given

place and might make nomadic migration seem even more meaningless.

> 

> it doesn't seem like there's much of a shared philosophy between between

> these guys, just more of a general dissatisfaction with the promise of a

> grey flannel strait jacket

> 

> despite the amount of artistic and intellectual discipline the beats had

> on a personal level i suspect the answer is 'just goin' but i also think

> it's one o them questions that no matter how you answer, you'll take the

> other side soon enough.

> 

 

i don't know that there is much with regard to shared purpose going on

-- but there seems to be something underneath linking these figures,

perhaps to a sense of scene and anti-scene in America at the time.

 

> David Bruce Rhaesa wrote:

> >

> > ----------------------------Original message----------------------------

> > OTR #3:

> > "A tall, lanky fellow in a gallon hat stopped his car on the wrong side

> > of the road and came over to us; he looked like a sheriff.  We prepared

> > our stories secretly.  He took his time coming over. 'You boys going get

> > get somewhere, or just going?'  We didn't understand his question, and

> > it was a damn good question."

> >

> > Seems like this is still a damn good question.  What does the Beat

> > Generation provide us as an answer?  Years separate from the lankly

> > fellow's question but it still seems worthy of considering.  Though it

> > doesn't come from a scholar, it seems to question the scholarly

> > underpinnings of studying the Beat Generation.  I don't know that I have

> > a good answer to the question but look forward to the answers of others.

> >

> > d

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 08:11:18 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Desolation Angels and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Im game!~Nancy

 

>Is there anyone on the list who might be willing to have a go at reading this

>book and commenting on it the way the list did with Visions of Cody?  I think

>I am going to read it again.

> 

>Alex Howard wrote:

> 

>> >

>> > Later I'm back in New York sitting around with Irwin and Simon and

>> > Raphael and Lazarus, and now we're famous writers more or less, but they

>> > wonder why I'm so sunk now, so unexcited as we sit among our published

>> > books and poems, tho at least, since I live with Memere in a house of

>> > her own miles from the city, it's a peaceful sorrow.  A peaceful sorrow

>> > at home is the best I'll ever be able to offer the world, in the end,

>> > and so I told my Desolation Angels goodbye.  A new life for me.

>> >

>> 

>> This is one of the reasons I think Desolation Angels is one of Kerouac's

>> most important works.  It gives literary evidence of an important point in

>> Keoruac's life, when he visibly turns from the airy, optamistic outlook

>> coming out of Dharma Bums and in Book One of DA to the more world-weary,

>> beleagured sadness that would become more and more evident with each work

>> written afterwards.  I think it deserves some good analysis and

>> recognition.

>> 

>> ------------------

>> Alex Howard  (704)264-8259                    Appalachian State University

>> kh14586@am.appstate.edu                       P.O. Box 12149

>> http://www1.appstate.edu/~kh14586             Boone, NC  28608

> 

> 

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

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Date:         Thu, 26 Mar 1998 07:23:58 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Damn Good Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Here are a couple of guys, probably stoned on grass and bennies, confronted

by the keeper of the order, mostly checking these guys out for what they are

up to. The cues for questions of cosmic proprotions, are not supplied by the

sheriff, only by the rich associations and connotations that are all too

common to to the mind boosted with mind altering substances. In other words

it is maybe a stoned Kerouac taking the  Sheriff's atrictly down to earth

words for a cosmic ride. The ride though, has to crash on sober reflection.

I am left with a possibly boozing sheriff having a somewhat belligerent

proprietary attitude towards his territory, no philospher cop here directing

cosmic travel.

 

Kerouac on the other hand can take anything that he runs into and when he is

high especially, he can give it a dazzling phantastic twirl that will leave

you awestruck, but many times the meanings and attributions are word plays

with suggested meanings that may not hold up when sober or drunk rather than

high on other kind of drugs.

 

To me it seems that what all of these guys had in common was pioneering

variations of the mind under the influence of different drugs. Ginzberg

stayed in control more than the others, heroin almost permanently overcame

Burroughs, Kerouac was fuelled by grass and bennies, felled by alcohol.

Cassady used bennies to keep energy level and speed to a maximum, but his

love was to use that  energy with a mind elevated by grass and sexual

extasy. To my mind Neal was the purest explorer of the state of being high,

the others were reserving some of their talents and energies to reflect and

to tell the world  about their experiences. Drugs is what they all had in

common, it seems to me.

 

BTW. "left speechess" is a judgment we supply to fit our preconceptions. I

may fall silent at times when a question seems best unanswered for many

different reasons.

 

leon

-----Original Message-----

From: David Bruce Rhaesa <race@MIDUSA.NET>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, March 26, 1998 4:53 AM

Subject: Re: Damn Good Question

 

 

>Tom Christopher wrote:

>> 

>> when burroughs met cassady during his first cross country drive with

>> kerouac, burroughs asked what the point was to cassady's manic rushing

>> around.

>> 

>> cassady, appearently never having posed the question to himself was left

>> speechless

>> 

>> the fact that burroughs would ask that of cassady indicates a division

>> of opinion even then, and maybe such questions are beside the point

> 

>paradoxically, burroughs later came up with talk of stasis-horrors and

>travel is necessary notions.  wasn't burroughs basically a farmer at

>this time?  something about farming seems to connect one to a given

>place and might make nomadic migration seem even more meaningless.

>> 

>> it doesn't seem like there's much of a shared philosophy between between

>> these guys, just more of a general dissatisfaction with the promise of a

>> grey flannel strait jacket

>> 

>> despite the amount of artistic and intellectual discipline the beats had

>> on a personal level i suspect the answer is 'just goin' but i also think

>> it's one o them questions that no matter how you answer, you'll take the

>> other side soon enough.

>> 

> 

>i don't know that there is much with regard to shared purpose going on

>-- but there seems to be something underneath linking these figures,

>perhaps to a sense of scene and anti-scene in America at the time.

> 

>> David Bruce Rhaesa wrote:

>> >

>> > ----------------------------Original

message----------------------------

>> > OTR #3:

>> > "A tall, lanky fellow in a gallon hat stopped his car on the wrong side

>> > of the road and came over to us; he looked like a sheriff.  We prepared

>> > our stories secretly.  He took his time coming over. 'You boys going

get

>> > get somewhere, or just going?'  We didn't understand his question, and

>> > it was a damn good question."

>> >

>> > Seems like this is still a damn good question.  What does the Beat

>> > Generation provide us as an answer?  Years separate from the lankly

>> > fellow's question but it still seems worthy of considering.  Though it

>> > doesn't come from a scholar, it seems to question the scholarly

>> > underpinnings of studying the Beat Generation.  I don't know that I

have

>> > a good answer to the question but look forward to the answers of

others.

>> >

>> > d

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 11:22:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         GTL1951 <GTL1951@AOL.COM>

Subject:      Re: Jack and Buddhism

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 well now

          I have read that qoute- found it in a book called  Big Sky Mind:

buddhism and the beat generation, edited by one  Carole Toninson, and put out

by Tricycle- who also put out the Buddhist Review- which by the way- is an

excellent mag for those interested in Buddhist thought.

          as always- Bourroughs was pretty skeptical of jacks dabbling in

buddhism. And- in Jack's case- he was right. Because what jack did was dabble-

and not stick with it- thereby causing the eventual hangups about buddhism and

catholicism that plagued and tormented him much of his later life.

       perhaps therin lies the danger- dont dabble- commit.

                              gene

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Thu, 26 Mar 1998 11:12:13 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: straw men and other rhetorical attacks

Comments: cc: jgrant@bookzen.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane De Rooy writes:

 Here is more irony: in this forum where people are always

>asking what the best books are to read by or about Kerouac, one of the bevy of

>Kerouac biographers is sitting in our midst. If I say what I believe, that

>MEMORY BABE is a bad biography of jack, I'm pretty sure I'd be accused of

>making a personal attack.

 

I do not care that Diane or anyone else thinks Memory Babe is a bad book.  I

have over a thousand letters stashed away from people all over the world,

some of the them among the best writers of our time (National Book Award

winners like Larry Heinemann and Maxine Hong Kingston, for example), telling

me what a GREAT book MEMORY BABE is.  Last September I read the WASHINGTON

POST's Kerouac piece, calling MEMORY BABE the greatest of the Kerouac

biographies.  Last December I read Robert Stone in the NEW YORK TIMES

calling me a "major critic of the Beat Generation."  That's enough for me.

        What I do object to is Ms. De Rooy's use of the old "straw man"

device of rhetorical attack.  All I did was expression a vision and a

sadness that I had felt upon reading SOME OF THE DHARMA.  It was not

intended as literary criticism and hardly as a bashing of Kerouac.  Yet Ms.

DeRooy puts all these supposed words into my mouth.  Once she has created

this straw man, which bears no resemblance to the real Gerald Nicosia, she

then proceeds to tear him down.

        Consider carefully the implications of what she says.  She implies

that we are only allowed to express feelings of joy and admiration upon

reading anything Kerouac wrote.  Is that the kind of openness and honesty

the Beats promoted--the openness and honesty we love them for?  I think not.

That is, in my opinion, the worst kind of facism, and when it is used to

attack a highly respected biographer, I think it is quite fair to call it

"bashing."

        --Gerald Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 20:56:34 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Damn Good Question

To:           BEAT-L@CUNYVM.CUNY.EDU

 

David Bruce Rhaesa wrote:

 

> 

> paradoxically, burroughs later came up with talk of stasis-horrors and

> travel is necessary notions.  wasn't burroughs basically a farmer at

> this time?  something about farming seems to connect one to a given

> place and might make nomadic migration seem even more meaningless.

 

yeh...well...we're talking contradictions in the group, but there's

contradictions in individuals, too.  maybe rootless is a better word for

the....ah...rootlessness that they all had.  by the time they met,

burroughs had left home, gone to columbia, had 2 degrees, but never

focused on anything in the manner men were expected to, and was living

in louisiana, a gentleman farmer, but still kept moving after that.

cassady by all accounts was all over the place

 

> 

> i don't know that there is much with regard to shared purpose going on

> -- but there seems to be something underneath linking these figures,

> perhaps to a sense of scene and anti-scene in America at the time.

> 

 

 

scene and anti scene kinda embodies the difficulity of the discussion.

yeh, they were just cruisin fer burgers, and yeh, they were real serious

about writin good

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 21:10:52 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

there was a series of paperbacks in the early 1970s called contact, and

they were reprints from various underground news papers.  one of em had

a long article on the hog farm.....i'm kinda vague on the specific

contents....i remember some photos of paul foster's wedding......

 

tkc

 

Keith Medline wrote:

> 

> Hello,

> 

> I am back from a LOOOOOONNNNNNNNGGGG vacation from the list.  I had 884

> messages awaiting me upon my return which hotmail was so kind to tell me

> didn't exist when I tried to delete them!!  That was a treat...

> Well I have a huge favor for you trivia buffs and scholarly men to

> ponder....

> Could anyone tell me any books by, about, with reference to the man

> known as Hugh Romney aka Wavy Gravy?  I am doing research on this topic

> and I could really use some help tracking down some sources.

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 16:31:06 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 26-Mar-98 11:15:53 AM Pacific Standard Time,

gnicosia@earthlink.net writes:

 

<< All I did was expression a vision and a sadness that I had felt upon

reading SOME OF THE DHARMA.  It was not intended as literary criticism and

hardly as a bashing of Kerouac.  Yet Ms. DeRooy puts all these supposed words

into my mouth.  >>

 

Here's what I wrote:

<<The "what if" letter draws speciously on an idea with no apparent

foundation. That is the part that made me think of MEMORY BABE, where the

writer did the same thing. In both cases, he attempts to create Kerouac out of

some oral or written history. But he doesn't just allow the words to speak for

themselves. First, he runs them through the sieve of his own personal

experience and context.>>

 

I'm not one of the people who responded on the subject of "literary

criticism." There were a couple who did. What I wanted to know was how Gerry

arrived at his "crazy fantasy" (quoting GN here) as he clearly panned "Some of

the Dharma" and suggested Kerouac might have had a shot at some kind of long,

stable life if he hadn't studied Buddhism.

 

Anyone who reads Kerouac or studies his life, his activities, knows better

than that. Any scholar or expert on Kerouac's life would find the utopian

scenario Gerry posited naive, at best.

 

<<Ginsberg commented: "They never understood what he [Jack] was doing, and so

they didn't follow up on what he was saying. If we don't understand what he

was saying, we will not be able to inhabit this universe properly."

     I was on the verge of making similar pronouncements about the folly and

stupidity of these people--who were, rather than seeing the world with

Kerouac's eyes, having Kerouac see the world through their own eyes--when I

finally had to admit that I must be doing the same thing myself ... the sad

fact of biography that none can escape is that we know others at least partly

by imagining what it would be like for us to be in their place, to inhabit

their skin--but of course the fit never quite matches.>>

 

Again, I was quoting from the Preface to the New Edition of MEMORY BABE just

then, the words of Gerald Nicosia.

 

"Folly and stupidity" are the words he attaches to people who see Kerouac

through their own filtering system. I wouldn't be so harsh, but there you go.

I see Kerouac for exactly what he was, as I stated before: a deeply flawed

human being. I have no need for idyllic imaginings of how things "might have

been," because I am realistic enough to know that he lived the life he lived,

and died the death he did, and that he was well on his way to his premature

death long before he penned "Some of the Dharma."

 

I agree with Gerry when he confesses that "I must be doing the same thing

(having Kerouac see the world through [his own] eyes)." That's my problem with

MEMORY BABE. For all his years of research, in the end, it smacks of

autobiography.

 

I'm waiting for a truer picture of Kerouac to emerge than all of his

biographers have yet drawn. In the meantime, I consult the available

biographies and check all the "facts" and lore they offer. If one biographer

thinks he or she is a greater expert than the others, he/she must be prepared

to back that up, not with blurbs on book jackets or favorable reviews, but

with research-based documentation.

 

I was just re-reading Barry Gifford's "Kerouac's Town" this morning, a small

book that came out in 1973, right after Ann Charters' path-finding biography,

"Kerouac." In an interview with Stella Kerouac, Gifford notes that in the

first edition of Charters' book, she claimed that Jack's sister, Nin,

committed suicide, which upset Gabrielle and Stella. In subsequent editions of

Charters' book, the cause of Nin's death is attributed to a coronary

occlusion, as is noted on her death certificate, which Stella produces for

Gifford to see.

 

If Jack's survivors hadn't complained, and if people had viewed Charters' book

as gospel, word for word, we would all be thinking Nin committed suicide

today. The dissenting voice is important, especially when one is looking at a

biography of a person who is dead and no longer able to refute what is said

about him or her.

 

As I stated before, criticism of Beat books, including biography, is fair game

in this forum, and my small critique of MEMORY BABE is offered as that, not as

bashing of its author. I have as much right to express my opinion as does

anyone who believes the book is the greatest thing since sliced bread.

 

Diane De Rooy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 13:32:26 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Memory Babe (was Re: straw men and other rhetorical attacks )

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> > Diane De Rooy writes:

> >  But he doesn't just allow the words to speak for

> > themselves. First, he runs them through the sieve of his own personal

> > experience and context.>>

 

> Gerald Nicosia writes:

> What does Ms. DeRooy mean?  Doesn't every historian, biographer, and

> critic

> (unless he's producing pure oral history) interpret his data?  And

> isn't

> that interpretation based on the sum of his/her knowledge to date?

> 

> Diane De Rooy writes:

> > ...I see Kerouac for exactly what he was... That's my problem with

> > MEMORY BABE. For all his years of research, in the end, it smacks of

> > autobiography.

> 

> Gerald Nicosia writes:

> Ms. De Rooy here claims to be the ultimate authority on Kerouac.

> However,

> she gives us (as usual) no facts to back up this assertion.  She claims

> MEMORY BABE is my autobiography, rather than Kerouac's biography.  >

> Again,

> she gives us no facts to back this up.  On the other hand, at the back

> of

> MEMORY BABE, I provide 313 footnotes and 44 small-print pages of >

> detailed

> source notes for everything I have written about Kerouac.

 

You'll have to excuse me for prolonging a discussion that most on the

list would probably like to see disappear, but Diane De Rooy does make

what I see as a legitimate point for discussion about "Memory Babe."

Oddly, as this discussion comes up. I am reading "Memory Babe"  While it

is clearly a work of diligent research and dedication by the author, it

does have some weaknesses in terms of a literary biography.  A biography

should make the writer's life come alive and give us insight into how

the works of that writer might have been influenced by the life that

was lived.  The biography should draw material from diverse sources and

put it all out there for the reader to draw the conclusions.  The

biographer continually walks a fine line between presenting the material

and interpreting the material. What I see as Diane De Rooy's complaint

against "Memory Babe" is that it, at times, is too subjective, and I

agree with that assessment.  From the beginning of the book, I have been

constantly reading what I see as "conclusions" and scrutinizing the notes

at the back of the book in search of the source on which the conclusion

was based.  And many times, I find no footnotes or notes that help me in

the least.  Take for example these two paragraphs from the first section

of the chapter entitled, "The Sponsors of Waste" (for which there are six

sources in the notes and one footnote):

 

"The eighteen hours between Uhl's ranch and Chicago were an important

'period' in Jack's life. Watching the white line of the highway,

following that thread as it bound together a continent like a modern,

more efficient river, he listened to more of Neal's history. In Des

Moines they barely dented a black man's bumper; later they were stopped

by police because he'd reported that there Cadillac was stolen.  Several

hours later in mid-Illinois Neal very nearly killed them passing--at

110--a line of cars on a two-lane bridge in the teeth of an oncoming

semitrailer.  Cognizant at last of the razor's edge Neal kept between

himself and death, Jack recoiled in terror from the prospect of a shared

extinction.  But as Aram Saroyan has pointed out (in an unpublished

essay, 'The Driver: Reflections on Jack Kerouac'), the trip's impact on

Jack came from more than the daring adventures and his new insights into

Neal. Neal's split-second decisions taught Jack a 'style' of dealing with

reality, which, however dangerous, achieved increments in consciousness

beyond what other men could gain from the same experience.

  The secret, of course, was that Neal lived faster than any man Jack had

ever known.  Ginsberg, Holmes, and most of his intellectual friends

'considered' problems.  Neal dealt with them instantaneously because he

knew the consequences of delay (especially at 110 miles an hour) could be

worse than intuition's occasional gaffe."

 

Up until here are facts that seem quite appropriately stated and

interpreted a biographer.  What ends this paragraph is what I deem as the

author's conclusions that fall into what I see as the very gray area of

overstepping the bounds of biography with unfootnoted conclusions.  It

then reads as follows:

 

"Something died in Jack on that trip. The young Jack, who had compared

Wolfean sentences to prove he was smarter than the world that had

rejected him, now rejected his smugness, threw away his smartness, and

answered the urgencies of both life and art with the sense of the moment.

He would put himself on the line, as vulnerable in his lines of prose as

Neal on that line of highway."

 

The conclusion that "Jack died on that trip" is a profound one.  Where

exactly is the documentation for that?  Saroyan's essay only seemed to

imply that from Jack was learning from Neal a new 'style' of living in

the moment, a change in consciousness.  How do we leap not only to Jack

dying internally on that trip but to the sense that before, he was

composing Wolfean sentences to prove that he was "smarter than the

world."  If this had been footnoted we would have an idea of where it

came from; without them it becomes a imposition of the consciousness of

the biographer into the text.

 

I am only citing this as an example; there is, in fact, throughout

"Memory Babe" this type of biographer's consciousness coming through.

Ideally, the reader should be left to draw his/her own conclusions about

this trip, with even possibly quotations from Jack in "On the Road" about

the experience.  Of this incident, Jack writes in OTR (p 236), "I

couldn't get it out of my mind, also, that a famous bop clarinetist had

died in an Illinois car crash recently, probably on a day like this.  I

went to the back seat again."

 

Because so much of "Memory Babe" is based on interviews, I think it

paints a more subjective portrait of Kerouac than it would if it had

more first-hand material from Kerouac himself.  More footnoted material

instead of several pages based on an interview would help us ascertain

fact from speculation.  I hold in high esteem Richard Ellmann's biography

of James Joyce, which is about the same amount of pages and has 2700

footnotes compared to the 313 in "Memory Babe."

 

I think that biographical and critical works about an author deserve the

same kind of scrutiny we give the writer's works.  I would never go so

far as to call "Memory Babe" autobiography, but I do definitely sense in

many places that the biographer's interpretation is thrown in, where the

reader should be led to make an assessment on his/her own.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 21:41:13 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> 

> Diane De Rooy wrote

>  But he doesn't just allow the words to speak for

> >themselves. First, he runs them through the sieve of his own personal

> >experience and context.>>

> 

Gerald Nicosia wrote:

> What does Ms. DeRooy mean?  Doesn't every historian, biographer, and critic

> (unless he's producing pure oral history) interpret his data?

<snip>

 

 

tkc sez

 

even oral history is subject to editorial control and organization

 

the words don't always, dont just, speak for themselves

 

kerouac's words were chosen for their beauty as words, and often are at

variance with his behavior.  kerouac at times seems totally oblivious to

his motivations

 

kerouac had lots of different friends, famous and obscure who knew him

at different times

 

any view of kerouac by his contempories is indeed filtered through their

perceptions expectations life experiences etc

 

all this is going to be contradictory as a whole, but that makes none of

the parts less true

 

kerouac's boyhood friends have no idea about the complexity of the kid

who left lowell, and his drinking buddies have no idea of the man who

never left home

 

both sources need to be heard for us to understand this failed human who

could write like an angel on speed

 

some hammer away at the obvious, at the famous, at the soap opera or

retreat to the nostalgic fields of youth

 

some dig deeper to the obscure and boring bedrock

 

the more one reads the clearer this becomes

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: peent@cyber2.servtech.com

Date:         Thu, 26 Mar 1998 16:59:48 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Czarnecki <peent@SERVTECH.COM>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>In an interview with Stella Kerouac, Gifford notes that in the

>first edition of Charters' book, she claimed that Jack's sister, Nin,

>committed suicide, which upset Gabrielle and Stella. In subsequent editions of

>Charters' book, the cause of Nin's death is attributed to a coronary

>occlusion, as is noted on her death certificate, which Stella produces for

>Gifford to see.

> 

>If Jack's survivors hadn't complained, and if people had viewed Charters' book

>as gospel, word for word, we would all be thinking Nin committed suicide

>today. The dissenting voice is important, especially when one is looking at a

>biography of a person who is dead and no longer able to refute what is said

>about him or her.

 

>Diane De Rooy

 

Diane, what you quote above about the death of Nin is an error of fact.

That should always be corrected. Interpretation of a person's life and work

is another matter, isn't it? How many errors of fact have you found in

Gerry's book?

 

Michael

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 16:13:15 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

Subject:      ah hem

To:           BEAT-L@CUNYVM.CUNY.EDU

 

now that the estate war is censored, why doesn't someone bring up an old

post and then someone  use it as an excellant excuse to repeatedly

'review" memory babe, then someone reponds to that.   Or could we please

discuss something ELSE than how someone "feels' before we lose this

list.  can't we give it a rest.

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

going nuts here. watching

patricia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 17:19:36 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         QNofMETH <QNofMETH@AOL.COM>

Subject:      Re: ah hem

To:           BEAT-L@CUNYVM.CUNY.EDU

 

yhea true....maybe ginsberg....it seems like this list should be renamed "Mad

psyshadelic Kerouac reflections"

 

And the beat goes on.

 

Meth

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MIME-Autoconverted: from 8bit to quoted-printable by mx02.together.net id

                      CAA05146

Date:         Thu, 26 Mar 1998 14:24:40 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Kerouac's path

To:           BEAT-L@CUNYVM.CUNY.EDU

 

> Diane De Rooy wrote:

 

> A thing I sense about Kerouac is his belief and simultaneous rejection

> of the

>  Christian concept of predestination. When two forces collide like

> that, I  always think of Zen, which always makes me think of Buddhism,

> which leads me  to understand Kerouac's search for answers there, and

> his brilliant ability to

>  melt the two into a unique spiritual alloy familiar to many who

>  struggle and

>  seek.

>

> E. M. Forster believed in predestination, but believed people could

> fight it,

>  "wriggling... against it...and in the whole universe the only really

> interesting

>  movement is this wriggle." Jack wriggled, without a doubt, but in the

> end, he

>  went down the path he learned at the age of four with the death of > Gerard: We

>  are born to die.

 

Thanks for taking the time to compile the various quotes.  I would agree

that they illuminate Kerouac's path.  I also find it interesting that

about half of them deal with death.  Does this mean that Kerouac saw

death as his greatest limitation?  It certainly defined his path, and

eventually shaded all of his thought.  I also found interesting your

comments about struggling against predestination and Jack's "wriggling"

against it.  However, I don't see predestination as a typically Christian

idea; in fact, I think the Catholic church puts forth that we are, in

fact, not predistined to a certain path but that our path is totally one

of free will.  I do, however also see in Kerouac the "simultaneous belief

and rejection" of the idea of fate.  How free we are has a lot to do with

our ability at self-analysis, and I would still hold that one of

Kerouac's limitations was his inability to see where he was coming from

and where he was going.  He was caught in the emotional immediacy of each

moment.  As you say, "In the end he went down the path he learned at the

age of four with the death of Gerard."  But the thing is, this idea of

death as a monster that takes all of us, wasn't the way he saw Gerard

looking at death.   "We are born to die" which includes life as a

wonderful, fully alive, worthwhile experience developed into "why live if

we are going to die," which is itself limitation.

DC

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 16:25:32 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote:

> 

> That is, in my opinion, the worst kind of facism, and when it is used to

> attack a highly respected biographer, I think it is quite fair to call it

> "bashing."

>         --Gerald Nicosia

 

I'm not qualified to get into the literary details of this matter, but i

would say that the fallacy of appeal to authority is as prevalent as the

fallacy of the straw person in some of these threads.

 

dbr

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 16:38:15 -0600

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         David Bruce Rhaesa <race@MIDUSA.NET>

Organization: smiling small thoughts

Subject:      Re: Damn Good Question

Comments: To: Michael Skau <mskau@cwis.unomaha.edu>

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Michael Skau wrote:

> 

> On Wed, 25 Mar 1998, Michael Skau wrote:

> 

> > The interesting point of this passage is that it poses the alternatives of

> > process or product. Perhaps the answer to the man's question lies in the

> > title of the novel--_On the Road_ (not Barth's _The End of the Road_).

> > Cordially,

> > Mike Skau

> >

> > On Tue, 24 Mar 1998, David Bruce Rhaesa wrote:

> >

> > > ----------------------------Original message----------------------------

> > > OTR #3:

> > > "A tall, lanky fellow in a gallon hat stopped his car on the wrong side

> > > of the road and came over to us; he looked like a sheriff.  We prepared

> > > our stories secretly.  He took his time coming over. 'You boys going get

> > > get somewhere, or just going?'  We didn't understand his question, and

> > > it was a damn good question."

> > >

> > > Seems like this is still a damn good question.  What does the Beat

> > > Generation provide us as an answer?  Years separate from the lankly

> > > fellow's question but it still seems worthy of considering.  Though it

> > > doesn't come from a scholar, it seems to question the scholarly

> > > underpinnings of studying the Beat Generation.  I don't know that I have

> > > a good answer to the question but look forward to the answers of others.

> > >

> > > d

> > >

> >

> >process/product makes some sense to me.  this could fit, i think, with

some of what i'm trying to say about scene as the force motivating the

connection between the various beats -- rather than purpose or product.

 

the scene at a close focus is best described, perhaps, in Leon's post

concerning the relevance of intoxicants and the specific scene - and

Leon makes the vision of sheriff so clear that i could hear clapton

singing I shot the sheriff in my mind - the grand irony being that the

guy in the gallon hat was not THE MAN but a Carnival guy - as far from

the establishment, perhaps, as one could find.

 

At a different focus the lens includes the consciousness of the

intoxicated but the entire scene of America expressed in so much of beat

literature that voices the disaffections which motivate consciousness

expansion as a solution or an escape from the larger cultural scene.

>From this circumference, the delusion of the intoxicants in the damn

good question scene are filtered into the disillusion and disaffection

where this process that you mention becomes more important than the

products themselves.

 

I find this interesting and it is a testament to the sociological

significance of Kerouac and the other beats that textual examination can

take one's mind both into the scene so vividly as described by Leon and

so far out into socio-cultural studies as Michael has suggested sending

my brain on a spin in that direction.

 

d

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 17:53:35 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 26-Mar-98 2:04:24 PM Pacific Standard Time, Michael writes:

 

<<  Interpretation of a person's life and work is another matter, isn't it?

How many errors of fact have you found in Gerry's book? >>

 

I'm not entirely sure what you're saying here, Michael. My criticism of MEMORY

BABE is based on several things, including factual errors. But the thing I

find most disturbing about it is Gerry's general characterizing of Jack and

his personality--his interpretations.

 

I have talked to several people Gerry interviewed and seen some of the letters

Gerry used to write his book. The more I checked his sources, the more his

interpretation came into question. I've actually been debating, for about the

last six months, writing a rebuttal of some sort about this book. Since I'm

overloaded with projects right now, it's a low, but important, priority for

me.

 

Rather than start an analysis on Beat-L that probably needs a more formal

setting, what I think would be best would be for me to accomplish this task

and publish it, either on the Internet, or in some book form.

 

I certainly don't wish to contribute to any acrimony here. I try to word my

posts calmly and rationally. But given the history of the last year, it may

sadly be true that we can discuss anything we want on Beat-L... except Gerry

Nicosia and his work.

 

But to be perfectly fair (not directed at you, Michael), it really seems

pathetic that people can use Beat-L to post tales of their love life, family

issues, poetry, self-promotion and personal spasms of all stripes, but at the

slightest whiff of conflict or disagreement, however valid, enlightening, or

necessary, those people complain the loudest.

 

I do believe I've said everything I need to say for the time being.

 

Diane De Rooy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Thu, 26 Mar 1998 15:20:10 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 04:25 PM 3/26/98 -0600, you wrote:

>Gerald Nicosia wrote:

>> 

>> That is, in my opinion, the worst kind of facism, and when it is used to

>> attack a highly respected biographer, I think it is quite fair to call it

>> "bashing."

>>         --Gerald Nicosia

> 

>I'm not qualified to get into the literary details of this matter, but i

>would say that the fallacy of appeal to authority is as prevalent as the

>fallacy of the straw person in some of these threads.

> 

>dbr

> 

Dave, are you saying, along with Diane, that if I read something of Kerouac

and it depresses me, I shouldn't be allowed to say so here, without having

my whole life's work damned?

        --Respectfully, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 20:12:14 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Zucchini4 <Zucchini4@AOL.COM>

Subject:      Diane Di Prima reading

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hey y'all. Just wanted to drop you a line, because Diane DiPrima and some

other woman are going to be reading at the Walt Whitman Center (or

somethinglike that) in Camden NJ this Sunday (the 29th) at 2:30 pm. So if

anyone lives in the area/ is interested in going, you can write me and I'll

send the few meager details that I have. (There's a listing for it in the City

Paper also.) Me- I'm definitely going to try to be there. Of course I'll let

you all know how wonderful it is! :)

 

--Stephanie

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 20:29:51 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Aeronwytru <Aeronwytru@AOL.COM>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i can just see bill reaching for his antacids as he changes us back to a

moderated list.....

 

sigh,

aeronwy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Originating-IP: [35.10.20.31]

Date:         Thu, 26 Mar 1998 17:33:32 PST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Keith Medline <mrsparty@HOTMAIL.COM>

Subject:      Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello,

 

I am back from a LOOOOOONNNNNNNNGGGG vacation from the list.  I had 884

messages awaiting me upon my return which hotmail was so kind to tell me

didn't exist when I tried to delete them!!  That was a treat...

Well I have a huge favor for you trivia buffs and scholarly men to

ponder....

Could anyone tell me any books by, about, with reference to the man

known as Hugh Romney aka Wavy Gravy?  I am doing research on this topic

and I could really use some help tracking down some sources.

 

PS.  My Professor is the coolest Professor on the MSU faculty.  He is

God among men teaching great works such as Dharma Bums and Minor

Characters.  He deserves a compliment for his efforts!  So just write a

nice message about him and I'm sure he'll get it...  ;)

 

Also could you please keep your responces on a back channel as my

hotmail account takes 10 minutes to load!!!  Please send responses here

mailto:medlinke@hotmail.com

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 20:58:59 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      JK/AG Memorial

To:           BEAT-L@CUNYVM.CUNY.EDU

 

For those of you in the NYC area, there will be an JK/AG memorial in

Queens, this saturday night. The vitals:Stonewall and sons, 33-18 Broadway,

Astoria, call Tom Kelley for info or if you would like to read:718.204.5774

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Thu, 26 Mar 1998 18:12:34 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Diane De Rooy writes:

 But he doesn't just allow the words to speak for

>themselves. First, he runs them through the sieve of his own personal

>experience and context.>>

 

What does Ms. DeRooy mean?  Doesn't every historian, biographer, and critic

(unless he's producing pure oral history) interpret his data?  And isn't

that interpretation based on the sum of his/her knowledge to date?

 

... he clearly panned "Some of

>the Dharma" and suggested Kerouac might have had a shot at some kind of long,

>stable life if he hadn't studied Buddhism.

 

This is pure DeRooy--totally unsubstantiated assertion.  How did I "pan" the

book?  I've reviewed books for just about every major paper in the country.

I know what it is to pan a book.  A pan tells you that a book is trash, not

worth reading.  I never said SOME OF THE DHARMA was worthless.  Indeed, it's

a fascinating look at the workings of Kerouac's mind, and certainly has its

share of brilliant insights.  But I also saw Kerouac doing a lot of Buddhist

double-talk, using lots of exotic Asian vocabulary to convince himself that

his suffering wasn't real, and then blaming it all on women for tempting him

to sex and for making babies.  If you read carefully, you'll see he alludes

over and over to Joan Haverty's arrest warrant for his non-support of child,

and his fear that he's going to go to jail.  The fact that no real Buddhist

enlightenment was going on in these pages is amply demonstrated by the

terribly unbalanced life that followed it, leading to his early death at age

47.  To look at what Kerouac is saying and to say that there is a substratum

of self-delusion in the book is hardly a "pan" by anyone's standards.

        If Diane read carefully before opening her mouth, she would see that

I said "if Kerouac gave up his particular negative Buddhist philosophy."

That's a far cry from saying that Buddhism killed him.  I also explain

further that I mean "what if he tried to give up booze, developed a stable

match with Helen [or any other woman for that matter] and eventually got

married?"  The vision I had of a happy Kerouac at his 40th wedding

anniversary was just that--a vision.  It was personal, I was sharing it, for

what it was worth; it was not pretending to be a biographical insight.

 

...I see Kerouac for exactly what he was... That's my problem with

>MEMORY BABE. For all his years of research, in the end, it smacks of

>autobiography.

 

Ms. De Rooy here claims to be the ultimate authority on Kerouac.  However,

she gives us (as usual) no facts to back up this assertion.  She claims

MEMORY BABE is my autobiography, rather than Kerouac's biography.  Again,

she gives us no facts to back this up.  On the other hand, at the back of

MEMORY BABE, I provide 313 footnotes and 44 small-print pages of detailed

source notes for everything I have written about Kerouac.

 

... If one biographer

>thinks he or she is a greater expert than the others, he/she must be prepared

>to back that up, not with blurbs on book jackets or favorable reviews, but

>with research-based documentation.

 

Try reading the footnotes and source notes, Diane.  Not only did I list my

sources, I placed all of this material in the University of Massachusetts,

Lowell, so that other scholars could go and check on the source material

from which I drew my narrative.  This material was available until closed

because of John Sampas's threats in June, 1995.  If I win my legal case, for

which I am still raising funds (which you claim is an act of "fraud," again

without substantiation) then this material will be available once again.

 

... The dissenting voice is important... criticism of Beat books, including

biography, is fair game

>in this forum, and my small critique of MEMORY BABE is offered as that, not as

>bashing of its author.

 

Unsubstantiated charges of this gravity--that I invented a biography and

pawned it off as a true effort--indeed constitute bashing.  If you can

substantiate these charges, then by all means do so.  But thus far you have

failed to substantiate these or any of the other host of charges--perjury,

fraud, selling stolen documents, etc.--which you printed about me on your

web page.  I have even dared you: print here on the Beat List a letter from

U Mass, Lowell librarian Martha Mayo, whom you claim to be on friendly terms

with.  Please have her list all the documents from Columbia University and

the New York Public Library which you claim are illegally in my archive at U

Mass, Lowell.

        You will not print such a letter, and Martha Mayo (if she cares at

all about perjuring herself) will not write such a letter, because such

documents do not exist.  Your charge is simply a lie--as is so much of what

you write about me--and that is clearly "bashing," not a "dissenting voice"

or a fair "critique."

        -- Gerald Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 21:12:55 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Desolation Angels and peace

To:           BEAT-L@CUNYVM.CUNY.EDU

 

My word is Peace.  I hope that it will spread through the list.  I don't

care who wins, I would just like to keep the list.

 

Nancy responded to my question.  Is anyone else in a possible

exploration of Desolation Angels.  I am going to read it again

regardless.  But I thought it might be good way to try and settle the

list in to a more positive vibe.  There is a balance you can find if you

will let some of this pass.  Collect her posts for a day when they

become of use.

 

You just can't police it all.

 

As far as Bill, goes, I hope that you and he can reach some accord as I

would like for the list to continue unmoderated.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 21:43:43 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I could be wrong but isnt Wavy Gravy mentioned in "The Electric KoolAid

Acid Test"? Or no? Anyway, Wavy Gravy ice cream is very good, which makes

Ben&Jerry's very very beat! :)

~Nancy

>Could anyone tell me any books by, about, with reference to the man

>known as Hugh Romney aka Wavy Gravy?  I am doing research on this topic

>and I could really use some help tracking down some sources.

> 

>PS.  My Professor is the coolest Professor on the MSU faculty.  He is

>God among men teaching great works such as Dharma Bums and Minor

>Characters.  He deserves a compliment for his efforts!  So just write a

>nice message about him and I'm sure he'll get it...  ;)

> 

>Also could you please keep your responces on a back channel as my

>hotmail account takes 10 minutes to load!!!  Please send responses here

>mailto:medlinke@hotmail.com

> 

>______________________________________________________

>Get Your Private, Free Email at http://www.hotmail.com

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 23:21:18 -0500

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From:         "R. Bentz Kirby" <bocelts@SCSN.NET>

Subject:      Desolation Angels

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have my old paperback out.  It is A Wideview/Perigee Book, published

in 1980.  The book says it is the First Perigee Printing.  It does not

contain the Forward that Diane Carter mentioned in her post, thought I

wish it did.

 

Well, I am off into the void that is Mt. Hozomeen.  Come on if any of

you care to check it out.  Maybe we could find Desolation Row and Bob

Dylan in here somewhere.  I am looking to see if this work holds up to

my fond memories of its first two readings from years ago.

 

Take care to all.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

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Date:         Thu, 26 Mar 1998 20:41:13 -0800

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From:         Diane Carter <dcarter@TOGETHER.NET>

Subject:      Re: Memory Babe (was Re: straw men and other rhetorical attacks )

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Timothy K. Gallaher wrote:

> 

> >> > Diane De Rooy writes:

> 

> >

> >"Something died in Jack on that trip. The young Jack, who had compared

> >Wolfean sentences to prove he was smarter than the world that had

> >rejected him, now rejected his smugness, threw away his smartness, and

> >answered the urgencies of both life and art with the sense of the moment.

> >He would put himself on the line, as vulnerable in his lines of prose as

> >Neal on that line of highway."

> >

> >The conclusion that "Jack died on that trip" is a profound one.

> 

> Something died in Jack is very different than "Jack died on that trip".

>  In

> this criticism you are not relating Nicosia text accurately.

 

I apologize for the textual inaccuracy.  I mean to type "something died

in Jack on that trip" not "Jack died on that trip.  My argument, however,

remains the same.

DC

 

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Date:         Fri, 27 Mar 1998 00:25:18 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>From the new "Welcome to Beat-L" message:

<<Discussions will often lead to disagreements but rebuttals to another's

postings or beliefs should always be made in a rational, logical, and mature

manner. Insults, accusations, disparaging remarks, character assassinations,

and ad hominum attacks will not be tolerated. Everyone on the list will be

expected to treat one another with respect and civility.>>

 

Conflict in discussion is a part of life, just as conflict was a huge part of

Jack's life. I have said nothing that's outside the scope outlined above.

Discussing a book and challenging the premise of the writer (especially a

biographer, or someone who claims expertise in any field) is common in all

educational and intellectual settings. Of course, it's rare that critiques

become interactive with the author of the disputed work or theory, as this one

on Beat-L has.

 

I did not see anything in the new welcome message that indicated Beat-L would

ever be a moderated list, so I don't think you need to worry about that.

 

If I'm outside the scope, I expect Bill Gargan will let me know.

 

More from the Welcome message:

<<Finally, make sure the subject of the post is clearly indicated in the

subject line. Those uninterested in that subject can delete it without reading

it.>>

 

If discussing a Kerouac biography is not appropriate for Beat-L, then it would

not be a forum that would be productive for me. But I believe it IS

appropriate, and haven't heard 261 objections to it--just 4 or 5, which hardly

represents consensus on this list.

 

I think terms like "nutty" and "fascist" are intended to be insulting, and

words like "attack" and "bash" are emotionally loaded and irrational. I don't

like these terms when directed at me, but this rhetoric underscores and lends

credence to my beliefs about Gerry's scholarship and interpretations of

Kerouac.

 

But I would voluntarily sign off the list if I had somehow misinterpreted what

is and what is not appropriate for discussion here, or if it turned out I was

in the company of people who oppose dissent. I don't think that's the case,

and I sure hope not.

 

Diane De Rooy

 

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X-Sender: gnicosia@earthlink.net

Date:         Thu, 26 Mar 1998 21:56:07 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

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From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

At 05:33 PM 3/26/98 PST, you wrote:

>Hello,

> 

>I am back from a LOOOOOONNNNNNNNGGGG vacation from the list.  I had 884

>messages awaiting me upon my return which hotmail was so kind to tell me

>didn't exist when I tried to delete them!!  That was a treat...

>Well I have a huge favor for you trivia buffs and scholarly men to

>ponder....

>Could anyone tell me any books by, about, with reference to the man

>known as Hugh Romney aka Wavy Gravy?  I am doing research on this topic

>and I could really use some help tracking down some sources.

 

Hugh Romney's poetry was first published in Elias Wilentz's and Fred

McDarrah's book THE BEAT SCENE in about 1960.  I believe that book was

reissued recently.  He then became a prankster and changed his name to Wavy

Gravy, and as far as I know, has stopped writing poetry.  He was quite

prominent on stage at Woodstock in 1968 and is an MC at many Beat related

and Grateful Dead musical events in the Bay Area, often in his clown suit.

He has spent the last several years raising money to save the rainforests

and for other good ecological causes.  A very good-hearted individual who

seems to be carrying on the Sixties' quest for love and peace in a genuine

way.  But no longer a literary figure, to the best of my knowledge.

        --Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 01:00:46 EST

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From:         Tread37 <Tread37@AOL.COM>

Subject:      Re: Desolation Angels and peace

To:           BEAT-L@CUNYVM.CUNY.EDU

 

i'm in!  the kerouac/ginsberg tutorial carly and i are running is reading

Desolation Angels as we speak, and it would be nice to discuss it on the list

and get some input.  great idea!

~jenn:o)

 

In a message dated 98-03-26 21:10:09 EST, you write:

 

<< Nancy responded to my question.  Is anyone else in a possible

 exploration of Desolation Angels.  I am going to read it again

 regardless.  But I thought it might be good way to try and settle the

 list in to a more positive vibe.  There is a balance you can find if you

 will let some of this pass.  Collect her posts for a day when they

 become of use. >>

 

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Date:         Fri, 27 Mar 1998 01:02:46 EST

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From:         Tread37 <Tread37@AOL.COM>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

there are tiny phudge phish in it.  and caramel, i think.  good stuff.  wooo!

go ben and jerry! :o)

 

In a message dated 98-03-26 21:44:24 EST, you write:

 

<<Anyway, Wavy Gravy ice cream is very good, which makes

 Ben&Jerry's very very beat! :) >>

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 01:14:34 EST

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From:         Tread37 <Tread37@AOL.COM>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

wait, that's phish food that is thinking of (hence the fudge phish).  wavy

gravy?  never tried it.  could anyone tell me what's in it?

~jenn:o)

 

sorry, guys.  it's been a long day...:oP

 

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Date:         Thu, 26 Mar 1998 22:31:35 -0800

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From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      Re: What if...? & "Some of.." as Bible

To:           BEAT-L@CUNYVM.CUNY.EDU

 

The Reverend Edington writes:

 

>While Gerry's original post on the "If Kerouac Gave Up Buddhism" issue raised

>an intriguing question, it was, as I read it, grounded on a false premise;

>namely that Buddhism itself was somehow at the root of JK's conflicted,

>convoluted, and at times misogynistic attitudes toward women--and that if he'd

>given up Buddhism somewhere back in the mid-1950's then he would have also

>shucked off these attitudes, entered into a longlasting and stable marriage,

>and would be enjoying grandparenthood today. That's a hell of a lot more than

>I can swallow for a variety of reasons.

 

        Interesting that here we have another person, the Reverend Edington,

who has been intiminately associating with John Sampas for the past two or

three years, trying to get Sampas to sponsor his book on the Kerouac's in

Nashua, putting the exact same words in my mouth as Ms. Diane De Rooy, who

is also currently trying to get a career boost from John Sampas.  So I am

caught in the same kind of crossfire I was caught in less than a year ago

from Phil Chaput and Paul Maher, who were also deeply involved in business

dealings with--guess who?--Mr. John Sampas.  This amazing coincidence, if it

is indeed a coincidence, simply defies the law of averages.

        Yes, I used the subject heading "If Kerouac gave up Buddhism."

That's because you try to clue readers in to your subject in four or five

words--all they can view in their little box.  But anybody who read my post

knows that I elaborated that notion in terms of "What if Jack gave up his

particular negative Buddhist philosophy" and combined that with a vision of

his giving up his entire negative lifestyle, the drinking to sickness, the

anger and rejection of women, etc.  I suggested that maybe Jack's Buddhism

wasn't what most Buddhists intended.  Even Gary Snyder felt Jack's personal

problems, esp. his drinking and difficulties with women, got in the way of a

true understanding of Buddhism.  Nowhere in that post did I say that

"Buddhism was at the root of JK's conflicted attitudes toward women."

        I am being accused by both Ms. DeRooy and Reverend Edington of a

superficial knowledge of Kerouac.  I spent six years researching Kerouac's

life and work, spent probably a thousand hours or more in ten different

libraries around the country.  I wonder how much time Ms DeRooy and Reverend

Edington have spent?  I read over 2,000 letters by Kerouac and I copied in

hand, word for word, his entire ON THE ROAD journal of 1948-1949 at the

Humanities Resource Center in Austin.  Does that not give me some

perspective on Kerouac's life?  And I tell you that what I saw very clearly

was a great darkening in terms of mood and cynicism after 1950, after the

failure of THE TOWN AND THE CITY, after a second failed marriage, after the

cracks began in his friendship with both Cassady's.  By 1953-1954, when Jack

found Buddhism, he was in complete poverty; his family, esp. his sister and

her husband, were calling him a bum, he had abandoned a daughter, and he was

about to be hounded by police for child support.  His anger and sense of

futility were mounting, and the way he read Buddhism gave him some comfort,

and also a way to ignore some of the horrors that were happening to him.  I

do not say that he completely missed the point, as he certainly had some

intuitive sense of it, esp. in terms of the dreamlike nature of reality and

the importance of confronting death, but he also was coloring a lot of these

scriptures with his own personal problems, which neither Buddhism nor

Christianity could resolve for him.

        That was all I was trying to say in my post, as well as to express a

profound sadness at the way life pulled Jack Kerouac under, and nothing, no

religion, no woman, was able to lift him up.

        I would suggest that to get from that place to people accusing me of

bashing Kerouac and panning his writings is a bit of logic so tortuous that

one had better look for a hidden agenda.  And I would suggest that the

connection to Mr. John Sampas, whose financial empire is threatened by my

late friend Jan Kerouac's lawsuit, is at the heart of that agenda.

        So I see a dark side to Jack Kerouac, and I see its prominence

coinciding largely with his pursuit of Buddhist studies.  Not that one

caused the other.  But that one gave him an affinity for the other.  Is this

truly to

 

    " try to put him in a box based on a certain kind of reading of certain

>selected portions of his writings" and "to select out certain passages from

"Some of the Dharma" which supposedly prove" my conclusions

 

as the Reverend Edington claims?

        Could the good Reverend Edington be thinking more of the eyes of Mr.

Sampas, as he scans the Beat List each day, than of what I actually said?

        -- Gerald Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 01:34:20 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Shasheblu <Shasheblu@AOL.COM>

Subject:      beat ice cream

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I think that's Phish ice cream you're describing

 

--Sharon, who tried Phish ice cream for the first time a week ago

 

Tread37 wrote:

there are tiny phudge phish in it.  and caramel, i think.  good stuff.  wooo!

go ben and jerry! :o)

 

in response to Nancy:

<<Anyway, Wavy Gravy ice cream is very good, which makes

 Ben&Jerry's very very beat! :) >>

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 26 Mar 1998 22:39:34 -0800

Reply-To:     ninmar@mindspring.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Mark Johnson <ninmar@MINDSPRING.COM>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Unsubstantiated charges of this gravity--that I invented a biography and

pawned it off as a true effort--indeed constitute bashing.  If you can

substantiate these charges, then by all means do so.  But thus far you

have

failed to substantiate these or any of the other host of

charges--perjury,

fraud, selling stolen documents, etc.--which you printed about me on

your

web page.  I have even dared you: print here on the Beat List a letter

from

U Mass, Lowell librarian Martha Mayo, whom you claim to be on friendly

terms

with.  Please have her list all the documents from Columbia University

and

the New York Public Library which you claim are illegally in my archive

at U

Mass, Lowell.

        You will not print such a letter, and Martha Mayo (if she cares

at

all about perjuring herself) will not write such a letter, because such

documents do not exist.  Your charge is simply a lie--as is so much of

what

you write about me--and that is clearly "bashing," not a "dissenting

voice"

or a fair "critique."

        -- Gerald Nicosia

 

 

 

What is this--People's Court?  A plague on both your houses. Please

back-channel this bullshit.  Thank you,  Mark j

 

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Date:         Fri, 27 Mar 1998 01:56:04 -0500

Reply-To:     cmdumond@ehc.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Chris Dumond <cmdumond@EHC.EDU>

Subject:      killing mice and rolling with airforce stationary

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I'm always up for a reading of Desolation Angels.  I think this is a

good idea, Bentz.  The only thing that bothered me about the VoC

discussions were that everyone seemed to be in a different place.  Any

ideas how we could help this?  I'm sure there are some who are

interested, and have not read the book and who wants to spoil it for

them??

As a question, are there any of you in the Washington, DC area out

there?

 

Chris

 

--

"~God is not outside us but is just us, the living and the dead, the

neverlived and neverdied. That we should only learn it now, is supreme

reality, it was written a long time ago in the archives of the universal

mind, it is already done, there's no more to do."

              ~Jack Kerouac

 

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Date:         Thu, 26 Mar 1998 23:37:43 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         "Timothy K. Gallaher" <gallaher@HSC.USC.EDU>

Subject:      Re: Memory Babe (was Re: straw men and other rhetorical attacks )

To:           BEAT-L@CUNYVM.CUNY.EDU

 

>> > Diane De Rooy writes:

 

> 

>"Something died in Jack on that trip. The young Jack, who had compared

>Wolfean sentences to prove he was smarter than the world that had

>rejected him, now rejected his smugness, threw away his smartness, and

>answered the urgencies of both life and art with the sense of the moment.

>He would put himself on the line, as vulnerable in his lines of prose as

>Neal on that line of highway."

> 

>The conclusion that "Jack died on that trip" is a profound one.

 

Something died in Jack is very different than "Jack died on that trip".  In

this criticism you are not relating Nicosia text accurately.

 

The passage is straightforward in saying Kerouac began his experimentation

and risks to develop his writing beyond the traditional success he had all

ready had with Town and the City.

 

Whether or not this trip was the instigation for kerouac's new approach I

cannot argue one way or the other because I would have no idea.

 

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X-MSMail-Priority: Normal

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Date:         Fri, 27 Mar 1998 00:19:50 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Leon Tabory <letabor@CRUZIO.COM>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hugh Romney changed his name to Wavy Gravy as a statement of how to respond

to the rousting by rednecks at events the hog farmers put on on their way

through the Southern States. The idea was to offer no resistance was a

powerful tool to survive and dissipate the energies of a stampede, the shape

of delicious gravy that flows from under anything, or something like that.

When he was explaining it to me I was a little skeptical, but it was my

understanding that was limited, wavy gravy and his efforts sure are

surviving better than most.

 

I wholeheartedly agree that Wavy is a nice guy. In my book he is the nicest

of all the leaders who emerged in the sixties that I had gotten to know. And

not because of his accomplishments. He is just a real good guy, a warm

generous soul full of warmth and fun.

 

He formed the Hog Farm community, the extremely successful keepers of the

flame,  who also conceived and still nurture the Rainbow gathering and a

creative community in Northern California, where creativity is nurtured. His

intention starting the Hog farmers commune was to follow up on Kesey's bus

trips. At least that is what I remember him trying to do in his

conversations with me in those days. Before that he was a very talented

member of the Committee, a San Francisco comedy group, where he also

exhibited collages.

 

A multi talented visionary artist he is, but I don't recall him being very

much associated with beats before the sixties. His writing prose started I

believe when he was publishing accounts ot the Hog Farmers'  trips,

including running Pegassus (a pig) for President one year.  In the early

nineties he wrote a book of stories about their activities and lives.

 

He also is prominent in the Woodstock film. He organized the clinics there

for people who suffered bad trips. For a number of years he played the role

of a clown in the Bay Area entertaining children in hospitals, and was a

fixture, MC in many charity and future looking events.

 

Wavy Gravy is a man of great talent, humor and totally devoted to do good

deeds. He was (is?) a member of the Board of a charitable foundation with

Baba Ram Das that provides medical help for the blind in Nepal, I believe.

He was  (is? Haven't seen or heard much about himsince the early nineties.)

He definitely deserves to be an honorary beat, but his career was in

entertainment, not in writing. He played a major part in the shaping of the

goodness, the fun and soul of the sixties, from the beginning days of the

hippy movemnent.

 

Still, I don't know if you could associate him with the beats. I would even

imagine that Jack Kerouac might have considered him one of the crazies  the

Psychedelic weirdos. A stoner leaning to grass and acid not speed or booze.

 

leon

 

From: Tread37 <Tread37@AOL.COM>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Thursday, March 26, 1998 10:15 PM

Subject: Re: Wavy Gravy???

 

 

>wait, that's phish food that is thinking of (hence the fudge phish).  wavy

>gravy?  never tried it.  could anyone tell me what's in it?

>~jenn:o)

> 

>sorry, guys.  it's been a long day...:oP

> 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 09:26:03 +0000

Reply-To:     tkc@zipcon.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Tom Christopher <tkc@ZIPCON.COM>

Organization: art language wholsale retail

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

who was the invisible cabaret?

 

wasn't it hugh romney, timy tim, and.......

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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Date:         Fri, 27 Mar 1998 01:58:28 PST

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From:         Al Min <babygutsoup@HOTMAIL.COM>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

You go Mr. MSU professor type person.  we need more people like you

teaching.

 

Al

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

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Date:         Fri, 27 Mar 1998 06:30:33 -0500

Reply-To:     cosmicat@erols.com

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Michael Nally <cosmicat@EROLS.COM>

Subject:      Re: Wavy Gravy???

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Keith Medline wrote:

 

> Could anyone tell me any books by, about, with reference to the man

> known as Hugh Romney aka Wavy Gravy?  I am doing research on this topic

> and I could really use some help tracking down some sources.

> 

> Check out The Hog Farm and Friends. Link Books, NY, 1974. Quick Fox

 distributed. Rick Griffin cover.

 

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X-Sender: rastous@pop.auslink.net

Date:         Sat, 28 Mar 1998 00:11:50 +1030

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rastous El Aurance <rastous@AUSLINK.NET>

Subject:      Something's Gotta Give!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Morning, everyone!

 

Just a quick note to say that little old Adelaide, South Australia is about

to launch its own Beat Poetry RealAudio Broadcasts about Due South....

 

We're going to be discussing Burroughs, Ginsberg and Ol' Jack, and playing

and reading Beat poetry and sound grabs, from April 9th, at 1130 GMT (2130

Adelaide, South Australia Time) - and we want your input, and comments!

 

So, please email us at

 

rastous@auslink.net

 

Or telephone us on +61 8 8303 50000

 

Because a psychotic is just a guy who woke up...

 

We hope to hear from you soon,

 

Thank you,

 

Stuart Beaton

Edito/Producer-Presenter

Liquid Review Web Site & "Something's Gotta Give" at Radio 5UV

 

 

For further examples of my work, check out Liquid Review at:

 

 

http://www.auslink.net/~rastous/index.htm

 

And catch me in Real Audio on Something's Gotta Give:

 

 

http://www.auslink.net/~rastous/some.htm on April 9, 1130 GMT.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: rastous@pop.auslink.net

Date:         Sat, 28 Mar 1998 00:17:07 +1030

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Rastous El Aurance <rastous@AUSLINK.NET>

Subject:      Something's Gotta Give!OOOPS!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Damn, I sent this out before looking at it!

 

Morning, everyone!

 

Just a quick note to say that little old Adelaide, South Australia is about

to launch its own Beat Poetry RealAudio Broadcasts....

 

We're going to be discussing Burroughs, Ginsberg and Ol' Jack, and playing

and reading Beat poetry and sound grabs, from April 9th, at 1130 GMT (2130

Adelaide, South Australia Time) - and we want your input, and comments!

 

So, please email us at

 

rastous@auslink.net

 

Or telephone us on +61 8 8303 50000

 

Because a psychotic is just a guy who woke up...

 

We hope to hear from you soon,

 

Thank you,

 

Stuart Beaton

Edito/Producer-Presenter

Liquid Review Web Site & "Something's Gotta Give" at Radio 5UV

 

 

For further examples of my work, check out Liquid Review at:

 

 

http://www.auslink.net/~rastous/index.htm

 

And catch me in Real Audio on Something's Gotta Give:

 

 

http://www.auslink.net/~rastous/some.htm on April 9, 1130 GMT.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 10:06:50 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Nancy Brodsky <nbb203@IS8.NYU.EDU>

Subject:      desolation or peace

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Yes, I am definetely up for a book discussion about DA. I could use another

read of it. My suggestion is to respond to the book as you read it and

eventually, others on the list will catch up to where the others are at and

we will all learn a lot, Im sure! Happy reading.

 

Speaking of books, I just finished Pic and I liked it. It was a change of

pace from Kerouac's usual writing but I wonder if people misconstrued his

use of the carolina dialect as something racial? I confess, I thought at

first, "Why is this white guy trying to sound like a black kid?", and then

I realized that he wasnt, he was trying to sound like a North Carolinan

kid. Correct me if Im wrong, but didnt Kerouac spend part of his life in

North Carolina or am I thinking of someone else?

~Nancy

 

 

>Nancy responded to my question.  Is anyone else in a possible

>exploration of Desolation Angels.  I am going to read it again

>regardless.  But I thought it might be good way to try and settle the

>list in to a more positive vibe.

***I'm in the milk and the milk's in me. God Bless Milk and God Bless

ME!--In the Night Kitchen by Maurice Sendak***

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 17:47:38 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jens Moellenhoff <jensm@MOVING-PEOPLE.NET>

Subject:      German language radio play version of "On the Road" - preview

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hello all on BEAT-L,

 

As I've promised, I will write a review on a German language radio play

based on the brand-new German translation of Kerouac's "On the Road". To

keep myself busy and from staring outta my window all day long :), I'll

now send you the translation of a newspaper article about this radio

play, which was published the morning before the actual broadcast.

I hope my translation is not too clumsy. :)

 

You'll read more about it tomorrow, from my own point of view. I hope

you're at least a bit interested. :)

 

Jens

 

 

---

>From the German newspaper "Sueddeutsche Zeitung", Friday March 27th,

page 27

 

Burn, burn, burn

A new radio adaptation of Jack Kerouac's novel "On the Road"

 

22.05, Bayern 2 Radio -- Yes, Kerouac is there for everyone, and every

age gets its own Kerouac. Therefore, for fourty years every generation

has tried to enter life "on the road" - since the book with that same

title by Kerouac was published in 1957, which became the bestseller of

the Beat Generation. "But then they danced down the streets like

dingledodies, and I shambled after as I've been doing all my life after

people who interest me, because the only people for me are the mad ones,

the ones who are mad to live, mad to talk, mad to be saved, desireous of

everything at the same time, the ones who never yawn or say a

commonplace thing, but burn, burn, burn like fabulous yellow roman

candles exploding like spiders across the stars..."

[For everyone familiar with the German language I'll add the new German

translation of this excerpt at the bottom of my mail, just to do my job

properly - Jens]

He's no type for the reading cabinet, for a quiet reading. The

originality of Kerouac is nothing unique, nothing one couldn't recognize

in other works. It is a drive, which constantly changes the book itself,

so that something, which sometimes seems dry and antique, becomes as

fresh as the morning dew when being re-read. You have to read him aloud,

this restless, pathetic-beatific boaster, who is disturbed and blessed

by his ability to absorb life into his person, into his work. The words

need room, the beat of the language needs a body.

A new "On the Road" will be presented tonight by Michael Farin and

Robert Forster, a mixture of blues and Scott Joplin. It is a typical

Kerouac 98, who we'll hear here - more scepticism and hesitation than we

remembered. A Beat who's nearly reflective, and therefore wins a strong

naivety. A spoken music that shines with impudence and haste, which

doesn't take anything as serious as shifting gears between the single

sentences.

 

---

Here's the new German translation of that Kerouac quote cited in the

article above: Those who're familiar with the German language might see

how good (or bad) the translation is.

 

"Aber damals tanzten sie durch die Strassen wie Kobolde, und ich

stolperte hinterher, wie ich mein Leben lang hinter Leuten hergestolpert

bin, die mich interessieren, denn die einzigen Menschen sind fuer mich

die Verrueckten, die verrueckt sind aufs Leben, verrueckt aufs Reden,

verrueckt auf Erloesung, voll Gier auf alles zugleich, die Leute, die

niemals gaehnen oder alltaegliche Dinge sagen, sondern brennen, brennen,

brennen wie phantastische gelbe Wunderkerzen und wie Feuerraeder unter

den Sternen explodieren..."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 12:37:26 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: Diane Di Prima reading

To:           BEAT-L@CUNYVM.CUNY.EDU

 

On Thu, 26 Mar 1998 20:12:14 EST Zucchini4 said:

>Hey y'all. Just wanted to drop you a line, because Diane DiPrima and some

>other woman are going to be reading at the Walt Whitman Center (or

>somethinglike that) in Camden NJ this Sunday (the 29th) at 2:30 pm. So if

>anyone lives in the area/ is interested in going, you can write me and I'll

>send the few meager details that I have. (There's a listing for it in the City

>Paper also.) Me- I'm definitely going to try to be there. Of course I'll let

>you all know how wonderful it is! :)

> 

>--Stephanie

 

And while you're there...visit Walt Whitman's house and tomb.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 12:46:30 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Re: straw men and other rhetorical attacks

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Just got another note from Phil.  I take back "to a lesser extent."

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 12:47:41 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      oops

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Apologies to the list.  The last message I sent out was intended, of course, as

 a private message.  It will make no sense to anyone on the list and shouldn't.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 19:55:48 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jeffrey Scott Holland <sholland@ICLUB.ORG>

Organization: Creeps Filmworks, 101 Center Court, Berea, KY 40403

Subject:      Re: You All Have Been Used

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Gerald Nicosia wrote:

 

>         Today I learned that material I posted on the Beat-List

> in answer to the outrageous attacks by Diane DeRooy and other Sampas

> friends has been submitted to selected lawyers and judges in order

> to harm my legal cases

 

=== Welcome to the Internet. Saying something on the Net is no different

than if you'd called a press conference and made these statements live

on CNN. Statements made on the Internet are fair game, I'm afraid.

 

 

 

> Instead THEY--not I--have made it a warring ground to help win a

> case they feel might otherwise not be winnable.

 

=== So stop providing them with ammunition, fer Pete's sake! Seriously

and respectfully, a word of advice, Gerry, consider the possibility that

you may be your own worst enemy : my take on this whole matter has begun

recently to shift somewhat away from your camp, NOT because of anything

your attackers have said, but because of things YOU have said.

 

Myself, I don't feel used.

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Jeffrey Scott Holland - Berea, Ky

now reading : Billy Childish's

"Like A God I Love All Things"

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-Sender: gnicosia@earthlink.net

Date:         Fri, 27 Mar 1998 11:00:21 -0800

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Gerald Nicosia <gnicosia@EARTHLINK.NET>

Subject:      You All Have Been Used

Comments: cc: jgrant@bookzen.com

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Dear Friends on the Beat-L:   March 27, 1998

        Today I learned that material I posted on the Beat-List in answer to

the outrageous attacks by Diane DeRooy and other Sampas friends has been

submitted to selected lawyers and judges in order to harm my legal cases

involving

        1) my right to remain Jan Kerouac's literary executor

        2) my ability to carry forward Jan Kerouac's lawsuit in Florida

 

        In other words, Mr. Sampas's friends have used this Beat List for

their own financial purposes.  This Beat List was supposed to be an open

forum for free discussion of Beat topics.  Instead THEY--not I--have made it

a warring ground to help win a case they feel might otherwise not be

winnable.  My sin, and my stupidity, is to have thought it important to have

answered the deluge of lies about me posted here.  And Mr. Gargan's guilt,

though he refuses to admit it, is to have allowed this deluge of lies to

have continued for almost a year.

        The setups have been obvious.  Just a few days ago, someone I'd

never heard of reposted my "If Kerouac Gave Up Buddhism" post from a MONTH

AGO.  Why was it reposted two days ago?  Obviously to give Diane DeRooy the

excuse to issue a fresh round of attacks on me and my literary work.

Because I haven't been posting anything for weeks; I've been too involved in

health and other issues involving my children.  SO they had to use the

ventriloquist's tactics, put up a post from me that was sent a month ago and

breathe just enough life into it for Ms. DeRooy to have an excuse for more

attacks.

        This kind of behavior is not only underhanded, it is an insult and

an abuse of all you good folk who come to the Beat List looking for an

intelligent and lively discussion of the writers you love.  I hope you will

all take some action to stop this abuse, if only to write Mr. Gargan about it.

        There has been a major betrayal of trust here, and it has come from

the very people who have been yelling the loudest in their accusations

against me.

        --Best always, Gerry Nicosia

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 14:38:52 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jackofdays <Jackofdays@AOL.COM>

Subject:      The Sampas Connection

To:           BEAT-L@CUNYVM.CUNY.EDU

 

In a message dated 26-Mar-98 10:33:50 PM Pacific Standard Time,

gnicosia@EARTHLINK.NET writes:

 

<<  And I would suggest that the connection to Mr. John Sampas, whose

financial empire is threatened by my late friend Jan Kerouac's lawsuit, is at

the heart of that agenda. >>

 

In my travels over the last year, I've had the good fortune to interview the

heirs and administrators of the estates of the Beat Triumvirate: Bob

Rosenthal, trustee for Allen Ginsberg, James Grauerholz, heir and executor for

William S. Burroughs, and John Sampas, heir of Stella Kerouac and

representative for the Estate of Jack Kerouac. I have only a formal

relationship with Bob so far, having interviewed him only once for my

research, but I hope to continue the connection for many years, as I continue

to research Kerouac.

 

James Grauerholz and John Sampas have been very helpful, offering insights

only they can bring to the scene. James has been especially helpful to me with

my book proposals, including speaking to professionals in the field on my

behalf about my various ideas and ongoing projects. I would say, very

honestly, that James Grauerholz has been a mentor and a dear friend to me.

 

When I met John Sampas last fall, I was expecting to find a person who was

mean, bullying, crooked and generally unlikeable. On the contrary, the man I

met and have gotten to know is a classic, stoic Yankee type, Greek-American,

from a large family (10 children), who is smart, tough, literate, sensitive

and caring.

 

People who don't meet the Sampas family and give them a chance to be known are

missing out on something pretty wonderful. I also met Jim, producer of "Kicks

Joy Darkness," a delightful, intelligent, caring person who has that same big

smile seen on the faces of his Aunt Stella and Uncle Sebastian. And I spent

time with Tony Sampas, barkeep, a colorful character, retired from military

intelligence, who regaled me with hours of his tales of painting Lowell and

Hyannis red with old Jack himself, back in the early Sixties.

 

Jack's connection to the Sampas family goes back to his childhood. He

maintained that connection all of his life. He writes about the Sampas kids in

his books. He stayed with various Sampas brothers when he visited Lowell,

drank in Nicky's bars, borrowed money frequently from this family when he was

down and out. His wake was held in the parlor of the Sampas family home, where

John Sampas has lived all of his life. He is buried between Stella and

Sebastian in Edson Cemetery.

 

Historically, this makes complete sense. Jack's connection to the Sampases was

the longest and most consistent one of his inconsistent life. This lively,

literate, Lowellian family understood him, and they understand him, in a way

outsiders cannot.

 

In 1990, Stella died, followed by Charles. Then Tony had a heart attack. Of

the remaining heirs, it fell to John to manage the Estate. He didn't know how

to do this, but he set out to learn, hiring various experts to catalog Jack's

papers and learning about royalties and literary agents.

 

As the Estate had no working capital, John began to sell items from Jack's

archive, including books from Jack's personal library, many of which were

review copies from publishers, letters from and to Jack, and cancelled checks.

He also began to look at what could be published out of the archive, what

finished manuscripts were there.

 

There came a time when the Mexico City Blues notebooks were being considered

for sale. Sampas elected not to sell them to a private party, and in June

1993, he sold them to the New York Public Library.

 

If one looks at the progression of his stewardship, it's easy to play Monday-

morning quarterback and say what you might have done differently. He has

expressed certain regrets about some items that were sold. But he has learned,

and as even his critics have said, he's "grown into the job." It's not an easy

one, keeping track of ubiquitous use of an author's words, letters, royalties,

when that author is one of the most important and popular writers of the 20th

century, world wide.

 

Allen sold his archive, mostly, during his lifetime, for a million dollars or

so. According to Bob Rosenthal, about half went to taxes. The other half was

used to remodel Allen's apartment, including installing an elevator (if I

remember correctly), so Allen, with chronic hepatitis, diabetes, and

congestive heart failure, didn't have to manage the stairs.

 

William saw that most of his papers (if not all) were deposited in libraries

of his choice before he died. Since his death, James has not engaged in any

selling of his relics to collectors, and tells me he doesn't intend to.

 

In my interviews with John Sampas, I have asked him the hard questions. I have

confronted him with accusations about his character and his stewardship of

Jack's archive. I have found his answers, most of which are documented by

letters, receipts, or other accountings, to be satisfying and frank.

 

He has not greased any wheels or opened any doors for me, nor would I allow

him to. I like him personally, and so do many, many other people. But anyone

who knows me knows I MUST live and die by my own work, or it will mean nothing

to me. And I would never use a friendship for financial gain. Perhaps more

importantly, no one can force a publishing house to publish a book that isn't

marketable. That would represent a financial loss to the publisher, and would

offset any profitable relationship they might perceive having with a person of

influence. Books are published because they will make money. The publishing

industry is very careful about that.

 

I do invite people who are concerned about Kerouac's archive to contact John

Sampas directly (2 Stevens Street, Lowell, MA 01851, 978/458-2708). If you see

him at a reading, go up and talk to him. He's not some mythic beast or

horrible demon. He's just a regular guy, and people who are fair to him and

openminded in their approach may also find that he's someone they like, quite

a lot.

 

 

Diane De Rooy

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 17:17:47 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         MorganBill <MorganBill@AOL.COM>

Subject:      New Catalogue

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Beat-L readers,

Our 5th catalogue of beat related rare books has just been issued.  This time

we feature books from the library of Allen Ginsberg and Edie Kerouac.  These

are duplicates of items in the Ginsberg collection at Stanford so don't start

a fuss about selling off his collection.  Anyone who wants a copy of the

catalogue should request from:

Morgan & Rosenthal

PO Box 1631, Stuyvesant Station

New York, NY  10009

or e-mail:  MRrarebooks@aol.com

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 18:22:31 EST

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

Subject:      Beat-l farewell

To:           BEAT-L@CUNYVM.CUNY.EDU

 

It seems to me that Beat-l served a real need for nearly three years

now.  The high point of the list for me, of course, was the period after

Allen's death.  Recently, however, things have become impossible because

of the Kerouac estate feud.  I've done everything in my power to try to

keep the list free of the acrimony associated with this dispute but it

seems I've failed.  My personal mail in recent days has been full of

complaints and attacks from both sides.  Frankly, I no longer have the

time or the energy to devote to this conflict.  I have decided to shut

Beat-l down.   Despite the problems, I've found our discussions on

Beat-l a rewarding experience.  I will always be grateful for the

contacts I've made on the list and I hope that some of us will keep in

touch.   Let me quote Kerouac as my farewell statement, gentle

listmembers: "Go to sleep.  Tomorrow's another day.  Hic calix!  Look

that up in Latin, it means 'Here's the chalice,' and be sure there's

wine in it."  (Last paragraph of Vanity of Duluoz)  And before I go, let

me just take this public opportunity to thank Fred Bogin, a man with

absolutely no interest in Kerouac or the Beats, who contributed so

generously of his time and technical expertise to make this list work as

well as it did.  Best wishes always,  Bill Gargan

 

Return-Path: <owner-BEAT-L@CUNYVM.CUNY.EDU>

Date:         Fri, 27 Mar 1998 18:47:39 -0500

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Your removal from the BEAT-L list

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

Reply-To:     BEAT-L-request@CUNYVM.CUNY.EDU

X-LSV-ListID: BEAT-L

 

Fri, 27 Mar 1998 18:47:39

 

You have been removed from the BEAT-L list (BEAT-L: Beat Generation List)

by William Gargan <WXGBC@CUNYVM.BITNET>.

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Tue, 6 Aug 2097 23:18:27 +0200

Reply-To:     Dufour <dufour@ULISSE.IT>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Dufour <dufour@ULISSE.IT>

Subject:      Hallo!

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hallo!

I'm a new user from Italy, delused for the poor information about the death

of WSB here in Italy.

If there are other italians on this list, please e-mail me!!!

We should try to do something against this "annus horribilis" for the beat

generation.

F.D.

 

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: <rinaldo@GPNET.IT>

Subject: Da qualche tempo leggo i suoi interventi...

Date: Thu, 5 Sep 2097 12:22:12 +0200

X-MSMail-Priority: Normal

 

Caro Sig. Rasa, da qualche tempo leggo i suoi interventi sulla mailing list

BEAT-L e li trovo molto interessanti, anche se purtroppo la mia cultura in

materia di letteratura beat è molto scarsa, ridotta com'è ai soli

iper-classici (Sulla strada, I sotterranei, Maggie Cassidy per Kerouac e

l'immancabile Pasto nudo di WSB).

Mi stavo domandando se poteva consigliarmi qualche lettura "d'insieme" di

facile reperibilità, per poter capire i rapporti che legano le diverse

personalità degli autori e le varie correnti letterarie che via via hanno

preso forma a partire dal dopoguerra negli USA.

 

A presto

Francesco Dufour

 

p.s. saprebbe indicarmi dove trovare il testo completo dell'articolo su WSB

apparso sul Wall Street Journal

 

 

Date: Thu, 06 Feb 1997 11:21:43 -0800

To: New User

From: Eudora <welcome@eudora.com>

Subject: Welcome

 

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<center><color><param>ffff,0000,0000</param>

 

</color></center>

 

 

 

</x-rich>

To: vic.begrand@sk.sympatico.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Chorus 113.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Adrien,

I am still here, be patient,

and I am continuing the search on the Chorus 113,

now the problem presents itself in this way:

 

the beginning of the Chorus reading by Jhonny Deep seems verse (4):

"everything is perfect"

 

BUT what i remember the poem start is, (i write this in italian):

 

(1)        America ti ho dato tutto

(2)        e ora sono nulla

 

(3)                UOMO

       

       

(4)        Ogni cosa e' perfetta

(5)        non sta' nemmeno accadendo

 

(6)                UOMO

 

well, now the poem read from Jhonny Deep begins  from the number (3),

& lacks (1) & (2) that they tell more or minus,

      

         "America has given you all

        and now I don't have nothing."

 

i'm enjoying yr .wav file, IT'S GREAT!, but it look as if it have

forgotten the starting piece as i remember. now i can't recognize

the real thing 'cuz my video recording is actually broken. please

have u any suggestion 'bout this,

 

better can u, if not to heavy

send me the Chorus 113 (sad i have lost MexBlues years ago changing

room & can't have a look at), & i shall match the Blues with the start

fragment broadcasted on TV Zone channel where i found this wonder,

 

ciao da

Rinaldo.

rinaldo@gpnet.itReturn-Path: <vic.begrand@sk.sympatico.ca>

Date: Sun, 16 Mar 1997 18:36:21 -0800

From: Adrien Begrand <vic.begrand@sk.sympatico.ca>

Reply-To: vic.begrand@sk.sympatico.ca

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Chorus 113.

 

Rinaldo,

 

I wish I could tell you more about Depp's 113 reading but I actually

didn't see the United States of Poetry series, I just got the sound clip

from the usop website. I don't know if the performance was longer...

 

It's interesting that Depp added "Everything is perfect, it's not even

happening...", I thing being the loyal JK follower he is, he simply

decided to riff on the poem just as Jack did on his own recorded

readings (note the several insertions of "Man") a la Bird Parker and

other bop musicians.

 

> well, now the poem read from Jhonny Deep begins  from the number (3),

> & lacks (1) & (2) that they tell more or minus,

>       

>          "America has given you all

>         and now I don't have nothing."

 

I'm not familiar with those lines...is it JK? Sounds eerily like

Ginsberg's "America I've given you all and now I'm nothing..."[America]

 

Luckily my computer is next to all my beat books 'n stuff, so it's no

problem transcribing 113 for you.

 

 I made a homemade .wav of 113 read by Allen Ginsberg...it's from the

audiobook of MexCity Blues which is I think absolutely essential

listening, a perfect companion to the book, a revelatory experience.

Plus it's one of Ginsberg's best recordings (you could tell he loved

reading it!). It's about 1700k and I can send that along if you like.

Let me know...

 

yrs,

 

Adrien

 

Chorus 113

 

Got up and dressed up

    and went out and got laid

Then died and got buried

    in a coffin in the grave.

Man-

    Yet everything is perfect,

Because it is empty,

Because it is perfect

    with emptiness,

Because it's not even happening.

 

Everything

Is Ignorant of its own emptiness-

Anger

Doesnt like to be reminded of fits-

 

You start with the Teaching

    Inscrutable of the Diamond

And end with it, your goal

    is your startingplace,

No race was run, no walk

    of prophetic toenails

Across Arabies of hot

    meaning-you just

    numbly don't get there

 

To: vic.begrand@sk.sympatico.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Chorus 113.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Adrien wrote:

>Rinaldo,

> 

>I wish I could tell you more about Depp's 113 reading but I actually

>didn't see the United States of Poetry series, I just got the sound clip

>from the usop website. I don't know if the performance was longer...

> 

>It's interesting that Depp added "Everything is perfect, it's not even

>happening...", I thing being the loyal JK follower he is, he simply

>decided to riff on the poem just as Jack did on his own recorded

>readings (note the several insertions of "Man") a la Bird Parker and

>other bop musicians.

> 

>> well, now the poem read from Jhonny Deep begins  from the number (3),

>> & lacks (1) & (2) that they tell more or minus,

>>       

>>          "America has given you all

>>         and now I don't have nothing."

> 

>I'm not familiar with those lines...is it JK? Sounds eerily like

>Ginsberg's "America I've given you all and now I'm nothing..."[America]

> 

>Luckily my computer is next to all my beat books 'n stuff, so it's no

>problem transcribing 113 for you.

> 

> I made a homemade .wav of 113 read by Allen Ginsberg...it's from the

>audiobook of MexCity Blues which is I think absolutely essential

>listening, a perfect companion to the book, a revelatory experience.

>Plus it's one of Ginsberg's best recordings (you could tell he loved

>reading it!). It's about 1700k and I can send that along if you like.

>Let me know...

> 

>yrs,

> 

>Adrien

> 

>Chorus 113

> 

>Got up and dressed up

>    and went out and got laid

>Then died and got buried

>    in a coffin in the grave.

>Man-

>    Yet everything is perfect,

>Because it is empty,

>Because it is perfect

>    with emptiness,

>Because it's not even happening.

> 

>Everything

>Is Ignorant of its own emptiness-

>Anger

>Doesnt like to be reminded of fits-

> 

>You start with the Teaching

>    Inscrutable of the Diamond

>And end with it, your goal

>    is your startingplace,

>No race was run, no walk

>    of prophetic toenails

>Across Arabies of hot

>    meaning-you just

>    numbly don't get there

> 

> 

Adrien,

thanx for posting, u are a magician!,

NOW the problem start 'bout the video "reading"

(yes by Deep, of course) on TV Zone

i have seen is a bit different, but in

some way the same e.g. the music refrain on the background et coetera,

i post u later on this subject, that

i think is a matter of soft censored JK (???),

 

many thanx again,

 

yr Rinaldo.To: vic.begrand@sk.sympatico.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: AG, Chorus 113.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Adrien wrote:

>> well, now the poem read from Jhonny Deep begins  from the number (3),

>> & lacks (1) & (2) that they tell more or minus,

>>       

>>          "America has given you all

>>         and now I don't have nothing."

> 

>I'm not familiar with those lines...is it JK? Sounds eerily like

>Ginsberg's "America I've given you all and now I'm nothing..."[America]

 

too me it sound a good ANSWER!, Deep adds this verse to his reading,

but it's  not present in the .wav file i play & replay ad infinitum,

 

> I made a homemade .wav of 113 read by Allen Ginsberg...it's from the

>audiobook of MexCity Blues which is I think absolutely essential

>listening, a perfect companion to the book, a revelatory experience.

>Plus it's one of Ginsberg's best recordings (you could tell he loved

>reading it!). It's about 1700k and I can send that along if you like.

>Let me know...

 

YES, AGAIN THANX!, but send it, please, to this email

 

rasa@gpnet.it

 

like the previous wonder file.

 

> 

>yrs,

> 

>Adrien

 

cari saluti da

Rinaldo.Return-Path: <NICO88@aol.com>

Date: Mon, 17 Mar 1997 14:23:38 -0500 (EST)

From: NICO88@aol.com

To: rinaldo@gpnet.it

Subject: Zanzotto

 

buona sera rinaldo- come sta? ho una domanda, (<---is that right?) im doing

this "off-list", so to speak, because its not anything beat, whatever that

means, but i was looking at this month's issue of American Poetry Review and

it said something about an Andrea Zanzotto who collaborated with Fellini on

Casanova -which i havent seen- but anyhow- he wrote a book of poetry derrived

from the film with drawings by fellini in it, written in "the original Veneto

dialect" (im not too familiar with all the different italian dialects) and

they added some impressive review paragraphs and supposedly its quite good; i

was wondering if you know anything about this, i dont know much about the

contemporary italian poetry scene- thought maybe you would. have you heard of

this guy? this book?(- oh by the way, its called Peasant's Wake for Fellini's

Casanova and Other Poems) i'm quite curious.....

tutte buone cose (<----??), ginevra (ginny)

 

To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Zanzotto

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 14.23 17/03/97 -0500, you NICO88@aol.com wrote:

>buona sera rinaldo- come sta? ho una domanda, (<---is that right?) im doing

>this "off-list", so to speak, because its not anything beat, whatever that

>means, but i was looking at this month's issue of American Poetry Review and

>it said something about an Andrea Zanzotto who collaborated with Fellini on

>Casanova -which i havent seen- but anyhow- he wrote a book of poetry derrived

>from the film with drawings by fellini in it, written in "the original Veneto

>dialect" (im not too familiar with all the different italian dialects) and

>they added some impressive review paragraphs and supposedly its quite good; i

>was wondering if you know anything about this, i dont know much about the

>contemporary italian poetry scene- thought maybe you would. have you heard of

>this guy? this book?(- oh by the way, its called Peasant's Wake for Fellini's

>Casanova and Other Poems) i'm quite curious.....

>tutte buone cose (<----??), ginevra (ginny)

> 

 

Saluti <<NICO88@aol.com>>,

ma, per caso, ti sei dimenticato di scrivere il tuo nome?, cosi' mi

tocca chiamarti NICO88@aol.com in perfetto stile virtual internet...

 

Esattamente come dici Andrea Zanzotto e' un poeta veneto (dialect but

also in italian language), se ti interessa (if u are interested) ti posso

inviare le poesie che mi chiederai, la poesia dialettale veneta e'

piuttosto importante, perfino quando Lou Reed e' stato al Poetry

Festival di Conegliano (a little town near Venice) le sue canzoni

sono state tradotte in dialetto veneto creando cosi' un clima

amichevole e ironico. Il Veneto, come tu saprai e' importante perche'

un autore come Hemingway ha vissuto molto da queste parti e quando

veniva in Italia passava le sue giornate di caccia a Caorle, un posto

dove ho insegnato per due anni e alcuni del posto se lo ricordano ancora!

Un altro poeta veneto, veramente (really dialectal) is BIAGIO MARIN

e anche qui se sei interessato posso inviarti informazioni.

Inoltre e' comune in Italia (in ogni luogo) il sentimento poetico

prima (before of the prose) della prosa, questo non so dirti perche'

qui c'e' sempre da stare al passo con la tradizione di Dante Alighieri,

Ariosto, Ugo Foscolo (another great venetian poet), e cosi' via.

 

i have write this post above  in italian assuming u & others folks

are learning this WONDERFUL language, as i, as a naive like a lot

ENGLISH, but if it's some difficulties to understand get in another

touch & we each others clarify the matter,

 

I'm happy to be of service!

write soon,

 

saluti cordiali dal vostro

Rinaldo.Return-Path: <NICO88@aol.com>

Date: Mon, 17 Mar 1997 19:11:15 -0500 (EST)

From: NICO88@aol.com

To: rinaldo@gpnet.it

Subject: Re: Zanzotto

 

In a message dated 97-03-17 15:36:29 EST, you write:

 

> Saluti <<NICO88@aol.com>>,

>  ma, per caso, ti sei dimenticato di scrivere il tuo nome?, cosi' mi

>  tocca chiamarti NICO88@aol.com in perfetto stile virtual internet...

> 

>  Esattamente come dici Andrea Zanzotto e' un poeta veneto (dialect but

>  also in italian language), se ti interessa (if u are interested) ti posso

>  inviare le poesie che mi chiederai, la poesia dialettale veneta e'

>  piuttosto importante, perfino quando Lou Reed e' stato al Poetry

>  Festival di Conegliano (a little town near Venice) le sue canzoni

>  sono state tradotte in dialetto veneto creando cosi' un clima

>  amichevole e ironico. Il Veneto, come tu saprai e' importante perche'

>  un autore come Hemingway ha vissuto molto da queste parti e quando

>  veniva in Italia passava le sue giornate di caccia a Caorle, un posto

>  dove ho insegnato per due anni e alcuni del posto se lo ricordano ancora!

>  Un altro poeta veneto, veramente (really dialectal) is BIAGIO MARIN

>  e anche qui se sei interessato posso inviarti informazioni.

>  Inoltre e' comune in Italia (in ogni luogo) il sentimento poetico

>  prima (before of the prose) della prosa, questo non so dirti perche'

>  qui c'e' sempre da stare al passo con la tradizione di Dante Alighieri,

>  Ariosto, Ugo Foscolo (another great venetian poet), e cosi' via.

 

Rinaldo Rinaldo Rinaldo!!!! Hey- :::i'm blushing::: - but you know i dont

speak THAT much Italian!!! i can understand some various "the"'s and "and"'s

and "of"'s and "that"s and "i have"s and "all"s and "as you know"s and

"because"s and some simultaneous phrases ive come to know...but i cant put it

all together well. could you translate?! if not, my dad can probably do it,

he speaks Italian (he's american, but he lived in Italy for two years [due

anni]). perhaps i'll bring this email of yours to him and demand that he

translate it. im always doing such things. :)

anyhow, whats this about Lou Reed? ahh, help... really, i try to make what i

can of this but i cant understand it! when you get a chance and have nothing

to do- could you write be back saying using l'inglese??? mi dispiace, im just

learning. :)

mille e` mille e` mille grazie, ginny. write soon. (escrive mi fra poco ?)

 

 

Return-Path: <vic.begrand@sk.sympatico.ca>

Date: Tue, 18 Mar 1997 16:08:12 -0800

From: Adrien Begrand <vic.begrand@sk.sympatico.ca>

Reply-To: vic.begrand@sk.sympatico.ca

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: AG, Chorus 113.

Content-Disposition: inline; filename="CH113.WAV"

 

Attachment Converted: C:\PBOX\RINALDO\CH113.WAV

To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Zanzotto

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

dear NICO88@aol.com,

 

'bout Andrea Zanzotto works [related Fellini films] there

is a book titled "Filo'" [the last o means accented o grave],

(italian likes accented letters [better html for this]).

 

now Zanzotto Filo' is "Per il Casanova di Fellini" &

written in venetian dialect then translated in italian &

if u (or others) have an english translation it's a wonder

i can't lose... i hope yr father can for u translated this

verses

 

 

Vera figura, vera natura,

slanciata in raggi come un'aurora,

 

[above fragment from Filo' is related to Venice metaphor]

 

 

Filo' means a discourse that fill a ''space'' with many

words & complexity,

 

saluti da

Rinaldo.

postscriptum: i agree with u, if i distress u with both

italian & venetian, many apologies, ginevra,

buona giornata a te e alla tua famiglia,

ciao.To: vic.begrand@sk.sympatico.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: AG, Chorus 113.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 16.08 18/03/97 -0800, you Adrien wrote:

>Attachment Converted: C:\PBOX\RINALDO\CH113.WAV

> 

MANY THANX AGAIN,

YR

RINALDO.To: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

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In-Reply-To:

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SUBscribe BEAT-L Rinaldo RasaTo: NICO88@AOL.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Opens City Lights in Firenze, Italy.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>From:         Ginny Browne <NICO88@AOL.COM>

>Subject:      Re: Opens City Lights in Firenze, Italy.

 

>They opened City Lights in Florence?!!!!!!!!!!!

>wow! ! ! !

>rinaldo rinaldo, would you be so kind as to give me the adress?

>cuz in gonna be in italy this summer, so i MUST go.

>grazie.... buona giornata..., ginny

> 

ginny,

allora, l'indirizzo e'

---------------------------------------------------------------

City lights Italia, via San Niccolo', Firenze, Italia.

---------------------------------------------------------------

a due passi dal Ponte Vecchio, credo che quando sarai a Firenze

questa estate non ti potrai sbagliare.

---------------------------------------------------------------

 

per ulteriori informazioni

Massimo Cassini, Edizioni minimum fax

via della Farnesina, 13 - 00194 Roma, Italia.

vox 06.3336545 / 3336553 - fax 06.3336385

----------------------------------------------------------------

 

p.s. a little disappointment, i hoped was Venice the city

but things are right all the same, ciao da rinaldo.

 

Return-Path: <NICO88@aol.com>

Date: Sat, 29 Mar 1997 11:01:18 -0500 (EST)

From: NICO88@aol.com

To: rinaldo@gpnet.it

Subject: Zanzotto again

 

 a while ago you wrote:

> 

>   Esattamente come dici Andrea Zanzotto e' un poeta veneto (dialect but

>   also in italian language), se ti interessa (if u are interested) ti posso

>   inviare le poesie che mi chiederai, la poesia dialettale veneta e'

>   piuttosto importante, perfino quando Lou Reed e' stato al Poetry

>   Festival di Conegliano (a little town near Venice) le sue canzoni

>   sono state tradotte in dialetto veneto creando cosi' un clima

>   amichevole e ironico. Il Veneto, come tu saprai e' importante perche'

>   un autore come Hemingway ha vissuto molto da queste parti e quando

>   veniva in Italia passava le sue giornate di caccia a Caorle, un posto

>  dove ho insegnato per due anni e alcuni del posto se lo ricordano ancora!

>  Un altro poeta veneto, veramente (really dialectal) is BIAGIO MARIN

>  e anche qui se sei interessato posso inviarti informazioni.

>  Inoltre e' comune in Italia (in ogni luogo) il sentimento poetico

>  prima (before of the prose) della prosa, questo non so dirti perche'

>  qui c'e' sempre da stare al passo con la tradizione di Dante Alighieri,

>  Ariosto, Ugo Foscolo (another great venetian poet), e cosi' via.

> 

 

rinaldo, buon giorno! i finally got translated all that you said here, so

i'll

respond....(a bit of a delay, i realize)  if you do get a chance, i'd love

some information on these poets, as you are so kind to offer. whats this

poetry festival with Lou Reed? in Venice? do they have it every year? what

time of the year? i think im gonna look in a bookstore for this Zanzotto/

Fellini colaboration, it sounds interesting. thanks again.

hope all's well; ciao, ginny

 

 

To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: part#1 Re: Zanzotto again

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 11.01 29/03/97 -0500, you ginny wrote:

> a while ago you wrote:

>

>rinaldo, buon giorno! i finally got translated all that you said here, so

>i'll

>respond....(a bit of a delay, i realize)  if you do get a chance, i'd love

>some information on these poets, as you are so kind to offer. whats this

>poetry festival with Lou Reed? in Venice? do they have it every year? what

>time of the year? i think im gonna look in a bookstore for this Zanzotto/

>Fellini colaboration, it sounds interesting. thanks again.

>hope all's well; ciao, ginny

> 

> 

Well,

ginny, i must split the answer in some emails 'cuz the big amount of

information & considerations 'bout both Fellini himself & Zanzotto.

 

first, Zanzotto/Fellini collaboration; i post the introductory

(a letter written by Federico Fellini to Andrea Zanzotto) that

open the book  "Filo'" (&ograve), first published in 1976, (but

i have the 1988 edition)

 

---

"

                                Roma, luglio 1976

Caro Andrea,

...e adesso debbo doppiarlo questo film che ho spericolatamente

girato in inglese e tra i tanti problemi c'e' quello del dialetto

veneto. Come anche mi ha ricordato Naldini con attenzione tempestiva,

quando gli ho manifestato i miei timori, ho pensato che avrei potuto

scrivere a te per avere un aiuto nel trovare una chiave. E ti scrivo ora,

un po' esitante, perche' in fondo non so bene che cosa voglio e temo

di disturbarti. E' una intenzione confusa, un proposito che non so

fino a che punto sia realizzabile.

 Ora provo a manifestartelo: vorrei tentare di rompere l'opacita',

la convenzione del dialetto veneto che, come tutti i dialetti, si

e' raggelato in una cifra disemozionata e stucchevole, e cercare di

restituirgli freschezza, renderlo piu' vivo, penentrante, mercuriale,

accanito, magari dando la preferenza ad un veneto ruzantino o

tentando un'estrosa promiscuita' tra quello del ruzante e il veneto

goldoniano, o meglio riscoprendo forme arcaiche o addirittura inventando

combinazioni fonetiche e linguistiche in modo che l'assunto verbale

rifletta il riverbero della visionarieta' stralunata che mi sembra

di aver dato al film.

 Ammetto che sono soltanto intenzioni perche', come inevitabilmente

accade, le esigenze concrete del doppiaggio, la mancanza di tempo, le

inadeguatezze di chi deve dar voce ed espressione a queste invenzioni

verbali e fonetiche, finiranno immancabilmente col ridurre,

sdramatizzare e rendere approssimativo il proposito che ti ho

manifestato. Ma non e' forse piacevole lo stesso farneticare su intenzioni

e compiutezze ideali anche se impraticabili fino in fondo?

 C'e' un'altra cosa che vorrei chiederti: il film comincia con un

rito (che ho inventato) al quale assistono il doge, le autorita', il

popolo di Venezia. E' un rito che si svolge di notte sul Canal Grande

dal cui fondo deve emergere una gigantesca e nera testa di donna.

Una specie di nume lagunare, la gran madre mediterranea, la femmina

misteriosa che abita in ciascuno di noi, e potrei continuare ancora

un po' accostando con incauta disinvoltura altre suggestive immagini

psicanalitiche.

 La cerimonia e' un po' la metafora ideologica di tutto il film; infatti

a un certo punto l'oscuro e grandioso feticcio non ancora completamente

emerso torna ad inabissarsi perche' si sono spezzati i pali, si

strappano delle funi; insomma il testone deve riaffondare sprofondando

nelle acque del Canal Grande e restare laggiu' in fondo per sempre,

sconosciuto e irragiungibile.

 Come ogni rituale che per divenire contenuto liberatorio ha bisogno

di nutrirsi di un'accesa forza psichica scandita in formule verbali o

mimetiche, anche l'emersione, il venire ala luce dell'oscuro simulacro

femminile dovrebbe essere accompagnato da orazioni propiziatorie,

implorazioni iterative, fonie seducenti, litanie evocatrici e anche

irriverenze, sfide, insulti, provocazioni, sberleffi, tutto un

inquieto scettiscismo esorcizzante il temuto fallire dell'evento. Ecco,

vorrei avvolgere l'intero rito in questo tessuto, in questa specie di

ragnatela sonora, sacra e popolare. Ti domando troppo se ti chiedo

di inventare e di scrivere tu queste esortazioni, questa preghiera

accorata e beffarda impaurita e sfottente, vecchia come il mondo ed

eternamente infantile?

 Le richieste non sono ancora finite caro Andrea, c'e' ancora una cosa

che vorrei chiederti: Casanova incontra a Londra una gigantessa di

origine veneta finita la' come fenomeno da fiera presso un miserabile

luna-park, in seguito a un matrimonio infelice. I luoghi, le

situazioni, l'atmosfera in cui avviene l'incontro, l'aspetto stesso di

questa straordinaria incarnazione femminile compongono quel mosaico

di trasalimenti infantili ed angosciosi, fiabeschi e terrorizzanti

che piu' emblematicamente definiscono il rapporto nevrotico di

Casanova con la donna, cioe' con qualcosa di oscuro, inghiottente,

soverchiante. Ad un certo momento, nella sua tenda, la gigantessa fa

il bagno dentro una grande tinozza insieme a due nanetti napoletani

che l'accudiscono, i soli amici che ha, e intanto canta una canzoncina

infantile e dolente. Ecco, anche in questa occasione avrei pensato

ad una filastrocca costruita con i materiali fonetici e linguistici

del linguaggio <<pete'l>> che tu hai riscoperto mentri stavi a

Pieve di Soligo. Permettimi il piacere di una citazione:

 

        Dolce andare elegiando come va in elegia l'autunno,

        raccogliersi per bene accogliere in oro radure...

 

        ...

 

        <<Mama e nona te da' ate e cuco e pepi e memela.

          Bono ti, ca, co nona. Bei bumba bona. E' fet foa e upi.>>

 

 

 Mi sembra che la sonorita' liquida, l'affastellarsi gorgogliante,

i suoni, le sillabe che si sciolgono in bocca, quel cantilenare dolce

e rotto dei bambini in un miscuglio di latte e materia disciolta, uno

sciabordio addormentante, riproponga e rappresenti con suggestiva

efficacia quella sorta di iconografia subacquea del film, l'immagine

placentaria, amniotica, di una Venezia decomposta e fluttuante di

alghe, di buio muffito e umido.

 Ho finito caro Andrea. Certo dovresti vedere il film prima di

decidere qualcosa. Potremo parlare di tutto in modo un po' meno

febbricitante e piu' preciso.

 Questa lettera non vuole affatto sollecitare una tua adesione

immediata, cio' che ti ho detto era piuttosto il tentativo di

chiarire a me stesso quello che ho in testa di fare e di confidarlo

ad un amico poeta che per sensibilita' e fantasia linguisstica mi

sembra l'interlocutore piu' autorevole e piu' congeniale all'operazione

che voglio fare....

                        Federico Fellini

"

---

 

 

now excuse me for not translated the letter (yr father can help

u to translate in english, u're lucky lot for), i send this email

BUT u, please, gimme a fast-reply if i can continue in asynchronous way

while u translate the above stuff to email a sequel 'bout Zanzotto.

 

there is a reply by Zanzotto to Fellini's letter & i post this in

future (e.g. part#2, et cetera, if u like in this way) if u agree,

gimme a feedback,

 

cari saluti a te ginny, e alla tua famiglia, da

Rinaldo.

---

PostScriptum:

ginny, check this web site where, days ago i posted to bohemian

mailing list a Zanzotto pome (a fragment),

http://maelstrom.stjohns.edu/archives/bohemian.html

u can retrieve a reference in March 97 archive, hope this

is a further help.

Return-Path: <NICO88@aol.com>

Date: Sat, 29 Mar 1997 16:37:34 -0500 (EST)

From: NICO88@aol.com

To: rinaldo@gpnet.it

Subject: Re: part#1 Re: Zanzotto again

 

wow, rinaldo, grazie grazie. how nice of you to send all this, i truly

appreciate it. i will, as soon as possible, get my dad to translate the

Zanzotto letter, and no rush for the rest, whenever you get a chance is fine.

i'm gonna go see what i can make of it myself, with my EXTREMELY LIMITED

knowledge of the italian language. im also gonna go check out that website

you mentioned. thanks so much again-

buona giornata! (or, is it night where you are? then, buona notte.)

                              

                           - ginny

 

To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: part#1 Re: Zanzotto again

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 16.37 29/03/97 -0500, you ginny wrote:

>wow, rinaldo, grazie grazie. how nice of you to send all this, i truly

>appreciate it. i will, as soon as possible, get my dad to translate the

>Zanzotto letter, and no rush for the rest, whenever you get a chance is fine.

>i'm gonna go see what i can make of it myself, with my EXTREMELY LIMITED

>knowledge of the italian language. im also gonna go check out that website

>you mentioned. thanks so much again-

>buona giornata! (or, is it night where you are? then, buona notte.)

>                              

>                           - ginny

> 

si' buonanotte e' piu' giusto, qui e' gia' domenica da circa 20 minuti.

well, i send u all informations i can retrieve & sometime u send

me some comment? d'accordo (right?), ciao  da Rinaldo.To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: part#2. Zanzotto.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

ginny,

now i post the reply of Andrea Zanzotto

to previous Fellini's letter (alias part#1)

 

by Filo':

 

---

"

I primi due componimenti li avevo gia' scritti, in qualche modo.

Esistevano dispersi nei miei lavori di molti anni fa, anche

lontanissimi. certo, non in  questa precisa forma, he e' una delle

tante possibili ad un tema insistente, mai esplicabile del tutto,

quasi onnipresente oggi. devo comunque l'incontro con questa

incarnazione del tema, che l'occasione richiedeva in parole dialettali,

alla mistica e umorale prepotenza dei colori e delle immagini, alle

realta' ed agli ingorghi onirici di cui Federico Fellini ha tessuto

anche questo suo film, rincorrendo l'imprevedibilita' di Casanova

attraverso la propria. Restava per me, e resta, l'incognita del

<<dialetto>>, della sua schacchiera particolarmente infida. Ma a

parte il fatto che quella veneta e' (stata) una possente lingua

capace di originare anche un'altrettanto valida e complessa letteratura,

e' mai esistito davvero un dialetto che non fosse qualcosa di

esplosivamente diverso, almeno come potenzialita', da quanto lo

stesso termine, con il suo sottinteso riduttivo, vine a proporre?

Del resto oggi meno che mai sis sa che cosa sono i dialetti nelle

loro capillarizzazioni infinitesimali e le lingua, specie quelle a

diffusione tendenzialmente panterrestre, ne' come i loro destini

s'intersechino. In questa occasione il discorso visivo di Fellini ha

risvegliato per me un insieme di risonanze entro una certa aura

linguistica da dirsi veneta (veneziana solo in parte) sia per eccesso

che per difetto. Mi e' capitato davanti un parlare perso nella

diacronia e nella sincronia veneta, fino al paradosso ed all'irrealta'

di una citazione paleoveneta, un parlare un po' inventato, un po'

ricalcato da troppo alti modelli, nel quale l'allarme per i diritti

della glottologia e della filologia non riusciva a tenere a bada la

voglia di stracciare i margini, di andare lontano, di <<correre fuori

di strada>>. Certo, sulla linea accennata da Federico Fellini nella

sua fertile e generosa lettera, si sarebbe potuto fare molto di piu'

e di meglio, a parte i limiti di spazio posti dalle situazioni

filmiche.

E sono grato a Fellini di avermi sointo gentilmente,

ammicando e quasi segnado silenzio con un dito sulle labbra, a questa

breve ma per me non trascurabile discesa per scorciatoie assai

precipiti, molte volte intraviste, mai praticate in precedenza proprio

qui e cosi': con un occhio a tante deesse, dalla Testa, a Reitia,

a Venezia, alla Gigantessa bambola: tutte riducibili ad una sola

realta', pur nell'immensa lontananza dlle loro icone, dei loro

significati, dei loro tempi.

 

 

Lungo questo itinerario e' nata anche una meditazione, o meglio un

<<discorso secondo>>, Filo', che mi ha richiesto l'uso quasi

metalinguistico (e in una situazione oscuramente costrittiva) del

dialetto dei luoghi-luogo dove sono nato e sempre vissuto.

Il dialetto usato nel filo' e' press'a poco quello che si continua

ancora a parlare nella valle del Soligo (alto Trevigiano), con

sfumature diverse per vocaboli, modi di dire, inflessioni; che,

come sempre, si riferiscono a strette frange di ceti, a gruppi minimi,

a singole localita'. cosi', ad esempio, coesistono se e si (piu'

agreste) per se, e come, 'fa, cofa' (raro comodo) per come. Analogamente

noi lo si trovera' piu' a Soligo che a Pieve, mentre <<th>> (reso con

zh) varia moltissimo ed e' tanto piu' marcato quanto piu' ci si

allontana dai centri dei paesi. E se certi vocaboli appariranno al

lettore di oggi quasi il risultato di un restauro( ad es. fursi per forse),

cio' e' dovuto al fatto che io continuo ad avere nell'orecchio il

dialetto quale si parlava nella mia infanzia, nella Cal Santa abitata

da gente del popolo; e che certo era assai piu' caratterizzato,

soprattutto per l'abbondanza dei modi di dire originali. Ma bisogna

riconoscere che la parlata attuale e' meno consunta di quanto potrebbe

apparire di primo acchito; esistono vere parole di oggi, come inbulona'

e simili, pienamente integrate all'interno di un ritmo di autoconservazione

e addirittura di arricchimento, per certi aspetti. e' un segno di vitalita',

stranita, <<in limine>>, esile e intenso come un filo di sangue. Pesanti

sono in questi scritti certe violazioni della sintassi, certe

semplificazioni morfologiche o smarginamenti lessicali, ma non tali da

snaturare l'insieme. Il dialetto e' in fin dei conti un'assoluta

liberta', capace tuttavia di tracciarsi limiti congrui/mutevoli.

 

 

Ma che puo' essere oggi ormai un piccolo dialetto (ben lontano anche

dal veneto illustre e dai suoi esempi letterari), soprattutto per chi

lo ha sempre parlato e lo sente sparire dalla sua bocca, <<al di sotto>>

di ogni volonta? E' in ogni caso la misura, tragicamente confusa al

tempo-vita, nella quale si presenta tutto cio' che e' instabile,

effimero, non-certo; e' la storia di un assordamento e ammutolimento

imposti dall'esterno in modo piu' subdolo che per una fattura. Ne' cio'

attualmente si verifica per la forza compensatrice di una grande

lingua (grande cultura) quale poteva dare l'impressione di essere

(e in parte era) anche l'italiano illustre e monumentale, che si

imponeva dopo il dialetto, anzi gli si sovrapponeva tutto sommato

lasciandolo pressoche' indenne.

Il dialetto comunque, per chi si sia trovato nella sorte di parlarlo

accanto alla lingua, in una specie di diglossia quasi rimossa, si pone

veramente come <<primo mistero>> che sfugge a ogni possibile

contemplazione oltre che ad ogni distacco obiettivante. E' una

situazione che riguarda una notevole parte degli italiani, anche se

in forme diverse e difficilmente paragonabili tra loro, e che le

statistiche dicono pulviscolarmente mutevole di anno in anno.

Di queste esperienze restano privi gli appartenenti a quella estesa

fascia che conosce, bene o male, soltanto la lingua (ma <<quale>>,poi?);

mentre al polo ppposto della deprivazione, e con ben maggiore pericolo, stanno coloro che conoscendo soltanto la parlata dialettale vi

restano, alla lettera <<forclusi>>.

Competenza semi-incompetente, prestazione che quasi non si avverte

come tale, autentico mezzo di contrasto rispetto ai luminosi e

iperconsci fenomeni che si verificano nel <<parlare la lingua>>, il

dialetto appare come la metafora- ed e' per un certo verso la realta'-

di ogni eccesso, inimmaginabilita', sovrabbondare sorgivo o stagnare

ambiguo del fatto linguistico nella sua piu' profonda natura. Esso

resta carico della vertigine del passato, dei megasecoli in cui si e'

estesa, infiltrata, suddivisa, ricomposta, in cui e' morta e risorta

<<la>> lingua (canto, ritmo, muscoli danzanti, sogno, ragione,

funzionalita') entro una violentissima deriva che fa tremare di

inquietudine perche' vi si tocca, con la lingua (nelle sue due accezioni

di organo fisico e sistema di parole) il nostro non sapere di dove

la lingua venga, nel momento in cui viene, monta come latte: perfetta

opposizione, in questo, all'altra lingua, quella <<alta>>, apprezzabile

(almeno apparentemente) come una distinta totalita' lessicale e

morfosintattica, passibile di uso e di manovre- mentre la corrente

infera del parlato dialettale <<fa uso>>. E' la sperimentazione di una

oralita' (zona di nutrimento, <<fase>>, ecc.), l'oracolarita',

oratoria minima eppure forte di tutto il viscoso che la permea

riconnettendola direttamente a tutti i contesti ambientali, biologici,

<<cosmici>>, liberando entro di essi il desiderio di espressione e

l'espressione. Il dialetto e' sentito come veniente di la' dove non

e' scrittura (quella che ha solo migliaia di anni) ne' <<grammatica>>:

luogo, allora, di un logos che resta sempre <<erchomenos>>, che mai

si raggela in un taglio di evento, che rimane <<quasi>> infante pur

nel suo dirsi, che e' comunque lontano da ogni trono. Riversato entro

la terra, connesso/disconnesso in tale <<umilta'>>, questo logos

parla attraverso le mille bocche degli <<umili>>, e comunque nei

milioni di <<errori>>, di vagabondaggi individuali, misteriosissimi

ribelli, in cui si consumano i canoni di ieri e di oggi, si celano

quelli di domani: ma solo per essere, in qualche modo, comicizzati in

partenza. Il dialetto si annuncia come il terreno vago in cui langue

e parole tendono a identificarsi, e ogni territorialita' sfuma in

quelle contigue.

E qui si aprirebbe, particolarmente emozionato, il discorso sulla

situazione neolatina, sul risucchio dal basso (con relativa distorsione

entro l'oralita' perpetua) di cui e' oggetto il latino, l'arcilingua,

arciscolpita in lapidi, la lingua imperiale e definitiva: ma doppiata

per altro da un freschisssimo volgare antiistituzionale. E bisognerebbe

soffermarsi sui giraevolta, rinascite, metamorfosi, splitting di ogni

genere propri dell'area linguistica neolatina e forse non riscontrabili

in forma cosi' sfacciata e significativa in altra area.

Per questo al <<semi-diglossico>> che <<vede doppio>> e che parla su

un doppio binario di sistemi assai vicini, in generale, ma divaricati

nella lorodestinazione, deve far paura scrivere il dialetto che guida

il gioco pur <<sentendosi>> in relativa deficienza rispetto alla

lingua e che permane nel suo essere (<<volversi>>?) pulsione e

gorgoglio somatico: di un continuum e di pluriformita' cangianti,

omologhi a quelli della vita, calati in essa e insieme galleggianti

ai suoi limiti superiori, <<verso>> il simbolo. Resta poi l'enorme

diversita' delle motivazioni dei singoli autori dialettali, specie

oggi, e di quanto in esse si nasconde.

 

La dialettalia', tuttavia, aveva grantito per secoli un certo

confortevole e implicito sentimento di coesione e di durata, sia

pure entro limiti ristretti e secondo le proporzioni del sapere

e non sapere dei parlanti. Ora la sua natura pulviscolare-fluida-

interreticolare, e soprattutto restia alla rigidita' dei reticoli

<<nazionali>>, la sua natura di inconscio che, appunto, <<esplode>>

lenta, si rivela proprio nell'attimo in cui la stessa fonte

dell'oralita' e' minacciata, ed ogni inconscio, ogni <<matrita'>>,

rischiano di essere cancellati. D'altra parte la lingua nazionale

e' in pericolo di diventare esangue, amorfa, pidocchiosa di

stereotipi e cascami video-burocratici proprio nel momento in

cui s'impone: ma in ritardo e quando gia' appare abbastanza inutile

perche' parlata in un'area sempre piu' ristretta (rispetto alle

grandi lingue), e quindi <<abbassata>> a sua volta a livello di

un dialetto ma senza averne certe indefinibili <<facolta' di

adattamento>>. Allora, la situazione del parlante e dello scrivente

italiano e' delle piu' precarie, angoscianti folli; vi si spira

genocidio intorno e dentro, anche se ancora in sordina.

Sacrificarsi a un attimo che e' di ritualita'/scontro perlustrando

i terreni dialettali e scrivendoli-descrivendoli con un inevitabile

effetto di distorsione e di <<indeterminazione>>, appare giustificato

anche se non si sa quanto produttivo. Resta legato in ogni caso a un

atteggiamento che non puo' non esser fuori di <<questo>> tempo,

proprio perche' arrischiato entro un tempo dalla freccia e duree

diverse; e per questo ha a che fare quasi unicamente con la poesia,

di rado con la prosa (intese nelle loro piu' ovvie e necessarie

accezioni). Ma per questo motivo il contatto con i dialetti, uccisi

e mai morti, puntiformi ma con agganci ed echi nelle piu' incredibili

lontananze, e' capace di inquadrare anche se in termini cifrati la

piu' smagliante apertura su alterita', futuri, attive dissolvenze.

Il dialetto non puo' aver a che fare con riesumazioni o imbalsamazioni

<<da riserva>>. Deve essere sentito come guida (al di la' di

qualunque  ipotesi sul suo destino) per individuare indizi di nuove

realta' che premono ad uscire.

"

---

as you could see this Zanzotto's letter it is dense of meaning,

 

ciao da

rinaldo.Return-Path: <NICO88@aol.com>

Date: Sat, 5 Apr 1997 14:04:50 -0500 (EST)

From: NICO88@aol.com

To: rinaldo@gpnet.it

Subject: Re: part#3 Fellini & Piero Tosi (related Casanova film).

 

ha! bene bene, grazie Rinaldo....

questa fotografia di Felllini e Tosi causa un sorriso,

dispetto di questo addolorato giorno.  (<---- thank god for italian

dictionaries!)

i feel ignorant, ive never seen Casanova, i should, i should- (and i will, i

will)

once again, i really appreciate yer taking the time to send me those

Fellini/Zanzotto letters, which ive been bugging my dad to help me translate,

and as soon as he does i'll write to you with comments. thanks again!

arrivederci, ....ginny

 

 :( ciao allen! nostra meravigliosa Bodhisattva!.....................

 

To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: part#3 Fellini & Piero Tosi (related Casanova film).

Cc:

Bcc:

X-Attachments: C:\INTERNET\IMMAGINI\FELLINI\FP.JPG;

In-Reply-To:

References:

 

ginny,

i hope u are content 'bout, i post u something linked up with

Fellini's Casanova film, as regards the set-designer Piero Tosi who

worked with directors as Visconti, Fellini, Paolini & Monicelli.

His connection with Fellini:

Fellini convinced Tosi to deal with costume designer of Casanova.

The poor man accepted to condition of work in solitude and

without the breath of the Maestro on the neck. Fellini did to prepare

a distant studio from the set. Perfect! But behind his shoulders there

was a closed door to key. he shear begin to work but after two hours

the door opened and Fellini was there to browse among the designed sheets.

Fellini praised to Tosi with his chanting voice. Tosi understand that

the door communicated with the Fellini's studio. Then Tosi left the

Casanova film!

Piero Tosi worked in 2 films directed by Fellini

1) "Toby Dammit" & 2) Satyricon.

 

i give u a photo of Fellini & Tosi on the set.

 

cari saluti da

Rinaldo.To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Allen Ginsberg.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

ginny, i write the previous letter before the internet & telly

gimme the sad news of the death of Allen Ginsberg, now this

century is at his end & if i can see what's coming i'm in a

great trouble... thanx for yr mantra,   yr Rinaldo.To: NICO88@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Zanzotto on the Web.

Cc:

Bcc: rasa@gpnet.it

X-Attachments: C:\INTERNET\ZANZOTTO\ATL2.GIF; C:\INTERNET\ZANZOTTO\BACKBU~1.GIF; C:\INTERNET\ZANZOTTO\FORTOP.GIF; C:\INTERNET\ZANZOTTO\FOTOZAN.JPG; C:\INTERNET\ZANZOTTO\HEADER.GIF; C:\INTERNET\ZANZOTTO\INEQUA~1.GIF; C:\INTERNET\ZANZOTTO\T_ZANZ~1.JPG; C:\INTERNET\ZANZOTTO\ZANZOT1.HTM; C:\INTERNET\ZANZOTTO\ZANZOT2.HTM;

In-Reply-To:

References:

 

ciao ginny,

perhaps u are already know but i email u some references 'bout

Andrea Zanzotto on the Web, i hope this is useful for u. the

books 'bout Zanzotto i have are dated circa 1980, but there is some

interesting interview concerning his poetry. btw Andrea Zanzotto

e Mario Luzi was the only italian poets who payed homages to

Allen Ginsberg as a poet,

cari saluti da Rinaldo.

p.s.

come sta andando il tuo italiano?

Return-Path: <matteo@endoxa.it>

From: Matteo Cattaneo <matteo@endoxa.it>

To: "'rinaldo@gpnet.it'" <rinaldo@gpnet.it>

Subject: Re: URL VeneziaPoesia

Date: Sun, 13 Apr 1997 15:13:59 +0200

 

 

 

-----Messaggio originale-----

Da: Rinaldo Rasa [SMTP:rinaldo@GPNET.IT]

Inviato: giovedì 10 aprile 1997 19.41

A: Multiple recipients of list BEAT-L

Oggetto:

 

cari beat,please check

http://www.italynet.com/veneziapoesia/default.com

there is that Comune di Venezia creates a poetry

meeting in july 97. noticed the poet Nanni Balestrini the

ultraleftist poet in the 70s.

 

ciao da

 Rinaldo.

[Matteo]  Ciao Rinaldo,

non riesco a controllare l'indirizzo di venezia poesia,

mi potresti dire in quali giorni di luglio si svolgerà il meeting?

Ti ringrazio, ciao da

 Matteo.

 

To: Matteo Cattaneo <matteo@endoxa.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: URL VeneziaPoesia

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

> 

> 

>-----Messaggio originale-----

>Da:     Rinaldo Rasa [SMTP:rinaldo@GPNET.IT]

>Inviato:     giovedì 10 aprile 1997 19.41

>A: Multiple recipients of list BEAT-L

>Oggetto:    

> 

>cari beat,please check

>http://www.italynet.com/veneziapoesia/default.com

>there is that Comune di Venezia creates a poetry

>meeting in july 97. noticed the poet Nanni Balestrini the

>ultraleftist poet in the 70s.

> 

>ciao da

> Rinaldo.

>[Matteo]  Ciao Rinaldo,

>non riesco a controllare l'indirizzo di venezia poesia,

>mi potresti dire in quali giorni di luglio si svolgerà il meeting?

>Ti ringrazio, ciao da

> Matteo.

> 

caro matteo credo che il sito in questione sia ancora in

allestimento, infatti come hai notato la biografia di

nanni balestrini e' linkata in modo error, vedro' di fare

il possibile. se non ti dispiace mi puoi dare qualche notizia

di te? quando hai un po' di tempo per scrivere. io sono un

tecnico nella scuola media e appassionato di poesia.

ciao da

Rinaldo

Venezia,Mestre

rasa@gpnet.it

ps puoi testare il seguente url

http://tvzone.nexus.it

che fino a pochi giorni fa mi dava la pagina di Luther Blisset

e ora non so cosa sia successo? mi faresti un grande piacere

io uso l'Explore 3 dell MS.

buona domenica. fatti vivo!To: John Mitchell <mitchell@augsburg.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: THANX.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

John wrote:

>Have no comments or addenda,  Rinaldo, but just wanted to say I am always

>delighted by your <not competent Beat>Language and poems.  // Giovanni M.

 

John, dou read italian?this wld be great! thanx for yr kindle words &

manu apologies if my language style is'nt refined,

ciao da Rinaldo, a not competent beat.Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Return-Path: <rasa@gpnet.it>

Date: Fri, 25 Apr 1997 10:06:30 +0200 (MET DST)

X-Sender: rasa@pop.gpnet.it (Unverified)

To: webmaster@gpnet.it

From: Rinaldo RASA <rasa@gpnet.it>

Subject: MAIL BOX BLOCCATA

Cc: gpet@gpnet.it

 

la mail box

rasa@gpnet.it

risulta bloccata dalle ore 6 del 25 aprile 1997

grazie se potete aiutarmi.

rinaldo Rasa.

tel. 041 5317058

 

 

Return-Path: <rasa@gpnet.it>

From: "Rinaldo RASA" <rasa@gpnet.it>

To: <rinaldo@gpnet.it>

Subject: ENORMI RALLENTAMENTI

Date: Fri, 25 Apr 1997 10:35:49 +0200

X-MSMail-Priority: Normal

 

MAIL BOX BLOCCATA E RALLENTAMENTO

ENORME DELLA LINEA

 

COSA FARE?

 

GRAZIE A CHI RISPONDE, ANCHE SE E' FESTA...

 

rinaldo@gpnet.it

 

 

tFrom gpnet.it!rasa Fri Apr 25 11:28:12 1997

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From: "Rinaldo RASA" <rasa@gpnet.it>

To: <rinaldo@gpnet.it>

Subject: sheena

Date: Fri, 25 Apr 1997 11:25:36 +0200

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Hi, people!!!

It's the first time I have heard something of Ramones.

I'm used to listening to some hard-core music, &

I really love Sex Pistols, but when I Heard "Sheena is a

punk rocker" I found it GREAT!!!

Please, tell me what are the most famous and the best songs

of this cool group!

(I'm seventeen and I'm from Venice, Italy)

Bye!

Federika

 

 

Return-Path: <rasa@gpnet.it>

From: "Rinaldo RASA" <rasa@gpnet.it>

To: <rinaldo@gpnet.it>

Subject: ENORMI RALLENTAMENTI

Date: Fri, 25 Apr 1997 10:35:49 +0200

X-MSMail-Priority: Normal

 

MAIL BOX BLOCCATA E RALLENTAMENTO

ENORME DELLA LINEA

 

COSA FARE?

 

GRAZIE A CHI RISPONDE, ANCHE SE E' FESTA...

 

rinaldo@gpnet.it

 

 

tFrom gpnet.it!rasa Fri Apr 25 11:28:12 1997

Return-Path: <rasa@gpnet.it>

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From: "Rinaldo RASA" <rasa@gpnet.it>

To: <rinaldo@gpnet.it>

Subject: sheena

Date: Fri, 25 Apr 1997 11:25:36 +0200

X-MSMail-Priority: Normal

X-Priority: 3

X-Mailer: Microsoft Internet Mail 4.70.1155

MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1

Content-Transfer-Encoding: 7bit

 

Hi, people!!!

It's the first time I have heard something of Ramones.

I'm used to listening to some hard-core music, &

I really love Sex Pistols, but when I Heard "Sheena is a

punk rocker" I found it GREAT!!!

Please, tell me what are the most famous and the best songs

of this cool group!

(I'm seventeen and I'm from Venice, Italy)

Bye!

Federika

 

 

Return-Path: <rasa@gpnet.it>

From: "Rinaldo RASA" <rasa@gpnet.it>

To: <rinaldo@gpnet.it>

Subject: ME & YOU

Date: Fri, 25 Apr 1997 11:45:02 +0200

X-MSMail-Priority: Normal

 

ME & YOU by Federika & the BBB from Venice, Italy.

 

1 (Federika)

I am really out of voice

I think that my only choice

is by now to rush away

and to have to say:

"I had not a big success

I did make a real mess!"

 

2 (Kata)

I'm tha singer of tha band

I'm not sure to reach the end

I do hate Fede's voice

so I'm happy of her choice

but i admit: she is my friend

so to her my voice I'll lend

 

CHORUS (Federika & Kata)

This is our first song

tell us: is it so wrong?

Yeah, we do know it

but it will remain a shit!

 

-----

Now: what do you think about this wonderful song?

My friend & I have a little group that play metal and punk music...

email your opinions to rasa@gpnet.it

thanx very much!

 

 

 

Return-Path: <rasa@gpnet.it>

From: "Rinaldo RASA" <rasa@gpnet.it>

To: <rinaldo@gpnet.it>

Subject: ME & YOU

Date: Fri, 25 Apr 1997 11:45:02 +0200

X-MSMail-Priority: Normal

 

ME & YOU by Federika & the BBB from Venice, Italy.

 

1 (Federika)

I am really out of voice

I think that my only choice

is by now to rush away

and to have to say:

"I had not a big success

I did make a real mess!"

 

2 (Kata)

I'm tha singer of tha band

I'm not sure to reach the end

I do hate Fede's voice

so I'm happy of her choice

but i admit: she is my friend

so to her my voice I'll lend

 

CHORUS (Federika & Kata)

This is our first song

tell us: is it so wrong?

Yeah, we do know it

but it will remain a shit!

 

-----

Now: what do you think about this wonderful song?

My friend & I have a little group that play metal and punk music...

email your opinions to rasa@gpnet.it

thanx very much!

 

 

 

Return-Path: <ncary@clark.net>

X-Authentication-Warning: clark.net: ncary owned process doing -bs

Date: Sat, 26 Apr 1997 18:27:15 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: U think i'm mad... ?

 

 

 

i liked the beetle poem

 

nina

 

 

To: gpet@gpnet.it

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ora tutto funziona

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Ringrazio per aver

ripristinato il

collegamento email

interrottosi dal 25 apr 97.

 

per favore potete dirmi la causa?

 

ciao da Rinaldo Rasa

rasa@gpnet.it

rinaldo@gpnet.itReturn-Path: <gpet@gpnet.it>

X-Sender: gpet@pop.gpnet.it

Date: Mon, 28 Apr 1997 14:32:04 +0200

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Gianfranco Petteno' <gpet@gpnet.it>

Subject: Re: ora tutto funziona

 

At 10.47 28/04/97 +0200, you wrote:

>Ringrazio per aver

>ripristinato il

>collegamento email

>interrottosi dal 25 apr 97.

> 

>per favore potete dirmi la causa?

> 

>ciao da Rinaldo Rasa

>rasa@gpnet.it

>rinaldo@gpnet.it

> 

> 

> 

Il disco della posta e' stato bloccato dalle mailbox di alcuni utenti che

contenevano svariate decine di Mbyte di allegati.

 

Cordiali saluti

 

 

--------------------------

Gianfranco Petteno'

 

GP Net - Pellegrini S.p.A.

--------------------------

 

Return-Path: <gpet@gpnet.it>

X-Sender: gpet@pop.gpnet.it

Date: Mon, 28 Apr 1997 19:04:37 +0200

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Gianfranco Petteno' <gpet@gpnet.it>

Subject: Re: ora tutto funziona

 

At 18.39 28/04/97 +0200, you wrote:

>At 14.32 28/04/97 +0200, you wrote:

>>At 10.47 28/04/97 +0200, you wrote:

>>>Ringrazio per aver

>>>ripristinato il

>>>collegamento email

>>>interrottosi dal 25 apr 97.

>>> 

>>>per favore potete dirmi la causa?

>>> 

>>>ciao da Rinaldo Rasa

>>>rasa@gpnet.it

>>>rinaldo@gpnet.it

>>> 

>>> 

>>> 

>>Il disco della posta e' stato bloccato dalle mailbox di alcuni utenti che

>>contenevano svariate decine di Mbyte di allegati.

>> 

>>Cordiali saluti

>> 

>> 

>>--------------------------

>>Gianfranco Petteno'

>> 

>>GP Net - Pellegrini S.p.A.

>>--------------------------

>> 

>grazie per la spiegazione.

>mi pare che sia lo stesso

>problema accaduto agli

>inizi di dicembre 96.

>cosa si puo' fare per

>evitarlo in futuro.

> 

>cari saluti da Rinaldo.

> 

> 

Ho proposto di porre una quota massima alle mailbox degli utenti ma questa

proposta e' parsa antipatica (a me pare peggio bloccare il sistema).  La

soluzione definitiva consiste in un prossimo trasloco della posta su un

hard disk molto piu' capiente.

 

Saluti

 

 

--------------------------

Gianfranco Petteno'

 

GP Net - Pellegrini S.p.A.

--------------------------

 

To: Gianfranco Petteno' <gpet@gpnet.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: ora tutto funziona

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 14.32 28/04/97 +0200, you wrote:

>At 10.47 28/04/97 +0200, you wrote:

>>Ringrazio per aver

>>ripristinato il

>>collegamento email

>>interrottosi dal 25 apr 97.

>> 

>>per favore potete dirmi la causa?

>> 

>>ciao da Rinaldo Rasa

>>rasa@gpnet.it

>>rinaldo@gpnet.it

>> 

>> 

>> 

>Il disco della posta e' stato bloccato dalle mailbox di alcuni utenti che

>contenevano svariate decine di Mbyte di allegati.

> 

>Cordiali saluti

> 

> 

>--------------------------

>Gianfranco Petteno'

> 

>GP Net - Pellegrini S.p.A.

>--------------------------

> 

grazie per la spiegazione.

mi pare che sia lo stesso

problema accaduto agli

inizi di dicembre 96.

cosa si puo' fare per

evitarlo in futuro.

 

cari saluti da Rinaldo.To: Gianfranco Petteno' <gpet@gpnet.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: ora tutto funziona

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 19.04 28/04/97 +0200, you wrote:

>At 18.39 28/04/97 +0200, you wrote:

>>At 14.32 28/04/97 +0200, you wrote:

>>>At 10.47 28/04/97 +0200, you wrote:

>>>>Ringrazio per aver

>>>>ripristinato il

>>>>collegamento email

>>>>interrottosi dal 25 apr 97.

>>>> 

>>>>per favore potete dirmi la causa?

>>>> 

>>>>ciao da Rinaldo Rasa

>>>>rasa@gpnet.it

>>>>rinaldo@gpnet.it

>>>> 

>>>> 

>>>> 

>>>Il disco della posta e' stato bloccato dalle mailbox di alcuni utenti che

>>>contenevano svariate decine di Mbyte di allegati.

>>> 

>>>Cordiali saluti

>>> 

>>> 

>>>--------------------------

>>>Gianfranco Petteno'

>>> 

>>>GP Net - Pellegrini S.p.A.

>>>--------------------------

>>> 

>>grazie per la spiegazione.

>>mi pare che sia lo stesso

>>problema accaduto agli

>>inizi di dicembre 96.

>>cosa si puo' fare per

>>evitarlo in futuro.

>> 

>>cari saluti da Rinaldo.

>> 

>> 

>Ho proposto di porre una quota massima alle mailbox degli utenti ma questa

>proposta e' parsa antipatica (a me pare peggio bloccare il sistema).  La

>soluzione definitiva consiste in un prossimo trasloco della posta su un

>hard disk molto piu' capiente.

> 

>Saluti

> 

> 

>--------------------------

>Gianfranco Petteno'

> 

>GP Net - Pellegrini S.p.A.

>--------------------------

> 

grazie per la cortese  risposta,

saluti Rinaldo.To: "Robert H. Sapp" <rhs4@crystal.palace.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.BSD/.3.91.970517173516.27318B-100000@crystal.palace.net>

References: <3.0.1.32.19970517230359.00b68324@pop.gpnet.it>

 

At 17.37 17/05/97 -0400, you wrote:

>Rinaldo!

> 

>fanatstic message!1!!!!!!!!!!!!!!!!!!!!!!!!!

> 

> 

>I am drifting on high, and this jazz rhythms in my head, left over from

>me just listened to a lil' M Davis flew together with your words and WOW.

> 

>Peace,

>Eric

> 

>On Sat, 17 May 1997, Rinaldo Rasa wrote:

> 

>>                 K       E       R       O       U       A       C

>>                                 IL DOTTOR SAX

>>

>>                                 Libro primo

>>                         FANTASMI DELLA NOTTE

>>                         DI PAWTUCKETVILLE

>>

>>                                 1

>> L'altra notte ho sognato che stavo seduto sul mar-

>> ciapede di Moody Street, Pawtucketville, Lowell,

>> Massachusetts,... Qui a farmez ma porte? Parsonne voyons donc.

>>

>>                                 GOD READS THIS.

>> DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ

>> THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ

>> THIS.DON'T READ, PLEASE, GOD READ THIS.DON'T READ, PLEASE, DON'T READ THIS.

>> DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ

>> THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ

>> THIS. thake me by hand, GOD, around the midnight, GOD i send u a

>> letter, GOD if ever u read this, WHY U CREATES MYSELF?, WHY I BORN?,

>> THIS DON'T READ, PLEASE, DON'T READ

>> THIS DON'T READ, PLEASE fantasmi agghiaccianti, fredde, COLD,

>> streets italiane, tears, cerchietti, bracelets, ASE, GOD READ THIS.DON'T

>> READ, PLEASE, DON'T READ THIS.T READ, PL

>> DON'T READ, PLEASE, god thake by hand Pakistani, WHY I BORN? WHY I BORN?

>> WHY I BORN? WHY I BORN? WHY I BORN? WHY I BORN? god thake by hand OLD wo/men,

>> god thake by hand pacemaker's lawyer, god thake by hand that tatoo GIRL,

>> god thake by hand by handby handby handby hand

>>                         WHY I BORN?     WHY I RAT?

>>                         WHY I CLOUD? WHY I SQUEKING?

>>                         WHY?    WHY?    ever read me!

>>                         R       I       N       A       L       D       O

>>

> 

> 

thanxalotRoberthereismidnighttimehereinveniceitaly

alotofwarhotdaypassedthrumylife&godwhereisgodwhereis?To: ncary <ncary@clark.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: A mute voice on the Estate Battl

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.GSO.3.96.970517173613.3374A-100000@clark.net>

References: <3.0.1.32.19970517231138.006868ac@pop.gpnet.it>

 

nina scrive:

>Rinaldo,

> 

>Viva your subversion of the beat list.

> 

> 

>I can't read Italian either, but i read Portuguese, so i guess a lot

> 

> 

>nina

> 

> 

> 

grazie, nina, gia' altre volte mi hai aiutato con

i tuoi incoraggiamenti... di cuore rinaldo (at midnighttime...)Return-Path: <country@sover.net>

Date: Mon, 26 May 1997 08:04:36 -0400 (EDT)

To: rinaldo@GPNET.IT

From: Marie Countryman <country@sover.net>

Subject: Re: Frank O'Hara, a poetry.

 

rIaLdO:

you never cease to amzae me. this pome has been on my mind for several

days, and i thought of typing it to the list!!!

we are sympatico, are we not?

love

marie

 

 

>        "Why I Am Not A Painter"        by Frank O'Hara

> 

>        I am not a painter, I am a poet.

>        Why? I think I would rather be

>        a painter, but I am not. Well,

> 

>        for instance, Mike Goldberg

>        is starting a painting. i drop

>                in

>        "Sit down and have a ddrink" he

>        says. I drink; we drink. I look

>        up. "You have SARDINES in it"

>        "Yes, it needed sometime there"

>        "Oh." I go and days go by

>        and I drop in again. The painting

>        is going on, and I go, and the

>                days

>        go by, I drop in. The painting is

>        finished. "Where's SARDINES?"

>        All that's left is just

>        letters, "It was too much", Mike says.

> 

>        But me? One day I am thinking of

>        a color: orange. I write a line

>        about orange. Pretty soon it is a

>        whole page of words, not lines.

>        Then another page. There should

>                be

>        so much more, not of orange, of

>        words, of how terrible orange is

>        and life. Days go by. It is even

>                in

>        prose, I am a real poet. My poem

>        is finished and I haven't

>                mentioned

>        orange yet. It's twelve poems, I

>                call

>        it ORANGES. And one day in a

>                gallery

>        I see Mike's painting, called

>        SARDINES.

 

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Frank O'Hara, a poetry.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020900afaee3acddd5@[206.25.67.113]>

References: <3.0.1.32.19970526120246.00b80d20@pop.gpnet.it> <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no> <"noralf.uib.646:25.05.97.04.02.54"@uib.no>

 

MaRie wrote:

>rIaLdO:

>you never cease to amzae me. this pome has been on my mind for several

>days, and i thought of typing it to the list!!!

>we are sympatico, are we not?

>love

>marie

> 

> 

>>        "Why I Am Not A Painter"        by Frank O'Hara

>> 

>>        I am not a painter, I am a poet.

>>        Why? I think I would rather be

>>        a painter, but I am not. Well,

>> 

>>        for instance, Mike Goldberg

>>        is starting a painting. i drop

>>                in

>>        "Sit down and have a ddrink" he

>>        says. I drink; we drink. I look

>>        up. "You have SARDINES in it"

>>        "Yes, it needed sometime there"

>>        "Oh." I go and days go by

>>        and I drop in again. The painting

>>        is going on, and I go, and the

>>                days

>>        go by, I drop in. The painting is

>>        finished. "Where's SARDINES?"

>>        All that's left is just

>>        letters, "It was too much", Mike says.

>> 

>>        But me? One day I am thinking of

>>        a color: orange. I write a line

>>        about orange. Pretty soon it is a

>>        whole page of words, not lines.

>>        Then another page. There should

>>                be

>>        so much more, not of orange, of

>>        words, of how terrible orange is

>>        and life. Days go by. It is even

>>                in

>>        prose, I am a real poet. My poem

>>        is finished and I haven't

>>                mentioned

>>        orange yet. It's twelve poems, I

>>                call

>>        it ORANGES. And one day in a

>>                gallery

>>        I see Mike's painting, called

>>        SARDINES.

> 

> 

> 

> 

> 

yeas, of course, we are!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: who are we?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.ULT.3.96.970527102829.29914A-100000@xx.acs.appstate.edu>

References: <199705271347.GAA19990@netcom.netcom.com>

 

WHO,

WHO, are we?

 

i think is a bit

   wrong to leave the list

              'cuz the amount

                   of posts

 

first u must have

              an ethical way of life

                   to justify yr decision

 

this american gothic saga

              'bout the estate

                   is sad awright

                         but the rude men

                              are also

                                   in a

                              little cest

i think

as

a poster to the list

as

a spontanenous writer

as

thinking machine

 

yrs rinaldo

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: who are we?

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

WHO,

WHO, are we?

 

i think is a bit

   wrong to leave the list

              'cuz the amount

                   of posts

 

first u must have

              an ethical way of life

                   to justify yr decision

 

this american gothic saga

              'bout the estate

                   is sad awright

                         but the rude men

                              are also

                                   in a

                              little cest

i think

as

a poster to the list

as

a spontanenous writer

as

thinking machine

 

yrs rinaldo

To: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

SUBscribe BEAT-L Rinaldo RasaTo: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

SUBscribe BEAT-L Rinaldo RasaTo: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

helpTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: WHO,

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

WHO,

WHO, are we?

 

i think is a bit

   wrong to leave the list

              'cuz the amount

                   of posts

 

i think

as

a poster to the list

as

a spontaneous writer

as

a thinking machine

 

yrs rinaldo

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: WHO, are

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

WHO,

WHO, are we?

 

i think is a bit

   wrong to leave the list

              'cuz the amount

                   of posts

this american gothic saga

              'bout the estate

                   is sad awright

                         but the rude men

                              are also

                                   in a

                              little chest

 

yrs rinaldo

To: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

helpTo: judith@WELL.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: cage

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>X-Sender: judith@mail.well.com

>Date:         Mon, 26 May 1997 09:30:29 -0500

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Judith Kampfner <judith@WELL.COM>

>Subject:      From Nick W-W re Letters

>Comments: cc: nweir-w@nwu.edu

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

>And, Rinaldo, I don't think any of that Cage archive is on the web at all -

>they're still working their way through it all. I will check up for you

>though.

> 

>Nick W-W

> 

>Judith Kampfner

>Midwest News and Features

>3813 N. Alta Vista Terrace, Chicago IL 60613

>ph 773 296 9590: fax 773 296 1692

> 

Judith,

thanx a lot for yr gentle thought, if u hear something 'bout

cage archives on the web, please, gimme a touch, by email,

ciao da Rinaldo.

 

rinaldo@gpnet.it

Venice,Italy.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: poem

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

i'm

buried

&

butterflies

eat

my feet

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: McClure a poetry.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901afb638305758@[141.224.144.84]>

References: <338FEF4B.102C@bitstream.net>

 

         Dark Brown      by Michael McClure

 

   "Oh Ease  Oh Body-Strain  Oh Love  Oh Ease Me Not!

   Wound-Bore"

 

   be real, show organs, show, blood, OH let me

   be as a flower. Let ugliness arise without care

   grow side by side with beauty. Oh twist

   be real to me. Fly smoke! Meat-real, as nerves

                   TENDON

   Ion, FLAME, Muscle, not banners but bulks as

   we are all 'deer'

   and move as beasts. Stalking in our forest

   as these are speech-words

 

   Burn them pure as above they rise from attitude are

   stultified. Are shit. Burn

   what arises from habit. Let custom

   die. Smash patterns and forms let spirit

   free to blasting liberty. Smash the

         habit shit above!!!!!!!!!

 

   LET PURE BLACK WORDS MOVE FROM THOUGHT

              BEHIND

    To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a question:jack kerouac bio written by Gerald Nicosia

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

points

first: there's an italian language translation of the

   book written by Gerald Nicosia 'bout the JK life

   & works? anyone can tell something?

second:in angst for the hot shift of the posts from word

   to word, but i'm a real beet (sic!) & i do not understand

   why people leaves the B-List.

   Yessir,

   Jack Kerouac

   "Let's go.

   Where are we going, man?

   I don't know, but we gotta go".

---

yrs

Rinaldo.

To: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

SUBscribe BEAT-L Rinaldo RasaTo: LISTSERV@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

GET BEAT-L LOG9705 BEAT-LTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the original sender

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Fred Bogin <FDBBC@CUNYVM.BITNET> writes:

>Hi folks,

>Excuse me while I pull on my hip boots to wade in here.

>Effective immediately, all replies to postings on beat-l will go to the

>original sender, NOT the list, unless otherwise specified.

> 

>fred

> 

> 

hello,

i don't understand what is happened exactly,

I HAVE NO RESPONSE FROM THE USUAL LISTSERV@CUNYVM.CUNY.EDU,

it started yesterda, on sunday 1 june 1997,

no response & no idea where my posts are gone,

SAD TIMES,

who is the ORIGINAL SENDER ?

yrs

Rinaldo.

 

To: owner-beat-l@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the original sender

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Fred Bogin <FDBBC@CUNYVM.BITNET> writes:

>Hi folks,

>Excuse me while I pull on my hip boots to wade in here.

>Effective immediately, all replies to postings on beat-l will go to the

>original sender, NOT the list, unless otherwise specified.

> 

>fred

> 

> 

hello,

i don't understand what is happened exactly,

I HAVE NO RESPONSE FROM THE USUAL LISTSERV@CUNYVM.CUNY.EDU,

it started yesterda, on sunday 1 june 1997,

no response & no idea where my posts are gone,

SAD TIMES,

who is the ORIGINAL SENDER ?

yrs

Rinaldo.

 

To: FDBBC@CUNYVM.BITNET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: RE:List changes

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Hi folks,

>Excuse me while I pull on my hip boots to wade in here.

>Effective immediately, all replies to postings on beat-l will go to the

>original sender, NOT the list, unless otherwise specified.

> 

>fred

> 

> 

ciao fred,

i don't understand what is happened exactly,

I HAVE NO RESPONSE FROM THE USUAL LISTSERV,

it started yesterda, on sunday 1 june 1997,

no response & no idea where my posts are gone,

SAD TIMES,

who is the ORIGINAL SENDER ?

yrs

Rinaldo.

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: List changes

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3392F633.7F65@pacbell.net>

References: <970602120847_-296114037@emout10.mail.aol.com>

 

James,

please give a chance, i can't obtain

reply to the listserv of the B-List

every effort i do is nothing,

if i send a post i have no reply if

the post was send,

can u help me,

thanx,

yr Rinaldo.To: Bill Gargan <WXGBC@CUNYVM.BITNET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Stauffer's comments on fbi

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%97060215111672@CUNYVM.CUNY.EDU>

References:

 

At 15.08 02/06/97 EDT, you wrote:

>I'm afraid cleaning out the hard drives won't do any good.  All the

>archives areon the server and open to anyone who wishes to view them.

>They won't even need to notify us or get a warrant.

> 

Bill, please i have no reply by te Listserv,

why? where are gone my posts if not on the

B-List where i send them?

thanx for a reply,

yr Rinaldo.To: Diane Carter <dcarter@TOGETHER.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: sad state of affairs

Cc:

Bcc:

X-Attachments:

In-Reply-To: <339346CA.5F34@together.net>

References: <l03020900afb8537a8c82@[206.25.67.109]>            <l03020900afb863784e88@[206.25.67.118]> <3393273F.7687@together.net>

 

At 15.18 02/06/97 -0700, you wrote:

>> Marie Countryman wrote:

>> >

>> > hi diane. i think given what has happened, and mostly off list between who

>> > i appreciate as having balanced minds, who have had to find a kinder and

>> > freeer exchange of ideas which this list really developed and began to

>> > evolve into community place/space. until the recent events.

>> > however, shouted (IN CAPS!!!) insults, swearing, muckraking, not willing to

>> > let go  histrionic and just plain perversity of approx. 5-10 (generous

>> > numbers, here!) peple who just basically come barging into the coffee shop,

>> > rumble on the floor, patrons fleeing, and too damned soaked in testosterone

>> > to notice that the place IS CLEARING OUT because most of recent sign offs

>> > have deliberately chosen to join kinder and more inclusionary atmosphere(s).

>> > JH in chicago: i dig yr project but cant agree with you here.

>> > it seems like 90% of posts are taken up w/name droppers, travel excusion

>> > more relevantly private (like so and so will be here tomorrwo, etc) as well

>> > as name calling best suited to filthy gas station doors, than here.

>> > i have become disillusioned that some of the movers and shakers of the beat

>> > renaissance now choose to rail and flail. reminds me too much of JK in

>> > florida before hemmoraging to death on bathroom floor.

>> > i'm so disillusioned,

>> > and this is coming from someone whose very nature is psychotically

> optimistic.

>> > sad sad sad.

>> > going off to join ron and all my buddies.

>> > mc

>> > ps bill again, dont unsub. i need to take a stand for a while.

>> > mc

> 

> I am in total agreement that 90% of the posts in the last month or so

> should not have been here.  I guess what I am saying is that all of us

> seriously concerned with sharing ideas on a daily basis, make an

> agreement that we will only discuss beat things intelligently, with no

> shouting, namecalling or harrassment.  I think it is important,

>however, that we be able to maintain a thought flow by repling (re:ing)

>to individual posts on the list.  Why don't we start now by refusing to

>reply to flames and eventually maybe we will all have the community we

>want to share ideas and Bill at CUNY can decide that we don't have to

>type in that very long beat address every time we want to talk.

> 

> DC

> 

> 

i have no reply by the listserv

as "yr post is distribuited to etc."

no feedback from the listserv...

To: Diane Carter <dcarter@together.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: sad state of affairs

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33936357.74B1@together.net>

References: <l03020900afb8537a8c82@[206.25.67.109]> <l03020900afb863784e88@[206.25.67.118]> <3393273F.7687@together.net> <3.0.1.32.19970602220907.0068b928@pop.gpnet.it>

 

Diane writes:

>Rinaldo,

> 

>Because of the new rules of the listserv, your post went directly to me

>instead of the beat-l list.  From now on when you reply to something,

>your message goes to the person who wrote the message you are responding

>to and not to the entire beat list.  That means you will be getting less

>mail and the whole list will not receive your message.  From now on, when

>you reply, you must erase the name of the person in the Mail to: section

>and type in instead, BEAT-L@CUNYVM.CUNY.EDU in the Mail to: section. 

>When you do that you should get a reply that says, "your post has been

>distributed to...etc. 

>I hope that explains it for you.  I enjoy hearing from you.

>Diane

> 

Diane,

thanx a lot clarifing the matter, things now seems

to go better, btw i like a lot the Beat-List!!!!!!

love,

Rinaldo.

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: List changes

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33930DEA.3A5E@pacbell.net>

References: <970602120847_-296114037@emout10.mail.aol.com> <3.0.1.32.19970602190059.0068c104@pop.gpnet.it>

 

James writes:

>The address I am using is BEAT-L@CUNYVM.CUNY.EDU.

> 

>Glad to help if I can, let me know if it works.

> 

>How are things in Venice?  Hopefully no Estate Wars or FBI there!

> 

>beeten but not bowed.

> 

>James

> 

> 

James,

first thanx for yr reply, now things seems to

go better, btw i love Beat-List!!!, here venetian things

are as usually, no FBI in Italy i presume, if the FBI

is backuped the beat files, in case of a crash of my

electronic archive hardDisk i can recall the lost posts

from the FBI... isn't?

 

love,

Rinaldo.  To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: wanted - spiritual mentor

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970604173858_100106.1102_EHU32-2@CompuServe.COM>

References:

 

joe writes:

>wanted, spiritual mentor

> 

>inspired by kerouac, burroughs, nietzsche, gaarder, wilde,

>huxley, voltaire & dickens i need guidance crossing the road.

> 

>more a lust for wisdom than a plea for help, gurus need

>not apply.

> 

>joe

>newcastleunitedkingdom

> 

> 

joe,

it's not picnic

blurs

blur

---

yrs

Rinaldo.To: danneman@Update.UU.SE

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: X

Cc:

Bcc:

X-Attachments:

In-Reply-To: <339B1FB0.79B5@update.uu.se>

References: <3.0.1.32.19970608211200.0068a654@pop.gpnet.it>

 

>in case you wonder it's by NOFX

> 

>-daniel

> 

i agree, & plus blur #2,

& other things... have a look at amiri baraka... for the X...

--rinaldo

from venice, italy.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: X

Cc:

Bcc:

X-Attachments:

In-Reply-To: <339B1FB0.79B5@update.uu.se>

References: <3.0.1.32.19970608211200.0068a654@pop.gpnet.it>

 

X is

black-- amiri baraka (Leroi Jones)

---

yrs

Rinaldo

* sorry this has no beat connection *

*  i'm a beetle beated        *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: old times--questions--questions...

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

DEAR friends,

how many are we? 150... 250... who he does it know?

 

i download for myself the Beat-L archive

month by month & here there's all

the answers we/i need (?),

 

yes, man,

we posters are the wired point

of what? dawn/twilight of

the millenium,

 

'bout what's we can write

'cuz beat is a feeling

 

---

yrs

Rinaldo

* a not competent beat *

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: old times--questions--questions...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020902afc1bba05855@[206.25.67.125]>

References: <3.0.1.32.19970609191049.0068675c@pop.gpnet.it>

 

marie:

>hi rinaldo. if you count all the people in me you culd have a large list: i

>have littel girls maries and i have tuff teens ~M~ and i have me mc. and a

>hole lotta others that comeo ut of the hole in my head'

>i love you

>sorry personal correspondence has gone way down with you. i am going to

>read my pomes first time ever any pomes this weekend

>i am pretty excited and nervous

>and before that i take my friend sarah on canoe ride/dinner for her birthday!

>next week i will sleep and write to you.

>maries

> 

marie,

every time u write & referring to u as maries i must be

sincerely my mind is a little trebling as a john cage works

i like this feeling but when i was asleep & day after day

think time is fading & here is damned warm here in the medi

land and now is twilight & green grass is growing & i saw

people looking thru the open windows & little little bats

are flying & squit squit & tears for old time were all was

young time was young & hundred years & hundreds years & we

are nothing & maybe a digitalized image in the sky of light

& roooaming planes were flying over my Old Home to the venice

airport & my heart was compelled & i think the things go wrong

& fall & my olf father who died in 75 & hey man u go to nothing

& tears was drinkin' & what's up & flowers burned the sun &

my grandma' was like these old woman dressed in black in the

alpine mountains these rocks where people don't know the name of

this or this or this mountain but many many tales narrating

under a sky filled with stars twinkling as yr maries & once

& once & particles but everything is ONE in a dream asleep &

never can die 'cuz the universe crash onto itself & particles

are illusions & noname & Odisseo & greek & people that has

Old history are gone & people in the garden & Enea with his

people run away from greece & went in italy & venice went in

mediterranean & pilgrims go to the western land & land where now

law&order rules here anarchy&law rules & only in a dream we can

& pound was fascist & aragon was commie & europe is here &

the old what we are is themself & telephone book as

the great american poem & the weather report & sky sky sky sky

& everything is ONE,

i love u marie,

yr Rinaldo.To: "Michael L. Buchenroth" <mike@infinet.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: old times--questions--questions...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SUN.3.91.970609133639.12060B-100000@user2.infinet.com>

References: <3.0.1.32.19970609191049.0068675c@pop.gpnet.it>

 

At 13.38 09/06/97 -0400, Michael L. Buchenroth wrote:

>On Mon, 9 Jun 1997, Rinaldo Rasa wrote:

> 

>> DEAR friends,

>> i download for myself the Beat-L archive

>> month by month & here there's all

> 

>I would like to also download the Beat-L archive.

>Can you instruct me how to do this?

>Thank you!

> 

> 

>Michael L. Buchenroth

>mike@buchenroth.com

>www.buchenroth.com

>To view

>Columbus' Electronic Literary Magazine

>go to

>www.buchenroth.com/magazine.html

> 

> 

DEAR Michael,

first u can get the list of file:

1) step one,

To:LISTSERV@CUNYVM.CUNY.EDU

in the body of the email u must write

GET FILE

after a while the list server send u a list like this

*

*  NOTEBOOK archives for the list

*  (Monthly notebook)

*                             rec               last - change

* filename filetype   GET PUT -fm lrecl nrecs   date     time   Remarks

* -------- --------   --- --- --- ----- ----- -------- -------- -------------------------------

  BEAT-L   LOG9505    PRV OWN V      80    35 95/05/30 11:11:34 Started on Mon, 29 May 1995 22:22:45 -0500

  BEAT-L   LOG9506    PRV OWN V      83  2252 95/06/30 22:59:02 Started on Wed, 7 Jun 1995 20:33:48 EDT

  BEAT-L   LOG9507    PRV OWN V     119  4808 95/07/31 23:50:25 Started on Sat, 1 Jul 1995 00:54:41 -0400

  BEAT-L   LOG9508    PRV OWN V      85  5644 95/08/31 22:37:40 Started on Tue, 1 Aug 1995 09:21:34 -0500

  BEAT-L   LOG9509    PRV OWN V      85  5007 95/09/30 20:34:51 Started on Fri, 1 Sep 1995 13:56:14 +0100

  BEAT-L   LOG9510    PRV OWN V      80  5765 95/10/31 19:02:11 Started on Sun, 1 Oct 1995 14:04:27 +0800

  BEAT-L   LOG9511    PRV OWN V     242 10949 95/11/30 23:55:16 Started on Wed, 1 Nov 1995 02:11:56 -0500

  BEAT-L   LOG9512    PRV OWN V      80  9231 95/12/31 20:17:32 Started on Fri, 1 Dec 1995 00:56:09 -0500

  BEAT-L   LOG9601    PRV OWN V      84  4050 96/01/31 22:17:07 Started on Mon, 1 Jan 1996 11:37:24 -0800

  BEAT-L   LOG9602    PRV OWN V     144  9734 96/02/29 22:24:44 Started on Thu, 1 Feb 1996 09:25:12 +0000

  BEAT-L   LOG9603    PRV OWN V      81 12443 96/03/31 09:01:37 Started on Thu, 29 Feb 1996 23:52:40 -0600

  BEAT-L   LOG9604    PRV OWN V      81  9898 96/04/30 22:15:33 Started on Sun, 31 Mar 1996 11:31:45 -0500

  BEAT-L   LOG9605    PRV OWN V      80  6312 96/05/31 23:09:11 Started on Tue, 30 Apr 1996 23:38:52 -0500

  BEAT-L   LOG9606    PRV OWN V     112  6829 96/06/30 19:25:53 Started on Sat, 1 Jun 1996 09:40:32 -0400

  BEAT-L   LOG9607    PRV OWN V     149  3140 96/07/31 10:41:17 Started on Mon, 1 Jul 1996 16:07:36 -0400

  BEAT-L   LOG9608    PRV OWN V      80  5393 96/08/31 22:43:36 Started on Thu, 1 Aug 1996 09:06:58 -0400

  BEAT-L   LOG9609    PRV OWN V     119 11222 96/09/30 23:52:39 Started on Sun, 1 Sep 1996 00:54:29 -0700

  BEAT-L   LOG9610    PRV OWN V     242 31185 96/10/31 21:00:00 Started on Mon, 30 Sep 1996 21:29:03 -0700

  BEAT-L   LOG9611    PRV OWN V     113 21865 96/11/30 19:06:04 Started on Fri, 1 Nov 1996 10:37:27 EST

  BEAT-L   LOG9612    PRV OWN V      83 25562 96/12/31 22:59:04 Started on Sat, 30 Nov 1996 21:21:05 -0800

  BEAT-L   LOG9701    PRV OWN V      84  9055 97/01/09 11:40:40 Started on Wed, 1 Jan 1997 02:28:05 -0500

this is stopped on Jan but u can retrieve the archive until may97.

 

step two: (it's possible skip step one)

 

To:LISTSERV@CUNYVM.CUNY.EDU

in the body of the email u must write

GET BEAT-L LOG9701 BEAT-L

and u obtain the january archive of the beat-list

 

if u want to retrive the entire archive, be patient,

& write GET BEAT-L LOG9505 for may 95 archive

& write GET BEAT-L LOG9506 for june 95 archive

& so on...

 

i hope this information help, if u haven't already

retrieved the manner how obtain beat-l archive

 

the above statement works for, if u have any problem

gimme a feedback, glad to help,

 

yr Rinaldo

from venice,italy.

 

Return-Path: <country@sover.net>

Date: Tue, 10 Jun 1997 06:44:30 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: old times--questions--questions...

 

& everything is ONE,

i love u marie,

yr Rinaldo.

_________

yes, rinaldo, it is. i am you and you are me and he is we and we are all

together....

john lennon was a wonderful man

i love u too rinaldo. you bring sunshine to me on rainy days

yr

maries

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: old times--questions--questions...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020908afc2a1104068@[206.25.67.125]>

References: <3.0.1.32.19970609223306.00cdf204@pop.gpnet.it> <l03020902afc1bba05855@[206.25.67.125]> <3.0.1.32.19970609191049.0068675c@pop.gpnet.it>

 

MARIE(S):

>& everything is ONE,

>i love u marie,

>yr Rinaldo.

>_________

>yes, rinaldo, it is. i am you and you are me and he is we and we are all

>together....

>john lennon was a wonderful man

>i love u too rinaldo. you bring sunshine to me on rainy days

>yr

>maries

> 

damn! here 2p.m. ! hot afternoon ! drunk a bottle (or two) !

i must go to my broker at 3p.m. damn! he go away ! damn! damn!

damn! damn! the sun hit my head ! damn! damn! u marie sorry but

maries but maries ! sprinkler the garden ! damn! yes if i lost

my money ! damn! drink a bottle or two ! same insurance were

joyce worked in the early century this ! damn ! damn joyce !

damn! u want me distressed ! damn! brokers ! & u joyce why are

against pound ! damn joyce! damn! damn! hot afternoon !

 

when lennon died i was in the factory & a bunch of guys tell

me the news & in 1980 everyone was sad, i men working class

wo/men

 

sorry! i lost my calm... damned broker ! i wish to be Dante Alighieri

& put him in the hell !

 

sorry marie,

i love you, Rinaldo *    all his own     *Return-Path: <country@sover.net>

Date: Wed, 11 Jun 1997 13:23:04 -0400 (EDT)

X-Sender: country@sover.net (Unverified)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: old times--questions--questions...

 

i love you.

damn damn damn

gov't wont give us money for disability. they belong in hell with yr broker

so if you have any influence on dante's ghost, remind him to damn them too!

cant work

no money

damn damn damn

but guess what

i love you

so all cannot be lost.

marie

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: old times--questions--questions...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020905afc442915853@[206.25.67.125]>

References: <3.0.1.32.19970610144042.00688d0c@pop.gpnet.it> <l03020908afc2a1104068@[206.25.67.125]> <3.0.1.32.19970609223306.00cdf204@pop.gpnet.it> <l03020902afc1bba05855@[206.25.67.125]> <3.0.1.32.19970609191049.0068675c@pop.gpnet.it>

 

marie writes:

>i love you.

>damn damn damn

>gov't wont give us money for disability. they belong in hell with yr broker

>so if you have any influence on dante's ghost, remind him to damn them too!

>cant work

>no money

>damn damn damn

>but guess what

>i love you

>so all cannot be lost.

>marie

> 

> 

marie,

now i'm a bit calm dammit! air forced room damn! in the

office dammit! signature oops! zip code ! oops damn! my

mind whirls around dammit! (i'm calm, marie!) i put you

in the HELL i put you in the HELL damned! now i know wh

at pound wrote 'bout money dammit! but i'm not a solid

poet to blame these guys dammit! (i'm calm, i'm calm) o

h sir can u put a signature here ! yes madame! & here y

es madame ! & here ok ok ok ok! this air forced room is

chocking myself ! have u all the paper ! this for life

! dammit (i'm CALM I'M CALM) now this against catch fir

e dammit! this for LIFE ! dammit & damn my LIFE on the

paper ! i'm calm i'm calm, hot days, i'm calm damn why

i'm not a BIG POETRY & PUT THESE GUYS IN THE PLACE WHER

E THEY MUST GO!

 

i love you, marie, (i'm calm NOW), i forgot to ask how

are u? me are an idiot sure!!!!!

 

yr Rinaldo.

To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: American Haikus

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.1.32.19970611175548.00691fc4@uoft02.utoledo.edu>

References: <s39eba79.097@weber.edu>

 

sara wrote:

>I love Jack Kerouac. Why can't I find any men like him alive today? Fucked

>up, intellectual, hard-assed, tender, goofy, genius..... Damn. Anyway, I

>really love his American Haikus. Here are a couple of my own, inspired by him:

>        My Grandpa dyes his hair.

>        He fucked up.

>        Now it's purple.

> 

> 

>        Every night I fall asleep

>        with a dead author

>        in my hands.

> 

>        --Sara Feustle

> 

> 

sara,

if u like join

with the bohemian list

too for yr feeling with

haiku

 

To:LISTSERV@SJUVM.stjohns.edu

in the body

SUBSCRIBE BOHEMIAN  name

 

ciao da

Rinaldo.Return-Path: <sfeustl@uoft02.utoledo.edu>

Date: Wed, 11 Jun 1997 18:32:03 -0400

From: Sara Feustle <sfeustl@uoft02.utoledo.edu>

Subject: Re: American Haikus

X-Sender: sfeustl@uoft02.utoledo.edu

To: Rinaldo Rasa <rinaldo@gpnet.it>

 

Thanks!!! I just joined it; hopefully it's as cool as BEAT-L. --Sara

 

 

 

 

Return-Path: <country@sover.net>

Date: Wed, 11 Jun 1997 18:37:55 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: old times--questions--questions...

 

i love you, rinaldo.

i'm broke and i cant work and the govt wont help, and it could get serious.

other than that,

i took canoe ride down mad river with dearest friend for her 45 birthday.

the days were wonderful.

i am home now, trying to write myself to sleep

on friday i read pomes in plattsberg, ny, usa for very first time ever

little

nervous.

me

 

 

 

To: Sara Feustle <sfeustl@uoft02.utoledo.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: American Haikus

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.1.32.19970611183203.0068e990@uoft02.utoledo.edu>

References: <3.0.1.32.19970612002044.00bcdb50@pop.gpnet.it> <3.0.1.32.19970611175548.00691fc4@uoft02.utoledo.edu> <s39eba79.097@weber.edu>

 

sara writes:

>Thanks!!! I just joined it; hopefully it's as cool as BEAT-L. --Sara

> 

> 

> 

i'm glad!

CIAO by

Rinaldo

from

venice.To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: old times--questions--questions...

Cc:

Bcc:

X-Attachments:

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References: <3.0.1.32.19970611231556.0068c9b4@pop.gpnet.it> <l03020905afc442915853@[206.25.67.125]> <3.0.1.32.19970610144042.00688d0c@pop.gpnet.it> <l03020908afc2a1104068@[206.25.67.125]> <3.0.1.32.19970609223306.00cdf204@pop.gpnet.it> <l03020902afc1bba05855@[206.25.67.125]> <3.0.1.32.19970609191049.0068675c@pop.gpnet.it>

 

marie:

>i love you, rinaldo.

>i'm broke and i cant work and the govt wont help, and it could get serious.

>other than that,

>i took canoe ride down mad river with dearest friend for her 45 birthday.

>the days were wonderful.

>i am home now, trying to write myself to sleep

>on friday i read pomes in plattsberg, ny, usa for very first time ever

>little

>nervous.

>me

> 

> 

i'm going to sleep, today here 30 celsius, sun sun sun sun

are u going in canoe? wonderful, fresh, trees, clouds, sun

thru the trees, BUONA FORTUNA per il tuo reading!!! ciao d

a Rinaldo! ciao ciao!!Return-Path: <country@sover.net>

Date: Fri, 13 Jun 1997 11:21:47 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: Marie Countryman <country@sover.net>

Subject: dear friend

 

rinaldo

your poem of emily dickenson was a balm to my heart and soul.

i'm gong to read some of my pomes tonight

i'm scared, but i'm happy too!

i'll be back sunday with lots of tales to tell.

love

maries

 

 

 

To: Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Non-Alcoholic Jack

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.1.32.19970614131142.006931c8@uoft02.utoledo.edu>

References:

 

Sara writes:

>I think that as far as Kerouac, Ginsberg AND Burroughs are concerned, the

>genius would have been there with or without the drugs/alcohol. The

>intelligence, talent and sensitivity of those three men are not something

>that can be gotten by simply getting fucked up . As a former alcoholic, I

>just used alcohol to escape; life and stuff inspired me to write whether I

>was drunk or not. --Sara

> 

Sara,

u are awright!

some

people are still

wiping away one's tears

 

yr

rinaldoTo: Greg Elwell <elwellg@voicenet.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Italy

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.32.19970614192031.0068c4a0@popmail.voicenet.com>

References:

 

greg wrote:

>Hello Rinaldo,

> 

>We've never really spoken on or off list, but I figured I'd talk to you.

>I'm coming to Italy in July, and I am wondering if you could recommend any

>very COOL or Beat-type places in Italy.  Thanks,

> 

> 

>Greg Elwell                    elwellg@voicenet.com

> 

>  

dear greg,

i suggest u to visit the more enyjable old cities of italy

& have a little effort to learn 'bout the long history of

my patria, looking at monuments & buildings. this is in my

opinion sufficient cool & beat,

ciao da

rinaldo.

venice,italy.To: Sara Feustle <sfeustl@uoft02.utoledo.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Non-Alcoholic Jack

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.1.32.19970615093603.00691fc0@uoft02.utoledo.edu>

References: <3.0.1.32.19970614235512.00d708b0@pop.gpnet.it> <3.0.1.32.19970614131142.006931c8@uoft02.utoledo.edu>

 

Sara writes:

>Thanks, Rinaldo.:) I'm glad you understand.:) *smile* --Sara

> 

>At 11:55 PM 6/14/97 +0200, you wrote:

>>Sara writes:

>>>I think that as far as Kerouac, Ginsberg AND Burroughs are concerned, the

>>>genius would have been there with or without the drugs/alcohol. The

>>>intelligence, talent and sensitivity of those three men are not something

>>>that can be gotten by simply getting fucked up . As a former alcoholic, I

>>>just used alcohol to escape; life and stuff inspired me to write whether I

>>>was drunk or not. --Sara

>>> 

>>Sara,

>>u are awright!

>>some

>>people are still

>>wiping away one's tears

>> 

>>yr

>>rinaldo

>> 

> 

i'm here, sara, again with "cool" mailing list

 

To:majordomo@bga.com

 

in the body writes

subscribe silence

 

it's a mailing list devoted to john cage enthusiast,

 

ciao da

Rinaldo.Return-Path: <elwellg@voicenet.com>

X-Sender: elwellg@popmail.voicenet.com

Date: Sun, 15 Jun 1997 11:25:11 -0400

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Greg Elwell <elwellg@voicenet.com>

Subject: Re: Italy

 

Very good Rinaldo!  I am going to visit Italy with friends from France, and

they had already planned a trip to Florence, ROMA, and Venice, so I'm glad

that you have a good word for it.  I'm eager to learn about the history as

well.

 

Grazie! 

 

 

At 07:10 AM 6/15/97 +0200, you wrote:

>greg wrote:

>>Hello Rinaldo,

>> 

>>We've never really spoken on or off list, but I figured I'd talk to you.

>>I'm coming to Italy in July, and I am wondering if you could recommend any

>>very COOL or Beat-type places in Italy.  Thanks,

>> 

>> 

>>Greg Elwell                    elwellg@voicenet.com

>> 

>>  

>dear greg,

>i suggest u to visit the more enyjable old cities of italy

>& have a little effort to learn 'bout the long history of

>my patria, looking at monuments & buildings. this is in my

>opinion sufficient cool & beat,

>ciao da

>rinaldo.

>venice,italy.

> 

> 

Greg Elwell                    elwellg@voicenet.com

 

  

 

To: Greg Elwell <elwellg@voicenet.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Italy

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.32.19970615112508.006904f8@popmail.voicenet.com>

References:

 

Buon Viaggio A Tutti Voi,

cari saluti da

Rinaldo.

 

>Very good Rinaldo!  I am going to visit Italy with friends from France, and

>they had already planned a trip to Florence, ROMA, and Venice, so I'm glad

>that you have a good word for it.  I'm eager to learn about the history as

>well.

> 

>Grazie! 

> 

> 

>At 07:10 AM 6/15/97 +0200, you wrote:

>>greg wrote:

>>>Hello Rinaldo,

>>> 

>>>We've never really spoken on or off list, but I figured I'd talk to you.

>>>I'm coming to Italy in July, and I am wondering if you could recommend any

>>>very COOL or Beat-type places in Italy.  Thanks,

>>> 

>>> 

>>>Greg Elwell                    elwellg@voicenet.com

>>> 

>>>  

>>dear greg,

>>i suggest u to visit the more enyjable old cities of italy

>>& have a little effort to learn 'bout the long history of

>>my patria, looking at monuments & buildings. this is in my

>>opinion sufficient cool & beat,

>>ciao da

>>rinaldo.

>>venice,italy.

>> 

>> 

>Greg Elwell                    elwellg@voicenet.com

> 

>  

> 

>Return-Path: <country@sover.net>

Date: Mon, 16 Jun 1997 06:55:45 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: Marie Countryman <country@sover.net>

Subject: i'm back rinaldo, all safe and sound

 

rinaldo

i have just returned from my first poetry reading. it went well, poets

sitting in a circle and using poetry for conversation. no order, as in a

good conversation, one poem leading to another's pome in response.

all poets took good care of me, i felt  as cherished as i do when i read my

letters and sonnets from you

happy monday,

rinaldo

love

maries

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: i'm back rinaldo, all safe and sound

Cc:

Bcc:

X-Attachments:

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>rinaldo

>i have just returned from my first poetry reading. it went well, poets

>sitting in a circle and using poetry for conversation. no order, as in a

>good conversation, one poem leading to another's pome in response.

>all poets took good care of me, i felt  as cherished as i do when i read my

>letters and sonnets from you

>happy monday,

>rinaldo

>love

>maries

> 

> 

   dolce MaRiE,

   i greet for

   yr  worDs t

   hat gimme a

   great pleas

   ure no dubt

   yr reading w

   as wonderful

   & (h)ar(p)ti

   st & every

   piece(s) is

   in its own p

   lace & the p

   lanet while

   has turned a

   nother spinn

   ing HolY Spi

   rIt

   scrivi le tue

   poesie, le tue

   canzoni, i tuoi

   pensieri e il mondo

   non fermera' mai piu'

   i sogni sognati da svegli

   no(w) no(w)

   noW!

 

yr f/ever

Rinaldo

from venice,italy.

 

 

Return-Path: <country@sover.net>

Date: Fri, 20 Jun 1997 10:17:36 -0400 (EDT)

X-Sender: country@sover.net (Unverified)

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: Marie Countryman <country@sover.net>

Subject: hello my friend

 

rinaldo:

it feels like ages since we have talked. i was so exhausted from the

excitement of my poetry weekend that i have been napping in bed for days

since returning home. are you well? i know you are reading the cantos on

the other list, yes? sadly, i cannot, my memories and my voices in head

make all look incomprehensible to me. it saddens me, but perhaps it is a

sign that i need to write more read less. and grow into my tiny poet's

shoes.

keep in touch.

bunches of flowers

bunches of love

marie

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: hello my friend

Cc:

Bcc:

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buona domenica

Return-Path: <country@sover.net>

Date: Sun, 22 Jun 1997 12:01:16 -0400 (EDT)

X-Sender: country@sover.net (Unverified)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: hello my friend

 

howdy, my venetian friend.

happy sunday to you.

i hope your solstice was a good one.

love always

mc

marie

 

 

 

Return-Path: <thomjj01@holmes.ipfw.indiana.edu>

Date: Mon, 23 Jun 1997 16:08:43 -0500 (EST)

From: <thomjj01@holmes.ipfw.indiana.edu>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Zabriskie Point revised

 

Rinaldo,

 

   Carlo Marx is code for Allen Ginsberg.  Note the description

of horned-rimmed glasses, etc..  Also, from the context of his poetry

as related by Sal, it's clearly "Denver Doldrums," and others.

Moreover, it's been documented; like in Ann Charter's the portable Jack

Kerouac from Viking.  This is a great way to carry around selections from

Kerouac always.  Anyhow, the back of the portable Kerouac lists the

character names with their real-life identitys.

 

Hope this helps.

--Jenn Thompson

 

 

To: <thomjj01@holmes.ipfw.indiana.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanxs! Re: Zabriskie Point revised

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.HPP.3.93.970623160350.5932D-100000@holmes.ipfw.indiana.edu>

References: <3.0.1.32.19970623153253.00be5594@pop.gpnet.it>

 

 

Jenn Thompson writes:

>Rinaldo,

> 

>  Carlo Marx is code for Allen Ginsberg.  Note the description

>of horned-rimmed glasses, etc..  Also, from the context of his poetry

>as related by Sal, it's clearly "Denver Doldrums," and others.

>Moreover, it's been documented; like in Ann Charter's the portable Jack

>Kerouac from Viking.  This is a great way to carry around selections from

>Kerouac always.  Anyhow, the back of the portable Kerouac lists the

>character names with their real-life identitys.

> 

>Hope this helps.

>--Jenn Thompson

> 

> 

Jenn,

very useful yr answer, i have, JK OTR penguin twentieth century

classics, introduction by Ann Charters, but here no refernce to

the "nicknames", if ,when u are less busy can me email the cross

list connected with real people i sall be very happy, the first

time i read OTR was in 1969, then in 1980, & here in italy there

is very little  'bout the real story of beat generation except

of course the book, but who are the characters in the books are

not described clear in their own real, life,

thanx again amuch,

yr Rinaldo.Return-Path: <thomjj01@holmes.ipfw.indiana.edu>

Date: Mon, 23 Jun 1997 16:42:19 -0500 (EST)

From: <thomjj01@holmes.ipfw.indiana.edu>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanxs! Re: Zabriskie Point revised

 

Rinaldo:

 

I'm on at computer at school, and unfortunately don't have one of

my own.  So--I can mail the list tomorrow afternoon.  Just to let

know, however, the list is fairly incomplete.  I've been adding to

the list from my reading of Nicosia's Kerouac biography, _Memory Babe_.

 

By the way, since you're re-reading OTR, if you haven't already try

reading MB (mentioned above).  My understanding the events surrounding

Kerouac's initial concept and writing of OTR has me itching to re-read

it with that perspective.

 

Anyhow, look for the list tomorrow.

 

"keep on truckin'"

Jenn Thompson

 

 

 

 

To: <thomjj01@holmes.ipfw.indiana.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanxs! Re: Zabriskie Point revised

Cc:

Bcc:

X-Attachments:

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References: <3.0.1.32.19970623232129.0068b548@pop.gpnet.it>

 

Jenn wrote:

>Rinaldo:

> 

>I'm on at computer at school, and unfortunately don't have one of

>my own.  So--I can mail the list tomorrow afternoon.  Just to let

>know, however, the list is fairly incomplete.  I've been adding to

>the list from my reading of Nicosia's Kerouac biography, _Memory Babe_.

> 

>By the way, since you're re-reading OTR, if you haven't already try

>reading MB (mentioned above).  My understanding the events surrounding

>Kerouac's initial concept and writing of OTR has me itching to re-read

>it with that perspective.

> 

>Anyhow, look for the list tomorrow.

> 

>"keep on truckin'"

>Jenn Thompson

> 

> 

Jenn,

thanx again alot, Nicosia told me that there is no italian

translation Memory Babe & this is pun regard the situation

'bout "beat story" here as i mention before,  ciao da Rinaldo.

GRAZIE!!!!To: <thomjj01@holmes.ipfw.indiana.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: much thanxs! Re: Kerouac's pseudonyms

Cc:

Bcc:

X-Attachments:

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References:

 

jenn,

horray! grazie tante per the pseudonymsing in OTR,

here italy, is as usual, & venice, is as usual, i dont'

know a better place in the world, i must stay here!

but i like alot am-lit, as a beetnik (sic for m/self),

if u have any suggestion 'bout crossingreferencing

nicknames in beatworks (jack kerouac in primis) is welcome,

saluti da

rinaldo.

Return-Path: <Marioka7@aol.com>

Date: Wed, 25 Jun 1997 01:15:29 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: Marcel Proust questionnaire (Re: does anyone here speak french?)

 

Well, you asked!....

 

In a message dated 97-06-24 02:27:07 EDT, you write:

 

<<

 Quel est pour vous le comble de la mise're?

L'amour

 []

 Ou' aimeriez-vous vivre?

au Bresil

 []

 Votre ide'al de bonheur terrestre?

l'amour

 []

 Pour quelles fautes avez-vous le plus d'indulgence?

les fautes d'orthographe

 []

 Vos he'ros de romans pre'fe'res?

Seymore Glass dans JD Salinger, a cause de son nom.

Le cafare dans 'La Metamorphose' de Kafka

 []

 Votre personnage historique pre'fe're'?

jeanne D'arc

 []

 Vos he'roi:nes dans le vie re'elle?

aucune []

 

 Vos he'roi:nes dans la fiction?

 []aucune

 

 Votre peintre favori?

 []Picasso

 

 Votre musicien pre'fe're'?

L'homme vieux et souriant qui joue son saxophone sur un petit coin tout noir

dans une ruelle a New Orleans

 []

 Votre qualite' pre'fe're'e chez l'homme?

la tendresse

 []

 Votre qualite' pre'fe're'e chez la femme?

son mari! []

 

 Votre vertu pre'fe're'e?

aucune

[]

 Votre occupation pre'fe're'e?

le vice

 []

 Qui auriez-vous aime' e^tre?

 la femme de William Burroughs

[]

 Le trait principal de votre caracte're?

la flexibilite...j'adapte facilement a n'importe quel environnement

 []

 Ce que vouz appre'ciez le plus chez des amis?

de me laisser tranquile

 []

 Votre principal de'feaut?

timidite

 []

 Votre re^ve de bonheur?

d'ecrire quelque chose ou de peindre un tableau dont je serai completement

heureuse et satisfaite que ce soit bon.

 []

 Quel serait votre plus grand malheur?

que mes parents ne meurent sans me voir contente.

 []

 Ce que vous voudriez e^tre?

compositeur (de musique)

 []

 Le couleur que vous pre'fe'rez?

vert

 []

 Le fleur que vous aimez?

Venus fly-trap

 []

 L'oiseau que vous pre'fe'rez?

hummingbird

 []

 Vos auteurs favoris en prose?

Proust! Sartre, Celine, Malraux. Herman Hesse,Ralph Ellison. Kathy

Acker.William Burroughs..vous les connaissez, les autres!

 []

 Vos poe'tes pre'fe're's?

Coleridge, Yeats. Rimbaud...Apollinaire. Mallarme....vous connaissez les

autres.

[]

 Vos noms favoris?

Zoe

Chloe

Natacha

Emily

Zach

Ivan

Ryan

[]

 Le caracte'res historiques que vous me'prisez le plus?

Louis XIV []

 

 Le fait militaire que vous admirez le plus?

D-Day, le 6 juin 1944, parce que ca a marque la fin de la guerre mais aussi

c'est mon anniversaire le 6 juin.

 []

 Le don de la nature que vous voudriez avoir?

De longs cheveux noirs qui descendent jusqu'a ma taille.

 []

 Ce que vous de'testez par dessus tout?

quand je fais du mal sans faire expres a un animal ou un insecte(comme une

coccinelle ou un papillon, pas comme les mouches ou les moustiques ou les

fourmis)

 []

 Comment aimeriez-vous mourir?

d'une overdose de heroin

 []

 E'tat pre'sent de votre esprit?

un peu fatigue, mais plus ou moins heureuse, merci.

 []

 Votre devise?

ecrire tous les jours jusqu'a ma mort

 []

  >>

 

 

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Marcel Proust questionnaire

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970625011528_-1797390009@emout11.mail.aol.com>

References:

 

thanx alot for yr feedback,

saluti da

rinaldo.

Return-Path: <stauffer@pacbell.net>

Date: Wed, 25 Jun 1997 23:21:29 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Nero.

 

Rinaldo.  Love your dog poem.

 

James

 

Rinaldo Rasa wrote:

>

>         my black

>         spaniel

>         Nero,

>

>         my dog

>         is unplugged

>

>         my dog

>         goes

>         by the vet

>

>         my dog

>         Nero

>         isnt' stupid!

>

>         my dog

>         watched

>         the telly

>

>         my dog

>         was a pet

>         when ceausescu

>         was killed

>         in xmas day

>

>         my dog Nero

>         isnt' stupid!

>

>         my dog

>         now is

>         near a bunch

>         of trash,

>         car plate,

>         or in kennel

>

>         my dog

>         killed

>         one hundred

>         hens

>

>         & when

>         the wind

>         is blowing

>

>         on the right

>         i hear his

>         unplugged

>         soul

>

> ---

> yrs

> Rinaldo.

 

Return-Path: <thomjj01@holmes.ipfw.indiana.edu>

Date: Mon, 30 Jun 1997 17:03:57 -0500 (EST)

From: <thomjj01@holmes.ipfw.indiana.edu>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Kerouac.

 

 

 

On Wed, 25 Jun 1997, Rinaldo Rasa wrote:

 

> DEAR friends,

> Lowell Massachusetts on the tombstone:

> "Ti Jean - John Kerouac who honored Life - his wife Stella"

>

> ---

> yrs

> Rinaldo.

>

thanks for the info,

did you visit, or did you read about it.

 

i'll make the journey to his hometown as soon as possible.

 

peace,

jenn

 

 

Return-Path: <elwellg@voicenet.com>

X-Sender: elwellg@popmail.voicenet.com

Date: Mon, 30 Jun 1997 22:13:20 -0400

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Greg Elwell <elwellg@voicenet.com>

Subject: Hello

 

Bouna sera!  Come va? 

 

Rinaldo, 

 

where do you live in Italy?  I'll be there in about a week, and was

wondering where you live.  I'll be in France about a week before I go to

Italy.  Perhaps I'll have time and can drop in. 

 

See ya,

 

 

                          Greg Elwell

            elwellg@voicenet.com||elwellgr@hotmail.com

                <http://www.voicenet.com/~elwellg>

 

--------------------------------------------------------

 

To: Greg Elwell <elwellg@voicenet.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Hello

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.32.19970630221314.0069f624@popmail.voicenet.com>

References:

 

Greg,

i l'm living in venice,italy, not exactly in the ancient part of the

city but i have the City in front of my own eyes. i'm glad u can make

a like voyage, lucky man!,

ciao a ancora tanti cari saluti

dal tuo amico Rinaldo.

 

 

> 

>Rinaldo, 

> 

>where do you live in Italy?  I'll be there in about a week, and was

>wondering where you live.  I'll be in France about a week before I go to

>Italy.  Perhaps I'll have time and can drop in. 

> 

>See ya,

> 

> 

>                          Greg Elwell

>            elwellg@voicenet.com||elwellgr@hotmail.com

>                <http://www.voicenet.com/~elwellg>

> 

>--------------------------------------------------------

> 

>To: <thomjj01@holmes.ipfw.indiana.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Kerouac.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.HPP.3.93.970630170245.27417A-100000@holmes.ipfw.indiana.edu>

References: <3.0.1.32.19970625192927.0068d494@pop.gpnet.it>

 

jenn wrote:

> 

> 

>On Wed, 25 Jun 1997, Rinaldo Rasa wrote:

> 

>> DEAR friends,

>> Lowell Massachusetts on the tombstone:

>> "Ti Jean - John Kerouac who honored Life - his wife Stella"

>>

>> ---

>> yrs

>> Rinaldo.

>>

>thanks for the info,

>did you visit, or did you read about it.

> 

>i'll make the journey to his hometown as soon as possible.

> 

>peace,

>jenn

> 

> 

jenn,

i have read in a book the bit information that influenced

the posted message above, i suppose it's true fact,

please tell me of yr voyage in lowell when it doing,

ciao da

Rinaldo.

To: jgrant@bookzen.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: as well as i can.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <jgrant@bookzen.com>

>X-Sender: jgrant@pop.globaldialog.com

>Date: Tue, 1 Jul 1997 20:19:44 -0500

>To: Rinaldo Rasa <rinaldo@GPNET.IT>

>From: jo grant <jgrant@bookzen.com>

>Subject: Re: No Nazi On The Net was (Re: FW: please read this and vote)

> 

dEAR jo,

i have read with alot of interest yr message, i thanxs u.

i hope that world shall became a safe place,

cari saluti e ciao da Rinaldo--- venice,italy.

 

To: Marie Countryman <country@SOVER.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: brief letter to a poetess.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901afe04bd151c6@[206.25.67.100]>

References: <3.0.1.32.19970702234243.006a3f24@pop.gpnet.it>

 

cara Marie,

buona

giornata

a

te,

 

im' a few embarassed

to write to a poetess...

 

saluti fraterni,

Rinaldo.Return-Path: <country@sover.net>

Date: Thu, 3 Jul 1997 07:21:37 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: brief letter to a poetess.

 

hi rinaldo.

i have been thinking of you lately.

i love your poems.

i love your soul.

and your wonderful sense of humor

and your vulnerability to the tragic in life

and you.

love

marie

 

 

 

To: Becca91894@AOL.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: what's going on?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970703045352_1859429385@emout02.mail.aol.com>

References:

 

hello becca,

   if u do a reply automagically the listServ

   prompt the address of the sender & nothing

   to all the B-List, anyway u can copy&paste

   the address of the B-List(BEAT-L@CUNYVM.CUNY.EDU),

   well, now u have two address one for the sender

   & one for the List, & echoing the message 2times,

   this happened to me with some persons in the B-List

   who contemporary sens a message to the List & one

   in cc to my private address,

i hope this match yr trouble,

ciao da

Rinaldo.

Return-Path: <stauffer@pacbell.net>

Date: Thu, 03 Jul 1997 22:03:18 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Rexroth

 

Rinaldo, 

 

liked your haiku even better

 

you are doing some nice early SF poetry rennasance reading--Rexroth,

Lamantia, what else?  What Lamantia book was the poem from you posted a

week of so ago?  I missed it somehow. I met Phillip once many years

ago.  Am working on some stuff which may turn into a book on Phil. L,

Lew Welch, etc.

 

James

 

Rinaldo Rasa wrote:

>

>  "Thou Shalt Not Kill" by Kenneth Rexroth

>

> You,

> The hyena with polished face and bow tie,

> In the office of a billion dollar

> Corporation devoted to service;

> The vulture dripping with carrion,

> Carefully and carelessly robed in imported tweeds,

> Lecturing on the Age of Abundance;

> The jackal in the double-breasted gabardine,

> Barking by remote control,

> In the United Nations...

> The Superego in a thousand uniforms,

> You, the finger man of the behemoth,

> The murderer of the young men...

 

Return-Path: <Marioka7@aol.com>

Date: Fri, 4 Jul 1997 01:51:49 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: pier paolo pasolini.

 

have you heard of/read any Italo Calvino? I love him, esp his short stories.

Not related to your post, except that he's italian!

ciao,

---maya

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Rexroth

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33BC8416.19E6@pacbell.net>

References: <3.0.1.32.19970703222832.006aa4d8@pop.gpnet.it>

 

JAMES stauffer@pacbell.net wrote:

>Rinaldo, 

> 

>liked your haiku even better

> 

>you are doing some nice early SF poetry rennasance reading--Rexroth,

>Lamantia, what else?  What Lamantia book was the poem from you posted a

>week of so ago?  I missed it somehow. I met Phillip once many years

>ago.  Am working on some stuff which may turn into a book on Phil. L,

>Lew Welch, etc.

> 

>James

> 

>Rinaldo Rasa wrote:

>>

>>  "Thou Shalt Not Kill" by Kenneth Rexroth

>>

>> You,

>> The hyena with polished face and bow tie,

>> In the office of a billion dollar

>> Corporation devoted to service;

>> The vulture dripping with carrion,

>> Carefully and carelessly robed in imported tweeds,

>> Lecturing on the Age of Abundance;

>> The jackal in the double-breasted gabardine,

>> Barking by remote control,

>> In the United Nations...

>> The Superego in a thousand uniforms,

>> You, the finger man of the behemoth,

>> The murderer of the young men...

> 

 

DEAR James,

first tanx for yr gentle words,

 

i was just thinkn'u 'bout Philip Lamantia.

 

'cuz my niece Federica (16 years old)have a vacation in

London from july 6 1997  to 19 july 1997, i have tell

her to buy what she can 'bout Philip Lamantia's books, but

i havent' the last information 'bout PL works, Federica

is almost informed regard beat lit, but if u are so gentle to

(before saturday afternoon, she leave for London sunday

morning from Venice airport italian time, just 9 hours in advance

from California) to tell me a list of PL books titles so

she has a little bit informed, at the moment Federica dont' know

she in London has an email address,

 

get in touch with me as soon possible,

ciao e cari saluti,

 

Rinaldo.

 

 To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Italo Calvino Re: pier paolo pasolini.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970704015148_-727298087@emout02.mail.aol.com>

References:

 

Marioka7@aol.com writes:

>have you heard of/read any Italo Calvino? I love him, esp his short stories.

>Not related to your post, except that he's italian!

>ciao,

>---maya

> 

> 

Buon giorno Maya,

thnx for yr interest in it lit.

 

sure Italo Calvino, is a

best seller book & heres' a zillion of book in bookstores,

whats' are u interesting?,

i read Calvino when was a young student, i tell

u, in middle 60s, then i have lost the path of Calvino's works

i remember a Calvino's novel "Marcovaldo" & have laugh&laugh&laugh

laugh&laugh&laughlaugh&laugh&laugh...

(but i think was 'cuz i was a kid, anyway my niece Federica, 16yrsOld,

is strong reader of Italo Calvino, & she is a much much better lit

in english than his uncle... i even pass yr eventually questions

to her),

if u are reading actually Calvino tell what book & im' glad to

share with u his verve. nice?

 

concerned Pier Paolo Pasolini is another matter,

& the sense of his life his cruel & sad, most

contemporary feelings in him,

 

ciao e

fraterni saluti da

 

Rinaldo.

Return-Path: <stauffer@pacbell.net>

Date: Fri, 04 Jul 1997 19:28:42 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Rexroth

 

Rinaldo,

 

I really don't know what is currently available, especially in London.

I understand that City Lights has a new "collected poems" either just

out or coming out.  I will check next week when I get in touch.  Just

have your niece ask for any Lamantia title.  I don't think there are

very many Phillip Lamantia's.  I'll try to make up a bibliography and

get it to you but I wouldn't have it by Saturday--working everyday

presently.  Very unbeet.    Be glad to give any e-mail help I could to

your niece in London, and I'll see what City Lights has and you could

have them ship to you direct to Venezia. 

 

James

 

Our 4th of July today for the American Revolution

Bastille Day coming up for the French.

What Revolutionary celebration for the Italians?

 

>

> DEAR James,

> first tanx for yr gentle words,

>

> i was just thinkn'u 'bout Philip Lamantia.

>

> 'cuz my niece Federica (16 years old)have a vacation in

> London from july 6 1997  to 19 july 1997, i have tell

> her to buy what she can 'bout Philip Lamantia's books, but

> i havent' the last information 'bout PL works, Federica

> is almost informed regard beat lit, but if u are so gentle to

> (before saturday afternoon, she leave for London sunday

> morning from Venice airport italian time, just 9 hours in advance

> from California) to tell me a list of PL books titles so

> she has a little bit informed, at the moment Federica dont' know

> she in London has an email address,

>

> get in touch with me as soon possible,

> ciao e cari saluti,

>

> Rinaldo.

>

> 

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: helo

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33BDB159.55A9@pacbell.net>

References: <3.0.1.32.19970703222832.006aa4d8@pop.gpnet.it> <3.0.1.32.19970704125831.00685ab8@pop.gpnet.it>

 

buon giorno James,

 

thanx alot for yr help, i will tell you when my niece

is in London, (she say me she is plainning to come in

U.S.A. when she turn 18 next year), what books she found,

 

i greet with like the opportunity of have books from

SF City Lights bookstore,

 

as for revolutionary celebrations italians are sparing,

no celebration, i think 'cuz the italians are anarchist

for themself every day, perhaps not always a good point...

 

ciao e saluti

da

Rinaldo.

 

 

 

stauffer@pacbell.net wrote:

>Rinaldo,

> 

>I really don't know what is currently available, especially in London.

>I understand that City Lights has a new "collected poems" either just

>out or coming out.  I will check next week when I get in touch.  Just

>have your niece ask for any Lamantia title.  I don't think there are

>very many Phillip Lamantia's.  I'll try to make up a bibliography and

>get it to you but I wouldn't have it by Saturday--working everyday

>presently.  Very unbeet.    Be glad to give any e-mail help I could to

>your niece in London, and I'll see what City Lights has and you could

>have them ship to you direct to Venezia. 

> 

>James

> 

>Our 4th of July today for the American Revolution

>Bastille Day coming up for the French.

>What Revolutionary celebration for the Italians?

> 

Return-Path: <love_singing@msn.com>

Date: Sat, 5 Jul 97 15:42:12 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: Friday (afternoon, summer)

 

Rinaldo, please tell me if I translate this correctly:

 

I am the force of Death.

Alone in the tradition is my Love.  ~Pasolini

 

Thanks,

Sherri

 

----------

From:    BEAT-L: Beat Generation List on behalf of Rinaldo Rasa

Sent:    Saturday, July 05, 1997 4:06 AM

To:      BEAT-L@CUNYVM.CUNY.EDU

Subject:      Friday (afternoon, summer)

 

        Friday          afternoon       summer

        blue collars    clean out       punching papers

        bank                    closed

 

        calm    calm

 

        hasty employees swarm           like ants

 

        calm    calm

 

        money has stopped working       (except credit card)

 

        &

        pensioners      have lost       the cork of the bottle

        &

        cats

        &

        cats are dozing on the patio

        &

        cats wont' eat the poor birdies fallen from the nest

        &

        clouds

 

        clouds?

 

        & the clouds turned pink from the brush of canaletto

 

        calm    calm    calm

 

        until

        MONDAY

 

---

yrs

Rinaldo.

 

*

"Io sono una forza del Passato.

Solo nella tradizione e' il mio amore."

Pier Paolo Pasolini

*

 

 

Return-Path: <Marioka7@aol.com>

Date: Sat, 5 Jul 1997 15:36:35 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: be at #2 haiku

 

In a message dated 97-07-04 13:20:32 EDT, you write:

 

<<

                 blurred flies

                 in his eyes

 

                 poor man

 

                 incognito like a

                 multimillionaire

 

 

 ---

 yrs

 Rinaldo. >>

 

Hey rinaldo.  I enjoyed this very much!!! Will you let me print it in my

"zine" i'm making? Please?

----maya

 

Return-Path: <chizam@trace.ie.wisc.edu>

Date: Sat, 5 Jul 1997 21:38:41 -0500

From: chizam@trace.ie.wisc.edu

To: rinaldo@GPNET.IT

Subject: Re: self proclaimed poet

X-Sun-Charset: US-ASCII

 

so you like my poetry

do you write or just read?

Zach

 

To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Pasolini

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199707051547310804@msn.com>

References:

 

At 15.42 05/07/97 UT, Sherri wrote:

>Rinaldo, please tell me if I translate this correctly:

> 

>I am the force of Death.

>Alone in the tradition is my Love.  ~Pasolini

> 

>Thanks,

>Sherri

> 

>*

>"Io sono una forza del Passato.

>Solo nella tradizione e' il mio amore."

>Pier Paolo Pasolini

>*

 

Sherri,

   i suggest:

 

   "

   I am a force of Past.

   Only in the tradition is my love.

   "

 

yr translation is enough good except

"Passato"=Past & "Solo"=Only,

 

of course theres' an axplanation in this "errors"

- "Passato" also u can say 'bout thing/person dead

but in this case Passato=opposite of Future,

- "Solo" u can say really 'bout a person who is alone

but in this case is synonym of "Solamente".

 

Pasolini in this fragment from the poem "Poetry as rose"(1961)

tell us that he refused to match with contemporary feeling

& he looks at the past (his infancy in Casarsa, in Venetian

north-east, opposite of his life in Rome where he was

disliking "Dolce Vita" et cetera...)

 

[have a reference for yr translation

in a title of a book by Thomas Wolfe (sp?) "Angel..."

in italian translated as "Angelo guarda il Passato",

i dont' remember exactly the title (sorry) but certainly u

can track it, [Thomas Wolfe affected Jack Kerouac early

writings (if my memory not fades...)]

 

i hope this help, i did the possible, & im' glad to help u

further in yr italian translation,

 

ciao, fraterni saluti da

Rinaldo. * the beet *

To: chizam@trace.ie.wisc.edu

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: self proclaimed poet

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199707060238.VAA15756@trace.ie.wisc.edu>

References:

 

dear,

just i read poetry, my statement was only a tribute

'bout yr courage to self proclame a poet, if ive'

wrong in somthing, i apologie,

ciao,

Rinaldo

-------

 

>so you like my poetry

>do you write or just read?

>Zach

> 

>To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: be at #2 haiku

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970705153634_1446147703@emout06.mail.aol.com>

References:

 

At 15.36 05/07/97 -0400, Maya wrote:

>In a message dated 97-07-04 13:20:32 EDT, you write:

> 

><<

>                 blurred flies

>                 in his eyes

>

>                 poor man

>

>                 incognito like a

>                 multimillionaire

>

>

> ---

> yrs

> Rinaldo. >>

> 

>Hey rinaldo.  I enjoyed this very much!!! Will you let me print it in my

>"zine" i'm making? Please?

>----maya

> 

 

Buona domenica Maya,

of course u can print my "be at #2 haiku", thnx alot.

 

i must tell u additionally a few words as of preface:

 

1th

the following lines of yr poem "bad dream" alias "lies and betrayals"

impressed myself & suggested myself the first 2 line of the haiku

...

You don't see us

You don't see us

You don't see us

We strike in the dark.

In the dark well of my room, she knows i'm vulnerable,

and she pins me down.

In an inch of dirty water, my face pressed to the cold stone ground,

I drown, still kicking.

We are prisoners of our own thoughts,

We are prisoners of our selves.

...

 

2th

im' a bit obsessed by the word "blur", enchanted!,

& soundtrack of the haiku perhaps the song#2 by blur (band & CD

in the music billboard)

 

3th

the last 2 lines of the haiku, evoke last thursday morning

in a venetian calle where i saw a man happy for have won a

a prize in the lottery (or did he hoped?)

 

4th

in a certain sense the haiku is the hapiness of a blur

shot in the dark (see as a pun 1th)

 

5th

poetry as action writing (like Jackson Pollok action painting)

 

ciao da

Rinaldo.

Return-Path: <love_singing@msn.com>

Date: Sun, 6 Jul 97 15:59:49 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: Pasolini

 

ah  si... grazie, mi amico....

 

ciao,

sherri

 

----------

From:    Rinaldo Rasa

Sent:    Sunday, July 06, 1997 3:57 AM

To:      Sherri 

Subject:      Pasolini

 

At 15.42 05/07/97 UT, Sherri wrote:

>Rinaldo, please tell me if I translate this correctly:

> 

>I am the force of Death.

>Alone in the tradition is my Love.  ~Pasolini

> 

>Thanks,

>Sherri

> 

>*

>"Io sono una forza del Passato.

>Solo nella tradizione e' il mio amore."

>Pier Paolo Pasolini

>*

 

Sherri,

   i suggest:

 

   "

   I am a force of Past.

   Only in the tradition is my love.

   "

 

yr translation is enough good except

"Passato"=Past & "Solo"=Only,

 

of course theres' an axplanation in this "errors"

- "Passato" also u can say 'bout thing/person dead

but in this case Passato=opposite of Future,

- "Solo" u can say really 'bout a person who is alone

but in this case is synonym of "Solamente".

 

Pasolini in this fragment from the poem "Poetry as rose"(1961)

tell us that he refused to match with contemporary feeling

& he looks at the past (his infancy in Casarsa, in Venetian

north-east, opposite of his life in Rome where he was

disliking "Dolce Vita" et cetera...)

 

[have a reference for yr translation

in a title of a book by Thomas Wolfe (sp?) "Angel..."

in italian translated as "Angelo guarda il Passato",

i dont' remember exactly the title (sorry) but certainly u

can track it, [Thomas Wolfe affected Jack Kerouac early

writings (if my memory not fades...)]

 

i hope this help, i did the possible, & im' glad to help u

further in yr italian translation,

 

ciao, fraterni saluti da

Rinaldo. * the beet *

 

 

 

Return-Path: <love_singing@msn.com>

Date: Sun, 6 Jul 97 22:45:57 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: proletariat #3

 

whoa!!!   what an amazing way send up the materialism of this world!  3 cheers

Rinaldo... that's like a little haiku gem.

 

ciao,

sherri

 

Return-Path: <ncary@clark.net>

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Date: Sun, 6 Jul 1997 18:48:19 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: proletariat #3

 

On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

 

>         shopping

>         bags

>         come

>         back

>         home

>         killing

>         me!

> ---

> yrs

> Rinaldo.

>

Nina hands you scissors to take your revenge

 

 

To: ncary <ncary@clark.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

Cc:

Bcc:

X-Attachments:

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At 18.48 06/07/97 -0400, Nina wrote:

>On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> 

>>         shopping

>>         bags

>>         come

>>         back

>>         home

>>         killing

>>         me!

>> ---

>> yrs

>> Rinaldo.

>>

>Nina hands you scissors to take your revenge

> 

> 

   metallic flying scissors

To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: RE: proletariat #3

Cc:

Bcc:

X-Attachments:

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References:

 

Sherri wrote:

>whoa!!!   what an amazing way send up the materialism of this world!  3 cheers

>Rinaldo... that's like a little haiku gem.

> 

>ciao,

>sherri

> 

   can

 metallic flying scissors

   save

   MySelf? Return-Path: <ncary@clark.net>

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Date: Sun, 6 Jul 1997 19:01:41 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

 

On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

 

> At 18.48 06/07/97 -0400, Nina wrote:

> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> >

> >>         shopping

> >>         bags

> >>         come

> >>         back

> >>         home

> >>         killing

> >>         me!

> >> ---

> >> yrs

> >> Rinaldo.

> >>

> >Nina hands you scissors to take your revenge

> >

> >

> metallic flying scissors

>

 

 

metallic flying scissors that speak

 

 

To: ncary <ncary@clark.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

Cc:

Bcc:

X-Attachments:

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References: <3.0.1.32.19970707004902.0068e628@pop.gpnet.it>

 

At 19.01 06/07/97 -0400, Nina wrote:

>On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> 

>> At 18.48 06/07/97 -0400, Nina wrote:

>> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

>> >

>> >>         shopping

>> >>         bags

>> >>         come

>> >>         back

>> >>         home

>> >>         killing

>> >>         me!

>> >> ---

>> >> yrs

>> >> Rinaldo.

>> >>

>> >Nina hands you scissors to take your revenge

>> >

>> >

>> metallic flying scissors

>>

> 

> 

>metallic flying scissors that speak

> 

> 

   like a Jackson Pollock painting

         as trails in tHe sKyTo: ncary <ncary@clark.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

Cc:

Bcc:

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References: <3.0.1.32.19970707010223.0068d238@pop.gpnet.it>

 

At 19.09 06/07/97 -0400, Nina wrote:

>On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> 

>> At 19.01 06/07/97 -0400, Nina wrote:

>> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

>> >

>> >> At 18.48 06/07/97 -0400, Nina wrote:

>> >> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

>> >> >

>> >> >>         shopping

>> >> >>         bags

>> >> >>         come

>> >> >>         back

>> >> >>         home

>> >> >>         killing

>> >> >>         me!

>> >> >> ---

>> >> >> yrs

>> >> >> Rinaldo.

>> >> >>

>> >> >Nina hands you scissors to take your revenge

>> >> >

>> >> >

>> >>    metallic flying scissors

>> >>

>> >

>> >

>> >metallic flying scissors that speak

>> >

>> >

>> like a Jackson Pollock painting

>>       as trails in tHe sKy

>>

>spitting red

> 

> 

   aNd  bLURRED images...

Return-Path: <ncary@clark.net>

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Date: Sun, 6 Jul 1997 19:09:34 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

 

On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

 

> At 19.01 06/07/97 -0400, Nina wrote:

> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> >

> >> At 18.48 06/07/97 -0400, Nina wrote:

> >> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> >> >

> >> >>         shopping

> >> >>         bags

> >> >>         come

> >> >>         back

> >> >>         home

> >> >>         killing

> >> >>         me!

> >> >> ---

> >> >> yrs

> >> >> Rinaldo.

> >> >>

> >> >Nina hands you scissors to take your revenge

> >> >

> >> >

> >>     metallic flying scissors

> >>

> >

> >

> >metallic flying scissors that speak

> >

> >

> like a Jackson Pollock painting

>        as trails in tHe sKy

>

spitting red

 

 

Return-Path: <ncary@clark.net>

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Date: Sun, 6 Jul 1997 19:20:29 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

 

On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

 

> At 19.09 06/07/97 -0400, Nina wrote:

> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> >

> >> At 19.01 06/07/97 -0400, Nina wrote:

> >> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> >> >

> >> >> At 18.48 06/07/97 -0400, Nina wrote:

> >> >> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> >> >> >

> >> >> >>         shopping

> >> >> >>         bags

> >> >> >>         come

> >> >> >>         back

> >> >> >>         home

> >> >> >>         killing

> >> >> >>         me!

> >> >> >> ---

> >> >> >> yrs

> >> >> >> Rinaldo.

> >> >> >>

> >> >> >Nina hands you scissors to take your revenge

> >> >> >

> >> >> >

> >> >> metallic flying scissors

> >> >>

> >> >

> >> >

> >> >metallic flying scissors that speak

> >> >

> >> >

> >>     like a Jackson Pollock painting

> >>          as trails in tHe sKy

> >>

> >spitting red

> >

> >

> aNd  bLURRED images...

>

we RuB our eyes

 

 

To: ncary <ncary@clark.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: proletariat #3

Cc:

Bcc:

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At 19.20 06/07/97 -0400, Nina wrote:

>On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> 

>> At 19.09 06/07/97 -0400, Nina wrote:

>> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

>> >

>> >> At 19.01 06/07/97 -0400, Nina wrote:

>> >> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

>> >> >

>> >> >> At 18.48 06/07/97 -0400, Nina wrote:

>> >> >> >On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

>> >> >> >

>> >> >> >>         shopping

>> >> >> >>         bags

>> >> >> >>         come

>> >> >> >>         back

>> >> >> >>         home

>> >> >> >>         killing

>> >> >> >>         me!

>> >> >> >> ---

>> >> >> >> yrs

>> >> >> >> Rinaldo.

>> >> >> >>

>> >> >> >Nina hands you scissors to take your revenge

>> >> >> >

>> >> >> >

>> >> >>      metallic flying scissors

>> >> >>

>> >> >

>> >> >

>> >> >metallic flying scissors that speak

>> >> >

>> >> >

>> >>    like a Jackson Pollock painting

>> >>         as trails in tHe sKy

>> >>

>> >spitting red

>> >

>> >

>> aNd  bLURRED images...

>>

>we RuB our eyes

> 

> 

...

thnx alot for yr verve, Nina, but now i must go

to sleep... im' a bit tired, again thanx, ciao

da Rinaldo    * the beetle *

To: ncary@clark.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: btw

Cc:

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References:

 

nina, in italy (venice), here its' 1:30 am,

 

ciao again,

rinaldo.To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: btw RE: proletariat #3

Cc:

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sherri

thnx for yr gentle words,

ciao da

rinaldo.

Return-Path: <love_singing@msn.com>

Date: Sun, 6 Jul 97 23:23:49 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: proletariat #3

 

hhhmmmm.... conjures the image of someone who feels like a puppet for the

government or society, and prays for scissors to fly by and cut the strings...

do i have this right?

 

ciao,

sherri

 

Return-Path: <ncary@clark.net>

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Date: Sun, 6 Jul 1997 19:36:47 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: btw

 

Yes, i know. I am sorry ....well not sorry it is 1:30 am. but for keeping

you up

 

 

On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

 

> nina, in italy (venice), here its' 1:30 am,

>

> ciao again,

> rinaldo.

>

 

 

Return-Path: <Marioka7@aol.com>

Date: Mon, 7 Jul 1997 01:04:29 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: Italo Calvino Re: pier paolo pasolini.

 

In a message dated 97-07-04 12:19:18 EDT, you write:

 

<<

 if u are reading actually Calvino tell what book & im' glad to

 share with u his verve. nice?

 

 concerned Pier Paolo Pasolini is another matter,

 & the sense of his life his cruel & sad, most

 contemporary feelings in him,

  >>

i read a book of shortstories by Italo Calvino that i particularly

liked...especially 1 story called "The Flash" which is about 1 page long.

 But brilliant.  Check it out if you are ever browsing in a bookstore. 

-----------------maya

 

Return-Path: <Marioka7@aol.com>

Date: Mon, 7 Jul 1997 01:09:05 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: Denise Levertov.

 

that a was a beautiful beautiful poem!

who is denise levertov?

-----maya(just curious)

 

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: BTWs Denise Levertov & Italo Calvino.

Cc:

Bcc:

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Maya,

Denise Levertov [Ilford (Essex, England), 24 oct 1923 - ] is a american

poetess of britain origin & she is a militant in Peace Movement, last

works "Candles in Babylon" (1982), i found the poem "PEOPLE AT NIGHT"

searching in the internet,

 

as for Italo Calvino, "The Flash" is the title or a translation (?),

im' sure to recognize such shortstory,

 

ciao da

Rinaldo.

 

 

Maya writes:

>that a was a beautiful beautiful poem!

>who is denise levertov?

>-----maya(just curious)

> 

>To: ncary <ncary@clark.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: btw

Cc:

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References: <3.0.1.32.19970707012232.006b6628@pop.gpnet.it>

 

nina wrote:

>Yes, i know. I am sorry ....well not sorry it is 1:30 am. but for keeping

>you up

> 

> 

>On Mon, 7 Jul 1997, Rinaldo Rasa wrote:

> 

>> nina, in italy (venice), here its' 1:30 am,

>>

>> ciao again,

>> rinaldo.

>>

> 

> 

nina,

dont' care    dont' care dont' care

 

ciao,

rinaldo.

To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: RE: proletariat #3

Cc:

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At 23.23 06/07/97 UT, sherri wrote:

>hhhmmmm.... conjures the image of someone who feels like a puppet for the

>government or society, and prays for scissors to fly by and cut the strings...

>do i have this right?

> 

>ciao,

>sherri

> 

sherri, sono d'accordo con te,

 

flying scissors keep in mind but i cut from the kaiku,

(have i do the right choice?), i propose u the "scissors" verse as a

test(in unconscious way),

 

cari saluti e buon lunedi',

Rinaldo.

 

Return-Path: <love_singing@msn.com>

Date: Mon, 7 Jul 97 14:04:38 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: proletariat #3

 

Rinaldo,

 

grazie mi amico, buon lunedi a te, anche.

 

unfortunately, i'm not sure i understand what you mean, "a little test".  Can

you explain further?

 

ciao,

sherri

 

----------

From:    Rinaldo Rasa

Sent:    Monday, July 07, 1997 5:20 AM

To:      Sherri 

Subject:      RE: proletariat #3

 

At 23.23 06/07/97 UT, sherri wrote:

>hhhmmmm.... conjures the image of someone who feels like a puppet for the

>government or society, and prays for scissors to fly by and cut the

strings...

>do i have this right?

> 

>ciao,

>sherri

> 

sherri, sono d'accordo con te,

 

flying scissors keep in mind but i cut from the kaiku,

(have i do the right choice?), i propose u the "scissors" verse as a

test(in unconscious way),

 

cari saluti e buon lunedi',

Rinaldo.

 

 

 

 

To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: little test (mistyped)

Cc:

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At 14.04 07/07/97 UT, sherri wrote:

>Rinaldo,

> 

>grazie mi amico, buon lunedi a te, anche.

> 

>unfortunately, i'm not sure i understand what you mean, "a little test".  Can

>you explain further?

> 

>ciao,

>sherri

 

sherri,

dont' care

dont' care

no test no test

no test no test

only i tried to continue a haiku

made with two hands... u&me... ciao

dont' care dont' care

 

il tuo caro amico,

Rinaldo.Return-Path: <dkpenn@oees.com>

From: "Penn, Douglas, K" <dkpenn@oees.com>

To: 'Rinaldo Rasa' <rinaldo@GPNET.IT>

Subject: RE: Friday (afternoon, summer)

Date: Mon, 7 Jul 1997 09:52:02 -0700

 

<<monday morning, coffee, summer>>

 

Rinaldo writ:

 

>>        &

>>        pensioners      have lost       the cork of the bottle

 

I like this line.  nice.

 

>> yrs

>> Rinaldo.

 

Don't know what these lines mean:

 

>*

>"Io sono una forza del Passato.

>Solo nella tradizione e' il mio amore."

>Pier Paolo Pasolini

>*

 

still quiet and centered and somewhat happy, Douglas

 

Return-Path: <love_singing@msn.com>

Date: Mon, 7 Jul 97 17:07:25 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: little test (mistyped)

 

Rinaldo,

 

(smiling)

 

do you still live in italy?  and what is your life like?  hope i'm not being

too personal, i just like what i've seen of your personality and mind and

would like to know more about you.  ignore this if you like, don't want to

pry...

 

ciao,

sherri

 

Return-Path: <dkpenn@oees.com>

From: "Penn, Douglas, K" <dkpenn@oees.com>

To: 'Rinaldo Rasa' <rinaldo@GPNET.IT>

Subject: RE: Denise Levertov.

Date: Mon, 7 Jul 1997 10:54:19 -0700

 

<<nice>>

 

 

"the map is not the territory"                babu@electriciti.com

  (Alfred Korzybski)               www.electriciti.com/babu/

 

>----------

>From:   Rinaldo Rasa[SMTP:rinaldo@GPNET.IT]

>Sent:   Sunday, July 06, 1997 2:11 PM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:     Denise Levertov.

> 

>PEOPLE AT NIGHT         by Denise LEVERTOV

> 

> 

>A night that cuts between you and you

>and you   and you   and you

>and me : jostles us apart, a man elbowing

>through a crowd.        We won't

>                look for each other, either-

>wander off, each alone, not looking

>in the slow crowd. Among sideshows

>                under movie signs,

>                pictures made of a million lights,

>                giants that move and again move

>                again, above a cloud of thick smells,

>                franks, roasted nutmeats-

> 

>Or going up to some apartment, yours

>                    or yours, finding

>someone sitting in the dark:

>who is it really? So you switch the

>light on to see: you know the name but

>who is it ?

>    But you won't see.

> 

>The fluorescent light flickers sullenly, a

>pause. But you command. It grabs

>each face and holds it up

>by the hair for you, mask after mask.

>                You   and   you and I   repeat

>                gestures that make do when speech

>                has failed      and talk

>                and talk, laughing, saying

>                'I', and 'I',

>meaning 'Anybody'.

>                             No one.

> 

 

To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: My Generation (was RE: little test (mistyped))

Cc:

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Sherri,

my parents came from the alpine mountains, toward the

venetian lowland. as soon as after the II WorldWar.

i was born in the 1950. 26 february. it was sunday. warm day,

ranunculus in the meadows.

my mother chose my name, she had heard it on the radio.

there was the Paradiso Terrestre, everyone loved the baby,

& i have been happy & never more i will be it, as...

 

spero di aver esaudito almeno

in parte il tuo desiderio,

credo che, in ultimo, questo

periodo sia la nostra vera vita,

 

ciao da

Rinaldo.

 

 

At 17.07 07/07/97 UT, Sherri wrote:

>Rinaldo,

> 

>(smiling)

> 

>do you still live in italy?  and what is your life like?  hope i'm not being

>too personal, i just like what i've seen of your personality and mind and

>would like to know more about you.  ignore this if you like, don't want to

>pry...

> 

>ciao,

>sherri

> 

> 

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: monday evening was RE: Friday (afternoon, summer)

Cc:

Bcc:

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References:

 

At 09.52 07/07/97 -0700, "Penn, Douglas, K" <dkpenn@oees.com> wrote:

><<monday morning, coffee, summer>>

> 

>Rinaldo writ:

> 

>>>        &

>>>        pensioners      have lost       the cork of the bottle

> 

>I like this line.  nice.

> 

>>> yrs

>>> Rinaldo.

> 

>Don't know what these lines mean:

> 

>>*

>>"Io sono una forza del Passato.

>>Solo nella tradizione e' il mio amore."

>>Pier Paolo Pasolini

>>*

> 

>still quiet and centered and somewhat happy, Douglas

> 

> 

 

dear Douglas

   i suggest this translation:

 

   "

   I am a force of the Past.

   Only in the tradition is my love.

   "

   fragment from "Poesia in forma di rosa" (1961)

   by Pier Paolo Pasolini

 

btw #1:

Pasolini in this segment from the poem "Poetry as rose"(1961)

tell us that he refused to match with contemporary feeling

& he looks at the past (his infancy in Casarsa, in Venetian

north-east, opposite of his life in Rome where he was

disliking "Dolce Vita" et cetera...)

 

btw#2 (as beat pun):

[have a reference for yr translation

in a title of a book by Thomas Wolfe (sp?) "Angel..."

in italian translated as "Angelo guarda il Passato",

i dont' remember exactly the title (sorry) but certainly u

can track it, [Thomas Wolfe affected Jack Kerouac early

writings (if my memory not fades...)]

 

 

ciao &

thnx alot for yr gentle words i enjoy yr friendship,

Rinaldo.

Return-Path: <love_singing@msn.com>

Date: Mon, 7 Jul 97 22:06:20 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: My Generation (was RE: little test (mistyped))

 

Rinaldo,

 

please forgive my not responding until this evening... i need my Italian

dictionary to translate properly...

 

ciao, caro amico,

sherri

 

----------

From:    Rinaldo Rasa

Sent:    Monday, July 07, 1997 2:06 PM

To:      Sherri 

Subject:      My Generation (was RE: little test (mistyped))

 

Sherri,

my parents came from the alpine mountains, toward the

venetian lowland. as soon as after the II WorldWar.

i was born in the 1950. 26 february. it was sunday. warm day,

ranunculus in the meadows.

my mother chose my name, she had heard it on the radio.

there was the Paradiso Terrestre, everyone loved the baby,

& i have been happy & never more i will be it, as...

 

spero di aver esaudito almeno

in parte il tuo desiderio,

credo che, in ultimo, questo

periodo sia la nostra vera vita,

 

ciao da

Rinaldo.

 

 

At 17.07 07/07/97 UT, Sherri wrote:

>Rinaldo,

> 

>(smiling)

> 

>do you still live in italy?  and what is your life like?  hope i'm not being

>too personal, i just like what i've seen of your personality and mind and

>would like to know more about you.  ignore this if you like, don't want to

>pry...

> 

>ciao,

>sherri

> 

> 

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: mad magazine sketch (recalled circa 20yrs ago).

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l0302090eafe1033f6a9b@[206.25.67.104]>

References: <3.0.1.32.19970703125404.00687cb4@pop.gpnet.it> <l03020901afe04bd151c6@[206.25.67.100]> <3.0.1.32.19970702234243.006a3f24@pop.gpnet.it>

 

Marie, good morn',

today i have read the word Oklahoma &

it has come me in mind MAD magazine and then marie...

there it was a photo with soldiers moving into attack

in the Second World War... landing force on sandy land...

a soldier turns around embarassed toward one other &

he tells:

"This is not OKINAWA!... This is OKLAHOMA!",

this gag has caused laughter me alot, (dont' ask me why),

boh! im' also mad to tell u such a thought,

yr

Rinaldo.

BTW#1 yr CD/lyrics/poems has been masterized?

BTW#2 can email me a *.WAV file of yr poems?

again, ciao!

Return-Path: <country@sover.net>

Date: Wed, 9 Jul 1997 10:27:26 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: mad magazine sketch (recalled circa 20yrs ago).

 

good morn, rinaldo. yes i have finally made my own tape of a lot of my

work. send me your address and i would most happily mail you a copy. i was

going to ask you for your earthmail address and surprise you. so,

SURPRIZE!!!!  (i loved the joke and especially since it made you think of

me.

marie

 

>Marie, good morn',

>today i have read the word Oklahoma &

>it has come me in mind MAD magazine and then marie...

there it was a photo with soldiers moving into attack

>in the Second World War... landing force on sandy land...

>a soldier turns around embarassed toward one other &

>he tells:

>"This is not OKINAWA!... This is OKLAHOMA!",

>this gag has caused laughter me alot, (dont' ask me why),

>boh! im' also mad to tell u such a thought,

>yr

>Rinaldo.

>BTW#1 yr CD/lyrics/poems has been masterized?

>BTW#2 can email me a *.WAV file of yr poems?

>again, ciao!

> 

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: SURPRIZE!!!!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020905afe8f97e6071@[206.25.67.122]>

References: <3.0.1.32.19970709131746.006933bc@pop.gpnet.it> <l0302090eafe1033f6a9b@[206.25.67.104]> <3.0.1.32.19970703125404.00687cb4@pop.gpnet.it> <l03020901afe04bd151c6@[206.25.67.100]> <3.0.1.32.19970702234243.006a3f24@pop.gpnet.it>

 

              Rinaldo Rasa

              via Morlaiter 2

              30173 VENEZIA-Mestre

              I T A L I A

              -----------

Return-Path: <country@sover.net>

Date: Wed, 9 Jul 1997 16:27:22 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: SURPRIZE!!!!

 

thank you rinaldo!

i will send you two sided tape of two different readings.

one with lots of my inside voices speaking the lines they wrote

and one that hopefully sounds a little less cracked.

especially half way through i gather some rhythm.

it's hard to do, but how else to learn other than do?

love,

marie

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: SURPRIZE!!!!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020907afe96b2714ba@[206.25.67.124]>

References: <3.0.1.32.19970709185120.006ba678@pop.gpnet.it> <l03020905afe8f97e6071@[206.25.67.122]> <3.0.1.32.19970709131746.006933bc@pop.gpnet.it> <l0302090eafe1033f6a9b@[206.25.67.104]> <3.0.1.32.19970703125404.00687cb4@pop.gpnet.it> <l03020901afe04bd151c6@[206.25.67.100]> <3.0.1.32.19970702234243.006a3f24@pop.gpnet.it>

 

marie, im' waiting for the postman..., ciao e grazie, rinaldo.

Return-Path: <country@sover.net>

Date: Wed, 9 Jul 1997 19:02:40 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: Marie Countryman <country@sover.net>

Subject: Re: Wed blues.

 

>        priest

>        confessor

> 

>        u get

>        married

>        my confessor

> 

>        an angel

>        has pissed

>        on my head

> 

>        my imaginary

>        friend

> 

> 

>---

>yrs

>Rinaldo.

_________________

you remind me of charlie chaplin, sometimes, rinaldo, the intelligence

peeking out of the joke, all gentle reminders that we are all mortal

children

mc

 

 

 

Return-Path: <love_singing@msn.com>

Date: Thu, 10 Jul 97 14:25:35 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: Life after the ***th.

 

Rinaldo, mio caro

 

I really like this....  made me smile

 

how are you, by the way?

 

ciao,

sherri

 

 

 

----------

From:    BEAT-L: Beat Generation List on behalf of Rinaldo Rasa

Sent:    Thursday, July 10, 1997 1:44 AM

To:      BEAT-L@CUNYVM.CUNY.EDU

Subject:      Life after the ***th.

 

        ahem    ahem

        i aint' ready

        Father

 

        my dad's car

        is

        better

        than

        yr Dad's car

 

i take note that howl by allen ginsberg is a bloody

poem

        when i read times ago

        i havent' the same eyes

 

        i have now,

 

right!  but now just when i read howl&kaddish

i see cutted heads      &       blood           everywhere

 

        5.30 a.m. thu

 

i aint' ready   i aint' ready

i have a vision i see           i aint ready

 

        6:00 a.m. thu

 

i sing in my mind a nursery rhyme

        i aint' readY!

 

        6:00 a.m. thu

        6:00 a.m. thu

                        6:00 am thu

                                6:00 am thu

 

 

---

yrs

Rinaldo.        *       ciao            *

 

 

To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: I really like this....

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199707101431030511@msn.com>

References:

 

sherri, u are gentle, tu sei molto gentile,

when i write (quando scrivo qualcosa)

i hope        (spero)

that people have

a little smile     (che la gente abbia un piccolo sorriso)

 

isnt' this a

little poem?  (non e' questo una piccola poesia?)

 

i have put on side the translation in italian language

'cuz i noticed u are an italianophile (there such a word in

america ?)

 

quando vuoi (when u like) scrivimi pure (write me),

 

ciao da

Rinaldo.

 

 

 

At 14.25 10/07/97 UT, sherri wrote:

>Rinaldo, mio caro

> 

>I really like this....  made me smile

> 

>how are you, by the way?

> 

>ciao,

>sherri

> 

> 

> 

Return-Path: <jgrant@bookzen.com>

X-Sender: jgrant@pop.globaldialog.com

Date: Fri, 11 Jul 1997 11:04:19 -0500

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: jo grant <jgrant@bookzen.com>

Subject: Re: who is MemBabe?

 

>i wrote:

>help

>MemBabe@aol.com wrote:

>>que pasa?

>> 

 

 

Membabe@aol.com is Diane De Rooy. She lives in Seattle. Has been working on

an article about JK.

 

j grant

 

                BE ON THE WATCH

for items stolen from the Keroauc Collection

        O'Leary Library, U Mass, Lowell

http://www.bookzen.com/kerouac.theft.html

 

Academic & Small Press Authors & publishers

                display books free at

           <http://www.bookzen.com>

    375,913 visitors from 07-96 to 07-97

 

 

 

 

 

 

 

 

 

Return-Path: <love_singing@msn.com>

Date: Fri, 11 Jul 97 16:53:51 UT

From: "Sherri " <love_singing@msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: I really like this....

 

Rinaldo,

 

mille grazie.  i love the lovely little poem, especially in Italiano.

 

please tell me where in Italia you live and more about yourself...   you seem

to have such a dolce spirito (is that the right way to say this?)

 

ciao, mio caro,

sherri

 

To: jo grant <jgrant@bookzen.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: who is MemBabe?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <v03007802afec09c22989@[156.46.45.88]>

References: <3.0.1.32.19970711155410.00688d44@pop.gpnet.it>

 

At 11.04 11/07/97 -0500, jo wrote:

>>i wrote:

>>help

>>MemBabe@aol.com wrote:

>>>que pasa?

>>> 

> 

> 

>Membabe@aol.com is Diane De Rooy. She lives in Seattle. Has been working on

>an article about JK.

> 

>j grant

> 

>                BE ON THE WATCH

>for items stolen from the Keroauc Collection

>        O'Leary Library, U Mass, Lowell

>http://www.bookzen.com/kerouac.theft.html

> 

>Academic & Small Press Authors & publishers

>                display books free at

>           <http://www.bookzen.com>

>    375,913 visitors from 07-96 to 07-97

> 

> 

> 

> 

> 

> 

jo, many thanks, i thinked MemBabe was a mailing list

'bout jack kerouac archive, now im' clarified, grazie again,

rinaldo.To: "Sherri " <love_singing@msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: please tell me...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199707111704400975@msn.com>

References:

 

sherri,

im' living in Venice (not Rialto or San Marco Square)

but with the old city in front of me,

grazie a te (thanks) you appreciate the words

im' posting,

i love to write in english, like i think

you like to write italiano (isnt' true= non e' vero?),

"dolce spirito" is an enormous compliment,

and very poetic    (e molto poetico)

like Dante's way   (alla maniera di Dante)

do u rembeber (ricordi)

dolce stil novo?

where are u living atthe moment?

ciao da

Rinaldo.

 

 

At 16.53 11/07/97 UT, sherri wrote:

>Rinaldo,

> 

>mille grazie.  i love the lovely little poem, especially in Italiano.

> 

>please tell me where in Italia you live and more about yourself...   you seem

>to have such a dolce spirito (is that the right way to say this?)

> 

>ciao, mio caro,

>sherri

> 

>To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: helo

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970707010902_2057360513@emout12.mail.aol.com>

References:

 

maya, if you like, as you write in beat-l u can

put my email address in yr bookmaker, ciao, Rinaldo.Return-Path: <Marioka7@aol.com>

Date: Fri, 11 Jul 1997 20:34:54 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: helo

 

In a message dated 97-07-11 19:18:11 EDT, you write:

 

<<

 maya, if you like, as you write in beat-l u can

 put my email address in yr bookmaker, ciao, Rinaldo.

 

  >>

you mean i can put your email address with your poem in my magazine? Is that

what you mean?

-----maya(not sure i understand)

 

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: helo

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970711203453_-491467341@emout05.mail.aol.com>

References:

 

At 20.34 11/07/97 -0400, you wrote:

>In a message dated 97-07-11 19:18:11 EDT, you write:

> 

><<

> maya, if you like, as you write in beat-l u can

> put my email address in yr bookmaker, ciao, Rinaldo.

>

>  >>

>you mean i can put your email address with your poem in my magazine? Is that

>what you mean?

>-----maya(not sure i understand)

> 

> 

maya, i say that i like u can get i touch with me,

when u like, ciao, rinaldo. Return-Path: <Marioka7@aol.com>

Date: Sat, 12 Jul 1997 07:33:10 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: helo

 

In a message dated 97-07-12 07:25:44 EDT, you write:

 

<<

 maya, i say that i like u can get i touch with me,

 when u like, ciao, rinaldo.  >>

 

OOHH, ok. thanks! I will!

have a splendid day,

ciao,

maya

 

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: OOHH, ok.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970712073309_783937713@emout13.mail.aol.com>

References:

 

At 07.33 12/07/97 -0400, you wrote:

>In a message dated 97-07-12 07:25:44 EDT, you write:

> 

><<

> maya, i say that i like u can get i touch with me,

> when u like, ciao, rinaldo.  >>

> 

>OOHH, ok. thanks! I will!

>have a splendid day,

>ciao,

>maya

> 

> 

maya, take me info 'bout yr mayaZINE, when thing go on.

ciao, ciao da Rinaldo. (thnx again, send me yr poems

if u want). To: Marie Countryman <country@SOVER.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: small pome

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l0302090cafee3feaa8d2@[206.25.67.112]>

References:

 

marie,

 

2 day ago

i saw

a

white

butterfly

flying in the rain

 

 

marie wrote:

>INTOXICATION

> 

>(for michael and craig)

> 

>clouds burst

>and rain down

>on poets

>wandering in street

>searching for poetical drink.

> 

>suddenly drenched!

>clouds burst!

>we laugh and turn faces up,

>mouths open

>to drink in the sky--

> 

>leap-frogging puddles,

>laughing

>        tumbling

>                shouting

>                        splashing!

> 

>until, many blocks later

>        we pour ourselves into the car,

>ending

>        the best

>                poetical

>                        drunk

>                                by far.

> 

>To: dumo13@EROLS.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Miget Auto Races

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33CA8584.2636@erols.com>

References:

 

Chris,

thanks a lot for yr information, im' always trouble by little

particulras in OTR, the midget car is one, in other words,

"microvettura" = go-cart & in 1959 (date of it translation) this

races not in italy, i believed that midget car was something

like formula 3 (a bit low for the FORMULA 1, racing by Ferrari),

now things are much cleared,

again grazie,

ciao da

Rinaldo.

 

At 13.01 14/07/97 -0700, Chris wrote:

>Rinaldo,

> 

>Miget cars are much like Go-Carts.  They are slightly larger and have

>sturdy steel-tube frame and a fiberglass body.  The engines are somewhat

>powerfull for these little cars (I'd the cars are about the size of a

>twin bed?).  They are raced on fairly small, circular dirt tracks.  They

>are still raced today.  I'll try to find a bit more information on the

>American NASCAR site for you if you'd like.

> 

>Chris

> 

>Return-Path: <dumo13@erols.com>

From: dumo13@erols.com

Date: Mon, 14 Jul 1997 23:22:02 -0700

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Miget Auto Races

 

Rinaldo,

Much like go-carts on steroids. Whereas a go-cart has no body, the miget

cars look literally like racecars for midgets.  I'd be glad to help you

with anything else. 

Chris

 

Rinaldo Rasa wrote:

>

> Chris,

> thanks a lot for yr information, im' always trouble by little

> particulras in OTR, the midget car is one, in other words,

> "microvettura" = go-cart & in 1959 (date of it translation) this

> races not in italy, i believed that midget car was something

> like formula 3 (a bit low for the FORMULA 1, racing by Ferrari),

> now things are much cleared,

> again grazie,

> ciao da

> Rinaldo.

>

> At 13.01 14/07/97 -0700, Chris wrote:

> >Rinaldo,

> >

> >Miget cars are much like Go-Carts.  They are slightly larger and have

> >sturdy steel-tube frame and a fiberglass body.  The engines are somewhat

> >powerfull for these little cars (I'd the cars are about the size of a

> >twin bed?).  They are raced on fairly small, circular dirt tracks.  They

> >are still raced today.  I'll try to find a bit more information on the

> >American NASCAR site for you if you'd like.

> >

> >Chris

> >

> >

 

To: dumo13@erols.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Miget Auto Races

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33CB170A.48A8@erols.com>

References: <3.0.1.32.19970714235252.0068bad4@pop.gpnet.it>

 

Chris,

the translation of "midget car" as "microvettura" by Fernanda Pivano

in late '50s is tip i noted a much as i first read  OTR  its was in 1969

(exactley i was 19 years old) & in italy in that time car were all

tiny! (do u remember by way the FIAT 500 or TOPOLINO?) & the problem was noted but (in the much spontaneous prose kerouac-esque) forgotten, now cos

i re-read like an escher painting the keroauc works i was hit by

that "midget car" (dont' ask me why) "trouble",

 

a) in italy there is FORMULA 1 (formula uno) who is referring

   to car like driving by men like Shumacher or Villeneuve

   & it's the TOP of racing car

 

b) less than FORMULA UNO is FORMULA 3 (formula tre)

   that are car racing

   but with low performance & not drived by famous

   driver as the above mentioned

 

i think Fernanda Pivano translated "microvettura" in a jump

of creativity 'cuz "formula 3" was much matched with italian

life

& of course here in italy is not gambler for racing car except

lottery

(another matter is horse racing),

 

have u by chance a *.gif picture of a "midget car"?

 

ciao e grazie,

Rinaldo.

 

 

Chris wrote:

>Rinaldo,

>Much like go-carts on steroids. Whereas a go-cart has no body, the miget

>cars look literally like racecars for midgets.  I'd be glad to help you

>with anything else. 

>Chris

> 

>Rinaldo Rasa wrote:

>>

>> Chris,

>> thanks a lot for yr information, im' always trouble by little

>> particulras in OTR, the midget car is one, in other words,

>> "microvettura" = go-cart & in 1959 (date of it translation) this

>> races not in italy, i believed that midget car was something

>> like formula 3 (a bit low for the FORMULA 1, racing by Ferrari),

>> now things are much cleared,

>> again grazie,

>> ciao da

>> Rinaldo.

>>

>> At 13.01 14/07/97 -0700, Chris wrote:

>> >Rinaldo,

>> >

>> >Miget cars are much like Go-Carts.  They are slightly larger and have

>> >sturdy steel-tube frame and a fiberglass body.  The engines are somewhat

>> >powerfull for these little cars (I'd the cars are about the size of a

>> >twin bed?).  They are raced on fairly small, circular dirt tracks.  They

>> >are still raced today.  I'll try to find a bit more information on the

>> >American NASCAR site for you if you'd like.

>> >

>> >Chris

>> >

>> >

> 

>To: runner711 <babu@electriciti.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: An Illiterate Impression of Visions of Cody

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020900aff147124ea3@[198.5.212.100]>

References: <3.0.1.32.19970715140259.00685f18@pop.gpnet.it> <l03020901aff0a83dfcbd@[198.5.212.52]> <970714113837_-2044436868@emout17.mail.aol.com>

 

Grazie a te,

ciao da Rinaldo.

 

>Thanx for the interpret, Rinaldo.

> 

>cheers, Douglas

Return-Path: <shanstep@cs.arizona.edu>

Date: Wed, 16 Jul 1997 08:12:09 -0700 (MST)

From: "Shannon L. Stephens" <shanstep@cs.arizona.edu>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Gianni Versace.

 

 

Rinaldo....

would you please translate this for me at your convinience?

I apologize for my language limitations but was saddened by the news.

 

-Shannon (in Tucson, Arizona)

 

 

On Wed, 16 Jul 1997, Rinaldo Rasa wrote:

 

>     COME VORREI MORIRE   by Gianni Versace

>

>         COME IL CONTE SALINA DI LAMPEDUSA,

>            IL GATTOPARDO: GUARDANDO

>              IL LAGO, CON SERENITA'.

>             LA MORTE NON MI FA PAURA.

>

>

> ---

> yrs

> Rinaldo.

>

 

To: "Shannon L. Stephens" <shanstep@cs.arizona.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Gianni Versace.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SOL.3.91.970716080959.12636A-100000@baskerville.CS.Arizona.EDU>

References: <3.0.1.32.19970716131247.006c7a44@pop.gpnet.it>

 

Shannon,

apologies i dont' want to seem arrogant,

 

but in this case i have preferred respectfully to post

the original text,

 

now i give u a translation

 

   ------------------------------------------

    How i want to die   by Gianni Versace

 

    Like the Count of Salina,

    the Gattopardo:

    Looking at the lake with calm.

    The death doesn't do me fear.

   -------------------------------------------

 

in this epigram Gianni Versace quoted the film "Il Gattopardo"

directed by Luchino Visconti in the early '60s (the Count of Salina

starred by Burt Lancaster). at the end of the film the Count

of Salina (nicknamed "Il Gattopardo",= The Leopard) knows that

his time is over & feels the spleen of the decadence of Sicilian Nobility.

The film "Il Gattopardo" is originated from the book written by

Giuseppe Tomasi di Lampedusa, a best-seller in the late '50s.

Giuseppe Tomasi di Lampedusa was a Sicilian Nobleman & the book

is autobiographic.

Gianni Versace was from Calabria an area near Sicily,

 

thnx alot for yr interest 'bout a tragic fate of a Son of the Italy,

hope i helped u,

 

Rinaldo.

--------

 

At 08.12 16/07/97 -0700, Shannon L. Stephens wrote:

> 

>Rinaldo....

>would you please translate this for me at your convinience?

>I apologize for my language limitations but was saddened by the news.

> 

>-Shannon (in Tucson, Arizona)

> 

> 

>On Wed, 16 Jul 1997, Rinaldo Rasa wrote:

> 

>>     COME VORREI MORIRE   by Gianni Versace

>>

>>         COME IL CONTE SALINA DI LAMPEDUSA,

>>            IL GATTOPARDO: GUARDANDO

>>              IL LAGO, CON SERENITA'.

>>             LA MORTE NON MI FA PAURA.

>>

>>

>> ---

>> yrs

>> Rinaldo.

>>

> 

>Return-Path: <shanstep@cs.arizona.edu>

Date: Wed, 16 Jul 1997 10:52:47 -0700 (MST)

From: "Shannon L. Stephens" <shanstep@cs.arizona.edu>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Gianni Versace.

 

 

Rinaldo...

You did not seem arrogant for posting your message in the language of its

origin. In fact, I feel bad that I needed to ask for a translation. I

hope to acquire more languages throughout my lifetime. You were very

generous to take the time to translate it for me. My brain so longs to

look at the Italian and have the words register their meaning. Hopefully

soon. Maybe someday I will see your country with these eyes of mine that

have seen so little but long to see much. I assume your world is a bit

more colorful than mine.

 

Thanks again....

Shan

 

Return-Path: <gnicosia@earthlink.net>

Date: Wed, 16 Jul 1997 17:52:40 -0700 (PDT)

X-Sender: gnicosia@earthlink.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: Gerald Nicosia <gnicosia@earthlink.net>

Subject: Un questione per lei

 

Caro Rinaldo,       il seideci luglio, 1997

 

        Ho un questione per lei.  Scrivo mio autobiografia per il

"encyclopedia" chiamato "Contemporary Authors," qui sera publiato in Detroit

il anno prossimo. 

        Mi scusate, I will switch to English, since my Italian is not so

good any more.

        I am writing about my grandfather, scrivo di mio nonno, who came to

Chicago from Sicily in 1906--qui e venuto a Chicago da Sicilia in 1906.  My

father always called him "Charlie" in English; mio padre l'ha chiamato

"Charlie" in inglese; but he said his Italian name sounded something like

"Cologero."  Son nome in italiano a sonato qualque cosa come "Cologero."  Do

you know what the real Italian spelling of this name is?  I WOULD GREATLY

APPRECIATE THIS INFORMATION FOR MY AUTOBIOGRAPHY.

        Tanti grazie in anticipo.

        Vostra amico, Geraldo

 

 

To: Gerald Nicosia <gnicosia@earthlink.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Un questione per lei

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199707170052.RAA24665@norway.it.earthlink.net>

References:

 

Caro Geraldo,

good mornig!,

 

in italian language the real spelling is "Calogero",

 

the name Calogero is almost usually in South of the

Italy, and if a person here in North of Italy heard

a person called Calogero, instantly he recognized

as siciliano. I dont' know why Calogero became in

american language as Charlie that seems to me as in

italian Charlie = "Carlo" (or "Carletto").

 

the spelling sound of the name Calogero is

Ca="Ca" as sound in the word Ca_rd

lo="lo" as sound in the word Lo_w

ge="ge" as sound in the word Ge_ntleman

ro="ro" as sound in the word Ro_me

 

i hope these informations help u,

i hope yr autobiografia go on!,

if u need further information im' here,

 

carissimi saluti dal tuo amico

Rinaldo.  

 

 

 

>Caro Rinaldo,       il seideci luglio, 1997

> 

>        Ho un questione per lei.  Scrivo mio autobiografia per il

>"encyclopedia" chiamato "Contemporary Authors," qui sera publiato in Detroit

>il anno prossimo. 

>        Mi scusate, I will switch to English, since my Italian is not so

>good any more.

>        I am writing about my grandfather, scrivo di mio nonno, who came to

>Chicago from Sicily in 1906--qui e venuto a Chicago da Sicilia in 1906.  My

>father always called him "Charlie" in English; mio padre l'ha chiamato

>"Charlie" in inglese; but he said his Italian name sounded something like

>"Cologero."  Son nome in italiano a sonato qualque cosa come "Cologero."  Do

>you know what the real Italian spelling of this name is?  I WOULD GREATLY

>APPRECIATE THIS INFORMATION FOR MY AUTOBIOGRAPHY.

>        Tanti grazie in anticipo.

>        Vostra amico, Geraldo

> 

> 

>Return-Path: <bocelts@scsn.net>

Date: Sat, 19 Jul 1997 10:51:19 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: [Fwd: Mail System Error - Returned Mail]

 

Rinaldo:

 

I tried to forward off of Maya's posts and they were returned.

 

Here they are.

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclawReturn-Path: <>

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From: Mail Administrator<Postmaster@mail.scsn.net>

Reply-To: Mail Administrator<Postmaster@mail.scsn.net>

Subject: Mail System Error - Returned Mail

Date: Sat, 19 Jul 1997 10:34:48 -0400

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Date: Sat, 19 Jul 1997 10:43:34 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

X-Mailer: Mozilla 4.0 [en] (Win95; I)

MIME-Version: 1.0

To: Marioka7@aol.com

CC: stauffer@pacbell.net, cosmicat@erols.com,

   babu@electriciti.com, race@midusa.net,

   dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com,

   CVEditions@aol.com, Tread37@aol.com,

   MATT.HANNAN@otc.usoc.cchub.com, SSASN@aol.com,

   jgrant@bookzen.com, kenster@mit.edu, love_singing@msn.com,

   rinaldo@gpn

Subject: Dreams

X-Priority: 3 (Normal)

References: <970719015350_128104710@emout18.mail.aol.com>

Content-Type: text/plain; charset=us-ascii

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Last night I dreamed that I was arrested for smoking a joint of

marijuana.  I was sentenced to one year in jail.  In the jail was my

brother (who really is in prison for stealing from a pharmacy).  I was

worried that I would be disbarred if I could not get out soon.  A woman

came and spent the weekend with me in the jail.  But I would not sleep

with her, even though I liked her quite a lot.  I am married.  I knew I

could get time off for good behavior, but wondered how long that would

take.  Then I found out that any time I wanted to that I could just walk

out of the jail and walk back in.  I worried that I would get more time

if they found out that I was out.  So, I just took care of my business

and went back to jail and made my bed.  Then I talked to some narcs that

I knew and asked them to help me get out.  Then I saw an attorney and he

said that I was set up by he local cops because of something that I had

done.  He told me that my phone had been tapped.

 

So, my question is, what kind of country do we live in where we make

criminals out of children for smoking a hemp plant.  I wonder about the

conflicts inside of me.  This was a dream.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclawReturn-Path: <bocelts@scsn.net>

Date: Sat, 19 Jul 1997 10:51:50 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: [Fwd: Mail System Error - Returned Mail]

 

Here is the second one that failed.  Take care.

--

Bentz

bocelts@scsn.net

 

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Date: Sat, 19 Jul 1997 10:46:51 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

X-Mailer: Mozilla 4.0 [en] (Win95; I)

MIME-Version: 1.0

To: Marioka7@aol.com

CC: stauffer@pacbell.net, cosmicat@erols.com,

   babu@electriciti.com, race@midusa.net,

   dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com,

   CVEditions@aol.com, Tread37@aol.com,

   MATT.HANNAN@otc.usoc.cchub.com, SSASN@aol.com,

   jgrant@bookzen.com, kenster@mit.edu, love_singing@msn.com,

   rinaldo@gpn

Subject: Re: sawatdee ka

X-Priority: 3 (Normal)

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Content-Type: text/plain; charset=us-ascii

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Marioka7@aol.com wrote:

>

> sawatdee ka means hello inThai.

>

>      just wanted to see if y'all were still alive.  I guess I am.  It

> was so

> fargin' hot today in our nation's capital, and then it

> tropical-stormed.

>

>      So much for the weather update.  I am here for 8 more days and

> then i

> leave temporarily, and then in september I'll be here for about 3

> weeks.  And

> then I'm gone for good to the exotic far east. Not soon enough, if you

> ask

> me.

>

>       I have a feeling that i won't come back.  I'm not the type to

> get

> homesick, you see, having never had much of a home for very long to

> miss.  My

> parents? Well, they can shove it.  They never liked anything i wrote

> or

> painted anyway, they only pretended (on rare occasions when they

> bothered to

> pretend).

>

>        my mother told me she hated Picasso yesterday. My father told

> me he

> hated Picasso last week.  How can I live with these people?  When they

> dis

> the one person, besides Burroughs whom they wouldn't even THINK of

> reading,

> who is so important to my values my life and fundamental to the way I

> think?

>

>

>       I need so badly to escape it hurts.  people can be such pieces

> of shit.

>  So self-obsessed.  My shitty friends, my shitty parents, my shitty

> boyfriend.  The only people I want to be with are perfect strangers.

> At

> least they don't pretend they give a rat's ass when they just want to

> manipulate you to suit their own needs.  Of course, strangers still

> lie, but

> they lie a lot less, because they know they have nothing to lose from

> you.

>

>       The current social fabric is such that you HAVE to lie.  In

> fact, we

> are taught to lie from the day be are born.  i refuse to take part in

> this

> farce.  Of course, i will still lie to my boss, prospective empoyer,

> etc.,

> but not to people i care about.

>

>         for example, in highschool/college, most people i knew tried

> so hard

> to hide it from their parents that they smoked pot.  Some peoples'

> parents

> ended up finding out anyway.  I, on the other hand, am the only person

> i know

> who just told their parents by referrring to it casually in

> conversation one

> day.  Same goes for sex.

>

>         The more we talk about what's really going on in our lives,

> the more

> we know.  I whish i could tell all parents out there:    /silence

> doesn't

> protect your kid.  It kills. Silence is ignorance, and ignorance means

> you

> don't know how to avoid something.  Drug addiction, pregnancy, Name

> That

> Evil.

>

>          i don't care if it HAS improved my writing or painting, i

> still will

> never forgive my parents for the oppressive silence they imposed on

> me,

> forcing me to keep my screaming thoughts locked inside my head.  They

> are

> only starting to come out now, my thoughts i mean. I never knew they

> belonged

> to me, or that they were any good.

>

> but i have to be carful not to let them all out at the same time. I

> have to

> use discipline.  Patience. let them out one at a time to give them

> maximum

> power ao they dont just get lost.  This is the difference between me

> and my

> parents:  they have stopped trying to see things in different ways.  I

> am

> still searching for different modes of perception.  For me, this is

> living.

>  my parents might as well be dead.  Forgive me for saying that, it

> does make

> me sad, but it's what I think. What do you have to live for if you

> feel that

> you know it all already?

>

> sorry for rambling.  It's my way of exorcizing my own little demons.

>

> ciao,

>

> maya

>

> ps, my advice. Living with your parents for a few monthe while in

> between

> apartments may SOUND like a good idea at first but DON"T DO IT if they

> re anything like mine.

 

Maya:

 

My wife and I both believe we were born in California or the North East,

and then sent to live in South Carolina with our adoptive families.  We

know that these people can not be our parents.  Ever thought of that?

 

My mother does like Hendrix and the Doors though.  Personally, I get

annoyed at her chatter about the Greatful Dead.  I think she may be a

hippie who is too scared to live.  Shame, cause she is 62.

 

Peace,

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclawReturn-Path: <stauffer@pacbell.net>

Date: Sun, 20 Jul 1997 19:53:30 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: [Fwd: Re: tshirt order]

 

Rinaldo,

 

Could you translate this for me?  I gather that the t-shirt home page

people will not be able to ship to the US til September.  The rest

eludes me, does it make sense to you with your substantially better

Italian?

 

James

Return-Path: mphlcl@mbox.vol.it

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Date: Sun, 20 Jul 1997 23:17:56 +0200

From: Barbara <mphlcl@mbox.vol.it>

X-Mailer: Mozilla 3.01 (Win95; I)

Mime-Version: 1.0

To: stauffer@pacbell.net

Subject: Re: tshirt order

References: <199705042051.NAA25749@web54.ntx.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

Gentile Cliente,

ci dispiace doverti informare che a causa della burocrazia che

attanaglia questa bella Italia siamo stati costretti a sospendere il

nostro servizio fino a meta' settembre.

Per quella data saranno riprese le spedizioni e potrai ricevere quanto

ordinato.

 

Ci dispiace molto per questo contrattempo purtroppo indipendente dalla

nostra volonta' ma oggi sta diventando impossibile iniziare un'attivita'

senza incorrere in bolli e controbolli che sembrano fatti apposta per

scoraggiare chiunque abbia un'idea.

 

Ti ringraziamo anche a nome dell'ANLAIDS per il tuo ordine e speriamo

che se un burocrate non ha scoraggiato noi, nemmeno tu ti senta

scoraggiato e che continuerai a supportarci in questa iniziativa.

 

Grazie e...a settembre!

 

Luca, t.@.shirt

 

To: bocelts@scsn.net (R. Bentz Kirby)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: [Fwd: Mail System Error - Returned Mail]

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33D0D467.FC4919E7@scsn.net>

References:

 

Dear Bentz,

grazie per avermi spedito il racconto di Maya, thanks a lot

for the fwd,

 

My address is

 

rinaldo@gpnet.it

 

As you notice Maya has mistyped my address & then the post

was justyl returned to the original sender,

 

ciao da

Rinaldo.

 

 

 

At 10.51 19/07/97 -0400, bocelts@scsn.net (R. Bentz Kirby) wrote:

>Rinaldo:

> 

>I tried to forward off of Maya's posts and they were returned.

> 

>Here they are.

>--

>Bentz

>bocelts@scsn.net

>Your message was not delivered because the DNS records for the

>destination computer could not be found.  Carefully check that

>the address was spelled correctly, and try sending it again if 

>there were any mistakes.

>To: Marioka7@aol.com

>CC: stauffer@pacbell.net, cosmicat@erols.com,

>  babu@electriciti.com, race@midusa.net,

>  dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com,

>  CVEditions@aol.com, Tread37@aol.com,

>  MATT.HANNAN@otc.usoc.cchub.com, SSASN@aol.com,

>  jgrant@bookzen.com, kenster@mit.edu, love_singing@msn.com,

>  rinaldo@gpn

>Subject: Dreams

>Last night...

 

 

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanx for "Dreams"

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Maya,

 

my email address is

 

rinaldo@gpnet.it

 

Maya, to notice you mistyped my internet address,

please, correct the address in CC form 'cuz the email

bounce back to yr mailbox, i received yr "Dreams"

thnx R. Bentz Kirby forwarded me,

 

ciao da

Rinaldo.

 

 

>Your message was not delivered because the DNS records for the

>destination computer could not be found.  Carefully check that

>the address was spelled correctly, and try sending it again if 

>there were any mistakes.

> 

>CC: stauffer@pacbell.net, cosmicat@erols.com,

>  babu@electriciti.com, race@midusa.net,

>  dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com,

>  CVEditions@aol.com, Tread37@aol.com,

>  MATT.HANNAN@otc.usoc.cchub.com, SSASN@aol.com,

>  jgrant@bookzen.com, kenster@mit.edu, love_singing@msn.com,

>  rinaldo@gpn

>Subject: Dreams

>Last night...

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: red tape of italian earth post Re: [Fwd: Re: tshirt order]

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33D2CF2A.4E64@pacbell.net>

References:

 

James,

 

you are right,

until September ( just 15 September 1997 )

you cannot obtain the t-shirt,

 

the other words in the message are

gentle apologies & tell you that

in Italia from July to August, all workers stopped,

ahem, in primis statal bureaucracy who must convalidate

a consignment in foreign countries, but dont' get

discouraged, the ANLAIDS tell you to be patient, &

continue to support the initiative,

 

ciao da

Rinaldo.

 

 

>Rinaldo,

> 

>Could you translate this for me?  I gather that the t-shirt home page

>people will not be able to ship to the US til September.  The rest

>eludes me, does it make sense to you with your substantially better

>Italian?

> 

>James

>Return-Path: mphlcl@mbox.vol.it

>Received: from mail-gw3.pacbell.net (mail-gw3.pacbell.net [206.13.28.55]) by mail-sf1.pacbell.net (8.8.5/8.7.1) with ESMTP id OAA21286 for <stauffer@chumash.snfc21.pbi.net>; Sun, 20 Jul 1997 14:23:24 -0700 (PDT)

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>  (1.39.111.2/16.2) id AA002643809; Sun, 20 Jul 1997 23:23:30 +0200

>Message-Id: <33D28084.5BB8@mbox.vol.it>

>Date: Sun, 20 Jul 1997 23:17:56 +0200

>From: Barbara <mphlcl@mbox.vol.it>

>X-Mailer: Mozilla 3.01 (Win95; I)

>Mime-Version: 1.0

>To: stauffer@pacbell.net

>Subject: Re: tshirt order

>References: <199705042051.NAA25749@web54.ntx.net>

>Content-Type: text/plain; charset=us-ascii

>Content-Transfer-Encoding: 7bit

> 

>Gentile Cliente,

>ci dispiace doverti informare che a causa della burocrazia che

>attanaglia questa bella Italia siamo stati costretti a sospendere il

>nostro servizio fino a meta' settembre.

>Per quella data saranno riprese le spedizioni e potrai ricevere quanto

>ordinato.

> 

>Ci dispiace molto per questo contrattempo purtroppo indipendente dalla

>nostra volonta' ma oggi sta diventando impossibile iniziare un'attivita'

>senza incorrere in bolli e controbolli che sembrano fatti apposta per

>scoraggiare chiunque abbia un'idea.

> 

>Ti ringraziamo anche a nome dell'ANLAIDS per il tuo ordine e speriamo

>che se un burocrate non ha scoraggiato noi, nemmeno tu ti senta

>scoraggiato e che continuerai a supportarci in questa iniziativa.

> 

>Grazie e...a settembre!

> 

>Luca, t.@.shirt

> 

>Return-Path: <stauffer@pacbell.net>

Date: Tue, 22 Jul 1997 21:13:12 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: red tape of italian earth post Re: [Fwd: Re: tshirt order]

 

Rinaldo Rasa wrote:

>

> James,

>

> you are right,

> until September ( just 15 September 1997 )

> you cannot obtain the t-shirt,

>

> the other words in the message are

> gentle apologies & tell you that

> in Italia from July to August, all workers stopped,

> ahem, in primis statal bureaucracy who must convalidate

> a consignment in foreign countries, but dont' get

> discouraged, the ANLAIDS tell you to be patient, &

> continue to support the initiative,

>

> ciao da

> Rinaldo.

>

> >Rinaldo,

> >

> >Could you translate this for me?  I gather that the t-shirt home page

> >people will not be able to ship to the US til September.  The rest

> >eludes me, does it make sense to you with your substantially better

> >Italian?

> >

> >James

> >Return-Path: mphlcl@mbox.vol.it

> >Received: from mail-gw3.pacbell.net (mail-gw3.pacbell.net [206.13.28.55])

> by mail-sf1.pacbell.net (8.8.5/8.7.1) with ESMTP id OAA21286 for

> <stauffer@chumash.snfc21.pbi.net>; Sun, 20 Jul 1997 14:23:24 -0700 (PDT)

> >Received: from tin.it (box1.tin.it [195.31.190.111]) by

> mail-gw3.pacbell.net (8.8.5/8.7.1+antispam) with ESMTP id OAA11599 for

> <stauffer@pacbell.net>; Sun, 20 Jul 1997 14:23:14 -0700 (PDT)

> >Received: from TIN.tin.it ([195.103.249.124]) by mbox.vol.it with SMTP

> >       (1.39.111.2/16.2) id AA002643809; Sun, 20 Jul 1997 23:23:30 +0200

> >Message-Id: <33D28084.5BB8@mbox.vol.it>

> >Date: Sun, 20 Jul 1997 23:17:56 +0200

> >From: Barbara <mphlcl@mbox.vol.it>

> >X-Mailer: Mozilla 3.01 (Win95; I)

> >Mime-Version: 1.0

> >To: stauffer@pacbell.net

> >Subject: Re: tshirt order

> >References: <199705042051.NAA25749@web54.ntx.net>

> >Content-Type: text/plain; charset=us-ascii

> >Content-Transfer-Encoding: 7bit

> >

> >Gentile Cliente,

> >ci dispiace doverti informare che a causa della burocrazia che

> >attanaglia questa bella Italia siamo stati costretti a sospendere il

> >nostro servizio fino a meta' settembre.

> >Per quella data saranno riprese le spedizioni e potrai ricevere quanto

> >ordinato.

> >

> >Ci dispiace molto per questo contrattempo purtroppo indipendente dalla

> >nostra volonta' ma oggi sta diventando impossibile iniziare un'attivita'

> >senza incorrere in bolli e controbolli che sembrano fatti apposta per

> >scoraggiare chiunque abbia un'idea.

> >

> >Ti ringraziamo anche a nome dell'ANLAIDS per il tuo ordine e speriamo

> >che se un burocrate non ha scoraggiato noi, nemmeno tu ti senta

> >scoraggiato e che continuerai a supportarci in questa iniziativa.

> >

> >Grazie e...a settembre!

> >

> >Luca, t.@.shirt

> >

> >

 

 

Thanks very much for your kind translation.  I greatly envy the Italian

August vacation here in the country of Jack Kerouac we have no equally

civilized tradition.  If the t-shirt girls are as gorgeous as the one

on  the home page I am more than willing to patiently wait.  Any luck

with Lamantia books from your niece?

 

James

 

Return-Path: <country@sover.net>

Date: Thu, 24 Jul 1997 10:03:33 -0400 (EDT)

To: rinaldo@GPNET.IT

From: Marie Countryman <country@sover.net>

Subject: hi friend!

 

   rinaldo, i mailed your tape yesterday, hope you get it soon. also

hope you can be honest with me if you don't like it.

really!

love

marie

 

 

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: response to yr letter

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33D584B3.1270@pacbell.net>

References: <3.0.1.32.19970722143334.0068809c@pop.gpnet.it>

 

James,

my niece comes back from london with  "kicks joy darkness"

she was at the "compendium" in london (but not found any

books requested) then she went to virgin megastores & bought

the last CD remained in the store & perhaps in london...

ciao da

Rinaldo.

(Venezia,Mestre-Italia)

-----------------------

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: hi friend!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901affcd76f51ee@[206.25.67.102]>

References:

 

marie,

grazie!!!, my niece was back from a vacancy of two weeks in london

& she has bought for me "kicks joy darkness", do u tellin'me to

paragon yr works with kerouac!? btw every time i saw in the newsstand

the "mad" magazine i think of marie, i dont' know why...

i hope u are in helth, i hope that the postman hurry up, &

 

ciao da

rinaldo.

 

 

>  rinaldo, i mailed your tape yesterday, hope you get it soon. also

>hope you can be honest with me if you don't like it.

>really!

>love

>marie

Return-Path: <SSASN@aol.com>

Date: Mon, 28 Jul 1997 16:28:29 -0400 (EDT)

From: SSASN@aol.com

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (FWD)Another Short Interview with William S. Burroughs

 

Dear Rinaldo:

 

Thank you for posting the WSB interview, I enjoyed reading it and can't wait

for the book it's going to be included in to come out.  Near the end, WSB

says that he spent less than a year in Algiers, and the interviewer says that

it was during 1947, to which WSB responds that it was at "about" that time.

 My scholarship on this matter confirms that it could not have been 1947, if

it was less than 1 year altogether.  The biographies, and a careful reading

of the episode in the middle of ON THE ROAD in which Kerouac, Cassady & co.

visit WSB and his ill-fated family in Algiers during this period, indicate

that the visit took place in early 1949- on the way to Algiers, they stopped

in Washington D.C. and attended President Truman's inauguration (January 20,

1949).  So, if WSB spent less than 1 year there, and JK visited him in 1949,

he could not have lived there during 1947.  According to most of the

biographies as I recall, WSB spent all or most of 1947 with his family in New

Waverly, Texas, growing  marijuana with the assistance of Herbert Huncke.

 Notice how WSB says that's "about" when he lived there.  This is typical of

him, JUNKY begins with "My first experience with junk was during the war,

ABOUT 1944 or 1945(emphasis mine)".  JUNKY was written shortly after the

period of his life that it chronicles, so why should he be so vague about

when it took place?  This vagueness sets the tone for the book, a junky

exists in a biological limbo outside of real time, in "junk time".  He again

uses the same vagueness when referring to the Algiers period, when he was on

Junk and is part of the chronology described in JUNKY.  This may be obscure

hairsplitting, but I hate it when people in a position like this interviewer

who will have influence on the public get it wrong, even in this minor way.

 Thanks again.

 

Regards,

 

Arthur S. Nusbaum

 

To: SSASN@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD)William S. Burroughs interview

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970728162552_43265908@emout15.mail.aol.com>

References:

 

>Return-Path: <bofus@fcom.com>

>Date: Wed, 16 Jul 1997 05:42:42 -0800

>From: bofus? <bofus@fcom.com>

>To: bofus@fcom.com

>Subject: William S. Burroughs interview

> 

>(Many gracious thanks to Ron Whitehead for

>sending along the interview he

>conducted with William S. Burroughs

>recently. Unfortunately, during the

>final xeroxing stage, the photocopy machine

>mysteriously malfunctioned,

>swallowing the original text. The

>progenitors gone, these then are the

>remnants of the crossed and tattered

>offspring spit from the machine...)

> 

> 

>RW:  Burroughs?

>       -  Burroughs?

> 

>WSB:  Burroughs. Oh, of course, yes, yes.

> 

>RW:  I'm right now producing

>the William S. Burroughs Chamber.

> 

>WSB:  Oh, of course, yes, yes. It's an honor.

> 

>RW:  Burroughs?

> 

>WSB:  A small handful of police confiscated the

>literature. Fine letters on freedom: Jim Carroll,

>Lee Ranaldo, windows, genitals, Bob Dylan Icons.

>Midnight visitors with shotguns discovered

>paper visions.

>The Explorer put the finger on me.

> 

>RW:  Federal Agents?

> 

>WSB:  No. No.

> 

>A

>handful

>of dreams

>banging

>on the door.

> 

>An illegal search.

> 

>RW:  I just received letters from Rene.

> 

>WSB:  He made out with James Joyce...

> 

>RW:  Imagine...

> 

>WSB:  The first breakthrough to fear

>are strange rumours.

> 

>RW:  Are you intrigued by Anarchy?

> 

>WWB:  Hmm....not sure.

>Perhaps over time, intrigued.

> 

>RS:  So it wasn't a burden?

> 

>SBR:  No it wasn't. I've worked in bed,

>forced to do what I can in American Language.

> 

>WW:  Land is cheap in the ironic south.

> 

>BSR:  The east and west coasts are obsessed

>with mythological chambers.

> 

>SW:  The Magic Police

>shot Jesus

>in New Orleans.

>B

> 

>RW:  The world is showing up inside itself.

>Allen Ginsberg is altering the course of Lang-

>uage in Government. Good friends are exploding.

>Rumbling with attitude.

>A Powerful bird

> 

>WR:  Oh yes, yes, of course.

>It's an honor.

> 

>SWW: A linguistic fortune, as always.

> 

>RWBSW: Always special.

> 

>RBWWS: Always in special amounts.

>At first, absurd questions.

>Then - Music, Vision, Conviction.

>Contesses beating some bohemian box.

> 

>RW:  Any memories that you miss?

> 

>WSB:  America.

>Early twenties.

>Young. Blond. Handsome.

> 

Return-Path: <country@sover.net>

Date: Thu, 31 Jul 1997 07:36:05 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: Marie Countryman <country@sover.net>

Subject: hihi

 

hi rinaldo,

how are you today?

DC (diane carter) of beat-l took me to the lake champlain yesterday and

today is taking me on a ride through the white mountains of new hampshire,

up to the top of mount washington. it is really nice when people take me

for rides.

i've been thinking of you. i know it's too early yet, but did you get my

tape yet?

marie

 

 

 

Return-Path: <letabor@cruzio.com>

Date: Thu, 31 Jul 1997 10:13:18 -0700

From: Leon Tabory <letabor@cruzio.com>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: 1960s

 

Your poems are a joy to read. Thanks

leon

 

Rinaldo Rasa wrote:

>

>         1960s

>

>         i myself

>

>         sitting in back of the class

>

>         precisely!

>

>         daze!

>

>         SITTING IN BACK OF THE CLASS

>

>         oh, im' not here

>

>         bleary-eyed

>

>         tiny butterflies

>         pinball & jazz

>

>         rage

>         thanks anyway!

>

>         i look around for

>         a rosy picture

>

>         sitting

>         in back

>         of the

>         classroom.

>

> ---

> yrs

> Rinaldo.

> .-

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

   would u like something

   to drink?

 

         [WATER FOR DOGS!]

 

   (i have)

         [PHONED HIM

         last night]

 

   (but he was)

         [DRUNK]

 

---

yrs

Rinaldo.

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: hihi

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020912b005f0066cb5@[206.25.67.109]>

References: <3.0.1.32.19970731073842.00688cd8@pop.gpnet.it>

 

marie,

 

i would like to express i look forward very much yr tape.

 

im' as usual here between the old city of Venice & the

Industrial Park, glass buildings & others in ruins,

retired people, old people, pigeons inside empty rooms,

young men walk rambling, I HOPE U DONT'KNOW HOW MUCH CRAZY

ARE TODAY THE ITALIANS!,

 

 

yr mountain excursion recall me when i was teen-ager

& i passed summers in the alpine dolomites mountains near Cortina

where my relatives was owners of a house, but it was circa 35 years ago,

now changed 'cuz excavetors,... & this no loger the case, but it was a

happy age, very happy.

 

stammi bene,

 

yr

rinaldo.

To: Leon Tabory <letabor@cruzio.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanks

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33E0C7AE.FB4DBBCF@cruzio.com>

References: <3.0.1.32.19970731185728.00685f80@pop.gpnet.it>

 

>Your poems are a joy to read. Thanks

>leon

> 

 

Ti ringrazio Leon per i gentilissimi complimenti,

saluti,

Rinaldo.To: vic.begrand@sk.sympatico.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: the final breakthrough

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33E45705.110B@sk.sympatico.ca>

References:

 

Adrien, i agree with u,

 

today 1:30 p.m. the domestic italian tv commemorate

W.S.B. on the news, televised a black & white clip

performing Burroughs' reading,

 

at your convenience,

i like to receive the .wav file,

thanks,

Rinaldo.

 

At 03.01 03/08/97 -0700, you vic.begrand@sk.sympatico.ca wrote:

>This is the worst fucking year I've ever had.

>Everyone's dying on me.

>Family, friends, and heroes.

>MotherFUCK.

> 

>Adrien

> 

>"When I become death, death is the seed from which I grow."

>--Uncle Bill

>(I have a .wav file of that quote (63k), and I can send it out to anyone

>who wants it. Lemme know.)

> 

>To: vic.begrand@sk.sympatico.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: the final breakthrough

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33E4C32A.525E@sk.sympatico.ca>

References: <3.0.1.32.19970803142247.006fddb0@pop.gpnet.it>

 

Adrien, thanks alot,

 

ciao da

Rinaldo.

 

> 

>Rinaldo, my good man,

> 

>Good to know the Italian media is acknowledging wsb...the local media

>here won't go anywhere near the topic.

> 

>Enjoy the clip.

> 

>Adrien

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\DEATH.WAV"

>Return-Path: <pelliott@sunflower.com>

Date: Sun, 03 Aug 1997 23:22:42 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

CC: BEAT-L@CUNYVM.CUNY.EDU

Subject: Re: William Burroughs Is Dead

 

Rinaldo Rasa wrote:

>

> David,

>

> the Burroughs death is televised by the three domestic TV channel,

> i hope that's appreciate by William S. Burroughs, who is in paradise!,

> (broadcasting nationwide, meaning audience 20 000 000 of italians),

> in primis the "Catholic" channel RAI UNO Corporation from Rome,

> that stated Burroughs tragic life & way of Life, Burroughs is/was

> the other side of the "American Dream" & latin pietas is the message,

>

rinaldo, i just want to let you know that i really appreciate the

quality of your posts. your are a dear and knowing man.

patricia

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: i've listened to yr tape

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020912b005f0066cb5@[206.25.67.109]>

References: <3.0.1.32.19970731073842.00688cd8@pop.gpnet.it>

 

Marie,

   received today yr audio tape reading,

 

   yr voice is beatiful

   yr pomes are beatiful

  

   beatiful!

 

  

yr

Rinaldo.Return-Path: <country@sover.net>

Date: Fri, 8 Aug 1997 07:07:14 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: i've listened to yr tape

 

rinaldo:

i am so happy that you got the tape, so happy that you like it. 'beautiful'

makes me blush but yes they are, aren't they?

again, so happy

love

marie

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: i've listened to yr tape

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020902b0106bb2f491@[206.25.67.125]>

References: <3.0.1.32.19970807193040.00694ac8@pop.gpnet.it> <l03020912b005f0066cb5@[206.25.67.109]> <3.0.1.32.19970731073842.00688cd8@pop.gpnet.it>

 

marie,

 

i've yr poems work in my beat heart,

 

dont' call me a fussy but as u encourage me

to review them, ehm, i can tell u i would like

something like a libretto (booklet) of yr

pomes, or i'm asking too much, oh i've said!, cuz of

now im' necessarily to divide the stream of poetry,

to really understood everything, & i dunno if its'

really what u wish,

 

btw BUT go on the years i prefer the voice better that read...

 

BEAUTIFUL, yes!

BEAUTIFUL,

 

yr

rinaldo.

 

>rinaldo:

>i am so happy that you got the tape, so happy that you like it. 'beautiful'

>makes me blush but yes they are, aren't they?

>again, so happy

>love

>marie

> 

Return-Path: <muzik@prodigy.net>

From: "muzik" <muzik@prodigy.net>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Re:      A Gay State.

Date: Fri, 8 Aug 1997 08:25:07 -0700

X-MSMail-Priority: Normal

X-MimeOle: Produced By Microsoft MimeOLE Engine V4.71.1008.3

 

 A post-beat spoken-word type guy, Jello Biafra [of Dead Kennedys fame] did

alot of investigation into this topic and wrote a few songs concerning it --

even a remake of "I Shot the Law and I won."

He was very angered by this heinous crime and the abiltity of the man to

walk off without punishment.

 

 

-

D. Taylor Singletary, Hipster and Slackellectual . muzik@prodigy.net

 

-----Original Message-----

From: Rinaldo Rasa <rinaldo@GPNET.IT>

To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

Date: Friday, August 08, 1997 6:15 AM

Subject: A Gay State.

 

 

 

>dear friends,

> 

>at the end of the 1970s William Seward Burroughs wrote an article

>in which he imagined the capability of a State for the homosexuals.

>he takes the Chinese TONG as ones's model.

> 

>the WSB's article took as starting point a crime news occured

>on 27th nov 1978. Harvey Milk, a San Francisco municipal councillor,

>was massacred together with the mayor George Moscone.

>Dan White, the murderer, was convicted at a paltry term of punishment.

>after the shocking sentence, in San Francisco there was a riot,

> 

>sani,

>Rinaldo.

>*

>"Un'utopia fascinosa, ma irrealizabile. In fondo William Burroughs

>ha sempre avuto un piede nel futuro. Accadde in un piccolo paese

>della California verso la fine degli anni Sessanta. Un gruppo di

>gay penso' di mettere in piedi una forma di autogoverno, ma

>l'iniziativa venne reclamizzata troppo e le autorita' locali

>opposero tali difficolta' che l'idea naufrago'. Anche in Italia

>un illustre pensatore cattolico si augurava che lo Stato Italiano

>concedesse ai gay un'isola disabitata.---Angelo Pezzana

>interviewed by the newspaper ''la Repubblica'', 8th aug 1997"

>*

 

 

 

Return-Path: <country@sover.net>

Date: Fri, 8 Aug 1997 14:42:59 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: i've listened to yr tape

 

i dont have a real booklet out yet, rinaldo, but i could send you all of

the poems that i have to date, most of which are on the tape. would that

help?

i feel so wonderful that you like my voice, my reading - i've always been

self conscious on tapes and things. thankyou, my heartbrother.

love

marie

>> 

>> 

>im' looking for the booklet,

>ciao rinaldo.

 

 

 

 

To: Sharon Ngiam <mimosa@PACIFIC.NET.SG>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (further) Re: Chinese Tong

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 13.26 09/08/97 +0800,

Sharon Ngiam <mimosa@PACIFIC.NET.SG> wrote:

>What is the Chinese TONG?

> 

> 

Sharon,

 

perhaps it's better to retrieve the original source

(William S. Burroughs' article, the citation in the book

''Gay Spirit, Mith and Meaning'' by Mark Thompson, 1987).

 

Rinaldo.

Return-Path: <dkpenn@oees.com>

From: "Penn, Douglas, K" <dkpenn@oees.com>

To: 'Rinaldo Rasa' <rinaldo@GPNET.IT>

Subject: RE: (FWD) How the beats beat the First Amendment

Date: Tue, 12 Aug 1997 09:47:53 -0700

 

Rinaldo, thanx for all your news clipping posts.

 

Douglas

 

>----------

>From:   Rinaldo Rasa[SMTP:rinaldo@GPNET.IT]

>Sent:   Tuesday, August 12, 1997 2:20 AM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:     (FWD) How the beats beat the First Amendment

> 

>>Return-Path: <bofus@fcom.com>

>>Date: Mon, 11 Aug 1997 11:27:32 -0800

>>From: bofus? <bofus@fcom.com>

>>To: bofus@fcom.com

>>Subject: How the beats beat the First Amendment

>> 

>>How the beats beat the First Amendment

>> 

>> 

>>N.Y. Times News Service

>> 

>>(August 11, 1997 11:58 a.m. EDT) - The last year has been pretty much

>>the end of the road for the Beat Generation, with the deaths of Herbert

>>Huncke, the hustler who gave Jack Kerouac the word "beat," Allen

>>Ginsberg, who gave poetry "Howl," and, on Aug. 2, William S. Burroughs,

>>who gave the world, ready or not, "Naked Lunch."

>> 

>>The beats' defiance of authority and their experimentation with drugs

>>and sex helped set a generation on course for the counterculture of the

>>1960s. Not that censors didn't see what was coming. In 1957 Ginsberg

>>overcame an obscenity prosecution for "Howl," which celebrated

>>homosexuality and eroticism. In 1965 "Naked Lunch," in which Burroughs

>>opened the doors to hallucinatory visions of American society, was ruled

>>obscene in Massachusetts.

>> 

>>For Burroughs' American publisher, Grove Press, this was good news. When

>>it first came out in France in 1959, "Naked Lunch" wasn't even reviewed.

>>After 1965, it was a cause celebre.

>> 

>>Better yet, before the Massachusetts Supreme Court heard Grove's appeal

>>in 1966, the U.S. Supreme Court set a new precedent in a case involving

>>"John Cleland's Memoirs of a Woman of Pleasure" -- Fanny Hill. Its

>>ruling meant that to be found pornographic, "Naked Lunch" would have to

>>be "utterly without redeeming social value."

>> 

>>The result was a literary trial that elevated the least upbeat of the

>>beats (Burroughs had a dim view of humanity) to cult status. Grove

>>rushed out a new edition that included testimony. In it, the

>>uncertainties on both sides of the wavering cultural divide showed. To

>>get along, even the beats had to play along. Excerpts from that edition

>>follow. -- GEORGE JUDSON

>> 

>>Burroughs, a former drug addict with a pharmacologist's knowledge of

>>narcotics, had tried to inoculate "Naked Lunch" against challenges with

>>an introduction describing a high purpose:

>> 

>>I awoke from The Sickness at the age of forty-five, calm and sane, and

>>in reasonably good health except for a weakened liver and the look of

>>borrowed flesh common to all who survive The Sickness. . . . I have no

>>precise memory of writing the notes which have now been published under

>>the title "Naked Lunch." The title was suggested by Jack Kerouac. I did

>>not understand what the title meant until my recent recovery. The title

>>means exactly what the words say: NAKED Lunch -- a frozen moment when

>>everyone sees what is on the end of every fork.

>> 

>>The Sickness is drug addiction and I was an addict for fifteen years. .

>>. .

>> 

>>So "Naked Lunch" was a brief for eliminating heroin use by treating

>>junkies rather than punishing them. Burroughs made his case:

>> 

>>Dope fiends are sick people who cannot act other than they do. . . .

>>Assuming a self-righteous position is nothing to the purpose unless your

>>purpose is to keep the junk virus in operation. And junk is a big

>>industry." . . .

>> 

>>The junk virus is public health problem number one of the world today

>>(emphasis his). Since "Naked Lunch" treats this health problem, it is

>>necessarily brutal, obscene and disgusting.

>> 

>>What about the lurid sex scenes that include, among many activities,

>>hangings? He explained:

>> 

>>Certain passages in the book that have been called pornographic were

>>written as a tract against Capital Punishment in the manner of Jonathan

>>Swift's "Modest Proposal." These sections are intended to reveal capital

>>punishment as the obscene, barbaric and disgusting anachronism it is.

>> 

>>The dodge didn't work; a judge ruled "Naked Lunch" was hard-core

>>pornography. As the appeal moved along, other novels with legal troubles

>>included "Candy" by Terry Southern and "Last Exit to Brooklyn" by Hubert

>>Selby Jr. Norman Mailer testified for Burroughs:

>> 

>>There is a kind of speech that is referred to as gutter talk that often

>>has a very fine, incisive, dramatic line to it; and Burroughs captures

>>that speech like no American writer I know. He also . . . has an

>>exquisite poetic sense. His poetic images are intense. They are often

>>disgusting; but at the same time there is a sense of collision in them,

>>of montage that is quite unusual.

>> 

>>Mailer also found deep meaning:

>> 

>>William Burroughs is in my opinion -- whatever his conscious intention

>>may be -- a religious writer. There is a sense in "Naked Lunch" of the

>>destruction of soul, which is more intense than any I have encountered

>>in any other modern novel. It is a vision of how mankind would act if

>>man was totally divorced from eternity. . . .

>> 

>>Just as Hieronymus Bosch set down the most diabolical and blood-curdling

>>details . . . so, too, does Burroughs leave you with an intimate,

>>detailed vision of what Hell might be like, a Hell which may be waiting

>>as the culmination, the final product, of the scientific revolution.

>> 

>>Allen Ginsberg testified, too:

>> 

>>The concept of addiction is carried out to include, in Burroughs'

>>phrase, "control addicts," or people who are habituated or pushing other

>>people around. What it boils down to: controlling them sexually,

>>politically, socially. . . . there are almost scientific expositions

>>given by the author of techniques of mass brainwash and mass control,

>>and theories of modern dictatorships, theories of modern police states.

>>. . .

>> 

>>I think he is laconically, satirically analyzing them and presenting

>>evidences of these activities in our modern culture, now and then in a

>>science-fiction style, projecting them into the future, nightmare

>>situations if control addicts took over.

>> 

>>Ginsberg, a homosexual and former lover of Burroughs, was asked to sort

>>out the political parties portrayed in "Naked Lunch." Who, satirically,

>>was whom? "The Divisionists (one party in the book) are the

>>homosexuals?" the court asked. There seemed likely to be a correct

>>answer:

>> 

>>Yes. The Divisionist is a parody of a homosexual situation also; but

>>Burroughs is (Ginsberg's emphasis) attacking the homosexuals in this

>>book also.

>> 

>>The court then asked, "Do the conservatives fall into any particular sex

>>class in this book?" Ginsberg replied:

>> 

>>Well, I think the conservatives, if we consider the Factualist (another

>>party) to be conservative, I think they have a feeling of laissez-faire,

>>whatever is natural, whatever does no harm will be acceptable. . . .

>> 

>>A justice put in:

>> 

>>"Lest anyone take this seriously, of course, obviously it is a fantasy."

>> 

>>But the justice soon returned to homosexuality:

>> 

>>"Let me ask again. Do you think he is seriously suggesting that some

>>time in the future that a political party will be in some way concerned

>>with sex? (Grove's lawyer tried to speak.) Excuse me. When I say,

>>"Concerned with sex," I don't mean in an attempt to reform perversion. .

>>. . what he is trying to portray here, is that some time in the future

>>there will be a political party, for instance, made up of homosexuals?

>> 

>>Ginsberg replied:

>> 

>>Well, I think, saying that, this has already happened in a sense, -- or

>>of sex perverts -- and we can point to Hitler, Germany under Hitler.

>> 

>>In a 4-2 decision, the court found that "Naked Lunch" "may appeal to the

>>prurient interest of deviants and those curious about deviants. To us,

>>it is grossly offensive and is what the author himself says, 'brutal,

>>obscene and disgusting.' "

>> 

>>But applying the new federal test, the court stated, "we cannot ignore

>>the serious acceptance of it by so many persons in the literary

>>community. Hence, we cannot say that 'Naked Lunch' has no 'redeeming

>>social importance.' "

>> 

>>"Naked Lunch" passed. And the obscenity test has since been revised; it

>>now requires a "reasonable person" to find that a work is prurient,

>>violates contemporary community standards and, taken as a whole, "lacks

>>serious literary, artistic, political or scientific value."

>> 

>>Ginsberg concluded his testimony with a poem, "On Burroughs' Work." It

>>ends:

>> 

>>A naked lunch is natural to us, we eat reality sandwiches. But

>>allegories are so much lettuce. Don't hide the madness.

>> 

>> 

> 

 

To: Antoine Maloney <stratis@ODYSSEE.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (FWD) q: ranaldo & a: burroughs, 9 april 97

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997081201084449@CUNYVM.CUNY.EDU>

References:

 

Antoine,

 

bofus is Mike Watt of San Pedro, California.

please, check his home page

http://www.fcom.com/~bofus/index.html

Mike is a bass player & send funny

things to his friends, i was chatting with mike

few months ago, sometime he emails me a newsletter

& sometime something is related to Beat,

 

i hope this help,

 

saluti

Rinaldo.

 

 

At 01.08 12/08/97 -0400, Antoine wrote:

>Rinaldo,

> 

>        Where did you get that terrific intervew between Lee Ranaldo and

>Burroughs? Ranaldo has done some music by himself away from Sonic Youth that

>I really like. The interview was terrific with all the references to Bowles

>and the others.

> 

>        Thanks

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

>Return-Path: <shanstep@cs.arizona.edu>

Date: Wed, 13 Aug 1997 09:10:45 -0700 (MST)

From: "Shannon L. Stephens" <shanstep@cs.arizona.edu>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: who's who?

 

 

Thanks so much for the information Rinaldo. I'm so pleased that people

took my request seriously. Knowing the ins and outs certainly adds to my

reading of on the road.

 

-shannon

 

Return-Path: <babu@electriciti.com>

Date: Thu, 14 Aug 1997 08:04:54 -0700

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: runner <babu@electriciti.com>

Subject: Re: about razor

 

Thanx!  Reminds me of the chinese fortune cookie that warned:  "beware of

excesses"

 

Douglas

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

At 1:17 AM -0700 8/14/97, Rinaldo Rasa wrote:

 

 

> >Rinaldo, you are such a tease.  Somebody please translate?

> >

> >Douglas

> 

> >>        ENTIA NON SUNT MULTIPLICANDA

> >>        PRAETER NECESSITATEM...

> >>

> 

> please, excuse me, the translation is

> 

>         "IT IS VAIN TO DO WITH MORE

>         WHAT CAN BE DONE WITH FEWER"

 

 

 

http://www.electriciti.com/babu/   |   0 |

step aside, and let the man go thru |  { -     |

  ---->  let the man go thru |  /\ |

super bon-bon (soul coughing)      =========

 

 

 

To: dkpenn@OEES.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: how to get beat-l list archive

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

douglas,

u can obtain the archive beat using such command line

 

LISTSERV@CUNYVM.CUNY.EDU

 

in the body

 

GET BEAT-L LOG9707 BEAT-L

 

if u like receive the july archive, if u wish to

receive the another month archive i.e. april 96

u send a new messagge at the same address but

in the body writ get beat-l log9604 beat-l

 

i hope this match yr request information,

 

saluti,

Rinaldo.Return-Path: <dkpenn@oees.com>

From: "Penn, Douglas, K" <dkpenn@oees.com>

To: 'Rinaldo Rasa' <rinaldo@gpnet.it>

Subject: RE: how to get beat-l list archive

Date: Thu, 14 Aug 1997 11:28:24 -0700

 

Rinaldo,

 

I take back my earlier comment about you being a tease .... you're a

saint!!

 

thank you very much, Douglas

 

>----------

>From:   Rinaldo Rasa[SMTP:rinaldo@gpnet.it]

>Sent:   Thursday, August 14, 1997 11:16 AM

>To:     Penn, Douglas, K

>Subject:     how to get beat-l list archive

> 

>douglas,

>u can obtain the archive beat using such command line

> 

>LISTSERV@CUNYVM.CUNY.EDU

> 

>in the body

> 

>GET BEAT-L LOG9707 BEAT-L

> 

>if u like receive the july archive, if u wish to

>receive the another month archive i.e. april 96

>u send a new messagge at the same address but

>in the body writ get beat-l log9604 beat-l

> 

>i hope this match yr request information,

> 

>saluti,

>Rinaldo.

> 

 

To: shanstep@cs.arizona.edu

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: spiritual glimpse (personal request)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SOL.3.91.970813090938.5799B-100000@baskerville.CS.Arizona.EDU>

References: <3.0.1.32.19970813133746.00b201b8@pop.gpnet.it>

 

Shannon L. Stephens wrote:

(in Tucson, where the heat has somehow prompted my search for

god...)

 

Shannon,

also here in suburb of Venice, Italy, is heat, in the mid

august holiday here's heat heat heat, & i know (i hope) what you

mean in the above phrase, some beat lit it's not possible to

read in such a hot condition, id est a few weeks ago i re-read

the (new) italian translation of Ginsberg's "Howl" & "Kaddish"

& i was demoralized alot, then i re-read "On The Road" &

i've noticed a much satisfaction, i think this is related with

the spiritual content of JK's work. maybe i'm wrong but

really some beat works need a time & (perhaps an age) to gave

the beast to people, only an idea, i think, that spiritual work

beat the blue (or the blue out of the blue) in a manner that

other works dont do,

 

only some nightly thoughts...

 

saluti cordiali,

Rinaldo.

To: runner <babu@electriciti.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: about razor

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901b018ced7516e@[208.193.147.103]>

References: <3.0.1.32.19970814101751.00689a6c@pop.gpnet.it> <c=US%a=_%p=OEES%l=SD-MAIL-970812172530Z-539@sd-mail.sd.oee s.com>

 

Douglas,

a medieval philosopher crosses a chinese cook...

fine!

 

saluti,

Rinaldo

-------

>Thanx!  Reminds me of the chinese fortune cookie that warned:  "beware of

>excesses"

> 

>Douglas

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>At 1:17 AM -0700 8/14/97, Rinaldo Rasa wrote:

> 

> 

>> >Rinaldo, you are such a tease.  Somebody please translate?

>> >

>> >Douglas

>> 

>> >>        ENTIA NON SUNT MULTIPLICANDA

>> >>        PRAETER NECESSITATEM...

>> >>

>> 

>> please, excuse me, the translation is

>> 

>>         "IT IS VAIN TO DO WITH MORE

>>         WHAT CAN BE DONE WITH FEWER"

> 

Return-Path: <babu@electriciti.com>

Date: Thu, 14 Aug 1997 18:30:27 -0700

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: runner <babu@electriciti.com>

Subject: Re: about razor

 

<<laugh>>

 

 

At 2:23 PM -0700 8/14/97, Rinaldo Rasa wrote:

 

 

> Douglas,

> a medieval philosopher crosses a chinese cook...

> fine!

> 

> saluti,

> Rinaldo

> -------

> >Thanx!  Reminds me of the chinese fortune cookie that warned:  "beware of

> >excesses"

> >

> >Douglas

> >

> >=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> >At 1:17 AM -0700 8/14/97, Rinaldo Rasa wrote:

> >

> >

> >> >Rinaldo, you are such a tease.  Somebody please translate?

> >> >

> >> >Douglas

> >>

> >> >>        ENTIA NON SUNT MULTIPLICANDA

> >> >>        PRAETER NECESSITATEM...

> >> >>

> >>

> >> please, excuse me, the translation is

> >>

> >>         "IT IS VAIN TO DO WITH MORE

> >>         WHAT CAN BE DONE WITH FEWER"

> >

 

 

 

http://www.electriciti.com/babu/   |   0 |

step aside, and let the man go thru |  { -     |

  ---->  let the man go thru |  /\ |

super bon-bon (soul coughing)      =========

 

 

 

To: runner <babu@ELECTRICITI.COM>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beats

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Douglas,

agree with u... sorry but Charles Bukowski is not

present in the beat writers i posted, (!??!), there's

no excuses...

 

the list was:

 

Amari Baraka (Leroi Jones)

Paul Blackburn

Bonnie Bremser

Ray Bremser

Chandler Brossard

William S. Burroughs

William S. Burroughs Jr.

Paul Carroll

Carolyn Cassady

Neal Cassady

Andy Clausen

Gregory Corso

Robert Creely

Diane DiPrima

Kirby Doyle

Robert Duncan

Bob Dylan

William Everson (Brother Antonus)

Lawrence Ferlinghetti

Allen Ginsberg

Brion Gysin

John Cellon Holmes

Herbert Huncke

Ted Joans

Lenore Kandel

Bob Kaufman

Jan Kerouac

Jack kerouac

Ken Kesey

Seymour Krim

Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Norman Mailer

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

John Montgomery

Harold Norse

Frank O'Hara

Charles Olson

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Michael Rumaker

Ed Sanders

Gary Snyder

Carl Solomon

Jack Spicer

Charles Upton

Janine Pommy Vega

Anne Waldman

Alan Watts

Lew Welch

Philip Whalen

John Weiners

William Carlos Williams

 

-- the end --

 

 

u are right there's alot of beat people is alive,

 

saluti,

Rinaldo.

 

Return-Path: <babu@electriciti.com>

Date: Thu, 21 Aug 1997 00:41:29 -0700

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: the big lie (babu)

Cc: <jeter@europa.com>, ajensen@telecom.ucla.edu, agit8@hotmail.com,

        bstoffma@lausd.k12.ca.us, azulado@aol.com, ChrisHein@aol.com,

        mbella@earthlink.net, CVEditions@aol.com, Dfroley@aol.com,

        Diane Carter <dcarter@TOGETHER.NET>, thau@hotwired.com,

        EugeneAhn@mwp-online.com, fi@oceanstar.com,

        Gerald Houghton <houghtong@globalnet.co.uk>, gershwin@cinenet.net,

        Raminocs@aol.com, HollyBauer@aol.com, jack.bissell@sandiegoca.ncr.com,

        Jacrosby1@aol.com, jaybab@cinenet.net, jill@jillbell.com,

        jeter@europa.com, 6500ljn@ucsbuxa.ucsb.edu, Marioka7@aol.com,

        ignatz@sirius.com, oktober@post.cis.smu.edu, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, RACE --- <race@midusa.net>,

        Sherri <love_singing@msn.com>, googie@wam.umd.edu, tpreece@pacbell.net,

        vpaul@gwdi.com, mpener@jcccnet.johnco.cc.ks.us, palad@sprynet.com,

        Leon Tabory <letabor@cruzio.com>, Rinaldo Rasa <rinaldo@gpnet.it>,

        stauffer@pacbell.net

 

is that the more we invest in the system, the more we'll get out

that thresholds can be bargained with if you know the right codes

and that there will never be any consequences

never any reactions in the opposite direction

coming straight and narrow and where are the defenses against that?

 

so I want you to lie to me.  don't tell me the truth.  don't fucking want

to hear it.

or just don't tell me.  what do I care?  I've got porcupine skin.

every try getting next to me.  If I don't shout, you can't see me.

and I might be cold to your presence, but I'm not dead.

 

so, pick an image from the gallery guide:

 

http://www.electriciti.com/babu/images/Gallery_guide2.html

 

and tell me what you really think

and if it meets that elusive babu criteria

then maybe I'll include it with the image

bound and tethered to the eternal question:

 

WHAT IS BABU?

 

Douglas

 

 

oh yeah, and tell me if you want off this list

by replying "unsubscribe" as the subject line

 

IT IS A FELONY TO REPRODUCE THIS EMAIL WITHOUT MY CONSENT

 

 

 

 

 

 

 

 

;-)

 

 

 

 

 

http://www.electriciti.com/babu/   |   0 |          The map is

not the territory

                   |  { -     |          --Korzybski

  ---->                |  /\ |

                   =========

 

 

 

Return-Path: <stratis@odyssee.net>

Date: Fri, 22 Aug 1997 16:31:39 +0200 (MET DST)

X-Sender: stratis@pop.microtec.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: stratis@odyssee.net (Antoine Maloney)

Subject: half-japanese sardines...

 

Rinaldo,

 

        Are you a fan of the American band Half-japanese? One passage in

your latest poem reminded me of their song "Always". Also, partly because

Jad Fair, in the song, mentions Dylan and Neil Young with the same kind of

line breaks...very nice. Did you see my post about the lyrics of "Lost

inside of Mobile...."?  ...whether you were setting a test for us?

 

        Antoine

 

        **************

 

>i think of you often BEATs!

> 

>        before digital tape

>        before 'puter

>        before the yellow radiation suits

> 

>i think of you often...

>gregory corso aka gregorio nunzio corso

> 

>                                                (the bomB)

>before

>        get rid of everything, funny things are everywhere

> 

>        they wear radiation suits,

> 

>before pre-taped-recorded world wake up say something

>        EVERYONE HAS THEIR 15 MINUTES OF FAME!

> 

>& bob dylan can changin' lyrics

>& neal young was young 20 on Sugar Mountain,

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                         -- Norman Navrotsky and Utah Phillips

 

 

To: stratis@odyssee.net (Antoine Maloney)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: half-japanese sardines...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <m0x1ukV-000rcBC@gpnet.it>

References:

 

Antoine,

 

Dylan & Neal Young was together in the cult movie "The Last Waltz",

(a farewell for the Band),

 

btw#1 i like yr posts on the Beat-List.

btw#2 i'm appreciating alot Neal Young but seems not so maudit

to became recognized as a "maestro".

btw#3 "memphis blues again" is a-song-a-changin' by dylan himself,

my lyric is dated 1971 (!) so i think u are perfectly right on.

btw#4 thanks to keep seriuosly my sardines.

 

saluti,

Rinaldo.

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: More SF Beat-L Party Pics

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Fri, 22 Aug 1997 08:32:03 -0700

>Reply-To:     stauffer@pacbell.net

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         James Stauffer <stauffer@PACBELL.NET>

>Subject:      More SF Beat-L Party Pics

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>Leon Tabory, Estelle and Jerry Cimino, J. Stauffer

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\leon .jpg"

> 

 

James,

 

i use Quick Time Picture View (32 bit) but

im' sorry but my 'puter refuse to show me the picture.

 

idunno the reason,

 

saluti cordiali,

Rinaldo.Return-Path: <stauffer@pacbell.net>

Date: Fri, 22 Aug 1997 20:57:35 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

Rinaldo Rasa wrote:

>

> >Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

> >Date:         Fri, 22 Aug 1997 08:32:03 -0700

> >Reply-To:     stauffer@pacbell.net

> >Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

> >From:         James Stauffer <stauffer@PACBELL.NET>

> >Subject:      More SF Beat-L Party Pics

> >To:           BEAT-L@CUNYVM.CUNY.EDU

> >

> >Leon Tabory, Estelle and Jerry Cimino, J. Stauffer

> >

> >Attachment Converted: "c:\pbox\rinaldo\attach\leon .jpg"

> >

>

> James,

>

> i use Quick Time Picture View (32 bit) but

> im' sorry but my 'puter refuse to show me the picture.

>

> idunno the reason,

>

> saluti cordiali,

> Rinaldo.

 

 

Antoine had the same problem.  I will try again.  Maybe we have

different viewers.  I am ignorant of these things.  Let me know if you

get anything.

 

James

 

To: Leon Tabory <letabor@CRUZIO.COM>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanks alot... friend.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Leon,

i like yr courtesy, i like u to take seriously my sardines.

 

im' just in a difficult moment of life, my mother having

years ago a severe heart attack, after surgical bypass she was

saved, problems are now occuring and pain is coming but

God gave us the Life & then life gone... i tell this 'cuz i love

yr gentle feeling leon,

 

 

 

sorry for the occurence of unknown email address i dunno what

happen in the international internet channels, i receive regularly

the messages from the beat-list, maybe was a temporary failure of

my provider server or in padua where all the messages are routed before

sended to venice-mestre node, i think...

 

about the SF meeting James picture i cant' display the

image having an error message from my 'puter, i dunno why,

 

ciao da

Rinaldo.Return-Path: <stauffer@pacbell.net>

Date: Sat, 23 Aug 1997 19:28:22 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

Rinaldo,  I just posted another three pictures.  Let me know if they

come through.  If not I will post direct and maybe not having the

listserv in the middle they will work better.

 

James

 

Return-Path: <stauffer@pacbell.net>

Date: Sat, 23 Aug 1997 19:29:40 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

This is the original post-- Leon, Estelle and Jerry Cimino and me.

 

James

 

Attachment Converted: "c:\pbox\rinaldo\attach\leon 1.jpg"

Return-Path: <letabor@cruzio.com>

From: Leon Tabory <letabor@cruzio.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks a lot... friend.

Date: Sun, 24 Aug 1997 06:59:17 -0700

X-MSMail-Priority: Normal

X-MimeOle: Produced By Microsoft MimeOLE Engine V4.71.1008.3

 

 Good Sunday Rinaldo,

 

+AD4-Leon,

+AD4-i like yr courtesy, i like u to take seriously my sardines.

+AD4-

They spoke to me. Looked at me I should say. Made me look at them rather.

Your poem evoked a strong response in me.  As always.

 

+AD4-im' just in a difficult moment of life, my mother having

+AD4-years ago a severe heart attack, after surgical bypass she was

+AD4-saved, problems are now occuring and pain is coming but

+AD4-God gave us the Life +ACY- then life gone... i tell this 'cuz i love

+AD4-yr gentle feeling leon,

 

Thank you Rinaldo. I feel honored that you choose to share yor sorrow.

Hopefully the pain eases.

+AD4-

+AD4-sorry for the occurence of unknown email address i dunno what

+AD4-happen in the international internet channels, i receive regularly

+AD4-the messages from the beat-list, maybe was a temporary failure of

+AD4-my provider server or in padua where all the messages are routed before

+AD4-sended to venice-mestre node, i think...

 

In a way I feel reassured when the computers turn up a glitch. They are not

as scary then to this glitch prone person. Although the error is probably

human, still the computer can't overpower the human then.

+AD4-

+AD4-about the SF meeting James picture i cant' display the

+AD4-image having an error message from my 'puter, i dunno why,

+AD4-

I see that you are using Eudora light version 3.01, Mime 1.0, us-ascii

character set. I don't know Eudora, but I know it is very good. I am at the

moment trying out Microsoft Outlook Express (Internet Explorer 4). It seems

to do really well. The only difference that I noticed is that my options

include mapping us-ascii -+AD4-Universal Alphabet (UTF-7) text/plain. I don't

know if this helps, but I am enclosing the photo that was not repeated

yesterday. Maybe you got the ones posted yesterday ok. If not  and this one

comes through, let me know and i can forward you the others.

 

+AD4-ciao da

+AD4-Rinaldo.

 

Ciao

 

leon

+AD4-.-

+AD4-

 

 

Return-Path: <letabor@cruzio.com>

From: Leon Tabory <letabor@cruzio.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks a lot... friend.

Date: Sun, 24 Aug 1997 07:04:20 -0700

X-Unsent: 1

X-MSMail-Priority: Normal

X-MimeOle: Produced By Microsoft MimeOLE Engine V4.71.1008.3

 

Good Sunday Rinaldo,

 

+AD4-Leon,

+AD4-i like yr courtesy, i like u to take seriously my sardines.

+AD4-

They spoke to me. Looked at me I should say. Made me look at them rather.

Your poem evoked a strong response in me.  As always.

 

+AD4-im' just in a difficult moment of life, my mother having

+AD4-years ago a severe heart attack, after surgical bypass she was

+AD4-saved, problems are now occuring and pain is coming but

+AD4-God gave us the Life +ACY- then life gone... i tell this 'cuz i love

+AD4-yr gentle feeling leon,

 

Thank you Rinaldo. I feel honored that you choose to share yor sorrow.

Hopefully the pain eases.

+AD4-

+AD4-sorry for the occurence of unknown email address i dunno what

+AD4-happen in the international internet channels, i receive regularly

+AD4-the messages from the beat-list, maybe was a temporary failure of

+AD4-my provider server or in padua where all the messages are routed before

+AD4-sended to venice-mestre node, i think...

 

In a way I feel reassured when the computers turn up a glitch. They are not

as scary then to this glitch prone person. Although the error is probably

human, still the computer can't overpower the human then.

+AD4-

+AD4-about the SF meeting James picture i cant' display the

+AD4-image having an error message from my 'puter, i dunno why,

+AD4-

I see that you are using Eudora light version 3.01, Mime 1.0, us-ascii

character set. I don't know Eudora, but I know it is very good. I am at the

moment trying out Microsoft Outlook Express (Internet Explorer 4). It seems

to do really well. The only difference that I noticed is that my options

include mapping us-ascii -+AD4-Universal Alphabet (UTF-7) text/plain. I don't

know if this helps, but I am enclosing the photo that was not repeated

yesterday. Maybe you got the ones posted yesterday ok. If not  and this one

comes through, let me know and i can forward you the others.

 

+AD4-ciao da

+AD4-Rinaldo.

 

Ciao

 

leon

+AD4-.-

+AD4-

 

 

 

Attachment Converted: "c:\pbox\rinaldo\attach\leon 2.jpg"

Return-Path: <stauffer@pacbell.net>

Date: Sun, 24 Aug 1997 17:49:50 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Pics

 

Rinaldo

 

Did the pics come through at all?  Antoine Maloney was having the same

problem and found that if he just looked at the files through his

browser rather than trying to spin off a viewer they worked just fine.

 

James

 

Posted 4 different pics to the List.

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33FF9C93.6B6C@pacbell.net>

References: <3.0.1.32.19970822220522.006ba850@pop.gpnet.it>

 

James,

 

great! great! great!

Thanks for the gift!

I'm happy to see you!

 

grazie amici, ciao da

Rinaldo.

 

>This is the original post-- Leon, Estelle and Jerry Cimino and me.

> 

>James

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\leon 1.jpg"

>To: Leon Tabory <letabor@cruzio.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks a lot... friend.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <9708240709.aa10192@mail.cruzio.com>

References:

 

Leon,

 

now i can see...

it's nice to see friends!

 

grazie e ciao da

Rinaldo.

 

>Attachment Converted: "c:\pbox\rinaldo\attach\leon 2.jpg"

Return-Path: <stauffer@pacbell.net>

Date: Mon, 25 Aug 1997 09:20:01 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

Rinaldo Rasa wrote:

>

> James,

>

> great! great! great!

> Thanks for the gift!

> I'm happy to see you!

>

> grazie amici, ciao da

> Rinaldo.

>

> >This is the original post-- Leon, Estelle and Jerry Cimino and me.

> >

> >James

> >

> >Attachment Converted: "c:\pbox\rinaldo\attach\leon 1.jpg"

> >

 

Rinaldo,

 

did the other photo's come through off the list?  There should be one

labeled "Anne", one "Glensher" and one "Lisa" .  If they didn't reach

you let me know and I will send them direct.

 

James

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3401B0B1.954@pacbell.net>

References: <3.0.1.32.19970822220522.006ba850@pop.gpnet.it> <3.0.1.32.19970825132225.00698ae0@pop.gpnet.it>

 

James,

 

allright everything!

i've all the great picture u mentioned!

 

---

technical note: i followed the Antoine's suggestion & have

setup my www browser to display the pic format jpg & then all works

fine.

 

i think possible problems with the picture seems become using dedicated

programs viewer like Quick Time, CorelDraw, LViewPro, which

cant' recognized the jpg format dowloaded (id est LView prompts

an error message like "unsupported SOF marker", and other

viewers also message error referring not enuf amount of

memory for temporary files et similia).

---

 

di nuovo grazie e ciao da

Rinaldo.

 

 

>Rinaldo,

> 

>did the other photo's come through off the list?  There should be one

>labeled "Anne", one "Glensher" and one "Lisa" .  If they didn't reach

>you let me know and I will send them direct.

> 

>James

> 

Return-Path: <junky@burroughs.net>

Date: Tue, 26 Aug 1997 14:05:51 -0600

To: Waterrow@AOL.COM, gallaher@HSC.USC.EDU, mrice@CENTURYINTER.NET,

        DawnDR@AOL.COM, elwellg@VOICENET.COM, pelliott@SUNFLOWER.COM,

        kh14586@ACS.APPSTATE.EDU, jdematte@TURBO.KEAN.EDU, DIXCIN@AOL.COM,

        tcoomber@CIACCESS.COM, race@MIDUSA.NET, Ddrooy@AOL.COM,

        vic.begrand@sk.sympatico.ca, rinaldo@GPNET.IT, howl420@JUNO.COM,

        CVEditions@AOL.COM, rwallner@CAPACCESS.ORG

From: Sorted <junky@burroughs.net>

Subject: Posts on the burroughs.net Memorial pages.

 

Hello.

 

I'm writing to let you know that your post(s) from early august to the

Beat-L Mailing list regarding

the death of William Burroughs is currently a part of the burroughs.net

memorial page.

 

I'd written to the list a couple weeks ago asking permission to use these

posts, and of the seven people

that bothered to reply, all were in favor.

 

Take a look at http://www.burroughs.net. The direct url is

http://www.burroughs.net/mempage1.html

 

if you have any problems with anything regarding your post, let me know;

I'll either change it or take it down, as per your request.

 

 

thanks,

 

-Zach Hoon

 

 

 

Return-Path: <babu@electriciti.com>

Date: Wed, 27 Aug 1997 21:49:34 -0700

To: dcarter@TOGETHER.NET, race@midusa.net, dkpenn@oees.com,

        love_singing@msn.com, agit8@hotmail.com, thau@hotwired.com,

        "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: Nightswimming (1997)

Cc: bstoffma@lausd.k12.ca.us, azulado@aol.com, ChrisHein@aol.com,

        mbella@earthlink.net, CVEditions@aol.com, Dfroley@aol.com,

        double d <dbldd@hotmail.com>, EugeneAhn@mwp-online.com,

        fi@oceanstar.com, Raminocs@aol.com, Jacrosby1@aol.com,

        6500ljn@ucsbuxa.ucsb.edu, Leon Tabory <letabor@cruzio.com>,

        Marioka7@aol.com, Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

 

http://www.electriciti.com/babu/images/Nightswimming.html

 

 

 

 

 

 

                                 0   0

         [          ]

              '''

          }[--=-=-=--=-=-==-==ooooooo=-=-=-=-=-=-=-=-]{

 

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

                              <.>      <.>

 

 

 

 

 

 

    sorry I missed you at burning man, sarah, agit8, ethan, dthau

 -------------------------------------------------------------

 xoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxo

 

 

 

 

 

 

Nightswimming

Automatic For The People

REM (M. Stipe)

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

 

(To Song List)

 

Nightswimming deserves a quiet night.

The photograph on the dashboard, taken years ago,

turned around backwards so the windshield shows.

Every streetlight reveals the picture in reverse.

Still, it's so much clearer.

I forgot my shirt at the water's edge.

The moon is low tonight.

 

Nightswimming deserves a quiet night.

I'm not sure all these people understand.

It's not like years ago,

The fear of getting caught,

of recklessness and water.

They cannot see me naked.

These things, they go away,

replaced by everyday.

 

Nightswimming, remembering that night.

September's coming soon.

I'm pining for the moon.

And what if there were two

Side by side in orbit

Around the fairest sun?

That bright, tight forever drum

could not describe nightswimming.

 

You, I thought I knew you.

You I cannot judge.

You, I thought you knew me,

this one laughing quietly underneath my breath.

Nightswimming.

 

The photograph reflects,

every streetlight a reminder.

Nightswimming deserves a quiet night, deserves a quiet night.

 

Find The River

 

 

 

=-=-=-to get off this list return "unsubscribe" as the subject

Douglas

 

 

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 07:50:28 -0500

From: RACE --- <race@midusa.net>

To: runner <babu@electriciti.com>

CC: "Beach@qconline.com" <Beach@qconline.com>, dcarter@TOGETHER.NET,

        dkpenn@oees.com, love_singing@msn.com, agit8@hotmail.com,

        thau@hotwired.com, bstoffma@lausd.k12.ca.us, azulado@aol.com,

        ChrisHein@aol.com, mbella@earthlink.net, CVEditions@aol.com,

        Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: Re: Nightswimming (1997)

 

runner wrote:

>

> http://www.electriciti.com/babu/images/Nightswimming.html

>

> Nightswimming

> Automatic For The People

> REM (M. Stipe)

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

>

> (To Song List)

>

> Nightswimming deserves a quiet night.

> The photograph on the dashboard, taken years ago,

> turned around backwards so the windshield shows.

> Every streetlight reveals the picture in reverse.

> Still, it's so much clearer.

> I forgot my shirt at the water's edge.

> The moon is low tonight.

>

> Nightswimming deserves a quiet night.

> I'm not sure all these people understand.

> It's not like years ago,

> The fear of getting caught,

> of recklessness and water.

> They cannot see me naked.

> These things, they go away,

> replaced by everyday.

>

> Nightswimming, remembering that night.

> September's coming soon.

> I'm pining for the moon.

> And what if there were two

> Side by side in orbit

> Around the fairest sun?

> That bright, tight forever drum

> could not describe nightswimming.

>

> You, I thought I knew you.

> You I cannot judge.

> You, I thought you knew me,

> this one laughing quietly underneath my breath.

> Nightswimming.

>

> The photograph reflects,

> every streetlight a reminder.

> Nightswimming deserves a quiet night, deserves a quiet night.

>

> Find The River

>

 

Listening to R.E.M. document "Standing on the shoulders of giants leaves

me Cold" right now.  I will probably not be as offensively active at the

keyboard today as i just must quit procrastination on apartment pickup

and cleaning - open house this weekend for family and whatnot. 

 

But i will be around the apartment most of the day and would love some

breaks and whatnot.  I'll probably check out another video - either Snow

White and 7 Dwarfs or Lady and the Tramp i imagine if the library has

not been ravaged by those rugrats that always move into these adult

films that they can't possibly comprehend.  I say let them watch the

Godfather at an early age.  Then at our age ... Mary Poppins and jump

into sidewalk pictures -- what would it be like to jump into

Nightswimming ???? i think a fairly smooth trip probably. 

 

Anyway, if it is myth-related or Ulysses related write me on the group

mail (which may be the best Joyce-L around now) otherwise if random

musings from any or all participants ... Rod actually does muse believe

it or not ... after getting home from work ... hilarious backchannels

... use backchannels to overcome the huge traffic we've created in this

sandbox called Ulysses.

 

over and out.

 

david rhaesa

salina, Kansas

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 08:04:09 -0500

From: RACE --- <race@midusa.net>

To: "Beach@qconline.com" <Beach@qconline.com>, runner <babu@electriciti.com>

CC: dcarter@TOGETHER.NET, dkpenn@oees.com, love_singing@msn.com,

        agit8@hotmail.com, thau@hotwired.com, bstoffma@lausd.k12.ca.us,

        azulado@aol.com, ChrisHein@aol.com, mbella@earthlink.net,

        CVEditions@aol.com, Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: Hermes website from Rod on Ancient Egypt -- a good jumpoff point there

 

runner wrote:

>

> Find The River

>

 

The Nile or the Mississippi or the River Styx???

 

http://marlowe.wimsey.com/~rshand/streams/scripts/hermes.html

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 08:09:32 -0500

From: RACE --- <race@midusa.net>

To: "Beach@qconline.com" <Beach@qconline.com>, runner <babu@electriciti.com>

CC: dcarter@TOGETHER.NET, dkpenn@oees.com, love_singing@msn.com,

        agit8@hotmail.com, thau@hotwired.com, bstoffma@lausd.k12.ca.us,

        azulado@aol.com, ChrisHein@aol.com, mbella@earthlink.net,

        CVEditions@aol.com, Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: Web grounding from the Flood - Leary and Book of Dead

 

runner wrote:

>

> Find The River

>

> =-=-=-to get off this list return "unsubscribe" as the subject

> Douglas

 

http://www.lycaeum.org/books/books/psychedelic_experience/tibetan.html

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 08:21:15 -0500

From: RACE --- <race@midusa.net>

To: "Beach@qconline.com" <Beach@qconline.com>, runner <babu@electriciti.com>

CC: dcarter@TOGETHER.NET, dkpenn@oees.com, love_singing@msn.com,

        agit8@hotmail.com, thau@hotwired.com, bstoffma@lausd.k12.ca.us,

        azulado@aol.com, ChrisHein@aol.com, mbella@earthlink.net,

        CVEditions@aol.com, Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: A nice piece on Transformation in Ulysses including Metempsychosis

 

runner wrote:

>

> Find The River

>

> =-=-=-to get off this list return "unsubscribe" as the subject

> Douglas

 

I think this website does a nice job of brieflydiscussing some of the

transformatory rhetoric in Ulysses and in our own group evolution over

the past month.  Not always pretty - but good nonetheless.

 

I'll actually stop playing and start doing my chores now

 

http://schottky.ucsd.edu/~paul/literature/paul_ulysses.html

 

dbr

 

Return-Path: <dschwarm@sun1.lib.uci.edu>

Date: Thu, 28 Aug 1997 08:22:59 -0700 (PDT)

From: David Schwarm <dschwarm@sun1.lib.uci.edu>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats.

 

Hi,

 

Thanks for the update.  I have used your list to start my own little

spreadsheet (with dates and famous works), please feel free to use this as

you see fit (it is a WIN3.1 MS Excel file - let me know if you need a

different format).

 

David Schwarm                   Making jazz swing in

41 Southbrook                   Seventeen syllables AIN'T

Irvine, CA  92604        No square poet's job.

 

 

 

On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

 

> Date: Thu, 28 Aug 1997 00:01:10 +0200

> From: Rinaldo Rasa <rinaldo@gpnet.it>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Beats.

>

> Donald Allen

> Amari Baraka (Leroi Jones)

> Paul Blackburn

> Robin Blaser

> Bonnie Bremser

> Ray Bremser

> Chandler Brossard

> Charles Bukowski

> William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }

> William S. Burroughs Jr.

> Lucien Carr

> Paul Carroll

> Louis R Cartwright

> Carolyn Cassady

> Neal Cassady { 8 Feb 1926 - 4 Feb 1968 }

> Andy Clausen

> Gregory Corso

> Robert Creeley [Black Mountain School]

> Henry Cru

> Diane DiPrima

> John Doe

> Kirby Doyle

> Robert Duncan [Black Mountain School]

> Bob Dylan

> William Everson (Brother Antonus)

> Richard Farina

> Lawrence Ferlinghetti

> Charles Foster

> Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 }

> John Giorno

> Brion Gysin

> William Inge

> John Cellon Holmes

> Herbert Huncke

> Ted Joans

> Joyce Johnson

> Lenore Kandel

> Bob Kaufman

> Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }

> Jan Kerouac

> Ken Kesey

> Seymour Krim

> Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

> Tuli Kupferberg

> Joanne Kyger

> Philip Lamantia

> Jay Landesman

> Fran Landesman

> Timothy Leary

> Lawrence Lipton

> Malcom Lowry

> Norman Mailer

> Gerard Malanga

> Edward Marshall

> Joanna McClure

> Michael McClure

> Taylor Mead

> David Meltzer

> Jack Micheline

> Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

> John Montgomery

> Harold Norse

> Frank O'Hara

> Charles Olson [Black Mountain School]

> Peter Orlovsky

> Kenneth Patchen

> Stuart Z. Perkoff

> Charles Plymell

> Dan Propper

> Kenneth Rexroth

> Hugh Romney

> Michael Rumaker

> Ed Sanders

> Hubert Jr. Selby

> Gary Snyder

> Carl Solomon

> Jack Spicer

> Hunter Stockton Thompson

> Charles Upton

> Janine Pommy Vega

> Alexander Trocchi

> Anne Waldman

> Lewis Warsh

> Alan Watts

> Lew Welch

> Philip Whalen

> John Wieners

> William Carlos Williams

> -*-

> Hello!,

> i'm listing the beat generation

> (writers & painters & performers)

> & i begin with a list, everyone

> interested can propose a new name.

> http://www.gpnet.it/rasa/home.htm

> thanks,

> Rinaldo Rasa.

> 28th august 1997, Venice-Mestre, Italy.

> -*-

> credits to

> Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>

> OHearn  <orpheus@in.the.shadows>

> David Schwarm <dschwarm@sun3.lib.uci.edu>

> -*-

>

 

Attachment Converted: "c:\pbox\rinaldo\attach\beats.xls"

Return-Path: <stutz@dsl.org>

Date: Thu, 28 Aug 1997 13:01:20 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: THE KINGFISHERS a Charles Olson's poem (Re: Beats.)

X-MS-URL: http://dsl.org/m/

 

thanks. is this one of his better-known poems?

 

On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

 

>         THE KINGFISHERS         by Charles Olson

>

> 1

>

> What does not change / is the will to change

>

> He woke, fully clothed, in his bed. He

> remembered only one thing, the birds, how

> when he came in, he had gone around the rooms

> and got them back in their cage, the green one first,

> she with the bad leg, and then the blue,

> the one they had hoped was a male

>

> Otherwise? Yes, Fernand, who had talked lispingly of Albert &

>                                                                 Angkor Vat.

> He had left the party without a word. How he got up, got into his

>                                                                 coat,

> I do not know. When I saw him, he was at the door, but it did not

>                                                                 matter,

> he was already sliding along the wall of the night, losing himself

> in some crack of the ruins. That it should have been he who said

>                                                                 "The Kingfishers!

> who cares

> for their feathers

> now?"

>

> His last words had been, "The pool is slime." Suddenly everyone,

> ceasing their talk, sat in a row around him, watched

> they did not so much hear, or pay attention, they

> wondered, looked at each other, smirked, but listened,

> he repeated and repeated, could not go beyond his thought

> "The pool       the kingfishers' feathers were wealth   why

> did the export stop?"

> It was then he left

>

> 2

>

> I thought of the E on the stone, and of what Mao said

> la lumiere"

>         but the kingfisher

> de l'aurore"

>         but the kingfisher flew west

> est devant nous!

>         he got the color of his breast

>         from the heat of the setting sun!

>

> The features are, the feebleness of the feet (syndactylism of the 3rd

>                                                                 & 4th digit)

> the bill, serrated, sometimes a pronunced beak, the wings

> where the color is, short and round, the tail

> inconspicuous.

>

> But not these things were the factors. Not the birds.

> The legends are

> legends. Dead, hung up indoors, the kingfisher

> will not indicate a favoring wind,

> or avert the thunderbolt. Nor, by its nesting,

> still the waters, with the new year., for seven days.

> It is true, it does nest with the opening year, but not on the waters.

> It nests at the end of a tunnel bored by itself in a bank. There,

> six or eight white and translucent eggs are laid, on fishbones

> not on bare clay, on bones thrown up in pellets by the birds.

>

>                                 On these rejectamenta

> (as they accumulate they form a cup-shaped structure) the young

>                                                                         are born.

> And, as they are fed and grow, this nest of excrement and decayed

>                                                                         fish becomes

>                                         a dripping, fetid mass

> Mao concluded:

>                         nous devons

>                                 nous lever

>                                         et agir!

>

> 3

>

> When the attentions change / the jungle

> leaps in

>         even the stones are split

>                                         they rive

>

> Or,

> enter

> that other conqueror we more naturally recognize

> he so resembles ourselves

> But the E

> cut so rudely on that oldest stone

> sounded otherwise,

> was differently heard

>

> as, in another time, were treasures used:

>

> (and, later, much later, a fine ear thought

> a scarlet coat)

>

>         "of green feathers      feet, beaks and eyes

>         of gold

>

>         "animal likewise,

>         resembling snails

>

>         "a large wheel, gold, with figures of unknown four-foots,

>         and worked with tufts of leaves, weight

>         3800 ounces

>

>         "last, two birds, of thread and featherwork, the quills

>         gold, the feet

>         gold, the two birds perched on two reeds

>         gold, the reeds arising from two embroidered mounds,

>         one yellow, the other

>         white.

>                 "And from each reed hung

>                 seven feathered tassels.

>

> In this instance, the priests

> (in dark cotton robes, and dirty,

> their dishvelled hair matted with blood, and flowing wildly

> over their shoulders)

> rush in among the people, calling on them

> to protect their gods

>

> And all now is war

> where so lately there was peace.

> and the sweet brotherhood, the use

> of tilled fields.

>

>

> Not one death but many,

> not accumulation but change, the feed-back proves, the feed-back is

> the law

>         Into the same river no man steps twice

>         When fire dies air dies

>         No one remains, nor is, one

>

> Around an appearance, one common model, we grow up

> many. Else how is it,

> if we remain the same,

> we take pleasure now

> in what we did not take pleasure before? love

> contrary objects? admire and/for find fault? use

> other words, feel another passions, have

> nor figure, appearance, disposition, tissue

> the same?

>         To be in different states without a change

>         is not a possibility

> We can be precise. The factors are

> in the animal and/or the machine the factors are

> communication and/or control, both involve

> the message. And what is the message? The message is

> a discrete or continuous sequence of measurable events distributed

>                                                                 in time

>

> is the birth of air, is

> the birth of water, is

> a state between

> the origin and

> the end, between

> birth and the beginning of

> another fetid nest

>

> is change, presents

> no more than itself

>

> And the too strong grasping of it,

> when it is pressed together and condensed,

> loses it

>

> This very thing you are

>

>

>                                 II

>

>         They buried their dead in a sitting posture

>         serpent cane    razor   ray of the sun

>

>         And she sprinkled water on the head of the child, crying

>         "Cioa-coatl! Cioa-coatl!"

>         with her face to the west

>

>         Where the bones are found, in each personal heap

>         with what each enjoyed, there is always

>         the Mongolian louse

> The light is in the east. Yes. And we must rise, act. Yet

> in the west, despite the apparent darkness (the whiteness

> which covers all), if you look, if you can bear, if you can, long enough

>

>         as long as it was necessary for him, my guide

>         to look into the yellow of the longest-lasting rose

>

> so you must, and, in that whiteness, into that face, with what candor,

>                                                                                 look

>

> and, considering the dryness of the place

>         the long absence of an adequate race

>

>         (of the two who first came, each a conquistador, one healed,

>                                                                         the other

>         tore the eastern idols down, toppled

>         the temple walls, which, says the excuser

>         were black from human gore)

>

> hear

> hear, where the dry blood talks

>         where the old appetite walks

>

>                                                 la piu' saporita et migliore

>                                                 che si possa truovar al mondo

>

> where it hides, look

> in the eye how it runs

> in the flesh / chalk

>

>                                 but under these petals

>                                 in the emptiness

>                                 regard the light, contemplate

>                                 the flower

>

> whence it arose

>

>         with what violence benevolence is bought

>         what cost in gesture justice brings

>         what wrongs domestic rights involve

>         what stalks

>         this silence

>

>         what pudor pejorocracy affronts

>         how awe, night-rest and neighborhood can rot

>         what breeds where dirtiness is law

>         what crawls

>         below

>

>                                 III

>

> I am no Greek, hath not th'advantage.

> And of course, no Roman:

> he can take no risk that matters,

> the risk of beauty least of all.

>

> But I have my kin, if for no other reason than

> (as he said, next of kin) I commit myself, and,

> given my freedom, I'd be a cad

> if I didn't. Which is most true.

>

> It works out this way, despite the disadvantage.

> i offer, in explanation, a quote:

> si j'ai du gout, ce n'est gueres

> que pour la terre et les pierres

> Despite the discrepancy (an ocean       courage age)

> this is also true: if I have any taste

> it is only because I have interested myself

> in what was slain in the sun

>

>         I pose you your question:

> shall you uncover honey / where maggots are?

>

>         I hunt among stones

>

>

>

> =========================================

> Michael Stutz wrote:

> >On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

> >

> >> Charles Olson [Black Mountain School]

> >

> >I confess, I never understood his poetry. I don't know how to read it.

> >

> >

>

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

              WARRANTY; for details see <http://dsl.org/copyleft/>.

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 28 Aug 1997 18:05:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Thursday Morning.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 look at the pony!

rinaldo: so happy to get this today. i have been thinking of ginsberg's

poem 'supermarket in california' i believe, and felt his presence when i

had to go to store with waning store of monies: i wanted to shout: poems

for pears, poems for peaches, poems for the life of us all. but instead i

bought what i could afford and left.

i think i've shoeveled thru the shit and no pony there.

but then, here you come, with your wonder and all.

thanks

marie

(mc to most)

 

>        teardrops

>        misting my eyes

>        look    at      the     pony!

> 

>        in the morning

>        i will bring you

>        to the circus

> 

>        look            at              the             pony!

> 

>        but early in the dawn the circus has gone

>                        white grass on the meadows

>                        & tiny fog

> 

>you haven't teardrops

>        happy childhood next year the circus will be here

> 

>        our limits

>                are only

>                        technical matter

>                BUT

>        into

>        this supermarket aisle

>        i feel

>        suddenly old.

> 

> 

>Rinaldo.

>28th aug 1997.

 

To: David Schwarm <dschwarm@sun1.lib.uci.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats Database (Re: Beats.)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.GSO.3.96.970828082125.25110A-101000@sun3.lib.uci.edu>

References: <3.0.1.32.19970828000110.006a0708@pop.gpnet.it>

 

David,

 

i got yr database, well done!,

it's a great idea to create a beatS database  you

are doing, i ask you the permission to share yr post &

the xls file forwarding to the Beat-L mailing list, please

tell me the answer,

im' updating as possible the index,

 

saluti cordiali da

Rinaldo.

29th aug 1997, Venice-Mestre, Italy.

 

============ YOUR MESSAGE ===================

At 08.22 28/08/97 -0700, David Schwarm wrote:

>Hi,

> 

>Thanks for the update.  I have used your list to start my own little

>spreadsheet (with dates and famous works), please feel free to use this as

>you see fit (it is a WIN3.1 MS Excel file - let me know if you need a

>different format).

> 

>David Schwarm                   Making jazz swing in

>41 Southbrook                   Seventeen syllables AIN'T

>Irvine, CA  92604       No square poet's job.

> 

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\beats.xls"

> 

=========================================================

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Charles Olson's Books.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.970828130104.21436O-100000@devel.nacs.net>

References: <3.0.1.32.19970828142912.00688ef4@pop.gpnet.it>

 

Michael

 

glad u appreciate the poem. regarding further information

'bout Charles Olson, there's two books:

 

"The New American Poetry" by Donald Allen, Grove Press, New York.

(inside there's "The Kingfishers").

 

"The Maximus Poems" by Charles Olson, Jargon/Corinth Books, New York.

 

i hope this help,

 

saluti cordiali da

Rinaldo.

 

===================== yr message ==============

Michael Stutz wrote:

>thanks. is this one of his better-known poems?

> 

>On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

> 

>>         THE KINGFISHERS         by Charles Olson

===================================================To: country@SOVER.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: friday

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901b02b6d48eefe@[206.25.67.118]>

References: <3.0.1.32.19970828224552.00686820@pop.gpnet.it>

 

Marie,

good day, i myself also often when i'm in a supermarket

i get memories & very often i must stop the tearsdrops...

& i forget to buy something...

at the moment in the life... my mother, who years ago

suffered a severe heart attack & bypasses saved his

life, now slowly the pains are coming back, and life

slowly gone... i fear for...

 

marie, angel, i send u a message from the john cage mailing list

when the post was in my mailbox immediately i think of

u, bouncing because months ago u think of me regard a

similar visual email,

i hope u are in health & ciao da

Rinaldo.

 

===========================================

From: JCage433@aol.com

Date: Thu, 28 Aug 1997 12:45:56 -0400 (EDT)

To: silence@bga.com

Subject: Hi everyone!

Sender: owner-silence@lists.realtime.net

 

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H     i     e     v     e     r     y     o     n     e !

H     i     e     v     e     r     y     o     n     e  !

H     i     e     v     e     r     y     o     n     e   !

H     i     e     v     e     r     y     o     n     e    !

H     i     e     v     e     r     y     o     n     e     !

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H     i     e     v     e     r     y     o     n     e   !

H     i     e     v     e     r     y     o     n     e  !

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H     i     e     v     e     r     y     o     n     e!

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H     i     e     v     e     r     y     o     n   e!

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H     i     e     v     e     r     y     o     n e!

H     i     e     v     e     r     y     o     ne!

H     i     e     v     e     r     y     o    ne!

H     i     e     v     e     r     y     o   ne!

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H     i     e     v     e     r     y     o ne!

H     i     e     v     e     r     y     one!

H     i     e     v     e     r     y    one!

H     i     e     v     e     r     y   one!

H     i     e     v     e     r     y  one!

H     i     e     v     e     r     y one!

H     i     e     v     e     r     yone!

H     i     e     v     e     r    yone!

H     i     e     v     e     r   yone!

H     i     e     v     e     r  yone!

H     i     e     v     e     r yone!

H     i     e     v     e     ryone!

H     i     e     v     e    ryone!

H     i     e     v     e   ryone!

H     i     e     v     e  ryone!

H     i     e     v     e ryone!

H     i     e     v     eryone!

H     i     e     v    eryone!

H     i     e     v   eryone!

H     i     e     v  eryone!

H     i     e     v eryone!

H     i     e     veryone!

H     i     e    veryone!

H     i     e   veryone!

H     i     e  veryone!

H     i     e veryone!

H     i     everyone!

H     i    everyone!

H     i   everyone!

H     i  everyone!

H     i everyone!

H    i everyone!

H   i everyone!

H  i everyone!

H i everyone!

 

Return-Path: <country@sover.net>

Date: Fri, 8 Aug 1997 14:42:59 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: i've listened to yr tape

 

i dont have a real booklet out yet, rinaldo, but i could send you all of

the poems that i have to date, most of which are on the tape. would that

help?

i feel so wonderful that you like my voice, my reading - i've always been

self conscious on tapes and things. thankyou, my heartbrother.

love

marie

>> 

>> 

>im' looking for the booklet,

>ciao rinaldo.

 

 

 

 

To: Sharon Ngiam <mimosa@PACIFIC.NET.SG>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (further) Re: Chinese Tong

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 13.26 09/08/97 +0800,

Sharon Ngiam <mimosa@PACIFIC.NET.SG> wrote:

>What is the Chinese TONG?

> 

> 

Sharon,

 

perhaps it's better to retrieve the original source

(William S. Burroughs' article, the citation in the book

''Gay Spirit, Mith and Meaning'' by Mark Thompson, 1987).

 

Rinaldo.

Return-Path: <dkpenn@oees.com>

From: "Penn, Douglas, K" <dkpenn@oees.com>

To: 'Rinaldo Rasa' <rinaldo@GPNET.IT>

Subject: RE: (FWD) How the beats beat the First Amendment

Date: Tue, 12 Aug 1997 09:47:53 -0700

 

Rinaldo, thanx for all your news clipping posts.

 

Douglas

 

>----------

>From:   Rinaldo Rasa[SMTP:rinaldo@GPNET.IT]

>Sent:   Tuesday, August 12, 1997 2:20 AM

>To:     BEAT-L@CUNYVM.CUNY.EDU

>Subject:     (FWD) How the beats beat the First Amendment

> 

>>Return-Path: <bofus@fcom.com>

>>Date: Mon, 11 Aug 1997 11:27:32 -0800

>>From: bofus? <bofus@fcom.com>

>>To: bofus@fcom.com

>>Subject: How the beats beat the First Amendment

>> 

>>How the beats beat the First Amendment

>> 

>> 

>>N.Y. Times News Service

>> 

>>(August 11, 1997 11:58 a.m. EDT) - The last year has been pretty much

>>the end of the road for the Beat Generation, with the deaths of Herbert

>>Huncke, the hustler who gave Jack Kerouac the word "beat," Allen

>>Ginsberg, who gave poetry "Howl," and, on Aug. 2, William S. Burroughs,

>>who gave the world, ready or not, "Naked Lunch."

>> 

>>The beats' defiance of authority and their experimentation with drugs

>>and sex helped set a generation on course for the counterculture of the

>>1960s. Not that censors didn't see what was coming. In 1957 Ginsberg

>>overcame an obscenity prosecution for "Howl," which celebrated

>>homosexuality and eroticism. In 1965 "Naked Lunch," in which Burroughs

>>opened the doors to hallucinatory visions of American society, was ruled

>>obscene in Massachusetts.

>> 

>>For Burroughs' American publisher, Grove Press, this was good news. When

>>it first came out in France in 1959, "Naked Lunch" wasn't even reviewed.

>>After 1965, it was a cause celebre.

>> 

>>Better yet, before the Massachusetts Supreme Court heard Grove's appeal

>>in 1966, the U.S. Supreme Court set a new precedent in a case involving

>>"John Cleland's Memoirs of a Woman of Pleasure" -- Fanny Hill. Its

>>ruling meant that to be found pornographic, "Naked Lunch" would have to

>>be "utterly without redeeming social value."

>> 

>>The result was a literary trial that elevated the least upbeat of the

>>beats (Burroughs had a dim view of humanity) to cult status. Grove

>>rushed out a new edition that included testimony. In it, the

>>uncertainties on both sides of the wavering cultural divide showed. To

>>get along, even the beats had to play along. Excerpts from that edition

>>follow. -- GEORGE JUDSON

>> 

>>Burroughs, a former drug addict with a pharmacologist's knowledge of

>>narcotics, had tried to inoculate "Naked Lunch" against challenges with

>>an introduction describing a high purpose:

>> 

>>I awoke from The Sickness at the age of forty-five, calm and sane, and

>>in reasonably good health except for a weakened liver and the look of

>>borrowed flesh common to all who survive The Sickness. . . . I have no

>>precise memory of writing the notes which have now been published under

>>the title "Naked Lunch." The title was suggested by Jack Kerouac. I did

>>not understand what the title meant until my recent recovery. The title

>>means exactly what the words say: NAKED Lunch -- a frozen moment when

>>everyone sees what is on the end of every fork.

>> 

>>The Sickness is drug addiction and I was an addict for fifteen years. .

>>. .

>> 

>>So "Naked Lunch" was a brief for eliminating heroin use by treating

>>junkies rather than punishing them. Burroughs made his case:

>> 

>>Dope fiends are sick people who cannot act other than they do. . . .

>>Assuming a self-righteous position is nothing to the purpose unless your

>>purpose is to keep the junk virus in operation. And junk is a big

>>industry." . . .

>> 

>>The junk virus is public health problem number one of the world today

>>(emphasis his). Since "Naked Lunch" treats this health problem, it is

>>necessarily brutal, obscene and disgusting.

>> 

>>What about the lurid sex scenes that include, among many activities,

>>hangings? He explained:

>> 

>>Certain passages in the book that have been called pornographic were

>>written as a tract against Capital Punishment in the manner of Jonathan

>>Swift's "Modest Proposal." These sections are intended to reveal capital

>>punishment as the obscene, barbaric and disgusting anachronism it is.

>> 

>>The dodge didn't work; a judge ruled "Naked Lunch" was hard-core

>>pornography. As the appeal moved along, other novels with legal troubles

>>included "Candy" by Terry Southern and "Last Exit to Brooklyn" by Hubert

>>Selby Jr. Norman Mailer testified for Burroughs:

>> 

>>There is a kind of speech that is referred to as gutter talk that often

>>has a very fine, incisive, dramatic line to it; and Burroughs captures

>>that speech like no American writer I know. He also . . . has an

>>exquisite poetic sense. His poetic images are intense. They are often

>>disgusting; but at the same time there is a sense of collision in them,

>>of montage that is quite unusual.

>> 

>>Mailer also found deep meaning:

>> 

>>William Burroughs is in my opinion -- whatever his conscious intention

>>may be -- a religious writer. There is a sense in "Naked Lunch" of the

>>destruction of soul, which is more intense than any I have encountered

>>in any other modern novel. It is a vision of how mankind would act if

>>man was totally divorced from eternity. . . .

>> 

>>Just as Hieronymus Bosch set down the most diabolical and blood-curdling

>>details . . . so, too, does Burroughs leave you with an intimate,

>>detailed vision of what Hell might be like, a Hell which may be waiting

>>as the culmination, the final product, of the scientific revolution.

>> 

>>Allen Ginsberg testified, too:

>> 

>>The concept of addiction is carried out to include, in Burroughs'

>>phrase, "control addicts," or people who are habituated or pushing other

>>people around. What it boils down to: controlling them sexually,

>>politically, socially. . . . there are almost scientific expositions

>>given by the author of techniques of mass brainwash and mass control,

>>and theories of modern dictatorships, theories of modern police states.

>>. . .

>> 

>>I think he is laconically, satirically analyzing them and presenting

>>evidences of these activities in our modern culture, now and then in a

>>science-fiction style, projecting them into the future, nightmare

>>situations if control addicts took over.

>> 

>>Ginsberg, a homosexual and former lover of Burroughs, was asked to sort

>>out the political parties portrayed in "Naked Lunch." Who, satirically,

>>was whom? "The Divisionists (one party in the book) are the

>>homosexuals?" the court asked. There seemed likely to be a correct

>>answer:

>> 

>>Yes. The Divisionist is a parody of a homosexual situation also; but

>>Burroughs is (Ginsberg's emphasis) attacking the homosexuals in this

>>book also.

>> 

>>The court then asked, "Do the conservatives fall into any particular sex

>>class in this book?" Ginsberg replied:

>> 

>>Well, I think the conservatives, if we consider the Factualist (another

>>party) to be conservative, I think they have a feeling of laissez-faire,

>>whatever is natural, whatever does no harm will be acceptable. . . .

>> 

>>A justice put in:

>> 

>>"Lest anyone take this seriously, of course, obviously it is a fantasy."

>> 

>>But the justice soon returned to homosexuality:

>> 

>>"Let me ask again. Do you think he is seriously suggesting that some

>>time in the future that a political party will be in some way concerned

>>with sex? (Grove's lawyer tried to speak.) Excuse me. When I say,

>>"Concerned with sex," I don't mean in an attempt to reform perversion. .

>>. . what he is trying to portray here, is that some time in the future

>>there will be a political party, for instance, made up of homosexuals?

>> 

>>Ginsberg replied:

>> 

>>Well, I think, saying that, this has already happened in a sense, -- or

>>of sex perverts -- and we can point to Hitler, Germany under Hitler.

>> 

>>In a 4-2 decision, the court found that "Naked Lunch" "may appeal to the

>>prurient interest of deviants and those curious about deviants. To us,

>>it is grossly offensive and is what the author himself says, 'brutal,

>>obscene and disgusting.' "

>> 

>>But applying the new federal test, the court stated, "we cannot ignore

>>the serious acceptance of it by so many persons in the literary

>>community. Hence, we cannot say that 'Naked Lunch' has no 'redeeming

>>social importance.' "

>> 

>>"Naked Lunch" passed. And the obscenity test has since been revised; it

>>now requires a "reasonable person" to find that a work is prurient,

>>violates contemporary community standards and, taken as a whole, "lacks

>>serious literary, artistic, political or scientific value."

>> 

>>Ginsberg concluded his testimony with a poem, "On Burroughs' Work." It

>>ends:

>> 

>>A naked lunch is natural to us, we eat reality sandwiches. But

>>allegories are so much lettuce. Don't hide the madness.

>> 

>> 

> 

 

To: Antoine Maloney <stratis@ODYSSEE.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (FWD) q: ranaldo & a: burroughs, 9 april 97

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997081201084449@CUNYVM.CUNY.EDU>

References:

 

Antoine,

 

bofus is Mike Watt of San Pedro, California.

please, check his home page

http://www.fcom.com/~bofus/index.html

Mike is a bass player & send funny

things to his friends, i was chatting with mike

few months ago, sometime he emails me a newsletter

& sometime something is related to Beat,

 

i hope this help,

 

saluti

Rinaldo.

 

 

At 01.08 12/08/97 -0400, Antoine wrote:

>Rinaldo,

> 

>        Where did you get that terrific intervew between Lee Ranaldo and

>Burroughs? Ranaldo has done some music by himself away from Sonic Youth that

>I really like. The interview was terrific with all the references to Bowles

>and the others.

> 

>        Thanks

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

>Return-Path: <shanstep@cs.arizona.edu>

Date: Wed, 13 Aug 1997 09:10:45 -0700 (MST)

From: "Shannon L. Stephens" <shanstep@cs.arizona.edu>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: who's who?

 

 

Thanks so much for the information Rinaldo. I'm so pleased that people

took my request seriously. Knowing the ins and outs certainly adds to my

reading of on the road.

 

-shannon

 

Return-Path: <babu@electriciti.com>

Date: Thu, 14 Aug 1997 08:04:54 -0700

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: runner <babu@electriciti.com>

Subject: Re: about razor

 

Thanx!  Reminds me of the chinese fortune cookie that warned:  "beware of

excesses"

 

Douglas

 

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

At 1:17 AM -0700 8/14/97, Rinaldo Rasa wrote:

 

 

> >Rinaldo, you are such a tease.  Somebody please translate?

> >

> >Douglas

> 

> >>        ENTIA NON SUNT MULTIPLICANDA

> >>        PRAETER NECESSITATEM...

> >>

> 

> please, excuse me, the translation is

> 

>         "IT IS VAIN TO DO WITH MORE

>         WHAT CAN BE DONE WITH FEWER"

 

 

 

http://www.electriciti.com/babu/   |   0 |

step aside, and let the man go thru |  { -     |

  ---->  let the man go thru |  /\ |

super bon-bon (soul coughing)      =========

 

 

 

To: dkpenn@OEES.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: how to get beat-l list archive

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

douglas,

u can obtain the archive beat using such command line

 

LISTSERV@CUNYVM.CUNY.EDU

 

in the body

 

GET BEAT-L LOG9707 BEAT-L

 

if u like receive the july archive, if u wish to

receive the another month archive i.e. april 96

u send a new messagge at the same address but

in the body writ get beat-l log9604 beat-l

 

i hope this match yr request information,

 

saluti,

Rinaldo.Return-Path: <dkpenn@oees.com>

From: "Penn, Douglas, K" <dkpenn@oees.com>

To: 'Rinaldo Rasa' <rinaldo@gpnet.it>

Subject: RE: how to get beat-l list archive

Date: Thu, 14 Aug 1997 11:28:24 -0700

 

Rinaldo,

 

I take back my earlier comment about you being a tease .... you're a

saint!!

 

thank you very much, Douglas

 

>----------

>From:   Rinaldo Rasa[SMTP:rinaldo@gpnet.it]

>Sent:   Thursday, August 14, 1997 11:16 AM

>To:     Penn, Douglas, K

>Subject:     how to get beat-l list archive

> 

>douglas,

>u can obtain the archive beat using such command line

> 

>LISTSERV@CUNYVM.CUNY.EDU

> 

>in the body

> 

>GET BEAT-L LOG9707 BEAT-L

> 

>if u like receive the july archive, if u wish to

>receive the another month archive i.e. april 96

>u send a new messagge at the same address but

>in the body writ get beat-l log9604 beat-l

> 

>i hope this match yr request information,

> 

>saluti,

>Rinaldo.

> 

 

To: shanstep@cs.arizona.edu

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: spiritual glimpse (personal request)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SOL.3.91.970813090938.5799B-100000@baskerville.CS.Arizona.EDU>

References: <3.0.1.32.19970813133746.00b201b8@pop.gpnet.it>

 

Shannon L. Stephens wrote:

(in Tucson, where the heat has somehow prompted my search for

god...)

 

Shannon,

also here in suburb of Venice, Italy, is heat, in the mid

august holiday here's heat heat heat, & i know (i hope) what you

mean in the above phrase, some beat lit it's not possible to

read in such a hot condition, id est a few weeks ago i re-read

the (new) italian translation of Ginsberg's "Howl" & "Kaddish"

& i was demoralized alot, then i re-read "On The Road" &

i've noticed a much satisfaction, i think this is related with

the spiritual content of JK's work. maybe i'm wrong but

really some beat works need a time & (perhaps an age) to gave

the beast to people, only an idea, i think, that spiritual work

beat the blue (or the blue out of the blue) in a manner that

other works dont do,

 

only some nightly thoughts...

 

saluti cordiali,

Rinaldo.

To: runner <babu@electriciti.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: about razor

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901b018ced7516e@[208.193.147.103]>

References: <3.0.1.32.19970814101751.00689a6c@pop.gpnet.it> <c=US%a=_%p=OEES%l=SD-MAIL-970812172530Z-539@sd-mail.sd.oee s.com>

 

Douglas,

a medieval philosopher crosses a chinese cook...

fine!

 

saluti,

Rinaldo

-------

>Thanx!  Reminds me of the chinese fortune cookie that warned:  "beware of

>excesses"

> 

>Douglas

> 

>=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

>At 1:17 AM -0700 8/14/97, Rinaldo Rasa wrote:

> 

> 

>> >Rinaldo, you are such a tease.  Somebody please translate?

>> >

>> >Douglas

>> 

>> >>        ENTIA NON SUNT MULTIPLICANDA

>> >>        PRAETER NECESSITATEM...

>> >>

>> 

>> please, excuse me, the translation is

>> 

>>         "IT IS VAIN TO DO WITH MORE

>>         WHAT CAN BE DONE WITH FEWER"

> 

Return-Path: <babu@electriciti.com>

Date: Thu, 14 Aug 1997 18:30:27 -0700

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: runner <babu@electriciti.com>

Subject: Re: about razor

 

<<laugh>>

 

 

At 2:23 PM -0700 8/14/97, Rinaldo Rasa wrote:

 

 

> Douglas,

> a medieval philosopher crosses a chinese cook...

> fine!

> 

> saluti,

> Rinaldo

> -------

> >Thanx!  Reminds me of the chinese fortune cookie that warned:  "beware of

> >excesses"

> >

> >Douglas

> >

> >=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

> >At 1:17 AM -0700 8/14/97, Rinaldo Rasa wrote:

> >

> >

> >> >Rinaldo, you are such a tease.  Somebody please translate?

> >> >

> >> >Douglas

> >>

> >> >>        ENTIA NON SUNT MULTIPLICANDA

> >> >>        PRAETER NECESSITATEM...

> >> >>

> >>

> >> please, excuse me, the translation is

> >>

> >>         "IT IS VAIN TO DO WITH MORE

> >>         WHAT CAN BE DONE WITH FEWER"

> >

 

 

 

http://www.electriciti.com/babu/   |   0 |

step aside, and let the man go thru |  { -     |

  ---->  let the man go thru |  /\ |

super bon-bon (soul coughing)      =========

 

 

 

To: runner <babu@ELECTRICITI.COM>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beats

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Douglas,

agree with u... sorry but Charles Bukowski is not

present in the beat writers i posted, (!??!), there's

no excuses...

 

the list was:

 

Amari Baraka (Leroi Jones)

Paul Blackburn

Bonnie Bremser

Ray Bremser

Chandler Brossard

William S. Burroughs

William S. Burroughs Jr.

Paul Carroll

Carolyn Cassady

Neal Cassady

Andy Clausen

Gregory Corso

Robert Creely

Diane DiPrima

Kirby Doyle

Robert Duncan

Bob Dylan

William Everson (Brother Antonus)

Lawrence Ferlinghetti

Allen Ginsberg

Brion Gysin

John Cellon Holmes

Herbert Huncke

Ted Joans

Lenore Kandel

Bob Kaufman

Jan Kerouac

Jack kerouac

Ken Kesey

Seymour Krim

Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Norman Mailer

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

John Montgomery

Harold Norse

Frank O'Hara

Charles Olson

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Michael Rumaker

Ed Sanders

Gary Snyder

Carl Solomon

Jack Spicer

Charles Upton

Janine Pommy Vega

Anne Waldman

Alan Watts

Lew Welch

Philip Whalen

John Weiners

William Carlos Williams

 

-- the end --

 

 

u are right there's alot of beat people is alive,

 

saluti,

Rinaldo.

 

Return-Path: <babu@electriciti.com>

Date: Thu, 21 Aug 1997 00:41:29 -0700

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: the big lie (babu)

Cc: <jeter@europa.com>, ajensen@telecom.ucla.edu, agit8@hotmail.com,

        bstoffma@lausd.k12.ca.us, azulado@aol.com, ChrisHein@aol.com,

        mbella@earthlink.net, CVEditions@aol.com, Dfroley@aol.com,

        Diane Carter <dcarter@TOGETHER.NET>, thau@hotwired.com,

        EugeneAhn@mwp-online.com, fi@oceanstar.com,

        Gerald Houghton <houghtong@globalnet.co.uk>, gershwin@cinenet.net,

        Raminocs@aol.com, HollyBauer@aol.com, jack.bissell@sandiegoca.ncr.com,

        Jacrosby1@aol.com, jaybab@cinenet.net, jill@jillbell.com,

        jeter@europa.com, 6500ljn@ucsbuxa.ucsb.edu, Marioka7@aol.com,

        ignatz@sirius.com, oktober@post.cis.smu.edu, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, RACE --- <race@midusa.net>,

        Sherri <love_singing@msn.com>, googie@wam.umd.edu, tpreece@pacbell.net,

        vpaul@gwdi.com, mpener@jcccnet.johnco.cc.ks.us, palad@sprynet.com,

        Leon Tabory <letabor@cruzio.com>, Rinaldo Rasa <rinaldo@gpnet.it>,

        stauffer@pacbell.net

 

is that the more we invest in the system, the more we'll get out

that thresholds can be bargained with if you know the right codes

and that there will never be any consequences

never any reactions in the opposite direction

coming straight and narrow and where are the defenses against that?

 

so I want you to lie to me.  don't tell me the truth.  don't fucking want

to hear it.

or just don't tell me.  what do I care?  I've got porcupine skin.

every try getting next to me.  If I don't shout, you can't see me.

and I might be cold to your presence, but I'm not dead.

 

so, pick an image from the gallery guide:

 

http://www.electriciti.com/babu/images/Gallery_guide2.html

 

and tell me what you really think

and if it meets that elusive babu criteria

then maybe I'll include it with the image

bound and tethered to the eternal question:

 

WHAT IS BABU?

 

Douglas

 

 

oh yeah, and tell me if you want off this list

by replying "unsubscribe" as the subject line

 

IT IS A FELONY TO REPRODUCE THIS EMAIL WITHOUT MY CONSENT

 

 

 

 

 

 

 

 

;-)

 

 

 

 

 

http://www.electriciti.com/babu/   |   0 |          The map is

not the territory

                   |  { -     |          --Korzybski

  ---->                |  /\ |

                   =========

 

 

 

Return-Path: <stratis@odyssee.net>

Date: Fri, 22 Aug 1997 16:31:39 +0200 (MET DST)

X-Sender: stratis@pop.microtec.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: stratis@odyssee.net (Antoine Maloney)

Subject: half-japanese sardines...

 

Rinaldo,

 

        Are you a fan of the American band Half-japanese? One passage in

your latest poem reminded me of their song "Always". Also, partly because

Jad Fair, in the song, mentions Dylan and Neil Young with the same kind of

line breaks...very nice. Did you see my post about the lyrics of "Lost

inside of Mobile...."?  ...whether you were setting a test for us?

 

        Antoine

 

        **************

 

>i think of you often BEATs!

> 

>        before digital tape

>        before 'puter

>        before the yellow radiation suits

> 

>i think of you often...

>gregory corso aka gregorio nunzio corso

> 

>                                                (the bomB)

>before

>        get rid of everything, funny things are everywhere

> 

>        they wear radiation suits,

> 

>before pre-taped-recorded world wake up say something

>        EVERYONE HAS THEIR 15 MINUTES OF FAME!

> 

>& bob dylan can changin' lyrics

>& neal young was young 20 on Sugar Mountain,

 Voice contact at  (514) 933-4956 in Montreal

 

     "An anarchist is someone who doesn't need a cop to tell him what to do!"

                         -- Norman Navrotsky and Utah Phillips

 

 

To: stratis@odyssee.net (Antoine Maloney)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: half-japanese sardines...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <m0x1ukV-000rcBC@gpnet.it>

References:

 

Antoine,

 

Dylan & Neal Young was together in the cult movie "The Last Waltz",

(a farewell for the Band),

 

btw#1 i like yr posts on the Beat-List.

btw#2 i'm appreciating alot Neal Young but seems not so maudit

to became recognized as a "maestro".

btw#3 "memphis blues again" is a-song-a-changin' by dylan himself,

my lyric is dated 1971 (!) so i think u are perfectly right on.

btw#4 thanks to keep seriuosly my sardines.

 

saluti,

Rinaldo.

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: More SF Beat-L Party Pics

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Fri, 22 Aug 1997 08:32:03 -0700

>Reply-To:     stauffer@pacbell.net

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         James Stauffer <stauffer@PACBELL.NET>

>Subject:      More SF Beat-L Party Pics

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>Leon Tabory, Estelle and Jerry Cimino, J. Stauffer

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\leon .jpg"

> 

 

James,

 

i use Quick Time Picture View (32 bit) but

im' sorry but my 'puter refuse to show me the picture.

 

idunno the reason,

 

saluti cordiali,

Rinaldo.Return-Path: <stauffer@pacbell.net>

Date: Fri, 22 Aug 1997 20:57:35 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

Rinaldo Rasa wrote:

>

> >Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

> >Date:         Fri, 22 Aug 1997 08:32:03 -0700

> >Reply-To:     stauffer@pacbell.net

> >Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

> >From:         James Stauffer <stauffer@PACBELL.NET>

> >Subject:      More SF Beat-L Party Pics

> >To:           BEAT-L@CUNYVM.CUNY.EDU

> >

> >Leon Tabory, Estelle and Jerry Cimino, J. Stauffer

> >

> >Attachment Converted: "c:\pbox\rinaldo\attach\leon .jpg"

> >

>

> James,

>

> i use Quick Time Picture View (32 bit) but

> im' sorry but my 'puter refuse to show me the picture.

>

> idunno the reason,

>

> saluti cordiali,

> Rinaldo.

 

 

Antoine had the same problem.  I will try again.  Maybe we have

different viewers.  I am ignorant of these things.  Let me know if you

get anything.

 

James

 

To: Leon Tabory <letabor@CRUZIO.COM>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanks alot... friend.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Leon,

i like yr courtesy, i like u to take seriously my sardines.

 

im' just in a difficult moment of life, my mother having

years ago a severe heart attack, after surgical bypass she was

saved, problems are now occuring and pain is coming but

God gave us the Life & then life gone... i tell this 'cuz i love

yr gentle feeling leon,

 

 

 

sorry for the occurence of unknown email address i dunno what

happen in the international internet channels, i receive regularly

the messages from the beat-list, maybe was a temporary failure of

my provider server or in padua where all the messages are routed before

sended to venice-mestre node, i think...

 

about the SF meeting James picture i cant' display the

image having an error message from my 'puter, i dunno why,

 

ciao da

Rinaldo.Return-Path: <stauffer@pacbell.net>

Date: Sat, 23 Aug 1997 19:28:22 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

Rinaldo,  I just posted another three pictures.  Let me know if they

come through.  If not I will post direct and maybe not having the

listserv in the middle they will work better.

 

James

 

Return-Path: <stauffer@pacbell.net>

Date: Sat, 23 Aug 1997 19:29:40 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

This is the original post-- Leon, Estelle and Jerry Cimino and me.

 

James

 

Attachment Converted: "c:\pbox\rinaldo\attach\leon 1.jpg"

Return-Path: <letabor@cruzio.com>

From: Leon Tabory <letabor@cruzio.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks a lot... friend.

Date: Sun, 24 Aug 1997 06:59:17 -0700

X-MSMail-Priority: Normal

X-MimeOle: Produced By Microsoft MimeOLE Engine V4.71.1008.3

 

 Good Sunday Rinaldo,

 

+AD4-Leon,

+AD4-i like yr courtesy, i like u to take seriously my sardines.

+AD4-

They spoke to me. Looked at me I should say. Made me look at them rather.

Your poem evoked a strong response in me.  As always.

 

+AD4-im' just in a difficult moment of life, my mother having

+AD4-years ago a severe heart attack, after surgical bypass she was

+AD4-saved, problems are now occuring and pain is coming but

+AD4-God gave us the Life +ACY- then life gone... i tell this 'cuz i love

+AD4-yr gentle feeling leon,

 

Thank you Rinaldo. I feel honored that you choose to share yor sorrow.

Hopefully the pain eases.

+AD4-

+AD4-sorry for the occurence of unknown email address i dunno what

+AD4-happen in the international internet channels, i receive regularly

+AD4-the messages from the beat-list, maybe was a temporary failure of

+AD4-my provider server or in padua where all the messages are routed before

+AD4-sended to venice-mestre node, i think...

 

In a way I feel reassured when the computers turn up a glitch. They are not

as scary then to this glitch prone person. Although the error is probably

human, still the computer can't overpower the human then.

+AD4-

+AD4-about the SF meeting James picture i cant' display the

+AD4-image having an error message from my 'puter, i dunno why,

+AD4-

I see that you are using Eudora light version 3.01, Mime 1.0, us-ascii

character set. I don't know Eudora, but I know it is very good. I am at the

moment trying out Microsoft Outlook Express (Internet Explorer 4). It seems

to do really well. The only difference that I noticed is that my options

include mapping us-ascii -+AD4-Universal Alphabet (UTF-7) text/plain. I don't

know if this helps, but I am enclosing the photo that was not repeated

yesterday. Maybe you got the ones posted yesterday ok. If not  and this one

comes through, let me know and i can forward you the others.

 

+AD4-ciao da

+AD4-Rinaldo.

 

Ciao

 

leon

+AD4-.-

+AD4-

 

 

Return-Path: <letabor@cruzio.com>

From: Leon Tabory <letabor@cruzio.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks a lot... friend.

Date: Sun, 24 Aug 1997 07:04:20 -0700

X-Unsent: 1

X-MSMail-Priority: Normal

X-MimeOle: Produced By Microsoft MimeOLE Engine V4.71.1008.3

 

Good Sunday Rinaldo,

 

+AD4-Leon,

+AD4-i like yr courtesy, i like u to take seriously my sardines.

+AD4-

They spoke to me. Looked at me I should say. Made me look at them rather.

Your poem evoked a strong response in me.  As always.

 

+AD4-im' just in a difficult moment of life, my mother having

+AD4-years ago a severe heart attack, after surgical bypass she was

+AD4-saved, problems are now occuring and pain is coming but

+AD4-God gave us the Life +ACY- then life gone... i tell this 'cuz i love

+AD4-yr gentle feeling leon,

 

Thank you Rinaldo. I feel honored that you choose to share yor sorrow.

Hopefully the pain eases.

+AD4-

+AD4-sorry for the occurence of unknown email address i dunno what

+AD4-happen in the international internet channels, i receive regularly

+AD4-the messages from the beat-list, maybe was a temporary failure of

+AD4-my provider server or in padua where all the messages are routed before

+AD4-sended to venice-mestre node, i think...

 

In a way I feel reassured when the computers turn up a glitch. They are not

as scary then to this glitch prone person. Although the error is probably

human, still the computer can't overpower the human then.

+AD4-

+AD4-about the SF meeting James picture i cant' display the

+AD4-image having an error message from my 'puter, i dunno why,

+AD4-

I see that you are using Eudora light version 3.01, Mime 1.0, us-ascii

character set. I don't know Eudora, but I know it is very good. I am at the

moment trying out Microsoft Outlook Express (Internet Explorer 4). It seems

to do really well. The only difference that I noticed is that my options

include mapping us-ascii -+AD4-Universal Alphabet (UTF-7) text/plain. I don't

know if this helps, but I am enclosing the photo that was not repeated

yesterday. Maybe you got the ones posted yesterday ok. If not  and this one

comes through, let me know and i can forward you the others.

 

+AD4-ciao da

+AD4-Rinaldo.

 

Ciao

 

leon

+AD4-.-

+AD4-

 

 

 

Attachment Converted: "c:\pbox\rinaldo\attach\leon 2.jpg"

Return-Path: <stauffer@pacbell.net>

Date: Sun, 24 Aug 1997 17:49:50 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Pics

 

Rinaldo

 

Did the pics come through at all?  Antoine Maloney was having the same

problem and found that if he just looked at the files through his

browser rather than trying to spin off a viewer they worked just fine.

 

James

 

Posted 4 different pics to the List.

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33FF9C93.6B6C@pacbell.net>

References: <3.0.1.32.19970822220522.006ba850@pop.gpnet.it>

 

James,

 

great! great! great!

Thanks for the gift!

I'm happy to see you!

 

grazie amici, ciao da

Rinaldo.

 

>This is the original post-- Leon, Estelle and Jerry Cimino and me.

> 

>James

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\leon 1.jpg"

>To: Leon Tabory <letabor@cruzio.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks a lot... friend.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <9708240709.aa10192@mail.cruzio.com>

References:

 

Leon,

 

now i can see...

it's nice to see friends!

 

grazie e ciao da

Rinaldo.

 

>Attachment Converted: "c:\pbox\rinaldo\attach\leon 2.jpg"

Return-Path: <stauffer@pacbell.net>

Date: Mon, 25 Aug 1997 09:20:01 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

 

Rinaldo Rasa wrote:

>

> James,

>

> great! great! great!

> Thanks for the gift!

> I'm happy to see you!

>

> grazie amici, ciao da

> Rinaldo.

>

> >This is the original post-- Leon, Estelle and Jerry Cimino and me.

> >

> >James

> >

> >Attachment Converted: "c:\pbox\rinaldo\attach\leon 1.jpg"

> >

 

Rinaldo,

 

did the other photo's come through off the list?  There should be one

labeled "Anne", one "Glensher" and one "Lisa" .  If they didn't reach

you let me know and I will send them direct.

 

James

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More SF Beat-L Party Pics

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3401B0B1.954@pacbell.net>

References: <3.0.1.32.19970822220522.006ba850@pop.gpnet.it> <3.0.1.32.19970825132225.00698ae0@pop.gpnet.it>

 

James,

 

allright everything!

i've all the great picture u mentioned!

 

---

technical note: i followed the Antoine's suggestion & have

setup my www browser to display the pic format jpg & then all works

fine.

 

i think possible problems with the picture seems become using dedicated

programs viewer like Quick Time, CorelDraw, LViewPro, which

cant' recognized the jpg format dowloaded (id est LView prompts

an error message like "unsupported SOF marker", and other

viewers also message error referring not enuf amount of

memory for temporary files et similia).

---

 

di nuovo grazie e ciao da

Rinaldo.

 

 

>Rinaldo,

> 

>did the other photo's come through off the list?  There should be one

>labeled "Anne", one "Glensher" and one "Lisa" .  If they didn't reach

>you let me know and I will send them direct.

> 

>James

> 

Return-Path: <junky@burroughs.net>

Date: Tue, 26 Aug 1997 14:05:51 -0600

To: Waterrow@AOL.COM, gallaher@HSC.USC.EDU, mrice@CENTURYINTER.NET,

        DawnDR@AOL.COM, elwellg@VOICENET.COM, pelliott@SUNFLOWER.COM,

        kh14586@ACS.APPSTATE.EDU, jdematte@TURBO.KEAN.EDU, DIXCIN@AOL.COM,

        tcoomber@CIACCESS.COM, race@MIDUSA.NET, Ddrooy@AOL.COM,

        vic.begrand@sk.sympatico.ca, rinaldo@GPNET.IT, howl420@JUNO.COM,

        CVEditions@AOL.COM, rwallner@CAPACCESS.ORG

From: Sorted <junky@burroughs.net>

Subject: Posts on the burroughs.net Memorial pages.

 

Hello.

 

I'm writing to let you know that your post(s) from early august to the

Beat-L Mailing list regarding

the death of William Burroughs is currently a part of the burroughs.net

memorial page.

 

I'd written to the list a couple weeks ago asking permission to use these

posts, and of the seven people

that bothered to reply, all were in favor.

 

Take a look at http://www.burroughs.net. The direct url is

http://www.burroughs.net/mempage1.html

 

if you have any problems with anything regarding your post, let me know;

I'll either change it or take it down, as per your request.

 

 

thanks,

 

-Zach Hoon

 

 

 

Return-Path: <babu@electriciti.com>

Date: Wed, 27 Aug 1997 21:49:34 -0700

To: dcarter@TOGETHER.NET, race@midusa.net, dkpenn@oees.com,

        love_singing@msn.com, agit8@hotmail.com, thau@hotwired.com,

        "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: Nightswimming (1997)

Cc: bstoffma@lausd.k12.ca.us, azulado@aol.com, ChrisHein@aol.com,

        mbella@earthlink.net, CVEditions@aol.com, Dfroley@aol.com,

        double d <dbldd@hotmail.com>, EugeneAhn@mwp-online.com,

        fi@oceanstar.com, Raminocs@aol.com, Jacrosby1@aol.com,

        6500ljn@ucsbuxa.ucsb.edu, Leon Tabory <letabor@cruzio.com>,

        Marioka7@aol.com, Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

 

http://www.electriciti.com/babu/images/Nightswimming.html

 

 

 

 

 

 

                                 0   0

         [          ]

              '''

          }[--=-=-=--=-=-==-==ooooooo=-=-=-=-=-=-=-=-]{

 

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

              /|\

                              <.>      <.>

 

 

 

 

 

 

    sorry I missed you at burning man, sarah, agit8, ethan, dthau

 -------------------------------------------------------------

 xoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxo

 

 

 

 

 

 

Nightswimming

Automatic For The People

REM (M. Stipe)

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

 

(To Song List)

 

Nightswimming deserves a quiet night.

The photograph on the dashboard, taken years ago,

turned around backwards so the windshield shows.

Every streetlight reveals the picture in reverse.

Still, it's so much clearer.

I forgot my shirt at the water's edge.

The moon is low tonight.

 

Nightswimming deserves a quiet night.

I'm not sure all these people understand.

It's not like years ago,

The fear of getting caught,

of recklessness and water.

They cannot see me naked.

These things, they go away,

replaced by everyday.

 

Nightswimming, remembering that night.

September's coming soon.

I'm pining for the moon.

And what if there were two

Side by side in orbit

Around the fairest sun?

That bright, tight forever drum

could not describe nightswimming.

 

You, I thought I knew you.

You I cannot judge.

You, I thought you knew me,

this one laughing quietly underneath my breath.

Nightswimming.

 

The photograph reflects,

every streetlight a reminder.

Nightswimming deserves a quiet night, deserves a quiet night.

 

Find The River

 

 

 

=-=-=-to get off this list return "unsubscribe" as the subject

Douglas

 

 

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 07:50:28 -0500

From: RACE --- <race@midusa.net>

To: runner <babu@electriciti.com>

CC: "Beach@qconline.com" <Beach@qconline.com>, dcarter@TOGETHER.NET,

        dkpenn@oees.com, love_singing@msn.com, agit8@hotmail.com,

        thau@hotwired.com, bstoffma@lausd.k12.ca.us, azulado@aol.com,

        ChrisHein@aol.com, mbella@earthlink.net, CVEditions@aol.com,

        Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: Re: Nightswimming (1997)

 

runner wrote:

>

> http://www.electriciti.com/babu/images/Nightswimming.html

>

> Nightswimming

> Automatic For The People

> REM (M. Stipe)

> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

>

> (To Song List)

>

> Nightswimming deserves a quiet night.

> The photograph on the dashboard, taken years ago,

> turned around backwards so the windshield shows.

> Every streetlight reveals the picture in reverse.

> Still, it's so much clearer.

> I forgot my shirt at the water's edge.

> The moon is low tonight.

>

> Nightswimming deserves a quiet night.

> I'm not sure all these people understand.

> It's not like years ago,

> The fear of getting caught,

> of recklessness and water.

> They cannot see me naked.

> These things, they go away,

> replaced by everyday.

>

> Nightswimming, remembering that night.

> September's coming soon.

> I'm pining for the moon.

> And what if there were two

> Side by side in orbit

> Around the fairest sun?

> That bright, tight forever drum

> could not describe nightswimming.

>

> You, I thought I knew you.

> You I cannot judge.

> You, I thought you knew me,

> this one laughing quietly underneath my breath.

> Nightswimming.

>

> The photograph reflects,

> every streetlight a reminder.

> Nightswimming deserves a quiet night, deserves a quiet night.

>

> Find The River

>

 

Listening to R.E.M. document "Standing on the shoulders of giants leaves

me Cold" right now.  I will probably not be as offensively active at the

keyboard today as i just must quit procrastination on apartment pickup

and cleaning - open house this weekend for family and whatnot. 

 

But i will be around the apartment most of the day and would love some

breaks and whatnot.  I'll probably check out another video - either Snow

White and 7 Dwarfs or Lady and the Tramp i imagine if the library has

not been ravaged by those rugrats that always move into these adult

films that they can't possibly comprehend.  I say let them watch the

Godfather at an early age.  Then at our age ... Mary Poppins and jump

into sidewalk pictures -- what would it be like to jump into

Nightswimming ???? i think a fairly smooth trip probably. 

 

Anyway, if it is myth-related or Ulysses related write me on the group

mail (which may be the best Joyce-L around now) otherwise if random

musings from any or all participants ... Rod actually does muse believe

it or not ... after getting home from work ... hilarious backchannels

... use backchannels to overcome the huge traffic we've created in this

sandbox called Ulysses.

 

over and out.

 

david rhaesa

salina, Kansas

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 08:04:09 -0500

From: RACE --- <race@midusa.net>

To: "Beach@qconline.com" <Beach@qconline.com>, runner <babu@electriciti.com>

CC: dcarter@TOGETHER.NET, dkpenn@oees.com, love_singing@msn.com,

        agit8@hotmail.com, thau@hotwired.com, bstoffma@lausd.k12.ca.us,

        azulado@aol.com, ChrisHein@aol.com, mbella@earthlink.net,

        CVEditions@aol.com, Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: Hermes website from Rod on Ancient Egypt -- a good jumpoff point there

 

runner wrote:

>

> Find The River

>

 

The Nile or the Mississippi or the River Styx???

 

http://marlowe.wimsey.com/~rshand/streams/scripts/hermes.html

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 08:09:32 -0500

From: RACE --- <race@midusa.net>

To: "Beach@qconline.com" <Beach@qconline.com>, runner <babu@electriciti.com>

CC: dcarter@TOGETHER.NET, dkpenn@oees.com, love_singing@msn.com,

        agit8@hotmail.com, thau@hotwired.com, bstoffma@lausd.k12.ca.us,

        azulado@aol.com, ChrisHein@aol.com, mbella@earthlink.net,

        CVEditions@aol.com, Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: Web grounding from the Flood - Leary and Book of Dead

 

runner wrote:

>

> Find The River

>

> =-=-=-to get off this list return "unsubscribe" as the subject

> Douglas

 

http://www.lycaeum.org/books/books/psychedelic_experience/tibetan.html

 

Return-Path: <race@midusa.net>

Date: Thu, 28 Aug 1997 08:21:15 -0500

From: RACE --- <race@midusa.net>

To: "Beach@qconline.com" <Beach@qconline.com>, runner <babu@electriciti.com>

CC: dcarter@TOGETHER.NET, dkpenn@oees.com, love_singing@msn.com,

        agit8@hotmail.com, thau@hotwired.com, bstoffma@lausd.k12.ca.us,

        azulado@aol.com, ChrisHein@aol.com, mbella@earthlink.net,

        CVEditions@aol.com, Dfroley@aol.com, double d <dbldd@hotmail.com>,

        EugeneAhn@mwp-online.com, fi@oceanstar.com, Raminocs@aol.com,

        Jacrosby1@aol.com, 6500ljn@ucsbuxa.ucsb.edu,

        Leon Tabory <letabor@cruzio.com>, Marioka7@aol.com,

        Michael Stutz <stutz@dsl.org>, GoRimbaud@aol.com,

        piers@humnet.ucla.edu, Rinaldo Rasa <rinaldo@gpnet.it>,

        googie@wam.umd.edu, tpreece@pacbell.net, vpaul@gwdi.com

Subject: A nice piece on Transformation in Ulysses including Metempsychosis

 

runner wrote:

>

> Find The River

>

> =-=-=-to get off this list return "unsubscribe" as the subject

> Douglas

 

I think this website does a nice job of brieflydiscussing some of the

transformatory rhetoric in Ulysses and in our own group evolution over

the past month.  Not always pretty - but good nonetheless.

 

I'll actually stop playing and start doing my chores now

 

http://schottky.ucsd.edu/~paul/literature/paul_ulysses.html

 

dbr

 

Return-Path: <dschwarm@sun1.lib.uci.edu>

Date: Thu, 28 Aug 1997 08:22:59 -0700 (PDT)

From: David Schwarm <dschwarm@sun1.lib.uci.edu>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats.

 

Hi,

 

Thanks for the update.  I have used your list to start my own little

spreadsheet (with dates and famous works), please feel free to use this as

you see fit (it is a WIN3.1 MS Excel file - let me know if you need a

different format).

 

David Schwarm                   Making jazz swing in

41 Southbrook                   Seventeen syllables AIN'T

Irvine, CA  92604        No square poet's job.

 

 

 

On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

 

> Date: Thu, 28 Aug 1997 00:01:10 +0200

> From: Rinaldo Rasa <rinaldo@gpnet.it>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Beats.

>

> Donald Allen

> Amari Baraka (Leroi Jones)

> Paul Blackburn

> Robin Blaser

> Bonnie Bremser

> Ray Bremser

> Chandler Brossard

> Charles Bukowski

> William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 }

> William S. Burroughs Jr.

> Lucien Carr

> Paul Carroll

> Louis R Cartwright

> Carolyn Cassady

> Neal Cassady { 8 Feb 1926 - 4 Feb 1968 }

> Andy Clausen

> Gregory Corso

> Robert Creeley [Black Mountain School]

> Henry Cru

> Diane DiPrima

> John Doe

> Kirby Doyle

> Robert Duncan [Black Mountain School]

> Bob Dylan

> William Everson (Brother Antonus)

> Richard Farina

> Lawrence Ferlinghetti

> Charles Foster

> Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 }

> John Giorno

> Brion Gysin

> William Inge

> John Cellon Holmes

> Herbert Huncke

> Ted Joans

> Joyce Johnson

> Lenore Kandel

> Bob Kaufman

> Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 }

> Jan Kerouac

> Ken Kesey

> Seymour Krim

> Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

> Tuli Kupferberg

> Joanne Kyger

> Philip Lamantia

> Jay Landesman

> Fran Landesman

> Timothy Leary

> Lawrence Lipton

> Malcom Lowry

> Norman Mailer

> Gerard Malanga

> Edward Marshall

> Joanna McClure

> Michael McClure

> Taylor Mead

> David Meltzer

> Jack Micheline

> Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

> John Montgomery

> Harold Norse

> Frank O'Hara

> Charles Olson [Black Mountain School]

> Peter Orlovsky

> Kenneth Patchen

> Stuart Z. Perkoff

> Charles Plymell

> Dan Propper

> Kenneth Rexroth

> Hugh Romney

> Michael Rumaker

> Ed Sanders

> Hubert Jr. Selby

> Gary Snyder

> Carl Solomon

> Jack Spicer

> Hunter Stockton Thompson

> Charles Upton

> Janine Pommy Vega

> Alexander Trocchi

> Anne Waldman

> Lewis Warsh

> Alan Watts

> Lew Welch

> Philip Whalen

> John Wieners

> William Carlos Williams

> -*-

> Hello!,

> i'm listing the beat generation

> (writers & painters & performers)

> & i begin with a list, everyone

> interested can propose a new name.

> http://www.gpnet.it/rasa/home.htm

> thanks,

> Rinaldo Rasa.

> 28th august 1997, Venice-Mestre, Italy.

> -*-

> credits to

> Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>

> OHearn  <orpheus@in.the.shadows>

> David Schwarm <dschwarm@sun3.lib.uci.edu>

> -*-

>

 

Attachment Converted: "c:\pbox\rinaldo\attach\beats.xls"

Return-Path: <stutz@dsl.org>

Date: Thu, 28 Aug 1997 13:01:20 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: THE KINGFISHERS a Charles Olson's poem (Re: Beats.)

X-MS-URL: http://dsl.org/m/

 

thanks. is this one of his better-known poems?

 

On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

 

>         THE KINGFISHERS         by Charles Olson

>

> 1

>

> What does not change / is the will to change

>

> He woke, fully clothed, in his bed. He

> remembered only one thing, the birds, how

> when he came in, he had gone around the rooms

> and got them back in their cage, the green one first,

> she with the bad leg, and then the blue,

> the one they had hoped was a male

>

> Otherwise? Yes, Fernand, who had talked lispingly of Albert &

>                                                                 Angkor Vat.

> He had left the party without a word. How he got up, got into his

>                                                                 coat,

> I do not know. When I saw him, he was at the door, but it did not

>                                                                 matter,

> he was already sliding along the wall of the night, losing himself

> in some crack of the ruins. That it should have been he who said

>                                                                 "The Kingfishers!

> who cares

> for their feathers

> now?"

>

> His last words had been, "The pool is slime." Suddenly everyone,

> ceasing their talk, sat in a row around him, watched

> they did not so much hear, or pay attention, they

> wondered, looked at each other, smirked, but listened,

> he repeated and repeated, could not go beyond his thought

> "The pool       the kingfishers' feathers were wealth   why

> did the export stop?"

> It was then he left

>

> 2

>

> I thought of the E on the stone, and of what Mao said

> la lumiere"

>         but the kingfisher

> de l'aurore"

>         but the kingfisher flew west

> est devant nous!

>         he got the color of his breast

>         from the heat of the setting sun!

>

> The features are, the feebleness of the feet (syndactylism of the 3rd

>                                                                 & 4th digit)

> the bill, serrated, sometimes a pronunced beak, the wings

> where the color is, short and round, the tail

> inconspicuous.

>

> But not these things were the factors. Not the birds.

> The legends are

> legends. Dead, hung up indoors, the kingfisher

> will not indicate a favoring wind,

> or avert the thunderbolt. Nor, by its nesting,

> still the waters, with the new year., for seven days.

> It is true, it does nest with the opening year, but not on the waters.

> It nests at the end of a tunnel bored by itself in a bank. There,

> six or eight white and translucent eggs are laid, on fishbones

> not on bare clay, on bones thrown up in pellets by the birds.

>

>                                 On these rejectamenta

> (as they accumulate they form a cup-shaped structure) the young

>                                                                         are born.

> And, as they are fed and grow, this nest of excrement and decayed

>                                                                         fish becomes

>                                         a dripping, fetid mass

> Mao concluded:

>                         nous devons

>                                 nous lever

>                                         et agir!

>

> 3

>

> When the attentions change / the jungle

> leaps in

>         even the stones are split

>                                         they rive

>

> Or,

> enter

> that other conqueror we more naturally recognize

> he so resembles ourselves

> But the E

> cut so rudely on that oldest stone

> sounded otherwise,

> was differently heard

>

> as, in another time, were treasures used:

>

> (and, later, much later, a fine ear thought

> a scarlet coat)

>

>         "of green feathers      feet, beaks and eyes

>         of gold

>

>         "animal likewise,

>         resembling snails

>

>         "a large wheel, gold, with figures of unknown four-foots,

>         and worked with tufts of leaves, weight

>         3800 ounces

>

>         "last, two birds, of thread and featherwork, the quills

>         gold, the feet

>         gold, the two birds perched on two reeds

>         gold, the reeds arising from two embroidered mounds,

>         one yellow, the other

>         white.

>                 "And from each reed hung

>                 seven feathered tassels.

>

> In this instance, the priests

> (in dark cotton robes, and dirty,

> their dishvelled hair matted with blood, and flowing wildly

> over their shoulders)

> rush in among the people, calling on them

> to protect their gods

>

> And all now is war

> where so lately there was peace.

> and the sweet brotherhood, the use

> of tilled fields.

>

>

> Not one death but many,

> not accumulation but change, the feed-back proves, the feed-back is

> the law

>         Into the same river no man steps twice

>         When fire dies air dies

>         No one remains, nor is, one

>

> Around an appearance, one common model, we grow up

> many. Else how is it,

> if we remain the same,

> we take pleasure now

> in what we did not take pleasure before? love

> contrary objects? admire and/for find fault? use

> other words, feel another passions, have

> nor figure, appearance, disposition, tissue

> the same?

>         To be in different states without a change

>         is not a possibility

> We can be precise. The factors are

> in the animal and/or the machine the factors are

> communication and/or control, both involve

> the message. And what is the message? The message is

> a discrete or continuous sequence of measurable events distributed

>                                                                 in time

>

> is the birth of air, is

> the birth of water, is

> a state between

> the origin and

> the end, between

> birth and the beginning of

> another fetid nest

>

> is change, presents

> no more than itself

>

> And the too strong grasping of it,

> when it is pressed together and condensed,

> loses it

>

> This very thing you are

>

>

>                                 II

>

>         They buried their dead in a sitting posture

>         serpent cane    razor   ray of the sun

>

>         And she sprinkled water on the head of the child, crying

>         "Cioa-coatl! Cioa-coatl!"

>         with her face to the west

>

>         Where the bones are found, in each personal heap

>         with what each enjoyed, there is always

>         the Mongolian louse

> The light is in the east. Yes. And we must rise, act. Yet

> in the west, despite the apparent darkness (the whiteness

> which covers all), if you look, if you can bear, if you can, long enough

>

>         as long as it was necessary for him, my guide

>         to look into the yellow of the longest-lasting rose

>

> so you must, and, in that whiteness, into that face, with what candor,

>                                                                                 look

>

> and, considering the dryness of the place

>         the long absence of an adequate race

>

>         (of the two who first came, each a conquistador, one healed,

>                                                                         the other

>         tore the eastern idols down, toppled

>         the temple walls, which, says the excuser

>         were black from human gore)

>

> hear

> hear, where the dry blood talks

>         where the old appetite walks

>

>                                                 la piu' saporita et migliore

>                                                 che si possa truovar al mondo

>

> where it hides, look

> in the eye how it runs

> in the flesh / chalk

>

>                                 but under these petals

>                                 in the emptiness

>                                 regard the light, contemplate

>                                 the flower

>

> whence it arose

>

>         with what violence benevolence is bought

>         what cost in gesture justice brings

>         what wrongs domestic rights involve

>         what stalks

>         this silence

>

>         what pudor pejorocracy affronts

>         how awe, night-rest and neighborhood can rot

>         what breeds where dirtiness is law

>         what crawls

>         below

>

>                                 III

>

> I am no Greek, hath not th'advantage.

> And of course, no Roman:

> he can take no risk that matters,

> the risk of beauty least of all.

>

> But I have my kin, if for no other reason than

> (as he said, next of kin) I commit myself, and,

> given my freedom, I'd be a cad

> if I didn't. Which is most true.

>

> It works out this way, despite the disadvantage.

> i offer, in explanation, a quote:

> si j'ai du gout, ce n'est gueres

> que pour la terre et les pierres

> Despite the discrepancy (an ocean       courage age)

> this is also true: if I have any taste

> it is only because I have interested myself

> in what was slain in the sun

>

>         I pose you your question:

> shall you uncover honey / where maggots are?

>

>         I hunt among stones

>

>

>

> =========================================

> Michael Stutz wrote:

> >On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

> >

> >> Charles Olson [Black Mountain School]

> >

> >I confess, I never understood his poetry. I don't know how to read it.

> >

> >

>

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

              WARRANTY; for details see <http://dsl.org/copyleft/>.

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

Date:         Thu, 28 Aug 1997 18:05:23 -0400

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Marie Countryman <country@SOVER.NET>

Subject:      Re: Thursday Morning.

To:           BEAT-L@CUNYVM.CUNY.EDU

 

 look at the pony!

rinaldo: so happy to get this today. i have been thinking of ginsberg's

poem 'supermarket in california' i believe, and felt his presence when i

had to go to store with waning store of monies: i wanted to shout: poems

for pears, poems for peaches, poems for the life of us all. but instead i

bought what i could afford and left.

i think i've shoeveled thru the shit and no pony there.

but then, here you come, with your wonder and all.

thanks

marie

(mc to most)

 

>        teardrops

>        misting my eyes

>        look    at      the     pony!

> 

>        in the morning

>        i will bring you

>        to the circus

> 

>        look            at              the             pony!

> 

>        but early in the dawn the circus has gone

>                        white grass on the meadows

>                        & tiny fog

> 

>you haven't teardrops

>        happy childhood next year the circus will be here

> 

>        our limits

>                are only

>                        technical matter

>                BUT

>        into

>        this supermarket aisle

>        i feel

>        suddenly old.

> 

> 

>Rinaldo.

>28th aug 1997.

 

To: David Schwarm <dschwarm@sun1.lib.uci.edu>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats Database (Re: Beats.)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.GSO.3.96.970828082125.25110A-101000@sun3.lib.uci.edu>

References: <3.0.1.32.19970828000110.006a0708@pop.gpnet.it>

 

David,

 

i got yr database, well done!,

it's a great idea to create a beatS database  you

are doing, i ask you the permission to share yr post &

the xls file forwarding to the Beat-L mailing list, please

tell me the answer,

im' updating as possible the index,

 

saluti cordiali da

Rinaldo.

29th aug 1997, Venice-Mestre, Italy.

 

============ YOUR MESSAGE ===================

At 08.22 28/08/97 -0700, David Schwarm wrote:

>Hi,

> 

>Thanks for the update.  I have used your list to start my own little

>spreadsheet (with dates and famous works), please feel free to use this as

>you see fit (it is a WIN3.1 MS Excel file - let me know if you need a

>different format).

> 

>David Schwarm                   Making jazz swing in

>41 Southbrook                   Seventeen syllables AIN'T

>Irvine, CA  92604       No square poet's job.

> 

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\beats.xls"

> 

=========================================================

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Charles Olson's Books.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.970828130104.21436O-100000@devel.nacs.net>

References: <3.0.1.32.19970828142912.00688ef4@pop.gpnet.it>

 

Michael

 

glad u appreciate the poem. regarding further information

'bout Charles Olson, there's two books:

 

"The New American Poetry" by Donald Allen, Grove Press, New York.

(inside there's "The Kingfishers").

 

"The Maximus Poems" by Charles Olson, Jargon/Corinth Books, New York.

 

i hope this help,

 

saluti cordiali da

Rinaldo.

 

===================== yr message ==============

Michael Stutz wrote:

>thanks. is this one of his better-known poems?

> 

>On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

> 

>>         THE KINGFISHERS         by Charles Olson

===================================================To: country@SOVER.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: friday

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901b02b6d48eefe@[206.25.67.118]>

References: <3.0.1.32.19970828224552.00686820@pop.gpnet.it>

 

Marie,

good day, i myself also often when i'm in a supermarket

i get memories & very often i must stop the tearsdrops...

& i forget to buy something...

at the moment in the life... my mother, who years ago

suffered a severe heart attack & bypasses saved his

life, now slowly the pains are coming back, and life

slowly gone... i fear for...

 

marie, angel, i send u a message from the john cage mailing list

when the post was in my mailbox immediately i think of

u, bouncing because months ago u think of me regard a

similar visual email,

i hope u are in health & ciao da

Rinaldo.

 

===========================================

From: JCage433@aol.com

Date: Thu, 28 Aug 1997 12:45:56 -0400 (EDT)

To: silence@bga.com

Subject: Hi everyone!

Sender: owner-silence@lists.realtime.net

 

Hi everyone!

Hi everyone !

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Hi e  v     e     r     y     o     n     e     !

Hi e   v     e     r     y     o     n     e     !

Hi e    v     e     r     y     o     n     e     !

Hi e     v     e     r     y     o     n     e     !

Hi  e     v     e     r     y     o     n     e     !

Hi   e     v     e     r     y     o     n     e     !

Hi    e     v     e     r     y     o     n     e     !

Hi     e     v     e     r     y     o     n     e     !

H i     e     v     e     r     y     o     n     e     !

H  i     e     v     e     r     y     o     n     e     !

H   i     e     v     e     r     y     o     n     e     !

H    i     e     v     e     r     y     o     n     e     !

H     i     e     v     e     r     y     o     n     e     !

 H     i     e     v     e     r     y     o     n     e     !

  H     i     e     v     e     r     y     o     n     e     !

   H     i     e     v     e     r     y     o     n     e     !

    H     i     e     v     e     r     y     o     n     e     !

     H     i     e     v     e     r     y     o     n     e     !

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      H     i     e     v     e     r     y     o     n     e     !

     H     i     e     v     e     r     y     o     n     e     !

    H     i     e     v     e     r     y     o     n     e     !

   H     i     e     v     e     r     y     o     n     e     !

  H     i     e     v     e     r     y     o     n     e     !

 H     i     e     v     e     r     y     o     n     e     !

H     i     e     v     e     r     y     o     n     e     !

H    i     e     v     e     r     y     o     n     e     !

H   i     e     v     e     r     y     o     n     e     !

H  i     e     v     e     r     y     o     n     e     !

H i     e     v     e     r     y     o     n     e     !

Hi     e     v     e     r     y     o     n     e     !

Hi    e     v     e     r     y     o     n     e     !

Hi   e     v     e     r     y     o     n     e     !

Hi  e     v     e     r     y     o     n     e     !

Hi e     v     e     r     y     o     n     e     !

Hi e    v     e     r     y     o     n     e     !

Hi e   v     e     r     y     o     n     e     !

Hi e  v     e     r     y     o     n     e     !

Hi e v     e     r     y     o     n     e     !

Hi ev     e     r     y     o     n     e     !

Hi ev    e     r     y     o     n     e     !

Hi ev   e     r     y     o     n     e     !

Hi ev  e     r     y     o     n     e     !

Hi ev e     r     y     o     n     e     !

Hi eve     r     y     o     n     e     !

Hi eve    r     y     o     n     e     !

Hi eve   r     y     o     n     e     !

Hi eve  r     y     o     n     e     !

Hi eve r     y     o     n     e     !

Hi ever     y     o     n     e     !

Hi ever    y     o     n     e     !

Hi ever   y     o     n     e     !

Hi ever  y     o     n     e     !

Hi ever y     o     n     e     !

Hi every     o     n     e     !

Hi every    o     n     e     !

Hi every   o     n     e     !

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Hi every o     n     e     !

Hi everyo     n     e     !

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Hi everyo  n     e     !

Hi everyo n     e     !

Hi everyon     e     !

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Hi everyone     !

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H     i     e     v     e     r     y     o     n     e !

H     i     e     v     e     r     y     o     n     e  !

H     i     e     v     e     r     y     o     n     e   !

H     i     e     v     e     r     y     o     n     e    !

H     i     e     v     e     r     y     o     n     e     !

H     i     e     v     e     r     y     o     n     e    !

H     i     e     v     e     r     y     o     n     e   !

H     i     e     v     e     r     y     o     n     e  !

H     i     e     v     e     r     y     o     n     e !

H     i     e     v     e     r     y     o     n     e!

H     i     e     v     e     r     y     o     n    e!

H     i     e     v     e     r     y     o     n   e!

H     i     e     v     e     r     y     o     n  e!

H     i     e     v     e     r     y     o     n e!

H     i     e     v     e     r     y     o     ne!

H     i     e     v     e     r     y     o    ne!

H     i     e     v     e     r     y     o   ne!

H     i     e     v     e     r     y     o  ne!

H     i     e     v     e     r     y     o ne!

H     i     e     v     e     r     y     one!

H     i     e     v     e     r     y    one!

H     i     e     v     e     r     y   one!

H     i     e     v     e     r     y  one!

H     i     e     v     e     r     y one!

H     i     e     v     e     r     yone!

H     i     e     v     e     r    yone!

H     i     e     v     e     r   yone!

H     i     e     v     e     r  yone!

H     i     e     v     e     r yone!

H     i     e     v     e     ryone!

H     i     e     v     e    ryone!

H     i     e     v     e   ryone!

H     i     e     v     e  ryone!

H     i     e     v     e ryone!

H     i     e     v     eryone!

H     i     e     v    eryone!

H     i     e     v   eryone!

H     i     e     v  eryone!

H     i     e     v eryone!

H     i     e     veryone!

H     i     e    veryone!

H     i     e   veryone!

H     i     e  veryone!

H     i     e veryone!

H     i     everyone!

H     i    everyone!

H     i   everyone!

H     i  everyone!

H     i everyone!

H    i everyone!

H   i everyone!

H  i everyone!

H i everyone!

 

 

Return-Path: <country@sover.net>

Date: Fri, 29 Aug 1997 09:57:11 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: friday

 

rinaldo, i love you so much!

i so needed a smile a laugh and longdistance hug!

love

marie

ps i get confused, are you on the boho list too? if not, i have a poem for you.

happy frieday my gentle friend

 

 

 

Return-Path: <dschwarm@sun1.lib.uci.edu>

Date: Fri, 29 Aug 1997 07:49:22 -0700 (PDT)

From: David Schwarm <dschwarm@sun1.lib.uci.edu>

To: Rinaldo Rasa <rinaldo@gpnet.it>

cc: David Schwarm <dschwarm@sun1.lib.uci.edu>

Subject: Re: Beats Database (Re: Beats.)

 

Hi Rinaldo,

 

> i got yr database, well done!,

 

Thanks.

 

> it's a great idea to create a beatS database  you

> are doing, i ask you the permission to share yr post &

> the xls file forwarding to the Beat-L mailing list, please

> tell me the answer,

 

Of course, feel free to distribute as you see fit.

 

> im' updating as possible the index,

 

'Index'?

 

I have thought about using this list to create links to more extensive

bibliographic information (including aliases used in literature 'Dean =

Neal').  But as it currently stands (as a simple 'name index'), I am not

sure what you are indexing?  Are you adding more titles? Fill me in ...

 

Let me know if you are you adding more names, please...

 

We should also cc: Levi Asher (brooklyn@netcom.com, of Literary Kicks

fame) for inclusion on his web site.

 

David Schwarm                   Making jazz swing in

41 Southbrook                   Seventeen syllables AIN'T

Irvine, CA  92604        No square poet's job.

 

 

 

 

Return-Path: <stutz@dsl.org>

Date: Fri, 29 Aug 1997 12:15:39 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Charles Olson's Books.

X-MS-URL: http://dsl.org/m/

 

On Fri, 29 Aug 1997, Rinaldo Rasa wrote:

 

> "The New American Poetry" by Donald Allen, Grove Press, New York.

> (inside there's "The Kingfishers").

>

> "The Maximus Poems" by Charles Olson, Jargon/Corinth Books, New York.

 

thanks again. do these offer criticism of the poems as well? i'm afraid i

don't understand them, i don't understand how to read them still.

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: friday becomes saturday

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020900b02c4c9064b4@[206.25.67.101]>

References: <3.0.1.32.19970829134655.00688e9c@pop.gpnet.it> <l03020901b02b6d48eefe@[206.25.67.118]> <3.0.1.32.19970828224552.00686820@pop.gpnet.it>

 

Marie,

i'll be happy to read your poem.

 

'cuz i'm gypsing around

the boho list, at the moment im' unsub & of course

i havent' read yr poem, now im' waiting...

 

good saturday & cari saluti da Rinaldo.

 

 

Return-Path: <mrice@centuryinter.net>

Date: Fri, 29 Aug 1997 19:43:51 -0400

X-Sender: cen00746@mail.wi.centuryinter.net

To: rinaldo@gpnet.it

From: Mike Rice <mrice@centuryinter.net>

Subject: William Inge

 

I love this guy's plays, at least Picnic, but he's

a sad homosexual from St. Louis, a newspaper critic

who idolized Tenessee Williams, and wanted to follow

in his footsteps.  Tell me how he was ever a beat.

 

Mike Rice

 

 

Return-Path: <country@sover.net>

Date: Sat, 30 Aug 1997 07:17:02 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: friday becomes saturday

 

here it is rinaldo. it is an angry poem, but it is angry-making to be hurt

so bad.

lots of love to you

gentle

man,

yr

marie

 

 

PSYCHIATRIC BEAUROCRATIC RANT

 

RANT against the psychobureacrats who see only bottom lines and never the

people on the bottom!

RANT against those who measure out years not by coffee spoons but rather by

        counting beans!

by insurance schemes and the gove't campain to

ignore

        ALL who stand in abject self affacement, begging for help!

RANT for those who blame a child's  agony upon the adult survivor who tries

         to make sense of a life gone  terribly wrong!

RANT against the damned patriarchal society which denies that fathers do

unspeakable wrong to

        daughters! to sons!

RANT against the inexorable, horrible, unspeakable reenactment of abuse

through

        generations

RANT against the fathers

RANT against the mothers

RANT against the priests the nuns the parents the doctors, the teachers the

ones who

        who  have the power to protect but instead look the other way!

 

RANT against mothers who collude with fathers, stepdads and "uncles"!!

RANT against  the ongoing ever pervaasive billboard advertisements of teen

sexuality!

RANT against the madefortv movies which exploit the pain of others just to

make a buck!

        the evangelists!

        the pope!

        the courts!

        the good ole boy networks!

        although

        (abuse is a equal gender employer, i've discovered)

RANT RANT RANT RANT RANT RANT RANT RANT RANT RANT AND ,

RANT!!!

         i am RANTING and i will not stop. i will not allow my fate to be

one of SELF DESTRUCTION , SELF EFFACEMENT AND INVISIBLITY

 

i will not shut up, EVER!

 

        I ASK ONLY

WHEN IS ANYONE ELSE GOING TO HEAR?????

 

when will the 'good citizens' drop the curtains from their eyes and

acknowledge

that monsters DO exist?

 

        WHEN WILL ENOUGH BE ENOUGH????????

when will "they" be brought to justice?

some speculate that this will not happen

 until hell freezes over

 

which, according to most, is on its way.

8/26/97

 

 

 

To: Mike Rice <mrice@centuryinter.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: William Inge

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.16.19970829183823.1a373a58@mail.wi.centuryinter.net>

References:

 

Hello Mike,

i agree with u, William Inge looks like Tennessee Williams.

 

BUT William Inge introduced the _hyperprotective_ character

of the "Mom" that seems to yield gay sons & match the

origin & development of some beat life...

 

thanks for yr comment,

saluti,

Rinaldo.

ps. please, have i the permission to include yr name & message

in the credits for the Beats database?

 

=================== your message ===================

Mike Rice wrote:

>I love this guy's plays, at least Picnic, but he's

>a sad homosexual from St. Louis, a newspaper critic

>who idolized Tenessee Williams, and wanted to follow

>in his footsteps.  Tell me how he was ever a beat.

> 

>Mike Rice

=====================================================Return-Path: <mrice@centuryinter.net>

Date: Sat, 30 Aug 1997 17:03:46 -0400

X-Sender: cen00746@mail.wi.centuryinter.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Mike Rice <mrice@centuryinter.net>

Subject: Re: William Inge

 

At 02:22 PM 8/30/97 +0200, you wrote:

>Hello Mike,

>i agree with u, William Inge looks like Tennessee Williams.

> 

>BUT William Inge introduced the _hyperprotective_ character

>of the "Mom" that seems to yield gay sons & match the

>origin & development of some beat life...

> 

>thanks for yr comment,

>saluti,

>Rinaldo.

>ps. please, have i the permission to include yr name & message

>in the credits for the Beats database?

> 

>=================== your message ===================

>Mike Rice wrote:

>>I love this guy's plays, at least Picnic, but he's

>>a sad homosexual from St. Louis, a newspaper critic

>>who idolized Tenessee Williams, and wanted to follow

>>in his footsteps.  Tell me how he was ever a beat.

>> 

>>Mike Rice

>=====================================================

> 

> 

You have my permission to use whatever you want from

my note.

 

BUT William Inge introduced the _hyperprotective_ character

of the "Mom" that seems to yield gay sons & match the

origin & development of some beat life...

 

The above is very interesting, so why don't you discuss it with

the rest of us.  It appears to be a pet theory of your own,

sounds fascinating.  It also implies that many beat characters

and their authors are at least, latently, homosexual.  Lets have the discussion

on the Beat List, shall we?

 

Mike Rice

 

 

Return-Path: <bocelts@scsn.net>

Date: Sun, 31 Aug 1997 00:12:59 -0400

From: bocelts@scsn.net (R. Bentz Kirby)

Organization: Law Office of R. Bentz Kirby

To: Arthur Nusbaum <SSASN@aol.com>,

   James Stauffer <stauffer@pacbell.net>,

   Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: My shot across the list bow

 

Rinaldo, James and Arthur,

 

Since I fired my shot across the list bow, I wanted to make sure you

guys knew it was not aimed at you.  I have enjoyed the posts by you

about books to movies.  I am just tired of seeing Sean Penn vs Nicholas

Cage posts about a movie we can have no control over.  The analysis of

the movies from books has been excellent.  Maybe I am just mad at my

kids are something.

 

Now, if we could cast Senn Penn as Sal and get him together with Madonna

and cast Madonna as Dean, then we might have something to post about.

 

--

Bentz

bocelts@scsn.net

 

http://www.scsn.net/users/sclaw

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: yr PBR poem & an italian translation too...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020906b02d75100e8c@[206.25.67.124]>

References: <3.0.1.32.19970830002032.0070bd9c@pop.gpnet.it> <l03020900b02c4c9064b4@[206.25.67.101]> <3.0.1.32.19970829134655.00688e9c@pop.gpnet.it> <l03020901b02b6d48eefe@[206.25.67.118]> <3.0.1.32.19970828224552.00686820@pop.gpnet.it>

 

Marie,

i've read yr poem apocalyptic blues, it's good!,

may i be yr first italian translator? let me know.

 

here my italian translation of yr poem...

 

ciao da

Rinaldo.

 

====================================================

LAMENTO PSICHIATRICO-BUROCRATICO di Marie Countryman

 

 

ALZO LA VOCE contro gli psicoburocrati che vedono solo i fogli

                         [del bilancio ma non la gente

                         [che affonda!

ALZO LA VOCE contro quelli che passano gli anni a contare gli

                         [spiccioli invece dei caffe' consumati

accanto a polizze d'assicurazione

e compagne governative inascoltate

   TUTTO cio' che e' miseria ti lo aiuti con l'elemosina!

ALZO LA MIA VOCE per quelli incolpati dell'agonia dei figli

                         [adulti sopravissuti cercano

                         [essi stessi di dare un senso

                         [ad una vita andata

                         [terribilmente sbagliata!

ALZO LA VOCE contro la dannata societa' patriarcale

                         [che nasconde indicibili

                         [sbagli a

              figlie! e figli!

ALZO LA MIA VOCE contro l'inesorabile orribile abuso durato

              generazioni

ALZO LA VOCE contro i padri

ALZO LA VOCE contro le madri

ALZO LA VOCE i preti e le suore i genitori e i dottori,

                   [gli insegnanti, che

         che dovrebbero proteggere e invece guardano

                   [dall'altra parte

ALZO LA VOCE contro le madri che fanno combriccola

                   [con padri, padrini e "zii"!!

ALZO LA VOCE contro gli annunci pubblicitari

                   [pieni di giovanile sessualita'!

ALZO LA VOCE contro i film che usano il dolore per

                   [fare quattrini!

         gli evangelisti!

         il papa!

         la corte!

         i bravi ragazzi dei network!

         benche'

         (l'abuso non abbia sesso, ho scoperto)

ALZO LA VOCE ALZO LA VOCE ALZO LA VOCE ALZO LA VOCE ALZO LA VOCE

         [ALZO LA VOCE ALZO LA VOCE ALZO LA VOCE ALZO LA VOCE

         [ALZO LA VOCE, E

ALZO LA VOCE!!!

 

IO ALZO LA MIA VOCE finche' non mi arresteranno. Non permettero'

         [al mio destino di AUTODISTRUGGERMI E RENDERMI

         [INVISIBILE

 

non staro' zitta, MAI!

 

   DOMANDO SOLO

QUALCUNO CI SARA' AD ASCOLTARMI!!!!!

 

quando i 'bravi cittadini' alzeranno le tendine degli occhi e

                         [riconosceranno che

i mostri ESISTONO?

 

QUANDO SARA' ABBASTANZA????????

quando a "loro" sara' resa giustizia?

qualcuno che succedera' quando all'inferno nevichera'

 

ma, per molti, siamo gia' sulla buona strada.

 

26 agosto 1997

 

==============================

Marie wrote:

>PSYCHIATRIC BEAUROCRATIC RANT

> 

>RANT against the psychobureacrats who see only bottom lines and never the

>people on the bottom!

>RANT against those who measure out years not by coffee spoons but rather by

>        counting beans!

>by insurance schemes and the gove't campain to

>ignore

>        ALL who stand in abject self affacement, begging for help!

>RANT for those who blame a child's  agony upon the adult survivor who tries

>         to make sense of a life gone  terribly wrong!

>RANT against the damned patriarchal society which denies that fathers do

>unspeakable wrong to

>        daughters! to sons!

>RANT against the inexorable, horrible, unspeakable reenactment of abuse

>through

>        generations

>RANT against the fathers

>RANT against the mothers

>RANT against the priests the nuns the parents the doctors, the teachers the

>ones who

>        who  have the power to protect but instead look the other way!

> 

>RANT against mothers who collude with fathers, stepdads and "uncles"!!

>RANT against  the ongoing ever pervaasive billboard advertisements of teen

>sexuality!

>RANT against the madefortv movies which exploit the pain of others just to

>make a buck!

>        the evangelists!

>        the pope!

>        the courts!

>        the good ole boy networks!

>        although

>        (abuse is a equal gender employer, i've discovered)

>RANT RANT RANT RANT RANT RANT RANT RANT RANT RANT AND ,

>RANT!!!

>         i am RANTING and i will not stop. i will not allow my fate to be

>one of SELF DESTRUCTION , SELF EFFACEMENT AND INVISIBLITY

> 

>i will not shut up, EVER!

> 

>        I ASK ONLY

>WHEN IS ANYONE ELSE GOING TO HEAR?????

> 

>when will the 'good citizens' drop the curtains from their eyes and

>acknowledge

>that monsters DO exist?

> 

>        WHEN WILL ENOUGH BE ENOUGH????????

>when will "they" be brought to justice?

>some speculate that this will not happen

> until hell freezes over

> 

>which, according to most, is on its way.

>8/26/97

Return-Path: <Marioka7@aol.com>

Date: Sun, 31 Aug 1997 11:04:05 -0400 (EDT)

From: Marioka7@aol.com

To: babu@electriciti.com, race@midusa.net, bocelts@scsn.net,

        dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com, CVEditions@aol.com,

        Tread37@aol.com, MATT.HANNAN@otc.usoc.cchub.com, SSASN@aol.com,

        jgrant@bookzen.com, kenster@mit.edu, love_singing@msn.com,

        rinaldo@gpnet.it, stauffer@pacbell.net, cosmicat@erols.com,

        carl@world.std.com

Subject: hey

 

 hey i'm back after  a long absence of 1 month.  Missed you guys.  i heard

about Burroughs from the owner of the largest moustache in the world, over a

smoky late-night game of cards in a sleepy southern French town. Am still

heartbroken.  will write more later.

 

--------------maya

 

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: hey

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970831110404_757744697@emout05.mail.aol.com>

References:

 

ciao maya,

i'm here. how to subscribe again to to beat-l?

saluti,

rinaldo.Return-Path: <Marioka7@aol.com>

Date: Sun, 31 Aug 1997 11:41:50 -0400 (EDT)

From: Marioka7@aol.com

To: rinaldo@gpnet.it

Subject: Re: hey

 

i don't know how tooo subscribe to Beat-l. I forgot! oh well, nevermind.

----maya

 

Return-Path: <christyg@pcpartner.net>

Reply-To: <christyg@pcpartner.net>

From: "Greg Christy" <christyg@pcpartner.net>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: Re: Two Comments & Beats:The List updated 31 aug 1997.

Date: Sun, 31 Aug 1997 18:33:38 -0000

X-MSMail-Priority: Normal

 

Rinaldo, i do want to thank you for opening this discussion.

 

----------

> From: Rinaldo Rasa <rinaldo@gpnet.it>

> To: BEAT-L@CUNYVM.CUNY.EDU

> Subject: Two Comments & Beats:The List updated 31 aug 1997.

> Date: Sunday, August 31, 1997 3:00 PM

>

> Donald Allen

> ---

> Amari Baraka (Leroi Jones)

> ---

> Wallace Berman

> ---

> Paul Blackburn [Black Mountain School]

> ---

> Robin Blaser

> ---

> Richard Brautigan

> ---

> Bonnie Bremser

> ---

> Ray Bremser

> ---

> Chandler Brossard

> ---

> Lenny Bruce

> ---

> Lord Buckley

> ---

> Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

> ---

> William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

>                                        Frank Carmody,

>                                        Will Dennison,

>                                        Old Bull Lee"

>            

> ---

> William S. Burroughs Jr.

> ---

> John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

> ---

> Caleb Carr

> ---

> Lucien Carr "Damion"

> ---

> Paul Carroll

> ---

> Louis R Cartwright

> ---

> Carolyn Cassady "Camille"

> ---

> Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

> ---

> Tom Clark [Paris Review]

> ---

> Andy Clausen

> ---

> Leonard Cohen

> ---

> Bruce Conner

> ---

> Gregory Corso "Raphael Urso, Yuri Glicoric"

> ---

> Robert Creeley [Black Mountain School]

> ---

> Henry Cru "Remi Boncoeur"

> ---

> Jay deFeo

> ---

> Diane DiPrima

> ---

> John Doe

> ---

> Kirby Doyle

> ---

> Edward Dorn [Black Mountain School]

> ---

> Robert Duncan [Black Mountain School]

> ---

> Bob Dylan

> ---

> Kenward Elmslie [Z]

> ---

> William Everson (Brother Antoninus)

> ---

> Larry Fagin [Adventures in Poetry]

> ---

> Richard Farina

> ---

> Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

>                                  "Lorenzo Monsanto,

>                                  Larry O'Hara

>                                  Danny Richman"

> ---

> Charles Foster

> ---

> Robert Frank

> ---

> James Gauerholz

> ---

> Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

>                                  Alvah Goldbook, Leon Levinsky

>                                  Carlo Marx"

> ---

> John Giorno

> ---

> Paul Goodman

> ---

> Morris Graves

> ---

> Brion Gysin

> ---

> Dave Hazelwood

> ---

> William Inge

> ---

> Wally Hedrick [Gallery Six]

> ---

> John Clellon Holmes

> ---

> Herbert Huncke

> ---

> Ted Joans [Jazz Poetry]

> ---

> Joyce Johnson

> ---

> Lenore Kandel

> ---

> Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

> ---

> Robert Kelly

> ---

> Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

>                                  Leo Percepied, Ray Smith,

>                                  Jack, Peter Martin,

>                                  Sal Paradise"

> ---

> Jan Kerouac

> ---

> Ken Kesey

> ---

> Franz Kline

> ---

> Seymour Krim

> ---

> Paul Krassner [Realist]

> ---

> Art Kunkin [Freep]

> ---

> Tuli Kupferberg [Birth]

> ---

> Joanne Kyger

> ---

> Philip Lamantia

> ---

> Jay Landesman

> ---

> Fran Landesman

> ---

> James Laughlin

> ---

> Denise Levertov [Black Mountain School]

> ---

> Timothy Leary

> ---

> Lawrence Lipton [The Holy Barbarians]

> ---

> Ron Loewinsohn

> ---

> Malcom Lowry

> ---

> Bill MacNeill

> ---

> Norman Mailer

> ---

> Gerard Malanga

> ---

> Edward Marshall

> ---

> Peter Martin

> ---

> Lewis McAdams

> ---

> Joanna McClure

> ---

> Michael McClure

> ---

> Taylor Mead

> ---

> David Meltzer

> ---

> Jack Micheline

> ---

> Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

> ---

> John Montgomery

> ---

> Shigeyoshi (Shig) Murao

> ---

> Harold Norse

> ---

> Frank O'Hara

> ---

> David Ohle

> ---

> Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

> ---

> Peter Orlovsky

> ---

> Kenneth Patchen

> ---

> Thomas Parkinson

> ---

> Nancy Peters

> ---

> Stuart Z. Perkoff

> ---

> Charles Plymell

> ---

> Dan Propper

> ---

> Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

> ---

> Theodore Roethke

> ---

> Hugh Romney

> ---

> Michael Rumaker

> ---

> Ed Sanders

> ---

> Mark Schorer

> ---

> Hubert Jr. Selby

> ---

> Gary Snyder

> ---

> Carl Solomon

> ---

> Jack Spicer

> ---

> Hunter Stockton Thompson

> ---

> Charles Upton

> ---

> Janine Pommy Vega

> ---

> Mark Tobey

> ---

> Alexander Trocchi

> ---

> Anne Waldman [St. Mark's Poetry Project, New York]

> ---

> Lewis Warsh

> ---

> Alan W. Watts "Arthur Whane, Alex Aums"

> ---

> Lew Welch

> ---

> Philip Whalen

> ---

> John Wieners [Black Mountain School]

> ---

> Jonathan Williams

> ---

> William Carlos Williams {17 sep 1883-4 mar 1963}

> ---

> Ruth Witt-Diamant [San Francisco's Poetry Center]

> -*-

>

> Hello!,

> i'm listing the beat generation

> (writers & painters & performers)

> & i begin with a list, everyone

> interested can propose a new name.

> http://www.gpnet.it/rasa/home.htm

> thanks,

> Rinaldo Rasa.

> 31th august 1997, Venice-Mestre, Italy.

>

> -*-

> the list of credits & comments:

>

> Walter Campbell        <walter.campbell@usa.net>

> Greg Christy           <christyg@pcpartner.net>

> Patricia Elliott       <pelliott@SUNFLOWER.COM>

> Timothy K. Gallaher    <gallaher@HSC.USC.EDU>

> Richard M. Kershenbaum      <r-kershenbaum@UKANS.EDU>

> OHearn                 <orpheus@in.the.shadows>

> Mike Rice              <mrice@centuryinter.net>

> David Schwarm          <dschwarm@sun3.lib.uci.edu>

> James Stauffer         <stauffer@pacbell.net>

> Michael Stutz          <stutz@dsl.org>

> -*-

> Addenda comments:

> 1. Subject: Re: William Inge ==========================

> At 17.03 30/08/97 -0400,

> Mike Rice <mrice@centuryinter.net>wrote:

> >At 02:22 PM 8/30/97 +0200, you wrote:

> >>Hello Mike,

> >>i agree with u, William Inge looks like Tennessee Williams.

> >>

> >>BUT William Inge introduced the _hyperprotective_ character

> >>of the "Mom" that seems to yield gay sons & match the

> >>origin & development of some beat life...

> >>

> >>thanks for yr comment,

> >>saluti,

> >>Rinaldo.

> >>ps. please, have i the permission to include yr name & message

> >>in the credits for the Beats database?

> >>

> >>=================== your message ===================

> >>Mike Rice wrote:

> >>>I love this guy's plays, at least Picnic, but he's

> >>>a sad homosexual from St. Louis, a newspaper critic

> >>>who idolized Tenessee Williams, and wanted to follow

> >>>in his footsteps.  Tell me how he was ever a beat.

> >>>

> >>>Mike Rice

> >>=====================================================

> >>

> >>

> >You have my permission to use whatever you want from

> >my note.

> >

> >BUT William Inge introduced the _hyperprotective_ character

> >of the "Mom" that seems to yield gay sons & match the

> >origin & development of some beat life...

> >

> >The above is very interesting, so why don't you discuss it with

> >the rest of us.  It appears to be a pet theory of your own,

> >sounds fascinating.  It also implies that many beat characters

> >and their authors are at least, latently, homosexual.  Lets have the

> discussion

> >on the Beat List, shall we?

> >

> >Mike Rice

> >

> >

> Mike,

> i think that i defend the presence of William Inge

> (influenced Tennessee Williams some beat?)

> in the Beats:The List.

> a thread regard the "Mom" is at the moment for some

> reason for me a painful.

> saluti

> Rinaldo.

> ====================================================

>

> 2.

> Return-Path: <christyg@pcpartner.net>

> Reply-To: <christyg@pcpartner.net>

> From: "Greg Christy" <christyg@pcpartner.net>

> To: "Rinaldo Rasa" <rasa@gpnet.it>

> Subject: Re: the beats list

> Date: Sat, 30 Aug 1997 10:04:07 -0000

> X-MSMail-Priority: Normal

> ----------

> > From: Rinaldo Rasa <rasa@gpnet.it>

> > Newsgroups: alt.books.beatgeneration

> > Subject: the beats list

> > Date: Wednesday, August 27, 1997 10:08 PM

>

> >ken kesey,i don't think so! I'm not sure he would either.

>

>

 

Return-Path: <country@sover.net>

Date: Sun, 31 Aug 1997 15:58:03 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: yr PBR poem & an italian translation too...

 

rinaldo, it is wonderful and of course translate any of my poems that you

wish. i am truely honored and happy that you liked it so much. it is very

close to my heart, and threfoe brings you closer to me.

love

marie

 

 

 

Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

X-MSMail-Priority: Normal

Date:         Tue, 2 Sep 1997 19:52:25 -0500

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Jym Mooney <vmooney@EXECPC.COM>

Subject:      Re: Beats:The List update 2 sep 1997

To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have always included Terry Southern in my personal "beat list," at the

very least as a fellow traveler.

 

Return-Path: <stutz@dsl.org>

Date: Tue, 2 Sep 1997 21:42:39 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Beats:The List update 2 sep 1997

X-MS-URL: http://dsl.org/m/

 

Couple additions/comments for you Rinaldo--

 

Don McNeill was a hippie journalist whose short career (he died young) was

chronicled in _Moving Through Here_ [Citadel Underground, 1990].

 

Also what about the scientists who influenced the Beats or were on their

same wavelength -- are they "Beat" enough? I'm thinking here of Count

Korzybski, Oswald Spengler, Wilhelm Reich [died in prison], and R.

Buckminster Fuller [Black Mountain School].

 

 

> Stephen Jesse Bernstein

 

This is a good addition. It also opens the question of "who is Beat?" with

the latter-day poets -- are Lee Ranaldo and Sonic Youth friends Beat? etc.

 

 

Return-Path: <gary_lee-nova@bigfoot.com>

X-Sender: gleenova@iSTAR.ca

Date: Wed, 3 Sep 1997 14:40:41 -0700

To: rinaldo@pop.gpnet.it

From: gary_lee-nova@bigfoot.com (Gary Lee-Nova)

Subject: Re: Beats:The List update 2 sep 1997

 

Hi Rinaldo;

 

How about?:

 

Mary Beach

Claude Pelieu

Carl Weissner

Jurgen Ploog

Jan Herman

Larry Rivers

 

 

 

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

@   Gary Lee-Nova * Emily Carr Institute Of Art & Design * Vancouver B.C.  @

@   -=-=-=-=-=-=-=-=-=-=-> gary_lee-nova@bigfoot.com <-=-=-=-=-=-=-=-=-=-  @

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

 

 

 

Return-Path: <randyr@mailhub.jaxnet.com>

Comments: Authenticated sender is <randyr@pop.jaxnet.com>

From: "randy royal" <randyr@southeast.net>

To: rinaldo@gpnet.it

Date: Thu, 4 Sep 1997 16:13:04 +0000

Subject: two other beats

Reply-to: randyr@southeast.net

Priority: normal

 

hey rinaldo. cool list you have made.

i was just wondering if you could put john jennon and jim morrison up

on your list too. both have put out a few poetry collections and had

a respect for the beats. morrison wanted to go "on the road" with

kerouac. jim morrison ended his life the same way that jack did

mainly by drinking, both became quite fat. (i know just that doesn't

make jim beat.)

don't forget the obvious grammerical conection between the beatles

and the beats.

i just thought maybe you could add these two guys to

your list. i know they seem to be more hippiesh, but you do have

leary and kesey. just a suggestion

randy.

 

Return-Path: <root@venus.mmaildirect.com>

Date: Thu, 4 Sep 1997 15:10:31 -0400 (EDT)

X-1: This server blocks unauthorized email relaying.

X-2: <A HREF="httpd://www.quantcom.com"> Visit us to promote your business.

X-3: Visit http://www.iemmc.org for name removal information.

To: rinaldo@gpnet.it

From: "Ingenious Inventions" <root@mail-sent-x.com>

Subject: Why didn't I think of that?

 

Great ideas are often simple. 

Please take a moment to view this ingenious invention at:

 

http://www.mmaildirect.com/gdoney/MagnaCatch

 

Thanks!

 

 

Return-Path: <welch@ix.netcom.com>

Date: Thu, 4 Sep 1997 17:03:08 -0500 (CDT)

From: welch@ix.netcom.com (MW)

Subject: Re: Beat SuperNova update 4 sep 1997 (Beats:The List)

To: Rinaldo Rasa <rinaldo@gpnet.it>

 

I thought of another one:

 

Ken Nordine, word jazz pioneer od the 50's

 

Rhino/Word Beat Records, reissue 1990

 

 

The Rhino Word Beat "The Beat Generation" Box Set features 2 of his

selections:  "Reaching Ino In"  and "Hunger Is From"

 

========

Mike Welch

welch@ix.netcom.com

http://members.tripod.com/~mwelch/index.html

 

Return-Path: <stauffer@pacbell.net>

Date: Thu, 04 Sep 1997 22:59:46 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: love_singing@msn.com, Rinaldo Rasa <rinaldo@gpnet.it>,

        pelliott@SUNFLOWER.COM

Subject: Re: Beats:The List update 2 sep 1997

 

Rinaldo--

 

I made some notes looking at your version posted on the web.  Will add

some notes--Use them as you wish. 

 

Several things.  I have put an asterisk (*) by individuals who I feel

are clearly not Beats but predecessors or forerunners--such as Henry

Miller.  Many others would have argued strongly that they were not Beat

(such as Jack Spicer and Bukowski) but their time, their associates and

their kind of work will forever link them with Beat so that's where they

should stay.  I would only argue against one and that is William Inge,

who someone else has mentioned.  At the least he needs an asterisk or

something.    I have also added some more Kerouac novel names for

figues.  For some folks I have added one of their better known titles.

 

James

 

Rinaldo Rasa wrote:

>

> Donald Allen --editor, poet--Grey Fox Press

> ---

> Amari Baraka (Leroi Jones)

> ---

> Wallace Berman-- SF avante garde artist

> ---

> Stephen Jesse Bernstein

> ---

> Paul Blackburn [Black Mountain School]

> ---

> Robin Blaser  (poet, critic--associate of Duncan, Spicer)

> ---

> Richard Brautigan--novelist--Trout Fishing in America

> ---

> Bonnie Bremser--wife of Ray

> ---

> Ray Bremser

> ---

> Chandler Brossard

> ---

> Lenny Bruce--comic

> ---

> Lord Buckley--comic

> ---

> Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

> ---

> William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard, Frank Carmody, Will Dennison, Old Bull Lee"

>

> ---

> William S. Burroughs Jr.

> ---

> John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

> ---

> Caleb Carr--Son of Lucien --"The Alienist

> ---

> Lucien Carr "Damion"

> ---

> Paul Carroll

> ---

> Louis R Cartwright--?

> ---

> Carolyn Cassady "Camille"

> ---

> Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

> ---

> Tom Clark [Paris Review]

> ---

> Andy Clausen

> ---

> Leonard Cohen--novelist "Beautiful Losers", songwriter

> ---

> Bruce Conner--filmaker

> ---

> Gregory Corso "Raphael Urso, Yuri Glicoric"

> ---

> Robert Creeley--  poet [Black Mountain School]

> ---

> Henry Cru "Remi Boncoeur"

> ---

> Jay deFeo--San Francisco Painter--"The Rose"

> ---

> Diane DiPrima--poetess--"Memoirs of a Beatnik"

> ---

> John Doe--?

> ---

> Kirby Doyle

> ---

> Edward Dorn [Black Mountain School]

> ---

> Robert Duncan [Black Mountain School], SF  poet, associate, Spicer, Blazer

> ---

> Bob Dylan

> ---

> Kenward Elmslie [Z]

> ---

> William Everson (Brother Antoninus)-- Poet, Monk

> ---

> Larry Fagin [Adventures in Poetry]

> ---

> Richard Farina--novelist "Been Down So Long", songwriter

> ---

> Lawrence Ferlinghetti [San Francisco Poetry Reinassance]Lorenzo Monsanto, Larry O'Hara,  Danny Richman"

> ---

> Tom Field --[Spicer Circle], JK's favorite painter. "Lanny Meadows", East/West house

> ---

> Charles Foster

> ---

> Robert Frank--film maker

> ---

> James Gauerholz-- Burroughs aid and heir

> ---

> Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand, Levinsky,  Carlo Marx"

> ---

> John Giorno

> ---

> Paul Goodman--psycologist, sociologist--"Growing Up Absurd"

> ---

> Morris Graves *

> ---

> Brion Gysin-

> ---

> Dave Hazelwood--printer of chapbooks , Auerhahn Press

> ---

> William Inge--**

> ---

> Wally Hedrick [Gallery Six], husband of Jay DeFeo

> ---

> John Clellon Holmes--novelist--"Go"

> ---

> Herbert Huncke--guru to Ginsberg, Kerouac, and Burroughs, hustler, "Guilty of Everything"

> ---

> Ted Joans [Jazz Poetry]

> ---

> Joyce Johnson--wife to JK

> ---

> Lenore Kandel--poetess. "The Love Book"  East/West house--"Ramona Schwartz"

> ---

> Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

> ---

> Robert Kelly

> ---

> Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

>                                                         Leo Percepied, Ray Smith,

>                                                         Jack, Peter Martin,

>                                                         Sal Paradise"

> ---

> Jan Kerouac--"Baby Driver"

> ---

> Ken Kesey--novelist, psychedelic revolutionary

> ---

> Franz Kline--*, ab ex painter

> ---

> Seymour Krim

> ---

> Paul Krassner-- satirist [Realist]

> ---

> Art Kunkin [Freep]

> ---

> Tuli Kupferberg [Birth, The Fugs]

> ---

> Joanne Kyger--poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch, East/West house

> ---

> Philip Lamantia--surrealist poet

> ---

> Jay Landesman

> ---

> Fran Landesman

> ---

> James Laughlin

> ---

> Denise Levertov [Black Mountain School]

> ---

> Timothy Leary--chemical revolutionary

> ---

> Lawrence Lipton [The Holy Barbarians]

> ---

> Ron Loewinsohn

> ---

> Philomene Long

> ---

> Malcom Lowry--** novelist, Under the Volcano

> ---

> Bill MacNeill--Painter, Spicer Circle--you've got him twice

> ---

> Norman Mailer

> ---

> Gerard Malanga

> ---

> Edward Marshall

> ---

> Peter Martin

> ---

> Lewis McAdams ?

> ---

> Joanna McClure--wife to Michael, poetess

> ---

> Michael McClure-- poet, "Pat McLear"

> ---

> Bill MacNeill--second appearance

> ---

> Taylor Mead

> ---

> David Meltzer

> ---

> Jack Micheline [SF<LA<NY poet]

> ---

> Henry Miller --*   { 26 Dic 1891 - 8 Jun 1980 }

> ---

> John Montgomery ?

> ---

> Shigeyoshi (Shig) Murao--City Light Bookstore fixture

> ---

> Harold Norse

> ---

> Frank O'Hara--poet--Hotel Wembley Poems

> ---

> David Ohle--Burroughs circle

> ---

> Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

> ---

> Peter Orlovsky--wife to Allan G

> ---

> Kenneth Patchen **  "Albion Moonlight"

> ---

> Thomas Parkinson--UC Berkeley Prof--Casebook on the Beat

> ---

> Nancy Peters--partner with L. Ferlinghetti in City Lights, married to P. Lamantia

> ---

> Stuart Z. Perkoff

> ---

> Charles Plymell-- hobohemian poet, novelist

> ---

> Dan Propper

> ---

> Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

> ---San Francisco Rennasiance, Six Gallery reading--what is his name in  Kerouac?

 

> Frank Rios

> ---

> Theodore Roethke--**--How is Roethke Beat?

> ---

> Hugh Romney--Wavey Gravey

> ---

> Michael Rumaker

> ---

> Ed Sanders [Peace Eye Bookstore]--The Fugs

> ---

> Mark Schorer--**-- UC Berkeley Prof--critic

> ---

> Tony Scibella

> ---

> Hubert Jr. Selby-- ** NY, LA Novelist

> ---

> Gary Snyder--Poet--Reed College group

> ---

> Carl Solomon-- "with you in Rocklin"

 

Terry Souther--novelist, "Candy"

> ---

> Jack Spicer--poet, associate of Duncan, Blazer

> ---

> Hunter Stockton Thompson

> ---

> Charles Upton--?

> ---

> Janine Pommy Vega

> ---

> John Thomas

> ---

> Mark Tobey

> ---

> Alexander Trocchi--Living Theatre

> ---

> Tom Waits-- songwriter [Foreign Affairs]

> ---

> Anne Waldman-- Naropa Institute-- [St. Mark's Poetry Project, New York]

> ---

> Lewis Warsh

> ---

> Alan W. Watts -- "Arthur Whane, Alex Aums"--"Beat Zen, Square Zen

> ---

> Lew Welch--Poet, "Ring of Bone" Reed College Group, East/West House, "Dave Wain"

> ---

> Philip Whalen--Poet, Reed College Group--"Ben Fagan"

> ---

> John Wieners [Black Mountain School]

> ---

> Jonathan Williams

> ---

> William Carlos Williams {17 sep 1883-4 mar 1963--**

 

> ---

> Ruth Witt-Diamant [San Francisco's Poetry Center]

> -*-

 

 

Where are Ezra Pound, and Lionel Trilling  if we have WC Williams, and

even William God DAmn IngE? Mark Schorer

> Hello!,

> i'm listing the beat generation

> (writers & painters & performers)

> & i begin with a list, everyone

> interested can propose a new name.

> http://www.gpnet.it/rasa/home.htm

> thanks,

> Rinaldo Rasa.

> 2th september 1997, Venice-Mestre, Italy.

>

> -*-

> the list of credits & comments:

>

> Walter Campbell         <walter.campbell@usa.net>

> David Christian                 dckom@atlcom.net

> Greg Christy            <christyg@pcpartner.net>

> Patricia Elliott                <pelliott@SUNFLOWER.COM>

> Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

> Richard M. Kershenbaum  <r-kershenbaum@UKANS.EDU>

> OHearn                          <orpheus@in.the.shadows>

> Mike Rice                       <mrice@centuryinter.net>

> David Schwarm           <dschwarm@sun3.lib.uci.edu>

> Eric Saylor                     esaylor@sprynet.com

> James Stauffer          <stauffer@pacbell.net>

> Michael Stutz           <stutz@dsl.org>

> Tara123125                      tara123125@aol.com

> -*-

> Addenda comments:

> 1.=============================

> Return-Path: <dckom@atlcom.net>

> From: dckom@atlcom.net (dckom)

> To: "Rinaldo Rasa" <rasa@gpnet.it>

> Subject: Re: Beats:The List update 31 aug 1997

> Date: Sun, 31 Aug 1997 21:20:00 GMT

> Organization: W.S.A.

> Reply-To: dckom@atlcom.net

>

> Hi,

> By Ed Sanders and Tuli Kumferberg you should note The Fugs.

> By Sanders, Peace Eye Bookstore.

> Paul Goodman was Black Mountain School, except they threw him out for being

> gay.

> Good project, thanks for the work.

>         David Christian

>

> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

> Free thought, neccessarily involving freedom of

> speech and press, I may tersely define thus:no

> opinion a law-no opinion a crime.

>           Alexander Berkman

>

> 2.===============================

> Return-Path: <tara123125@aol.com>

> Date: Sun, 31 Aug 1997 18:45:05 -0400

> Newsgroups: alt.books.beatgeneration

> To: "Rinaldo Rasa" <rasa@gpnet.it>

> From: tara123125@aol.com (Tara123125)

> Organization: AOL http://www.aol.com

> Subject: Re: BEATs list

> SnewsLanguage: English

>

> Regarding your request to add names to your beat list--

>

> May I suggest the following Beat generation poets:

>

> John Thomas, Philomene Long, Frank Rios and Tony Scibella. They can be

> found, along with Stuart Perkoff, in John Maynard's "Venice West: The Beat

> Generation in Southern California". Also see LA Beats Web Site-

>                       HTTP://members.aol.com/labeats

>

> 3. =====================================

> Return-Path: <esaylor@sprynet.com>

> From: esaylor@sprynet.com (Eric Saylor)

> To: rasa@gpnet.it

> Subject: beat list

> Date: Tue, 02 Sep 1997 05:42:05 GMT

>

> Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in

> 1992, Seattle WA USA.

>

> Thanks.

>

> Eric

>

> ============= end of comments ======================

 

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Da qualche tempo leggo i suoi interventi...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709051131.MAA07536@ns.ulisse.it>

References:

 

At , Francesco Dufour wrote:

>Caro Sig. Rasa, da qualche tempo leggo i suoi interventi sulla mailing list

>BEAT-L e li trovo molto interessanti, anche se purtroppo la mia cultura in

>materia di letteratura beat è molto scarsa, ridotta com'è ai soli

>iper-classici (Sulla strada, I sotterranei, Maggie Cassidy per Kerouac e

>l'immancabile Pasto nudo di WSB).

>Mi stavo domandando se poteva consigliarmi qualche lettura "d'insieme" di

>facile reperibilità, per poter capire i rapporti che legano le diverse

>personalità degli autori e le varie correnti letterarie che via via hanno

>preso forma a partire dal dopoguerra negli USA.

> 

>A presto

>Francesco Dufour

> 

>p.s. saprebbe indicarmi dove trovare il testo completo dell'articolo su WSB

>apparso sul Wall Street Journal

> 

> 

> 

 

   Buongiorno!

 

   sono davvero imbarazzato ma non riesco a farmi

   venire in mente alcun consiglio, i libri

   che da lei letti mi sembrano piu' che sufficienti

   ed adeguati (forse, se posso permettermi,

   manca un ginsberg)

 

   per quanto riguarda l'articolo del wall street journal

   le consiglio di recuperare l'archivio della

   Beat-L inviando all'indirizzo

 

LISTSERV@CUNYVM.CUNY.EDU

 

e nel testo il comando

 

GET BEAT-L LOG9708 BEAT-L

 

in questo modo le verra' inviato l'archivio di tutti

gli interventi del mese di agosto corrente anno e

sicuramente tra le emails inviate trovera' quello che

desidera (mi sembra anche il testo completo dell'articolo

da lei citato).

 

         cordiali saluti,

                         Rinaldo.

* a not competent beat *

http://www.gpnet.it/rasa/beats.htm

Return-Path: <amish1@cyberamish.com>

Date: Fri, 5 Sep 1997 20:42:35 GMT

X-Advertisement: Visit http://www.iemmc.org for name removal information.

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Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Fri, 5 Sep 1997 16:24:44 -0600 (MDT)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: "burroughs: skin ovr steel"

Organization: Calgary Free-Net

 

 

 

 

On Fri, 5 Sep 1997, Rinaldo Rasa wrote:

 

>

> Derek A. Beaulieu wrote:

> >                                         08/18/97

> >                                ("burroughs: skin ovr steel")

> >     the voice:

> >     gravel in an open

> >     wound.

> >                        watching                           from aside

> >     camouflaged under

> >     coldsteel  suit and hat -

> >     hgwell's  invisible man

> >                                       without the bandages

> >      once the uniform of  every businessman  - inconspicuous in starch

> >     collar

> >

> >                                   snap

> >     brim

> >                professional.

> >     beneath shadow

> >     of fedora:

> >     tight

> >            & taut

> >                     skin

> >     pulled                                    over --

> >        wrds            skidding across the page in

> >                                                                cold

> >      push of

> >     wetbrick muscle

> >     observant nerves - feeling the tension moving under the surface

> >     skin translucent

> >     (re)veal (ing)

> >                       the biology of the movements.

> >

> >     the familiar pungent odour

> >     of

> >                                        cauterized

> >                                           words.

> >

> >

> september into the bus stop

>

> two men

> were going out of the cabin     they are shouting

>                                         in the cold morning:

>

> "only 50 dollars

>         o       n       l       y       50 dollars!"

>

> "3 a.m.

>

> he wakes up             he wakes up     and looks at the billfold!"

>

>         LISTEN! listen  dig your hole!

>                                         music

>

>         "look at the telephone book what's

>         up?"

>

>         "does you have forgotten the phone numbers?"

>

>         dig your hole   music

>                                 it is punching my head

>         it is punching my       h       e       a       d

>

> "he has not paid a cup of coffee not even

> only he has told me good-bye    damn!"

 

smeared sky w/ numbers

                              7 digits

   walking    past

the laudraumat looking for ways to keep from

distracting

numbers

numbers

delivering the number

7 digits

in exchange for

                              the push

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: "burroughs: skin ovr steel"

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.970905162212.4428A-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19970905232847.00686a58@pop.gpnet.it>

 

Derek, good day,

 

i thanks you alot to have the inspirational feeling

of the poetry/prose/jazz/stream/session, i'm

always sad astonished at writers/poets seem proposing

themself as singularity.

 

grazie,

Rinaldo.

To: amish1@cyberamish.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: REMOVE

Cc:

Bcc:

X-Attachments:

In-Reply-To: <m0x78pl-000rSyC@gpnet.it>

References:

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat SuperNova www version update 6 sep 97

Cc:

Bcc:

X-Attachments:

In-Reply-To: <340F9FD1.50CE@pacbell.net>

References: <3.0.1.32.19970902142032.006db37c@pop.gpnet.it>

 

James,

 

question #1.

>> Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

>> ---San Francisco Rennasiance, Six Gallery reading--what is his name in  >>Kerouac?

   name in JK: "Reinhold Cacoethes"

   JK and KR were not too friends or i'm wrong?

 

question #2.

>Where are Ezra Pound, and Lionel Trilling  if we have WC Williams, and

>even William God DAmn IngE? Mark Schorer

 

 

i have updated the beat page following at the best yr

gentle and great suggestions

at yr commodity have a look and if not too busy send me

a feedback 'bout, i dunno if this page is well.

 

ciao da

Rinaldo.

http://www.gpnet.it/rasa/beats.htm

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Sat, 6 Sep 1997 12:42:56 -0600 (MDT)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: "burroughs: skin ovr steel"

Organization: Calgary Free-Net

 

 

rinaldo

thanks you bless me w/ yr comments. words are too much fun to keep to

yrself if you ask me. if they are gonna have a life they need to be shared

& passed around and SHOUTED and whicpsered and written on walls and loved.

yr poetry really shows that to me & i appreciate it.

thanks for the kind words

yrs

derek

 

On Sat, 6 Sep 1997, Rinaldo Rasa wrote:

 

>

> Derek, good day,

>

> i thanks you alot to have the inspirational feeling

> of the poetry/prose/jazz/stream/session, i'm

> always sad astonished at writers/poets seem proposing

> themself as singularity.

>

> grazie,

> Rinaldo.

>

>

 

 

Return-Path: <stauffer@pacbell.net>

Date: Sat, 06 Sep 1997 18:44:45 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat SuperNova www version update 6 sep 97

 

Rinaldo Rasa wrote:

>

> James,

>

> question #1.

> >> Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

> >> ---San Francisco Rennasiance, Six Gallery reading--what is his name in

> >>Kerouac?

>         name in JK: "Reinhold Cacoethes"

>         JK and KR were not too friends or i'm wrong?

 

Rinaldo--I think that JK and KR were fine at first, at least through the

six gallery reading.  What apparently drove them apart was that Rexroth

thought that Jack was partly responsible for helping Robert Creeley have

an affair with Mrs. Rexroth.  They were never particularly close after

that!

 

James

>

> question #2.

> >Where are Ezra Pound, and Lionel Trilling  if we have WC Williams, and

> >even William God DAmn IngE? Mark Schorer

>

> i have updated the beat page following at the best yr

> gentle and great suggestions

> at yr commodity have a look and if not too busy send me

> a feedback 'bout, i dunno if this page is well.

>

> ciao da

> Rinaldo.

> http://www.gpnet.it/rasa/beats.htm

 

I'll check out the page again.  This is a wonderful thing you have done,

Rinaldo.  Thanks alot.

 

Return-Path: <country@sover.net>

Date: Sun, 7 Sep 1997 07:16:03 -0400 (EDT)

To: rinaldo@GPNET.IT

From: Marie Countryman <country@sover.net>

Subject: it's sunday

 

rinaldo i was touched by your writing down the elton john lyrics. i cried

and cried everytime that part of the service was telecast. he sang so

beautifully, and 'candle in the wind' lyrics changed for diana was so

tender.

i hope you have a lovely sunday.

love

marie

 

 

 

To: country@SOVER.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Howdy.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Marie, good sunday,

 

i hope u are well,

 

question #1

now i'm here to ask you the permission

to post yr good poem 'bout the princess' death poem to the

[uk-royalty] mailing list i'm subscribed,

(only a little note the correct spelling is "papparazzi",

the name was from the surname of Paparazzi a photografer

during the roman Dolce Vita in the '60s)

 

question #2

as my provider gave me free 1megaByte space on the server i've

plaining to develop a www page devoted to beat, can i post

a Marie Countryman's poems in the "american new poetry" section?

 

please, Marie, can tell me the definition of yr poetry? for me

i remember u call it "confessional" or i'm wrong?

 

btw

yr live comment about Joyce Johnson is wonderful can insert

yr name in the credits&comments in the beat www page?

 

i think of you often,

saluti fraterni,

Rinaldo.

 

=============================================

>Date:         Sat, 6 Sep 1997 10:05:29 -0400

>From:         Marie Countryman <country@SOVER.NET>

>Subject:      poem: diana's death

> 

>for Diana safe in heaven

> 

>Blinded by the tabloids

>        the papparazi

>                the monarchy

>blinded by my own reverse snobbery,

> 

>i was blindsided by your death.

>        only now can i drop the curtains from my eyes

>                and see the woman

>                        of compassion

>                                and courage

>                                        you became.

> 

>blinded by my own struggles

>        blinded by my own misery

>                i was blindsided by your death.

>again experiencing

>        the all too often,

>                yet all too human

>                                misery

>of recognizing the magnitude of what is precious

>                                        only after the loss.

> 

>blindsided by the tabloids garish headlines and photos,

>        i did not see

>                your transformation

>                        from uncertain girl lost in a palace

>to the woman of  compassion

>        in the soup kitchens

>                 shelters

>                        hospitals

>                                hospices

>                                        AIDS  wards

>                                                leper colonies,

>among the children suffering in the world.

> 

>i was blindsided by the newspaper tabloids

>        at the checkout counters, the ones i

>never buy or bring home

>                        but somehow cannot Not read

>while waiting with my carriage.

> 

>diana,

>        for all of this

>        i am grieved

> 

>blinded by the papparazi's lurid headlines and photos

>i saw  too few accounts of your compassion

>for "the constituary of the rejected."

> 

>i was blindsided by my own grief

>        for you,

>unexpectedly  deep and profound.

> 

>watching CNN this morning

>        i could not help but travel back in time

>the death of john lennon

>                        tim leary

>                                jerry garcia

>                                        allen ginsberg

>                                                william burroughs

>and ALL who have taught me compassion,

>        diana i wish  you safe in heaven, having walked through

>                the portal hand in hand

>                        with mother theresa.

>i think that jack will be waiting there.

> 

>        your brother said it best:

>that you were named for

>         the goddess of the hunt

>                only to become the most hunted.

> 

>mc 9/6/97

> 

>To: stutz@dsl.org

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: request information about database in HTML code

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Michael,

 

excuse me if i invade yr privacy, but i'm brief

 

i'm developing a the beats www page using the html code

but there is a problem

 

the names of the beats are growing and i've two list

1) in text or in msworks database (the mode in which i started)

2) in html code for the web

in this situation i'm forced to manually transform

the 1) --> 2) or viceversa & this is a pain, doubling everything!

 

are u knowing if it is possibile in html code

to have a html-database ( & after that can simply transform in

a text),

 

any suggestions?

 

thanks,

Rinaldo.

http://www.gpnet.it/rasa/beats.htm

 

 To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: it's sunday

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020905b03800e76278@[206.25.67.107]>

References:

 

marie,

by syncronicity i've just send to you a message,

of course the Elton John's songs are for us in

europe and in the world the feeling of 1970's when

all us were a lot of happy, the feeling of a period

that's gone, i'm happy u recognize such a way in

posting the Elton's liryc,

yr

rinaldo.

 

============

marie wrote:

>rinaldo i was touched by your writing down the elton john lyrics. i cried

>and cried everytime that part of the service was telecast. he sang so

>beautifully, and 'candle in the wind' lyrics changed for diana was so

>tender.

>i hope you have a lovely sunday.

>love

>marie

> 

> 

> 

>Return-Path: <stutz@dsl.org>

Date: Sun, 7 Sep 1997 13:13:44 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: request information about database in HTML code

X-MS-URL: http://dsl.org/m/

 

hi rinaldo--

 

 

> i'm developing a the beats www page using the html code

> but there is a problem

>

> the names of the beats are growing and i've two list

> 1) in text or in msworks database (the mode in which i started)

> 2) in html code for the web

> in this situation i'm forced to manually transform

> the 1) --> 2) or viceversa & this is a pain, doubling everything!

>

> are u knowing if it is possibile in html code

> to have a html-database ( & after that can simply transform in

> a text),

 

okay this is what i would do.

 

 

first forget about any "proprietary" format, like the format used in

microsoft programs (say for example a word document, like FILE.DOC).

proprietary is anti-internet, it is secret, it is against humanity and

openness and *not beat* -- so by remembering this you have won half the

battle & everything else is easy!

 

okay now ascii text is easy because any computer can read it. any computer

on the web can see it fine. BUT if you want it to have pictures colors etc

you want html (also an open format).

 

what i did was create a program on my web server that takes an ascii text

file and transforms it into html "on-the-fly" only when you request it.

 

for instance i would keep the list text and if it is called beats.txt, say

then my program is on my web server at http://dsl.org/cgi-bin/program/, i

can call that program with beats.txt and it will make it look nice.

 

here is a "real" example:

 

my novel _sunclipse_ is online at

<http://dsl.org/m/doc/lit/97/sunclipse-970602.txt> in ascii text, just like

i wrote it. check it out!

 

now look at it here, with my program making html for it "on-the-fly":

 

<http://dsl.org/cgi-bin/text.pl/m/doc/lit/97/sunclipse-970602.txt>.

 

 

do you know what kind of computer and software your web server is running?

if so maybe i can help with a program for it.

 

also an easy way out is to keep it in ascii text and on your web page make

a generic html document something like this:

 

<html>

<head><title>the beets!</title></head>

 

<pre>

<!--#include file="beats.txt"-->

</pre>

</html>

 

 

what this does is includes the text file "beats.txt" into your html document

every time someone looks at it. the <pre> tags make it look like it does in

ascii. this is a good technique also.

 

in any event, i think it's best to maintain the list in ascii text so you

can use it and modify it on any computer, and then insert it into html using

one of these different ways. or if worst comes to worst, just put the text

file itself on your web server and make an html page with a link to that

file. no colors or whatever, but the important thing is the information is

there.

 

i hope this info was useful; ask me if any of it didn't make sense.

 

m

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

              WARRANTY; for details see <http://dsl.org/copyleft/>.

 

 

Return-Path: <country@sover.net>

Date: Sun, 7 Sep 1997 13:55:15 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: Howdy.

 

very good sunday to you my dear rinaldo!

the answers are yes yes yes yes and yes.

i call my poetry autobiographical rather than confessional.

i am so pleased and honored

you made me very happy this sunday

love as always

marie

 

 

 

To: pelliott@SUNFLOWER.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: NO OJ> NO DI let the crickets live pix

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Patricia, good monday,

 

              great!

 

              the photo is David Ohle?

 

i've the permission to start my photo gallery of the Beat SuperNova

on twe Web with the pic you posted?

please tell me yes!

 

saluti,

Rinaldo.

 

=============================================

>Date:         Mon, 8 Sep 1997 09:53:09 -0500

>From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

>Subject:      NO OJ> NO DI let the crickets live pix

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>ohle in Louisiana

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\p4ohlelouisiana.jpg"

>Return-Path: <pelliott@sunflower.com>

Date: Mon, 08 Sep 1997 14:45:30 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: rinaldo@gpnet.it

Subject: pics

 

Rinaldo

  i would be proud for you to make use of the photos. should I send you

some more, all at once or one at a time.

patricia

 

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a Web database in HTML

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.970907130341.18056E-100000@devel.nacs.net>

References: <3.0.1.32.19970907134835.00686368@pop.gpnet.it>

 

michael wrote:

>my novel _sunclipse_ is online at

><http://dsl.org/m/doc/lit/97/sunclipse-970602.txt> in ascii text, just like

>i wrote it. check it out!

>now look at it here, with my program making html for it "on-the-fly":

> 

><http://dsl.org/cgi-bin/text.pl/m/doc/lit/97/sunclipse-970602.txt>.

> 

 

   michael,

   i've done and it's ok i have seen that the *.txt were

   transformed in *.html (btw is sunclipse a novel?

   i download circa 800k as text file?) but i've no idea

   what's the reason (program) behind the transformation.

 

>do you know what kind of computer and software your web server is running?

>if so maybe i can help with a program for it.

 

   yes,

   i've done a telnet to my provider 194.20.176.1

   & i tried to logon but the permission was denied

   of course the provider tellme i can't travel thru

   the server, but i've recognized the system in use

   it is:

         UNIX(r) System V Release 4.0 (home)

  

>also an easy way out is to keep it in ascii text and on your web page make

>a generic html document something like this:

> 

><html>

><head><title>the beets!</title></head>

> 

><pre>

><!--#include file="beats.txt"-->

></pre>

></html>

> 

         thanks for the suggestion

 

>i hope this info was useful; ask me if any of it didn't make sense.

> 

>m

> 

>email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

><http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

>                     as this sentence remains; it comes with absolutely NO

>             WARRANTY; for details see <http://dsl.org/copyleft/>.

> 

> 

   that's fine, but the list of beat (not a real database)

   was coded by myself as a table and used the tags

   <tr><th> and the result is for me satisfying, it's possibile

   to take a list of names and then tranform it in a html table?

   a friend of mine give me a disk with some javascript code

   but i haven't yet tried to use that code, it's worth?

 

   what i'm thinking is (example)

   -- old list --

   1) donald allen

   2) amiri baraka

 

   during the research a find a new name i.e.

   steve allen, then i create a

 

   --- new list ---

   1) donald allen

   2) steve allen

   3) amiri baraka

 

   this way is good to make by hand if the items

   are few but increasing the list it's really a

   pain to reindex the list

 

   (at the moment i'm no idea how many beats are

   stored in the text-database or html-table! i

   must to count them with my brain... no too

   much tech method!)

 

   have you any suggestion?

   thanks for yr support,

 

   saluti,

   Rinaldo.

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: pics

Cc:

Bcc:

X-Attachments:

In-Reply-To: <341455DA.615F@sunflower.com>

References:

 

Patricia wrote:

>Rinaldo

>  i would be proud for you to make use of the photos. should I send you

>some more, all at once or one at a time.

>patricia

> 

> 

 

patricia,

thanks,

 

u make happy! again photos!

i sometime have for myself life & my siblings

a bit of distress but i love the beats and if i think

myself in the next millenium i always have a good feeling

with that '50s & 60's & ... this YES help me.

 

when u are ready to send something about the beat

take in mind u make me very! happy!

 

thanks alot,

ciao da

Rinaldo.Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Mon, 8 Sep 1997 16:22:43 -0600 (MDT)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: The Art Of Beat Maintenance.

Organization: Calgary Free-Net

 

 

r~

thanks a/gain

for yr poems.

yrs in flatbrush mountain foothills

derek

 

On Mon, 8 Sep 1997, Rinaldo Rasa wrote:

 

>

>         Alan W. Watts   remembered

>         THE WAY OF ZEN  1957

>

>         Rin Tin Tin             &               Zorro

>         ...a numbers of years ago (i remember the first

>                                         televised operas &

>                                         old dodge car & platters' song

>                                         and sunny afternoon)

>

>

>         ...a numbers of years ago

>         1947 Jack Kerouac wrote

>                 then it was a fast walk along a silvery,

>                 dusty road beneath inky trees of California-

>                 a road like in The Mark of Zorro and a road

>                 like all the roads you see in Western B movies

>

>

>

>         HOOT!

>                 hooooooooooooot!

>                                         1997

>         by the way      TODAY

>         except for hair pinned head

>

>                         IS THAT A PROBLEM?

>         sure    sure    NOT just drunk...

>

>         spiders!        VIRTUAL REBELS!

>         caffeine addicted               virtual rebels

>

>                         IS that a problem?

>

>         ok THE WEB today look LIKE MORE

>         a PICASSO's painting

>                         IN EVERY WAY

>

>         long live Zorro & Rin Tin Tin

>                         my old friends!

>

>

> Rinaldo.

> 9 sep 97

>

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Tom Field

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Date:         Wed, 18 Sep 1996 08:26:59 +0100

Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From:         Kevin Killian <dbkk@SIRIUS.COM>

Subject:      Tom Field show opens in San Francisco

 

Hi, it's Kevin Killian.  I hope all of you on this list who live here in

San Francisco (or anyone who plans to visit here within the next 6 weeks of

so) will get the chance to see this wonderful show which opens tomorrow.

It's called "Paintings from Black Mountain College and the Beat Era," it's

the first large show of the work of the late Tom Field, who died here a

year ago, and this is the address: 871 Fine Arts, 49 Geary Street, San

Francisco.

 

Tom Field was born in 1930, went to Black Mountain College (there's a great

story in Martin Duberman's book about the time he tried to run down Robert

Creeley in a car), met Robert Duncan and Jess there @ 1956, and came to San

Francisco when the College closed in 1957.  In San Francisco he joined a

host of other "Mountaineers" including Joe Dunn, John Wieners, Basil King,

etc., etc. and began work as a merchant mariner, shipping out and shipping

in, a sailor's life, blah blah blah.  While on land he produced in short

order at least a dozen large A-E type magnificent paintings and became Jack

Spicer's favorite painter.  For a while he lived in the famous East-West

House where he met Joanne Kyger, Lew Welch, Jack Kerouac, Lenore Kandel and

so forth (in Kerouac's novel "Big Sur" he appears under the name "Lanny

Meadows," not so imaginative I suppose.  One of the paintings in this show

is a collaboration between Field and Jack Kerouac).  Last year he died at

East West House @ 65.

 

Robin Blaser has written the essay that accompanies this show, which

gathers together for the first time most of the great pictures from the

late fifties and early sixties, drawn from a variety of private collections

(Kyger, Jess, Fran Herndon, Ernie Edwards, etc).  I sneaked in to the

gallery last Saturday, while the Rauschenberg show was still up, and saw

the Field pictures leaning against the walls, not hung yet, and I was blown

away.  If there's any justice this exhibition should re-write Bay Area art

history...it's miles better than SFMOMA's over-hyped "Abstract

Expressionists of San Francisco" show which is running concurrently.  Come

on down!  Tell me what you think.  The reception is tomorrow (Thursday)

between 5:30 and 7:30--California time, so you could probably show up

Saturday and the reception would still be going on.  Thanks everyone!

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: big sur the ending

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

WARNING: IF YOU HAVE NOT READ KEROUAC'S _BIG SUR_ YOU

MIGHT WANT TO SKIP READING THIS (I'M GIVING YOU THE ENDING).

DON'T WANT TO RUIN IT FOR ANYONE!!!

 

Reminds me of the last page and a half of BIG SUR, when J.D. wakes

up from his sleep on the porch after the weeks mounting up to

his *breakdown*:

 

> Taken from BIG SUR by Jack Kerouac

 

"When I'd sat down they were sweeping, but now they were squatted

right behind my back, facing each other, not a word--I turn and see

them there--Blessed relief has come to me from just that minute--

Everything has washed away--I'm perfectly normal again--Dave Wain

is down the road looking at fields and flowers--I'm sitting smiling in

the sun, the birds sing again, all's well again.

I cant understand it.

Most of all I cant understand the miraculousness of the silence of

the girls and the sleeping boy and the silence of Dave Wain in the

fields--Just a golden wash of goodness has spread over all and over

all my body and mind--All the dark torture is a memory--I know now

I can get out of there, we'll drive back to the City, I'll take Billie home,

I'll say goodbye to her properly, she wont commit no suicide or do

anything wrong, she'll forget me, her life'll go on, Ramona's life will

go on, old Dave will manage somehow, I'll forgive them and explain

everything (as I'm doing now)--And Cody, and George Baso, and

ravened McLear and perfect starry Fagan, they'll all pass through

one way or the other--I'll stay with Monsato at his home a few days

and he'll smile and show me how to be happy awhile, we'll drink dry

wine instead of sweet and have quiet evenings in his home--Arthur

Ma will come to quietly draw pictures at my side--Monsato will say

"That's all there is to it, take it easy, everything's okay, dont take

things too serious, it's bad enough as it is without you going the deep

end over imaginary conceptions just like you always said yourself"--

I'll get my ticket and say goodbye on a flower day and leave all

San Francisco behind and go back home across autumn America

and it'll all be like it was in the beginning--Simple golden eternity

blessing all--Nothing ever happened--Not even this--St. Carolyn by

the Sea will go on being golden one way or the other--The little boy

will grow up and be a great man--There'll be farewells and smiles--

My mother'll be waiting for me glad--The corner of the yard where

Tyke is buried will be a new and fragrant shrine making my home

more home-like somehow--On soft Spring nights I'll stand in the

yard under the stars--Something good will come out of all things

yet--And it will be golden and eternal just like that--There's no need

to say another word."

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Charles Plymmel poems brautigan wilson

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

C. Plymell

 

DIALOG FOR S. CLAY WILSON

 

What about the current morals at the White house

Like What?

The reports of selling "overnights" at the white house and the like.

You mean like those hotel rooms you rent by the hour?

Well, not exactly.

But there's also the charge of feeling up that woman who worked

for him back in Arkansas?

Happens every time we educate a hillbilly.

 

REMEMBERING RICHARD BRAUTIGAN

 

That's Reba, Richard

you know, the kid

who arrived with flowers in her hair

At the Greyhound station

go 69'ers from the senior class

across the land of coffee-tonk cafes

with hard neon illuminating bacon and eggs

grabbed her bags from the locker

headed for the baths at Big Sur

via the head shop in the Haight.

 

Reba's name written wildly where

cameramen cowboy oracles ride

Reba ready

Reba right on

Reba rid of speed

Reba ready hip

Reba arriba arriba

Reba rich girl reading

Richard Brautigan on the beach

Reba tough

Reba together

Reba danced with Joan Baez

Hey that's my bag

Reba pop rock art

Reba wrote a poem for Allen Ginsberg

Reba saw Braughtigan naked at the end party

Reba coke collage digs dope prick

Rode to New York in back of a Buick

 

Scratch your name on East Village brick

and let your belly shine and

your breasts still smell of the baths

over the Pacific's spray of Saturn and Sun

where the air pierced your pores with tongues

of Redwood lips bursting with rapture

 

News shops hawk reality of  The Morning Sun

of faded type, Berkeley, and bought a gun

who smashes the windows out of time

watch the tanks all in a line

troops on the roof ready and aim.

 

(She packed her long dresses

and threw the I Ching,

drove over the bridge in a limousine.)

To: bocelts@scsn.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: [Fwd: Bob Dylan to Play for Pope]

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3414C47A.C17C4BC1@scsn.net>

References:

 

Bentz,

thanks for yr gentle words concerning the nostalgia poem,

i'm proud of your words,

cari saluti da

Rinaldo.

 

ps. regard the following message:

=============================================

At 23.37 08/09/97 -0400, R. Bentz Kirby wrote:

>Is this in Italian?  Does this mean anything?

>--

>Bentz

>bocelts@scsn.net

> 

>http://www.scsn.net/users/sclawPath:

>From: Joan Ferreras <dylan@espanet.com>

>Newsgroups: rec.music.dylan

>Subject: Re: Bob Dylan to Play for Pope

>Date: Sat, 06 Sep 1997 14:15:45 +0200

>Organization: Unisource Espana NEWS SERVER

>Reply-To: dylan@espanet.com

>Xref: Supernews69 rec.music.dylan:92691

> 

> 

>No me gusta nada que Bob Dylan cante delante de tan impresentable

>personaje. Para mí que despues de su enfermedad, está chocheando. Abur

> 

 

   the above message is't italian language but of

   spanish, portoguese or brazilian,

   &

   the person is telling that he heavily disagrees

   'bout that Bob Dylan plays at the

   Pope JPII presence

 

   i'm translate is on-the-fly

   maybe Joan Ferreras replies in his native speaker

   supposing that an italian  knows the

   spanish-like language and he his right,

   but, of course, i can wrong...

   or misunderstandig something,

 

ciao.

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: <rinaldo@GPNET.IT>

Subject: sicuramente l'avrai già visto...

Date: Tue, 9 Sep 1997 10:59:46 +0200

X-MSMail-Priority: Normal

 

Caro Rinaldo,

                   sicuramente, l'avrai già visto, ma nella pagina

culturale del Corriere di oggi (ma 9 sett.97) c'è la traduzione (dal New

Yorker) del diario degli ultimi giorni di WSB.

 

Salutami Venezia!

Ciao !

Francesco

 

Return-Path: <country@sover.net>

Date: Tue, 9 Sep 1997 07:33:04 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: happy tuesday, rinaldo!

 

hi rinaldo. i woke up not knowing if it is wednesday or tuesday. had to

turn the tv on to  get the date from the newscasters on early morning

broadcasts. i think i got it right. tuesday

two days

monday one day

tuesday two days

wednesday three

i will stop now but first i want to wish you good tuesdays everyday and

hope that you are well.

love

marie

 

 

 

Return-Path: <stutz@dsl.org>

Date: Tue, 9 Sep 1997 11:15:37 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: a Web database in HTML

X-MS-URL: http://dsl.org/m/

 

rinaldo--

 

 

> michael wrote:

> >my novel _sunclipse_ is online at

> ><http://dsl.org/m/doc/lit/97/sunclipse-970602.txt> in ascii text, just like

> >i wrote it. check it out!

> >now look at it here, with my program making html for it "on-the-fly":

> >

> ><http://dsl.org/cgi-bin/text.pl/m/doc/lit/97/sunclipse-970602.txt>.

> >

>

> michael,

> i've done and it's ok i have seen that the *.txt were

> transformed in *.html (btw is sunclipse a novel?

> i download circa 800k as text file?) but i've no idea

> what's the reason (program) behind the transformation.

 

ok. yes sunclispe is a novel, but it's funny becuase there's not much

conflict in the story, so i tend to also call it a sutra and, generically, a

"text."

 

but i wrote it in a text editor so it exists as a text file, and my program

turns the text file into html.

 

the program itself is very short, and written in perl. something like it

could work for you if your web server can run it (see below). But there may

be a better way to do it with html list tags (see below).

 

 

> >do you know what kind of computer and software your web server is running?

> >if so maybe i can help with a program for it.

>

> yes,

> i've done a telnet to my provider 194.20.176.1

> & i tried to logon but the permission was denied

> of course the provider tellme i can't travel thru

> the server, but i've recognized the system in use

> it is:

>        UNIX(r) System V Release 4.0 (home)

 

good news! it's a unix box so more than likely a perl program like mine will

work. as seen from

http://www.netcraft.com/cgi-bin/Survey/whats?host=www.gpnet.it&port=80

i see that your server is the apache server, which is good (it's the best

one out there).

 

what you'd have to do is ask your isp if you have cgi-bin access. if so, you

also need shell access to the server, and then put a copy of the cgi program

on the server.

 

of course, this might be more work than what it's worth. i think the best

way to do it is in pure html, like below:

 

> that's fine, but the list of beat (not a real database)

> was coded by myself as a table and used the tags

> <tr><th> and the result is for me satisfying, it's possibile

> to take a list of names and then tranform it in a html table?

> a friend of mine give me a disk with some javascript code

> but i haven't yet tried to use that code, it's worth?

 

dunno. i don't know too much about javascript. but i see your problem with

having to number them all with the <tr><th> tags.

 

you could do it instead with the <ol> list command like this:

 

<ol>

  <p><li><b>Steve Allen

  <p><li><b>Allen Ginsberg

</ol>

 

This numbers them automatically. Then you don't have to worry about the

numbers, because it will create them for you. So if you find a new Beat,

then just insert it:

 

<ol>

  <p><li><b>Steve Allen

  <p><li><b>David Amram

  <p><li><b>Allen Ginsberg

</ol>

 

And the numbering will appear automatically.

 

You can put html tags in for each line to customize the way you want it to

look, but since the list is pretty simple I don't think it will take much

work. To see how I have done this, look at the discography of my FSA FAQ:

 

http://www.dsl.org/cgi-bin/display.pl/m/doc/mus/fsa/fsa-faq

 

This is just an <ol> list and I add to it and change it all the time.

Do you use Netscape? If so, view the source file to see the code.

You can write the Beat file in HTML then, and whenever you want to generate

a new copy of it as a text file, view your page in Netscape and then choose

File...Save As... and choose "Text" as the format to save it in. That way

you don't have to maintain two seperate lists!

 

regards,

 

m

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

              WARRANTY; for details see <http://dsl.org/copyleft/>.

 

 

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: sicuramente l'avrai già visto...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709091002.LAA04508@ns.ulisse.it>

References:

 

At 10.59 09/09/97 +0200,

"Dufour" <dufour@ulisse.it> wrote:

>Caro Rinaldo,

>                   sicuramente, l'avrai già visto, ma nella pagina

>culturale del Corriere di oggi (ma 9 sett.97) c'è la traduzione (dal New

>Yorker) del diario degli ultimi giorni di WSB.

> 

>Salutami Venezia!

>Ciao !

>Francesco

> 

> 

grazie Francesco,

ho provveduto all'acquisto del corriere, ti

ringrazio di cuore per l'informazione,

ciao da

Rinaldo.

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: happy tuesday, marie!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020907b03aa8e8269c@[206.25.67.121]>

References: <3.0.1.32.19970907141733.006f80d4@pop.gpnet.it> <l03020901b0371937f30a@[206.25.67.102]> <9709060843.aa09671@mail.cruzio.com>

 

marie,

 

thanks for the good day, now i think of a dream

(the best dream) in all my life, it happens when

i was 7 or 8 old boy.

 

the only dream i remember as vivid as the true life,

it seems me that is something like a fact happened

in a previous life,

 

the dream-image... was a city, an american city,

with skycrapers, a river, and a bridge, there

was a sunny day, at a certain time an indian

(native american) starting at left side of the

scene  comes walking...

 

this is the dream that i call THE DREAM of my

life, when was younger, i was tempted to painting

this image, but with failure,

 

something special.

 

i hope u are well,

 

yr

Rinaldo.

 To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The Art Of Beat Maintenance.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.970908162157.54328A-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19970908235729.00b62ac8@pop.gpnet.it>

 

derek wrote:

> 

>r~

>thanks a/gain

>for yr poems.

>yrs in flatbrush mountain foothills

>derek

 

and othis sitting on the

dock of the bay

(1968)

 

rinaldo.Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Tue, 9 Sep 1997 16:13:29 -0600 (MDT)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The Art Of Beat Maintenance.

Organization: Calgary Free-Net

 

 

only my time aint getting rolled away

but rather pulled out from under me like

so many carpets

yrs

derek

 

On Tue, 9 Sep 1997, Rinaldo Rasa wrote:

 

>

> derek wrote:

> >

> >r~

> >thanks a/gain

> >for yr poems.

> >yrs in flatbrush mountain foothills

> >derek

>

> and othis sitting on the

> dock of the bay

> (1968)

>

> rinaldo.

>

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The Art Of Beat Maintenance.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.970909161306.17942A-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19970909231324.0069b7b8@pop.gpnet.it>

 

& notre dame photographed

in a sunny day

 

>only my time aint getting rolled away

>but rather pulled out from under me like

>so many carpets

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: <rinaldo@GPNET.IT>

Subject: Caro Rinaldo...

Date: Wed, 10 Sep 1997 20:21:32 +0200

X-MSMail-Priority: Normal

 

Caro Rinaldo,

                    complimenti per la lista degli artisti beat; leggendola

mi è venuta in mente una cosa: qualcuno in Beat-L mi ha scritto che sei di

Venezia, ed io conosco una persona che ha scritto alcuni volumi di poesia

che è proprio di Venezia.

 Il poeta in questione si chiama Iacopo Terenzio: lo conosci ?.

 Se così non fosse, potrei copiarti qualche sua poesia e fartela leggere...

secondo me ne vale la pena, anche perchè alcune sue tematiche mi paiono

piuttosto "beat" (letteratura che peraltro conosce).

 

fammi sapere...

 

Ciao!

 

Francesco

 

Return-Path: <country@sover.net>

Date: Thu, 11 Sep 1997 07:09:30 -0400 (EDT)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: wow, it is a shit kicking list!

 

hi rinaldo i have been visiting yr web page. so many wonderful and great

people/writers/thinkers you have there.

i am awed that you would put up my poetry there!

if you really want to do this,

i should send you the latest revisions of all poems.

is that ok?

and all i can say is one shitkicking wow!

i feel blessed

love

marie

 

 

 

Return-Path: <country@sover.net>

Date: Thu, 11 Sep 1997 09:04:41 -0400 (EDT)

X-Sender: country@sover.net (Unverified)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: here are the poems, my sweet friend

 

short autobiography(if one is needed)

Autobiography

I was born and raised myself in Connecticut.

At age 12 discovered Dylan, Kerouac, Ginsberg and lsd. Never been the same

since.

I have taught college writing and rhetoric at state university , have

worked as AIDS outreach worker and as a psychotherapist.

I have rarely traveled  outside of New England, but have wandered much in

my head, which is peopled by many. I have gone mad several times in this

lifetime and have come back to tell strange tales.

My writing is almost exclusively autobiographical.

I currently live in Vermont with my two cats.

____________

 

Friday the 13th, Plattsburgh, NY

Hava Java Poetry Reading

 

I sit, surrounded by men

   gentle men

         poet men

giving names to the unnameable

   and voice to the unspeakable,

opening  themselves up,

   using words as scapels.

Transcendental alchemy

   changing blood to ink-

         ink filling voids with words.

 

I sit, suddenly again the child i never was.

 

How many years now lost?

   how many fractured fine lines

         hold my selves

                                   precariously,

together?

(stifled all these years,

   fearing words would crack me open

         only to find an empty shell)

 

tonight i sit with these gentle men

   whose poems bank the protective fire

         which holds us in its ring

 

and the universe cracks open

   inside my soul:

 

it isn't just me inside this ring

it isn't just me inside this ring,

it isn't just me inside this ring,

 

this ring of blood and fire

 

the grey smoke of the fire ring

   gives birth

         to metaphors stark

              and shark naked facts,

as my  facts

   my metaphors

         my grey smoke

              rises and merges

                   with all.

 

 

the poems alchemy

   begins its work,

        changing blood to ink.

 

 

a girl of seven,

   feet dangling off the floor,

              appears in my chair,

                   all dressed up and no place to grow.

 

right now i'm only seven

   and awake long past my bed time

         staying up late with  boys

              inside of poets' pockets.

 

we speak

   of hateful mothers

         of hurtful fathers

              alcoholism

                   and winnie the pooh.

 

no bitterness remains.

 

   in this charmed circle

         this ring of fire

pain exchanged transmutes itself

   in this charmed circle,

         this ring of fire,

the alchemy of blood and pain.

 

 

it's bedtime now.

   would you tuck me in now,

         daddy?

- daddy isn't here.

 

would you be my fathers,

         if only for tonight?

 

mc 6/20/97

_______________

6/14/97

workshop with michael czarnecki

plattsberg, ny

etching: in conclusion

artist: valerie patterson

 

In conclusion

 

you are twelve years dead,

   mother

yet nightly you rise from your grave

 

every night,

   mother

your face invades my dreams

 

wrinkled, corroded

   by years of disappointment

for which you have always blamed me

 

there are no laugh lines

   hidden in the creases

of your face

 

toothless old crone,

   i still fear your bite

 

in conclusion, mother

   each morning as i rise from my grave

you return to yours

 

 

marie countryman

@mc

____________________

INTOXICATION

 

(for michael and craig)

 

clouds burst

and rain down

on poets

wandering in street

searching for poetical drink.

 

suddenly drenched!

clouds burst!

we laugh and turn faces up,

mouths open

to drink in the sky--

 

leap-frogging puddles,

laughing

        tumbling

                shouting

                        splashing!

 

until, many blocks later

        we pour ourselves into the car,

ending

   the best

         poetical

              drunk

                   by far.

____________________

on not writing

 

i have not been writing

i have been painting

i have not thought of words,

but rather of

colors, shapes, blending, edging,

worlds building on the page

is it sleep

is it dreaming

who is doing the painting?

landscapes of the mind

appear regularly as if

plucked out of thin air.

no memory

        beyond the intent to paint

dreams of eternal landscape

        building word less poems

not asleep

        nor waking.

___________________

>pear tree

> 

>as a child i climbed

>to safety, embraced

>by the old pear tree,

>sitting in its gnarley

>branches,

>writing pomes

>and secret thoughts,

>eating sweet pears,

>their juice

>running down my sticky

>fingers,

>staining the pages

>already wrinkly and wet

>by silent tears.

> 

>during hurrican'

>season,

>late august, early septenmber

>when storms threatend,

>the tree stood laden with fruit

>over-ripe fruit,

>and we rushed about to

>save the pears, dodging

>yellow jackets

>drawn to there sweetness,

>the over-ripe fruit

>smashed in ground

>splatterd on asphalt,

>eating as we picked and packed

>baskets of pears

> 

>neighbors rushed to help

>returning home

>with pears pears pears

>and

>more pears.

> 

>no other fruit

>has ever been sweeter

>than the pears

>of my writing tree.

>mc (sunday, april 13,)

> 

________________

PSYCHO-BUREAUCRATIC RANT

 

RANT against the psycho-bureaucratic who see only bottom lines

   and never the people on the bottom!

RANT against those who measure out years not by coffee spoons but rather by

        counting beans!

by insurance schemes

and the gov'ment  campaigns  to ignore

        ALL

who stand in abject self-affacement, begging for help!

RANT againt those who blame a child's agony upon the adult survivor who tries

         to make sense of a life gone  terribly wrong!

RANT against the damned patriarchal society which denies that fathers (and

mothers) do unspeakable wrongs  to

        daughters!

         to sons!

RANT against the inexorable, horrible, unspeakable reenactment of abuse

through

        generations

RANT against the fathers

RANT against the mothers

RANT against the priests the nuns the parents the doctors, the teachers the

ones who

         have the power to protect but instead assault

   or at best

          look the other way!

 

RANT against mothers who collude with fathers, stepdads and "uncles"!!

 

RANT against the made-for-tv movies which exploit the pain of others just

to make a buck!

        the evangelists!

        the pope!

   the cops!

        the courts!

        the good ole boy networks!

   the neighbors who don't want to 'meddle'

RANT AGAINST THE CONSPIRACY OF SILENCE

 

RANT RANT RANT RANT RANT RANT RANT RANT RANT RANT AND ,

RANT!!!

         i am RANTING and i will not stop. i will not allow my fate to be

one of SELF DESTRUCTION , SELF EFFACEMENT AND INVISIBLITY

 

i will not shut up, EVER!

 

        I ASK ONLY

WHEN IS ANYONE ELSE GOING TO SEE AND HEAR WHAT WE HAVE TO SAY?????

 

when will the 'good citizens' drop the curtains from their eyes and

acknowledge

that monsters DO exist?

 

        WHEN WILL ENOUGH BE ENOUGH????????

 

when will the baby predators

              the perpertrators

                    be brought to justice?

 

some speculate that this will not happen

 until hell freezes over

 

which, according to most, is on its way,

 

sponsored by the next millenium,

slouching toward bethlehem to be born.

 .

8/26/97

____________________________

thinking about kerouac

or,

spontaneous sidewalk

 

what is it with me, lately?

i keep buying books.

         i'm poor

              but would rather go hungry

                   than be hungry for words.

i want to be a writer.

         i read lots of writers

              lots of poetry

                   lots of prose

                         lots of writers writing about writing

                              and critics who write about

them,

until i get  to feeling like the quaker oats man

         who is pictured on the label

              holding another quaker box

                              with a little

                                   quaker man,

holding. . .

              you  know?

i mean, does he ever  eat the oatmeal?

 

 i throw over my captors,

self-consciouness and fear,

and break free.

as, up from the depths of my

inarticulate soul,

a voice speaks to me

of  kerouac,

word sketches

writ down in  moments

of white heat.

 

now i stop all thought,

and, suddenly,

finally !

   i am left with IT!

         jack 's

              spontaneous prose

                   writ in humble small  pad

                          full of word sketches

                   novels

              poetry

 

         prose

 

Emboldened,

out i go, tiny pad in pocket

looking avidly for

the perfect

poetic moment

to capture in words,

a stupendouslyspontaenous

experience of IT

 

 and so, i go, casting

eyes up to sky

and down to

earth

& cement.

 

i walk quite a bit,

and then further.

no epiphanies.

my pad begins to sweat.

 

suddenly i stop

and discover

that i am standing

in the midst

of a cheery

hop

   scotch

         scrawled in

              blue chalk.

i had my note pad ready

to capture it all,

 

         a frenzy of scribbling

of twilight  days.

of summer mothers' voices on the breeze

giving last call for play

with

    just

         one

               more

                   game

         of hop scotch,

   marbles, jumprope

kick the can,

   giant steps,

 played against backdrop

   of swooping

              clouds

of fireflies gleaming

 in the twilight

gloaming

 

 

dirty hands and sticky faces,

bare feet on dewy grass...

              touch

                   taste

              sight

         sounds

   alive!

 

and out on that sidewalk

i stoop scribbling

sketched

impressions,

literary

allusions,

and clever turns of phrase.

 

i feel like a real poet now.

 

i dash home

to fashion my  poem.

i open my notebook excitedly!

 

and there,

    on the page,

         no words at all,

only the

   hopscotch

         blocks,

              blue chalk

                    and all.

@mc/517/97

revised 5/26/97

6/1/97

_________________

to allen, from a distance (5/26/97 revision)

 

 

allen,

i saw you in my dreams last night,

              forever  electrified,

                   leaping

                          bowing

                              singing

                                   and praying

                                         for us all.

allen,  as i slept,

    i felt your  great generosity of spirit

lay a blessing on me.

 

again, in my dreams,

         you are walking

              in the supermarket

                         holding hands  with  whitman -

         you  are

              chanting  for peace

                         while chicago erupted

                              in the democratic

                                   violence of 1968.

 

 

i have before me,

   father death,

          a photot of your esctatic soul

              made manifest by your utter joyful dancing.

                   during human be-in, frisco, 67.

 

today, allen,

upon awakening,

   i feel your death keenly.

i go out walking

        surrounded by  you

              - in the leaves of grass,

                   rising from their

                         winter  sleep

                              beneath the melting snow

              - in all the cracks in the sidewalk

                   -in  all  the skies above.

 

this year i will plant sunflowers, allen..

                   today i  fare thee well.

 

 

 

 

 

 

 

 

 

 

To: jrpick@MAILA.WM.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Correction

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.32.19970910135820.00688d8c@maila.wm.edu>

References:

 

At 13.58 10/09/97 -0400,

Jonathan Pickle <jrpick@MAILA.WM.EDU> wrote:

>Rinaldo -

>        very good list, but Allen Ginsberg's pseudonyms need to be looked at - His

>name in The Dharma Bums was Irwin Garden not Irving and his name in The

>Subterraneans was Adam Moorad not Morand.  These need to be changed.  Thanks.

> 

>                                        -Jon(By the way, I'm new)

> 

> 

Jon,

 

many thanks for the help, i've already corrected the list.

 

i've added yr name to credits & comments (the friends give me

information).

 

i'm italian and it's easy to mistyped or

mispelling names (i apologies for the inconvenience),

 

ciao da

Rinaldo.

Venice-Mestre,Italy.

http://www.gpnet.it/rasa/beats.htm

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Caro Rinaldo...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709101927.UAA09418@ns.ulisse.it>

References:

 

>Venezia, ed io conosco una persona che ha scritto alcuni volumi di poesia

>che è proprio di Venezia.

> Il poeta in questione si chiama Iacopo Terenzio: lo conosci ?.

> Se così non fosse, potrei copiarti qualche sua poesia e fartela leggere...

 

Francesco,

ti ringrazio per l'interessamento, quando hai un po' di tempo

inviami pure le poesie che ritieni piu' opportune, le leggero'

con piacere,

ciao da

Rinaldo.

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ...Howdy.

Cc:

Bcc:

X-Attachments: C:\INTERNET\IMMAGINI\intox.jpg;

In-Reply-To: <l03020906b03d48f20c06@[206.25.67.123]>

References: <3.0.1.32.19970909231154.0069d6e0@pop.gpnet.it> <l03020907b03aa8e8269c@[206.25.67.121]> <3.0.1.32.19970907141733.006f80d4@pop.gpnet.it> <l03020901b0371937f30a@[206.25.67.102]> <9709060843.aa09671@mail.cruzio.com>

 

marie, good morning,

thanks for yr collected poems &

thanks for the praises regard the Beat SuperNova,

 

i'm plaining on the web shit kickin' list to create a section

devoted to new north-american poetry, & i hope

u are the first began the series.

 

i send you

a visual elaboration of yr poem "INTOXICATION" (working in

progress...) called intox.jpg,

let me know if this pic is welcome or/and pleasant (suggestions

critique),

 

the web of course stand for images & visual poetry,

but if u like otherwise, i never put on the net

whatever if you aren't happy,

 

yr

rinaldo.

Return-Path: <32490060@usa.net>

From: 32490060@usa.net

Date: Fri, 12 Sep 97 11:26:18 EST

To: Friend@public.com

Subject: You do it, I do it, we ALL do it!

 

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anonymous servers courtesy of www.cloaked.com. Click here to learn more

 

 

Return-Path: <country@sover.net>

Date: Fri, 12 Sep 1997 14:46:40 -0400 (EDT)

X-Sender: country@sover.net (Unverified)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Marie Countryman <country@sover.net>

Subject: Re: ...Howdy.

 

hi rinaldo:

i can only view the picture on the web site page. my mailer is all messed

up and i cannot open any attatchments or graphics.

i know you will do right by me, and so i give you permission to make the

page any way you wish and i will view it most happily at your web site.

i am trying to change my mailer to netscape 4.0 but i haven't had the

chance to down load it yet. now you have given me the incentive.

i am so honored and happy.

i hope you are having a wonderful friday. it is a beautiful day up here in

the green mountains of vermont.

with love and appreciation,

marie

 

 

 

Return-Path: <ncary@clark.net>

X-Authentication-Warning: clark.net: ncary owned process doing -bs

Date: Sat, 13 Sep 1997 00:37:16 -0400 (EDT)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: A Love Supreme by John Coltrane.

 

I have the strange feeling you are looking at India

 

Nina

 

 

Return-Path: <"country"@sover.net>

Date: Sat, 13 Sep 1997 14:08:53 +0000

From: Marie Countryman <country@sover.net>

To: rinaldo@gpnet.it

Subject: happy sunday, rinaldo

 

rinaldo:

i finally have a program that will let me open the attatchment you sent

of my intoxication poem. if you send it, i can now open it. i am looking

forward to all that you are doing. i spent lots of hours figureing out

this new program, it was both frustrating and fun, and i look forward to

your art work.

i hope this finds you well and happy.

love

marie

 

 

 

Return-Path: <mrsam@concentric.net>

From: mrsam@concentric.net

Date: Sat, 13 Sep 97 17:17:57 EST

To: read@myresume.com

Subject: Looking for new contracts.

 

 

 

 

                           Semyon Varshavchik

      Double Precision, Inc., P.O. Box 668, Greenwood Lake, NY 10925

   Voice Mail - 1+ (500) 447-3696         E-Mail - mrsam@concentric.net

                  Home:914-477-8236

 

---------------------------------------------------------------------------

 

Objective:

 

Programmer/Analyst. Independent Contract Consultant (New York City).

 

     NOTICE: I am currently on a contract, but I am available. I am looking for new

     contracts at this time. I do not have an *exact* ending

     date for my new contract. If you would like me to let you know when my

     ending date is known, leave a message for me with your fax number.

 

Technical Background:

 

    Development:   C++, C, PERL 5, Motif.

    Environment:   UNIX, MS-DOS.

    Applications:  Sybase, JAM, TCP/IP.

    Other:         Visual Basic, Windows SDK.

                   Author of several freeware Linux utilities, available on

                   sunsite, and its mirrors, including: a POP3 client; an

                   interactive curses-based, programmable, FTP client; an

                   X11R6/Motif 2.0 IRC client.

 

Experience:

 

 Project: Major financial company,

 New York, NY                                             Jan. 1997-present

                                   (ending date 30 September 1997)

 

Database conversion - integrating an external asset management database into

the company's internal portfolio-management system. Duties: analysis,

project planning, design, and development, using C++, SYBASE, UNIX, PERL,

INFORMIX.

 

Acquisition of an asset management firm necessitated a conversion, and

integration, of their client asset management database. Developed a

timeline, and a project plan, then proceeded to implement the system

conversion.

 

Data archiving - designed a database using to archive past transactions.

Converted mainframe data extracts and loaded them into the archive database.

Began developing on a user interface (VISUAL BASIC) to allow automatic

historical inquiries.

 

 Project: Spear, Leeds & Kellogg/Troster Singer, New       Jul. 1996 - Jan.

 York, NY                                                              1997

 

Trading system conversion - replacing vendor-supplied software with a

trading system developed in-house. Duties: Design, analysis, development and

enhancements of a trading system for a NASDAQ/OTC trader, using C++, SYBASE,

UNIX(AIX), PERL, MOTIF.

 

Due to design limitations of the original (vendor-supplied) trading system,

it was being replaced by a new system developed in house. Scope of work

involved finishing the development of the new system (written in C++,

SYBASE, UNIX, and PERL), as well as fixing the bug- ridden old system (C,

C++, SYBASE, UNIX) and keeping it functional until the cutoff to the new

system.

 

Optimized the old system to support a higher volume of transactions within

an existing infrastructure. Implemented a new interface between the trading

system and a clearing broker service. Developed software used to convert

portions of the old trading system's database into data for the new trading

system. Converted reports from the old system, from SQR into PERL. Enhanced

reports to reconcile trades from both systems, for the parallel phase. Wrote

new reports for the old, and the new, system to calculate rebate statements

for major customers, based upon their trading volume, classes of stocks

being traded, and other factors. Participated in an emergency port of the

old trading system to Sybase/System 11, which was necessary in order to

support additional load due to new NASDAQ regulations. Developed benchmark

code to estimate the potential increase in performance, which was used to

justify the upgrade path.

 

 Project: Republic Services Corp., New York, NY.      Mar. 1995 - Jul. 1996

 

Analysis, design, development, and support: C/C++, JAM, SYBASE, UNIX(AIX).

 

Duties: enhancement of a customer account billing system - rewriting a

tape-based mainframe application as a UNIX/SYBASE Client/Server application.

Developed the front-end user interface - a JAM and SYBASE client, a single

version for both X-Windows and character-based user terminals. Analyzed and

implemented application security. Developed back-end daily accounting

application: income/expense accrual, GL, A/R, A/P. Developed incoming and

outgoing external application interfaces - involving writing fault-tolerant

background daemon processes to queue up outgoing interface files and print

jobs. Worked on conversion, user-acceptance testing, and documentation.

Worked with users to resolve transition issues. June 1995: duties expanded

to lead application developer, after a company-wide downsizing. Interviewed

candidates applying for full time positions to be trained to maintain the

system after it goes live. Gave introductory courses in C and UNIX to

employees being retrained from mainframe to client-server environments.

Trained personnel to take over my duties, after the project goes live.

Billing rate: $65/hr.

 

 Project: Lehman Brothers, Jersey City, NJ.           Aug. 1994 - Mar. 1995

 

Analysis, design, development, and support: C/C++, JAM, SYBASE, NOVELL,

MS-DOS, WINDOWS, UNIX environment.

 

Duties: Worked on haircuts and hedging, and reporting-related issues - with

accountants, business analysts and system administrators - using a trade

analysis and reporting system: a JAM front end client with a SYBASE server.

Full development life cycle: analyzed client's needs, designed changes and

enhancements to the system, developed and implemented the enhancements,

provided support for the users. Also: assisted on a WINDOWS SDK/POWERBUILDER

trading application front end (also a SYBASE server) which is used for

securities regulations compliance. Billing rate: $50/hr.

 

 Automated Wagering, Hackensack, NJ.                            1993 - 1994

 

Programmer-Analyst, staff position. Analysis, design, development, and

documentation: C++, C, UNIX(AIX), JAM, C-ISAM, TCP/IP development

environment.

 

Duties: full life cycle of application development: analysis, design,

development, testing; technical support; documentation; site installation.

 

Complete responsibility for the UNIX/MSDOS-based portion of the department's

project: customization and enhancement of a JAM interface to an accounting

and inventory control system, consisting of a UNIX-based JAM application

invoked from DOS. Coordinated enhancements to the accounting/inventory

system with the corresponding changes to the terminal interface. Analyzed

client's requests for enhancements, formalized the eventual design changes,

eventual implementation, documentation, site installation. Final salary:

$48,000/yr.

 

 JYACC, Parsippany, NJ.                                         1990 - 1993

 

Design, development, and support of UNIX and MS-DOS projects for clients. C,

UNIX, SYBASE, TCP/IP, JAM, C++, MS-DOS, Oracle, 3270, X.25.

 

Duties: application design, implementation, testing - full life cycle;

porting; system administration; client negotiation; technical support;

hardware and software research/installation, project management, disaster

recovery.

 

Development of a UNIX-based front end processing system for client's

back-office billing system: a distributed SYBASE/Open- Client transaction

processing system, with an interactive user interface in JAM. Also batch

interface via file-transfer, and point-to-point interface using X.25.

Development of a TCP/IP server process to coordinate database access between

the different parts of the system. Automatic reporting system: generation of

t-roff scripts, then reprogramming the network's E-mail service to interface

with third-party fax software package to achieve a completely automatic

report generation and delivery system.

 

Development of an interactive database application to track client's

progress in a promotional campaign in Oracle/UNIX environment. System

installation. Database design, implementation, and testing. Flexible report

generation. Enhancements, technical support. Final salary: $43,000/yr.

 

Other:

 

Other skills and areas of knowledge: 68000 machine language, compiler

design, operating system design.

 

Education:

 

 College Of Engineering And Applied Sciences.

 State University Of New York, Stony Brook, NY                  1986 - 1990

 

Diploma received: B.S. in Computer Science, Applied Mathematics and

Statistics. Dean's list.

 

US Citizen.

http://www.concentric.net/~Mrsam/

http://www.geocities.com/SiliconValley/Peaks/5799/resume.html

----------------------------------------------------------------------------

Copyright 1995-1997, S. Varshavchik. All rights reserved. sam-001@dpinc.ml.org

 

 

 

 

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Sun, 14 Sep 1997 11:20:13 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: happy sunday, marie.

 

rinaldo i am so excited to see my poem! i think it looks really nice on the screen on the web, but i love the colored edition

as well! but would like to be taken a littel more serious. also, font is a little hard to read in the colors, don't think

it's the colors as much as the font, perhaps.

i am so glad you like working on the web, it makes me feel like my poems up there are a labor of love.

you have a beautiful day today.

lots of love

marie

 

Rinaldo Rasa wrote:

 

> goodday marie,

> i've included the new poetry section in the www beat page,

> yr INTOXICATION poem is now at

> http://www.gpnet.it/rasa/nampoets.htm

> & it starts (i hope) a long series... tell me what u think about.

> 

> i resend to you the visual pic poem (intox.jpg)

> u can't read some days ago,

> 

> the Beat SuperNova is now updated 'cuz of i

> have added some pictures of beats & i like to

> have yr opinion about the beat page,

> http://www.gpnet.it/rasa/beats.htm

> 

> i like alot to work on the web,

> i'm waiting for yr opinion!

> 

> yr friend,

> rinaldo.

> 

>                                                   ------------------------------------------------------------------------

> 

>                    Name: intox.jpg

>    intox.jpg       Type: JPEG Image (image/jpeg)

>                Encoding: base64

 

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: happy sunday, marie.

Cc:

Bcc:

X-Attachments: C:\INTERNET\IMMAGINI\varie\intox.jpg;

In-Reply-To: <199709131810.OAA14237@pike.sover.net>

References:

 

goodday marie,

i've included the new poetry section in the www beat page,

yr INTOXICATION poem is now at

http://www.gpnet.it/rasa/nampoets.htm

& it starts (i hope) a long series... tell me what u think about.

 

i resend to you the visual pic poem (intox.jpg)

u can't read some days ago,

 

the Beat SuperNova is now updated 'cuz of i

have added some pictures of beats & i like to

have yr opinion about the beat page,

http://www.gpnet.it/rasa/beats.htm

 

i like alot to work on the web,

i'm waiting for yr opinion!

 

yr friend,

rinaldo.

Return-Path: <"country"@sover.net>

Date: Sun, 14 Sep 1997 11:31:17 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: happy sunday, marie.

 

rinaldo it IS a shitkicking list and i love the picture of you carrying all those books and papers and i love the background

pattern and i love all the shitkickin' poets you are naming for the world to see. love, marie

 

Rinaldo Rasa wrote:

 

> goodday marie,

> i've included the new poetry section in the www beat page,

> yr INTOXICATION poem is now at

> http://www.gpnet.it/rasa/nampoets.htm

> & it starts (i hope) a long series... tell me what u think about.

> 

> i resend to you the visual pic poem (intox.jpg)

> u can't read some days ago,

> 

> the Beat SuperNova is now updated 'cuz of i

> have added some pictures of beats & i like to

> have yr opinion about the beat page,

> http://www.gpnet.it/rasa/beats.htm

> 

> i like alot to work on the web,

> i'm waiting for yr opinion!

> 

> yr friend,

> rinaldo.

> 

>                                                   ------------------------------------------------------------------------

> 

>                    Name: intox.jpg

>    intox.jpg       Type: JPEG Image (image/jpeg)

>                Encoding: base64

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Sun, 14 Sep 1997 11:31:36 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: happy sunday, marie.

 

rinaldo it IS a shitkicking list and i love the picture of you carrying all those books and papers and i love the background

pattern and i love all the shitkickin' poets you are naming for the world to see. love, marie

 

Rinaldo Rasa wrote:

 

> goodday marie,

> i've included the new poetry section in the www beat page,

> yr INTOXICATION poem is now at

> http://www.gpnet.it/rasa/nampoets.htm

> & it starts (i hope) a long series... tell me what u think about.

> 

> i resend to you the visual pic poem (intox.jpg)

> u can't read some days ago,

> 

> the Beat SuperNova is now updated 'cuz of i

> have added some pictures of beats & i like to

> have yr opinion about the beat page,

> http://www.gpnet.it/rasa/beats.htm

> 

> i like alot to work on the web,

> i'm waiting for yr opinion!

> 

> yr friend,

> rinaldo.

> 

>                                                   ------------------------------------------------------------------------

> 

>                    Name: intox.jpg

>    intox.jpg       Type: JPEG Image (image/jpeg)

>                Encoding: base64

 

 

 

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat SuperNova www photos of beats.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3412070D.3D77@pacbell.net>

References: <3.0.1.32.19970902142032.006db37c@pop.gpnet.it> <3.0.1.32.19970906193424.0069b2e0@pop.gpnet.it>

 

James,

 

i've placed some photos of beats in the main page,

http://www.gpnet.it/rasa/beats.htm

 

& i've added a new poetry section

 

when u are not too busy, please check the work, yr

wisdom is invaluable to me,

 

ciao da

Rinaldo.

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: pics of beats

Cc:

Bcc:

X-Attachments:

In-Reply-To: <341455DA.615F@sunflower.com>

References:

 

patricia,

i've placed some photos of beats in the main page,

http://www.gpnet.it/rasa/beats.htm

you gave me tha right kick to start!,

 

ciao da

RinaldoReturn-Path: <"country"@sover.net>

Date: Sun, 14 Sep 1997 11:39:07 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: happy sunday, marie.

 

rinaldo !!! i love your adding all of the journalists and revolutionaries and the wives and the women and peter orlovsky's

true calling as allen's wife/spouse. it is a big list and i am glad because you transcend the pettiness of who is cooler that

who. and who is the coolest/warmest soul i know: YOU!!!!

love again

marie

 

Rinaldo Rasa wrote:

 

> goodday marie,

> i've included the new poetry section in the www beat page,

> yr INTOXICATION poem is now at

> http://www.gpnet.it/rasa/nampoets.htm

> & it starts (i hope) a long series... tell me what u think about.

> 

> i resend to you the visual pic poem (intox.jpg)

> u can't read some days ago,

> 

> the Beat SuperNova is now updated 'cuz of i

> have added some pictures of beats & i like to

> have yr opinion about the beat page,

> http://www.gpnet.it/rasa/beats.htm

> 

> i like alot to work on the web,

> i'm waiting for yr opinion!

> 

> yr friend,

> rinaldo.

> 

>                                                   ------------------------------------------------------------------------

> 

>                    Name: intox.jpg

>    intox.jpg       Type: JPEG Image (image/jpeg)

>                Encoding: base64

 

 

 

 

To: dabeauli@FREENET.CALGARY.AB.CA

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: maya gorton?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.970914101420.78662C-100000@srv1.freenet.calgary.ab.ca>

References:

 

derek requested the address is:

Marioka7@aol.com

 

btw have u see the web Beat SuperNova?

i've included more pictures of beats.

 

ciao da rinaldo.

http://www.gpnet.it/rasa/beats.htm

To: Marioka7@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat SuperNova

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

maya,

i've set up a web page

http://www.gpnet.it/rasa/beats.htm

please, when u are not tooooo busy, check it,

thanks,

Rinaldo.

To: babu@electriciti.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat SuperNova

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Douglas,

 

i've set up a web page

http://www.gpnet.it/rasa/beats.htm

please, when u are not to busy, check it,

 

thanks,

Rinaldo.

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: happy sunday, marie.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709141539.LAA12130@pike.sover.net>

References: <3.0.1.32.19970914132751.006a17b8@pop.gpnet.it>

 

              thanks

              marie!Return-Path: <stauffer@pacbell.net>

Date: Sun, 14 Sep 1997 20:29:51 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat SuperNova www photos of beats.

 

Rinaldo Rasa wrote:

>

> James,

>

> i've placed some photos of beats in the main page,

> http://www.gpnet.it/rasa/beats.htm

>

> & i've added a new poetry section

>

> when u are not too busy, please check the work, yr

> wisdom is invaluable to me,

>

> ciao da

> Rinaldo.

 

 

Thanks Rinaldo--I'll check it out

 

James

 

Return-Path: <pelliott@sunflower.com>

Date: Mon, 15 Sep 1997 00:06:06 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: pics of beats

 

Rinaldo, I have enjoyed this list so much.

 

One of the books Billy Burroughs JR. wrote was "Kentucky fried"

Ohle wrote "Mortified Man". "Cows are freaky when they look at you"

 

I attached a photo of Charles Plymell

ciao

p

 

Attachment Converted: "c:\pbox\rinaldo\attach\charlyplymell.jpg"

Return-Path: <babu@electriciti.com>

X-Sender: babu@electriciti.com (Unverified)

Date: Mon, 15 Sep 1997 00:36:19 -0700

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: percipient (babu)

Cc: ajensen@telecom.ucla.edu, agit8@hotmail.com, bstoffma@lausd.k12.ca.us,

        ChrisHein@aol.com, CVEditions@aol.com, Dfroley@aol.com,

        "Emmanuel J. Palad" <palad@TCNJ.EDU>, EugeneAhn@mwp-online.com,

        Raminocs@aol.com, Jacrosby1@aol.com, fi@oceanstar.com,

        6500ljn@ucsbuxa.ucsb.edu, Leon Tabory <letabor@cruzio.com>,

        LunarLeFog@aol.com, Marioka7@aol.com, Michael Stutz <stutz@dsl.org>,

        ddmoses@earthlink.net, piers@humnet.ucla.edu,

        Rinaldo Rasa <rinaldo@gpnet.it>, googie@wam.umd.edu,

        tpreece@pacbell.net, vpaul@gwdi.com, dcarter@TOGETHER.NET,

        race@midusa.net, dkpenn@oees.com, love_singing@msn.com,

        beach@qconline.com

 

http://www.electriciti.com/babu/images/Percipient.html

 

still haven't found what I'm looking for

to steal a line or two from you two

<<hm>>  <<hm>> <<hm>>

can almost hear them thinking

boom mikes, earphones, eyes closed

vocals loud and worth listening

two hundred, three hundred, here

without you, with or without you

 

fucking sobbing for attention

heart throbing with attention

like a sponge being wrenched

my humble brain succumbing

sobbing, sobbing

another day at the races....

people placing their bets

fanning their faces

getting close to the wire

pumpkin or sewer savage

throwaway coming up close

pumpkin, sewer savage, throwaway

pumpkin, thorwaway, sewer fasveee

pumpkin, throwoary, sewer savenge

throw away,   pumpkin, sewer savage

throw away

 

 

 

pumpkin,

 

 

 

 

sewer savage

 

Douglas

 

 

 

 

+_+_+_+_+_+_+_[[to get off this list, return "unsubscribe"

 

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 "The beginning and the end of all literary activity is the

 reproduction of the world that surrounds me  by means

 of the world that is in me. . . "   --  Goethe

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

http://www.electriciti.com/babu/   |   0 |          The map is

not the territory

                   |  { -     |          --Korzybski

  ---->                |  /\ |

                   =========      

 

 

 

Return-Path: <Marioka7@aol.com>

Date: Mon, 15 Sep 1997 08:36:29 -0400 (EDT)

From: Marioka7@aol.com

To: stauffer@pacbell.net, cosmicat@erols.com, BOHEMIAN@maelstrom.stjohns.edu,

        carl@world.std.com, babu@electriciti.com, race@midusa.net,

        bocelts@scsn.net, dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com,

        CVEditions@aol.com, Tread37@aol.com, SSASN@aol.com, jgrant@bookzen.com,

        kenster@mit.edu, love_singing@msn.com, rinaldo@gpnet.it

Subject: blub

 

             When the man in the scuba-diving suit opened the car door it was

obviously too late.  the other passengers and i were is a floating

dream-state, still gazing blankly at the watery landscape out the window.  I

looked over at Whitney and she cocked her head in disbelief.  I don't know

why she was doing this, but she held her arms in front of her, they were

moving slightly and rhythmically, like a string puppet dancing in

slow-motion.  

            The windshield was a strange combination of reflections: i could

see through it but on top of that it reflected the contents of the car,

including my face, and there was still an air-bubble trapped behind it so

that there was a curved mirror-like reflection of selected parts of the

dashboard.  There was no sunlight and i was cold.

             Kim's mouth was open but her eyes were closed and her face was

grey.  she always falls asleep when she sits in the front seat.  I couldn't

see Jenny cause she was driving and i was sitting behind her.  i could only

see the top of her head and her recently bleached hair.  Like phosphorescent

seaweed waving around.  

             This is a film, right? I'm trapped in another bad film, right?

 Even the thoughts in my head sound muffled by the time they reach my ears.

 The bubbles from my mouth pass in front of my eyes.

              As they go up to the surface and join the rest of the air.  Up

to the surface, where air belongs.   The sunlight is so far away from me now!

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: pics of beats

Cc:

Bcc:

X-Attachments:

In-Reply-To: <341C4E98.7351@sunflower.com>

References: <3.0.1.32.19970914133741.006a17b8@pop.gpnet.it>

 

Patricia,

fine! i'll add the Charles portrait among the

beat photo gallery, again thanks for yr gentle

support,

ciao di cuore da

Rinaldo.

 

 

At 00.06 15/09/97 -0500, Patricia Elliott wrote:

>Rinaldo, I have enjoyed this list so much.

> 

>One of the books Billy Burroughs JR. wrote was "Kentucky fried"

>Ohle wrote "Mortified Man". "Cows are freaky when they look at you"

> 

>I attached a photo of Charles Plymell

>ciao

>p

> 

>Attachment Converted: "c:\pbox\rinaldo\attach\charlyplymell.jpg"

>Return-Path: <pelliott@sunflower.com>

Date: Mon, 15 Sep 1997 10:35:04 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

CC: pelliott@sunflower.com

Subject: Re: pics of beats

 

james G

 

Attachment Converted: "c:\pbox\rinaldo\attach\p31james.jpg"

Return-Path: <pelliott@sunflower.com>

Date: Mon, 15 Sep 1997 11:57:38 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

CC: pelliott@sunflower.com

Subject: Re: pics of beats

 

William, when I first met him in Texas, around 78

p

 

Attachment Converted: "c:\pbox\rinaldo\attach\williamintex.jpg"

Return-Path: <pelliott@sunflower.com>

Date: Mon, 15 Sep 1997 12:07:59 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: Catinthehat <catinhat@ihug.co.nz>

CC: rinaldo@gpnet.it

Subject: Re:

 

hi

William S.

p

 

Attachment Converted: "c:\pbox\rinaldo\attach\wsbgood.jpg"

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Qualche informazione...

Date: Tue, 16 Sep 1997 01:15:17 +0200

X-MSMail-Priority: Normal

 

Caro Rinaldo,

                    ti chiedo un piccolo aiuto: mi puoi fare (quando hai

tempo) un piccolo sommario dei comandi da utilizzare in Beat-L, soprattutto

per raggiungere i materiali d'archivio?

 Ti ringrazio anticipatamente.

                        

                  Ciao !

              Francesco.

 

p.s. I: Non riesco a mettermi in contatto con la tua home-page o meglio, ci

riesco, ma mi compare solo l'accesso alla tua casella di posta elettronica:

sei "under construction" o sono io che faccio qualche errore ?.

 

p.s. II: Mi ho molto apprezato il tuo intervento in Beat-L con la citazione

da "A love supreme"; mi stavo domandando se ti è mai capitato di ascoltare

"Interstellar space", che ha in comune con "A love supreme" la struttura

del mantra, spinta però all'estremo attraverso un serrato duetto

sax-batteria. Se vuoi te ne posso fare una copia su cassetta.

 

p.s. III: Ho cominciato a copiare le poesie di cui ti ho scritto la

settimana scorsa.

 

           Ancora ciao!

                   F. 

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Thanks!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <341D6A36.1B0F@sunflower.com>

References: <199709151628.EAA23832@nickkean.ihug.co.nz>

 

Patricia,

again thanks!, i've added yr contribution pic&comments to

the Beat SuperNova, ciao e ancora grazie, Rinaldo.

http://www.gpnet.it/rasa/beats.htm

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Qualche informazione...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709160024.BAA01521@ns.ulisse.it>

References:

 

Francesco, adesso provo qualche comando e poi ti

dico come funziona, non vorrei averti dato informazioni

imprecise,

Rinaldo.Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: R: Qualche informazione...

Date: Tue, 16 Sep 1997 19:10:24 +0200

X-MSMail-Priority: Normal

 

Va bene, grazie mille !

F.

 

----------

> Da: Rinaldo Rasa <rinaldo@gpnet.it>

> A: Dufour <dufour@ulisse.it>

> Oggetto: Re: Qualche informazione...

> Data: martedì 16 settembre 1997 18.38

>

> Francesco, adesso provo qualche comando e poi ti

> dico come funziona, non vorrei averti dato informazioni

> imprecise,

> Rinaldo.

 

To: Howard Park <Hpark4@AOL.COM>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: list of yr beat garage books

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Howard Park <Hpark4@AOL.COM> wrote:

Please send your e-mail address to Hpark4@aol.com and I will send you a list

of reader copies of beat or beat related books...

 

Howard,

my address is

rinaldo@gpnet.it

thanks,

Rinaldo.

Venice-Mestre,Italy. To: davison@tyco.net.au

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat SuperNova on the web (Re: Beats 30th aug 1997)

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

hello robert,

i've placed the list on the Web at the following

address (with photos of some beats)

 

http://www.gpnet.it/rasa/beats.htm

 

Terry Southern is already in the list,

 

thanks for your support, i love that

friends collaborate with opinions at

the growing of the list,

have i your permission to include yr

name in comments&credits?

 

ciao da Rinaldo.

Venice-Mestre,Italy.

rinaldo@gpnet.it

-*-*-*-*-*-*-*-*-*-

Robert Davison <davison@tyco.net.au> wrote in article

<01bcbdf1$2a9977c0$81ee14cb@sirius.tyco.net.au>...

>

> What about Terry Southern? Seams to me he was more of a "beat" than the

> likes of Kenneth Patchen or Norman Mailer.

>

> Southern is best known for his work on the screenplays, "Dr. Strangelove,

> Or How I Learned to Stop Worrying and Love the Bomb" and "Easy Rider, but

> he's also an accomplished writer of short stories, novels and errr...

> assorted other things.

>

> Although not really associated with the Beats in the mind of the public,

> Southern came to prominence in roughly the same era and often wrote about

> similar things: jazz musicians, hipsters, drugs etc. He worked with

William

> S. Burroughs on the "Junky" film project, which never really got off the

> ground...

>

> If you want to check out Terry Southern, see if you can find his "Red

Dirt

> Marijuana and Other Tastes" collection - some really great, witty stuff

in

> there...

>

> Robert Davison

>

> "Nothing is true. Everything is permitted"

>                         - Hassan I Sabbah

> 

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Caro Rinaldo

Date: Wed, 17 Sep 1997 16:01:44 +0200

X-MSMail-Priority: Normal

 

Come promesso ti invio alcune poesie di Jacopo Terenzio.

Sappimi dire...

 

     Ciao!

  Francesco.

Attachment Converted: "c:\pbox\rinaldo\attach\JT.doc"

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: R: Qualche informazione...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709161815.TAA04254@ns.ulisse.it>

References:

 

Francesco ti invio alcune informazioni,

 

-*-*-*-*-*-*-*-*-*-*-*-*-*

inviando un messaggio

all'indirizzo LISTSERV@CUNYVM.CUNY.EDU

e scrivendo nel testo INFO REFCARD dovresti ottenere:

 

Return-Path: <MAILER-DAEMON>

Date:         Tue, 16 Sep 1997 17:42:55 -0400

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      Output of your job "rinaldo"

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

> INFO  REFCARD

 

Summary of resource utilization

-------------------------------

 CPU time:        0.274 sec                Device I/O:       48

 Overhead CPU:    0.038 sec                Paging I/O:        7

 CPU model:        3090                    DASD model:     3390

 Job origin:      rinaldo@GPNET.IT

 

Return-Path: <MAILER-DAEMON>

Date:         Tue, 16 Sep 1997 17:42:55 -0400

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      File: "LISTSERV REFCARD"

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

           LISTSERV(R) System Reference Library, release 1.8c

           --------------------------------------------------

                Copyright L-Soft international, 1986-1996

 

                        Last update: 13 Aug 1996

 

      ************************************************************

      *                                                          *

      * LISTSERV command reference cards:                        *

      *                                                          *

      *-> LISTSERV REFCARD: General user commands                *

      *   LISTOWNR REFCARD: List and file management commands    *

      *   LISTMAST REFCARD: Commands for the LISTSERV maintainer *

      *                                                          *

      ************************************************************

 

Commands are  listed in alphabetical  order, with the  minimum acceptable

abbreviation  in capital  letters. Angle  brackets are  used to  indicate

optional parameters. All commands which  return a file accept an optional

'F=fformat' keyword (without the quotes)  that lets you select the format

in  which  you  want  the  file sent;  the  default  format  is  normally

appropriate  in  all  cases.  Some esoteric,  historical  or  seldom-used

commands and options have been omitted.

 

List subscription commands (from most to least important)

---------------------------------------------------------

SUBscribe    listname <full_name>              Subscribe to a list, or change

                                               your name if already subscribed

                      ANONYMOUS                -> Subscribe anonymously

 

SIGNOFF                                        Remove yourself:

             listname                          - From the specified list

             *                                 - From all lists on that server

             * (NETWIDE                        - From all lists in the network

 

SET          listname options                  Alter your subscription options:

             ACK/NOACK/MSGack                  -> Acknowledgements for postings

             CONCEAL/NOCONCEAL                 -> Hide yourself from REVIEW

             Mail/NOMail                       -> Toggle receipt of mail

             MIME/NOMIME                       -> Prefer/avoid MIME format

                                                  (especially MIME digests)

             DIGests/INDex/NODIGests/NOINDex   -> Ask for digests or message

                                                  indexes rather than getting

                                                  messages as they are posted

             REPro/NOREPro                     -> Copy of your own postings?

             TOPICS: ALL                       -> Select topics you are

                     <+/->topicname               subscribed to (add/remove

                                                  one or replace entire list)

 

Options for mail headers of incoming postings (choose one):

             FULLhdr or FULL822                -> "Full" (normal) mail headers

             IETFhdr                           -> Internet-style headers

             SHORThdr or SHORT822              -> Short headers

             DUALhdr                           -> Dual headers, useful with PC

                                                  or Mac mail programs

             SUBJecthdr                        -> Normal header with list name

                                                  in subject line

 

CONFIRM      listname1 <listname2 <...>>       Confirm your subscription

                                               (when LISTSERV requests it)

 

Other list-related commands

---------------------------

GETPOST      listname ref1 <ref2 <...>>        Order individual messages from

                                               list archives

 

INDex        listname                          Sends a directory of available

                                               archive files for the list, if

                                               postings are archived

 

Lists        <option>                          Send a list of lists as follow:

             (no option)                       -> Local lists only, one line

                                                  per list

             Detailed                          -> Local lists, full information

                                                  returned in a file

             Global /xyz                       -> All known lists whose name or

                                                  title contains 'xyz'

             SUMmary <host>                    -> Membership summary for all

                                                  lists on specified host

             SUMmary ALL                       -> For all hosts (long output,

                                                  send request via mail!)

             SUMmary TOTAL                     -> Just the total for all hosts

 

Query        listname                          Query your subscription options

                                               for a particular list (use the

                                               SET command to change them)

             *                                 -> Query all lists you are

                                                  subscribed to on that server

 

REGister     full_name                         Tell your name to LISTSERV, so

                                               that you don't have to specify

                                               it on subsequent SUBSCRIBE's

             OFF                               Make LISTSERV forget your name

 

REView       listname <(options>               Get information about a list

             BY sort_field                     -> Sort list in a certain order:

                Country                           by country of origin

                Name                              by name (last, then first)

                NODEid                            by hostname/nodeid

                Userid                            by userid

             BY (field1 field2)                -> You can specify more than one

                                                  sort field if enclosed in

                                                  parentheses: BY (NODE NAME)

             Countries                         -> Synonym of BY COUNTRY

             LOCal                             -> Don't forward request to

                                                  peers

             Msg                               -> Send reply via interactive

                                                  messages (BITNET users only)

             NOHeader                          -> Don't send list header

             Short                             -> Don't list subscribers

 

SCAN         listname text                     Scan a list's membership for a

                                               name or address

 

SEArch       listname word1 <word2 <...>>      Search list archives

        or:  word1 <word2 <...>> IN listname

             FROM date1                        -> From this date

                  TODAY                        -> From today

                  TODAY-7                      -> In the last 7 days

             TO   date2                        -> To this date

             WHERE

               SUBJECT CONTAINS xxxx           -> Only this subject

             AND/OR

               SENDER  CONTAINS xxxx           -> Only this author

                                               Complex boolean operations are

                                               supported, see database guide

 

STats        listname <(options>               Get statistics about a list (VM)

             LOCal                             -> Don't forward to peers

 

Informational commands

----------------------

Help                                           Obtain a list of commands

 

INFO         <topic>                           Order a LISTSERV manual, or get

             <listname>                        a list of available ones (if no

                                               topic was specified); or get

                                               information about a list

 

Query        File fn ft <filelist> <(options>  Get date/time of last update of

                                               a file, and GET/PUT file access

                                               code

             FLags                             -> Get additional technical

                                                  data (useful when reporting

                                                  problems to experts)

 

RELEASE                                        Find out who maintains the

                                               server and the version of the

                                               software and network data files

 

SHOW         <function>                        Display information as follows:

             ALIAS node1 <node2 <...>>         -> BITNET nodeid to Internet

                                                  hostname mapping

             BITEARN (VM only)                 -> Statistics about the BITEARN

                                                  NODES file

             DISTribute                        -> Statistics about DISTRIBUTE

             DPATHs host1 <host2 <...>>        -> DISTRIBUTE path from that

                                                  server to specified host(s)

             DPATHs *                          -> Full DISTRIBUTE path tree

             FIXes (VM only)                   -> List of fixes installed on the

                                                  server (non-VM see LICENSE)

             HARDWare or HW                    -> Hardware information

             LICense                           -> License/capacity information

                                                  and software build date

             LINKs node1 <node2 <...>>         -> Network links at the BITNET

                                                  node(s) in question

             NADs node1 <node2 <...>>          -> Addresses LISTSERV recognizes

                                                  as node administrators

             NETwork (VM only)                 -> Statistics about the NJE

                                                  network

             NODEntry node1 <node2 <...>>      -> BITEARN NODES entry for the

                                                  specified node(s)

             NODEntry node1 /abc*/xyz          -> Just the ':xyz.' tag and all

                                                  tags whose name starts with

                                                  'abc'

             PATHs snode node1 <node2 <...>>   -> BITNET path between 'snode'

                                                  and the specified node(s)

             POINTs <ALL | list1 list2...>     -> Graduated license point

                                                  information for planning

             STATs                             -> Usage statistics

                                                  (default option)

             VERSion                           -> Same as RELEASE command

             (no function)                     -> Same as SHOW STATS

 

Commands related to file server functions

-----------------------------------------

AFD                                            Automatic File Distribution

             ADD    fn ft <filelist <prolog>>  Add file or generic entry to

                                               your AFD list

             DELete fn ft <filelist>           Delete file(s) from your AFD

                                               list (wildcards are supported)

             List                              Displays your AFD list

 

             For node administrators:

             FOR user ADD/DEL/LIST etc         Perform requested function on

                                               behalf of a user you have

                                               control over (wildcards are

                                               supported for DEL and LIST)

 

FUI                                            File Update Information: same

                                               syntax as AFD, except that FUI

                                               ADD accepts no 'prolog text'

 

GET          fn ft <filelist> <(options>       Order the specified file or

                                               package

             PROLOGtext xxxx                   -> Specify a 'prolog text' to be

                                                  inserted on top of the file

 

GIVE         fn ft <filelist> <TO> user        Sends a file to someone else

 

INDex       <filelist>                         Same as GET xxxx FILELIST

                                               (default is LISTSERV FILELIST)

 

PW           function                          Define/change a "personal

                                               password" for protecting AFD/FUI

                                               subcriptions, authenticating PUT

                                               commands, and so on

             ADD firstpw                       -> Define a password for the

                                                  first time

             CHange newpw <PW=oldpw>           -> Change password

             RESET                             -> Reset (delete) password

 

SENDme                                         Same as GET

 

Other (advanced) commands

-------------------------

DATAbase     function                          Access LISTSERV database:

             Search DD=ddname <ECHO=NO>        -> Perform database search

                                                  (see INFO DATABASE for more

                                                   information on this)

             List                              -> Get a list of databases

                                                  available from that server

             REFRESH dbname                    -> Refresh database index, if

                                                  suitably privileged

 

DBase                                          Same as DATABASE

 

DISTribute   <type> <source> <dest> <options>  Distribute a file or a mail

                                               message to a list of users (see

                                               INFO DIST for more details on

                                               the syntax)

             Type:

             MAIL                              -> Data is a mail message, and

                                                  recipients are defined

                                                  by '<dest>'

             FILE                              -> Data is not mail, recipients

                                                  are defined by '<dest>'

             RFC822                            -> Data is mail and recipients

                                                  are defined by the RFC822

                                                  'To:'/'cc:' fields

             Source:

             DD=ddname                         -> Name of DDname holding the

                                                  data to distribute (default:

                                                  'DD=DATA')

             Dest:

             <TO> user1 <user2 <...>>          -> List of recipients

             <TO> DD=ddname                    -> One recipient per line

             Options for the general user:

             ACK=NOne/MAIL/MSG                 -> Acknowledgement level

                                                  (default: ACK=NONE)

             CANON=YES                         -> 'TO' list in 'canonical' form

                                                  (uid1 host1 uid2 host2...)

             DEBUG=YES                         -> Do not actually perform the

                                                  distribution; returns debug

                                                  path information

             INFORM=MAIL                       -> Send file delivery message to

                                                  recipients via mail

             TRACE=YES                         -> Same as DEBUG=YES, but file

                                                  is actually distributed

             Options requiring privileges:

             FROM=user                         -> File originator

             FROM=DD=ddname                    -> One line: 'address name'

 

FOR          user command                      Execute a command on behalf of

                                               another user (for node

                                               administrators)

 

SERVE        user                              Restore service to a disabled

                                               user

 

THANKs                                         Check the server is alive

 

UDD                                            Access the User Directory

                                               Database (there are 18 functions

                                               and many sub-functions, so the

                                               syntax is not given here)

 

Syntax of parameters

--------------------

filelist  = 1 to 8 characters from the following set: A-Z 0-9 $#@+-_:

fformat   = Netdata, Card, Disk, Punch, LPunch, UUencode, XXencode, VMSdump,

            MIME/text, MIME/Appl, Mail

fn        = same syntax as 'filelist'

ft        = same syntax as 'filelist'

full_name = firstname <middle_initial> surname (*not* your e-mail address)

host      = Internet hostname

listname  = name of an existing list

node      = BITNET nodeid or Internet hostname of a BITNET machine which

            has taken care of supplying a ':internet.' tag in its BITEARN

            NODES entry

pw        = A password with characters from the set: A-Z 0-9 $#@_-?!|%

user      = Any valid Internet address not longer than 80 characters; if

            omitted, the 'hostname' part defaults to that of the command

            originator

 

-*-*-*-*-*-

inviando un messaggio

all'indirizzo LISTSERV@CUNYVM.CUNY.EDU

e scrivendo nel testo INDEX BEAT-L dovresti ottenere:

 

 

Return-Path: <MAILER-DAEMON>

Date:         Tue, 16 Sep 1997 17:43:09 -0400

From:        

 "L-Soft list server at The City University of NY (1.8c)"              <LISTSERV@CUNYVM.CUNY.EDU>

Subject:      File: "BEAT-L FILELIST"

To:           Rinaldo Rasa <rinaldo@GPNET.IT>

 

*  BEAT-L FILELIST for LISTSERV@CUNYVM.

*

*  Files concerning the BEAT-L Beat Generation List

*

*  This filelist may be sorted in columns 47 to 63 to get a list of

*  files in the order of their updates. Sorting in descending order

*  shows the most recently updated files at the top.

*

*  To have any of these files sent to you, send a GET command to

*  LISTSERV@CUNYVM in the form of GET <filename> <filetype> <listname>.

*  (e.g. GET BEAT-L LOG9505 BEAT-L).

*

*  If an entry shows nrecs=0  the file is not available.

*

*                             rec               last - change

* filename filetype   GET PUT -fm lrecl nrecs   date     time   File description

* -------- --------   --- --- --- ----- ----- -------- -------- ----------------

* :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

*

*  The GET/PUT authorization codes shown with each file entry describe

*  who is authorized to GET or PUT the file:

*

*     ALL = Everybody

*     OWN = List owners

*

* :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

  BEAT-L   MAILTPL    ALL OWN .       .     0 ........ ........ Listserv info

  BEAT-L   WELCOME    ALL OWN V      69    11 95/05/03 18:52:27 Welcome message

  BEAT-L   CONFIRM    ALL OWN V      79    52 95/05/09 13:28:01 Listserv info

  BEAT-L   COMP_PCI   ALL OWN F      80  6428 96/10/25 11:52:08 PCI's List

 

*

*  NOTEBOOK archives for the list

*  (Monthly notebook)

*                             rec               last - change

* filename filetype   GET PUT -fm lrecl nrecs   date     time   Remarks

* -------- --------   --- --- --- ----- ----- -------- -------- -------------------------------

  BEAT-L   LOG9505    PRV OWN V      80    35 95/05/30 11:11:34 Started on Mon, 29 May 1995 22:22:45 -0500

  BEAT-L   LOG9506    PRV OWN V      83  2252 95/06/30 22:59:02 Started on Wed, 7 Jun 1995 20:33:48 EDT

  BEAT-L   LOG9507    PRV OWN V     119  4808 95/07/31 23:50:25 Started on Sat, 1 Jul 1995 00:54:41 -0400

  BEAT-L   LOG9508    PRV OWN V      85  5644 95/08/31 22:37:40 Started on Tue, 1 Aug 1995 09:21:34 -0500

  BEAT-L   LOG9509    PRV OWN V      85  5007 95/09/30 20:34:51 Started on Fri, 1 Sep 1995 13:56:14 +0100

  BEAT-L   LOG9510    PRV OWN V      80  5765 95/10/31 19:02:11 Started on Sun, 1 Oct 1995 14:04:27 +0800

  BEAT-L   LOG9511    PRV OWN V     242 10949 95/11/30 23:55:16 Started on Wed, 1 Nov 1995 02:11:56 -0500

  BEAT-L   LOG9512    PRV OWN V      80  9231 95/12/31 20:17:32 Started on Fri, 1 Dec 1995 00:56:09 -0500

  BEAT-L   LOG9601    PRV OWN V      84  4050 96/01/31 22:17:07 Started on Mon, 1 Jan 1996 11:37:24 -0800

  BEAT-L   LOG9602    PRV OWN V     144  9734 96/02/29 22:24:44 Started on Thu, 1 Feb 1996 09:25:12 +0000

  BEAT-L   LOG9603    PRV OWN V      81 12443 96/03/31 09:01:37 Started on Thu, 29 Feb 1996 23:52:40 -0600

  BEAT-L   LOG9604    PRV OWN V      81  9898 96/04/30 22:15:33 Started on Sun, 31 Mar 1996 11:31:45 -0500

  BEAT-L   LOG9605    PRV OWN V      80  6312 96/05/31 23:09:11 Started on Tue, 30 Apr 1996 23:38:52 -0500

  BEAT-L   LOG9606    PRV OWN V     112  6829 96/06/30 19:25:53 Started on Sat, 1 Jun 1996 09:40:32 -0400

  BEAT-L   LOG9607    PRV OWN V     149  3140 96/07/31 10:41:17 Started on Mon, 1 Jul 1996 16:07:36 -0400

  BEAT-L   LOG9608    PRV OWN V      80  5393 96/08/31 22:43:36 Started on Thu, 1 Aug 1996 09:06:58 -0400

  BEAT-L   LOG9609    PRV OWN V     119 11222 96/09/30 23:52:39 Started on Sun, 1 Sep 1996 00:54:29 -0700

  BEAT-L   LOG9610    PRV OWN V     242 31185 96/10/31 21:00:00 Started on Mon, 30 Sep 1996 21:29:03 -0700

  BEAT-L   LOG9611    PRV OWN V     113 21865 96/11/30 19:06:04 Started on Fri, 1 Nov 1996 10:37:27 EST

  BEAT-L   LOG9612    PRV OWN V      83 25562 96/12/31 22:59:04 Started on Sat, 30 Nov 1996 21:21:05 -0800

  BEAT-L   LOG9701    PRV OWN V     119 31567 97/01/31 16:54:25 Started on Wed, 1 Jan 1997 02:28:05 -0500

  BEAT-L   LOG9702    PRV OWN V      83 25404 97/02/28 22:54:34 Started on Sat, 1 Feb 1997 15:52:42 +0000

  BEAT-L   LOG9703    PRV OWN V     118 20887 97/03/31 23:19:44 Started on Sat, 1 Mar 1997 00:42:04 -0500

  BEAT-L   LOG9704    PRV OWN V      83 73554 97/04/30 23:59:59 Started on Tue, 1 Apr 1997 03:44:03 -0500

  BEAT-L   LOG9705    PRV OWN V      86 68508 97/05/31 23:58:32 Started on Wed, 30 Apr 1997 21:39:21 -0700

  BEAT-L   LOG9706    PRV OWN V      98 50538 97/06/30 23:59:34 Started on Sun, 1 Jun 1997 00:50:16 -0700

  BEAT-L   LOG9707    PRV OWN V      83 39153 97/07/31 23:37:33 Started on Mon, 30 Jun 1997 22:00:07 -0700

  BEAT-L   LOG9708    PRV OWN V      87 53453 97/08/31 21:51:50 Started on Fri, 1 Aug 1997 00:29:14 -0400

  BEAT-L   LOG9709    PRV OWN V      87 21597 97/09/16 16:19:17 Started on Mon, 1 Sep 1997 00:21:55 -0400

 

-*-*-*-*-

 

come vedi gli archivi della Beat-L cominciano

nel maggio del 1995.

ora puoi ottenerli inviando per ciascun un

messaggio

LISTSERV@CUNYVM.CUNY.EDU

 

GET BEAT-L LOG9505 BEAT-L

 

in questo modo ottiene il file di maggio del 95

 

per avere i file di giugno 95 procedi con lo stesso

indirizzo ma

GET BEAT-L LOG9506 BEAT-L

 

e cosi' via.

 

spero di non averti creato confusione,

 

Rinaldo.

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: R: R: Qualche informazione...

Date: Thu, 18 Sep 1997 10:40:12 +0200

X-MSMail-Priority: Normal

 

Grazie Rinaldo, farò qualche tentativo !

 

Ciao!

Francesco

 

----------

> Da: Rinaldo Rasa <rinaldo@gpnet.it>

> A: Dufour <dufour@ulisse.it>

> Oggetto: Re: R: Qualche informazione...

> Data: mercoledì 17 settembre 1997 23.30

>

> Francesco ti invio alcune informazioni...

 

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: JT

Cc:

Bcc:

X-Attachments: C:\INTERNET\jt.doc;

In-Reply-To: <199709171508.QAA07387@ns.ulisse.it>

References:

 

Francesco,

purtroppo non ho potuto leggere le poesie di JT per

motivi tecnici. il mio computer non riesce a leggere

i file in formato word8, ti prego, se ne hai voglia,

di reinviarmi il file delle poesie salvandolo in formato

word6 oppure word2 oppure in modo testo, ti rispedisco

il file nell'eventualita' che tu non lo abbia piu'

nell'harddisco, grazie.

Rinaldo.

>Attachment Converted: "c:\pbox\rinaldo\attach\JT.doc"

Return-Path: <dufour@ulisse.it>

From: "Dufour" <dufour@ulisse.it>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Caro Rinaldo II

Date: Thu, 18 Sep 1997 14:54:56 +0200

X-MSMail-Priority: Normal

 

Come promesso ti invio alcune poesie di Jacopo Terenzio.

Sappimi dire...

 

     Ciao!

  Francesco.

----------------------------------------------------------------------------

 

 

 

 

Da: J. Terenzio, Maledetti e basta, Venezia 1992.

 

 

Come noi

 

Ognuno di quelli come noi

è un esule,

un dissidente,

un compatito,

uno scoop sporadico,

un emblematico,

un'erbaccia per infusi,

un caso accampato tra i rifiuti

di questa tracotanza civile, sì.

Una bidonville da seminario,

una tavola rotonda,

una statistica,

un saggio sociologico,

un alibi,

un aggiramento,

una diatriba.

TRONCANO senza rossori.

COMPRANO i giornali.

Truffano, scannano.

Baciano crocifissi e banchi.

Usano ogni legge sacra.

Sputano

sulla vita e sulla morte;

sull'amore e sul dolore.

Coinvolgendoci,

si maledicono.

 

 

Note sparse

 

Note sparse della mia resistenza.

Una croce in marmo rosa

tra ghiande dorate.

Una nota in grassetto: chi siete voi,

che conosciamo ?

E sotto: agosto '80, Bologna.

Una frase di un certo spessore: Zeus

tagliò l'uomo in due

per castigarlo senza distruggerlo.

E forse questo volevo ricordare.

 

 

Invano

 

Mi arrabbio per la mancanza di giustizia

che ci riempie per illuminazioni.

Invano,

da troppo,

divento aspro, slìmegoso.

Dipende dal soffrirti,

ma non basta a spiegare il dolore

che quando è troppo, è niente,

un freddo acciaio.

Ti accontenti di poco -tanto-

Non chiedi nulla -Tutto-

Quel nero su bianco che dicesse

quello che vuoi.

Posso rassicurarti di ciò che sento

e che c'è ?

Ma iperprotettivo

Temo che non ti renda conto

che qualcosa, qualcuno, qualche azione

ogni giorno

è un po' più vera di altre.

Senza secondi fini,

quel poco di pratico,

salvato, di me.

Le ferite,

l'età,

il sincero,

raggranellati in fondo.

 

 

Non ho trovato

 

Non ho trovato

la ricca, vecchia americana,

che mi facesse fare la fine

del verme nel formaggio.

E curo meticolosamente l'aspetto trasandato

nel culto dell'immagine, del look.

Il sovrappeso si è allargato

a sette chilogrammi

né davanti alla macchina da scrivere

so rinunciare al vino.

Mi chiami amore grande.

Mi chiamano Maestro.

Si dice che possegga una gran forza morale

mentre in qualche occasione

rasento il plateale.

Un cuore da affamato e qualche lacrima.

Difficoltose fantasie in perenne viaggio. 

Trentanovesimo compleanno.

 

 

Avete ragione

 

Problemi miei

i rinvii, le ripetizioni

L'applicarmi nelle costruzioni

sinottiche,

sintattiche,

come in un casellario giudiziale

per non lasciarmi cogliere in flagrante

Resta inverificato

quello che più interessa:

a me ? a voi ? a noi ?

 

 

Voi

 

Degradandovi mi degradate,

né città, né campagna,

forse soltanto

fabbriche e centrali,

terreni bruciati per l'eterno

Gli spruzzi verde ramato

sul resto del muretto,

li chiamate già arcaici

W la classe del '49,

e W Bartali

 

 

Return-Path: <"country"@sover.net>

Date: Thu, 18 Sep 1997 15:41:03 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: hi: rInAlDo!!!glad  r u there!

 

rinaldo i book-marked it now i can get there whenever i want.

i still say the shit-kicking list is a great name!!

marie

 

Rinaldo Rasa wrote:

 

> Marie,

> the web site is

> http://www.gpnet.it/rasa/beats.htm

> or

> http://www.gpnet.it/rasa/thebeats.htm

> 

> i hope u are well,

> Rinaldo.

> At 11.05 18/09/97 +0000, Marie wrote:

> >rinaldo: i have lost the bookmark for your web site. could you or any

> >one else getting spammed kindly send the address?

> >many thanks

> >mc

> >

> >

 

 

 

 

 

To: Marie Countryman <country@SOVER.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: rInAlDo!!! r u there?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709181506.LAA24924@pike.sover.net>

References:

 

Marie,

the web site is

http://www.gpnet.it/rasa/beats.htm

or

http://www.gpnet.it/rasa/thebeats.htm

 

i hope u are well,

Rinaldo.

At 11.05 18/09/97 +0000, Marie wrote:

>rinaldo: i have lost the bookmark for your web site. could you or any

>one else getting spammed kindly send the address?

>many thanks

>mc

> 

>Return-Path: <love_singing@classic.msn.com>

Date: Fri, 19 Sep 97 00:36:01 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: La Loca. A  Beat Poetess.

 

Ciao Rinaldo

 

come sta?

 

grazie, grazie, mille grazie - i had never heard of La Loca - she's

incredible.  i will be looking for her poetry.

 

ciao,

sherri

 

 

Return-Path: <babu@electriciti.com>

Date: Thu, 18 Sep 1997 22:59:57 -0700

To: Diane Carter <dcarter@together.net>, Beach@qconline.com

From: runner <babu@electriciti.com>

Subject: Re: Goodwill book run today

Cc: race@midusa.net, dkpenn@oees.com, love_singing@msn.com

 

At 11:03 AM -0700 9/18/97, Diane Carter wrote:

 

> By then hopefully Douglas will be back on

> board.  But be careful and hold on because THE WIND IS BLOWING in the

> next chapter.

> DC

 

amazing how a little rejection

returns the personal dialogue

of world against world

as I am as I am

too soon, too far

 

"no I don't want to see you this weekend

you never give me my personal space"

 

"so you just want to see me 6 days out of 30?

can't we be in the same space, doing different things?

be careful what you ask for, you want to be alone?

you be alone, I've killed everying of you that was in me

raged against the machine, torn out all my hair

gone gonzo and hallelujah, even tried to pee in the shower

no, I'm joking about the last part, I need to see you

wont you to come down this weekend"

 

"I don't know what to say

you're making me feel bad

I'm busy, I don't socialize during the week"

 

"rearrange your schedule

I want to be a priority"

 

"no"

 

Do you see?

yes, I see.

 

Douglas  [[listening and appreciating the music of patti rothberg

http://www.electriciti.com/babu/images/Dear_diary.html

 

--the wind is blowing <<ewww

 

 

 

Return-Path: <davison@tyco.net.au>

From: "Robert Davison" <davison@tyco.net.au>

To: <rinaldo@gpnet.it>

Subject: Beat List

Date: Fri, 19 Sep 1997 16:35:26 +0800

X-MSMail-Priority: Normal

 

Hello Rinaldo,

 

Sure, go ahead an include my name and comments on your page, if you like.

I'm very happy to be associated with your project :-)

 

Regards

Robert

 

>i've placed the list on the Web at the following

>address (with photos of some beats)

 

http://www.gpnet.it/rasa/beats.htm

 

>Terry Southern is already in the list,

 

>thanks for your support, i love that

>friends collaborate with opinions at

>the growing of the list,

>have i your permission to include yr

>name in comments&credits?

 

>ciao da Rinaldo.

>Venice-Mestre,Italy.

rinaldo@gpnet.it

-*-*-*-*-*-*-*-*-*-

 

Robert Davison <davison@tyco.net.au> wrote in article

<01bcbdf1$2a9977c0$81ee14cb@sirius.tyco.net.au>...

>

> What about Terry Southern? Seams to me he was more of a "beat" than the

> likes of Kenneth Patchen or Norman Mailer.

>

> Southern is best known for his work on the screenplays, "Dr.

Strangelove,

> Or How I Learned to Stop Worrying and Love the Bomb" and "Easy Rider,

but

> he's also an accomplished writer of short stories, novels and errr...

> assorted other things.

>

> Although not really associated with the Beats in the mind of the

public,

> Southern came to prominence in roughly the same era and often wrote

about

> similar things: jazz musicians, hipsters, drugs etc. He worked with

William

> S. Burroughs on the "Junky" film project, which never really got off

the

> ground...

>

> If you want to check out Terry Southern, see if you can find his "Red

Dirt

> Marijuana and Other Tastes" collection - some really great, witty stuff

in

> there...

 

 

To: "Robert Davison" <davison@tyco.net.au>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Terry Southern Re: Beat List

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709190834.QAA01843@kirk.tyco.net.au>

References:

 

Robert, god day,

 

thanks if u can send to me, at yr convenience,

a Terry Southern's piece i.e. a poem &/or an abstract

or something like i can post on the web,

many thanks again, yr name is in the comment&credits section,

 

Rinaldo.

 

http://www.gpnet.it/rasa/beats.htm

http://www.gpnet.it/rasa/thebeats.htm

rinaldo@gpnet.it

 

Venice-Mestre,Italy.

-*-*-*-*-*-*-*-*-*-*

 

At 16.35 19/09/97 +0800, Robert wrote:

>Hello Rinaldo,

> 

>Sure, go ahead an include my name and comments on your page, if you like.

>I'm very happy to be associated with your project :-)

> 

>Regards

>Robert

Return-Path: <love_singing@classic.msn.com>

Date: Fri, 19 Sep 97 20:15:39 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: scroll art

 

ciao Rinaldo!!

 

Marie Countryman tells me you have some great scroll art...  would you mind

sending some to me.  i would love to see it.

 

come sta, mi amico?

 

pace,

sherri

 

 

To: neato@pipeline.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Paul Blackburn & the Black Mountain Group.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

neato,

 

thanks for the comments, i appreciate a lot,

 

well, i agree with you and add yr information

to Paul Blackburn in the Beat Supernova,

i maintain the link with Black Mountain Group

'cuz i remember that Charles Olson, Robert Duncan,

Rebert Creeley, Paul Blackburn and Denise Levertov,

was teachers in the Black Mountain College and

collaborated in two reviews "Origin" (1951-1956)

& "Black Mountain Review" (1954-1957),

 

thanks again for yr great support,

cari saluti da

Rinaldo.

 

http://www.gpnet.it/rasa/beats.htm

http://www.gpnet.it/rasa/thebeats.htm

 

rasa@gpnet.it

rinaldo@gpnet.it

 

Venice-Mestre,Italy.

-*-*-*-*-*-*-*-*-*-*

 

>Return-Path: <neato@pipeline.com>

>Date: Thu, 18 Sep 1997 09:18:20 -0400 (EDT)

>From: neato@pipeline.com

>To: "Rinaldo Rasa" <rasa@gpnet.it>

>Subject: Re: part 1 of 2 - update 17 sep 97 Beat SuperNova

>Newsgroups: alt.books.beatgeneration

>Organization: ****

> 

>(A copy of this message has also been posted to the following newsgroups:

>alt.books.beatgeneration)

> 

>In article <01bcc3ae$48af38e0$LocalHost@rasa>, "Rinaldo Rasa"

><rasa@gpnet.it> wrote:

> 

> 

>> Paul Blackburn [Black Mountain School]

> 

>neato says:

>poet  paul blackburn(1926-1971) was not a black mountain poet..he attended

>nyu and the univ. of wisconsin...after spending sometime in europe, his

>main base of operations was nyc(mcsorleys)...try his-in.on.or about the

>premises- for some kerouac-esque notebook sketch poetry...perhaps more

>available are selected poems from black sparrow

>cheers

> 

>      all my mistakes were once acts of genius

>                 neato@pipeline.com

> 

> 

To: Seward23@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: hello from James Grauerholz

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

James,

my best greetings... i hope you are well...

 

thanks for yr gentle words,

i've just correct yr mistyped last name in the

Beat SuperNova, the picture was send me by

Patricia Elliott <pelliott@sunflower.com>

 

friends helps me, and Patricia has also given me

the picture of William in Texas, she helps me alot,

 

if you send me yr picture you like better i'm

happy, can i maintain both on the web?,

 

i ask you the permission (i'll be happy)to add yr name to the

credits&comments without the email address as you

don't want, let me know,

 

the Beat SuperNova is a labor of love, & thanks everybody,

 

tanti cari saluti da

Rinaldo.

Venice-Mestre,Italy.

 

http://www.gpnet.it/rasa/beats.htm

http://www.gpnet.it/rasa/thebeats.htm

 

rinaldo@gpnet.it

rasa@gpnet.it

*-*-*-*-*-*-*-*-*

 

>Return-Path: <Seward23@aol.com>

>Date: Thu, 18 Sep 1997 16:22:27 -0400 (EDT)

>From: Seward23@aol.com

>To: rasa@gpnet.it

>Subject: hello from James Grauerholz

> 

>hi Rinaldo,

> 

>thanks for listing me in your Beats names (and please don't circulate my

>email address now) ... I am honored.  But my last name is GRAUERHOLZ, you

>have spelled it Gauerholz.  Also, where did you get that hideous picture of

>me?  Gee, that is really old - would you like a better one?

> 

>keep the faith,

>James G.

> 

Return-Path: <love_singing@classic.msn.com>

Date: Fri, 19 Sep 97 23:45:06 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Stef " <Ad_Libitum@classic.msn.com>, "HJW II "

   <ArchibaldLeach@classic.msn.com>, "Stuart Crosby" <BRAVES10@classic.msn.com>,

   "Ron Vassel" <BlizzardKing@classic.msn.com>, "Cari Who ELSE????"

   <CittiGirl@classic.msn.com>, "db " <Dee-Bee@classic.msn.com>, "Homebrook "

   <Homebrook@classic.msn.com>, "Jason Tinling" <JTinlng@classic.msn.com>, "Kevin

   Mathers" <KEVMATH@classic.msn.com>, "Kel Rayner" <Manatbar@classic.msn.com>,

   "the little people " <MarmaladeSkies@classic.msn.com>, "Kent "

   <NoixDeGolf@classic.msn.com>, "Jim B" <PBRUEGEL@classic.msn.com>, "Blair "

   <Reepoo@classic.msn.com>, "Sharon " <SopAndBass@classic.msn.com>, "Tom Gummo"

   <TGUMMO@classic.msn.com>, "tim/reba" <the_saluki_experience@classic.msn.com>,

   "Life is a sick joke and I'm the punchline" <The_Boogey_Man@classic.msn.com>,

   "Mark " <Vox_Amicus@classic.msn.com>, "e.e. cummings"

   <What-is_death@classic.msn.com>, "Tanya Ceccatto"

   <_AngelBaby@classic.msn.com>, "S Johnson" <doc11@classic.msn.com>, "Drew

   Eskenazi" <drewesk@classic.msn.com>, "Robert Lear"

   <king_lear1@classic.msn.com>, "x " <king_lear1@classic.msn.com>, "PAUL

   KOLJESKI" <koljeski@classic.msn.com>, "Silver Surfer"

   <mad-chatter@classic.msn.com>, "david simoni" <oak123@classic.msn.com>, "Kash

   Philips " <philkash@classic.msn.com>, "Rico Mariani"

   <ricom_ms@classic.msn.com>, "Robert Eback" <rleback@classic.msn.com>, "Stephen

   Baldwin" <sabaldwin@classic.msn.com>, "anniepoo" <annh@ccrtc.com>, "Doug Penn"

   <dkpenn@oees.com>, "BigDaddyRico" <Engelsguy@aol.com>, "Joe Locey"

   <JoePlaceb0@aol.com>, "S. Coart Johnson" <scoart@mindspring.com>, "cj"

   <sjohn111@aol.com>, CVEditions@aol.com, "MATT HANNAN" <MATT.HANNAN@USOC.ORG>,

   THEBODYIS1@aol.com, "runner" <babu@electriciti.com>, "R. Bentz Kirby"

   <bocelts@scsn.net>, "Marie Countryman" <country@SOVER.NET>, "Diane Carter"

   <dcarter@together.net>, "jo grant" <jgrant@BOOKZEN.COM>, "Patricia Elliott"

   <pelliott@sunflower.com>, "RACE ---" <race@MIDUSA.NET>, "Rinaldo Rasa"

   <rinaldo@GPNET.IT>, "James Stauffer" <stauffer@pacbell.net>, "Ricardo V.

   Cottrell" <unir1@compuserve.com>

Subject: FW: ha ha's

 

pretty funny :)

 

----------

From:    Jamey Sims

Sent:    Friday, September 19, 1997 4:23 PM

To:      'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

'Missy'; 'David Lang'; 'boyeeeeeee'; 'Gary'; 'Lisa & Kevin'; 'kevey'; 'Back

Cracker'; 'monty'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Shari & Troy'

Subject:      ha ha's

 

PUNISHMENT!

 

A young boy was playing in the backyard when his father saw him stepping on

flowers and pulling out plants..

 

"Just for that," he said. "you don't get anything made out of flour for a

week!".

 

The boy was upset and walked away. A short while later, the father looked

through the window and saw the boy hitting butterflies with his tennis racquet

 

in the garden. He went running outside and yelled, "Just for that, you naughty

 

boy, you don't get any butter for one month!"

 

Later that day, the boy's mother came home in a really bad mood and as soon as

 

she saw a couple of cockroaches in the kitchen, she started stepping on

them.The young lad looked up at his father and whispered, "Well, are you going

 

to tell her or will I?"

 

 

 

The Little Red Man

 

   There once was a little pink lady.  She had a little pink house and

a little pink dress and a little pink dog. This lady sold avon.

   One day the lady was walking down a street selling her avon when

she came across a little red house.  She pressed the doorbell.

   In this little red house lived a little red man.  He was having a

bath in his little red bathtub when he heard his little red doorbell ring.

   "There goes my doorbell!" he said to himself as he clambered out

of his little red bath.  He grabbed a little red towel and put it around

his waist and walked down his little red stairs to his little red door.

   But, when he opened the door, his little red towel slipped and fell

off.  The little pink lady screamed and ran out across the street.  A car

coming down the road hit her and she died.

 

Moral: Never cross the street when the little red man is flashing.

 

 

 

 

 

 

 

 

 

 

 

 

Return-Path: <Seward23@aol.com>

Date: Sat, 20 Sep 1997 02:30:02 -0400 (EDT)

From: Seward23@aol.com

To: rinaldo@gpnet.it

Subject: Re: hello from James Grauerholz

 

Rinaldo,

 

Patricia Elliott is a dear friend of mine, and yes you can maintain her

picture of me - I was just pretending vanity - so you shouldn't include my

email to you, on supernova, it's just a friendly way of privately saying Hi -

but I would send you another picture if I have your tree-mail address - your

list is important

 

cari saluti

James

 

To: "Sherri " <love_singing@classic.msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Hi everyone! Re: scroll art

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199709192014310887@classic.msn.com>

References:

 

At 20.15 19/09/97 UT, Sherri wrote:

>ciao Rinaldo!!

> 

>Marie Countryman tells me you have some great scroll art...  would you mind

>sending some to me.  i would love to see it.

> 

>come sta, mi amico?

> 

>pace,

>sherri

> 

> 

> 

 

Sherri,

 

i send the art, i think angel Marie means this,

 

cari saluti da

Rinaldo.

Venice-Mestre,Italy.

 

From: JCage433@aol.com

Date: Thu, 28 Aug 1997 12:45:56 -0400 (EDT)

To: silence@bga.com

Subject: Hi everyone!

Sender: owner-silence@lists.realtime.net

 

Hi everyone!

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H     i     e     v     e     r     y     o     n     e  !

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H     i     e     v     e     r     y     o     ne!

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H     i     e     v     e     r     y     o   ne!

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H     i     e     v     e     r     y     one!

H     i     e     v     e     r     y    one!

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H     i     e     v     e     r yone!

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H     i     e     v     eryone!

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H     i     e     v   eryone!

H     i     e     v  eryone!

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H     i     e     veryone!

H     i     e    veryone!

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H     i     e  veryone!

H     i     e veryone!

H     i     everyone!

H     i    everyone!

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H  i everyone!

H i everyone!

Hi everyone!

To: "Dufour" <dufour@ulisse.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jacopo Terenzio.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709181401.PAA11024@ns.ulisse.it>

References:

 

   Francesco,

 

   grazie per le poesie da te inviatemi,

   questa e' molto bella ed evocativa,

 

   Rinaldo.

 

 

>Voi

> 

>Degradandovi mi degradate,

>né città, né campagna,

>forse soltanto

>fabbriche e centrali,

>terreni bruciati per l'eterno

>Gli spruzzi verde ramato

>sul resto del muretto,

>li chiamate già arcaici

>W la classe del '49,

>e W Bartali

To: Seward23@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: hello from James Grauerholz

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970920023001_-495974609@emout14.mail.aol.com>

References:

 

At 02.30 20/09/97 -0400, James wrote:

>Rinaldo,

> 

>Patricia Elliott is a dear friend of mine, and yes you can maintain her

>picture of me - I was just pretending vanity - so you shouldn't include my

>email to you, on supernova, it's just a friendly way of privately saying Hi -

>but I would send you another picture if I have your tree-mail address - your

>list is important

> 

>cari saluti

>James

> 

James,

 

again thanks for yr gentle words, at yr convenience you

can send via email another pic at the following addresses

 

rasa@gpnet.it

 

or

 

rinaldo@gpnet.it

 

or both (if you like)

 

tanti cari saluti,

Rinaldo.

Venice-Mestre, Italy.

Return-Path: <love_singing@classic.msn.com>

Date: Sat, 20 Sep 97 17:09:05 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: Hi everyone! Re: scroll art

 

Rinaldo,

 

very fun, do you do alot of this?  how are things in Italia these days?  are

you still writing poetry?

 

ciao,

sherri

 

 

To: "Sherri " <love_singing@classic.msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: howdy.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199709201708100053@classic.msn.com>

References:

 

At 17.09 20/09/97 UT, Sherri wrote:

>Rinaldo,

> 

>very fun, do you do alot of this?  how are things in Italia these days?  are

>you still writing poetry?

> 

>ciao,

>sherri

> 

 

at the moment, sherri, i find alot of fun to

labor on tha web. in italy today toooomuch

flags. cari saluti da rinaldo. Return-Path: <always@lucky.asiainvestments.com.au>

Date: Sun, 21 Sep 1997 20:23:18 +1000

From: mail only account <always@lucky.asiainvestments.com.au>

To: rinaldo@gpnet.it

Subject: Need an Overseas holiday?

 

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To: randyr@southeast.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: update 21sep97 BeatSupernova (Beat:The List)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709202234.SAA21866@mailhub.southeast.net>

References:

 

randy, thanks alot for the support, i've add yr name to

credits&comment section in the supernova, cari saluti da rinaldo.

 

http://www.gpnet.it/rasa/beats.htm

 

-*-

At 18.40 20/09/97 +0000, randy wrote:

>rinaldo: you read my thoughts competly! just today while i was mowing

>the lawn (when i do my real thinking) i  thought about how cool it

>would be to have a little explanation about each beat on your list.

>although you did have their alias's earlier, thanks anyway for

>keeping up such a cool list.

>randy

Return-Path: <mike@buchenroth.com>

Date: Mon, 22 Sep 1997 00:04:30 -0700

From: "Michael L. Buchenroth" <mike@buchenroth.com>

Reply-To: mike@buchenroth.com

Organization: Buchenroth Publishing Company

To: beat-l@cunyvm.cuny.edu

CC: rinaldo@gpnet.it

Subject: Re: Janine Pommy Vega.

 

Rinaldo Rasa wrote:

> Which Side Are You On?                  by Janine Pommy Vega

***

To view a photo of Janine Pommy Vega, Josh Norton, Allen Ginsberg,

Elizabeth Plymell, and Pamela Beach Plymell seated at the Plymell's

dining room table in Cherry Valley, NY go to

 

http://www.buchenroth.com/gnsbpomy.jpg

 

To: mike@buchenroth.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Janine Pommy Vega.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3426187E.2226@buchenroth.com>

References: <3.0.1.32.19970921233030.0070ad04@pop.gpnet.it>

 

mike thanks a lot, i'll have yr permission to add

yr name to credits&comments in the supernova?

http://www.gpnet.it/rasa/beats.htm

let me know,

saluti,

rinaldo.

At 00.04 22/09/97 -0700, you wrote:

>Rinaldo Rasa wrote:

>> Which Side Are You On?                  by Janine Pommy Vega

>***

>To view a photo of Janine Pommy Vega, Josh Norton, Allen Ginsberg,

>Elizabeth Plymell, and Pamela Beach Plymell seated at the Plymell's

>dining room table in Cherry Valley, NY go to

> 

>http://www.buchenroth.com/gnsbpomy.jpg

> 

>Return-Path: <mike@buchenroth.com>

Date: Mon, 22 Sep 1997 19:23:57 -0700

From: "Michael L. Buchenroth" <mike@buchenroth.com>

Reply-To: mike@buchenroth.com

Organization: Buchenroth Publishing Company

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Janine Pommy Vega.

 

Rinaldo Rasa wrote:

>

> mike thanks a lot, i'll have yr permission to add

> yr name to credits&comments in the supernova?

> http://www.gpnet.it/rasa/beats.htm

> let me know,

***

Thank you. I am honored that you ask. Please feel free to include me in

"Beat SuperNova."

***

I have another photo of Janine Pommy Vega that Charles Plymell sent me

that     Ralph Ackerman gave him at:

***

http://www.buchenroth.com/still6.jpg

***

And a group of thumbnail images of some Beats more recent at:

***

http://www.buchenroth.com/stillstart.html

***

Thanks again,

Mike

Once you scroll through all the images and have them in your cache,

they'll push/play much faster.

 

To: mike@buchenroth.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Janine Pommy Vega.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3427283D.2E81@buchenroth.com>

References: <3.0.1.32.19970921233030.0070ad04@pop.gpnet.it> <3.0.1.32.19970922183858.006a5ae0@pop.gpnet.it>

 

At 19.23 22/09/97 -0700,

"Michael L. Buchenroth" <mike@buchenroth.com> wrote:

>Rinaldo Rasa wrote:

>>

>> mike thanks a lot, i'll have yr permission to add

>> yr name to credits&comments in the supernova?

>> http://www.gpnet.it/rasa/beats.htm

>> let me know,

>***

>Thank you. I am honored that you ask. Please feel free to include me in

>"Beat SuperNova."

>***

>I have another photo of Janine Pommy Vega that Charles Plymell sent me

>that    Ralph Ackerman gave him at:

>***

>http://www.buchenroth.com/still6.jpg

>***

>And a group of thumbnail images of some Beats more recent at:

>***

>http://www.buchenroth.com/stillstart.html

>***

>Thanks again,

>Mike

>Once you scroll through all the images and have them in your cache,

>they'll push/play much faster.

> 

Mike,

at the moment i've upgraded the www page at

http://www.gpnet.it/rasa/beats.htm

added Janine Pommy Vega pic,

please check it & let me know yr thoughts,

 

i'm happy when you send me other pictures i can add

to the labor who is a great moment, i think, for the

whole beat friends who support my html coding of the

information,

 

again thanks i'm waiting for pictures,

 

cari saluti da Rinaldo.To: amajo3@HUDSONET.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Luois Zukofsky info need

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Hello John, good day, excuse me if i

post you privately,

 

having begun a beat list on the web

http://www.gpnet.it/rasa/beats.htm

(please check it at yr convenience)

 

i've interested further information

about Luois Zukofsky, you quoted,

i'm grateful to you if tell me something

'bout Luois Zukofsky (memories, picture),

 

thanks alot in advance,

Rinaldo.

Venice-Mestre,Italy.

 

-*-*-*-*-*-*-*-*-

John Amato wrote:

 

Their children had to get jobs because 'they didn't believe in SantaClaus.'                                    http:web.hudsonet.com/~amajo3

--Luois Zukofsky

 

**-**-**-**-**-**-

To: jag@RAHUL.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jack Micheline info need

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Jim Gardner <jag@RAHUL.NET> wrote:

Jack Micheline, who I posted about several weeks ago, is a marvelous

painter. Perhaps a better painter than poet though that's hard to say

when you actually hear his live cadence, which arguably makes his simple

elegaic lyrics more profound than they otherwise seem.

 

*-*-*-*-*-*-*

Hello Jim, good day, excuse me if i

post you privately,

 

having begun a beat list on the web

http://www.gpnet.it/rasa/beats.htm

(please check it at yr convenience)

 

i've interested further information

about Jack Micheline, you mentioned above,

i'm grateful to you if tell me something

'bout Jack Micheline(memories, picture),

 

thanks alot in advance,

Rinaldo.

Venice-Mestre,Italy.

Return-Path: <jag@rahul.net>

X-Sender: jag@rahul.net

Date: Tue, 23 Sep 1997 10:57:36 -0700

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Jim Gardner <jag@rahul.net>

Subject: Re: Jack Micheline info need

 

Hey Rinaldo:

 

Yes, I saw Jack perform celebrating the release

of "sixty-seven poems for downtrodden saints"

recently at Adobe Books on 16th St in SF (about

40 meters from my place) performing many of

his classics. I wrote up some posts to

bohemian where you can get much info out of the archives.

 

You can even rely on me to revise those for an

article if you'd like.

 

Jack lives in the Mission neighborhood of San Francisco,

CA. There's a helpful review of the show printed in a

neighborhood newspaper called "New Mission News." I can

send that if you'd like.

 

Jack has a new book entitled 'sixty-seven poems

for downtrodden saints." You might want to

obtain a copy. Let me know if I can ship it to

you, for I would be more than glad.

 

It has some biographical data in it you might be

able to adapt. Here are some essential facts from that

bio:

 

"Jack Micheline, nee Harvey Martin Silver, was

born on November 6, 1929 in the East Bronx of

New York City, of Russian-Romanian Jewish ancestry.

He attended various schools in New York, including

P.S.47, 102, James Monroe High School and Theodore

Roosevelt High School. During 1947-8, M. served in

the U.S. Army Medical Cors, and for part of that

period was stationed at Fort Sam Houston, Texas.

His first published poem, "Carnival in Pardeesville,"

appeared in the American Friends Service Committee

Newsletter in Wautoma, WI, where he worked building

latrines..." pg i, sixty-seven poems..

 

"M. began painting in earnest, working primarily with

 gouache in a self-taught or primitive style, during\

 a trip to Mexico City financed by Franz Kline in 1960.

Poems by M. were included in two early beat anthologies

of the period, including The Beats (Greenwich, CT, Gold

Medal Books, 1960), edited by Seymour Krim; and The Beat

Scene (NY, Corinth Books, 1960), edited by Elias Wilentz.

In 1962, his second book of poems, I Kiss Angels, was pub'd

by Interim Books." pp i-ii, sixty-seven poems

 

"Micheline's collected poems were published in _North of

Manhattan, Collected Poems, Ballads and Songs: 1954-75_

(South San Francisco: ManRoot, 1976)." p iii, sixty-seven poems

 

"In 1992, M.'s poem "Poet of the Streets" was

included in _The Portable Beat Reader" pub'd by

Viking Penguin and edited by Ann Charters." p v, sixty-seven poems

 

 

These days Jack is a bit cantankerous, needs

glasses. Jack is a Mission neighborhood (named for

nearby Mission Dolores, SF's oldest building, if one

is familiar with Hitchcock's masterpiece Vertigo, this

old Spanish Mission is the location of the cemetery

where the fictional Carlotta Valdes is buried) staple,

The 16th St. corridor of the inner Mission, has been

called by the San Francisco Chronicle, somewhat

typically, "The North Beach of the 90s."

 

In many ways that title matches.

 

 

..hope some of this helps

 

Jim

 

 

At 06:46 PM 9/23/97 +0200, Rinaldo Rasa wrote:

>Jim Gardner <jag@RAHUL.NET> wrote:

>Jack Micheline, who I posted about several weeks ago, is a marvelous

>painter. Perhaps a better painter than poet though that's hard to say

>when you actually hear his live cadence, which arguably makes his simple

>elegaic lyrics more profound than they otherwise seem.

> 

>*-*-*-*-*-*-*

>Hello Jim, good day, excuse me if i

>post you privately,

> 

>having begun a beat list on the web

>http://www.gpnet.it/rasa/beats.htm

>(please check it at yr convenience)

> 

>i've interested further information

>about Jack Micheline, you mentioned above,

>i'm grateful to you if tell me something

>'bout Jack Micheline(memories, picture),

> 

>thanks alot in advance,

>Rinaldo.

>Venice-Mestre,Italy.

> 

> 

> 

 

Return-Path: <Marioka7@aol.com>

Date: Tue, 23 Sep 1997 14:21:04 -0400 (EDT)

From: Marioka7@aol.com

To: babu@electriciti.com, race@midusa.net, bocelts@scsn.net,

        dabeauli@freenet.calgary.ab.ca, letabor@cruzio.com, CVEditions@aol.com,

        Tread37@aol.com, MATT.HANNAN@otc.usoc.cchub.com, SSASN@aol.com,

        jgrant@bookzen.com, kenster@mit.edu, love_singing@msn.com,

        rinaldo@gpnet.it, stauffer@pacbell.net, cosmicat@erols.com,

        BOHEMIAN@maelstrom.stjohns.edu, carl@world.std.com, MagenDror@aol.com,

        foe@total.net

Subject: goodbye....sniff

 

So I'm leaving tomorrow for Thailand, via San Francisco and Hong Kong.  I

will miss all my e-mail friends I have been corresponding with these past few

months.  Although I'm teaching at a technical college, somehow they manage

not to have the Internet there.  I know I promised a whole lot of people a

zine: don't worry, I'm taking all your stuff with me.  Maybe I'll do some

funky Thai bookbinding.  Please send me your snail address as soon as

possible, if you want to stay in touch. 

 

Good luck to all of you in your literary/ artistic pursuits.  As for me, when

I get back from Thailand I'm going to get an MFA in computer animation,

video, and music (it's an integrated program at Rensselaer).  And I'm gonna

keep writing too.  Who knows, it may lead to something. 

 

well, all that's left to say is goodbye!  Maybe some of you will still be

here when i get back.  Til then, take care y'all.

 

----------------maya--------------

 

ps: Carl, thanks for the tape! I'm taking it with me! Good luck with your

band.

 

*sniff*

 

To: mapaul@PIPELINE.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: "On the Road" ("Sulla strada") Cover italian poket edition 1967.

Cc:

Bcc:

X-Attachments: C:\INTERNET\strada67.jpg;

In-Reply-To: <1.5.4.32.19970923112226.0069d710@pop.pipeline.com>

References:

 

At 07.22 23/09/97 -0400,

"Paul A. Maher Jr." <mapaul@PIPELINE.COM> wrote:

>Hi Rinaldo, I am posting a different cover each month. If you have one I

>will use it for November but will probably post it sooner. You can send it

>as an attachment to this address. Thanks...you will see it posted at The

>Kerouac Quarterly Web Page...Paul...

> 

> 

Paul,

this cover is the original picture that 30 years ago

went out in pocket edition of Jack Kerouac's "On the Road" translated

in italian language by Magda de Cristofaro and prefaced by Fernanda

Pivano,

 

let me know if the quality of the image is satisfactory,

andyour comment,

 

it would be nice to have alot of cover from different

countries were OTR was published,

 

cari saluti da

Rinaldo.

Venice-Mestre,Italy.

http://www.gpnet.it/rasa/beats.htm

To: Jim Gardner <jag@rahul.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Jack Micheline info need

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.32.19970923175736.00711ba4@rahul.net>

References:

 

Jim,

thanks a lot for the execellent information,

 

have i the permission to include yr name

in the credits&comment of the Beat SuperNova?

let me know,

saluti cari,

Rinaldo.

venice-mestre,italy

http://www.gpnet.it/rasa/beats.htmReturn-Path: <amajo3@hudsonet.com>

Date: Wed, 24 Sep 1997 13:56:22 +0200 (MET DST)

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: John Amato <amajo3@hudsonet.com>

Subject: Re: Luois Zukofsky info need

 

<x-rich>Rinnie,

 

 

You have quite a list, i'll tell 'ya alright....

 

about Louis Zukofsky, I'm reading A and also have a companion

 

piece to it, i forget by who, tonite i'll check it for you...

 

 

....i have a poem for you if you'd like to post it on your site:

 

 

--------------------

 

<fontfamily><param>Times</param><bigger><bigger> Obit. for Poet

 

(too late to Spell Czech)

 

 

     Made of paradises extra-vagrant,

 

tho the weight of your shadow is still

 

part of time ... I see it

 

tied to the sky - night tossing, loosing

 

charring ropes ... logos of Mad. Ave like long black silky

 

roads thru her mourning sex drive - he roars to her.

 

  

 

   dead poets. dew you undress the rose

 

   picking with two hands yore nose

 

   red-healed stems, ready for prose beds.

 

 

without radiation I cannot believe you renewed the eath's scorched

mind

 

without tradition the new or nude dies in air-unconditioned for

sunrises, ad vents

 

of neon-poets on unfocused horizon.

 

 

You timed the contractions between our cold-aged birth

 

and hear bees for their loyal non-abandon. when you faced

 

the wind naked, taut amphibrachs: remember

 

how you sharing love

 

learnt us in november beds

 

just not for taking

 

    But giving head to the sky is

 

    our ego on its back asking to please

 

pleas me too, prays you tall river.  

 

 

each frays ewe rote wood be maid to wine

 

 

your spine of this book from epicenter you hallowed mine

 

to voluminous health,

 

I, column, I in rose and brae hillsides, slopes of your wealth

 

live in roped pearls, roped pearls sew

 

with knot bringing a tier glad den eye trust too bee a jewel, I know

 

 

dead poets who fumed, next doors

 

on uni-verse in the daily motion unwritten

 

in sidereal time underwears about stellar web storm,

 

 

SAME OLD PRESS RELEASE:

 

Tie-Died, Wash., Aug. '69.

 

   the mini-lives move along the super-dead,

 

      right the Modern Reader in a prose-down, tie-

 

      breaker slam dunk poet-tree jam, free the poets

 

      from fiscal misses, pick their pockets with thank

 

      you very, very much and boca raton book-of-the-

 

      month club teas and drunken verses in the genus

 

      of microphoney - the first naked lady in history

 

      of podium domes is agent who lost half a day's

 

      pay purrs you should be proud witch won hue red

 

      with propensity for head in juries struggling

 

      for their lawn chairs . . .

 

 

DEAD OR MISSING. Forced into the carnivore guild

 

by the hominids in the literary cradle of humanity, took

 

in by the toothy plains of the hungry female, panthera

 

of his instincts,

 

 

when retirement came like a helmet early in your twenties

 

traveling in preventive alleys, stoned circuitry full

 

of spider poems full on Dutch courage with eyes

 

you wished in the front of your head

 

to see where you bent - look

 

where you turn

 

from kings,

 

give frog

 

wings

 

trees.

 

 

you've seen our dreams

 

in mornings women master

 

in great camps of sleep

 

 

. . . seen

 

Jupiter's sixteen-mooned

 

icy juggernauts chronicling the pockmarked

 

and ruthlessly sacrificed stern of our milky-eyed galaxy,

 

weighed our petulant gravity and soul-are systems you salvoed

 

thru our atmosphere in degrees

 

            webs spread out

 

             in conditional wavelenghts

 

thru pandemic  conjunctions

 

   and vast

 

liguids of magnetic earth, rolled

 

with monuments America

 

from Revolutionary to Shiloh

 

down Nam's

 

 

    grate flare of torn bodies, absolutely horrible

 

for 15 minutes. open every

 

page your headache ends humanity at bay, hour ghosts

 

in deign jurist prudence - anonymity

 

of one's soul in the air is change of tasteless

 

mouths, a sexless taste of an era, fisted

 

by the aids of peoples and the woman

 

called miss stake who held you in your heart ...  said their are

 

know faults with in my cite,  of nun eye am a ware...

 

 

so now ewe can sea why aye too prays your finial head

 

& foot my book rests between by righting watt I want

 

too pleas be four I brake into averse. I ran this poem threw you,

 

dead wanted for murderous polish in gold

 

great wait. in no scent and free from wind

 

at last - you got a chest for life.

 

</bigger></bigger></fontfamily>

 

ja

 

 

 

</x-rich>

Return-Path: <stauffer@pacbell.net>

Date: Wed, 24 Sep 1997 08:20:42 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: beat images identity

 

Rinaldo Rasa wrote:

>

> friends,

> i've post on the web two photos of beats that i can't

> recognize the site is

>

> http://www.gpnet.it/rasa/beatpic.htm

>

> someone has a suggestion?

> thanks for the help,

> cari saluti,

> Rinaldo.

 

 

Rinaldo--

 

What is the provenance of the first picture?  I don't have a clue, but

of course there were a lot of now nameless beatnicks,  Photo no 2 beyone

AG and Corso I have no idea.

 

James

 

Return-Path: <jag@rahul.net>

X-Sender: jag@rahul.net

Date: Wed, 24 Sep 1997 09:22:33 -0700

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Jim Gardner <jag@rahul.net>

Subject: Re: Jack Micheline info need

 

At 11:18 AM 9/24/97 +0200, Rinaldo Rasa wrote:

>Jim,

>thanks a lot for the execellent information,

> 

>have i the permission to include yr name

>in the credits&comment of the Beat SuperNova?

>let me know,

>saluti cari,

>Rinaldo.

>venice-mestre,italy

>http://www.gpnet.it/rasa/beats.htm

> 

 

 

Yes, you can use my comments. Most of what I sent was directly from his book as quoted, so that should be noted where possible.

 

Thanks for asking. Although Jack's poems seem simplistic

to some persons I've shared them with, to hear them performed

one realizes a great spirit is and was behind them.

 

J.

 

 

 

 

To: John Amato <amajo3@hudsonet.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: yr poem Re: Luois Zukofsky info need

Cc:

Bcc:

X-Attachments:

In-Reply-To: <v03020901b04e77ee4469@[172.20.15.94]>

References: <3.0.1.32.19970923184450.006895f8@pop.gpnet.it>

 

At 13.56 24/09/97 +0200,

John Amato <amajo3@hudsonet.com> wrote:

>Rinnie,

> 

>You have quite a list, i'll tell 'ya alright....

>about Louis Zukofsky, I'm reading A and also have a companion

>piece to it, i forget by who, tonite i'll check it for you...

> 

>....i have a poem for you if you'd like to post it on your site:

> 

>--------------------

> Obit. for Poet

>(too late to Spell Czech)

[snipped for brevity]

>ja

> 

John,

 

wonderful poem Obit. for Poet, for sure i post it on the web in the

Beat SuperNova [new north american poetry] section where

already she is Marie Countryman, thanks for yr support, if you

wish send me a little bio 'bout you.

 

at yr convenience tell something about Louis Zukofsky for

the supernova beat list.

 

cari saluti,

Rinaldo.

Venice-Mestre,Italy.

http://www.gpnet.it/rasa/beats.htm

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: missing a beat? Re: beat images identity

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34292FCA.55BF@pacbell.net>

References: <3.0.1.32.19970924111925.0070a6c4@pop.gpnet.it>

 

At 08.20 24/09/97 -0700,

James Stauffer <stauffer@pacbell.net> wrote:

>Rinaldo Rasa wrote:

>>

>> friends,

>> i've post on the web two photos of beats that i can't

>> recognize the site is

>>

>> http://www.gpnet.it/rasa/beatpic.htm

>>

>> someone has a suggestion?

>> thanks for the help,

>> cari saluti,

>> Rinaldo.

> 

> 

>Rinaldo--

> 

>What is the provenance of the first picture?  I don't have a clue, but

>of course there were a lot of now nameless beatnicks,  Photo no 2 beyone

>AG and Corso I have no idea.

> 

>James

> 

 

James,

 

thanks for yr help, i've add to the Beat SuperNova a new link

called [nameless beatnicks], call me wrong but i've a feel with the

missing beat,

 

the photo #1 from a magazine is quoted as group photo of main

beat personalities.

 

now i'm scanning alot of photo in magazine newspaper and others

collected by myself during many years,

 

where i can find beat connections and the unknown i post for a

while a photo on the web asking help from the friends,

 

cari saluti,

Rinaldo.

http://www.gpnet.it/rasa/beats.htm

[items updated Jack Micheline, Janine Pommy Vega, Alan Watts.]

To: Jim Gardner <jag@rahul.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jack Micheline supernova updated

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.32.19970923175736.00711ba4@rahul.net>

References:

 

Jim,

i've added some of your comment to Micheline's item

in the beat supernova web page,

http://www.gpnet.it/rasa/beats.htm

tell me something,

saluti,

Rinaldo.

Venice-Mestre,Italy.

*-*-*-*-*-*-*-*-*-*-

To: Jim Gardner <jag@rahul.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Jack Micheline info need

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.32.19970924162233.00706374@rahul.net>

References:

 

At 09.22 24/09/97 -0700, Jim wrote:

>At 11:18 AM 9/24/97 +0200, Rinaldo Rasa wrote:

>>Jim,

>>thanks a lot for the execellent information,

>> 

>>have i the permission to include yr name

>>in the credits&comment of the Beat SuperNova?

>>let me know,

>>saluti cari,

>>Rinaldo.

>>venice-mestre,italy

>>http://www.gpnet.it/rasa/beats.htm

>> 

> 

> 

>Yes, you can use my comments. Most of what I sent was directly from his book as quoted, so that should be noted where possible.

> 

>Thanks for asking. Although Jack's poems seem simplistic

>to some persons I've shared them with, to hear them performed

>one realizes a great spirit is and was behind them.

> 

>J.

> 

Jim,

sinc i've just sent you a message,

ciao,

Rinaldo.

Return-Path: <rasa@gpnet.it>

From: "Rinaldo RASA" <rasa@gpnet.it>

To: <Mapaul@pipeline.com>

Cc: <rinaldo@gpnet.it>

Subject: sulla strada cover

Date: Wed, 24 Sep 1997 20:18:12 +0200

X-MSMail-Priority: Normal

 

hello paul,

i've sent you the cover of "sulla strada"

italian edition, tell me something,

ciao,

Rinaldo.

rasa@gpnet.it

 

venice-mestre,italy.

 

Return-Path: <stauffer@pacbell.net>

Date: Wed, 24 Sep 1997 15:20:06 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: missing a beat? Re: beat images identity

 

Rinaldo Rasa wrote:

>

> At 08.20 24/09/97 -0700,

> James Stauffer <stauffer@pacbell.net> wrote:

> >Rinaldo Rasa wrote:

> >>

> >> friends,

> >> i've post on the web two photos of beats that i can't

> >> recognize the site is

> >>

> >> http://www.gpnet.it/rasa/beatpic.htm

> >>

> >> someone has a suggestion?

> >> thanks for the help,

> >> cari saluti,

> >> Rinaldo.

> >

> >

> >Rinaldo--

> >

> >What is the provenance of the first picture?  I don't have a clue, but

> >of course there were a lot of now nameless beatnicks,  Photo no 2 beyone

> >AG and Corso I have no idea.

> >

> >James

> >

>

> James,

>

> thanks for yr help, i've add to the Beat SuperNova a new link

> called [nameless beatnicks], call me wrong but i've a feel with the

> missing beat,

>

> the photo #1 from a magazine is quoted as group photo of main

> beat personalities.

>

> now i'm scanning alot of photo in magazine newspaper and others

> collected by myself during many years,

>

> where i can find beat connections and the unknown i post for a

> while a photo on the web asking help from the friends,

>

Should be alot of fun, perhaps we can erect a tomb for the Unknown

Beatnik--people could leave old Charlie Parker records, bongos, etc.

 

> cari saluti,

> Rinaldo.

> http://www.gpnet.it/rasa/beats.htm

> [items updated Jack Micheline, Janine Pommy Vega, Alan Watts.]

 

Return-Path: <love_singing@classic.msn.com>

Date: Sat, 27 Sep 97 15:49:25 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Stef " <Ad_Libitum@classic.msn.com>, "HJW II "

   <ArchibaldLeach@classic.msn.com>, "Stuart Crosby" <BRAVES10@classic.msn.com>,

   "Ron Vassel" <BlizzardKing@classic.msn.com>, "Cari Who ELSE????"

   <CittiGirl@classic.msn.com>, "db " <Dee-Bee@classic.msn.com>, "Homebrook "

   <Homebrook@classic.msn.com>, "Jason Tinling" <JTinlng@classic.msn.com>, "Kevin

   Mathers" <KEVMATH@classic.msn.com>, "Kel Rayner" <Manatbar@classic.msn.com>,

   "the little people " <MarmaladeSkies@classic.msn.com>, "Kent "

   <NoixDeGolf@classic.msn.com>, "Jim B" <PBRUEGEL@classic.msn.com>, "Ask and I

   might tell you" <Peaceful-Warrior2@classic.msn.com>, "Blair "

   <Reepoo@classic.msn.com>, "Sharon " <SopAndBass@classic.msn.com>, "Tom Gummo"

   <TGUMMO@classic.msn.com>, "tim/reba" <the_saluki_experience@classic.msn.com>,

   "Life is a sick joke and I'm the punchline" <The_Boogey_Man@classic.msn.com>,

   "rico " <UNIR1@classic.msn.com>, "Mark " <Vox_Amicus@classic.msn.com>, "e.e.

   cummings" <What-is_death@classic.msn.com>, "Tanya Ceccatto"

   <_AngelBaby@classic.msn.com>, "S Johnson" <doc11@classic.msn.com>, "Drew

   Eskenazi" <drewesk@classic.msn.com>, "Robert Lear"

   <king_lear1@classic.msn.com>, "Silver Surfer" <mad-chatter@classic.msn.com>,

   "david simoni" <oak123@classic.msn.com>, "Kash Philips "

   <philkash@classic.msn.com>, "Rico Mariani" <ricom_ms@classic.msn.com>, "Robert

   Eback" <rleback@classic.msn.com>, "Stephen Baldwin"

   <sabaldwin@classic.msn.com>, "anniepoo" <annh@ccrtc.com>, "Doug Penn"

   <dkpenn@oees.com>, "BigDaddyRico" <Engelsguy@aol.com>, "Joe Locey"

   <JoePlaceb0@aol.com>, CVEditions@aol.com, "MATT HANNAN"

   <MATT.HANNAN@USOC.ORG>, "Arthur Nusbaum" <SSASN@AOL.COM>, THEBODYIS1@aol.com,

   "runner" <babu@electriciti.com>, beach@qconline.com, "R. Bentz Kirby"

   <bocelts@scsn.net>, "Marie Countryman" <country@SOVER.NET>, "jo grant"

   <jgrant@BOOKZEN.COM>, "Donald B. Green" <nycdbg@bellatlantic.net>, "RACE ---"

   <race@MIDUSA.NET>, "Rinaldo Rasa" <rinaldo@GPNET.IT>, "James Stauffer"

   <stauffer@pacbell.net>

Subject: FW: Philosophy from the road

 

 

 

----------

From:    Jamey Sims

Sent:    Saturday, September 27, 1997 8:22 AM

To:      'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

'Missy'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'Brandon Wescott'; 'Lisa &

Kevin'; 'kevey'; 'Back Cracker'; 'monty'; 'Quentin'; 'Dr Cowan'; 'Renee';

'bogie'; 'Tammy'; 'Shari & Troy'

Subject:      Philosophy from the road

 

BUMPER STICKERS SIGHTED THROUGHOUT THE WORLD

"Hung like Einstein, Smart as a horse"

"The gene pool could use a little chlorine."

"I love cats...they taste just like chicken"

"Laugh alone and the world thinks you're an idiot."

"Jack Kevorkian for White House Physician"

"I want to die in my sleep like my grandfather....

Not screaming and yelling like the passengers in his car...."

"Your kid may be an honor student but you're still an IDIOT!"

"If we aren't supposed to eat animals, why are they made of meat?"

"Forget about World Peace.....Visualize Using Your Turn Signal!"

"He who laughs last thinks slowest"

"Very funny, Scotty. Now beam down my clothes."

"i souport publik edekasion"

"We are Microsoft.  Resistance Is Futile.  You Will Be Assimilated."

"Ever stop to think, and forget to start again?"

"Auntie Em:  Hate you, Hate Kansas, Taking the dog.  -Dorothy."

"All generalizations are false."

"Change is inevitable, except from a vending machine."

"Time is what keeps everything from happening at once."

"Out of my mind.  Back in five minutes."

Seen on an old, beat-up car: "This is not an abandoned vehicle."

"Born Free. . . . .Taxed to Death"

"Cover me.  I'm changing lanes."

"As long as there are tests, there will be prayer in public schools"

"The more people I meet, the more I like my dog."

"Sometimes I wake up grumpy; Other times I let her sleep"

"All men are Idiots, and I married their King!"

"Work is for people who don't know how to fish"

"Montana --- At least our cows are sane!"

"I didn't fight my way to the top of the food chain to be a vegetarian."

"Women who seek to be equal to men lack ambition."

"It's as BAD as you think, and they ARE out to get you."

"If you don't like the news, go out and make some."

"I Brake For No Apparent Reason."

"When you do a good deed, get a receipt, in case heaven is like the IRS."

"Sorry, I don't date outside my species."

"I may be fat, but you're ugly - I can lose weight!"

"No Radio - Already Stolen"

"Real women don't have hot flashes, they have power surges."

"I took an IQ test and the results were negative."

"When there's a will, I want to be in it!"

"Okay, who stopped the payment on my reality check?"

"Few women admit their age, Few men act it! "

"I don't suffer from insanity, I enjoy every minute of it!"

"Hard work has a future payoff.  Laziness pays off NOW!"

"Tell me to 'Stuff It' - I'm a taxidermist."

"IRS: We've got what it takes to take what you have got. "

"Time is the best teacher; Unfortunately it kills all it's students!"

"It's lonely at the top, but you eat better."

"According to my calculations the problem doesn't exist."

"Pride is what we have.  Vanity is what others have."

"A bartender is just a pharmacist with a limited inventory."

"How Can I Miss You if You Won't Go Away?"

Seen on a woman's car: "Men call us birds, we pick up worms"

"Warning: Dates in Calendar are closer than they appear."

"Give me ambiguity or give me something else."

"We have enough youth, how about a fountain of SMART?"

"Make it idiot proof and someone will make a better idiot."

"Always remember you're unique, just like everyone else."

"Puritanism: The haunting fear that someone, somewhere may be happy."

"Consciousness: that annoying time between naps."

"Be nice to your kids.  They'll choose your nursing home."

"Why is 'abbreviation' such a long word?"

"Diplomacy is the art of saying 'Nice doggie!'... till you can find a

rock."

"I like you, but I wouldn't want to see you working with sub-atomic

particles."

"I is a college student."

"Lead me not into temptation, I can find it myself."

"I'm out of bed and dressed, What more do you want?"

 

 

 

 

 

 

 

 

 

Return-Path: <nop62331@mail.telepac.pt>

Date: Sun, 28 Sep 1997 21:11:06 -0100

From: DuarteMoniz <DuarteMoniz@mail.telepac.pt>

To: rinaldo@GPNET.IT

Subject: Fernanda Pivano

 

Rinaldo

 

Thanks for the support.

I appreciate very much your posts. They are very well informed and

accurate.

If you have time tell me, please, something about Fernanda Pivano

biography and bibliography. I own "Beat Hippie Yippie" in french, bought

in New York...

Sorry to write you in english but only can read, so and so, the

italian.Can't write or speak.

 

Duarte Moniz

Portugal

 

 

To: DuarteMoniz <DuarteMoniz@mail.telepac.pt>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Fernanda Pivano

Cc:

Bcc:

X-Attachments:

In-Reply-To: <342ED5F9.54D76E95@mail.telepac.pt>

References: <Pine.A32.3.93.970823113406.40912B-100000@srv1.freenet.calgary.ab.ca> <3.0.1.32.19970927172232.00710860@pop.gpnet.it>

 

At 21.11 28/09/97 -0100, DuarteMoniz  wrote:

>Rinaldo

> 

>Thanks for the support.

>I appreciate very much your posts. They are very well informed and

>accurate.

>If you have time tell me, please, something about Fernanda Pivano

>biography and bibliography. I own "Beat Hippie Yippie" in french, bought

>in New York...

>Sorry to write you in english but only can read, so and so, the

>italian.Can't write or speak.

> 

>Duarte Moniz

>Portugal

> 

Duarte, good day, thanks for yr gentle words,

 

the book "Beat Hippie Yippie" is wonderful it's a sketch

of the 60's when pivano fallen in love with beats especially

corso, kerouac & ginsberg. now pivano is 80 year old and

in an interview she tell that's her life great lit love was

Ernest Hemingway, pivano is a great translator in italian

of the first poetry book by allen ginsberg "Howl" translated

as "Urlo" in 1968. the translation was an outstanding event

for young generation (when i was young 18 old 30 years ago),

 

ti saluto caramente,

Rinaldo.

Venezia-Mestre,Italia.

To: country@sover.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

         good saturday

Return-Path: <"country"@sover.net>

Date: Sat, 04 Oct 1997 15:36:07 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re:

 

good saturday to you my gentle friend. i was thinking of you in the

midst of preparing to go and read in louisville, a 27 hr bus ride, what

to bring, fear of performance. now i know just stand up and be me.

love

marie

 

Rinaldo Rasa wrote:

 

>                 good saturday

 

 

 

 

Return-Path: <stutz@dsl.org>

Date: Mon, 6 Oct 1997 14:13:47 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Davide's Bar.

X-MS-URL: http://dsl.org/m/

 

hey rinaldo--

 

this was a really cool poem. but i was wondering if i could ask you a

question about technique?

 

what i am wondering is how do you decide where to create the line breaks

etc. in a piece? is this arbitrary, chance based -- for instance in this one

you have a 8-character wide column where all text is placed. looks cool, but

why 8 and not 7 or 9 -- any specific theories, techniques, philosophies here?

 

thanks.

 

m

 

On Mon, 6 Oct 1997, Rinaldo Rasa wrote:

 

>         RORSCHA

>         CH BLOT

>         S

>

>         a paint

>         ing a w

>         all a s

>         hip by

>         the rai

>         lroad a

>         n ice-c

>         ream a

>         young m

>         other g

>         reen ve

>         netian

>         hills g

>         reen so

>         nice

>

>         SUNDAY

>         OCTOBER

>         1997 ru

>         sty tra

>         ck by t

>         he rail

>         road st

>         ation t

>         he cart

>         on wing

>         s on a

>         table a

>         t david

>         e's bar

>

> AND THE SILENCE RETURNS.

>

>

> ---

> rinaldo

> 6th oct 97

>

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

              WARRANTY; for details see <http://dsl.org/copyleft/>.

 

 

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Davide's Bar.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.971006141203.31559U-100000@devel.nacs.net>

References: <3.0.1.32.19971006185253.0071c254@pop.gpnet.it>

 

michel wrote:

>hey rinaldo--

> 

>this was a really cool poem. but i was wondering if i could ask you a

>question about technique?

> 

>what i am wondering is how do you decide where to create the line breaks

>etc. in a piece? is this arbitrary, chance based -- for instance in this one

>you have a 8-character wide column where all text is placed. looks cool, but

>why 8 and not 7 or 9 -- any specific theories, techniques, philosophies here?

> 

>thanks.

> 

>m

 

michael, i'm embarassed, but the pattern is a bit prosaic,

i'm fascinating by the newspaper column.

ciao,

rinaldo.

Return-Path: <love_singing@classic.msn.com>

Date: Fri, 10 Oct 97 18:14:05 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: Leonard Cohen (Re: Gary Snyder Reading)

 

Rinaldo, thank you for the info.  but best of all, the wonderful poetry you

post, your own as well as others.

 

come sta, mi amico?

 

ciao,

sherri

 

----------

From:    BEAT-L: Beat Generation List on behalf of Rinaldo Rasa

Sent:    Friday, October 10, 1997 11:56 AM

To:      BEAT-L@CUNYVM.CUNY.EDU

Subject:      Leonard Cohen (Re: Gary Snyder Reading)

 

James Stauffer says:

>I just returned from hearing Snyder read extensively from "Mountains and

>Rivers" at Stanford.  GS was in great form as a reader, a tribute to the

>age fighting effects of Buddhist mediation and/or damn good genes.

> 

>The Humanities Center at Stanford is doing a year long focus on MRWE

>from a number of perspectives.  Interested scholars might check out

>their web site http://shc.stanford.edu.

> 

>J. Stauffer

> 

amici,

i've read an article concerned Leonard Cohen (now zen monk Leonard C.)

living in the Rinzai Zen Buddhism Center at Mt. Baldy L.A., it's the

same place attended by gary snyder?

a week ago i noted a book written about an interviewed Gary Snyder,

the book is translated in italian by a the "Abele Circle" a catholic

group devoted to pacifism, sorry i cant' afford to get thecheapbook'cuz

damnmoney!i have n't--cari saluti a tutti da rinaldo.

 

        LITTLE WING by Neal Young

 

        All her friends call her Litlle Wing

        But the flies rings around them all

        She comes to town when the children sing

        And leaves them feathers if they fall.

        She leaves her feathers if they fall.

 

        Little Wing, don't fly away

        When the summer turns to fall

        Don't you know some people say

        The winter is the best time of them all

        Winter is the best of all.

 

 

 

 

To: "Sherri " <love_singing@classic.msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: sherri, ti auguro una buona domenica.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199710101813500607@classic.msn.com>

References:

 

At 18.14 10/10/97 UT, sherri wrote:

>Rinaldo, thank you for the info.  but best of all, the wonderful poetry you

>post, your own as well as others.

> 

>come sta, mi amico?

> 

>ciao,

>sherri

> 

im' honoured by yr kindness and also dal fatto che scrivi

in italiano! saluti a te, mia cara amica, e ancora un sentito grazie da

rinaldo.

To: Leon Tabory <letabor@cruzio.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the "Capisce" word

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33E0C7AE.FB4DBBCF@cruzio.com>

References: <3.0.1.32.19970731185728.00685f80@pop.gpnet.it>

 

ciao Leon, have a nice day,

 

the "capisce" word is no longer used in italy, instead

there's "capisci" meaning that somebody "understand so.thing"

 

in italian vernacular language (middle & southern italy) the

right spelling is "capisc'amme" (not used in north italy)

 

i dunno if this note is useful but i send u all the same,

cari saluti da

Rinaldo.

Return-Path: <letabor@hotmail.com>

X-Originating-IP: [152.163.204.9]

From: "Leon Tabory" <letabor@hotmail.com>

To: rinaldo@gpnet.it

Subject: Re: capisci

Date: Sun, 12 Oct 1997 09:49:19 PDT

 

Thanks Rinaldo,

Mybe I will find some use for this interesting information. Makes me

feel more connected to far away people who are not so far away. Capisci.

 

Have a nice Sunday. I am just waking up from a party at my daughter's.

Maybe we pick up James later on the way to the 30th anniversary

celebration in San Francisco Golden Gate park.

 

Have a nice rest of Sunday

 

leon

 

 

Date: Sun, 12 Oct 1997 16:22:42 +0100

>To: Leon Tabory <letabor@cruzio.com>

>From: Rinaldo Rasa <rinaldo@gpnet.it>

>Subject: the "Capisce" word

> 

>ciao Leon, have a nice day,

> 

>the "capisce" word is no longer used in italy, instead

>there's "capisci" meaning that somebody "understand so.thing"

> 

>in italian vernacular language (middle & southern italy) the

>right spelling is "capisc'amme" (not used in north italy)

> 

>i dunno if this note is useful but i send u all the same,

>cari saluti da

>Rinaldo.

> 

>.-

> 

 

 

______________________________________________________

Get Your Private, Free Email at http://www.hotmail.com

 

Return-Path: <stutz@dsl.org>

Date: Mon, 13 Oct 1997 17:15:00 -0400 (EDT)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Rocky Mountain High

X-MS-URL: http://dsl.org/m/

 

Rinaldo,

 

Forgive this unsolicited interruption. I tried to write a poem that emulated

some of the techniques of your style that I liked, and would like your

opinion on it:

 

 

   Monday O

   ctober 1

   3 10:00

   AM EDT (

   cnn.com)

   - John D

   enver ki

   lled in

   plane cr

   ash

 

   Singer a

   nd songw

   riter Jo

   hn Denve

   r, whose

   '70 hits

   such as

   "Rocky M

   ountain

   High" an

   d "Take

   Me Home,

   Country

   Roads" g

   ained hi

   m worldw

   ide fame

   , was ki

   lled Sun

   day when

   his smal

   l aircra

   ft plung

   ed into

   Monterey

   Bay, off

   icials s

   aid Mond

   ay. He w

   as 53.

 

   Got a Ro

   cky Moun

   tain Hig

   h like m

   y friend

   Johnny,

   went to

   Colorado

   once wit

   h the bl

   ues and

   always w

   ish I wa

   s there

   again --

   never a

   70s ramb

   lin' man

   , just a

   kid back

   then --

   but have

   that dre

   am of fl

   yin' on,

   past wha

   tever it

   is that

   holds me

   down.

 

   "Come da

   nce with

   the west

   wind and

   touch on

   the moun

   tain top

   s Sail o

   'er the

   canyons

   and up t

   o the st

   ars And

   reach fo

   r the he

   avens an

   d hope f

   or the f

   uture An

   d all th

   at we "c

   an" be,

   not what

   we are"

 

 

 

 

Return-Path: <love_singing@classic.msn.com>

Date: Tue, 14 Oct 97 04:27:22 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: sherri, ti auguro una buona domenica.

 

grazie, Rinaldo,  i have just returned from a weekend in the Sierra Nevadas to

celebrate my brother's birthday.  it was beautiful up there and lovely to

spend time with my brother.  how did you spend your weekend?

 

ciao,

sherri

 

 

Return-Path: <love_singing@classic.msn.com>

Date: Tue, 14 Oct 97 13:25:54 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: We Would Be Two Men.

 

Cara Rinaldo,

 

Che bellisima!!!  what book is this poem from?

 

buon giorno,

sherri

 

 

Return-Path: <love_singing@classic.msn.com>

Date: Wed, 15 Oct 97 04:11:28 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Stef " <Ad_Libitum@classic.msn.com>, "HJW II "

   <ArchibaldLeach@classic.msn.com>, "Stuart Crosby" <BRAVES10@classic.msn.com>,

   "Ron Vassel" <BlizzardKing@classic.msn.com>, "Cari Who ELSE????"

   <CittiGirl@classic.msn.com>, "db " <Dee-Bee@classic.msn.com>, "Homebrook "

   <Homebrook@classic.msn.com>, "Jason Tinling" <JTinlng@classic.msn.com>, "Kevin

   Mathers" <KEVMATH@classic.msn.com>, "Kel Rayner" <Manatbar@classic.msn.com>,

   "the little people " <MarmaladeSkies@classic.msn.com>, "Ask and I might tell

   you" <Peaceful-Warrior2@classic.msn.com>, "Blair " <Reepoo@classic.msn.com>,

   "James Sims" <SimbaJim@classic.msn.com>, "Sharon "

   <SopAndBass@classic.msn.com>, "Tom Gummo" <TGUMMO@classic.msn.com>, "tim/reba"

   <the_saluki_experience@classic.msn.com>, "Life is a sick joke and I'm the

   punchline" <The_Boogey_Man@classic.msn.com>, "rico " <UNIR1@classic.msn.com>,

   "Mark " <Vox_Amicus@classic.msn.com>, "e.e. cummings"

   <What-is_death@classic.msn.com>, "Tanya Ceccatto"

   <_AngelBaby@classic.msn.com>, "_Prometheus1 " <_Prometheus1@classic.msn.com>,

   "S Johnson" <doc11@classic.msn.com>, "Drew Eskenazi"

   <drewesk@classic.msn.com>, "Robert Lear" <king_lear1@classic.msn.com>, "x "

   <king_lear1@classic.msn.com>, "PAUL KOLJESKI" <koljeski@classic.msn.com>,

   "Silver Surfer" <mad-chatter@classic.msn.com>, "david simoni"

   <oak123@classic.msn.com>, "Kash Philips " <philkash@classic.msn.com>, "anthony

   osborne" <rastafarian@classic.msn.com>, "Rico Mariani"

   <ricom_ms@classic.msn.com>, "Robert Eback" <rleback@classic.msn.com>, "Stephen

   Baldwin" <sabaldwin@classic.msn.com>, "anniepoo" <annh@ccrtc.com>, "Doug Penn"

   <dkpenn@oees.com>, "BigDaddyRico" <Engelsguy@aol.com>, "Joe Locey"

   <JoePlaceb0@aol.com>, CHOMEAGN@aol.com, CVEditions@aol.com, "Diane De Rooy"

   <Ddrooy@AOL.COM>, "Kent Smedley" <Kent.Smedley@clorox.com>, "MATT HANNAN"

   <MATT.HANNAN@USOC.ORG>, "Arthur Nusbaum" <SSASN@AOL.COM>, THEBODYIS1@aol.com,

   "runner" <babu@electriciti.com>, beach@qconline.com, "R. Bentz Kirby"

   <bocelts@scsn.net>, "Marie Countryman" <country@SOVER.NET>, "Diane Carter"

   <dcarter@together.net>, "tristan saldana" <hbeng175@EMAIL.CSUN.EDU>, "jo

   grant" <jgrant@BOOKZEN.COM>, "Leon Tabory" <letabor@CRUZIO.COM>, "Michael

   Skau" <mskau@CWIS.UNOMAHA.EDU>, "Donald B. Green" <nycdbg@bellatlantic.net>,

   "Patricia Elliott" <pelliott@sunflower.com>, "RACE ---" <race@MIDUSA.NET>,

   "Rinaldo Rasa" <rinaldo@GPNET.IT>, "James Stauffer" <stauffer@pacbell.net>

Subject: FW:

 

 

 

----------

From:    Sherri

Sent:    Tuesday, October 14, 1997 4:54 PM

To:      love_singing@msn.com

Subject:      FW:

 

 

 

----------

From:    PBruegel

Sent:    Tuesday, October 14, 1997 5:39 PM

To:      Sherri

 

 ----------------------------

The Talking Frog

 

A man was crossing a road one day when a frog called out to him and

said,

"If you kiss me, I'll turn into a beautiful princess." He bent over,

picked up the frog, and put it in his pocket.

 

The frog spoke up again and said, "If you kiss me and turn me back into

a beautiful princess, I will tell everyone how smart and brave you are

and how you are my hero"  The man took the frog out of his pocket,

smiled at it, and returned it to his pocket.

 

The frog spoke up again and said, "If you kiss me and turn me back into

a beautiful princess, I will be your loving companion for an entire

week."  The man took the frog out of his pocket, smiled at it, and

returned it to his pocket.

 

The frog then cried out, "If you kiss me and turn me back into a

princess, I'll stay with you for a year and do ANYTHING you want." Again

the man took the frog out, smiled at it, and put it back into his

pocket.

 

Finally, the frog asked, "What is the matter? I've told you I'm a

beautiful princess, that I'll stay with you for a year and do anything

you want.  Why won't you kiss me?"

 

The man said, "Look, I'm a computer programmer. I don't have time for a

girlfriend, but a talking frog is cool."

 

 

 

 

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Rocky Mountain High

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.971013164522.19243K-100000@devel.nacs.net>

References: <3.0.1.32.19971012221222.0072a794@pop.gpnet.it>

 

At 17.15 13/10/97 -0400, michael wrote:

>Rinaldo,

> 

>Forgive this unsolicited interruption. I tried to write a poem that emulated

>some of the techniques of your style that I liked, and would like your

>opinion on it:

> 

> 

>  Monday O

>  ctober 1

>  3 10:00

>  AM EDT (

>  cnn.com)

>  - John D

>  enver ki

>  lled in

>  plane cr

>  ash

> 

>  Singer a

>  nd songw

>  riter Jo

>  hn Denve

>  r, whose

>  '70 hits

>  such as

>  "Rocky M

>  ountain

>  High" an

>  d "Take

>  Me Home,

>  Country

>  Roads" g

>  ained hi

>  m worldw

>  ide fame

>  , was ki

>  lled Sun

>  day when

>  his smal

>  l aircra

>  ft plung

>  ed into

>  Monterey

>  Bay, off

>  icials s

>  aid Mond

>  ay. He w

>  as 53.

> 

>  Got a Ro

>  cky Moun

>  tain Hig

>  h like m

>  y friend

>  Johnny,

>  went to

>  Colorado

>  once wit

>  h the bl

>  ues and

>  always w

>  ish I wa

>  s there

>  again --

>  never a

>  70s ramb

>  lin' man

>  , just a

>  kid back

>  then --

>  but have

>  that dre

>  am of fl

>  yin' on,

>  past wha

>  tever it

>  is that

>  holds me

>  down.

> 

>  "Come da

>  nce with

>  the west

>  wind and

>  touch on

>  the moun

>  tain top

>  s Sail o

>  'er the

>  canyons

>  and up t

>  o the st

>  ars And

>  reach fo

>  r the he

>  avens an

>  d hope f

>  or the f

>  uture An

>  d all th

>  at we "c

>  an" be,

>  not what

>  we are"

> 

> 

michael by synchronicity i've read the news

about john denver death shortly before yr poem and

remind me a jk's "On the Road" fragment (tiny poem)

''

   It was the Denver Night; all I did was die.

         Down in Denver, down in Denver

         All I did was die

''

alot of person who is the 70s nostalgia, thanks for

the poem,

 

ciao da

rinaldo.

To: "Sherri " <love_singing@classic.msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: buon mercoledi'

Cc:

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199710140426100484@classic.msn.com>

References:

 

At 04.27 14/10/97 UT, Sherri says:

>grazie, Rinaldo,  i have just returned from a weekend in the Sierra Nevadas to

>celebrate my brother's birthday.  it was beautiful up there and lovely to

>spend time with my brother.  how did you spend your weekend?

> 

>ciao,

>sherri

> 

ciao Sherri,

i've spent the sunday morning in venetian hills, october falls

the leaves, ancient castles in top of green mountain, shopping centre

in downhill... the landscape of my infancy only in my mind...

ti ringrazio ancora per le tue gentili lettere,

cari saluti da Rinaldo.

Return-Path: <love_singing@classic.msn.com>

Date: Thu, 16 Oct 97 01:18:43 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: RE: buon mercoledi'

 

Caro Rinaldo,

 

i am jealous - the Venetion hills in l'autunno.  <sigh>  they must be molto

belissimo.

 

i am going to try to work on my italian so i can write to you more in your

language.  would you be willing to help me improve my grammar and usage?

 

today the weather was made in Heaven... too bad i had to spend it in the

office.   :-(

 

ciao mi amico,

sherri

 

----------

From:    Rinaldo Rasa

Sent:    Wednesday, October 15, 1997 10:09 AM

To:      Sherri

Subject:      buon mercoledi'

 

At 04.27 14/10/97 UT, Sherri says:

>grazie, Rinaldo,  i have just returned from a weekend in the Sierra

Nevadas to

>celebrate my brother's birthday.  it was beautiful up there and lovely to

>spend time with my brother.  how did you spend your weekend?

> 

>ciao,

>sherri

> 

ciao Sherri,

i've spent the sunday morning in venetian hills, october falls

the leaves, ancient castles in top of green mountain, shopping centre

in downhill... the landscape of my infancy only in my mind...

ti ringrazio ancora per le tue gentili lettere,

cari saluti da Rinaldo.

 

 

 

 

 

To: pelliott@SUNFLOWER.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: carl adkins

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

>Subject:      carl adkins

>rinaldo  i have really enjoyed the list.

>http://www.gpnet.it/rasa/thebeats.htm

> Is carl adkins a country western singer?

>I wish that people on the beat-list would look at your list and email

>you any pictures that you might be able to use.  I is interesting to me.

>I like that tactile sense of seeing their eyes.

>patricia

> 

patricia, on my ring binder carl adkins is circled and

quoted as friend to jack kerouac, thanks alot for the

tribute to the group work that give fuel to the project,

grazie, grazie di tutto, ciao da rinaldo.

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: buona domenica

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199710041936.PAA25028@pike.sover.net>

References: <3.0.1.32.19971004162058.006864ec@pop.gpnet.it>

 

              good sunday

              to you marieReturn-Path: <stauffer@pacbell.net>

Date: Sun, 19 Oct 1997 18:53:17 -0700

From: James Stauffer <stauffer@pacbell.net>

Reply-To: stauffer@pacbell.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Supernova List

 

Rinaldo,

 

I somehow lost my URL for your supernova list.  Could you send it?

 

Thanks.

 

James Stauffer

 

To: stauffer@pacbell.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the url of Re: Supernova List

Cc:

Bcc:

X-Attachments:

In-Reply-To: <344AB98C.6BC4@pacbell.net>

References:

 

At 18.53 19/10/97 -0700, James wrote:

>Rinaldo,

> 

>I somehow lost my URL for your supernova list.  Could you send it?

> 

>Thanks.

> 

>James Stauffer

> 

James,

yep!, thanks for the advice, i've checked the url and now it's

awright, (was'cuz a fault in the router 13 of the gpnet server),

 

the Beat SuperNova url is

http://www.gpnet.it/rasa/beats.htm

http://www.gpnet.it/rasa/thebeats.htm

 

   THANKS AGAIN FOR YR SUPPORT.

 

--

by the way,

the name "Remi Boncoeur" is the true character name in OTR &

somebody on the Beat-L had posted mistyped the name, the OTR novel

starts with Remi and ends with him, the not-literate

friend of JK, the only with no record in the beat-lit,

the maestro: "You can't teach the old maestro a new tune",

--

 

saluti cari da

Rinaldo.

 Return-Path: <dupbooks@tiac.net>

Date: Mon, 20 Oct 1997 12:24:29 -0400 (EDT)

X-Sender: dupbooks@pop.tiac.net

To: rinaldo@GPNET.IT

From: dupbooks@tiac.net (Russell duPont)

Subject: Re: poetry catalogue

 

My new catalogue, Poets and Poetry, can be viewed at my website at

 

                www.tiac.net/users/dupbooks

 

Russell duPont

 

                                Russell R. duPont

                                   Bookseller

                                41 Star Street

                                Whitman, MA 02382

                                 781/447-4091

                                dupbooks@tiac.net

                       Web Site. http://www.tiac.net/users/dupbooks

 

 

                               Specializing in books

                             and exhibition catalogues

                          on the fine and decorative arts.

 

 

 

To: DuarteMoniz <DuarteMoniz@mail.telepac.pt>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat-L 1995 archives

Cc:

Bcc:

X-Attachments:

In-Reply-To: <344E7E54.8691CDB5@mail.telepac.pt>

References:

 

Duarte,

 

u can obtain the archive beat using such command line

 

LISTSERV@CUNYVM.CUNY.EDU

 

in the body

 

GET BEAT-L LOG9709

 

if u like receive the september archive, if u wish to

receive the another month archive i.e. april 96

u send a new messagge at the same address but

in the body writ get beat-l log9604

 

here a summa of the beat-l archive you can download:

 

*

*  BEAT-L FILELIST for LISTSERV@CUNYVM.

*

*  Files concerning the BEAT-L Beat Generation List

*

*  This filelist may be sorted in columns 47 to 63 to get a list of

*  files in the order of their updates. Sorting in descending order

*  shows the most recently updated files at the top.

*

*  To have any of these files sent to you, send a GET command to

*  LISTSERV@CUNYVM in the form of GET <filename> <filetype> <listname>.

*  (e.g. GET BEAT-L LOG9505 BEAT-L).

*

*  If an entry shows nrecs=0  the file is not available.

*

*                             rec               last - change

* filename filetype   GET PUT -fm lrecl nrecs   date     time   File description

* -------- --------   --- --- --- ----- ----- -------- -------- ----------------

* :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

*

*  The GET/PUT authorization codes shown with each file entry describe

*  who is authorized to GET or PUT the file:

*

*     ALL = Everybody

*     OWN = List owners

*

* :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

  BEAT-L   MAILTPL    ALL OWN .       .     0 ........ ........ Listserv info

  BEAT-L   WELCOME    ALL OWN V      69    11 95/05/03 18:52:27 Welcome message

  BEAT-L   CONFIRM    ALL OWN V      79    52 95/05/09 13:28:01 Listserv info

  BEAT-L   COMP_PCI   ALL OWN F      80  6428 96/10/25 11:52:08 PCI's List

 

*

*  NOTEBOOK archives for the list

*  (Monthly notebook)

*                             rec               last - change

* filename filetype   GET PUT -fm lrecl nrecs   date     time   Remarks

* -------- --------   --- --- --- ----- ----- -------- -------- -------------------------------

  BEAT-L   LOG9505    PRV OWN V      80    35 95/05/30 11:11:34 Started on Mon, 29 May 1995 22:22:45 -0500

  BEAT-L   LOG9506    PRV OWN V      83  2252 95/06/30 22:59:02 Started on Wed, 7 Jun 1995 20:33:48 EDT

  BEAT-L   LOG9507    PRV OWN V     119  4808 95/07/31 23:50:25 Started on Sat, 1 Jul 1995 00:54:41 -0400

  BEAT-L   LOG9508    PRV OWN V      85  5644 95/08/31 22:37:40 Started on Tue, 1 Aug 1995 09:21:34 -0500

  BEAT-L   LOG9509    PRV OWN V      85  5007 95/09/30 20:34:51 Started on Fri, 1 Sep 1995 13:56:14 +0100

  BEAT-L   LOG9510    PRV OWN V      80  5765 95/10/31 19:02:11 Started on Sun, 1 Oct 1995 14:04:27 +0800

  BEAT-L   LOG9511    PRV OWN V     242 10949 95/11/30 23:55:16 Started on Wed, 1 Nov 1995 02:11:56 -0500

  BEAT-L   LOG9512    PRV OWN V      80  9231 95/12/31 20:17:32 Started on Fri, 1 Dec 1995 00:56:09 -0500

  BEAT-L   LOG9601    PRV OWN V      84  4050 96/01/31 22:17:07 Started on Mon, 1 Jan 1996 11:37:24 -0800

  BEAT-L   LOG9602    PRV OWN V     144  9734 96/02/29 22:24:44 Started on Thu, 1 Feb 1996 09:25:12 +0000

  BEAT-L   LOG9603    PRV OWN V      81 12443 96/03/31 09:01:37 Started on Thu, 29 Feb 1996 23:52:40 -0600

  BEAT-L   LOG9604    PRV OWN V      81  9898 96/04/30 22:15:33 Started on Sun, 31 Mar 1996 11:31:45 -0500

  BEAT-L   LOG9605    PRV OWN V      80  6312 96/05/31 23:09:11 Started on Tue, 30 Apr 1996 23:38:52 -0500

  BEAT-L   LOG9606    PRV OWN V     112  6829 96/06/30 19:25:53 Started on Sat, 1 Jun 1996 09:40:32 -0400

  BEAT-L   LOG9607    PRV OWN V     149  3140 96/07/31 10:41:17 Started on Mon, 1 Jul 1996 16:07:36 -0400

  BEAT-L   LOG9608    PRV OWN V      80  5393 96/08/31 22:43:36 Started on Thu, 1 Aug 1996 09:06:58 -0400

  BEAT-L   LOG9609    PRV OWN V     119 11222 96/09/30 23:52:39 Started on Sun, 1 Sep 1996 00:54:29 -0700

  BEAT-L   LOG9610    PRV OWN V     242 31185 96/10/31 21:00:00 Started on Mon, 30 Sep 1996 21:29:03 -0700

  BEAT-L   LOG9611    PRV OWN V     113 21865 96/11/30 19:06:04 Started on Fri, 1 Nov 1996 10:37:27 EST

  BEAT-L   LOG9612    PRV OWN V      83 25562 96/12/31 22:59:04 Started on Sat, 30 Nov 1996 21:21:05 -0800

  BEAT-L   LOG9701    PRV OWN V     119 31567 97/01/31 16:54:25 Started on Wed, 1 Jan 1997 02:28:05 -0500

  BEAT-L   LOG9702    PRV OWN V      83 25404 97/02/28 22:54:34 Started on Sat, 1 Feb 1997 15:52:42 +0000

  BEAT-L   LOG9703    PRV OWN V     118 20887 97/03/31 23:19:44 Started on Sat, 1 Mar 1997 00:42:04 -0500

  BEAT-L   LOG9704    PRV OWN V      83 73554 97/04/30 23:59:59 Started on Tue, 1 Apr 1997 03:44:03 -0500

  BEAT-L   LOG9705    PRV OWN V      86 68508 97/05/31 23:58:32 Started on Wed, 30 Apr 1997 21:39:21 -0700

  BEAT-L   LOG9706    PRV OWN V      98 50538 97/06/30 23:59:34 Started on Sun, 1 Jun 1997 00:50:16 -0700

  BEAT-L   LOG9707    PRV OWN V      83 39153 97/07/31 23:37:33 Started on Mon, 30 Jun 1997 22:00:07 -0700

  BEAT-L   LOG9708    PRV OWN V      87 53453 97/08/31 21:51:50 Started on Fri, 1 Aug 1997 00:29:14 -0400

  BEAT-L   LOG9709    PRV OWN V      87 21597 97/09/16 16:19:17 Started on Mon, 1 Sep 1997 00:21:55 -0400

---

 

 

i hope this match yr request information,

let me know if it works,

 

cari saluti,

Rinaldo.

 

 

----

At 21.29 22/10/97 -0100, you wrote:

>Rinaldo

>Please tell me how can I download the Beat-L archive.

>I tried to send this question to Bill Gargan at wxgbc@cunyvm.bitnet, but

> 

>my server always returns my mail.

>Duarte

> 

> 

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: p.s. Re: Beat-L 1995 archives

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References: <344E7E54.8691CDB5@mail.telepac.pt>

 

Duarte,

excuse me but the right form to get the beat-l archives is

 

>To

> 

>LISTSERV@CUNYVM.CUNY.EDU

> 

>in the body

> 

>GET BEAT-L LOG9709 BEAT-L

> 

 

again saluti da Rinaldo.

To: DuarteMoniz@mail.telepac.pt

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: p.s. beat-l archives

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Duarte,

excuse me but the right form to get the beat-l archives is

 

>To

> 

>LISTSERV@CUNYVM.CUNY.EDU

> 

>in the body

> 

>GET BEAT-L LOG9709 BEAT-L

> 

 

again saluti da Rinaldo.

Return-Path: <nop62331@mail.telepac.pt>

Date: Fri, 24 Oct 1997 23:51:39 -0100

From: DuarteMoniz <DuarteMoniz@mail.telepac.pt>

To: rinaldo@gpnet.it

Subject: Beat-l archives

 

L-Soft list server at The City University of NY (1.8c) wrote:

 

> > GET BEAT-L LOG9505 BEAT-L

> File "BEAT-L LOG9505" is not yet available.

> 

> I don't understand this. Gargan wants to delete this files and the

> server says is not yet avaiable.

 

Do you ?Um abraço ( I read it...)

Duarte

 

 

 

Return-Path: <WXGBC@CUNYVM.CUNY.EDU>

Date:         Fri, 24 Oct 97 21:16:17 EDT

From:         Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>

Subject:      archives

To:           rinaldo@gpnet.it

 

 

It's not so bad, Rinaldo.  We've got them all downloaded to a hard

drive.  When I get some time, maybe over the summer, I'll clean out all

the repeated messages, personal replys that weren't really meant for the

list etc.  Eventually, I hope we'll upload the edited, smaller files

again.

 

Return-Path: <pelliott@sunflower.com>

Date: Sat, 25 Oct 1997 10:30:45 -0500

From: Patricia Elliott <pelliott@sunflower.com>

To: rinaldo@GPNET.IT

Subject: your poetry

 

your poetry great, i visited the page.

p

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: your poetry

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345210A5.4A27@sunflower.com>

References:

 

At 10.30 25/10/97 -0500, patricia wrote:

>your poetry great, i visited the page.

>p

> 

patricia, i'm happy you remarked the great

marie's poem "intoxication" in the _new north american poetry_

section of the supernova, un abbraccio da rinaldo.

Return-Path: <WXGBC@CUNYVM.CUNY.EDU>

Date:         Sat, 25 Oct 97 17:54:26 EDT

From:         Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>

Subject:      archives

To:           rinaldo@gpnet.it

 

Rinaldo, don't worry, the archives aren't gone forever.  Several of us have dow

nloaded them and have them safely on our computers.  As I said, I hope to edit

out all the redundant stuff and reload on listserv sometime in the future.

 

Return-Path: <ileif@ix.netcom.com>

Date: Sun, 26 Oct 1997 15:38:47 -0600 (CST)

From: ileif@ix.netcom.com

X-Sender: ileif@popd.ix.netcom.com

To: rinaldo@GPNET.IT

Subject: Italian Translations

 

Rinaldo,

 

Can you reconmmend (with address) an Italian antiquarian bookseller who I

can contact about purchasing first Italian translations of Kerouac's books?

 

Thanks!!

 

Irving Leif

 

 

To: ileif@ix.netcom.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Italian Translations

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199710262138.PAA19668@dfw-ix5.ix.netcom.com>

References:

 

sorry Irving, here in Venice (Italy) at the moment i've visited

some remainders bookstore, but the only beat related i've found

are "First Blues" by Allen Ginsberg and "Poems" by Gregory Corso

both printed in the '70s.

Of course i've the paperback italian translation of "On the Road"

="Sulla strada" dated 1969. Still if i noticed something i'll tell

you further, cari saluti da Rinaldo.

 

--------------------------------------

At 15.38 26/10/97 -0600, Irving wrote:

>Rinaldo,

> 

>Can you reconmmend (with address) an Italian antiquarian bookseller who I

>can contact about purchasing first Italian translations of Kerouac's books?

> 

>Thanks!!

> 

>Irving Leif

> 

Return-Path: <dcaridade@geocities.com>

Reply-To: <dcaridade@geocities.com>

From: "dcaridade" <dcaridade@geocities.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: Re: una poesia scritta in italiano da Lawrence Ferlinghetti.

Date: Wed, 29 Oct 1997 16:54:41 -0000

X-MSMail-Priority: Normal

X-MIME-Autoconverted: from 8bit to quoted-printable by geocities.com id KAA20720

 

Ola and thank you for answering Rinaldo.

Sorry about the late response but I've been buried in Beat-l messages and I

just got to yours.

 

Would you mind posting another one?

(here in Portugal is very difficult to get Ferlinghetti's poetry, I only

have Coney Island... and Over All the obscene Boundaries, and it cost me my

skin to get them!!)

 

One other thing, the poem starting:

 

"beatus, qui legit,"

 

Is it yours?

 

 

Thanks again,

Daniel

 

---------

 

Re: una poesia scritta in italiano da Lawrence Ferlinghetti.

> Data: Sábado, 25 de Outubro de 1997 22:19

>

> hola Daniel,

(...)

 

Return-Path: <dcaridade@geocities.com>

Reply-To: <dcaridade@geocities.com>

From: "dcaridade" <dcaridade@geocities.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Re: help: the lion for real

Date: Wed, 29 Oct 1997 19:16:30 -0000

X-MSMail-Priority: Normal

X-MIME-Autoconverted: from 8bit to quoted-printable by geocities.com id LAA13968

 

I only have the Ballad,

here it comes,

 

 

 

A Ballad Of The Skeletons

 

 

Said the Presidential Skeleton

I won't sign the bill

Said the Speaker skeleton

Yes you will

 

 

Said the Representative Skeleton

I object

Said the Supreme Court skeleton

Whaddya expect

 

 

Said the Military skeleton

Buy Star Bombs

Said the Upperclass Skeleton

Starve unmarried moms

 

 

Said the Yahoo Skeleton

Stop dirty art

Said the Right Wing skeleton

Forget about yr heart

 

 

Said the Gnostic Skeleton

The Human Form's divine

Said the Moral Majority skeleton

No it's not it's mine

 

 

Said the Buddha Skeleton

Compassion in wealth

Said the Corporate skeleton

It's bad for your health

 

 

Said the Old Christ skeleton

Care for the Poor

Said the Son of God skeleton

AIDS needs cure

 

 

Said the Homophobe skeleton

Gay folk suck

Said the Heritage Policy skeleton

Blacks're outa luck

 

 

Said the Macho skeleton

Women in their place

Said the Fundamentalist skeleton

Increase human race

 

 

Said the Right-to-Life skeleton

Foetus has a soul

Said Pro Choice skeleton

Shove it up your hole

 

 

Said the Downsized skeleton

Robots got my job

Said the Though-on-Crime skeleton

Tear gas the mob

 

 

Said the Governor skeleton

Cut school lunch

Said the Mayor skeleton

Eat the budget crunch

 

 

Said the Neo Conservative skeleton

Homeless off the street!

Said the Free Market skeleton

Use 'em up for meat

 

 

Said the Think Tank skeleton

Free Market's the way

Said the S & L skeleton

Make the State pay

 

 

Said the Chrysler skeleton

Pay for you & me

Said the Nuke Power skeleton

& me & me & me

 

 

Said the Ecologic skeleton

Keep Skies blue

Said the Multinational skeleton

What's it worth to you?

 

 

Said the NAFTA skeleton

Get rich, Free Trade,

Said the Maquiladora skeleton

Sweat shops, low paid

 

 

Said the rich GATT skeleton

One world, high tech

Said the Underclass skeleton

Get it in the neck

 

 

Said the World Bank skeleton

Cut down your trees

Said the I.M.F. skeleton

Buy American cheese

 

 

Said the Underdeveloped skeleton

Send me rice

Said Developed Nations' skeleton

Sell your bones for dice

 

 

Said the Ayatollah skeleton

Die writer die

Said Joe Stalin's skeleton

That's no lie

 

 

Said the Petrochemical skeleton

Roar Bombers roar!

Said the Psychedelic skeleton

Smoke a dinosaur

 

 

Said Nancy's skeleton

Just say No

Said the Rasta skeleton

Blow Nancy Blow

 

 

Said Demagogue skeleton

Don't smoke Pot

Said Alcoholic skeleton

Let your liver rot

 

 

Said the Junkie skeleton

Can't we get a fix?

Said the Big Brother skeleton

Jail the dirty pricks

 

 

Said the Mirror skeleton

Hey good looking

Said the Electric Chair skeleton

Hey what's cooking?

 

 

Said the Talkshow skeleton

Fuck you in the face

Said the Family Values skeleton

My family values mace

 

 

Said the N.Y. Times skeleton

That's not fit to print

Said the C.I.A. skeleton

Cantcha take a hint?

 

 

Said the Network skeleton

Believe my lies

Said the Advertising skeleton

Don't get wise!

 

 

Said the Media skeleton

Believe you Me

Said the Couch-potato skeleton

What me worry?

 

 

Said the TV skeleton

Eat sound bites

Said the Newscast skeleton

That's all Goodnight

 

 

12-16/2/95

 

 

There's a Portuguese magazine, [up]arte in which I was a participant, that

was able, with their permission, to publish in 1996 some unpublished poems

by Ginsberg (among them Ballad of the Skeletons), and Ferlinghetti, as well

as a small anthology from Ginsberg

 

Daniel

 

----------

> De: Rinaldo Rasa <rinaldo@GPNET.IT>

> Para:

> Assunto: help: the lion for real

> Data: Terça-feira, 28 de Outubro de 1997 19:14

>

> friends,

> by the Campo Santa Margherita, in a shop window

> Allen Ginsberg looks at me, i brought the lion

> for real, worth buying, in the tracks there's

> as a plus for the CD italian edition "the ballad of

> skeletons" and "amazing grace" but there's isn't

> the lirycs, help!, i appreciate if one can post it,

> un mucchio di grazie in anticipo da

> Rinaldo.

>

 

Return-Path: <dcaridade@geocities.com>

Reply-To: <dcaridade@geocities.com>

From: "dcaridade" <dcaridade@geocities.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Re: help: the lion for real

Date: Wed, 29 Oct 1997 19:16:30 -0000

X-MSMail-Priority: Normal

X-MIME-Autoconverted: from 8bit to quoted-printable by geocities.com id LAA03102

 

I only have the Ballad,

here it comes,

 

 

 

A Ballad Of The Skeletons

 

 

Said the Presidential Skeleton

I won't sign the bill

Said the Speaker skeleton

Yes you will

 

 

Said the Representative Skeleton

I object

Said the Supreme Court skeleton

Whaddya expect

 

 

Said the Military skeleton

Buy Star Bombs

Said the Upperclass Skeleton

Starve unmarried moms

 

 

Said the Yahoo Skeleton

Stop dirty art

Said the Right Wing skeleton

Forget about yr heart

 

 

Said the Gnostic Skeleton

The Human Form's divine

Said the Moral Majority skeleton

No it's not it's mine

 

 

Said the Buddha Skeleton

Compassion in wealth

Said the Corporate skeleton

It's bad for your health

 

 

Said the Old Christ skeleton

Care for the Poor

Said the Son of God skeleton

AIDS needs cure

 

 

Said the Homophobe skeleton

Gay folk suck

Said the Heritage Policy skeleton

Blacks're outa luck

 

 

Said the Macho skeleton

Women in their place

Said the Fundamentalist skeleton

Increase human race

 

 

Said the Right-to-Life skeleton

Foetus has a soul

Said Pro Choice skeleton

Shove it up your hole

 

 

Said the Downsized skeleton

Robots got my job

Said the Though-on-Crime skeleton

Tear gas the mob

 

 

Said the Governor skeleton

Cut school lunch

Said the Mayor skeleton

Eat the budget crunch

 

 

Said the Neo Conservative skeleton

Homeless off the street!

Said the Free Market skeleton

Use 'em up for meat

 

 

Said the Think Tank skeleton

Free Market's the way

Said the S & L skeleton

Make the State pay

 

 

Said the Chrysler skeleton

Pay for you & me

Said the Nuke Power skeleton

& me & me & me

 

 

Said the Ecologic skeleton

Keep Skies blue

Said the Multinational skeleton

What's it worth to you?

 

 

Said the NAFTA skeleton

Get rich, Free Trade,

Said the Maquiladora skeleton

Sweat shops, low paid

 

 

Said the rich GATT skeleton

One world, high tech

Said the Underclass skeleton

Get it in the neck

 

 

Said the World Bank skeleton

Cut down your trees

Said the I.M.F. skeleton

Buy American cheese

 

 

Said the Underdeveloped skeleton

Send me rice

Said Developed Nations' skeleton

Sell your bones for dice

 

 

Said the Ayatollah skeleton

Die writer die

Said Joe Stalin's skeleton

That's no lie

 

 

Said the Petrochemical skeleton

Roar Bombers roar!

Said the Psychedelic skeleton

Smoke a dinosaur

 

 

Said Nancy's skeleton

Just say No

Said the Rasta skeleton

Blow Nancy Blow

 

 

Said Demagogue skeleton

Don't smoke Pot

Said Alcoholic skeleton

Let your liver rot

 

 

Said the Junkie skeleton

Can't we get a fix?

Said the Big Brother skeleton

Jail the dirty pricks

 

 

Said the Mirror skeleton

Hey good looking

Said the Electric Chair skeleton

Hey what's cooking?

 

 

Said the Talkshow skeleton

Fuck you in the face

Said the Family Values skeleton

My family values mace

 

 

Said the N.Y. Times skeleton

That's not fit to print

Said the C.I.A. skeleton

Cantcha take a hint?

 

 

Said the Network skeleton

Believe my lies

Said the Advertising skeleton

Don't get wise!

 

 

Said the Media skeleton

Believe you Me

Said the Couch-potato skeleton

What me worry?

 

 

Said the TV skeleton

Eat sound bites

Said the Newscast skeleton

That's all Goodnight

 

 

12-16/2/95

 

 

There's a Portuguese magazine, [up]arte in which I was a participant, that

was able, with their permission, to publish in 1996 some unpublished poems

by Ginsberg (among them Ballad of the Skeletons), and Ferlinghetti, as well

as a small anthology from Ginsberg

 

Daniel

 

----------

> De: Rinaldo Rasa <rinaldo@GPNET.IT>

> Para:

> Assunto: help: the lion for real

> Data: Terça-feira, 28 de Outubro de 1997 19:14

>

> friends,

> by the Campo Santa Margherita, in a shop window

> Allen Ginsberg looks at me, i brought the lion

> for real, worth buying, in the tracks there's

> as a plus for the CD italian edition "the ballad of

> skeletons" and "amazing grace" but there's isn't

> the lirycs, help!, i appreciate if one can post it,

> un mucchio di grazie in anticipo da

> Rinaldo.

>

 

To: pelliott@SUNFLOWER.COM

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: david o and scattered  scraps

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Date:         Wed, 29 Oct 1997 20:06:00 -0600

>From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

>Subject:      david o and scattered  scraps

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>david ohle

>     QUIET, WHATS THAT NOISE

>     ringmaster, orphan, thinking, thinking

>twisting, turning over rocks.

>        solid honor, clever charm

> 

>he can take a small point,

>by twisting and turning it,

>show a large amount of light.

> 

>he honors love, small warm things

>fill him with a wonder that he of

>course hides, what does he care.

> 

> 

 

Patricia, i like yr poem written about, in honour (tribute)

to friends, at the moment David Ohle, i'm askin'you the permission

to include the "david o" poem in the ''new north american poetry''

section of the beat supernova, i've snipped yr original post to beat-L,

if i've cut wrong the post please letme know & cari saluti da Rinaldo.

Return-Path: <dcaridade@geocities.com>

Reply-To: <dcaridade@geocities.com>

From: "dcaridade" <dcaridade@geocities.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Re: Ballad of the Skeletons

Date: Thu, 30 Oct 1997 11:51:55 -0000

X-MSMail-Priority: Normal

X-MIME-Autoconverted: from 8bit to quoted-printable by geocities.com id DAA02455

 

Rinaldo,

in the same magazine ([up]arte) I told you about another poem published was

New Stanzas for Amazing Grace, I'm sending you private mail because I don't

know if there are any legal restrictions concerning its public

distribution, when I left the magazine there a few internal feuds about it,

and I don't know if the poems were published anywhere else since then...

 

Well, hope you enjoy the poem/song...

 

 

New Stanzas for Amazing Grace

 

 

I dreamed I dwelled in a homeless place

Where I was lost alone

Folk looked right through me into space

And passed with eyes of stone

 

 

O homeless hand on many a street

Accept this change from me

A friendly smile or word is sweet

As fearless charity

 

 

Woe workingman who hears the cry

And cannot spare a dime

Nor look into a homeless eye

Afraid to give the time

 

 

So rich or poor no gold to talk

A smile on your face

The homeless ones where you may walk

Receive amazing grace

 

 

I dreamed I dwelled in a homeless place

Where I was lost alone

Folk looked right through me into space

And passed with eyes of stone

 

2/4/94

 

composed at the request of Ed Sanders for his production of The New Amazing

Grace performed November 20 at the Poetry Project

in St. Mark's Church in the Bouwerie

 

See you later,

daniel

----------

> De: Rinaldo Rasa <rinaldo@GPNET.IT>

> Para:

> Assunto: thanks for Re: Ballad of the Skeletons

> Data: Quarta-feira, 29 de Outubro de 1997 16:57

>

> many thanks to the friends who gave me info 'bout

> the tracks #18 and #19 of The Lion For Real, the

> sound of Ginserg's voice/word and the music in back have

> a great feeling...

>

 

Return-Path: <pelliott@sunflower.com>

Date: Thu, 30 Oct 1997 07:38:46 -0600

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: david o and scattered  scraps

 

Sure Rinaldo, it is an honor. The poem is correct.

patricia

Rinaldo Rasa wrote:

>

> >Date:         Wed, 29 Oct 1997 20:06:00 -0600

> >From:         Patricia Elliott <pelliott@SUNFLOWER.COM>

> >Subject:      david o and scattered  scraps

> >To:           BEAT-L@CUNYVM.CUNY.EDU

> >

> >david ohle

> >     QUIET, WHATS THAT NOISE

> >     ringmaster, orphan, thinking, thinking

> >twisting, turning over rocks.

> >        solid honor, clever charm

> >

> >he can take a small point,

> >by twisting and turning it,

> >show a large amount of light.

> >

> >he honors love, small warm things

> >fill him with a wonder that he of

> >course hides, what does he care.

> >

> >

>

> Patricia, i like yr poem written about, in honour (tribute)

> to friends, at the moment David Ohle, i'm askin'you the permission

> to include the "david o" poem in the ''new north american poetry''

> section of the beat supernova, i've snipped yr original post to beat-L,

> if i've cut wrong the post please letme know & cari saluti da Rinaldo.

 

Return-Path: <bocelts@scsn.net>

Date: Fri, 31 Oct 1997 17:44:09 -0500

From: bocelts@scsn.net (R. Bentz Kirby)

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: exchanging pic of mine

 

Thanks for the picture.  If you want to see a black and white of me, you can catch it off the Hendrix page at my web page

below.  It is from the San Francisco Hey Joe meet.  I will try to find the rogue's gallery picture site too.

 

Rinaldo Rasa wrote:

 

> hello friends,

> letme know if i'm wrong but alot of friends exchanges

> each other the photos, so i do it, sending to you this little

> italian quadretto: myself (r, rinaldo) & (l, my litle niece silvia),

> cari saluti a tutti saluti da

> rinaldo.

> 

>                                                   ------------------------------------------------------------------------

> 

>                      Name: rinaldo.jpg

>    rinaldo.jpg       Type: Vuepro32 File (image/jpeg)

>                  Encoding: base64

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

 

To: bocelts@scsn.net (R. Bentz Kirby)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: exchanging pic of mine

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345A5F39.F3F6B7A4@scsn.net>

References: <3.0.1.32.19971031232013.0100f08c@pop.gpnet.it>

 

>Thanks for the picture.  If you want to see a black and white of me, you can catch it off the Hendrix page at my web page

>below.  It is from the San Francisco Hey Joe meet.  I will try to find the rogue's gallery picture site too.

Bentz i've now yr photo in my hard disk archive it's fine to see

friends who drive each other letters & images, sure! thanx your Rinaldo.Return-Path: <pelliott@sunflower.com>

Date: Fri, 31 Oct 1997 17:10:54 -0600

From: Patricia Elliott <pelliott@sunflower.com>

To: rinaldo@GPNET.IT

Subject: thanks

 

Thank you I enjoyed the picture very much. I was silly, thought of you

much older from the other pic on your site. Is that your bambino?

  On another subject, I notice that one of your site contributer is

Richard Kershenbaum , from Lawrence, Do you know him? Do you recall the

connection.

 

caio.

patricia

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345A657E.FF3@sunflower.com>

References:

 

At 17.10 31/10/97 -0600, Patricia wrote:

>Thank you I enjoyed the picture very much. I was silly, thought of you

>much older from the other pic on your site. Is that your bambino?

>  On another subject, I notice that one of your site contributer is

>Richard Kershenbaum , from Lawrence, Do you know him? Do you recall the

>connection.

> 

>caio.

>patricia

> 

Patricia, the bambina in the pic is my nuace (she is my dead brother's

Danilo daughter, she is niece to me).

Richard Kershenbaum emailed me but don't have further news.

The photo i put on the supernova is a resemblance to myself not myself.

 

I've posted on the beat-L my own photo because of fraternity.

 

At 02.45 31/10/97 -0600, patricia wrote:

> subject:Re: petite beat, lena,

>Attachment Converted: "c:\pbox\rinaldo\attach\Pa1lenaoveralls.jpg"

> 

excuse me but it's the above mentioned pic of you? again thanks.

 

Have a good saturday, Rinaldo.

 

Return-Path: <pelliott@sunflower.com>

Date: Sat, 01 Nov 1997 01:01:48 -0600

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: thanks

 

patricia wrote:

> > subject:Re: petite beat, lena,

> >Attachment Converted: "c:\pbox\rinaldo\attach\Pa1lenaoveralls.jpg"

> >

> excuse me but it's the above mentioned pic of you? again thanks.

>

> Have a good saturday, Rinaldo.

 

the picture is of my daughter. Her name is Helena, she is 11 years old

i posted on my gallery site a picture of william holding lena, me beside

him on his porch in Lawrence. She is a fine child. Knew william, met

Allen, busy for a little girl.

patricia.

http://www.sunflower.com/~pelliott/pictures.html

 

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a technical question

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.971013164522.19243K-100000@devel.nacs.net>

References: <3.0.1.32.19971012221222.0072a794@pop.gpnet.it>

 

Michael, excuse me but when u have a bit of time please

tell why i can obtain a string of spaces in html

text coding. the problem occurs when i must to

put spaces at the left margin of the text. in such

a case the spaces i've put are  deleted when i do

a test with the browser i.e.

 

(1)i saw...

             (2)i saw the...

 

the example #2 don't works in html, only in a text

written in email program it works.

 

there's some extra-character code to obtain the space?

 

thanks for any suggestions,

Rinaldo.

To: country@SOVER.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re:photos of friends never yet seen

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Sat, 1 Nov 1997 07:16:00 +0000

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Marie Countryman <country@SOVER.NET>

>Subject:      photos of friends never yet seen

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>thank you rinaldo!

>thank you patricia!

>images came out loud and clear and dear.

>marie

> 

marie, of course good saturday, i've posted the photo

for fraternity with the far friends and it's nice to see

and read, i think, ciao e tantissimi auguri!!! da rinaldo.To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanks for the pics Re: thanks

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345AD3DC.782C@sunflower.com>

References: <3.0.1.32.19971101075437.00cb4a64@pop.gpnet.it>

 

At 01.01 01/11/97 -0600, patricia wrote:

>patricia wrote:

>> > subject:Re: petite beat, lena,

>> >Attachment Converted: "c:\pbox\rinaldo\attach\Pa1lenaoveralls.jpg"

>> >

>> excuse me but it's the above mentioned pic of you? again thanks.

>>

>> Have a good saturday, Rinaldo.

> 

>the picture is of my daughter. Her name is Helena, she is 11 years old

>i posted on my gallery site a picture of william holding lena, me beside

>him on his porch in Lawrence. She is a fine child. Knew william, met

>Allen, busy for a little girl.

>patricia.

>http://www.sunflower.com/~pelliott/pictures.html

> 

patricia, i've seen yr picture theey are so fine

i love the pic "william and the grear cat fletch"

ciao, rinaldo.Return-Path: <stutz@dsl.org>

Date: Sat, 1 Nov 1997 18:16:56 -0500 (EST)

From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: a technical question

X-MS-URL: http://dsl.org/m/

 

Rinaldo--

 

> Michael, excuse me but when u have a bit of time please

> tell why i can obtain a string of spaces in html

> text coding.

 

If you put this in your text:

 

&nbsp;

 

it will put a blank space in it. for instance:

 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;i saw the...

 

will print this:

 

     i saw the...

    

alternately, you can use <p align=right> or <p align=center> at the

beginning of a paragraph that you want aligned differently.

 

salutti a tutti, (did I spell that right?)

 

m

 

email stutz@dsl.org  Copyright (c) 1997 Michael Stutz; this information is

<http://dsl.org/m/>  free and may be reproduced under GNU GPL, and as long

                     as this sentence remains; it comes with absolutely NO

              WARRANTY; for details see <http://dsl.org/copyleft/>.

 

 

To: Michael Stutz <stutz@dsl.org>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: a technical question

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.971101181443.17507C-100000@devel.nacs.net>

References: <3.0.1.32.19971101125924.006a5d10@pop.gpnet.it>

 

michael says:

>If you put this in your text:

> 

>&nbsp;

> 

>it will put a blank space in it. for instance:

> 

>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;i saw the...

> 

>will print this:

> 

>     i saw the...

thanks alot michael it's works fine, tanti saluti, rinaldo.

Return-Path: <bkirchho@s-cwis.unomaha.edu>

Date: Sat, 8 Nov 1997 12:30:56 -0600 (CST)

From: "Brian M. Kirchhoff" <bkirchho@s-cwis.unomaha.edu>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: More of the Dharma

 

hi rinaldo.

 

thanks for the insights into the connection between the end of OTR and

heaven.

 

i would question the "father we never found" as being god, however.  i

always interpreted that as neal's (dean's) father who they searched for in

denver and never found.  dean was obsessed with finding his lost father

and this became symbolic of his own uncertain past. i think the father we

never found line relates to dean's inablility to come to terms with his

past.

 

just a humble observation.

 

hope all is well in italy.

 

Brian M. Kirchhoff----Omaha, NE

"Someone must have been telling lies about Joeseph K., for without having

done anything wrong he was arrested one fine morning." -Kafka, The Trial

 

 

Return-Path: <letabor@cruzio.com>

Reply-To: Leon Tabory <letabor@cruzio.com>

From: Leon Tabory <letabor@cruzio.com>

To: rinaldo@GPNET.IT

MMDF-Warning:  Parse error in original version of preceding line at mail.cruzio.com

Subject: Re:      people of autumn (apocalypsis)

Date: Mon, 10 Nov 1997 11:02:23 -0800

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

 

 

Rinaldo? Wha happened? Miss you. I hope everything is O.K. Best wishes

leon

 

 

Return-Path: <mapaul@pipeline.com>

X-Sender: mapaul@pop.pipeline.com

Date: Tue, 11 Nov 1997 10:02:01 -0500

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: "Paul A. Maher Jr." <mapaul@pipeline.com>

Subject: Re: "On the Road" ("Sulla strada") Cover italian poket edition

   1967.

 

Hi Rinaldo - your cover you sent me is now posted. It can be found at:

 

  http://www.freeyellow.com/members/upstartcrow/KerouacQuarterly.html

 

 

                     Thanks! Paul of TKQ...

"We cannot well do without our sins; they are the highway to our virtues."

                                           Henry David Thoreau

                                     

                                          

 

 

Return-Path: <babu@electriciti.com>

X-Sender: babu@pop.electriciti.com (Unverified)

Date: Tue, 11 Nov 1997 22:27:59 -0700

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: pussy (babu)

Cc: ajensen@telecom.ucla.edu, agit8@hotmail.com, bstoffma@lausd.k12.ca.us,

        ChrisHein@aol.com, CVEditions@aol.com, Dfroley@aol.com,

        EugeneAhn@mwp-online.com, fmadre@hol.fr, Raminocs@aol.com,

        jill@jillbell.com, 6500ljn@ucsbuxa.ucsb.edu, ddmoses@earthlink.net,

        GoRimbaud@aol.com, piers@humnet.ucla.edu,

        Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>,

        googie@wam.umd.edu, tpreece@pacbell.net

 

Where have I been?  Ask myself that question sometimes.  As if by looking

at the back of my palm, by greasing up the ol' memory banks, some secret

will crack.  Fucking crack and pour solution over all my well made

non-plans.  Non-plans.  Pussy plans.  No, not even that good.

 

Being controversial.  Can't do it.  Nope, can't do it, not anymore.  Pussy.

It's all that really matters anymore.  I guess I'm joking.  Kinda joking.

Not really.  It's not about being single so fucking long.  nope.   Not

about having one unfullfilling job after another.  Not about having second

rate dick, not about having a hemhoraging intelligence.  Just pussy.

 

that golden moment of being in pussy.  breathing, of being pussy.  The word

is almost ubiquitous these days.  Go into your corner drug store and pick

up some pussy.  Oh, and ten dollars on number 5 please.  Oh, and a coke.

Oh, I'm sorry, can I get a copy of the Los Angeles Times too?  Gotta read

the sports section.  Pussies, all pussies.

 

http://www.electriciti.com/babu/images/Pussy.html

 

xo, Douglas

 

 

 

Return-Path: <RaminOcs@aol.com>

Date: Wed, 12 Nov 1997 08:34:48 -0500 (EST)

From: RaminOcs@aol.com

To: babu@electriciti.com, dkpenn@oees.com

cc: ajensen@telecom.ucla.edu, agit8@hotmail.com, bstoffma@lausd.k12.ca.us,

        ChrisHein@aol.com, CVEditions@aol.com, Dfroley@aol.com,

        EugeneAhn@mwp-online.com, fmadre@hol.fr, RaminOcs@aol.com,

        jill@jillbell.com, 6500ljn@ucsbuxa.ucsb.edu, ddmoses@earthlink.net,

        GoRimbaud@aol.com, piers@humnet.ucla.edu, rinaldo@gpnet.it,

        love_singing@msn.com, googie@wam.umd.edu, tpreece@pacbell.net

Subject: Re:  pussy (babu)

 

Doug,

 

I hope that what you were talking about were your cats!  If not you're going

to piss off all your girl friends with shit like that.

 

Try your left hand for awhile.

 

John B.

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: yr ''david o'' poem on the web

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345AD3DC.782C@sunflower.com>

References: <3.0.1.32.19971101075437.00cb4a64@pop.gpnet.it>

 

patricia, i've updated the "new american poetry" and i renamed it

"Crazy Bull Cafe'". i added yr poem ''david o''. i hope that's

allright... ciao da rinaldo.

http://wwww.gpnet.it/rasa/beats.htm

http://wwww.gpnet.it/rasa/nampoets.htm

Return-Path: <pelliott@sunflower.com>

Date: Wed, 12 Nov 1997 18:35:53 -0600

From: Patricia Elliott <pelliott@sunflower.com>

To: Rinaldo Rasa <rinaldo@gpnet.it>

CC: pelliott@sunflower.com

Subject: Re: yr ''david o'' poem on the web

 

Rinaldo Rasa wrote:

>

> patricia, i've updated the "new american poetry" and i renamed it

> "Crazy Bull Cafe'". i added yr poem ''david o''. i hope that's

> allright... ciao da rinaldo.

> http://wwww.gpnet.it/rasa/beats.htm

> http://wwww.gpnet.it/rasa/nampoets.htm

 

 

Wonderful, I called david ohle and told him about your wonderful site.

you do me honor, but i admit to liking the poem.  I had a bit of trouble

connecting with the url you sent, but went to my bookmarks and traveled

right to you.

http://www.gpnet.it/rasa/nampoets.htm

 

Return-Path: <jill@jillbell.com>

X-Sender: i366732@mail.thegrid.net

Date: Thu, 13 Nov 1997 12:03:47 -0800

To: runner <babu@electriciti.com>

From: jill@jillbell.com (Jill Bell)

Subject: Re: pussy (babu)

Cc: ajensen@telecom.ucla.edu, agit8@hotmail.com, bstoffma@lausd.k12.ca.us,

        ChrisHein@aol.com, CVEditions@aol.com, Dfroley@aol.com,

        EugeneAhn@mwp-online.com, fmadre@hol.fr, Raminocs@aol.com,

        jill@jillbell.com, 6500ljn@ucsbuxa.ucsb.edu, ddmoses@earthlink.net,

        GoRimbaud@aol.com, piers@humnet.ucla.edu,

        Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>,

        googie@wam.umd.edu, tpreece@pacbell.net

 

At least you're honest (and obviously horny).

 

----------------------------------------------------

I want to lie shipwrecked and comatose,

Drinking fresh mango juice,

Goldfish shoals nibblin' at my toes,

Fun, fun, fun in the sun, sun, sun,

Fun, fun, fun in the sun, sun, sun.

                                                             (Red Dwarf

theme song)

----------------------------------------------------

 

WHAT'S NEW?

My halloween greeting that isn't back from the printer yet......

(updated 10/31/97)

http://www.art.net/Studios/Visual/Jillbell/new.html

 

  ---===<<<<<<<((((((([[[[[[[*]]]]]]])))))))>>>>>>>===---

 

 

 

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Thu, 13 Nov 1997 17:02:41 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Cecco Angiolieri an Ancient Beat.

Organization: Calgary Free-Net

 

 

Rinaldo--

   This isn't derek, by the way--it's his, uh, girlfriend, i guess.

being a barbarian, i don't speak/read italian; i am doing a paper on a

novel by Mary Shelley (who wasn't nearly as barbaric as i) which is set in

the period--could you possibly translate that poem for me?  it would be

wonderful of you.

 

Thanks!

Courtney

 

On Thu, 13 Nov 1997, Rinaldo Rasa wrote:

 

>

> cari amici,

> Cecco Angiolieri born in Siena (near Florence) in 1260,

> was an italian poet, he was involved in brawls and

> lawsuit for don't do the military service. He was a

> friend to Dante Alighieri.

> His feeling is't picaresque but a mix of spleen and joy,

> Lawrence Ferlighetti appreciates Angiolieri's poetry.

>

> Now i post a poem by Cecco Angiolieri dated at end of the 1200s'

>

> *       *       *       *       *       *       *       *       *       *

>         La mia malinconia               by Cecco Angiolieri

>

>         La mia malinconia e' tanta e tale,

>         ch'e' non discredo che, s'egli 'l sapesse

>         un che mi fosse nemico mortale,

>         che di me di pietade non piangesse

>

>         Quella, per cu' m'avven, poco ne cale;

>         che mi parebbe, sed ella volesse

>         guarir'n un punto di tutto tutto 'l mie male

>         sed ella pur: - I' t'odio - mi dicesse

>

>         Ma quest'e' la risposta c'ho da lei;

>         e ched'i vad'a far li fatti miei;

>         ch'ella non cura s'i' ho gi'oi' o pene

>         men ch'una paglia che le va tra' piei:

>         mal grado h'abbi Amor, ch'a le' mi diene.

>

> *       *       *       *       *       *       *       *       *       *

>

> un saluto a tutti,

> Rinaldo.

>

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the italian mary shelley

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.971113170116.46112C-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19971113231536.00b35cec@pop.gpnet.it>

 

At 17.02 13/11/97 -0700, Courtney says:

> 

>Rinaldo--

>  This isn't derek, by the way--it's his, uh, girlfriend, i guess.

>being a barbarian, i don't speak/read italian; i am doing a paper on a

>novel by Mary Shelley (who wasn't nearly as barbaric as i) which is set in

>the period--could you possibly translate that poem for me?  it would be

>wonderful of you.

> 

>Thanks!

>Courtney

 

Courtney,

 

i do everything for the friends, let me know further info,

un saluto a Derek,

 

Rinaldo.

Return-Path: <love_singing@classic.msn.com>

Date: Fri, 14 Nov 97 22:42:57 UT

From: "Sherri " <love_singing@classic.msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: RE: Cecco Angiolieri an Ancient Beat.

 

Caro Rinaldo,  come sta, mi amico?  grazie per la bella poesia, et cetera. 

you always come up with so many lovely things.  let's have some more of your

own beautiful poems, ok?

 

ciao, caro amico...   sherri

 

----------

From:    BEAT-L: Beat Generation List on behalf of Rinaldo Rasa

Sent:    Friday, November 14, 1997 10:45 AM

To:      BEAT-L@CUNYVM.CUNY.EDU

Subject:      Re: Cecco Angiolieri an Ancient Beat.

 

        After Dino Campana              by Lawrence Ferlinghetti

 

 

        'Song of Myself and Others'?

                                                O what a laugh that is

        When all I ever wanted

                was to voice an

                                        inchoate

                                                        elementary fury

                A spirit that frees itself

                                                        and flies

                                to the top of a tree to sing

                        in the ultimate

                                                red sunset

        O tree without birds

                                        standing mute!

 

*       *       *       *       *       *       *       *       *       *     

 *

 

cari amici,

 

Lawrence Ferlinghetti has celebrated the tuscan poetry

connected with beat poetry and it's right. Of course

there's another 2 line in italian poetry: it's the

sicily poetry and  venetian poetry. speaking of venetian

poetry (or lombard) it's more roughly and picaresque.

The tuscan poetry is more soft and better, so the root

of the italian language tuscan, sicilian and venetian,

it's better choice the tuscan language. Lawrence Ferlinghetti

wrote another poem to celebrate a tuscan poet such as

Dino Campana who was suffering during his life a heavy

mental illness and died in a mental hospital.

 

*       *       *       *       *       *       *       *       *       *     

 *

for those who like Federico Fellini's movies there's in

the movie titled "Amarcord" (1975) the mad uncle on the

top of the tree shouting "a woman! i want a woman!"

but on evening went the dwarf nun and the madman goes back

peacefully to the hospital, an unforgettable scene.

I dunno if Fellini was suggested by the above poem

"After Dino Campana" or vice versa.

 

un saluto a tutti, a good saturday to everybody,

Rinaldo.

 

*       *       *       *       *       *       *       *       *       *     

 *

At 07.45 14/11/97 -0600, Patricia Elliott wrote:

>rinaldo, wonderful poems, you make us open up. i do fear you have set a

>a poor example, for we are too provincial,  should you ask us for to

>please post our words in italian too.

>ciao

>patricia

>Rinaldo Rasa wrote:

>> 

>> At 18.03 13/11/97 -0600, David Rhaesa wrote:

>> >Eric Craig Sapp wrote:

>> >>

>> >> hi rinaldo,

>> >> could you maybe post an english translation of this poem.

>> >>

>> >> from,

>> >> Eric

>> >>

>> >> On Thu, 13 Nov 1997 23:15:36 +0100 Rinaldo Rasa

>> >> <rinaldo@GPNET.IT> wrote:

>> >>

>> >> > cari amici,

>> >> > Cecco Angiolieri born in Siena (near Florence) in 1260,

>> >> > was an italian poet, he was involved in brawls and

>> >> > lawsuit for don't do the military service. He was a

>> >> > friend to Dante Alighieri.

>> >> > His feeling is't picaresque but a mix of spleen and joy,

>> >> > Lawrence Ferlighetti appreciates Angiolieri's poetry.

>> >> >

>> >> > Now i post a poem by Cecco Angiolieri dated at end of the 1200s'

>> >> >

>> >> > *       *       *       *       *       *       *       *       *

    *

>> >> >         La mia malinconia               by Cecco Angiolieri

>> >> >

>> >> >         La mia malinconia e' tanta e tale,

>> >> >         ch'e' non discredo che, s'egli 'l sapesse

>> >> >         un che mi fosse nemico mortale,

>> >> >         che di me di pietade non piangesse

>> >> >

>> >> >         Quella, per cu' m'avven, poco ne cale;

>> >> >         che mi parebbe, sed ella volesse

>> >> >         guarir'n un punto di tutto tutto 'l mie male

>> >> >         sed ella pur: - I' t'odio - mi dicesse

>> >> >

>> >> >         Ma quest'e' la risposta c'ho da lei;

>> >> >         e ched'i vad'a far li fatti miei;

>> >> >         ch'ella non cura s'i' ho gi'oi' o pene

>> >> >         men ch'una paglia che le va tra' piei:

>> >> >         mal grado h'abbi Amor, ch'a le' mi diene.

>> >> >

>> >> > *       *       *       *       *       *       *       *       *

    *

>> >> >

>> >> > un saluto a tutti,

>> >> > Rinaldo.

>> >

>> >hi rinaldo,

>> >

>> >so good to see your name on my computer screen!!!!!!!!!!!!!!!!!!!!!!

>> >

>> >david rhaesa

>> >salina, Kansas

>> >

>> cari amici,

>> 

>> the Cecco Angiolieri poem is written in very ancient italian,

>> the time (XIII century) when i.e. the ego was "I" (note the italian

>> "I" use in the ancient italian sentence "I' t'odio"= "i hate you!",

>> then the use was dismissed, now of course the italian people is

>> less egocentric...).

>> 

>> the poem is in a bunch of poems written by Cecco Angiolieri, prolific

>> medieval writer .

>> 

>> well, for the poem "La mia malinconia" Cecco is in sad blue feeling,

>> his girlfriend parted from him. Cecco is hopeless...

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>>                         My melancholy           by Cecco Angiolieri

>> 

>>                         my melancholy is deep

>>                         that even a my worse enemy

>>                         would have pity for me

>> 

>>                         but the woman

>>                         she doesn't care about my melancholy

>>                         she doesn't tell to me not even I hate!

>>                         If she tells me "I hate you"

>>                         it would cure my melancholy

>> 

>>                         but the woman

>>                         she tell me go away!

>>                         she doesn't care about my melancholy

>>                         she tramples on my sorrow like grass

>>                         under her feet.

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> 

>> i think it's wonderful to post the original poem by Cecco (the

>> poem that Lawrence Ferlinghetti mimes in ''Alla maniera di

>> Cecco Angiolieri'')

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> 

>>                 S'i' fosse foco         by Cecco Angiolieri

>> 

>>                 S'i' fosse foco arderei 'l mondo;

>>                 s'i' fosse vento, lo tempesterei;

>>                 s'i' fossi acqua i' l'annegherei;

>> 4               s'i' fosse Dio mandereil'en profondo;

>> 

>>                 s'i' fosse papa, sare' allor giocondo,

>>                 che' tutti cristiani imbrigherei;

>>                 s'i' fosse 'mperator, sa' che farei?

>> 8               A tutti mozzarei lo capo a tondo.

>> 

>>                 S'i' fosse morte anderei da mio padre;

>>                 s'i' fossi vita, fuggirei da lui:

>> 11              similmente far'ia da mi' madre.

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> translation of the above poem

>> by courtesy of Federica "Kikka" Ferrieri

>> 

>> Cecco Angiolieri                IF I WERE FIRE

>> ----------------        --------------

>> 

>> IF I WERE FIRE, I WOULD BURN THE WORLD;

>> IF I WERE WIND, IWOULD STORM IT;

>> IF I WERE WATER, I WOULD DROWN IT;

>> IF I WERE GOD, I WOULD SEND IT INTO DEPTH;

>> 

>> IF I WERE THE POPE, I WOULD THEN BE HAPPY,

>> BECAUSE I WOULD TROUBLE ALL CHRISTIAN PEOPLE;

>> IF I WERE THE EMPEROR, DO YOU KNOW WHAT I WOULD DO?

>> I WOULD COMPLETELY DECAPITATE EVERYONE

>> 

>> IF I WERE DEATH, I WOULD GO TO MY FATHER;

>> IF I WERE LIFE, I WOULD ESCAPE FROM HIM:

>> IN THE SAME WAY I WOULD BEHAVE WITH MY MOTHER.

>> 

>> IF I WERE CECCO, AS I AM AND HAS BEEN,

>> I WOULD CHOSE YOUNG AND BEAUTIFUL WOMEN:

>> AND LEAVE THE OLD AND UGLY ONES FRO SOMEONE OTHER.

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> 

>> un caro saluto a tutti,

>> Rinaldo e "Kikka".

> 

> 

 

 

 

 

To: jenunderground@geocities.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: subscribe underground tunnel

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Return-Path: <stratis@odyssee.net>

Date: Mon, 17 Nov 1997 21:31:02 +0100 (MET)

X-Sender: stratis@pop.microtec.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: stratis@odyssee.net (Antoine Maloney)

Subject: Fondamenta delle Zattere

 

Thank you Rinaldo for the Laughlin poem. My wife Lizzie has always been a

big fan of his both for his writing and his publishing...it went along with

her devotion to Exra Pound. She had a chance to meet Laughlin, Pound's

mistress(consort?) and daughter AND Allen Ginsberg in 1986 at a Paeduma

(Pound literature) conference in Maine U.S.A. She was charmed by Laughlin

and impressed with his genius.

 

        The address above referes to where Lizzie and I stayed during our

four days in Vanice in September '74. We went because of the interest

engendered by Pound and by John Ruskin. The inn/hotel we stayed in was just

west of Fondamenta Bragadin.    I notice in the guide map that has the map

I'm looking at that there are inns at 779 and 780 Zattere...may have been

one of them - the further east of the two.

 

        When I woke up our first morning there I saw that on the wall below

adjacent ot our room was a plaque announcing that Ruskin had livved at this

hotel.

 

        Thanks anyway for posting directions to the map of Venice. It

brought back some very nice memories.

 

        Antoine

 Voice contact at  (514) 933-4956 in Montreal

 

    "Blessed are they who can laugh at themselves, for they shall never

cease to be amused."

 

 

Return-Path: <caridade@mail.telepac.pt>

Date: Wed, 19 Nov 1997 12:09:46 +0000

From: caridade <caridade@mail.telepac.pt>

Reply-To: caridade@mail.telepac.pt

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: boxer

 

Ciao Rinaldo,

 

Having read your poem/reply to Marie, whih I enjoyed very much, I like

to direct you to the few writings of Arthur Cravan, I think you'll

really get a kick out of them...

(that is, If you haven't already read him yet).

He prefer being a boxer rather to a painter or a writer (which he did

beautifully, and with a great sense of humour)...

 

saluti,

daniel

 

 

 

To: caridade@mail.telepac.pt

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: boxer

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3472D70A.23BE@mail.telepac.pt>

References:

 

daniel scrive:

>Ciao Rinaldo,

> 

>Having read your poem/reply to Marie, whih I enjoyed very much, I like

>to direct you to the few writings of Arthur Cravan, I think you'll

>really get a kick out of them...

>(that is, If you haven't already read him yet).

>He prefer being a boxer rather to a painter or a writer (which he did

>beautifully, and with a great sense of humour)...

> 

>saluti,

>daniel

> 

> 

daniel,

i like a to have the writings above

you mentioned, it seems beautiful,

un caro saluto da

rinaldo.

To: MagenDror@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Rinaldo Rasa is living in Venice, Italy.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

luther please change the bio i'm living in Venice.

thanx for the link! rinaldo.Return-Path: <cfthomps@cadvision.com>

X-Sender: cfthomps@cadvision.com

Date: Mon, 24 Nov 1997 11:19:05 -0700

To: rinaldo@gpnet.it

From: Courtney Frances Thompson <cfthomps@cadvision.com>

Subject: Shelley Research (again/still)

 

Rinaldo:

        I don't know if this was once sent--my computer is a little

unpredictable at times.  I don't know if you remember, but I am derek's

girlfriend and am doing some research on Mary Shelley.  I was wondering

whether or not you would be willing to translate the following for me (from

Shelley's novel _Valperga_).  If it's too much trouble, don't worry about

it--perhaps I should stop being such a barbarian and learn to do this on my

own.  Thanks a lot.

 

 

Quel, ch'ella par quando un poco sorride,

Non si puo dicer, ne tenere a mente;

Si `e nuovo miracolo, e gentile.

- Dante, La Vita Nuova

 

"E Bellissimo," replied her guide, "ma figurateci, Madonna, se `e tanto

bello sul rovescio, cosa mai sara` al dritto."

 

Egli e' come dio viole.

 

E' si sara quel che dio vorra'.

 

Io morro`, e vedret il mondo per varie turbolenze confondersi, e rivoltarsi

ogni cosa.

 

[The accents got kinda screwed up in the transfer, as might the spelling

itself--if it doesn't make sense, let me know and I will try again]

 

Thanks a lot

Courtney

 

 

To: Courtney Frances Thompson <cfthomps@cadvision.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Shelley Research (again/still)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.32.19971124181905.0066abac@cadvision.com>

References:

 

Courtney Frances Thompson says:

>Rinaldo:

>        I don't know if this was once sent--my computer is a little

>unpredictable at times.  I don't know if you remember, but I am derek's

>girlfriend and am doing some research on Mary Shelley.  I was wondering

>whether or not you would be willing to translate the following for me (from

>Shelley's novel _Valperga_).  If it's too much trouble, don't worry about

>it--perhaps I should stop being such a barbarian and learn to do this on my

>own.  Thanks a lot.

> 

> 

>Quel, ch'ella par quando un poco sorride,

         when she's smiling

>Non si puo dicer, ne tenere a mente;

         there's no words

>Si `e nuovo miracolo, e gentile.

         it's a miracle.

>- Dante, La Vita Nuova

> 

>"E Bellissimo," replied her guide, "ma figurateci, Madonna, se `e tanto

>bello sul rovescio, cosa mai sara` al dritto."

> 

   It is wonderful, "replied her guide",

   but Madonna, if it's so beautiful

   reverse image what's in front of you!

 

>Egli e' come dio viole.

 

   He is such as God wants

> 

>E' si sara quel che dio vorra'.

 

   and it will be what God want.

> 

>Io morro`, e vedret il mondo per varie turbolenze confondersi, e rivoltarsi

>ogni cosa.

> 

   I will die, the world will finish in the turbulences,

   and everything turn over.

 

>[The accents got kinda screwed up in the transfer, as might the spelling

>itself--if it doesn't make sense, let me know and I will try again]

> 

>Thanks a lot

>Courtney

> 

 

Courtney,

in this sentence Mary Shelley tell us that hell or heaven

are the same thing, they are both beautiful .

 

p.s.

in an article of the newspaper "la Repubblica":

 

Ritrovato in Toscana un inedito dell'autrice di "Frankenstein"

 

   Mary shelley

   una favola in soffitta

   di Susanna Nirenstein

 

Sembra un racconto vittoriano. Dagli scaffali polverosi

di una villa toscana, dimenticato in una vecchia scatola

di legno, legato con un nastro e ricoperto con un cartoncino

gia' usato per seccare delle piccole foglie, improvvisamente

e' saltato fuori un manoscritto di Mary Shelley, una storia

per bambini scritta dalla ribelle, sregolata, romantica

autrice di Frankenstein, il romanzo - ormai quasi una leggenda-

uscito nel 1818. E questo proprio nel bicentenario della

nascita di Mary.

 

Quando Cristina e Andrea Dazzi hanno trovato in soffitta il

libretto che aveva sulla prima pagina un titolo scritto a

mano "Maurice, or the Fisher's Cot" e una dedica

"A Laurette dalla sua amica Mrs Shelley", hanno capito che

la scoperta poteva essere una cosa seria, soprattutto perche'

Andrea discende da una nobile famiglia Cini che aveva

frequentato Mary e il suo Percy Bysshe Shelley negli agitati

anni del loro soggiorno italiano. Dopo alcune ricerche, hanno

capito che la cosa piu' saggia era telefonare a Londra, a

Claire Tomalin, a sua voltaautruce di numerosi saggi sugli Shelley

e sulla madre di Mary- quella sorta di mito protofemminista

di Mary Wollstonecraft- e curatrice, quest'anno, della grande

mostra sulle due donne prevista alla National Portrait Gallery

il 28 novembre.

 

Tomalin ha drizzato le orecchie. Di quella novella si aveva

traccia nel diario italiano di Mary, alla data del 20 agosto 1820,

dove parlava di una storia per Laurette, la figlia di 11 anni

di Lady Mountcashell, grande amica della coppia Shelley. Nel

diario, un anno piu' tardi, avrebbe scritto anche di aver mandato

il raccontino intitolato "Maurice" a suo padre William Godwin,

direttore di una casa editrice per bambini, ma il severo godwin

aveva giudicato la novella troppo breve.

 

Tomalin e' volata in Toscana, ha preso tra le mani il manoscritto,

ha allontanato i padroni di casa che tentavano di offrirle un

caffe' per paura che si potessero macchiare le preziose carte,

e le ha attribuite senza ombra di dubbio alla nostra autrice.

Come poi ha fatto anche Catherine Payling, la curatrice del

Museo Keats-Shelley di Roma.

 

Una storia a lieto fine dunque. E la novella? Le 39 pagine del

manoscritto raccontano la vicenda melanconica di un bambino

rapito a suo padre, matematico ad Oxford e architetto di successo.

Henry, il piccolo protagonista (sul cui nome poi la Shelley

evidentemente aveva avuto dei presentimenti) fugge ai kidnapper che

lo maltrattano e si rifugia nella capanna di un buon pescatore.

Il padre, distrutto, vaga per il paese cercando un ''bellissimo

bambino, con la voce piu' dolce del mondo'', e lo ritrova solo-

a ricordarci il gusto gotico del tempo- al funerale di un altro

povero marinaio. Inutili le belle scuole di Eton offerte a

Henry-Maurice, inutili le ricchezze, il ragazzo andra' a ricercare

semplicita' e amore dal suo pescatore, con cui pero' non peschera'

piu' ''perche' non gli piaceva far soffrire o distruggere gli animali''.

 

Una fiaba triste: com'e' triste Mary, depressa e oppressa da tutto

cio' che riguarda il rapporto tra nascite e morti, tra genitori,

figli e destino, una infelicita' sottolineata piu' volte dai suoi

critici a proposito di Frankenstein. E nell'anno in cui scrive

"Maurice" questo e' ancora piu' vero: se era fuggita con il poeta

Percy Bysshe Shelley a 16 anni tutta sogni e amore, la ritroviamo

disperata nel 1820, a 22 anni, mentre ha perso ben tre dei quattro

bambini avuti da Percy. Forse inventare una fuaba piu' allegra

non le sarebbe stato davvero possibile.

 

***

un saluto a te e derek,

 

Rinaldo.

Return-Path: <jen@enternet.co.nz>

X-Sender: jen@enternet.co.nz

Date: Wed, 26 Nov 1997 15:41:22 +1300

To: "The Underground Tunnel":;

From: Jen <jen@enternet.co.nz>

Subject: I Finally Did It!

 

Thanks for your patience, folks.  The Underground Tunnel has finally been

updated!

 

Yipppeee!

 

Hoorah!!!!

 

Three Cheers for me!!!!

 

from a Smiling Jen

 

 

 

________________________________________________

To err is human - To purr is feline.

 

Jen's Underground

http://www.enternet.co.nz/client/personal/jen

________________________________________________

 

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Wed, 26 Nov 1997 15:27:22 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: saluti rinaldo

Organization: Calgary Free-Net

 

 

r

wanted to thank you for yr help w/ shelley, etc. you have been a big help.

& i was wondering if you had anything to add here...

 

once again

   our illustrious premier has decided

that the oil fields and the dollar

is

   much

         more

important than

   reduction of fossil fuel emmisions

 

change        in his pockets

rather

than

change        for the better

 

 

Return-Path: <love_singing@email.msn.com>

From: "sherri" <love_singing@email.msn.com>

To: "Coart Johnson" <scoartj@msn.com>,

   "Tom Gummo" <TGUMMO@msn.com>,

   "tim/reba" <the_saluki_experience@msn.com>,

   <THEBODYIS1@aol.com>,

   "the little people" <MarmaladeSkies@msn.com>,

   "Stuart Crosby" <BRAVES10@msn.com>,

   "Stephen Baldwin" <sabaldwin@msn.com>,

   "Stef" <Ad_Libitum@msn.com>,

   "Silver Surfer" <mad-chatter@msn.com>,

   "Sharon" <SopAndBass@msn.com>,

   "S. Coart Johnson" <scoart@mindspring.com>,

   "Robert Lear" <king_lear1@msn.com>,

   "Robert Eback" <rleback@msn.com>,

   "Rinaldo Rasa" <rinaldo@GPNET.IT>,

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   "Life is a sick joke and I'm the punchline" <The_Boogey_Man@msn.com>,

   "Leon Tabory" <letabor@CRUZIO.COM>,

   "Kevin Mathers" <KEVMATH@msn.com>,

   "Kent" <NoixDeGolf@msn.com>,

   "Kel Rayner" <Manatbar@msn.com>,

   "Kash Philips" <philkash@msn.com>,

   "Joe Locey" <JoePlaceb0@aol.com>,

   "jo grant" <jgrant@BOOKZEN.COM>,

   "Jim B" <PBRUEGEL@msn.com>,

   "Jason Tinling" <JTinlng@msn.com>,

   "James Stauffer" <stauffer@pacbell.net>,

   "James Sims" <SimbaJim@msn.com>,

   "Homebrook" <Homebrook@msn.com>,

   "HJW II" <ArchibaldLeach@msn.com>,

   "Gary Mex Glazner" <PoetMex@AOL.COM>,

   "e.e. cummings" <What-is_death@msn.com>,

   "Drew Eskenazi" <drewesk@msn.com>,

   "Doug Penn" <dkpenn@oees.com>,

   "Donald B. Green" <nycdbg@bellatlantic.net>,

   "Diane De Rooy" <Ddrooy@AOL.COM>,

   "Diane Carter" <dcarter@together.net>,

   "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>,

   "db" <Dee-Bee@msn.com>,

   "david simoni" <oak123@msn.com>,

   <CVEditions@aol.com>,

   "cj" <sjohn111@aol.com>,

   "caridade" <caridade@MAIL.TELEPAC.PT>,

   "Cari Who ELSE????" <CittiGirl@msn.com>,

   "Blair" <Reepoo@msn.com>,

   "Bill Gargan" <WXGBC@CUNYVM.BITNET>,

   <beach@qconline.com>,

   "Ask and I might tell you" <Peaceful-Warrior2@msn.com>,

   "Arthur Nusbaum" <SSASN@AOL.COM>,

   "Antoine Maloney" <stratis@ODYSSEE.NET>,

   "anniepoo" <annh@ccrtc.com>

Subject: Happy Thanksgiving

Date: Thu, 27 Nov 1997 07:28:57 -0800

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<DIV><FONT color=#800080 face=LoosieScript size=5>Just wanted to wish all of you

a happy holiday.&nbsp; To those of you outside of the US, the same wishes, (even

though you do not celebrate this day) since the original notion was to be

thankful for all that we have and for those who have helped us get through some

very rough times.&nbsp; May the spirit of compassion and love for the Earth and

all her dwellers grow beyond all our borders.</FONT></DIV>

<DIV><FONT color=#800080 face=LoosieScript size=5></FONT>&nbsp;&nbsp;</DIV>

<DIV><FONT color=#800080 face=LoosieScript size=5>love &amp; roses,

sherri</FONT></DIV></BODY></HTML>

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Attachment Converted: "c:\pbox\rinaldo\attach\Happy Thanksgiving.gif"

To: "sherri" <love_singing@email.msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Happy Thanksgiving

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01bcfb49$2d6af560$88e92399@default>

References:

 

At 07.28 27/11/97 -0800, sherri wrote:

>       May the spirit of compassion and love for the Earth and  all her

>dwellers grow beyond all our borders.    & roses,  sherri  Attachment

>Converted: "c:\pbox\rinaldo\attach\Happy Thanksgiving.gif"

 

sherri,

 

ti ringrazio moltissimo per il gentile pensiero,

spero che tu stia passando una bella e felice giornata,

 

un sentito saluto da

rinaldo.

To: Jen <jen@enternet.co.nz>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: I Finally Did It!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199711260244.PAA22732@enternet.co.nz>

References:

 

At 15.41 26/11/97 +1300,jen says:

>Thanks for your patience, folks.  The Underground Tunnel has finally been

>updated!

> 

>Yipppeee!

> 

>Hoorah!!!!

> 

>Three Cheers for me!!!!

> 

>from a Smiling Jen

> 

> 

> 

>________________________________________________

>To err is human - To purr is feline.

> 

>Jen's Underground

>http://www.enternet.co.nz/client/personal/jen

>________________________________________________

> 

 

 

hey, jen, i've tried to point yr underground tunnel

but my browser tell me

HTTP/1.0 404 Object Not Found

 

anyway very nice home page new zealand.

 

for myself i live

in the suburb of venice, italy. at the opposite on the earth.

 

if you point yr browser to

http://www.comune.venezia.it/citta.htm

you can exactly found in which venetian city area i'm living

it's marked in the map as

13 - S.Lorenzo-XXV Aprile

 

i've a web page at

http://www.gpnet.it/rasa/thebeats.htm

 

again have goodday and go on!

thanks for yr post.

 

ciao,

Rinaldo.

 

Return-Path: <jen@enternet.co.nz>

X-Sender: jen@enternet.co.nz

Date: Fri, 28 Nov 1997 13:08:12 +1300

To: Rinaldo Rasa <rinaldo@gpnet.it>

From: Jen <jen@enternet.co.nz>

Subject: Re: I Finally Did It!

 

Hello Rinaldo in Italy!  :-)

 

At 11:10 pm 27/11/97 +0100, you wrote:

>hey, jen, i've tried to point yr underground tunnel

>but my browser tell me

>HTTP/1.0 404 Object Not Found

 

Are you sure it's got

http://www.enternet.co.nz/client/personal/jen/Tunnel.html ?

Works fine for me.  Try again - let me know what happens.

 

>anyway very nice home page new zealand.

Thanks!

 

>for myself i live

>in the suburb of venice, italy. at the opposite on the earth.

Wow - Gondolas, and stuff.  Lovely!

 

>if you point yr browser to

>http://www.comune.venezia.it/citta.htm

>you can exactly found in which venetian city area i'm living

>it's marked in the map as

>13 - S.Lorenzo-XXV Aprile

Okay - will do.  Can't just now as I'm supposed to be working, but I'll

take a look over the weekend.

 

>i've a web page at

>http://www.gpnet.it/rasa/thebeats.htm

Same for this too.

 

Thanks for taking the time to write to me...Let me know if you're still

having trouble getting to the Tunnel.

 

Take care

 

Jen

 

Return-Path: <love_singing@email.msn.com>

From: "sherri" <love_singing@email.msn.com>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: Re: Happy Thanksgiving

Date: Thu, 27 Nov 1997 21:18:59 -0800

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Rinaldo, mille grazie  come sta, mi amico?  ciao, sherri

-----Original Message-----

From: Rinaldo Rasa <rinaldo@gpnet.it>

To: sherri <love_singing@email.msn.com>

Date: Thursday, November 27, 1997 1:52 PM

Subject: Re: Happy Thanksgiving

 

 

>At 07.28 27/11/97 -0800, sherri wrote:

>>       May the spirit of compassion and love for the Earth and  all her

>>dwellers grow beyond all our borders.    & roses,  sherri  Attachment

>>Converted: "c:\pbox\rinaldo\attach\Happy Thanksgiving.gif"

> 

>sherri,

> 

>ti ringrazio moltissimo per il gentile pensiero,

>spero che tu stia passando una bella e felice giornata,

> 

>un sentito saluto da

>rinaldo.

> 

 

 

 

 

 

Return-Path: <jgrant@bookzen.com>

X-Sender: jgrant@pop.globaldialog.com

Date: Fri, 28 Nov 1997 14:48:57 -0500

To: Rinaldo Rasa <rinaldo@GPNET.IT>

From: jo grant <jgrant@bookzen.com>

Subject: Re: one more a day Charles Bukowski poem

 

And what a gem to add to this day RR. Thanks

 

j grant

 

>One More Day    by Charles Bukowski

> 

>the slippery summer sun of my youth is

>gone

>and the mad girls are in others' hands

>as I drive my car to the wash

>and watch the boys dry it to a hearty

>glisten

>I stand there

>having learned some tricks

>out of minor courage and lucky

>durability

>I still realize my vast vincibility.

>it took time to realize

>something quite not

>realized.

>too much time.

>time shot apart: bang.

> 

>I walk to my car,

>tip the gentleman a dollar,

>get in,

>the slippery sun of my youth

>gone,

>I drive off,

>turn left,

>turn right.

>I am going somewhere.

>hands on the wheel.

>checking the rear view mirror.

> 

>I am old game for the oldest

>hunter.

> 

>I stop at the red light.

> 

>it's a fair day among the

>living.

>the earth has been here for

>such a very long

>time.

> 

>I get the green and go

>on.

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

              Details  on-line late today

                            http://www.bookzen.com

                 592,901 Visitors  07-01-96 to 11-01-97

                      

 

 

 

 

Return-Path: <vic.begrand@sk.sympatico.ca>

Date: Fri, 28 Nov 1997 13:31:30 -0800

From: Adrien Begrand <vic.begrand@sk.sympatico.ca>

Reply-To: vic.begrand@sk.sympatico.ca

To: rinaldo@GPNET.IT

Subject: Re: one more a day Charles Bukowski poem

 

Rinaldo,

 

Thanks for posting the Buk poem...he may not be of the Beat Generation

but he's 100% b e a t. Tonight I'm watching four hours of Bukowski

talking to Barbet Schroeder...I've never seen it before, so it's bound

to be an illuminating experience.

 

Adrien

 

Rinaldo Rasa wrote:

>

> One More Day    by Charles Bukowski

>

> the slippery summer sun of my youth is

> gone

> and the mad girls are in others' hands

> as I drive my car to the wash

> and watch the boys dry it to a hearty

> glisten

> I stand there

> having learned some tricks

> out of minor courage and lucky

> durability

> I still realize my vast vincibility.

> it took time to realize

> something quite not

> realized.

> too much time.

> time shot apart: bang.

>

> I walk to my car,

> tip the gentleman a dollar,

> get in,

> the slippery sun of my youth

> gone,

> I drive off,

> turn left,

> turn right.

> I am going somewhere.

> hands on the wheel.

> checking the rear view mirror.

>

> I am old game for the oldest

> hunter.

>

> I stop at the red light.

>

> it's a fair day among the

> living.

> the earth has been here for

> such a very long

> time.

>

> I get the green and go

> on.

 

Return-Path: <bocelts@scsn.net>

Date: Fri, 28 Nov 1997 20:25:40 -0500

From: bocelts@scsn.net (R. Bentz Kirby)

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Mobile

 

Rinaldo:

 

Did you get that painting off the Dylan list?  If not, you should post

it there. I like it.

 

-

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

 

To: Jen <jen@enternet.co.nz>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: I Finally Did It!

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199711280011.NAA21169@enternet.co.nz>

References: <3.0.1.32.19971127231029.006a3938@pop.gpnet.it> <199711260244.PAA22732@enternet.co.nz>

 

At 13.08 28/11/97 +1300, jen wrote:

>Hello Rinaldo in Italy!  :-)

> 

>At 11:10 pm 27/11/97 +0100, you wrote:

>>hey, jen, i've tried to point yr underground tunnel

>>but my browser tell me

>>HTTP/1.0 404 Object Not Found

> 

>Are you sure it's got

>http://www.enternet.co.nz/client/personal/jen/Tunnel.html ?

>Works fine for me.  Try again - let me know what happens.

 

   ok it works!

   r.

>Jen

> 

>Return-Path: <gnicosia@earthlink.net>

Date: Sat, 29 Nov 1997 20:09:46 -0800 (PST)

X-Sender: gnicosia@earthlink.net

To: rinaldo@GPNET.IT

From: Gerald Nicosia <gnicosia@earthlink.net>

Subject: Saving the Memory Babe archive

 

Gerald Nicosia

Writer

PO Box 130

Corte Madera, CA 94976-0130

(415) 924-2270 (phone/fax)

 

                              November 29, 1997

 

 

Caro Rinaldo:

 

   I am writing to everyone who has supported or shown interest in my work on

Jack Kerouac and my critical biography of Kerouac, Memory Babe.

   The huge amount of research I did on Kerouac's life during the years

1977-1981, including 300 hundred taped interviews and many thousands of

pages of letters and other documents, is in grave danger of being lost

forever.  Let me explain.

   In 1987, for the very modest fee of $7,500, I placed the entire Memory Babe

Archive on deposit at the University of Lowell (now called the University of

Massachusetts, Lowell).  Since Lowell is Jack Kerouac's hometown, I assumed

the archive would receive maximum exposure there to scholars, writers, and

others interested in studying Kerouac's life and writings.  In fact, when I

placed the Memory Babe archive at the university, it was done with the

stipulation that it be made available to the public for scholarly study.  I

also stipulated that the materials, especially the tapes, be properly cared for.

   The unique and precious quality of this material cannot be overemphasized.

Of the 300 people I taped who knew Kerouac, over 100 are now dead.  Many of

the dead interviewees are major American writers, such as Allen Ginsberg,

William Burroughs, Kenneth Rexroth, Robert Duncan, Bob Kaufman, Ted

Berrigan, John Clellon Holmes, Paul Carroll, Seymour Krim, Malcolm Cowley,

Herbert Huncke, and Jan Kerouac.  Other dead interviewees include Kerouac's

first two wives, Edie Parker and Joan Haverty, and close boyhood friends.

These interviews can NEVER BE REPLACED.

   The University of Lowell has never copied these tapes on to fresh cassettes

or made any other effort to preserve them, such as digitalization, despite

my complaints about their obvious deterioration over time.  Then, in June,

1995, I received a post card from scholar/professor James Jones that the

entire archive was closed to the public.  Mr. Jones wrote: "I just tried to

look at the papers you donated to the University of Lowell, and the

librarian in the Mogan Center told me your collection is closed to the

public until the lawsuit is resolved."

   I called Martha Mayo, the librarian, to ask what was going on, and why Jan

Kerouac's lawsuit against the Sampas family, to recover her father's papers,

should have anything to do with my archive.  Ms. Mayo informed me that John

Sampas, the literary executor for Jack Kerouac materials inherited from his

sister Stella, had complained about people having access to my collection

without his permission.

                   Lowell Archive Letter - Page 2

 

Mr. Sampas lives in Lowell and has a great deal of influence there.  The

library agreed to shut my collection, even though Mr. Sampas has never

demonstrated that he has the legal authority to keep people from using any

of the Memory Babe materials for study.  (Legally, he has the right only to

keep people from publishing or broadcasting Jack Kerouac's writings without

his permission.)

   I threatened to make a public issue of the illegal closing of my archive,

and was then told--deceptively--by the librarian that the collection was

still open, that she had only restricted the xeroxing of Jack Kerouac

letters.  (There are also 2,000 Jack Kerouac letters in xerox in my

collection, more Jack Kerouac letters than in any other spot on earth.)

Several months later, however, I began getting more letters and calls from

scholars who had been turned away from the entire collection.  The

university then admitted the collection was indeed closed.

   In effect, this enormous archive of study material on the life of Jack

Kerouac has been permanently buried--and consigned to imminent destruction,

since the life of many of the tapes is at most only a few more years.

   Other libraries, such as the Bancroft in Berkeley and the University of

Texas at Austin, have already expressed their interest in acquiring the

Memory Babe archive, for the purpose of making it available for study.  But

the University of Massachusetts at Lowell will not divest itself of the

archive, even if paid back in full the purchasing price.  The University of

Massachusetts, Lowell, will not sell the Memory Babe archive, will not

properly care for it, and will not show it to anyone.  This is a situation

in which everyone is the loser, and most especially the future generations

of scholars and writers who seek access to a wealth of primary source

material on Jack Kerouac.

   The University of Massachusetts, Lowell, has left me no choice but to file

a breach of contract suit against them, to recover the MEMORY BABE archive

so that it can be placed in another institution, where it can be made freely

available to the public.  An institution not under the direct influence of

Mr. John Sampas.  For two years I tried and failed to put together a pro

bono legal team to carry out this suit, but was unable to do so.  I have,

however, found a Boston attorney who will take the case at a considerably

reduced rate.  But I still need to come up with a $20,000 retainer, which

will also cover filing fees, depositions, and so forth.

   Action must be taken now, or the chance to act will be lost forever.  A

statute of limitation is running on fraud and breach of contract--three

years in Massachusetts.  That statute will be up in June of 1998.  If I do

not take action before then, I will lose forever the legal right to recover

the MEMORY BABE archive.

   I am asking people to donate as much as they possibly can.  I do not intend

to make any money from this legal action whatsoever.  My only goal is to

save this huge archive of study materials for posterity.  Every person who

donates will receive a receipt for their donation and an accounting every 6

months of how the money is being spent.

 

              Lowell Archive Letter - Page 3

 

   We hope that negative publicity will cause the University of Massachusetts

to settle quickly, to accept payment for the archive and transfer it

directly to me or to another university that offers to purchase it.  If

indeed we have to go the distance in trial court and appellate court, there

is still a good chance, if we win, of recouping legal expenses from the

university and/or from the resale of the archive to another university.

   Once this happens, once we win and resell the archive to another

university, all remaining funds, plus any earned, will be returned to the

donors with the aim of fullest possible reimbursement.  For example, if a

total of $20,000 was donated, and $20,000 is recovered, everyone will get

100% of their donation back.  If only $10,000 is recovered (if, for example,

legal fees are not repaid, but we earn $10,000 reselling the archive), then

every donor will receive back 50% of his donation.

   The MEMORY BABE archive is the largest archive of study materials

concerning Jack Kerouac's life and work anywhere in the world.  It can be

saved only with your help.  I appeal to you now, with the coming generations

of scholars and writers in mind.

   Thank you from the bottom of my heart, for listening and for helping.

 

                              Yours truly,

 

 

 

                              Gerald Nicosia

 

 

Return-Path: <love_singing@email.msn.com>

From: "sherri" <love_singing@email.msn.com>

To: "Rinaldo Rasa" <rinaldo@GPNET.IT>

Subject: Re:      Dove Sta Amore...

Date: Sun, 30 Nov 1997 09:21:35 -0800

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<DIV><FONT color=#800080 face=LoosieScript size=5>Rinaldo, these are all

wonderful.&nbsp; my particular favorites are the JK (those could be my words)

and the St. Vincent Millay.</FONT></DIV>

<DIV><FONT color=#800080 face=LoosieScript size=5></FONT>&nbsp;</DIV>

<DIV><FONT color=#800080 face=LoosieScript size=5>but tell my, caro amico, why

do you not post more of your own poetry?</FONT></DIV>

<DIV><FONT color=#800080 face=LoosieScript size=5></FONT>&nbsp;</DIV>

<DIV><FONT color=#800080 face=LoosieScript size=5>ciao, sherri</FONT></DIV>

<DIV><FONT face=Arial size=2>-----Original Message-----<BR>From: Rinaldo Rasa

&lt;<A href="mailto:rinaldo@GPNET.IT">rinaldo@GPNET.IT</A>&gt;<BR>To: <A

href="mailto:BEAT-L@CUNYVM.CUNY.EDU">BEAT-L@CUNYVM.CUNY.EDU</A> &lt;<A

href="mailto:BEAT-L@CUNYVM.CUNY.EDU">BEAT-L@CUNYVM.CUNY.EDU</A>&gt;<BR>Date:

Sunday, November 30, 1997 8:54 AM<BR>Subject: Dove Sta

Amore...<BR><BR></DIV></FONT>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

COMPOSIZIONE SCRITTA IN QUATTRO PARTI<BR>&gt;<BR>&gt;#1

part<BR>&gt;-------<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Dove Sta

Amore...&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

by Lawrence

Ferlinghetti<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Dove sta

amore<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Where lies

love<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dove

sta

amore<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Here lies

love<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The

ring dove

love<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

In lyrical

delight<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hear

love's

hillsong<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Love's true

willsong<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Love's low

plainsong<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Too sweet

painsong<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In

passages of

night<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Dove sta

amore<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Here lies

love<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The

ring dove

love<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Dove sta

amore<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Here lies love<BR>&gt;<BR>&gt;---<BR>&gt;<BR>&gt;#2

part<BR>&gt;-------<BR>&gt;year 1997, a

kid:<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &quot;I'm

disgusted by the life styles<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

of the baby boomers. They have<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

sparked a new era of social

values<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; that have changed the

world<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; in which I

live,<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; creating a mass of

problems<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; whose

ramifications<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; they will not

live to endure.<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Their

sexual revolution has resulted<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

in a society rife with

sexually<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; transmitted

diseases;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; the institution of

the family<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; has deteriorated to

the point<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; of

disfunctionality.<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The

baby boomers' use of narcotics<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

has destroyed many of my peers<BR>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

in a circle of unbridled drug use and

addiction.&quot;<BR>&gt;<BR>&gt;---<BR>&gt;#3 part<BR>&gt;-------<BR>&gt;year

1959, Jack Kerouac:<BR>&gt;<BR>&gt;&quot;...because the only people for me are

the mad ones, the ones<BR>&gt;who are mad to live, mad to talk, mad to be saved,

desirous of<BR>&gt;everything, but burn, burn, burn like fabulous yellow

roman<BR>&gt;candles exploding like spiders across the stars and in

the<BR>&gt;middle you see the blue centrelight pop and everybody

goes<BR>&gt;'Awww!'...&quot;<BR>&gt;<BR>&gt;---<BR>&gt;#4

part<BR>&gt;-------<BR>&gt;year 1920, Edna St. Vincent

Millay:<BR>&gt;<BR>&gt;&quot;My candle burns at both ends;<BR>&gt;it will not

last the night;<BR>&gt;but ah, my foes, and oh, my friends-<BR>&gt;it gives a

lovely light!&quot;<BR>&gt;<BR>&gt;---<BR>&gt;un saluto a tutti

da<BR>&gt;Rinaldo.<BR>&gt;</BODY></HTML>

</x-html>To: "sherri" <love_singing@email.msn.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re:      Dove Sta Amore...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01bcfdb4$68a95640$48e0fed0@default>

References:

 

sherri wrote:

>      my particular favorites are the JK (those could be my words)  and the

>St. Vincent Millay.   but tell my, caro amico, why  do you not post more of

>your own poetry?   ciao, sherri

 

sherri, ti ringrazio per le tue gentili parole,

(come sempre), mi sembra che tu sia la mia piu'

affezionata "fan" poetica, percio' ti ringrazio

di cuore, cari saluti da rinaldo.Return-Path: <babu@electriciti.com>

X-Sender: babu@pop.electriciti.com (Unverified)

Date: Tue, 2 Dec 1997 00:14:16 -0700

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: the watteau self portrait (babu)

Cc: agit8@hotmail.com, ajensen@telecom.ucla.edu, beach@qconline.com,

        bstoffma@lausd.k12.ca.us, ChrisHein@aol.com, Dfroley@aol.com,

        Diane Carter <dcarter@TOGETHER.NET>, EugeneAhn@mwp-online.com,

        fi@oceanstar.com, Gerald Houghton <houghtong@globalnet.co.uk>,

        Raminocs@aol.com, jill@jillbell.com, 6500ljn@ucsbuxa.ucsb.edu,

        GoRimbaud@aol.com, piers@humnet.ucla.edu, RACE --- <race@midusa.net>,

        Rinaldo Rasa <rinaldo@gpnet.it>, dracon@armory.com,

        Sherri <love_singing@msn.com>, googie@wam.umd.edu, tpreece@pacbell.net

 

always liked that expression that said 'keep one in the fridge for later'.

probably would.  fry it up with children in the bonfire of my my my fuck.

Saw Karole Armitage on television tonight.  what I wouldn't give to lick

the sweat off her.  Inspiration.  Bodies in motion.  quick precise,

psychology, punk, oh oh, punk.  dancing.  Wasn't what I was expecting.  ow.

sore from hitting the balls too hard.

 

nine steps she said.  nine steps.  so every morning I try to do my 1000

meters.   Can't tell if I'm getting healthy or numb.  fucking scary.  let

the blood blow, flow, pick a scab and watch it bleed.  get back.  get

black.  no.  go farther back.  farther.  maybe I'll tell you when to stop.

motherfucker.

 

hm.  hm.  hm.  punk bodies in motion.  'god save...' ow ow ow slam you

right up  ow ow 'god saves'   oh, I must be getting conservative.  mommy,

put my head into your lap?  make the big car stop, I'm mommy, e coli

barbarella.  heterocentric and outside it all.  yeah right, motherfucker.

 

bland for the camera, Tricky.  Read an interview where he said Kurt Cobain

was the greatest songwriter.  motherfucker.  so against, can't even smile

at you anymore.  wanna push, down deeper waters.  the rum, the wine, the

beers, no buzz as good as the marijuana.  fuck.  fuck fuck fuc.

 

no soul left to bleed.  in velvet lines, with virginal brides ::  soon

there will only be you  :-)

 

xo, Douglas

 

the watteau self-portrait::

http://www.electriciti.com/babu/images/Self_portrait.html

 

 

 

To: tristan saldana <hbeng175@EMAIL.CSUN.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Michael McClure and Jim Morrison.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.HPP.3.91.971205144946.449A-100000@csun1.csun.edu>

References: <3.0.1.32.19971205224805.00b746dc@pop.gpnet.it>

 

At 14.57 05/12/97 -0800, tristan saldana wrote:

>I saw McClure and Manzarek at the LA County Museum of Art in October.

>They had a one-hour gig.  McClure performed his poetry and Manzarek did

>the interpreting with the piano.  Manzarek played "Riders on the Storm" to

>one of McClures pieces.  It was quite good.  Manzarek and McClure said the

>there is an Egyptian belief that whenever you say a person's name that

>you, in effect, resurrect their spirit.  They closed with saying Jim's

>name.

> 

>Tristan

> 

Hello Tristan, thanks for the memories,

i ask u the permission to add yr name to

the list of contributors to the BeatSuperNova web site,

and add yr fine comment updating "The Doors" and McClure reference,

un caro saluto da

Rinaldo.

http://www.gpnet.it/rasa/thebeats.htm

 

Return-Path: <blackj@bigmagic.com>

Date: Mon, 08 Dec 1997 10:10:39 -0500

From: Al Aronowitz <blackj@bigmagic.com>

Reply-To: blackj@bigmagic.com

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: found a quote (was Re: Dylan)

X-Info: Visit the Internet Cafe On-Line at http://www.bigmagic.com.

 

Rinaldo Rasa wrote:

>

> At 06.55 07/12/97 -0500, Al Aronowitz  wrote:

> >CARO RINALDO:  Please, can you tell me what is the source of that

> >statement: "Bob Dylan says that OTR changed my life like everyone

> >else's."  (To which I might also add Bob Dylan changed MY life like

> >everyone else's.)  Jack Kerouac, Allen Ginsberg, the Beatles, Bob

> >Dylan!  Quite a 1-2-3-4 punch! --Al Aronowitz

> >--

> >***************************************

> >Al Aronowitz THE BLACKLISTED JOURNALIST

> >http://www.bigmagic.com/pages/blackj

> >

>

> caro Al, buona giornata, (good day)

>

> first source:

> i remember the Dylan's OTR proposition was quoted by

> poet Ron Whitehead as a tribute to the 40th

> anniversary of Jack's masterpiece 1th printed.

> by the way

> what happened to Ron? why he do not come back

> to beat-L he left a year ago?

>

> second source:

> Steve Turner's book titled

> "Angelheaded Hipster. A life of Jack Kerouac"

> have a dedication to Bob Dylan (the quote on the

> back of summary page).

> i hope this help,

> un caro saluto a tutti,

> Rinaldo.

> * "some real hot things in the Bible"--- jack kerouac *

RINALDO: Thank you.  --Al

--

***************************************

Al Aronowitz THE BLACKLISTED JOURNALIST

http://www.bigmagic.com/pages/blackj

 

Return-Path: <root>

Date: Tue, 9 Dec 1997 07:00:51 +0100 (MET)

From: root (Admin)

To: acctmgr, rinaldo

Subject: Avviso scadenza 'rinaldo' (0 gg.)

 

 Gentile Cliente,

 

   La informiamo che il suo abbonamento alla rete GP Net

   scadra' oggi.

  

   Cogliamo inoltre l'occasione di informarla che, in se-

   guito all'entrata in vigore dei nuovi listini 1997, i

   privati titolari di contratto "Basic", "Family" o

   "Junior" potranno rinnovare il proprio contratto

   sottoscrivendo un contratto "Personal" di accesso 24

   ore su 24, al costo di L. 440.000 + IVA.

  

   Nel caso la sua azienda fosse intestataria di un con-

   tratto "Basic", "Full Time" o "Full Time Office", po-

   tra' attivare un contratto "Silver" avvalendosi di uno

   sconto del 10% sul prezzo di listino di L. 850.000 +

   IVA, quindi al prezzo di L. 765.000 + IVA.

   Questa opportunita' e' riservata solo alle aziende che

   sottoscriveranno il contratto entro il 30/06/97.

 

   Potra' trovare maggiori informazioni sulle modalita' e

   tipologie dei contratti di abbonamento, nonche' sui

   servizi a valore aggiunto GP Net all'indirizzo

   http://www.gpnet.it/listino97.htm

 

   La preghiamo quindi di contattarci telefonicamente ai

   numeri 041/5330111, 041/5330116, oppure all'indiriz-

   zo <info-request@gpnet.it> per permetterci di fornirle

   ulteriori informazioni in merito al Suo abbonamento che,

   se non disdetto, verra' automaticamente rinnovato.

 

   Se avesse gia' provveduto al rinnovo non tenga conto di

   questo messaggio che viene spedito automaticamente dal

   nostro server.

 

   Cordialmente,

                         GP Net S.r.l.

 

 

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Wed, 10 Dec 1997 11:09:32 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Pinocchio.

Organization: Calgary Free-Net

 

 

>         morning        quiet

>         empty row      walkup flats

>

>         villas         black steel

>         green               stairs

>

>         green               flowered

>         hedges         window boxes

>

>         barking        barking

>         dogs                dogs

>

>         BEWARE THE DOG chatter talk of

>         day to day          other flats

>

>         barking        smell of dinners

>         barking        mixing

>

>         maybe               meat fat burning

>         a day               and smell of

>

>         they 'll       fresh

>         stop it        bread

>

>         thinking       some one yells

>         me friend      in italian

>

> ---

> Rinaldo                derek

> 10th dec 98            10th dec 97

 

 

To: andyshe@ibm.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: picture of Jack

Cc:

Bcc: rasa@gpnet.it

X-Attachments: C:\INTERNET\jkeagiph.jpg;

In-Reply-To:

References:

 

hello,

 

i send u the requested photo.

 

saluti,

Rinaldo.

Venice-Mestre,Italy

 

------------ original message --------------------------

Date: Sat, 06 Dec 1997 14:27:53 -0500

From: "Robert C. Shepherd" <andyshe@ibm.net>

Reply-To: andyshe@ibm.net

X-Mailer: Mozilla 3.02 (Win95; I)

MIME-Version: 1.0

Newsgroups: alt.books.beatgeneration

Subject: Kerouac Request

Content-Type: text/plain; charset=us-ascii

NNTP-Posting-Host: 166.72.224.78

Organization: IBM.NET

If any one has a scanner could you please post the picture of Jack

Kerouac smoking a cigerette on a fire escape with a book in his pocket

taken by Allen Ginsberg

Return-Path: <babu@electriciti.com>

X-Sender: babu@pop.electriciti.com

Date: Fri, 12 Dec 1997 23:34:02 -0700

To: "Penn, Douglas, K" <dkpenn@oees.com>

From: runner <babu@electriciti.com>

Subject: that was my veil (babu)

Cc: Leon Tabory <letabor@cruzio.com>, Michael Stutz <stutz@dsl.org>,

        "Emmanuel J. Palad" <palad@TCNJ.EDU>, egrotke@holobyte.com,

        dadaclub@hotmail.com, LunarLeFog@AOL.COM, Marioka7@AOL.COM,

        wade.maurer@smtp.nellcor.com, samazan@law4.law.ucla.edu,

        sinsco@cinenet.net, anesthesiasf@earthlink.net,

        x1cw@mail.bc.rogers.wave.ca, tamago <tamago@psinet.net.au>,

        Tahir.UN@service.raksnet.com.tr, othwrldy@pacbell.net,

        light@earthlink.net, ranjini.mehdi@Sun.COM, powerseal@wf.net,

        zvoros@direct.ca, sinergi@nwu.edu, luriete@csus.edu, bbrace@netcom.com,

        urossi@programatic.it, eltyger@pipeline.com,

        ibidem@boisdarc.tamu-commerce.edu, mbella@earthlink.net, dan@pint.com,

        chris3m@ibm.net, jmoulton@polar.Bowdoin.EDU, Gary_Schulstad@msn.com,

        smoot@panix.com, ajensen@telecom.ucla.edu, agit8@hotmail.com,

        beach@qconline.com, bstoffma@lausd.k12.ca.us, azulado@AOL.COM,

        ChrisHein@AOL.COM, CVEditions@AOL.COM, Dfroley@AOL.COM,

        Diane Carter <dcarter@TOGETHER.NET>, thau@hotwired.com,

        EugeneAhn@mwp-online.com, fi@oceanstar.com,

        Gerald Houghton <houghtong@globalnet.co.uk>, gershwin@cinenet.net,

        Raminocs@AOL.COM, HollyBauer@AOL.COM, Jacrosby1@AOL.COM,

        jennifer.kelly@faa.dot.gov, jill@jillbell.com,

        6500ljn@ucsbuxa.ucsb.edu, Michael Stutz <stutz@dsl.org>,

        mkendrick@chireader.com, ddmoses@earthlink.net,

        oktober@post.cis.smu.edu, GoRimbaud@AOL.COM, piers@humnet.ucla.edu,

        RACE --- <race@midusa.net>, Rinaldo Rasa <rinaldo@gpnet.it>,

        dracon@armory.com, Sherri <love_singing@msn.com>, googie@wam.umd.edu,

        tpreece@pacbell.net, wade.maurer@smtp.nellcor.com

 

don't let the

oh my can't believe it

hightlight on my oh my

violent disease

hand's on my

intersection with

oh my

oh my

 

smuff

poke

pelvis thrust 160-

old women, who are you good for?

overlap, overlap, the better to see you

dead dead fucking dead

 

salt

twisted neck

wet noodle

pocket leacher

violent eruption

reverb reberb

they can't control me

they can't control me

 

thanx, next real please!

 

xo, Douglas

 

(p.s.  I think I'm pregnant)

 

http://www.electriciti.com/babu/images/That_veil.html

 

=-=-=-=-

This message is being sent to announce the closing of

the babu site :: http://www.electriciti.com/babu/

It goes offline on December 19th, 1997.

If you'd like to be removed from this list,

please reply with "unsubscribe" in the subject line.

I'll probably send out a few more times before the 19th.

Trying to tie the loose ends on what exactly is babu.

 

Thank you all for your past support (very much)!  :-)

 

 

 

To: blackj@bigmagic.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Creeley at 70 - October, 1996.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3491881A.6E6C@bigmagic.com>

References: <3.0.1.32.19971212194447.0068685c@pop.gpnet.it>

 

Al, pleasecheck this web site ihope this are on-linefine photos (1)

of the meeting tribute to Creeley and Baraka's performance i've summarized

http://wings.buffalo.edu/epc/authors/glazier/prose/creeley_70.html

saluti,

Rinaldo.

 

(1) anyway i post the text:

-----------------------------------------------------------------------

<Picture>Creeley at 70 in Buffalo

a review by

Loss Pequen~o Glazier

 

------------------------------------------------------------------------

 

 

DATELINE BUFFALO. October 10th-12th, 1996. <Picture> First night: Eileen Myles, introduced by Creeley, kicks off the 70th birthday celebration in honor of Robert Creeley reading to a packed crowd in the large Hallwall's performance space, with its stage bordered on three sides by the audience. Her figure animated against the somewhat large stage, reading and letting each page of text drift to the floor after reading it. Voice, presence, narrative rang solidly to a thoroughly enthusiastic crowd.

 

 

------------------------------------------------------------------------

 

 

<Picture>Second day: the formal opening of activities by William Greiner, UB president and Creeley colleague who first met Creeley long-distance while Creeley was in Finland. Then, Gil Sorrentino, fondly introduced by Joseph Conte, reading in the Katherine Cornell Theatre, a good-sized semi-formal spaceship architecture palace space on the edge of Buffalo's tundra-tinged north campus.

<Picture>Sorrentino read prose from a new piece (I think forthcoming in Conjunctions). A richly written piece, supercharged with irony, purposely laden with the banalities of the wife-swapping (cunt-swapping more accurately by the words of its narrator) personalities it characterized and the revolting misogyny and sexual beasty balls of its less-than-likable narrator. Above this content, the precision of Sorrentino's prose glimmered like a city skyline. Amiri Baraka, originally scheduled to read with Sorrentino, was unable to appear.<Picture> Creeley therefore gave a preview mini-reading, talking briefly and reading the full text of his The Dogs of Auckland (approximate title) chapbook forthcoming from Meow Press. A gorgeous piece of work.

 

This reading was followed by a reception in the poetry collection and its great assembly of rare, beautiful, and ephemeral Creeley materials and also a retrospective (mostly small press) of poetry chez Buffalo for the past 50 years. A delirious spread of rare and richly-diverse print artifacts that gave a varied sense of the "scene" as passing in and out and back into the "city of no illusions". Back at Katherine Cornell, next up was the Creeley-Dine event, the room full to the rafters. (So packed the fire marshall was threatening to turn back poetry-goers if they could not prove they had a seat.)

 

<Picture>Creeley was introduced at length and eloquently by Susan Howe. Then an extraordinary reading by Creeley. First an explanation of the 1-2-3 method then a 1-2-3 section from Mabel: A Story a prose work dating an early Creeley-Dine collaboration. This was a long piece, at times dropping into choppy Burroughsesque rhythms, other times richly wry and funny, and other times simply sailing along tellingly. <Picture> A rare treat to witness the performance of this important earlier prose piece. This reading was followed by "Histoire de Florida" a later, powerful, long, languid, pulling out like the tide and the backdrop of all-that-has-happened, rhythmic, emotional, and meditative masterwork.

 

Next Dine was introduced excellently by Charles Bernstein followed by the Creeley-Dine conversation. Truly extraordinary, to hear these two men talk about a range of subjects near and dear to both art and writing, "tools" of any trade, age and its perspectives, perseverance and its perspectives, the necessities of incessant travel and, well, all in all, what it means to hang in there. This was a primo opportunity to hear both the writer and the artist talk. <Picture> Creeley and Dine were terrific. It was a particularly wonderful opportunity to hear from Dine, an artist who gets to Buffalo all too rarely, and to hear him speak so openly, honestly, his talk as rich as writing itself, there in the open space where things are stilled for some hours we can all hold for the true celebration of artistic life they are. Hey, this is what it means to hang in there.

 

 

 

 

------------------------------------------------------------------------

 

 

<Picture>DAY 3. Back in the Katherine Cornell theatre, Susan Schultz could have had no more style, zest, and presence than in her introduction of John Ashbery in which she first met a man who called himself Ashbery (Bernstein) and in which she recounted her pilgrimage to the Ashbery family apple farm not far from the site of the present event. Ashbery's reading was first-rate. Ashbery, a poet who will soon be the same age as the man who this gathering celebrated, performed fully in command of his craft, reading from his latest book as well as from new poems. Ashbery's reading was followed by a reception across the hall where poetrygoers were able to congregate and compare notes at the penultimate chime of this poetry celebration's verse-bent clock.

 

<Picture>What could top things so far? The finale of course! The night of day three, Hallwall's Jazz concert with Steve Kuhn and Carol Fredette. Perhaps the most decked out I've seen Hallwall's with not only great book tables (thanks to Talking Leaves) but also, inside, two food tables, one with the cheeses, meats, breads, and grapes, and the other buckling under the weight of the two enormous cakes <Picture> (one chocolate, one yellow) specially lettered for such a day. Inside, Kuhn and Fredette got going. Standards sprinkled among renditions of takes from the Steve Swallow release Home (ECM Records 1160) on which Sheila Jordan did the vocals. The piano's tones, registers, chordal thunderwalls in boots soled with celestial dust-while Fredette's scats were nourished by dizzying drops into the deep, mellow, honey-coated lower register of her extraordinary voice. Many numbers to stun the crowd ("She Was Young" and "Ice Cream" among the memorable takes) and many numbers lifted like toasts to the music ship's first mate seated with a grin and pensive attentiveness front row center. One of the outstanding moments was Kuhn's solo improvisation dedicated to Creeley. No piano has ever been explored, imploded, stretched into silver multi-vocaled strands, rode into a thundered, multi-leveled, multi-chromatic union with the absolute possibilities of sound.

 

As the program was originally envisioned, Mercury Rev would've been next on stage. They had canceled so, really, it would've been over now. But seated behind me in the second row, humming audibly to some of the standards was the man who would do the finale for this 70th, Amiri Baraka, introduced with incredible acumen by Bill Fischer.

 

<Picture>Baraka could've no less stormed the stage than if he had been backed by the John Coltrane quartet itself. Baraka's small build gives one no preparation for the immense vision, rhythm, voicing, and cadences that will emerge from the flaming words of his performance. Invoking as central to the Yugen of Baraka's earlier years, "the big three" of the magazine, Ginsberg (is that right?), big Charlie Olson, and Bob Creeley. (Sorrentino, by the way, also appeared in Yugen.) Baraka paid homage to Creeley then performed from Transbluecency and his more recent Funk Lore (Los Angeles: Littoral Books, 1996). Baraka's humming, chanting, and vocal renditions of the standards-a la-Baraka were in perfect accord with the chords still lingering, clinging to the packed, overflowing theatre. No printed text can do this! People filling all seats, people on all sides, standing, squatting, spilling out into the Hallwalls' hallway. Blues, transblues, transvoicings, the unbelievable coup d'etats of Baraka's "lowcoups" (African American version of that knock-out blast commonly associated with the haiku), and his closing triumph (slaves, dig, we were once slaves). Indeed, it was about people, what we are, the rhythms that vibrate through one and the same. Amiri brought it home. And home we were-at least so is Buffalo in many senses. Oh, for a home like this. Happy birthday celebration, Robert Creeley!

 

<Picture>Review and photos: Loss Pequeño Glazier

Design: ejr

 

-----------------------------------------------------------------------

Return-Path: <tahirun@tahirun.net>

X-Authentication-Warning: 18.cyberhost.net: Host [195.174.238.41] claimed to be tahirun.net

Date: Sat, 13 Dec 1997 19:11:49 +0000

From: Tahir Un <tahirun@tahirun.net>

Organization: FOTOGRAFHANE

To: runner <babu@electriciti.com>

CC: "Penn, Douglas, K" <dkpenn@oees.com>, Leon Tabory <letabor@cruzio.com>,

        Michael Stutz <stutz@dsl.org>, "Emmanuel J. Palad" <palad@TCNJ.EDU>,

        egrotke@holobyte.com, dadaclub@hotmail.com, LunarLeFog@AOL.COM,

        Marioka7@AOL.COM, wade.maurer@smtp.nellcor.com,

        samazan@law4.law.ucla.edu, sinsco@cinenet.net,

        anesthesiasf@earthlink.net, x1cw@mail.bc.rogers.wave.ca,

        tamago <tamago@psinet.net.au>, Tahir.UN@service.raksnet.com.tr,

        othwrldy@pacbell.net, light@earthlink.net, ranjini.mehdi@Sun.COM,

        powerseal@wf.net, zvoros@direct.ca, sinergi@nwu.edu, luriete@csus.edu,

        bbrace@netcom.com, urossi@programatic.it, eltyger@pipeline.com,

        ibidem@boisdarc.tamu-commerce.edu, mbella@earthlink.net, dan@pint.com,

        chris3m@ibm.net, jmoulton@polar.Bowdoin.EDU, Gary_Schulstad@msn.com,

        smoot@panix.com, ajensen@telecom.ucla.edu, agit8@hotmail.com,

        beach@qconline.com, bstoffma@lausd.k12.ca.us, azulado@AOL.COM,

        ChrisHein@AOL.COM, CVEditions@AOL.COM, Dfroley@AOL.COM,

        Diane Carter <dcarter@TOGETHER.NET>, thau@hotwired.com,

        EugeneAhn@mwp-online.com, fi@oceanstar.com,

        Gerald Houghton <houghtong@globalnet.co.uk>, gershwin@cinenet.net,

        Raminocs@AOL.COM, HollyBauer@AOL.COM, Jacrosby1@AOL.COM,

        jennifer.kelly@faa.dot.gov, jill@jillbell.com,

        6500ljn@ucsbuxa.ucsb.edu, mkendrick@chireader.com,

        ddmoses@earthlink.net, oktober@post.cis.smu.edu, GoRimbaud@AOL.COM,

        piers@humnet.ucla.edu, RACE --- <race@midusa.net>,

        Rinaldo Rasa <rinaldo@gpnet.it>, dracon@armory.com,

        Sherri <love_singing@msn.com>, googie@wam.umd.edu, tpreece@pacbell.net

Subject: Re: that was my veil (babu)

X-MIME-Autoconverted: from 8bit to quoted-printable by 18.cyberhost.net id JAA01928

 

Babu, you're right.

"They can't control you".

 

runner wrote:

 

> don't let the

> oh my can't believe it

> hightlight on my oh my

> violent disease

> hand's on my

> intersection with

> oh my

> oh my

> 

> smuff

> poke

> pelvis thrust 160-

> old women, who are you good for?

> overlap, overlap, the better to see you

> dead dead fucking dead

> 

> salt

> twisted neck

> wet noodle

> pocket leacher

> violent eruption

> reverb reberb

> they can't control me

> they can't control me

> 

> thanx, next real please!

> 

> xo, Douglas

> 

> (p.s.  I think I'm pregnant)

> 

> http://www.electriciti.com/babu/images/That_veil.html

> 

> =-=-=-=-

> This message is being sent to announce the closing of

> the babu site :: http://www.electriciti.com/babu/

> It goes offline on December 19th, 1997.

> If you'd like to be removed from this list,

> please reply with "unsubscribe" in the subject line.

> I'll probably send out a few more times before the 19th.

> Trying to tie the loose ends on what exactly is babu.

> 

> Thank you all for your past support (very much)!  :-)

 

 

 

--

--------

Tahir Ün

P.K. 114 Bakanliklar, 06582 - Ankara - TR.

Tel & Fax : +90 312 44 632 50

http://www.tahirun.net

mailto:tahirun@tahirun.net

-------

 

 

 

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Mon, 15 Dec 1997 13:26:21 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Pinocchio.

Organization: Calgary Free-Net

 

 

rinaldso

dear r - what is yr address? xmas around the corner and xmas card for you

if i have an address...

yrs

derek

 

******************************************************************

Derek Beaulieu

House Press (limited ed. chapbooks, prints, etc)

#502-728 3rd Ave NW

Calgary, Alberta, Canada, T2N 0J1

ph. (403)270-4440, fax. 270-9357

"remove literary, grammatical & syntactical inhibition" -Jack Kerouac

******************************************************************

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: xmassxmassxmassxmass

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.971215132554.19344C-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19971210183339.00b7ca68@pop.gpnet.it>

 

Derek wrote:

> 

>rinaldso

>dear r - what is yr address? xmas around the corner and xmas card for you

>if i have an address...

>yrs

>derek

> 

>******************************************************************

>Derek Beaulieu

>House Press (limited ed. chapbooks, prints, etc)

>#502-728 3rd Ave NW

>Calgary, Alberta, Canada, T2N 0J1

>ph. (403)270-4440, fax. 270-9357

>"remove literary, grammatical & syntactical inhibition" -Jack Kerouac

>******************************************************************

> 

 

         Rinaldo RASA

         via Morlaiter 2

         30173 VENEZIA-Mestre

         ITALIA

 

--------------------

p.s.

are u in the

bookstore business?

are u to sold

book?

are u becoming

a capitalist?

------------------- good luck!

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Mon, 15 Dec 1997 15:15:57 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: books & paper & words

Organization: Calgary Free-Net

 

 

rinaldo

ive been getting into selling handmade chapbooks (handbound and

printed by me) of

poetry and illustrations. so far i have made books by marie countryman and

one neil hennessy and myself. very pleased with the results so far - m not

making a whole lotta $ from this - mostly just the pleasure of producing

small things of beauty w/ words and pictures and spreading them to people

who wanna read them. im no capitalist - god forbid.

shalom

derek

 

******************************************************************

Derek Beaulieu

House Press (limited ed. chapbooks, prints, etc)

#502-728 3rd Ave NW

Calgary, Alberta, Canada, T2N 0J1

ph. (403)270-4440, fax. 270-9357

"remove literary, grammatical & syntactical inhibition" -Jack Kerouac

******************************************************************

 

 

Return-Path: <pelliott@sunflower.com>

Date: Mon, 15 Dec 1997 21:56:28 -0600

From: Patricia Elliott <pelliott@sunflower.com>

To: rinaldo@GPNET.IT

Subject: picture and pome

 

bravo, you are a cool dude.

patricia

 

Return-Path: <rasa@gpnet.it>

X-Sender: rasa@pop.gpnet.it

Date: Wed, 17 Dec 1997 19:10:40 +0100

To: golem@rai.it

From: Rinaldo RASA <rasa@gpnet.it>

Subject: FWD:re:TROMBE DINOSAURO (voice of dinosaur)

Cc: a.borgnino@agora.stm.it,spherik@atmedia.it,smak@netzone.com,

 bofus@mindspring.com,DrillSGT@cfddesign.com,dweezil@musicforpets.com,

 Two1361@aol.com,lions23@inreach.com,brycel@goodnet.com,BoilThat@aol.com,

 zcfap16@ucl.ac.uk,75162.2032@CompuServe.com,calvin@ralf.com,

 redunzle@imap3.asu.edu,DN6767@aol.com,sllollaryee@earthlink.net,

 caspers@worldonline.nl,ruthy@enterprise.net,fzappa@collegeclub.com,

 shineman@gc.maricopa.edu,aaronb@prodigy.net,rhcpfans@coast.net,

 Miyagi924@aol.com,Dogstain@aol.com,manningb@tig.com.au,rasa@gpnet.it,

 leonsux@rocketmail.com,rand@telplus.net,idfxd@asu.edu,rer@asu.edu,

 rodney@rodney.com,Dolphy2@aol.com,Sonamabesh@aol.com,YokoMofo@aol.com

 

GOLEM: ti ringrazio per il gentile

suggerimento. invio per conoscenze

agli amici ''virtuali'' il sito.

 

grazie,

 

rinaldo.

venezia-mestre.

rasa@gpnet.it

 

--------- messaggio originario --------------------

>Return-Path: <golem@rai.it>

>Date: Tue, 17 Dec 1996 09:57:37 +0100

>From: golem <golem@rai.it>

>To: rasa@gpnet.it

>Subject: TROMBRE DINOSAURO

> 

>

http://www.nmmnh-abq.mus.nm.us/nmmnh/dinopromo.html

> 

 

 

 

To: stratis@odyssee.net (Antoine Maloney)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Dinosaur Sound - Computer Generated Sounds and Images

Cc:

Bcc:

X-Attachments:

In-Reply-To: <m0xXXp0-000sXhC@gpnet.it>

References:

 

Antoine, i send u this web site if interested...

 

http://www.nmmnh-abq.mus.nm.us/nmmnh/soundsandimages.html

 

saluti,

Rinaldo.

-------Return-Path: <bocelts@scsn.net>

Date: Fri, 19 Dec 1997 21:13:48 -0500

From: bocelts@scsn.net (R. Bentz Kirby)

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: cool poem on the list

 

Rinaldo,

 

Are you familiar with the song I was quoting.  It is very humorous to

me, because of my knowledge of the "hippie" movement.  I loved the poem

you posted.  The fog thing has been haunting me lately.  Check out my

next poem.  So, it hit the spot for me.  Thanks for the cool poem to the

list.

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

 

To: waterrow@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc: rasa@gpnet.it

X-Attachments:

In-Reply-To:

References:

 

hello,

i've received today yr "Water Row Books Catalogue 72"

it's fine, many thanks, happy xmas an new year,

Rinaldo Rasa

via Morlaiter 2

30173 Venezia-Mestre

ITALIA

Return-Path: <rwallner@CapAccess.org>

Date: Tue, 23 Dec 1997 18:20:18 -0500 (EST)

From: Richard Wallner <rwallner@CapAccess.org>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

cc: BEAT-L@CUNYVM.CUNY.EDU

Subject: Re: (FWD) JACK BLUTARSKY

 

 

This sounds interesting...can someone translate this? 

 

On Tue, 23 Dec 1997, Rinaldo Rasa wrote:

 

> Jack Blutharski h una figura fondamentale nella beat generation. Nacque nel

> 1941 a Davenport. Suo padre aveva un carattere piuttosto autoritario e, tra

> i 9 e i 16 anni, il giovane Jack finl 5 volte in ospedale per le botte

> ricevute. Quando arrivr a 17 anni, in ospedale ci finl il padre, con una

> coltellata tra le costole.

> Per fuggire alla polizia, Jack Blutharski si nascose in California dove

> trovr lavoro come cameriere all'Angel's pub. Era la mitica birreria

> frequentata da Jack Kerouac, Gregory Corso, Timothy Leary, Bill

> Ciceruacchio, il cane Dog e Fernanda Pivano.

> Fu Blutharski a portare per la prima volta Jack Kerouac sulle scogliere di

> Big Sur e fu lui a suggerirgli di fare un viaggetto con gli amici perchi

> non lo vedeva molto in forma.

> Fu sempre Jack Blutharski che una sera, mentre portava le birre al tavolo,

> chiese ad Allen Ginsberg "Perchi le menti migliori della nostra generazione

> stanno qui a bere come spugne?".

> Una notte in cui Fernanda Pivano piangeva perchi non sapeva cosa fare nella

> vita, fu Jack Blutharski a suggerirle di fare qualche traduzione

> dall'inglese all'italiano per sbarcare il lunario.

> Come ha scritto di recente Loren Fielding sul New Yorker, "Senza Jack

> Blutharski forse non ci sarebbe stato qualcosa chiamato beat generation".

> Ma il suo contributo al movimento non si ferma qui. Una recente ricerca

> storiografica ha accertato che fu Jack Blutharski a presentare domanda al

> Sindaco di Woodstock per un concertino country all'aperto. Poi scesero in

> pista quelli delle case discografiche e si sa com'h andata a finire. Dieci

> anni dopo Jack Blutharski incontrr un vecchio amico, Little Fred, un

> chitarrista scadente che aveva messo la testa a posto e faceva l'agente di

> cambio. Tracannarono una dozzina di birre e parlarono dei vecchi tempi,

> quando Jack Blutharski disse "vestito cosl mi sembri yuppy". Era solo una

> parola inventata da un ubriaco ma nel tavolo di fianco c'era una

> giornalista di Vanity Fair. Quella sera nacquero gli anni Ottanta.

> Il seguito h noto. Stufo di creare tendenze socio-letterarie, Jack

> Blutharski ha finito per fondare una agenzia di comunicazione in Italia.

> L'ha chiamata ExNovo. Dice che promette bene.

>

 

Return-Path: <bocelts@scsn.net>

Date: Thu, 25 Dec 1997 19:22:29 -0500

From: bocelts@scsn.net (R. Bentz Kirby)

To: Al Aronowitz <blackj@BIGMAGIC.COM>,

   Arthur Nusbaum <SSASN@AOL.COM>, Beverley Wood <bever@istar.ca>,

   Bill Gadzia <bgadzia@metrotech.phoenixuhsd.k12.az.us>,

   Bob Davis <earthjuice@prodigy.com>,

   Byron Gordon <bgordon@well.com>, "brdong@gnn.com" <brdong@gnn.com>,

   Charles and Pam Plymell <CVEditions@AOL.COM>,

   Chris Clement <clement@sc.edu>,

   Colin Hartridge <colinh@wimsey.com>, Dave Rogers <DA6ver6@aol.com>,

   David Rhaesa <race@MIDUSA.NET>, Don West <west@netgate.net>,

   Edmund Prytherch <prythee@westinghouse.com>,

   Elliott New <ElliottAndTheUntouchables@usa.net>,

   "Etchingham@aol.com" <Etchingham@aol.com>,

   Frank Adams <fadams@scsn.net>,

   Gerald Nicosia <gnicosia@earthlink.net>,

   Glenn Cooper <coopergw@mpx.com.au>,

   James Stauffer <stauffer@PACBELL.NET>,

   Jean Ory <jean-ory@ALTRANET.FR>, Jerry Cimino <Bigsurs4me@AOL.COM>,

   Jim Dimock <juancito@JUNO.COM>,

   Jim Morrow <jmorro19@chicagonet.net>,

   jo grant <jgrant@BOOKZEN.COM>,

   John Matt Dorn <zenmatt@sprintmail.com>,

   karisue <karisue@postoffice.worldnet.att.net>,

   Karl Geisler <"\"Karl J. Geisler\" <kgeisler"@me.umn.edu>>,

   "Kdion11@aol.com" <Kdion11@aol.com>,

   LAURA R THEOBALD <LauraLegoLady@prodigy.com>,

   Leon Tabory <letabor@cruzio.com>, Lucy Jeffers <jeffreys@un.org>,

   Marie Countryman <country@SOVER.NET>,

   Mary and Dan Matthews <surfdance@iceinternet.com>,

   Patricia Elliott <pelliott@SUNFLOWER.COM>,

   Pim Boss <voodoo.chile@wxs.nl>,

   "R. Jeffrey Shows, D.C." <docfind@scsn.net>,

   "R. Shawn Deveau" <rdeveau@ccinet.ab.ca>,

   Richard Houff <stand666@BITSTREAM.NET>,

   Rinaldo Rasa <rinaldo@gpnet.it>, Robert Johnson <robertj@mbay.net>,

   Sherri <love_singing@msn.com>,

   "Sing H. Li" <shl3771@aw101.iasl.ca.boeing.com>,

   Stan Wilkes <wilkesfamily@worldnet.att.net>,

   Steve Pesant <spesant@direct.ca>, Steven Roby <scroby@pacbell.net>,

   Tom Brown <tbaylor@forbin.com>,

   Tony brown <a.brown@hendrix-archives.demon.co.uk>,

   victor lewin <ak036@chebucto.ns.ca>, Wally <AnnaWally@aol.com>,

   Walter Gibson <walter@jerryjeff.com>

Subject: Happy Holidays

 

Hello to all:

 

I wanted to send out a cyber card to some of my "cyber friends."  As I

reflect on the last year, one that has been difficult for me, I

appreciate the link that the WWW gives us.  It is a place where we can

communicate in unique ways with people we would not otherwise meet.  We

can share thoughts and ideas, as well as a (LOL) laugh.  In many ways we

are lucky to have this as a supplement to "real life."  So, I wanted all

of you to know that I appreciate the communication and the sharing over

the year.

 

I think about the media and how most of what sells is the "bad" side of

life.  Our communication here reminds us that there is a lot of good

that is not "newsworthy" going on in the world too.  That is something

for which we all may be thankful.

 

I can honestly say that the best moment of this Christmas for me was

seeing two things.  One was my mother's face when she found out that my

family was giving her a computer.  It really touched her and is worth

any amount of money.  (Even though I live in fear that she will find the

Hey Joe mail list and show up to tell stories about how her son wouldn't

let her go see Hendrix with him!  :-))  The other was the pictures on

the news last night of the meals provided by a local church to anyone

who came.  One man interviewed was just released from prison and

homeless.  In response to how he felt about the meal, he responded, "I

am lucky.  It is raining and cold out there.  I should be dead.  Instead

I am dry, warm and this is a great meal.  Yeah, I got a lot to be

thankful for."

 

A line from Dylan's new album sticks in my mind.  He says, more or less,

"when you think that you have lost everything, you always find out you

can lose a little more."  Which, it occurs to me, shows that we always

have a little more that we can be thankful for too.  I have tried to

stay in that frame of mind, but lately it hasn't been easy.

 

So, here is my Holiday wish, prayer and meditation for all of us, that

we all will find a way to remember the good in life at any time we feel

low, and that we will find a way to continue to bring love to those

around us.  No matter what the difficulty.  If we can, the world will

certainly be the better for it.

 

Thanks to all of you and Happy Holidays.

 

Jimi tag:  Not necessarily stoned but beautiful.

 

Jerry Jeff Walker tag:  Letting the high times carry the load.

 

Roger and Camilla McGuinn tag:  Crossing that bridge, Can take a little

courage, The hardest part, Is knowing what love is.

 

Johnny Winter tag:  Still alive and well.

 

Bob Dylan tag:  Trying to get to Heaven before they close the door.

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

To: silva@realbeer.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: about Bukowski

Cc: josep@icmab.es

Bcc:

X-Attachments:

In-Reply-To:

References:

 

--------- original message ---------------------------------

I just wanna comment two things about Hank :

1. I think Charles Bukowski (and his literature staff)

was more appreciated here in Europe than in USA. The day

Bukowski died, most of the spanish newpapers (I am Spanish)

dedicated him a page or a page and a half, and that is very

much for a writer, here in Spain. some bookstores dedicated

a special place for its books and a theatre play based in

his texts was performed. I think that this is a nice tribute

to Hank.

2. About Bukowski books I miss two tittles :

"Run with the hunted" (1993) and

"Quello che mi importa e grattarmi sotto le ascelle" (1982).

The former collection of texts, shorts stories and

poems describing Hanks live. The latter an interview

with Fernanda Pivano (an italian journalist) that

could be translated as the most I like is to scrabe

my armhole. Did you hear about this two books?.

Anyway, it has been a great experience for me

to visit your Bukowski page.

thanks for your attention. Josep Llacay

--------- end original message ------------------------------

 

 

Josep, buon giorno,

 

circa Bukowski's mentioned book

"Quello che mi importa e grattarmi sotto le ascelle" (1982)

is fairly easy to find in an italian bookstore as many of

others bukowski works-- in Italia the bukowski fortune is great

as u mentioned in Spagna (yr country), the bookshelves are

always filled with a lot of buk works-- by the way: ho notato

che hai citato il libro con il titolo in italiano, per caso

parli o scrivi in italiano? -- concerning Fernanda Pivano i

agree her devotion to american writers and performers is a

great treasure -- if u read the "Album Americano" (1996) she

writes [Neanche uno della mia trentina di libri e' uscito

in America e non so le volte che qualche autore italiano mi

ha aggredito chiedendomi perche' lavoravo al ''servizio

dell'America'' e non facevo tradurre nessun italiano-- La mia

felicita' comincia quando un autore sconosciuto in Italia

e considerato impubblicabile mi telefona e mi dice:"You made

me famous"][none of my thirty books was translated in america,

but in italy a lot of writer charge me attendance to America.

i'm happy when an unknown writer call "you made me famous"

because of my works arent published in my own country]-- at

the moment Pivano is 80 years old and fluke the Pivano archive

'll be collected by Benetton Group otherwise the papers was

assigned to be dispersed-- the Pivano interview to Charles

Bukowski is truly a wonder "Di solito staccava una rosa da

una delle siepi di fronte alla sua porta d'ingresso e me la

offriva baciandomi la mano come un cavaliere vittoriano dell'

Ottocento. Ebbi la debolezza di raccontare questo particolare

che mi faceva tanta tenerezza a un giornalista un po' sbrigativo

che riusci' ad avvicinarlo e gli chiese con ironia se era vero

o se me lo ero inventato. Pare che Bukowski l'abbia guardato

con uno di quei soffocanti risentimenti, insaccando il collo

come King kong, come fceva quando gli giravano le scatole, e

gli abbia risposto:"Certo che e' vero. Perche'? Viene qui una

gentile signora che ha passato la vita in Italia per aiutare

noi scrittori americani e cosa volevate che le facessi, che la

stuprassi?"--

any other info or help u can email cc: rinaldo@gpnet.it

-- i've fwd yr letter to the BEAT-L: Beat Generation List

 

cari saluti da

Rinaldo.

Venezia-Mestre,Italia

Return-Path: <VegasDaddy@aol.com>

From: VegasDaddy <VegasDaddy@aol.com>

Date: Sat, 27 Dec 1997 02:16:05 EST

To: rinaldo@gpnet.it

Subject: gli italiani

Organization: AOL (http://www.aol.com)

 

 

 

Ciao signore, mi chiamo Antonio Celentano e sono (come se dice "a member of

the Beat-L group").  Leggeva i suoi (come si dice "posts to the list") nella

Beat-L e mi piacevano molto.  Sono di New York ma la mia famiglia e di

Sicilia, e mi piace molto la lingua e la cultura italiana.  Posso domandare

una cosa?  Sto cercando di imparare italiano (studiava italiano per un anno in

scuola a California, e studiero(?) di piu quest'anno).  Come si (se?) dice in

italiano "good luck?"  Un uomo me ha detto che non si dice "buona fortuna," ed

io ho detto "E "buona fortuna", lo so!"  Molto grazie per il suo risposto(?),

 

Antonio Celentano (come Adriano, il grande cantante)

 

To: VegasDaddy <VegasDaddy@aol.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: gli italiani

Cc:

Bcc: rasa@gpnet.it

X-Attachments:

In-Reply-To: <f2f81c0d.34a4ab37@aol.com>

References:

 

At 02.16 27/12/97 EST, Antonio Celentano wrote:

> 

> 

>Ciao signore, mi chiamo Antonio Celentano e sono (come se dice "a member of

>the Beat-L group").  Leggeva i suoi (come si dice "posts to the list") nella

>Beat-L e mi piacevano molto.  Sono di New York ma la mia famiglia e di

>Sicilia, e mi piace molto la lingua e la cultura italiana.  Posso domandare

>una cosa?  Sto cercando di imparare italiano (studiava italiano per un anno in

>scuola a California, e studiero(?) di piu quest'anno).  Come si (se?) dice in

>italiano "good luck?"  Un uomo me ha detto che non si dice "buona fortuna," ed

>io ho detto "E "buona fortuna", lo so!"  Molto grazie per il suo risposto(?),

> 

>Antonio Celentano (come Adriano, il grande cantante)

> 

> 

Caro Antonio, felice giornata,

thanks for the gentle words and i'm very luck (fortunato)

to meet a paesano in the Beat-L-- yr italian language,

i think is much better than my english language...--

yr italian is good and i exorth u to continue, and of course

i wish you good luck! = buona fortuna!

u are right "good luck" means "buona fortuna", i dunno why

the person told u wrong traslation-- of course buona fortuna

in both colloquial and formal use-- digging the meaning of

buona fortuna it's possible to use the statement

"in bocca al lupo" but it's idiomatic, and it's a bit out of use

at the moment in Italia, i prefer buona fortuna--

per il momento ti saluto caramente e se hai bisogno di

qualsiasi aiuto i'm happy to help you, let me know when

u need,

ancora tanti cari saluti e buone feste da

Rinaldo.

Return-Path: <VegasDaddy@aol.com>

From: VegasDaddy <VegasDaddy@aol.com>

Date: Mon, 29 Dec 1997 23:27:12 EST

To: rinaldo@gpnet.it

Subject: Le scale di Roma

Organization: AOL (http://www.aol.com)

 

 

Caro Rinaldo - Molto grazie per rispondere e per il suo aiuto, ora ho bisogno

di uscire e non posso scrivere molto ma tu devi sapere che il suo inglese e

molto bene...posso sapere (?) che leggi Kerouac e gli altri Angeli Caduti,

perche scrivi bene in inglese come un beat scrittore.  Una domanda per te:

io penso che Gregory Corso e il migliore (come se dice poet?) dei Beats...what

do gli italiani think of this great and beatific paesano?   Buona settimana e

ciaobello,

 

Antonio

 

To: VegasDaddy <VegasDaddy@aol.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Le scale di Roma

Cc:

Bcc: rasa@gpnet.it

X-Attachments: C:\INTERNET\IMMAGINI\gcpv.jpg;

In-Reply-To: <d75c3b7.34a87822@aol.com>

References:

 

Antonio writes:

> 

>Caro Rinaldo - Molto grazie per rispondere e per il suo aiuto, ora ho bisogno

>di uscire e non posso scrivere molto ma tu devi sapere che il suo inglese e

>molto bene...posso sapere (?) che leggi Kerouac e gli altri Angeli Caduti,

>perche scrivi bene in inglese come un beat scrittore.  Una domanda per te:

>io penso che Gregory Corso e il migliore (come se dice poet?) dei Beats...what

>do gli italiani think of this great and beatific paesano?   Buona settimana e

>ciaobello,

> 

>Antonio

> 

Caro Antonio,

grazie per i complimenti,

 

tu sai certamente che molti italiani per lavoro o per scelta

dall'inizio di questo secolo hanno avuto bisogno per lavoro o

per altro emigrare, e si sono trovati bene nei paesi dove sono stati

accolti, America, Canada, Australia, Francia, Svizzera. la cultura

dei paesi d'accoglienza sono sempre stati un patrimonio poi

della nostra tradizione. Italia is an ancient culture and i

like u Antonio is to retrieve the language of yr ancient people

( this isn't  an arrogant statement, i love the american culture

(u know of course, excuse me) but everyone might to become as he was/is

as a world is the same for everybody... i love Kerouac because

he is american but search his longtime ancient roots).

 

Gregory Corso has a great place in the beat lit

and Fernanda Pivano has a special feeling to his poetry and thought

( i think that the NUKE is everything the people REALLY fear).

 

il beat, credo,  e' pensare alle proprie origini e capire come mai siamo

arrivati a questo punto qualsiasi sia il mondo dal quale siamo

partiti.

 

Ho diversi parenti che sono stati in Canada (Edmonton),

oppure in  Switzerland (Zurich), Germany, & others country.

 

our paesano Gregorio Corso is loved by Pivano (see gcpv.jpg)

the italian translator, she translates the main works of the

beat generation,

 

i hope, spero, che tu Antonio continui a scrivermi,

grazie mio paesano italiano, buon 1998!,

 

tanti cari saluti,

Rinaldo.

------------------

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: yr postcard

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.971215151213.30266A-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19971215223836.006866b0@pop.gpnet.it>

 

Derek,

 

today what a surprise!

yr card in my mailbox,

thanks a lot for the salutes,

this remind me the 60s' when

my aunt was living in

Edmonton, (Alberta), and send

those wondeful picture post card

from whom i became a fan of

the land u are living,

 

the card is wonderful and

it's a GREAT start for yr

house press,

 

have my best greetings,

i miei piu' cari saluti,

 

Rinaldo.

 

Venezia, 5 gennaio 1998.

------------------------

 

To: Johan Gotthardt Olsen <johan@DARWIN.KI.KU.DK>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: photo wanted

Cc:

Bcc: johan@xray.ki.ku.dk

X-Attachments:

In-Reply-To: <199801071240.NAA07930@darwin.ki.ku.dk>

References:

 

johan says:

>I know of a photograph of Jack Kerouac and Neal Cassady standing

>together, Cassady to the left, head kinked in a funny way, Kerouac to

>the right, serene (ironic, impatient?). I saw it used as a 'On The

>Road' cover (....)

>Johan

> 

 

johan, i hope at the moment friends have already help

u. but if this is not the case i've the cover u mentioned,

let me know if u are interested &i email u a giffed picture.

saluti,

rinaldo.

venice-mestre,italy.

Return-Path: <johan@darwin.ki.ku.dk>

From: johan@darwin.ki.ku.dk (Johan Gotthardt Olsen)

Subject: The Picture

To: rinaldo@home.gpnet.it

Date: Thu, 8 Jan 1998 09:00:33 +0100 ("MET)

 

Hi Rinaldo,

 

Thanks for your reply on the photo I asked about on the BEAT-L

network. You don't know how long I have been looking for that picture!

In Denmark, the beat writers are not very well known and the books are

difficult to get.

 

YES, I would very much like a gif (or any other format) of that cover

you have if it is not too inconvenient. I would appreciate it

immensely!

 

Johan

 

To: johan@darwin.ki.ku.dk (Johan Gotthardt Olsen)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The Picture

Cc:

Bcc:

X-Attachments: C:\ARCH\jackneal.gif;

In-Reply-To: <199801080800.JAA09216@darwin.ki.ku.dk>

References:

 

Johan wrote:

>Hi Rinaldo,

> 

>Thanks for your reply on the photo I asked about on the BEAT-L

>network. You don't know how long I have been looking for that picture!

>In Denmark, the beat writers are not very well known and the books are

>difficult to get.

> 

>YES, I would very much like a gif (or any other format) of that cover

>you have if it is not too inconvenient. I would appreciate it

>immensely!

> 

>Johan

> 

> 

hello Johan,

i send u the picture, it's the cover of

the Jack Kerouac's "On the Road" penguin books 1991.

if the technicality of the image isnt good, let me

know & i do it better. another source of great photos

of jack and the beats are in

the Steve Turner's "Angelheaded Hipster. A life of JK",

that i've in italian translation, there's into a lot of

_very_ good picture! u might pick up this book.

keep in touch,

 

cari saluti da

Rinaldo.

Venezia-Mestre,Italia.

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Thu, 8 Jan 1998 11:46:07 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: sculpt

Organization: Calgary Free-Net

 

 

rr

shape the

words  to

fit the s

hape of t

he column

creat-ing

tension o

f geograp

hy in a n

onphysica

l space..

thank you

rinaldora

    sa

 

yrs

derek

******************************************************************

Derek Beaulieu

House Press (limited ed. chapbooks, prints, etc)

#502-728 3rd Ave NW

Calgary, Alberta, Canada, T2N 0J1

ph. (403)270-4440, fax. 270-9357

"remove literary, grammatical & syntactical inhibition" -Jack Kerouac

******************************************************************

 

 

Return-Path: <yfeng@public1.tpt.tj.cn>

From: "Yan Feng" <yfeng@public1.tpt.tj.cn>

To: "Rinaldo Rasa" <rinaldo@gpnet.it>

Subject: Re: Anniversary of Gulf War

Date: Tue, 20 Jan 1998 03:39:03 +0800

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

 

 

Rinaldo,

 

my postings are always two lines,

which, i think, reminds you of the Peace Poem.

 

:-) In fact, it is due to my shortage of english ability. besides, I am

silent man.

 

Best,

 

Yan

 

 

>Yan,

>have you seen the Peace Poem?

>Over 400 schools from 38 countries contributed to the Peace Poem by

>submitting, via e-mail, two lines of poetry each to the United Nations. The

>lines were compiled into a single poem, called the Peace Poem.

> 

>http://www.un.org/Pubs/CyberSchoolBus/peaceday/poem/poem.htm

> 

> 

 

 

Return-Path: <"country"@sover.net>

Date: Sat, 24 Jan 1998 15:55:07 +0000

From: Marie Countryman <country@sover.net>

To: rinaldo rasa <rinaldo@GPNET.IT>

Subject: RINALDO, you are so sweet

 

rinaldo, thankyou for posting that pome to the list. we have not had

much riting to one another lately, but i always feel your concern and

love and your wonder at the world.

i am very touched

love

marie

(ps: it's one of my favorites, too)

 

 

To: "R. Bentz Kirby" <bocelts@SCSN.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Crossroads

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34C9723C.71D07D2B@scsn.net>

References:

 

Bentz, god day,

i'm asking u the permission to

add yr wonder poem to the poetry section in the

Beat SuperNova,

www.gpnet.it/rasa/nampoets.htm

i like poetry written in honour or tribute to friend

 

i hope u are agree, im' waiting for a feedback,

is the following the right poem?

 

cari saluti da

Rinaldo.

-------

 

Robert Johnson's Crossroads

(A tribute to a Blues Man from the crossroads.)

 

Columbia 22

Went down to the Crossroads

Camden 25

Tried to flag a ride.

Sumter 22

Got hellhounds on my trail.

Orangeburg 25

Have my sweet rider by my side.

Crossroads

Jesus Saves

Turn to Jesus or Burn in Hell

Wilson.

Will son.

Will's son.

Will's son cross.

Will's son cross road.

Will's son cross roads.

Will's son cross roads Jesus.

Will's son cross roads Jesus saves.

Will's son cross roads Jesus saves Columbia.

(No he didn't Sherman burnt it!  That is why you can't trace title

beyond 1865.)

Will's son cross roads Jesus saves Camden.

(Well he might have, ask Cornwallis!)

Will's son cross roads Jesus saves Sumter.

(Depends, one wing in the Persian Gulf tonight.)

Will's son cross roads Jesus saves Orangeburg.

(Crack alleys, murder rate, unemployment, kids with guns, not likely.)

Will's son cross roads Jesus saves or Burn in Hell.

Me, I just want to get some gas and take a piss.

But, it is spooky here, at a crossroads that is exactly 22, 25, 22, 25.

Did Robert Johnson meet ole scratch here, or does Jesus Save?

Tried to flag a ride.

That's what the sign says.

No body seemed to know me.

But maybe that was back in Wilson.

House down by the riverside.

Will cross road son.

Break in on a dollar most any place she goes.

Will road cross son.

They all just passed me by.

Son will cross road.

Got tamales and they are red hot, yeah got em for sale.

Son cross Will Road.

Dead shirmps blues.

Son road cross Will.

Believe it's much too light.

Cross road son will.

She got a mortgage on my body.

Crossroads.

And a lien on my soul.

--

Return-Path: <ncary@clark.net>

X-Authentication-Warning: shell.clark.net: ncary owned process doing -bs

Date: Sat, 24 Jan 1998 17:29:05 -0500 (EST)

From: ncary <ncary@clark.net>

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Your poem

 

Dear Rinaldo,

 

I liked so much your poem that began:

 

 

                                amico mio

IWasStonedManyYearsAgo&TodayICannotRecognizedAnyDifference

AmongWITTGENSTEINandWELTANSHAAUNGisTheCatYouMetCalledSchopenhauer

OrSchrodingerOrTheMutantEngineLikeSpencerTracyOrTheAnarchistSpencer

ISawMyShadowABitLargeTodayWaitingForTheBusAndAllBusesGoToVeniceAndTheSun

EnlargeMyShadowTheSunEnlargedMyShadowIWasIntriguedByTheShadowTheNiteFallIn

 

It made me remember Schrodinger and his unfortunate feline.

 

I also have been trying to figure out the Italian in your messages with

the help of a Portuguese friend..online.

 

But all we come up with is an unsatisfacotry mix of POrtuguese and

English...but it was fun trying.

 

 

Nina, writing from a very unsunny Washington DC

 

 

Return-Path: <bocelts@scsn.net>

Date: Sat, 24 Jan 1998 18:16:31 -0500

From: bocelts@scsn.net (R. Bentz Kirby)

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Crossroads

 

Rinaldo;

 

Thank you for your wonderful message.  Please use my poem at the site as

you wish.  This is the poem.  I enjoy reading your posts.  That makes this

list a good one to be on.

 

 

Rinaldo Rasa wrote:

 

> Bentz, god day,

> i'm asking u the permission to

> add yr wonder poem to the poetry section in the

> Beat SuperNova,

> www.gpnet.it/rasa/nampoets.htm

> i like poetry written in honour or tribute to friend

> 

> i hope u are agree, im' waiting for a feedback,

> is the following the right poem?

> 

> cari saluti da

> Rinaldo.

> -------

> 

> Robert Johnson's Crossroads

> (A tribute to a Blues Man from the crossroads.)

> 

> Columbia 22

> Went down to the Crossroads

> Camden 25

> Tried to flag a ride.

> Sumter 22

> Got hellhounds on my trail.

> Orangeburg 25

> Have my sweet rider by my side.

> Crossroads

> Jesus Saves

> Turn to Jesus or Burn in Hell

> Wilson.

> Will son.

> Will's son.

> Will's son cross.

> Will's son cross road.

> Will's son cross roads.

> Will's son cross roads Jesus.

> Will's son cross roads Jesus saves.

> Will's son cross roads Jesus saves Columbia.

> (No he didn't Sherman burnt it!  That is why you can't trace title

> beyond 1865.)

> Will's son cross roads Jesus saves Camden.

> (Well he might have, ask Cornwallis!)

> Will's son cross roads Jesus saves Sumter.

> (Depends, one wing in the Persian Gulf tonight.)

> Will's son cross roads Jesus saves Orangeburg.

> (Crack alleys, murder rate, unemployment, kids with guns, not likely.)

> Will's son cross roads Jesus saves or Burn in Hell.

> Me, I just want to get some gas and take a piss.

> But, it is spooky here, at a crossroads that is exactly 22, 25, 22, 25.

> Did Robert Johnson meet ole scratch here, or does Jesus Save?

> Tried to flag a ride.

> That's what the sign says.

> No body seemed to know me.

> But maybe that was back in Wilson.

> House down by the riverside.

> Will cross road son.

> Break in on a dollar most any place she goes.

> Will road cross son.

> They all just passed me by.

> Son will cross road.

> Got tamales and they are red hot, yeah got em for sale.

> Son cross Will Road.

> Dead shirmps blues.

> Son road cross Will.

> Believe it's much too light.

> Cross road son will.

> She got a mortgage on my body.

> Crossroads.

> And a lien on my soul.

> --

 

 

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

 

To: bocelts@scsn.net (R. Bentz Kirby)

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Crossroads

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34CA764E.D9309F41@scsn.net>

References: <3.0.1.32.19980124202634.006c3b08@pop.gpnet.it>

 

Bentz wrote:

>Rinaldo;

> 

>Thank you for your wonderful message.  Please use my poem at the site as

>you wish.  This is the poem.  I enjoy reading your posts.  That makes this

>list a good one to be on.

> 

Bentz,

thanks a lot, now the poetry page is updated at

http://www.gpnet.it/rasa/nampoets.htm

grazie ancora e cari saluti,

Rinaldo.

Return-Path: <"country"@sover.net>

Date: Sat, 31 Jan 1998 15:17:07 +0000

From: Marie Countryman <country@sover.net>

To: rinaldo rasa <rinaldo@GPNET.IT>

Subject: hello, my friend

 

hello rinaldo, it's been a long time between our 'visits'; thankyou so

much for first posting the lyrics and then giving me the title. i hope

this finds you well and happy.

love,

marie

 

 

 

 

To: babu@electriciti.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: hi

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

i visit yr home page today...Return-Path: <cawilkie@comic.net>

Date: Sun, 01 Feb 1998 16:59:20 -0600

From: cawilkie@comic.net

Reply-To: cawilkie@comic.net

To: rinaldo@GPNET.IT

Subject: re:language is a virus lyrics

 

Rinaldo:

 

oh thank you thank you thank you thank you.

 

i had asked quite awhile back if anyone had these lyrics and could post

them.  i thank you to the bottom of my heart for doing so.

 

peace,

cathy

 

 

 

 

> Subject:

>         LANGUAGE IS A VIRUS (Laurie Anderson)

>   Date:

>         Sat, 31 Jan 1998 11:03:22 +0100

>   From:

>         Rinaldo Rasa <rinaldo@GPNET.IT>

>

>

> LANGUAGE IS A VIRUS             vocals:Laurie Anderson

>

> Paradise

> Is exactly like

> Where you are right now

> Only much much

> Better.

>

> I saw this guy on the train

> And he seemed to have gotten stuck

> In one of those abstract trances.

> And he was going: "Ugh...Ugh...Ugh..."

>

> And Fred said:

> "I think he's in some kind of pain.

> I think it's a pain cry."

> And I said: "Pain cry?

> Then language is a virus."

>

> Language! It's a virus!

> Language! It's a virus!

>

> Well I was talking to a friend

> And I was saying:

> I wanted you.

> And I was looking for you.

> but I couldn't find you. I couldn't find you.

> And he said: Hey!

> Are you talking to me?

> Or are you just practicing

> For one of those performances of yours?

> Huh?

>

> Language! It's a virus!

> Language! It's a virus!

>

> He said: I had to write that letter to your mother.

> And I had to tell the judge that it was you.

> And I had to sell the car and go to Florida.

> Because that's just my way of saying       It's a charm.

> That I love you. And I                     It's a job.

> Had to call you at the crack of down

>                                            Why?

> And list the times that I've been wrong.

> Cause that's just my way of saying

> That I'm sorry.

>                                            It's a job.

>

> Language! It's a virus!

> Language! It's a virus!

>

> Paradise

> Is exactly like

> Where you are right now

> Only much much              It's a shipwreck,

> Better.                           It's a job.

>

> You know? I don't believe there's such

> a thing as TV. I mean --

> They just keep showing you

> The same pictures over and over.

> And when they talk they just make sounds

> That more or less synch up

> With their lips.

> That's what I think!

>

> Language! It's a virus!

> Language! It's a virus!

> Language! It's a virus!

>

> Well I dreamed there was an island

> That rose up from the sea

> And everybody on the island

> Was somebody from TV.

> And there was a beautiful view

> But nobody could see.

> Cause everybody on the island

> Was saying: Look at me! Look at me!

>             Look at me! Look at me!

>

> Because they all lived on an island

> That rose up from the sea

> And everybody on the island

> Was somebody from the TV.

> And there was a beutiful view

> But nobody could see.

> Cause everybody on the island

> Was saying: Look at me! Look at me!

>             Look at me! Why?

>

> Paradise is exactly like

> Where you are right now

> Only much much better.

>

>                            "LANGUAGE IS A VIRUS

>                               FROM OUTER SPACE."

>                            -- William S. Burroughs

 

Return-Path: <"country"@sover.net>

Date: Wed, 04 Feb 1998 17:17:39 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: shit

 

thank you, rinaldo, my tender hearted friend.

 

Rinaldo Rasa wrote:

 

> salve Marie!,

> if u like send me everything at the following

> address:        rinaldo@gpnet.it

> 

> notice on the CNN that Rudyard Kipling's love of Vermont

> Birthplace of the 'Jungle Books'

> 

> cari saluti dall'Italia,

> 

> Rinaldo.

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Wed, 04 Feb 1998 20:00:15 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: shit

 

many of people in vermont still without power now for over a week, but

we are lucky: warm and dry inside, warmer and slushy outside. i have

been very sad lately, many friends in hospital, others moving, all doing

what they need to do for them, but leaving me sad and lonely.

i however have found a wonderful coffee shop in my town, i went there

today to write, and the people are so kind and warm and we all talked,

across tables, with the wait staff, all happy in this lovely little

place. i think i will go there very often.

thank you so much for your warmth and caring,

my dear friend,

love

marie

 

Rinaldo Rasa wrote:

 

> marie, here it's 11:18 pm i'm by to go to sleep,

> what are u doing, and the weather?

> tell me please'

> rin

> At 17.17 04/02/98 +0000, you wrote:

> >thank you, rinaldo, my tender hearted friend.

> >

> >Rinaldo Rasa wrote:

> >

> >> salve Marie!,

> >> if u like send me everything at the following

> >> address:        rinaldo@gpnet.it

> >>

> >> notice on the CNN that Rudyard Kipling's love of Vermont

> >> Birthplace of the 'Jungle Books'

> >>

> >> cari saluti dall'Italia,

> >>

> >> Rinaldo.

> >

> >

> >

> >

> >

 

 

 

 

 

 

To: country@sover.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: shit

Cc: country@sover.net

Bcc:

X-Attachments:

In-Reply-To: <199802041913.OAA01577@pike.sover.net>

References:

 

salve Marie!,

if u like send me everything at the following

address: rinaldo@gpnet.it

 

notice on the CNN that Rudyard Kipling's love of Vermont

Birthplace of the 'Jungle Books'

 

cari saluti dall'Italia,

 

Rinaldo.

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: shit

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802042219.RAA02349@pike.sover.net>

References: <3.0.1.32.19980204231224.00688d28@pop.gpnet.it>

 

marie, here it's 11:18 pm i'm by to go to sleep,

what are u doing, and the weather?

tell me please'

rin

At 17.17 04/02/98 +0000, you wrote:

>thank you, rinaldo, my tender hearted friend.

> 

>Rinaldo Rasa wrote:

> 

>> salve Marie!,

>> if u like send me everything at the following

>> address:        rinaldo@gpnet.it

>> 

>> notice on the CNN that Rudyard Kipling's love of Vermont

>> Birthplace of the 'Jungle Books'

>> 

>> cari saluti dall'Italia,

>> 

>> Rinaldo.

> 

> 

> 

> 

>To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: buonanotte marie

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802042219.RAA02349@pike.sover.net>

References: <3.0.1.32.19980204231224.00688d28@pop.gpnet.it>

 

it's time to me to go bed. ciao marie. i've standing

a while for a reply but now i get off...Return-Path: <u2ginsberg@yahoo.com>

Date: Thu, 5 Feb 1998 13:55:21 -0800 (PST)

From: Maggie Gerrity <u2ginsberg@yahoo.com>

Subject: pater noster

To: rinaldo@GPNET.IT

 

Rinaldo,

  Thanks for the post. It brings back memories of my year of studying

Latin in high school. Boy, those were the days!

        Maggie G.

 

 

 

 

==

"In dreams begin responsibilities."--Delmore Schwartz

 

_________________________________________________________

DO YOU YAHOO!?

Get your free @yahoo.com address at http://mail.yahoo.com

 

 

Return-Path: <"country"@sover.net>

Date: Fri, 06 Feb 1998 17:46:56 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: delete at will: pome final version

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id RAA29803

 

rinaldo, thank you for this response.

marie

 

Rinaldo Rasa wrote:

 

> Marie Countryman wrote a pome titled:

> >   my father's eyes

> >

> Marie today by synch i've read an article-interviewed Eric Clapton

> 

> q:      You wrote some songs of "Pilgrim"

>         after your son Conor's death. What?

> 

> a:      I wrote the piece "My fathers's eyes"

>         during the time of "unolugged". It is

>         the second song on my son.

> 

> Conor was the little son of Clapton and Lory Del Santo

> an italian actress. Conor died infant.

> 

> marie, while reading the newspaper remember yr pome,

> cari saluti a te e tutti gli amici,

> Rinaldo.

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Fri, 06 Feb 1998 18:14:29 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: delete at will: pome final version

 

no rinaldo: it is about my father dying, traumatic past, and present day

anguish. all totally autobiogrphical.

marie

 

Rinaldo Rasa wrote:

 

> >rinaldo, thank you for this response.

> >marie

> 

> cuz of Conor death Eric Clapton divorced by Lory.

> have yr pome any suggestion about this event?

> 

> rin

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Fri, 06 Feb 1998 22:54:00 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: delete at will: pome final version

 

it is all about my father, who never wanted nor loved me the way a child

should have been loved, rinaldo, sad to say.

 

Rinaldo Rasa wrote:

 

> >no rinaldo: it is about my father dying, traumatic past, and present day

> >anguish. all totally autobiogrphical.

> >marie

> >

> 

> now are u thinking of yr daddy? - i lost mine in 1975

> it was a cold day of jan - remember some siblings - and have

> a lot of tears - and gave a kiss in front of my daddy - i have the

> feeling of the aeternal cold -

> 

> rin

 

 

 

 

Return-Path: <race@midusa.net>

Date: Fri, 06 Feb 1998 16:58:35 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: 000 <race@midusa.net>, 0Stine <StineKC@aol.com>,

        ABILENE <dperkins@fas.harvard.edu>,

        "Achten, Greg" <gachten@PEPPERDINE.EDU>, Al Girtz <agirtz@yahoo.com>,

        Antoine Maloney <stratis@odyssee.net>, APPLE <edappel@epix.net>,

        arthur nusbaum <SSASN@aol.com>, attias <hfspc002@email.csun.edu>,

        auntdonna <dgh@MCI2000.com>, baker <SMDebate@aol.com>,

        racee@primary.net, "Beach@qconline.com" <Beach@qconline.com>,

        BEAR <MWBRYANT@aol.com>, Becky Galentine <theloft@ACCESSONE.COM>,

        begrand <vic.begrand@sk.sympatico.ca>,

        bilchriswestphoenix <chriswest@dancris.com>,

        Bob Stone <bstone@terraworld.net>, BrentT <Bthomp4444@aol.com>,

        Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

        carlin <prentice@falcoln.cc.ukans.edu>,

        carrie_crenshaw <ccrenshaw@ua1vm.ua.edu>,

        charlesSmith <cmsmith126@aol.com>, cindy <RevCynthia@aol.com>,

        Clune <a871@fhsu.edu>, coffeebreak <reichart@att.com>,

        Cori Dauber <cdauber@email.unc.edu>, culver <nculver@fwenc.com>,

        "CVEditions@aol.com" <CVEditions@aol.com>,

        David Mark Cheshier <joudmc@PANTHER.GSU.EDU>,

        designatedhitter <STRICKLG@esumail.emporia.edu>,

        Diane Carter <dcarter@together.net>,

        "dilley, benita" <bdilley@castle.cudenver.edu>,

        donnaV <vineyard@midusa.net>,

        "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>, DRTUNA@aol.com,

        Echrist <ELChristensen@SNOPUD.com>,

        Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

        Edward Schiappa <schia001@gold.tc.umn.edu>,

        "EliCunning@aol.com" <EliCunning@aol.com>,

        emporiahigh <mwoodbur@value-line.net>,

        emporiastate <BILESROD@esumail.emporia.edu>,

        "Eric L. Krug" <elkrug@kcnet.com>, FtHaysdebate <Joeb@media-net.net>,

        g_lane <laneg@william.jewell.edu>,

        Gerald Nicosia <gnicosia@earthlink.net>,

        Gibson <rgibson@prairienet.org>, gordo2 <jgordon@oz.sunflower.org>,

        Gordon Mitchell <gordonm+@PITT.EDU>,

        Greg Schnippel <schngre@harpo.cns.iit.edu>,

        "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

        "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

        jo grant <jgrant@bookzen.com>, jd.rollins@mail.utexas.edu,

        John Fritch <john_fritch@hotmail.com>, Joshua Hoe <ifjxh@hotmail.com>,

        k_broda_bahm <kbrodabahm@towson.edu>,

        Kenneth DeLaughder <Kenneth.DeLaughder@enmu.edu>,

        "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

        "Kent A. Ono" <kaono@ucdavis.edu>,

        kevin kuswa <k.kuswa@mail.utexas.edu>, Koch_Steve <skoch@capital.edu>,

        kstate <joburtis@ksu.edu>, BLain@blue.weeg.uiowa.edu,

        Lassie <dkpenn@oees.com>, lechtreck <db8coach@lightspeed.net>,

        Leon Tabory <letabor@cruzio.com>, brooklyn@netcom.com,

        "lewenthompson@midkan.com" <lewenthompson@midkan.com>,

        LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>,

        Linda Powell <Linda_Powell@BROWN.EDU>, "lingel, dan" <dlingel@why.net>,

        "louden, allan" <louden@wfu.edu>,

        louise_brokaw <PBY_EAST_IOWA@PCUSA.org>,

        Mark Hassman <hassman@midkan.com>, meany <JKM1993@aol.com>,

        Meredith Garmon <garmon.sm@juno.com>,

        "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

        mignoli <docmignoli@aol.com>, Nathan Coco <ncoco@mwe.com>,

        neckermank <neckermn@blue.weeg.uiowa.edu>,

        NELSONj <john_nelson@uiowa.edu>, pelliott@sunflower.com,

        phares@FALCON.CC.UKANS.EDU, "R. Bentz Kirby" <bocelts@scsn.net>,

        Randy Lake <rlake@almaak.usc.edu>,

        "RandyStace@aol.com" <RandyStace@aol.com>, Rasa <rinaldo@gpnet.it>,

        "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

        reicherT <ReicherT@nasd.com>, reynaldo <rgarcia@tacc.org>,

        racy@primenet.com, Robert Wick <rwick@cov.com>,

        roDger <rapayn01@ulkyvm.louisville.edu>,

        runnersplanet <Steve.Thompson@usd305.com>,

        "s.a. griffin" <perrotta@calvin.usc.edu>,

        Sam and Beth Stevens <sbstevens@mcione.com>,

        Scott Deatherage <lsd041@nwu.edu>,

        SCOTT HARRIS <sharris@FALCON.CC.UKANS.EDU>,

        Scott Segal <SEGASH+aPO1%Bracewell_&_Patterson@mcimail.com>,

        seed <ksjsks@midusa.net>, seed2 <sksdallas@aol.com>,

        seward23 <seward23@aol.com>, smartin@mailbox.acusd.edu,

        sigel <doug@gyro.net>, slypork <dscunningham@nwu.edu>,

        star <smuir@OSF1.GMU.EDU>, starwars <Brian_Stucky@ers.com>,

        steveMgriffin <sgriffin@law.tulane.edu>,

        Susan_Stanfield <SUEBELL@KSUVM.KSU.EDU>, JTalley4n6@aol.com,

        Thin <jeffrt@wichita.infi.net>, "tjardes, sue" <tjardes@ups.edu>

Subject: [Fwd: Zyprexa Blues #135]

Content-Disposition: inline

 

Message-ID: <34DA6459.7A1E@midusa.net>

Date: Thu, 05 Feb 1998 19:16:10 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

Subject: Zyprexa Blues #135

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: delete at will: pome final version

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802062249.RAA29803@pike.sover.net>

References: <3.0.1.32.19980206223905.006fdfb8@pop.gpnet.it>

 

>rinaldo, thank you for this response.

>marie

 

cuz of Conor death Eric Clapton divorced by Lory.

have yr pome any suggestion about this event?

 

rinTo: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: delete at will: pome final version

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802062316.SAA07761@pike.sover.net>

References: <3.0.1.32.19980206223905.006fdfb8@pop.gpnet.it> <3.0.1.32.19980207000029.0068aca0@pop.gpnet.it>

 

 

>no rinaldo: it is about my father dying, traumatic past, and present day

>anguish. all totally autobiogrphical.

>marie

> 

 

now are u thinking of yr daddy? - i lost mine in 1975

it was a cold day of jan - remember some siblings - and have

a lot of tears - and gave a kiss in front of my daddy - i have the

feeling of the aeternal cold -

 

rinTo: David Bruce Rhaesa <race@midusa.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: [Fwd: Zyprexa Blues #135]

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DB9549.7B4E@midusa.net>

References:

 

dave please im' asleeping here in this postmodernist venice

and this message came me empty its' something to do anyway

 

rinTo: David Bruce Rhaesa <race@midusa.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: [Fwd: Zyprexa Blues #135]

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DB9DDF.2789@midusa.net>

References: <3.0.1.32.19980207002640.006adebc@pop.gpnet.it>

 

>gonna head to a siesta now meeself.

>DR

> 

i hope that the spring time is by you in the Mid West

here in Italy ehm - are you listening...ive' stopped the

warm and are typing in cold nite...like-

 

rinReturn-Path: <race@midusa.net>

Date: Fri, 06 Feb 1998 17:33:51 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: [Fwd: Zyprexa Blues #135]

 

Rinaldo Rasa wrote:

>

> dave please im' asleeping here in this postmodernist venice

> and this message came me empty its' something to do anyway

>

> rin

 

gonna head to a siesta now meeself.

DR

 

To: cawilkie@comic.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: please, why?

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Date:         Thu, 15 Jan 1998 08:07:32 -0600

>Subject:      bad poetry

> 

>Cathy Wilkie says:

> 

>In order to make this really really really bad poetry, we need to

>include a few words:

> 

> 

>1. dreams

>2. butterflies

>3. love

>4. apple juice

>5. trains

>6. squishy

>7. appelate court

> 

> 

>cathy

> 

 

              butterflies

              eat

              my feet

 

02 08 98

 

Return-Path: <cawilkie@comic.net>

Date: Sun, 08 Feb 1998 12:48:36 -0600

From: cawilkie@comic.net

Reply-To: cawilkie@comic.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: please, why?

 

Rinaldo Rasa wrote:

>

> >Date:         Thu, 15 Jan 1998 08:07:32 -0600

> >Subject:      bad poetry

> >

> >Cathy Wilkie says:

> >

> >In order to make this really really really bad poetry, we need to

> >include a few words:

> >

> >

> >1. dreams

> >2. butterflies

> >3. love

> >4. apple juice

> >5. trains

> >6. squishy

> >7. appelate court

> >

> >

> >cathy

> >

>

>                         butterflies

>                         eat

>                         my feet

>

> 02 08 98

 

 

Rinaldo:

 

Good to hear from you!!!  I Was thinking about you just the other day as

I am reading Gerald Nicosia's MEMORY BABE, and was reading a little bit

about the italian translator of ON THE ROAD.  I can't remember the name

right offhand, but perhaps you could tell me how that person got

involved in translating that particular book.

 

Anyway, the list of words above, I just typed them in off the top of my

head to see what people would come up with.  Purely experimental, if you

know what I mean. 

 

I like the haiku-type poem you got out of it.

 

Later,

cathy

 

To: cawilkie@comic.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: please, why?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DDFE04.4E11@comic.net>

References: <3.0.1.32.19980208190545.00688d1c@pop.gpnet.it>

 

>Rinaldo:

> 

>Good to hear from you!!!  I Was thinking about you just the other day as

>I am reading Gerald Nicosia's MEMORY BABE, and was reading a little bit

>about the italian translator of ON THE ROAD.  I can't remember the name

>right offhand, but perhaps you could tell me how that person got

>involved in translating that particular book.

>Later,

>cathy

> 

cathy,

the translator she was Magda de Cristofaro in 1959

two year later the am publisher. it's a nice thing

that On the Road was translated by a woman and introduced

by Fernanda Pivano (but FP is more interested in AG,

translated HOWL _but_ in 1968) then the first beat (american

at least in italy) was JKerouac. i expressed the wish

taht anyone translatore keep i mind to modernize or

post-modernize the _old_ translation -

 

excuse me but from where in the Us of Am are u?

 

ciao,

rin.Return-Path: <cawilkie@comic.net>

Date: Sun, 08 Feb 1998 13:16:04 -0600

From: cawilkie@comic.net

Reply-To: cawilkie@comic.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: please, why?

 

Rinaldo Rasa wrote:

>

> >Rinaldo:

> >

> >Good to hear from you!!!  I Was thinking about you just the other day as

> >I am reading Gerald Nicosia's MEMORY BABE, and was reading a little bit

> >about the italian translator of ON THE ROAD.  I can't remember the name

> >right offhand, but perhaps you could tell me how that person got

> >involved in translating that particular book.

> >Later,

> >cathy

> >

> cathy,

> the translator she was Magda de Cristofaro in 1959

> two year later the am publisher. it's a nice thing

> that On the Road was translated by a woman and introduced

> by Fernanda Pivano (but FP is more interested in AG,

> translated HOWL _but_ in 1968) then the first beat (american

> at least in italy) was JKerouac. i expressed the wish

> taht anyone translatore keep i mind to modernize or

> post-modernize the _old_ translation -

>

> excuse me but from where in the Us of Am are u?

>

> ciao,

> rin.

 

 

 

Rinaldo:

 

smack dab in the middle of America, my friend.  Heart of the Heartland,

that would be Iowa.  I live in a town called Cedar Rapids, actually a

suburb of Cedar Rapids--Marion, Iowa.

 

cathy

 

To: cawilkie@comic.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: please, why?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DE0474.E97@comic.net>

References: <3.0.1.32.19980208190545.00688d1c@pop.gpnet.it> <3.0.1.32.19980208200430.006b9ef8@pop.gpnet.it>

 

>Rinaldo:

> 

>smack dab in the middle of America, my friend.  Heart of the Heartland,

>that would be Iowa.  I live in a town called Cedar Rapids, actually a

>suburb of Cedar Rapids--Marion, Iowa.

> 

>cathy

> 

> 

cathy,

if u send me yr postal address i send u a postcard picture

of venice-italy...

ciao,

rinaldo.

Return-Path: <cawilkie@comic.net>

Date: Sun, 08 Feb 1998 15:33:55 -0600

From: cawilkie@comic.net

Reply-To: cawilkie@comic.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: please, why?

 

Rinaldo Rasa wrote:

>

> >Rinaldo:

> >

> >smack dab in the middle of America, my friend.  Heart of the Heartland,

> >that would be Iowa.  I live in a town called Cedar Rapids, actually a

> >suburb of Cedar Rapids--Marion, Iowa.

> >

> >cathy

> >

> >

> cathy,

> if u send me yr postal address i send u a postcard picture

> of venice-italy...

> ciao,

> rinaldo.

 

 

Rinaldo:

 

 

that would be very nice, i'd like that a lot.

 

and in exchange, if you send me your address, i will send you postcard

of Iowa, or even send you some of my own pictures of iowa.

 

Cathy Wilkie

1300 Meadowview Apt. 4

Marion, Iowa 52302

 

 

cathy

 

Return-Path: <jen@enternet.co.nz>

X-Sender: jen@enternet.co.nz

Date: Mon, 09 Feb 1998 11:03:35 +1300

To: "The Underground Tunnel":;

From: Jen <jen@enternet.co.nz>

Subject: New

 

Hiya

 

Finally got around to changing the Tunnel - and the entire website while I

was at it.

 

Take care

 

Jen

 

 

 

 

 

 

_________________________________________

Two wrongs don't make a right, but three rights make a left.

Jen's Underground

http://www.enternet.co.nz/client/personal/jen

The time and date in New Zealand is currently:

09/02/98 11:02:40 am

_________________________________________

 

 

 

Return-Path: <race@midusa.net>

Date: Mon, 09 Feb 1998 01:51:33 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: Rasa <rinaldo@gpnet.it>

Subject: How

 

How is American Indian for hello (in case you didn't know).

 

It's also the first word in:

 

"How are things in Italy?"

 

d

 

To: David Bruce Rhaesa <race@midusa.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: How

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DEB585.3AA@midusa.net>

References:

 

David tell me:

>How is American Indian for hello (in case you didn't know).

> 

>It's also the first word in:

> 

>"How are things in Italy?"

> 

>d

> 

David,

sat morn i was walkin thru campiellos of venice

& went to stationery shop in Campo S. Margherita

& i bought some picture postcard...one is the

famous Squero of San Trovaso (central station of

the Universe, as everyone know...) but the good

news are that the postcard has been painted in

those watercolor stile...very nice...i immediatly

planned to send you a copy...then there's a photo

of the Campo del Ghetto under a snowfall...this in

black&white...also very nice...springtime is on

coming...maybe it's a good idea to glue on the back

to bode well...HOW...im'waiting for while a picture

card of Salina, Kansas, Us of Am...HOW...today its'

a serene day...light...sun...now just come back to

work...on the railroad trip all along a friend of mine

talk of HOW beautiful is Florence, HOW beautiful is

Rome...& those artistic works...while the ventian landscape

full of crumbling houses...hunters walkin in field...

OWL & HAWKS aims rats...the mountains are trailed small

snow on the top...im' really fascinate...

.....

rReturn-Path: <race@midusa.net>

Date: Mon, 09 Feb 1998 09:28:20 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: "stauffer@pacbell.net" <stauffer@pacbell.net>,

        starwars <Brian_Stucky@ers.com>, star <smuir@OSF1.GMU.EDU>,

        slypork <dscunningham@nwu.edu>, sigel <doug@gyro.net>,

        Sherri <love_singing@msn.com>, smartin@mailbox.acusd.edu,

        seward23 <seward23@aol.com>, seed2 <sksdallas@aol.com>,

        seed <ksjsks@midusa.net>,

        Scott Segal <SEGASH+aPO1%Bracewell_&_Patterson@mcimail.com>,

        SCOTT HARRIS <sharris@FALCON.CC.UKANS.EDU>,

        Scott Deatherage <lsd041@nwu.edu>,

        Sam and Beth Stevens <sbstevens@mcione.com>,

        "s.a. griffin" <perrotta@calvin.usc.edu>,

        "RStineman@aol.com" <RStineman@aol.com>,

        roDger <rapayn01@ulkyvm.louisville.edu>, ROC <kai@informatics.net>,

        robert_lay <rlay@onramp.net>, Robert Wick <rwick@cov.com>,

        racy@primenet.com, reynaldo <rgarcia@tacc.org>,

        reicherT <ReicherT@nasd.com>,

        "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

        Rasa <rinaldo@gpnet.it>, "RandyStace@aol.com" <RandyStace@aol.com>,

        Randy Lake <rlake@almaak.usc.edu>, "R. Bentz Kirby" <bocelts@scsn.net>,

        "ptrax@midusa.net" <ptrax@midusa.net>, principal <dmcbeth@midusa.net>,

        presbynorthKS <pby_northern_kansas.parti@pcusa.org>,

        phares@FALCON.CC.UKANS.EDU, pelliott@sunflower.com,

        OSTROM <janice.ostrom@usd305.com>,

        ochsowner <no-more-songs-approval@cs.pdx.edu>,

        NELSONj <john_nelson@uiowa.edu>,

        neckermank <neckermn@blue.weeg.uiowa.edu>, Nathan Coco <ncoco@mwe.com>,

        myweb <mrsparty@hotmail.com>, mignoli <docmignoli@aol.com>,

        Meredith Garmon <garmon.sm@juno.com>,

        melanie <melanie_crawford.parti@pcusa.org>, meany <JKM1993@aol.com>,

        Mark Hassman <hassman@midkan.com>, marie <country@sover.net>,

        louise_brokaw <PBY_EAST_IOWA@pcusa.org>,

        "louden, allan" <louden@wfu.edu>, "lingel, dan" <dlingel@why.net>,

        Linda Powell <Linda_Powell@BROWN.EDU>,

        LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>,

        "lewenthompson@midkan.com" <lewenthompson@midkan.com>,

        brooklyn@netcom.com, Leon Tabory <letabor@cruzio.com>,

        lechtreck <db8coach@lightspeed.net>, Lassie <dkpenn@oees.com>,

        BLain@blue.weeg.uiowa.edu, kstate <joburtis@ksu.edu>,

        Koch_Steve <skoch@capital.edu>, kneckerman <poroi@blue.weeg.uiowa.edu>,

        kevin kuswa <k.kuswa@mail.utexas.edu>,

        "Kent A. Ono" <kaono@ucdavis.edu>,

        "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

        Kenneth DeLaughder <Kenneth.DeLaughder@enmu.edu>,

        k_broda_bahm <kbrodabahm@towson.edu>, Joshua Hoe <ifjxh@hotmail.com>,

        john sloop <sloopjm@ctrvax.Vanderbilt.Edu>,

        John Fritch <john_fritch@hotmail.com>, jd.rollins@mail.utexas.edu,

        jo grant <jgrant@bookzen.com>,

        "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

        Jamey Dumas <dumas@GONZAGA.EDU>,

        "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

        HARMON <debate@midusa.net>, Greg Schnippel <schngre@harpo.cns.iit.edu>,

        Gordon Mitchell <gordonm+@PITT.EDU>, gordo2 <jgordon@oz.sunflower.org>,

        Gibson <rgibson@prairienet.org>,

        Gerald Nicosia <gnicosia@earthlink.net>,

        g_lane <laneg@william.jewell.edu>, FtHaysdebate <Joeb@media-net.net>,

        "Eric L. Krug" <elkrug@kcnet.com>,

        emporiastate <BILESROD@esumail.emporia.edu>,

        emporiahigh <mwoodbur@value-line.net>,

        "EliCunning@aol.com" <EliCunning@aol.com>,

        Edward Schiappa <schia001@gold.tc.umn.edu>,

        edebatemail <edebate@list.uvm.edu>,

        Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>

Subject: [Fwd: [Fwd: Quote of the Week]]

 

what's a jihad anyway?

 

what did one marine say to the other about time in the gulf?

it's a gas, gas, gas!

Message-ID: <34DF0238.78B6@midusa.net>

Date: Mon, 09 Feb 1998 07:18:48 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Zarefsky <d-zarefsky@nwu.edu>

Subject: [Fwd: Quote of the Week]

Content-Type: message/rfc822

Content-Transfer-Encoding: 7bit

Content-Disposition: inline

 

Message-ID: <34DF0201.3829@midusa.net>

Date: Mon, 09 Feb 1998 07:17:53 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Echrist <ELChristensen@SNOPUD.com>,

   dukeofOPERA <WTeller692@aol.com>, DRTUNA@aol.com,

   "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>,

   donnaV <vineyard@midusa.net>, DireStraits <kthomp@rocketmail.com>,

   "dilley, benita" <bdilley@castle.cudenver.edu>,

   Diane Carter <dcarter@together.net>, DCardKJHS <DCardKJHS@aol.com>,

   designatedhitter <STRICKLG@esumail.emporia.edu>,

   "david.glass@regpha.com" <david.glass@regpha.com>,

   David Mark Cheshier <joudmc@PANTHER.GSU.EDU>,

   "CVEditions@aol.com" <CVEditions@aol.com>,

   culver <nculver@fwenc.com>, CousinJohnRhaesa <HPDJRACE@aol.com>,

   cousinBetty <walegge@midusa.net>,

   Cori Dauber <cdauber@email.unc.edu>,

   coffeebreak <reichart@att.com>, Clune <a871@fhsu.edu>,

   cindy <RevCynthia@aol.com>, charlesSmith <cmsmith126@aol.com>,

   carrie_crenshaw <ccrenshaw@ua1vm.ua.edu>,

   carlin <prentice@falcoln.cc.ukans.edu>,

   Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

   BrentT <Bthomp4444@aol.com>, Bob Stone <bstone@terraworld.net>,

   Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>,

   bilchriswestphoenix <chriswest@dancris.com>,

   begrand <vic.begrand@sk.sympatico.ca>,

   Becky Galentine <theloft@ACCESSONE.COM>, BEAR <MWBRYANT@AOL.COM>,

   racee@primary.net, baker <SMDebate@aol.com>,

   auntdonna <dgh@MCI2000.com>, attias <hfspc002@email.csun.edu>,

   arthur nusbaum <SSASN@AOL.COM>, APPLE <edappel@epix.net>,

   Antoine Maloney <stratis@odyssee.net>, Al Girtz <agirtz@yahoo.com>,

   "Achten, Greg" <gachten@PEPPERDINE.EDU>,

   ABILENE <dperkins@fas.harvard.edu>

Subject: Quote of the Week

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

"No one goes to Hades with all his immense wealth."

                   -- Theognis

                   570-490 B.C.

 

To: cawilkie@comic.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: please, why?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DE24C3.5769@comic.net>

References: <3.0.1.32.19980208190545.00688d1c@pop.gpnet.it> <3.0.1.32.19980208200430.006b9ef8@pop.gpnet.it> <3.0.1.32.19980208222641.006adbf8@pop.gpnet.it>

 

>Rinaldo:

> 

> 

>that would be very nice, i'd like that a lot.

> 

>and in exchange, if you send me your address, i will send you postcard

>of Iowa, or even send you some of my own pictures of iowa.

> 

>Cathy Wilkie

>1300 Meadowview Apt. 4

>Marion, Iowa 52302

> 

> 

>cathy

> 

cathy,

also i find very nice to synch the thought 'bout

sharing postcard (added or personalized by own visual

artwork or similia u like stick it by glue yr painting?) -

(in addition to email thru the internet...)i mind the motto of

the Beatles "Fun is the one thing that money can't buy"...

 

... my postal address is

 

   Rinaldo Rasa

   via Morlaiter 2

   30173 VENEZIA-Mestre

   ITALIA

 

To: mbergxx@IQUEST.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: no subject...

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>X-Sender: mbergxx@pop.iquest.net (Unverified)

>Date:         Sun, 22 Feb 1998 18:27:17 -0500

as ever i'm amazed by computer dadaism...

rinaldo.Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Tue, 10 Feb 1998 20:17:38 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: 2 YRS AGO HANDED AT TITANIC

Organization: Calgary Community Network Assoc.

 

 

thank

you 4

all t

he po

mes t

hat u

send

the l

ist!&

me as

well!

yrs

alway

s dab

On Sun, 8 Feb 1998, Rinaldo Rasa wrote:

 

>

> Jeffrey Scott Holland says:

> >William S.Burroughs came into this world on this day in 1914. Radio was

> >in its infancy, and Nikola Tesla was preparing to sue Marconi for his

>

>                         YOUTH

>                         be deep I see you

>                                 --jk "SEA"

>

> youthyouthYOUTHY-O-U-T-H-.-.-YOUthyouth--

>

> The Marconi International Marine Communications co, Ltd.

>

> you

> th                      14 APR 1912

>                         Watergate H

>                         ouse

>

> youthyouthyouth

>                         11.40 PM. N.Y.T.                OFF IS SMALL

>                         TITANIC SAYS TELL               BOATS.

>                         CAPTAIN WE ARE PU

>                         TTING THE PASSENG

>                         GERS

>

>                         11.45 PM. N.Y.T.                WHAT THE WHEATHER

>                         ASKED THE TITANIC               HE, HAD HE SAYS C

>                                                         LEAR AND CLAM.

> YOUTHYOUTH

> YOUTHYOUTH

>                 YOUTHYOUTHYOUTH

>

> ---

> Rinaldo

> 02Feb98

>

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

 

Return-Path: <race@midusa.net>

Date: Fri, 13 Feb 1998 17:30:41 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: Zarefsky <d-zarefsky@nwu.edu>,

        "zambezi@falcon.cc.ukans.edu" <zambezi@falcon.cc.ukans.edu>,

        ZAC <zachery_anderson@hotmail.com>, wizard <FDBBC@CUNYVM.EDU>,

        William E Newnam <wnewnam@emory.edu>,

        WILD_BILL <Bill.Henderson@uni.edu>,

        wichitastate <jarman@elliott.es.twsu.edu>,

        WEISWOMEN <weisk@helpnt.org>, Virgil Balthrop <vwb@EMAIL.UNC.EDU>,

        imaa@midusa.net, "urinal<grin>publisher" <Hrayl@saljournal.com>,

        TrunkJayhawk <Steve.Thompson@usd305.com>,

        "tjardes, sue" <tjardes@ups.edu>, Thin <jeffrt@wichita.infi.net>,

        TATE <tate@wonderlink.net>, JTalley4n6@aol.com,

        Susan_Stanfield <SUEBELL@KSUVM.KSU.EDU>,

        sunrise <sunrise.parti@pcusa.org>,

        steveMgriffin <sgriffin@law.tulane.edu>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>,

        starwars <Brian_Stucky@ers.com>, star <smuir@OSF1.GMU.EDU>,

        slypork <dscunningham@nwu.edu>, sigel <doug@gyro.net>,

        Sherri <love_singing@msn.com>, smartin@mailbox.acusd.edu,

        seward23 <seward23@aol.com>, seed2 <sksdallas@aol.com>,

        seed <ksjsks@midusa.net>,

        Scott Segal <SEGASH+aPO1%Bracewell_&_Patterson@mcimail.com>,

        SCOTT HARRIS <sharris@falcon.cc.ukans.edu>,

        Scott Deatherage <lsd041@nwu.edu>,

        Sam and Beth Stevens <sbstevens@mcione.com>,

        "s.a. griffin" <perrotta@calvin.usc.edu>,

        "RStineman@aol.com" <RStineman@aol.com>,

        roDger <rapayn01@ulkyvm.louisville.edu>, ROC <kai@informatics.net>,

        robert_lay <rlay@onramp.net>, Robert Wick <rwick@cov.com>,

        racy@primenet.com, reynaldo <rgarcia@tacc.org>,

        reicherT <ReicherT@nasd.com>,

        "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

        Rasa <rinaldo@gpnet.it>, "RandyStace@aol.com" <RandyStace@aol.com>,

        Randy Lake <rlake@almaak.usc.edu>, "R. Bentz Kirby" <bocelts@scsn.net>,

        "ptrax@midusa.net" <ptrax@midusa.net>, principal <dmcbeth@midusa.net>,

        presbynorthKS <pby_northern_kansas.parti@pcusa.org>,

        phares@falcon.cc.ukans.edu, pelliott@sunflower.com,

        OSTROM <janice.ostrom@usd305.com>,

        ochsowner <no-more-songs-approval@cs.pdx.edu>,

        NELSONj <john_nelson@uiowa.edu>,

        neckermank <neckermn@blue.weeg.uiowa.edu>, Nathan Coco <ncoco@mwe.com>,

        myweb <mrsparty@hotmail.com>, mignoli <docmignoli@aol.com>,

        "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

        Meredith Garmon <garmon.sm@juno.com>,

        melanie <melanie_crawford.parti@pcusa.org>, meany <JKM1993@aol.com>,

        Mark Hassman <hassman@midkan.com>, marie <country@sover.net>,

        louise_brokaw <PBY_EAST_IOWA@pcusa.org>,

        "louden, allan" <louden@wfu.edu>, "lingel, dan" <dlingel@why.net>,

        Linda Powell <Linda_Powell@BROWN.EDU>,

        LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>,

        "lewenthompson@midkan.com" <lewenthompson@midkan.com>,

        brooklyn@netcom.com, Leon Tabory <letabor@cruzio.com>,

        lechtreck <db8coach@lightspeed.net>, Lassie <dkpenn@oees.com>,

        BLain@blue.weeg.uiowa.edu, kudebate <KUDEBATE-L@ukans.edu>,

        kstate <joburtis@ksu.edu>, Koch_Steve <skoch@capital.edu>,

        kneckerman <poroi@blue.weeg.uiowa.edu>,

        kevin kuswa <k.kuswa@mail.utexas.edu>,

        "Kent A. Ono" <kaono@ucdavis.edu>,

        "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

        Kenneth DeLaughder <Kenneth.DeLaughder@enmu.edu>,

        k_broda_bahm <kbrodabahm@towson.edu>, Joshua Hoe <ifjxh@hotmail.com>,

        john sloop <sloopjm@ctrvax.Vanderbilt.Edu>,

        John Fritch <john_fritch@hotmail.com>, jd.rollins@mail.utexas.edu,

        jo grant <jgrant@bookzen.com>,

        "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

        Jamey Dumas <dumas@GONZAGA.EDU>,

        "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

        HARMON <debate@midusa.net>, Greg Schnippel <schngre@harpo.cns.iit.edu>,

        Gordon Mitchell <gordonm+@PITT.EDU>, gordo2 <jgordon@oz.sunflower.org>,

        Gibson <rgibson@prairienet.org>,

        Gerald Nicosia <gnicosia@earthlink.net>,

        g_lane <laneg@william.jewell.edu>, FtHaysdebate <Joeb@media-net.net>,

        FISHBONES <sakana69@hotmail.com>, "Eric L. Krug" <elkrug@kcnet.com>,

        emporiastate <BILESROD@esumail.emporia.edu>,

        emporiahigh <mwoodbur@value-line.net>,

        "EliCunning@aol.com" <EliCunning@aol.com>,

        Edward Schiappa <schia001@gold.tc.umn.edu>,

        edebatemail <edebate@list.uvm.edu>,

        Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

        Echrist <ELChristensen@SNOPUD.com>, dukeofOPERA <WTeller692@aol.com>,

        DRTUNA@aol.com, "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>,

        donnaV <vineyard@midusa.net>, DireStraits <kthomp@rocketmail.com>,

        "dilley, benita" <bdilley@castle.cudenver.edu>,

        "Diane M. Homza" <ek242@cleveland.Freenet.Edu>,

        Diane Carter <dcarter@together.net>,

        designatedhitter <STRICKLG@esumail.emporia.edu>,

        DCardKJHS <DCardKJHS@aol.com>,

        "david.glass@regpha.com" <david.glass@regpha.com>,

        David Mark Cheshier <joudmc@PANTHER.GSU.EDU>,

        "CVEditions@aol.com" <CVEditions@aol.com>, culver <nculver@fwenc.com>,

        CousinJohnRhaesa <HPDJRACE@aol.com>, cousinBetty <walegge@midusa.net>,

        Cori Dauber <cdauber@EMAIL.UNC.EDU>, coffeebreak <reichart@att.com>,

        Clune <a871@fhsu.edu>, cindy <RevCynthia@aol.com>,

        charlesSmith <cmsmith126@aol.com>,

        CELTICPRIDE <William.F.Russell@Dartmouth.EDU>,

        CEDARRAPIDS <cawilkie@comic.net>,

        carrie_crenshaw <ccrenshaw@ua1vm.ua.edu>,

        carlin <prentice@falcoln.cc.ukans.edu>, burke-L <Burke-L@siu.edu>,

        Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

        BrentT <Bthomp4444@aol.com>, bohemian <Bohemian@maelstrom.stjohns.edu>,

        Bob Stone <bstone@terraworld.net>, Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>,

        bilchriswestphoenix <chriswest@dancris.com>,

        begrand <vic.begrand@sk.sympatico.ca>,

        Becky Galentine <theloft@ACCESSONE.COM>, BEAR <MWBRYANT@aol.com>,

        racee@primary.net, baker <SMDebate@aol.com>, AVERY <donam@asu.edu>,

        auntdonna <dgh@MCI2000.com>, attias <hfspc002@email.csun.edu>,

        arthur nusbaum <SSASN@aol.com>, APPLE <edappel@epix.net>,

        Antoine Maloney <stratis@odyssee.net>, Al Girtz <agirtz@yahoo.com>,

        "Achten, Greg" <gachten@PEPPERDINE.EDU>,

        ABILENE <dperkins@fas.harvard.edu>

Subject: [Fwd: zyprexa blues #134]

 

sorry i'm a day late with this weekly magazine everyone.

david

Message-ID: <34E3BAC9.4A7D@midusa.net>

Date: Thu, 12 Feb 1998 21:15:21 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

X-Mailer: Mozilla 3.01Gold (Win95; I)

MIME-Version: 1.0

To: Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

CC: AVERY <donam@asu.edu>, auntdonna <dgh@MCI2000.com>,

   attias <hfspc002@email.csun.edu>, arthur nusbaum <SSASN@AOL.COM>,

   APPLE <edappel@epix.net>, Al Girtz <agirtz@yahoo.com>,

   "Achten, Greg" <gachten@PEPPERDINE.EDU>,

   ABILENE <dperkins@fas.harvard.edu>

Subject: zyprexa blues #134

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit

 

sea

ewe

lay tur

nocturnal ant colonists.

 

DR/dbr

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Fri, 13 Feb 1998 19:25:26 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: !!DON'T GIVE UP!! (was Re: Abe Lincoln)

Organization: Calgary Community Network Assoc.

 

 

rinaldo

once again you have impressed and made me exstatic w/ yr poetry of

sainthood thoughtfulness thanks!

always

derek

On Sat, 14 Feb 1998, Rinaldo Rasa wrote:

 

>

> Carly Earnshaw says:

> >abe lincoln? the beats?  the connection?

>         |               |               |

>         |               |               |

> my barcode num  |       the badge reader

> ber unsticked     |     red light flashi

> on the card             |       refused my name

>            \      |    /

>             \     |   /

>                 the town and the city

>             /   has almost 300 pages\

> searching/                       \

> for a bib\              pietas i saw    \

> le in a j \             a dead rat o     \

> ail          \-----     n the street      \

> |                 today dead r       \

> |                 at is beauti        \

> |                 ful!                  the book

> |                          \                    guilty o

> |                           \           f everyt

> |                            \----------        hing is

> |                            /          out of p

> |                           /                   rint\

> mexico city blues-----\                  \

> is sold out                  \                  I STOPPED

> \                       |                 FOR A COF

>  \                     HST              / FE TONITE

> DEAD ra                BUR--------------\

> t is be                IED                   \maybe i h

> autiful                IN                       ave to bu

> it's is                THE                      ried the

> useless                60s                      rat pleas

> \                        |                      se

> DON'T                    \               /

> GIVE                      \             /

> UP!!                            DON'T GIVE UP!!

> \                                       /

>  \                           /

>

>         a prayer...

>

> ---

> rinaldo

> 14feb98

>

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: good morning

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980213192457.55812C-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19980214001206.00689f44@pop.gpnet.it>

 

Derek, always grateful of yr eletter from magic canada

thanx for the compliments, it's good news to see youth

publisher like u. i've yesterday sent u a pic postcard

i hope it goes right. by the way what's happeneded to

Antoine? he is not posting to the list... have some info?

ciao, buona domenica (good sunday),

Rinaldo.

Return-Path: <race@midusa.net>

Date: Sat, 14 Feb 1998 22:31:09 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: Zarefsky <d-zarefsky@nwu.edu>, WEISWOMEN <weisk@helpnt.org>,

        imaa@midusa.net, TrunkJayhawk <Steve.Thompson@usd305.com>,

        "tjardes, sue" <tjardes@ups.edu>, Thin <jeffrt@wichita.infi.net>,

        TATE <tate@wonderlink.net>, sunrise <sunrise.parti@pcusa.org>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>,

        Sherri <love_singing@msn.com>, seed <ksjsks@midusa.net>,

        Sam and Beth Stevens <sbstevens@mcione.com>, ROC <kai@informatics.net>,

        robert_lay <rlay@onramp.net>, racy@primenet.com,

        reynaldo <rgarcia@tacc.org>, Rasa <rinaldo@gpnet.it>,

        "ptrax@midusa.net" <ptrax@midusa.net>, principal <dmcbeth@midusa.net>,

        presbynorthKS <pby_northern_kansas.parti@pcusa.org>,

        NELSONj <john_nelson@uiowa.edu>,

        neckermank <neckermn@blue.weeg.uiowa.edu>,

        Meredith Garmon <garmon.sm@juno.com>,

        melanie <melanie_crawford.parti@pcusa.org>,

        Mark Hassman <hassman@midkan.com>, marie <country@sover.net>,

        louise_brokaw <PBY_EAST_IOWA@pcusa.org>,

        Linda Powell <Linda_Powell@BROWN.EDU>,

        Leon Tabory <letabor@cruzio.com>,

        "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

        gordo2 <jgordon@oz.sunflower.org>, Gibson <rgibson@prairienet.org>,

        "EliCunning@aol.com" <EliCunning@aol.com>,

        dukeofOPERA <WTeller692@aol.com>, donnaV <vineyard@midusa.net>,

        CousinJohnRhaesa <HPDJRACE@aol.com>, cousinBetty <walegge@midusa.net>,

        BrentT <Bthomp4444@aol.com>,

        bilchriswestphoenix <chriswest@dancris.com>, racee@primary.net,

        auntdonna <dgh@MCI2000.com>, Al Girtz <agirtz@yahoo.com>

Subject: [Fwd: [Fwd: ATTITUDE IS EVERYTHING]]

 

from Rev. Cindy Sickler Unity church salina

dbr

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Message-ID: <34E5B807.171A2A50@midusa.net>

Date: Sat, 14 Feb 1998 10:28:07 -0500

From: cindy sickler <revcindy@midusa.net>

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Subject: [Fwd: ATTITUDE IS EVERYTHING]

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Date: Fri, 06 Feb 98 09:49:50 -0600

From: "Debbie Ball" <cssc@unity.org>

Subject: ATTITUDE IS EVERYTHING

To: Cathy_Chong@Hilton.com, RevCindy@midusa.net, Doosburn@aol.com,

        JFrichot@aol.com, JJobe@PrincessHotels.com, Ball@sky.net

X-Mailer: SPRY Mail Version: 04.00.06.17

Message-Id: <19980206094815.389c87e7.in@mail.unity.org>

 

 

Subject: ATTITUDE IS EVERYTHING

 

        (written by Francie Baltazar-Schwartz)

 

Jerry is the kind of guy you love to hate.  He is always in a

good mood and

always has something positive to say.  When someone would ask

him how he

was doing, he would reply, "If I were any better, I would be

twins!

 

He was a unique manager because he had several waiters who had

followed him

around from restaurant to restaurant. The reason the waiters

followed Jerry

was because of his attitude. He was a natural motivator. If an

employee was

having a bad day, Jerry was there telling the employee how to

look on the

positive side of the situation. Seeing this style really made

me curious,

so one day I went up to Jerry and asked him, "I don't get it!

You can't be

a positive person all of the time. How do you do it?"

 

Jerry replied,"Each morning I wake up and say to myself, Jerry,

you have

two choices today. You can choose to be in a good mood or you

can choose to

be in a bad mood.  I choose to be in a good mood. Each time

something bad

happens, I can choose to be a victim or I can choose to learn

from it. I

choose to learn from it. Every time someone comes to me

complaining, I can

choose to accept their complaining or I can point out

the positive side of life. I choose the positive side of life."

 

"Yeah, right, it's not that easy,"  I protested. "Yes it is,"

Jerry said.

 

"Life is all about choices.  When you cut away all the junk, every

situation is a choice. You choose how you react to situations.

You choose

how people will affect your mood. You choose to be in a good

mood or bad

mood. The bottom line:

 

It's your choice how you live life."

 

I reflected on what Jerry said.  Soon thereafter, I left the

restaurant

industry to start my own business.  We lost touch, but I often

thought

about him when I made a choice about life instead of reacting

to it.

Several years later, I heard that Jerry did something you are

never

supposed to do in a restaurant business:  he left the back door

open one

morning and was held up at gunpoint by three armed robbers.

While trying to

open the safe, his hand, shaking from nervousness, slipped off the

combination. The robbers panicked and shot him.

 

Luckily, Jerry was found relatively quickly and rushed to the

local trauma

center. After 18 hours of surgery and weeks of intensive care,

Jerry was

released from the hospital with fragments of the bullets still

in his body.

 

I was with Jerry about six months after the accident.  When I

asked him how

he was, he replied, "If I were any better, I'd be twins. Wanna

see my

scars?" I declined to see his wounds, but did ask him what had

gone through

his mind as the robbery took place. "The first thing that went

through my

mind was that I should have locked the back door", Jerry replied.

 

"Then, as I lay on the floor, I remembered that I had two

choices: I could

choose to live or I could choose to die.  I chose to live."

 

"Weren't you scared?  Did you lose consciousness?"  I asked. Jerry

continued, "The paramedics were great.  They kept telling me I

was going to

be fine. But when they wheeled me into the ER and I was looking

at the

expressions on the faces of the doctors and nurses, I got

really scared. In

their eyes, I read 'he's a dead man'. I knew I needed to take

action."

 

"What did you do?"  I asked.  "Well, there was a big burly

nurse shouting

questions at me," said Jerry.  "She asked if I was allergic to

anything.

'Yes' I replied. The doctors and nurses stopped working as they

waited for

my reply.   I took a deep breath and yelled, 'Bullets!' Over their

laughter, I told them, 'I am choosing to live.

Operate on me as if I am alive, not dead."

 

Jerry lived thanks to the skill of his doctors, but also

because of his

amazing attitude. I learned from him that every day we have the

choice to

live fully.

 

Attitude, after all, is everything.

 

You have two choices. now:

1. Delete this.

2. Forward it to the people you care about.

 

 

 

 

 

 

 

 

 

<----  End Forwarded Message  ---->

 

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Sun, 15 Feb 1998 14:28:35 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: good morning

Organization: Calgary Community Network Assoc.

 

 

> Derek, always grateful of yr eletter from magic canada

> thanx for the compliments, it's good news to see youth

thanks for all you sed.

what was yr address again? i would like to send out some of my poetry, etc

--

   would you consider letting me publishing a chapbook of yr poems ?

i find them just fantastic & i think that they should be poublished.

interested?

> publisher like u. i've yesterday sent u a pic postcard

> i hope it goes right. by the way what's happeneded to

> Antoine? he is not posting to the list... have some info?

i think hes just real buzy i have heard from him a couple time lately. i

assume everything is ok - his email is:

stratis@odyssee.net

if you wanna atlk to him

chiao

yrs

derek

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: good morning#2

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980215142601.13178B-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19980214145329.00721acc@pop.gpnet.it>

 

my postal address:

---------------------

Rinaldo Rasa

via Morlaiter 2

30173 VENEZIA-Mestre

ITALIA.

---------------------

derek,

 

IM'GLAD TO SEE YR PUBLICATIONS!

 

ciao,

Rinaldo.

-------Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Sun, 15 Feb 1998 15:18:13 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

X-Sender: dabeauli@srv1.freenet.calgary.ab.ca

To: Rinaldo Rasa <rinaldo@gpnet.it>

Cc: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

Subject: Re: good morning#2

Organization: Calgary Community Network Assoc.

 

 

rinaldo

will you send me a bunch of yr poems to publish? (and sell?)

yrs

derek

 

On Sun, 15 Feb 1998,

Rinaldo Rasa wrote:

 

>

> my postal address:

> ---------------------

> Rinaldo Rasa

> via Morlaiter 2

> 30173 VENEZIA-Mestre

> ITALIA.

> ---------------------

> derek,

>

> IM'GLAD TO SEE YR PUBLICATIONS!

>

> ciao,

> Rinaldo.

> -------

>

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

 

Return-Path: <race@midusa.net>

Date: Mon, 16 Feb 1998 05:49:04 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: ABILENE <dperkins@fas.harvard.edu>,

        "Achten, Greg" <gachten@PEPPERDINE.EDU>, Al Girtz <agirtz@yahoo.com>,

        ALASKA <nathan_vereide@ima.connections.com>,

        Antoine Maloney <stratis@odyssee.net>, APPLE <edappel@epix.net>,

        arthur nusbaum <SSASN@AOL.COM>, attias <hfspc002@email.csun.edu>,

        auntdonna <dgh@MCI2000.com>, AVERY <donam@asu.edu>,

        baker <SMDebate@AOL.COM>, racee@primary.net, BEAR <MWBRYANT@AOL.COM>,

        Becky Galentine <theloft@ACCESSONE.COM>,

        begrand <vic.begrand@sk.sympatico.ca>,

        bilchriswestphoenix <chriswest@dancris.com>,

        Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>, Bob Stone <bstone@terraworld.net>,

        BrentT <Bthomp4444@AOL.COM>,

        Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

        carlin <prentice@falcoln.cc.ukans.edu>,

        carrie_crenshaw <ccrenshaw@ua1vm.ua.edu>,

        CEDARRAPIDS <cawilkie@comic.net>,

        CELTICPRIDE <William.F.Russell@Dartmouth.EDU>,

        charlesSmith <cmsmith126@AOL.COM>, cindy <RevCynthia@AOL.COM>,

        Clune <a871@fhsu.edu>, coffeebreak <reichart@att.com>,

        Cori Dauber <cdauber@email.unc.edu>, cousinBetty <walegge@midusa.net>,

        CousinJohnRhaesa <HPDJRACE@AOL.COM>, culver <nculver@fwenc.com>,

        "CVEditions@aol.com" <CVEditions@AOL.COM>,

        David Mark Cheshier <joudmc@PANTHER.GSU.EDU>,

        "david.glass@regpha.com" <david.glass@regpha.com>,

        DCardKJHS <DCardKJHS@AOL.COM>,

        designatedhitter <STRICKLG@esumail.emporia.edu>,

        Diane Carter <dcarter@together.net>,

        "dilley, benita" <bdilley@castle.cudenver.edu>,

        DireStraits <kthomp@rocketmail.com>, donnaV <vineyard@midusa.net>,

        "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>, DRTUNA@AOL.COM,

        dukeofOPERA <WTeller692@AOL.COM>, Echrist <ELChristensen@SNOPUD.com>,

        Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

        Edward Schiappa <schia001@gold.tc.umn.edu>,

        "EliCunning@aol.com" <EliCunning@AOL.COM>,

        emporiahigh <mwoodbur@value-line.net>,

        emporiastate <BILESROD@esumail.emporia.edu>,

        "Eric L. Krug" <elkrug@kcnet.com>, FISHBONES <sakana69@hotmail.com>,

        FtHaysdebate <Joeb@media-net.net>, g_lane <laneg@william.jewell.edu>,

        Gerald Nicosia <gnicosia@earthlink.net>,

        Gibson <rgibson@prairienet.org>, gordo2 <jgordon@oz.sunflower.org>,

        Gordon Mitchell <gordonm+@PITT.EDU>,

        Greg Schnippel <schngre@harpo.cns.iit.edu>, HARMON <debate@midusa.net>,

        "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

        Jamey Dumas <dumas@GONZAGA.EDU>,

        "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

        jo grant <jgrant@bookzen.com>, jd.rollins@mail.utexas.edu,

        John Fritch <john_fritch@hotmail.com>,

        john sloop <sloopjm@ctrvax.Vanderbilt.Edu>,

        Joshua Hoe <ifjxh@hotmail.com>, k_broda_bahm <kbrodabahm@towson.edu>,

        Kenneth DeLaughder <Kenneth.DeLaughder@enmu.edu>,

        "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

        "Kent A. Ono" <kaono@ucdavis.edu>,

        kevin kuswa <k.kuswa@mail.utexas.edu>,

        kneckerman <poroi@blue.weeg.uiowa.edu>, Koch_Steve <skoch@capital.edu>,

        kstate <joburtis@ksu.edu>, BLain@blue.weeg.uiowa.edu,

        Lassie <dkpenn@oees.com>, lechtreck <db8coach@lightspeed.net>,

        Leon Tabory <letabor@cruzio.com>, brooklyn@netcom.com,

        "lewenthompson@midkan.com" <lewenthompson@midkan.com>,

        LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>,

        Linda Powell <Linda_Powell@BROWN.EDU>, "lingel, dan" <dlingel@why.net>,

        "louden, allan" <louden@wfu.edu>,

        louise_brokaw <PBY_EAST_IOWA@PCUSA.org>, marie <country@sover.net>,

        Mark Hassman <hassman@midkan.com>, meany <JKM1993@AOL.COM>,

        melanie <melanie_crawford.parti@PCUSA.org>,

        Meredith Garmon <garmon.sm@juno.com>,

        "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

        mignoli <docmignoli@AOL.COM>, myweb <mrsparty@hotmail.com>,

        Nathan Coco <ncoco@mwe.com>, neckermank <neckermn@blue.weeg.uiowa.edu>,

        NELSONj <john_nelson@uiowa.edu>,

        ochsowner <no-more-songs-approval@cs.pdx.edu>,

        OSTROM <janice.ostrom@usd305.com>, pelliott@sunflower.com,

        phares@FALCON.CC.UKANS.EDU,

        presbynorthKS <pby_northern_kansas.parti@PCUSA.org>,

        principal <dmcbeth@midusa.net>, "ptrax@midusa.net" <ptrax@midusa.net>,

        "R. Bentz Kirby" <bocelts@scsn.net>, Randy Lake <rlake@almaak.usc.edu>,

        "RandyStace@aol.com" <RandyStace@AOL.COM>, Rasa <rinaldo@gpnet.it>,

        "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

        reicherT <ReicherT@nasd.com>, reynaldo <rgarcia@tacc.org>,

        racy@primenet.com, Robert Wick <rwick@cov.com>,

        robert_lay <rlay@onramp.net>, ROC <kai@informatics.net>,

        roDger <rapayn01@ulkyvm.louisville.edu>,

        "RStineman@aol.com" <RStineman@AOL.COM>,

        "s.a. griffin" <perrotta@calvin.usc.edu>,

        Sam and Beth Stevens <sbstevens@mcione.com>,

        Scott Deatherage <lsd041@nwu.edu>,

        SCOTT HARRIS <sharris@FALCON.CC.UKANS.EDU>,

        Scott Segal <SEGASH+aPO1%Bracewell_&_Patterson@mcimail.com>,

        seed <ksjsks@midusa.net>, seed2 <sksdallas@AOL.COM>,

        seward23 <seward23@AOL.COM>, smartin@mailbox.acusd.edu,

        Sherri <love_singing@msn.com>, sigel <doug@gyro.net>,

        slypork <dscunningham@nwu.edu>, star <smuir@OSF1.GMU.EDU>,

        starwars <Brian_Stucky@ers.com>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>,

        steveMgriffin <sgriffin@law.tulane.edu>,

        sunrise <sunrise.parti@PCUSA.org>,

        Susan_Stanfield <SUEBELL@KSUVM.KSU.EDU>, JTalley4n6@AOL.COM,

        TATE <tate@wonderlink.net>, Thin <jeffrt@wichita.infi.net>,

        "tjardes, sue" <tjardes@ups.edu>,

        TrunkJayhawk <Steve.Thompson@usd305.com>,

        "urinal<grin>publisher" <Hrayl@saljournal.com>, imaa@midusa.net,

        Virgil Balthrop <vwb@email.unc.edu>, WEISWOMEN <weisk@helpnt.org>,

        wichitastate <jarman@elliott.es.twsu.edu>,

        WILD_BILL <Bill.Henderson@uni.edu>,

        William E Newnam <wnewnam@emory.edu>,

        ZAC <zachery_anderson@hotmail.com>,

        "zambezi@falcon.cc.ukans.edu" <zambezi@FALCON.CC.UKANS.EDU>,

        Zarefsky <d-zarefsky@nwu.edu>

Subject: Quote of the Week

 

No quote of the week next Monday as I will be on the road.

 

"So in the Libyan fable it is told

That once an Eagle, stricken with a dart

Said, when he saw the fashion of the shaft,

'With our own feathers, not by others' hands

Are we now smitten.'"

         -- AEschylus 525-456 B.C.

 

Return-Path: <"country"@sover.net>

Date: Thu, 19 Feb 1998 17:22:23 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: the early mc poetry.

 

rinaldo, i do not mind the fragments as i know and feel the love you put

into sending them.

thankyou

it's been a very hard month, and you gave me a gift today. a reminder of

what i can do, who i am

marie

 

Rinaldo Rasa wrote:

 

> marie says:

> >i wrote my first pome the day that allen ginsberg died, and

> >have not stopped since.

> 

> Two poems fragmented of Marie Countryman's poetry:

> 

> ---

> to allen wherever he may be

> ...

> today as i mourn your death,

> allen ginsberg,

> i also celebrate your birth.

> fare the well.

> mc

> (1)

> ---

> (1) there's no date but Sun, 6 Apr 1997

> 

> ---

> (2)

> ...

> no other fruit

> has ever been sweeter

> than the pears

> of my writing tree.

> mc (sunday, april 13,)

> ---

> 

> (2)poem written on Sun, 13 Apr 1997

> ---

> 

> Marie, i hope i do not have shattered yr poems snipping

> yr words if this occours i deeply apologies - yr statement concerning

> the dawn of yr poetry is biographical correct - but i think

> u are always walkin thru aisles walls of dreams looking for

> real word/flowers.

> 

> cari saluti a tutti,

> Rinaldo.

> --------

 

 

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Thu, 19 Feb 1998 17:27:11 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: rinaldo from marie

 

rinaldo, could you please send me your address (not computer)? i have a

new artform, poetic cards, and i have one with your name on it. but no

address to send it.

i hope you are well and happy.

marie

 

 

 

 

To: dabeauli@calcna.ab.ca

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: goodbye

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.980219081214.16582B-100000@calcna.ab.ca>

References:

 

why?Return-Path: <WXGBC@CUNYVM.CUNY.EDU>

Date:         Thu, 19 Feb 98 20:09:53 EST

From:         Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>

Subject:      Purdy

To:           rinaldo@gpnet.it

 

I think he's still around.  Think he may even be living in Brooklyn, NY.  I'll

check and let you know.

 

Return-Path: <dabeauli@freenet.calgary.ab.ca>

Date: Thu, 19 Feb 1998 20:32:05 -0700 (MST)

From: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: goodbye

Organization: Calgary Community Network Assoc.

 

 

rinaldo

the list has gone

   d

    o  

     w

      n

       h

        i

         l

          l

              and i no longer feel at home there.

sorry pls do rite. i received yr pst card today! thanks and one heading yr

way soon~

yrs

derek

 

On Thu, 19 Feb 1998, Rinaldo Rasa wrote:

 

>

> why?

>

 

_______________________________________________________________________________

derek beaulieu

c/o house press

apt.502 728 3rd ave nw, calgary, alberta, canada t2n 0j1

email:dabeauli@calcna.ab.ca

phone (403)270-4440

LOOK FOR : house press' latest release "al/ph/abet:(de)find", limited

edition chapbook!

_______________________________________________________________________________

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: rinaldo from marie

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802192252.RAA24210@pike.sover.net>

References:

 

         Rinaldo Rasa

         via Morlaiter 2

         30173 VENEZIA-Mestre

         ITALIA

 

 

thnks

marie

im well

& ihope same to u

Return-Path: <"country"@sover.net>

Date: Fri, 20 Feb 1998 10:03:26 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: rinaldo from marie

 

thanks, rinaldo. february is a hard month for me for many reasons. right

now i cannot write pomes so i am making odd little cards to send to my

friends, trying to match personalities with artwork and messages. it

should be a lot of fun, and i hope to chase the blues away, and maybe

even produce a poem from it all.

good day to you, my tender friend

marie

 

Rinaldo Rasa wrote:

 

>                 Rinaldo Rasa

>                 via Morlaiter 2

>                 30173 VENEZIA-Mestre

>                 ITALIA

> 

> thnks

> marie

> im well

> & ihope same to u

 

 

 

 

To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: rinaldo from marie

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199802201505.KAA12468@pike.sover.net>

References: <3.0.1.32.19980220093150.00731c30@pop.gpnet.it>

 

marie, its very nice painting - sometime imthinkin of vt

& i remember u said there's mountains &

 

i think of fennimore cooper _the last of mohicans_ when

the people are walking into the woods - then i put

aside - disappearing in the dark green... im'for sure

happy yr plainning to painting/artworks sketching the heart

 

what im' (now)

thinking so often i might to become a monk... some people tell

me this 'llbe my future...

 

ciao, goodnite, rinaldo.

Return-Path: <"country"@sover.net>

Date: Sat, 21 Feb 1998 07:17:39 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: rinaldo from marie

 

thankyou for your letter, rinaldo. i think you would make a fine monk,

so gentle and tender. but do monks have gateways to the internet? i

would miss you greatly

love

marie

 

Rinaldo Rasa wrote:

 

> marie, its very nice painting - sometime imthinkin of vt

> & i remember u said there's mountains &

> 

> i think of fennimore cooper _the last of mohicans_ when

> the people are walking into the woods - then i put

> aside - disappearing in the dark green... im'for sure

> happy yr plainning to painting/artworks sketching the heart

> 

> what im' (now)

> thinking so often i might to become a monk... some people tell

> me this 'llbe my future...

> 

> ciao, goodnite, rinaldo.

 

 

 

 

To: vettori@ipsnet.it

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: la tua poesia

Cc:

Bcc: rasa@gpnet.it

X-Attachments:

In-Reply-To:

References:

 

>Subject:      February 1968

>From:         "Mauro Vettori" <vettori@ipsnet.it>

>Date:         1998/02/07

>Message-ID:   <01bd319d$3cee0420$LocalHost@default>

>Newsgroups:   alt.books.beatgeneration

> 

> 

>Thirty years

>I was not

>in the womb

>of my poor mother...

>No other things

>I could say...

>Before I'll die

>I would like

>to see my life

>with Cassady eyes...

> 

>In memory of the death of Neal Cassady, 1968

> 

>---------------------------------------------

 

Mauro, hai scritto un poesia molto bella, grazie.

 

saluti,

Rinaldo Rasa.

Venezia-Mestre,Italia

Return-Path: <WXGBC@CUNYVM.CUNY.EDU>

Date:         Sun, 22 Feb 98 14:06:32 EST

From:         Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>

Subject:      Scope

To:           rinaldo@gpnet.it

 

 

Rinaldo, I'm not sure which post had less relevance for the list -- The

Iraqi petition or the Hail Mary!  Please try to keep your post focused

on the writers and work of the Beat Generation.

 

To: country@SOVER.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: marie countryman 2/22/98(on her 45th birthday

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

                marie

               already

         daises blossom

         in the meadows

              i

             whish

              you

           an happy birthday

 

                 from

                rinaldo

To: Patricia Elliott <pelliott@SUNFLOWER.COM>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanks

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34F064F0.4436@sunflower.com>

References: <43a5e8e5.34ee1c5c@aol.com>            <3.0.5.16.19980221230848.127f5e76@uoft02.utoledo.edu>

 

patricia,

ti ringrazio.

cari saluti,

rinaldo.Return-Path: <Aeronwytru@aol.com>

From: Aeronwytru@aol.com

Date: Sun, 22 Feb 1998 16:59:54 EST

To: rinaldo@GPNET.IT

Subject: re: AVE MARIA. (the prayer)

 

hey rinaldo i've always wanted to know what people are saying in ave maria. it

was a surprise to have it come from such an unexpected source. thanks.

 

aerowny

 

To: Aeronwytru@aol.com

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: AVE MARIA. (the prayer)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <a2f59cbd.34f09fdc@aol.com>

References:

 

aerowny wrote:

>hey rinaldo i've always wanted to know what people are saying in ave maria. it

>was a surprise to have it come from such an unexpected source. thanks.

> 

>aerowny

> 

buona sera aerowny,

Pater Noster and Ave Maria are the two

prayers of catholic curch (every children

in italy, me too, have in his very deep

memory, often in latin) now are translated

in italian. Maria is the Mother of God/Jesus.

 

i hope this help, otherwise im' here.

 

ti auguro una buona domenica, (i wish u a good sunday),

saluti,

Rinaldo.

 

Return-Path: <"country"@sover.net>

Date: Mon, 23 Feb 1998 07:53:17 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: marie countryman 2/22/98(on her 45th birthday

 

rinaldo: thank you for this wonderful little pome. i wish you a happy

day, monday, dec 23rd

marie

 

Rinaldo Rasa wrote:

 

>                 marie

>                already

>                 daises blossom

>                 in the meadows

>                         i

>                     whish

>                      you

>            an happy birthday

> 

>                  from

>                 rinaldo

 

 

 

 

To: stauffer@PACBELL.NET

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Happy Trails

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34F1D932.6C422F29@pacbell.net>

References:

 

James, i say u a great "arrivederci!",

cari saluti da Rinaldo.To: Marie Countryman <country@sover.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: 2/25/98

Cc:

Bcc: love_singing@MSN.COM

X-Attachments:

In-Reply-To: <199802252026.PAA25348@pike.sover.net>

References:

 

marie wrote:

>my father died today

> 

marie,

   accept my condolences, everybody is a witness.

 

   Gratia Domini nostri Iesu Christi

   cum omnibus vobis.

   Amen.

 

rinaldo.

26feb98Return-Path: <"country"@sover.net>

Date: Thu, 26 Feb 1998 15:11:43 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: 2/25/98

 

thank you, my sweet friend.

marie

 

Rinaldo Rasa wrote:

 

> marie wrote:

> >my father died today

> >

> marie,

>         accept my condolences, everybody is a witness.

> 

>         Gratia Domini nostri Iesu Christi

>         cum omnibus vobis.

>         Amen.

> 

> rinaldo.

> 26feb98

 

 

 

 

 

 

Return-Path: <stauffer@pacbell.net>

Date: Thu, 26 Feb 1998 19:51:11 +0000

From: James Stauffer <stauffer@pacbell.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Happy Trails

 

Rinbaldo,

 

I'll be back, and feel free to keep in touch, I need a break, and if I

get to Venice . . .

 

Will be sure to look you up--always one of my favorite Beat-L folks.

I'll never forget the day you kept posting "Kerouac was not censored"

 

James

 

Rinaldo Rasa wrote:

 

> James, i say u a great "arrivederci!",

> cari saluti da Rinaldo.

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Sun, 01 Mar 1998 08:49:30 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: spring...

 

thankyou rinaldo, you always bring my attention back to what is really

important in this life of suffering.

marie

 

Rinaldo Rasa wrote:

 

> marie, today (sunday)

> 

> i saw a tree in bud

> small white eyes.

> 

> rinaldo.

 

 

 

 

To: Marie Countryman <country@SOVER.NET>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: spring...

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

marie, today (sunday)

 

i saw a tree in bud

small white eyes.

 

rinaldo.Return-Path: <"country"@sover.net>

Date: Sun, 01 Mar 1998 12:35:43 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: spring...

 

i love you, rinaldo, i write out my pain and you deliver me such tender

presents.

marie

 

Rinaldo Rasa wrote:

 

> marie, today (sunday)

> 

> i saw a tree in bud

> small white eyes.

> 

> rinaldo.

 

 

 

 

Return-Path: <yfeng@geocities.com>

Reply-To: "Yan Feng" <yfeng@geocities.com>

From: "Yan Feng" <yfeng@geocities.com>

To: <rinaldo@GPNET.IT>

Subject: Re: Beats and the digital revolution

Date: Tue, 3 Mar 1998 14:12:54 +0800

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

 

 

 

>Yang wrote:

>>I think so too.

>>call yourself net beat, a very nice name.

> 

>Politics and Cultural Studies in Interasia

>Interview with Kuan-Hsing Chen

>By Geert Lovink

>Taipei, december 20, 1997

> 

>[excerpt]

> 

>Geert Lovink: How would you describe the Internet generation? People

>        seem to use e-mail and there are WWW-adresses being

>        advertized here and there. But there is no cyber-culture

>        yet, at least it is not visible.

> 

>Kuan-Hsing Chen: The commercial Internet is not as big as elsewhere. It

>        is still largely depending on the academic

>        infrastructure. Internet is a crystal light of society:

>        those with more power and resources will have a bigger

>        space. The lesbian groups are an exception, not the

>        gays, by the way. The younger generation of feminists

>        are making an active use of the Net, mainly because of

>        the commodification of queer identity. These are writers

>        with cultural capital and names.

> 

Rinaldo,

 

I realy don't understand the excerpt.

what do you mean?

 

Best,

Yan

 

 

To: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a bone

Cc:

Bcc: rasa@gpnet.it

X-Attachments: C:\INTERNET\Nero.gif;

In-Reply-To: <Pine.A32.3.93.980215142601.13178B-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19980214145329.00721acc@pop.gpnet.it>

 

derek,

ive' received yr card, very nice, yr house press goes on!

always i receive post from Canada is somthing of magic,

thanks,

rinaldo.

To: "Yan Feng" <yfeng@geocities.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats and the digital revolution

Cc:

Bcc:

X-Attachments:

In-Reply-To: <01bd466b$6c876720$LocalHost@---->

References:

 

Yan wrote:

> 

> 

>>Yang wrote:

>>>I think so too.

>>>call yourself net beat, a very nice name.

>> 

>>Politics and Cultural Studies in Interasia

>>Interview with Kuan-Hsing Chen

>>By Geert Lovink

>>Taipei, december 20, 1997

>> 

>>[excerpt]

>> 

>>Geert Lovink: How would you describe the Internet generation? People

>>        seem to use e-mail and there are WWW-adresses being

>>        advertized here and there. But there is no cyber-culture

>>        yet, at least it is not visible.

>> 

>>Kuan-Hsing Chen: The commercial Internet is not as big as elsewhere. It

>>        is still largely depending on the academic

>>        infrastructure. Internet is a crystal light of society:

>>        those with more power and resources will have a bigger

>>        space. The lesbian groups are an exception, not the

>>        gays, by the way. The younger generation of feminists

>>        are making an active use of the Net, mainly because of

>>        the commodification of queer identity. These are writers

>>        with cultural capital and names.

>> 

>Rinaldo,

> 

>I realy don't understand the excerpt.

>what do you mean?

> 

>Best,

>Yan

> 

> 

excuse me Yan, my apologies. Rinaldo.To: cawilkie@comic.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: yr best poem

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34DDFE04.4E11@comic.net>

References: <3.0.1.32.19980208190545.00688d1c@pop.gpnet.it>

 

>===============================================

>Date:         Thu, 12 Feb 1998 21:06:33 -0600

>From:         Cathy Wilkie <cawilkie@COMIC.NET>

>Subject:      dreams

> 

>1.  get very drunk

>2.  take xanax

>and

>3.  eat meat.

> 

>===============================================

 

Cathy,

very evocative!very poetic.

thanks,

Rinaldo. * the schrodinger cat... *

 

Return-Path: <cawilkie@comic.net>

Date: Fri, 06 Mar 1998 17:55:15 -0600

From: cawilkie@comic.net

Reply-To: cawilkie@comic.net

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: postcard

 

Rinaldo:

 

I just wanted to jot you a quick note to let you know that i did receive

your postcard, thank you, it was beautiful.

 

When i get my paycheck on thursday, i've got some pictures to send off

to you.

 

cathy

 

Return-Path: <dcarter@together.net>

Date: Tue, 10 Mar 1998 12:58:43 -0800

From: Diane Carter <dcarter@together.net>

To: "R. Bentz Kirby" <bocelts@scsn.net>

CC: Jean Ory <jean-ory@ALTRANET.FR>, Jerry Cimino <Bigsurs4me@AOL.COM>,

        jo grant <jgrant@BOOKZEN.COM>, Leon Tabory <letabor@cruzio.com>,

        Marie Countryman <country@SOVER.NET>,

        Patricia Elliott <pelliott@SUNFLOWER.COM>,

        Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>,

        David Rhaesa <race@MIDUSA.NET>

Subject: Re: Save the beat list

 

> R. Bentz Kirby wrote:

>

> Hi all:

>

> I hope that Bill will not shut down the list, though I can't say that I

> blame him for being fed up with all of this.  I have written to Bill

> expressing my wish that the list shall not die.  I hope that each of

> you

> will do the same.

 

I have already written to Bill urging him to keep the list alive and I

also hope all of you will as well.  I would not be at all opposed to a

moderated list, although I'm afraid it might take more time than he has

to give.  This particular list has enriched all of our lives and we face

the very real possibility of losing it.  Let's all let Bill know that we

love the list and will embrace any changes necessary to kept it on track

and alive.

DC

 

Return-Path: <bocelts@scsn.net>

Date: Tue, 10 Mar 1998 22:04:26 -0500

From: bocelts@scsn.net (R. Bentz Kirby)

To: Diane Carter <dcarter@TOGETHER.NET>,

   Jean Ory <jean-ory@ALTRANET.FR>, Jerry Cimino <Bigsurs4me@AOL.COM>,

   jo grant <jgrant@BOOKZEN.COM>, Leon Tabory <letabor@cruzio.com>,

   Marie Countryman <country@SOVER.NET>,

   Patricia Elliott <pelliott@SUNFLOWER.COM>,

   Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>,

   David Rhaesa <race@MIDUSA.NET>

Subject: Save the beat list

 

Hi all:

 

I hope that Bill will not shut down the list, though I can't say that I

blame him for being fed up with all of this.  I have written to Bill

expressing my wish that the list shall not die.  I hope that each of you

will do the same.

 

In the event that the list does die, I want to express my appreciation

to each and every one  of you for making the list an important part of

my life this last year and more.  It has been a wonderful place for me

to learn and to see some wonderful writing from various individuals.

 

Free the beat list!   Don't let it die.

 

Thanks

 

--

 

Peace,

 

Bentz

bocelts@scsn.net

http://www.scsn.net/users/sclaw

 

 

 

Return-Path: <race@midusa.net>

Date: Tue, 10 Mar 1998 21:17:00 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: "R. Bentz Kirby" <bocelts@scsn.net>

CC: Diane Carter <dcarter@TOGETHER.NET>, Jean Ory <jean-ory@ALTRANET.FR>,

        Jerry Cimino <Bigsurs4me@AOL.COM>, jo grant <jgrant@BOOKZEN.COM>,

        Leon Tabory <letabor@cruzio.com>, Marie Countryman <country@SOVER.NET>,

        Patricia Elliott <pelliott@SUNFLOWER.COM>,

        Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>

Subject: Re: Save the beat list

 

R. Bentz Kirby wrote:

>

> Hi all:

>

> I hope that Bill will not shut down the list, though I can't say that I

> blame him for being fed up with all of this.  I have written to Bill

> expressing my wish that the list shall not die.  I hope that each of you

> will do the same.

>

> In the event that the list does die, I want to express my appreciation

> to each and every one  of you for making the list an important part of

> my life this last year and more.  It has been a wonderful place for me

> to learn and to see some wonderful writing from various individuals.

>

> Free the beat list!   Don't let it die.

>

> Thanks

>

> --

>

> Peace,

>

> Bentz

> bocelts@scsn.net

> http://www.scsn.net/users/sclaw

 

i don't think we should view a moderated list -- after the designated 36

hours or so cooling off that Bill requested -- as an end to the Beat-L.

It seems that it provides the opportunity to deal with fewer posts but

with posts that are written to a target audience of "bill" the moderator

rather than random post and response that some -- not particularly any

of US <grin> -- are guilty of.  my hunch is that if a solid grounding of

the listserve in the "flow" that bill intended it began again under a

moderated format the process might "flow" back again towards an

unmoderated format. 

 

several things to think about.  i think it is a good idea for people to

be more active in greeting newcomers to the list and in presenting our

view of where we are in relation to the list and its purposes.  part of

the chaos it seems to me (and i've not been particularly active since my

hospitalization) has been an US-THEM mentality between newbies and old

farts.  I haven't quite fathomed the antagonisms of the THEMS but

perhaps the arts of introduction can help defuse such things before they

start.  Newcomers get a set greeting from the listserve defining

generally its ground - it seems that we expect newcomers to be able to

intuit our various connections over time with the listserve and this is

probably not justified.

 

I also recommend that each of us consider during this cooling off

meditation period that Bill has set, a solid post that would easily pass

a fairly open-minded moderator and could be the basis for a reasonable

thread dicussing some specific aspect or general theme in beat

literature.  That doesn't seem too hard for us to do and bill probably

deserves to get some decent mail!

 

david

 

Return-Path: <love_singing@msn.com>

From: "sherri" <love_singing@msn.com>

To: "R. Bentz Kirby" <bocelts@scsn.net>,

   "David Bruce Rhaesa" <race@midusa.net>

Cc: "Rinaldo Rasa" <rinaldo@gpnet.it>,

   "Patricia Elliott" <pelliott@SUNFLOWER.COM>,

   "Marie Countryman" <country@SOVER.NET>,

   "Leon Tabory" <letabor@cruzio.com>,

   "jo grant" <jgrant@BOOKZEN.COM>,

   "Jerry Cimino" <Bigsurs4me@AOL.COM>,

   "Jean Ory" <jean-ory@ALTRANET.FR>,

   "Diane Carter" <dcarter@TOGETHER.NET>

Subject: Re: Save the beat list

Date: Tue, 10 Mar 1998 19:39:38 -0800

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

 

i have to agree with this.  among the reasons, though not first and

foremost, for my bcoming a wallflower on the list is that it seemed to

disintegrate into foolishness and, much worse, rudeness and character

assassination.  36 hours is a day and a half.  maybe we can practice the

Buddhist art of reflection and see just what the heck we want from the list

and start putting the effort into making it that way....

 

ciao, sherri

-----Original Message-----

From: David Bruce Rhaesa <race@midusa.net>

To: R. Bentz Kirby <bocelts@scsn.net>

Cc: Diane Carter <dcarter@TOGETHER.NET>; Jean Ory <jean-ory@ALTRANET.FR>;

Jerry Cimino <Bigsurs4me@AOL.COM>; jo grant <jgrant@BOOKZEN.COM>; Leon

Tabory <letabor@cruzio.com>; Marie Countryman <country@SOVER.NET>; Patricia

Elliott <pelliott@SUNFLOWER.COM>; Rinaldo Rasa <rinaldo@gpnet.it>; Sherri

<love_singing@msn.com>

Date: Tuesday, March 10, 1998 7:22 PM

Subject: Re: Save the beat list

 

 

>R. Bentz Kirby wrote:

>> 

>> Hi all:

>> 

>> I hope that Bill will not shut down the list, though I can't say that I

>> blame him for being fed up with all of this.  I have written to Bill

>> expressing my wish that the list shall not die.  I hope that each of you

>> will do the same.

>> 

>> In the event that the list does die, I want to express my appreciation

>> to each and every one  of you for making the list an important part of

>> my life this last year and more.  It has been a wonderful place for me

>> to learn and to see some wonderful writing from various individuals.

>> 

>> Free the beat list!   Don't let it die.

>> 

>> Thanks

>> 

>> --

>> 

>> Peace,

>> 

>> Bentz

>> bocelts@scsn.net

>> http://www.scsn.net/users/sclaw

> 

>i don't think we should view a moderated list -- after the designated 36

>hours or so cooling off that Bill requested -- as an end to the Beat-L.

>It seems that it provides the opportunity to deal with fewer posts but

>with posts that are written to a target audience of "bill" the moderator

>rather than random post and response that some -- not particularly any

>of US <grin> -- are guilty of.  my hunch is that if a solid grounding of

>the listserve in the "flow" that bill intended it began again under a

>moderated format the process might "flow" back again towards an

>unmoderated format.

> 

>several things to think about.  i think it is a good idea for people to

>be more active in greeting newcomers to the list and in presenting our

>view of where we are in relation to the list and its purposes.  part of

>the chaos it seems to me (and i've not been particularly active since my

>hospitalization) has been an US-THEM mentality between newbies and old

>farts.  I haven't quite fathomed the antagonisms of the THEMS but

>perhaps the arts of introduction can help defuse such things before they

>start.  Newcomers get a set greeting from the listserve defining

>generally its ground - it seems that we expect newcomers to be able to

>intuit our various connections over time with the listserve and this is

>probably not justified.

> 

>I also recommend that each of us consider during this cooling off

>meditation period that Bill has set, a solid post that would easily pass

>a fairly open-minded moderator and could be the basis for a reasonable

>thread dicussing some specific aspect or general theme in beat

>literature.  That doesn't seem too hard for us to do and bill probably

>deserves to get some decent mail!

> 

>david

> 

 

 

 

 

 

 

Return-Path: <love_singing@msn.com>

From: "sherri" <love_singing@msn.com>

To: "Bill Gargan" <WXGBC@CUNYVM.BITNET>

Cc: "Rinaldo Rasa" <rinaldo@GPNET.IT>,

   "R. Bentz Kirby" <bocelts@scsn.net>,

   "Patricia Elliott" <pelliott@sunflower.com>,

   "Mike Rice" <mrice@CENTURYINTER.NET>,

   "Marie Countryman" <country@SOVER.NET>,

   "M84M79" <M84M79@aol.com>,

   "Leon Tabory" <letabor@CRUZIO.COM>,

   "jo grant" <jgrant@BOOKZEN.COM>,

   "Jerry Cimino" <Bigsurs4me@AOL.COM>,

   "Jean Ory" <jean-ory@ALTRANET.FR>,

   "James Stauffer" <stauffer@pacbell.net>,

   "IDDHI" <IDDHI@AOL.COM>,

   "Gerald Nicosia" <gnicosia@EARTHLINK.NET>,

   "Gary Mex Glazner" <PoetMex@AOL.COM>,

   "Diane De Rooy" <Ddrooy@AOL.COM>,

   "Diane Carter" <dcarter@together.net>,

   "Derek A. Beaulieu" <dabeauli@FREENET.CALGARY.AB.CA>,

   "David Bruce Rhaesa" <race@midusa.net>,

   "CVEditions" <CVEditions@aol.com>,

   "caridade" <caridade@MAIL.TELEPAC.PT>

Subject:

Date: Tue, 10 Mar 1998 22:07:14 -0800

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.71.1712.3

 

Bill, this list has been an incredible gift.  i became a wallflower in part

because my life was so damned crazy, but also because of the very things you

sited as being so wrong with list posts these days.  however, i would ask

you to please run the list on a moderated format for a little while (i know

that it would be tremendous work for you) and see if we can't get back the

kind of discourse that made being a listmember so rewarding.  perhaps once

you do this with the threat that if things regress again, you will shut down

immediately, we will be able to go back to open posting without all the

garbage flying back up again.

 

thanks for your hard work and tolerance.

 

ciao, sherri

 

 

 

 

 

Return-Path: <jgrant@bookzen.com>

X-Sender: jgrant@pop.globaldialog.com

Date: Wed, 11 Mar 1998 11:32:45 -0600

To: David Bruce Rhaesa <race@midusa.net>

From: jo grant <jgrant@bookzen.com>

Subject: Re: Save the beat list

Cc: Diane Carter <dcarter@TOGETHER.NET>, Jean Ory <jean-ory@ALTRANET.FR>,

        Jerry Cimino <Bigsurs4me@AOL.COM>, jo grant <jgrant@bookzen.com>,

        Leon Tabory <letabor@cruzio.com>, Marie Countryman <country@SOVER.NET>,

        Patricia Elliott <pelliott@SUNFLOWER.COM>,

        Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>

 

There are many excellent MODERATED LISTS. One that I follow is the sixties-L.

Kali Tal, the scholar who originated the sixties list, has volunteers who

help with the moderation. kali sets the guidelines and every has a direct

line to the 60s--no exceptions and I've never seen a flame get through.

 

I'm not a Beat scholar, more of an observer, but it shouldn't be too

difficult to check posts and return those that are not BEAT to the sender.

 

 

To Patricia:

Because of your relationship to WSB I was wondering if you would like me to

make a copy of the station break he does for our community radio station

WORT-FM in Madison. Whenever I hear it I always get a lift. If you'd like a

tape for your memorabilia I'll make and send you one.

j grant

 

 

                    HELP RECOVER THE MEMORY BABE ARCHIVES

                      Details  on-line at

                            http://www.bookzen.com

                      822,552 Visitors  07-01-96 to 03-01-98

                      

 

 

 

Return-Path: <"country"@sover.net>

Date: Wed, 11 Mar 1998 18:23:24 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: small pome in the list interim

X-MIME-Autoconverted: from 8bit to quoted-printable by pike.sover.net id SAA14948

 

what matter?

when not piecemeal

sentiments but the entire

english vocablulary

at your fingertips, at my

fingertips, is there any thing

worth sharing in such form

in such regularity?

at times it seems

a possibilitly

'that has come to pass' and

other times i think it's just

riff and blarney farts.

boy, introspection can

challenging to the psyche.

going to get some spackle

mc

 

 

Return-Path: <race@midusa.net>

Date: Wed, 11 Mar 1998 12:31:07 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: jo grant <jgrant@bookzen.com>

CC: DCardKJHS <DCardKJHS@aol.com>, Diane Carter <dcarter@TOGETHER.NET>,

        Jean Ory <jean-ory@ALTRANET.FR>, Jerry Cimino <Bigsurs4me@aol.com>,

        Leon Tabory <letabor@cruzio.com>, Marie Countryman <country@SOVER.NET>,

        Patricia Elliott <pelliott@SUNFLOWER.COM>,

        Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@msn.com>

Subject: Re: Save the beat list

 

jo grant wrote:

>

> There are many excellent MODERATED LISTS. One that I follow is the sixties-L.

> Kali Tal, the scholar who originated the sixties list, has volunteers who

> help with the moderation. kali sets the guidelines and every has a direct

> line to the 60s--no exceptions and I've never seen a flame get through.

>

> I'm not a Beat scholar, more of an observer, but it shouldn't be too

> difficult to check posts and return those that are not BEAT to the sender.

>

> To Patricia:

> Because of your relationship to WSB I was wondering if you would like me to

> make a copy of the station break he does for our community radio station

> WORT-FM in Madison. Whenever I hear it I always get a lift. If you'd like a

> tape for your memorabilia I'll make and send you one.

> j grant

>

>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>                              Details  on-line at

>                                  http://www.bookzen.com

>                            822,552 Visitors  07-01-96 to 03-01-98

>

it seems that some method of moderation will do a service to the list in

many ways.  i've also suggested the possibility of returning to the

default reply not going to the Beat-L.  some of the watering down of the

Beat-L prior to the most recent bruhaha might have been water that would

have stayed in off-list tributaries by such a method.

 

d

 

Return-Path: <letabor@cruzio.com>

From: "Leon Tabory" <letabor@cruzio.com>

To: "David Bruce Rhaesa" <race@midusa.net>

Cc: "DCardKJHS" <DCardKJHS@aol.com>, "Diane Carter" <dcarter@TOGETHER.NET>,

        "Jean Ory" <jean-ory@ALTRANET.FR>, "Jerry Cimino" <Bigsurs4me@aol.com>,

        "Leon Tabory" <letabor@cruzio.com>,

        "Marie Countryman" <country@SOVER.NET>,

        "Patricia Elliott" <pelliott@SUNFLOWER.COM>,

        "Rinaldo Rasa" <rinaldo@gpnet.it>, "Sherri" <love_singing@msn.com>

Subject: Re: Save the beat list

Date: Wed, 11 Mar 1998 23:25:42 -0800

X-MSMail-Priority: Normal

X-MimeOLE: Produced By Microsoft MimeOLE V4.72.2106.4

 

Hi David,

 

I am hoping the rumors of Beat-L's death are greatly exaggerated. Looks like

serious surgery is indicated for sure. I can live with moderation in

moderation. It's o.k. with me if we keep our ideals just above the water

line, but know how to compromise when the weight starts to drag us under.

The storms can be invigorating and exciting but when they start to

degenerate into baby egos running out of control, with floatsam polluting to

the top, some adult hygiene survival techniques got to be tried out.

 

Reminds me in some ways of our community efforts in the flower farm. Boy

what a deal we had! But pretty soon we started to get the shit droppings

left for the old stallwarts to clean up, we had to try rules. We tried but

had to give up in the end.  The rules never completely solved the problems.

Reluctantly, we had to keep adding one on top of another. The no-rules rule

didn't work either. Hopefully moderation in moderation will work for the

list. I can't imagine the amount of work that Bill would be inviting upon

himself. Seems like it would have to be a full time job. Maybe it will

eventually  go to that, with a membership fee to pay for expenses. Would

that produce more responsible list pumping creative exploration with self

restraint? Aah what do we do with our lives? We keep struggling valiantly.

 

I myself stayed away from the list lately entirely. The ratio of signal to

noise became too weak and too time consuming. Haven't unsubscribed though.

 

Somehow I feel it is worth weathering all the storms. Developments in

cybercommunications are just beginning to bear fruit. This list was it for

me

as far as fresh nurturance  from the new cybergarden. The beats sure were on

the forefront of checking out new developments before they became viable

strategies. Their triumphs and failures in literature and in  (lagging) life

as well. The list contained healthy doses of both, which is a lot more than

can be found anywhere else, surpassing and outgrowing academia's atrophying

standards.

 

For these and more reasons I have full faith that this is not a dying tree

in the

cybergarden. How will the garden grow? The gardeners will experiment. The

roots will dig for nurturance and stability. The flowers will reach for the

sun and the shade. New flowers, new fruits new writers and new literature

will be nurtured here. Not born of an elite class of priests and power

mongers, but in the relative anarchy of cyberspace where the voices and

vices  of the high mingle with the mighty. Are we coming to a point where a

list owner can not maintain all power over everybody,  and neither can any

shithead be allowed to continue to dump their shit over everybody's heads.

Next step, shared responsibilities, methods to be worked on. How exciting.

Too bad I got no time or I would love to be involved. I will stay involved

as a lurker or support that  is asked.

 

I could list benefits of the list, but we are not writing obits here. I am

glad that a few of us are staying in touch regardless. I like your mailing

idea and feel

honored to be included in. Please continue to keep me posted. Thanks friend.

We will be in touch, I feel quite sure of that.

 

leon

 

 

-----Original Message-----

From: David Bruce Rhaesa <race@midusa.net>

To: jo grant <jgrant@bookzen.com>

Cc: DCardKJHS <DCardKJHS@aol.com>; Diane Carter <dcarter@TOGETHER.NET>; Jean

Ory <jean-ory@ALTRANET.FR>; Jerry Cimino <Bigsurs4me@aol.com>; Leon Tabory

<letabor@cruzio.com>; Marie Countryman <country@SOVER.NET>; Patricia Elliott

<pelliott@SUNFLOWER.COM>; Rinaldo Rasa <rinaldo@gpnet.it>; Sherri

<love_singing@msn.com>

Date: Wednesday, March 11, 1998 10:36 AM

Subject: Re: Save the beat list

 

 

>jo grant wrote:

>> 

>> There are many excellent MODERATED LISTS. One that I follow is the

sixties-L.

>> Kali Tal, the scholar who originated the sixties list, has volunteers who

>> help with the moderation. kali sets the guidelines and every has a direct

>> line to the 60s--no exceptions and I've never seen a flame get through.

>> 

>> I'm not a Beat scholar, more of an observer, but it shouldn't be too

>> difficult to check posts and return those that are not BEAT to the

sender.

>> 

>> To Patricia:

>> Because of your relationship to WSB I was wondering if you would like me

to

>> make a copy of the station break he does for our community radio station

>> WORT-FM in Madison. Whenever I hear it I always get a lift. If you'd like

a

>> tape for your memorabilia I'll make and send you one.

>> j grant

>> 

>>                     HELP RECOVER THE MEMORY BABE ARCHIVES

>>                              Details  on-line at

>>                                  http://www.bookzen.com

>>                            822,552 Visitors  07-01-96 to 03-01-98

>> 

>it seems that some method of moderation will do a service to the list in

>many ways.  i've also suggested the possibility of returning to the

>default reply not going to the Beat-L.  some of the watering down of the

>Beat-L prior to the most recent bruhaha might have been water that would

>have stayed in off-list tributaries by such a method.

> 

>d

> 

 

 

 

Return-Path: <"country"@sover.net>

Date: Thu, 12 Mar 1998 14:18:11 +0000

From: Marie Countryman <country@sover.net>

To: Rinaldo Rasa <rinaldo@gpnet.it>, Sherri <love_singing@email.msn.com>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>

Subject: father poem part 4

 

part 4

so this is grief?

 

under iron sky

we bury the ashes

of the body of my father

 

this man, who placed his

needs first

through manipulation

still has power

to crush with his going.

 

if a whisper can produce pain,

such raw pain,

then understand the power

of the heat of the creamatorium

eradicating his soiled meat

yet still, whispering to me,

he stays, and i burn with pain.

 

prior to the burial,

i entered my brother's house

and saw the delicate chinese blue and white

porcelin vase

sitting on the dining table.

it took awhile to make the connection,

but when i did,

i thought how he would hate going for his

last outing

dressed so, but dared not to speak it.

 

they are surprisingly heavy, these ashes:

it's not just ashes, you know,

it's ashes and bones.

weigh a lot.

fluff them blackly

 

under iron sky

shot with purple madness.

this muffled numbness

wondering who is sobbing

only to discover it is me

 

so this is grief?

this muffled, numb, heaviness?

 

and what to do with the anger?

oh, to be trapped in anger of the dead

alone

no one to cry with, rage with,

and yet

to be unwilling to let go.

right now it is my father that i cry to,

curse at, mourn.

 

(c)marie countryman

 

 

 

 

 

 

 

Return-Path: <"country"@sover.net>

Date: Thu, 12 Mar 1998 15:05:14 +0000

From: Marie Countryman <country@sover.net>

To: "R. Bentz Kirby" <bocelts@scsn.net>, Rinaldo Rasa <rinaldo@gpnet.it>,

        Sherri <love_singing@email.msn.com>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>

Subject: sweat and leave

 

sweat and leave

 

 

sweat and leave part

together

sweat and leave part together

bed feet

only trudge but in the day

 

some one did watch

some one did say

some still

sweat leave and part together

 

bitterblood

leave and eat

bed for summer smooth

sweet sweat,

 

 

cook delicate please

see a  whisper

feel the damage.

 

leave and eat.

 

mc (c) marie countryman

 

 

 

 

To: gguerner@tin.it

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re:Request of information (fwd)

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Luca,

sono contento che tu stia traducendo i beat. se non ti dispiace

puoi tenermi informato di come procede il tuo lavoro, e quando

uscira' la traduzione?

grazie, e buona domenica,

Rinaldo.

http://www.gpnet.it/rasa/thebeats.htm

(venezia-mestre)

----------------------------------------------------------------------

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>X-Sender: kh14586@am.appstate.edu

>Approved-By:  Bill Gargan <WXGBC@CUNYVM.BITNET>

>Date:         Sat, 14 Mar 1998 15:45:53 EST

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Alex Howard <kh14586@acs.appstate.edu>

>Subject:      Request of information (fwd)

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>----------------------------Original message----------------------------

> 

>Got this request and have no real notion as to where to send this person

>myself.  Thought if anyone would know, they'd be here.

> 

>---------- Forwarded message ----------

>Date: Fri, 13 Mar 1998 12:43:14 +0100

>From: Luca Guerneri <gguerner@tin.it>

>To: kh14586@porter.appstate.edu

>Subject: Request of information

> 

>I visited your website and found it extremely interesting. I'a an

>Italian literay translator working

>on the Italian version of Old Angel Midnight. It is such a hard task...

>do you know where I could find

>some detailed information concerning the book? Please contact me: my

>email is gguerner@tin.it.

>Thanks

> 

>l u c a

> 

>Return-Path: <race@midusa.net>

Date: Sun, 15 Mar 1998 17:42:16 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: ZIMMERMAN <jzim5@hotmail.com>, Zarefsky <d-zarefsky@nwu.edu>,

        "zambezi@falcon.cc.ukans.edu" <zambezi@falcon.cc.ukans.edu>,

        ZAC <zachery_anderson@hotmail.com>,

        William E Newnam <wnewnam@emory.edu>,

        WILD_BILL <Bill.Henderson@uni.edu>,

        wichitastate <jarman@elliott.es.twsu.edu>,

        WEISWOMEN <weisk@helpnt.org>, Watson <BrettWats@aol.com>,

        Virgil Balthrop <vwb@EMAIL.UNC.EDU>, imaa@midusa.net,

        "urinal<grin>publisher" <Hrayl@saljournal.com>,

        TrunkJayhawk <Steve.Thompson@usd305.com>,

        "tjardes, sue" <tjardes@ups.edu>, Tim Carroll <KCTC@FHSUVM.FHSU.EDU>,

        Thin <jeffrt@wichita.infi.net>, TATE <tate@wonderlink.net>,

        JTalley4n6@aol.com, Susan_Stanfield <SUEBELL@KSUVM.KSU.EDU>,

        sunrise <sunrise.parti@pcusa.org>,

        steveMgriffin <sgriffin@law.tulane.edu>,

        "stauffer@pacbell.net" <stauffer@pacbell.net>,

        starwars <Brian_Stucky@ers.com>, star <smuir@OSF1.GMU.EDU>,

        slypork <dscunningham@nwu.edu>, sigel <doug@gyro.net>,

        Sherri <love_singing@msn.com>, smartin@mailbox.acusd.edu,

        seward23 <seward23@aol.com>, seed2 <sksdallas@aol.com>,

        seed <ksjsks@midusa.net>,

        Scott Segal <SEGASH+aPO1%Bracewell_&_Patterson@mcimail.com>,

        SCOTT HARRIS <sharris@falcon.cc.ukans.edu>,

        Scott Deatherage <lsd041@nwu.edu>,

        Sam and Beth Stevens <sbstevens@mcione.com>,

        "s.a. griffin" <perrotta@calvin.usc.edu>,

        roDger <rapayn01@ulkyvm.louisville.edu>, Robert Wick <rwick@cov.com>,

        racy@primenet.com, reynaldo <rgarcia@tacc.org>,

        reicherT <ReicherT@nasd.com>,

        "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

        Rasa <rinaldo@gpnet.it>, "RandyStace@aol.com" <RandyStace@aol.com>,

        Randy Lake <rlake@almaak.usc.edu>, "R. Bentz Kirby" <bocelts@scsn.net>,

        principal <dmcbeth@midusa.net>, PJ <pauljohn@ukans.edu>,

        phares@falcon.cc.ukans.edu, pelliott@sunflower.com,

        OSTROM <janice.ostrom@usd305.com>, NELSONj <john_nelson@uiowa.edu>,

        neckermank <neckermn@blue.weeg.uiowa.edu>, Nathan Coco <ncoco@mwe.com>,

        mignoli <docmignoli@aol.com>,

        "Michael R. Brown" <foosi@global.california.com>,

        "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

        Meredith Garmon <garmon.sm@juno.com>,

        melanie <melanie_crawford.parti@pcusa.org>, meany <JKM1993@aol.com>,

        Mark Hassman <hassman@midkan.com>, marie <country@sover.net>,

        louise_brokaw <PBY_EAST_IOWA@pcusa.org>,

        "louden, allan" <louden@wfu.edu>, "lingel, dan" <dlingel@why.net>,

        Linda Powell <Linda_Powell@BROWN.EDU>,

        LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>, brooklyn@netcom.com,

        Leon Tabory <letabor@cruzio.com>, Lassie <dkpenn@oees.com>,

        BLain@blue.weeg.uiowa.edu, kstate <joburtis@ksu.edu>,

        Koch_Steve <skoch@capital.edu>, kneckerman <poroi@blue.weeg.uiowa.edu>,

        "kmcgaffey@bogle.com" <kmcgaffey@bogle.com>,

        kevin kuswa <k.kuswa@mail.utexas.edu>,

        "Kent A. Ono" <kaono@ucdavis.edu>,

        "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

        Kenneth DeLaughder <Kenneth.DeLaughder@enmu.edu>,

        k_broda_bahm <kbrodabahm@towson.edu>, Joshua Hoe <ifjxh@hotmail.com>,

        john sloop <sloopjm@ctrvax.Vanderbilt.Edu>,

        John Fritch <john_fritch@hotmail.com>, jd.rollins@mail.utexas.edu,

        jo grant <jgrant@bookzen.com>, J-Bird <b-loomis@ukans.edu>,

        Jamey Dumas <dumas@GONZAGA.EDU>,

        "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

        HeadBear <Karla_Leeper@BAYLOR.EDU>, HARMON <debate@midusa.net>,

        Greg Schnippel <schngre@harpo.cns.iit.edu>,

        Gordon Mitchell <gordonm+@PITT.EDU>, gordo2 <jgordon@oz.sunflower.org>,

        al.girtz@salhelp.org, Gibson <rgibson@prairienet.org>,

        g_lane <laneg@william.jewell.edu>, FtHaysdebate <Joeb@media-net.net>,

        FISHBONES <sakana69@hotmail.com>, "Eric L. Krug" <elkrug@kcnet.com>,

        emporiastate <BILESROD@esumail.emporia.edu>,

        "EliCunning@aol.com" <EliCunning@aol.com>,

        Edward Schiappa <schia001@gold.tc.umn.edu>,

        Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

        Echrist <ELChristensen@SNOPUD.com>, dukeofOPERA <WTeller692@aol.com>,

        DRTUNA@aol.com, "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>,

        donnaV <vineyard@midusa.net>, DireStraits <kthomp@rocketmail.com>,

        "dilley, benita" <bdilley@castle.cudenver.edu>,

        Diane Carter <dcarter@together.net>,

        designatedhitter <STRICKLG@esumail.emporia.edu>,

        DCardKJHS <DCardKJHS@aol.com>,

        "david.glass@regpha.com" <david.glass@regpha.com>,

        David Mark Cheshier <joudmc@PANTHER.GSU.EDU>,

        "CVEditions@aol.com" <CVEditions@aol.com>, culver <nculver@fwenc.com>,

        CousinMichelle <MSandon@aol.com>, CousinJohnRhaesa <HPDJRACE@aol.com>,

        cousinBetty <walegge@midusa.net>, Cori Dauber <cdauber@EMAIL.UNC.EDU>,

        coffeebreak <reichart@att.com>, Clune <a871@fhsu.edu>,

        Clay <lewen.thompson@midkan.com>, cindy <RevCynthia@aol.com>,

        charlesSmith <cmsmith126@aol.com>,

        CELTICPRIDE <William.F.Russell@Dartmouth.EDU>,

        CEDARRAPIDS <cawilkie@comic.net>,

        carrie_crenshaw <ccrenshaw@ua1vm.ua.edu>,

        carlin <prentice@falcoln.cc.ukans.edu>,

        Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

        BRONX <sodikowr@voyager.bxscience.edu>,

        breshears <d.breshears@mail.utexas.edu>, BrentT <Bthomp4444@aol.com>,

        Brandon&Holly <BThom4449@aol.com>, Bob Stone <bstone@terraworld.net>,

        Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>,

        bilchriswestphoenix <chriswest@dancris.com>,

        begrand <vic.begrand@sk.sympatico.ca>,

        Becky Galentine <theloft@ACCESSONE.COM>, BEAR <MWBRYANT@aol.com>,

        racee@primary.net, auntdonna <dgh@MCI2000.com>,

        attias <hfspc002@email.csun.edu>, arthur nusbaum <SSASN@aol.com>,

        APPLE <edappel@epix.net>, Antoine Maloney <stratis@odyssee.net>,

        "Achten, Greg" <gachten@PEPPERDINE.EDU>,

        ABILENE <dperkins@fas.harvard.edu>, 0Stine <StineKC@aol.com>

Subject: GO JAYHAWKS

 

my alma mater the Kansas Jayhawks are behind to Rhode Island in the

second half and march madness has hit me.

 

in hopes of the luck that a chain letter can bring i'm sending this off

to all of you with the words

 

ROCK CHALK JAYHAWK KU!!!!

 

under 4 minutes left in the game

 

with fingers and toes crossed,

 

dbr

 

Return-Path: <pelliott@sunflower.com>

Date: Sun, 15 Mar 1998 18:39:56 -0600

From: Patricia Elliott <pelliott@sunflower.com>

To: rinaldo@gpnet.it

Subject: Re: Alan Kaufman a younger generation poet.

 

What a great time I had when i revisited your list.  It was a joy to

scroll and think about or be reminded of so many.  Thank you. I

appreciated the time you have given us.

patricia

 

To: Patricia Elliott <pelliott@sunflower.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: grazie.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <350C74DC.3538@sunflower.com>

References: <3.0.1.32.19980315113254.006f9994@pop.gpnet.it>

 

grazie patricia, always a great moment to read yr words

on the 'puter display. alot of credit to the web list of

beats is yours (and the friends who add their love to the beat generation).

 

i was emailed by Alan Kaufman he said:

>Do American poets ever get invites to perform in Italy? I've been flown

>over to perform in Germany (four times!), England, Scotland, Holland and

>Austria but never to Italy and I'd love to do that!  My French-Jewish mother

>was rescued by Italian partisans during the war and I've always wanted to go

>there but haven't the funds. Poetry does not yeild great wealth to most of us.

>Let me know if you know of anything.

> 

>Best, Alan

> 

 

as for me im' i excuse my compatriots,

 

& the above mentioned

alan writing in something carry me back to yr thoughts 'bout

provincialism,

 

again grazie,

ciao,

rinaldo.

 

To: David Bruce Rhaesa <race@midusa.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ACCROSS THE RIVER Re: GO JAYHAWKS

Cc:

Bcc:

X-Attachments:

In-Reply-To: <350C6758.3AEA@midusa.net>

References:

 

david says:

>my alma mater the Kansas Jayhawks are behind to Rhode Island in the

>second half and march madness has hit me.

> 

>in hopes of the luck that a chain letter can bring i'm sending this off

>to all of you with the words

> 

>ROCK CHALK JAYHAWK KU!!!!

> 

>under 4 minutes left in the game

> 

>with fingers and toes crossed,

> 

>dbr

> 

> 

 

   STANDIN'ON THE BRIDGE

 

TODAY I STOPPED

ON THE BRIDGE

 

  

   THE RIVER

 

I THROW CHEWING-GUM

and glanced at green water

 

   HEMINGWAY ERNEST

THE TREES are always there & the crumbling house

 

HE WROTE HIS BOOK near the river TAGLIAMENTO

i think that the trees are around the old house

THEY ARE THE SAME OF THE 1917,

 

              I SAW THE CHEWING-GUM

              OVERWHELMED IN THE

              LOW WATER OF THE RIVER

 

rinaldo

17mar98

To: sgarrett@scf.usc.edu

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the list of beats

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

Beth Everhart, good day,

 

im' very honoured 'bout yr attention & offer to help

the develpment of the shit kicking list of the beats

 

but, pls, point yr browser to

http://www.gpnet.it/rasa/thebeats.htm

in order to know better what's the BeatSuperNova.

 

the first source of the list is the friends of the

Beat-L (the mailing list of the beat generation)

 

the second source friends of the alt.books.beatgeneration

 

at leats my own memory, im' 48 year old,

 

the list of beat is growing as people add name to name,

 

thnx for the insight & help u can carry on.

 

saluti,

Rinaldo Rasa.

Venice-Mestre, Italy.

 

-------------------------------------------------------------------------

>Return-Path: <sgarrett@scf.usc.edu>

>Date: Mon, 16 Mar 1998 09:44:38 -0800

>From: susan garrett <sgarrett@scf.usc.edu>

>To: rasa@gpnet.it

>Subject: the beats

>X-URL: http://www.gpnet.it/rasa/beatspic.htm

> 

>Hi- I was cruising along trying to find some info. on Diane Di Prima when

>I stumbled upon your page.  I saw that you wanted the names of the

>beats--what exactly do you need?  I'm taking a class on Beat poets right

>now so maybe I can be of some help. Go ahead an e-mail me, or not,

>whatever at everhart(at)scf.usc.edu ( my at key isn't working on my key

>board)

>  -- Beth Everhart

> 

> 

Return-Path: <race@midusa.net>

Date: Tue, 17 Mar 1998 16:32:11 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: ACCROSS THE RIVER

 

Rinaldo Rasa wrote:

>

>

>         STANDIN'ON THE BRIDGE

>

> TODAY I STOPPED

> ON THE BRIDGE

>

>

>         THE RIVER

>

> I THROW CHEWING-GUM

> and glanced at green water

>

>         HEMINGWAY ERNEST

> THE TREES are always there & the crumbling house

>

> HE WROTE HIS BOOK near the river TAGLIAMENTO

> i think that the trees are around the old house

> THEY ARE THE SAME OF THE 1917,

>

>                         I SAW THE CHEWING-GUM

>                         OVERWHELMED IN THE

>                         LOW WATER OF THE RIVER

>

> rinaldo

> 17mar98

 

nice!

 

To: David Bruce Rhaesa <race@midusa.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: jazzED on the net Re: ACCROSS THE RIVER

Cc:

Bcc:

X-Attachments:

In-Reply-To: <350EF9EB.511A@midusa.net>

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David Bruce Rhaesa says:

>nice!

                   l o w      WATERofTHErIVER--

______in 1977-78 when i was a industrial worker, then

i was kicked off the factory, i've started again to w

rite poetry in 1996 trhu the net. i was kicked off th

e factory 'cos poemas was toMuch murky and alice wasn

t thru the glass&iposted on showcase where the Lord h

ad a panel people can write whoever?--------STOP-----

 

rinaldo

18mar98

Return-Path: <race@midusa.net>

Date: Thu, 26 Mar 1998 18:48:09 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

To: "stauffer@pacbell.net" <stauffer@pacbell.net>,

        Sherri <love_singing@msn.com>, Rasa <rinaldo@gpnet.it>,

        "R. Bentz Kirby" <bocelts@scsn.net>, pelliott@sunflower.com,

        "Michael R. Brown" <foosi@global.california.com>,

        marie <country@sover.net>, brooklyn@netcom.com,

        Leon Tabory <letabor@cruzio.com>, jo grant <jgrant@bookzen.com>,

        Gerald Nicosia <gnicosia@earthlink.net>,

        Diane Carter <dcarter@together.net>, DCardKJHS <DCardKJHS@aol.com>,

        "CVEditions@aol.com" <CVEditions@aol.com>,

        Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>,

        begrand <vic.begrand@sk.sympatico.ca>, arthur nusbaum <SSASN@aol.com>,

        Antoine Maloney <stratis@odyssee.net>

Subject: [Fwd: Rejected posting to BEAT-L@CUNYVM.CUNY.EDU]

 

Rather than spend one of my precious 3 posts a day i decided to forward

this post to people that are beat-l related in my address book.  feel

free to forward to others i don't have in my book.  at 3 posts a day

i'll probably stick with on the road and maybe desolation angels stuff

right now.

 

d

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To: Race --- <race@MIDUSA.NET>

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The distribution  of your message  dated Thu, 26  Mar 1998 17:53:45  -0600 with

subject "Re: straw men and other  rhetorical attacks" has been rejected because

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Date: Thu, 26 Mar 1998 17:53:45 -0600

From: David Bruce Rhaesa <race@midusa.net>

Organization: smiling small thoughts

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To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

Subject: Re: straw men and other rhetorical attacks

References: <199803262320.PAA29352@denmark.it.earthlink.net>

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Gerald Nicosia wrote:

> 

> At 04:25 PM 3/26/98 -0600, you wrote:

> >Gerald Nicosia wrote:

> >>

> >> That is, in my opinion, the worst kind of facism, and when it is used to

> >> attack a highly respected biographer, I think it is quite fair to call it

> >> "bashing."

> >>         --Gerald Nicosia

> >

> >I'm not qualified to get into the literary details of this matter, but i

> >would say that the fallacy of appeal to authority is as prevalent as the

> >fallacy of the straw person in some of these threads.

> >

> >dbr

> >

> Dave, are you saying, along with Diane, that if I read something of Kerouac

> and it depresses me, I shouldn't be allowed to say so here, without having

> my whole life's work damned?

>         --Respectfully, Gerry Nicosia

 

i felt that the post had two points of disagreement.  the first was a

disagreement concerning your impressions of Some of the Dharma.  that's

just simple disagreement from where i sit.  Given that Some of the

Dharma's release post-dates Memory Babe, it would be difficult to

rationally consider it part of an extension of Memory Babe.  Your post

seemed impressionistic to me.  I will suggest that both the

"Nicosia-bashers" and the "Nicosia-worshipers" do you a disservice in

not letting you just be a person on the listserv.  Your opinion is

fallaciously given more weight than sometimes it should and i believe

many read anything you write off the estate question as some sort of

extension of your biographical writing.  perhaps this is the price of

fame!

 

The second portion of the post, it seemed to me, was only analogically

linked to the first disagreement.  As i read it, DD's disagreement with

your impressionistic post reminded her of some sort of disagreement,

perhaps tangential, in your writings of some sort of intro or something

to Memory Babe.  The disagreement in the second portion of the post

seems to take on a slightly different tenor b/c it is critical

examination not of an impression per se, but of an impression codified

in Beat scholarship.  As such, it seems that the rules of disagreement

are slightly different.  It seems that on this list suggest a higher

level of scrutiny of critical and scholarly writing.  It seems that the

second portion would suggest a defense of your interpretive process on

your part or the alternative of simply letting it go and ignoring it.

Criticism of biography seems a valid point for threads (i recall some

discussion of literary outlaw awhile back) but just because you are on

the list i don't see any reason why you should feel compelled to respond

point by point to all criticisms - especially ones you find specious or

of a straw nature.  If you felt that DD's post made a decent argument

about the interpretive processes you employed in your writing - a

defense of those would seem appropriate - but otherwise it seems like

let the straw fly in the wind.

 

I'm not saying that DD's post is valid or not concerning its argument

about your interpretive processes.  That would be a subject for

discussion and debate and critical scholarly examination.  We all might

learn a lot from it.  I would prefer that argument on the list

concerning "scholarly matters" not be silenced by any means.  I also

admit that i didn't pay close enough attention to the details of DD's

argument to come close to evaluating and one post in a thread hardly

seems sufficient development to even begin to draw conclusions.

 

does that make any sense to anyone?

 

d

 

Return-Path: <writers@writers.com>

Comments: Authenticated sender is <writers@pop.ncal.verio.com>

From: "Mark Dahlby" <writers@writers.com>

Organization: Writers on the Net

To: rinaldo@gpnet.it

Date: Sun, 29 Mar 1998 11:11:16 -0800

Subject: poetry

Reply-to: writers@writers.com

Priority: normal

 

Hi Rinaldo,

 

I saw your subscription notice to your list, "poetry." I've taken you

off as it's a closed list used for classes that we offer over the

Internet. If you'd like to know more you might visit our web site at:

 

http://www.writers.com

 

Best,

 

Mark Dahlby

****************************************************************

WRITERS ON THE NET   -    http://www.writers.com

Tutors/literary mentors, classes, writers' groups.

If without web access, e-mail for information.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Gibson Re: Science Fiction

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

...???...

"A drumbeat began, electronic, like an amplified heart, steady as a metronome" -- William Gibson, johnny mnemonic -- the broth by cronenberg dramatic metaphora of the birth is almost near to the world-gibsnonesque, wsb is not recognized as a sci.fi writer, ballard instead ya, &cronenberg is fine, brazil is fantasy,

...???...

 

yrs rinaldo * 7 percent of men are cyborg *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: City Lights Books.

Cc:

Bcc:

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hi, are here somene of City Lights Books that can help me, i have a question concerned bookstores abroad, yrs rinaldo.

 To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: the kids are right, always.

Cc:

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Diane wrote:

>> friends,

>> yesterday in the computer room, a kid with IT by stefen king,

>> i asked him ''do you have read ON THE ROAD?'',

>> he:''yes prof, already read'',

>> i :''then?'',

>> he:''it's boring''

>> i :''u are right''

>> time are changing, i think to reply ''when u are older...'',

>> but i stop this thought 'cuz not seem a good tactic, &

>> almost always i agree with the kids,

>> yrs rinaldo.

> 

> 

>I'm just wondering...how young was this youngin?

> 

>Diane.

> 

> 

HE WAS 15 YEARS OLD,

yrs rinaldo * a not competent beat *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: the kids are right, always.

Cc:

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jennie wrote:

>On Fri, 31 Jan 1997, Rinaldo Rasa wrote:

> 

>> 

>> HE WAS 15 YEARS OLD,

>> yrs rinaldo * a not competent beat *

>> 

> 

>I wish that people wouldn't generalize... I was only 14 when I discovered

>the wonders of Jack Kerouac.... 4 years later (still probably considered

>a kid by most) and I still can't get ahold of enough beat lit to keep me

>occupied... so many books... so little time!  Not all the "kids" are more

>interested in Steven King and others, you just havn't met the right kids yet.

> 

>jennie

> 

> 

jennie, reading book is always a good thing, the kid is cool&sensible, in my opinion, the thing is that by the moment, hystoric-or-whaterver is darking the beat&feeling of the old great experience, thanx for the comments, yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Carlo & Pink Floyd in Venice.

Cc:

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LJ wrote:

>>I thought I'd recalled that it was you who flamed me when I impugned the

>taste of ANYONE who didn't like Pink Floyd.

> 

>>Apologies if I got that wrong.<<

> 

>Hey, apologies fully accepted!

> 

>For the record (no pun intended), I _like_ Pink Floyd.

> 

>Not sure they are beat, though. (-;

> 

>LJ

> 

    HOMAGE TO CARLO THE BEAT,

             A MAN

the factory where I worked be about to

        near to the jails from Venice.

                face to face.

each of us during the pause

        he was smoked cigarettes and

                he looked at beyond the window Carlo already was for madden

        he smiled & he smiled

                i smiled to him

while the machines did a noise of hell

        he began to howl and to sing

                i smiled to him

 

date from spring 1980, one of better period of my life only for having such a friends,

yrs rinaldo * a not competent beat *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: RE:Trainspotting and beat.

Cc:

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friends, what's exactley the semantic of the word trainspotting.

here in italy in some way is connected with young cannibals who they throw stones on the cars or on the wagons of the trains arousing accidents and casualties. many of them once bagged from the police doesn't know how to explain the motive of their gestures, rebels without a cause?, yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Coney Island Of the Mind

Cc:

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Jerry Cimino wrote:

>Ferlinghetti's Coney Island is the book that first introduced me to the Beats

>at the tender age of 14 or so... 8th grade and Mr. Schneider is reading

>Poetry to us in English Class.  Reading Poem #5, page 15 was a revelation for

>me... being a young impressionable schoolboy having just escaped Catholic

>School for the first time in my life I was blown away by this one poem...

>never heard anyone describe this anytime anywhere before or since... I gotta

>post it for anyone who's never seen it!

>> snipped <<

>Jerry Cimino

>Fog City Facts & Fiction

>www.kerouac.com

> 

> 

 

The Old Italians Dying

 

For years the old Italian have been dying all over America

For years the old Italians in faded felt hats have been sunning themselves and dying

You have seen them on the benches

in the park in Washington Square

the old Italians in their black high button shoes the old men in their old felt fedoras

                        with stained hatbands have been dying and dying

                        day by day

 

...

here i stop the poem by Lawrence Ferlinghetti written in 1979.

 

born as Lawrence Ferling Monsanto,

the name Ferlinghetti sound an homage to Giuseppe Ungaretti the italian poet,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Ron Whitehead

Cc:

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>Okay.. I'm new to this list, and I have no idea who Ron Whitehead is, and

>I don't particularly care either.  You see I subscribed to the list to

>talk about the members of the Beat Generation and their writing.  So if

>this Ron guy left... that's too bad for him.  And if he's coming back,

>that's cool too.  BUT CAN WE TALK ABOUT SOMETHING ELSE NOW???

> 

>jennie

> 

&jeannie & others,

when Ron Whitehead said ''Adios'' to the Beat-List, i intend this as a a moral choice, &that's ok,

                BUT

now anybody (see previous emails) seems to propose that he has gone  'cuz  too busy from be not able to post a letter to us. it sound me too improbable.

his flash-lightspeed

disappearing from the B-List, is still a mistery, in my opinion.

if he leaves because of the behavior few chatty of a person/s it's ok.

each of us is tired and writes for a Buddhist compassion for oneself and the others, nobody (i hope)  asks a score-performance from nobody, or an audience-share score if not he/she abandon the stage.

i consider myself a Ron Whitehead fan, he posts some Kerouac refrains i read only in italian translation & keep them in american was a joy, i hope he (in first person) explain us his thought, it's too difficult?

another point, humbly, i disagree with the email him thru thirth person, while i think THIS is the cyber-place-or- whatever-is-it to post our thoughts, nice sunday, yrs rinaldo  * not a competent beat *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Trainspotting and beat.

Cc:

Bcc:

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mc wrote:

>She-Ra wrote:

>> 

>> In England, "trainspotting" is suppossedly a hobby of 20-somethings who

>> write down the minutest details about trains, ie. schedules, when which

>> train crosses which intersection, number of cars, etc. (especially

>> details about departures and arrivals) >> omissis <<

>**********

>accurate definition. as the tattered crew do NOT trainspot, my

>> omissis <<

>humble apologies for the long runon sentence(s). no time to edit.

>mc

> 

marie, thanx for the Blaise Pascal quote at the end of yr email.

in the room of a ''trainspotter'' the journalist have found two books one of stephen king & another of alchemy, his friends tell that he is a good guy as a bunch of others, but he he is accused of have killed a young wife throwing a stone from a crossover while he looked at to pass the automobiles.

the judge tells that these guys have empty mind. absolutely empty.

no connection with drugs or consumerism only empty&empty.

is a trainspotter an existentialist (a man revolte') on the road?

i must notice that the sentence ''on the road'' is recognized as to keep & go outside without a destination, yrs rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Generation Ques.

Cc:

Bcc:

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<<Maybe what I'm really asking is, What is this world coming to?

Anyhow - this all comes from a bad case of millenia-phobia.

Sorry to make it so long an email, but please respond. I await your opinions.

Thanks!

jen>>

millenia in my point of view:

in the 2050 i will be probably deceased. perhaps before.

sometimes i think the beat as a life backtracking, a boat that sails for Canada with relatives that i won't see more, a Bergman b&w movie in november,

leaves autumns courses from the wind on the lagoon, a Glen Miller disks collection,

Ginsberg censored, the fifty of my infancy,

 

jen, i hope this can help,

yrs rinaldo * a not competent beat *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Trainspotting and beat.

Cc:

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The end of violence,

the new film of Wim Wenders

is an astringent action of accusation

against the way embodied from Quentin Tarantino.

 

the actress Andie MacDowell said:

"days do have stayed much disturbed from the reaction of some friends with which we were looking at a cassette of Trainspotting, because to them gave much bother the sight of the needles with which the characters are injected the heroin, but when we have seen Fargo, with heads that they explode from all the parts, nobody has told nothing. we are all become accustomed to seeing actions of violence in television that there doesn't do more no effect, i then am completely from the part of Wim, and I hope that this film is able to communicate the importance of his message".

yrs rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Is this the Ron Whitehead List?????

Cc:

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>>> I realize I am further perpetuating the problem about which I am complaining simply by writing this email, but ENOUGH already about Ron!!!!!

-Liz <<<

just a moment, for the political correctness, i suggest u to hacking the Beat-L ListServ & get some archived post of past months, in brief time u have an idea who is ron whitehead. further i underline the fact that ron as a friend (ya, cyberfriend) who posted on the Beat-L almost daily, in this seven months i'm on the net, is deserved a bit of consideration or do i make a mistake in completely?

Liz & others, have a nice monday,

yrs rinaldo * a not competent beat *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Last post...

Cc:

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ITALIA:VENEZIA:MESTRE:970203:LUNEDI'

 

>>>Wes

I'll miss your point of view.

James <<<

 

a duck flew to north,

a duck flew to south,

an other above the nest of the cuckoo.

 

ciao wes, a presto,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Carlo & Pink Floyd in Venice.

Cc:

Bcc:

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At 23.47 03/02/97 -0500, you wrote:

>rinaldo,

> 

>        Can you do us the pleasure of giving us your poem in Italian? Did

>you write it in Italian or in English originally?

> 

>        Antoine

> 

>                        ****************

> 

>    HOMAGE TO CARLO THE BEAT,

>             A MAN

>the factory where I worked be about to

>        near to the jails from Venice.

>                face to face.

>each of us during the pause

>        he was smoked cigarettes and

>                he looked at beyond the window

>Carlo already was for madden

>        he smiled & he smiled

>                i smiled to him

>while the machines did a noise of hell

>        he began to howl and to sing

>                i smiled to him

> 

>date from spring 1980, one of better period of my life

>only for having such a friends,

>yrs rinaldo * a not competent beat *

> 

> Voice contact at  (514) 933-4956 in Montreal

>"only person who makes less than a poet is

>person who publishes poetry."   -  Ron Whitehead

> 

> 

that italian got me some trouble...

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: what is the poetry?

Cc:

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>>> Can you do us the pleasure of giving us your poem in Italian? Did you write it in Italian or in English originally?

        Antoine <<<

 

Antoine e amici,

la poesia mi ha accompagnato in importanti momenti della vita.

dapprima negli anni 60; quando ero studente partecipavo con un gruppo di amici che avevano letto "Jukebox all'Idrogeno" e scrivevano nello stile di Ginsberg: le chiamavano poesie Zen. una specie di strum-und-drang nel 1968. io, in realta' ascoltavo molto e poi molte poesie le scrivevo per meglio chiarire le mie idee ma non le leggevo agli amici.

devo dire che, in quel periodo,

mi hanno influenzato: Allen Ginsberg, L'Antologia di Spoon River e Cesare Pavese. quest'ultimo mori' suicida nell'estate del 1950, qualcuno dice per un amore impossibile per Constance Downling, Pavese tradusse il Moby Dick, per primo in italia.

quando lessi

Jack Kerouac fui molto attratto dalla sua prosa, (al punto che mi comprai l'edizione penguin inglese di OnTheRoad) e piu' tardi quando uscirono in libreria i Refrains e MexicoCityBlues, compresi che poesia e prosa sono molto vicini.

attorno agli anni 80 (appare Pound)sono diventato un "poeta" pubblico/politico per un certo periodo, e sono stato apprezzato abbastanza, ma poi ho dovuto pagare un prezzo piuttosto alto.

oggi partecipando alla Beat-List mi ha ripreso la passione per la poetica. penso che non potrei scrivere se non per degli amici siano essi 200 cyberfriends o 400 blue-collars come megli anni 80.

l'inglese come media linguistico ho cominciato ad usarlo proprio nei primi anni 80, qualcosa di simile agli ideogrammi cinesi che Pound propone come mezzo poetico, ma il mio amore per la lingua inglese risale a vicende della mia infanzia.

la mia baby-sitter dopo essersi sposata emigro' in Canada, e da Edmonton, Alberta mandava spesso bellissime cartoline e scriveva "greetings" io ero affascinato, e poi quando qualche volta veniva in Italia suo marito mi spiegava che l'inglese canadese non era l'inglese che studiavo a scuola...

non so se ho spiegato qualcosa, in fondo è la poesia che spiega le cose a noi...

 

here my translation:

[

the poetry has accompanied me in important moments of the life.

at first in the sixty; when i was student i participated with a group of friends that they had read "The Hydrogen Jukebox" and they wrote in the style of Ginsberg: they called her poetries Zen. a kind of strum-und-drang in the 1968. i, in reality i listened to much and then many poetries wrote it for good clarify my ideas but i didn't read it to the friends.

i must tell that, in that period,

they have biased me: Allen Ginsberg, The Spoon River Anthology and Cesare Pavese. suicidal in the summer of the 1950, anybody tells for an impossible love for Constance Downling, Pavese translated the Moby Dick, for first in italy.

when aggrieved

Jack Kerouac was much attracted from his prose, (to the point that i bought me the edition English penguin of OnTheRoad) and late  when they went out the Refrains and MexicoCityBlues in bookstore, inclusive that poetry and prose are very near.

around to in the eighty (heappears Pound) i have become a "poet" public/ political for a certain period, and i have been appreciated enough, but i then must have paid a price rather tall.

today participating the Beat-List me it has taken back the passion for the poetic.

i think that I could not write if not for of the friends be they 200 cyberfriends or 400 blue-collars like better in the eighty.

the English like linguistic media has started to use it just in the first eighty, anything of similar to the Chinese ideogram that Pound proposes like poetic media, but my love for the tongue English goes up again to events of my infancy.

my baby-sitter after have married she emigrated in Canada, and from Edmonton, Alberta sent very handsome postcards often and wrote "greetings" I was spellbound, and then when she sometimes came in Italy his husband explained me that the Canadian English was not the English that I studied to school.

 

in conclusion I don't know if I have explained anything, in deep it is the poetry

that she explains the things to us.

]

 

antoine & all, have a nice tuesday,

yrs rinaldo * a not competent beat *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: you come to come B-52

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Antoine, &all,

the HST Fear italian translator sandro veronesi, is out in italy with a book title "Venite, Venite B-52" here a critique:

"You come, you come, B-52. You come here, throw you it here the bomb, you come and sweeps by all, she as begs Viola in front of the window in the hope that the American bombardiers uncouple the atomic bomb in the garden of his house, Viola it is the daughter adolescence of a man from the thousand faces and extraordinary incarnation of an impatient Italy and conformist, idealist and vulgar, brainy and scanty." yrs rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Paradise Alley.

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friends,

in the Subterraneans, the apartment of Paradise Alley it result to the 401 of East Eleventh Street in the East Village.

Kerouac has transferred the setting from New York to San Francisco for avoid a lawsuit.

i for a combination in the 1978 have seen an entitled film "Paradise Alley" starring Sylvester Stallone, it is memorable the scene of the sucidal bum that throws in the river Hudson telling ALL THIS within hundred years it won't have any sense more.

is there any coincidence between the two Paradise?

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Ron Whitehead.

Cc:

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ITALIA:VENEZIA:MESTRE:970204:MARTEDI'

 

>>>DB:

am posting this to list (you gotta get a moniker that i can cut and paste; yrs runs off edge of my screen recalcitrantly) ... just wanted to say i loved yr post.

mc<<<

 

        H E R E,

also better:

        the venice carnival,

today i have sat down

        on the dock

to see the gulls fish in the lagoon.

        i'm tired, mother!

no guy masked,

        i'm tired, mother!

 

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Frank O'Hara.

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        MUSIC

        by Frank O'Hara

 

             If I rest for a moment near The Equestrian

     pausing for a liver sausage sandwich in the Mayflower Shoppe,

     that angel seems to be leading the horse into Bergdorf's

     and I am naked as a table cloth, my nerves humming.

     Close to the fear of war and the stars which have disappeared.

     I have in my hands only 35c, it's so meaningless to eat!

     and gusts of water spray over the basins of leaves

     like the hammers of a glass pianoforte. If I seem to you

     to have lavender lips under the leaves of the world,

             I must tighten my belt.

     It's like a locomotive on the march, the season

             of distress and clarity

     and my door is open to the evenings of midwinter's

     lightly falling snow over the newspapers.

     Clasp me in your handkerchief like a tear, trumpet

     of early afternoon! in the foggy autumn.

     As they're putting up the Christmas trees on Park Avenue

     I shall see my daydreams walking by with dogs in blankets,

     put to some use before all those coloured lights come on!

             But no more fountains and no more rain,

             and the stores stay open terribly late.

 

 

this poem was written in 1953.

it is from LUNCH POEMS, poems by Frank

O'Hara, published by City Lights Books in 1964 in San Francisco, California.

 

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Wim Wender on the Web.

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<title><h2>Wim Wenders on the Web.</h2></title> <HTML> <BODY TEXT="RED" BGCOLOR="GREEN"> <DT> <font size=4> <HR>

 

friends,<br>

the page of Wim Wenders

has been updated with addition of photos.<br> the address of the page is the following:</DT> <DT> <A href="http://www.italway.it/spettacolo/wenders/index.html" > http://www.italway.it/spettacolo/wenders/index.html</A>

 

</DT> <br> <HR> </BODY> </HTML>

 

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Ron Whitehead

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>>>you are just a casual user of the Beat List, keep track of how much time a day

>you spend on it. It does suck up more time than you think and there just ain't

>enough time always, to do all the things you want.> DB <<<

i'm tired, u are tired, he is tired,...

i agree with yr point of vie BUT if my memory not fades the Ron Adios is OTHER motivated, if i'm not misundestand all, every man is tired, but, i insist this List is not an arena for performance, a ron post sometime in grateful, but an Adios differ a lot in my opinion,

DB thanx for the reply, i appreciate a lot, yrs rinaldo * a casual user of the Beat List *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Adios?

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I DREAMED I SANG 'AMAZING GRACE' WITH THE SEAL CHOIR AT THE ZOO wrote:

>>>I'm not tired, Ron isn't tired, it's just this thing called LIFE!

Not always enough time for everything.[snip]It is time to move on to other things, it's just that I think some people are getting the wrong idea about Ron.

Signed,

An un-casual user <<<

 

lucky men, u never get tired?, don't miss the point.

 

i LIKE a lot THIS LIST, & LIFE hitself IS also mind&thought&heartbeat&dontflashingkeepaway&everything& notexcusetodowhatuhavemakeforalongperiod&nowudisappear&lostyrfriends.

 

in front of the truth the B-List had a bit problem in two occasions, in my memory of casual user & not a competent beat:

 

one)in a post someone that described WSB LIFE hidden that relevant event that WSB shot his wife, this was for me an heavy inaccuracy in the bio & i noticed the hole is remarkable, ya in the B-List there is a "WSB Cult", i'm not in this basket but i'm not against WSB just a little piece of his LIFE hidden, a little annoyance but...

 

two)ya moving on to other things, Ron said Adios & turn off to dead channel. this the end of the tread? ya?

 

have a nice day, yrs rinaldo.

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Wim Wenders a Beat ?

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>> <title><h2>Wim Wenders on the Web.</h2></title>

>> <HTML> <BODY TEXT="RED" BGCOLOR="GREEN"> <DT> <font size=4> <HR>

>> 

>> friends,<br>

>> the page of Wim Wenders

>> has been updated with addition of photos.<br>

>> the address of the page is the following:</DT> <DT>

>> <A href="http://www.italway.it/spettacolo/wenders/index.html" >

>> http://www.italway.it/spettacolo/wenders/index.html</A>

>> 

>> </DT> <br> <HR> </BODY> </HTML>

>> 

>> yrs rinaldo.

> 

>so do you really think wim wenders is a beat (a late Beat or just

>influenced by the Beats)?

>that sounds really strange to me...

>further comments appreciated.

>Jens Moellenhoff

>University of Munich, Germany

>http://www.cip.fak14.uni-muenchen.de/~jmoellen

> 

i think that Wim Wenders is a beat (or a meta-beat), also Werner Herzong in the same way,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Larry Rivers & Frank O'Hara.

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Mike wrote:

>Thanx Rinaldo!!

> 

>Just reading the O'Hara bio _City Poet: The Life and Times of

>Frank O'Hara_ by Brad Gooch at the moment and this was a nice

>little intro before I take my plunge into the tub...

> 

>Mike

> 

 

thanx Mike for yr reply, i post this for u,

 

        Frank O'Hara & Larry Rivers.

        ----------------------------      

 

New York School, of which O'Hara is one of the animators, contributed, around the half of '50s, to do meet varied disciplines- music, painting, poetry.

Friend of Ginsberg and from him much admired, O'Hara have publicized from the same magazines that entertain the Beat, also if not always shares the style of it.

Kerouac in fact didn't appreciate O'Hara.

A day Kerouac interrupted a his reading of poetries to the Living Theatre shouting:

" Been ruining the American poetry!".

Instead <<How to Proceed in the Arts, Evergreen Review ,1961>> is a subsequent testimony of the creative spontaneity of the Beat is in direct connection with the chord of the artists of other disciplines.

Here O'Hara, together to the painter Larry Rivers, he theorize a total expressive liberty for the visual arts.

------------------------------------------------- Frank O'Hara was borne in Baltimora, Maryland, in the 1926 and he died in Long Island, New York, in the 1966.

 

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: your BEAT GENERATION

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Timothy K. Gallaher at 10.36 08/02/97 -0800, you wrote:

>>>[snipped]Vale, the editor, worked

at City Lights.<<<

please, if Vale, is listening it's possibile to have the email address of CityLights Italy (may be in Florence , Firenze Italia or plannind to move to Venice,Italy?)?

have them a CityLights an http??

thanx a lot for helping me,

yrs rinaldo.

Venice,Mestre,Italy:saturday,22:25To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Right Kid Revised.

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Venice,Mestre,Italy:saturday,

friends,

same kid, i himself, same computer room, today morning: remember that kid reading OTR & IT, now he is reading "The Lost World" by Michael Cricton,

asked him: why this book?

him: his the sequel of Jurassik Park & the movie, prof.

i: good point!

 

just a thought: & A FUTURE MULTIMEDIA BEAT?

 

--- diario beat ---

 

The Beats Go ON, La Biennale di Venezia web site.

quoted from JAMES HAY  adapted by rinaldo rasa.

DAL SALOTTO ALLA STRADA: OVVERO COME MAI KEROUAC E' STATO IL BEAT PREFERITO DALLA TELEVISIONE.

from the living room to the street: how come Kerouac has been the beat preferred from the television.

 

"

In tarda serata, il night-club televisivo ospitò un'intima lettura fatta da Kerouac (teneri ricordi di Dean Moriarty) che fu trasmessa nei salotti della nazione - espressione e risultato di ciò che Raymond Williams ha chiamato "privatizzazione mobile". Per Williams la parola si riferiva ad una condizione e ad un risultato che ridefiniva le relazioni spaziali domestiche con il mondo esterno nell'era dei mezzi di comunicazione radiotelevisivi. Se le famiglie e i gruppi sociali si disperdevano e se la vita domestica era sempre più organizzata "a distanza" - rispetto ai vecchi centri urbani o agli ambiti provinciali - l'importanza della mobilità e dell'accesso da e per la casa diventava sempre più importante. La televisione è, così, storicamente divenuta un importante fattore sia della vita domestica sia delle vie di flusso verso l'esterno, e verso nuove e vecchie relazioni. La spinta verso la privatizzazione degli insediamenti nella provincia era una risposta alla scomparsa della cultura pubblica, ma ne costituiva insieme una concausa. Attraverso la televisione, stare a casa cominciava a significare essere per strada, alla ricerca di autenticità e di una comunità organica pur nell'ambito di una società pervasa dalla televisione e dalle sue storie nomadi. È questo, dunque, il contesto in cui si formò ed emerse il concetto popolare di Beat." 

 

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Americand Friend, Dennis Hopper & Wim Wenders.

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--- diario beat ---

"Ci sono naturalmente molte altre foto (e fotografi) che ritraggono le figure Beat come, ad esempio, i memorabili ritratti degli artisti di San Francisco, tra i quali Snyder e Ferlinghetti, fatti da Herry Redl, che scattò anche una stupenda foto notturna con un Ginsberg dagli occhi sbarrati che guarda il St. Francis Hotel, ispirazione per il Moloch di "Howl".A Los Angeles, l'attore Dennis Hopper, prima di dirigere Easy Rider, si dedicava alla fotografia; e visto che Hopper era un bravo fotografo, la vittoria del cinema rappresentò in questo caso una sconfitta per la fotografia. Non era esattamente un artista Beat, ma nel registrare le proprie esperienze contribuì a comprendere in modo più esaustivo la posizione della corrente Beat nella cultura americana degli anni '60, suggerendo correlazioni specialmente col mondo dell'arte, ma anche col movimento dei diritti civili e con ciò che egli definisce, in uno dei suoi libri di fotografia, come "la scena" - un'espressione che include tutto, da Ginsberg ai bikers, da Timothy Leary al rodeo."

 

quoted from ROB SILBERMAN adapted by rinaldo rasa.

The Beats Go ON, La Biennale di Venezia web site.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Maledetti vi amero', Italy 20years ago.

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friends,

an italian anniversary, today, for the Countercultural Movement that it threw the bases for the arrival of the Beat Poetry in Italy to the festival of poetry in Castelporziano two year after (in the 1979).

 

In Italy in the 1977 there was finally who in front of the alternative among Moscow and Berlin preferred choose Paris surrealist; or the ecology, the music, the dance, the poetry.

Recover the life, the messages travel radio with the waves: Alice, Red Wave, Future City, Sherwood.

To the of there of the dream-like countercultural movement marked the acquisition of an awareness: the students understood clearly that they would not be more become like in past the managing class. From a part the era of the mass-worker was closed bulk. And from the other the computer machine departs a new figure of worker.

 

all have a nice monday,

yrs rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Italy celebrates the Beat Generation, 67 poesie.

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friends,

                 italy, milan, 11 feb 97  * for celebrate a year of successes of the "Myths series". *

 

    from Kerouac to Ginsberg the Beat Poets in the Myths.

    =====================================================

 

the Myths Poetry: an indisputable success of the Mondadori, an italian publishing house, gone to the of there of each more optimistic forecast, that has surprised many and irritated anybody.

Just today 11 February 1997 arrives in bookstore the book "Beat Generation, 67 poetries" a double volume with which the publishing house in Milan, it celebrates a year of excellent sales of his books of poetries.

they am been without other excellent reasons for do party: the poetry, the Cinderella of the literature, described with a certain joylessness like the intellectual passion of an elite, destined to the small numbers, it has grabbed his revenge on the market.

a literary commodity confectioned with ability and appreciated from a big number of unspected readers has become readership.

In "Beat Generation, 67 poetries" they am collected the texts (unpublished in Italy) of some beloved and argumentative characters like Jack Kerouac and Allen Ginsberg, Gregory Corso and Lawrence Ferlinghetti. Like all the other books of the series, the distribution is anticipated not only in bookstore but above all in newspaper kiosk and in the supermarkets.

The public has appreciated until to today particularly the poetry of Emily Dickinson, Walt Withman, Eugenio Montale, Charles Bukowsky.

 

in the cover a very handsome photo of JK, cigarette in hand, and charismatic glance,

 

nice day to all,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Italy celebrates the Beat Generation, 67 poesie.

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At 18.14 11/02/97 -0500, you Ginny Browne wrote:

>where can you get this book rinaldo?

> 

now it's out only in italy, later more, thanx for the interest about the growing evergreen beat heart thru the world,

in future i can post and htmlized of this book, if b-listers are interested,

nice day,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Massimo Troisi e Lello Arena.

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Antoine wrote:

>>>[snipped] "Il Postino" came up as another beautiful, literate film, both having the strong presence of Italy. Did you see "Il Postino"? What did you think?<<<

 

friends, amici beat,

antoine, come tu sai "Il Postino" è stato l'ultimo film di Massimo Troisi, non ho potuto vederlo perchè la  morte (infarto dopo il film, ma Massimo era ammalatao fin da piccolo) e le lacrime e il dolore mi impedirono di vederlo. In futuro con piu' calma lo vedro' di sicuro, in TV qualche volta lo trasmettono, ma il dolore e' ancora troppo forte...Massimo è rappresentante della Napoli  povera dei quartieri degradati soprattutto negli anni '70 e '80, insieme a Lello Arena, e in molti cabaret apparsi in TV negli anni 70 e 80 era meraviglioso. L'Oscar e' stato meritatissimo, aveva una comicita' che puo' stare alla pari con Antonio De Curtis (Toto'). Troisi e'  una perdita per tutti noi...

 

my translation of above text:

[

as you know "Il Postino" the last film of Massimo Troisi has been, I could not have seen it because  death (after the film cuz a stroke) would have brought tears to my eyes.

Massimo is representative from poor Naples of the busted districts above all in the years the 70s and the 80s, together to Lello Arena, and in many cabaret appeared in TV in the years 70 and 80 were marvelous.

like Antonio De Curtis (Toto') he is in foverver in our heart...

]

 

this i wrote is a brief sketch of Massimo,

 

all have a nice day,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Massimo Troisi & the "first" Nanni Moretti in the 77.

Cc:

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Antoine wrote:

>>>I also knew about Troisi's death within days of the completion of "Il Postino". It made the ending of the film particularly hard to bear. an Italian woman at the film showing with us was completely distraught at the end of the film with the combined power of the film and the knowledge of Toisi's death.[snipped]

        Antoine <<<

 

antoine,

massimo troisi is a beat, sure, his best, in my opinion, is the cabaret-sketch, often brodcasted by italian Tv, in cut&past clip, then he shift to films, in "Cuori nella tempesta", "Ricomincio da tre", (after comes Neruda...)

 

Massimo Troisi is ingrained in the Naples, one of the three components of the Italian culture, the others two are that Florentine and Venetian, that made the Italian as it is (add Dante Alighieri, of course & after the WWII, the American culture as a feeling&mix). Troisi as an artist born in 1977,

his fragile naive mask represent an italian beat with resource of humor also under the rain where the friends match the friends.

 

Same period (77) another film director

Nanni Moretti with "Io sono un autarchico", filmed in marvelous super8, is an example of "italian-self-made-beat", then in film "Ecce Bombo" (a sequel) then Moretti become a manager, in my opinion, after his great success at the box-office. i remember that 1977 (twenty years ago) italy was a laboratory for counter-culture & slowly dismissed the ideological controversy & grounded for the mass-poetry of 1979.

 

now the events of that year are webing at http://www.taonet.it/77web title "77, una storia nutriente", an literature anthology of that period, for me i remember the fall 1977 at the Convegno di Bologna, but here...

 

i must stop, my heart beat too quickly cuz i remember my brother...

& the future suddenly become the past, i can't split the culture by life, now the green grass is growing under the sun,

 

nice day to all,

yrs rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Italy celebrates the Beat..

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Judy wrote:

>In a message dated 97-02-12 11:23:22 EST, you write:

> 

><< Can you let me know whether  this anthology is written in Italian or

>whether

> it's in English by Italian scholars.

> Tks

> Judy >>

> 

>Rinaldo:

> 

>Is the new 67 Poesia translated into Italian with original English too in the

>book or is it just Italian translations of the poems?

> 

> 

SORRY, Judy, only italian translation BUT there is a bunch of names i don't know eg. Malcom Lowry, Kenneth Patchen, La Loca, Anne Waldman, Harold Norse, Robert Nichols, Bob Kaufman, Janine Pommy-Vega, Denise Levertov, with poems.

 

i'm very interesting in cross-crossing it<->us of this poems, cuz i always like the original in front of translation of course, BUT u must think that this excellent book has a prize of 2$ & 146 pages,

if some beat-listers are

interesting (except the most famous beat), the others i mentioned above, i can post the poem in italian then a gentle people re-post in english as a favour for me, a poor italian...

 

nice day to all,

rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Italy celebrates the Beat..

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Jeffrey Weinberg wrote:

>Rinaldo:

> 

>Is the new 67 Poesia translated into Italian with original English too in the

>book or is it just Italian translations of the poems?

> 

Jeffrey, sorry ONLY italian

BUT there is a group of names

i don't know eg. Malcom Lowry, Kenneth Patchen, La Loca, Anne Waldman, Harold Norse, Robert Nichols, Bob Kaufman, Janine Pommy-Vega, Denise Levertov, with poems. if someone has the english original i appreciate if post on B-List.

many thanx,

yrs rinaldoTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: intermezzo italiano.

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friends,

 

the boy wrote with the computer,

while he listened to play the song "Goodtime",

 

i have asked him if he had devoted to his girlfriend,

        but he has told me prof, this song has devoted like wish

        to my sick grandmother,

 

dear alessandro,

great boy.

 

 

nice morn,

yrs rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Allen Ginsberg interviewed.

Cc: BOHEMIAN@MAELSTROM.STJOHNS.EDU

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friends, a snip of ...

 

       ----- Americana, febbraio 1997, Italy. ELF (c) -----

 

Gloria GLICKSTEIN BRAME

intervista ad Allen GINSBERG.

 

[gloria]: se lei avesse venti anni oggi, in questa America nera,

        scriverebbe ancora versi? E di cosa scriverebbe?

[allen]:scriverei un altro Howl - Vorrei poter scrivere

        un HowlII che parlasse del presente. Eppure, da questa

        situazione puo' uscire fuori qualcosa di buono, il potere dell'              America di rovinare il mondo puo' essere bloccato come e' stato               bloccato il potere russo, che al mondo avrebbe fatto

        la stessa cosa.

        Forse tocchera' a una potenza europea il compito di rovinarlo,

        ma speriamo che sia una cultura che lo rovina un po' meno.

        e' forse arrivato il momento che l'ago della bilancia

        si sposti in Europa.

[gloria]: tornando alla poesia, perche' non scrive un altro Howl?

[allen]: sarebbe impossibile. ma quasi mi piacerebbe scrivere qualcosa

        che parlasse del progressivo strangolamento della liberta' in

        America e di come la corruzione del governo stupri la anima.

[gloria: ha idea di quale sara' il futuro della poesia?

[allen]: la poesia e' un raggio di buonsenso, un raggio di chiarezza

         individuale in ogni direzione e in qualsiasi luogo - che sia

         Internet, locali pubblici, aule universitarie. La poesia,

        con la sua compagna, la musica, un mezzo di comunicazione

        che non e' controllato dall'establishment.

 

 

my english translation below:

                     Gloria GLICKSTEIN GREEDS

                    interview to Allen GINSBERG ....

[gloria]:"if is  twenty years old today, in this black America,

        would you write verses still? And you of thing would write?" [allen] :"i would write an other Howl I want to can to write

        a HowlII that speaks about the present. Yet, from this

        situation anything could go out out of good, the power

        from America of ruin the world it could be jammed like

        it has been jammed the Russian power, that to the world

        would have done the same thing. Maybe it will touch an

        European power the assignment of ruin it, but we hope

        that it is a culture that the ruins a few minus. it is maybe

        arrived the moment that the needle of the balance

        moves in Europe.

[gloria]: returning to the poetry, because doesn't you write

        an other Howl?

[allen]:it would be impossible. but almost I would like write

        anything that speaks about the progressional choke of

        the liberty in America and of like the corruption of

        the government assault the soul.

[gloria]: does you have idea of which it will be

        the future of the poetry?

[allen] : the poetry is a ray of common sense, a ray of individual

        clarity in each direction and in any place- that it is Internet,

        public premise, universities classrooms. The poetry, with       

        his companion, the music, a media of communication that has not

        checked from the establishment.

....

 

 

                ---------------------------------------

                in the article a marvelous photo of

                Gregory Corso & Allen Ginsberg togheter

                as young as it is possible, dated 1951.

                ---------------------------------------

 

nice day to all,

yrs rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: CorRispondenze, via Roma,36 - 33037 Pasian di Prato, Udine, Italy.

Cc: BOHEMIAN@MAELSTROM.STJOHNS.EDU

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friends,

this review titled "CorRispondenze",

has some poems by Loredana Bogliun, his poems are bi-linguistic italian & english, wonderful!

(helping the traslation by Renato Alfresco).

here i post an example of this Loredana Bugliun new poetry.

 

 

        La pietra

 

        dentro alla campagna

        gonfia la pietra

        aspetta

        il suo asino

        che sta arrivando

        con l'orecchio

        attento

 

        questi occhi mai

        sono stati assonnati

        nenache tra le pietre della stalletta

        dove la bora passa la stradina

        el'anima scalda la mangiatoia

        di quest'animale silenzioso

        e cosi' arriva dalla stalletta

        alla casetta di campagna

        fatto come per ascoltare queste pietre

        insieme per drasi portamento

        e' bella questa mia casetta di campagna

        quando l'asino la guarda incantato

 

 

 

 

        The stone

 

        In the countryside

        the stone sweels,

        awaits

        its donkey arriving

        with alert ears.

 

        These eyes were never weary

        not even between the stones of the stall

        where the bora (*) rides through the lane

        and the soul warms the manger

        of this quiet animal

        that so arrives from the stable to the farm house,

        as though made to hear these stones

        to hold him up besides.

        It's beautiful, my little house on the farm

        when the donkey watches it, charmed.

 

 

        (*) bora=northeast wind typical of the upper Adriatic.

 

 

 

all have a nice day,

yrs rinaldo.

        To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: PAURA... by HST, parte prima.

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<HTML>

<TITLE>

HUNTER S. THOMPSON, PAURA E DISGUSTO A LAS VEGAS </TITLE>

<BODY  TEXT="RED" BGCOLOR="#000000">

<h1><b>HUNTER S. THOMPSON,

<BR>PAURA E DISGUSTO A LAS VEGAS</b></h1> <h3>ILLUSTRAZIONI DI RALPH STEADMAN</h3> <h3>TRADUZIONE DI SANDRO VERONESI</h3>

<h3>BOMPIANI &#169; 1996</h3>

<h5><italic>htmlzied by rinaldo rasa, february 1997, & grateful thanks to autori associati, italy.

</italic></h5>

<hr><CENTER>PARTE PRIMA</CENTER><br><br> <TD><tt><b><font size=3>

Eravamo dalle parti di Barstow al limite del deserto quando le droghe<br> cominciarono a fare effetto. Ricordo che dissi qualcosa come: "Mi<br> sento la testa un tantino leggera; magari potresti guidare tu..." E<br> immediatamente dopo ci fu un terrificante ruggito tutt'intorno a noi<br> e il cielo si riemp&igrave; di enormi pipistrelli strillanti in picchiata sulla<br> nostra macchina, la quale filava a centosessanta all'ora verso Las<br> Vegas con la cappotta abbassata. E una voce gridava: "Santiddio!<br> Cosa cazzo sono questi animali?"<br>

Poi torn&ograve; la calma. Il mio avvocato si era tolto la maglietta e si ver-<br> sava birra sul petto, per facilitare l'abbronzatura. "Cosa cazzo urli?"<br> brontol&ograve;, puntando il sole con gli occhi chiusi e protetti dai suoi<br> occhiali da sole spagnoli super-avvolgenti. "Lascia stare," dissi.<br> "Tocca a te guidare." Diedi un colpo di freni e puntai il Grande<br> Squalo Rosso verso il bordo dell'autostrada. Inutile parlare dei pipi-<br> strelli, almeno credo. Il povero bastardo li avrebbe visti da solo abba-<br> stanza presto.<br>

Era quasi mezzogiorno, e avevamo ancora pi&ugrave di centosessanta chi-<br> lometri da fare. Sarebbero stati chilometri duri. Molto presto, lo<br> sapevo bene, saremmo stati tutti e due completamente sballati. Ma<br> non c'era modo di tornare indietro, n&eacute tempo per riposarsi.<br> Dovevamo trottare. La distribuzione degli accrediti per la favolosa<br> Mint 400 era gi&agrave cominciata, e noi avremmo dovuto essere la&agrave entro le<br> quattro per farci assegnare la nostra suite insonorizzata. Una lussuosa<br> rivista sportiva di New York si era premurata di riservarcela, insieme<br> a questa immensa <B>Chevrolet decappottabile</B> rossa che avevamo<br> appena ritirato al noleggio sul Sunset Strip... e io ero, dopotutto, un<br> giornalista professionista; perci&ograve; avevo il dovere di <i>fare il pezzo </i>, bene<br> o male.<br> L'editore sportivo mi aveva dato anche un anticipo di 300 dollari <br> in contanti, la maggior parte dei quali era gi&agrave stata spesa in droghe<br> estremamente pesanti. Il baule della macchina pareva un laboratorio<br>mobile della narcotici. Avevamo due borsate di erba, settantacinque<br>palline di <b>mescalina</b>, cinque fogli di <b>LSD<b> super-potente, una saliera<br>piena zeppa di cocaina, e un'intera galassia di pillole multicolri,<br>eccitanti, calmanti, esilaranti... e anche un litro di tequila, uno di <br> rum, una cassa di <b>Budweiser</b>, una pinta<br>di etere puro e due dozzine<br> di fiale di <b>popper</b>.<br> Tutto ci&ograve era stato rastrellato la notte prima, in un raptus di guida<br>a tavoletta su e gi&ugrave per la contea di Los Angeles - da <b>Topanga</b> a <b>Watts</b>, incamerando tutto quello su cui riuscivamo a mettere<br>le mani. Non che per il viaggio <i>avessimo bisogno</i> di tutta quella roba, ma<br> una volta che ci si trova risucchiati in una seria raccolta di droghe, la<br> tendenza &egrave di spingerla pi&ugrave in l&agrave che si pu&ograve.<br> L'unica cosa che realmente mi preoccupava era l'etere. Al mondo<br> nonc'&egrave nulla di pi&ugrave indifeso e irresponsabile e depravato di un uomo<br>nelle profondit&agrave di una sbornia di etere. E io sapevo che in quelle<br> profondit&agrave saremmo precipitati entrambi abbastanza presto.<br>Probabilmente alla prima stazione di servizio. Avevamo collaudato<br>praticamente tutto il resto e ora - s&igrave, era tempo per un lingo cicchetto<br>di etere. Per poi fare i successivi centosessanta chilometri in preda<br>a un orribile, sbavante stupore spastico. L'unico modo per rimanere<br>vigili sotto etere era farsi un bel po' di popper - non tutto insieme,<br>ma con regolarit&agrave, abbastanza da mantenere il fuoco a centocinquanta<br>all'ora attraverso Barstow.<br> "Gente, questo s&igrave che &egrave viaggiare," disse il mio avvocato. Si sporse<br> per alzare il volume della radio, mugolando a tempo con la sezione<br>ritmica e smozzicando le parole:"One toke over the line, Sweet Jesus...<br>One toke over the line..."<br> Un tiro di troppo? povero scemo! Aspetta finch&eacute no vedrai anche<br>tu quei maledetti pipistrelli. Io la radio la sentivo a malapena... buttato<br> com'ero verso il sedile lontano, a combattere con un registratore<br<che sparava a tutto volume <b>Sympaty for the Devil</b>. Era l'unico<br>nastro che avevamo, e lo mandavamo di continuo, senza sosta, in una<br>sorta di demenziale contrappunto con la radio. E anche per mantenerci<br>a ritmo con la strada. Una velocit&agrave costante &egrave ideale per il rimborso<br> spese a chilometro e per alcune altre ragioni che al momento<br>sembravano importanti. Certo. In un viaggio come quello <i>bisognava</i>fare attenzione al consumo. Bisognava evitare quei bruschi colpi di<br>acceleratore che sparano il sangue nel retro del cervello.<br> Il mio avvocato vide l'autostoppista molto prima di me. "Diamo<br>un passaggio a questo ragazzo," disse, e prima che potessi opporgli<br>qualsiasi argomento si era gi&agrave fermato e quel povero tonno correva<br>verso la macchina con un largo sorriso stampato sulla faccia dicendo:<br> "Cazzo, non sono mai stato su una decappottabile prima d'ora!"<br> "Davvero?" dissi. "Be', immagino che tu sia pronto, eh?"<br> Il ragazzo annu&igrave entusiasticamente e rombammo via.<br> "Noi siamo tuoi amici," disse il mio avvocato, "Non siamo come<br> gli altri."<br>

Oh Cristo, pensai, ha perso il cervello, "Non una parola di pi&ugrave,"<br> sibilai. "O ti butto addosso le sanguisughe. "Lui sorrise, mostrando<br> di aver capito. Fortunatamente, il rumore nella macchina era cos&igrave<br> forte - tra vento, radio e registratore - che il ragazzo nel sedile di dietro<br> non pot&acute sentire una parola. O sent&igrave?<br> Per quanto avremmo <i>resistito</i>? Mi misi a fantasticare.<br> Quanto tempo sarebbe passato prima che uno di noi due cominciasse<br> a delirare con quel ragazzo? Cosa avrebbe pensato, lui? Quello stesso<br> deserto era stato l'ultimo domicilio conosciuto della famiglia<br> <b>Manson</b>. Avrebbe fatto quella sinistra associazione, il ragazzo, quando<br> il mio avvocato avesse cominciato a gridare a proposito di pipistrelli<br> e di enormi razze che scendevano dal cielo sulla nostra macchina?<br> Se s&igrave, be' non ci sarebbe rimasto che tagliargli la testa e seppellirlo<br> da qualche parte. Perch&eacute va da s&eacute che non potevamo lasciarlo andare.<br> Ci avrebbe immmediatamente denunciato a qualche sottospecie di<br> sperduta stazione di polizia piena di nazisti che ci sarebbero corsi dietro<br> com cani.<br>

Ges&ugrave! Lo avevo <i>detto</i>? O lo avevo soltanto pensato? Stavo parlando?<br>Mi potevano sentire? Lanciai un'occhiata al mio avvocato, ma lui<br> sembrava del tutto immemore - lo sguardo fisso sulla strada, le mani<br> sul volante del nostro Grande Squalo Rosso lanciato a centosettanta<br> all'ora. Nessun suono dal sedile posteriore.<br> Forse era meglio conversare un po' con quel ragazzo, pensai. Forse,<br> se fossi riuscito a <i>spiegargli</i> le cose, sarebbe rimasto tranquillo.<br> Certo. Mi girai, sporgendomi verso di lui con un gran bel sorriso e<br> ammirando la forma del suo cranio.<br>

"E comunque," dissi, "c'&egrave una cosa che forse sei in grado di capire."<br> Mi fissava, senza battere ciglio. Stava digrignando i denti?<br> "Mi senti?" urlai.<br>

Annu&igrave.

"Benone," dissi. "Perch&eacute voglio che tu sappia che stiamo andando<br> a Las Vegas per scovare il Sogno Americano. "Sorrisi. "Ecco spiegato<br> perch&eacute abbiamo noleggiato questa macchina. Era il solo modo per<br> farlo. Riesci ad afferrare?".<br>

Annu&igrave di nuovo, ma aveva gli occhi nervosi.<br> "Voglio che tu sappia tutto quello che c'&egrave da sapere," dissi. "Perch&ecute<br> questa &egrave una missione piuttosto bieca - con sprazzi di estremo pericolo<br> personale... Diavolo, mi ero completamente scordato di queste<br> birre; ne vuoi una?"<br>

Scosse la testa.<br>

"Un po' di etere?"<br>

"Cosa?"<br>

"Niente. Veniamo al sodo. Sai, circa ventiquattr'ore fa eravamo<br> seduti nella Polo Lounge del Beverly Hills Hotel - nel patio, naturalmente -<br> ed eravamo appunto seduti l&agrave, sotto una bella palma,<br> quando il nano in uniforme &egrave venuto da me con un telefono rosa in mano<br> e ha detto: 'Questa dev'essere la telefonata che avete aspettato per<br> tutto questo tempo, signori.' "<br>

Risi e aprii una lattina di birra che strarip&ograve soumeggiando su tutto<br> il sedile di dietro mentre io continuavo a parlare. "E sai una cosa?<br> Aveva ragione! Stavo aspettando quella chiamata, solo che non sapevo<br> chi me l'avrebbe fatta. Mi segui?"<br>

Il volto del ragazzo era una maschera di confusione e di puro terrore.<br> Andai avanti:"Voglio che tu capisca che quest'uomo al volante &egrave il<br> mio <i>avvocato</i>! Non &egrave un semplice svitato trovato sullo Strip. Merda,<br> <i>guardalo</i>! Non sembra come me e te, giusto? &Eacute perch&eacute &egrave straniero.<br> Credo che sia samoano. Ma non ha molta importanza, no? O hai dei<br> pregiudizi?"<br>

"Oh, no, no!" disse convinto.<br>

"Non l'ho mai pensato," dissi. "Perch&eacute nonostante la sua razza<br> quest'uomo mi &egrave estremamente prezioso." Guardai il mio avvocato,<br> ma la sua mente era davvero altrove.<br> Picchiai un pugno contro lo schienale del guidatore. "Questo &egrave<br> <i>importante</i>, maledizione! Questa &egrave una <i>storia vera</i>!" La macchina ebbe uno scarto stomachevole, poi torn&ograve a filare dritta. "gi&ugrave le mani dal<br> mio fottuto collo!" grid&ograve il mio avvocato.<br> Il ragazzo, dietro sembrava ormai pronto a giocarsela saltando gi&ugrave<br> dalla macchina in corsa.<br>

Le nostre vibrazioni si stavano facendo cattive - ma perch&acute Mi<br> sentivo confuso, frustrato. Era scesa l'incomunicabilit&agrave in quella macchina?<br> Eravamo degenerati fino al livello di <i>bestie mute</i>?<br> Perch&eacute la mia storia <i>era</i> vera. Ne ero certo. Ed era estremamente<br> importante, avvertivo, per il <i>significato</i> del nostro viaggio far s&igrave che<br> questo risultasse assolutamente chiaro. Siamo stati sul serio seduti in<br> quel polo Lounge - per molte ore - a bere <b>Singapore Sling</b> con<br> mescal a parte e birra per mandarli gi&ugrave. E quando la chiamata era<br> arrivata, io ero pronto.<br>

Il nano si era avvicinato con cautela al nostro tavolo, mi ricorso, e<br> dopo che mi ebbe passato la cornetta del telefono rosa io non dissi<br> parola, ascoltai e basta. Una volta riattaccato mi voltai verso il mio<br> avvocato. "Erano i capoccia," dissi. "Vogliono che vada subito a Las<br> Vegas, e che entri in contatto con un fotografo portoghese di nome<br> Lacerda. Lui mi fornir&agrave i dettagli. tutto quel che devo fare &egrave prendere<br> possesso della mia camera, e lui mi cercher&agrave."<br> Per un momento il mio avvocato non disse nulla, poi d'improvviso<br> rinvenne sulla sedia. "Dio beato!" esclamo&grave. "Mi pare gi&agrave di vederlo<br> Questo tipo s&igrave che sar&agrave un problema!" Pigi&ograve la maglietta kaki dentro<br> ai suoi pantaloni bianchi di acrilico a zampa d'elefante e ordin&ograve di<br> nuovo da bere. "Avrai bisogno di una quantit&agrave di consigli legali<br> prima che questa faccenda sia finita," disse. "E il mio primo consiglio<br> &egrave di prendere a noleggio una macchina molto veloce senza tettino e<br> andartene via da L.A. per almeno quarantotto ore." Scosse la testa,<br> tristemente. "Ci&ograve mi roviner&agrave il fine-settimana, poich&Eacute naturalmente<br> dovr&ograve venire con te - e dovremo armarci."<br> "Perch&eacute no?" dissi. "Se vale la pena fare una cosa come questa, &egrave<br> per farla bene. Avremo bisogno di un equipaggiamento decente e un<br> pieno di soli a disposizione - non foss'altro che per le droghe e per<br> un registratore a cassette super-sensibile, per dotarsi di una documentazione<br> oggettiva."<br> "Che storia &egrave questa?"

"La Mint 400," dissi. "&Eacute la pi&ugrave ricca corsa fuoristrada per motociclette<br> e <b<dune-buggy</b> nella storia dello sport organizzato - uno spettacolo<br> fantastico in onore di quel burino arricchito di nome Del <b>Webb</b><br> che possiede il lussuoso Mint Hotel nel centro di Las Vegas...<br> Almeno questo &egrave ci&ograve che dice il comunicato stampa; il mio uomo a<br> New York me lo ha appena letto."<br>

"Bene," disse lui. "In qualit&agrave di tuo avvocato ti consiglio di comprare<br> una motocicletta. Altrimenti come puoi seguire convenientemente<br> una cosa come questa?"<br> "In nessun altro modo," dissi. "Dov'&egrave che possiamo mettere le<br> mani su una <b>Vincent Black Shadow</b>?"<br> "E cos'&egrave?"<br>

"Una moto fantastica," dissi. "L'ultimo modello &egrave qualcosa come<br> seimila centimetri cubici., sviluppa duecento cavalli-vapore a quattrocentomila<br> giri al minuto su un telaio al magnesio dal peso totale a riposo<br> di novanta chili esatti con due sedili di polistirolo espanso."<br> "Sembra l'ideale per una faccenda come la nostra," disse.<br> "Lo &egrave," gli assicurai. "La troia non &egrave granch&eacute in curva, ma &egrave un<br>  vero demonio nei rettilinei. Si lascia dietro un F-111 sulla pista di<br> decollo."

"Decollo?" disse "E noi resisteremo alla sollecitazione?"<br> "Assolutamente. chiamer&ograve New York per un po' di contante." <br>

<hr></font></b></tt></td>

</BODY></HTML>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 1961:in memory of radio.

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friends,

this poetry approaches us.

 

----------------------------------------------------------------------

                       

                        In Memory of Radio

 

                    by Amiri Baraka LeRoi Jones

 

     Who has ever stopped to think of the divinity of Lamont Cranston?

     (Only Jack Kerouac, that I know of: & me.

     The rest of you probably had on WCBS and Kate Smith,

     Or something equally unattractive.)

 

     What can I say?

     It is better to have loved and lost

     Than to put linoleum in your living rooms?

 

     Am I a sage or something?

     Mandrake's hypnotic gesture of the week?

     (Remember, I do not have the healing powers of Oral Roberts . . .

     I cannot, like F. J. Sheen, tell you how to get saved & rich!

     I cannot even order you to gaschamber satori like Hitler or Goody Knight

     & Love is an evil word.

     Turn it backwards/see, what I mean?

     An evol word. & besides

     Who understands it?

     I certainly wouldn't like to go out on that kind of limb.

 

     Saturday mornings we listened to Red Lantern & his undersea folk.

     At 11, Let's Pretend/& we did/& I, the poet, still do, Thank God!

 

     What was it he used to say (after the transformation, when he was safe

     & invisible & the unbelievers couldn't throw stones?) "Heh, heh, heh,

     Who knows what evil lurks in the hearts of men? The Shadow knows."

 

     O, yes he does

     O, yes he does.

     An evil word it is,

     This Love.

 

 

 

-----------------------

all have a nice sunday,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: 1961:in memory of radio.

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>RiNaLdO:

>thank you so much for the pome transcribed.

>i havent thought of that pome in years.

>especially the lines:

> What can I say?

>     It is better to have loved and lost

>     Than to put linoleum in your living rooms?

>*****

>my answer is a big YES!!!!! and that living rooms are often obtained and

>lost. hard to hug linoleum, eh?

>i remember my lost loves much more poignantly than my lost livingrooms.

>hoping you have a nice sunday, too

>thanks

>marie c.

> 

marie, U aRe My SyStEr iN cYbErSpAcE.

yr cyberbrother RiNaLdO

looks at the past,

be patient, despite all,

my infancy was beautiful

& now i  remember those spleen lost days.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: narcotics are not required.

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Date:         Tue, 11 Feb 1997 22:09:50 -0500 From:         Vilija Gulbinas <Mabrack@AOL.COM> vilija wrote:

>>>> [snip]

was drug use the basis for the entire beat generation?* ...since i'm just a doll, 17 yrs, i have no ties to the original beats; however, i would like to become a part of a newly resurrected beat generation that does not revolve around the use of narcotics..

is this possible...

please respond,

vilija<<<<<

 

rInAlDo replays,

first *aPoLoGiZe not to noticed previous, yr post*:

 

 

the question is incredible deep,

 

        thru yr derrick post, u are pumping

        black oil from my/our subterranean soul,

        to the sunshine,

 

thirty years ago, & myself 17 old.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: AG, minimum fax.

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friends,

in italy is out

(about one a week, but this interview is dated 1967) a new booklet-interview:

                        Intervista con

                        Allen Ginsberg

                        di Thomas Clark

 

                        Allen Ginsberg

                        (c) Paris Review,Inc., 1967

                        (c) Viking Penguin, N Y, 1967

                        (c) Edizioni minum fax, 1996

 

 

interesting the introduction by Emanuele Bevilacqua, here some selected piece (my translation & selection):

 

                ---     * start *     ---

 

Today to the age of seventy years, AG is the brokerage of many experiences- that Buddhist doesn't complete- to which he does reference in the many trips to which he is lent.

Maybe it is by now limitative consider it only most known representative of the mythical "beat generation".

 

It is same AG that doesn't understand renounce an image beat, it otherwise could be considered that this definition doesn't suffice more to contain a complex individuality, an artist from the poetic aggregate and recognizable.

Poet from America more that beat.

But the poet from America is that he has worked in these forty years for beatify his generation. And the operation has succeeded him well beyond the its objective. From rebel in sandals and uncultivated beard to radical-chic that he knows how to protest civilly in the good living room. This seems a beat today.

 

The radiances of the beat generation is distant, as distant as the brothers of a time. Kerouac and Cassady stopped from the life at the end of the years Sixty, the others, bar maybe Gary Snyder, jammed creatively in the same period.  Gregory Corso, the great Corso, missing in a light folly that he doesn't consent not even of get the minimum for the survival, if there is not AG to help it.

Corso, the poet of "Bomb," hymn against the wars, but also to the irony, to the grimace.

 

Alone AG has continued to cause poetry up to Cosmpolitan Greetings (1994) that has been translated also in Italy, an event because AG was not translated in Italy for fifteen years, he picks up moments of his life and he is closed with two images, his tomb empty anchor and a bodiless divity that tell: the immortality arrives later.

 

                ---     *       ---

 

below the original text written by Emanuele Bevilacqua:

 

Oggi alla età di settanta anni, AG è la mediazione di molte esperienze - non  ultima quella buddista - alle quali egli fa riferimento nei molti viaggi a cui si presta. Forse è ormai limitativo considerarlo soltanto il più conosciuto rappresentante della mitica BG.

è AG stesso che non intende rinunciare a una immagine beat, altrimenti si potrebbe considerare che questa definizione non basta più a contenere una personalità complessa, un artista dalla poetica globale e riconoscibile. Poeta della America semmai più che beat.

Tuttavia è il poeta della America che ha lavorato in questi quaranta anni per beatificare la sua generazione. E la operazione gli è riuscita ben oltre i suoi obiettivi. Da ribelle in sandali e barba incolta a radical-chic che sa protestare educatamente nei salotti buoni. Questo sembra oggi un beat.

I fulgori della beat generation sono lontani, così lontani come i fratelli di un tempo. Kerouac e Cassady fermati dalla vita alla fine degli anni Sessanta, gli altri, tranne forse Gary Snyder, bloccati creativamente nello stesso periodo. Gregory Corso, il grande Corso, perso in una leggera follia che non gli consente nemmeno di procurarsi il minimo per la sopravvivenza, se non ci fosse AG ad aiutarlo. Corso, il poeta di "Bomba", inno contro le guerre, ma anche alla ironia, allo sberleffo.

 

Solo AG ha continuato a produrre poesia fino a Cosmpolitan Greetings (1994) che è stato tradotto anche in Italia, un evento perchè AG non si traduceva in Italia da quindici anni, raccoglie momenti della sua vita e si chiude con due immagini, la sua tomba ancora vuota e una dività incorporea che avvisa: l'immortalità arriva più tardi.

 

                        thanx to

                        (c) Edizioni minum fax, 1996

                        via della Farnesina, 13 - 00194 Roma, Italy.

                        tel 06.3336545/3336553-fax 06.3336385

 

                        ---     * end *      ---

 

yrs

rinaldo. To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Nibbaana The Final Goal.

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        \Kerouac\ Canto XXXIV \Sant'Orsola\

 

        So in America when the sun goes down

           and I sit on the old broken-down river pier

        watching the long, long skies,

 

Nel mezzo del cammin di nostra vita

        mi ritrovai per una selva oscura,

 

        over New Jersey e avverto tutta quella terra nuda,

           che si svolge  in one unbelievable huge bulge

        over the West Coast,

 

by now the children stanno certo piangendo nella terra

        where they let the children cry,

 

and tonight the stars'll be out, and don't you know

        that God id Pooh Bear?

 

e quindi uscimmo a riveder le stelle.

 

-----------------

summer/fall 1981,

in memory of B.

 

 

yrs rinaldo * a poet doesn't ever copy *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Burroughs t-shirts

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Ginny Browne wrote:

>>>and everone's OKAY with this?

:) grazie [snipped]<<<

ma come?, qualcuno scrive in italiano: grazie!

 

 i have read about WSB mex-incident, se non sbaglio,  in a Bukowsky book, or poems, & for him seems that were  not a good point to excuse WSB, i noticed that WSB after  varied times photographed with rifle in hands,  a dark aura around him.

 here in italy, the WSB myth is not relevant, (for me  except the homage as copyrighted Blade Runner, that's  tha fact i appreciate), but he is a literature presence in some  fanzine ultra-violence, & i presume that the image of  writer is not exactly, what?, eg. the paperback edition  of creative writing is deep BLACK, & the entire collections  as, ya this maybe a marketing target... WSB was/is a rich  man & then... t-shirts, everytime i read about WSB  i forced me to not touch the keyboard but i can't... why?

 

cari saluti a tutti,

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Nibbaana The Final Goal.

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>Thanks,

>you just uncovered a hidden Trinity:

>God / id / Pooh Bear

> 

>adios,

>Eric

Eric,

mi sono accorto troppo tardi, too late, apologies, chiedo perdono dell'errore, my imperceptible mistake, thnx for noticed it,

cari saluti,

yrs rinaldo. * not a competent beat *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: OTR for kids

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in brief,

if could K12 read SK

'cuz could not he/she read OTR?

 

yrs rinaldo * . *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Burroughs t-shirts

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>I have a book that was shot by Hunter Thompson, why not a t-shirt by Burroughs?

> 

>DB

> 

> 

My GoD!My GoD!My GoD!My GoD!My GoD!

        My GoD!My GoD!My GoD!My GoD!My GoD!

My GoD!My GoD!My GoD!My GoD!My GoD!

        My GoD!My GoD!My GoD!My GoD!My GoD!

My GoD!My GoD!My GoD!My GoD!My GoD!

        My GoD!My GoD!My GoD!My GoD!My GoD!

My GoD!My GoD!My GoD!My GoD!My GoD!

        My GoD!My GoD!My GoD!My GoD!My GoD!

My GoD!My GoD!My GoD!My GoD!My GoD!

        My GoD!My GoD!

 

 

 

yrs RiNaLdO.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: PoohBearism

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Ginny Browne wrote:

>um.....my essential inquiry lies in the "god is poohbear" line (OTR)- i been

>racking my mind about it since i finished the damn book....

>............

>please --any comments????

> 

> 

dear friends&ginny,

take it for granted that OTR has a Buddhist background, & it's the most important look of the book, in my opinion, as myself a reader

of Upanisad i think that Brahma is know as one is known ________.__

not like the creator of the world but like that one that brooding the world and he/she does then bear with the heat.

now Pooh Bear is God ( ya God is Pooh Bear ) really 'cuz the heat wake up the bear from his lethargy and the bear causes is warm, affectionate & chatty, in this meaning Pooh Bear is really GOD, then world & god is god & world...

 

 

more later about Jack Kerouac & Dante Alighieri about Pooh Bear, if beat lister can help me about the JK knowledge of italian writers classics as Dante or others i must appreciate, do you know if in the library of JK there was works of italian authors?

 

 

nice friday for all,

yrs rinaldo * we are deadly divinity *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Is Pooh Bear a Star ?

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friends,

you put me in GrEaT semantic translation embarrassment, Pooh Bear is it in anglo-american also the constellation of the Great Bear, or i'm completely out of Jack Kerouac OTR understanding, don't to mention astronomic, literary & others important things of the LiFe?

 

in italy the last star of the Great Bear (Pooh Bear if it is ) is that the young boyfriends choose for express a desire, also mentioned in classic italian romantic poems,

 

is it as easy be twenty years old,

don't you see that God is Pooh Bear?

as quoted at the end of On The Road?

 

nice day to all,

yrs RiNaLdO * nOw A bIt CoNfUsEd *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ONLY A BIT Re: Is Pooh Bear a Star ?

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At 11.32 27/02/97 -0700, you wrote:

>rinalDO

>for yr clarification :

>Pooh bear is the (other) name for A.A.Milne's Winnie the Pooh star of such

>children's books as _House on Pooh corner_, _now we are 6_ and others

>(including walt

>disney cartoons and a series of canadian postage stamps).

>does this help?

>derek

> 

> 

thanx derek, first of all nice day to u&all,

 

BUT my question is, in brief, & i pray u tu gimme a binary (y/n) feedback, (the response is VERY important),

 

then Pooh Bear is an astronomic physics entity as the constellation of the Great Bear in the real sky ( yes or no ) ?

 

 

check here [ y ]  ...

           [ n ]  ...

 

 

answer, please,..... only one bit for me, derek, please, thanx a lot,

 

yrs RiNaLdO * quiet a BiT conFUSED *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: PoohBearism

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At 14.04 27/02/97 -0500, you wrote:

>rinaldo....

>um, yes, ok. i see what you're saying about Pooh and heat/warmth- i think i

>get your meaning tho i kinda lost you in your allusion to Brahma. i'll see

>what i can find out about JK and Dante, i shall see....

>grazie e molto buon giorno, ginny. (did i say that right? can i put a "molto"

>in front of "buon giorno"?)maybe we can lind kerouac and dante in this way:

> 

>        "Nel mezzo del cammin' di nostra vita,

>         mi accorgio che Dio e Poohbear...."

>(LOL at my true wit...)

> 

> 

ginny,

buon giorno (without "molto"), buon giorno is enough here in venice,italy, (if u are exorbitant u can say "buongiornissimo" like a superlative but unused, a little joke),

 

it is wonderful, & i like a lot, reading yr italian HERE in this cyberspacenglish, & in first here in the Beat-List i appreciate.

 

yr question about Pooh Bear ( as a bear/star ) is, for me very interesting, & yr question about Dante & don't forget Sant'Orsola (Orsola=Ursula, then in italian bear=orso), but i must receive some input like the precise translation of Pooh Bear, & if JK understood italian or read italian classics like Dante, et cetera.

 

about Brahma & the Pooh Bear is a flashing think toward the Upanishad & the empty dream of the universe of JK, OTR start with a recovery after an illness and he finishes with a look to the starlight sky, a re-birth&birth&birth

 

        "Nel mezzo del cammin di nostra vita

         mi accorgo che Pooh Bear e' Dio"

 

nice day to ginny & all,

ginny write italian...

 

yrs RiNaLdO

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: ONLY A BIT Re: Is Pooh Bear a Star ?

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derek

>rinaldo

>> 

>> then Pooh Bear is an astronomic physics entity as the

>> constellation of the Great Bear in the real sky ( yes or no ) ?

>> 

>> 

>> check here [ y ]  ...

>>            [ n ]  ...N

>> 

>derek

> 

now it starts a problem in the way OTR translated in italian i have read for a long time... i must thought a while,

more later,

thanx a lot, grazie tante,

yrs RiNaLdO To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: PoohBearism

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>grazie grazie grazie e viva marcello..... :)

>caramente, ginevra (ginny)

> 

ginevra(ginny),

marcello IS the italian guy, remember "I soliti Ignoti", u take a look at this movie IT IS A GREAT story (neo-realism), cari saluti da

rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Is Pooh Bear a Star ?

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>Is Pooh an elf?

> 

i believe no,

thanx for yr help, but, i presume donot has make a mistyped of something, if this is the case i apologies with the whole beat-list,

nice day to all,

rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Re[2]: ONLY A BIT Re: Is Pooh Bear a Star ?

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Rodgers wrote:

>     [ n ]

> 

> 

>_______ron_______________________ Reply Separator

>_________________________________

 

then, if Pooh Bear is not a star in the sky &/or Pooh Bear=winnie-the-pooh, u have considered the presence of the sky in the end of OTR: what's the connection assuming Pooh Bear (only) as winnie.

has somebody look at Pooh Bear IS A STAR?

 

thanks for yr response 2 for winnie and 1(myself) for star,

 

nice day to all & happy saturday,

yrs rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the beat poets (i poeti "beat").

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friends,

at first nice saturday,

 

then from italy, the novelties is the hit of the books belong the collection Miti of the poetry: "Beat Generation-67 poesie", a choice of unpublished texts of the more greater exponents of the

cultural & generational & literary

movement,

 

*********************************************************** the italian bestsellers books:

        1)Patricia Cornwell, "La fabbrica dei corpi",

        2)Primo Levi,"La tregua",

        3)Susanna Tamaro, "Va' dove ti porta il cuore",

 

------------------------------

 

4) BEAT GENERATION - 67 POESIE

the feelings & the reflections

of a period & of a generation,

by the poetries of his heroes,

 

on the wonderful cover a gasoline pump in the 50s, the sky to the sundown or to the dawn, behind, ...

"Were't not for cities or prisons O tower I might yet be that

        verdure monk lulling over green country albums with no

        greater dream than my youth's dream" ...

fragment from ODE TO COIT TOWER

by Gregory Corso.

 

------------------------------

 

 

        5) Neruda, "Poesie d'amore",

        6) Daniel Pennac, "Ultime notizie dalla famiglia".

**********************************************************

 

yrs rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Mastroianni&Gassman.

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ginny:

>dolce rinaldo....

>"I Soliti Ignoti" ? who directed this? i assume its not fellini.

>si, Marcello e` meraviglioso......e` un santo.

>ciao, ginny

>(again- apologies to everyone

>who is mad at me for once again

>straying off topic...)

> 

at the moment, ya not Federico Fellini, this film "I soliti ignoti" is a classic of the b-movie (a cult movie if u prefer, later for the name of the director), most interesing the cast now:

1) Marcello Mastroianni,

2) Toto',

3) Vittorio Gassman,

& others funny guys. the story is about a bunch of beats guy in the italy 50s, after the IIWW, filmed in black&white of course.

Vittorio Gassman, the great italian performer is a beat & his target poet is Lawrence Ferlighetti, he reads broadcasting the Coney Islands poetries, in his ironic& ieratic fashion, a must! Vittorio Gassman is know as fascinating reader of poetry beat, i remember, that his face is like Ferlinghetti, the beard&body, now Marcello, at first he was with Michelangelo Antonioni, "Deserto Rosso", & others movie, then with Fellini, in his late film he featured a cechov character in the film "Oci ciornia", traslated as "Black eyes", that is representative of a cultural decadence of the society in the mening of antonioni's early films but with a bit of irony,

Toto' is an actor & worked with Pier Paolo Pasolini,

 

ora ti saluto,

e auguro a te e a tutti gli amici beat

un buon sabato e felice domenica,

ciao,

il vostro rinaldo.

 To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Re[2]: ONLY A BIT Re: Is Pooh Bear a Star ?

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antoine wrote:

>rinaldo,

> 

>        Having just about had it with the Pooh Bear thread, I must say that

>your suggestion that maybe Jack DID mean a star is a refreshing take on it;

>certainly beats the A.A.Milne slant!

> 

>        Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>"The sky turned black and bruised, and we had months of heavy rain."

>        - Tom Waits

> 

> 

thanx a loto for that u appreciate my post, i apologies if my fixed idea about Pooh Bear is disturbing the beats but IT IS an important point,

consider that OTR is NOT only an english poetry&wonderful book but IT IS an estate for the world,

then i assume that POETRY it is possible translate & i'm collected the meaning of JK writings in other language or culture, (not to mention how we must get OTR & BEATS for the real Kids that eg. are reading Trainspotting of his target?),

now i'm in touch with this Pooh Bear/Great Bear/Milky Way thread 'cuz is really important,

but except some exception i note that the italian presence in the b-list is minority, however i appreciate if eg. a german or french or spanish or ebonic translation of the end of  OTR starting at "So in America when the sun... ...we never found, I think of Dean Moriarty." in fact i match each to each & got an idea what's really OTR for the "universal" reader, not only for english literature or literate, antoine, i hope u & others friend are understiding my efforts to complete the Kerouac as a man in the planet, in the sky, & in everywhere, be patient friends,

 

yrs rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: PoohBearism/OTR for Kids/Dylan Thomas

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Robert H. Sapp:

>perhaps we could incorporate the elves into this scenerio

 

please,

you take and looking at "Early in the morning" by Dylan Thomas where Little Tim couldn't be incorporated as a character of james-joyce-finnegan-Ulysses-story,

 

nice sunday to all,

yrs RiNaLdO.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Dylan Thomas, a poetry.

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        THE MIDNIGHT ROAD       by Dylan Thomas (1932)

 

        The midnight road, though young men tread unknowing,

        Harbouring some thought of heaven, or haven hoping,

        Yelds peace and plenty at the end. Or is it peace,

        This busy jarring on the nerves yet no outbreak?

        And this is plenty, then, cloves and sweet oils, the bees' honey,

        Enough kind food, enough kind speaking,

        A film of people moving,

        Their hands outstretched, to give and give?

        And now behind the screen are vixen voices,

        The midnight figures of sulphurous brood

        Stepping in nightmare on a nightmare's edges.

        Above them poise the swollen clouds

        That wait for breaking and that never break,

        The living sky, the faces of the stars.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: NO Neo-Nazis on Usenet!

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friends,

------------------------------------------------------------------------- a few Neo-Nazi groups are trying to create (again) a usenet group where they want to keep in contact with each other regarding their activities. I believe it is not necessary to dwell further on these activities.

The group is rec.music.white-power

 

To create such a group, they have to win a referendum that is always organised when a new usenet group is created.

All persons with an email address, and only those, can vote in this referendum.

It is IMPORTANT to vote only once, otherwise the vote is cancelled.

 

To prevent the creation of this group, you have to: 1. Send this message to people you know 2. Send an email to the following address:

 

       music-vote@sub-rosa.com

 

   with as contents (not 'subject') ONLY the following line:

 

       I vote NO on rec.music.white-power

 

Since the vote is automatic, it is IMPORTANT to send the exact line as it is given above, without adding anything, not even a name.

And please send it only once or it becomes invalid !

------------------------------------------------------------------- thank you for any help could give,

against the violence & the inhumanity,

at the end of this century,

yrs rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Who?

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                TV Zone

 

        smoking a sigarette,

 

        from the black & white

        to the colors,

 

                man,

 

        who is the man

        that does he read

        man by Jack Kerouac?

 

                man!

 

 

 

a day,

on sunday,

yrs Rinaldo * a not competent beat *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Fellini as a beat? Re: The French New Wave

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John Mitchell wrote:

>Even more striking in Beat situation, mood, and resemblance is Federico

>Fellini's I Vitelloni (The Loafers)--1953, but maybe Rinaldo has already

>mentioned this.//John Mitchell

> 

>>Speaking of the French Nouvelle vague....Any possibility of the Beat

>>Literary movement influencing French Filmmakers like Godard?  I see

>>many similarities between Breathless and On the Road//Dean Moriarity and

>>Michel Poiccard...When was On the Road first published in France?

>> 

>> 

>>Dawn

> 

 

thanx John for yr interest about italian Beat, (i'm always searching for), well, Fellini as a beat is an hazard, 'cuz he analised in primis the country town spleen versus the Big City, e.g.

"I vitelloni"/"La dolce Vita" (& more near to us "Amarcord"/"Roma").

Fellini sketchs italian nostalgia & shows the angel/idiot characters of the italian persons (in his first film "La strada",( "The road") where the angel is Gelsomina [Giulietta Masina] & the idiot (not the evil) is Zampano' [Anthony Quinn]).

but starting with "I vitelloni" Fellini focused on absolutely impossible escape from the MOTHER, no one can getting away from HER.

this is the Fellini's message, in my opinion, & at the end a bit disappointing.

more close to Beat/French New Wave is "Il sorpasso" (1962) [Vittorio Gassman, Catherine Spaak,Jean Louis Trintignant"] directed by Dino Risi,

a crazy car race from Rome to Genoa of an angel(Trintignant) & an idiot (Gassman) & the death as the target, ( a' la Breathless, in this respect).

 

in Italy "On the Road" (translated by Fernanda Pivano as "Sulla Strada") was first published in february 1959,

 

cari saluti da

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: MAN broadcasted.

Cc:

Bcc:

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hi, america!,

 

i saw a singer "reading" the Jack Kerouac poetry MAN, it's a video  broadcasted by the domestic italian channel,

wonderful american (smoked) images, trade centers, cadillacs & lost dogs & green roads,

like wim wenders once photos,

 

can, pliz, anyone tell me the name of the performer (Tom Waits?)?

 

a lotof thanx in advance,

yrs

Rinaldo * See Sea *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MAN broadcasted.

Cc:

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At 08.30 12/03/97 -0800, Chas. you wrote :

>BEAT-L@CUNYVM.CUNY.EDU wrote:

>> 

>> hi, america!,

>> 

>> i saw a singer "reading" the Jack Kerouac poetry MAN,

> 

>Could it be Mark Murphy, who reads Kerouac almost as good as the source?

>I bet.

> 

>Chas.

> 

> 

thanx for thy suggestion,

below my memory of Jack Kerouac broadcasted poetry:

       

        ...

        America I did you all

        now I'm nothing

                MAN

        everything is perfect

        ...

       

here i lost the performer, but i take

an italian translation of some verses,

 

        America ti ho dato tutto

        e ora sono nulla

 

                UOMO

       

       

        Ogni cosa e' perfetta

        non sta' nemmeno accadendo

 

                UOMO

 

        Si alzo' e si vesti'

        e usci' & fu licenziato

        poi mori' e fu sepolto

        in una bara nella fossa

 

                UOMO

 

 

this match Mark Murphy  ?

who directed the video ?

 

a lotof thanx for yr help,

yrs

Rinaldo. * See Sea *

http://www.gpnet.it/rasa/home.htm To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: YOU'VE BEEN DUPED: No Neo-Nazis on Usenet! (fwd)

Cc:

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dear beats, friends,

pliz, i must ethically post this forward as a week ago i posted on this subject...

many thanks,

yrs Rinaldo.

 

<<I'm just hoping that this rumor can be stemmed before it goes flying around the Internet again and crashing the sub-rosa.com mail server.

Mike Pelletier.>>

 

>Return-Path: <@gumncc.terena.nl:owner-phils-vu@NIC.SURFNET.NL>

>Posted-Date: Thu, 13 Mar 1997 10:59:10 -0500 (EST)

>Date:         Thu, 13 Mar 1997 10:59:09 -0500

>Reply-To:     Discussions on Philosophical Bases of Managing the Information

>              Society <PHILS-VU@NIC.SURFNET.NL>

>Sender:       Discussions on Philosophical Bases of Managing the Information

>              Society <PHILS-VU@NIC.SURFNET.NL>

>From:         Mike Pelletier <mikep@COMSHARE.COM>

>Subject:      YOU'VE BEEN DUPED: No Neo-Nazis on Usenet! (fwd)

>X-To:         David_Abramson@compuserve.com, alampear@juno.com,

>              75450.2635@compuserve.com, 76145.664@compuserve.com,

>              ronsussman@aol.com, aera-c@asuvm.inre.asu.edu,

>              aera-d@asuvm.inre.asu.edu, bioregional@csf.colorado.edu,

>              iag@deliberate.com, K12ASSESS-L@cusrva.cua.edu,

>              online-europe@isys.hu, singlewinner@deliberate.com

>To:           PHILS-VU@NIC.SURFNET.NL

> 

>PLEASE, BEFORE YOU SEND OUT ANOTHER COPY OF THE MESSAGE, READ THE

>FOLLOWING, and forward it to the same people to whom you forwarded the

>previous message.

> 

>The vote for "rec.music.white-power" FAILED on June 3, _1996_, almost NINE

>MONTHS ago, with 592 "yes"  votes and 33,033 "no" votes.  There was a

>storm of messages sent around the Internet just like the one listed below

>to elicit the unprecidented number of "no" votes for this group.  What

>appears to have happened here is someone found a copy of such a message

>sitting in an old file and took it for a new attempt, which it is most

>certainly NOT.

> 

>Please DO NOT send any e-mail to music-vote@sub-rosa.com, it simply is a

>nuisance and a burden on their e-mail system, and will not be happily

>recieved by them.

> 

>According to the documents in

><ftp://ftp.uu.net/usenet/news.announce.newgroups/Current_Status>, which

>lists the status of ongoing newsgroup votes and discussions, the only

>music groups that have been suggested over the last six months are

>"rec.music.makers.hand-drum," "rec.music.artists.bush," and

>"rec.music.artists.bodeans."

> 

>The word "(again)" in the English version does not appear in the French

>version, and was added by someone who was jumping to conclusions without

>checking the facts.

> 

>And finally, I would ask that you consider your motives for your

>knee-jerk, no-vote reaction to this proposal.  The vote last year seemed

>to be thought by many to be a referendum on whether or not the Neo-Nazis

>would be permitted to be on Usenet, when in fact it's nothing of the sort.

> 

>They are already out there, using myriad other newsgroups, and there's no

>way to prevent them from being there.  Instead of discussing white-power

>music on a separate newsgroup away from people who are not interested in

>it, they're discussing it in rec.music.jazz, or

>rec.music.artists.alanis-morisette, or what have you.  And there's nothing

>you, I, or anyone can do about that except rail impotently against it, if

>one is so inclined.

> 

>And if you're inclined to rail against it, consider the following.  I know

>that some of you are non-Orthodox Jews.  Suppose we all wanted to create a

>newsgroup called soc.culture.jewish.non-orthodox, and Orthodox Jews from

>around the world sent out a rallying cry to vote against the newsgroup

>because "non-Orthodox Jews aren't Jewish so they shouldn't be allowed on

>Usenet," and it was defeated by a huge margin. This is not a far-fetched

>scenario -- in Italy the Orthodox rabbinate has declared non-Orthodox

>congregations to not be Jewish.

> 

>Would you find the defeat of this newsgroup to be acceptable?  Just?

>Fair?

> 

>"No," you say, "but we're talking about *NEO-NAZIS* here!"  So what?  Do

>you actually think that the crushing defeat of rec.music.white-power

>changed a single Neo-Nazi's mind about their outlook on life?  Do you

>think it made them anything but more cynical about non-whites and Jews?

>Stalin made vain attempts to silence his opposition too.

> 

>And that's all this vote was last year: a VAIN, pointless, impotent

>attempt to silence the lying, reprehensible voice of neo-Naziism.  Gags do

>not change hearts, and hearts are what we all must work to change.

> 

>Think on that.

> 

>        -Mike Pelletier.

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a priest can... any person can...

Cc:

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Jeff Taylor wrote once:

>>[some lines i snipped]...<<

>>(& can a priest give extreme

unction to himself?). I guess this is the extent of the ambiguity--not really terribly convincing, I admit.<<

 

Jeff & other who are still interested,

 

yes a catholic priest can give extreme unction to himself.

 

not only a priest could give the extreme unction to an other catholic but also an any person in cases of emergency could do it to himself or to others.

 

the same could be told for the baptism, in cases of emergency also a Catholic 'thout be a priest he could baptize any person.

 

this theological practice seems me much beat!

 

 

yrs Rinaldo * See Sea *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: A poem by LOIS SORRELLS.

Cc:

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        Blue as a little girl on Sunday afternoon

        no homework done

        Tomorrow's school.

 

        Fall chill

        Football on the radio

 

        Dying sun getting closer to tomorrow

        School again

        No homework done and baby blue.

 

 

good day,

yrs Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Johnny Depp's performance of Chorus 113 MCB by JK was Re:MAN brodcasted.

Cc:

Bcc:

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References:

 

Many thanks to Adrien Begrand <vic.begrand@sk.sympatico.ca> for this hint 'bout Re: MAN broadcasted: Adrien wrote:

<<I think you're talking about Johnny Depp's performance of Chorus 113 from MexCity Blues, which is from The United States of Poetry series.>>

 

the above quote solve my problem, 'bout a trouble that involved my knowledge of Jack Kerouac works,

TRUE!, nice, .was file, thanx again,

yrs Rinaldo. To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Freedom

Cc:

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>Date:         Sat, 15 Mar 1997 18:14:52 -0800

>Reply-To:     stauffer@pacbell.net

>From:         James Stauffer <stauffer@PACBELL.NET>

>Subject:      Re: Freedom

> 

>Robert H. Sapp wrote:

>> 

>> While reading my pocket edition of the Declaration of Independence, I

>> noticed how much it reminded me of Howl, in both structure and content.

>> At first, I was startled by this, but then I realized that this was

>> natural tradition source flow. . . .

>> For example:

>>         He has plundered our Seas, ravaged our Coasts, burnt our Towns,

>> and destroyed the Lives of our People.

>>         He is, at this Time, transporting large Armies of foreign

>> Mercenaries to compleat the Works of Death, Desolation, and Tyranny,

>> already begun with circumstances of Cruelty and Perfidy, scarcely

>> paralleled in the most barbarous Ages, and totally unworthy the Head of a

>> civilized Nation.

> 

>Robert--

> 

>I like this observation.  I think it shows how really fundamentally

>"American" this poem is . . .although I suspect that if I wanted to take

>the time to dig out my King James Bible I could also show where the

>source of Jefferson's style in these sections is also rooted in the Old

>Testament prophets.

> 

>J Stauffer

> 

> 

 

                friends,

        The bum,

        knows well that all the masters,

                from San Francesco to Buddha,

        whose silent presence echoes,

                put always to the center of their message the creep,

        the pilgrimage. Recommending to the

                their disciples, literally the Way.

        And for  set along the WAY,

                it is not necessary go in Patagonia

        or in the forests.

                Certain times suffice the courtyard of house.

 

 

                yrs

                Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Freedom

Cc:

Bcc:

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>Date:         Sun, 16 Mar 1997 10:15:50 -0600

>From:         RACE --- <race@MIDUSA.NET>

>Subject:      Re: Freedom

>Rinaldo Rasa wrote:

>> >From:         James Stauffer <stauffer@PACBELL.NET>

>> >

>> >Robert H. Sapp wrote:

>> >>

>> >> While reading my pocket edition of the Declaration of Independence, I

>> >> noticed how much it reminded me of Howl, in both structure and content.

>> >> At first, I was startled by this, but then I realized that this was

>> >> natural tradition source flow. . . .

>> >> For example:

>> >>         He has plundered our Seas, ravaged our Coasts, burnt our Towns,

>> >> and destroyed the Lives of our People.

>> >>         He is, at this Time, transporting large Armies of foreign

>> >> Mercenaries to compleat the Works of Death, Desolation, and Tyranny,

>> >> already begun with circumstances of Cruelty and Perfidy, scarcely

>> >> paralleled in the most barbarous Ages, and totally unworthy the Head of a

>> >> civilized Nation.

>> >

>> >Robert--

>> >

>> >I like this observation.  I think it shows how really fundamentally

>> >"American" this poem is . . .although I suspect that if I wanted to take

>> >the time to dig out my King James Bible I could also show where the

>> >source of Jefferson's style in these sections is also rooted in the Old

>> >Testament prophets.

>> >

>> >J Stauffer

>> >

>> >

>> 

>>                 friends,

>>         The bum,

>>         knows well that all the masters,

>>                 from San Francesco to Buddha,

>>         whose silent presence echoes,

>>                 put always to the center of their message the creep,

>>         the pilgrimage. Recommending to the

>>                 their disciples, literally the Way.

>>         And for  set along the WAY,

>>                 it is not necessary go in Patagonia

>>         or in the forests.

>>                 Certain times suffice the courtyard of house.

>> 

>>                 yrs

>>                 Rinaldo.i like that...certain times suffice the studio of a

> nike commercial as

>well...

>dbr

dbr

...well

 

        IF IT SHOULD EVER COME          by Edward Dorn

 

        And we are all there together

        time will wave as willows do

        and adios will be truly, yes,

 

                laughing at what is forgotten

        and talking of what's new

        admiring the roses you brought.

        How sad.

 

        You didn't know you were at the end

        thought it was your bright pear

        the earth, yes

 

        another affair to have been kept

        and gazed back on

        when you had slept

        to have been stored

        as a squirrel will a nut, and half

        forgotten,

        there were so many, many

        from newly fallen.

 

 

dear dbr,

those '50th & '60th times won't return more, we know that those times won't return,

but

        we

                know

                        that

        our     beauty

will

        always  be      FREEDOM.

 

 

don't think twice it's alright...

ciao a tutti, dall'Italia,

yrs

Rinaldo * a not competent beat *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Freedom

Cc:

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david wrote:

>Rinaldo Rasa wrote:

>> 

>> >Date:         Sun, 16 Mar 1997 10:15:50 -0600

>> >From:         RACE --- <race@MIDUSA.NET>

>> >Subject:      Re: Freedom

>> >Rinaldo Rasa wrote:

>> >> >From:         James Stauffer <stauffer@PACBELL.NET>

>> >> >

>> >> >Robert H. Sapp wrote:

>> >> >>

>> >> >> While reading my pocket edition of the Declaration of Independence, I

>> >> >> noticed how much it reminded me of Howl, in both structure and content.

>> >> >> At first, I was startled by this, but then I realized that this was

>> >> >> natural tradition source flow. . . .

>> >> >> For example:

>> >> >>         He has plundered our Seas, ravaged our Coasts, burnt our Towns,

>> >> >> and destroyed the Lives of our People.

>> >> >>         He is, at this Time, transporting large Armies of foreign

>> >> >> Mercenaries to compleat the Works of Death, Desolation, and Tyranny,

>> >> >> already begun with circumstances of Cruelty and Perfidy, scarcely

>> >> >> paralleled in the most barbarous Ages, and totally unworthy the Head of

> a

>> >> >> civilized Nation.

>> >> >

>> >> >Robert--

>> >> >

>> >> >I like this observation.  I think it shows how really fundamentally

>> >> >"American" this poem is . . .although I suspect that if I wanted to take

>> >> >the time to dig out my King James Bible I could also show where the

>> >> >source of Jefferson's style in these sections is also rooted in the Old

>> >> >Testament prophets.

>> >> >

>> >> >J Stauffer

>> >> >

>> >> >

>> >>

>> >>                 friends,

>> >>         The bum,

>> >>         knows well that all the masters,

>> >>                 from San Francesco to Buddha,

>> >>         whose silent presence echoes,

>> >>                 put always to the center of their message the creep,

>> >>         the pilgrimage. Recommending to the

>> >>                 their disciples, literally the Way.

>> >>         And for  set along the WAY,

>> >>                 it is not necessary go in Patagonia

>> >>         or in the forests.

>> >>                 Certain times suffice the courtyard of house.

>> >>

>> >>                 yrs

>> >>                 Rinaldo.i like that...certain times suffice the studio of a

>> > nike commercial as

>> >well...

>> >dbr

>> dbr

>> ...well

>> 

>>         IF IT SHOULD EVER COME          by Edward Dorn

>> 

>>         And we are all there together

>>         time will wave as willows do

>>         and adios will be truly, yes,

>> 

>>                 laughing at what is forgotten

>>         and talking of what's new

>>         admiring the roses you brought.

>>         How sad.

>> 

>>         You didn't know you were at the end

>>         thought it was your bright pear

>>         the earth, yes

>> 

>>         another affair to have been kept

>>         and gazed back on

>>         when you had slept

>>         to have been stored

>>         as a squirrel will a nut, and half

>>         forgotten,

>>         there were so many, many

>>         from newly fallen.

>> 

>> dear dbr,

>> those '50th & '60th times won't return more,

>> we know that those times won't return,

>> but

>>         we

>>                 know

>>                         that

>>         our     beauty

>> will

>>         always  be      FREEDOM.

>> 

>> don't think twice it's alright...

>> ciao a tutti, dall'Italia,

>> yrs

>> Rinaldo * a not competent beat *

> 

>i'm too young to claim any part of such periods (50s-60s) only vague memories of

> vietnam

>on tv news during childhood but remember i preferred johnny quest for some

> reason.

> 

>probably sheltered from the beauty you describe from culture which feared the

> beauty

>would illuminate its ugliness.

> 

>but, from what I sense, it seems the FREEDOM and beauty you describe are eternal

>experiences that are always with one and not constrained by the passage of time.

> 

>I've had a few such timeless moments of experiencing true FREEDOM...hardest part

> is

>realizing those moments are always with me.

> 

>don't think twice -- used to be my anthem of sorts...took it fairly

> literally...didn't

>fit the dominant reflective perspective running through gradschools and

> whatnot...

> 

>take care,

>david

> 

SONG AT 24

time

has eaten my innocence like a pistachio nut love has walked off with my trust...

 

many thanks for yr gentle considerations

 

cari saluti da

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Freedom / ED SANDERS / For Marilyn Monroe, August 5, 1962.

Cc:

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friends, good early afternoon to all,

here in Venice is evening... & full spring moon.

 

in brief a question:

it's true that former beat were involved & good feeling in Marilyn Monroe tragic life as symbol of the american freedom, or the american way of life, or any other "beat" reason, as 'cuz things gone as gone?

 

vostro

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Dedicated To Marie Countryman.

Cc:

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FOR OUR SYSTER MARIE               

NOW

S P R I N G  '97

 

 

VANA    by Ezra Pound   from A lume spento [1908]

 

In vain have I striven

to teach my heart to bow;

In vain have I said to him,

''There be many singers greater than thou.''

 

But his answer cometh, as winds and as lutany, As a vague crying upon the night

That leaveth me no rest, saying ever,

        ''Song, a song.''

 

Their echoes play upon each other in the twilight Seeking ever a song.

Lo, I am worn with travail

And the wandering of many roads hath made my eyes As dark red circles filled with dust.

Yet there is a trembling upon me in the twilight,

        And little red elf words  crying ''A song'',

        Little grey elf words     crying for a song,

        Little brown leaf words   crying ''A song'',

        Little green leaf words   crying for a song.

The words are as leaves, old brown leaves in the spring time, Blowing they know not whiter, seeking a song.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: James Mallahan Cain.

Cc:

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friends,

while I walked a thought it has jumped on, an image from a Cain's book, maybe ''Serenade''?

...the guard beat the hobos that grabbed on to the wagons and they fell down like the grubs from a stick...

great deep '39 writer,

yrs Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Brood.

Cc:

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*

i'm

out

of

track!

 

BUT "The Brood" directed by David Cronenberg is real FEAR, (outstanding every nakedL u think 'bout), &no lit included,

 

yrs

rinaldo.

*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Freedom

Cc:

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        LIBRO DI TESTO INTRODUTTIVO     by      Ezra Pound

        (In quattro capitoli)

 

                I

"Tutte le perplessita', la confusione, la miseria nell'America sorgono, non dai difetti della Costituzione o confederazione; ne' dalla mancanza di onore e di virtu', quanto da un'assoluta ignoranza della natura del denaro, del credito, e della loro circolazione."

                                        John Adams

 

 

                II

"...e se le cambiali della nazione fossero basate (com'e' indispensabile) su pegni di imposte per ripagarle dentro un tempo moderato e determinato, e se fossero di nominativi comodi alla circolazione, nessun interesse su esse sarebbe necessario ne' giusto, perche' esse rsponderebbero ad ognuno degli scopi serviti dalla moneta metallica ritirata e rimpiazzata dalle medesime [cambiali]."

                                Thomas Jefferson

                        (Lettera a Crawford, a.D. 1816)

 

 

                III

"Il Congresso avra' il potere:

Di batter moneta, regolarne il valore e il valore delle monete estere, e di determinare i talloni dei pesi e delle misure."

        Costituzione degli S.U.A. Art. 1. Legislatura.

        Sezione 8. p.5.

Nella conversione e col consenso unanime degli Stati, 7 sett. 1787, e dell'Indipendenza degli S.U. XII.

Per attestare questo abbiamo messo i nostri nomi."

                                George Washington

                (Presidente e deputato della Virginia)

 

Rapallo, Italy [1939]

 

Allen Ginsberg wrote:

 

I write poetry because Ezra Pound saw an ivory tower, bet on one wrong horse, gave poets permission to write spoken vernacular idiom.

 

I write poetry because Ezra Pound pointed young Western poets to look at Chinese writing word pictures.

 

[snipped from Cosmopolitan Greetings. Poems. 1986-1992, PREFACE, Improvisation in Beijing]

 

 

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beats in politics 

Cc:

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friends,

 

If Jack were alive today....

 

jack kerouac, was in the

middle 60's against anti-vietnam war?

 

if yes, why?

 

William is alive today....

 

william burroughs, was in the

first 90's against anti-gulf war?

 

if yes, why?

 

 

i have noticed that the political matters are few clear in some beats & in dissonance between general feeling, for me for example, or are these considerations out place? i still like JK & liked JK but...

 

yrs rinaldo * a not competent beat *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: beat ad

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>> many good actors out there.  I think that Jhonny Depp and Dicaprio are the matt<<

 

e' lo stesso Jhonny Depp che legge il Chorus 113 scritto da Jack Kerouac?

e' possibile saperlo da qualcuno della Beat-List?

 

grazie e saluti da

rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Opens City Lights in Firenze, Italy.

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Cari amici, vi invio questo messaggio, spero che vi faccia piacere,

 

        ----------------------------------------

        The first branch in the world

        We are waiting for a Ginsberg's reading.

 

        Ferlinghetti's City Lights bookstore

        opens in Florence.

 

 

The Beat Generation's America takes place in Italy it does it opening the first branch of famous City Lights bookstore - publishing house in Florence, created & directed by the poet Lawrence Ferlinghetti, who has fourty years of honoured history, a real point of reference for the poetry & the off culture in West Coast.

The opening of C L in Florence realizes a flirt between Ferlinghetti & Florence exploited 3 years ago at the Study Theatre in Scandicci, on the occasion of a reading of his, & continued during the last months with incognito incursions.

but the poet isn't in the society that will organize the bookstore, "in order to avoid- he told -suspicions of cultural colonization".

Among the members Antonio Bertoli, theatre director in Scandicci, & Marco Cassini, director of Minum Fax roman publishing house, one of the main makers of reinaissance of interest for Beat in Italy.

City Lights Italia will have her seat in San Nicolo' street, a street of Renaissance palaces really near to Ponte Vecchio; spartan furniture, it will be structured as the american Mother House, with a catalogue of 800 titles in various languages, not just Beat but also Dada, Surrealism, Situationism, afroamerican literature.

The real inauguration will take place May, the first, but the very busy calendar of events will start 12th April, when the yard is still open, with Fernanda Pivano as master of ceremonies.

the first famous guests of a reading series will be Tuli Kupferberg & Ed Sanders, poets but also musicians with the Fugs.

then there will be Allen Ginsberg who, on 25th April, will come back to declaim THE HOWL since its composition 40 years ago, & Ferlinghetti himself (on 2nd May) who in his reading will have a fantastic guest: Vittorio Gassman, on his time the first italian actor who proposed his poems in public. Ginsberg & Ferlinghetti will finally have a performance created for the occasion.

the catalog has already 10 programmed books: among the others the faithfull republishing of LA REVOLUTION SURREALISTE, the review that BRETON and ARAGON animated from '24 to '29 annecting works by ELUARD, MAN RAY, PICASSO, ERNST; the italian translation of HER, the last novel by Ferlinghetti & the new collection of poems by ROBERTO ROVERSI, that breaks a silence lasted ten years.

 

-----------------------------

yrs Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Opens City Lights in Firenze, Italy.

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James Stauffer <stauffer@PACBELL.NET> wrote:

> 

>I SOMETIMES TALK TO

>KEROUAC WHEN I DRIVE

> 

>Jack?

> 

>Yesterday I thought of something

>I never had a chance to tell you

>and now I don't know what it was

> 

>Remember?

> 

>DEAR JOANNE,

> 

>        Last night Magda dreamed that she

>        you, Jack, and I were driving around

>        Italy.

> 

>        We parked in Florence and left

>        our dog to guard the car.

> 

>        She was worried because he

>        doesn't understand Italian.

> 

>                        --Lew

> 

>J Stauffer

> 

james,

questa poesia e' molto bella, e' un sogno!

la presenza di un punto culturale beat in Italia e' BENVENUTA, e' un sogno!

 

ciao da Rinaldo e grazie ancora.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the Hale-Bopp comet

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                #2       

        At night the stars

                in their dark courses

                        breaded with light

                above the sumi-ink sea

               wheel about

                on their immense

                        invisible wheel

                perhaps myriad creatures caught

                        in unseen gill-nets

 

 

[a fragment from ''A Heap of Broken Images''  by Lawrence Ferlighetti.]

 

yrs rinaldo.

03/27/1997To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: e-mailmen desolation row

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2days 'thout posts...

 

                poetry by rober creely

 

        they are taking all my letters, and they

        put them into a fire.

 

                        i see the flames, etc.

 

        but do not care, etc.

 

        they burn everything i have, or what little

        i have. i don't care, etc.

 

        the poem supreme, addressed to

        emptiness-this is courage

 

        necessary. this is something

        quite different.

 

 

 

yrs

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Auguri per Fernanda Pivano.

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Happy Birthday!To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Terrific photo!

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Leon

are u joking?

yr RinaldoTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Terrific photo!

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At 09.47 03/04/97 -0500, you wrote:

>rinaldo,

> 

>        I agree with Leon about picture quality; who was the woman with Jack?

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>"The sky turned black and bruised, and we had months of heavy rain."

>        - Tom Waits

> 

Antoine (& Leon),

the young woman in the photo is Fernanda Pivano, the first translator of Jack Kerouac & Allen Ginsberg in late 50s, in these days she is out with a book called "Album Americano", this foto is astouding, & that is that FORCED me to post this image, but it's the first & last time i make this... don't panic b-listers, i see in this photo the last days of a man & a woman that really loves him, i believe was in late 60s, look at the fashion of, now in this day in italian magazine the birthday of Fernanda Pivano is reported as an event, perhaps 'cuz she shall be a master of cerimonies on the opens of City Light bookstore in Florence on this month (sad i hoped the place was Venice, but...), beat are geatly apreciated, the pocket edition of "Beat Generation 67 poetries" was for a month in the top of pocket best sellers,

 

saluti a tutti i beat da

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Ginsberg, terminal liver cancer

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venice:

italy:

2 am:

saturday, 5 april 1997,

italian domestic brodcasting TV reported the news in subject, also

newspaper have Allen Ginsberg countercultural engagement presented in front page,

 

mentioning the serious Allen Ginsberg illness,

 

...sad beginning of spring 97...

 

yrs Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Allen Ginsberg ricordato dai poeti Mario Luzi e Andrea Zanzotto.

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Allen Ginsberg & Italian Poets Mario Luzi & Andrea Zanzotto.

 

---                                                     --- snipped from newspaper "la Repubblica" - domenica 6 aprile 1997, article written by Francesco Erbani.

 

Mario Luzi e Andrea Zanzotto sono due poeti molto distanti da Ginsberg, nel modo di versificare e nei mondi poetici che esprimono. Eppure nel protagonista della Beat Generation entrambi sentono il suono di una delle voci piu' acute di questo secolo.

 

MARIO LUZI:

"Il suo e' un verso molto americano, nel senso che costruisce insieme alla passione che esprime" - spiega Luzi. I suoi versi non celebrano, non evocano. La loro forza d'urto, a parte certi ripiegamenti retorici, si condensa in forme nevrotiche, lacerate.

Queste forme spesso sono convogliate efficacemente, ma rappresentano un modo di vita che per lui come per Ferlinghetti o Corso, era il modo della vita".

Luzi che ha conosciuto Corso a Firenze e Ferlinghetti a San Francisco, nella sua libreria, non ha mai incontrato Ginsberg. "Ho iniziato a leggerlo a meta' degli anni Sessanta quando venne tradotto "Jukebox all'Idrogeno". Mi colpi' la profondità originaria che avevano le sue parole, una caratteristica che non aveva nulla di sacro. Era violenta, anche urtante. Ebbi la impressione di un poeta che prediligeva la corda del profetico. Le cose che diceva voleva fossero recepite, sperava che fruttificassero. Era un poeta che rifiutava la glossolalia, il parlarsi addosso, una delle tare della poesia moderna".

 

ANDREA ZANZOTTO:

"Lo ho visto due anni fa, e' venuto a Conegliano Veneto dove avevamo organizzato una festa per Fernanda Pivano", racconta Zanzotto. "Lo trovai cambiato nell'aspetto. Lo ricordavo un omaccione, allora invece mi sembro' esile, aveva una aria da intellettuale. Ma dentro era rimasto lo stesso. A un certo punto della serata comincio' a cantare. Nessuno se non lui avrebbe manifestato tanta liberta'. Eravamo in un teatrino di provincia e lui aveva una voce meravigliosa".

La memoria del poeta veneto risale all'indietro, si volge alla fine degli anni Settanta. "Lo conobbi a Cambridge, ero insieme alla Pivano.

Mi sembrò un uomo in continua eruzione. La sua vitalità era straordinaria, a volte scivolava nella ingenuità. Non metteva in mostra nulla, era lontana da lui qualunque forma di sotterfugio letterario. Possedeva un fortissimo senso della protesta, ma ogni cosa riusciva a piegarla dentro il contenitore poetico".

Anche Zanzotto come Luzi e' poeta diverso da Ginsberg.

 "Eppure riconosco nella mia poesia una certa complemantarieta' alla sua.

Io ero qui in Italia dove non si poteva scrivere che in modo compresso e depresso. Lui viveva nella liberta'. Ma in un certo senso rappresentava un'altra porzione di un mondo poetico comune. Una volta, non ricordo bene quando, per difenderlo dalle accuse di oscenita' fu costretto ad alzare la voce anche Giuseppe Ungaretti".

 In realta' un filo lega Ginsberg e Zanzotto. "Anche lui come me, viveva sovrastato dall'incubo della catastrofe nucleare: mi sentivo vicino a Ginsberg quando prorompeva nell'urlo contro le mostruosita' che la storia preparava".

---

 

[my translation]

Mario Luzi and Andrea Zanzotto are two very aloof poets from Ginsberg, in the way of versify and in the poetic worlds that they express. Yet in the protagonist of the Beat Generation both feels the sound of an of the more acute voices than this century.

 "The his is a toward much American, in the sense that builds together to the passion that expresses"- he explains Luzi. His verses don't celebrate, they don't evoke. Their force of bump, to part some declamatory refoldings, is condensed in forms, you lacerate. These forms are thick effectively, but they represent a way of life that for him like for Ferlinghetti or Corso, it was the way of the life." Luzi that has known Corso in Florence and Ferlinghetti in San Francisco, in his bookstore, he has not met Ginsberg ever.

  "I have begun to read it to half of the Sixties when translated The Hydrogen Jukebox. He struck me the original depth that they had his words, a characteristic that nothing didn't have of sacred.  I had the impression of a poet that affected the chord of the foreseeing.  A poet was that speaks clearly"

 

 "I have seen two years he  come to Conegliano Veneto where we had organized a party for Fernanda Pivano," he tell Zanzotto. 

"he found changed in the appearance. I remembered a big man, then instead seemed me reedy, he had an air from intellectual.

But inside he had stayed the same. He to a certain point of the evening began to sing. No if not he would have manifested so much liberty.

We were in a theatre of province and he had a marvelous voice.

" The memory of the venetian poet goes up again to the back, he turns at the end of the 70s. 

"I knew it in Cambridge, I was together to the Pivano.

A man in continual eruption seemed me. His vitality extraordinary, he at times slipped in the ingenuity. He didn't put in invalid show, distant era from him any form of literary subterfuge. He possessed a strong sense of the protest, but each thing was able to fold up it inside the poetic container.

" Also Zanzotto like Luzi is poet diverged from Ginsberg. 

"Yet I recognize a certain complmentary to the his in my poetry.

I was here in Italy where it could not be written that in pressed and depressed way. He lived in the liberty. But he in a certain sense represented an other portion of a poetic common world.

Once, I don't remember well when, for defend it from the accusations of obscenity were constrained to lift the voice also Giuseppe Ungaretti.

 

 

In reality a thread ties Ginsberg and Zanzotto.

 

 "Also he like I, lived impended from the nightmare of the nuclear catastrophe: I felt near to Ginsberg when break out in the howl against the monstrosities that the history coached."

 

yrs

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the kids listen to us.

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Cari amici beat,

today in my media school a kid discovered in the computer the Johnny Depp's file reading of United States of Poetry, then the kid say that Jhonnj is my name!

right! do u want listen yr song?

yes prof! now the speaker

 

"America I've given you all and now I'm nothing...

Man-

    Yet everything is perfect,

Because it is empty,

Because it is perfect..."

 

eh! prof good song already listen!

sure! i said, i'm amazing everyday (thinking...)

 

when the reading stopped the kid shout: Maaaann...

Man.

 

 

ciao a tutti da  Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

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cari beat,please check

http://www.italynet.com/veneziapoesia/default.com there is that Comune di Venezia creates a poetry meeting in july 97. noticed the poet Nanni Balestrini the ultraleftist poet in the 70s.

 

ciao da

 Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: darhma bums

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>i think i spelled it wrong but anyway there's a group called the " darhma

>bums" and they're worth checking out.

>bob

> 

it's a dog beated...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the only italian poets who payed homages to Allen Ginsberg.

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cari amici,

perhaps u are already know but i email u some references 'bout Andrea Zanzotto on the Web, i hope this is useful for u.

 btw Andrea Zanzotto (e Mario Luzi) was the only italian poets who payed homages to Allen Ginsberg as a poet, cari saluti a tutti

da

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: MY GENERATION.

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amici beat,

at 0:55 am on Wed, Tv ZONE brodcasted a video, appearing Allen Ginsberg who declaimed, i think, his last poem, beneath my trascription (apologies in advance for the little holes, Allen Ginsberg speaks clearly, & sure i missed something, have compassion), a man,

 

-----

        THE LAST GINSBERG

       

        poet

 

        professor

 

        in bothered years

 

        seeks helpman

 

        companion

 

        protector

 

        friend

 

        young lover

 

        with empty compassional soul

 

        athletic phisique & openess mind

 

        courageous warrior

 

        who may also loves

 

        women & girls

 

        no problem

 

        to share bed

 

        meditaion apartment in Lower Est Side

 

        help in inspire mankind

 

        conquer world

 

        angry and duty

 

        empowered by Witman

 

        Black Rainey & Vivaldi

 

        respectful arts

 

        primordial majesty

 

        priapic curly

 

        playful

 

        slave harmless

 

        master

 

        mortally tender passing time shift

 

        photographer

 

        painter

 

        poet musician yuppie

       

        or learned

 

        find me here in New York

 

        alone

 

        with me alone going to be

       

        psychiatry says me

 

        meantime to seek who call darling

 

        honey

 

        who hold you darl

 

        excite and take your hart in peace.

 

 

Allen Ginsberg

 

-----

 

Allen Ginsberg in this video was in light-blu pyjama, the only sign of somenthing impending..., a poet, a man,

 

 

http://tvzone.nexus.it

yrs Rinaldo * a not competent beat *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

 

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MY GENERATION.

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>He was in his pyjamas?  that's fitting it sounded like he had been up all

>night cutting up or recording personal ads from the Village Voice.

>Charles Plymell

> 

Haud oan a second, Charles!, Allen Ginsberg moves to the windae in light blue pyjams, nae offence mate...

 

yrs

Rinaldo         *       the Voice Of The Punk   Anarchy!        *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MY GENERATION.

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THANX AGAIN!

Adrien, u areright ! u aregreat !

 

Cosmopolitan Greetings by Allen Ginsberg Personal Ad

 

"I will send a picture too

if you will send me one of you"

R. Creeley

 

[...here the poem...]

 

October 8, 1987.

 

 

the clip tv movie was the last performance for Allen Ginsberg?

 

seee ye later

yrs rinaldo.    *       the voice of a not competent beat * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: some time ago.

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                I'M GETTIN' OLD        by Rinaldo Rasa

 

 

       16 OVERSEAS NEWS 1B THE TIMES SATURDAY APRIL 5 1997

 

                BEAT POET

                GINSBERG

                HAS CANCER

                New York: Doctors have giv-

                en Allen Ginsberg, the Ameri-

                can writer and beatnik, four to

                12 months to live after discov-

                ering that he has inoperable

                liver cancer (Quentin Letts

                writes).

                 Ginsberg,      70,     washed

                around in his youth with Jack

                Kerouac and is one of the last

                survivors of Kerouac's slim-

                hipped On the Road gang of

                idle Fifties pioneers of permis-

                siveness. He is "taking the

                news like a good Buddhist",

                say friends.

                 The unconventional and

                prolific poet, who has champi-

                oned most things from homo-

                sexuality to hallucinogens,

                was in bed at home in Man-

                hattan yesterday. Although

                "weepy at times", he was

                talking about impending

                death and meditating about

                the ultimate experience.

                 The best known of Gins-

                berg's writings is probably

                Howl, a 1956 poem which

                mourned the scrambling of a

                generation's minds by drugs.

                He was sometimes called "the

                most dangerous man in

                America".

 

 

 

        FRONT PAGE THE TIMES SATURDAY APRIL 5 1997 

                BONING UP ON THE EVOLUTIONARY SCALE

                NEANDERTHAL Man could

                play sweet music, according

                an analysis of the oldest

                known musical instrument, a

                flute made from the thigh

                bone of a bear.

                 The flute was found in a

                cave in Slovenia, and dated to

                between 43,000 and 67,000

                years ago - at least 10,000

                years older than any previous-

                ly known instrument.

                 The bone, less than four

                inches long, contains two neat-

                ly-drilles holes and the traces

                of two more at its broken ends.

                Now Bob Fink, a Canadian

                musicologist, has worked out

                the notes the flute could play

                when it was complete.

                 He concludes that the in-

                strument is based on the same

                seven-note scale used in mod-

                ern Western music. The flute

                as it survives could play four

                notes (Mi, Fa, Soh and Lah) in

                a minor key.

                 In its original form it would

                have been about 15 inches long

                and capable of playing the

                entire scale. He has made a

                flute matching the pattern of

                holes found in the bone, and

                found that when played it

                confirmed the analysis.

                 The results are striking

                because Neanderthals are

                generally considered to have

                been uncultured humans with

                no language and no art. If

                confirmed, they cast a new

                light on their behaviour.

 

 

        FRONT PAGE THE TIMES SATURDAY APRIL 5 1997

                        ADVERTISEMENT

 

                        "OLD AGE

                        STALKS

                        LIKE A

                        TIGER..."

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: "stat rosa pristina nomine, nomina luda tenemu"

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for marie & others friends,

 

"the ancient rose is necessarily connected to her name,  we have got things without their name"

 

 

        DE RISO         by Rinaldo Rasa

 

 

the poetry could return to be dangerous,

                but

        never obscene,

       

        the last attempt of save

        the name

        & the things

        hand in hand

 

failed in the medieval pyres,

 

 

                     MEMENTO

 

la Serenissima Libera Repubblica Veneta in Italy,

     always saved from the pyre the heretics.

          anniversary of the decadence

                  [1797-1997].

 

 

yrs Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MY GENERATION.

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Antoine wrote:

>Rinaldo,

> 

>        Great Scottish accent there! Love it!

> 

>                Antoine

> 

>       *********************************

> 

 

        PEEBLESHIRE NEWS        by Rinaldo Rasa.

 

The     pair    had     many    a

 

minlicht        forey,

 

Owre    the     Thief's         Road    intae

 

Yarry,

 

Stealin'        beasts  lik'    gaberlunzes,

 

Tae     sell    them    a'      fir     siller  cunzies.

 

 

*       We are clearly in a foreign country.    * *              THE TIMES APRIL 18 1997          * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: John Cale.

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        OLD PUNK,

a boy punk boy at 55, yellow hair

yellow short hair, chess pants

with the hurry of pass from a song

to the other,

with John Cage, then with Andy Warhol

& the difficult co-habitation with

Lou Reed.

........................................

John Cale 'bout Allen Ginsberg:

it has been one of the first that i have known in New York, during a proof with

LaMonte Young in the years 60.

the last time has met him in February at the party of the Tibetan New Year's Day.

we have spoken one another & Allen gave again 3 times his visiting card.

on the rear of one had annotated the

telephone number of David Bowie.

........................................

i snipped & translated from newspapers,

 

yrs Rinaldo * The       Voice   of      Punk    Anarchy!        *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: POET REMEMBERED:Bohemian poet, Allen Ginsberg died at age 70. He's remembered as giving the alienated, bohemian beat generation its best-known and most powerful poetic voice with his raw, angry verse. USA TODAY, MONDAY,APRIL 7,1997.

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        USA TODAY, MONDAY,APRIL 7,1997.

 

        Beat generation

        poet Ginsberg dies

        By Ellen Wulfhorst

        Reuters

 

        NEW YORK - Allen Gins-

        berg, who died Saturday at age

        70, gave the alienated, bohemi-

        an beat generation its best-

        known and most

        powerful poetic voice with works

        such as Howl and Kaddish.

         His rag, angry

        verse captured the

        spirit of the beat

        generation, disillu-

        sioned and frustrat-

        ed by the shackles

        of convention.

         The beats - a lit-

        movement of

        intellectual outlaws

        such as Jack Kerouac, author

        of On the Road; Gregory Corso;

        William Burroghs, author of

        Naked Lunch; and Lawrence

        Ferlinghetti - reveled in free

        prose, poetry readings and ex-

        perimental plays.

         They were influenced by an

        ecletic array of surrealism,

        dadaism, jazz, Asian philop-

        sohy and experiments with hal-

        lucinogenic drugs.

         Ginserberg once said, "The beat

        generation has its usefulness, but

        it also has its disadvantage of put-

        ting things in a box which are

        outside of the box."

         Not every reception to Gins-

        berg's work was laudatory.

        Howl and Other Poems wa

        the subject of an obscenity

        case, based on its graphic sexu-

        al references, but Ferlinghetti,

        its publisher, was cleared in a

        landmark decision in 1957.

         Ginsberg published more

        than 40 books of poetry.

        Among his best-known works

        are the mockingly

        humorous America

        and Kaddish, a mov-

        ing lament about his

        mother, a mentally

        disturbed, left-wing

        Russian emigrant.

         His book Fall of

        America won the

        National Book

        Award in 1972.

         He was elected to

        the American Acad-

        emy and the Insti-

        tute of Arts and Let-

        ters.

         At home, he was a friend to

        the Hell's Angels motorcycle

        gang, writer Ken Kesey and his

        unruly Merry Pranksters band

        of musicians, writers and drug

        users, LSD guru Timothy

        Leary and musicians such as

        Bob Dylan, the Grateful Dead's

        Jerry Garcia, punk artists Patti

        Smith and the Clash and avant-

        garde composer Philip Glass.

         Born in Newark, N.J., a

        longtime resident of New York

        City's East Village, Ginsberg

        was a Distinguished Professor

        of English at Brooklyn College.

         He was working on a new

        collection of poems and photo-

        graphs at the time of his death,

        his staff said.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: *On being just a lad like you I joined the IRA - provisional wing!* Re: That's me in the corner -Reply

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david wrote:

>if God is Pooh Bear

>AND

>Nietzche says God is Dead

>does that mean

>Nietzche things Pooh Bear is Dead too....

 

wrong! naw! Pooh Bear is a star in the sky & u can see every night from here to 5 billions years forward... if we are lucky. naebody watchin it?

 

yrs Rinaldo.

 

 

  To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MY GENERATION.

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Jeff Taylor wrote:

>hey Antoine,

> 

>It's not Roi de Hamburger, Chez McDonald, and Cloche de Taco in Montreal??

> 

> 

>> Are you afflicted with Burger King

>> in Venice?

> 

> 

>*******

>Jeff Taylor

>taylorjb@ctrvax.vanderbilt.edu

>*******

> 

>Le bon sens est la chose du monde la mieux partagee; car chacun pense en

>etre si bien pourvu, que ceux meme qui sont les plus difficile a

>contenter en toute autre chose, n'ont point coutume d'en desirer plus

>qu'ils en ont.     --Descartes

> 

 

Aye Antoine, in Venice french fries & McDonald, of course.

 

Anywey Jeff,

Rick Deckart (alias Renato Delle Carte, alias Cartesio) wrote in Latin language, i presume.

 

yrs Rinaldo * a not competent beat *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Ron Whitehead Remembrance

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At 18.09 19/04/97 -0400, you wrote:

>"Ron Whitehead Remembrance" INDEED!

> 

> 

>Paul, Thanks for the accurate subject header on this, although curiosity  got

>the better of me, I confess, and I didn't take full advantage. So good to see

>Ron's "Asheville" for, what is it, the THIRD time since Allen's death?  And

>also good to see that Ron's still got his mojo workin', self-promotion-wise.

>Rod A.

> 

> 

NEVER ENDING STORY...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Do your own Cutups!

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        beetles       by Rinaldo Rasa

       

        beat alert,

        a colorado beat

        has been found

        among potatoes,

 

        in 1995 16 live beats

        were detected,

 

        councillors are to consider

        changing the name of beat,

        it's a serious point,

 

        we deeply regret but

        it is in the interest

        of public safety.

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: aprl 25, 1997

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                what really happes?    by Rinaldo Rasa

 

 

                        TODAY, AFTERNOON,

 

                reading A Buddha in the Woodpile

 

                         at rose sunset

 

                        the fourth anniversary of

                        the fiery conclusion of the

                        Waco siege- & the second

                        anniversary of the Oklahoma

                        City bombing

 

                If there had been only

                one Buddhist in the woodpile

                In Waco Texas

                to teach us how to sit still

                one saffron Buddhist in the back rooms

                just one Tibetan lama

                just one Taoist

                just one Zen

                just one Thomas Merton Trappist

                just one saint in the wilderness

                of Waco USA...

 

                        above said Lawrence Ferlinghetti,

                       

                        TODAY

                        red letter field agencies

                        close venetian blinds,

                        armageddon geiger counters

                        bullettproof vest bombs

                       

                So what is the use of poetry these days

                What use is it What good is it

                these days and nights in the Age of Autogeddon

                in which poetry is what has been paved over

                to make a freeway for armies of the night

                as in that palm paradiso just north of Nicaragua

 

                        above said Lawrence Ferlinghetti,

 

               

                                                                                        

                                Look through the lens,

                                and the light breaks down

                                into many lights.

                                

                                        above said subcomandante Marcos

 

 

                        trapped creatures

                        dreamed for flying a kite

                        the last time.

 

                        above i said.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ME & YOU

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>Return-Path: <rasa@gpnet.it>

>From: "Rinaldo RASA" <rasa@gpnet.it>

>To: <rinaldo@gpnet.it>

>Subject: ME & U

>Date: Fri, 25 Apr 1997 11:45:02 +0200

>X-MSMail-Priority: Normal

> 

>ME & U by Federika & the BBB from Venice, Italy.

> 

>1 (Federika)

>I am really out of voice

>I think that my only choice

>is by now to rush away

>and - my god - to have to say:

>"I had not a big success

>I did make a real mess!"

> 

>2 (Kata)

>I'm tha singer of tha band

>I'm not sure to reach the end

>I do hate Fede's voice

>so I'm happy of her choice

>but i admit: she is my friend

>so to her my voice I'll lend

> 

>CHORUS (Federika & Kata)

>This is our first song

>tell us: is it so wrong?

>Yeah, we do know it

>but it will remain a shit!

> 

>-----

>Now: what do you think about this wonderful song?

>My friend & I have a little group that play metal and punk music...

>email your opinions to rasa@gpnet.it

>thanx very much!

> 

> 

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: U think i'm mad... ?

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i feel myself as a beetle in a potatoes' field, i feel myself as a beetle in a potatoes' field on april sunday, i feel myself as a beetle in listserver, i feel myself as a beetle in a printed electronic board

        *       a       beetle          *

                yrs     RinaldoTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: digest beetle...

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        beetle's blues         

 

        i know why i'm so sad, i'm a beetle,

        i look not well,

 

        every beetle must play,

        is that anything?

 

        let to me my fortune,

        good cheer!

 

        i look around for books

        i can eat when it's nighttime

 

yrs Rinaldo * a not competent beetle *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Marakesh Express Generation.

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cari amici beat,

does anybody have, by chance seen, the film "Marakesh Express" directed by Gabriele Salvatores? it's in my opinion the funniest italian beat film i ever seen, & the only italian beat film to my knowdledge. Marakesh Express was filmed in the early '80s & it is a masterpiece! the film tells a history of friends that they do a journey until in Marocco. one of these alive in a cot in the middle of to the woods and he must be convicted to unite to the group.

-"Jack Kerouac lived in the woods but he then wrote books." --"You instead from alive years only in the woods..." as the friend is convicted to leave his shelter in the woods. the film has the feeling of the italian comedy as usual but with a touch of gayety & freedom & beatesque that is remarkable,

 

yrs rinaldo     *       a not competent beetle  * 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: JK//winona ryder some smoke.

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"Dale F. Smith" <dalefsmith2@JUNO.COM> argues:

>Anyone who was born in the twentieth century in America should be quite

>knowledgable about the effects of smoking tobacco.  It has been a part of

>the public consciousness for years that smoking kills and/or causes

>desease.[snipped]

> 

Cari amici beats ,

it's a famous photo did by Allen Ginsberg pictured Jack Keroauc leans against the wall smokin' a cigarette (i presume it's the penguin book cover of beats generations poems), also in my previous "terrific photo posted in Wed, 2 Apr 1997", JK wa'smoking were interviewed by Fernanda Pivano. we can blam tobacco companies (& worked for 4 years in a cigarettes' manifacture in Venice in early 80s), thogh smoking was a way of life...

 

                                NOW

 

                        Some Smoke, Much Ire

        The road to publicity hell WINONA RYDER  was paved

        with others' good intentions. As part of the national Kick

        Butts Day, Molly Patterson, a student from Petaluma, Cali-

        fornia, decided she and her classmates would write an open

        letter to hometown girl Ryder asking her to stop smoking

        in movies. Before the letter was sent, the Campaign for

        Tobacco-Free Kids, sensing a good way to spread its mes-

        sage, told the media about it. Ryder, who has lit up in four

        of her 18 movies (including "Reality Bites") was horri-

        fied at the story and phoned Patterson at school. She also re-

        leased a statement sayning she doesn't advocate smoking,

        but the characters she plays "are not always perfect heroes."

 

 

vale, Rinaldo           *a not competent beetle*

 

tutti giu' per terra!To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: iiw charm

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                 International Workers of the World

               a century of struggle for a better world

              credits for Rolling Stone

 

                   the charm

  

              the musk doesn't grow

              on the rolling stone,

 

              Hare Krishna Hare Krishna

 

              we gotta go!

 

              Krishna Krishna Hare Hare

 

              a day off work

 

              Hare Rama Hare Rama

 

             

              the point was,

              it was

                   cool

                   when

                         we're kids

 

              Rama Rama Hare Hare

 

              jobs that built a nation

              they

                   believed

 

              they were going for themself

              & for

                   their families.

 

              they're now squatter

              from

                   their jobs,

 

              forced to leave their houses,

              left with

                         broken

                              lives.

 

              Hare Krishna Hare Krishna

              Krishna Krishna Hare Hare

              Hare Rama Hare Rama

              Rama Rama Hare Hare

 

 

              *    Rinaldo    *

 

.......................................................................

this poem

is dedic

to an angel

who lives

in VT, U.S.A.

........................................................---------------

                                   first may, 1997

                                   Labour Day

-----------------------------------------------------------------------

                        To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: t-shirt mania around the world

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amici,

        a crowd in milan has stopped to

        see the greatest T-shirt in the

        world,

        a bunch of netsurfers invented

        that such a thing,

        <http://www.mailshirt.com>

        the above site,

 

ciao a tutti,

vale!   *rinaldo        a not competent beet    *

        *       TUTTI GIU' PER TERRA!           * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Apollinaire's howl.

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amici,

        have someone noticed that ALCOOLS written

        by Guillaume Apollinaire is an howl,

 

                ZONE

        A la fin tu es las de ce monde ancien.

 

        ....

 

 

ciao a tutti,

vale!   *rinaldo        a not competent beet    *

        *       TUTTI GIU' PER TERRA!           *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

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aulica vita, splndida miseria.

 

 

vale!   *       the beet        *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: hooooo! I'M A BEET

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'005Y89U+531KòN  CA NZ

+LòMàE2FK+VP

KV qmn

onhapvihrwq     gty72+ù56 81682 B(q2nòk2qr i04242 

+friends,

        what chauvinism?

 

        are'u usofam relatad

 

        but i'm conviced

 

        A BEET IS COSMOPOLITAN

 

        ARE U SAFE!

 

 

        vale!   Rinaldo.-

 

        aaaaaaaahtrgsuysuhsajcqBNHIP

HBVRPWQ

NHVGVPQ

bp'ùè

lllllllllllllllg5ki+èp06ì4'0uì97uy2

ì9q+kirw        vgkbwrghp

< 

CSACKMNVDNVWMLKDVOI0

5'058'585966  6       l,mlvkdavnksvHUVF++8942U4939U3198'4ùìTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MEMORY BABE ARCHIVE CLOSED

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if u rrelate jk only in usa the thing is less...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censorship of letters

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allen ginsgebrg was censored! not only jkTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: I swore I'd stay out of this but what the hell

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the history comes when yhe thing are awright...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Cornix?

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if the poetry comes to hardwired this is awright!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censorship of letters

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what's up only ag is censored!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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in italy what's happen, sorry how u are speakin' in NYC frank zappa from the heaven...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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jk is UNIVERSAL POETRY WHAT'S ARE U SPEAKING ATTILA?

OFF BROADWAY SCENE?

 

        * THE BEET *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Estate Research

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JK IS AN UNIVERAL GUY WHAT'S ARE U SPEAKING?

 

*       TUTTI GIU' PER TERRA * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: virtual Fillmore

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PAmela who is?

 the beetTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censored Kerouac letters

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only AG who's censored guys!

 

        the beetTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: t-shirts

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great!!To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: T-SHIRT AD (CALL BENETTON A fiend of mine)

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argues the beet (be[a]t remember the mcarthy interview): italian style by fiorucci (not ad in this hit) is a lot greet than everything in the world u know, now i suppose the Beat-L goto the T-shirt to Fiorucci, i presume, like Ferlinghetti go in florence for his Light bookstore, i as a venetian guy disappointed!...

 

a T-shirt creates in USA is off!! really friends tell me!

 

 

                * rinaldo *

                * the beet*

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: MEMORY BABE ARCHIVE CLOSED

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jk write his works w/out puntactiuon what's u are following?

the street is yr place.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat-L T-shirts

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At 07.04 04/05/97 -0700, you wrote:

>Jeffrey wrote:

>> I will keep the list notified of the progress and will offer to send members

>> a copy of the artwork if they want to see it first before buying one.

>> When the final cost and shipping date are determined, I'll let the Beat-L

>> know.

> 

>A simpler method: just scan the image, put it on a web page and

>post the URL?  If you don't have a web server handy, Jeffrey, send

>me the artwork and I'll do it.

> 

>------------------------------------------------------

>           Levi Asher = brooklyn@netcom.com

> 

>   Literary Kicks: http://www.charm.net/~brooklyn/

>            (the beat literature web site)

> 

> Queensboro Ballads: http://www.levity.com/brooklyn/

>             (my fantasy folk-rock album)

> 

>          ###################################

> 

>          "Tie yourself to a tree with roots"

>                    -- Bob Dylan

>-----------------------------------------------------

> 

>>From CUNYVM.CUNY.EDU!owner-beat-l Sun May  4 16:15:06 1997

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

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>Message-ID:  <97May4.101443-0400_edt.586070-32661+4495@skywalker.microtec.net>

>Date:         Sun, 4 May 1997 10:14:40 -0400

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Antoine Maloney <stratis@ODYSSEE.NET>

>Subject:      Re: May Day Blues-May Day Reds

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Jo,

> 

>        Loved your description of the May fest - particularly since it was

>completely unknown to me. I grew up in Brooklyn and Connecticut; never heard

>of the May Feast or May baskets. Do you know any books that would describe

>it? I haven't searched the Web yet to see what I'd find.

> 

>        By the way, it is Jo and not Joe, right? I saw Gerald Nicosia using

>Joe in a post and wondered. I live in Montreal now, not too far from where

>Rod Anstee lives, and will be going up to see him / meet him face to face.

>The material being posted by you and by Gerald has all found its way into a

>new mailbox for me to print and review again at my leisure. Haven't visited

>your site yet, but will this week. Thanks again for all the info you've been

>providing us.

> 

>        I'm fifty and as I recall you're about fifteen years older. What got

>you into this stuff and the world of the Web? Was it a natural outgrowth of

>your earlier life? Apologies if I'm being too prying, but I'm fascinated by

>the Web community that can form so quickly around a topic/interest and how

>revealing people can be. It has led, for instance to Derek Bealieu and Marie

>Countryman  arranging to meet here in Montreal with me end of June /

>beginning of July. They were aghast when I suggested that mmaybe we should

>invite Rod down from Ottawa for one of the days!

> 

>        Regards,    Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

> 

amici,

        a crowd in milan has stopped to

        see the greatest T-shirt in the

        world,

        a bunch of netsurfers invented

        that such a thing,

        <http://www.mailshirt.com>

        the above site,

 

ciao a tutti,

vale!   *rinaldo        a not competent beet    *

        *       TUTTI GIU' PER TERRA!           * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's questions, final chapter

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jk is gone ag is gone

what'$ u are told ?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censored Kerouac letters

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only AG was censored what's are u serching for?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's questions, final chapter

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jk is gone ag is gone

what'$ u are told ?

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censorship of letters

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only allen ginsberg was

censopred what mess are u

talk 'bout?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censored Kerouac letters

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only allen ginsberg was the p'oet

censored  not too bad if jk not

keep tjhe same thing!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Ann Charters article on Estate Battle

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the estate (in italiano estate = summer english) is a matter of attorney nor for beetTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Dylan-Plymell

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dylan-dos-dylan-thomas-who're u pamela? holmes asks.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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i was jaled with mexico city blues in my poket, are u mad to exibit an suit 'bout this ùmatter

                        a beetTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censored Kerouac letters

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                                only

                                AG

                                was

                                censored

 

                                tutti giu' per terra!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Dylan-Plymell

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dylan-u are, in my opinion out of the mind of the universe

 

 

                        the beeeetTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: New Q's for Nicosia

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                                keep

                                yr

                                head

                                in

                                yr

                                hands

                               

 

                                *       the beet        *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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attila devasted venice italy in earlier times, so i for my ancestor i beg his pardon..To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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what's are do u gouing?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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there's a world that is ignoring that stuff but loves jkTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Ginsy's position on "the squabble"

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paranoia is the train's not in arriveTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's Questions, Final Chapter

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don't comin'furtherTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's questions, final chapter

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legacy what'sTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Jake Barnes is beat (was "More on dope")

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stop that's attorney trhread pleaseTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: New Q's for Nicosia

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there is an island in mediterranea sea?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: more on dope

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please, have a lot of funny in yr repliesTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: New Q's for Nicosia

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& ciprus is near ?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's questions, final chapter

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attila destroyed venice

'cuz of i'm a bit disappointing

 

 

        * the beet *

        * sant erasmo island *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Looking For Jack: The Literary Influences of Jack Kerouac

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another lit influence , it's springtime , guysTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: For Charles Plymell

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funny   pamelaTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Public Domain

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At 17.07 02/05/97 -0700, you wrote:

>This means that these books that are in the public domain can be posted on

>the internet.

> 

>It is too bad that Paul Blake cannot get royalties for them, but as they

>are in the public domain, someone ought to get busy and get them up.

> 

>How about a beat-l ftp site?

> 

>What books are in the public domain?

> 

yes the say the bonnot band of anarchistTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More on dope

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At 19.41 02/05/97 -0400, you wrote:

>Blowing in the wind or pissing in the wind?

>C. Plymell

> 

> 

have a break

                        * the beet *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road - Uncut

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if OTR was a am lit why it's cut?

 

*the beet*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: how to resubscribe

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At 16.20 04/05/97 -0400, you wrote:

>excuse this interruption, i sure know how annoying it can be to

>longstanding beat-list members.

> 

>i've been away, and i need the email address for the server so i can get

>back onto the Beat-l.

> 

>thanks,

>Eric

>rhs4@crystal.palace.net

> 

LISTSERV@CUNYVM.CUNY.EDU

SUBscribe BEAT-L Robert H. Sapp

 

 

 

tutti giu' per terra!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: censorship of letters

Cc:

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patricia argues:

>Rinaldo, I have so enjoyed most of your postings.

>I am confused by this latest flurry of postings,  I believe many of the

>beats were censored in a variety of ways, and the thread title you were

>responding to was describing a specific example of one type of

>censorship.

>I only found a booby type girl with half of a tee shirt on when i

>visited the tee shirt site,  Is that kind of tee shirt what is popular

>in europe now? love

>patricia

> 

no mention of T-shirt (that's fiorucci it's a must, agree with me) but i'm concerned 'bout the list is usa centric, i loved ,really, USofA but if i heard that jk is submitt in lawsuit by its writings i'm disapponting like Omero or shakespeare was limited in his emoticons by the state of a state

 

        * anarchist &beet *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (no subject)high spirits

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patrica (i love u):

>rinaldo. ok with me if you stop your one liners and delete the threads

>you don't want to read.  Is this called flooding? My daughter says it is

>flooding, she is eleven, says that this is a way of tying up the list so

>the messages allowed per day are used up. i being a facimile old lady

>says it is a guy in an afternoon of high spirits who is just plain bored

>with jk estate matters

>p

> 

my nephwew (a girl 17 old) i interested 'bout jk on the road today ask me form the book, & if the uncle is the better friend i promised to give she, but what's she came next month in internet connection, or/and in b-list what's up the matter jk lawsuits?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road - Uncut

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not too lawsuit 'bout jk take a break smell the java...

*the beet*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road - Uncut

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not a lawsuit jk smell the coffe & relax *the beet from venice,italy*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road - UnCut

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jk is not censored as agTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Jake Barnes is beat (was "More on dope")

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the beat is a beet

the beat is a beet

the beat is a beet

the beat is a beet

the beat is a beet

the beat is a beet

the beat is a beet

the beat is a beetTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Your current flood

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James:

>Return-Path: <stauffer@pacbell.net>

>Date: Sun, 04 May 1997 15:07:08 -0700

>From: James Stauffer <stauffer@pacbell.net>

>Reply-To: stauffer@pacbell.net

>To: Rinaldo Rasa <rinaldo@gpnet.it>

>Subject: Your current flood

> 

>Rinaldo.

> 

>I enjoy your posts.  They are funny. 

> 

>However.  The Beat-L only acceptsl 50 messages a day.  Let someone else

>talk.  I'm sick of the Kerouac estate thing too, but it is important to

>other people.  40 or so posts a day should be plenty.  Go smoke a

>joint.  Take a break.  Look at the wonderful tits on the girl on the

>t-shirt page.  Everytime I turn on the computer there are another 15

>messages from you. 

> 

>James

> 

> 

i smell java but i can't stop my mouse sorry

 

        * the beeet *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road - UnCut

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jk was not censored To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More on dope

Cc:

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>Isn't it pretty to think so!

> 

 

u are joking?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Attila's questions con'd -- Kerouac Estate Fight

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gottcha!! with this stuff of jk estate please, the image of jk is in the sky,

 

*the beet*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road - UnCut

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jk was a mith wat's up to censored Virgilius?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On The Road - UnCut

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the server is the minus what are u doing?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On The Road - UnCut

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u lost in the fog the mind why jk is cutted ag more cutted & considered a clown...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Anstee, Nicosia, & Kerouac Estate Fight

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oh, an attorney is enoughTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Why is there no hippie literature

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no more 50 messages?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: apologies

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as gif image now i'm considering to limit my writing...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the "chinese room"

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amici beats, we're put our own hands on a new media, joking sometime in the "chinese room" & this means mes'are cyberhermetic,  do u remember "One Flew Over The Cuckoo's Nest" by Ken Kesey? a great moment at the start...

* the beet *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Emilio Vedova e i beats?.

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cari amici beats,

'bout Emilio Vedova, is the greatest painter living at present in italy & he is venetian, he lives in an house near Punta della Dogana (San Marco Place)where is the Museo delle Bell Arti di Venezia, paintings of most venetian artists are in this building.

 

i past time known a disceple of Emilio Vedova, & in my room (computer room) at home there a CRAB painted by former friend Tenenti Giancarlo (the Vedova disceple),

 

how is the Vedova paint? it's not realist & not abstractionism, big & tiny brushstroke on the canvas, the color he prefer is black & white, Emilio Vedova is an old man & a teacher at the Accademia delle Belle Arti of Venice, if u like send me a feedback & give u more 'bout Emilio Vedova,

 

in this moment i remind that also Lawrence Ferlinghetti is involved in painting & some remind me Emilio Vedova e.g. L.F. "Untled" where a bridge is sketched a' la E. Vedova, in my opinion, u know sure that ferlinghetti is an aficionado 'bout italian scene (sad on the florentine side, not venetian...) & if u see the book cover of "Scene italiane" there's a ferlighetti's paint "Morning Vision" that again vedovaesque feeling.

 

well, for HST i refer to "Fear and Loathing in Las Vegas" in my italian translation (sandro veronesi did it, nice!) & there's painting by Ralph Steadman that has on a side a Grosz feeling but on the other side ink blot on the page  e.g. chapter 6.

is Vedova style,

----

a brief bio

VEDOVA Emilio,

(Venezia 8 september 19919 - living)

Pittore. Tra i maggiori esponenti dell'arte informale italiana, in contatto a Milano (1942-43) con Corrente fu nel dopoguerra tra i promotori del Fronte nuovo delle arti e nel 1952 fece parte del gruppo degli Otto, volgendosi a un espressionismo astratto forte e gestuale. OP:Sbarramento (1951), Venezia, Fondazione P. Guggenheim.

----

vale!

cari saluti da

Rinaldo.

*       a not competent beet    *

*       TUTTI GIU' PER TERRA    *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: One Flew OVER the nest.

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be beat!,

reading the newspaper,

        fernanda pivano 80 years old today,

                the lay in the terrific foto...

                talks

                'bout the beat:

""The evening that I have met Cassidy, the protagonist of "On The Road" by Jack Kerouac, after any very amusing passed hour together, he accompanied me in hotel and wanted to climb, normal era.

But I explained him that I slept only always. Cassidy looked at me lunatic like ditches: "you don't drink, you don't smoke, you don't fuck.

But because have you wanted to know me?" - fernanda pivano then writes: "All my friends beat lived for the unemployed person of the subsidies, 200& or 300$ to the month that they allowed him to survive.

They drank much tea.""

one,

        two,

                three,

                        tutti giu' per terra!

*a not competent beet*To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Ken Kesey

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be beat! be beat!! be beat!!!

after "One Flew Over The Cuckoo's Nest" wrote another wonderful book i read in 70's 'bout hobo lifes, it's a wonder, but i missed a bunch of things...

* the beet *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: b

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just i came in the computer room,

        i'm the guy who switch the light,

                now i can write,

 

just i came in the computer room,

        i'm the guy who switch the light,

                now i can write,

 

"Derek A. Beaulieu"

Patricia Elliott

Leon Tabory

James Stauffer

RACE ---

 

        now i must to switch off

                the vedova's crab is

                        can caught me,

        nighttime save me,

        open yes open eyes

 

        beat

        beetle

        beet

        bee

        be

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

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be beat! check this site, please,

 

http://www.repubblica.it/cultura_scienze/ginsberg/ginsberg/ginsberg.html

 

rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Lawrence Ferlinghetti punctuation.

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Michael scrive:

>I heard there was absolutely no punctuation in the original OTR.

 

be beat! buon giorno amici beats, per favore someone can find ONE punctuation in the works poetry written by Lawrence Ferlinghetti?

 

i searchin' for but my effort was frustrated,

 

if Jack Kerouac wrote On The Road w/out punct (on a computer paper, by hand, of course) there's another beat who negleted the punct &

he is LAWRENCE FERLIGHETTI,

 

rinaldo.

 

* coro: un, due, tre!  tutti giu' per terra! *To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat-italiano (cut-up)

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be beat!

                Chetro & Co.

"Burroughs individuo' la tecnica del cut-up vedendo lavorare l'amico pittore Gysin. questa tecnica consiste nel prendere dei brani di prosa, tagliarli e rimontarli in maniera casuale.

 

Questi locali su trovavano nel cuore della citta', erano le cantine e dei seminterrati definiti dalla stampa cave esistenzialiste, credo pero' che solo alcuni che le frequentavano conoscevano Sartre.

In queste sale non si trovavano piu' le orchestre classiche del liscio, ma dei complessi che suonavano repertorio jazz.

 

Guardavano con molta piu' attenzione, pero', alla beat generation americana. il beat negli Usa era un movimento letterario colto, segnato dalla rivolta dello stile. La beat generation era un movimento letterario urbano che attraverso la poesia aveva completamente abbattuto il confine tra la parola scritta e parola cantata. Nelle loro metriche i poeti di questo movimento creavano un'intensa tensione tipica del bebop.

 

rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Emilio Vedova, ventian tracks.

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be beat!

 

map of musei in italy:

http://www.museionline.it/english/index.htm http://www.museionline.it/english/geo/index.htm

 

address of venetian artists:

http://www.art-diary.com/Art-Diary-Internet/ITALY/venezia.html

 

Emilio Vedova  "home-page":

http://csi2000.csi.it/~laval/rivoli/autori/vedova.html

 

Emilio Vedova at Biennale as member of jury http://www.repubblica.it/cultura_scienze/biennale/biennale/biennale.html

 

 

rinaldoTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Le copertine dei libri di Jack Kerouac.

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Cari amici beats,

        il primo volume di "Sulla Strada" l'ho acquistato nel novembre 1969, sull'onda della recente scomparsa dello scrittore. Ne ho ancora la copia. La copertina portava il dipinto di alcune "donne di strada" offrendo chiaramente all'acquirente una falsa immagine del beat.

        Poi un'altra copia l'ho comprata nel 1979, e in copertina c'era due hippies impegnati nel fumare, nel 1980 ho comperato l'edizione "penguins modern classics" the cover, designed by Germano Facetti, shows a detail from 'The Athlete's Dream' by Larry Rivers, from S.C. Johnson Collection.

        La copia che ho acquistato nel 1995 porta in copertina una bellissima foto di wim wenders.

        Faccio notare come JK for himself painted a cover picture for the 1th edidiotn of OTR.

        Le immagini (photos, paintings, picture, movie, films) sono parte essenziale nella comunicazione e nel linguaggio,

 

saluti da Rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: S.Marco Place - venerdi' 9 maggio 1997, Venezia.

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Otto uomini

e un solo fucile

 

VENEZIA - E' stato confermato che sono otto gli uomini del commando di Piazza San Marco. Sono Fausto Faccia, Flavio Contin, Moreno Nemini, Cristian Contin, Gilberto Buron, Luca Peroni, Andrea Viviani, Antonio Barison. I carabinieri hanno inoltre confermato che il commando era armato di un solo fucile "Mab" con due serbatoi e complessivamente 70 colpi. Inoltre il commando era in possesso di una attrezzatura idonea a interferire sulle frequenze radio-televisive.

 

Andrea Viviani, 26 anni, di Colognola ai Colli (Verona), Fausto Faccia, 30, di Agna (Padova), Cristian Contin, 23, e lo zio Flavio Contin, 55, entrambi di Urbana (Padova) sono già stati indagati dalla Procura della Repubblica di Verona. Non erano entrati nell'inchiesta del giudice Papalia Moreno Menini, di 20 anni di Tregnago (Verona); Luca Peroni, di 28 anni di Zevio (Verona); Antonio Barison, di 41 anni di Conselve (Padova); e Gilberto Buson, di 46 anni di Pernumia (Padova). To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: La Serenissima Repubblica di Venezia. 1797-1997

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Commando "indipendentista"

occupa San Marco: tutti arrestati

 

<Picture>VENEZIA - Un commando di "indipendentisti" ha occupato questa notte il campanile di San Marco proclamando l'indipendenza del Veneto. L'intervento di agenti speciali dei carabinieri ha concluso il "blitz" e portato in carcere i componenti del gruppo, otto persone, che si sono dichiarati prigionieri politici. Uno degli arrestati, Antonio Barison, 41 anni, di Conselve (Padova), si è sentito male dopo essere stato condotto nella caserma dei carabinieri, dove sarebbe stato chiesto l'intervento di un tenente medico. Successivamente Barison è stato ricoverato nel reparto di rianimazione dell'ospedale civile di Venezia, dove è piantonato da alcuni agenti di polizia. La direzione sanitaria e i medici mantengono il massimo riserbo sia sulla diagnosi sia sulle condizioni di salute del paziente.

 

 

L'attacco era cominciato questa notte all'una con il sequestro di un traghetto, dal quale è sbarcato con un mezzo anfibio militare e un pulmino. Sul campanile "occupato" è stata innalzata la bandiera di San Marco definita del Veneto Serenissimo Governo. L'azione dovrebbe essere partita dal Lido di Venezia.

 

Il commando ha costretto il comandante del traghetto a trasportare un camion con rimorchio, nel quale era celato il mezzo militare con due bocche da fuoco, probabilmente di fabricazione straniera, con la sigla VTMB07. Il commando ha "occupato" quindi Piazza San Marco. Alcuni incursori, che si presume armati, sono rimasti dentro il mezzo militare, altri si sono recati nel campanile per innalzare il vessillo. Gli incursori si sono dichiarati al comandante del traghetto delle linee di navigazione interno dicendo: "Questa è una azione militare". Subito sono affluiti sul posto ingenti forze di polizia, carabinieri e Guardia di Finanza.

 

 

Alle 6,30 gli incursori hanno trasmesso il primo comunicato diramato su Raiuno con una interferenza piratesca, sul tipo delle altre interferenze (nove fino alle ultime di Belluno e Verona), compiute sui telegiornali nazionali. Il comunicato dice: "Parliamo a nome del Serenissimo governo e comunichiamo ai veneti che dopo 200 anni questa notte su ordine del Veneto Serenissimo Governo un reparto regolare della Veneta Serenissima Armata ha liberato Piazza S. Marco. Oggi rinasce la Veneta Serenissima Repubblica che riprende a vincere perché noi l'abbiamo dotata della nostra incrollabile fede affinché essa viva". Il comunicato conclude con "Viva S.

Marco".

 

L'azione è stata compiuta alla vigilia delle celebrazioni del Bicentenario della Serenissima che avranno luogo domenica, organizzate dalla Lega, e lunedì, promosse dalla regione Veneto. Domani, inoltre, Piazza S. Marco ospiterà il giuramento solenne delle truppe anfibie lagunari eredi dei fanti da Mar della Serenissima.

Dopo l'arrivo delle autorità un giovane incursone, con il volto bendato, ha parlato con le forze dell'ordine, dicendo che sono determinati ed agiranno se minacciati: "Non vogliamo creare disordini", ha aggiunto. Il commando si considera appartenente alla "Forza regolare della Serenissima armata". Il giovane si mostrava nervoso e concitato. Al comandante del traghetto avevano dichiarato "questa è una azione di guerra". Il mezzo blindato impiegato è vecchio e di probabile fabbricazione straniera. Il pulmino è probabilmente lo stesso utilizzato per le interferenze televisive, a bordo ci sarebbe infatti l'apparecchiatura che ha consentito stamane la diramazione del comunicato sul Tg1 delle 6,30. Quando hanno compiuto l'incursione, Piazza San Marco era pressoché deserta. Subito si è affollata di forze dell'ordine ed è stata sorvolata anche da un elicottero della Guardia di Finanza.

 

Il procuratore della Repubblica Smitti ha sottolineato che "ci sono certamente reati" e si è chiesto come tanti altri se vale la pena fare una cosa del genere.

"Come primo giudizio si può dire che è una cosa folle, ma è una cosa folle organizzata sul posto apparentemente con armi, quindi estremamente seria". L'accesso a Piazza S. Marco è stato bloccato dalle forze dell'ordine che vi hanno creato un cordone.

 

 

Più tardi agenti dei corpi speciali armati dei carabinieri (Gis) sono saliti sul campanile da una scala telescopica e sono entrati nell'edificio. Secondo Smitti l'azione è stata decisa dopo che era fallito qualsiasi tentativo di trattativa. "Ci auguriamo - ha detto Smitti - che non sia necessario il ricorso alle armi".

 

Secondo alcune testimonianze all'interno del campanile sono stati sparati alcuni lacrimogeni ma nessun colpo di arma da fuoco. Alcuni componenti del commando sono stati bloccati dagli agenti dei corpi speciali e sono stati visti uscire dal campanile scortati dalle forze dell'ordine.

 

I componenti del commando sono stati tutti arrestati. Vengono loro contestati fra l'altro i reati di associazione sovversiva, banda armata, sequestro di persona.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Today in Venice.

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09-MAG-97 07:44 NNN

GEN: VENICE'S ST MARK'S OCCUPIED BY SEPARATISTS

 

   (ANSA) - Venice, May 9 - Venice's St Mark's square was sealed off by police this morning after a group of five or six people believed to be armed occupied the belltower where they unfurled the flag of the old Republic of Venice.

     The group reportedly reached Tronchetto, on the mainland, shortly after midnight aboard two vehicles. There they commandeered a ferry with a small number of passengers aboard and ordered the captain to take them and their vehicles to the St Mark's stop.

     Witnesses said the men in the group were wearing camouflage fatigues and carrying machine-guns and pistols which may or may not be real weapons. One of the vehicles they were driving was described as a camper and the other as having the appearance of an armored troop carried.

     Early this morning, a weak radio signal broadcast from the top of the belltower cut in on local public radio broadcasting with the message, delivered in a heavy Venetian accent, that the St Mark's belltower had been occupied by the ''serenissimo'' government, the government of the old Republic of Venice.

(MORE).

 

     GY

09-MAG-97 08:34 NNN

GEN: VENICE'S ST MARK'S OCCUPIED BY SEPARATISTS (2)

 

     Venice police chief Umberto Cernetig and the provincial Carabinieri police commander, Emilio Borghini, later approached the troop carrier where they were told, by a masked man in fatigues that the group was awaiting the arrival of the ''ambassador of the Republic of Venice''.

     May 12 marks the 200th anniversary of the demise of the republic which came under foreign domination for the first time when Venice was occupied by French troops in 1797.

(MORE).

 

     GY

09-MAG-97 08:34 NNN

GEN: VENICE'S ST MARK'S OCCUPIED BY SEPARATISTS (3)

 

     Later in the morning, the six or seven people who had been occupying the belltower were flushed out by members of a special Carabinieri police unit. These special agents erected a telescopic ladder on the side of the belltower which they climbed to gain entry. Inside, they apparently used teargas.

     Also taken into custody were two men from inside the separatists' camper and another two inside the armored troop carrier.

     On the scene, a Finance Police lieutenant colonel said the Carabinieri police were still conducting a sweep of the inside of the belltower and that no gunshots had been heard.

(MORE).

 

     GY

09-MAG-97 09:00 NNN

GEN: ST. MARK'S SQUARE OCCUPIED BY SEPARATISTS (4)

 

   (ANSA) - Venice, May 9 - A total of eight members of the self-styled 'Government of the Republic of Venice' were taken into custody by the end of the operation in St Mark's square and belltower.

     A close inspection of the vehicle described as an armored troop carrier disclosed that it was a van assembled out of old body panels over three axles and eight wheels. The other vehicle involved, the camper, was found to contain leaflets and other documents plus radio transmitters.

     During the operation, police found two machine-guns, a Mab and a Stern, which may or may not have been in working order.

     Venice Mayor Massimo Cacciari, on the scene, thanked the crack Carabinieri unit for the assault on the belltower and reported that he had learned of the occupation of the monument only in the morning because his telephone answering machine was broken.

(MORE).

 

     GY

09-MAG-97 10:31 NNN

GEN: ST. MARK'S SQUARE OCCUPIED BY SEPARATISTS (5)

 

     Northern League leader Umberto Bossi, who staged a three- day march along the Po River in September last year to declare the ''independence of the Padania'', said today's actions were ''crazy, stuff to be laughed at. I saw it on Tv this morning. It was something unreal and spectacular at the same time,'' said the MP who secessionist talk has been muted thus far this year.

     An assistant public prosecutor put in charge of the case, Rita Ugolini, said she would hold a press conference at noon (local).

(END).

     GY

09-MAG-97 10:31 NNN

GEN: ST MARK'S SQUARE OCCUPIED BY SEPARATISTS... FIRST ADD

 

   (ANSA) - Venice, May 9 - As the occupation of the St Mark's belltower was scaled back from an armed assault in the historic square to a spectacular demonstration, Defense Minister Beniamino Andreatta in Rome lavished praise on the GIS, the Carabinieri rapid intervention unit.

     These men, said Andreatta in Rome, ''planned, organized and carried out the operation'' which came as an ''effective demonstration that the national community can always count on the professionalism and steady reliability of the Carabinieri.''

     The GIS commanding officer told Ansa in Venice that the unit was alerted at 0130 today (2330 gmt Thursday) and reached Venice from Livorno, on the north-central Tyrrhenian, two-and- a-half hours later, aboard an Air Force plane.

     The Carabinieri policemen brought with them an 'assault' Range Rover equipped with a sliding roof from which a ladder can be extended to a height of ten meters. After sharpshooters took up positions around the square and the electricity had been cut, three groups moved into action, one at the base of the belltower, one which stormed the tower loggia off the Range Rover ladder and another which climbed scaffolding set up around the monument for restoration work.

(MORE).

 

     GY

09-MAG-97 13:30 NNN

GEN: ST MARK'S SQUARE OCCUPIED BY SEPARATISTS... FIRST ADD (2)

 

     The entire operation, said the GIS commander, lasted no longer than seven or eight minutes. Six of the eight men taken into custody were inside the belltower, where a MAB machine-gun with 30 shells in the clip was found, and two were taken from the mock-up of an armored personnel carrier.

     The separatists had brought food and drink, including wine, with them into the belltower indicating they planned to hold out for some time. The Carabinieri police also came across a small generator the men could have used to illuminate the belltower and power their radio transmitter.

     The GIS commander said today's operation was less difficult that one completed recently in the southern Adriatic port city of Barletta where four armed robbers, who had shot a Carabinieri policeman to death and wounded another one, were holed up with the wife and 14-year-old son of one of the gang.

     The four men captured, without firing a shot, were fully armed and had hand grenades.

     The eight separatist demonstrators now in custody in Venice could be charged with subversive association, forming an armed band, illegal possession of firearms, assault on national integrity and kidnapping for subversive purposes.

(MORE).

 

     GY

09-MAG-97 13:30 NNN

GEN: ST MARK'S SQUARE OCCUPIED BY SEPARATISTS... FIRST ADD (3)

 

     These charges were named here by Carabinieri Captain Angelo Iannone who noted that the magistrate in charge of the case will have the job of filing the charges.

     The kidnap count could refer to the captain of the ferry used by the separatists, Giovanni Girotto, and passengers aboard the boat making its closing trip of the day up the Grand Canal with departure from the Tronchetto stop at 0020 (2220 gmt Thursday).     

     Girotto reported that the men appeared determined, were using two-day radios ''and did not seem particularly prepared militarily because they paid their fares before boarding.'' He said they arrived with a white camper and a truck-trailer towing the mock-up personnel carrier under a tarp.

     The captain said neither he nor his passengers paid special attention to the vehicle which appeared armored or the fact that the men were wearing camouflage fatigues ''because we often have military vehicles aboard.''

     Girotto also said that when the men left the ferry they abandoned the truck they had been used to tow the military- looking vehicle saying, ''You can give it to Scalfaro,'' Head of State Oscar Luigi Scalfaro.

     Summing up the experience, the ferry boat captain said the men who went on to occupy the square and belltower were ''crazy guys who believe people think like they do.''    (END).

     GY

09-MAG-97 13:30 NNN

GEN: VENICE'S ST.MARK'S OCCUPIED BY TERRORISTS...SECOND ADD

 

     (ANSA) - Venice, May 9 - The eight separatist activists were later revealed to have been behind recent pirate radio transmissions which jammed public TV broadcasts in the Veneto with separatist messages.

     Interior Ministry Undersecretary Nicola Sinisi said police had been on the trail of the jammers for weeks, and located them two days ago.

     Searches were carried out yesterday at the homes of five of the gang, but they had already left for Venice.

     The pirate radio transmitters were located in the towns of Belluno and Verona.

     Five of those arrested are from country towns near Padua, and three are from villages near Verona.

     Correcting earlier reports, police said the gang was armed with a single MAB machine-gun with two magazines totalling 70 rounds.

     The separatists also had equipment for jamming radio and TV signals.

     Sinisi, who flew in to Venice today with Deputy Premier Walter Veltroni, said the police response to the gang might serve as warning to ''those tempted to imitate them.'' (MORE).

 

     GEE

09-MAG-97 16:37 NNN

GEN: VENICE'S ST.MARK'S OCCUPIED BY TERRORISTS...SECOND ADD (2)

 

     He said the police action had shown that recent separatist rumblings had not been under-estimated, but today's incident could mean the police guard might have to be raised further.     

     In Rome, a majority of political reactions called for swift action to grant more autonomy to local governments in the north, but some, like opposition leader Silvio Berlusconi, blamed Bossi's secessionist rhetoric for whipping up passions.

     Berlusconi said the end result was that ''the less strong, the less intelligent, the most exposed'' would end up paying for Bossi's ''propaganda.''

     Leading members of the Northern League described the incident as ''halfway between a schoolboy prank and violent intimidation,'' while one of the founders of the Venetian separatist Liga Veneta said the gang's action was ''understandable, but not to be endorsed.''

     Members of the leftwing PDS party called for a ''mobilisation'' against secession, while PDS leader Massimo D'Alema called on Bossi to come back to the table of the institutional reform talks D'Alema is chairing.

(MORE).

 

     GEE

09-MAG-97 16:37 NNN

GEN: VENICE'S ST.MARK'S OCCUPIED BY TERRORISTS...SECOND ADD (3)

 

     Bossi stalked out of the talks when they were set up, declaring that he would have no truck with Rome political ''horse-trading.''

     In other reactions, Green party MP Marco Boato recalled that Italy's terrorism in the 70s and 80s, whether on the right or left, grew out of such ''symbolic and '' incidents as today's.

(END).

     RED

09-MAG-97 17:45 NNN

GEN: COMMUNIQUE DEMANDS RELEASE OF VENICE ACTIVISTS

 

     (ANSA) - Venice, May 9 - A leaflet demanding the release of the eight separatist activists who occupied the bell tower in St Mark's square in Venice early today was sent to the Ansa offices in Rome today.

     The message said that if the eight were not released within 48 hours ''we will respond to the violence of the Italian occupiers in such a way as to discourage any other attempt to violate our rights.''

     The note was handed to magistrates investigating this morning's assault, who said they could not exclude the possibility that it was genuine.

     If so it was a cause of concern since it suggested that there was a larger organization behind the eight men.

     The message accused the authorities of beating the eight activists and putting them in isolation cells.

 

     PAR

09-MAG-97 21:32 NNNTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Rinaldo Rasa

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Gerry Nicosia wrote:

>                                        May 9, 1997

> 

>        I suggest we make Rinaldo Rasa Poet Laureate of the Beat List.  If

>we don't save Jack Kerouac's archive, his great cut-up poem of May 4 may be

>the best thing to come out of all these years of struggle.

>        Rinaldo, piacere di fare la vostra conoscenza!  Mio padre era

>siciliano, non ciprioto!  Di quale parte d'italia lei vene?

>        (Forgive my rusty Italian.)

>        Best, Gerry Nicosia

> 

Ciao Gerry,

i miei migliori amici sono calabresi e baresi, sono proprio dalle tue parti. Sono ONORATO della Laurea di Poeta Beat che tu proponi per la mia modesta partecipazione alla lista beat.

Ti ringrazio con affetto, e riconoscenza. Io abito a Venezia, nella parte moderna, ma vicinissima al centro storico, appena prima del Ponte della Liberta'. Come ogni buon italiano anch'io ho avuto e ho parenti per il mondo, in Canada, SouthAfrica, Svizzera, et cetera. Da quando scrivo sulla Beat-List pero' di italiani ne ho visti pochi, chissa' perche'? My today venice post is assuming that the "happening" or countercultural, or ethnic event in Piazza San Marco is a feedback 'bout some changin' in italian feeling of the things, the guys involved in such "happening" (read please the ANSA report) are really people that came from the land, the plane land of our italy, people not lit or politicians... are them  beat?

Hai nostalgia dell'Italia? e della Sicilia?

ti saluta con affetto il tuo "paesano" Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

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i am dumb!

i am dumb!To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: commie or beat?

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   WHEN THE NEST IS EMPTY                rants

 

 

   Oh where are the beats where you need them?

 

              Welcome to the club

                   where everybody cares

                         WHO u are

 

>oh where are the communists where you need them?  i

>hatecapitalism...

> 

> 

>~jeanne

> 

         CHILDREN RETURN TO No 10

         For the first time in nearly 50 years

         children were preparing to move into 10 Downing Street

         The children attended a lunch at

         Downing Street to celebrate their victory.

 

   Peeper's pence

   said he

   would punish himself by

   halving his salary for six

   month's for peeping into a

   women's bath.

 

         ANTIGANG PLEA

          TO CHILDREN

         FROM DEATH ROW

 

         I never felt

         remorse.

         That was the

         madness of it.

 

 

Roland Topor, french writer, died of a stroke in Paris aged 59. he was born on january 7, 1938.

 

         considered a

         mediocre stu-

         dent

 

   Topor's books were of all kinds, they ranged

   from Alice in the Letterland, a children

   book

   dedicated to Lewis Carroll, through a joke

   book

   with

   one

   word

   per

   page

 

his own death

   after several days in a coma

         following a brain haemorrhage

              only half confirms one of

                   the aphorism

              in

              his recent book

   "All's true that ends badly, & quickly."

 

i haven't lost

anyone yet

 

              LITTLE VENICE

              2 BED WHITE

              STUCCO WHITE

              PICTORESQUE

              CANAL

 

plants which

grew in the churchyard

were thuoght to be

especially powerfull

 

 

Rinaldo

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

i am dumb!To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (rants) i'm a dumb dummy beet beat

Cc:

Bcc:

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>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Mon, 5 May 1997 14:28:13 EDT

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Bill Gargan <WXGBC@CUNYVM.BITNET>

>Subject:      Re: I swore I'd stay out of this but what the hell

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Timothy, what a wonderful idea!  100 messages x 250 or so a day.  Just remember

>to reply directly to Rinaldo not to the list.

> 

> 

be beet! be beat!! be bee!!! be!

Good Sunday time, Bill & Timothy,

i take a just week to reply to th

e above sentence, 'cuz of i must

have loooooooooooooong period for

a serious reflexion 'bout the flo

ooooooooooooooooooooooooooooooood

(thnx L. for the suggestion...),n

w, now, my cells brain in a week

are diminished, & perhaps the rep

ly is better, i'm wonder to any

person invited some

body to crash

my email box, particu

larly a beat.

there's who thinks i'm tempted to

crash the beat-list server? to hac

k the listserver or destroy the li

st? the above sentence written by

Bill seems in this way, & don't

in my opinion knows what really is

communicate, writing even a zillion

of posts to the Beat-List really a

matter of life, of heart not only

spread light ray trhu fibre to &

from the ocean, & u are'nt consider

ing this purpose of the list, U had

invited a beat to destroy a mailbox

of another beat! what's etichs is

that?

 

   RANTS by a not competent beat

 

   dummy-run

         is dumb,

 

   dummy-run

         is bum

 

   dumb is dummy

   dum  is bum

 

 

yrs rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (don't read this if u are'nt italian)

Cc:

Bcc:

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cari beat,

ci sono degli italiani sulla Beat-List, se si' mandatemi un reply

 

rinaldo@gpnet.it

 

grazie in anticipo da

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: una poesia per Gerald Nicosia

Cc:

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In-Reply-To: <199705110538.WAA23046@denmark.it.earthlink.net>

References:

 

Cari amici beat,

Toto' il grandissimo attore napoletano, interprete di numerosi bellissimi film e' anche un poeta ecco una sua poesia in dialetto napoletano

 

         'O sole         by Antonio De Curtis in arte Toto'

 

   Io songo nato addo' sta 'casa 'o sole.

   'O sole me cunosce 'a piccerillo;

   'o primmo vaso 'nfronte - ero tantillo -

   m'ha dato quanno stevo 'int' 'o spurtone.

   E m'ha crisciuto dint' 'e braccia soje,

   scanzanname 'a malanne e malatie.

   'O sole! 'O sole... e' tutt'a vita mia...

   Io senza 'o sole nun pozzo campa'.

 

 

--------------------

i hope Gerry has

no difficulties

to understand the

beatific feeling

of the Toto' verses

 

cari saluti da

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re:

Cc:

Bcc:

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In-Reply-To: <199705110008.RAA28975@calvin.usc.edu>

References:

 

 

>At 06:53 PM 5/10/97 +0200, you wrote:

>>i am dumb!

>> 

>> 

> 

>congratulations!  you win!

> 

> 

>xxxooos.a.

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Get off the net and get smart then!

Cc:

Bcc:

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>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Sat, 10 May 1997 21:54:54 -0600

>Reply-To:     stand666@bitstream.net

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         R&R Houff <stand666@BITSTREAM.NET>

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Waste not, want NOT!!!! Get off the net and get smart then!

> 

> 

i appreciate yr opinion sir...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: your mail

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.94.970510204212.1796C-100000@seka.nacs.net>

References: <m0wQFOt-000rF2C@gpnet.it>

 

At 20.50 10/05/97 -0400, you wrote:

>On Sat, 10 May 1997, Rinaldo Rasa wrote:

> 

>> i am dumb!

> 

>i am birdbrain!

> 

> 

>Was downtown (Cleveland) today for first meeting of Linux user's group, got

>out at noon and wife & I drove past rockhall to see Kesey etc. Nothing

>really going on (it'd rained all morning and was dark & gloomy) but some

>band was playing in front of the building to about 150 people, mostly

>neohippies and family yuppie types. No sign of new magic bus, Pranksters or

>Kesey. Went home.

> 

>Drove back into town later in afternoon to stop by local music rag office

>and pick up this month's review CDs; drove again past rockhall -- this time

>it wasn't raining and no Kesey or Pranksters or bus, didn't get that close

>this time but still had camera and thought about taking a picture of one of

>the many day-glo yellow CLINTON SUCKS stickers plastered on telephone poles

>down East 9th Street, main drag of town, last November election time which

>nobody since has bothered to remove ... but was sick with headache too bad to

>get out of the car, barely made it home, got a slow-leaking flat on one of

>my tires and plan on drinking red wine tonight. Hope someone else has a

>better Kesey story, 'cause I feel rotten today.

> 

>m

> 

Kesey story is life!To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: mother's day

Cc:

Bcc:

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>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Sun, 11 May 1997 05:10:46 -0500

>Reply-To:     race@midusa.net

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         RACE --- <race@MIDUSA.NET>

>Subject:      mother's day

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>wishing all the Mother's on this list a very Happy day !!!

> 

>david rhaesa

> 

me too,

my mother

born

in 1926

in

green

mountains

in

the

italian

alpine

lands

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: refrain

Cc:

Bcc:

X-Attachments:

In-Reply-To: <2.2.32.19970511170555.0068dd8c@pop.tiac.net>

References:

 

Cari amici beat,

nella mia mente si aggira questo ritornello

 

         refrain

 

   my darling child

   my darling baby

 

   my darling child

   my darling baby

 

   like a swing...

 

 

 

ripetuto all'infinito,

 

 

ricorda la madre, alla quale Giuseppe Ungaretti, the poet who stand up as friend with Allen Ginsberg, dedica una poesia bellissima che ora trascrivo:

 

         LA MADRE

           1930

 

   E il cuore quando d'un ultimo battito

   Avra' fatto cadere il muro d'ombra,

   Per condurmi, Madre, sino al Signore,

   Come una volta mi darai la mano.

 

   In ginocchio, decisa,

   Sarai una statua davanti all'Eterno,

   Come gia' ti vedeva

   Quando eri ancora in vita.

 

   Alzerai tremante le vecchie braccia,

   Come quando spirasti

   Dicendo: Mio Dio, eccomi.

 

   E solo quando m'avra' perdonato,

   Ti verra' desiderio di guardarmi.

 

   Ricorderai d'avermi atteso tanto,

   E avrai negli occhi un rapido sospiro.

 

 

 

i hope there's

an american

translation

of this

wonder poem,

 

yr rinaldo. To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Teardrops, photographed by Robert Frank.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.OSF.3.95.970513125048.31530A-100000@camphor>

References: <970427001803_-831476971@emout02.mail.aol.com>

 

   PRANKSTERS DON'T TEARS FLOWERS

         NIGGHTIME

  

 

   lontano, molti anni sono passati,

   noi stiamo diventano cose,

   fiori, flowers, le nostre cellule cerebrali,

         our brain cells, diminished,

   diminuiscono, praksters are own flowers,

 

   la finestra di Robert Frank's photo, guarda,

   look at,

   grandma's doilies,

   blur windows glass,

   un'auto aspetta sul courtyard,

 

   boys, go!, it's 15th august,

   l'auto corre, the grass on both side of the highway,

 

   go! Padua, Bologna, Florence, Rome, Naples,

   Siracusa, Francofonte, Taormina, l'Etna smokin'

   in the old times, furious dog chase barking

                   under olives branches

                         like thunder,

 

   the ferrari runs as quick as a lightnin'

   grandama calls rinaldo, look at the sirs!,

 

   the top of the Volcano, qualche pietra raccolta,

   Salvatore corre come un pazzo

              lungo il side of the Volcano,

   look at in the down there's the snow!,

         great! IT'S summer,

 

  

   noi stiamo diventando cose,

   we're turnin' into things,

   like grandam doilies

         like xeroexes, like photos, like sound tracks of

              Jimmi Hendrix, like everything,

 

   keep me head

   in my hands

 

   fuzzy bats & owles,

   near my house,

 

   look at the teardrops,

         smell the ancient room,

              where black dressed woman

                   talked ancient stories

                         tonight my grandma

                              had planted me

                                    as potato in the yard.

 

 

yr rinaldo

*the dumb*

*the beet*To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Leni Riefenstahl Re: Chaput is Kaput!

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

cari beat,

              Leni is 90 years old lady,

after the year zero...

                   in the Hitler's bunker in Berlin,

Leni Riefenstahl directed the

                   documentary movie "Chaput is Kaput!" the move was archived by the "Enigma Blob U.S.A. Force"

                   now when Leni is 90 years old

the Beat-List recalls this great piece...

                  

Om is as i AM

 

yrs rinaldo

 

                   p.s.

         Om   Om   Om   OM   OM   OM   i

         om om      om   om   am   i    Am

         mo   mo   mo   mo   the hare is a HARE

         a hare is a HARE a hare is a hare

         a beet is a beet

         a bee is a bee   Am i Am i Om i Om

         oh a great HARE is knoking to my door...

         * THE (a) not competent beat

              tears are in my eyes *

 

 To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The horror of ken going furthur

Cc:

Bcc:

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>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Wed, 14 May 1997 08:09:26 -0500

>Reply-To:     race@midusa.net

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         RACE --- <race@MIDUSA.NET>

>Subject:      Re: The horror of ken going furthur

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Moritz Rossbach wrote:

>> 

>> hi  zach , i really enjoied reading your post!

>> did you go on acidtrips through the states with your friends?

>> just curious, dont you get the horror meeting people (normal people) while

>> tripping? oh man, i cant stand people in this position and i would die if

>> i even had to talk to them!

>> 

>> --------------sincerely

>>               moritz rossbach

>>               saarbruecken, germany

>>               moro0000@stud.uni-sb.de

>>               http://stud.uni-sb.de/~moro0000----------------

>> 

>>    ..and i tell you things that you allready know, so you can say:

>>     "i really identify with you....SO MUCH!"

>>                                          -Henry Rollins: Liar

>> 

>> On Tue, 13 May 1997, Zach Hoon wrote:

>> 

>> > david rhaesa said:

>> > >i ain't certain the future is all it's cracked up to be.  no offense.

>> > >it seems your generation is just as capable of fucking up as the rest of

>> > >us..... :)

>> >

>> > oh definitely. i think we already have; _I_ already have. that's not really

>> > what i was saying. there seems to be another group of powermad money hungry

>> > kids welling up, another mid 80s hell. doesn't make so good for the future.

>> > hopefully they will be beaten down. the future isn't going to be better,

>> > just different, and new. because it is the future, you know. and besides,

>> > back in the 60's there was a whole lot more to fuck up with (race issues,

>> > war), and i don't think, after all was said and done, the fuckups on the

>> > gov't side tremendous, on the little ppl side (us), close to nil. here i

>> > the 90s, what? i don't even know what to call the major issues. gay lib?

>> > abortion? aids? this generation/decade seems to be plagued by wackos and

>> > cults: Oklahoma City, Waco, Dahmer, Heaven's Gate, Atlanta Bomber, World

>> > Trade Center, Planes blowing up. Can't protest that. can't be a movement or

>> > a march against that. no one knows what or when things will happen...We had

>> > a 3 day war that was a bunch of bullshit, not even enough time to get the

>> > pickett signs made before all the laser guided missles hit the piles of

>> > iraqis in the sand, in the munitions plants. lets blow up chemical weapons

>> > bunkers that we _know_ are chemical weapons bunkers and contaminate all of

>> > our faithful soldiers! maybe one of them will give birth to a kangaroo

>> > that's really the reincarnation of Jack Kerouac! (ever see 'Tank Gir'? if

>> > not, don't bother).

>> > So i have a lot of respect for the protests and marches and _ambition_ of

>> > those involved in the 60s. not an easy thing to do...i wish for something

>> > to drive my generation into action, instead of Jenny McCarthy's boobs or

>> > the next $%&^# Batman movie.

>> > but oh well. i rant. apaologies.

>> >

>> > -zach

>> > i'm all for it.

>> >

>> > -z

>> >

> 

>the key in meeting people is simple....count to five between reacting to

>anything.  and remember the street isn't swirling up like a tornado to

>them and they can't imagine that it is for you :)

> 

>but be careful ... always be careful ... don't fall into another century

>for twenty years or something. ... unless you want to.  :)

> 

>david rhaesa

> 

> 

Leni Riefenstahl is filming yr performance mates....To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jack Kerouac (read by Johnny Depp)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <s379adda.026@mail.campbell-mithun.com>

References:

 

Mexico City Blues

"Chorus 113"

 

 

Jack Kerouac

(read by Johnny Depp)

 

 

 

Got up and dressed up

went out & got laid

Then died and got buried

a coffin in the grave,

Man --

 

Yet everything is perfect,

Because it is empty,

Because it is perfect

with emptiness,

Because it's not even happening.

 

Everything

Is Ignorant of its own emptiness--

Anger

Doesn't like to be reminded of fits--

 

You start with the Teaching

Inscrutable of the Diamond

And end with it, your goal

is your startingplace,

No race was run, no walk

of prophetic toenails

Across Arabies of hot

meaning you just--

numbly don't get there

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Leni Riefenstahl a woman in photography

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970514114650_1457705917@emout19.mail.aol.com>

References:

 

http://www.repubblica.it/cultura_scienze/leni/leni/leni.html To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The korror of hen foing gurthur

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Zach,

> 

>I fail to see how the buccolic Wisconsin bashes you describe (which

>sound great to me) are fundamentally different than the Human Be-In.

> 

>Everything is the same.  Everything is different.

> 

>J Stauffer

> 

> 

in italy the lotto game is a must!

 

BARI   57 27 05 30 42

CAGLIARI   52 19 18 85 73

FIRENZE   52 23 90 51 73

GENOVA   85 43 71 48 22

MILANO   16 55 57 10 12

NAPOLI   80 06 71 78 26

PALERMO   53 19 87 44 55

ROMA   31 51 54 81 08

TORINO   46 86 37 18 02

VENEZIA   79 86 49 73 88

 

yrs beetTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Beat experience CDROM 1995 edition

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

cari amici beat,

"The Red Hot Organization" has created in 1995 a CD ROM called "THE BEAT EXPERIENCE", $39.95, i have seen the software in a bookstore/musicstore, this cdrom is sold by VOYAGER 1 Bridge St Irvington NY 10533-9919, have someone listen 'bout this cdrom,

in yr opinion it's a worth purcase, please tell me, 'cuz of i'm really a beetle (what a hot day today!, here in italy!)

 

yrs Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Flammable

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

I Vagadondi del Dharma.

 

A Han-Sahan (who is?)

 

1.

Saltato su un treno merci che partiva da Los Angeles in pieno mezzogiorno d'una giornata di fine settembre del 1955 presi posto su un carro aperto e mi straiai col mio sacco a spalla sotto la testa a gambe accavallate e contemplai le nuvole mentre correvamo a nord verso Santa Barbara. Era un treno locale e la mia intenzione era di dormire quella notte sulla spiaggia di Santa Barbara e salire la mattina dopo su un altro treno locale fino a San Luis Obispo oppure su un merci espresso che arrivava direttamente a San Francisco alle sette di sera.

All'altezza di Camarillo, dove Charlie Parker, impazzito, era stato ricoverato e restituito alla normalita',....

 

         ma quello che incontri          but what you meet

         è realmente un'esperienza?      is really  an experience?

         Parker è rosso             Parker is red

         come un crepuscolo         like a twilight

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: STARSPOTTING Re: Chaput is Kaput!

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

> 

>and photocopiers are hell ....

> 

>david rhaesa

> 

> 

 

   THE Spice Girls sang live last night

   for the first time on a stage to show

   they can perform their complicated

   harmonies without the aid of backing

   tapes.

 

yrs rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: OUT OF THE DARKNESS

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

"Bernard show believed that

the British Libray was the only

successful socialist demoscracy in the

world which treated readers equally,

was paid for out of redistribuited tax

and run on non-profit-making principles."

 

*Cats appear to be the only domestic animals permitted to stray at will on public land & private property other than that of their owners*

 

yrs Rinaldo.

* 1 2 3 tutti giu'! *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 1977

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

http://www.taonet.it/77web/To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: counterculture its dawn

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Divenire delle culture creative

 

 

La fenomenologia delle culture creative contiene un complesso sistema di riferimenti che rinviano alle avanguardie storiche, al maoismo, ma anche alla filosofia hippy, all'orientalismo degli anni Sessanta, all'utopismo felice e comunitario, connesso con la pessimistica profezia della Teoria critica.

 

Nel corso degli anni Sessanta due tendenze avevano dato forma alle culture cosiddette giovanili: la tendenza a considerare I'avvenire con sicurezza e fiducia, ad accettare il modello di sviluppo economico e tecnologico che sembrava destinato ad essere illimitato e irreversibile E poi vi era la tendenza che possiame definire "controculturale: questa non metteva sostanzialmente in questione la certezza di uno sviluppo lineare, ma si limitava a rifiutarne le conseguenze di integrazione culturale e di appiattimento esistenziale, rifiutava l'omologazione e la perdita di libertá che la societá dei consumi determinava.

 

Il movimento controculturale (hippy, antimperialista, movimento delle comuni, movimento studentesco) era strettamente connesso alla societá del benessere, ne era I'altra faccia.

 

Ma ecco che con gli anni Settanta il quadro economico e politico muta: la crisi rompe la fiducia nel futuro, e l'orizzonte non appare rassicurante: le identitá personali e collettive del decennio precedente (che siano integrate o ribelli) debbono ridisegnarsi su un altro panorama, su un'altra attesa di futuro.

 

Non c'é dubbio che la data piú significativa di questo rovesciamento di scenari e di percezione é il '77.

 

Il '77 é un anno carico di significato per le culture giovanili in tutto l'occidente: é l'anno in cui il punk esplode a Londra, ed i Sex Pistols sfidano la polizia e la monarchia con i loro concerti provocatori, nel giorno dei festeggiamenti per la Regina. Ed é l'anno in cui si verificano le prime grandi manifestazioni antinucleari, a Malville ed a Brokdorf.

 

I movimenti rivoluzionari erano stati portatori di una speranza e di un'ideologia fiduciosa e organica; i movimenti che si manifestano in quell'anno sono invece il segno del rifiuto e del rigetto della modernitá, segnalano piuttosto disperazione per lo scenario creato dalla crisi e dall'emergere delle nuove tecnologie, che una speranza nel progresso tecnologico ed economico.

 

Un'intera prospettiva storica si rovescia, le culture giovanili registrano questo rovesciamento nel '77: dall'espansione della societá industriale si passa alla sua crisi, e inoltre il progresso industriale comincia a mostrare le sue tendenze catastrofiche. Il rovesciamento della prospettiva é anche segnato dalla transizione alla societá dominata dall'elettronica, dalla freddezza tecnologica e dall'arroganza competitiva, dall'onnipotenza dello spettacolo e dell'informazione.

 

I giovani che vengono sulla scena dopo il '77 sono in effetti ben diversi da quelli che li avevano preceduti: essi sono gli spettatori del crollo dei miti sociali del moderno: la crisi di prospettiva della societá moderna appare loro come il venir meno di ogni possibilitá di futuro. Il punk é, in questo senso, la lucida consapevolezza di un mutamento epocale.

 

Visto su questo sfondo, il '77 italiano acquista una partioclare densitá: in quell'anno si sommano gli effetti di una prolungata stagione di lotte operaie e di una esplosione culturale di movimenti di rivolta dei disoccupati e dei giovani, di tutti coloro che si sentono minacciati dal nuovo assetto produttivo che si intravvede all'orizzonte del postindustriale.

 

Il movimento del '77 in Italia sintetizza tutte le differenti facce della controcultura giovanile: l'anima politica di stampo maoista, l'aggressivitá guerrigliera si mescolano con il creativismo di chiara derivazione hippy: e tutto questo finisce per sfociare nella cupa e disperata rappresentazione del primo emergere del punk.

 

Mentre nei mesi caldi della primavera del '77 (quando esplosero le rivolte di piazza a Bologna e a Roma) il tono predominante era quello della speranza messianica, della fiducia euforica in una comunitá liberata, nella costruzione di zone liberate, nei mesi successivi, dopo l'impatto con la durezza della repressione e soprattutto con la spietata logica dell'emraginazione , della disoccupazione, della competitivitá, divenne predominante il tono disperato e autodistruttivo, il sentimento del sopravvenire di un'epoca disumana in cui tutti i valori di solidarietá sarebbero stati cancellati.

 

In questo senso possiamo dire che il '77 fu al contempo una sintesi degli anni Sessanta e Settanta, ed una cupa premonizione degli anni Ottanta.

 

Dopo il '77 vennero ad emergenza in maniera diffusa quelle tendenze che caratterizzano il comportamento della popolazione giovanile nei cosiddetti anni del "riflusso": si modificano gli atteggiamenti e le motivazioni verso il lavoro, gli atteggiamenti verso ilprocesso di socializzazione, il bisogno di comunitá e il gusto estremistico e sprezzante per la propira solitudine orgogliosa. E infine matura in quel momento il passaggio dalle fome culturali improntate al collettivismo e allégualitarismo verso le forme che sono dominate dall'individualismo.

 

Il '77 rappresenta una critica di ogni investimento psicologico sul futuro, e la rivendicazione di un'immanenza senza residui, di un vivere nel presente che non lascia spazio alle ideologie né alle attese. Nella cultura del '77 l'insurrezione é un atto tutto presente, un atto che vale la sua immediatezza e non per il futuro che deve instaurare. Su questo rifiuto dell'investimento nel futuro si fonda anche la critica che la cultura del'77 rivolse alla militanza politica tradizionale.

 

Bisogna vivere subito la felicitá, e non proporsela per il futuro post-rivoluzionario. Ma se vediamo le cose in prospettiva, con gli occhi della successiva esperienza, ci rendiamo conto del fatto che l'immanentismo felice del '77, la rivendicazione di un futuro integrale da vivere pienamente altro non é che l'anticipazione del "no future" del punk, che subito dopo il tramonto della bruciante esperienza del '77 dilaga nella coscienza giovanile. Non bisogna attendersi nulla dal futuro perché non c'é futuro per i valori umani, per la solidarietá, la libertá, il piacere di vivere.

 

Il futuro apparve improvvisamente segnato dagli spettri della militarizzazione, della violenza, del conformismo, della miseria. E in effetti dopo il '77 che gli investimenti militari aumentano spaventosamente e il clima della guerra fredda riprende in concomitanza con l avittoria di Reagan; é dopo il '77 che un'ondata di licenziamenti si abbatte sugli operai in tutto l'Occidente industriale, e le nuove tecnologie mettono fuori gioco milioni di posti di lavoro facendo della disoccupazione giovanile un dato strutturale ineliminabile.

 

Il futuro appare arido e deserto; e in effetti é a partire da quel momento che sul mercato dell droga fa la sua comparsa massiccia l'eroina, ed é anche il momento in cui, costretti a trovare uno spazio nel mondo della deregulation e della concorrenza spietata fra disoccupati, fanno la loro ricomparsa individualismo e competizione, producendo una crisi profonda delle forme di comunitá solidale degli anni precedenti.

 

Insomma, é in quel momento che cambia lo scenario: ma esso cambia soprattutto nel sistema di attese e di immaginazioni possibili del futuro. Cambia, cioé, nella mente sociale, nella percezione culturale, fino a rinchiudersi cupamente nell'omologazione conformista ed anestetizzante degli anni Ottanta dispiegati.

 

 

(PRIMO MORONI/NANNI BALESTRINI - L'ORDA D'ORO - SugarCo 1988 )To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ALLEN GINSBERG IS ALIVE IN THE NET

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Siti e documenti su Allen Ginsberg e sulla sua opera

 

Ma il Beat sopravvive in Rete

 

di ENRICO M. FERRARI

 

Il "seme e la sorgente" della Beat Generation, come è stato definito Allen Ginsberg su un sito americano, sopravvive online, e con lui la sua cultura. Subito dopo l'aggravarsi delle condizioni di salute di Ginsberg, i maggiori siti a lui dedicati o collegati sono usciti con bollettini speciali che ne hanno scandito le ultime ore di vita.

 

Wired dedica alla scomparsa del padre del Beat un lungo servizio ricco di fatti sulla vita e l'opera di Ginsberg.

 

Uno dei punti principali, pieno di foto, scritti e link su Ginsberg, è la pagina di Mongo Bearwolf. Una sorta di epitaffio virtuale è presente su questa pagina, in perfetto stile Beat.

 

Literary Kicks dedica svariate pagine a Ginsburg e alle sue opere: è presente una bibliografia dei lavori di Ginsberg, http://www.charm.net/~brooklyn/Lists/GinsbergWorks.html ed una bibliografia dei lavori su Ginsberg stesso, http://www.charm.net/~brooklyn/Biblio/GinsbergBiblio.html

 

L'FBI aveva aperto diverse inchieste su Ginsberg : nel sito Allen Ginsberg's FBI Files è possibile ritrovare tracce di quelle indagini.

 

The Beat Generation Archive presenta un vasto archivio sul mondo beat: articoli, foto e link a personaggi o protagonisti del movimento.

 

Nella "bhoemian page" dedicata a Ginsberg è presente una completa biografia del poeta, con il lungo dispaccio Associated Press che ne annuncia la morte.

 

Famose e numerose sono le interviste di Ginsberg, tutte presenti sulla rete , ma sparse per numerosi siti: La celebre intervista "Ginsberg goes bananas" è tratta da Seconds Magazine, Hot Press presenta una intervista denominata "Ma il beat avanza..". Mark Amerika, "columnist" di Internet, dedica a Ginsberg il pezzo Amerika Online,

 

In occasione dell'intervento di Ginsberg al club Megatripolis di Londra, 19 ottobre 1995, Lee Harris, dedica un servizio a Ginsberg.

 

The Poetry of Allen Ginsberg raccoglie i lavori di Ginsberg tratti da "Howl and other poems," del 1956 e del 1959.

 

Altri lavori online si possono trovare su HotWired e sul sito Harry Smith.

 

Una completa scelta di titoli su Ginsberg, libri e CD, è disponibile su Amazon con i prezzi di ogni singolo articolo.

 

Una mailing list sul beat è rintracciabile presso: gopher://dept.english.upenn.edu:70/00/Lists/20th/beat-l

 

Il newsgroup che si occupa di beat generation è: news:alt.books.beatgeneration

 

http://sun2.repubblica.it/cultura_scienze/ginsberg/rassegna/rassegna.htmlTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: FROM ITALY ITALY ITALY ITALY ITALY FROM ITALY with love.

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Michael Stutz wrote:

> 

>i'm sorry, but this is an english-speaking list. nobody can read this.

> 

>please limit your posts to the english language.

> 

>On Thu, 15 May 1997, Rinaldo Rasa wrote:

> 

>> Divenire delle culture creative

[snipped/tagliuzzato/cut]

>> 

>Michael Stutz

 

Michael, i ask pardon to all the Beat-List!, chiedo perdono!, are u interested in the UNIVERSAL knownledge of the matter?

i hope the answer is yes!

*

my poor signature is Pooh Bear a not competent beetle-beet-bee-be-bo-beat or a starspotting on the Beat-List...

or in the beat scene... vi prego se scrivo in italiano cerco di scrivere anche more in american but sometime the time to translate a thought stress my spontaneous email prose & tooke me a great piece of time... sorry Michael Stutz. how can i do? i must became a dumb? why u not learn some italian? (a chance).

*

 

*awright derek & others Han-Shan is the real beetthing! * *thnxlt*

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: PLEASE, DON'T READ THIS (the dark side of a beet)

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dear friends beat,

everything is a-perfect, i'm a-perfect, u're a-perfect, why the death of a mosquito is a-perfect? why u are pulling the screw in the coffin, dark shame in the ground, BROTHERS who loves a beet?, keep my head in the hands, come faccio a scrivere ancora e ancora e ancora... Red Charlie pop up Parker, red twilight, rosso tramonto veneziano, i read JK in american or in italian, how many JK there are in the worlds, cage is on the street... Red Cage... go on!To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.

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         K    E    R    O    U    A    C

                   IL DOTTOR SAX

 

                   Libro primo

              FANTASMI DELLA NOTTE

              DI PAWTUCKETVILLE

 

                   1

L'altra notte ho sognato che stavo seduto sul mar- ciapede di Moody Street, Pawtucketville, Lowell, Massachusetts,... Qui a farmez ma porte? Parsonne voyons donc.

 

                   GOD READS THIS.

DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, GOD READ THIS.DON'T READ, PLEASE, DON'T READ THIS.

DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS.DON'T READ, PLEASE, DON'T READ THIS. thake me by hand, GOD, around the midnight, GOD i send u a letter, GOD if ever u read this, WHY U CREATES MYSELF?, WHY I BORN?, THIS DON'T READ, PLEASE, DON'T READ

THIS DON'T READ, PLEASE fantasmi agghiaccianti, fredde, COLD, streets italiane, tears, cerchietti, bracelets, ASE, GOD READ THIS.DON'T READ, PLEASE, DON'T READ THIS.T READ, PL DON'T READ, PLEASE, god thake by hand Pakistani, WHY I BORN? WHY I BORN? WHY I BORN? WHY I BORN? WHY I BORN? WHY I BORN? god thake by hand OLD wo/men, god thake by hand pacemaker's lawyer, god thake by hand that tatoo GIRL, god thake by hand by handby handby handby hand

              WHY I BORN?     WHY I RAT?

              WHY I CLOUD? WHY I SQUEKING?

              WHY? WHY? ever read me!

              R    I    N    A    L    D    O

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: A mute voice on the Estate Battl

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Bien c'est pas'l diable plesant.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Truth!

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hey,

De Vito in the cuckoo nest is a must, mybe reconsider the beat experience? De Vito is a beat?.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Truth

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         this white

         sky  blur

         myself

 

 

>     Truth is an ethereal entity.

>                                                 James M.

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Truth

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a Pakistan screms in the bed!

the hearth is lost,

my god, we're u?

 

At 11.25 18/05/97 -0500, you wrote:

>forever blunder

>salvage

>f o r g e t

>the blue

> 

>----------

>: From: Rinaldo Rasa <rinaldo@GPNET.IT>

>: To: Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

>: Subject: Re: Truth

>: Date: Sunday, May 18, 1997 9:26 AM

>:

>:                 this white

>:                 sky     blur

>:                 myself

>:

>:

>: >     Truth is an ethereal entity.

>: >                                                 James M.

>: >

>: >

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Svevo on Joyce

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References: <01BC62ED.CCD7D7C0@sea-ts3-p28.wolfenet.com>

 

la coscienza di zeno e' stato un libro nel quale lo scrittore creava in talia le teorie di freud e forse nei sogni dreams e nella scrittura dei sogni draem-writing versus creative writing is a lot of sensoe in the middle of an elevator that's stopped in the middle of a building...

yrs rinaldo.

* a beet *

 To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: fudge wont budge : helped myself too ; more apologies.

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>> >> >> >so the steering column spins

>> >> >twisting the wheels spitting the spray splash from the streets

>> >one hand on the wheel and the bottle, windows fogged with

>> >half conscious woman yelping

>> >" i'm scanning for the bird wearing a hat of fudge" in a slur of

>> >words&booze

>> >"pack it sez the bird

>> > but the fudge

>> > won't budge," she laughs to herself;

>> >> >being quite comfortable with the flock

>> >> >> >: a Pakistan screms in the bed!

>> >> >> >: the hearth is lost,

>> >> >> >: my god, we're u?

>> >> >> w/the f.o.'s singing

>> >> >> god is

>> >> >never quite

>> >> >> dead

>> >> >just sleeping, snoring and

>> >> >schleping

>> >> >> >: >forever blunder(ing) with the cocktails and napkins at the bar

>> >ogling the waitress, pushing himself on the women next to him, harrassing

>> >the bartender,

>> >> >> >: >salvaging

>> >> >> >: >f o r g e t.me nots

>> >for his lapel

>> >> >        the blue: a massage then a

>> >> >> deeper massage :

>> >> "don't f o r g e t.to put out the cat" he moans absentmindedly, as the

>> >bed vibrates

>> >magic

>> >fingers

>> >> >> >: >:                 "this white

>> >> >> >: >:                 sky     blur

>> >> >> >: >:                 myself"

>> >> >> >: >: >     Truth is an unconscious entity.

>> >> >but arent we all?

>> >> >Frank Sinatra as god the spent star sleeping w/head resting on the bar,

>> >> hands limply at sides, mouth open

>> > having been

>> >passed out since the rise of plastic somewhere in Massachusetts

>> >> >>                    ghosts of Dean & Sammy order out for

>> >> >>                           pizza

>> >> >>                      the check's in the mail.

>> >>

>> >>                       the music begins & they take the stage

>> >                                        once again.

>> 

>> once again

>> elvis has left the building,

>> hounded

>>  "you aint nuthin but-a"

>> holy elvis speaks to me

>> virginia woolf hands to me

>> the selfsame rock

>> still dripping from the thames..

>> and off the off-beaten paths

>> 

>-but for once the rain stops

> because altho'

> i have rust under my fingernails,

> elvis is rapidly running out of buildings

> the checks don't even bounce very high

> and i can no longer tell whether I am overweight

> or otherwise

> because despite

> rattletrap due rent

> peeling carapace from

> crick neck staring at

> high tide marks

> lost dog of an old

> city

> 

> because despite : we have been around

> been about to hear the right stories

> the right people ; electric current.

> faraway lights.

> we have at least learned mythology.

> 

> so nothing new, just prosaic :

> I'll meet you in the botanical gardens,

> and it'll be just the same as always ;

> what is more, if it's not

> we have at least learned how to pretend.

> 

> 

         I'M WALKIN'

         i am walking

         the man has

         with him a shopping bag   

         i am walking    i am walking

  

   he crunched the apple

   the man has crunched the apple

 

   i'm walkin' i'm walkin'    SIR  my soul is blur

   MY SOUL IS BLUR sir GOD    god of the dream

   i'm walkin' i'm walkin'    SIR  my soul is blur

 

         give me a dream SIR  do asleep myself

              i'm walkin' i'm walkin'

              i'm walkin' i'm walkin'

   i am walking through corners of dream

   corners of dream

   i have not hide for myself behind corners in a dream

              mother

              i'm walkin'

              father

              i'm walkin'

              brother

              i'm walkin'

              sister

              i'm walkin'

 

take a lunch with your brother-- says still the mother

   mother my brother is dead you know! u know!

take a lunch, rinaldo!-- says still my mother

   yes mother

         yes mother

              yes mother

 

              these shining corners

              in the dream

              they tears

              they tears

 

   the man has crunched the apple

   the man has crunched the apple

              i'm walkin'

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: A Found Poem

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>Dear Phil,     May 20, 1997

> 

>        You and Anstee should both go far--and the sooner you start, the better.

> 

>        HAHAHAHAHA!

>        Gerry

> 

> 

  

   Gerry, caro paesano,

   ben detto!

   Gli amici girano

   per kilometri

   secondo dopo secondo

   alla fine del mondo.

   Un saluto dall'Italia!

 

   rinaldo    *what's happen to rinaldo?*

   To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: john cage-haiku #1

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   tah  toh  tahh tohh

   at              21:00

   gronk gronk

   at              21:01

         clock

 

 

 

JOHN CAGE IS ALIVE, HE IS TALKING... TO ME!

 

   what is happened to me?

 

         r\   i

         \

         n    a\

        \

         l

\  d

   \    o    .

------------.......-----------

 

"Todas las granas de arena del desierto de Chihuahua son vacuidad!" Jack Kerouac    the dharma bums

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: john cage-haiku #2 (what is happened to me?)

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   .,-\H a   

   ,.i,\k..u

   mahhhhhhhhhhhhhhhhhhh

   KKK

   zen

   Oooh, questo non lo sopporto!this doesn't bear it

   bum!

   KKK

         zen

   ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

   ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

  

   WHEN THE WHOLE WIDE WORLD IS FAST ASLEEP

 

   Brrrrrrrrrrr!

 

   brrr

   KKK

   Dostoevskij     KKK  bum! MUNCH bum! KKK  Wu!

  

   favelle    favelle    favelle   

   KKK        KKK        KKK

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: john cage-Haiku, john cage is alive!!!!!!!!!!!!!!!!!!!!!!!!

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>The fudge

>Won't budge

>Try exlax

> 

> 

> 

>(sorry I couldn't resist)

> 

> 

.............oh.ah.............

.............ha.ho.............

.............o..a..............

.............a..o..............

 

         To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Brad Parker Speaks

Cc:

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>David wrote:

>>Patricia: I'm lurking again on Beat-L. Must have missed all the recent

>>controversies. What's happening?

>> 

>>David Ohle

>> 

>i'm a beatspotting...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: karmic check-up from JK hisself/pome of day

Cc:

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References: <33833A5E.65BD@sunflower.com> <199705211711.KAA27453@sweden.it.earthlink.net>            <33833015.6A68@sunflower.com> <3382E102.3FAE@cjnetworks.com>

 

u are a'ngel marie,

...

>6

>strictly speaking, there is no me, because all is

>emptiness. i am empty, i am non-existent

> 

...

              in a word

               To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: strange quote from On The Road by Jack Kerouac

Cc:

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---

"On The Road" parte one II page #61 (circa)

 

"He arranged to get me the same kind of job he had, as a guard in the barracks. I went through the necessary routine, and to my surprise the bastars hired me. I was sworn in the local police chief, given a badge, a club, and now I was a special policeman".

 

---

tonite my mind is back in 69 when i read this keroauc quote & was surprised that a "rebel" as jack can get a job as policeman there was in november 69 reading OTR in a train in early morn when daylight were neon tube & venetian hinterland fog was around thru the house & raindrops on the window kerouac was only just dead & recognized as a symbol of the coutercultural mob there was no place in the patter of an alternative hero he may be a policeman 30 years later still this passage was recalled by a strange spark in my dream/mind old times

 

yrs rinaldo   *    the  beatspotting    *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: foucault

Cc:

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At 17.14 21/05/97 -0600, you John wrote:

>>In a message dated 97-05-21 17:02:41 EDT, you write:

>> 

>>> my favorite is a small book titled "This is Not a Pipe."

>> 

>>oh oh. like the Magritte painting, no?

> 

>Very good!  Hats off to you.

> 

>John M.

> 

> 

john, as french philosopher, focault, (not that in XIX siecle in the Eco novel...) he is a good guy in the habitus of the 77 leftism as to free so called man mad hospitalized in sad bulding ( in italy a great reformist was franco basaglia & he was connected with foucalt thoghts, sad both are actually dead & the reform of the asylum are to go back), sad others french philosopher has a tragic life, e.g. louis althusser who was jaled after he strangled his wife without any reason, the only was the madness that kept his mind, strange indeed bunch of men who believed in such a word called utopia,

 

yrs rinaldo        *    a    beatspotting    *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: A Found Poem

Cc:

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At 14.46 21/05/97 -0700, you Geraldo wrote:

>At 06:51 PM 5/21/97 +0200, you wrote:

>>>Dear Phil,     May 20, 1997

>>> 

>>>        You and Anstee should both go far--and the sooner you start, the

>>better.

>>> 

>>>        HAHAHAHAHA!

>>>        Gerry

>>> 

>>> 

>> 

>>        Gerry, caro paesano,

>>        ben detto!

>>        Gli amici girano

>>        per kilometri

>>        secondo dopo secondo

>>        alla fine del mondo.

>>        Un saluto dall'Italia!

>> 

>>        rinaldo *what's happen to rinaldo?*

>> 

> 

>Caro Rinaldo,    21 maggio 1997

> 

>        Lei e molto gentile, e io ti ringrazio con tutto il mio cuore!

>        Spero ti vedere in California.

>        Ciao, Geraldo

> 

> 

   Caro Geraldo,

   poi cucineremo in california una buonissima

   pasta a fagioli come dio comanda!

   All'italiana!

   cari saluti da

   Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: foucault

Cc:

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At 17.06 21/05/97 -0400, you wrote:

>In a message dated 97-05-21 17:02:41 EDT, you write:

> 

>> my favorite is a small book titled "This is Not a Pipe."

> 

>oh oh. like the Magritte painting, no?

> 

> 

strane cose sono accadute ai filosofi francesi che guidarono la controcultura negli anni 70...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: "a baneful influence"

Cc:

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At 16.38 21/05/97 -0400, you wrote:

>Oh, come on.  Mean people suck...Where's your sadistic, cynical nature?

>People suck is a better statement.  So don't be tempted to join those damn

>optimists who post smiley faces on every remaining square inch of property.

> Be a mysanthrop.  It's fun.

> 

> 

got a black hole from Hawkings & enjoi...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Brad Parker Speaks

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At 18.01 21/05/97 -0400, you wrote:

>David:

>Good to see you on the list. Charley will be passing through Lawrence in a

>few days.

>Pam

> 

> 

are u listening doctor freud?To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Fare ye well, crash the CLASH.

Cc:

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              15 years later

              fare ye well

              clash, awright!

 

              i quote:

 

                   Hungry darkness of living

                   Who will thirst in the pit?

                   She spent a lifetime deciding

                   How to run from it

 

                   GHETTO DEFENDANT

                   COMBAT ROCK,

                   THE CLASH, 1982

 

 

 

 

yrs Rinaldo *a beatspotting & a not competent beat & a beet*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: question 'bout John Cage archives.

Cc:

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At 10.37 23/05/97 -0500, Nick Weir-Williams wrote: ...

>himself. The John Cage archives (or one third of them - he split up

>manuscripts, correspondence, and other articles between three places) are at

>Northwestern and are so meticulous and so organized and so easy for scholars

>to use.

...

 

gentle Nick,

i am very interesting to John Cage archives, it is possible to connect & retrieve documents through the internet? every feedback is welcome, my best greetings,

Rinaldo.

*24 may 1996. * one year on the Beat-L * 24 may 1997*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Ungaretti.

Cc:

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In-Reply-To: <Pine.SUN.3.96.970525141314.617A-100000@alfred.uib.no>

References: <"noralf.uib.646:25.05.97.04.02.54"@uib.no>

 

At 14.16 25/05/97 +0200, Nils-Oivind Haagensen wrote:

>Tra un fiore colto e l'altro donato

>l'inesprimibile vanita

> 

>Fiore doppio

>nato in grembo alla madonna

>della gioia

> 

>Between a flower gathered and the other given/ the inexpressible vanity/ /

>Double flower/ born of the womb of our lady/ of joy

> 

> 

Caro Nils-Oivind Haagensen, GRAZIE!,

grande citazione! UNGARETTI! il grande poeta italiano di questo secolo, la poesia esattamente recita:

---------------------------------------------------------------

                   ETERNO

              Tra un fiore colto e l'altro donato

              l'inesprimibile nulla

 

--- Giuseppe Ungaretti, Ultime, Milano 1914-1915---------------

 

grazie e cari saluti e buona domenica da Rinaldo Rasa.

 

 

 

NON GRIDATE PIU'   di Giuseppe Ungaretti, da "I Ricordi"

 

Cessate d'uccidere i morti,

Non gridate piu', non gridate

Se li volete ancora udire,

Se sperate di non perire.

 

Hanno l'impercettibile sussurro,

non fanno piu' rumore

Del crescere dell'erba,

Lieta dove passa l'uomo.

 

 

               To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the twister haiku

Cc:

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References: <"noralf.uib.646:25.05.97.04.02.54"@uib.no>

 

\\            \\

   i \\\\

   have\

a \

   \\   life\

   but \

\  i \

can't \\ use \

   it\\

\\\      \\\

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: AH I

Cc:

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   "There's just something about it which

   allows me to write a certain way, like an actual language style

   which happens to be inspired as much by the South as it by

   Shakespeare or The Bible or whatever. But it allows me to

   write in the first person, and I felt this way. And I write

   'Ah' instead of 'I'"

 

   Nick Cave.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: hipster talk

Cc:

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References: <"noralf.uib.646:25.05.97.04.02.54"@uib.no>

 

\\

.clonkk\

\

   \\boff

blip\bleep

   \    bop

   beep\ \

clink\biff\

.

kerouac.

.  described

         .    the velocity life of the 20th century\\\ the not music .

         by john cage ../

                   caught the sound of the environment.

//.

clink\\

   beeep

   \\   bleep

   bop\\

bliiip\\\\

\\

\

yrs

rinaldo

 

-Rust Never Sleeps-

*

There's more the picture

Than meets the eye

*

(Neil Young & Jeff Blackburn)

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Frank O'Hara, a poetry.

Cc:

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   "Why I Am Not A Painter"   by Frank O'Hara

 

   I am not a painter, I am a poet.

   Why? I think I would rather be

   a painter, but I am not. Well,

 

   for instance, Mike Goldberg

   is starting a painting. i drop

         in

   "Sit down and have a ddrink" he

   says. I drink; we drink. I look

   up. "You have SARDINES in it"

   "Yes, it needed sometime there"

   "Oh." I go and days go by

   and I drop in again. The painting

   is going on, and I go, and the

         days

   go by, I drop in. The painting is

   finished. "Where's SARDINES?"

   All that's left is just

   letters, "It was too much", Mike says.

 

   But me? One day I am thinking of

   a color: orange. I write a line

   about orange. Pretty soon it is a

   whole page of words, not lines.

   Then another page. There should

         be

   so much more, not of orange, of

   words, of how terrible orange is

   and life. Days go by. It is even

         in

   prose, I am a real poet. My poem

   is finished and I haven't

         mentioned

   orange yet. It's twelve poems, I

         call

   it ORANGES. And one day in a

         gallery

   I see Mike's painting, called

   SARDINES.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: SAMPAS WHO? Re: a calm request

Cc:

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References:

 

At 22.19 25/05/97 -0700, Gerry wrote:

>..., it has nothing to do with

>>his archieves, its a damn pissing contest/whose got the bigger balls and

>>the rest of the nonsense. Its pure bullshit. Get off your ego trip and

>>realize  THAT truth.

>> 

>> 

>>Lisa M. Rabey

>Dear Lisa,     May 25, 1997

> 

>        I am here on the Beat-List only because of the need to preserve Jack

>Kerouac's archives.  It has turned into a pissing contest because that is

>what Mr. Chaput and Mr. Anstee wanted it to become.  They have effectively

>killed the discussion of what Sampas is doing with the archives and why, if

>he really intends to put them into a library, he has not signed even a

>statement of intention in 6 years.  They don't want me talking about things

>like that, so they call me names and accuse me of various crimes, and then I

>answer them back, etc. etc.

>        Well here's my deal, Lisa, I'll just quite answering their bullshit

>charges, and just keep posting the truth as I see it.  Maybe some day

>someone from "the other side" will appear to argue this thing out

>rationally, and give us some hard facts about what Mr. Sampas is doing and

>plans to do--rather than just calling me names and saying what a bad person

>I am.

>        By the way, Paul Maher's list from the NY Public Library shows that

>they do not own all the versions of even one Kerouac book (published or

>unpublished).  A scholar who analyzes a work needs everything from the first

>notes thru first second and third drafts, and then the galleys.  Kerouac

>typed several versions of every published book.  The NY Public has acquired

>only early notebook drafts of some individual books, and they have not even

>one complete version of Kerouac's seven most important books: ON THE ROAD,

>THE DHARMA BUMS, DR. SAX, VISIONS OF GERARD, VISIONS OF CODY, VANITY OF

>DULUOZ, and DESOLATION ANGELS.

>        This is what we should be talking about.

>        Best, Gerry Nicosia

> 

> 

i think that Gerry, il mio paesano Gerry, is right/ why i am writing about this matter? i have under my nose the "Rolling Stone" issue 759 may 1,1997 pag.58 & by pure coincidence there is an ad like this:

 

You haven't

heard Jack yet.

 

Kerouac

kicks joy darkness

 

with performances by

 

   Morfine

   Lydia Lunch

   Michael Stipe

   Steven Tyler

   Hunter S. Thompson

   Maggie Estep

   & the Spitters

   Richard Kewis

   Lawrence Ferlinghetti

         &Helium

   Jack Kerouac

   & Joe Strummer

   Allen Ginsberg

   Eddie Vedder,

   Campbell 2000

         & Sadie 7

   William Burroughs

   & tomandandy

   Juliana Hatfield

   John Cale

   Johnny Depp & Come

   Robert Hunter

   Lee Ranaldo

   & Dana Colley

   Anna Domino

   Rob Buck & Danny Chauvin

         as Hitchhiker

   Patti Smith

   with Thurston Moore

         & Lenny Kaye

   Warren Zevon

   & Michael Wolff

   Jim Carroll with

   Lee Ranaldo, Lenny Kaye

         & Anton Sanco

   Matt Dillon

   with Joey Altruda

   Inger Lorre & Jeff Buckley

   Eric Andersen

 

   In stores April 8th

 

   Produced by Jim Sampas

   Associate Producer: Lee Ranaldo

 

my question is Sampas mentioned above is that Sampas who Nicosia is referring in his posts? by way of this Sampas i immediatley got a negative feedback (like a pavlov dog) to such a work despite the excellent pedigree of performers how much money is rolling out ? 

the works of Jack Kerouac who

is universal maybe free to the people not (c) or other e.g. can the pope damage the "Cappella Sistina" ? he is the owner can the concil town of Rome destroy the "Fontana di Trevi" ? he is the owner BUT everyone know that this works of the human mankind are really NOT owner of a single person i hope,

 

i miei piu' cari saluti a tutti,

yrs Rinaldo Rasa.

* hi! guardate che scrivo dall'Italia, da un altro mondo! *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: jack kerouac bio written by Gerald Nicosia

Cc:

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beat

points

first: there's an italian language translation of the

   book written by Gerald Nicosia 'bout the JK life

   & works? anyone can tell something?

second:in angst for the hot shift of the posts from word

   to word, points

first: there's an italian language translation of the

   book written by Gerald Nicosia 'bout the JK life

   & works? anyone can tell something?

second:in angst for the hot shift of the posts from word

   to word, but i'm a real beet (sic!) & i do not understand

   why people leaves the B-List.

  

yrs

Rinaldo.

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: List changes

Cc:

Bcc:

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References: <339AB756.1DCC7756@scsn.net> <l03020909afc017ffc0c3@[206.25.67.119]>

 

model of

bird

to

attract

other

birds

 

--- the catTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: X

Cc:

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References:

 

       DON'T CALL ME WHITE!

 

        don't call me

 

                        WHITE

 

 

        "tHE hISTORY oF tHE fIERCY cROSS iS oF sCOTTISH

        oRIGIN, iT wAS uTILIZED aS A sIGN oF oPPOSITION

        tO tYRANNY fROM bIG gOVERNMENT aND oBEDIENCE tO

        gOD"

 

        don't call me

 

                        WHITE !!!

 

 

                        DON'T CALL

                        ME WHITE!!

 

 

 

 

                        DON'T CALL

                        ME WHITE!!

        when i was AC

 

                when i was YOUNG

 

                        Yeeaaaaahh

                DON'T CALL

                        ME WHITE!!

 

                                DON'T CALL

                        ME WHITE!!

 

no!!    no!!    NO!!!   NOOOOOOOOOOOOOO!!!

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: LeRoi Jones/Amiri Baraka

Cc:

Bcc:

X-Attachments:

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References:

 

At 09.34 09/06/97 -0500, Bob Fox wrote:

>        With regard to Rinaldo Rasa's comment that his posting of a quote

>from Amiri Baraka (LeRoi Jones) "has no beat connection," it is necessary

>to note that before he became a black cultural nationalist and changed his

>name to Amiri Baraka ("blessed prince") in 1967, LeRoi Jones was very

>closely associated with the Beats.  He was the only black writer included

>in Donald Allen's seminal anthology THE NEW AMERICAN POETRY 1945-1960,

>which included many of the Beats.  Jones also published (along with his

>first wife Hettie Cohen) a magazine called YUGEN (1958-1963), which

>published many Beat writers.  He was close friends with Allen Ginsberg and

>others before repudiating his relationships with white people (something he

>is critical of today).  The full story of the beats would have to include

>African Americans like LeRoi Jones and Ted Joans, as well as Bob Kaufman.

>If anyone knows of any others, I'd like to have the information.

> 

> 

i agree with u, LeRoi Jones IS a beat,

apologies for the mistake,

i love u friends, indeed,

yrs

Rinaldo

from venice,italy.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat generation.

Cc:

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References:

 

DEAR friends,

I think a lot of people knows that Jack Kerouac himself denied to be a beat. "Duluoz" his last book (& other last articles circa 1968-1969) they are more explicit on this side of JK thought. JK:because I writes about beatniks do not make me a beat.

JK:I am independent and do not want to appear in anthology with writers with whom I disagree.

this sentences are a bit disappointing, why JK speaks so?

 

thanx for yr friendship,

---

yrs Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: GHETTO DEFENDANT (the Clash)

Cc:

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DEAR friends,

i found likes:

"One night at the Bond's shows on Broadway, Allen Ginseberg got up on stage and started to recite something, and the band came up with an impromptu musical backing to it. I think that he may have done it with them a couple of nights later as well... When we were recording Combat Rock, Ginsberg came down to the studio with Pete Orlofsky (sp?).

He wanted to get the Clash to back him on a record he was going to make, but ended up on our record instead... Some people have said he was Joe's lyric coach on that record, but I think that's a bit overplayed."---KOSMO VINYL

 

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Ann Charters

Cc:

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DEAR friends,

is here Ann Charters on the B-List? i'm reading his introduction to JK "On The Road" (ya, re-re-re-reading summer...), btw if also are here some Beat Brit (living in London) can say me hello?

 

love, peace & freelin'life,

yrs

Rinaldo from venice,italy.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat generation.

Cc:

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C. Plymell writes:

>Rinaldo,

>Maybe he sensed that the center is always the edge that is. Nufzentonite?

>C. Plymell

> 

> 

DEAR C. Plymell & other friends,

not only JK had difficulties to embracing the BEAT, but even GREGORY CORSO & others. so the focus of BEAT is fading, in the charter JK AG & WSB are only a banner, & works 'bout modern artists american/european et coetera, i hope became more beat-spotting than usually. for example the past estate battle was (if i'm wrong beat me as a beetle!) concerning the true manuscript of "On The Road" & that seem hidden in some place in the UsOfAm, the book we enjoy are snipped from a longest book written by many hands & Jack became the "focus" of this experience, & when he was 47 he don't care anymore, i'm sure if JK disagree with BEAT there's no dimishing of the past BUT a sort of emphasis of a collective works maked in lost years,

 

love & happiness,

 

yrs Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: "Derek A. Beaulieu" <dabeauli@freenet.calgary.ab.ca>

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hi derek,

"Beaulieu, Victor-Levy. Jack Kerouac: A Chicken-Essay. Toronto,1975" are u close or distant relative with this writer?

 

love&happiness

yr

Rinaldo  *    edmonton sounds me like a song...     *

         *    like on the green plain i see here    * To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat generation.

Cc:

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DEAR friends,

amazingly I found that the real name of KEROUAC is JOHN, when he changed his name? and why?

---

yrs

Rinaldo

* a not competent beat is a beet? *

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: John Cage, "Writing through Howl" (1984)

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John Cage, "Writing through Howl" (1984)

 

 

                       mAdness

                      coLd-water

                       fLats

 

                      thE

                    braiNs

                   throuGh

                       wIth

                       aNd

                academieS

                        Burning

                     monEy

    

                      maRijuana

                      niGht

 

                        After

                     endLess

                       cLoud

                      thE

                   motioNless

                        Green

                    joyrIde

 

                      suN

 

                       aShcan

 

                        Brain

                   drainEd of

                       bRilliance

 

                      niGht

 

http://www.english.upenn.edu/~afilreis/88/cage-ginsberg.html To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: lAsT cHaNgE in beat-L (the voices & the echoes)

Cc:

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DEAR friends,

1^ thanx alot for gimme information 'bout JK's name... work in progress.

2^ 'cuz recent change in the politcs

 of the Beat-List: i get 2 message:

   one from the replayer

   & one from the B-list,

   i think it's 2B a nice feature,

   no other mailing list can do it,

   only the beats can do it!

great!,

love&happiness,

 

yrs Rinaldo

from venice,italy.

* a not competent beet *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Oz and Moon (non-Beat)

Cc:

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David Rhaesa writes:

>David-

>Thought you might find this interesting.  Bob sent it to me.

>Apparently,

>if you start Dark Side of the Moon at the right moment on a video tape

>of

>The Wizard of Oz, the music and the movie match perfectly.  Have you

>heard

>of this?

 

yes,

OZ was an underground magazine printed in London 1966, on

   the ground floor,

INK was another londoner magazine on the first floor, same

   building,

PINK     is Floyd

 

yes,

* PLAY POWER *

 

>> 

>> http://homepage.usr.com/g/gocheese/48613.shtml

> 

> 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat generation.(Kerouac's catholocism)

Cc:

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Attila Gyenis writes:

>>>>I think that Kerouac's conflict occurs because he was raised to have a strong

>belief in the greater sanctity of life and heaven (Kerouac's catholocism),

>but as he went through life he was bluntly reminded that a) sanctity of life

>is not universally practiced and b) this may be the one and only roadtrip and

>damn, he may have made some wrong turns. The idea of no afterlife can be a

>depressing thought. Many times it is what helps us get through this life,

>thinking the next one surely has to be better.<<<<

>always enjoy, Attila

> 

DEAR friends & Attila,

as i'm roman catholic by family tradition (here in italy) i reminded u that for catholics there's really a survival of our body after death & at the right time we will recover OUR BODY not only spirit. this faith is popularized in such B-Movie horror cultish likes "the night of the living deads" (1968) in term of fear & angst, but perhaps the real thing is that WE COME BACK to EARTH as man & woman as we are NOW, that's the real force of catholic life, if, of course a (wo)man believes.

Jack Kerouac highlighted in 1958 (lamb, not lion) the Beat Generation isn't without roots, beat isn't tough. beat doesn't mean tired or being beaten. &JK see himself alive in year 2000...

Jack Kerouac used the word "beato" (written in italian) for beatific condition as San Francesco, trying to love all in the life.

unluckly 10 years after (circa) JK will die, but i don't think his catholicism caused "dark" term of his life,

 

love&happiness,

yrs

Rinaldo. * a beet *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat generation/Cantico di Frate Sole/S.Francesco

Cc:

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   Cantico di Frate Sole by Francesco d'Assisi (4 october 1226)

 

 

   Altissimu, onnipotente, bon Signore,

   tue so' le laude, la gloria e l'honore et onne benedictione.

 

   Ad te solo, Altissimo, se konfano,

   et nullu homo ene dignu te mentovare.

 

5  Laudato sie, mi' Signore, cum tucte le tue creature,

   spetialmente messor lo frate sole,

   lo qual'e' iorno, et allumini noi per lui.

   Et ellu e' bellu e radiante cum grande splendore:

   de te, Altissimo, porta significatione.

 

10 Laudato si', mi' Signore, per sora luna e le stelle:

   in celu l'ai formate clarite et pretiose et belle.

   Laudato si', mi' Signore, per frate vento

   et per aere et nubilo et sereno et onne tempo,

   per lo quale a le tue creature dai sustentamento.

 

15 Laudato si', mi' Signore, per sor'aqua,

   la quale e' multo utile et humile et pretiosa et casta.

 

   Laudato si', mi' Signore, per frate focu,

   per lo quale ennallumini la nocte:

   ed ello e' bello et iocundo et robustoso et forte.

 

20 Laudato si', mi' Signore, per sora nostra matre terra,

   la quale ne sustenta et governa,

   et produce diversi fructi con coloriti flori et herba.

 

   Laudato si', mi' Signore, per quelli ke perdonano per lo tuo

   amore

   et sostengo infirmitate et tribulatione.

25 Beati quelli ke 'l sosterranno in pace,

   ka da te, Altissimo, sirano incoronati.

 

   Laudato si', mi' Signore, per sora nostra morte corporale,

   da la quale nullu homo vivente po' skappare:

   guai a.cquelli ke morrano ne le peccata mortali; 30   beati quelli ke trovara' ne le tue sanctissime voluntati,

   ka la morte secunda no 'l farra' male.

 

   Laudate e benedicete mi' Signore et rengratiate

   e serviateli cum grande humilitate.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat generation/wild plan for stealing...

Cc:

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James Stauffer writes,

>>>Just read Kaufman's poem on the City of San Francisco taking down the statue of St. Francis by Benny Buffano that used to stand in front of the church of St. Peter and St. Paul and North Beach of San Francisco when Jack and all were there.  Remember the statue myself. Hatched a wild plan for stealing it, but never did.<<<

 

James,

thax for the Kaufman's poem quoted, i like it, but i hope yr wild plaining to the statua of San Francesco in SF is gone for ever, please, james, do a "Fioretto" give credit to Francesco d'Assisi, & get rid yr bright idea.

 

if Jean Louis Kerouac in his infancy & later was roman catholic it's honourable as zen or buddhism or likes religions, perhaps he or his mother narrated San Francesco's life & miracles & spontaneous prose & poetry...

 

btw Philip Lamantia is true catholic:

 

         CONTRA SATANUS  by Philip Lamantia

        

         Thy light is higher than

   light thy Angels higher than angels

   Moons whisper their lights it's the end of the world Fasting and reborn The Crystal forms out of moonlight and sunlight Day and night Green Crystal Red WHITE BLACK BLUE CRYSTAL

                   YELLOW CRYSTAL

                   BROWN CRYSTAL!!

 

         I am Hymnon riding ham/wings

   of ACQUARIAS BEARDS OF SAMOTHRACE

JONQUILS FROM DESERTS OF THE SEA

 

   In my nights of white photography my mountain fell my heads rolled dice in heaven my eyes poured out poison In my day of love in my day of love    I saw one rock one strata

   one pinnacle one tree      one vine   one spring of green  one flower

                         one man

one woman I loved  I am Pythagoras Agitator smiling from infide blue coins I am paid by light

 

                   lights

                   is

                   house

                   of

                   MINT!

GARDEN                        LIGHT

OF                       OF THE          my finger is God!

HIS MONIES                         GARDEN

 

              WAVES

                   WAVES      WAVES

                         WAVES      WAVES

 

-it's indesript/I have gone into inaudia - flocking sun on my flocking back+++++ROAR! MALDORORIAN

WAVES! I!+++++

              Angel I have not seen/Angel I've seen Light of darkness

         visitation of noname about to smash into SMILES Here is face of old water Man buried in quickgreen lime fountains of

   ZUT GUT

         accent over U

              -the WAVES! PHOTO JOURNAL SEA SCAPES fin.

 

---

yrs

Rinaldo.

   To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat generation/Ezra Pound, winter 1970/reverie

Cc:

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DEAR friends,

         when I was YounG    

              i was 20

 

i saw a man        in VeNice       on a bridge

 

the man  stand & looked  the laguna di Venezia Torcello     Burano          San Francesco del Deserto

              ISlands

              cold winter

              in 1970

              white hair

              cold wind

              blew

there was the time i have glimpsed a poet & this image sculpted in my eyes, years later i realized he was Ezra Pound, photos on papers recall the image, yes, like othe r things in the life of a generation became "ghost" thin g,

 

---

yrs

Rinaldo  * be a beetle or better a beet *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat generation/milestone

Cc:

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         DIED.

         ALLEN GNSBERG, 70, quintes-

         sential beatnik poet, of a

         heart attack brought on by

         chronic liver disease; in

         New York City. Forming the

         trinity of the 1950s Beat

         generation along with Will

         iam Burroghs and Jack Kero

         uac, ginsberg captured pub

         lic attention in 1956 with

         HOWL, a long poem that ra

         ged against a conformist s

         ociety and dealt with his

         homosexuality. In the '60s

         and '70s, he was active in

         both the hippie and antiwa

         r movements. His poetry pr

         efigured punk and New Age,

         drawing inspiration from y

         oga, Buddishm, Native Amer

         ican mysticism, the Torah

         and U.S. poets like Willia

         m Carlos Williams.

 

T I M E THE WEEKLY NEWSMAGAZINE - april 21,1997

 

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: pidgin rant

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   tic! tic!! tic!!!

+&

         On

         Ly

 

         mon

         sters

         shall survive

+&

         & queues

         at

         the

         postal office

+&

 

---

Yrs

Rinaldo.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Zabriskie Point revised (Re: Oz and Moon (non-Beat))

Cc:

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References:

 

DEAR friends,

the needed to get off, Michelangelo Antonioni director, filmed "Zabriskie Point" in 1970 as an itinerary of freedom ("Easy Ryder" was out before circa same period), & Michelangelo Antonioni first did consciousness Pink Floyd, important music.

the scene of explosion in ZP was commented by the Pink Floyd's song "Careful with that Axe, Eugene", then Pink Floyd goes in another further movies in years to come,

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Zabriskie Point revised

Cc:

Bcc:

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In-Reply-To: <Pine.A32.3.93.970621105721.5506B-100000@srv1.freenet.calgary.ab.ca>

References: <3.0.1.32.19970621132759.00bdee80@pop.gpnet.it>

 

Derek A. Beaulieu writes:

>soundtrack for zabriski point also by the grateful dead's own prophet mr.

>jerome j. garcia. in case ya'll didnt know.

>derek

& when the policeman says what's yr name? Mark says "Karl Marx", & the policeman typewrites "Marx Carlo", this scene remember me "On the Road" where Jack Kerouac describes "the dark mind that is Carlo Marx", i cant' think Michelangelo Antonioni haven't read the Kerouac's work... ( a quote & a tribute to JK dead a year before?)

 

btw who is really Carlo Marx in "On The Road"? this question is now keep in my mind,

 

peace&happiness,

---

yrs

Rinaldo. * a beet is a beet *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Genesis in nuce.

Cc:

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         Yahweh     by John Cage

 

          Jabal

         hE was

         tHe

          Of

         haVE

          nAme

           He

 

           Just

         walkEd

          with

            gOd

   filled with Violence

              And

         flesH

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Marcel Proust questionnaire (Re: does anyone here speak french?)

Cc:

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References:

 

Quel est pour vous le comble de la mise're?

[]

Ou' aimeriez-vous vivre?

[]

Votre ide'al de bonheur terrestre?

[]

Pour quelles fautes avez-vous le plus d'indulgence?

[]

Vos he'ros de romans pre'fe'res?

[]

Votre personnage historique pre'fe're'?

[]

Vos he'roi:nes dans le vie re'elle?

[]

Vos he'roi:nes dans la fiction?

[]

Votre peintre favori?

[]

Votre musicien pre'fe're'?

[]

Votre qualite' pre'fe're'e chez l'homme?

[]

Votre qualite' pre'fe're'e chez la femme?

[]

Votre vertu pre'fe're'e?

[]

Votre occupation pre'fe're'e?

[]

Qui auriez-vous aime' e^tre?

[]

Le trait principal de votre caracte're?

[]

Ce que vouz appre'ciez le plus chez des amis?

[]

Votre principal de'feaut?

[]

Votre re^ve de bonheur?

[]

Quel serait votre plus grand malheur?

[]

Ce que vous voudriez e^tre?

[]

Le couleur que vous pre'fe'rez?

[]

Le fleur que vous aimez?

[]

L'oiseau que vous pre'fe'rez?

[]

Vos auteurs favoris en prose?

[]

Vos poe'tes pre'fe're's?

[]

Vos noms favoris?

[]

Le caracte'res historiques que vous me'prisez le plus?

[]

Le fait militaire que vous admirez le plus?

[]

Le don de la nature que vous voudriez avoir?

[]

Ce que vous de'testez par dessus tout?

[]

Comment aimeriez-vous mourir?

[]

E'tat pre'sent de votre esprit?

[]

Votre devise?

[]

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats' pseudonyms.

Cc:

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References: <3.0.1.32.19970623153253.00be5594@pop.gpnet.it>

 

Derek A. Beaulieu writes:

> 

>as to the identity of poor carlo marx lost in the weeds:

>well our own allen ginsberg.

>the secrets out

>there gonna be trouble.

>keep yr trenchcoat on  yr fedora down low

>derek

> 

& jack kerouac changed the pseudonyms in each book, a comedy seen thru the eyes of Ti Jean, (big sur), btw only Lorenz Monsanto (Ferlinghetti) was the same, other changedcuz'book trade matter

---

yrs

Rinaldo. * be beet *

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Help the beaten

Cc:

Bcc: tbaylor@forbin.com

X-Attachments:

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References:

 

Tom,

u can see almost everything 'bout yr questions at web site (Electronic Poetry Center)

http://wings.buffalo.edu/epc/connects/lists.htm hope this help,

---

yrs

Rinaldo * a not competent beat *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: life and all its little adventures...

Cc:

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References: <Pine.A32.3.93.970623114237.2276A-100000@srv1.freenet.calgary.ab.ca> <33AEEA5E.2ED9@together.net>

 

Marie Countryman writes:

>>> Derek A. Beaulieu wrote:

>>nexttime. the ACT, to me, is more important that the product (in my word

>>w(a)(o)nderings).

>>different ways of approaching wrds.

>>same core tho.

>_______

>revision or tightening up structure is as much an ACT as first thought

>first word splatter/shower out of head. and sculpture is what i see as the

>final part of my works when i put them in their place on the page.

>mc

>who really would like to be gonzo poet rather than 'confessional' have

>decided to kick that damn catholic girl outta my head. so auto bio is

>probably more accurate 'label' i dont write about ideas i write about my

>life and all its little adventures....

>mc

> 

%                  %

   (                                          )

         -               [                    -

              &                    &

                   )          (

         +]              /

                              |

                         ^          ^

                   @                    @

              #                               #

         +                                          +

   *                                                     *

\...++*

(...my                                   *    *%$""'

life and all its little adventures....)

   talkin'bout poetry &

\

(...kick

that damn catholic girl outta my head...)

         %    £                          !|

   writing words

   is sometime

   like a panther

   & give words

   people almost

   not poets,

\\

\

(...be gonzo poet

rather than 'confessional'...)

%&(!\\

 

   i'm a gonzo

   (

   with re

   ference to i

   talian mean

   i    ng

   of th

   e wORd gonzo as a fool,

   F    O    O    L, -F- -O- -O- -L-

   )

   FOOL! FOOL!! fooOL!!!,

   f

   or poe

   ts t

+  he ja

   ils are al

   ways

   O

   OOOOOOpen

\"\"\)

%                  %

   (                                          )

         -               [                    -

              &                    &    ==

   °               )          (

         +]              /

                              |

                         ^          ^

#°°°                     @                    @

              #                               #

         +          £££===???                             +

   *                                                     *

 

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: !a)n)a)a)k)a)r(c(h(y)c)0)m)e)s(B(a(c(K! Re: raining punctuation....

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References: <3.0.1.32.19970624193738.0068ba64@pop.gpnet.it>

 

..........mostOfmessageSnippedForBrevity..........pun.......

....................pun.....................................

>          *

>        "for poets the jails

>        are always open,"

>        i tried to convince

> 

>                garcia lorca.

> 

>        but

>        franco wouldnt let me

>                                 speak.

>                and lorca held my hand and said

>        "no,

>        for poets the ails

>        are always open,"

> 

> 

> 

!a)n)a)  a)k)a)     r(c(h(y    )c)0)m)e)s(B(a(c(K!

!

!!

!!!#

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              s

%

              aY

              hu man     we   are

              hu man s   we   err

   under      standing   wo   rds

   AS noT     individual      wo   rds

   is         going      to   get

   u          very far   in   unde

   r          standing   wh   y

   s          om         e    wooooooooooooRds

   are        go         (od &

   so         me         are ho(err R(Id

?

^

?  '    '    ||   00|||/\°°°°°°   $

%

10th     a.   k.   a.

   wo   Wo   WO   rds

   on   a    pa   ge   isnt' muchmuch

         d    i    ff   er   (r

                         r)ent

   fr                   omheaRing &=&=&+

   see(a=c    ing the  m spo

                         kenBy

                         live peo+  Poe

                         ple on a st

                         re(ER)et

^

   '    8)() @    "    /         

         i

         dont' c any

                         di   ff   er(R

                         en   ce

#

   #    =    =   

   0    0^   ^                          4    $

 

         u ar e    (rr  shift      (iching

                              (ing

         any

         T'ng u canName

!\\?

   [

   *    &    $

   ]    *    (    (

!a)n)a)  a)k)a)     r(c(h(y    )c)0)m)e)s(B(a(c(K!

!

!!

!!!#

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Kerouac.

Cc:

Bcc:

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DEAR friends,

Lowell Massachusetts on the tombstone:

"Ti Jean - John Kerouac who honored Life - his wife Stella"

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Nero.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

   my black

   spaniel

   Nero,

 

   my dog

   is unplugged

 

   my dog

   goes

   by the vet

  

   my dog

   Nero

   isnt' stupid!

 

   my dog

   watched

   the telly

 

   my dog

   was a pet

   when ceausescu

   was killed

   in xmas day

 

   my dog Nero

   isnt' stupid!

 

   my dog

   now is

   near a bunch

   of trash,

   car plate,

   or in kennel

 

   my dog

   killed

   one hundred

   hens

 

   & when

   the wind

   is blowing

  

   on the right

   i hear his

   unplugged

   soul

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: messing 'round

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.BSD/.3.91.970625220315.524B-100000@crystal.palace.net>

References:

 

"Robert H. Sapp" <rhs4@CRYSTAL.PALACE.NET> wrote:

>some antics

> 

> 

> 

> Now  here

>    is

>  nowhere

>    is

> a     God

>    is

>  a    dog

>    as

> anywhere

>    is

>any   where

>    is

>  nowhere

> 

>Words  are

>    not

>doors  and

>     i

> am    not

>     a

>word   but

>     i

>  am  also

>    not

>  a   door

>    you

>guess it's

>   your

>turn  still

> 

> 

> 

> 

> 

> 

> 

> 

>Eric Sapp

>rhs4@crystal.palace.net

> 

> 

&

gave Off sparks

On the stOne

dO Or   s

"NO One  Here Get  Out  Alive"--jm

30yrs agO was nOt sO sad

are we wOrd-machine

Or

blurred sepia phOtos

Only     gOd knOws what we are

anyOne Offended by my wOrds

im' guilt & deeply apOlogies

but in all sincerity i lOve u

my friends-- yrs RinaldO

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Kerouac.

Cc:

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At 19.29 25/06/97 +0200, Rinaldo Rasa <rinaldo@gpnet.it> wrote:

>DEAR friends,

>Lowell Massachusetts on the tombstone:

>"Ti Jean - John Kerouac who honored Life - his wife Stella"

> 

>---

>yrs

>Rinaldo.

> 

"Please permit me to introduce myself...

My name is Henry Cru and my best friend "Jack Kerouac" sent ne the enclosed postal card on my trip around the world. I am an electrician on the President Jackson and we are scheduled to arrive in Genoa June sixt or possibly a day or two later. In Jack's best selling novel On The Road he named himself "Sal Paradise" and he called me "Remi Bon Coeur". According to his card he wishes for me to tell you that I am Remi and then he sent me. I have no idea why he wants me to tell you this but knowing Jack as I do he must have some kind of mystical reason".

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Betty Shabazz.

Cc:

Bcc:

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   Betty Shabazz, American

    civil rights worker, died

   of burns in a New York

    hospital aged 61.

   She was born in Detroit

    on May 28, 1936.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Philip Lamantia(?)

Cc:

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References:

 

Poetry   by Philip Lamantia (?)

 

The real stuff.

Small presses.

(Mostly.)

Big thoughts.

Some with punctuation.

some without

All in love with language.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: wrong

Cc:

Bcc:

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friends apologies, i push the wrong button, ---Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Be At Home.

Cc:

Bcc:

X-Attachments:

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   BE AT HOME!

 

   it is near

   a summer evening

   lavender flowers

   in the garden

 

         i'm afraid!     i'm afraid!

 

   at

   sunset

   honey bees

 

   they worked

   at

   the end of a day

 

         i'm afraid!     i'm afraid!

 

         be at home!

 

   why are you afraid

   by the bees?

 

   they yield honey!

   do you like the honey?

 

   without bees nothing honey

   do you like the honey?

        

         I DONT' LIKE HONEy!

 

   I DONT' LINE HONEY!

 

         I DONT' LIKE HONEy!

 

---

yrs

Rinaldo. * a bee beaten *

www.gpnet.it/rasa/home.htmTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: No Nazi On The Net was (Re: FW: please read this and vote)

Cc: Sherri <love_singing@MSN.COM>

Bcc:

X-Attachments:

In-Reply-To: <UPMAIL14.199706301808480644@msn.com>

References:

 

At 17.51 30/06/97 UT, you wrote:

>This is important, please take the time.

>Ciao, Sherri

> 

>----------

>From:   Jamey Sims

>Sent:   Monday, June 30, 1997 9:48 AM

>To:     'sherry'; 'Dave'; 'jota'; 'Jacky'; 'Sherri'; 'Stella'; 'Jennifer';

>'Ralph'; 'David Lang'; 'boyeeeeeee'; 'Suzie & Robert'; 'Gary'; 'The Lang

>Gang'; 'Brandon Wescott'; 'kevey'; 'Dr Cowan'; 'Renee'; 'bogie'; 'Tammy';

>'Shari & Troy'; 'Yvonne'

>Subject:        FW: please read this and vote

> 

>do this please

>--Jamey

> 

>----------

>From:   Marrow

>Sent:   Saturday, June 28, 1997 3:35 PM

>To:     Jamey Sims

>Subject:        please read this and vote

> 

> 

> 

>>From: Marrow <mychajlo@pop.fast.net>

>>Subject: please read this and vote

>> 

>>>From: J_DRUCK@prodigy.com (MR JEFFREY L DRUCKENMILLER)

>>>Date: Thu, 26 Jun 1997 07:39:12, -0500

>>>To: rrjwalz@integrityonline.com, mychajlo@fast.net

>>>Subject: please read this and vote

>>> 

>>>for your interest

>>> 

>>> 

>>> 

>>><< Start of Forwarded message via Prodigy Mail >>

>>> 

>>>From:  (Warshie) DIANNE WARSHAVER

>>>Subject:       please read this and vote

>>>Date:  06/20

>>>Time:  07:28 PM

>>> 

>>>so, we are never safe from crazies.....

>>> 

>>> 

>>><< Start of Forwarded message via Prodigy Mail >>

>>> 

>>>From:  David Blum

>>>Subject:       please read this and vote

>>>Date:  06/20

>>>Time:  06:55 PM

>>> 

>>>Return-Path: <davmark@mindspring.com>

>>>Received: from brickbat8.mindspring.com (brickbat8.mindspring.com

>>>[207.69.200.11])

>>>      by pimaia1w.prodigy.com (8.8.5/8.8.5) with ESMTP id SAA106760

>>>      for <Warshie@prodigy.com>; Fri, 20 Jun 1997 18:56:48 -0400

>>>Received: from 38.26.20.135 (ip135.an9-new-york4.ny.pub-ip.psi.net

>>>[38.26.20.135])

>>>      by brickbat8.mindspring.com (8.8.5/8.8.5) with SMTP id SAA03646;

>>>      Fri, 20 Jun 1997 18:55:11 -0400 (EDT)

>>>Message-ID: <33AAC4FA.42EF@mindspring.com>

>>>Date: Fri, 20 Jun 1997 18:59:22 +0100

>>>From: David Blum <davmark@mindspring.com>

>>>Reply-To: davmark@mindspring.com

>>>X-Mailer: Mozilla 3.0 (Macintosh; U; 68K)

>>>MIME-Version: 1.0

>>>To: "artworks@concentric.net" <artworks@concentric.net>,

>>>        "CHFriend@aol.com" <CHFriend@aol.com>,

>>>        "joshperi@netvision.net.il" <joshperi@netvision.net.il>,

>>>        MS DIANNE L WARSHAVER <Warshie@prodigy.com>,

>>>        Sarah Barnett <phibarn@scisun.sci.ccny.cuny.edu>,

>>>        Steve Zuckerman <szucker@isd.net>,

>>>        "Susan E. Ranney" <sranney@azstarnet.com>,

>>>        Suzie Dennis Ben David <marketingedge@msn.com>,

>>>        "zin@juno.com" <zin@juno.com>

>>>Subject: please read this and vote

>>>Content-Type: text/plain; charset=us-ascii

>>>Content-Transfer-Encoding: 7bit

>>> 

>>>>Forwarded message:

>>>>Subj:    No Subject

>>>>Date:    97-06-06 03:17:09 EDT

>>>>From:    Jonapangai

>>>>To:      CampNicole

>>>> 

>>>>We have understood that a few Neo-Nazi groups are trying to create

>>>>(again) a usenet group where they want to keep in contact

>>>>with each other regarding their activities. I believe it is not

>>>>necessary to dwell further on these activities.

>>>> 

>>>>The group is rec.music.white-power

>>>> 

>>>>To create such a group, they have to win a referendum that is

>>>>always organised when a new usenet group is created.

>>>>All persons with an email address, and only those, can vote

>>>>in this referendum.

>>>> 

>>>>It is IMPORTANT to vote only once, otherwise the vote is

>>>>cancelled.

>>>> 

>>>>To prevent the creation of this group, you have to:

>>>> 

>>>>    1. Send this message to people you know

>>>> 

>>>>    2. Send an email to the following address:

>>>> 

>>>>           music-vote@sub-rosa.com

>>>> 

>>>>    3. In the body of your message (not in the 'subject' line)

>>>>      include EXACTLY and ONLY the following line:

>>>> 

>>>>           I vote NO on rec.music.white-power

>>>> 

>>>>Since the vote is automatic, it is IMPORTANT to send the

>>>>exact line as it is given above, without adding anything, not even

>>>a

>>>>name.

>>>>And please send it only once or it becomes invalid ! Also,

>>>> 

>>>>PLEASE  FORWARD

>>>>THIS LETTER TO EVERYONE YOU KNOW WITH AN E-MAIL ADDRESS TO

>>>>PREVENT THE GROUP FOUNDERS FROM CREATING THIS GROUP.

>>>> 

>>>>*********************************************

>>>> Israel Rubinstein

>>>> Professor of Chemistry

>>>> Department of Materials and Interfaces

>>>>The Weizmann Institute of Science

>>>> Rehovot 76100, Israel

>>>>Phone: +972 8 9342678     Fax: +972 8 9344137

>>>> E-mail: cprubin@weizmann.weizmann.ac.il

>>>>http://www.weizmann.ac.il/weg

>>>> 

>>>> 

>>>> 

>>>Gerardo (Jerry) Rogoff

>>>Field Applications Engineer

>>>Exar Corporation

>>>500 Clark Rd.

>>>Tewksbury, MA 01876

>>> 

>>>Tel.:    (508) 640-8899

>>>FAX:   (508) 640-6926

>>>Pager: (800) 943-4064

>>> 

>>>email: jerry.rogoff@exar.com

>>>Visit our Website @: http://www.exar.com

>>> 

>>> 

>>><< End of Forwarded message >>

>>> 

>>><Distribution List>

>>>      (FJHE36A), J DRUCKENMILLER

>>>      (TVSG32A), STEVE BOGUS

>>> 

>>> 

>>><< End of Forwarded message >>

>>> 

>>> 

> 

> 

>Sincerely,

>Michael T. Montgomery

>mychajlo@fast.net

> 

> 

Sherri,

i agree with yr fwd message, i have already posted likes message in march 97 & now i dont' know if nazi are attempting to re-vote 'bout this NG, if this the case, please send yr fresh informaion, 'cuz i was pointed (in march 97) that the vote was over & the nazi NG spin off the Usenet... but time perhaps are a changin',

ciao e tanti saluti da

Rinaldo. To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: self proclaimed poet

Cc:

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X-Attachments:

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>From:         Zach Chisholm <chizam@TRACE.IE.WISC.EDU>

>Subject:      self proclaimed poet

> 

>I am a self proclaimed poet

>relatively new to beat-l

>thought I'd promote

>my site of poetry

>(http://trace.ie.wisc.edu/chizam)

>I'm a 19 year old male

>living in Wisconsin

>(when I'm not out traveling)

>no formal teaching

>have I recived

>in the area of writing

>but I enjoy it

>I'm no Kerouac, Ginsberg, or Whitman

>I'm just me writing

>my opinions

>my thoughts

>my experiences

>on paper and in computers

>If you would

>go and read my work

>email me what you think

>I'll keep on writing

>because all in all

>it is just for me

> 

>Zach Chisholm

> 

> 

zach, nice performance! self proclaimed poet RIGHT ON!

if u Like my opinion!

---

yrs Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: No Nazi AGAIN!!!.

Cc:

Bcc:

X-Attachments:

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dEAR fRIENDS,

i'm noticed in advance many people disagree with censored the NG nazi, anyway i agree with people who want that hate & dont' forget that hitler gang was let talked in past & from word to word people agree with the project & then olocausto became a reality, word arent' facts, maybe but in politics there a bit different matter i suppose,

tHanx alot for yr opinions my friends,

---

yrs

Rinaldo.

* I write peotry because Ezra Pound saw an ivory tower,

   [bet on one wrong horse... ---allen ginsberg * To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: No Nazi AGAIN!!!.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Date:         Tue, 1 Jul 1997 00:13:33 -0700

>From:         runner711 <babu@ELECTRICITI.COM>

>I think I feel

>that people will watch and wait

>see what happens because you can't

>be everywhere be everything

>certainly not against

>everything

>my god

> 

>life is about breathing

>about swimming

><<peeing in the pool>>

>and about running

>always about running

> 

>time takes a cigarette <<david bowie>>

> 

>Nazies, what do I care?

>I think I feel

>olo cost

>that's why people don't agree

>censsssor ship is bad!!!

> 

>douglas

> 

>At 10:42 PM -0700 6/30/97, Rinaldo Rasa wrote:

> 

> 

>> dEAR fRIENDS,

>> i'm noticed in advance many people disagree with

>> censored the NG nazi, anyway i agree with people

>> who want that hate & dont' forget that hitler gang

>> was let talked in past & from word to word people

>> agree with the project & then olocausto became a reality,

>> word arent' facts, maybe but in politics there a bit

>> different matter i suppose,

>> tHanx alot for yr opinions my friends,

>> ---

>> yrs

>> Rinaldo.

>> * I write peotry because Ezra Pound saw an ivory tower,

>>         [bet on one wrong horse... ---allen ginsberg *

> 

> 

>http://www.electriciti.com/babu/                summer

>save it, just keep it off my wave               is

>  -- ("my wave," soundgarden)                   here

> 

dEAR,

i agree with u but i forced myself to forget that Ezra Pound IS a fascist & put a line between poetry & politics, but this not possible in every case, the poetry as i known born in italy with San Francesco & then with Dante Alighieri & wasnt' so clear that was ONLY lit, poetry was POLITICS at his dawn its' no doubt, & what i must say 'cuz im' born in a patria who was the land where fascism was grown...

have my love,

Rinaldo. * a not competent beet *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: btw

Cc:

Bcc:

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In-Reply-To:

References:

 

dear friends, im' reading "La leggenda di Duluoz" [THE LEGEND OF DULUOZ] by Jack Keroauc, edit by Ann Charters, JK works are a long bestseller here in italy!--- yrs Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: pier paolo pasolini.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <l03020901afdecd9a5505@[198.5.212.50]>

References: <3.0.1.32.19970701131203.0068b834@pop.gpnet.it>

 

Douglas wrote:

[s/thing snipped for brevity]

>don't know Ezra Pound at all

>"Salo" by piero pasolini has my love

>a fetching carrot, // Douglas

 

dear Douglas,

pier paolo has his brother killed by

fascists during the italian civil

war in 1945, this was,

a thread in his works (poetries&films), his first film "Accattone" was a milestone 'cuz introduce the vernacular language & actors street urchin (neorealismo).

pier paolo pasolini was killed in a cruel way in 1975,

---

yrs

Rinaldo.

*

"E cosi' ce ne andremo perdendo a una a una Anche le parole piu' care, ed arrivando Fino a Dio con carte bianche, ma forse

con visi piu' sereni: mon lecteur, mon frere" poetry by venetian poet Giacomo Noventa *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: BOMB by Gregory Corso (was re:gregory corso?)

Cc:

Bcc: ksenija@GALOIS.MI.SANU.AC.YU

X-Attachments:

In-Reply-To:

References:

 

 

                   BOMB       by Gregory Corso

 

         Budger of history  Brake of time  You  Bomb

  Toy of universe  Grandest of all snatched-sky  I cannot hate you

    Do I hate the mischievous thunderlbolt  the jawbone of an ass

  The bumpy club of On Million B.C.  the mace  the flail  the axe  Catapulte Da Vinci  tomahawke Cochise  flintlock Kidd dagger Rathbone

  Ah and the sad desperate gun of Verlaine  Pushkin  Dillinger  Bogart  And hath not St. Michael a burning sword  St. George a lance David a sling  Bomb  you are as cruel as man makes you  and you're no crueller than cancer

   All man hates you  the'd rather die by car-crash  lightining  drowing

  Falling off a roof  electric-chair  heart-attack  old age  old age O Bomb

   They'd rather die by anything but you  Death's finger is free-lance  Not up to man wheter you boom or not  Death has long since distribuited its  categorical blue  I sing thee Bomb  Death's extravagance  Death's jubilee  Gem of Death's supremest blue  The flyer will crash  his death will differ

  with the climber who'll fall  To die by cobra is not to die by bad pork Some die by swamp some by sea and some by the bushy-haired man in the night

   O there are deaths like witches of Arc  Scary deaths like Boris Karloff

   No-feeling deaths like birth-death  sadless deaths like old pain Bowery  Abandoned deaths  like Capital Punishment stately deaths like senators  And unthinkable deaths like Harpo Marx  girls on  vogue covers  my own

   I do not know just how orrible Bombdeath is  I can only image

   Yet no other death I know has so laughable a preview  I scope

   a city  New York City  streaming  starkeyed  subway  shelter

    Scores and scores  A fumble of humanity  High beels bend

         Hats whelming away  Youth forgetting their combs

       Ladies not knowing what to do with their shopping bags

         Unperturbed gum machines  Yet dangerous 3rd rail

       Ritz Brothers  from the Bronx  caught in the A train

         The smiling Schenley poster will always smile

                  Implish Death  Satyr Bomb  Bombdeath

                   Turtles exploding over Istambul

                   The jaguar's flying foot

                   soon to sink in arctic snow

              Penguins plunged against the Sphinx

              The top of the Empire State Bulding

              arrowed in a broccoli field in Sicily

             Eiffel shaped like C in Magnolia Gardens

                 St. Sophia peeling over Sudan

                O athletic Death  Sportive Bomb

                  The temple of ancient times

                   their grand ruine ceased

                 Electrons   Protons   Neutrons

                   gathering Hesperean hair

                walking the dolorous golf of Arcady

                   joing marble helmsmen

               entering the final amphitheatre

              with a hymnody feeling of all Troys

                 heralding cypressean torches

                   racing plumes and banners

           and yet knowing Homer with a step of grace

              Lo the visiting team of Present

                   the home team of Past

               Lyre and tuba together joined

              Hark the hotdog soda olive grape

              gala galaxy  robed and uniformed

              commissary  O the happy stands

               Ethereal root and cheer and boo

              The billioned all-time attendance

                   The Zeusian pandemonium

                   Hermes racing Owens

                   the Spitball of Buddha

                    Christ striking out

                   Luther stealing third

              Planetarium Death  Hosannah Bomb

              Gush the final rose  O Spring Bomb

              Come with thy gown of dynamite green

              unmenance Nature's inviolate eye

                 Before you the wimpled Past

              behind you the hallooing Future O Bomb

              Bound in the grassy clarion air

               like the fox of the tally-ho

            thy field the universe thy hedge the geo

          Leap Bomb   bound Bomb   frolic zig and zag

          The stars a swarm of bees in the binging bag

              Stick angels on your jubilee feet

            wheels of rainlight on your bunky seat

             You are due and behold you are due

              and the heavens are with you

             hosannah incalescent glorious liaision

            BOMB O avoc antiphony molten cleft BOOM

              Bomb mark infinity a sudden furnace

            spread thy multidinous encompassed Sweep

                   set forth awful agenda

         Carrion stars  charnel planets  carcass elements

     Corpse the universe  tee-hee  finger-in-the mounth hop

              over its long long dead Nor

           From thy nimbled matted spastic eye

           exhsaust delegues of celestial ghouls

              From thy appellational womb

              spew birth-gusts of great worms

                Rip open your belly Bomb

          from your belly  outflock vulturic salutations

       Battle forth your spangled hyena finger stumps

              along the brick of Paradis

              O Bomb  O final Pied Paradise

         both sun and firefly behind your shock waltz

              God abandoned mock-nude

         beneath His thin false-talc'd apocalypse

              He cannot hear thy flute's

              happy-the-day profanation

         He is spilled deaf into the Silencer's warty ear

             His Kingdom an eternity of crude wax

              Clogged clarions untrumpet Him

              Selead angels unsing Him

              A thunderless God  A dead God

              O Bomb  thy BOOM His tomb

           That i lean forward on a desk of science

               an astrologer dabbling in dragon prose   

         half-smart about wars  bombs  especially bombs

       That I am unable to hate what is necessary to love

         That i can't exist in a world that consents

       a child in a park  a man dying in an electric-chair

             That I am able to laugh at all things

   all that I know and do not know  thus to conceal my pain

         That I say I am a poet and therefore love all man

            and my unwords no less an acquaintanceship

                   That I am manifold

              a man pursuing the big lies of gold

              or a poet roaming in bright ashes

               or that which I image myself to be

         a shark-toothed sleep  a man-eater od dreams

           I need not then be all-smart about bombs

         Happily do  for it I felt bombs were caterpillars

              I'd doubt not they'd become butterflies

                   There is a hell for bombs

              They're there   I see them there

              They sit in bits and sing songs

                   mostly German songs

              and two very long American songs

            and they wish there were more songs

            especcialy Russian and Chinese songs

           and some more very long American songs

              Poor little Bomb that'll never be

                an Eskimo song  I love thee

                 I want to put a lollipop

                   in thy furcal mouth

            A wig of Goldilocks on thy baldy bean

         and have you skip with me Hansel and Gretel

              along the Hollywoodian screen

             O Bomb in which all lovely things

           moral or phisical anxiously partecipate

              O fairlyflake plucked from the

                 grandest universe tree

              O piece of heaven which gives

               both mountain and anthill a sun

         I am standing before your fantastic lily door

         I bring you Midgardian roses  Arcadian musk

          Reputed cosmetics from the girls of heaven

            Welcome me  fear not thy opened door

              nor thy cold ghost's grey memory

            nor the pimps of indefinite weather

              their cruel terrestrial thaw

                   Oppenheimer is seated

                 in the dark pocket of Light

              Fermi is dry in Death's Mozambique

                   Einstein his mythmouth

         a barnacled wreath on the moon-squid's head

   Let me in  Bomb  rise from thet pregnant-rat corner

       nor fear the raised-broom nations of the world

                   O Bomb I love you

         I want to kiss your clanck   eat your boom

              You are a pean  an acme of scream

              a lyric hat of Mister Thunder

              O resound thy tanky knees

              BOOM  BOOM  BOOM  BOOM  BOOM

              BOOM ye skies and BOOM ye suns

         BOOM  BOOM ye moons  ye clouds  ye rains

             go BANG ye lakes  ye oceans BING

              Barracuda BOOM and coguar BOOM

                Ubangi BANG  orangoutang

           BIG BANG BONG BOOM   bee bear baboon

                ye BANG ye BONG ye BING

                   the tail the fin the wing

         Yes  Yes  into our midst a bomb will fall

         Flowers will leap in joy their roots aching

   Pinkbombs will blossom  Elkbombs will perk their ears

   Ah many a bomb that day will awe the bird a gentle look

         Yet  not anough to say a bomb will fall

         or even contend celestial fire goes out

         Know that the earth will madonna the Bomb

   that in the hearts of men to come more bombs will be born

         magisterial bombs wrapped in ermine  all beatiful

         and they'll sit plunk on earth's grumpy empires

              fierce with moustaches of gold

 

 

 

---

yrs

Rinaldo.

www.gpnet.it/rasa/home.htm

 

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Tue, 1 Jul 1997 17:33:36 -0500

>Reply-To:     Michael Skau <mskau@CWIS.UNOMAHA.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Michael Skau <mskau@CWIS.UNOMAHA.EDU>

>Subject:      gregory corso?

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>Ksenija,

>The Corso line you were asking about is from line 15 of Corso's

>poem "Bomb"; in English it reads," To die by cobra is not to die

>by bad pork." "Bomb" was originally published as a broadside, and

>later was collected in _The Happy Birthday of Death_ as a foldout

>in that volume, surely one of the few books of poetry ever published

>with a centerfold.

>Cordially,

>Mike Skau

>7/1/97

> 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: visions of cody (JK reading televised in los angels october 1959)

Cc:

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"Vision of Cody" for jack kerouac was his preferred book 'cuz he wasnt' able to publish it,---Rinaldo.

*

Rarely, rarely comest

[thou Spirit of Delight"

---shelley

*To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (c) & (r)

Cc:

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>>From FireWalk Thru Madness, copyright December 1992 David B. Rhaesa <|snip|>

 

David,

are you copirated?

---

yrs

Rinaldo * a beetle bottled *

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: be at #2 haiku

Cc:

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         blurred flies

         in his eyes

 

         poor man

 

         incognito like a

         multimillionaire

 

 

---

yrs

Rinaldo.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Rexroth

Cc:

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 "Thou Shalt Not Kill" by Kenneth Rexroth

 

 

You,

The hyena with polished face and bow tie, In the office of a billion dollar

Corporation devoted to service;

The vulture dripping with carrion,

Carefully and carelessly robed in imported tweeds, Lecturing on the Age of Abundance;

The jackal in the double-breasted gabardine, Barking by remote control,

In the United Nations...

The Superego in a thousand uniforms,

You, the finger man of the behemoth,

The murderer of the young men...To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Visions of Cody JK speaks

Cc:

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http://www-hsc.usc.edu/~gallaher/k_speaks/soundsource.html

 

The Kerouac singing sound is an outtake from the Blues and Haikus session. The "meaningless goof" sample is a passage from Visions of Cody called Neal and the Three Stooges. Note how in this passage he says "Neal knows his name" rather than "Cody knows his name." Kerouac wrote with using real names and changed them later before publication. This recording was made before Visions of Cody was published.

 

http://www-hsc.usc.edu/~gallaher/k_speaks/kerouacspeaks.html To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Friday (afternoon, summer)

Cc:

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   Friday          afternoon  summer

   blue collars    clean out  punching papers

   bank            closed

 

   calm calm

 

   hasty employees swarm      like ants

 

   calm calm

 

   money has stopped working  (except credit card)

 

   &

   pensioners have lost  the cork of the bottle

   &

   cats

   &

   cats are dozing on the patio

   &

   cats wont' eat the poor birdies fallen from the nest

   &

   clouds

  

   clouds?

 

   & the clouds turned pink from the brush of canaletto

 

   calm calm calm

 

   until

   MONDAY

 

---

yrs

Rinaldo.

 

*

"Io sono una forza del Passato.

Solo nella tradizione e' il mio amore." Pier Paolo Pasolini

*To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Denise Levertov.

Cc:

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PEOPLE AT NIGHT          by Denise LEVERTOV

 

 

A night that cuts between you and you

and you   and you   and you

and me : jostles us apart, a man elbowing through a crowd.     We won't

         look for each other, either-

wander off, each alone, not looking

in the slow crowd. Among sideshows

         under movie signs,

         pictures made of a million lights,

         giants that move and again move

         again, above a cloud of thick smells,

         franks, roasted nutmeats-

 

Or going up to some apartment, yours

             or yours, finding

someone sitting in the dark:

who is it really? So you switch the

light on to see: you know the name but

who is it ?

    But you won't see.

 

The fluorescent light flickers sullenly, a pause. But you command. It grabs

each face and holds it up

by the hair for you, mask after mask.

         You   and   you and I   repeat

         gestures that make do when speech

         has failed and talk

         and talk, laughing, saying

         'I', and 'I',

meaning 'Anybody'.

                   No one.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: proletariat #3

Cc:

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   shopping

   bags

   come

   back

   home

   killing

   me!

---

yrs

Rinaldo.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a poetess in the early peace movement Re: Denise Levertov.

Cc:

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In-Reply-To: <970706203859_191982931@emout20.mail.aol.com>

References:

 

At 20.39 06/07/97 -0400, Pamela Beach Plymell <CVEditions@AOL.COM> wrote:

>Worse than discourse!

>Charles Plymell

> 

Buona giornata Charles, can i get better?

 

SUMMER 1961        by DENISE LEVERTOV

 

This is the year when the old ones,

the old great ones,

leave us alone on the road.

 

The road leads to the sea.

We have the words in our pockets,

obscure directions. The old ones

 

have taken away the light of their presence, we see it moving away over a hill

off to one side.

 

They are not dying,

they are withdrawn

into a painful privacy

 

learning to live without words.

E.P., "it looks like dying"-Williams: "I can't describe to you what has been

 

happening to me"-

H.D. "unable to speak."

The darkness

 

twists itself in the wind, the stars

are small, the horizon

ringed with confused urban light-haze.

 

They have told us

the road lead to the sea,

and given

 

the language into our hands.

We hear

our footsteps each time a truck

 

has dazzled past us and gone

leaving us new silence.

One can't reach

 

the sea on this endless

road to the sea unless

one turns aside at the end, it seems,

 

follows

the owl that silently glides above it

aslant, back and forth,

 

and away into deep woods.

 

But for us the road

unfurls itself, we count the

words in our pockets, we wonder

 

how it will be without them, we don't

stop walking, we know

there is far to go, sometimes

 

we think the night wind carries

a smell of the sea...

 

 

---

yrs

Rinaldo. * not a competent beat *

 

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Vote For FERNANDA PIVANO SENATRICE A VITA.

Cc:

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                         Al Presidente della

                         Repubblica Italiana

                         on. Oscar Luigi Scalfaro.

 

"Egregio Presidente,

visto l'articolo 59 della Costituzione della Repubblica italiana vogliamo proporLe di prendere in considerazione la nomina di senatrice a vita di Fernanda Pivano.

Fernanda Pivano, che compie quest'anno ottanta anni, ha dedicato la vita alla cultura e con il suo impegno di scrittrice e traduttrice ha contribuito a far conoscere la cultura e la letteratura americana, a valorizzare autori altrimenti sconosciuti in Italia ed a qualificare la cultura italiana in America. Considerata in tutto il mondo un simbolo della cultura italiana, riteniamo sia doveroso riconoscerle questi altissimi meriti che hanno illustrato la nostra Patria".

 

Chi volesse sottoscrivere questo appello aggiungendo il proprio nome puo' indirizzare a:

 

(address)

 

   Gaia Maschi

   via di Propaganda 16

   00187 ROMA

   ITALIA

 

(text)

 

   "

   FERNANDA PIVANO E' UNA GRANDE ITALIANA,

   SIGNOR PRESIDENTE

   "

 

(end text)

 

 

---

yrs

Rinaldo.

*

Allen Ginsberg, The Hydrogen Jukebox

Traduzione di Fernanda Pivano (1968)

"Jukebox all'idrogeno",

 

Jack Kerouac, On the Road,

Traduzione di Fernanda Pivano (1959)

"Sulla Strada"

*

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Caro diario.

Cc:

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dear diary,

i today have read a very poetic phrase in "On the Road": "climbing trees to get into attics of buddies where he spent days

              reading or hiding

from the law" written by jack keroauc depicting the life of NEAL CASSADY,   reading or hiding

              very poetic

              reading or hiding

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ceasefire #3

Cc:

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         im'

         pathfinder

         ranger

         sojourner

        

         im' thinking

         Shhh Shhh

 

         Uhmm Uhmm

         is there life?

 

         is there

         intellingent

         life?

 

         im' back

 

         my name is

         sojourner

 

         Shhh Shhh

         Uhmm Uhmm

 

         Shhh Shhh

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: ...

Cc:

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In-Reply-To: <970708235422_-1829546063@emout04.mail.aol.com>

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dear friends,

...

with mother finally ******, and the last fantastic ...

maybe it so happens that Allen Ginsberg didn't he want another accuse of obscenity?

keep in mind that also Jack Kerouac changed names with pseudonyms rightly or wrongly, to not offended some people characterized in his works,

 

---

yrs

Rinaldo. * a not competent beat *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: God

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.1.32.19970707180941.0069b81c@uoft02.utoledo.edu>

References: <c=US%a=_%p=OEES%l=SD-MAIL-970707205654Z-279@sd-mail.sd.oee s.com>

 

At 18.09 07/07/97 -0400, Sara Feustle <sfeustl@UOFT02.UTOLEDO.EDU> wrote:

>        There is no "God." Case closed. --Sara ...

   eli

   eli lamma lamma sabachtani

...                           --allen ginsberg, howl, I

 

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Wed blues.

Cc:

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   priest

   confessor

 

   u get

   married

   my confessor

 

   an angel

   has pissed

   on my head

 

   my imaginary

   friend

 

 

---

yrs

Rinaldo.

 

   To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Life after the ***th.

Cc:

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   ahem ahem

   i aint' ready

   Father

 

   my dad's car

   is

   better

   than

   yr Dad's car

 

i take note that howl by allen ginsberg is a bloody poem

   when i read times ago

   i havent' the same eyes

 

   i have now,

 

right!   but now just when i read howl&kaddish i see cutted heads &    blood      everywhere

 

   5.30 a.m. thu

 

i aint' ready i aint' ready

i have a vision    i see      i aint ready

 

   6:00 a.m. thu

 

i sing in my mind a nursery rhyme

   i aint' readY!

 

   6:00 a.m. thu

   6:00 a.m. thu

              6:00 am thu

                   6:00 am thu

 

 

---

yrs

Rinaldo. *    ciao       *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: who is MemBabe?

Cc:

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i wrote:

help

MemBabe@aol.com wrote:

>que pasa?

> 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat poet jack kerouac on CD && mM

Cc:

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Beatspotting at Melody Maker, june 28, 1997, at page #29, i found this ''ad'' poem:

 

"

   MUTE COMMUNION

   Patrick Jones, Rev Press

  

   12:06:97

 

   I am critic

   I am corrupt

   I have blood of countless

   generations of artists on my h@nds

   I am not sotty

   the INK

   spills from my h@nds and causes

   tears to flow ceaselessly like a stern

   m@nic street preachers fan's mum

   read read this  read this

   and you will find

   three seconds meaning in a book of

   non/sense

 

   your approval

   means nothing to me

   to me means nothing

   nothing means to me  would

   would      would      that I could

   extract any meaning

   i recently bought the collected

   works of famous beat poet jack

   kerouac on CD

   and even        that

   even       that,

   laughable as it seemed set to the

   jazzy textures of the blown sax

   was

   genius

   compared to this, this          the second

   anthology of work from Nicky

   Wire-endorsed Ninenties beat poet

   successor  EXCESSor   patrick

   jones

 

   INK drips from my pen onto

   sullen pages of white

   i fear for the youth's/         future

   you can purchase this TWO

   POUNDS from rev press,

   10 coronation rd blackwood NP2

   1EA/       wales

   i do not   not NOT  recommend

   it/ it is

   b

   o

   l

   l

   o

   c

   k

   s

 

   E(vere)TT TRUE

 

"

 

---

yrs

Rinaldo. * Da! Da! DaDa i love you! *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Dean Moriarty & cars.

Cc:

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friends,

i quote from ''On The Road'' ..."Friday night beyond all doubt the three of us - the old threesome of Carlo, Dean, and Sal - must go to the midget auto races, and for that I can get us a ride from a guy downtown I know...",

 

in italian "midget car" was translated as "microvettura", ("Sulla strada", 1959), but im' a bit confused cos micro is a prefix for infinitesimally little, i dont' know what kind of car was involved in races in America during 1947, & at the moment in Italy a "microvettura" is like those little toys (just so tiny car) operated by remote control, any idea 'bout "midget car"?

 

cari saluti,

---

yrs

Rinaldo.

 

btw      Enrico Caruso (Naples 1873 - Naples 1921),

   was the first opera singer who recorded on disk his

   own performances.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: untangled

Cc:

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   Yuri

   got up on the morning

 

   Yuri has asked me if i existed

   & on the moon had snowed

 

   i have answered all exist

 

   Yuri passed hours

   listened to music on the radio

 

   Yuri The Parrot

   now

   looks at with eyes of lizard

   (without tail)

   in

   the ruined house

   (tacit order of demolition

   next morning)

 

 

---

yrs

Rinaldo.

 

 

 

 

 

 

 

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Alice (lyric/song) by Francesco De Gregori.

Cc:

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------------------------------------------------------------

         Alice      (song) by Francesco De Gregori

 

Alice guarda i gatti          Alice looks at the cats e i gatti guardano il sole and the cats look at the sun mentre il mondo sta      while the world

 [girando senza fretta        [be turning without hurry

 

Irene e' li' al quarto piano  Irene lives on the fourth floor lei e' li' tranquilla e         she is there calm  [si guarda allo specchio   [and looks at oneself in the mirror e si accende           and again she catches fire  [un'altra sigaretta       [a cigarette

 

e Lili' Marlene               and more beautiful

 [bella piu' che mai          [Lili Marlene that never lei sorride                    she smiles you

 [non ti dice la sua eta'     [she doesn't tell his age ma tutto questo               but all this

 [Alice non lo sa             [Alice doesn't know it

 

E io non ci sto'              And I am against it

 [piu' grido' lo sposo        [the bridegroom shouted e poi tutti pensarono      and then all thought  [dietro i cappelli        [behind the hats

lo sposo e' impazzito         the bridegroom goes crazy  [oppure ha bevuto          [or he is drunk

 

ma la sposa aspetta      but the bride is pregnant [un figlio

e lui lo sa                   and he knows it

non e' cosi' che se ne andra' it is not as that if he will go away

 

 

Alice guarda i gatti          Alice looks at the cats e i gatti muoiono nel sole and the cats die in the sun mentre il sole           while the sun gradually draws near  [a poco a poco si avvicina

 

E Cesare perduto              And Cesare lost in the rain  [nella pioggia

sta aspettando da sei ore     he is waiting for 6 hours  [il suo amore ballerina  [his love ballerina e lui rimane li'            and he stays there

 [a bagnarsi ancora un po'    [to get wet a few still e il tram di mezzanotte        and the midnight bus goes away  [se ne va

ma tutto questo               but all this

 [Alice non lo sa             [Alice doesn't know it

 

 

E io non credo piu'      And I believe

 [i pazzi siete voi      [the crazy persons are you e poi tutti pensarono       and then all thought  [dietro i cappelli        [behind the hats

lo sposo e' impazzito         the bridegroom goes crazy  [oppure ha bevuto          [or he is drunk

 

ma la sposa aspetta      but the bride is pregnant [un figlio

e lui lo sa                   and he knows it

non e' cosi' che se ne andra' it is not as that if he will go away

 

 

Alice guarda i gatti          Alice looks at the cats e i gatti girano nel sole and the cats walk under the sun mentre il sole fa                while the sun makes love to the moon  [l'amore con la luna

 

e il mendicante arabo         and the Arabic beggar non ti chiede mai pane      doesn't ask you but  [mai pane o carita'        [bread or charity e ancora un posto             and still a place

 [per dormire non ce l'ha     [for sleep he doesn't have ma tutto questo               but all this

 [Alice non lo sa             [Alice doesn't know it

 

 

 

E io non voglio               and I don't want

 [piu' grido' lo sposo        [the bridegroom shouted e poi tutti pensarono      and then all thought  [dietro i cappelli        [behind the hats

lo sposo e' impazzito         the bridegroom has maddened  [oppure ha bevuto          [or he has drunk

 

ma la sposa aspetta      but the bride is pregnant [un figlio

e lui lo sa                   and he knows it

non e' cosi' che se ne andra' it is not as that if he will go away

 

 

---

yrs

Rinaldo. *countercultural italian song from the late 70s* ------------------------------------------------------------ To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: An Illiterate Impression of Visions of Cody

Cc:

Bcc:

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In-Reply-To: <l03020901aff0a83dfcbd@[198.5.212.52]>

References: <970714113837_-2044436868@emout17.mail.aol.com>

 

douglas & beati interested:

<<maestro di color che sanno>>=Master of Sage its' referred to a person who is the best in the knowledge btw im' not sure but i think joyce parafrased a verse by Dante Alighieri "Divina Commedia", the work joyce liked alot, perhaps a tribute to San Tommaso D'Aquino the Great Theological Medieval Master,

---

yrs

Rinaldo.

* Kerouac gave to Neal Cassady the first "On The Road" copy printed but Neal Cassady didn't demonstrate any interest to the book * again ciao.

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: An Illiterate Impression of Visions of Cody

Cc:

Bcc:

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References:

 

Sherri & amici beati,

check Ann Charters' foreword in

Jack KEROUAC "THE LEGEND OF DULUOZ"

COMPILATION COPYRIGHT (c) THE ESTATE OD STELLA KEROUAC, JOHN SAMPAS LITERARY REPRESENTATIVE; AND JAN KEROUAC, 1995

 

Ann Charters quoted (i have the italian translation): "Nel 1957, quando il suo vecchio amico Neal Cassady e uno scatolone di libri inviatogli dall'editore arrivarono contemporaneamente nel suo appartamento di Berkeley, Kerouac diede la prima copia di "Sulla strada" appena pubblicato a Cassady, protagonista del libro. In "Angeli di desolazione" Kerouac scrisse che quando Cassady se ne ando' "Per la prima volta nelle nostre vite non mi guardo' negli occhi salutandomi, ma distolse lo sguardo- non lo capii allora e non lo capisco adesso- sapevo che qualcosa stava per andare storto e ando' storto davvero" [translated by Maria Giulia Castagnone]

 

if i read in absent-minded tell me why,

 

ciao a tutti,

---

yrs

Rinaldo. *a not competent beet*

 

 

At 13.56 15/07/97 UT, Sherri wrote:

>* Kerouac gave to Neal Cassady the first "On The Road" copy printed

>but Neal Cassady didn't demonstrate any interest to the book *

>again ciao.

> 

>do any of you know anything about this?  was this the beginning of the rift

>between them?

> 

>ciao,

>sherri

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD)Allen Ginsberg: Shadow Changes Into Bone, Vol 1, #5

Cc:

Bcc:

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>Subject: Allen Ginsberg: Shadow Changes Into Bone, Vol 1, #5

> 

>*--------------------------------------------------------*

>*                 SHADOW CHANGES INTO BONE               *

>*        THE CLEARINGHOUSE FOR ALL THINGS GINSBERG       *

>*                   http://www.ginzy.com                 *

>*                                                        *

>*             **VERY** OCCASIONAL NEWSLETTER             *

>*            VOLUME 1, NUMBER 5  -  7/15/1997            *

>*                current subscribers: 230                *

>*---------------------------------------------------------

>*  This occasional newsletter is sent to those who have  *

>*  visited our Ginsberg site.  If you do not wish to     *

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>*--------------------------------------------------------*

>*                                                        *

>*               PLEASE FORWARD WIDELY!!!!!               *

>*                                                        *

>*--------------------------------------------------------*

> 

> 

>IN THIS ISSUE:

> 

>    Mongo Sez...

>    Events Listings

>      - Boston Radio Reading of HOWL!

>    "Gilly" Howls over WERE Program Cancellation

>    Portland Event Remembered

>      - Transcript of trial sought

>    Vegas Memorial Remembered

>   

> 

> 

> 

>------------------------------

>*******  MONGO SEZ...  *******

>------------------------------

> 

>Hi Folks!

> 

>Yeah, long time no newsletter!  Blame it on a personal life that has

>been way to full lately, and not a summer just too beautiful to spend in

>front of the computer...

> 

>Still, stuff has been happening, and I wanted to get a quick newsletter

>out. 

> 

>The big news, which you'll find below, concerns the upcoming radio

>reading of 'Howl' on Friday!  Allen dreamed and planned for years to

>have a station challenge the FCC "safe harbor" hours by broadcasting

>Howl during prime time.  Now it seems that a station in Bostin is taking

>up the challenge.  The reading sounds excellent, and I'm (luckily) going

>to be in Boston that day.  I'll be trying to tune in, and let you know

>of any aftermath.

> 

>In a related story, see the piece that follows about Gilly's reading of

>'Howl'.  Some brave folks lead the way.  Others punish those who dare to

>lead...

> 

>I have also received a couple of nice remembrances written about

>memorial services held in Portland and Las Vegas, contributed by

>correspondents.  Now that the memorials have pretty much dwindled away,

>there aren't a lot of events to announce.  So if you hear of any, please

>let me know.  I'll get them on the web page and out via this mailing

>list.

> 

>Several people responded to my call for those interested in

>participating in an on-line Allen Ginsberg discussion group.

>Unfortunately, it wasn't quite enough to make it worth doing yet.  If we

>can find just a few more folks, I'll get the list set up and

>operational.  I feel we need to have at least 15-20 folks on line to

>make it interesting and self sustaining (and to justify the $20 a month

>it will cost me)!

> 

>Best wishes to you all, and do keep in touch!

> 

>--Mongo

> 

> 

> 

>---------------------------------

>*******  EVENTS LISTINGS  *******

>---------------------------------

> 

>I'll post these notices as soon as they come in. If you have an event,

>write to me: mongo.bearwolf@dartmouth.edu

> 

> 

>----------------------------------

>BOSTON, MA (and surrounding area):

>----------------------------------

> 

>A Radio Reading of HOWL

>Friday, July 18

> 

>On July 18, there is going to be a complete reading of HOWL on WFNX.

>Included readers are Robert Pinsky, Frank Bidart, Gail Mazur, Elsa

>Dorfman, Harvey Silverglate, Lloyd Schwartz. This reading during prime

>time is a memorial tribute to Allen, who was obsessed with the fact that

>the FCC wouldn't allow HOWL over the airwaves in prime time.

> 

>We would like OTHER radio stations in the country to also air HOWL

>during prime time.

> 

>-- Elsa Dorfman

>Portrait Photographer

>607 Franklin Street

>Cambridge MA 02139-2923

>http://elsa.photo.net

>elsad @world.std.com

> 

> 

>** [The Following is culled from a Boston Globe article. --M]

> 

>WFNX TO AIR 'HOWL" DESPITE FCC

>by Susan Bickelhaput, Globe Staff

> 

>WFNX-FM (101.7) owner Stephan Mindich insists that it's not his

>intention to thumb his nose at the Federal Communications Commission

>next week when the station airs a reading of the Poems "Howl," by the

>late Allen Ginsberg

> 

>But Mindich does acknowledge that he is pushing the envelope.

> 

>The poem, written by Ginsberg in 1955, has never been aired on

>commercial radio to Mindich's knowledge, and along with George Carlin's

>"seven dirty words" was flagged by the FCC in the late 1960s as verboten

>broadcast material.

> 

>But the staff of WFNX organized a half-hour-long reading of the poem in

>May at Mama Kin, and will broadcast it next Friday from 6 to 7 pm.  News

>director Henry Santoro will host the show, which will also feature

>commentary by Robert Pinsky, Peter Wolf, Gail Mazur, Harvey Silvergate,

>Lloyd Schwartz, Elsa Dorfman, and Mindich, among others.

> 

>"We don't want to do this strictly to challenge the FCC, that wasn't the

>grand plan," said program director Bill Glasser, "But we want to air the

>work as a tribute to Allen Ginsberg."  So the poem will not be relegated

>to the FCC's "safe harbor," which rules that so-called indecent

>programming can only air between 10 pm and 6 am.

> 

>Mindich said "Howl," which is a "very direct and complex poem about

>Allen's world view and experiences," contains language that "most

>newspapers would dot out and most broadcasters would bleep out."  It is

>the contex, he said, that makes it acceptable.

> 

>He said the idea stemmed from a conversation with Boston Phoenix editor

>Peter Kadzis and photographer Dorfman.

> 

>"We knew there could be a problem with the language, but I just don't

>think this is outside of the [FCC] standards," Mindich said.  "My

>purpose isn't to challenge the FCC, but I do believe that prime time is

>a value time when adult listeners will tune in.  And there is a clear

>delineation between that which is art and that which isn't.

> 

>Mindich, who also is published of the alternative weekly Boston Phoenix,

>said he also sees a relationship "between the DNA" of the paper and the

>station.  "Over the years we have pushed the envelope with things we

>thought had artistic merit," he said. 

> 

>He added that since the station is not publicly owned, he is prepared to

>deal with the consequences.

> 

>"We are a medium to communicate, and I can make that decision," he

>said.  "I don't have to worry about Wall Street or what a board of

>directors will say.  If there is a FCC problem, I will deal with it."

> 

> 

>------------------------------------------------------

>**** "GILLY" HOWLS OVER WERE PROGRAM CANCELLATION ****

>------------------------------------------------------

> 

>*[Contributed by a correspondent --M]

> 

>Even in death, Allen Ginsberg is causing problems. The feisty beat

>generation poet, who died earlier this year, was the topic of the April

>20 "Gilly Show," a highly rated overnight program on WERE AM 1300. A

>reading from Ginsberg's poem "Howl" led to the cancellation of the

>program, allegedly in response to a single telephone complaint received

>by the station Wednesday, April 23.

> 

>During the final half hour of the late-night program, Gilly (Rick

>Gilmour), the show's host, read section I from the acclaimed poem in

>tribute to Ginsberg. In advance of the reading, which contained a

>reference to sodomy, the station provided a warning to listeners that

>the program's content may contain objectionable language.

> 

>Gilmour, who has had his own show on the station since June, 1996,

>contests that WERE management gave assurance months ago that the only

>grounds for cancellation of "The Gilly Show" would be for violation of

>the FCC's Safe Harbor Policy, which allows for use of certain taboo

>words during off-peak airtime hours, if used in a socially redeeming

>context.

> 

>The portion of the poem which drew objection refers to people, "... who

>let themselves be fucked in the ass by saintly motorcyclists and

>screamed with joy ..." Gilmour maintains no violations ever occurred on

>any broadcast of the program, which was pulled from WERE's lineup the

>day after Gilmour was notified "The Gilly Show" was the station's top

>program.

> 

>"We didn't break FCC policy, and station management never clearly laid

>out a policy for board operators," Gilmour told SCENE, absolving

>coworkers for not censoring the broadcast. "Nobody knows what the line

>is. I wanted to draw a line, and that's why I did it."

> 

>"I don't know what all the fuss is about," said WERE Station Manager

>John Hill, citing company policy and not FCC rules as the reason for the

>show's demise. "We have six or seven easy-to-follow rules, and what

>Gilly did was one of the things you can't do."

> 

>According to Gilmour, management called the station "too conservative"

>for "that kind of language," and said Gilmour should have known better.

>"My audience is pretty progressive," he responded. "I even had old women

>that would call."

> 

>The move doesn't effect Gilmour's Saturday program, "Beer Talk," which

>will continue in its 10 p.m. time slot on WERE. "I'm certainly not going

>to penalize him for the 'Beer Talk' show -- in fact, I'm not penalizing

>him, at all," Hill said, amazed by the attention the subject has gained

>in the past week. "You'd think we just canceled the 'Seinfeld' show."

> 

>And while Hill insisted "The Gilly Show" will not return to WERE,

>Gilmour sees things differently.

> 

>"Do I expect to get my show back?" Gilmour said. "Yes, because I've

>given WERE more publicity for them screwing me out of my job than they

>could buy."

> 

>  http://www.clevescene.com/970501/make0501.htm

> 

> 

>----------------------------------------------

>*******  PORTLAND MEMORIAL REMEMBERED  *******

>----------------------------------------------

> 

>From: Andi5757@aol.com

>Date: Thu, 5 Jun 1997 23:14:08 -0400 (EDT)

>Subject: hello from Portland, Oregon

> 

>well yesterday here in Portland there was a memorial reading done for

>Allen on the occasion of his birthday.  It was held at Powell's

>bookstore, the major independent new and used bookstore in Portland,

>which carries on in its own way the spirit of City Lights bookstore.

> 

>The readings of Allen's work were done by a half dozen or more local

>Portland poets who also shared reminiscences of their brief encounters

>with Allen over the years.  The reading was attended by oh i'd say about

>70 to 100 people.

>The readers had fun reading and for an hour an a half i would say that

>the spirit of playfulness, sensuality, and authentic outrage and wonder

>that Allen represents to people was alive.

> 

>One reading in particular was very moving to me.  It came from the

>transcript of the Chicago 7 trial in 1969 as an aftermath of the 1968

>democratic convention in Chicago.  Allen was called to testify in the

>trial.  The prosecution's cross examination included an exchange

>something like: " and what did you do when you thought there was going

>to be violence?  Allen well I Omed?  You omed?  yes like this and then

>Allen proceeds to do a half dozen om's.  Upon which there is an

>objection which causes the judge to say we'll strike from the record the

>Om's after the second Om.

> 

>then Allen is able to recite a poem about Whitman which was from reality

>sandwiches which was increadibly sensuous.  Allen was asked byt he

>prosecution what he meant by that poem, hoping to discredit him by as a

>queer.  But Allen gives this incredibly moving reply something to the

>effect that until America can come to terms with its attitudes about

>sexuality that it could not be healed from the horrors of war etc. 

> 

>if you know of a way to find that exact passage in the trial's

>transcript, I

>would really like to get a copy of his testimony in that trial...

> 

>love

>andi

> 

> 

>-------------------------------------------

>*******  VEGAS MEMORIAL REMEMBERED  *******

>-------------------------------------------

> 

>From:   Bruce K. Isaacson, 102747,2722

>DATE:   6/14/97 4:39 PM

>RE:     Ginsberg Night at Enigma Garden, Las Vegas, Nevada

> 

>For your information.....

> 

>June 3, 1997 was Allen Ginsberg's 71st birthday.  On that evening, a

>group of 60 or so Las Vegas poets, writers, artists, bohos, and other

>illuminati turned out to remember Allen and honor his work and

>contribution.  There were notable poems commemorating Allen's work from

>German Santanilla and Gregory Crosby.  Dayvid Figler got the crowd

>bubbling with his own work and brought an excellent version of Allen

>reading "America", which held the audience intensely with its Vegas-like

>mix of humor and ennui.  Emmanuel read Allen's poem written to an

>Eldorado High School student, which contains a visionary mix of Howard

>Hughes-like paranoia and old-fashioned  Mob lore to describe Vegas of

>the 70s and America still.  Other parts of Allen's work read included

>Ignu and Kaddish.  Tribute poems to Allen by excellent poets who Allen

>favored such as Bob Kaufman and Helen Adam were also read aloud.  There

>was a score of Allen's books passed around by various people who brought

>them, including some limited editions as well as City Lights and Harper

>& Row publications.  Las Vegas poets who read also included Art Slate,

>Eavonka Ettinger, Joel Parilini, Mike Gullickson, Mike Flower, Jackie

>Nourigat, Mark Griffith and Gloria King.   A good time was had by all

>who attended and many came away with increased interest in one of

>America's unique and excellent voices.

> 

>Thanks to Las Vegas journalist and Enigma Cafe owner Lenadams Doris for

>making it possible.  I'd welcome hearing from anyone with other

>remembrances or comment.

> 

>Bruce Isaacson

>BruceI@compuserve.com

>Within a few weeks I expect the e-mail address to change to

>BruceI@skylink.net

> 

> 

>*--------------------------------------------------------*

>*  This occasional newsletter is sent to those who have  *

>*  visited our Ginsberg site.  If you do not wish to     *

>*  receive these very rare messages, simply hit reply    *

>*  and type REMOVE in the subject line.  We'll get you   *

>*  taken off the list immediately!  To be added to the   *

>*  mailing list, just drop us a line:                    *

>*--------------------------------------------------------*

>*              mongo.bearwolf@dartmouth.edu              *

>*--------------------------------------------------------*

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Gianni Versace.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

    COME VORREI MORIRE   by Gianni Versace

 

   COME IL CONTE SALINA DI LAMPEDUSA,

      IL GATTOPARDO: GUARDANDO

        IL LAGO, CON SERENITA'.

       LA MORTE NON MI FA PAURA.

 

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: tired dog tired haiku

Cc:

Bcc:

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In-Reply-To:

References:

 

   O

   only

   4

   years

   span

   !

 

---

yrs

Rinaldo * a beet needs water *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: John Coltrane.

Cc:

Bcc:

X-Attachments:

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References:

 

"You know, I want to be a force for real good. In other words, I know that there are bad forces, forces put here that bring suffering to others and misery to the world, but I want to be the force which is truly good." -- John Coltrane (from an interview by Frank Kofsky) To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: A Love Supreme

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

"God breathes through us so completely...

so gently we hardly feel it...yet,

it is our everything.

Thought waves - heat waves -

all vibrations - all paths lead to God.

The universe has many wonders.

ELATION - ELEGANCE - EXALTATION -

All from God.

Thank you God. Amen

 

 

-John ColtraneTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Style

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199707181920.MAA27313@freya.van.hookup.net>

References:

 

At 12.20 18/07/97 -0700, James William Marshall wrote:

>Beatniks,

>comments would be appreciated.

> 

>                                                James M.

> 

 

   Stifling heat

   the people turn the head

   to the right & to the left

   like walkin'pigeons

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: An Illiterate Impression of Visions of Cody

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33D03C10.234F@pacbell.net>

References: <1.5.4.16.19970718011355.282f08bc@mail.wi.centuryinter.net>

 

At 21.01 18/07/97 -0700, James Stauffer writes: [i snip for brevity]

> And Vidal, as you note, is a terrible

>witness anyway.  I am suprised he hasn't claimed to have slept with any

>now dead popes.  It would suit his style.

>...

 

james & amici beati,

last night, Vidal interviewed by domestic italian TV Rai Corporation in Rome, about sexuality & arts & artists, asserted that's right alot of artists (included writers ie. Proust) are/was not eterosex, but this is have nothing to do with creativity, Vidal asserted "sex is not related with creativity but anyone has a feminine-self", he was moderate & amiable, (however not iconoclast), ---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Finis Europae (poem).

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

              Finis Europae.

              Finis Europae.

         Finis Europae.Finis Europae.

              Finis Europae?

              Finis Europae?

              Finis Europae.

              WORKERS OF ALL LANDS

                   UNITE

              KARL       MARX

   THE  PHILOSOPHERS    HAVE ONLY

   INTERPRETED     THE  WORLD      IN

   VARIOUS    WAYS. THE        POINT

   HOWEVER    IS   TO   CHANGE     IT.

Finis Europae?Finis Europae?Finis Europae?Finis Europae?

   THE        POINT

   HOWEVER    IS   TO   CHANGE     IT.

              Finis Europae.

              Finis Europae!

              KARL       MARX

              KARL       MARX

              Finis Europae?

              Finis Europae?

              Finis Europae.

   VARIOUS    WAYS. THE        POINT

   HOWEVER    IS  

              Finis Europae.

              Finis Europae!

              the point

              the point is

              finis Europae!

 

---

yrs

Rinaldo.

*Writers have been dealing with the inevitability of death since Homer and the Biblical writers.--James Stauffer* To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: To Sleep. To Sleep.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

   Ma' Pa'

   il bacino

   della

   buonanotte,

   Ma' Pa'

   a kiss before

   going to sleep

   in the nite

   Ma' Pa'

 

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Gregorio Nunzio Corso.

Cc:

Bcc:

X-Attachments:

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References:

 

dear beat-Ls,

 

the book "Selected Poems 1947-1995" by Allen Ginsberg has been dedicated by ALLEN GINSBERG to GREGORIO NUNZIO CORSO.

-----

 

btw: some days ago somebody wrote:

 

<<But Thursday he was much weaker, he [Allen Ginsberg] could hobble from bed to chair only with difficulty. There was a phonecall from Italy, in the middle of it Allen begins to vomit, throws up right there on the phone!

"Funny," he says, "never done that before.">>

 

i must thank the writer of a similar anecdote and notice his chord in the comparisons of the dying poet...

 

---

yrs Rinaldo.

*

Luciano Pavarotti defendant of don't know the musical notes he told that ENRICO CARUSO told that for be a good opera singer you need a good memory.

*

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD)Another Short Interview with William S. Burroughs

Cc:

Bcc:

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>Return-Path: <bofus@fcom.com>

>Date: Fri, 25 Jul 1997 10:18:29 -0800

>From: bofus? <bofus@fcom.com>

>To: bofus@fcom.com

>Subject: Another Short Interview with William S. Burroughs

> 

>rwhitebone@juno.com (Ron P Whitehead) wrote:

>> 

>> 

>>  WILL OUR MAYOR GIVE BACK WILLIAM BURROUGHS'

>>  CAR?

>> 

>>  Interview with William S. Burroughs (one of

>>  many interviews, articles, letters, poems,

>>  photographs, & audio to be included in

>>  WILLIAM S. BURROUGHS: Calling The Toads, a

>>  Published in Heaven Book to be released

>>  late summer early fall by the literary

>>  renaissance & Ring Tarigh)

>> 

>>  by Ron Whitehead and Peter Orr

>> 

>>  New Orleans Mayor Marc Morial, whose police

>>  department has included convicted murderers

>>  Antoinette Frank and Len Davis, has been

>>  invited to dedicate a plaque this summer

>>  ('96) to mark 509 Wagner Street in Algiers

>>  as the onetime home of William S. Burroughs.

>> 

>>  In the late 1940s, years before his

>>  literary success, Burroughs moved here with

>>  his wife after selling his farm in Texas. A

>>  vague sentence in Barry Miles' rather

>>  informal biography, EL HOMBRE INVISIBLE,

>>  might lead some readers to believe that the

>>  financial loss on Burroughs' first crop of

>>  pot inspired him to move. "That's

>>  inaccurate," Burroughs says. "I was moving

>>  anyway." Though he recalls doing "quite a

>>  bit" of writing during his brief stint

>>  here, he would not embark on his first

>>  novel, JUNKY, until a year after he left.

>> 

>>  Knowing Burroughs through his later work,

>>  one would expect him to hang out in or near

>>  the French Quarter, rather than rustic

>>  Algiers. Instead his choice of neighborhood

>>  reflected his lifestyle during that era: He

>>  had a wife and newborn son.

>> 

>>  "It was a hell of a lot cheaper. The real

>>  estate there was cheap at that time.

>>  Probably still is," he says. "I got that

>>  house for seven thousand-something." As for

>>  the rest of the city, he has few memories to

>>  share. "I didn't get around too much."

>> 

>>  Yet he got around enough to get busted.

>>  Only the NOPD's failure to obey legal

>>  procedure in searching Burroughs' house

>>  kept him out of Angola. (Picture him

>>  writing NAKED LUNCH in Dickens-style

>>  installments for Wilbert Rideau's THE

>>  ANGOLITE. While you're at it, picture the

>>  warden rescinding Rideau's permission to

>>  print anything, ever.) A second drug

>>  offense in Louisiana would have sent him

>>  away, so he packed up his family and left.

>>  That was nearly 50 years ago.

>> 

>>  The author, who spoke to TRIBE after

>>  recording JUNKY for audio release, did not

>>  plan to attend the plaque ceremony, though

>>  event organizers have discussed his

>>  participating from Lawrence, Kansas, via

>>  video linkup.

>> 

>> 

>> 

>>  Is this the first time that a place where

>>  you lived or worked has been declared a

>>  landmark?

>> 

>>  WSB: As far as I know, yes.

>> 

>> 

>> 

>>  Was any of the writing you produced there

>>  ever published?

>> 

>>  WSB: I don't know about that. I'm not sure

>>  to say where I wrote this or that, but I

>>  certainly did some writing there. As far as

>>  how much of it was subsequently published, I

>>  have no idea which specific works were

>>  written there, or partly written there.

>> 

>> 

>> 

>>  Traditionally, people across the South and

>>  the Midwest see this city as either

>>  romantic or depraved. What impression did

>>  you have of New Orleans while you grew up

>>  in St. Louis?

>> 

>>  WSB: No impression of it at all. Not that I

>>  know of. No, I... [Thinks] No, I don't

>>  recall any ideas about New Orleans at all.

>> 

>> 

>> 

>>  The New Orleans police arrested you for

>>  having someone with pot in your car, but

>>  they charged you with heroin possession.

>> 

>>  WSB: That's right. They found stuff in my

>>  house. They never laid a finger on me, that

>>  I recall. They did lead me to believe that

>>  someone was a federal agent and he wasn't.

>>  He was a city cop. And so there was an

>>  illegal search. I didn't know it at the

>>  time.

>> 

>>  When I was arrested, there was somebody

>>  with me that I hardly knew. He was just

>>  introduced to me. And he had one joint on

>>  him. He'd thrown out some larger amount, I

>>  think, but the little guy had another joint

>>  and they caught it right away. Then the next

>>  day they went and they took my car. I never

>>  got it back, although I wasn't convicted.

>>  See, they can confiscate your property even

>>  though you're not convicted of anything.

>>  That's really very sinister.

>> 

>>  There were three people [aside from

>>  Burroughs, who was driving] in the car. Two

>>  of them were well-known to the police - Joe

>>  Ricks and somebody else. So they saw him in

>>  the car, and he had another guy with him

>>  that I didn't know, who had a joint with

>>  him. So they stopped the car on the stength

>>  of knowing the other people that were with

>>  me. Then they found a joint on this guy.

>>  And they gave us all hell.

>> 

>> 

>> 

>>  Where did the police arrest you?

>> 

>>  WSB: It was near Lee Circle. That's all I

>>  know. They wouldn't have stopped us except

>>  that they recognized these two people, who

>>  had long records, long drug records. Not

>>  the guy who had a joint on him - he was a

>>  seaman, an acquaintance of these people.

>> 

>>  They confiscated my car on the strength of

>>  someone I didn't know having something I

>>  didn't know he had. They're getting much,

>>  much, much worse in that respect:

>>  confiscation with no conviction.

>> 

>> 

>> 

>>  To give you an idea of how much progress

>>  this city has made, our district attorney

>>  wants to start mandatory urine tests for

>>  all students in New Orleans public high

>>  schools.

>> 

>>  WSB: It's ridiculous, for God's sakes. I

>>  think it's terrible. The whole thing, the

>>  whole War On Drugs, seems to me to be a

>>  shallow pretense to increase police power

>>  and personnel, and confiscation.

>>  

>> 

>> 

>>  It also limits black political power. More

>>  than half of inner-city black men come of

>>  age with felony convictions now, due to

>>  cocaine or weapons arrests. Felons can't

>>  vot.

>> 

>>  WSB: Exactly. I hadn't thought of that, but

>>  it's very true. I don't see the difference

>>  between crack and cocaine, myself. They

>>  talk about cocaine addicts, and I never

>>  encountered such a thing. Heroin addicts

>>  and morphine addicts, to be sure, but never

>>  a cocaine addict.

>> 

>> 

>> 

>>  By strict definition, cocaine isn't

>>  addictive.

>> 

>>  WSB: No, it isn't, as I can see. I used to

>>  shoot, forty or fifty years ago, [pauses to

>>  recall the name] speedballs, which were a

>>  mixture of cocaine and morphine or heroin.

>>  Cocaine alone, I don't like; it makes me

>>  edgy. I don't like anything that makes my

>>  hand shake, or cuts my appetite.

>> 

>> 

>> 

>>  There's a lot of cocaine down here.

>> 

>>  WSB: Lot of it everywhere.

>> 

>> 

>> 

>>  In recent years you've spoken openly about

>>  your interest in magic. Is writing a form

>>  of magic?

>> 

>>  WSB: Well, it has a certain relationship,

>>  yes. It's evocative magic. It attempts to

>>  evoke certain feelings in the reader. In

>>  that sense, it's evocative magic. Thing is,

>>  some writing has magic in it and some don't

>>  [laughs]. Like, Fitzgerald has magic, and

>>  Somerset Maugham just doesn't. I'm using

>>  the term rather loosely.

>> 

>> 

>> 

>>  But isn't any technology magical, at least

>>  at first? The advent of writing changed the

>>  world more than anything else has since.

>> 

>>  WSB: Well...in the sense that it makes

>>  something happen, yes, it's magic. But it's

>>  still a loose use of the term. Because,

>>  uh...well, for example, Alesiter Crowley

>>  may have been a good black magician, but he

>>  wasn't a very good writer. I can't read it

>>  straight through, anything by Aleister

>>  Crowley.

>> 

>>  Here's an interesting thing about Crowley:

>>  Someone wrote a book called THEY WENT

>>  THATAWAY, about the way different people

>>  had died. An interesting idea, because they

>>  had just a short biography and then how a

>>  person died. Poor Cole Porter had a

>>  terrible time - he had his legs amputated

>>  at the hip, and then he set his bed on fire

>>  with a cigarette and died in the hospital.

>> 

>>  Now, this story got put out by the

>>  Crowleyites that his doctor had refused to

>>  renew his heroin prescription, and that

>>  Crowley put a curse on him; the doctor died

>>  the next day, and Crowley died the day

>>  after. Now, that's the story. That story

>>  was repeated in an edition of this book,

>>  and when I tried to get the book again,

>>  that story had been deleted. In fact, the

>>  whole book had been somehow cashiered, and

>>  there's another one, HOW'D THEY DIE?

>> 

>> 

>> 

>>  The first book disappeared?

>> 

>>  WSB: Yes, and then another one came out.

>>  The first one was called THEY WENT

>>  THATAWAY. It seems to have disappeared from

>>  my own bookshelves, as well. Can't put my

>>  hand on it.

>> 

>> 

>> 

>>  If I come across it, I'll forward it to you.

>> 

>>  WSB: By all means! This [newer] one has no

>>  Aleister Crowley in it, so I don't know if

>>  there's any truth to that story at all.

>> 

>> 

>> 

>>  Rock music doesn't interest you much.

>> 

>>  WSB: Not terribly, no. I listen to some of

>>  it.

>> 

>> 

>> 

>>  And yet, starting with the Soft Machine in

>>  1967, a long list of rock musicians has

>>  borrowed from your work.

>> 

>>  WSB: Oh, well, titles, yeah: Steely Dan,

>>  the Soft Machine, the Insect Trust.

>> 

>>  I went to a performance by the Led Zeppelin

>>  and wrote an article about it. That's quite

>>  a while ago. Twenty years ago. I forget

>>  where it was published; one of the

>>  magazines. CRAWDADDY, that's it.

>> 

>> 

>> 

>>  I hear you've finally recorded JUNKY for

>>  audiotape release.

>> 

>>  WSB: I finished recording it, yes. Well,

>>  you know, we've got little follow-up places

>>  to go, but it's basically finished. I'm not

>>  sure when [it comes out]. It'll be on

>>  Penguin Audio Books.

>> 

>> 

>> 

>>  Have you been back to New Orleans since you

>>  left?

>> 

>>  WSB: Yes, I did a reading down there, but

>>  that was quite a few years ago. At Loyola

>>  University. It was quite a while ago, a

>>  good ten years ago.

>> 

>> 

>> 

>>  It seems ironic that this should be the

>>  first city to commemorate your former home.

>> 

>>  WSB: Yes, it does, really. I spent about a

>>  year there - less than a year, actually.

>> 

>> 

>> 

>>  In 1947.

>> 

>>  WSB: About then, yeah.

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Caffettiera Napoletana...

Cc:

Bcc:

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Caffettiera Napoletana A. Passeggio (50 anni di esperienza)

                              found by Beppe Severgnini 1997 (c)

                              collected by William Ward

                              edited by Rinaldo Rasa

 

INTRUCTIONS FOR THE USE

1) To fill before the inside part of the coffee pot

   of coffee-powder

   (5 grams each person)

2) To screw in the filter on the inside-part of the

   coffee-pot.

3) To fill of water the superior-body till the little hole.

4) Introduce the inside-part of the coffee-pot in the superior-body

   (already filled of water before).

5) Put the coffee-pot with the spout on the supeior-body and

   put it finally on the fire.

6) As soon as the water goes in ebullition, you will see the

   water coming out from coffee-pot, just from the said little

   hole. Now, keep out the coffee-pot from the fire, upset it

   and remain it for some minutes in rest; in the meantime, the

   water will filter and will transform it in a very exquisite

   coffee, and you can serve it too.

   It is well known all over the world that

   NEAPOLITAN ORIGINAL COFFEE-POT "A PASSEGGIO"

   is the unique to do a very aromatic coffee.

 

   WOOOO-AHH-OHH!

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Eric Mottram (1924-1995)

Cc:

Bcc:

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dear beat-Ls,

 

Eric Mottram (1924-1995) is a key figure of post-war literature and teaching.  After the work of Charles Olson and Robert Duncan, Eric Mottram produced one of the most extensive and coherent bodies of work on late 20th century poetics.  He published over 160 articles and 20 critical works including a collection of essays on American culture, Blood on the Nash Ambassador and the first book-length study of William Burroughs' work, The Algebra of Need.  He had two dozen collections of poetry published from the late 1960s onwards including Elegies, A Book of Herne and Selected Poems.

 

Mottram was the first to teach Beat writing in Europe in the 1950s.

 

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Spaghetti Poem.

Cc:

Bcc:

X-Attachments:

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References:

 

   spaghetti  spaghetti

 

   al dente   al dente!

 

   al dente

 

   al dente quality

   blended from carefully

 

   selected durum wheat

 

   al dente   al dente!

 

   al dente

 

   cookin'for

   the recommended time

 

   gives u

   perfect enjoy!

 

---

yrs

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Robert Creely (the painting illustrates the poetry).

Cc:

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   ...  by Robert Creely

 

   Inside my head a common room

   a common place, a common tune...

 

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: september song:the music of kurt weill

Cc:

Bcc:

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dear beat-L,

i remember hst's works like a bunch of bats over a shark car.

words & vampires. september song in the background.

---

yrs

Rinaldo

*

"Tristo e' quel discepolo che non avanza il maestro" -- Leonardo da Vinci

*

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: graffiti

Cc:

Bcc:

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dear beat-l,

i found this site very interesting

http://www.repubblica.it/cultura_scienze/mostragraf/sullarete/sullarete.html ---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 1960s

Cc:

Bcc:

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   1960s

 

   i myself

 

   sitting in back of the class

 

   precisely!

 

   daze!

 

   SITTING IN BACK OF THE CLASS

 

   oh, im' not here

 

   bleary-eyed

 

   tiny butterflies

   pinball & jazz

 

   rage

   thanks anyway!

 

   i look around for

   a rosy picture

 

   sitting

   in back

   of the

   classroom.

 

---

yrs

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: William Burroughs Is Dead

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970802232627_542130727@emout19.mail.aol.com>

References:

 

"Something, someone, some spirit was pursuing all of us across the desert of life and was bound to catch us before we reached heaven. Naturally, now that I look back on it, this only death: death will overtake us before heaven. The one thing that we yearn for in our living days, that makes us sigh and groan and undergo sweet nauseas of all kinds, is the remembrance of some lost bliss that was probably experienced in the womb and can only be reproduced (though we hate to admit it) in death." --- Jack Kerouac.

 

 

At 23.26 02/08/97 -0400, Jeffrey Weinberg <Waterrow@AOL.COM> wrote:

>William Burroughs Died at the age of 83 today.

>Cause of death according to Boston news was a heart attack.

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: William Burroughs Is Dead

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33E47E88.6EBE@midusa.net>

References: <3.0.1.32.19970803141646.006fddb0@pop.gpnet.it>

 

David,

 

the Burroughs death is televised by the three domestic TV channel, i hope that's appreciate by William S. Burroughs, who is in paradise!, (broadcasting nationwide, meaning audience 20 000 000 of italians), in primis the "Catholic" channel RAI UNO Corporation from Rome, that stated Burroughs tragic life & way of Life, Burroughs is/was the other side of the "American Dream" & latin pietas is the message,

 

Italy commemorates the countercultural life , 20 millions of my patriots have seen Burroughs reading in black & white, (his old face), what's better tribute to the Man! i dunno if this is enuf but i think its' great! beat are popular alot here & this is immortality,

 

the tears are rain, when we are facing the death, & a rino or that black river isnt' as dangerous as the tears 'cuz here WE CANT' touch on the heaven.

 

 

"Sal, where did you find these absolutely wonderful people?

I've never seen anyone like them".

"I found them in the West." --- Jack Kerouac

 

 

Rinaldo.

 

 

At 07.50 03/08/97 -0500, RACE --- <race@MIDUSA.NET> wrote:

>Rinaldo Rasa wrote:

>> 

>> "Something, someone, some spirit was pursuing

>> all of us across the desert of life and was bound to catch us

>> before we reached heaven. Naturally, now that I look back on

>> it, this only death: death will overtake us before heaven. The

>> one thing that we yearn for in our living days, that makes us

>> sigh and groan and undergo sweet nauseas of all kinds, is the

>> remembrance of some lost bliss that was probably experienced

>> in the womb and can only be reproduced (though we hate to

>> admit it) in death." --- Jack Kerouac.

>> 

>> At 23.26 02/08/97 -0400, Jeffrey Weinberg <Waterrow@AOL.COM> wrote:

>> >William Burroughs Died at the age of 83 today.

>> >Cause of death according to Boston news was a heart attack.

>> >

>> >

> 

>"Now there are two routes to immortality.  They might be designated as:

>slow down or speed-up, or straight-ahead or detour.  Reference aphorisms

>of the Old White Hunter.  In the time that you face death directly, you

>are immortal.  That's the straight-ahead route.  The slow-down detour

>vampire route -- take a little, leave a little, sure, skim a year off a

>thousand citizens, they won't know the difference -- but what happens

>when you run short of citizens, which you will sooner or later?  Also,

>speed up route is a kill route, whereas slow-down is a manipulate,

>degrade, humiliate, enslave route.

>        So how does one face death head on? ... without flinching and without

>posturing -- which is always to be seen as a form of evasion, runs away,

>like Lord Jim and Francis Macomber, there is hope.

>        . . . a well-known and documented schism, something familiar about that

>figure moving farther and farther away.  'Why!  Himself!'  Like the song

>say, 'They don't come back, won't come back, once they're gone . . .'"

>p.119-120  William S. Burroughs, My Education: A Book of Dreams.

> 

>listening to Lou Reed's "Magic and Loss" cd -- pass through the fire

>right now.  As things are going in fates magic circles these days, this

>cd could wear out at any moment.

> 

>david rhaesa

>salina, Kansas

> 

> 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: older than God

Cc:

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   this

   night summer

   i must keep

   a tear

   looking at

   the stars

   in the deeper dark

   anyone know of

   a place

   broken

   my catholic

   hearth

   if it's

   my time to go

   so be it

 

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: next reading project

Cc:

Bcc:

X-Attachments:

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References:

 

At 08.59 06/08/97 -0700,

"Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU> wrote:

>I'm up for Diane's suggested reading. I have silently started reading On

>the Road for the first time as a great bang way to start my 27th year.

> 

>-shannon (in Tucson where it is not quite as hot but strangely humid for

>Arizona.)

> 

> 

dear beats,

 

how im'/was/'ll reading the beats,

 

i was born in 1950, just then in Italy a lot of things were "forbidden", i remember late 1950 when jazz & jukebox were advised sinful, (i never know why), & the first comics magazine arrived from US,

              & packages of provisionses.

              an handshake printed on the package

              in background the flag US of America.

 

(or addressed to my mother my father's letters.

letters tied up with a cord placed into a drawer, on the envelope stamped POW,

& he told me first some english words: "Prisoner Of War".)

 

then during decenniums the beat literature was my pal, now i turned 47 & beat lit is again here, it's a summa of a gone age, a dream, a myself's something...

or im' forever out of one-way beat lit.

 

sani,

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Nick Cave Re: Burroughs Webmasters Speak

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199708052141.OAA20855@hsc.usc.edu>

References:

 

At 14.41 05/08/97 -0700,

"Timothy K. Gallaher" <gallaher@HSC.USC.EDU> wrote: [i snip alot for brevity]

 

>I was going to write inked but since it was not ink but pixesl I made upo

>the term e-ink.

> 

>So I would take credit for coining it,

> 

>but,

> 

>I decided that I better check that out so I typed http://www.e-ink.com

> 

>to see what would happen

> 

>and there it was

> 

>the e-ink website

> 

>So it was original to me not wasn't original to the world.

> 

>Although, they are calling themselves electronic ink and claim to be

>"Electric Ink(c) is the new Electronic Printing & Publishing division of Pilot

>Advertising(c)."

> 

 

Timothy, please, add to the credits the Nick Cave's book: Nick Cave, "King Ink"

A collection of lyrics, poems and writings 1978-1986.

 

sani,

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: A Gay State.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

dear friends,

 

at the end of the 1970s William Seward Burroughs wrote an article in which he imagined the capability of a State for the homosexuals.

he takes the Chinese TONG as ones's model.

 

the WSB's article took as starting point a crime news occured on 27th nov 1978. Harvey Milk, a San Francisco municipal councillor, was massacred together with the mayor George Moscone.

Dan White, the murderer, was convicted at a paltry term of punishment.

after the shocking sentence, in San Francisco there was a riot,

 

sani,

Rinaldo.

*

"Un'utopia fascinosa, ma irrealizabile. In fondo William Burroughs ha sempre avuto un piede nel futuro. Accadde in un piccolo paese della California verso la fine degli anni Sessanta. Un gruppo di gay penso' di mettere in piedi una forma di autogoverno, ma l'iniziativa venne reclamizzata troppo e le autorita' locali opposero tali difficolta' che l'idea naufrago'. Anche in Italia un illustre pensatore cattolico si augurava che lo Stato Italiano concedesse ai gay un'isola disabitata.---Angelo Pezzana interviewed by the newspaper ''la Repubblica'', 8th aug 1997" *

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: A Gay State.

Cc:

Bcc: Alex Howard <kh14586@ACS.APPSTATE.EDU>

X-Attachments:

In-Reply-To: <Pine.ULT.3.96.970808125534.22754A-100000@xx.acs.appstate.edu>

References: <3.0.1.32.19970808140247.006fc9b8@pop.gpnet.it>

 

Alex,

 

the WSB's article is written in the book ''Gay Spirit, Mith and Meaning'' by Mark Thompson printed in 1987, sorry i've no idea 'bout the publishing house,

 

in the quoted article, Burroughs whish a Gay State comparing it with Israel (or Israelite State), i dunno the exact title of the article, but the Burroghs' idea is matched, i.e. the gay-TONG demands a hard work and discipline, everyone is defended by patrols working 24 hours a day,

 

sani tosac,

Rinaldo.

 

At 12.56 08/08/97 -0400, Alex Howard <kh14586@ACS.APPSTATE.EDU> wrote:

>On Fri, 8 Aug 1997, Rinaldo Rasa wrote:

> 

>> at the end of the 1970s William Seward Burroughs wrote an article

>> in which he imagined the capability of a State for the homosexuals.

> 

>Is "A Gay State" the name of this article?  If not, what is?  Where can I

>find it?  Has it been published in one of his books/collections?

> 

>------------------

>Alex Howard  (704)264-8259                    Appalachian State University

>kh14586@acs.appstate.edu                      P.O. Box 12149

>http://www.acs.appstate.edu/~kh14586          Boone, NC  28608

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Chinese Tong

Cc:

Bcc:

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In-Reply-To: <199708090526.NAA12012@soran.pacific.net.sg>

References:

 

At 13.26 09/08/97 +0800,

Sharon Ngiam <mimosa@PACIFIC.NET.SG> wrote:

>What is the Chinese TONG?

> 

> 

hello,

 

sorry, i have the capability to read the Burroughs' article only in italian translation. it's possibile that TONG spelling is inaccurate (exempli gratia maybe TI-KIANG=the far tribe, or T'ANG as chinese dynasty). i think WSB is referring to TONG meaning of fraternity & assistance (but not on the quite).

btw credits Massimo Consoli, editor in chief of ''Rome Gay News'', who translated the Burroughs' article. Massimo Consoli takes care of the civil rights of homosexuals.

http://www.publibyte.it/promo/gc/cronistoria.htm

 

saluti,

Rinaldo.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Anthony Balch (1938-1980)

Cc:

Bcc:

X-Attachments:

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References:

 

Anthony Balch (1938-1980) was one of the key figures in British film distribution in the 60s and 70s, especially because of his distribution of European art-house and exploitation films under new, captivating titles. Famous for having added a soundtrack to the classic silent-era documentary, Benjamin Christensen's Häxen (Witchcraft Through the Ages), with comments by his friend William S Burroughs, he began his brief foray into directing with Burroughs himself (Towers Open Fire, The Cut-Ups), and was still obviously influenced by Burroughs in Secrets of Sex.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) q: ranaldo & a: burroughs, 9 april 97

Cc:

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>Return-Path: <bofus@fcom.com>

>Date: Mon, 11 Aug 1997 06:34:48 -0800

>From: bofus? <bofus@fcom.com>

>To: bofus@fcom.com

>Subject: q: ranaldo & a: burroughs, 9 april 97

> 

>William Burroughs I-View (w/Lee Ranaldo)

> 

>9 April 1997

> 

>TAPE TRANSCRIPTION

> 

> 

> 

>Loud dial tone and faint "Hello, hello?"

> 

>Silence

> 

>Touch tone phone tones

> 

>ringing 5 or 6 times

> 

>WSB:  eh, Hello?

> 

>LR:  Is this William?

> 

>WSB:  Yeh.

> 

>LR:  Hi William, this is Lee Ranaldo in New York City.

> 

>WSB:  Yeah.

> 

>LR:  How are ya?

> 

>WSB:  Oh... okay.

> 

>LR:  Well you sound pretty good.

> 

>WSB:  Uh-huh (TECHNICAL GLITCH-garbled)

> 

>LR:  Good. (static) Okay, I hope that my recording equipment is all in

>good form here...

> 

>LR:  So I wanted to talk to you, for just a few minutes this afternoon,

>about Morocco, if you would...

> 

>WSB:  Just a moment, I gotta get my drink...

> 

>LR:  Okay. 25 sec silence

> 

>LR:  Hello? loud buzzing

> 

>LR:  Hello? rattling

> 

>WSB:  OK.

> 

>LR:  Okay, first off, William, I'd like to say that I was very sad to

>hear about Allen-I know you guys have been friends for the longest time...

> 

>WSB:  Yes. Yes, well he knew, he knew it. He faced it.

> 

>LR:  It seems like he faced it in a very good way, actually.

> 

>WSB:  Yep, he told me-"I thought I'd be terrified but I'm not at all"

> 

>LR:  He did?

> 

>WSB:  Yes-"I'm exhillerated!"

> 

>LR:  Well, I suppose if anyone had the right, uh, frame about them to go

>out that way, it was probably him. I was hoping to get one more visit in

>with him before he uh, he went, uh he passed on, but that was not meant

>to be, I'm sure a lot of people felt the same.

> 

>WSB:  mumbles

> 

>LR:  When was the last time you saw him?

> 

>WSB:  Los Angeles. At my show there.

> 

>LR:  I wanted to talk to you about Morocco a little bit.

> 

>WSB:  Yeh.

> 

>LR:  I've recently been to the country, a few times, and done some

>exploring around, and I know you spent quite a bit of time in Tanger. I

>just wanted to pick yr brain about that a little bit. You went to Tanger

>for the first time in 1953, 1954?

> 

>WSB:  Nineteen... Fifty-four, I believe.

> 

>LR:  Yeah. What what how did you end up in Morocco? What was it about

>the place that drew you there? I mean, today there are a lot of

>different romantic associations with the coast of North Africa...

> 

>WSB:  There were a lot more then than there are now, I can tell you

>that.

> 

>LR:  Really?

> 

>WSB:  Well, you'll notice more subdivisions now... as it's modernized and

>is no longer cheap-

> 

>LR:  Right. But we have the stories of yr time there, and Paul Bowles'

>time there, and such things as Lawrence of Arabia, and it's built up in

>a very romantic way-

> 

>WSB:  In other words-for one thing, it was very cheap.

> 

>LR:  It was very cheap?

> 

>WSB:  Yeah, man, I lived like a king for $200 a month.

> 

>LR:  Really?

> 

>WSB:  Yeh.

> 

>LR:  Did it have the same sort of appeal, then, that Berlin had in the

>70's,-of being a sort of international zone, where anything goes?

> 

>WSB:  Pretty much so. It was an anything goes place, and that's another

>plus.

> 

>LR:  Yeah. And that was pretty available knowledge, when you went there?

> 

>WSB:  Oh sure.

> 

>LR:  Had you known Paul Bowles, or known about him, before you went

>there?

> 

>WSB:  I'd read his books.

> 

>LR:  You did?

> 

>WSB:  Yes. I didn't know him.

> 

>LR:  Did you meet him fairly quickly after you were there?

> 

>WSB:  Mmm, I'd been there for some time, I'd met him very slightly. Then

>later we became quite good friends-but that was later, some years later.

> 

>LR:  Right. Did you pretty much exist within an expatriate community

>there, or did you have a lot of contact with the local people? Was is

>easy to have contact?

> 

>WSB:  The local people-umm, I don't speak a fuckin' word of Arabic, but

>I speak a little Spanish-y'know, they all spoke Spanish in the Northern

>Zone.

> 

>LR:  Yeah.

> 

>WSB:  My relations were mostly with the Spanish. Spanish boys. And, of

>course, otherwise in the expatriate side.

> 

>LR:  Right, but you didn't frequent the Barbara Hutton crowd?

> 

>WSB:  Nooo.

> 

>LR:  Did you do much travelling around Morocco while you were there, or

>did you pretty much just stick in Tanger?

> 

>WSB:  I'm ashamed to say, not much. I went to Fes, I went to Marrakech,

>and passed through Casablance. Some of the places there-I forget the

>names of the coastal towns... and I've been to Jajouka!

> 

>LR:  Yeah, I wanted to talk to you about that-I'm friendly with Bachir

>Attar, and the last time we were there I went to Jajouka as well...

> 

>WSB:  Oh did ya?

> 

>LR:  I saw your inscriptions in his big scrapbook, and hear some

>stories-

> 

>WSB:  Yeah.

> 

>LR:  What was your impression of that place? How did you end up there?

>Was it through Brion Gysin and the 1001 Nights?

> 

>WSB:  More or less, yes.

> 

>LR:  What did you make of that place? What did you make of the music?

> 

>WSB:  Great, great. Love it. Magic-It really has a magical quality that

>you can't find anymore, anywhere. It's dying our everywhere, that

>quality...

> 

>LR:  It seems to be still there when they play (today), I don't know if

>you've heard them recently...

> 

>WSB:  Not recently, but I've hear the recordings, some  of the

>recordings. Ornette Colemanmade some, you know. I was there when he made

>those.

> 

>LR:  Excuse me?

> 

>WSB:  I was there.

> 

>LR:  You were there when he made those (Dancing in Your Head)

>recordings?

> 

>WSB:  That's right.

> 

>LR:  Oh, gee, wasn't that in the 70's?

> 

>WSB:  Yeah, it was, '72, I think.

> 

>LR:  When was the last time you were back in Morocco?

> 

>WSB:  When in the hell was it? I went there with-the last time I went

>with Jeremy Thomas and David Cronenberg, apropos of possibly getting

>some shots, y'know...

> 

>LR:  Oh, for the movie (Naked Lunch)...

> 

>WSB:  Yeah, for the sets.

> 

>LR:  Yeah.

> 

>WSB:  Well, we just were there a couple of days.

> 

>LR:  Was it anything like you remembered? Had it changed incredibly?

> 

>WSB:  Not incredibly but considerably. There's been a lot of building

>up, a lot of sort of sub-divisions, it's gotten more westernized-there

>used to be a lot of good restaurants there, now there's only one, and

>that's in the Hotel Minza.

> 

>LR:  Right.

> 

>WSB:  These people I was with were saying "Oh show me to a little place

>in the native quarter where the food is good..." and I said: There aren't

>no such places! Right here in your best food in Morocco, or in Tanger

>anyway, right in the Hotel Minza. Well, they went out and they ate in an

>awful, greasy Spanish restaurant. After that they believed me!

> 

>LR:  (laughs)They had to find out the hard way...

> 

>LR:  What about the 1001 Nights? Were the Jajouka musicians playing in

>there?

> 

>WSB:  Well, various musicians. They had dancing boys in there, too.

> 

>LR:  Yeah?

> 

>WSB:  Yes-Oh, but I didn't know Brion too well-I was only there a couple

>of times.

> 

>LR:  Oh really.

> 

>WSB:  I didn't know him then.

> 

>LR:  You became friendly with him in Paris, later?

> 

>WSB:  That's right.

> 

>LR:  The place where you spent a lot of your time there (in Tanger), the

>Muneria?

> 

>WSB:  The Hotel Mouneria, yes.

> 

>LR:  Was it a hotel or a boarding house?

> 

>WSB:  It was a hotel.

> 

>LR:  That's where you wrote a lot of the routines that became Naked

>Lunch?

> 

>WSB:  Quite a few of them, yes.

> 

>LR:  And is that where Kerouac, and Ginsberg, those guys came to visit

>you? Where you living there at that time?

> 

>WSB:  I was living there at that time, yes. The didn't-there wasn't a

>place in the Mouneria, but they found various cheap places around very

>near there.

> 

>LR:  I heard Kerouac had nightmares from typing up your stuff at that

>time...

> 

>WSB:  (pauses) Well, he said...

> 

>LR:  Was he the first one to actually sit down and type a buch of that

>stuff up?

> 

>WSB:  No, he was by no means the first. Alan Ansen did a lot of typing,

>and of course Allen Ginsberg. I don't know who was first but it wasn't

>Jack.

> 

>LR:  Those guys came and went pretty quickly, compared to your time in

>Morocco-I guess they weren't as enamoured of the place...

> 

>WSB:  Well they were settled somewhere else. Now for example, Jack

>didn't like any place outside of America-he hated Tanger.

> 

>LR:  I wonder why?

> 

>WSB:  He hated Paris because they couldn't understand is French.

> 

>LR:  His French ws a dialect...

> 

>WSB:  Those French Canadians got themselves into a language ghetto.

>Evnet he French people don't speak their language. Anyway, he'd been to

>Mexico quite a lot, more than many other places.

> 

>LR:  He liked it there...

> 

>WSB:  Fairly well.

> 

>LR:  But he didn't like it very much in Tanger?

> 

>WSB:  No no, not at all.

> 

>LR:  I'd like to hear your impressions of the kif smoking there, and the

>majoun-

> 

>WSB:  Sure. Well, the kif smoking was, y'know, anywhere and everywhere.

>There were no laws...

> 

>LR:  They sort of smoke it the way people have a drink here, don't they?

> 

>WSB:  Well, not exactly the same way. In the first place-it's pretty

>much confined to men, thought i suppose the women get to smoke on their

>own. but anyway, of course majoun is just a cany mad from kif-the kif,

>you see, is mixed with tobacco-

> 

>LR:  Right.

> 

>WSB:  I can't smoke it.

> 

>LR:  Nope.

> 

>WSB:  So I'd always get those boys with the tobacco, I'd tell 'em: "I

>don't want the tobacco in it". So I rolled my own, and made my own

>majoun. It's just a candy, it's pretty much like a Christmas Pudding-any

>sort of candy is good, works, fudge or whatever.

> 

>LR:  And how did you find it? Was it a high that was pretty pleasing?

> 

>WSB:  Very very very much. It was stronger than pot.

> 

>LR:  Were you smoking a lot of that, or taking a lot of that, when you

>were writing some of the routines?

> 

>WSB:  Yeah, sure. It helped me alot.

> 

>LR:  Was Tanger a violent place then?

> 

>WSB:  It was never a violent place that I know of.

> 

>LR:  No?

> 

>WSB:  Never-good god-I walked around in Tanger at all hours of the day

>and night, never any trouble.

> 

>LR:  Really?

> 

>WSB:  Yeah, there's always stuff about, the idea that you go into the

>native quartier you immediately get stabbed-laughs-it's nonsense!

> 

>LR:  Well, people do bring back those stories now and again...

> 

>WSB:  Well, occasionally it happens, but it is much less dangerous that

>certain areas of New York-my God!

> 

>LR:  That's exactly how I likened it, when I was there-if you can walk

>down the streets of New York you're in pretty good stead.

> 

>WSB:  Yeah, that's right, you're much better in Tanger than in New York.

> 

>LR:  There was a description, In Barry Miles book, wehre he said that

>when you got there you felt very lonely and cut off, being sort of

>isolated in this corner of North Africa-

> 

>WSB:  It wasn't the corner of North Africa, it was the fact that I

>hadn't made many friends there.

> 

>LR:  Was that a strange time for you? Living there without really

>knowing anyone?

> 

>WSB:  Not particularly, I've visited many times, many places.

> 

>LR:  Do you think that the gereral tenor of life in Morocco influenced

>the way ou were writing at that point? The daily life coming out in some

>of the routines?

> 

>WSB:  Probably. The more I was in that surrounding the more I liked it.

>More and more.

> 

>LR:  More and more as you stayed?

> 

>WSB:  Yeah-it was cheap-and then, I met this guy Dave Ulmer (?), who

>was, Barnaby Bliss, he was at work for the man who did a column for

>their Tanger paper-English paper-run by an old expatriate named Byrd,

>William Byrd, an old Paris expat.

> 

>LR:  Were there many tourists in Morocco then?

> 

>WSB:  Not many at all.

> 

>LR:  That must have been nice.

> 

>WSB:  It was nice. In the summer of course you had sometimes quite a few

>Scandinavians, Germans... -laughs-Brian Howard said about the Swedes, I

>thik it was: "You're all ugly, you're all queer, and none of you have

>any money!"

> 

>LR:  Well, you know, that was another quote in Miles book, from you,

>saying that you'd "never seen so many people in one place without any

>money or the prospect of any money..."  I guess you could live pretty

>cheaply there?

> 

>WSB:  You could live pretty cheaply there, yes.

> 

>LR:  At that time did Americans have to register with the police to live

>there?

> 

>WSB:  f course not, nothing, they had to do nothing. Well, they put in

>various regulations in town-you had to get a card. By the time we got

>our goddamn cards and stood in line and had to take all that crap-I had

>to get one of those in France, too-well, anyway, by that time they had

>another idea (laughs), so your card that you had aquired was worthless...

> 

>LR:  Were you involved much in the music there? Did you hear a lot of

>music while you were in Tanger-did it make any strong impression on you?

> 

>WSB:  Well, I like the Moroccan music very much-

> 

>LR:  It seems to be a very big part of the lifestyle-

> 

>WSB:  Yes, it is, indeed.

> 

>LR:  A lot of music, a lot of kef smoking, a lot of contemplation, in a

>way-

> 

>WSB:  Yes, well the music in omnipresent. I'd be sitting at my desk and

>hear it outside. It was all around you.

> 

>LR:  William, that about covers the subjects I'd wanted to get at you

>with, on there...

> 

>WSB:  Sure...

> 

>LR:  I guess your friendship with Bowles started a bit later-

> 

>WSB:  Yes, it did.

> 

>LR:  Do you enjoy his writing?

> 

>WSB:  Very much, very much.

> 

>LR:  He's got a very interesting style...

> 

>WSB:  Very particular style-particularly in the end of Let It Come Down,

>that's terrific, terrific, and then-The Sheltering Sky is almost a

>perfect novel-

> 

>LR:  Yeah.

> 

>WSB:  The end of that, oh man, that quote: "well you turned, stopped-it

>was the end of the line..."-great!

> 

>LR:  Did you know Jane (Bowles)?

> 

>WSB:  Oh yes, quite well.

> 

>LR:  What'd you think of her?

> 

>WSB:  Oh she was incredible...

> 

>LR:  I've heard incredible things about her-she lived quite an

>interesting life herself, although I guess in general, in Tanger and

>Morocco, women were very much invisible, in a certain way. Native women.

> 

>WSB:  It's a very complicated situation, very complex, and I don't

>pretend to know much about it. Jane Bowles was sort of known for her

>strange behavior. In New York they invited her to some party where all

>these powerful ladies were, and they asked her, "Mrs. Bowles, what do

>you think of all this?", and she said "Oh" and fell to the floor in

>quite a genuine faint.

> 

>LR:  That was her answer?

> 

>WSB:  That was her answer. She had no (unintelligible).

> 

>LR:  Are you still in touch with Bachir?

> 

>WSB:  No, not really.

> 

>LR:  You were in touch with his father, I suppose...

> 

>WSB:  Yes, I knew the old man, sure, I remember him.

> 

>LR:  He was the leader of the group back then?

> 

>WSB:  Yeah.

> 

>LR:  How many musicians would you say were in the group back then?

> 

>WSB:  Oh, I don't know, it would vary, I'd say about 12, 15.

> 

>LR:  That's about how many there still are now.

> 

>LR:  Okay William, I think that that's gonna be good.

> 

>WSB:  Well fine.

> 

>LR:  I appreciate your talking to me, it's a great pleasure to talk to

>you.

> 

>WSB:  Well, it's my pleasure too.

> 

>LR:  Okay, I hope to get another chance to come out and say hellow to

>you out there in Lawrence-

> 

>WSB:  Fine.

> 

>LR:  Y'know, I have one last question for you-

> 

>WSB:  Good.

> 

>LR:  Is that, uh, typewriter still growing out in your garden?

> 

>WSB:  (puzzled) What typewriter?

> 

>LR:  Last time we were there you had a typewriter growing in your garden

>amongst all the plants and things...

> 

>WSB:  Oh, just one I threw away I guess...

> 

>LR:  Yeah, it was a very beautiful image there, with the weeds coming up

>through the keys...

> 

>WSB:  (laughs) I guess so-I don't remember the typewriter-I've gone

>through so many typewriters-wear 'em out and throw 'em away.

> 

>LR:  Do you generally write with a computer these days?

> 

>WSB:  I have no idea how to do it. No, I don't.

> 

>LR:  Typewriter or longhand?

> 

>WSB:  Typewriter or longhand, yes. These modern inventions! James has

>one, but I just don't.

> 

>LR:  Okay, well listen William, I thank you very much. Please tell both

>Jim and James thanks for their help as well.

> 

>WSB:  I certainly will.

> 

>LR:  Okay, you take care.

> 

>WSB:  You too.

> 

>LR:  Bye bye.

> 

>WSB:  Bye bye.

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) Burroughs' last thoughts on death, drugs, Gingrich

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <bofus@fcom.com>

>Date: Mon, 11 Aug 1997 11:25:45 -0800

>From: bofus? <bofus@fcom.com>

>To: bofus@fcom.com

>Subject: Burroughs' last thoughts on death, drugs, Gingrich

> 

>William Burroughs' journals reveal last thoughts on death, drugs,

>Gingrich

> 

> 

>The Associated Press

> 

>NEW YORK (August 11, 1997 11:58 a.m. EDT) -- Until the end, William S.

>Burroughs shuddered at the thought of a world without drugs and railed

>against the politicians trying to ban them.

> 

>The latest issue of "The New Yorker," which hits newsstands Monday,

>contains excerpts from journals kept by the Beat Generation author and

>former heroin addict in which he criticizes Newt Gingrich and other

>politicians he blamed for trying to make American life "banal."

> 

>"That vile salamander Gingrich, squeaker of the House, is slobbering

>about a drug-free America by the year 2001," Burroughs wrote about two

>months before his Aug. 2 death at age 83.

> 

>"What a dreary prospect! ... No dope fiends, just good, clean-living

>decent Americans from sea to shining sea," he wrote on May 31. "How I

>hate those who are dedicated to producing conformity."

> 

>The author of "Naked Lunch" also praised Beat poet Allen Ginsberg for

>struggling against censorship to challenge the mores of American

>society.

> 

>"Allen made holes in the Big Lie not only with his poetry but with his

>presence, his self-evident spiritual truth," he wrote on May 25.

> 

>Ginsberg's death April 5 caused him to think about the end of his own

>life.

> 

>"I thought I would be terrified, but I am exhilarated," Burroughs

>recalled his friend saying.

> 

>The day before Burroughs died, he wrote his last entry, which was

>printed on cards and distributed among the 250 mourners at his funeral

>in Lawrence, Kan.

> 

>"Love? What is it? Most natural painkiller. What there is. LOVE."

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) How the beats beat the First Amendment

Cc:

Bcc:

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>Return-Path: <bofus@fcom.com>

>Date: Mon, 11 Aug 1997 11:27:32 -0800

>From: bofus? <bofus@fcom.com>

>To: bofus@fcom.com

>Subject: How the beats beat the First Amendment

> 

>How the beats beat the First Amendment

> 

> 

>N.Y. Times News Service

> 

>(August 11, 1997 11:58 a.m. EDT) - The last year has been pretty much

>the end of the road for the Beat Generation, with the deaths of Herbert

>Huncke, the hustler who gave Jack Kerouac the word "beat," Allen

>Ginsberg, who gave poetry "Howl," and, on Aug. 2, William S. Burroughs,

>who gave the world, ready or not, "Naked Lunch."

> 

>The beats' defiance of authority and their experimentation with drugs

>and sex helped set a generation on course for the counterculture of the

>1960s. Not that censors didn't see what was coming. In 1957 Ginsberg

>overcame an obscenity prosecution for "Howl," which celebrated

>homosexuality and eroticism. In 1965 "Naked Lunch," in which Burroughs

>opened the doors to hallucinatory visions of American society, was ruled

>obscene in Massachusetts.

> 

>For Burroughs' American publisher, Grove Press, this was good news. When

>it first came out in France in 1959, "Naked Lunch" wasn't even reviewed.

>After 1965, it was a cause celebre.

> 

>Better yet, before the Massachusetts Supreme Court heard Grove's appeal

>in 1966, the U.S. Supreme Court set a new precedent in a case involving

>"John Cleland's Memoirs of a Woman of Pleasure" -- Fanny Hill. Its

>ruling meant that to be found pornographic, "Naked Lunch" would have to

>be "utterly without redeeming social value."

> 

>The result was a literary trial that elevated the least upbeat of the

>beats (Burroughs had a dim view of humanity) to cult status. Grove

>rushed out a new edition that included testimony. In it, the

>uncertainties on both sides of the wavering cultural divide showed. To

>get along, even the beats had to play along. Excerpts from that edition

>follow. -- GEORGE JUDSON

> 

>Burroughs, a former drug addict with a pharmacologist's knowledge of

>narcotics, had tried to inoculate "Naked Lunch" against challenges with

>an introduction describing a high purpose:

> 

>I awoke from The Sickness at the age of forty-five, calm and sane, and

>in reasonably good health except for a weakened liver and the look of

>borrowed flesh common to all who survive The Sickness. . . . I have no

>precise memory of writing the notes which have now been published under

>the title "Naked Lunch." The title was suggested by Jack Kerouac. I did

>not understand what the title meant until my recent recovery. The title

>means exactly what the words say: NAKED Lunch -- a frozen moment when

>everyone sees what is on the end of every fork.

> 

>The Sickness is drug addiction and I was an addict for fifteen years. .

>. .

> 

>So "Naked Lunch" was a brief for eliminating heroin use by treating

>junkies rather than punishing them. Burroughs made his case:

> 

>Dope fiends are sick people who cannot act other than they do. . . .

>Assuming a self-righteous position is nothing to the purpose unless your

>purpose is to keep the junk virus in operation. And junk is a big

>industry." . . .

> 

>The junk virus is public health problem number one of the world today

>(emphasis his). Since "Naked Lunch" treats this health problem, it is

>necessarily brutal, obscene and disgusting.

> 

>What about the lurid sex scenes that include, among many activities,

>hangings? He explained:

> 

>Certain passages in the book that have been called pornographic were

>written as a tract against Capital Punishment in the manner of Jonathan

>Swift's "Modest Proposal." These sections are intended to reveal capital

>punishment as the obscene, barbaric and disgusting anachronism it is.

> 

>The dodge didn't work; a judge ruled "Naked Lunch" was hard-core

>pornography. As the appeal moved along, other novels with legal troubles

>included "Candy" by Terry Southern and "Last Exit to Brooklyn" by Hubert

>Selby Jr. Norman Mailer testified for Burroughs:

> 

>There is a kind of speech that is referred to as gutter talk that often

>has a very fine, incisive, dramatic line to it; and Burroughs captures

>that speech like no American writer I know. He also . . . has an

>exquisite poetic sense. His poetic images are intense. They are often

>disgusting; but at the same time there is a sense of collision in them,

>of montage that is quite unusual.

> 

>Mailer also found deep meaning:

> 

>William Burroughs is in my opinion -- whatever his conscious intention

>may be -- a religious writer. There is a sense in "Naked Lunch" of the

>destruction of soul, which is more intense than any I have encountered

>in any other modern novel. It is a vision of how mankind would act if

>man was totally divorced from eternity. . . .

> 

>Just as Hieronymus Bosch set down the most diabolical and blood-curdling

>details . . . so, too, does Burroughs leave you with an intimate,

>detailed vision of what Hell might be like, a Hell which may be waiting

>as the culmination, the final product, of the scientific revolution.

> 

>Allen Ginsberg testified, too:

> 

>The concept of addiction is carried out to include, in Burroughs'

>phrase, "control addicts," or people who are habituated or pushing other

>people around. What it boils down to: controlling them sexually,

>politically, socially. . . . there are almost scientific expositions

>given by the author of techniques of mass brainwash and mass control,

>and theories of modern dictatorships, theories of modern police states.

>. . .

> 

>I think he is laconically, satirically analyzing them and presenting

>evidences of these activities in our modern culture, now and then in a

>science-fiction style, projecting them into the future, nightmare

>situations if control addicts took over.

> 

>Ginsberg, a homosexual and former lover of Burroughs, was asked to sort

>out the political parties portrayed in "Naked Lunch." Who, satirically,

>was whom? "The Divisionists (one party in the book) are the

>homosexuals?" the court asked. There seemed likely to be a correct

>answer:

> 

>Yes. The Divisionist is a parody of a homosexual situation also; but

>Burroughs is (Ginsberg's emphasis) attacking the homosexuals in this

>book also.

> 

>The court then asked, "Do the conservatives fall into any particular sex

>class in this book?" Ginsberg replied:

> 

>Well, I think the conservatives, if we consider the Factualist (another

>party) to be conservative, I think they have a feeling of laissez-faire,

>whatever is natural, whatever does no harm will be acceptable. . . .

> 

>A justice put in:

> 

>"Lest anyone take this seriously, of course, obviously it is a fantasy."

> 

>But the justice soon returned to homosexuality:

> 

>"Let me ask again. Do you think he is seriously suggesting that some

>time in the future that a political party will be in some way concerned

>with sex? (Grove's lawyer tried to speak.) Excuse me. When I say,

>"Concerned with sex," I don't mean in an attempt to reform perversion. .

>. . what he is trying to portray here, is that some time in the future

>there will be a political party, for instance, made up of homosexuals?

> 

>Ginsberg replied:

> 

>Well, I think, saying that, this has already happened in a sense, -- or

>of sex perverts -- and we can point to Hitler, Germany under Hitler.

> 

>In a 4-2 decision, the court found that "Naked Lunch" "may appeal to the

>prurient interest of deviants and those curious about deviants. To us,

>it is grossly offensive and is what the author himself says, 'brutal,

>obscene and disgusting.' "

> 

>But applying the new federal test, the court stated, "we cannot ignore

>the serious acceptance of it by so many persons in the literary

>community. Hence, we cannot say that 'Naked Lunch' has no 'redeeming

>social importance.' "

> 

>"Naked Lunch" passed. And the obscenity test has since been revised; it

>now requires a "reasonable person" to find that a work is prurient,

>violates contemporary community standards and, taken as a whole, "lacks

>serious literary, artistic, political or scientific value."

> 

>Ginsberg concluded his testimony with a poem, "On Burroughs' Work." It

>ends:

> 

>A naked lunch is natural to us, we eat reality sandwiches. But

>allegories are so much lettuce. Don't hide the madness.

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (FWD) q: ranaldo & a: burroughs, 9 april 97

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970812013625_1848781656@emout01.mail.aol.com>

References:

 

At 01.36 12/08/97 -0400,

Pamela Beach Plymell <CVEditions@AOL.COM> wrote:

>In a message dated 97-08-12 01:01:05 EDT, you write:

> 

><<  WSB:  Well, you'll notice more subdivisions now  as it's modernized

> > and is no longer cheap

> 

> Sharp as a razor. >>

> 

>In every direction we look....

> 

>C.Plymell

> 

   ENTIA NON SUNT MULTIPLICANDA

   PRAETER NECESSITATEM...

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: who's who?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SOL.3.91.970812085153.12553C-100000@baskerville.CS.Arizona.EDU>

References:

 

Shannon,

 

the writer Fernanda Pivano in the '60s was in correspondence with Henri Cru (in OTR he is Remi Boncoeur),

 

exempli gratia:

#1

''Dear Miss Pivano, please permit me to introduce myself...

My name is Henry Cru and my best friend "Jack Kerouac" sent ne the enclosed postal card on my trip around the world. I am an electrician on the President Jackson and we are scheduled to arrive in Genoa June sixt or possibly a day or two later. In Jack's best selling novel On The Road he named himself "Sal Paradise" and he called me "Remi Bon Coeur". According to his card he wishes for me to tell you that I am Remi and then he sent me. I have no idea why he wants me to tell you this but knowing Jack as I do he must have some kind of mystical reason. I would be delighted to receive a card from you enlightening me to Kerouac's motives. My very best wishes.''.

#2

"Dear Nanda & Ettore, I have been on the road ona on the ocean for many years but when ''Mon Frere'' Jack Kerouac forget about ''the Beatnik Generation'' and starts to entertain notions of scraping all his nonsensical ideas about non conformism and starts to formulatae a gospel that will bring peace to this miserable world, peoples in every land will find love and genuine kindness like I found in this home where I was treated like a King... Merci du fond de mon coeur. Henri Cru "Remi Bon Coeur" ''.

 

 

Henri Cru, (Remi Boncoeur) is very important & Jack Kerouac devoted alot of pages about him  in "On the Road" but Henri Cru is not mentioned in the Legend of Beat, why?

Boncoeur said "You can't teach the old maestro a new tone", i consider the best motto in all OTR,

 

saluti

Rinaldo.

*

"Aaaaah Paradise, he comes in through the window, he follows instructions to a T."---Remi Boncoeur in JK's OTR *

 

At 08.55 12/08/97 -0700,

"Shannon L. Stephens" <shanstep@CS.ARIZONA.EDU> wrote:

>I'm still working on "On the Road," and have a character question.

>Don't jump all over me for this...if it screams ignorance...chalk it up

>to unfamiliarity. Who is Remi...and subsequently Lee Ann?

> 

>-shannon

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: about razor

Cc:

Bcc: "Penn, Douglas, K" <dkpenn@OEES.COM>

X-Attachments:

In-Reply-To: <c=US%a=_%p=OEES%l=SD-MAIL-970812172530Z-539@sd-mail.sd.oees.com>

References:

 

>Rinaldo, you are such a tease.  Somebody please translate?

> 

>Douglas

 

>>        ENTIA NON SUNT MULTIPLICANDA

>>        PRAETER NECESSITATEM...

>> 

 

please, excuse me, the translation is

 

   "IT IS VAIN TO DO WITH MORE

   WHAT CAN BE DONE WITH FEWER"

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) burroughs' letter to kerouac on buddhism

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Return-Path: <bofus@fcom.com>

Date: Thu, 14 Aug 1997 06:33:45 -0800

From: bofus? <bofus@fcom.com>

To: bofus@fcom.com

Subject: burroughs' letter to kerouac on buddhism

 

Derek B Monypeny <dbm@U.Arizona.EDU> wrote:

> 

> 

>  scene: burroughs is in morocco. the

>  accidental shooting death of jane burroughs

>  has already occurred. burroughs is in the

>  process of writing what would become "naked

>  lunch" and pining for allen ginsberg. he is

>  replying to a letter from kerouac which

>  stated, among other things, that kerouac

>  had devoted himself to the study of

>  buddhism and had renounced sex for good.

> 

>  ...I can't help but feeling that you are

>  going too far with your absolute chastity.

>  Besides, masturbation is NOT chastity, it

>  is just a way of sidestepping the issue

>  without even approaching the solution.

>  Remember, Jack, I studied and practiced

>  Buddhism (in my usual sloppy way to be

>  sure). The conclusion I arrived at, and I

>  make no claims to speak from a state of

>  enlightenment, but merely to have attempted

>  the journey, as always with inadequate

>  equipment and knowledge (like one of my

>  South American expeditions), falling into

>  every possible accident and error, losing

>  my gear and my way, chilled to the

>  blood-making marrow with final despair of

>  aloneness: What am I doing here a broken

>  eccentric? A Bowery Evangelist, reading

>  books on Theosophy in the public library

>  (an old tin trunk full of notes in my cold

>  water East Side flat), imagining myself a

>  Secret World Controller in Telepathic

>  Contact with Tibetan Adepts... Could I ever

>  SEE the merciless, cold FACTS on some Winter

>  night, sitting in the operation room white

>  glare of a cefeteria - NO SMOKING PLEASE -

>  see the facts AND MYSELF, an old man with

>  the wasted years behind, and what ahead

>  having seen the Facts? A trunk full of

>  notes to dump in a Henry St. lot?... So my

>  conclusion was that Buddhism is only for

>  the West to STUDY as HISTORY, that is it is

>  a subject for UNDERSTANDING, and Yoga can

>  profitably be practiced to that end. But it

>  is not, for the West, An ANSWER, not a

>  SOLUTION. We must learn by acting,

>  experiencing, and living; that is, above

>  all, by LOVE and by SUFFERING. A man who

>  uses Buddhism or any other instrument to

>  remove love from his being in order to

>  avoid, has committed, in my mind, a

>  sacrilege comparable to castration. You

>  were given the power to love in order to

>  use it, no matter what pain it may cause

>  you. Buddhism frequently amounts to a form

>  of psychic junk... Because if there is one

>  thing I feel sure of its this: That human

>  life has DIRECTION. Even if we accept some

>  Spenglerian Cycle routine, the cycle never

>  comes back to exactly the same place, nor

>  does it ever exactly repeat itself... When

>  the potentials of any species are

>  exhausted, the species becomes static (like

>  all animals, reptiles and other so-called

>  lower forms of life). What distinguished

>  Man from all other species is that he

>  CANNOT BECOME STATIC. "Er muss streben oder

>  untergehen" (quotation is from myself in

>  character of German Philosopher)-"He must

>  continue to develop or perish."... What I

>  mean is the California Buddhists are trying

>  to sit on the sidelines and there ARE no

>  sidelines. Whether you like it or not, you

>  are committed to the human endeavor. I can

>  not ally myself with such a purely negative

>  goal as avoidance of suffering. Suffering is

>  a chance you have to take by the fact of

>  being alive. I repeat, BUDDHISM IS NOT FOR

>  THE WEST. We must evolve our own

>  solutions... I am having serious

>  difficulties with my novel. I tell you the

>  novel form is completely inadequate to

>  express what I have to say. I don't know if

>  I can find a form. I am very gloomy as to

>  prospects of publication. And I'm not like

>  you, Jack. I need an audience. Of course, a

>  small audience. But still I need publication

>  for development. A writer can be ruined by

>  too much or too little success...

> 

> 

> 

>  From "Letters of William S. Burroughs

>  1945-1959."  Edited with an introduction by

>  Oliver Harris. Viking, 1993.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: about razor..Occam's

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997081411062000@CUNYVM.CUNY.EDU>

References:

 

hello all friends,

 

William of Occam, of course...

              &

 

         THE NAME OF THE ROSE

 

 "stat rosa pristina nomine, nomina luda tenemu" "the ancient rose is necessarily connected to her name,

        we have got things without their name"

              &

 

          the medieval prior set the books on fire,

 

saluti,

Rinaldo.

*

BTW, i found a Ferlighetti's poem:

 

Walking through the University of Bologna

         the oldest university in the world...

The usual protests by the usual students

         stoning the administration

         for Giordano Bruno

              or Garibaldi

                   or Pasolini

                         or Lotta Continua

The usual statues under the arcades

         or under the trees

              Great yellow leaves

                   falling on them

And the gardens full of

   stone philosophers

         oblivious

              above it all

         having survived their own

       dying fall

As I release a singing bird

from under my hat

And join the rearest demonstration

against virtual reality

led by Umberto Eco I suppose

or a wit that looks like him

         waving a rose

 

--Lawrence Ferlighetti, "Italian Scenes" *

 

--------

At 11.06 14/08/97 -0400,

Antoine Maloney <stratis@ODYSSEE.NET> wrote:

>This has often been referred to as "Occam's razor", the desire to shave away

>any excess conditions in an hypothesis or theory. Occam (Henry of ...?) as I

>recall was a contemporary of the monk-philosopher Francis Bacon, the central

>figure in "The Name of the Rose".

> 

>        Antoine

> 

>        ***************

> 

>>>Rinaldo, you are such a tease.  Somebody please translate?

>>> 

>>>Douglas

>> 

>>>>        ENTIA NON SUNT MULTIPLICANDA

>>>>        PRAETER NECESSITATEM...

>>>> 

>> 

>>please, excuse me, the translation is

>> 

>>        "IT IS VAIN TO DO WITH MORE

>>        WHAT CAN BE DONE WITH FEWER"

>> 

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Lewis Warsh as a translator of avant-garde chinese poetry

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

THIS IS NOT THE LAST

 

 

This is not the last

that's punished by language.

A new wooden house

is knocked down by a tree.

 

The prisoner

makes traps around himself.

If he's let out alive

he'll take the crimes with him.

 

He has no other shortcut.

A knife between life and death.

Light is cut open

and bent by the lonely sky.

 

The world is as painful as fate.

Words are shackles.

Once he's learned how to confess,

no one can ever defend him.

 

Translated by Wang Ping and Lewis WarshTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Darkness of Buddishm.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

*-

"A man who uses Buddhism or any other instrument to remove love from his being in order to avoid, has committed, in my mind, a sacrilege comparable to castration."-- William S. Burroughs' letter to Jack Kerouac.

From "Letters of William S. Burroughs 1945-1959."

 

*-

   "When the Vietnamese communists

   took Saigon in 1975, they put their "class

   enemies" into re-education camps. In

   neighboring Cambodia, Pol Pot built exter-

   mination camps. Techears, doctors, people

   who could speak a foreing language, even

   people who wore glasses, were purged as

   he sought to reduce all of Cambodia to the

   level of the peasant class. The Vietnamese

   could be cruel captors, but their Confucian

   heritage left them open to educational re-

   form. In Cambodia, by contrast, Buddhism

   encouraged a belief in the ineluctability

   of karma and the idea that evil suffered

   is evil deserved. ''The idea of karma

   goes very deep in this society, and I

   think that was part of the mentality of

   the Khmer Rouge when they were massacring

   people,'' said Francois Ponvhaud, a priest

   who first went in Cambodia in 1965. '' They

   believed their victims had made errors,

   political errors, and that killing them

   would allow them to be reborn as better

   people in their next lives''. Pol Pot has

   admitted to some mistakes in the period

   from 1975 to 1979, but in his eyes they

   were mistakes of policy. About the million

   dead, he has never expressed any remorse."

   From "Terry McCarthy-- TIME,AUGUST 11,1997."

 

*-

"I repeat, BUDDHISM IS NOT FOR THE WEST.

We must evolve our own solutions..."

-- William S. Burroughs' letter to Jack Kerouac.

From "Letters of William S. Burroughs 1945-1959." *-

 

   DIED. WILLIAM BURROUGHS, 83,

   countercultural hero, whose

   delicioussly delirious novel,

   ''Naked Lunch'', was cleared

   of obscenity charges by the

   U.S. Supreme Court; in Lawrence,

   Kansas. A literary junkie,

   Burroughs was hooked on heroin

   and words, which he furiously

   pieced together to exorcise the

   memory of having drunkenly shot

   his wife Joan instead of the

   glass perched on her head. Of

   that stunt gone fatally wrong,

   Burroughs once said: '' I have

   had no choice but to write my

   way out.''

   From "TIME,AUGUST 18,1997.

*-

 

saluti fraterni,

Rinaldo.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat Writers.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

http://sfpl.lib.ca.us/nbe/beatwriters.html

 

 

List of Beat Writers in The Collection

 

 

   The two sources used to determine if a writer/poet is to be included  in the Beat Writers Collection are: 1) A two volume set entitled "The Beats:  Literary Bohemians in Postwar America" (edited by Ann Charters. Gale. 1983).

 More than a biography of 66 Beats or Beat Era writers, each entry includes an  in-depth critique of the works of an author and includes at least one  photograph and a bibliography.  The six page forward written by Charters  serves as a quick socio-historical analysis of BEAT.

   Poets/writers listed in this two volume set are:

 

Amari Baraka (Leroi Jones)

Paul Blackburn

Bonnie Bremser

Ray Bremser

Chandler Brossard

William S. Burroughs

William S. Burroughs Jr.

Paul Carroll

Carolyn Cassady

Neal Cassady

Andy Clausen

Gregory Corso

Robert Creely

Diane DiPrima

Kirby Doyle

Robert Duncan

Bob Dylan

William Everson (Brother Antonus)

Lawrence Ferlinghetti

Allen Ginsberg

Brion Gysin

John Cellon Holmes

Herbert Huncke

Ted Joans

Lenore Kandel

Bob Kaufman

Jan Kerouac

Jack kerouac

Ken Kesey

Seymour Krim

Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Norman Mailer

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

John Montgomery

Harold Norse

Frank O'Hara

Charles Olson

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Michael Rumaker

Ed Sanders

Gary Snyder

Carl Solomon

Jack Spicer

Charles Upton

Janine Pommy Vega

Anne Waldman

Alan Watts

Lew Welch

Philip Whalen

John Weiners

William Carlos Williams

 

   2) The second book is entitled

   "Women of the Beat Generation" (edited by Brenda Knight.) To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Lawrence Ferlinghetti, the Prevert of America...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997081523204008@CUNYVM.CUNY.EDU>

References:

 

Antoine et al. friends,

 

the Ferlinghetti's poem "Walking through the University of Bologna" is printed in the book

"Ferlinghetti, SCENE ITALIANE", ed. Minum fax, (c) 1995, Roma in the cover a Ferlinghetti's painting titled "Morning Vision",

 

in previous post i noticed thet Jeffrey Weinberg <Waterrow@AOL.COM> have alot of books in stock i dunno if he has a copy of "Italian Scenes" by LF,

 

saluti a tutti, e buona domenica,

Rinaldo.

 

 

At 23.20 15/08/97 -0400, Antoine wrote:

>Thanks for adding the William for me Rinaldo and for choosing such a perfect

>Ferlinghetti poem as a response! Which collection is it from?

> 

>        Antoine

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: la Repubblica quoted Wall Street Journal WSB's obituary

Cc:

Bcc:

X-Attachments:

In-Reply-To: <33EFFFC8.5258@buchenroth.com>

References: <Pine.A32.3.93.970811093157.37708F-100000@srv1.freenet.calgary.ab.ca>

 

At 23.16 11/08/97 -0700,

"Michael L. Buchenroth" <mike@BUCHENROTH.COM> wrote:

>Last Saturday morning (Friday night) I read an article / bio / slam /

>insulting and frightening propaganda bullshit narrowly filtered opinion

>in the "Wall Street Journal" about Burroughs and the Beats, etc.

>***

[snipped for brevity]

> 

 

Friends,

the newspaper "la Repubblica", printed in Rome (the 2th most big newspaper in Italy) today sunday 17th august 1997, has quoted the Wall Street Journal article concerned the William S. Burroughs' obituary.

 

   *********************************************

   Dopo i misurati elogi della stampa "liberal",

   il "Wall Street Journal" parte all'attacco.

 

         BURROUGHS, L'AMERICA SI DIVIDE

              di Eugenio Occorsio

 

   Era inevitabile che l'America giungesse ad un

   ''redde rationem'' con William Burroughs, il

   controverso profeta della beat generation morto

   di infarto il 2 agosto nel Kansas appena quattro

   mesi dopo l'altro ''poeta maledetto'' Allen

   Ginsberg. E' un processo tortuoso e sofferto,

   questa rivisitazione della figura dell'autore

   di ''Naked Lunch'', che si sta consumando in

   questi giorni insieme alle celebrazioni di

   Elvis Presley: il New York Times ha pubblicato

   un obituary volutamente asettico e didascalico

   pur definendolo ''scrittore rinnegato'', il

   Washington Post lo ha definito senza mezzi termini

   ''una genuina icona culturale'', il Los Angeles Times-

   citando peraltro i tanti ammiratori da Norman

   Mailer a Lou Reed- ha riferito con piu' convinzione

   nei giorni successivi le serrate critiche che lo

   dipingevano come un ''ciarlatano incomprensibile''.

   Ma e' soprattutto il Wall Street Journal, ultimo ma

   non minore, a scagliarsi non solo contro questo

   ''debosciato pornografo'' ma anche contro il resto

   della stampa americana, ''che lo ha trattato come fosse

   un'importante figura letteraria''.

         ''Burroughs, come prima di lui Kerouac- scrive

   ora il quotidiano- commetteva, fra le tante, una

   mistificazione: diceva di ispirarsi allo scrittore

   Jonathan Swift, per i suoi toni satirici e disincantati.

   Nulla di piu' sbagliato: Swift prende le distanze

   dalle aberrazioni e dalla degradazione che dipingeva,

   Burroughs invece vi e' immerso dentro. E' un opportunista

   che si autodefinisce ironico solo perche' cosi' cerca

   di proteggersi contro le azioni legali a suo carico

   per oscenita' ''. A differenza di Swift, ''non ha

   nessun ideale da contrapporre alle brutture che descrive''.

   Certo aggiunge il Journal, Burroughs, come gli altri

   Beats, ha lasciato il segno nella cultura americana e

   ha contribuito ad infrangere il muro di "reticente

   sensibilita'" che circondava la pornografia. E la sua

   "religione della droga" ha fatto si' che di questa si

   riuscisse a parlare con minore reticenze. Ma il tutto

   ''non ha rappresentato un successo, bensi' una penosa

   degenerazione''.

 

   copyright "la Repubblica" domenica 17 agosto 1997, p.34

   *******************************************************

 

i must note that in the italian media (Tv & Press) WSB isn't caned, here there's an acceptance of the beat experience,

 

Rinaldo.

 To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Awww, mama... can this really... be the end...

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

   memphis blues again        by Bob Dylan

 

   oh the ragman draws circles

   up and down the block

   I'd ask him what the matter was

   but I know that he don't talk

   and the ladies treat me kindly

   and they furnish me with tea

   but deep inside my heart

   I know I can't escape

 

   oh mama can this really be the end

   to be stuck inside of mobile

   with the memphis blues again

 

   well shakespeare he's in the alley

   with his pointed shoes and his bells

   speaking to some french girl

   who says she knows me well

   and I would send a message

   to find out if she's talked

   but the post office has been stolen

   and the mailbox is locked

 

   mona tried to tell me

   to stay away from the train line

   she said that all the rairoad men

   just drink up your blood like wine

   and I said oh I didn't know that

   but then again there's only one I've met

   and he just smoked my eyelids

   and punched my cigarette

 

   grandpa died last week

   and now he's buried in the rocks

   but everybody still talks about

   how badly they were shocked

   but me I experienced it to happen

   I knew he'd lost control

   when he built a fire on main street

   and shot it full of holes

 

   now the senator came down here

   showing everyone his gun

   handling out free tickets

   to the wedding of his son

   but me I nearly got busted

   and wouldn't it be my luck

   to get caught without a ticket

   and be discovered beneath a truck

 

   now the tea pitcher looked so baffled

   when I asked him why he dressed

   with twenty pounds of headlines

   stapled to his chest

   but he cursed me when I proved to him

   then I whispered and said

   not even you can hide

   you see you're just like me

   I hope you're satisfied

 

   now the rainman gave me two cures

   and said jump right in

   the one was texas medicine

   the other was just railroad gin

   and like a fool I mixed them

   and it strangled up my mind

   and now people just get uglier

   and I have no sense of time

 

   when ruthie says come see her

   in her honky tonk lagoon

   where I can watch her waltz for free

   neath her panamanian moon

   and I say oh come on now

   you know you know about my debutante

   and she says your debutante just knows

   what you need

   but I know what you want

 

   now the bricks lay on the grand street

   where the neon madman climb

   they all fall there so perfectly

   they all seem so well timed

   and here I sit so patiently

   waiting to find out what price

   you have to pay to get out of

   going through all these things twice

 

   oh mama can this really be the end

   to be stuck inside of mobile

   with the memphis blues again

 

[Bob Dylan, Blonde on Blonde, 1966]

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The Darkness of Buddishm.

Cc:

Bcc:

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References: <3.0.1.32.19970816230359.006adf80@pop.gpnet.it> from "Rinaldo              Rasa" at Aug 16, 97 11:03:59 pm>

 

hello all beat friends,

 

              --**--

i was *alot* staggered by the TIME article (quoted in the previous post), the Pol Pot *violence with charm*, the only XXme siecle utopia realized (1975-1979) & one million dead, (Pol Pot was in childhood educated to become a buddhist monk, & was a gentle schoolboy),

 

              --**--

the beat's acceptance of buddishm & the Jack Keroauc's tragic death.

JK shifts from the catholic religion to buddishm as better resource for a safe life. But at the end JK undermined himself, i think, & i maybe wrong, that Eastern Lands aren't the response anyway...

 

              --**--

 

Levi Asher wrote:

[excuse me for snippin' for brevity]

>I've written somewhere that Burroughs had "porcupine

>skin" -- that was his defense mechanism.  Neitzsche

>never got a good defense mechanism going, maybe

>because he was schizophrenic, or maybe not, but

>he lived the 2nd half of his life in horrible

>misery.

 

   The "porcupine skin" was an apologue written by

   Arthur Schopenhauer (Nietzsche's master of philosophy),

   the first western philosopher who studied & embraced

   the eastern thought (id est, ''Parerga e Paralipomena''),

   also Freud at last quoted the "porcupine" in his

   thougth 'bout "the discomfourt in the society". Both

   Schopenhauer & Nietzsche promoted having for

   themself darkness & pain. Perhaps giving unconscious thread to

   future nazi ideology... pain as a value in itself without

   any salvation.

 

>The Buddhist practice is just another

>way of surviving.  Ultimately I don't think

>there's anybody in the world who hasn't sometimes

>felt what Buddha felt when he said "All Life

>is Suffering."   And I also don't think there's

>any Buddhist out there who hasn't sometimes felt

>that life was just peachy keen and a whole lot

>of fun.

 

   "Vistors to Cambodia have come away charmed by the lush

   beauty of the countryside and the smiling people.

   But the violent side and the Cambodian life can manifest

   itself without warning.

   ''Cambodian have this darkness, which is part of the

   shadow of their sweetness,'' says David Chandler, who has

   written a biography of Pol Pot and several histories of

   the country. ''Many of us who keep going there still hard

   to understand.'' Chandler observes that Pol Pot, with his

   gentle voice, never failed to charm those he met. He

   liked to quote French poetry. This was the same man who had

   his staff executed after his house in Phnom Penh had

   power failure."

 

 

>And China was more Confician

>than Vietnam -- how would he explain Mao's crimes

>against humanity?  This just doesn't stand up,

>it's just the kind of dull analytic blather

>that keeps political pundits employed, in my

>never-very-humble (but I'm trying) opinion.

> 

 

   "Ancient violence takes on new forms: the

   practice of setting fire to brides because of

   the inadequacy of their dowries is on increase,

   there is terrifying evidence that ritual child

   sacrifice is being practiced by some followers

   of the cult of goddess Kali, and communal violence

   erupts regularly" -- Salman Rushdie, 1997.

 

 

saluti,

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Wittgenstein's dream (Re: Was Burroughs really a beat writer?)

Cc:

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In-Reply-To: <Pine.BSI.3.95.970813195003.25110D-100000@global.california.com>

References: <Pine.SUN.3.91-FP.970812220342.23103A-100000@cap1.capaccess.org>

 

Michael et al. friends,

 

Ludwig Wittgenstein (1889-1951) was indeed a very tormented soul:

 

Ludwig every nite dreamed of cold & deep place into himself own mind, lifting up a handkerchief & scared of worms & creeping slimy beeings found there.

 

saluti,

Rinaldo.

 

 

At 20.04 13/08/97 -0700,

"Michael R. Brown" <foosi@GLOBAL.CALIFORNIA.COM> wrote:

>  "Wittgenstein said that if the universe is pre-recorded, the only thing

>   not pre-recorded is those recordings themselves. In my work,

>   the cut-ups and all, I attempt to get at the substance of the

>   recordings."

>                                - William S. Burroughs

>                                  (quoted from memory)

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: On the Road: Chad King

Cc:

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References:

 

Good mornig friends,

 

(stated that CHAD KING in the JK's OTR novel is Hal Chase) please check:

 

http://www.charm.net/~brooklyn/People/

 

"Hal Chase left Denver to enroll at Columbia University, and Cassady traveled to New York to visit him in December 1946."

 

saluti,

Rinaldo.

*

The bus came by and I got on, that's when it all began There was Cowboy Neal at the wheel of the bus to Nevereverland' ('The Other One' by The Grateful Dead) *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Hal Chase.

Cc:

Bcc:

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References:

 

Chase shared a room with Ginsberg and was a close friend of Kerouac's. In the fall of 1946, Chase received a visit from his hometown friend Neal Cassady, which is the event that begins the book 'On The Road.' Hal Chase appears in this novel as Chad King, who later snubs his Denver friend 'Dean Moriarty.' To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Eyes Of The Sardines.

Cc:

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References:

 

   many people

   almost unknown

 

   canned sardines

Henri Cru aka Remi Boncoeur

                         (has capital letter

                              message illiterate)

Neal Cassady aka Dean Moriarty

                         (has a book

                              the first third)

   packed like sardines

 

Jack Kerouac aka Sal Paradiso (has desolation angels

                              part two)

 

   packed like canned sardines

 

& others

& others

         please before eating

         close the eyes of the sardines

         those big 1950s windfalls

        please before eating

         close the eyes of those canned sardines

 

&others       &others         &others

 

i think of you often BEATs!

 

   before digital tape

   before 'puter

   before the yellow radiation suits

 

i think of you often...

gregory corso aka gregorio nunzio corso

 

                              (the bomB)

before

   get rid of everything, funny things are everywhere

 

   they wear radiation suits,

 

before pre-taped-recorded world wake up say something

   EVERYONE HAS THEIR 15 MINUTES OF FAME!

 

& bob dylan can changin' lyrics

& neal young was young 20 on Sugar Mountain,

 

   you are so sweet!          YOU are so sweet!

              AND SO ON...

 

packed like canned sardines   many people

   almost unknown

 

you can't eat those sardines with such big open eyes

   myself image one time is gone.

 

 

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The aggressor.

Cc:

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   Don't use the telephone

   People are never ready to answer it.

   Use poetry. --- Jack Kerouac, 1970.

 

Jack Kerouac must have changed the names (using psedonymous) being afraid of the retaliations.

 

id est,

JK after have published his novel "The Subterraneans" was beaten violently by a person represented in a character, (who was the aggressor?)

 

This aggression frightened much Jack & he started to attack his old beat friends & take to drink.

 

saluti,

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Who?

Cc:

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   Are you Mr. Allen Ginsberg?

 

   On of them.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWd) Who?

Cc:

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>>From: Rinaldo Rasa <rinaldo@gpnet.it>

>> 

>> Are you Mr. Allen Ginsberg?

>> 

>> On of them.

>> 

   te1etypEd m3ssag3

>From: B1FF@SCHIZO.ORG (ALAN YOOOO)

>  ONLY THE TRUTH WIL TRIUMPH OVUR DECEPSHUN +

>  LAST 4VUR.

> 

   he had a suitcase

   & 3 tHree head of lettuce

   or

   thr33 headS     S of l3ttuCe

   th3re is   there is

   the MAN has a suitcase

   he must go

   a far tiny voice

         you must go1!

         U must GO11

  

   televised or t3l3typ3d

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: OTR movie

Cc:

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hello beats,

 

here a list of novels translated into movie that, i think, the efforts have been valid: 

 

"Shining" by Stanley Kubrick,

the movie is better than the Stephen King's novel.

 

"Blade Runner" by Ridley Scott

(credits for the title to William S. Burroughs), the movie is wonderful equal to

Philip K. Dick's novel "Do Androids Dream of Electric Sheep."

 

"One Flew Over the Cuckoo's Nest" by Milos Forman & Ken Kesey's novel are both excellent.

 

 

the translation of a novel from a language to another, i.e. american into any other language, is the most way a lot of people around the world read the Beat Lit & it's good if the translator (or the director, speakin'bout film) matchs & loves the atmosfere (the time) when the action has happened.

 

-*-

 

after the Ginsberg's death went out a new italian translation of "Howl" & "Kaddish" intended to bring up to date the original 1968 (so called old italian translation).

 

words that are actually using in italian language dont' match the "old" poem, & in order to modernize a work the result, in my opinion, is disappointing.

 

-*-

 

im' afraid at the moment when an italian translator got an idea to give to italians a "modernized" translation of "On The Road"...

 

saluti,

Rinaldo.

*

a century ago, Leoncavallo's "La Boheme" (1897), the Leoncavallo opera it gave Caruso his first real boost to fame *To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats.

Cc:

Bcc: r-kershenbaum@UKANS.EDU,orpheus@in.the.shadows,dschwarm@sun3.lib.uci.edu

X-Attachments:

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References:

 

Donald Allen

Amari Baraka (Leroi Jones)

Paul Blackburn

Robin Blaser

Bonnie Bremser

Ray Bremser

Chandler Brossard

Charles Bukowski

William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } William S. Burroughs Jr.

Lucien Carr

Paul Carroll

Louis R Cartwright

Carolyn Cassady

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } Andy Clausen

Gregory Corso

Robert Creeley [Black Mountain School]

Henry Cru

Diane DiPrima

John Doe

Kirby Doyle

Robert Duncan [Black Mountain School]

Bob Dylan

William Everson (Brother Antonus)

Richard Farina

Lawrence Ferlinghetti

Charles Foster

Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } John Giorno

Brion Gysin

William Inge

John Cellon Holmes

Herbert Huncke

Ted Joans

Joyce Johnson

Lenore Kandel

Bob Kaufman

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } Jan Kerouac

Ken Kesey

Seymour Krim

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Malcom Lowry

Norman Mailer

Gerard Malanga

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } John Montgomery

Harold Norse

Frank O'Hara

Charles Olson [Black Mountain School]

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Hugh Romney

Michael Rumaker

Ed Sanders

Hubert Jr. Selby

Gary Snyder

Carl Solomon

Jack Spicer

Hunter Stockton Thompson

Charles Upton

Janine Pommy Vega

Alexander Trocchi

Anne Waldman

Lewis Warsh

Alan Watts

Lew Welch

Philip Whalen

John Wieners

William Carlos Williams

-*-

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

28th august 1997, Venice-Mestre, Italy.

-*-

credits to

Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU> OHearn  <orpheus@in.the.shadows>

David Schwarm <dschwarm@sun3.lib.uci.edu> -*-

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a Jack Kerouac's poem dated 1970.

Cc:

Bcc:

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   To Edward Dahlberg   by Jack Kerouac

 

   Don't use the telephone.

   People are never ready to answer it.

   Use poetry.

 

   1970

  

 

 

from     "Scattered poems",

   1970, 1971 (c) The Estate of Jack Kerouac.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Il Postino (Re: Movies from books....)

Cc:

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Antoine,

 

the author Antonio Skarmeta wrote the book "Ardente paciencia" in 1985, from the good book derives the good film "Il postino" directed by Michael Radford in 1994,

 

   Massimo Troisi (1953-1994) in his last film presence,

   everyone mourned his death.

 

cari saluti da

Rinaldo.

 

 

Antoine Maloney wrote:

>Oh ye of little faith!  ....it could turn out fine!

> 

>        What about "Sheltering Sky" or "The English Patient"? ...or the

>movies mentioned by Adrien and others?  ...was "Il Postino" a book first? If

>so, it must have been dyn-o-mite by Matt and Paul's logic.

> 

>        Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>     "An anarchist is someone who doesn't need a cop to tell him what to do!"

>                        -- Norman Navrotsky and Utah Phillips

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: THE KINGFISHERS a Charles Olson's poem (Re: Beats.)

Cc:

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   THE KINGFISHERS      by Charles Olson

 

1

 

What does not change / is the will to change

 

He woke, fully clothed, in his bed. He

remembered only one thing, the birds, how when he came in, he had gone around the rooms and got them back in their cage, the green one first, she with the bad leg, and then the blue, the one they had hoped was a male

 

Otherwise? Yes, Fernand, who had talked lispingly of Albert &

                                         Angkor Vat.

He had left the party without a word. How he got up, got into his

                                         coat,

I do not know. When I saw him, he was at the door, but it did not

                                         matter,

he was already sliding along the wall of the night, losing himself in some crack of the ruins. That it should have been he who said

                                         "The Kingfishers!

who cares

for their feathers

now?"

 

His last words had been, "The pool is slime." Suddenly everyone, ceasing their talk, sat in a row around him, watched they did not so much hear, or pay attention, they wondered, looked at each other, smirked, but listened, he repeated and repeated, could not go beyond his thought "The pool the kingfishers' feathers were wealth     why did the export stop?"

It was then he left

 

2

 

I thought of the E on the stone, and of what Mao said la lumiere"

   but the kingfisher

de l'aurore"

   but the kingfisher flew west

est devant nous!

   he got the color of his breast

   from the heat of the setting sun!

 

The features are, the feebleness of the feet (syndactylism of the 3rd

                                         & 4th digit)

the bill, serrated, sometimes a pronunced beak, the wings where the color is, short and round, the tail inconspicuous.

 

But not these things were the factors. Not the birds.

The legends are

legends. Dead, hung up indoors, the kingfisher will not indicate a favoring wind,

or avert the thunderbolt. Nor, by its nesting, still the waters, with the new year., for seven days.

It is true, it does nest with the opening year, but not on the waters.

It nests at the end of a tunnel bored by itself in a bank. There, six or eight white and translucent eggs are laid, on fishbones not on bare clay, on bones thrown up in pellets by the birds.

 

                   On these rejectamenta

(as they accumulate they form a cup-shaped structure) the young

                                              are born.

And, as they are fed and grow, this nest of excrement and decayed

                                              fish becomes

                         a dripping, fetid mass

Mao concluded:

              nous devons

                   nous lever

                         et agir!

 

3

 

When the attentions change / the jungle leaps in

   even the stones are split

                         they rive

 

Or,

enter

that other conqueror we more naturally recognize he so resembles ourselves

But the E

cut so rudely on that oldest stone

sounded otherwise,

was differently heard

 

as, in another time, were treasures used:

 

(and, later, much later, a fine ear thought a scarlet coat)

 

   "of green feathers   feet, beaks and eyes

   of gold

 

   "animal likewise,

   resembling snails

 

   "a large wheel, gold, with figures of unknown four-foots,

   and worked with tufts of leaves, weight

   3800 ounces

 

   "last, two birds, of thread and featherwork, the quills

   gold, the feet

   gold, the two birds perched on two reeds

   gold, the reeds arising from two embroidered mounds,

   one yellow, the other

   white.

         "And from each reed hung

         seven feathered tassels.

 

In this instance, the priests

(in dark cotton robes, and dirty,

their dishvelled hair matted with blood, and flowing wildly over their shoulders)

rush in among the people, calling on them to protect their gods

 

And all now is war

where so lately there was peace.

and the sweet brotherhood, the use

of tilled fields.

 

 

Not one death but many,

not accumulation but change, the feed-back proves, the feed-back is the law

   Into the same river no man steps twice

   When fire dies air dies

   No one remains, nor is, one

 

Around an appearance, one common model, we grow up many. Else how is it,

if we remain the same,

we take pleasure now

in what we did not take pleasure before? love contrary objects? admire and/for find fault? use other words, feel another passions, have nor figure, appearance, disposition, tissue the same?

   To be in different states without a change

   is not a possibility

We can be precise. The factors are

in the animal and/or the machine the factors are communication and/or control, both involve the message. And what is the message? The message is a discrete or continuous sequence of measurable events distributed

                                         in time

 

is the birth of air, is

the birth of water, is

a state between

the origin and

the end, between

birth and the beginning of

another fetid nest

 

is change, presents

no more than itself

 

And the too strong grasping of it,

when it is pressed together and condensed, loses it

 

This very thing you are

 

 

                   II

 

   They buried their dead in a sitting posture

   serpent    cane razor ray of the sun

 

   And she sprinkled water on the head of the child, crying

   "Cioa-coatl! Cioa-coatl!"

   with her face to the west

 

   Where the bones are found, in each personal heap

   with what each enjoyed, there is always

   the Mongolian louse

The light is in the east. Yes. And we must rise, act. Yet in the west, despite the apparent darkness (the whiteness which covers all), if you look, if you can bear, if you can, long enough

 

   as long as it was necessary for him, my guide

   to look into the yellow of the longest-lasting rose

 

so you must, and, in that whiteness, into that face, with what candor,

                                                   look

 

and, considering the dryness of the place

   the long absence of an adequate race

 

   (of the two who first came, each a conquistador, one healed,

                                              the other

   tore the eastern idols down, toppled

   the temple walls, which, says the excuser

   were black from human gore)

 

hear

hear, where the dry blood talks

   where the old appetite walks

 

                              la piu' saporita et migliore

                              che si possa truovar al mondo

 

where it hides, look

in the eye how it runs

in the flesh / chalk

 

                   but under these petals

                   in the emptiness

                   regard the light, contemplate

                   the flower

 

whence it arose

 

   with what violence benevolence is bought

   what cost in gesture justice brings

   what wrongs domestic rights involve

   what stalks

   this silence

 

   what pudor pejorocracy affronts

   how awe, night-rest and neighborhood can rot

   what breeds where dirtiness is law

   what crawls

   below

 

                   III

 

I am no Greek, hath not th'advantage.

And of course, no Roman:

he can take no risk that matters,

the risk of beauty least of all.

 

But I have my kin, if for no other reason than (as he said, next of kin) I commit myself, and, given my freedom, I'd be a cad

if I didn't. Which is most true.

 

It works out this way, despite the disadvantage.

i offer, in explanation, a quote:

si j'ai du gout, ce n'est gueres

que pour la terre et les pierres

Despite the discrepancy (an ocean  courage    age) this is also true: if I have any taste

it is only because I have interested myself in what was slain in the sun

 

   I pose you your question:

shall you uncover honey / where maggots are?

 

   I hunt among stones

 

 

 

========================================= Michael Stutz wrote:

>On Thu, 28 Aug 1997, Rinaldo Rasa wrote:

> 

>> Charles Olson [Black Mountain School]

> 

>I confess, I never understood his poetry. I don't know how to read it.

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: a Jack Kerouac's poem dated 1970.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3404DC4A.19C0@sunflower.com>

References: <3.0.1.32.19970828003017.006c7824@pop.gpnet.it>

 

Patricia,

 

i think the poem is the great poet Jack Kerouac's last word/message,

 

un grande ciao da

Rinaldo.

*

"In sooth I know not why I am so sad."

--- The Merchant Of Venice, William Shakespeare.

*

 

 

Patricia Elliott wrote:

>Rinaldo Rasa wrote:

>> 

>>         To Edward Dahlberg      by Jack Kerouac

>> 

>>         Don't use the telephone.

>>         People are never ready to answer it.

>>         Use poetry.

>> 

>>         1970

>> 

>> from    "Scattered poems",

>>         1970, 1971 (c) The Estate of Jack Kerouac.

>Rinaldo,

>thank you. i appreciate you sharing the source. ciao

>p

> 

>To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Thursday Morning.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

   look at the pony!

   teardrops

   misting my eyes

   look at   the  pony!

 

   in the morning

   i will bring you

   to the circus

 

   look       at         the        pony!

 

   but early in the dawn the circus has gone

              white grass on the meadows

              & tiny fog

  

you haven't teardrops

   happy childhood next year the circus will be here

 

   our limits

         are only

              technical matter

         BUT

   into

   this supermarket aisle

   i feel

   suddenly old.

 

 

Rinaldo.

28th aug 1997.

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Men Of The Mountains.(Beats)

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

friends,

 

let me quote Walter Campbell:

"Maybe Snyder gets short-changed because of his "man of the mountains" persona.

That's one of the many paradoxes of the Beat movement: the urban, erudite east-coast leg of the Beat movement seems antithetical to the laid-back, naturalistic bent of the California clan."

 

saluti,

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats. 30th aug 1997

Cc: dschwarm@sun3.lib.uci.edu,walter.campbell@usa.net,brooklyn@netcom.com

Bcc:

X-Attachments: C:\INTERNET\BEATS.xls;

In-Reply-To:

References:

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Paul Blackburn

---

Robin Blaser

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" ---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                         Frank Carmody,

                                         Will Dennison,

                                         Old Bull Lee"

             

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School] ---

Caleb Carr

---

Lucien Carr

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty" ---

Tom Clark [Paris Review]

---

Andy Clausen

---

Gregory Corso "Raphael Urso, Yuri Glicoric" ---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

William Everson (Brother Antonus)

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                   "Lorenzo Monsanto,

                                   Larry O'Hara

                                   Danny Richman"

---

Charles Foster

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                   Alvah Goldbook, Leon Levinsky

                                   Carlo Marx"

---

John Giorno

---

Morris Graves

---

Brion Gysin

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Cellon Holmes

---

Herbert Huncke

---

Ted Joans

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } ---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                   Leo Percepied, Ray Smith,

                                   Jack, Peter Martin,

                                   Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Tuli Kupferberg

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Timothy Leary

---

Lawrence Lipton

---

Malcom Lowry

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Taylor Mead

---

David Meltzer

---

Jack Micheline

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } ---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School] ---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance] ---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders

---

Mark Schorer

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

Mark Tobey

---

Alexander Trocchi

---

Anne Waldman [St. Mark's Poetry Project, New York] ---

Lewis Warsh

---

Alan W. Watts

---

Lew Welch

---

Philip Whalen

---

John Wieners

---

William Carlos Williams

---

Ruth Witt-Diamant [San Francisco's Poetry Center] -*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

30th august 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

Walter Campbell          <walter.campbell@usa.net> Timothy K. Gallaher   <gallaher@HSC.USC.EDU> Richard M. Kershenbaum   <r-kershenbaum@UKANS.EDU> OHearn              <orpheus@in.the.shadows>

David Schwarm            <dschwarm@sun3.lib.uci.edu> Michael Stutz           <stutz@dsl.org>

-*-

addendum:

Return-Path: <dschwarm@sun1.lib.uci.edu> Date: Thu, 28 Aug 1997 08:22:59 -0700 (PDT) From: David Schwarm <dschwarm@sun1.lib.uci.edu> To: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beats.

 

Hi,

 

Thanks for the update.  I have used your list to start my own little spreadsheet (with dates and famous works), please feel free to use this as you see fit (it is a WIN3.1 MS Excel file - let me know if you need a different format).

 

David Schwarm                   Making jazz swing in 41 Southbrook                   Seventeen syllables AIN'T Irvine, CA  92604      No square poet's job.

-*-*-*-*-*-*-*-*-

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats :The List updated 30th aug 1997 (b)

Cc:

Bcc: dschwarm@sun3.lib.uci.edu

X-Attachments:

In-Reply-To:

References:

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Wallace Berman

---

Paul Blackburn

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" ---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                         Frank Carmody,

                                         Will Dennison,

                                         Old Bull Lee"

             

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School] ---

Caleb Carr

---

Lucien Carr

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty" ---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric" ---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School]

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                   "Lorenzo Monsanto,

                                   Larry O'Hara

                                   Danny Richman"

---

Charles Foster

---

Robert Frank

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                   Alvah Goldbook, Leon Levinsky

                                   Carlo Marx"

---

John Giorno

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } ---

Robert Kelly

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                   Leo Percepied, Ray Smith,

                                   Jack, Peter Martin,

                                   Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth]

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Denise Levertov

---

Timothy Leary

---

Lawrence Lipton

---

Ron Loewinsohn

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Taylor Mead

---

David Meltzer

---

Jack Micheline

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } ---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School] ---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance] ---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders

---

Mark Schorer

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

Mark Tobey

---

Alexander Trocchi

---

Anne Waldman [St. Mark's Poetry Project, New York] ---

Lewis Warsh

---

Alan W. Watts

---

Lew Welch

---

Philip Whalen

---

John Wieners

---

Jonathan Williams

---

William Carlos Williams

---

Ruth Witt-Diamant [San Francisco's Poetry Center] -*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

30th august 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell          <walter.campbell@usa.net> Timothy K. Gallaher   <gallaher@HSC.USC.EDU> Richard M. Kershenbaum   <r-kershenbaum@UKANS.EDU> OHearn              <orpheus@in.the.shadows>

David Schwarm            <dschwarm@sun3.lib.uci.edu> James Stauffer        <stauffer@pacbell.net> Michael Stutz      <stutz@dsl.org>

-*-

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Help, is there any list of the cities they drove through in OTR

Cc:

Bcc: magrobi@MAIL.ZEDAT.FU-BERLIN.DE

X-Attachments:

In-Reply-To: <v03007800b02dbb9f7c01@[160.45.231.7]>

References:

 

Ciao Matthias,

 

in the novel OTR Sal & Dean travel:

 

=================================================== San Francisco (Mill City) - New York (Paterson)

 

   -Oakland

   -Tracy

   -Manteca

   -Madera

   -Bakerfield

   -Los Angeles

   -Bakerfield

   -Sabinal

   -Madera

   -Fresno

   -Sabinal

   -Los Angeles

   -Indio, Arizona

   -Blyte

   -Salome

   -Flagstaff, Arizona

   -Dalhart, Texas

   -St Louis, Missouri

   -Columbus, Ohio

   -Pittsburg, Pennsylvania

   -Harrysburg

   -New York

 

 

New York - San Francisco - New York

 

   -Baltimore, Maryland

   -Washington

   -Richmond, Virginia

   -Testament

   -Dunn, North Carolina

   -Macon, South Carolina

   -Flomaton, florida

   -Mobile, Alabama

   -New Orleans, Lousiana

   -Algiers

   -Baton Rouge

   -Port Allen

   -Opelousas

   -Starks

   -Deweyville

   -Beaumont, Texas

   -Houston

   -Fredericksburg

   -Sonora

   -El Paso, Texas

   -Ozona

   -Las Cruces, New Mexico

   -Benson, Arizona

   -Tucson, Arizona

   -Fort Lowell

   -Palm Springs, California

   -Bakersfield

   -Tulare

   -Madera

   -San Francisco

   -New York

=============================================== i hope this is a bit help,

saluti cordiali da

Rinaldo.

Venezia-Mestre, Italia.

 

 

At 14.04 30/08/97 +0200,

Matthias_Schneider <magrobi@MAIL.ZEDAT.FU-BERLIN.DE>wrote:

>Hi there,

> 

>does anybody have a list (or even a map on the disk) of all the cities they

>have gone through (is Tucson in Arizona included?).

>I´d need the information for my thesis.

>Thank you for you support in advance.

> 

>Matthias (Berlin, Germany)

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Rinaldo: Books into movies, additions to your List

Cc:

Bcc:

X-Attachments:

In-Reply-To: <970830174526_1187896134@emout04.mail.aol.com>

References:

 

Arthur, Mike & James e others friends,

 

the list of "who is better" is useful, thanks from the people who cant' read the original at first, i.e. i read "On The Road" in 1969 in an italian translation, (not Ginsberg 'cuz of poetry is aside documented).

i think that falling in love in Beat Lit is a matter who is over the stricted US world, but i apologie in advance if some myself consideration can seem to encroach on yr own territory. please friends, have a little faint smile for the european side of the world...

 

1.

"Blade Runner" by Ridley Scott. William S. Burroughs had written the first screenplay and WSB & BR are/was for me a couple inseparable inprinting. the beginning of the movie is the best futuristic image ever seen. the city with rain like tears is matched only by the unforgettable William Gibson's phrase "the sky above the port was the color of a tv tuned to a dead channel" (Neuromancer), Gibson had his credits to William Burroughs (in an interview speakin' of his novel Virtual Light).

 

2.

"Der Amerikanische Freund" director Wim Wenders (1977) was from the novel "Ripley's Game" by Patricia Highsmith's & is very great. Dennis Hopper, Man Ray & the good feeling stay in my mind forever. Perhaps Wim Wender is near the beat in his photographic works, his photos are sometime the best image: John Lurie's kiss photo in Soho (black & white photo) & Hollywood Bvd with star that "had the power!", & "Musso and Franks" restaurant, "The Twin City Theatre", et cetera talk to me beat.

 

3.

"La strategia del ragno" by Bernardo Bertolucci from the Jorge Luis Borges' short story is a must. i know that Bertolucci has a little to do with beat, but his 2th film "last tango in paris" was censored & the film burned & for a time Bertolucci 'cuz of the movie he lost his political rights.

 

thanks again friends for yr patience,

Rinaldo.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Two Comments & Beats:The List updated 31 aug 1997.

Cc:

Bcc: christyg@pcpartner.net,dschwarm@sun3.lib.uci.edu

X-Attachments:

In-Reply-To: <1.5.4.16.19970830155811.27f72e58@mail.wi.centuryinter.net>

References:

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Wallace Berman

---

Paul Blackburn [Black Mountain School]

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" ---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                         Frank Carmody,

                                         Will Dennison,

                                         Old Bull Lee"

             

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School] ---

Caleb Carr

---

Lucien Carr "Damion"

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady "Camille"

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty" ---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric" ---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School]

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                   "Lorenzo Monsanto,

                                   Larry O'Hara

                                   Danny Richman"

---

Charles Foster

---

Robert Frank

---

James Gauerholz

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                   Alvah Goldbook, Leon Levinsky

                                   Carlo Marx"

---

John Giorno

---

Paul Goodman

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } ---

Robert Kelly

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                   Leo Percepied, Ray Smith,

                                   Jack, Peter Martin,

                                   Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth]

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Denise Levertov [Black Mountain School] ---

Timothy Leary

---

Lawrence Lipton [The Holy Barbarians]

---

Ron Loewinsohn

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Taylor Mead

---

David Meltzer

---

Jack Micheline

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } ---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

David Ohle

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School] ---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance] ---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders

---

Mark Schorer

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

Mark Tobey

---

Alexander Trocchi

---

Anne Waldman [St. Mark's Poetry Project, New York] ---

Lewis Warsh

---

Alan W. Watts "Arthur Whane, Alex Aums" ---

Lew Welch

---

Philip Whalen

---

John Wieners [Black Mountain School]

---

Jonathan Williams

---

William Carlos Williams {17 sep 1883-4 mar 1963} ---

Ruth Witt-Diamant [San Francisco's Poetry Center] -*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

31th august 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell          <walter.campbell@usa.net> Greg Christy            <christyg@pcpartner.net> Patricia Elliott      <pelliott@SUNFLOWER.COM> Timothy K. Gallaher      <gallaher@HSC.USC.EDU> Richard M. Kershenbaum   <r-kershenbaum@UKANS.EDU> OHearn              <orpheus@in.the.shadows>

Mike Rice                <mrice@centuryinter.net>

David Schwarm            <dschwarm@sun3.lib.uci.edu> James Stauffer        <stauffer@pacbell.net> Michael Stutz      <stutz@dsl.org>

-*-

Addenda comments:

1. Subject: Re: William Inge ========================== At 17.03 30/08/97 -0400,

Mike Rice <mrice@centuryinter.net>wrote:

>At 02:22 PM 8/30/97 +0200, you wrote:

>>Hello Mike,

>>i agree with u, William Inge looks like Tennessee Williams.

>> 

>>BUT William Inge introduced the _hyperprotective_ character

>>of the "Mom" that seems to yield gay sons & match the

>>origin & development of some beat life...

>> 

>>thanks for yr comment,

>>saluti,

>>Rinaldo.

>>ps. please, have i the permission to include yr name & message

>>in the credits for the Beats database?

>> 

>>=================== your message ===================

>>Mike Rice wrote:

>>>I love this guy's plays, at least Picnic, but he's

>>>a sad homosexual from St. Louis, a newspaper critic

>>>who idolized Tenessee Williams, and wanted to follow

>>>in his footsteps.  Tell me how he was ever a beat.

>>> 

>>>Mike Rice

>>=====================================================

>> 

>> 

>You have my permission to use whatever you want from

>my note.

> 

>BUT William Inge introduced the _hyperprotective_ character

>of the "Mom" that seems to yield gay sons & match the

>origin & development of some beat life...

> 

>The above is very interesting, so why don't you discuss it with

>the rest of us.  It appears to be a pet theory of your own,

>sounds fascinating.  It also implies that many beat characters

>and their authors are at least, latently, homosexual.  Lets have the discussion

>on the Beat List, shall we?

> 

>Mike Rice

> 

> 

Mike,

i think that i defend the presence of William Inge (influenced Tennessee Williams some beat?) in the Beats:The List.

a thread regard the "Mom" is at the moment for some reason for me a painful.

saluti

Rinaldo.

====================================================

 

2.

Return-Path: <christyg@pcpartner.net>

Reply-To: <christyg@pcpartner.net>

From: "Greg Christy" <christyg@pcpartner.net> To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: the beats list

Date: Sat, 30 Aug 1997 10:04:07 -0000

X-MSMail-Priority: Normal

----------

> From: Rinaldo Rasa <rasa@gpnet.it>

> Newsgroups: alt.books.beatgeneration

> Subject: the beats list

> Date: Wednesday, August 27, 1997 10:08 PM

 

>ken kesey,i don't think so! I'm not sure he would either.

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Invisible Friend.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

         nine times out of ten

         i think the Beats

         are hopeful

 

         an invisible hand

         acts as Beat's guide

 

   they live in a Paradiso Terrestre

         anything happens

              wars

              BOMB

              massacres

              they

              with

              childish

              eyes

         look at the world.

 

Rinaldo.To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats:The List update 2 sep 1997

Cc:

Bcc: tara123125@aol.com,esaylor@sprynet.com,dschwarm@sun3.lib.uci.edu,dckom@atlcom.net

X-Attachments:

In-Reply-To:

References:

 

Donald Allen

---

Amari Baraka (Leroi Jones)

---

Wallace Berman

---

Stephen Jesse Bernstein

---

Paul Blackburn [Black Mountain School]

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" ---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                         Frank Carmody,

                                         Will Dennison,

                                         Old Bull Lee"

             

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School] ---

Caleb Carr

---

Lucien Carr "Damion"

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady "Camille"

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty" ---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric" ---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School]

---

Robert Duncan [Black Mountain School]

---

Bob Dylan

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                   "Lorenzo Monsanto,

                                   Larry O'Hara

                                   Danny Richman"

---

Tom Field [Spicer Circle]

---

Charles Foster

---

Robert Frank

---

James Gauerholz

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                   Alvah Goldbook, Leon Levinsky

                                   Carlo Marx"

---

John Giorno

---

Paul Goodman

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

William Inge

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } ---

Robert Kelly

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                   Leo Percepied, Ray Smith,

                                   Jack, Peter Martin,

                                   Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth, The Fugs]

---

Joanne Kyger

---

Philip Lamantia

---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

Denise Levertov [Black Mountain School] ---

Timothy Leary

---

Lawrence Lipton [The Holy Barbarians]

---

Ron Loewinsohn

---

Philomene Long

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Edward Marshall

---

Peter Martin

---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Bill MacNeill

---

Taylor Mead

---

David Meltzer

---

Jack Micheline [SF<LA<NY poet]

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } ---

John Montgomery

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

David Ohle

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School] ---

Peter Orlovsky

---

Kenneth Patchen

---

Thomas Parkinson

---

Nancy Peters

---

Stuart Z. Perkoff

---

Charles Plymell

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance] ---

Frank Rios

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders [Peace Eye Bookstore]

---

Mark Schorer

---

Tony Scibella

---

Hubert Jr. Selby

---

Gary Snyder

---

Carl Solomon

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

John Thomas

---

Mark Tobey

---

Alexander Trocchi

---

Tom Waits [Foreign Affairs]

---

Anne Waldman [St. Mark's Poetry Project, New York] ---

Lewis Warsh

---

Alan W. Watts "Arthur Whane, Alex Aums" ---

Lew Welch

---

Philip Whalen

---

John Wieners [Black Mountain School]

---

Jonathan Williams

---

William Carlos Williams {17 sep 1883-4 mar 1963} ---

Ruth Witt-Diamant [San Francisco's Poetry Center] -*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

2th september 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell          <walter.campbell@usa.net> David Christian       dckom@atlcom.net

Greg Christy       <christyg@pcpartner.net> Patricia Elliott      <pelliott@SUNFLOWER.COM> Timothy K. Gallaher      <gallaher@HSC.USC.EDU> Richard M. Kershenbaum   <r-kershenbaum@UKANS.EDU> OHearn              <orpheus@in.the.shadows>

Mike Rice                <mrice@centuryinter.net>

David Schwarm            <dschwarm@sun3.lib.uci.edu> Eric Saylor               esaylor@sprynet.com

James Stauffer           <stauffer@pacbell.net> Michael Stutz      <stutz@dsl.org>

Tara123125               tara123125@aol.com

-*-

Addenda comments:

1.=============================

Return-Path: <dckom@atlcom.net>

From: dckom@atlcom.net (dckom)

To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: Beats:The List update 31 aug 1997 Date: Sun, 31 Aug 1997 21:20:00 GMT

Organization: W.S.A.

Reply-To: dckom@atlcom.net

 

Hi,

By Ed Sanders and Tuli Kumferberg you should note The Fugs.

By Sanders, Peace Eye Bookstore.

Paul Goodman was Black Mountain School, except they threw him out for being gay.

Good project, thanks for the work.

   David Christian

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Free thought, neccessarily involving freedom of speech and press, I may tersely define thus:no opinion a law-no opinion a crime.

          Alexander Berkman

 

2.===============================

Return-Path: <tara123125@aol.com>

Date: Sun, 31 Aug 1997 18:45:05 -0400

Newsgroups: alt.books.beatgeneration

To: "Rinaldo Rasa" <rasa@gpnet.it>

From: tara123125@aol.com (Tara123125)

Organization: AOL http://www.aol.com

Subject: Re: BEATs list

SnewsLanguage: English

 

Regarding your request to add names to your beat list--

 

May I suggest the following Beat generation poets:

 

John Thomas, Philomene Long, Frank Rios and Tony Scibella. They can be found, along with Stuart Perkoff, in John Maynard's "Venice West: The Beat Generation in Southern California". Also see LA Beats Web Site-

                      HTTP://members.aol.com/labeats

 

3. ===================================== Return-Path: <esaylor@sprynet.com>

From: esaylor@sprynet.com (Eric Saylor) To: rasa@gpnet.it

Subject: beat list

Date: Tue, 02 Sep 1997 05:42:05 GMT

 

Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in 1992, Seattle WA USA.

 

Thanks.

 

Eric

 

============= end of comments ====================== To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Wednesday, September 4, 1957.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <340C1C31.575C@sunflower.com>

References: <3.0.1.32.19970902142032.006db37c@pop.gpnet.it>

 

"  Shortly before midnight on Wednesday, September 4, 1957, Jack Kerouac and Joyce Johnson, a young writer he was living with, left her apartment on the Upper West Side in New York City to wait at a newsstand at Sixty-sixth Street and Broadway for the next day's New York Times to come off the delivery truck. Kerouac had been alerted by his publisher that his novel On the Road would be reviewed in that issue, and so they bought the first copy of the Times they could pull from the stack.

Standing under a street lamp, they turned the pages until they found the column "Books of the Times"--- Ann Charters" To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats:The List (Deluxe Version on the Web)

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Patricia wrote:

>Rinaldo,

>an absolutely shit kicking list.  i love it.     am trying to create a

>file that talks a little bit about each of these people.  I am working

>on the connections between them. Could be a thesis.

>p

> 

> 

Patricia & friends,

 

thanks for yr support. i've write Patricia's motto in the top of the page of the deluxe version of the Beats:The List (thanks James Stauffer for some suggestion for the title).

 

on the Web,

 

http://www.gpnet.it/rasa/beats.htm

 

ciao da

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Wednesday, September 4, 1957.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.16.19970904012714.263724ba@mail.wi.centuryinter.net>

References:

 

At 02.33 04/09/97 -0400, Mike Rice wrote:

>At 07:43 PM 9/3/97 +0200, you wrote:

>>"       Shortly before midnight on Wednesday, September

>>4, 1957, Jack Kerouac and Joyce Johnson, a young writer he

>>was living with, left her apartment on the Upper West Side in New

>>York City to wait at a newsstand at Sixty-sixth Street and

>>Broadway for the next day's New York Times to come off the delivery

>>truck. Kerouac had been alerted by his publisher that his novel

>>On the Road would be reviewed in that issue, and so they bought

>>the first copy of the Times they could pull from the stack.

>>Standing under a street lamp, they turned the pages until they found the

>>column "Books of the Times"--- Ann Charters"

>> 

>> 

>Hey, don't we get the review, too.  Or at least: "and the rest is history!"

> 

>Mike Rice

> 

> 

"The reviewer was Gilbert Millstein, and he had written:

   On the Road is the second novel by Jack Kerouac, and its

   publication is a historic occasion insofar as the exposure of

   an authentic work of art is of any great moment in any age

   in which the attention is fragmented and the sensibilities are

   blunted by the superlatives of fashion.... [The novel is]

   the most beautifully executed, the clearest and most important

   utterance yet made by the generation Kerouac himself

   named years ago as "beat" and whose principal avatar he is."

 

 

 

                         --*--

 

                         WAKE UP

                         MAN!

                         WAKE UP!

 

rINALDO.

 

 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Frusciante.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Kikka wrote:

"Jack Frusciante (in English it sounds like Rustling Jack) is out of his group now.

He had been the new Red Hot Chili Peppers' guitarist for two years. He was thin and brawny, perhaps one meter seventy. His hairstyle always particular, his trousers short and his shoes casual. He was not a genius, our Jack, but he did what he had to do, without seeming too strange and crazy, like the other components of the group.

Then, just when success began, he left the group.

Why, why did he abandon everything if he could be rich and famous?

Jack Frusciante is a symbol. A symbol of a particular way of thinking.

If you just open "Jack Frusciante e' uscito dal gruppo" (an Italian book written by Enrico Brizzi) you will immediately understand.

Alex (the main character) is not a common boy. He is not like his schoolmates, with big cars and many blond girls all around them. He can't understand society's rules. He can't love Aidi (a kind of girlfriend, but really a strange one) like a boy loves a girl; he can't listen to disco music; he can't bear the hypocrisy that exists inside all the people. So he loves Aidi without even a kiss, listens to punk music (so angry and beautiful) and he waits for the greatest rebellion you have ever seen.

Now, just like Jack, also Alex is out of the group"

 

ciao,

Kikka & Rinaldo.

Venice-Mestre,Italy.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat SuperNova update 4 sep 1997 (Beats:The List)

Cc:

Bcc: ipl1@columbia.edu,welch@ix.netcom.com,gary_lee-nova@bigfoot.com

X-Attachments:

In-Reply-To:

References:

 

Donald Allen [The Evergreen Review]

---

Amari Baraka (Leroi Jones)

---

Mary Beach

---

Wallace Berman

---

Stephen Jesse Bernstein

---

Paul Blackburn [Black Mountain School]

---

Robert Bly [Minnesota]

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

John A. Brownson [San Francisco Oracle] ---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" ---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                         Frank Carmody,

                                         Will Dennison,

                                         Old Bull Lee"

             

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School] ---

Caleb Carr

---

Lucien Carr "Damion"

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady "Camille"

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty" ---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric" ---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

Bob Dylan

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School, Big Table, Evergreen Review, Mesure] ---

William Duffy [Minnesota]

---

Robert Duncan [Black Mountain School, Experimental Review]

                                         "Geoffrey Donald"

---

Lawrence Durrell [Circle]

---

Larry Eigner [Black Mountain School]

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                   "Lorenzo Monsanto,

                                   Larry O'Hara

                                   Danny Richman"

---

Tom Field [Spicer Circle]

---

Charles Foster

---

Robert Frank

---

James Gauerholz

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                   Alvah Goldbook, Leon Levinsky

                                   Carlo Marx"

---

John Giorno

---

Paul Goodman

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

Jan Herman

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

William Inge

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Allen Katzman [East Village Other]

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } [Beatitude] ---

Robert Kelly [Minnesota]

---

Edie Parker Kerouac

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                   Leo Percepied, Ray Smith,

                                   Jack, Peter Martin,

                                   Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth, The Fugs]

---

Joanne Kyger

---

Philip Lamantia [Circle] "Francis Da Pavia, David D'Angeli" ---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

George Leite [Circle]

---

Denise Levertov [Black Mountain School] ---

Timothy Leary

---

Lawrence Lipton [The Holy Barbarians]

---

Ron Loewinsohn

---

Philomene Long

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

William Margolis [Beatitude]

---

Edward Marshall

---

Peter Martin [City Lights, City Light Journal] ---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Bill MacNeill

---

Don McNeill [hippie journalist]

---

Taylor Mead

---

David Meltzer

---

Jack Micheline [SF<LA<NY poet]

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } ---

John Montgomery

---

Richard Moore [Ark]

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

David Ohle

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School] ---

Peter Orlovsky "George, Simon Darlovsky" ---

Kenneth Patchen

---

Thomas Parkinson [Ark]

---

Claude Pelieu

---

Nancy Peters

---

Stuart Z. Perkoff

---

Jurgen Ploog

---

Charles Plymell [North Beach]

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

                                   "Reinhold Cacoethes"

---

Ron Rice [The Flower Thief]

---

Frank Rios

---

Larry Rivers

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders [Peace Eye Bookstore]

---

Mark Schorer

---

Tony Scibella

---

Hubert Jr. Selby

---

Gary Snyder "Japhy Ryder, Jarry Wagner, Gary Snyder" ---

Carl Solomon

---

Terry Southern

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

John Thomas

---

Mark Tobey

---

Alexander Trocchi

---

Giuseppe Ungaretti [Circle]

---

Tom Waits [Foreign Affairs]

---

Anne Waldman [St. Mark's Poetry Project, New York] ---

Lewis Warsh

---

Alan W. Watts "Arthur Whane, Alex Aums" ---

Carl Weissner

---

Lew Welch "Dave Wain"

---

Philip Whalen "Warren Coughlin, Ben Fagan" ---

John Wieners [Black Mountain School]

---

Jonathan Williams

---

William Carlos Williams {17 sep 1883-4 mar 1963} ---

Ruth Witt-Diamant [San Francisco's Poetry Center] ---

James Wright [Minnesota]

---

Louis Zukofsky [Circle]

-*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/beats.htm

thanks,

Rinaldo Rasa.

4th september 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell          <walter.campbell@usa.net> David Christian       dckom@atlcom.net

Greg Christy       <christyg@pcpartner.net> Patricia Elliott      <pelliott@SUNFLOWER.COM> Timothy K. Gallaher      <gallaher@HSC.USC.EDU> Richard M. Kershenbaum   <r-kershenbaum@UKANS.EDU> OHearn              <orpheus@in.the.shadows>

Jym Mooney               <vmooney@EXECPC.COM>

Gary Lee-Nova      <gary_lee-nova@bigfoot.com> Mike Rice                 <mrice@centuryinter.net>

David Schwarm            <dschwarm@sun3.lib.uci.edu> Eric Saylor               esaylor@sprynet.com

James Stauffer           <stauffer@pacbell.net> Michael Stutz      <stutz@dsl.org>

Tara123125               tara123125@aol.com

(no name)                <ipl1@columbia.edu>

Mike Welch               welch@ix.netcom.com

 

-*-

Addenda comments:

1.=============================

Return-Path: <ipl1@columbia.edu>

From: ipl1@columbia.edu

To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: Beats:The List update 31 aug 1997 Date: Tue, 02 Sep 1997 13:12:56 GMT

X-Newsreader: Forte Free Agent 1.0.82

 

You forgot Larry Eigner of The Black Mountain School.   In fact, both Burroughs and Ginsberg considered him the best poet of the period.

The Beats used to stay at his home often in Swampscott, Mass.

 

 

2. =========================

Return-Path: <stutz@dsl.org>

Date: Tue, 2 Sep 1997 21:42:39 -0400 (EDT) From: Michael Stutz <stutz@dsl.org>

X-Sender: stutz@devel.nacs.net

To: Rinaldo Rasa <rinaldo@GPNET.IT>

Subject: Re: Beats:The List update 2 sep 1997 X-MS-URL: http://dsl.org/m/

 

Couple additions/comments for you Rinaldo--

 

Don McNeill was a hippie journalist whose short career (he died young) was chronicled in _Moving Through Here_ [Citadel Underground, 1990].

 

Also what about the scientists who influenced the Beats or were on their same wavelength -- are they "Beat" enough? I'm thinking here of Count Korzybski, Oswald Spengler, Wilhelm Reich [died in prison], and R.

Buckminster Fuller [Black Mountain School].

 

 

> Stephen Jesse Bernstein

 

This is a good addition. It also opens the question of "who is Beat?" with the latter-day poets -- are Lee Ranaldo and Sonic Youth friends Beat? etc.

 

 

3. ======================================== Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU> X-MSMail-Priority: Normal

Date:         Tue, 2 Sep 1997 19:52:25 -0500 Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> From:         Jym Mooney <vmooney@EXECPC.COM> Subject:      Re: Beats:The List update 2 sep 1997 To:           BEAT-L@CUNYVM.CUNY.EDU

 

I have always included Terry Southern in my personal "beat list," at the very least as a fellow traveler.

 

4. =========*======================

Return-Path: <ipl1@columbia.edu>

From: ipl1@columbia.edu

To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: Beats:The List update 3 sep 97 Date: Thu, 04 Sep 1997 13:12:15 GMT

X-Newsreader: Forte Free Agent 1.0.82

 

You also missed Kerouac's first wife who has written extensively on the Beats and even has selections from her writings in the Women Of The Beat Generation Book.

 

Edie Parker Kerouac (also known as Edie Dietz - from a later husband) ============ end of comments ===================================== To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: "burroughs: skin ovr steel"

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A32.3.93.970905094919.53110A-100000@srv1.freenet.calgary.ab.ca>

References:

 

Derek A. Beaulieu wrote:

>                                         08/18/97

>                                ("burroughs: skin ovr steel")

>     the voice:

>     gravel in an open

>     wound.

>                        watching                           from aside

>     camouflaged under

>     coldsteel  suit and hat -

>     hgwell's  invisible man

>                                       without the bandages

>      once the uniform of  every businessman  - inconspicuous in starch

>     collar

> 

>                                   snap

>     brim

>                professional.

>     beneath shadow

>     of fedora:

>     tight

>            & taut

>                     skin

>     pulled                                    over --

>        wrds            skidding across the page in

>                                                                cold

>      push of

>     wetbrick muscle

>     observant nerves - feeling the tension moving under the surface

>     skin translucent

>     (re)veal (ing)

>                       the biology of the movements.

> 

>     the familiar pungent odour

>     of

>                                        cauterized

>                                           words.

> 

> 

september into the bus stop

 

two men

were going out of the cabin   they are shouting

                         in the cold morning:

 

"only 50 dollars

   o    n    l    y    50 dollars!"

 

"3 a.m.

 

he wakes up        he wakes up     and looks at the billfold!"

 

   LISTEN!    listen     dig your hole!

                         music

 

   "look at the telephone book what's

   up?"

 

   "does you have forgotten the phone numbers?"

 

   dig your hole   music

                   it is punching my head

   it is punching my    h    e    a    d

 

"he has not paid a cup of coffee not even only he has told me good-bye   damn!"

 

   m    u    s    i    c

   m    u    s    i    c

   m    u    s    i    c

   m    u    s    i    c

   m    u    s    i

   m    u    s

   m    u

   m

.

   To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: chinese Tong WSB quoted

Cc:

Bcc:

X-Attachments:

In-Reply-To: <9709062105.AA22086@sun.nankai.edu.cn>

References:

 

Friends,

 

i found in novel "The Western Lands" a WSB quote related to the article he wrote at the end of 1970's commented the mayor of SF George Moscone's & Harvey Milk's murder

 

after the shocking sentence WSB imagined a Gay State like the chinese Tong in order to protect the gay community,

 

ten year later Burroughs was again thinking about the Tong and clarifing, i think, the meaning of the word tong we discussed some weeks ago.

 

-*-

"There are many degrees of privacy. In some houses there is a public passage only through the garden.

Others live in open stalls on heavely traveled streets, or in the maze of tunnels under the city, or on the roofs where the neighbors hang clothes to dry and tether their sheep and goats and fowl. Some are entitled to exact a toll. And some routes are the exclusive prerogative of a club, a secret society, a sect, a tong, a profession or a trade. fights over passage rights are frequently and bloody. There are no public services in this quarter, no police, fire, sanitation, water, power or medical service. The are provided by families and clubs, if at all." --- William S. Burroughs, The Western Lands, -7-, 1988.

-*-

 

saluti,

Rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: t(off topic but have to get the last word in (might as well be honest)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <9709061220.aa13767@mail.cruzio.com>

References:

 

         ..."It may be quite simple

         but now that it's done,

         I hope you don't mind,

         I hope you don't mind,

         That I put down in words

         How wonderful life is"...

         ---Elton John, Your Song (fragmnet)

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Sept. 6, 1997 - Elton John - tribute to Princess Diana

Cc:

Bcc: country@sover.net

X-Attachments:

In-Reply-To: <l03020901b0371937f30a@[206.25.67.102]>

References: <9709060843.aa09671@mail.cruzio.com>

 

                    Candle in the Wind

                    Sept. 6, 1997 - Elton John - for Princess Diana

 

1.  Goodbye England's rose, may you ever grow in our hearts, You were the grace that placed itself where lives were torn apart, You called out to our county, and you whispered to those in pain, Now you belong to Heaven, and the stars spell out your name.

 

  And it seems to me you've lived your life like a candle in the wind,

  Never fading with the sunset when the rain set in,

  And your footsteps will always fall here along England's greenest

   hills,

  Your  candle's burned out long before your legend ever will.

 

2.  Loveliness we've lost, those empty days without your smile, This torch we'll always carry for our nation's golden child, Even tho' we try, the truth brings us to tears, All our words cannot express the joy you've brought us through the years.

 

  And it seems to me you've lived your life like a candle in the wind,

  Never fading with the sunset when the rain set in,

  And your  footsteps will always fall here along England's greenest

   hills,

  Your  candle's burned out long before your legend ever will.

 

3.  Goodbye England's rose, may you ever grow in our hearts, You were the grace that placed itself where lives were torn apart, Goodbye English rose, from the country lost without your soul, Who miss the wings of your compassion more than you will ever know.

 

  And it seems to me you've lived your life like a candle in the wind,

  Never fading with the sunset when the rain set in,

  And your  footsteps will always fall here along England's greenest

   hills,

  Your  candle's burned out long before your legend ever will.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Art Of Beat Maintenance.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

   Alan W. Watts   remembered

   THE WAY OF ZEN  1957

 

   Rin Tin Tin          &          Zorro

   ...a numbers of years ago (i remember the first

                         televised operas &

                         old dodge car & platters' song

                         and sunny afternoon)

 

 

   ...a numbers of years ago

   1947 Jack Kerouac wrote

         then it was a fast walk along a silvery,

         dusty road beneath inky trees of California-

         a road like in The Mark of Zorro and a road

         like all the roads you see in Western B movies

 

 

 

   HOOT!

         hooooooooooooot!

                         1997

   by the way TODAY

   except for hair pinned head

 

              IS THAT A PROBLEM?

   sure sure NOT just drunk...

 

   spiders!   VIRTUAL REBELS!

   caffeine addicted          virtual rebels

 

              IS that a problem?

 

   ok THE WEB today look LIKE MORE

   a PICASSO's painting

              IN EVERY WAY

 

   long live Zorro & Rin Tin Tin

              my old friends!

 

 

Rinaldo.

9 sep 97

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Alex magnetic file. (Kikka traslates)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <341430D4.34E8@midusa.net>

References: <3413F32A.482E@midusa.net> <34141F6A.62B1@pacbell.net>            <3413B24B.2CF0@together.net>

 

friends,

a new italian writer & On the Road (Sulla Strada),

 

"Jack Frusciate e' uscito dal gruppo"

a novel written by Enrico Brizzi.

Kikka has translated a fragment,

 

saluti

Rinaldo.

 

---

"From the magnetic file of Mister Alex D. I'm readin' Kerouac, and don't bother me 'cause I'm readin' Kerouac, and I'm listenin' to all my records, and I'm readin' also Tondelli and Andrea de Carlo that become my favourite italian writers.

I don't care about seeing anyone.

I'm at my granny's, gettin' ready for my removal, with my jollinvicta full of coverage books, Bolognese writers' books, a pair of pyjamas and two or three shirts.

Aidi has never seen my house.

At first, when we had just met, we decided that she had to spend an afternoon at my house, but when I told the Chancellor so, he kicked up a shindy, and the problem - ehm - was essentialy that she was a girl.

... And since you have to gain your spaces, and finding everything on a plate makes no-backboned people and here we don't need no-backboned people, at most you can do as some English students, that when invite a girl into their room unhinge the door.

Really picturesque, but do we need it?

It's respect.

But since I didn't want my parents to look Aidi up and down all the afternoon, I told her about our dialogue and - many greetings - she has never been to my house.

When my parents'll be away, such as the day after tomorrow very very early - my family's shifts are incredible for the hour they happen such as a quarter to six in the morning: it's obvious: you're so slow! - my house'll be closed hermetically, locked up, and who's outside is outside and who's inside is inside.

And since I want Aidi to see my house after leaving, and since my parents - provident (!) - took my keys in order to keep me away from the house, when I came back from England , I went to a hardware store and I had two copies of the keys done, in spite of any unforseen event.

The day after tomorrow morning we'll use them to penetrate the mistery of the submerged flat, and I can not answer the phone, 'cause I do read On the Road, now." ---

Kikka.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: update 10 sep 1997 Beat SuperNova  (Beats:The List)

Cc:

Bcc: gordona111@aol.com,email@cdickens.com,sisyphus@polaris.mindport.net,christyg@pcpartner.net,esaylor@sprynet.com,esaylor@sprynet.com,dschwarm@sun3.lib.uci.edu

X-Attachments:

In-Reply-To: <341430D4.34E8@midusa.net>

References: <3413F32A.482E@midusa.net> <34141F6A.62B1@pacbell.net>            <3413B24B.2CF0@together.net>

 

Donald Allen [The Evergreen Review, editor, poet, Grey Fox Press] Steve Allen [he played piano on some of Kerouac's recordings] David Amram [helped Jack with some of his first jazz poetry readings] Amari Baraka (Leroi Jones)  

Wallace Berman [SF avante garde artist] Stephen Jesse Bernstein [Poet, author, beat, suicide in 1992, Seattle WA USA] Paul Blackburn  [Black Mountain School] Robin Blaser [poet, critic, associate of Duncan, Spicer] Richard Brautigan [Change, novelist _Trout Fishing in America_] Bonnie Bremser [wife of Ray]

Ray Bremser  

Chandler Brossard  

Lenny Bruce [comic]

Lord Buckley [comic]

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } "Bull Hubbard, Frank Carmody, Will Dennison, Old Bull Lee" William S. Burroughs Jr.  

John Cage { 5 sep 1912 - 12 aug 1992 }[Black Mountain School] Edgar Cayce  

Caleb Carr [Son of Lucien _The Alienist_] Lucien Carr "Damion"

Paul Carroll  

Louis R Cartwright  

Carolyn Cassady "Camille"

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } "Cody Pomeray, Dean Moriarty" Tom Clark [Paris Review]

Andy Clausen  

Leonard Cohen [novelist _Beautiful Losers_, songwriter] Bruce Conner [filmaker]

Gregory Corso "Raphael Urso, Yuri Glicoric" Robert Creeley [Black Mountain School, poet] Henry Cru "Remi Boncoeur"

Jay deFeo [San Francisco Painter, _The Rose_] Diane DiPrima [Floating Bear, poetess,_Memoirs of a Beatnik_] John Doe  

Kirby Doyle  

Edward Dorn [Black Mountain School]

Robert Duncan [Black Mountain School, Experimental Review, SF  poet, associate, Spicer, Blazer] "Geoffrey Donald" Bob Dylan  

Larry Eigner [Black Mountain School]

Kenward Elmslie [Z]

William Everson (Brother Antoninus) [Poet, Monk] Larry Fagin [Adventures in Poetry]

Richard Farina [novelist _Been Down So Long_, songwriter] Lawrence Ferlinghetti [San Francisco Poetry Reinassance] "Lorenzo Monsanto, Larry O'Hara, Danny Richman" Tom Field [Spicer Circle, JK's favorite painter] "Larry Meadows" Charles Foster  

Robert Frank [filmaker]

James Gauerholz [Burroughs aid and heir] Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } "Irving Garden, Adam Morand, Alvah Goldbook, Leon Levinsky, Carlo Marx" John Giorno  

Paul Goodman [psycologist, sociologist, _Growing Up Absurd_] Robert Gover  

Morris Graves  

Brion Gysin  

Dave Hazelwood [printer of chapbooks , Auerhahn Press] Wally Hedrick [Gallery Six, husband of Jay DeFeo] John Clellon Holmes [novelist, _Go_]

Herbert Huncke [guru to Ginsberg, Kerouac, and Burroughs, hustler, _Guilty of Everything_] William Inge  

Ted Joans [Jazz Poetry]

Joyce Johnson [wife to JK]

Lenore Kandel [poetess, _The Love Book_  East/West house, "Ramona Schwartz"] Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } John Kelly [Beatitude]

Robert Kelly  

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz, Leo Percepied, Ray Smith, Jack, Peter Martin, Sal Paradise" Jan Kerouac [_Baby Driver_]

Ken Kesey [novelist, psychedelic revolutionary] Franz Kline  

Seymour Krim  

Paul Krassner [Realist, satirist]

Art Kunkin [Freep]

Tuli Kupferberg [Birth, The Fugs]

Joanne Kyger [poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch, East/West house] Philip Lamantia [surrealist poet]

Jay Landesman  

Fran Landesman  

James Laughlin  

Denise Levertov [Black Mountain School] Timothy Leary [chemical revolutionary] Lawrence Lipton [The Holy Barbarians]

Ron Loewinsohn [Change]

Gerald Locklin [poet, _The Long Beach Freeway_]

 

Philomene Long  

Malcom Lowry [novelist, Under the Volcano] Bill MacNeill [Painter, Spicer Circle] Norman Mailer "Harvey Marker"

Gerard Malanga  

Edward Marshall  

Peter Martin  

Lewis McAdams  

Joanna McClure [wife to Michael, poetess] Michael McClure [Journal for the Protection of All Beings, poet, "Pat McLear"] Don McNeill [hippie journalist]

Taylor Mead  

David Meltzer  

Jack Micheline [SF LA NY poet]

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } John Montgomery  

Shigeyoshi (Shig) Murao [City Light Bookstore fixture] Ken Nordine  

Harold Norse  

Frank O'Hara [poet, _Hotel Wembley Poems_] David Ohle [Burroughs Circle]

Charles Olson { 27 dic 1910 - 10 jan 1970 }[Black Mountain School] Peter Orlovsky [wife to Allen Ginsberg] "George, Simon Darlovsky" Kenneth Patchen  

Thomas Parkinson [Ark, UC Berkeley Prof, Casebook on the Beat] Claude Pelieu [Bulletin From Nothing]

Nancy Peters [partner with L. Ferlinghetti in City Lights, married to P. Lamantia] Stuart Z. Perkoff  

Charles Plymell [North Beach, hobohemian poet, novelist] Dan Propper  

Lou Reed  

Kenneth Rexroth { 22 dic 1905 - 1982 }[Berkeley Reinassance, San Francisco Reinassance, Six Gallery reading] "Reinhold Cacoethes" Steve Richmond [introduction for Bukowsky] Frank Rios  

Theodore Roethke  

Hugh Romney [Wavey Gravey]

Michael Rumaker  

Ed Sanders [Peace Eye Bookstore, The Fugs] Mark Schorer [UC Berkeley Prof, critic] Tony Scibella  

Hubert Jr. Selby [NY, LA Novelist]

Patti Smith  

Gary Snyder [Poet, Reed College group] "Japhy Ryder, Jarry Wagner, Gary Snyder" Carl Solomon [_with you in Rocklin_]

Terry Southern [novelist, _Candy_]

Jack Spicer [poet, associate of Duncan, Blazer] Hunter Stockton Thompson  

Charles Upton  

Janine Pommy Vega  

John Thomas  

Mark Tobey  

Alexander Trocchi [Living Theatre]

Giuseppe Ungaretti [Circle]

Tom Waits [songwriter, Foreign Affairs] Anne Waldman [Naropa Institute, St. Mark's Poetry Project, New York] Lewis Warsh  

Alan W. Watts [_Beat Zen, Square Zen_] "Arthur Whane, Alex Aums" Lew Welch (Lewis Barret Welch) { 16 aug 1926 - 23 may 1971 }[_Ring of Bone_, Reed College Group, East/West House] "Dave Wain" Philip Whalen [Poet, Reed College Group] "Warren Coughlin, Ben Fagan" John Wieners [Black Mountain School]

Jonathan Williams  

William Carlos Williams { 17 sep 1883-4 mar 1963 } Clay Wilson  

Ruth Witt-Diamant [San Francisco's Poetry Center] James Wright [Minnesota]

Lousi Zukofsky [Circle]

 

         =*=

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone 

interested can propose a new name.   

http://www.gpnet.it/rasa/beats.htm

 thanks, 

Rinaldo Rasa

Venice-Mestre, Italy. 

last update 10th september 1997

 

notice that this list it's my own only responsibility the friends have always gimme the right way  

 

         =*=

the list of credits & comments: 

 

gordon allen       GordonA111@aol.com

Walter Campbell          walter.campbell@usa.net C. Dickens Books           email@cdickens.com

David Christian          dckom@atlcom.net

Greg Christy       christyg@pcpartner.net

Marie Countryman         country@sover.net

Patricia Elliott         pelliott@SUNFLOWER.COM Timothy K. Gallaher   gallaher@HSC.USC.EDU Richard M. Kershenbaum     r-kershenbaum@UKANS.EDU OHearn               orpheus@in.the.shadows

(no name)                ipl1@columbia.edu

Jym Mooney               vmooney@EXECPC.COM

Mike Rice                mrice@centuryinter.net

David Schwarm            dschwarm@sun3.lib.uci.edu Eric Saylor            esaylor@sprynet.com

Sisyphus           sisyphus@polaris.mindport.net James Stauffer        stauffer@pacbell.net

Michael Stutz            stutz@dsl.org

Tara123125               tara123125@aol.com

Mike Welch               welch@ix.netcom.com

 

============ addenda ============

1.=*=

Return-Path: <gordona111@aol.com>

Date: Mon, 8 Sep 1997 01:26:56 -0400

Newsgroups: alt.books.beatgeneration

To: "Rinaldo Rasa" <rasa@gpnet.it>

From: gordona111@aol.com (GordonA111)

Organization: AOL http://www.aol.com

Subject: Re: Beat SuperNova update 5 sep 1997 (Beats:The List) SnewsLanguage: English

 

Hello !  John Clellon Holmes was my brother-in-law.  After 3 or 4 years of cancer in his throat (much of which had been removed and he could not speak), he died in 1988.  A source of more info (and an opening way to get more about a lot of the key beat generation people) is:  http://www.charm.net/~brooklyn/People/JohnClellonHolmes.html

 

-gordon allen (GordonA111@aol.com)

 

2.=*=

Return-Path: <esaylor@sprynet.com>

From: esaylor@sprynet.com (Eric Saylor) To: rasa@gpnet.it

Subject: beat list

Date: Tue, 02 Sep 1997 05:42:05 GMT

 

Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in 1992, Seattle WA USA.

 

Thanks.

 

Eric

 

3.=*=

Return-Path: <sisyphus@polaris.mindport.net> Date: Sun, 7 Sep 1997 15:13:52 -0400 (EDT) From: Sisyphus <sisyphus@polaris.mindport.net> To: Rinaldo Rasa <rasa@gpnet.it>

Subject: Re: Beat SuperNova WWW update 6 sep 97

 

 

Just went there, and read your previous list.  I'd only expunge Mailer (He's WWII journalism school)  but I don't like his stuff anyway... 

 

I'd like to comment that there are quite a number of deceased members on The List who's birth and death dates are not included.  They really should be.  Lew Welch is notable for me.  (But I don't remember his.

'69?)  Minor quibble.  Exhaustive list.  I'll have to copy it here.

Thank You.

 

==================== end of addenda ================================

 

Rinaldo reply to Sisyphus:

   Norman Mailer is appreciated by William S. Burroughs

   and Mailter's novel Ancient Evenings for inspiration =*=*=To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: William Everson (Brother Antoninus) Re: Monastic beat

Cc:

Bcc: Dufour <dufour@ULISSE.IT>

X-Attachments:

In-Reply-To: <2.2e.32.19970910152325.008cec0c@popd.ix.netcom.com>

References:

 

Francesco, John & friends,

 

here some William Everson archived information:

 

=record #1

"Christopher L. Filkins" <filkins@INCH.COM> wrote: Everson was at one point considered a member of the beat generation and I know he was a contientious objector who spent WWII in a Civilian Public Service Camp.

 

=record #2

Paul McDonald - Bon Air Branch <PAUL@LOUISVILLE.LIB.KY.US> wrote: Poet named William Everson.  I've read that he was associated with the Beats while he was in a monestery and was nicknamed "The Beatnik Monk."  I read a wild ride of a poem of his in college called "The Screed of the Flesh."  Saw a photo of him looking every bit as wild and haggard as I'm told John the Baptist looked when he lived in the wilderness eating nothing but locusts and frogs.

 

Everson seemed to emulate another poet named Robinson Jeffers about whom I know absolutely nothing save a poem called (I think) "Fire in the Hills," the last line of which reads:

 

          "The destruction that brings an eagle from heaven

                is better than mercy..."

 

I think both (Everson definitely) are associated with the San Francisco Renaissance.

 

=record #3

Jennifer Brontsema <bozokitty@MINDSPRING.COM> wrote: William Everson was a SF Beat poet and was married to Mary Fabilli. Her linoleum-block artwork accompanied two of his poems, "Triptych for the Living," and "Heavenly City, Earthly City."  Other works include "A Frost Lay White on California" and "The Poet is Dead" (written for Robinson Jeffers).

 

After Mary gave Bill a copy of  St. Augustine's "Confessions," he became so enthralled with the Roman Catholic Church that he converted to Catholicism, had their marriage annulled, and joined the Dominican Friars as Brother Antoninus. He left the order in 1969 and died in 1984.

 

"Women of the Beat Generation" (my source for these tidbits of info on Everson) inlcudes a piece by Mary Norbert Korte entitled "Remembering Bill Everson, Poet."

 

=record #4.

Rod Anstee <Nastees@AOL.COM> wrote:

SPRING 1947. In THOSE days ARK was a

postwar (post WWII) magazine, more importantly an ANARCHIST magazine back when that word had a more precise political meaning, beyond just "chaos." The opening page of the magazine is devoted to an Editorial that begins:

 

      " In direct opposition to the debasement of human values made flauntingly evident by the war, there is rising among writers in America, as elsewhere, a social consciousness which recognizes the intergrity of the personality as the most substantial and considerable of values. However, this recognition is still restricted to either small groups or to isolated individuals, and has few organs of expression."

 

     Sound familiar? Then the list of contributors will as well, among them Kenneth Rexroth, James Laughlin, Robert Duncan, William Everson, Thomas Parkinson, and -- wait for it -- Philip LAMANTIA who contributes a single poem called "Another Autumn Coming."

---

 

books:

These Are the ravens (1935)

The Residual Years (1944)

An Age Insurgent (1959)

The hazards of Holiness (1962)

A Canticle to the Waterbirds (1968)

The Veritable years (1978)

---

 

saluti fraterni,

Rinaldo.

 

============================================ At 08.23 10/09/97 -0700, John Maynard wrote:

>At 10:24 9/10/97 +0200, Francesco wrote:

>> In the introduction of the italian edition of JK's Big Sur I have found

>>the name of William Emerson who later became a dominican monk.

>> Does anybody know something about him ?

>> Was he a writer or a person of JK's entourage in the late 50's ?

>> 

>>Ciao.

>> 

>>Francesco

>> 

>>dufour@ulisse.it

>> 

>No, he was part of the Bay Area scene that Kerouac & Co.plugged into.  His

>name was William Everson, but he was known for many years as Brother

>Antoninus.  He later renounced his vows, rejoined the world and became

>poet-in-residence at UC Santa Cruz (if you can really call that "joining the

>world").  He's no longer with us, but I forget the details.

> 

>I'm sure others on the list know a lot more about him than I do...

> 

>Onward,

> 

>John Maynard

> 

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: A Love Supreme by John Coltrane.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

         A Love Supreme

 

   I will do all I can to be worthy of Thee O Lord.

   It all has to do with it.

   Thank you God.

   Peace.

   There is none other.

   God is. It is so beautiful.

   Thank you God. God is all.

   Help us to resolve our fears and weaknesses.

   Thank you God.

   In You all things are possible.

   We know. God made us so.

   Keep your eye on God.

   Gos is. He always was. He always will be.

   No matter what...it is God.

   He is gracious and merciful.

   It is most important that I know Thee.

   Words, sounds, speech, men, memory, thoughts,

         fears and emotions-time-all related...

         all made from one...all made in one.

   Blessed be His name.

   Thought waves-heat waves-all vibrations-

         all paths lead to God. Thank you God.

   His way...it is so lovely...it is gracious.

   It is merciful-thank you God.

   One thought can produce millions of vibrations

         and they all go back to God...everything does.

   Thank you God.

   Have no fear...believe...thank you God.

   The universe has many wonders. God is all.

   His way...it is so wonderful.

   Thoughts-deeds-vibrations, etc.

   They all go back to God and He cleanses all.

   He is gracious and merciful...thank you God.

   Glory to God...God is so alive.

   God is.

   God loves.

   May I be acceptable in Thy sight.

   We are all one in His grace.

   The fact that we do exist is acknowledgement

         of Thee O Lord.

   Thank you God.

   God will wash away all our tears...

         He always has...

   He always will.

   Seek Him everyday. In all way seek God everyday.

   Let us sing all songs to God.

   To whom all praise is due...praise God.

   No road is an easy one, but they all

         go back to God.

   With all we share God.

   It is all with God.

   It is all with Thee.

   Obey the Lord.

   Blessed is He.

   We are from one thing...the will of God...

         thank you God.

   I have seen God-I have seen ungodly-

         none can be greater-none can compare to God.

   Thank you God.

   He will remake us...He always has and He

         always will.

   It is true-blessed be His name-thank you God.

   God breathes through us so completely...

         so gently we hardly feel it...yet,

         it is our everything.

   Thank you God.

   ELATION-ELEGANCE-EXALTATION-

   All from God.

   Thank you God. Amen.

 

 

   John Coltrane - December, 1964

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Out of This Planet. Außer diesem Stern (bertolt brecht)

Cc:

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References:

 

   Außer diesem Stern

 

   Außer diesem Stern, dachte ich, ist nichts und er

   Ist so verwüstet.

   Er allein ist unsere Zuflucht und die

   Sieht so aus.

   -- BERTOLT BRECHT

 

Out of this planet, I thought, there is not nothing, and it is so desolate.

It is our shelter, and this

That is the way it is.

 

  

   Der Rauch

 

   Das kleine Haus unter Bäumen am See.

   Vom Dach steigt Rauch.

   Fehlte er

   Wie trostlos dann wären

   Haus, Bäumen und See.

   -- BERTOLT BRECHT

 

The small house among to the trees on the lake.

From the roof climbs the smoke.

If there is not smoke

house, trees and lake would be dismal.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More Berthold Brecht

Cc:

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References:

 

Leon,

 

i'm sure yr knowing of german language is the best,

   yr translation helped to open my eyes,

 

(mine is only to the very very lowest level, having some relatives emigrates in germany and suisse, (others in Canada), but this isn't a matter that justify to translate Bertolt Brecht.)

 

i've tempted to react to brecht's poems as Zen Poetry

                   _koan_

 

of course, i'm always have been a great admirer of brecht's theatre & poetry (i.e. Beggar's Opera collaboration with Kurt Weill) despite his political choice, brecht is a valuable man, his approach to chinese lit is laudable, in the early 70's i was an avid reader for brecht's works, but unlike the Beats i read brecht in translation and a bit to following the german language,

 

now u are right, that Stern is "Star" and not "Planet", the word "au_er" is "ausser" meaning the _=ss as in "Strasse", the word "verw|stet" is |=u: "u" umlau

 

in the poem Der Rauch

the word "Bdumen" the "d" is "a" umlau

the same for "Bduame" and "wdren"

 

what i was surprised was that the listserv has not recognized the german alphabet 'cuz i've post correctly the character but tha lserver transform them in anonymous character, if this happen to language with characters not english-like (i.e.

german, spanish, french) i have surprised again. with italian the snag is smaller or non-existent 'cuz the stressed character are easily transform as "a acute or a grave" a', ... etc, if a chinese or japanese wish to post in his native language there's impossible, i'm afraid,

 

the bertolt brecht's post crossed in my mind as unconscious i apologies,

 

cari saluti a tutti da

Rinaldo.

 

At 22.00 14/09/97 -0700, Leon Tabory <letabor@CRUZIO.COM> wrote:

>-----Original Message-----

>From: Rinaldo Rasa <rinaldo@GPNET.IT>

>To: BEAT-L@CUNYVM.CUNY.EDU <BEAT-L@CUNYVM.CUNY.EDU>

>Date: Sunday, September 14, 1997 4:47 AM

> 

>> Ok I received a backchanell challenge. What poetic license?

>Here is what I believe a more literal translation of Der Rauch would be:

> 

>The Smoke

> 

>The small house under tress by the lake

>>From roof rises smoke

>He felt

>How bereft of trust  (untrustworthy) then became

>House, trees and lake

> 

> 

> Original German:

> 

>>        Der Rauch

>> 

>>        Das kleine Haus unter Bdumen am See.

>>        Vom Dach steigt Rauch.

>>        Fehlte er

>>        Wie trostlos dann wdren

>>        Haus, Bdumen und See.

>>        -- BERTOLT BRECHT

>> 

> 

>Rinaldo's translation:

> 

>>The small house among to the trees on the lake.

>>From the roof climbs the smoke.

>>If there is not smoke

>>house, trees and lake would be dismal.

>>.-

>>Under the trees by the lake is not quite the same as among the trees on the

>lake.

>> There is nothing that says "if there is not smoke" in the original

>> The implication of untrustworthy is not quite the same as dismal.

> 

>I do not cherish making these corrections (?)  and I would be the first one

>to agree that it may be trifling. If we don't need such nitpicking on the

>list, I will gladly stop it.   But,, here I go correcting and I have left

>out " I thought" from the first line of "Outside of this star" poem , and

>even misspelled Brecht's name. I am no one to point fingers, but I do

>believe my corrections are accurate, and a challenge is a challenge.  I love

>all your contributions to the list Rinaldo. Bless you.

> 

>leon

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: 36th anniversary on terra firma

Cc:

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   =========================

   Happy birthday  to YOU!

   HAPPY BIRTHDAY   DAVID!

 

 

 

   WISHING YOU ALL THE BEST.

 

   signers:

 

   Dr Ink

   in the name

   of

   REVERSE ENTROPY ENGINE Ltd.

 

   &

 

   Duracell

   in the name

   of

   THE TIME MACHINE Corporation

 

   &

 

   Rinaldo Rasa.

   ===========================

 

 

>Full Moon tonight

>and anniversary of my birth

>36 years

[...]

>david rhaesa

>salina, Kansas

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: A Proletarian Writer.

Cc:

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   KEEp THE RED FlaG FLYIng

   Only Charles Bukowski could do it.

 

         Burroughs?

         Kerouac?

 

              No more!

 

   BookList?

 

   WE HAVE ONLY    B U K O W S K I!!!

 

   Only Charles Bukowski could do it.

   Workers!   Save The Workers!!!

 

   Burroughs?

   Kerouac?

 

         No more!!!

 

   ONLY BUKOWSKI!!!

   Save The Factory!

   ONLY BUKOWSKY FOR SALE!!!

  

   (even if Bukowski

   seems artaud,

   or celine)

 

   THIS IS A PROLETARIAN.

   ONE  OF   US!  SAVE OUR LIFE!!!

   Only Charles Bukowski could do it.

 

  

 

Rinaldo.

18th sep 1997

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: La Loca. A  Beat Poetess.

Cc:

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References:

 

   Why I choose Black Men for My Lovers  by La Loca

 

   Acid today

   is trendy entertainment

   but in 1967

   Eating it was eucharistic

         and made us fully visionary

 

   My girlfriend and I used to get cranked up

         and we'd land in

         The Haight

         and oh yeah

         The Black Guys Knew Who We Were

         But the white boys were stupid

 

   I started out in San Fernando

         My unmarried mother did not abort me

         because Tijuana was unaffordable

         They stuffed me in a crib of invisibility

         I was bottle-fed germicides and aspirin

         My nannies were cathode tubes

         I reached adolescence, anyway

         Thanks to Bandini and sprinklers

 

   In 1967 I stepped through a windowpane

         and I got real

         I saw Mother Earth and Big Brother

         and

         I clipped my roots which chocked in the

              concrete

              of Sunset Boulevard

         to go with my girlfriend

         from Berkeley to San Francisco

         hitchhiking

         and we discovered

         that Spades were groovy

         and

         White boys were mass-produced and

         watered their lawns

              artificially with long green hoses in

              West L.A.

 

   There I was, in Avalon Ballroom

         in vintage pink satin, buckskin and

              patchouli

              pioneering the sexual

              revolution

   I used to be the satyr's moll, half-woman

   and in pink satin hung

         loose about me

         like an intention

   I ate lysergic for breakfast, lunch and

              dinner

         I was a dead-end in the off-limits of

              The Establishment

              and morality was open to interpretation

 

   In my neighborhood, if you fucked around, you were a whore

  

   But I was an emigree, now

         I watched the planeloads of white boys fly

              up from Hamilton High

         They were the vanguard

              of the Revolution

         They stepped off the plane

              in threadbare work shirts

              with rolled-up sleeves

              and a Shell Oil, a Bankamericar,

              a mastercharge in their back pocket

              with their father's name on it

         Planeloads of Revolutionaries

         For matins, they quoted Marcuse and Huey Newton

         For vespers, they instructed young girls from

              San Fernando to

              Fuck Everybody

         To not comply, was fascist

   I watched the planeloads of white boys

         fly up from Hamilton High

   All the boys from my high school were shipped to

         Vietnam

   And I was in Berkeley, screwing little white boys

         who were remonstrating for peace

         In bed, the pusillanimous hands of war protestors

              taught me Marxist philosophy:

         Our neighborhoods are a life sentence

         This was their balling stage and they

              were politicians

         I was an apparition with orifices

         I knew they were insurance salesmen in their

              hearts

         And they would all die of attacks

         I went down on them anyway, because I had

              consciousness

         Verified by my intake of acid

         I was no peasant!

         I went down on little white boys and

         they filled my head with

              Communism

         They informed me that poor people didn't have

              money and were oppressed

         Some people were Black and Chicano

         Some women even had illegitimate children

         Meanwhile, my thighs were bloodthirsty

              whelps

         and could never get enough of anything

   and those little communists were stingy

   I was seventeen

         and wanted to see the world

         My flowering was chemical

         I cut my teeth on promiscuity and medicine

         I stepped through more windowpanes

              and it really got oracular

   In 1968

   One night

   The shaman laid some holy shit on me and wow

   I knew

   in 1985

         The world would still be white, germicidially

              white

         That the ethos of affluence

         was an indelible

         white boy trait

         like blue eyes

         That Volkswagons would be traded in for

              Ferraris

              and would be driven with the same

              snotty pluck that sniveled around

              the doors of Fillmore, looking cool

   I knew those guys, I knew them when they had posters of

         Che Guevara over their bed

         They all had poster of Che Guevara over

              their bed

         And I looked into Che's black eyes all

              night while I lay in those beds,

              ignored

   Now these guys have names on doors on the 18th floor of

         towers in Encino

         They have ex-wives and dope connections.

   Even my girlfriend married a condo owner in Van Nuys.

 

   In proper white Marxist theoretician nomenclature, I was

         a tramp.

   The rich girls were called "liberated."

 

   I was a female for San Fernando

         and the San Francisco Black Men and I

         had a lot in common

         Eyes, for example

         dilated

         with the opacity of "fuck you"

         I saw them and they saw me

         We didn't need an ophthalmologist to get it on

         We laid each other on a foundation of

              visibility

         and our fuck

         was no hypothesis

 

   Now that I was worldly

         I wanted to correct

         the nervous blue eyes who flew up from

         Brentwood

   to see Hendrix

   but

   when I stared into them

   They always lost focus

   and got lighter and lighter

   and

   No wonder Malcolm called them Devils.     

        

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Kerouac book covers

Cc:

Bcc:

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References: <3421DA4C.6843@pacbell.net>

 

Ciao My Friends,

 

i've under my eyes the cover of "Sulla strada" dated april 1967 printed out ten years after the american edition this is the italian translation of the Jack Kerouac's great work (Fernanda Pivano translates at her best!), i bought the book in 1969, and...

 

this edition has for me a GREAT nostalgia feeling, remember of something like a scent of autumn in an italy with great promises and new frontiers &... & now 30 year

 

later...

 

it's wonderful to compare the today covers (1997 edition) and the 1967...  if i understand right there is an interest to collect the OTR cover (even italian?) i'm agree to post on the web or via email the 1967 italian cover of the "On the Road"...

please, somebody let me know,

 

cari saluti a tutti,

Rinaldo.

* Jack Kerouac always beats the Umberto Eco's Law of the poket book millenium catastrophe *

-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*- To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Magda de Cristofaro.

Cc:

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Cari beats,

excuse me,

 

in previous post i've made a mistake asserting that Fernanda Pivano translated in italian "On The Road", instead she wrote the foreword.

 

The italian translator of Jack Kerouac's "On the Road" ("Sulla strada") is Magda de Cristofaro (1959).

She translated a lot of JK's works, i enumerate: "On the Road"(1957)          -> "Sulla strada" (1959) "The Dharma Bums" (1958)     -> "I Vagabondi del Dharma" (1961) "Doctor Sax" (1959)           -> "Il dottor Sax" (1968) "Visions of Gerard" (1963)     -> "Visioni di Gerard" (1980) "Desolation Angels" (1965)     -> "Angeli di desolazione" (1983)

 

thanks

Rinaldo. * not a qualified beat *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (fwd) La Loca.

Cc:

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Return-Path: <dschwarm@sun1.lib.uci.edu> Date: Thu, 18 Sep 1997 09:46:08 -0700 (PDT) From: David Schwarm <dschwarm@sun1.lib.uci.edu> To: Rinaldo Rasa <rasa@gpnet.it>

Subject: Re: La Loca

 

> someone has notice of the beat poetess La Loca,

 

Hey!  Yeah, what happened to La Loca?

 

I remember a reading of hers I attended in 1989 in Santa Monica that was totally fantastic.  She had just published her collection for city lights  _Adventures on the Isle of Adolescence_ (pocket poets series no 46) - and she read the entire thing, cover to cover.  When she got to the final lines of 'The Mayan' a friggen riot practically broke out!  People jumping around screaming, clapping wildly, total mayhem...Fantastic stuff:

 

   and from that day to this

   although I've had to serve

   in many prisons

   I'm free

   beneath the world

   in love.

 

I still can hear these lines!  Is she still doing readings?

 

-*-

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: scattered night italian reflexions.

Cc:

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References:

 

"Wir in the vicinity ay some unsound lookin cats. Some ur skinheids, some urnae. Some huv Scottish, other English, or Belfast accents. One guy's goat s Skrewdriver T-shirt oan, another's likesay wearin an ''Ulster is British'' toap. They start singing a song aboot Bobby Sands, slaggin him off, likesay.

Ah dunno much aboot politics, but Sands tae me, seemed a brave dude, likes, whae never killed anybody. Likesay, it must take courage tae die like that, ken?"---Irvine Welsh, Trainspotting.

 

              TIMES OF CHANGE.

              In the 1950's Italians

              spurned the idea of "fatherland"

              and nationalism in favor of

              new political formulas

 

   ...secessionist rumblings

   from Umberto Bossi's anti-Rome,

   anti-tax Northern League...

 

 

              Dedicated

                   to

              WALT WHITMAN

 

"Intense and loving comradeship, the persomal and passionate attachment of man to man - which, hard to define, underlines the lesson and ideals od the profound saviors of every land and age, and which seems to promise, when thoroughly developed, cultivated and recognised in manners and literature, the most substantial hope and safety of the future of these Sates, will then be fully exspressed.

   It is to the development, identification, and general prevalence of that fervid comradeshio, (the adhesive love, at lest rivaling the amative love hitherto possessing imaginative literature, if not going beyond it) that I look for the counterbalance and offset od our materialistic and vulgar American democracy, and for the spiritualization thereof.

Many will say it is a dream, and will be seen, running like a half-hid warp through all the myriad audible and visible worldly interests of america, threads of manly friendship, fond and loving, pure and sweet, strong and life-long, carried to degrees hitherto unknown - not only giving tone to individual character, and making it unprecedentedly emotional, muscular, heroic, and refined, but having the deepest relations to general politics. I say democracy infers such loving comradeship, as its most inevitable twin or counterpart, without which it will be incomplete, in vain, and incapable of perpetuating itself."

                         Democratic Vistas, 1871

--- Allen Ginsberg,      THE FALL OF AMERICA

                   poems of these states

                   ...same electric lightning south

                         follows this train

                              Apocalypse prophesied-

                         the fall of america

                              signalled from Heaven-

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: update 21sep97 BeatSupernova (Beat:The List)

Cc:

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*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*--*-*-*-*-*-*-*-*-*-*-*

              Beat SuperNova

*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*--*-*-*-*-*-*-*-*-*-*-* Willie Loco Alexander

Donald Allen[The Evergreen Review, editor, poet, Grey Fox Press] Steve Allen[he played piano on some of Kerouac's recordings] David Amram[helped Jack with some of his first jazz poetry readings] Mary Beach[Bullettin From Nothing]

Amari Baraka (Leroi Jones)

Wallace Berman[SF avante garde artist]

Stephen Jesse Bernstein[Poet, author, beat, suicide in 1992, Seattle WA USA]

Paul Blackburn { 1926 - 1971 } [contibutor to Black Mountain Review, nyu and the univ. of wisconsin] Robin Blaser[poet, critic, associate of Duncan, Spicer] Richard Brautigan[Change, novelist _Trout Fishing in America_] Bonnie Bremser[wife of Ray]

Ray Bremser

Chandler Brossard[New York]

Lenny Bruce<img src="brucelen.gif" alt="Lenny Bruce">[comic] Lord Buckley[comic]

Charles Bukowski{16 aug 1920 - 10 mar 1994} "Henry Chinaski" William S. Burroughs<img src="burrough.jpg" alt="William, when I first met him in Texas, around 78--Patricia Elliott.">{ 5 Feb 1914 - 2 Aug 1997 } "Bull Hubbard, Frank Carmody, Will Dennison, Old Bull Lee" William S. Burroughs Jr.[_Kentucky Fried_] John Cage<img src="cagejohn.gif" alt="John Cage while prepares Medicine Drawings, 1991.">{ 5 sep 1912 - 12 aug 1992 }[Black Mountain School] Edgar Cayce

Caleb Carr[Son of Lucien _The Alienist_] Lucien Carr"Damion"

Paul Carroll

Louis R Cartwright

Carolyn Cassady"Camille"

Neal Cassady{ 8 Feb 1926 - 4 Feb 1968 } "Cody Pomeray, Dean Moriarty" Norris Church[wife of Norman Mailer]

Tom Clark[Paris Review]

Andy Clausen

Leonard Cohen[novelist _Beautiful Losers_, songwriter] Bruce Conner[filmaker]

Gregory Corso<img src="corsogre.gif" alt="Gregory Corso in Venice, S.Marco Square">"Raphael Urso, Yuri Glicoric" Robert Creeley[Black Mountain School, poet] Henry Cru<img src="cruhenry.gif" alt="Henry Cru, 1960.">"Remi Boncoeur" Jay deFeo[San Francisco Painter, _The Rose_] Diane DiPrima<img src="diprimad.gif" alt="Diane Di Prima, 1965.">[Floating Bear, poetess,_Memoirs of a Beatnik_] John Doe

Kirby Doyle

Edward Dorn[Black Mountain School]

Robert Duncan[Black Mountain School, Experimental Review, SF  poet, associate, Spicer, Blazer] "Geoffrey Donald" Bob Dylan

Larry Eigner[Black Mountain School]

Kenward Elmslie[Z]

William Everson (Brother Antoninus){ 1912 - 4 apr 1996}[Poet, Monk]{At UC Santa Cruz he set up an old hand press and produced wonderful broadsides and books. My brother inlaw worked with him, as a student. The press sits waiting for new hands to work the ink, set the letters,stamp words into handmade paper...--Gary Mex Glazner} Mary Fabilli[was married with William Everson] Larry Fagin[Adventures in Poetry]

Richard Farina[novelist _Been Down So Long_, songwriter] Lawrence Ferlinghetti<img src="ferling.gif" alt="Lawrence Ferlinghetti">[San Francisco Poetry Reinassance] "Lorenzo Monsanto, Larry O'Hara, Danny Richman" Tom Field[Spicer Circle, JK's favorite painter] "Larry Meadows" Charles Foster

Robert Frank[filmaker]

James Grauerholz<img src="grauerhl.jpg" alt="James Grauerholz">[Burroughs aid and heir] Allen Ginsberg<img src="ginsberg.jpg" alt="Allen Ginsberg">{ 3 Jun 1926 - 5 Apr 1997 } "Irwing Garden, Adam Moorad, Alvah Goldbook, Leon Levinsky, Carlo Marx" John Giorno

Paul Goodman[psycologist, sociologist, _Growing Up Absurd_] Robert Gover

Morris Graves

Brion Gysin

Howard Hart[jazz drummer, poet]

Dave Hazelwood[printer of chapbooks , Auerhahn Press] Wally Hedrick[Gallery Six, husband of Jay DeFeo] Abbie Hoffman<img src="abbieh.gif" alt="Abbie Hoffman, 1970">[Youth International Party] John Clellon Holmes[novelist, _Go_]

Herbert Huncke[guru to Ginsberg, Kerouac, and Burroughs, hustler, _Guilty of Everything_] William Inge

Robinson Jeffers

Ted Joans[Jazz Poetry]

Joyce Johnson[wife to JK]

Lenore Kandel[poetess, _The Love Book_  East/West house, "Ramona Schwartz"] Bob Kaufman{ 18 Apr 1925 - 12 Jan 1986 } John Kelly[Beatitude]

Robert Kelly

Jack Kerouac<img src="kerouac.gif" alt="Jack Kerouac, 1966">{ 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz, Leo Percepied, Ray Smith, Jack, Peter Martin, Sal Paradise" Jan Kerouac[_Baby Driver_]

Ken Kesey[novelist, psychedelic revolutionary] Franz Kline

Seymour Krim[New York]

Paul Krassner[Realist, satirist]

Art Kunkin[Freep]

Tuli Kupferberg[Birth, The Fugs]

Joanne Kyger[poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch, East/West house] La Loca[poetess]{I remember a reading of hers I attended in 1989 in Santa Monica that was totally fantastic.  She had just published her collection for city lights _Adventures on the Isle of Adolescence_ (pocket poets series no 46) - and she read the entire thing, cover to cover.  When she got to the final lines of 'The Mayan' a friggen riot practically broke out!  People jumping around screaming, clapping wildly, total mayhem...Fantastic stuff--David Schwarm} Philip Lamantia[surrealist poet]

Jay Landesman

Fran Landesman

James Laughlin

Denise Levertov[contibutor to Black Mountain Review] Timothy Leary<img src="learytim.gif" alt="Timothy Leary, 1985">[chemical revolutionary] Lawrence Lipton[The Holy Barbarians]

Ron Loewinsohn[Change]

Gerald Locklin[poet, _The Long Beach Freeway_] Philomene Long

Malcom Lowry[novelist, Under the Volcano] Bill MacNeill[Painter, Spicer Circle]

Norman Mailer"Harvey Marker"

Gerard Malanga

Edward Marshall

Peter Martin

Lewis McAdams

Joanna McClure<img src="mcclurej.gif" alt ="Joanna McClure">[wife to Michael, poetess] Michael McClure<img src="mcclurem.gif" alt="Michael McClure">[Journal for the Protection of All Beings, poet] "Pat McLear" Don McNeill[hippie journalist]

Taylor Mead

David Meltzer

Jack Micheline[SF LA NY poet]

Henry Miller{ 26 Dic 1891 - 8 Jun 1980 } John Montgomery

Shigeyoshi (Shig) Murao[City Light Bookstore fixture] Ken Nordine

Harold Norse

Frank O'Hara[poet, _Hotel Wembley Poems_] David Ohle<img src="ohledav.gif" alt ="David Ohle in Lousiana">[Burroughs Circle, _Mortified Man_ _Cows are freaky when they look at you_] Charles Olson{ 27 dic 1910 - 10 jan 1970 }[Black Mountain School] Peter Orlovsky<img src="orlovsky.gif" alt="Peter Orlovsky, 1961.">[wife to Allen Ginsberg] "George, Simon Darlovsky" Kenneth Patchen

Thomas Parkinson[Ark, UC Berkeley Prof, Casebook on the Beat] Claude Pelieu[Bulletin From Nothing]

Nancy Peters[partner with L. Ferlinghetti in City Lights, married to P. Lamantia] Stuart Z. Perkoff

Charles Plymell<img src="plymellc.jpg" alt="Charles Plymell">[North Beach, hobohemian poet, novelist]{Leaving K.C. Mo. past Independence past Liberty Charlie Plymell's memories of K.C. renewed-- Allen Ginsberg} Dan Propper

Lou Reed

Kenneth Rexroth{ 22 dic 1905 - 1982 }[Berkeley Reinassance, San Francisco Reinassance, Six Gallery reading] "Reinhold Cacoethes" Steve Richmond[introduction for Bukowsky] Frank Rios

Theodore Roethke

Hugh Romney[Wavey Gravey]

Michael Rumaker

Ed Sanders<img src="sanderse.gif" alt="Ed Sanders">[Peace Eye Bookstore, The Fugs] Mark Schorer[UC Berkeley Prof, critic]

Tony Scibella

Hubert Jr. Selby[NY, LA Novelist]

Patti Smith

Gary Snyder[Poet, Reed College group] "Japhy Ryder, Jarry Wagner, Gary Snyder" Carl Solomon[_with you in Rocklin_, friend Ginsberg's] Terry Southern[novelist, _Candy_]

Jack Spicer[poet, associate of Duncan, Blazer] Hunter Stockton Thompson

Charles Upton

Janine Pommy Vega

John Thomas

Mark Tobey

Alexander Trocchi[Living Theatre]

Giuseppe Ungaretti[Circle]

William T. Vollmann<img src="vollmann.gif" alt="William T. Vollmann">[_Thirteen Stories and Thirteen Epitaphs, Whores for Gloria, You Bright and Risen Angels, The Atlas_Yesterday's Crash_] Tom Waits[songwriter, Foreign Affairs]

Anne Waldman[Naropa Institute, St. Mark's Poetry Project, New York] Lewis Warsh

Alan W. Watts[_Beat Zen, Square Zen_] "Arthur Whane, Alex Aums" Lew Welch (Lewis Barret Welch){ 16 aug 1926 - 23 may 1971 }[_Ring of Bone_, Reed College Group, East/West House] "Dave Wain" Philip Whalen[Poet, Reed College Group] "Warren Coughlin, Ben Fagan" John Wieners[Black Mountain School]

Jonathan Williams

William Carlos Williams{ 17 sep 1883-4 mar 1963 } Clay Wilson

Ruth Witt-Diamant[San Francisco's Poetry Center] James Wright[Minnesota]

Louis Zukofsky[Circle]

*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*--*-*-*-*-*-*-*-*-*-*-* http://www.gpnet.it/rasa/beats.htm

*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*--*-*-*-*-*-*-*-*-*-*-* To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Janine Pommy Vega.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199709200006.BAA15702@ns.ulisse.it>

References:

 

 

Which Side Are You On?             by Janine Pommy Vega

 

 

 

 

Where does my anger come from

   at the laziness, the prosaic?

How many times will you enter a room

   and leave it vacant: in and out,

in and out, visiting a temple of possibility and never leave a gift on the altar?

 

Come down to the river of your own soul, we are

   excavating

here, the yellow helmets you see are so many suns on the horizon, going down and coming up in no particular time sequence or order.

When one flower opens, Kabir says,

         ordinarily

dozens open. I'm digressing.

 

Every time you visit yourself without

   respect, you lose. Without love,

Also.

Read the coins you've thrown down into the dirt, they spell integrity. You recall those

early moments in

your young life when you sang. And we were

   witnesses-- if not then, now. We can

        see you

outside the ordinary, grab onto a miracle and understand it was no more you than the

     wind.

 

Oh, so that's it, finally:

No more you or me than that mountain

   there. And no mountain either.

 

         Which side are you on?

 

 

 

Eastern Correctional Facility, Napanock, NY, June 6,1996 To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Mime format Re: october's Cover... re:patriots

Cc:

Bcc:

X-Attachments:

In-Reply-To: <342504E5.D0524C08@mail.telepac.pt>

References: <BEAT-L%1997091612045391@CUNYVM.CUNY.EDU>

 

At 11.28 21/09/97 +0000,

DuarteMoniz <DuarteMoniz@MAIL.TELEPAC.PT> wrote:

>Bill Gargan wrote:

> 

>> As most of you on the list have noticed, mime format and photographs

>> do

>> not travel well on Beat-l.  It might be better to mount such files on

>> a

>> web page and provide listmembers with the url so t hat they can

>> download

>> them to their hard drives and read them with their browers.

> 

> 

>Can't agree with you. It may desencourage people to send photos and

>photos are great to see and rest awhile from all the texts. It was very

>nice to see some of you some time back.I also appreciate the posts with

>full articles that appear in the US media concerning the beats. It's the

> 

>only way we (not residents in the USA) can have access to those prints.

>I am enjoying very much  being with you all, althought you didn't notice

>my presence up until now.

> 

>Duarte Moniz

>Portugal

> 

Duarte Moniz,

 

I agree totally with, you, the pics travel fine attached in email, and i you fon't  own a www space it's impossible to post pictures, another problem was the native characters (as noted by the chinese friend some post ago, and by myself again) that's it would be nice to be posted (i.e. eastern coutry, or far eastern country,...), *-*-*-*-*-*-*-*-*-

 

   please who's the

   person in charge of

   the "cover" project?

   may he blackchanell

   to me, i'm working

   on the JK it 1967 poket

   cover of "Sulla Strada" (OTR)

   also i've the cover of

   1980 JK "On the Road"

   i dunno if it's a rarity

   someone let me know if i

   can start to scan...

**-**-**-**-**-**-**-**

 

at the moment i italy the word "patriot" is referred to the people like "venetian patriots" who wish the secessionism from the italy, and have their symbol in the bell tower in S.Marco Square in Venice, the "patriots" want that Venetian Lands becom independent from the rest of Italy (independent movement),

***-***-***-***-***-***-***-***-***-***-***-***-***-***-***-

 

saluti cari,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat images identity

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.32.19970923112226.0069d710@pop.pipeline.com>

References:

 

friends,

i've post on the web two photos of beats that i can't recognize the site is

 

http://www.gpnet.it/rasa/beatpic.htm

 

someone has a suggestion?

thanks for the help,

cari saluti,

Rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: [nameless beatnicks] Re: Imploding Text ... something fun yet serious

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34294A0F.5F48@midusa.net>

References:

 

david,

 

call me wrong but i've a feel with the

missing beat, noname beats,

 

cari saluti,

rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Robert De Niro, the beat.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34294A0F.5F48@midusa.net>

References:

 

>From: neato@pipeline.com

>neato says:

>robert deniro- father of the actor robert deniro..he was a street poet and

>artist..his art is included in some of the poetry journals of the

>time...kerouac mentions him in one of his books

 

friends, i've the same interest in this subjest, it's possible to track robert deniro thru jack kerouac works? as his true name or pseudonym. anyone has notice of de niro's beat father?

cari saluti da rinaldo.

-*-

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Imploding Text ... something fun yet serious

Cc:

Bcc:

X-Attachments:

In-Reply-To: <342C3AA4.6C4A@midusa.net>

References: <970925222132_1324674530@emout20.mail.aol.com>

 

"Several times I went to San Fran with my gun and when a queer approached me in a bar john I took out the gun and said, 'Eh? Eh? What's that you say?' He bolted. I've never understood why I did that; I knew queers all over the country. It was just the loneliness of San Francisco and the fact that I had a gun. I had to show it to someone." ---Jack Kerouac, "On the Road".

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Whereabouts of Gregory Corso

Cc: interzona@tmn.it

Bcc: EASTWIND@EROLS.COM

X-Attachments:

In-Reply-To: <3401A258.222B@erols.com>

References: <Pine.A32.3.93.970823113406.40912B-100000@srv1.freenet.calgary.ab.ca>

 

At 10.18 25/08/97 -0500,  PATRICK <EASTWIND@EROLS.COM> wrote:

>Anyone know where Gregory Corso is living today?? Or any info on his

>current activity?

> 

>Thanking you now ...

> 

>Patrick

>eastwind@erols.com

> 

 

 

Patrick & beat friends,

 

an unknown friend emailed me today the following message stated that Gregory Corso was in Italy during june 1997.

 

cari saluti,

Rinaldo.

 

*-*-*-*-*-*- start of the addenda message *-*-*-*-*-*-*

>>Return-Path: <interzona@tmn.it>

>>From: interzona@tmn.it (Taro)

>>To: <rasa@gpnet.it>

>>Subject: Beat...

>>Date: Fri, 26 Sep 1997 22:58:11 +0200

>>X-MSMail-Priority: Normal

>> 

>>Beh...di Mestre allora?...e c'eri quella serata a Conegliano

>>(ehm...14 e 15 Giungo 1997)

>>con la Pivano e Gregory Corso?

>> 

>>Taro

>>interzona@tmn.it

*-*-*-*-*-*- end of the addenda message *-*-*-*-*-* To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (fwd) photo id

Cc: neato@pipeline.com

Bcc:

X-Attachments:

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References: <970925222132_1324674530@emout20.mail.aol.com>

 

Return-Path: <neato@pipeline.com>

Date: Fri, 26 Sep 1997 21:43:46 +0000

From: neato <neato@pipeline.com>

To: rasa@gpnet.it

Subject: photo id

X-URL: http://www.gpnet.it/rasa/beatspic.htm

 

neato says:

#2 is (l-r) burroughs, peter orlovsky, corso and ginsberg

 

#1 are probably some nameless beatnicks at washington square park..photo is probably by fred mcdarrah

 

cheers

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Bob Dylan, Standing In The Doorway.

Cc:

Bcc:

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Standing In The Doorway            by Bob Dylan

 

I'm a-walkin' through the summer nights The jukebox playing low

Yesterday everything was goin' too fast Today it's moving too slow

I got no place left to turn

I got nothing left to burn

 

Don't know if I saw you, If I would kiss you or kill you It probably wouldn't matter to you anyhow You left me standin' in the doorway cryin' I got nothing to go back to now

 

The light in this place is so bad

Makin' me sick in the head

All the laughter is just makin' me sad

The stars have turned cherry red

I'm strummin' on my gay guitar

Smokin' a cheap cigar

 

The ghost of our old love has not gone away Don't look [it] like it will any time soon You left me standin' in the doorway cryin' Under the midnight moon

 

Maybe they'll get me, and maybe they won't But not tonight and it won't be here

There are things I could say but I don't I know the mercy of God must be near

I've been ridin' the midnight train

Got ice water in my vein

 

I would be crazy if I took you back

It would go up against every rule

You left me standin' in the doorway cryin' Sufferin' like a fool

 

When the last rays of daylight go down

[Buddy?] you'll roam no more

I can hear the church bells ringin' in the yard I wonder who they're ringin' for?

I know I can't win

But my heart just won't give in

 

Last night I danced with a stranger

But she just reminded me you were the one You left me standin' in the doorway cryin' In the dark land of the sun

 

I'll eat when I'm hungry, drink when I'm dry And live my life on the square

And even if the flesh falls off of my face I know someone will be there to care

It always meaned so much

Even the softest touch

 

I see nothin' to be gained by any explanation There's no words that need to be said

You left me standin' in the doorway cryin' Blues wrapped around my head

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: STANDING ON THE HIGHWAY 1962( was Re: Bob Dylan, Standing In The Doorway)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3.0.32.19970927185641.006b3f5c@maila.wm.edu>

References:

 

            STANDING ON THE HIGHWAY    Words and Music by Bob Dylan

              

               Well, I'm standin' on the highway

               Tryin' to bum a ride, tryin' to bum a ride,

               Tryin' to bum a ride.

               Well, I'm standin' on the highway

               Tryin' to bum a ride, tryin' to bum a ride,

               Tryin' to bum a ride.

               Nobody seem to know me,

               Everybody pass me by.

 

               Well, I'm standin' on the highway

               Tryin' to hold up, tryin' to hold up,

               Tryin to hold up and be brave.

               Well, I'm standin' on the highway

               Tryin' to hold up, tryin to hold up and be brave.

               One roads goin' to the bright lights,

               The others goin' down to my grave.

 

               Well, I'm lookin' down at two card,

               They seem to be handmade.

               Well, I'm lookin' down at two card,

               They seem to be handmade.

               One looks like it's the ace of diamonds,

               The other looks like it is the ace of spades.

 

               Well, I'm standin' on the highway

               Watchin' my life roll by.

               Well, I'm standin' on the highway

               Watchin' my life roll by.

               Well, I'm standin' on the highway

               Tryin' to bum a ride.

 

               Well, I'm standin' on the highway

               Wonderin' where everybody went,

                   wonderin' where everybody went,

               Wonderin' where everybody went.

               Well, I'm standin' on the highway

               Wonderin' where everybody went,

                   wonderin' where everybody went,

               Wonderin' where everybody went.

               Please mister, pick me up,

               I swear I ain't gonna kill nobody's kids.

 

               I wonder if my good gal,

               I wonder if she knows I'm here,

               Nobody else seems to know I'm here.

               I wonder if my good gal,

               I wonder if she knows I'm here,

               Nobody else seems to know I'm here.

               If she knows I'm here, Lawd,

               I wonder if she said a prayer.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Bob Dylan, Standing In The Doorway.

Cc:

Bcc:

X-Attachments:

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References:

 

At 18.56 27/09/97 -0400, Jonathan Pickle <jrpick@MAILA.WM.EDU> wrote:

>Great post Rinaldo.  what album is this from?

> 

>Jon

> 

>At 12:22 AM 9/28/97 +0200, you wrote:

>>Standing In The Doorway                 by Bob Dylan

 

Jon,

 

the album is:[23sep97]Time Out Of Mind

 

---

songs of yesterday Bologna concert at the Pope presence 27th sep 97 i saw the event televised:

 

   (start of the performance)

1)Knockin'at the haven's door, 2)Hard rain's gonna fall

 

   (hanshake with the Pope JPII)

 

3)Forever young

 

   (end of the performance)

---

 

saluti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: calandro

Cc:

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http://www.webcity.it/aldorock/index.html To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: If We Take by Charles Bukowski.

Cc:

Bcc:

X-Attachments:

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References:

 

--from the poem, " If We Take"     by Charles Bukowski

 

but they've left us a bit of music

and a spiked show in the corner,

a jigger of scotch, a blue necktie,

a small volume of poems by rimbuaud,

a horse running as if the devil

were twisting his tail

over bluegrass and screaming,

and then,

love again

like a streetcar turning the corner

on time,

the city waiting,

the wine and the flowers,

the water walking across the lake

and summer and winter

and summer and summer

and winter again

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Trying To Get To Heaven Re: Bob Dylan, Standing In The Doorway.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A41.3.96.970929111630.15268C-100000@lucia.u.arizona.edu>

References: <342D9652.6ADF@pacbell.net>

 

At 11.17 29/09/97 -0700, Jorgiana S Jake wrote:

>On Sat, 27 Sep 1997, James Stauffer wrote:

> 

>> Isn't Dylan opening for the Pope today.  Not certain I can get my head

>> around that concept.  Who would have thunk it, back in '63.

>> 

>> J. Stauffer

> 

> 

>The local paper had a GREAT shot of Dylan in a big white cowboy hat

>playing guitar and singing with Pope JP sitting in the background

>grinning beatifically!  Ironic.

> 

>Jorgiana>

> 

Hello amici beat,

 

Bob Dylan's great & his positive attitude wasn't submissive,

 

after two songs a hanshake with Pope and after a song to finish,

 

i dunno why u see grinning the Pope JPII, he's an OLD Man, also Bob IS an Old Man but both are FOREVER YOUNG.

 

---

 

Trying To Get To Heaven       by Bob Dylan (1997)

 

The air is getting hotter, there's a rumblin' in the skies I've been wading through the high muddy water With the heat risin' in my eyes

Every day your memory grows dimmer

It doesn't haunt me like it did before

I've been walking through the middle of nowhere Tryin' to get to heaven before they close the door

 

When I was in Missouri they would not let me be I had to leave there in a hurry

I only saw what they let me see

You broke a heart that loved you

Now you can seal up the book and not write anymore I've been walkin' that lonesome valley

Tryin' to get to heaven before they close the door

 

People on the platforms, waitin' for the trains I can hear their hearts a-beatin'

Like pendulums swinging on their chains When you think that you lost everything You find out you can always lose a little more I'm just goin' down the road feeling bad Tryin' to get to heaven before they close the door

 

I'm goin' down the river, down to New Orleans They tell me everything is gonna be all right But I don't know what all right even means I was ridin' in a buggy with Miss Mary Jane Miss Mary Jane got a house in Baltimore I've been all around the world, boys

And I'm tryin' to get to heaven before they close the door

 

Gonna sleep down in the parlor and relive my dreams I close my eyes and I wonder

If everything is as hollow as it seems

Some trains don't pull no gamblers

No midnight ramblers, like they did before I've been to sugar town, I shook the sugar down Now I'm tryin' to get to heaven before they close the door

 

---

 

Cari saluti per tutti da

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Alienist. Re: Beat List

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997092912293733@CUNYVM.CUNY.EDU>

References: <Message of Mon, 29 Sep 1997 09:20:37 -0500 from               <jymmoon@EXECPC.COM>

 

At 12.26 29/09/97 EDT, Bill Gargan <WXGBC@CUNYVM.BITNET> wrote:

>Now you can be a Beat through heredity?   I have my doubts that "Beatness" is i

>n the genes or the jeans (levi or otherwise).  Caleb Carr can't be considered a

> Beat, under any circumstances, in my opinion.  I'm sure he doesn't consider hi

>mself a beat -- far from it.

> 

> 

hello friends,

i'm reading _The Alienist_ written by Caleb Carr.

the book is wonderfull engaging!

saluti,

rinaldo * not a competent beat *

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Sun Wields Mercy: Bukowski a poet.

Cc: mmichael@ix.netcom.com

Bcc: slc@acquiesce.org

X-Attachments:

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References: <342D9652.6ADF@pacbell.net>

 

"Sarah Christians" <slc@acquiesce.org> wrote:

 

"I don't know if it's my place to jump in here, since I'm not nearly as well versed in Burkowski as I am in Kerouac, but I think that we should leave it up to more history and literary criticism to decide whether or not Burkowski is/was Beat.  I mean, "Love is a Dog From Hell" just doesn't sound beat.  It's like, along with being Beat ("and down in the world") they considered themselves, 'beatific.'  Now, the root of all these words still goes back to 'beautiful' and Burkowski wasn't beautiful.  His words were harsh, albeit real and he didn't much romanticize what he saw.  When considering the poetry of Ginsberg, for example, or even of Neal Cassady, the words are harsh, but they are attempting to beautify what they see.  I do not propose that Burkowski had no vision, I just assert that his style is somewhat apart from what can be termed conventionally as 'Beat.'"

 

Sarah

==========================================================================

 

amici beat,

i think bukowsky has pity on the humain pain, the poet writes:

 

   ---

   has this happened before? is history

   a circle that chatches itaself by the tail,

   a dream, a nightmare,

   a general's dream, a president's dream,

   a dictator's dream...

   can't we awaken?

   or are the forces of life greater than we?

   can't we awaken? must we forever,

   dear friends, die in our sleep?

   ---

or

   ---

   I keep practicing death

   and as the worms writhe

   in agony of waiting

   I might as well have another

   drink, and I am thinking

   I am there:

   and I cross my legs

   in the patio of

   some Mexico City hotel

   in 1997

   ---

 

saluti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Kerouac und Heidegger.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.A41.3.96.970929111630.15268C-100000@lucia.u.arizona.edu>

References: <342D9652.6ADF@pacbell.net>

 

dear friends,

 

in his latest writing "after me the deluge" was 1969 (?) Jack Kerouac affirmed that Heidegger's thought is a gem.

 

"Why does exist the things instead of nothing?" and Jack

Keroauc

   thought about the existence an admiring look at

         Martin Heidegger.

 

   which God does the atheist beg?

 

   God names are always hopeless

 

   what's the matter?

 

   a stork!   a stork!

 

   a knot of people

   nose around     the sky!

 

   a stork flew in the autumn sky

 

---

Rinaldo.

1th oct 97

 

   To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Campo Ai Frari, Venezia.

Cc:

Bcc:

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   GOD BLESS

   THE CHEER

   FUL GIVER

   I HAVE NO

   OTHER INC

   OME I WIS

   H YOU GOO

   D LUCK TH

   ANK YOU

 

   I need money

   to be

   an artist

 

   (not

         in

              conjunction

                   with

                   la biennale arte)

 

   thursday morning fog

              the fox

                   knows many things

   she (the fox) told

 

         WATER FOR DOGS!

 

   i

         PHONED HIM

         last night

 

   but he (the dog) was

         DRUNK

   CLUMSY     DOG!

 

   i need money

         i need money

   to be but he was drunk.

 

 

---

Rinaldo

2th oct 97

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the early Bukowski.

Cc: morpheous@boone.net

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Return-Path: <morpheous@boone.net>

From: "Matthew Murray" <morpheous@boone.net> To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: the early Bukowski.

Date: Thu, 2 Oct 1997 22:39:53 -0400

 

Matthew Murray writes:

The word "beat" as coined by Jack can be looked at not so much as a time or situation dependent literary genre, but an artistic and spiritual attitude.

"Beat" aka cashed, worn out, tired, not so much the hipster thing.  If Charles Bukowski was not "beat" then I don't know who is, but Bukowski himself sneered at being classified with those folks.  He was indifferent when he met Bill Burroughs, and always sighed when young hipsters would tell him how much they dug his "shit,man" within the context of beat authoring.

The bottom line is that these folks were both damn good writers and they both strained the hell out of their livers.

 

-*-To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Friendly Advice to a Lot of Young Men (Re: bukowski as beat)

Cc:

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Friendly Advice to a Lot of Young Men    by Charles Bukowski

 

Go to Tibet.

Ride a camel.

Read the bible.

Dye your shoes blue.

Grow a beard.

Circle the world in paper canoe.

Subscribe to The Saturday Evening Post.

Chew on the left side of your mouth only.

Marry a woman with one leg and shave with a

   straight razor.

And carve your name in her arm.

 

Brush your teeth with gasoline.

Sleep all day and climb trees at night.

Be a monk and drink buckshot and beer.

Hold your head under water and play violin.

Do a belly dance before pink candles.

Kill your dog.

Run for Mayor.

Live in a barrel.

Break your head with a hatchet.

Plant tulips in the rain.

 

but don't write poetry. 

 

---written by henry charles bukowski---

 

not God but for sure a poetry angel---if he told to us ---i'm not a beat---or i'm not a poet---i'm Hunger--- like Knut Hamsun---saluti a tutti da rinaldo---

 

 

At 10.12 03/10/97 EDT,  Bob Lewis <kokupokit@JUNO.COM> wrote:

>ahhh, the old question of is bukowski beat.

>here's my humble opinion.

> 

>i think writers can have many "beat" characteristics. i bet if we put all

>275 heads together on this list, we can name at least 25 writers who fit

>the description of "beat".

[snippin' for brevity]

>bob

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Davide's Bar.

Cc:

Bcc:

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   RORSCHA

   CH BLOT

   S

  

   a paint

   ing a w

   all a s

   hip by

   the rai

   lroad a

   n ice-c

   ream a

   young m

   other g

   reen ve

   netian

   hills g

   reen so

   nice

 

   SUNDAY

   OCTOBER

   1997 ru

   sty tra

   ck by t

   he rail

   road st

   ation t

   he cart

   on wing

   s on a

   table a

   t david

   e's bar

 

AND THE SILENCE RETURNS.

 

 

---

rinaldo

6th oct 97To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Kinsey and the beats in 1945.

Cc:

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"All kinds of evil plans are hatched in Ritzy's Bar - you can sense it in the air - and all kinds of mad sexual routines are initiated to go with them. The safecracker proposes not only a certain loft on the 14th Street to the hoodlum, but that they sleep together. Kinsey spent a lot of time in Ritzy's Bar, intervieweing some of the boys; I was there the night his assistant came, in 1945. Hassel and Carlo were interviewed."---Jack Kerouac "On the Road" p.2,5.

 

friends, it seems that Allen Ginsberg and Herbert Huncke were interviewed by a Kinsey assistant, there is a notice in the Kinsey's report about such famous interviewed?

thanks a lot,

rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beat Supernova update 6th oct 1997

Cc:

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At 13.21 07/10/97 GMT, ipl1@columbia.edu wrote:

>You have Joyce Johnson listed as JK's wife.  She was never his wife.

>She was his girlfriend during 1957/58.

> 

> 

>On 6 Oct 1997 08:19:58 GMT, you wrote:

> 

>>******** Beat Supernova update 6th oct 1997 ********

>>****************************************************

>>==Joyce Johnson [wife to JK]

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: re: Caleb Carr

Cc:

Bcc: vic.begrand@SK.SYMPATICO.CA

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>From:         Adrien Begrand <vic.begrand@SK.SYMPATICO.CA>

>Subject:      Caleb Carr

>To:           BEAT-L@CUNYVM.CUNY.EDU

> 

>For anyone interested, there's an interesting interview with Caleb Carr

>at the Salon website. Here's where to go:

>http://www.salonmagazine.com/books/int/

> 

>Adrien

> 

thanks adrien,

just ended to read _The Alienist_ by Caleb Carr, and the book is fine well written. i was surprised 'cuz of Caleb Carr don't referred to his beat father Lucien Carr in the thanks, then i visit the web site (u mentioned) and it's very instructive.

The italian translation of _The Alienist_ (L'Alienista,1995) has on the cover an evocative

photo by Alfred Stieglitz, titled "The Street", from the Stieglitz's book titled Camera Work (july 1903), great!, ciao da rinaldo.

 

from the above mentioned web site :

"Carr's father, Lucien Carr, was a seminal figure in the early years of the Beats. While he wasn't a writer himself, he introduced Jack Kerouac, Allen Ginsberg and William S. Burroughs to each other, and he remained friends with all three until their deaths. Lucien Carr was a kind of dark star in the Beat firmament. In 1944, he murdered a man named David Kammerer, who was so infatuated with Carr that he followed him to New York from their hometown of St. Louis. The details of that night are unclear (Kammerer may have tried to kiss Carr). But Carr later rolled the dead man into the Hudson River and, with Kerouac's help, hid the man's eyeglasses and the murder weapon. Kerouac was imprisoned for several days as an accomplice; Carr was out after two years, having convinced the court that he was fighting off an unwanted homosexual advance." -*-

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: "The Long Beach Freeway"

Cc:

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   The Long Beach Freeway          by Gerald Locklin

   (after MacLeish)

 

   And here upon this brazen hill

   this hill above the aimless lights

   I watch the always going home

   the going west into the night

 

   the going towards two-bedroom flats

   the going toward the blinding creen

   the alcohol the marriage debts

   the insane hours in between

 

   the painful clock the cereal

   the always sweating late to work

   the water cooler pressured meal

   the longing for the lonely dark

 

   the lonely driving through the hills

   the rock and roll the news the sports

   the somnolence of lower speeds

   the solitary cigarettes

 

   and here upon a brazen hill

   narcotic with the speed of light

   I watch the always going home

   the going west into the night

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: u2haikuEEE-E! THERE IS A MOUSE IN THE KITCHEN!!

Cc:

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   1th

   lift the

   ring to

   can edge

 

   2th

   pull UP

   ring

 

   IT WAS

   GREAT,

   PERFEC

   T MISS

   ION AC

   COMPLI

   SHED.

   GREAT.

   PERF

 

 

-

rinaldo

9 oct 97To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Leonard Cohen (Re: Gary Snyder Reading)

Cc:

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James Stauffer says:

>I just returned from hearing Snyder read extensively from "Mountains and

>Rivers" at Stanford.  GS was in great form as a reader, a tribute to the

>age fighting effects of Buddhist mediation and/or damn good genes.

> 

>The Humanities Center at Stanford is doing a year long focus on MRWE

>from a number of perspectives.  Interested scholars might check out

>their web site http://shc.stanford.edu.

> 

>J. Stauffer

> 

amici,

i've read an article concerned Leonard Cohen (now zen monk Leonard C.) living in the Rinzai Zen Buddhism Center at Mt. Baldy L.A., it's the same place attended by gary snyder?

a week ago i noted a book written about an interviewed Gary Snyder, the book is translated in italian by a the "Abele Circle" a catholic group devoted to pacifism, sorry i cant' afford to get thecheapbook'cuz damnmoney!i have n't--cari saluti a tutti da rinaldo.

 

   LITTLE WING by Neal Young

  

   All her friends call her Litlle Wing

   But the flies rings around them all

   She comes to town when the children sing

   And leaves them feathers if they fall.

   She leaves her feathers if they fall.

 

   Little Wing, don't fly away

   When the summer turns to fall

   Don't you know some people say

   The winter is the best time of them all

   Winter is the best of all.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Bentz, Dylan, Pound and an ancient bookstore in Venice.

Cc:

Bcc:

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amici,

 

ezra pound told us that the centre of the universe is a point at Venice where Rio San Trovaso meets the Canale della Giudecca. by this place there's a "squero", a wooden building where an artisan constructs the gondolas.

i passing a lot of time near this Rio and near the squero there's a mooring stake & during the 70's until early '80s attached at the stake was a Popeye puppet, pretty big & evident. always amazed, i think ezra pound had a smile seeing this irreverent venetian...

 

however the center of the universe doesn't clash the centre of venice. this centre was discovered by a bookseller in his own shop, the center of venice was marked by an ancient column and it's between the Rialto Bridge & S. Marco Square. the bookseller hid the column 'cuz annoyed by tourists, now a friend of mine told me that the young son of the bookseller has removed the voile. the bookstore is the anciest bookstore in venice and named "Tarantola" at Campo S. Luca...

 

buona domenica e cari saluti a tutti,

rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: We Would Be Two Men.

Cc:

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We Would Be Two Men by John Wieners

 

Lost in his arms for two days,

I find my secret passions rewarded;

melting, blended as before

receiving kisses as from a King of the Black Sea, no-one able to compete with his necessity.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: I WALK UNDER THE DISTANT STARS by John Wieners

Cc:

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   I WALK UNDER THE DISTANT STARS by John Wieners

  

    I walk under the distant stars

     as I did when a child with my brother; as I did

     with Wallace on Grant Street in those long, cool

     San Francisco nights, that seemed

              to have no edges --

                only avenues

         of columns and evergreens,

            without walls.

 

   I look up and see the spaces

              between stars

         and think of the mists and miles across them,

         what we would traverse to be together:

 

              It brings me back to Churchill Street

              coming home from the store

              eyes up at the dense clusters

              that sputter in the night,

 

   And I think again of the question that dwells

              in our minds about the plan

   behind man, his place in the universe and the

              universe, its place in man.

 

   And I am left as at eight yrs. old

   with the wonder of what makes it all,

         the infinity between each light

         and the eternity of one.

   And I am dumb with the question.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the Ego Re: The I in Howl (was [Fwd: Rejected posting to

Cc:

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At 00.12 12/10/97 -0400, Arthur Nusbaum <SSASN@AOL.COM> wrote:

>Diane & David:

> 

>It's interesting to note that 3 of the most important works in the Beat canon

>begin with "I":

> 

>"I saw the best minds of my generation...."

>-Allen Ginsberg, HOWL

> 

>"I first met Dean...."

>-Jack Kerouac, ON THE ROAD

> 

>"I can feel the heat closing in...."

>-William S. Burroughs, NAKED LUNCH

> 

>Your discussions of "I" could apply to all 3 works and writers.  WSB's "the

>IS of identity" passage in AH POOK IS HERE also comes to mind.

> 

>Furtive Regards,

> 

>Arthur

> 

amici beat,

 

may i add an "I" quote by William Carlos Williams the "patron saint" of the beat?

 

at the beginning of "THE GREAT AMERICAN NOVEL" William Carlos Williams writes:

 

"             I.

            THE FOG.

If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning.

"

 

saluti e felice settimana a tutti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Roy Lichtenstein

Cc:

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http://www.repubblica.it/cultura_scienze/licht/comm/comm.htmlTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Patti Smith (Peace and Noise)

Cc:

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http://www.repubblica.it/musica/patty/patty/patty.html To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The "I"'s have it

Cc:

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At 09.33 12/10/97 -0700, James Stauffer <stauffer@PACBELL.NET> wrote:

>God I wish I had a good anthology handy.

> 

>Great "I" lines keep springing to mind.

> 

>"Arms and the Man I Sing"-- I guess it could be "I sing arms and the

>Man"--don't remember the Latin --Virgil, The Aenid

> 

>"I think that I shall never see

>A poem lovely as a tree " . . .

> 

>Got to be beat, those two I guess, following our current paridigm

> 

>JS

> 

 

---

   Vergilii Aenis

 

         I

 

   Arma virum que cano, Troiae qui primus ab oris

   Italiam fato profugus Lavinaque venit

   litora, multum ille et terris iactatus et alto

   vi superum, saevae memore Iunonis ob iram, 5    multa quoque et bello passus, dum conderet urbem

   inferretque deos lation; genus unde Latinum

   Albanique patres atque altae moenia Romae.

...

---

 

Federica "Kikka" Ferrieri says:

   In english the personal pronoun is generally expressed.

   In italian there's non  need. Infact you can understand

   the person from the verb and in greek or latin is the

   same thing. Probably the english translation of Aenid by

   Virgilio sounds like that "I say the weapons and the man..."

   because you are not allowed to omitt it. But us a matter

   of fact in latin it is not in such an emphatic position.

   If it was it would be "Ego arma virumque cano.." ---

dear friends,

i hope the above mentioned Kikka's thought regard Aenid can help, saluti a tutti da rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beata solitudo (Abiquiu, New Mexico)

Cc:

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http://www.christdesert.org/pax.html

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: poem by Maggie Helwig

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The City on Wednesday         by Maggie Helwig

 

 

The street at six in the morning

moves in the darkness as knowledge moves in our bodies, blind the hum and transit through passages of night.

We could not be more alone.

Each of us, dark travellers, me who sits on the bed at the window in a cold dawn, watching.

 

The lines of the city extend like bones through space, not asking for directions, burned by the wind.

But in this cold blue moment I am

not so afraid as I might have been

 

alone, now, here.

 

Things fall from us, I mean

when our hands are empty, when our eyes are sore and our hearts imperfect;

until we are wrapped in the comfort of morning soft children cuddled in the blankets of light and sleep.

In the morning, grapes in my cupped hand, green, pale with water and sugar and faith.

The sun floods Walworth Road. The city on Wednesday abandons itself to trust, to the constant hope of bright-coloured paper, wool and cotton, complexity.

The gifts of the spirit that fall down around us like tiny wheels and tops and flags, red plastic kites and the smoke that drifts upwards from the cardboard burning

 

in the yard next door,

our journeys to the banks of the river.

 

 

At noon I pause, in the sun, at a point in the air and my body aspires upwards. There is

no other way through the city.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the Poetry of John Wieners

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To Celebrate this Broken Man: the Poetry of John Wieners

 

for John Robinson

 

Jeremy Reed

 

 

Lyric poetry demands a total commitment, an inseparable pact between the poet's life and art, and John Wieners has in every way fulfilled this redoubtable union. Poets in the 20th century have largely been in retreat from their calling, and have attempted to reconcile their art with avocational careers, and in the process have contributed to the social unacceptance that goes with being a poet.

John Wieners steps out of a doorway. He's a legend to the few who celebrate his elegiac lyricism, and his consummately attuned ear. It's stopped raining, but the street shines like the points in a blue diamond. He's in love with glamour and torchsingers. He would like to be a beautiful woman. It's an obsession. In his loneliness, a mood that permeates all of his poetry, he is thinking of Lana Turner, Rita Hayworth, Billie Holiday, Barbara Stanwyck, Dorothy Lamour or Hedy Lamarr. He has assimilated and personalised theatrically camp gestures, but his rich inner world of ambidextrous personae is not easily translated into money. Again and again his poetry turns on the question of how to live from lyric, and how to resolve the dichotomy between the magic invested in the name of being a poet and the demythicized role as it is translated into reality.

 

Poverty has nearly ripped my life off,

kept me on the streets and in boarding houses, drove me into asylums and maddened drug-addiction tenements, where I lost my mother and father.

('New Beaches')

 

Wieners combines the poet and sexual outlaw in one person, and his angular lyricism, at times savagely polemical and at times gracefully poignant, owes as much to the 17th century songwriters as it does to Black Mountain poetics and the Beat Generation. Rhetoric and vernacular come together in his work, and his language takes a shine from symbolist metaphor as well as tarnish from dust kicked up off the street. Wieners is arguably the most subjective poet of his generation, he personalises lyric in a way that sets him apart from the transpersonal ethos explored by Olson, Creeley and Dorn. And it's the woman who suffers in his work, the wounded and devastated anima in his psyche which has him again and again consign his emotions to the self-evaluative poetic arena. It's the dramatization of suffering that gives his poetry the gestures of a torch singer.

 

Your wife's necklace's around my neck

and even though I do shave I pretend

I'm a woman for you

you make love to me like a man.

('To H.')

 

Wieners, finding himself in the passive role in his sexual relations, invariably interprets pain accordingly. His poetry is about maintaining a wounded dignity in the face of societal humiliation, and in spite of drug habits, breakdowns, and periods of itinerant vagrancy. He is the most explicit of gay poets, and it's much to his credit that he has pursued a policy of sexual honesty right from the outset of his career. There are no duplicities, equivocations or simulations in his sexual psychology. His honesty is often unsparing on personal and ideological planes:

 

I suppose that's how I was born,

Come on and go down on me,

because I live in misery

far away from the sea.

('Jimmy')

 

Where do we find him? He moves through the late afternoon crowds, his eyes making a stab at a jeweller's window, and staying there for a long time, or he will enter stores and learn from the colours of the couture fashions, and imagine himself a diva leaving with a sequinned gown and a variety of make-up. No-one before has made a poetry out of his subject material, and his exploration of obsessive fetishes cultivated by a traumatised anima has shifted the parameters of what is thought to be acceptable subject matter for poetry. Wieners is essentially an American phenomenon in that British poetry continually narrows its focus, and would fail to integrate his work into its largely commonplace organism. Despite the appearance of a Selected Poems from Jonathan Cape in 1972, and an earlier book Nerves from Cape Goliard in 1970, Wieners remains arcane knowledge in this country, given only to the enthusiasm of a cult who cherish and keep his work alive through underground sources.

John Wieners living in poverty at Joy Street, Boston, seven orange roses beside him in a glass, a long scarf draped from his shoulders. He has an identity, the panache of the poet transcending ruin to live in the light of his commitment. Wieners has never sold himself short, he has honoured his calling by dishonouring its alternatives, conformism and unemployment. His eye works to find the aesthetically redemptive particular:

 

Bulgarian lilies, trans

sylvanian tulips on a

rose quartz stair-case bend

beneath sunrise. Hun-

garian roses twisted to shape

('White Rum and Limes')

 

Wieners follows in the tradition of le poète maudit, the one who is a danger to society by reason of uncompromising vision. The one who goes all the way and cares nothing for himself in the process, like Lautréamont, Rimbaud, and Hart Crane. Wieners' work is about the retrieval of truth from the ideological complex of lies, and it's about maintaining a state of creative innocence in a world of experiential corruption. The internalized process of poetics creates purity when the energies are rightly directed. Wieners has remained pure in his situation to his gift, and is that even if he is blowing a guy in a parking lot or measuring a hit of morphine. The poète maudit is the alchemist, he who transmutes all experience into recognizable gold, by which I mean lyric. And the poem is in itself the reward for a life of solitary exclusion, punctuated by the fanatical enthusiasm of the few who align with the work:

 

half-a-decade of rest, the skin on my legs has changed it holds together

now as a rich person by itself, I have vowed I shall never be again and know

I shall never be lonely again, because of the love that dwells within poetry's mouth

('New Beaches')

 

It takes an irrefutable courage to compound lines like these, and it's given to few to write them. Wieners is in his heightened moments, when lyric is aspiring to a vertical axis, visionary. Something in the line dazzles, and his native Beacon Hill is aureoled by his inimitably cadenced poetic speech. And even if he is lonely, and in love with married men, a Billie Holiday song accompanying his late-afternoon reverie, then his gift has been to dis-alienate those who are similarly ostracised and alone. Wieners has given an accessible poetry to gay culture, junkies, transvestites, transsexuals, and not least the lonely. And he has restored dignity to the role of being a poet.

Wieners has made poetry out of want. Denied the life of material opulence and romantic love to which his aesthetic sensibility reaches, he has imagined their existence within his work. Like Jean Genet, who transformed his prison cell into any number of palatial rooms, and transmogrified his solitary sexual state into imagined orgiastic excesses, so Wieners writes to situate himself in a world vitalized to his needs:

 

Lost in his arms for two days,

I find my secret passions rewarded;

melting, blended as before

receiving kisses as from a King of the Black Sea, no-one able to compete with his necessity.

('We Would Be Two Men')

 

Since Behind the State Capitol, published in 1975, Wieners has largely fallen silent in terms of published work. His state of ravaged psychophysical dissolution has needed time in which to repair, and so the legend surrounding his name deepens. In the Sixties and Seventies he was eminently prolific, his tormented lyrics subscribing to form and rhyme when the latter were considered as impositional phenomena belonging to a dead poetry. His method of writing constellated precision at a time when form was in débâcle.

Of his long silence Wieners has said: 'I am living out the logical conclusion of my books.' Inside this broken man you will find Ava Gardner, he refers to her as 'the Master', and any number of the glam icons with whom he identifies. They are his inner reality. Take a walk across the park with John Wieners, and he is dejectedly withdrawn into his own inner pantheon of the stars. His clothes affect the little touches of style which so individualize his work. He's headed towards a gay bar. An autumn leaf falls in his hair.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Van Morrison.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3437C1E6.779@midusa.net>

References: <UPMAIL14.199710041756340098@classic.msn.com>            <3437BCBA.55F3@midusa.net> <3437BDBB.7934@midusa.net>

 

Alan Watts Blues         by Van Morrison

 

Well I'm taking some time with my quiet friend Well I'm takin' some time on my own.

Well I'm makin' some plans for my getaway There'll be blue skies shining up above When I'm cloud hidden

Cloud hidden

Whereabouts unknown

 

Well I've got to get out of the rat-race now I'm tired of the ways of mice and men

And the empires all turning into rust again.

Out of everything nothing remains the same That's why I'm cloud hidden

Cloud hidden

Whereabouts unknown

 

Bridge

Sittin' up on the mountain-top in my solitude Where the morning fog comes rollin' in

Just might do me some good.

 

Well I'm waiting in the clearing with my motor on Well it's time to get back to the town again Where the air is sweet and fresh in the countryside Well it won't be long before I get back here again.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Like Old Days in the Park--Is It Real or is it Retro?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3441B9BB.45ED@sunflower.com>

References: <34419FC2.3D43@pacbell.net> <3441AB90.49A5@midusa.net>            <3441B2BC.45A0@pacbell.net> <3441B16E.2C87@midusa.net>

 

At 01.03 13/10/97 -0500, Patricia Elliott wrote:

>shooting with the men 1985

>  by patricia elliott

> 

>The tall thin man

>leaps to a crouch

>opening fire on his own heart.

> 

>i watched morgan stand stiff, posed,

>ignoring me, for who was she

>but some ol sow eyed gal.

>I am the ghost, the one that suvived.

> 

>trying to smell the hidden secrets

>in the face of the horrid honest man.

>ted was green with fear

> if this was a writer,

> 

>the tall slim eye once again

>baring the tattered muscle,

>He led me once and then again up to the gun.

>Both of us getting past past.

>I shot fast,

>He took my hand ,

>he sang,

>he wept and gave me tears.

> 

>we walked home through the dark.

> 

> 

the patricia's poem remind me

a Jack Kerouac televised in 1969,

during his italian tour to celebrate the 500th series of novels of La Medusa with the book "Big Sur" (translated in italian), the trip was bad and Jack Kerouac wished "tell me off" and at the end "of course not, but why don't you shoot me?"

 

saluti a tutti,

rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Standing Stone a Symphony by Paul McCartney.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3441B9BB.45ED@sunflower.com>

References: <34419FC2.3D43@pacbell.net> <3441AB90.49A5@midusa.net>            <3441B2BC.45A0@pacbell.net> <3441B16E.2C87@midusa.net>

 

The cover(photo by Linda McCartney) of the disk (and the cover of the program) offers an image of a gigantic monolith = standing stone. Paul McCartney says that Allen Ginsberg liked the title.

 

saluti da

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: What is the sound of one hand clapping? (fwd) SUN RA

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3441B9BB.45ED@sunflower.com>

References: <34419FC2.3D43@pacbell.net> <3441AB90.49A5@midusa.net>            <3441B2BC.45A0@pacbell.net> <3441B16E.2C87@midusa.net>

 

>Date: Fri, 17 Oct 1997 12:00:01 -0800

>From: bofus? <bofus@mindspring.com>

>Subject: Re: SUN RA

> 

>Jeff Johnson <johnson3@eau.net> wrote:

>>

>> here is a conversation with the late Sun Ra that James Jackson who played

>> oboe, bassoon and a whole bunch of other shit told me about:

>>

>> James Jackson:  I got something you can't possibly figure out.  An

>> immeasurable equation.  Folks been tryin to put an answer to this for years.

>>

>> Sun Ra:  Oh yeah, Jacks?

>>

>> James Jackson:  What is the sound of one hand clapping?

>>

>> Sun Ra:   The wind.

> 

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: una poesia scritta in italiano da Lawrence Ferlinghetti.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3441B9BB.45ED@sunflower.com>

References: <34419FC2.3D43@pacbell.net> <3441AB90.49A5@midusa.net>            <3441B2BC.45A0@pacbell.net> <3441B16E.2C87@midusa.net>

 

         Alla maniera di Cecco Angiolieri

 

   S'i' fosse foco, non fumerei

   S'i' fosse vento, suonerei soltanto i flauti lirici

   S'i' fosse acqua, non berrei altro che vino

   S'i' fosse dio, mi farei una Dea

   S'i' fosse Papa, mi farei mamma mia

   S'i' fosse mamma, darei natali a molte vergini

   S'i' fosse imperatore, sa' che farei?

   Ucciderei tutti gl'imperatori.

 

   S'i' fosse morte, ritornerei all'utero per ricominciare

   S'i' fosse cieco, troverei un cane

   S'i' fosse un cane, troverei un cieco

   Che vuole fare molte passeggiate ai bordelli.

 

---

written in italian by Lawrence Ferlinghetti ---

 

cari saluti e buon sabato a tutti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: archive

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997101517244596@CUNYVM.CUNY.EDU>

References:

 

At 17.20 15/10/97 EDT,  Bill Gargan <WXGBC@CUNYVM.BITNET> wrote:

>The disk that holds the archive for Beat-l is full.   As a result, Fred

>Bogin and I will have to do something to free disk space.  Our plan is

>to download all 1995 files and to erase them from the online archive.  I

>will work on editing the downloaded files and restore those threads that

>I think have archival importance at a later date.  If anyone has any

>interest in keeping all postings to Beat-l for whatever mad reason, now

>would be a good time download those files to your hard drive.

> 

> 

Bill, please dont'make that Fahrenheit-like project to erase the beat-L files 1995 or anything other, i've noticed that the entire beat-L archive is 27,000,000bytes=27 megaByte, if i'm wrong please have me a touch, i dunno 'cuz of 27 Mega are too much a lot of disk space on the hard-disk. Please, please, don't...

yr Rinaldo... a merchant of venice...

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: IL GRANDE MAESTRO.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3446C53D.31E0@sunflower.com>

References:

 

         IL GRANDE MAESTRO          by Giancarlo Tenenti

 

         Il grande maestro

         mi ha raccontato

         il grande maestro

         mi ha insegnato

 

         all'improvviso

         il grande maestro

         e' morto

 

 

---

Giancarlo Tenenti, venetian poet & painter,

 

poesia stampata nel dicembre 1988

isola di San Lazzaro

a Venezia, tipografia Armena

---

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The Kerouac Quarterly sample copies available

Cc:

Bcc:

X-Attachments:

In-Reply-To: <1.5.4.32.19971020015245.00696914@pop.pipeline.com>

References:

 

At 21.52 19/10/97 -0400,

"Paul A. Maher Jr." <mapaul@PIPELINE.COM>wrote:

>At 08:07 PM 10/19/97 -0500, you wrote:

>>> >I have a number of the Vol. I, No. 2 which I will make available for sample

>>> >copies (to my detractors and all).

>> 

>>please send me a sample copy,

>>                a detractor

>>                patricia

>>903 sunset dr.

>>lawrence, ks 66044

>> 

>My pleasure, hope you enjoy it and impart from it some of my good

>intentions. thanks, Paul...

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

> 

me too, it's possible also to send one copy to me? thanks

 

   Rinaldo Rasa

   via Morlaiter 2

   30173 Venezia-Mestre

   ITALY

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (fwd) a link to Beatnik

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997102019511559@CUNYVM.CUNY.EDU>

References: <Message of Mon, 20 Oct 1997 16:09:09 PDT from               <mrsparty@HOTMAIL.COM>

 

Dick Willis <dick.willis@sbln.org.uk> writ

>If you are interested in adding sound, have a look at

> 

>www.headspace.com

> 

>and click on the link to "Beatnik"

> 

>Dick

>______________________________________________________

>Dick Willis             South Bristol Learning Network

 

un saludo a todos !animo!,

rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: people of autumn (apocalypsis)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997102019511559@CUNYVM.CUNY.EDU>

References: <Message of Mon, 20 Oct 1997 16:09:09 PDT from               <mrsparty@HOTMAIL.COM>

 

              beatus, qui legit,

         bill works well

              et audit verba prophetie huius:

         but the ''word'' owner perhaps disturbs

              et servat ea,

         the legend of duluoz

              in ea scripta sunt:

         compilation copyright (c)

         the estate of stella kerouac, john sampas,

         literary representative; and jan kerouac 1995

              tempus enim prope est.

         peo

         ple

         of

         aut

         umn  Apocalypsis     best before the date

         indicated on the can end   DIDN'T

         YOU EVER read THIS BEFORE?

                                   who

                                   do you

                                   take

                                   me for?

        

---

Rinaldo

23th oct 1097

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Peter Orlowsky grammar.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SUN.3.91-FP.971023105920.17556A-100000@cap1.capaccess.org>

References: <344F0F0E.111D@tezcat.com>

 

salve! amici beat,

in Peter Orlowsky poem there's a lot of grammar mistakes, if it's deliberate i think this way of poetry is fine, un abraco e obrigado,

rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: road&field+reality&cut-up=#?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199710232023.QAA18971@pike.sover.net>

References: <19971023181552.19705.qmail@hotmail.com>            <344F9A45.366@sunflower.com>

 

#1       messy clouds

              (silence)

                   a black cat

                              (silence)

                   meeoww meeeow

                         (silence)

                   a small farm

                         in the country

         (silence)

              (silence)

                   (silence)

              my heart

         (silence)

   (silence)

(silence)

   (silence)

         (silence)

                   (silence)

#2       messy clouds

                         (silence)

                              (silence)

                         (silence)

                   a small farm

                         in the country

         (silence)

              (silence)

                   (silence)

              my heart

         (silence)

   (silence)

(silence)

   (silence)

         (silence)

                   (silence)

   YEP!

         yep!

              YEP!

                   yep!

                         (silence)

              (silence)

         (silence)

(silence)

#3       messy clouds

                         (silence)

                              (silence)

                         (silence)

         (silence)

              (silence)

                   (silence)

              my heart

         (silence)

   (silence)

(silence)

   (silence)

         (silence)

                   (silence)

                         (silence)

              (silence)

         (silence)

(silence)

#4       messy clouds

                         (silence)

                              (silence)

                         (silence)

         (silence)

              (silence)

                   (silence)

         (silence)

   (silence)

(silence)

   (silence)

         (silence)

                   (silence)

                         (silence)

              (silence)

         (silence)

(silence)

#5                       (silence)

                              (silence)

                         (silence)

         (silence)

              (silence)

                   (silence)

         (silence)

   (silence)

(silence)

   (silence)

         (silence)

                   (silence)

                         (silence)

              (silence)

         (silence)

(silence)

 

 

---

Rinaldo

Autumn Lost in Venetian Lands

24th october 1997

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Farewell

Cc: Richard Wallner <rwallner@CAPACCESS.ORG>,Gerald Nicosia <gnicosia@EARTHLINK.NET>

Bcc:

X-Attachments:

In-Reply-To: <Pine.SUN.3.91-FP.971024105410.10655B-100000@cap1.capaccess.org>

References: <199710240113.VAA27171@pike.sover.net>

 

....farewell is a sad sad news, i hope nobody had forced to leave the beat-list, nor nobody can do thoughts vanishing in electronic empty world pushing the del button, maybe i've lost my head for ever, in the october wind....

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) Zappa says...

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Date: Fri, 24 Oct 1997 13:06:48 -0400 (EDT)

>From: YokoMofo@aol.com

>Subject: Zappa says...

> 

> 

>It would be easier to pay off our national debt than to neutralize the

>long range effects of our national stupidity.

> 

>Life is like high school with money.

> 

>It is always advisable to become a loser if you can't become a winner.

> 

>There will never be a nuclear war -- there's too much real estate

>involved.

> 

>Anything played wrong twice in a row is the beginning of an arrangement.

> 

>Seeing a psychotherapist is not a crazy idea -- it's just wanting a

>second opinion of one's life.

> 

>Thanks to our schools and political leaderhip, the US has an

>international reputation as the home of 250 million people dumb enough

>to buy The Wacky Wall Walker.

> 

>People who think of music videos as an art form are probably the same

>people who think Cabbage Patch Dolls are a revolutionary form of soft

>sculpture.

> 

>The only thing that seems to band all nations together is that their

>governments are universally bad.

> 

> 

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: in memory of Beat-L archive 95, blues of bob dylan and robert creeley

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.SUN.3.91-FP.971024105410.10655B-100000@cap1.capaccess.org>

References: <199710240113.VAA27171@pike.sover.net>

 

              all these people that you mentioned

              yes i know them they're quite lame

              i had to rearrange their faces

              and give them all another name

              right now i can't read too good

              don't send me no more letters no

              not unless you mail them from

              desolation row -- bob dylan

 

> GET BEAT-L LOG9505 BEAT-L

File "BEAT-L LOG9505" is not yet available.

> GET BEAT-L LOG9506 BEAT-L

File "BEAT-L LOG9506" is not yet available.

> GET BEAT-L LOG9509 BEAT-L

File "BEAT-L LOG9509" is not yet available.

> GET BEAT-L LOG9508 BEAT-L

File "BEAT-L LOG9508" is not yet available.

> GET BEAT-L LOG9510 BEAT-L

File "BEAT-L LOG9510" is not yet available.

> GET BEAT-L LOG9511 BEAT-L

File "BEAT-L LOG9511" is not yet available.

> GET BEAT-L LOG9512 BEAT-L

File "BEAT-L LOG9512" is not yet available.

 

              they are taking all my letters, and they

              put them into fire.

 

                         i see the flames, etc.

              but do not care, etc.

 

              they burn everything i have, or what little

              i have. i dont' care, etc.

                                         --robert creeley

 

i remain speechless --rinaldo rasa

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: una poesia scritta in italiano da Lawrence Ferlinghetti.

Cc:

Bcc: dcaridade@geocities.com

X-Attachments:

In-Reply-To: <199710201210.FAA22986@geocities.com>

References:

 

hola Daniel,

 

in his own book titled "These Are My Rivers" Lawrence Ferlighetti gave on respect to the italian poet Giuseppe Ungaretti (1888-1970) choosen as motto of the collected poemes written by LF during 1955-1981:

 

         Ho ripassato

         le epoche della mia vita

 

         Questi sono

         i miei fiumi

 

         [I have revisited

        the ages

         of my life

 

         These are

         my rivers...]

        

         GIUSEPPE UNGARETTI

 

the rivers are those in north-est Venetian Lands of Italy where during the WorldWarI the americans fighting to save italy, one of all Ernest Hemigway in his novel "across the river and into the trees" where the river is "fiume Tagliamento", today the river is still there such as at Hemingway time, there's the same green water, and the same trees by the river, i always think of EH when i cross the bridge...

 

Saludos a todos,

Rinaldo

----------------

At 12.31 20/10/97 +0100, daniel wrote:

>----------

>> From: Rinaldo Rasa <rinaldo@GPNET.IT>

>> To: BEAT-L@CUNYVM.CUNY.EDU

>Subject:una poesia scritta in italiano da Lawrence Ferlinghetti.

> 

>Ciao RINALDO,

> 

>I'm going to write in english 'cause my written italian is pretty bad,

> 

>well I'd like to know if there are more of Ferlinghetti's poetry written

>directly in italian? Could you post more? Is there a book?

> 

>thanks,

> 

>daniel caridade

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: John Lennon in the Porto Santo Stefano by Lawrence Ferlinghetti

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997102019511559@CUNYVM.CUNY.EDU>

References: <Message of Mon, 20 Oct 1997 16:09:09 PDT from               <mrsparty@HOTMAIL.COM>

 

   John Lennon in the Porto Santo Stefano by Lawrence Ferlinghetti

 

   A trattoria in the porto:

   an astonishingly beautiful couple enters

   in shorts

   He's got a fantastic torso

   long hair and a golden headband

   She's got long flaxen hair

   German hippies maybe

   Bourgeois back home

   Another couple saunters in and joins them

   Dark hair and jeans

   Comme ils sont beaux

   Not one of them is gay

   though he's the most beautiful

   He's got such a smile

   Some story he's telling

   What could it be

   Something about John Lennon

   lost in a mix of Tuscan and German

   Comme elle est belle

   with her empty eyes

   the Germans very spaced out

   the Italians very "with it"

   But none of them look very happy

   Perhaps it's just youth

   i am trying to think of a Lennon line

   to sum up the situation

   There isn't any

   He didn't live enough to give us

                         the mad eternal answer

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: in memory of Beat-L archive 95

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.LNX.3.95.971024232522.21843E-100000@devel.nacs.net>

References: <3.0.1.32.19971024224344.00778964@pop.gpnet.it>

 

At 23.27 24/10/97 -0400, Michael Stutz wrote:

>On Fri, 24 Oct 1997, Rinaldo Rasa wrote:

> 

>> > GET BEAT-L LOG9505 BEAT-L

>> File "BEAT-L LOG9505" is not yet available.

>> 

>> i remain speechless --rinaldo rasa

> 

>speak, i have a backup of all the files on cd-rom...

> 

Michael,

thanks to take care of Beat-L archive, i've checked the database retrieve command to obtain a backup of the 95archive and found that's gone for ever (but Bill has perhaps some planning to collecte the files off line), luckily some months ago hacking i've on my hard disk a copy of 95 archive, but i'm happy to hear that people has in mind to preserve the history of beat on the internet...

saluti a tutti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: oh rinaldo

Cc:

Bcc: country@sover.net, rasa@gpnet.it

X-Attachments:

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References: <34516EF1.715F@sunflower.com>

 

At 11.04 25/10/97 +0000, marie wrote:

>rinaldo:

>i have lost your address.

>i am inconsolable

>please send yr address to me

>country@sover.net

>i miss you,

>gentle friend.

>love

>marie

> 

> 

marie, sister, poetess,

 

   ...Ah we were

         blind animals back then

                         in those dumb days

              My dear Carmen'' -- Lawrence Ferlinghetti

 

un abbraccio,

 

on the internet:

rinaldo@gpnet.it

rasa@gpnet.it

 

on the earth:

Rinaldo Rasa

via Morlaiter 2

30173 Venezia-Mestre

ITALIA

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: side effects

Cc:

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References: <34516EF1.715F@sunflower.com>

 

   Gabriele D'Annunzio -    Enrico Caruso

 

   Jacques Prevert      -    Yves Montand

 

   William Burroughs          -    U2

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Emmet Grogan.

Cc:

Bcc:

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References: <34516EF1.715F@sunflower.com>

 

"E. Church" (brcs@U.WASHINGTON.EDU) says:

   Who is Mr. E. Grogan?  Grogan was one of the founders of the Diggers, a group that scrounged and provided food and services on the Lower East Side in the sixties to the influx of hippies and other kids who arrived in the city barefoot and entranced.  Abbie Hoffman was another.  These tireless fellows were hearty souls who busted their asses to keep the "counter culture" dreaming and eating; the folks behind the curtains.  Now, with tie-dye revisionism, with People Magazine's Jerry issue, with all the groovy graphics on MTV and the Net, it's a nice zen reality check to remember the sixties were not all peace love but contained some busted glass, bad dope, mean cops, and hungry runaways.

   Grogan wrote a bunch of this up in his bio, "Ringolevio," and Abbie wrote a bunch, too, like "Steal this Book" and many others.  A good dose of railroad medicine and Texas gin, and a little less Brady Bunch might help explain what really happened to the new generation.  Then again, re-inventing the wheel has it merits.

 

Estacado66@aol.com writes:

>Right-winged anarchism goes too far (IMHO) when it suggest the

> privatization of all (such as for instance, oxygen supply in an O'Neill

> cylinder), and left anarchism is wong when it contests the property of

> personal goods (for instance, Emmet Grogan, leader of the

> anarcho-socialists Diggers, telling Allen Ginsberg he was an ugly

> capitalist, only because he wanted to retire in a house with a garden!).

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: help: the lion for real

Cc:

Bcc:

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References:

 

friends,

by the Campo Santa Margherita, in a shop window Allen Ginsberg looks at me, i brought the lion for real, worth buying, in the tracks there's as a plus for the CD italian edition "the ballad of skeletons" and "amazing grace" but there's isn't the lirycs, help!, i appreciate if one can post it, un mucchio di grazie in anticipo da

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: L'America della Pivano si salva dal rogo.

Cc:

Bcc:

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References:

 

A big thanks to Luciano Benetton, a fellow villager of mine, both born in Ponzano Veneto (Treviso) in the land where the meadows became hills in the "campagna veneta". i'm proud that by synchronycity Benetton saves the books & articles written by Fernanda Pivano, she (as stated in the Arpaia's news) was planning to burn in a fire the archive 'cuz of the indifference of the italian public administration,

 

saluti a tutti da

Rinaldo.

 

 

-------------------------------------------------------------------

   "L'America della Pivano si salva dal rogo"

   article by Bruno Arpaia (c) "la Repubblica"

 

Per anni la scrittrice ha cercato di donare alle istituzioni la sua raccolta di volumi e di lettere degli artisti della beat generation. Ora Benetton aprira' un Fondo.

 

 

Milano, 28 ottobre 1997,

 

Cinquatamila volumi e una fittissima corrispondenza durata piu' di quarant'anni con Ernest Hemingway, Francis Scott Fitzgerald, Saul Bellow, Alice B. Toklas, Allen Ginsberg, Jack Kerouac, Gregory Corso, e poi con gli scrittori delle generazioni successive, come Raymond Craver o Jay McInerney. Il preziosissimo archivio e la biblioteca di Fernanda Pivano, "la donna che ha inventato l'America in Italia", rischiavano di finire al rogo. E invece, per fortuna, quei libri e quelle lettere, fondamentali per chiunque si interessi di letteratura americana contemporanea, sono scampati al falo'.

 

Merito di Luciano Benetton, che ha preso personalmente contatti con la scrittrice e le ha offerto alcuni locali in corso di Porta Vittoria a Milano, nei pressi della biblioteca Sormani. Grazie alla Fondazione Benetton, nascera' cosi' un "Fondo sudi e ricerche Fernanda Pivano", che ospitera' e cataloghera' anche novemila volumi di letteratura francese appartenuti a Riccardo, il padre della scrittrice, migliaia di documenti inediti, ritagli, giornali, collezioni di introvabili riviste underground, manoscritti e prime edizioni con dedica. Un vero tesoro per gli studiosi, anche se "Nanda" preferirebbe che i frequentatori del Fondo siano giovani e non quelli che lei, con un pizzico di cattiveria chiama "i professori". Ha perfino ironicamente chiesto, naturalmente senza ottenerlo, di vietare loro l'accesso, perche', dice, "i professori mi hanno fatto la guerra per tutta la vita e non mi va che adesso approfittino del materiale che ho impiegato anni a raccogliere".

 

La Pivano aveva preso la decisione del "rogo" nel 1990, dopo anni passati a insistere con le amministrazioni comunali di Roma e Milano per trovare un rifugio alle sue carte. Ormai, nella casa di via Senato, tra scatoloni e pile di libri, a stento si riusciva a camminare.

Ma quei contatti erano stati vani: intralci e ottusita' burocratiche impedirono di accettare la donazione. "Mi hanno presa in giro per tre anni", dice la Pivano, "per poi rifiutare senza una spiegazione".

 

Alla fine, non le era restata altra scelta:"Alla mia morte, bruciateli", aveva ordinato nel suo testamento. Ora le tocchera' riscriverlo, ma e' felice e commossa:"Non so dire come Benetton abbia saputo della decisione di bruciare i miei libri", perche' in genere non parlo di cose private. Fatto sta che ha compiuto un gesto molto elegante e di grande generosita'. Sono orgogliosa e riconoscente".

 

La "sistemazione" della biblioteca e dell'archivio sono per la Pivano il coronamento di un anno importante. A maggio, i suoi ottant'anni sono stati festeggiati in tutta Italia. Genova, la sua citta natale, le ha dedicato una serata al teatro Carlo Felice e le ha conferito la cittadinanza onoraria. Le piu' importanti personalita' della cultura hanno riconosciuto in varie occasioni il proprio debito nei confronti di chi ci ha spalancato le porte di un'America nascosta e l'importanza del suo lavoro. Un lavoro iniziato tanto tempo fa, quando, grazie a Pavese, la giovanissima "Nanda" aveva scoperto la letteratura americana e aveva fatto le prime traduzioni dell'"Antologia di Spoon River" e di "Foglie d'erba" di Whitman. Poi erano venuti l'incontro a Cortina con Hemingway, l'intensa amicizia con i poeti della beat generation, imposti in Italia, quando farli pubblicare era un'impresa ardua e difficile, la scoperta delle nuove voci della letteratura d'oltreoceano, i libri e le migliaia di articoli che ci raccontavano di un continente che cambiava. Unico neo di quest'anno, la mancata nomina a senatrice a vita, proposta da Enzo Biagi, Dacia Maraini, Bernardo Bertolucci e Lalla Romano. Ma e' una pecca da poco. La creazione del Fondo la compensa ampiamente. "Per me e' davvero imprtante. Sarebbe stato un peccato lasciar disperdere il lavoro di una vita".

-------------------------------------------------------------------- To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: from Memory Noises

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199710262138.PAA19672@dfw-ix5.ix.netcom.com>

References:

 

              On the Road                     by Jim Morrison

 

              Miles and miles to the horizon

              along sandroads

              without landfall

              crossed from occasions

              of sin & fear

              the rhythm of the wandering footsteps

              toward the smile

              of a stranger.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thanks for Re: Ballad of the Skeletons

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997102901220257@CUNYVM.CUNY.EDU>

References:

 

many thanks to the friends who gave me info 'bout the tracks #18 and #19 of The Lion For Real, the sound of Ginserg's voice/word and the music in back have a great feeling...To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Apocalyptic Beat / Lamb, No Lion.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3457EB88.5A7A@sunflower.com>

References:

 

Diane Carter <dcarter@TOGETHER.NET> mentions: Lamb, No Lion, 1958 (written by Jack Kerouac) "...Beat doesn't mean tired, or bushed, so much as it means 'beato,' the Italian for beatific: to be in a state of beatitude, like St. Francis, trying to to love all life, trying to be utterly sincere with everyone, practicing endurance, kindness, cultivating joy of heart."

 

The laste book of Bible is The Apocalypse written by Ioannes (69 a.d.) and begin with the exhortative words "BEATUS, QUI LEGIT" meaning "be blessed who has a vision while he is reading".

The Bible is differenced from the Veda or Upanishad (or from the ancient greek poems) because it sides with the suffering being.

The Apocalypse (Revelation) supports the victims, and it's the book of loneliness.

 

cari saluti da

Rinaldo.

* PD. hola, Daniel un saludo... muchas gracias. * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: exchanging pic of mine

Cc:

Bcc: rinaldo@gpnet.it

X-Attachments: C:\INTERNET\rinaldo.jpg;

In-Reply-To: <34599AAA.521A@sunflower.com>

References:

 

hello friends,

letme know if i'm wrong but alot of friends exchanges each other the photos, so i do it, sending to you this little italian quadretto: myself (r, rinaldo) & (l, my litle niece silvia), cari saluti a tutti saluti da

rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: wsb and stephen king?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <Pine.OSF.3.91.971031142517.28876A-100000@turbo.kean.edu>

References:

 

At 14.28 31/10/97 -0500, "PoOka(the friendly ghost)" <jdematte@TURBO.KEAN.EDU> wrote:

>hey folks,

>        let me say that i have never read any of the Dark Tower books by

>Stephen King but its very strange to see a similarity between the

>gunslinger in King's book and Burrough's Kim Carson in the Western

>Lands/Place of Dead Roads/Cities of the Red Night series. Any thoughts on

>this or am i just overdosing on M@Ms?

>                                                jason

> 

> 

         'Damn!' it made the trip seem sinister and doomed.

         We drove on. Stan's arm got worse. We'd stop at the

         first hospital and have him get a shot of pencillin.

         We passed Castle Rock, came to Colorado Springs at

         dark. The great shadows of Pike's Peak loomed our

         right -- jack kerouac On the Road, part four,4,pg.253 To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: blank generation?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345ACA57.479D@sunflower.com>

References:

 

   kabul

 

   the taliban government in afganistan has

   extended its ban on photographs.

 

   until now it had forbidden photography of

   people, particularly of women, but did not

   outlaw pictures of animals or non-muslims.

 

   now it is illegal to display photographs of

   living creatures because such representation

   are deemed offensive to taliban-style islam.

 

[from TIME vol.150 no.16 october 20,1997] To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Humble Introduction

Cc:

Bcc:

X-Attachments:

In-Reply-To: <v03007808b080ce94cfe4@[156.46.45.146]>

References: <3.0.1.16.19971101125639.3057435a@mail.mpx.com.au>

 

friends,

 

here in Italy it's a great moment for Knut Hamsun, the novel titled "Hunger" translated in italian ("Fame") stands out on the bookshelves. i found a beat connection via Charles Bukowski who quoted Hamsun such a man who eats his own flesh in order to living and continue to be an artist (to work hard).

btw: Knut Hamsun (won nobel prize). sad Knut Hamsun was a nazi (and a friend to adolf hitler), this fate of some artists (i.e. Celine, Pirandello, Heidegger, etc.) is a mistery of this gone century.

 

saluto tutti,

Rinaldo.

*

At 12.19 01/11/97 -0600, jo grant wrote:

>Glenn Cooper wrote:.

>> 

>>I just joined this list today.

> 

>>My other favourite's are Knut Hamsun (a Beat 50 years ahead of his time),

> 

>What do others on the list think about this? Hamsun as "a Beat 50 years

>ahead of his time?"

> 

>He's a favorite of mine.

> 

>j grant

> 

>           Small Press Authors and Publishers display books

>                           FREE

>                             at

>                               BookZen

>                          http://www.bookzen.com

>                402,900 visitors - 07-01-96 to 07-01-97

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: questionable backgrounds of some authors

Cc:

Bcc:

X-Attachments:

In-Reply-To: <345B6172.214@together.net>

References: <Pine.OSF.3.95.971101182020.12229D-100000@is8.nyu.edu>

 

Diane Carter wrote:

[... snipped ...]

>"Q: Do you personally ignore Pound's involvement with fascism, or do you

>just accept it?

> 

>AG: No, I see it as part of character and humour, h-u-m-o-u-r, which is

>changeable.  I think he was, as he pleaded, mentally ill for a while--If [... snipped... ]

>DC

> 

cari amici,

 

i'm afraid Ezra Pound had a simpaty for the evil, when he come back to italy he tried to get in touch with conspirancy neo-fascism groups. he was disappointed because the italians seem to reject "ben" experience then the poet became politically silent living in venice since his death. Allen Ginsberg told us that Ezra Pound "bet on one wrong horse", i think AG deals with EP kindly. of course it's a GREAT ENIGMA why a poet so gentle & charming had such a guru like Benito "Ben" Mussolini.

 

un saluto a tutti,

rinaldo.

*To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) Frank Winters

Cc:

Bcc: stpltd@netway.net

X-Attachments:

In-Reply-To: <Pine.PMDF.3.95.971103032548.568440020C-100000@ctrvax.Vanderbilt.Edu>

References: <345DAD18.1B12@sk.sympatico.ca>

 

>From: "Eric Sharp" <stpltd@netway.net>

>To: <rasa@gpnet.it>

>Subject: Frank Winters

>Date: Sun, 2 Nov 1997 21:07:25 -0700

> 

>    Frank Winters is a Denver poet in his early 50s  who has been

>translated into Serbian. He has traveled extensily in Europe,  India, Tibet

>and North American. He once featured Corso and Ginsberg as his  tatoo

>parlor/poetry venue in Commerce City, Colorado, and performed when he

>lived in London, where he has introduced several American writers to

>bookstores  and a now defunct newsletter Strangefish. He is published with

>Howling Dog Press  and sharptongue (Denver).    Eric Hjerstedt Sharp &

>publisher sharptongue  

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: More of the Dharma

Cc:

Bcc:

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References: <345DAD18.1B12@sk.sympatico.ca>

 

At 03.29 03/11/97 -0600, Jeff Taylor wrote:

>On Mon, 3 Nov 1997, Adrien Begrand wrote:

> 

>> I just finished the first thirty pages of Some Of The Dharma, and

>[...]

>> First of, there's a wonderful little snippet of a conversation between

>> Kerouac and Jamie & Cathy Cassady, revealing the origin of the 'God is

>> Pooh Bear' line from the final lines of On The Road:

>> [...]

>> Man: 'Who?'

>> Cathy (showing bear toy): 'Me. Don't you know that I am Poo Bear?

>> 

>> God is Poo Bear"

> 

>glad to see that cleared up....I knew that line in OTR couldn't have

>anything to do with the constellation Ursa Major....

> 

>*******

>Jeff Taylor

>taylorjb@ctrvax.vanderbilt.edu

>*******

> 

cari amici,

 

at the end of "On the Road" we are in the heaven "... and stars'll be out, and don't you know

   that God is Pooh Bear? the evening star..."

 

in the video (i've on CD, ed sullivan's show?) where Jack Kerouac read

such sentence he turn his eyes to the sky,

 

maybe the above dharma dialogue (fine and good) was converted to another metaphor in the OTR.

out of this planet the stars... "the father we never found".

i think that the lost father,

(god) is a hidden plot in the jack's novel.

 

un saluto a tutti da

rinaldo

*  the beet   *

To: BEAT-L@CUNYVM.CUNY.EDU, "Paul A. Maher Jr." <mapaul@pipeline.com>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: many thanks to Paul Maher Re: "On the Road" ("Sulla strada") Cover italian poket edition   1967.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

At 10.02 11/11/97 -0500, Paul wrote:

>Hi Rinaldo - your cover you sent me is now posted. It can be found at:

> 

>  http://www.freeyellow.com/members/upstartcrow/KerouacQuarterly.html

> 

> 

>                     Thanks! Paul of TKQ...

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

>                                     

> Paul,

u are very nice to post the pic cover of "Sulla strada" (OTR in italian).

 

when i read JK for the first time, i read a book so ''strange'' beautiful (it was 1969, and i was 19year old).

 

and in those times people have a love in reading book, i remember kids on the train wagon reading beckett, ionesco, sartre, etc. wonderful times...

 

i am happy, Paul, you have a look at this time that's gone forever... the poket cover of the italian translation of OTR perhaps isn't the best cover of OTR... but HERE in ITALY during the '60s that's what young people had in their own hands... and it's a nice... nice... Paul, grazie di cuore!

 

un cordiale saluto a tutti

da rinaldo.

from venice-mestre,italy

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 9-9 by R.E.M. (fragment)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199711121757.JAA20874@hsc.usc.edu>

References:

 

   9-9                             by R.E.M.

 

   Steady repetition is a compulsion

   mutually reenforced.

   Now what does that mean?

   Is there a just contradiction?

   Nothing much.

   Now I lay me down to sleep,

   I pray the Lord my soul to keep.

   If I should die before I wake,

   I pray the Lord, hesitate.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Cecco Angiolieri an Ancient Beat.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199711121757.JAA20874@hsc.usc.edu>

References:

 

cari amici,

Cecco Angiolieri born in Siena (near Florence) in 1260, was an italian poet, he was involved in brawls and lawsuit for don't do the military service. He was a friend to Dante Alighieri.

His feeling is't picaresque but a mix of spleen and joy, Lawrence Ferlighetti appreciates Angiolieri's poetry.

 

Now i post a poem by Cecco Angiolieri dated at end of the 1200s'

 

*  *    *    *    *    *    *    *    *    *

   La mia malinconia          by Cecco Angiolieri

 

   La mia malinconia e' tanta e tale,

   ch'e' non discredo che, s'egli 'l sapesse

   un che mi fosse nemico mortale,

   che di me di pietade non piangesse

 

   Quella, per cu' m'avven, poco ne cale;

   che mi parebbe, sed ella volesse

   guarir'n un punto di tutto tutto 'l mie male

   sed ella pur: - I' t'odio - mi dicesse

 

   Ma quest'e' la risposta c'ho da lei;

   e ched'i vad'a far li fatti miei;

   ch'ella non cura s'i' ho gi'oi' o pene

   men ch'una paglia che le va tra' piei:

   mal grado h'abbi Amor, ch'a le' mi diene.

 

*  *    *    *    *    *    *    *    *    *

 

un saluto a tutti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Cecco Angiolieri an Ancient Beat.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <346B9565.6EE7@midusa.net>

References: <SIMEON.9711131927.A@ecs4m95.virginia.edu>

 

At 18.03 13/11/97 -0600, David Rhaesa wrote:

>Eric Craig Sapp wrote:

>> 

>> hi rinaldo,

>> could you maybe post an english translation of this poem.

>> 

>> from,

>> Eric

>> 

>> On Thu, 13 Nov 1997 23:15:36 +0100 Rinaldo Rasa

>> <rinaldo@GPNET.IT> wrote:

>> 

>> > cari amici,

>> > Cecco Angiolieri born in Siena (near Florence) in 1260,

>> > was an italian poet, he was involved in brawls and

>> > lawsuit for don't do the military service. He was a

>> > friend to Dante Alighieri.

>> > His feeling is't picaresque but a mix of spleen and joy,

>> > Lawrence Ferlighetti appreciates Angiolieri's poetry.

>> >

>> > Now i post a poem by Cecco Angiolieri dated at end of the 1200s'

>> >

>> > *       *       *       *       *       *       *       *       *       *

>> >         La mia malinconia               by Cecco Angiolieri

>> >

>> >         La mia malinconia e' tanta e tale,

>> >         ch'e' non discredo che, s'egli 'l sapesse

>> >         un che mi fosse nemico mortale,

>> >         che di me di pietade non piangesse

>> >

>> >         Quella, per cu' m'avven, poco ne cale;

>> >         che mi parebbe, sed ella volesse

>> >         guarir'n un punto di tutto tutto 'l mie male

>> >         sed ella pur: - I' t'odio - mi dicesse

>> >

>> >         Ma quest'e' la risposta c'ho da lei;

>> >         e ched'i vad'a far li fatti miei;

>> >         ch'ella non cura s'i' ho gi'oi' o pene

>> >         men ch'una paglia che le va tra' piei:

>> >         mal grado h'abbi Amor, ch'a le' mi diene.

>> >

>> > *       *       *       *       *       *       *       *       *       *

>> >

>> > un saluto a tutti,

>> > Rinaldo.

> 

>hi rinaldo,

> 

>so good to see your name on my computer screen!!!!!!!!!!!!!!!!!!!!!!

> 

>david rhaesa

>salina, Kansas

> 

cari amici,

 

the Cecco Angiolieri poem is written in very ancient italian, the time (XIII century) when i.e. the ego was "I" (note the italian "I" use in the ancient italian sentence "I' t'odio"= "i hate you!", then the use was dismissed, now of course the italian people is less egocentric...).

 

the poem is in a bunch of poems written by Cecco Angiolieri, prolific medieval writer .

 

well, for the poem "La mia malinconia" Cecco is in sad blue feeling, his girlfriend parted from him. Cecco is hopeless...

 

*  *    *    *    *    *    *    *    *    *    *    *

              My melancholy        by Cecco Angiolieri

 

              my melancholy is deep

              that even a my worse enemy

              would have pity for me

 

              but the woman

              she doesn't care about my melancholy

              she doesn't tell to me not even I hate!

              If she tells me "I hate you"

              it would cure my melancholy

 

              but the woman

              she tell me go away!

              she doesn't care about my melancholy

              she tramples on my sorrow like grass

              under her feet.

 

*  *    *    *    *    *    *    *    *    *    *    *

 

i think it's wonderful to post the original poem by Cecco (the poem that Lawrence Ferlinghetti mimes in ''Alla maniera di Cecco Angiolieri'')

 

*  *    *    *    *    *    *    *    *    *    *    *

 

         S'i' fosse foco      by Cecco Angiolieri

 

         S'i' fosse foco arderei 'l mondo;

         s'i' fosse vento, lo tempesterei;

         s'i' fossi acqua i' l'annegherei;

4        s'i' fosse Dio mandereil'en profondo;

 

         s'i' fosse papa, sare' allor giocondo,

         che' tutti cristiani imbrigherei;

         s'i' fosse 'mperator, sa' che farei?

8        A tutti mozzarei lo capo a tondo.

 

         S'i' fosse morte anderei da mio padre;

         s'i' fossi vita, fuggirei da lui:

11       similmente far'ia da mi' madre.

 

*  *    *    *    *    *    *    *    *    *    *    *

translation of the above poem

by courtesy of Federica "Kikka" Ferrieri

 

 

Cecco Angiolieri         IF I WERE FIRE

----------------        --------------

 

IF I WERE FIRE, I WOULD BURN THE WORLD; IF I WERE WIND, IWOULD STORM IT;

IF I WERE WATER, I WOULD DROWN IT;

IF I WERE GOD, I WOULD SEND IT INTO DEPTH;

 

IF I WERE THE POPE, I WOULD THEN BE HAPPY, BECAUSE I WOULD TROUBLE ALL CHRISTIAN PEOPLE; IF I WERE THE EMPEROR, DO YOU KNOW WHAT I WOULD DO?

I WOULD COMPLETELY DECAPITATE EVERYONE

 

IF I WERE DEATH, I WOULD GO TO MY FATHER; IF I WERE LIFE, I WOULD ESCAPE FROM HIM: IN THE SAME WAY I WOULD BEHAVE WITH MY MOTHER.

 

IF I WERE CECCO, AS I AM AND HAS BEEN,

I WOULD CHOSE YOUNG AND BEAUTIFUL WOMEN: AND LEAVE THE OLD AND UGLY ONES FRO SOMEONE OTHER.

 

*  *    *    *    *    *    *    *    *    *    *    *

 

un caro saluto a tutti,

Rinaldo e "Kikka".

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Cecco Angiolieri an Ancient Beat.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <346C55E9.2140@sunflower.com>

References: <SIMEON.9711131927.A@ecs4m95.virginia.edu>            <3.0.1.32.19971114101422.00bdad94@pop.gpnet.it>

 

   After Dino Campana         by Lawrence Ferlinghetti

 

 

   'Song of Myself and Others'?

                              O what a laugh that is

   When all I ever wanted

         was to voice an

                         inchoate

                                   elementary fury

         A spirit that frees itself

                                   and flies

                   to the top of a tree to sing

              in the ultimate

                              red sunset

   O tree without birds

                         standing mute!

 

*  *    *    *    *    *    *    *    *    *    *

 

cari amici,

 

Lawrence Ferlinghetti has celebrated the tuscan poetry connected with beat poetry and it's right. Of course there's another 2 line in italian poetry: it's the sicily poetry and  venetian poetry. speaking of venetian poetry (or lombard) it's more roughly and picaresque.

The tuscan poetry is more soft and better, so the root of the italian language tuscan, sicilian and venetian, it's better choice the tuscan language. Lawrence Ferlinghetti wrote another poem to celebrate a tuscan poet such as Dino Campana who was suffering during his life a heavy mental illness and died in a mental hospital.

 

*  *    *    *    *    *    *    *    *    *    *

for those who like Federico Fellini's movies there's in the movie titled "Amarcord" (1975) the mad uncle on the top of the tree shouting "a woman! i want a woman!" but on evening went the dwarf nun and the madman goes back peacefully to the hospital, an unforgettable scene.

I dunno if Fellini was suggested by the above poem "After Dino Campana" or vice versa.

 

un saluto a tutti, a good saturday to everybody, Rinaldo.

 

*  *    *    *    *    *    *    *    *    *    *

At 07.45 14/11/97 -0600, Patricia Elliott wrote:

>rinaldo, wonderful poems, you make us open up. i do fear you have set a

>a poor example, for we are too provincial,  should you ask us for to

>please post our words in italian too.

>ciao

>patricia

>Rinaldo Rasa wrote:

>> 

>> At 18.03 13/11/97 -0600, David Rhaesa wrote:

>> >Eric Craig Sapp wrote:

>> >>

>> >> hi rinaldo,

>> >> could you maybe post an english translation of this poem.

>> >>

>> >> from,

>> >> Eric

>> >>

>> >> On Thu, 13 Nov 1997 23:15:36 +0100 Rinaldo Rasa

>> >> <rinaldo@GPNET.IT> wrote:

>> >>

>> >> > cari amici,

>> >> > Cecco Angiolieri born in Siena (near Florence) in 1260,

>> >> > was an italian poet, he was involved in brawls and

>> >> > lawsuit for don't do the military service. He was a

>> >> > friend to Dante Alighieri.

>> >> > His feeling is't picaresque but a mix of spleen and joy,

>> >> > Lawrence Ferlighetti appreciates Angiolieri's poetry.

>> >> >

>> >> > Now i post a poem by Cecco Angiolieri dated at end of the 1200s'

>> >> >

>> >> > *       *       *       *       *       *       *       *       *       *

>> >> >         La mia malinconia               by Cecco Angiolieri

>> >> >

>> >> >         La mia malinconia e' tanta e tale,

>> >> >         ch'e' non discredo che, s'egli 'l sapesse

>> >> >         un che mi fosse nemico mortale,

>> >> >         che di me di pietade non piangesse

>> >> >

>> >> >         Quella, per cu' m'avven, poco ne cale;

>> >> >         che mi parebbe, sed ella volesse

>> >> >         guarir'n un punto di tutto tutto 'l mie male

>> >> >         sed ella pur: - I' t'odio - mi dicesse

>> >> >

>> >> >         Ma quest'e' la risposta c'ho da lei;

>> >> >         e ched'i vad'a far li fatti miei;

>> >> >         ch'ella non cura s'i' ho gi'oi' o pene

>> >> >         men ch'una paglia che le va tra' piei:

>> >> >         mal grado h'abbi Amor, ch'a le' mi diene.

>> >> >

>> >> > *       *       *       *       *       *       *       *       *       *

>> >> >

>> >> > un saluto a tutti,

>> >> > Rinaldo.

>> >

>> >hi rinaldo,

>> >

>> >so good to see your name on my computer screen!!!!!!!!!!!!!!!!!!!!!!

>> >

>> >david rhaesa

>> >salina, Kansas

>> >

>> cari amici,

>> 

>> the Cecco Angiolieri poem is written in very ancient italian,

>> the time (XIII century) when i.e. the ego was "I" (note the italian

>> "I" use in the ancient italian sentence "I' t'odio"= "i hate you!",

>> then the use was dismissed, now of course the italian people is

>> less egocentric...).

>> 

>> the poem is in a bunch of poems written by Cecco Angiolieri, prolific

>> medieval writer .

>> 

>> well, for the poem "La mia malinconia" Cecco is in sad blue feeling,

>> his girlfriend parted from him. Cecco is hopeless...

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>>                         My melancholy           by Cecco Angiolieri

>> 

>>                         my melancholy is deep

>>                         that even a my worse enemy

>>                         would have pity for me

>> 

>>                         but the woman

>>                         she doesn't care about my melancholy

>>                         she doesn't tell to me not even I hate!

>>                         If she tells me "I hate you"

>>                         it would cure my melancholy

>> 

>>                         but the woman

>>                         she tell me go away!

>>                         she doesn't care about my melancholy

>>                         she tramples on my sorrow like grass

>>                         under her feet.

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> 

>> i think it's wonderful to post the original poem by Cecco (the

>> poem that Lawrence Ferlinghetti mimes in ''Alla maniera di

>> Cecco Angiolieri'')

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> 

>>                 S'i' fosse foco         by Cecco Angiolieri

>> 

>>                 S'i' fosse foco arderei 'l mondo;

>>                 s'i' fosse vento, lo tempesterei;

>>                 s'i' fossi acqua i' l'annegherei;

>> 4               s'i' fosse Dio mandereil'en profondo;

>> 

>>                 s'i' fosse papa, sare' allor giocondo,

>>                 che' tutti cristiani imbrigherei;

>>                 s'i' fosse 'mperator, sa' che farei?

>> 8               A tutti mozzarei lo capo a tondo.

>> 

>>                 S'i' fosse morte anderei da mio padre;

>>                 s'i' fossi vita, fuggirei da lui:

>> 11              similmente far'ia da mi' madre.

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> translation of the above poem

>> by courtesy of Federica "Kikka" Ferrieri

>> 

>> Cecco Angiolieri                IF I WERE FIRE

>> ----------------        --------------

>> 

>> IF I WERE FIRE, I WOULD BURN THE WORLD;

>> IF I WERE WIND, IWOULD STORM IT;

>> IF I WERE WATER, I WOULD DROWN IT;

>> IF I WERE GOD, I WOULD SEND IT INTO DEPTH;

>> 

>> IF I WERE THE POPE, I WOULD THEN BE HAPPY,

>> BECAUSE I WOULD TROUBLE ALL CHRISTIAN PEOPLE;

>> IF I WERE THE EMPEROR, DO YOU KNOW WHAT I WOULD DO?

>> I WOULD COMPLETELY DECAPITATE EVERYONE

>> 

>> IF I WERE DEATH, I WOULD GO TO MY FATHER;

>> IF I WERE LIFE, I WOULD ESCAPE FROM HIM:

>> IN THE SAME WAY I WOULD BEHAVE WITH MY MOTHER.

>> 

>> IF I WERE CECCO, AS I AM AND HAS BEEN,

>> I WOULD CHOSE YOUNG AND BEAUTIFUL WOMEN:

>> AND LEAVE THE OLD AND UGLY ONES FRO SOMEONE OTHER.

>> 

>> *       *       *       *       *       *       *       *       *       *

>  *       *

>> 

>> un caro saluto a tutti,

>> Rinaldo e "Kikka".

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: i'm here.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <346C55E9.2140@sunflower.com>

References: <SIMEON.9711131927.A@ecs4m95.virginia.edu>            <3.0.1.32.19971114101422.00bdad94@pop.gpnet.it>

 

cari amici,

if you point yr browser to

http://www.comune.venezia.it/citta.htm

you can exactly found in which venetian city area i'm living it's marked in the map as

13 - S.Lorenzo-XXV Aprile

i dunno if this is any interst but i posted and excuse me for the intrusion,

un saluti a tutti,

rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: memento of John Denver a month later.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199710150046.RAA11200@hsc.usc.edu>

References:

 

At 00.04 16/11/97 +0800,

jacqtang <jacqtang@mbox2.singnet.com.sg> wrote:

>Rinaldo Rasa wrote:

>>

>> hello,

>> please can someone post the "american pie"

>> lyric by johnny denver?

>> thanks,

>> rinaldo

>>

>> rasa@gpnet.it

>> venice-mestre,italy.

> 

>Hello Rinaldo,

> 

>I didn't realise it was recorded by John Denver? Other than Don McLean,

>I know only of The Brady Bunch doing a stupid version of it.

> 

>You can find the lyrics at for parts 1 & 2 at

>http://www.summer.com.br/~pfilho/oldies_list/top/lyrics/american_pie.txt

>or the one that I've listed below from

>http://www.execpc.com/~suden/american_pie.html

> 

>Enjoy......Jacq

> 

>AMERICAN PIE

>============

>A long long time ago

>I can still remember how that music used to make me smile

>And I knew if I had my chance

>That I could make those people dance

>And maybe they'd be happy for a while.

> 

>But February made me shiver

>With every paper I'd deliver

>Bad news on the doorstep

>I couldn't take one more step

> 

>I can't remember if I cried

>When I read about his widowed bride

>But something touched me deep inside

>The day the music died

> 

>So bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>And them good old boys were drinkin' whiskey and rye

>Singin' this'll be the day that I die

>This'll be the day that I die

> 

>Did you write the Book of Love

>And do you have faith in God above

>If the Bible tells you so

>Do you believe in rock 'n roll

>Can music save your mortal soul

>And can you teach me how to dance real slow

> 

>Well, I know that you're in love with him

>'Cause I saw you dancin' in the gym

>You both kicked off your shoes

>Man, I dig those rhythm and blues

> 

>I was a lonely teenage broncin' buck

>With a pink carnation and a pickup truck

>But I knew I was out of luck

>The day the music died

> 

>I started singin'

>So bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>And them good old boys were drinkin' whiskey and rye

>Singin' this'll be the day that I die

>This'll be the day that I die

> 

>Now for ten years we've been on our own

>And moss grows fat on a rollin' stone

>But that's not how it used to be

>When the jester sang for the King and Queen

>In a coat he borrowed from James Dean

>And a voice that came from you and me

> 

>Oh, and while the King was looking down

>The jester stole his thorny crown

>The courtroom was adjourned

>No verdict was returned

>And while Lennon read a book of Marx

>The quartet practiced in the park

>And we sang dirges in the dark

>The day the music died

> 

>We were singing

>So bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>And them good old boys were drinkin' whiskey and rye

>Singin' this'll be the day that I die

>This'll be the day that I die

> 

>Helter Skelter in a summer swelter

>The Byrds flew off with a fallout shelter

>Eight miles high and falling fast

>It landed foul out on the grass

>The players tried for a forward pass

>With the jester on the sidelines in a cast

> 

>Now the half-time air was sweet perfume

>While the Sergeants played a marching tune

>We all got up to dance

>Oh, but we never got the chance

>'Cause the players tried to take the field

>The marching band refused to yield

>Do you recall what was revealed

>The day the music died

> 

>We started singing

>So bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>And them good old boys were drinkin' whiskey and rye

>Singin' this'll be the day that I die

>This'll be the day that I die

> 

>Oh, and there we were all in one place

>A generation Lost in Space

>With no time left to start again

>So come on, Jack be nimble, Jack be quick

>Jack Flash sat on a candlestick

>'Cause fire is the Devil's only friend

> 

>Oh, and as I watched him on the stage

>My hands were clenched in fists of rage

>No angel born in hell

>Could break that Satan's spell

>And as the flames climbed high into the night

>To light the sacrifical rite

>I saw Satan laughing with delight

>The day the music died

> 

>He was singing

>So bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>And them good old boys were drinkin' whiskey and rye

>Singin' this'll be the day that I die

>This'll be the day that I die

> 

>I met a girl who sang the blues

>And I asked her for some happy news

>But she just smiled and turned away

>I went down to the sacred store

>Where I'd heard the music years before

>But the man there said the music woudn't play

> 

>And in the streets the children screamed

>The lovers cried, and the poets dreamed

>But not a word was spoken

>The church bells all were broken

>And the three men I admire most

>The Father, Son and the Holy Ghost

>They caught the last train for the coast

>The day the music died

> 

>And they were singing

>So bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>And them good old boys were drinkin' whiskey and rye

>Singin' this'll be the day that I die

>This'll be the day that I die

> 

>They were singing bye-bye, Miss American Pie

>Drove my chevy to the levee

>But the levee was dry

>Them good old boys were drinking whiskey and rye

>Singin' this'll be the day that I die

> 

 

*  **   **   **   **   **   **   **   **   *

Hello Jacq,

 

have a nice day, thanks for your very useful lyric info, the sad news of johnny denver's death during an air fly accident, was connected with similar death as Othis Redding (1967) and Buddy Holly (2th february 1959).

 

in 1971 johnny denver dedicated

the "american pie" (written by don mclean) to buddy holly.

it was fated to happen the same accident to johnny...

 

the fragment is:

...

>But February made me shiver

>With every paper I'd deliver

>Bad news on the doorstep

>I couldn't take one more step

> 

>I can't remember if I cried

>When I read about his widowed bride

>But something touched me deep inside

>The day the music died

...

 

Jacq again thanks

 

ciao,

rinaldo.

******************************************************

 

At 17.46 14/10/97 -0700, Timothy K. Gallaher wrote:

>At 08:17 PM 10/14/97 EDT, you wrote:

>>On Tue, 14 Oct 1997 19:51:18 EST THE ZET'S GOOD. said:

>>>Was John Denver Beat?

>>> 

>>>                           --Dave B.

>> 

>> 

>>Well, he had a song called "Rocky Mountain High."  Does that count?

>> 

>> 

> 

>If it does he's beat.

> 

>He also had some song about he and his friends sitting around at night

>passing the pipe around.

> 

>Weirdly weirdly John Denver was kind of beat.

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: recently italian jack kerouac's novels covers.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <346B9565.6EE7@midusa.net>

References: <SIMEON.9711131927.A@ecs4m95.virginia.edu>

 

At 15.48 12/11/97 -0500, Paul A. Maher Jr. wrote:

>At 08:15 PM 11/12/97 +0100, you wrote:

>>At 10.02 11/11/97 -0500, Paul wrote:

>>>Hi Rinaldo - your cover you sent me is now posted. It can be found at:

>>> 

>>>  http://www.freeyellow.com/members/upstartcrow/KerouacQuarterly.html

>>> 

>>> 

>>>                     Thanks! Paul of TKQ...

>>da rinaldo.

>>from venice-mestre,italy

>>p.s. i've well downloaded the pic. it's works fine.

>>ciao.

>> 

>>I am glad you like it...if you have others I will gladly post them in time.

>Thanks again, Paul...

>"We cannot well do without our sins; they are the highway to our virtues."

>                                           Henry David Thoreau

> Paul,

 

the new reprinted jack kerouac's works paperback series was out (same italian translation of the 50s'/60's) since 1995 and have photo covers are featured by Wim Wender

 

publisher:arnoldo mondadori

photos Art Director:Federico Luci

Graphic Designer:Riccardo Danesi

 

(jk's novel)______________.... title photo cover by Wim Wenders__ --------------------------.... --------------------------------- Sulla Strada (On the Road).... Sun dries Las Vegas, New Mexico.

reprint 1995

 

Big Sur (Big Sur)............. Western World Near Four Corners,

                                              California.

reprint 1996

 

I Vagabondi del Dharma ....... Flammable Terlingua, Texas (The Dharma Bums)

reprint 1994

 

Angeli di desolazione......... Always open, Needles, California.

(Desolation Angel)

reprint 1996

 

Visioni di Gerard............. Old Trapper's, San Fernando, California.

(Visions of Gerard)

reprint 1997

 

Il dottor Sax................. Union Ludlow, California.

(Doctor Sax)

reprint 1996

 

it would be beautiful compare the digitized covers of the present with those of the past. please let me know if u likes the project...

 

saluti da

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jack Kerouac (fwd) Hallowed be your name. ..

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199711121757.JAA20874@hsc.usc.edu>

References:

 

-B.D. says:

"

But naming, I admit, is no laughing matter. It is easy for me to be supercilious about those who rechristen themselves, because I have not had to find a new name. It must be an intolerable burden to hate your name, which is-like your body, mind, personality, and family-something issued to you at birth.

Of those essential ingredients, names are the easiest to change; I am told by a lawyer friend that it costs about $150 and three weeks to legally change your name, which is less than it would cost to remake your body or engage a psychiatrist to adjust your mental image. Interestingly, you can also change your name to anything; there are no legal restrictions on people labels, and you can, if you choose, name yourself after fruit, household items, insects, crimes, types of wood, machines, garments, or shoes.

 

 

And changing your name is a hallowed American tradition, especially among scribblers. Nathanael West, Zane Grey, and Mark Twain, to name a few, started over whole (they were Nathan Weinstein, Pearl Grey, and Samuel Clemens, respectively), and among those who have edited their names are Willa Cather (born Wilella), Henry David Thoreau (born David Henry), Jack Kerouac (born Jean-Louis), Walt Whitman (christened Walter), and Nathaniel Hawthorne, who tossed a w in the Hathorne family name, reportedly because he thought the extra consonant added a bit of upper crust to the mix.

 

Renaming is remaking, of course.

Naming yourself confers autonomy, as well as the opportunity to shuck your past and start again. It is a creation.

"

found on the web site

http://www.catholic.org/liguori/reflect/ord11th.html

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a question

Cc: jjdorfner@aol.com

Bcc:

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>Return-Path: <jjdorfner@aol.com>

>Date: Sun, 16 Nov 1997 03:13:04 -0500

>Newsgroups: alt.books.beatgeneration

>To: "Rinaldo Rasa" <rasa@gpnet.it>

>From: jjdorfner@aol.com (Jjdorfner)

>Organization: AOL http://www.aol.com

>Subject: Re: updated12nov97BeatSupernova

> 

>hey...what ever happened to Beat-L? 

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: James Laughlin, 83, Publisher of Revolutionary Writers

Cc:

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THE KITCHEN CLOCK

 

How can we make it run backwards,

That taciturn white circle with

Its torpid black hands? We only

Touch the hands when standard

Time comes to shorten or daylight

Saving to lengthen our days. That

Clock is lazy; I'd like to throw

Eggs at it. But I don't want it

To go forward faster, as if it

Were drawn by death. Let it run

Gently backwards, pausing to

Greet happy times again: the

Day when the schoolboy wrote

His first poem; the day when

The first jonquil bloomed in

His little garden; the day when

His father tossed him into the

Lake without water-wings to

Prove to him he could swim.

"En arriere, ruckwaerts" and "in

Dietro;" those are your orders,

Lazy clock, until the spring

Breaks and it doesn't matter

What you do anymore.

 

 

--James Laughlin

 

In Memoriam - James Laughlin

1914 - 1997

http://www.connectotel.com/marcus/laughlin.html To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Ode to Crazy Bull Caffe' in Piazzale Candiani

Cc:

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References: <UPMAIL14.199711180205270983@classic.msn.com>            <msg1242928.thr-587f7f30.55d4a82@umit.maine.edu>

 

marie wrote:

>a toast to jack

>may our livers meet safe in heaven

>mc

> 

   it's windy

                   (early in the morning)

 

   it's sunny

                   (in the morning)

 

   people didn't like

   being called for free

 

                   (before midday)

 

 

              dear Sir! DEAR SIR!

              sorry

              for the disturbance!

 

   hoax

   blots

        

   HOAX 99% OF THE TIME,

 

         now

   (in the evening)

 

   dear Lord! sorry SORRY!

 

   we are A BUNCH OF boxers

 

   and of course god,

              yep GOD,

                   god is a punch-drunk boxer.

                        

 

---

Rinaldo

18th nov 1997

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Aquila poems

Cc:

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The Dark Elves

 

 

 

We walk on trails of darkness-

Exploring the hidden corners of the mind- We dance among the neurons-

Playing tag with fleeting memories-

We dwell in the mind-

Creating dreams and nightmares-

We gaurd the dark secrets-

Those that you hide from yourself-

Those you will not let yourself come to know- Those that you will not let yourself see- Those that terrify you-

Terrify you because they are the truth- We are deep secrets-

We are forgotten memories-

We are lost dreams-

And we are with you always-

Lurking, hiding always from your concious- Dwelling only in the shadows-

Deep in the sub-concious-

 

http://www.rain.org/aqpoem.htmlTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat the last generation

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http://www.apsv.it/beat/index.htmlTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Peaches!

Cc:

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prologue

characters: Harold Pinter, Luchino Visconti and Tennessee Williams.

 

Harold Pinter: free market!

         "YOU ARE FREE

         BE GRATEFUL

         EAT DOG SHIT

         DIE HAPPY"

Luchino Visconti: i love you!

Tennessee Williams: Ah, Luchino.

 

part one.

characters: Mademoiselle and T.S.Eliot

 

Mademoiselle: hello!

T.S.Eliot: do i dare to eat a peach?

Mademoiselle: don't count on Me, please.

 

 

part two.

characters: Joyce Johnson Glassman and Jack Kerouac.

 

Joyce Johnson Glassman: you are nothing but a big bag of wind.

Jack Kerouac: unrequired love's bore.

Joyce Johnson Glassman: Ah, Jack!

 

part three.

the cell phone is shaking in my pocket, man...

quick! soon, don't do it ring!

 

 

---

Rinaldo

19th nov 1997

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: the italian judge

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At 22.08 18/11/97 -0800, jim donahue wrote:

>hey list,

>as much fun as ive been having reading, responding,

>and learning, there is just too much going on.

>but before i sign off again (inevitably to return, as

>before), i have a question.

>i teach a writing seminar, and i am restructuring my

>section on audience: intended vs. actual, implied vs.

>overt.  i am using kerouacs "letter to an italian

>judge" and the "subterraneans."  part of the

>assignment will involve what exactly kerouac could be

>responding to.  this is partly because i do not have a

>copy of the judges response.  if anyone out there

>knows where i might get a copy, i would appreciate it.

>i know i have asked this question before (for those

>who remember), but i thought id ask again before

>taking a break from the list.

>i can be responded to either through the list or at

>donahujl@moa.bc.edu

>thank youfor any help, guidance, or direction anyone

>may be able to provide.

>jim donahue

> 

jim,

i've noticed time ago yr request, and i cannot resist now to give you some info (but i'm not sure if it's useful).

what i'm writing isn't any scholar notes but only some fragmented (johnny mnemonic piece of memories d/loaded...)

 

the "The Subterraneans" was out in Usa in 1958 (Grove Press, NY) Kerouac was helped by Joyce Johnson to publish the novel.

 

in italy the novel was out in november 1960 and the publisher was Giangiacomo Feltrinelli, and translated by an ANONYMOUS.

 

Feltrinelli was an ultraleftist (friend to Che Guevara).

immediately the "Subterraneans" was charged for obscenity but in the end the italian judge senteced that the novel wasn't pornographic but artistic work.

 

the "Subterraneans" (I sotterranei, in italian) translated by an anonymous italian translator indicates that the novel was not square. Because "Giangiacomo Feltrinelli Editore Milano" has head office in Milan (italy) may be you can get in touch with Feltrinelli Editore (Giangiacomo died in a bomb explosion in 1972).

 

the Feltrinelli's lawyers of course have a dossier about the lawsuit dated in 1960. you can also contact the "Procura Della Repubblica Di Milano" in Milan (Italy) where every document of any lawsuit is archived. Any sentence of the italian judge is here.

 

the "The Subterraneans" (I Sotterranei) was prefaced by Henry Miller and introduction by Fernanda Pivano.

 

the march 97 the 21th edition has on the cover a painting by Tom Wsselmann, Great American Nude#54, 1964., Neue Galerie, Aachen, Germany, 1992.

 

i hope to help a little your research...

i miei migliori auguri per il tuo lavoro, Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: The BeatGeneration and post-Nagasaki Literature

Cc:

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At 22.16 19/11/97 -0500, Alex Howard wrote:

>Progressive does not necessarily denote progress.  And as we all know,

>progress does not necessarily mean good.  The guilt and responsibilty of

>the deaths at Hiroshima and Nagasaki is on the head of every American.

>The guilt and responsibility of everything that has occured out of those

>terrible points belongs with every citizen of a country that calls itself

>any sort of leader or player in the global cultural landscape.  They

>cannot be forgotten.  Just as anyone who ignores suffering and injustice

>because it happens somewhere else in the world carries with them a

>responsibility  for and to the victims of the Holocaust.

> 

>------------------

>Alex Howard  (704)264-8259                    Appalachian State University

>kh14586@am.appstate.edu                       P.O. Box 12149

>http://www1.appstate.edu/~kh14586             Boone, NC  28608

> 

 

Alex,

i think people in XX century goes crazy in a lot of countries, first of all in italy, the place where fascism raise the flag and making the atomic bomb was a lot of europeans.

 

Gregory Corso thinking

"You Bomb Toy of universe... I cannot hate you... all man hates you they'd rather die by car-crash".

 

Gregory Corso is a pacifist and he wrote the poem "Bomb" after the Trafalgar Square Meeting (London 1958).

 

The poet was impressed by the  people blinded with hatred against the Bomb, he wrote the poem in Paris.

Allen Ginsberg cutted out the typewritten poem and sticked them shaping as a mushroom cloud.

 

un caro saluto da

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: when god twirled the world into existence...

Cc:

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Sara Straw  says:

>Assuming guilt from the past is a christian theme, and I am an atheist.

>sara

> 

"The ways of the Lord lead to liberty" sayeth St. Paul...

   yet a man need liberty, not God, to be able to

   follow the ways of God" --- Gregory Corso

 

from ''ELEGIAC FEELINGS AMERICAN

   for the memory of John Kerouac''

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: latin people

Cc:

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cari amici,

 

i've a flashback of a movie with Dennis Hopper in a latino american country (Mexico?) dated circa 1970, where a group of friends have a similar experience to Sal Paradise and

Dean Moriarty in the 3th part of "On the Road".

 

somehow or other the exotic countries are described such as place where people goes crazy and transgressive. this way is a bit disappointing. why Mexico, Brazil, Italy, etc.

are match with such strange peculiarity?

 

i.e. the "german" people (or others of course, but i've noticed them) when are in Italy they have drunk and very rude, but when are in his own country (saying Munich) they are square and respectable person.

 

un saluto a tutti,

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Still Life with Women by La Loca

Cc:

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La Loca

 

Still Life with Women

 

"The Square Dance" above the four-poster was your first. The four sisters,

dos a dos, giddy as the fiddler's lick, before their lives happened.

You've got them childless

and kidding, eyes and hair

the family chestnut.

 

What's unseen is you, the oldest,

taller than a man, buck-toothed,

double left-footed, hulking

by the punch, painting.

 

Behind you is mother,

small and not all there,

one after another cracking

pistachios, retinas like departed

souls: a typical widow.

She beat her girls with switches

pulled from lenient firs.

Her fat, child-bearing hands

shell the favors to the last

and then fold, stub to stub,

across a stomach cultivated

from marchpane and babies.

She feels brown-haired again.

Under a floor-length hoop

her foot, once swept from ballrooms

by a towering groom, sleeps.

 

A le main left and your sisters skip

to Cincinnati with their callers.

"Good Night Ladies," and mother stands

you at her back. Help me, is the phrase.

Starting at the small, you undo

the places she can't reach.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD) Comparative Religions

Cc:

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>Date: Tue, 14 Oct 1997 10:25:58 -0400 (EDT)

>From: YokoMofo@aol.com

>Subject: Comparative Religions

> 

>A short guide to comparative religions

>

> Taoism  - Shit happens.

>

> Confucism - Confucius say, "Shit happens."

>

> Islamism - If shit happens, it is the will of Allah.

>

> Buddhism - If shit happens, it isn't really shit.

>

> Roman Catholicism - Shit happens because you are bad.

>

> Calvinism - Shit happens becuase you don't work hard enough.

>

> Judaism - Why does this shit always happen to us?

>

> Lutheranism - If shit happens, have fiath, and it will stop happening.

>

> Presybterianism - If shit has to happen, let it happen to someone else.

>

> Zen - What is shit?

>

> Jesuitism - If shit happens and nobody hears it, did it really make a sound?

>

> Christian Science - If shit happesn, don't worry; it will go away on its

>own.

>

> Hedonism - When shit happens, enjoy it.

>

> Seventh Day Adventism - Shit happens every day but Saturday.

>

> Hare Krishna - Shit happens.  Rama, rama, ohm, ohm.

>

> Kastafarianism - Let's smoke this shit.

>

> Hinduism - This shit happened before

>

> Mormonism - This shit happened before, and it's going to happen again.

>

> Atheism - Shit doesn't happen.

>

> Agnosticism - Maybe shit happens, and maybe it doesn't

>

> Stoicism - So shit happens Big deal.  I can take it!!!

>

>

> 

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a poem by Carol Berge.

Cc:

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   OF ROOTS AND SOURCES            by Carol Berge

   

         (for d. levertov)

   

         as when the person's bones and thoughts

         show like branches, through the skin,

         through the years, overlaid in muted or

         fern tracery. or the voice remembered

         when the page is read. it is the sense

         of the thing to come, when discovering

         this face that is not new, after all:

         the idea opposite you which agrees

         with these definitions you have become.

         under spruce, the needles fall and fall,

         the new in patterns resembling letters,

         the past forming their base or the way

         through which the fine sheets climb.

         it is those moving near you, to remind

         of roots and sources, of your own leaf.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: allow me to...

Cc:

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John Pullicino <jjpull@PAC.COM.AU> says:

>g'day all,

> 

[snip]

>i've been an avid reader of kerouac and other beat writers since 1965 when

>as a schoolboy i came across a hardback edition of 'on the road' in one of

>the secondhand bookstores i used to haunt - i think it was the 'girls!

>jazz! booze!' on the cover (predating 'sex'n'drugs'nrock'nroll?) that got

>my attention. learning more here of course.............

[snip]

 

   john, the same feeling for me, thinking about "on the road".

   i think back over the past, and remember the on the road as

   a story of a salesman (death of a salesman). the american way

   of life, religious of course, but keen competition and no

   pity for the loser. (Sur...

 

   saluti, rinaldo.

 

p.s. techno pun nostalgia, the Amiga 1000 was my first serious

   puter. i brought it on autumn 1986. now it's gone but a tear

   was/is on my eyes...

(to everyone, please excuse me for the digression), r.

 

>--

>bye for now,

>#<|||||||||||||||||||||||># John Pullicino #<|||||||||||||||||||||||>#

>(|||||||||||||||||||)  #jjpull@pac.com.au# (|||||||||||||||||||)

>#<|||||||||||||># *Team AMIGA WorldWide* #<|||||||||||||||>#

> 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Stuck Inside of Mobile

Cc:

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http://bob.nbr.no/dok/bdx/stuck.htmlTo: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: L'angelo caduto.

Cc:

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carissimi,

 

the book "Angelheaded Hipster. A Life of Jack Kerouac" by Steve Turner, in italian it's called "Jack Kerouac. L'angelo caduto" translated by Alessandra Osti.

I think it's a worth purcase.

 

strangely (?) in the Feltrinelli's bookstore chain both J. Kerouac and W. S. Burroughs are arranged in the italian literature shelf.

 

A. Ginsberg's books on the contrary are arranged precisely.

 

saluti,

Rinaldo.

* Tristessa, maybe Keroauc's sly homage to Bonjour Tristesse (which had made Francoise Sagan a star overnight in 1955) --Aram Saroyan, foreword to Big Sur

*

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: one more a day Charles Bukowski poem

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One More Day by Charles Bukowski

 

the slippery summer sun of my youth is

gone

and the mad girls are in others' hands

as I drive my car to the wash

and watch the boys dry it to a hearty

glisten

I stand there

having learned some tricks

out of minor courage and lucky

durability

I still realize my vast vincibility.

it took time to realize

something quite not

realized.

too much time.

time shot apart: bang.

 

I walk to my car,

tip the gentleman a dollar,

get in,

the slippery sun of my youth

gone,

I drive off,

turn left,

turn right.

I am going somewhere.

hands on the wheel.

checking the rear view mirror.

 

I am old game for the oldest

hunter.

 

I stop at the red light.

 

it's a fair day among the

living.

the earth has been here for

such a very long

time.

 

I get the green and go

on.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Driving a cardboard automobile by Lawrence Ferlinghetti.

Cc:

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# 2           by Lawrence Ferlinghetti

 

 

 

Driving a cardboard automobile without a license                     at the turn of the century         my father ran into my mother

                                on a fun-ride at Coney Island              having spied each other eating                           in a French boardinghouse nearby And having decided right there and then                      that she was right for him entirely       he followed her into

                         the playland of that evening       where the headlong meeting

                             of their ephemeral flesh on wheels       hurtled them forever together

 

And I now in the back seat

                         of their eternity                                       reaching out to embrace them

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Dove Sta Amore...

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         COMPOSIZIONE SCRITTA IN QUATTRO PARTI

 

#1 part

-------

          Dove Sta Amore...        by Lawrence Ferlinghetti

 

           Dove sta amore

            Where lies love

           Dove sta amore

            Here lies love

           The ring dove love

            In lyrical delight

           Hear love's hillsong

           Love's true willsong

           Love's low plainsong

           Too sweet painsong

           In passages of night

             Dove sta amore

              Here lies love

           The ring dove love

             Dove sta amore

              Here lies love

 

---

 

#2 part

-------

year 1997, a kid:

 

   "I'm disgusted by the life styles

   of the baby boomers. They have

   sparked a new era of social values

   that have changed the world

   in which I live,

   creating a mass of problems

   whose ramifications

   they will not live to endure.

 

   Their sexual revolution has resulted

   in a society rife with sexually

   transmitted diseases;

   the institution of the family

   has deteriorated to the point

   of disfunctionality.

 

   The baby boomers' use of narcotics

   has destroyed many of my peers

   in a circle of unbridled drug use and addiction."

 

---

#3 part

-------

year 1959, Jack Kerouac:

 

"...because the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centrelight pop and everybody goes 'Awww!'..."

 

---

#4 part

-------

year 1920, Edna St. Vincent Millay:

 

"My candle burns at both ends;

it will not last the night;

but ah, my foes, and oh, my friends-

it gives a lovely light!"

 

---

un saluto a tutti da

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Jim Morrison

Cc:

Bcc:

X-Attachments:

In-Reply-To: <971130160528_-837024753@mrin51.mail.aol.com>

References:

 

Murat wrote:

>Hello,

[..]

>At  1970, Jim Morrison  meets beat poet Michael McClure. McClure

>tries to persuade Jim to print his poem book -Gods - New Creatures-.Does

>any one know more about this story..

 

Jim Morrison Interview by Jerry Hopkins - Rolling Stone 26th jul 1969.?

[]yes

[]no

 

> Also what is relation between Jim

>and the beats..

 

1967 Summer of Love?

[]yes

[]no

 

---

saluti a tutti da rinaldo

today it's a foggy, rainy venice, italy.

*Hola estimado amigo daniel! have an happy week.*

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: more Re: lawrence ferlinghetti

Cc:

Bcc:

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References:

 

13.

For years I never thought of death.

Now the breath

of the eternal harlequin

makes me look up

as if a defrocked Someone were there

who might make me into an angel

playing piano on a riverboat.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a sonnet by Wanda Coleman

Cc:

Bcc:

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References:

 

12.                           by Wanda Coleman

 

- after Robert Duncan

 

my earliest dreams linger/wronged spirits who will not rest/dusky crows astride

the sweetbriar seek to fly the

orchard's sky. is this the world i loved?

groves of perfect oranges and streets of stars where the sad eyes of my youth

wander the atomic-age paradise

 

tasting

 

the blood of a stark and wounded puberty?

o what years ago? what rapture lost in white heat of skin/walls that patina my heart's despair? what fear disturbs my quiet

night's grazing? stampedes my soul?

 

o memory. i sweat the eternal weight of graves

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Woodrow Wilson (Woody) Guthrie (1912-1967)

Cc:

Bcc: race@MIDUSA.NET

X-Attachments:

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References:

 

   song to woody              by Bob Dylan (1962)

 

   I'm out here

   a thousand miles from home

   walking a road

   other men have gone down

   I'm seeing a new world

   of people and things

   hear paupers and peasants

   and princes and kings

 

   hey hey woody guthrie

   I wrote you a song

   about the funny old world

   that's coming along

   seems sick and it's hungry

   it's tired and it's torn

   it looks like it's dying

   and it's hardly been born

 

   hey woody guthrie

   but I know that you know

   all the things I'm singing

   and many time more

   I'm singing you this song

   but I can't sing enough

   'cause there's not many men

   that've done the things you've done

 

   here's to cisco and sonny

   and leadbelly too

   and to all the good people

   that travelled with you

   here's to the hearts

   and the hands of the men

   that come with the dust

   and are gone with the wind

 

   I'm leaving tomorrow

   but I could leave today

   somewhere down the road

   someday

   the very last thing

   that I'd want to do

   is to say

   I've been hitting some hard travelling too To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: allow me to...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <yam7277.286.4820736@pac.com.au>

References: <3.0.1.32.19971126225017.00b5f614@pop.gpnet.it>

 

At 12.55 04/12/97 +1000, John Pullicino wrote:

>Hi there Rinaldo, on 27-Nov-97 you wrote...

> 

>>        i think back over the past, and remember the on the road as

>>        a story of a salesman (death of a salesman). the american way

>>        of life, religious of course, but keen competition and no

>>        pity for the loser. (Sur...

>hmm - i remember buying 'naked lunch' from a bookstall in via veneto, and

>reading it in the borghese gardens - it's easy to forget the doors those

>guys opened up in peoples lives

> 

heila' John! i bought "On the Road" in a venetian bookstand and was november 1969, tha same year i was anarchist...

jack kerouac was a boy next door...

 

p.s. au pun punk are you knowing how many italians are in wangaratta?

 

un saluto da Rinaldo.

*

"I travel because I'm an Australian, and i've left Australia, and i don't consider any other place my home but Australia.

I feel i'm Australian, i've an australian sense of humour"--Nick Cave *

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat Generation multi-media???

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199712041301.IAA25521@pike.sover.net>

References: <Pine.OSF.3.96.971202090434.28222C-100000@am.appstate.edu>            <3486776D.5AC3@eunet.yu>

 

marie wrote:

>all dylan said, 'to live outside the law you must be honest': as a person who

>has no car and only enough possessions to fit into one room, and a penchant

>for bussing it and training it to meet with poets and other mad ones, i

>hesistate still to call myself beat, but i sure ain't mainstream, clearly. i

>don't even work.

>mc

> 

>>Ksenija Simic wrote:

>> i hope i'm not too confusing.

>> 

>> 

         combien de temps?

         To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Gender of Nature...

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199712040259.VAA27976@buffnet4.buffnet.net>

References:

 

Bill Philibin says:

>> Has anyone noticed that in, Desolation Angels, Jack refers to the moon as

>> a she and the sun as a he? Usually, the moon is male (the man in the

>moon)

>> and the sun is female(giver of light, life, etc). Do you think there's a

>> reason for Jack's reversal of genders?

> 

> 

>        Really?!?!  I have always heard the moon refered to as female.  It's the

>whole Luna thing.  And cyclic like a Womans Cycle...  Never really heard

>anything about the Sun except for in Greek Lit.

> 

>        -Bill

> 

>[  email: deadbeat@buffnet.net  |  web: http://www.buffnet.net/~deadbeat  ]

 

carissimi amici beat,

 

if this helps, i can tell you that in italian language Moon=Luna is female "la luna",

Sun=Sole is male    "il sole",

at the beginning of italian oriented language the saint San Francesco D'Assisi in his prayers

called the moon "sorella luna" "sister moon" and the sun "fratello sole" "brother sun".

 

maybe Jack Kerouac is remembering the ancient prayers of the italian saint man?

 

un saluto a tutti,

Rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: there's a Ferlinghetti's JK unpublished poetry archive?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199712040259.VAA27976@buffnet4.buffnet.net>

References:

 

Nell'introduzione a "Kerouac.Poesie beat" CARLO A. CORSI scrive: "Kerouac poeta. Di lui, a parte una quantita' di inediti che si troverebbero presso il noto poeta Lawrence Ferlinghetti..."

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Michael McClure and Jim Morrison.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3487BA9E.3C78@egenet.com.tr>

References: <3.0.1.32.19971201192423.0068b9fc@pop.gpnet.it>

 

Murat says:

>> Jim Morrison Interview by Jerry Hopkins - Rolling Stone 26th jul 1969.?

>> []yes

>> []no

>  [+] i dont know.

> 

> Yrs,

> Murat.

*****************************

Murat e tutti voi cari amici,

 

Jim Morrison interviewed tell he was writing a screenplay together with Michael McClure on the basis of a unpublished McClure's novel. McClure typewrites directly the ideas when they are together. The plot of the movie is a story about three characters looking for a psychic treasure... one of them called Rourke is neo-capitalist devoted to the revolution...

both are longhair hippies... and they took the airplane to Mexico and they meet a black kid called Derner. The trio ventured out to the desert in order to meet a border guard to pull off a robbery...

 

Jim Morrison's as cinema student at UCLA was described by Oliver Stones' movie "The Doors" (1991)

 

an italian remark sideway, Tito Schipa jr was the italian translator of Jim Morrison's lyrics and poems.

Tito Schipa senior (Lecce 1889- New York 1965) was a famous tenor opera singer.

 

i hope this help, and other friends can help you to further dig a lot mcclure and morrison connection,

 

         The blue bus is calling us

         The blue bus is calling us

         Driver where you taking us?

 

saluti da

Rinaldo.

_________

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: THE PINE by Dylan Thomas

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199712051726.MAA07800@ionline.net>

References:

 

   THE PINE        by Dylan Thomas (1929)

 

   Virgate and sprung of the dusk,

   The pine is the tree of the breeze,

   And the winds that stream through the ribboned light

   And the motley winds from the seas.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: read kerouac

Cc:

Bcc:

X-Attachments:

In-Reply-To: <199712051726.MAA07800@ionline.net>

References:

 

http://www.pdos.lcs.mit.edu/~eddietwo/indeterminacy/names.html http://www.pdos.lcs.mit.edu/~eddietwo/indeterminacy/s.cgi?174To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Dylan

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3489E759.4DC97EB2@scsn.net>

References:

 

caro Bentz, (good sunday) buona domenica!,

 

non so se questo e' di aiuto a te (i dunno if this helps you) e gli amici (and to the friends) but the connection is (ma il collegamento e')

Zimmerman->Zimbo->Dillion->Dylan.

che Bob Dylan abbia cambiato nome in onore di Dylan Thomas non sembra accertato (it seems that Bob Dylan don't choose his name as a tribute to english poet Dylan Thomas).

 

by the good office of the catholic culture bob dylan 'll be an icon in the x-mas crib (cre'che), and it's not a bad news...

 

in the early 70s' i tried to see the Wings in San Marco Square but the hugeness of people stop the trafic on the bridge...

in 1989 the Pink Floyd great performace... then the venice town council stopped the rock meeting in Venice cuz they scared by the electronic sound shattering the medieval monuments as in a futuristic/post-modernist/dream/nightmare...

 

p.s. Bob Dylan says tha 'On the Road' "changed my life

   like everyone else's"

 

cari saluti (best wishes) da

 

Rinaldo.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: found a quote (was Re: Dylan)

Cc:

Bcc: blackj@bigmagic.com

X-Attachments:

In-Reply-To: <348A8EAE.7FAA@bigmagic.com>

References: <3.0.1.32.19971207112256.00b76c28@pop.gpnet.it>

 

At 06.55 07/12/97 -0500, Al Aronowitz  wrote:

>CARO RINALDO:  Please, can you tell me what is the source of that

>statement: "Bob Dylan says that OTR changed my life like everyone

>else's."  (To which I might also add Bob Dylan changed MY life like

>everyone else's.)  Jack Kerouac, Allen Ginsberg, the Beatles, Bob

>Dylan!  Quite a 1-2-3-4 punch! --Al Aronowitz

>--

>***************************************

>Al Aronowitz THE BLACKLISTED JOURNALIST

>http://www.bigmagic.com/pages/blackj

> 

 

caro Al, buona giornata, (good day)

 

first source:

i remember the Dylan's OTR proposition was quoted by poet Ron Whitehead as a tribute to the 40th anniversary of Jack's masterpiece 1th printed.

by the way

what happened to Ron? why he do not come back to beat-L he left a year ago?

 

second source:

Steve Turner's book titled

"Angelheaded Hipster. A life of Jack Kerouac" have a dedication to Bob Dylan (the quote on the back of summary page).

i hope this help,

un caro saluto a tutti,

Rinaldo.

* "some real hot things in the Bible"--- jack kerouac * To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Pinocchio.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <3489E759.4DC97EB2@scsn.net>

References:

 

   morning

   empty row

 

   villas

   green

 

   green

   hedges

 

   barking

   dogs

 

   BEWARE THE DOG

   day to day

 

   barking

   barking

 

   maybe

   a day

 

   they 'll

   stop it

 

   thinking

   me friend

 

---

Rinaldo

10th dec 98

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Musical Instruments from the Tomb of Tutankhamun.

Cc:

Bcc:

X-Attachments:

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References:

 

The Trumpet of KING TUTANKHAMUN

 

The recording of the sound of

the trumpet was made in 1939 in

the Egyptian Museum in Cairo for

BBC radio.

 

The recording is so unique because

since their discovery the trumpets

have only been played on very few

occasions. Considering their fragile

state of preservation, it is very

unlikely that any more attempts will

ever be made again.

 

"Owing to its fragility, the original

silver trumpet has been played only

twice, in the spring of 1939, when

a modern mouthpiece was inserted.

At the first attempt, the trumpet was

shattered but it was restored immediately and survived the eventual broadcast.

The notes obtained by the military trumpeter, after the restoration, were c, e, g and c." (From: L. Manniche, "Musical Instuments from the Tomb of Tutankhamun", Oxford 1976, pp. 7-13).

-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-

point yr browser to web site &

u can download trombut.wav, the

ancient trumpet sound:

 

http.//www.rai.it/grr/golem/maniaci/regra/

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: explanation "Pinocchio".

Cc:

Bcc: "Moritz Rossbach" <moro0000@stud.uni-sb.de>

X-Attachments:

In-Reply-To: <01bd0649$5d386c40$aa716086@ritzo>

References:

 

amici,

Pinocchio is a puppet who was made by wood then became a real man. that'a all in italy.

saluti, Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (trumpet) Golem Tutankhamun.

Cc:

Bcc: stratis@ODYSSEE.NET

X-Attachments:

In-Reply-To: <BEAT-L%1997121123355967@CUNYVM.CUNY.EDU>

References:

 

Antoine and friends,

(in the film titled fift element by Luc Bresson?) anyway the the legend at italian rai broadcasting corporation the best site about the egyptian trumpets played in the 1939. in this site there's a reverse sound of the tutankhamun trumpet and others info...

 

tutankhamun trumpets summary

check first!

 

http://www.rai.it/grr/golem/

http://www.rai.it/grr/golem/maniaci/trombfrm.htm

 

any comments and ideas email the golem at

 

golem@rai.it

 

************

other web site

Hans van den Berg

 

http://www.ccer.ggl.ruu.nl/ccer/trumpet.html

 

and

 

http://www.amargiland.com/hall-of-records/tuts.trumpet.html

 

this sites attention... that who are used to connect to internet via trumpet.exe file maybe there's be a overwriting of the file by the tutankhamun trumpet file so...

 

i hope this help, if necessary other info email me

 

saluti,

Rinaldo.

--------

Antoine wrote:

>Rinaldo.....Hi,

> 

>        I tried to go to the Tutankhamun site, but address didn't work. Any

>ideas?

> 

>                Antoine

> Voice contact at  (514) 933-4956 in Montreal

> 

>    "Blessed are they who can laugh at themselves, for they shall never

>cease to be amused."

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Creeley at 70 - October, 1996.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997121123355967@CUNYVM.CUNY.EDU>

References:

 

Baraka could've no less stormed the stage than if he had been backed by the John Coltrane quartet itself. Baraka's small build gives one no preparation for the immense vision, rhythm, voicing, and cadences that will emerge from the flaming words of his performance. Invoking as central to the Yugen of Baraka's earlier years, "the big three" of the magazine, Ginsberg (is that right?), big Charlie Olson, and Bob Creeley. (Sorrentino, by the way, also appeared in Yugen.) Baraka paid homage to Creeley then performed from Transbluecency and his more recent Funk Lore (Los Angeles: Littoral Books, 1996). Baraka's humming, chanting, and vocal renditions of the standards-a la-Baraka were in perfect accord with the chords still lingering, clinging to the packed, overflowing theatre. No printed text can do this! People filling all seats, people on all sides, standing, squatting, spilling out into the Hallwalls' hallway. Blues, transblues, transvoicings, the unbelievable coup d'etats of Baraka's "lowcoups" (African American version of that knock-out blast commonly associated with the haiku), and his closing triumph (slaves, dig, we were once slaves). Indeed, it was about people, what we are, the rhythms that vibrate through one and the same.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Slawomir Mrozek idées reçues.

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997121123355967@CUNYVM.CUNY.EDU>

References:

 

Slon

Wydawnictwo Literackie

Krakow

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: http://wings.buffalo.edu/epc/authors/glazier/prose/creeley_70.html

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997121123355967@CUNYVM.CUNY.EDU>

References:

 

the slave andim'justnowreading Dutchman by LeRoi Jones do anyone here lookback Tommy Smith and John Carlos?

i saw Amiri Baraka televised by tvz0ne declaming

                   X is black

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (FWD-excerpt from)Was Timothy Leary a CIA Agent?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <BEAT-L%1997121123355967@CUNYVM.CUNY.EDU>

References:

 

>Date: Fri, 12 Dec 1997 03:00:13 -0800

>From: bofus? <bofus@mindspring.com>

>1968: While other New-Left leaders preach violent overthrow of the U.S.

>Government and creation of a Marxist dictatorship, Leary urges instead a

>nonviolent, drug-oriented "hippie capitalism," an artsy-craftsy,

>decentralized, libertarian sort of entrepeneurship that will also soon

>find its expression in the culture of the Grateful Dead. While Leary's

>position does constitute a rejection of the corporate world, it also

>embraces private property and the profit motive. Because of this, the

>Marxist Students for a Democratic Society (SDS) denounces Leary and his

>noncommunist followers for "limiting the revolution." The Progressive

>Labor Party (PLP), a Maoist "Old Left" group, goes so far as to claim

>that Leary is a CIA agent. But the PLP is accusing everyone it disgarees

>with of being CIA.

> 

>1969: Leary critics will eventually point with suspicion to his close

>connections during this time to an international LSD-smuggling cartel,

>the Brotherhood of Eternal Love, which is rumored to be a CIA front. The

>Brotherhood is controlled by Ronald Stark, whom an Italian High Court

>will later conclude has been a CIA agent since 1960, and the

>Brotherhood's funds are channeled through Castle Bank in the Bahamas, a

>known CIA "proprietary." For two years Leary lives at Brotherhood

>headquarters, located on a ranch in Laguna Beach. During this period,

>the Brotherhood corners the U.S. market on LSD and begins distributing

>only one variety of the drug, "Orange Sunshine." Stark says he plans to

>distribute the product to CIA-backed guerillas fighting Chinese

>occupation; he reportedly knows a high-placed Tibetan close to the Dalai

>Lama, and wants to provide enough LSD to dose all Chinese troops in

>Tibet. In the U.S., meanwhile, Stark provides enough Orange Sunshine to

>dose the hippie culture and radical left many times over. This is the

>"bad acid" on which Charles Manson's followers murder Sharon Tate, and

>on which Hell's Angels stab to death a black man during a concert by the

>Rolling Stones. The Summer of Love has been supplanted by a Season of

>Hate. Because of this, many countercultural insiders -- including

>William S. Burroughs, White Panther leader John Sinclair, and Merry

>Prankster Ken Kesey -- will eventually entertain the theory that Stark,

>Leary, and Orange Sunshine are all part of CIA plot to discredit and

>neutralize the radical left. According to former radicals Martin Lee and

>Bruce Shalin, widespread use of Orange Sunshine "contributed

>significantly to the demise of the New Left, for it heightened the

>metabolism of the body politic and accelerated all the changes going

>on... In its hyped-up condition, the New Left burned itself out."

> 

>http://home.dti.net/lawserv/leary.html

> 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (FWD-excerpt from)Was Timothy Leary a CIA Agent?

Cc:

Bcc:

X-Attachments:

In-Reply-To: <7802273d.3492bdfd@aol.com>

References:

 

hello,

the agent Ronald Stark is a notorius agent involved in the dark conspirancy against the democracy here in italy (70s'-80s') connected with neo-nazis and neo-fascists (operation Stay Behind) if there's any connection with Tim Leary it's really a very dangerous bang to the public image of the countercultural leader. I hope, of course, it's not true but IF this is the fact it's very serious both on the side #1 drug spread and #2 nazism against the leftism.

 

Rinaldo.

--------

 

At 11.55 13/12/97 EST, Gene wrote:

>I find it hard to believe that Father Tim had any involvment with such a bogus

>group as the CIA! but i have learned also over the years that anything is

>possible. on a more persoanl note- I had many fine experiences on "Orange

>Sunshine" and cannot honestly say that it destroyed my involvment with the

>Liberal movement- the bull crap developed and handed down by the movement did

>it for me!

>                                           Gene

> 

>To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Slawomir Mrozek idies regues.

Cc:

Bcc:

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In-Reply-To: <4bfd8a2e.3493044d@aol.com>

References:

 

somebody wrote:

>Gort, Klaatu nicto borada!

> 

> 

Slawomir Mrozek, is a player who wrote a very beautiful collected novel called "the elephant".

 

Rinaldo.To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Slawomir Mrozek idies regues.

Cc:

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At 16.56 13/12/97 EST, you wrote:

>In a message dated 97-12-13 09:30:29 EST, you write:

> 

><< 

> Slon

> Wydawnictwo Literackie

> Krakow

>  >>

>Gort, Klaatu nicto borada!

> 

i hope you take seriously this pun as

slawomir is a serious writer and play writer from polonia. this is all. have a look at him works they are very fine and subersive against every establishment in the eastern lands.

 

Rinaldo.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 12 Mellow Hopes of Paradise

Cc:

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amici, a simple question: in the "L'angelo caduto" (the italian translation of "Angelheaded Hipster") at page 205 there's a photo titled "La conferenza dell'addormentato" is this photo in the original Turner's book? i noticed the "L'angelo caduto" has the bio of some beat performers just updated to 1997, perhaps the italian editor has added something...

 

grazie e saluti,

rinaldo.

--------

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Slawomir Mrozek idies regues.

Cc:

Bcc:

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In-Reply-To: <v01510100b0b8617a07d8@[128.125.224.94]>

References:

 

>>Gort, Klaatu nicto borada!

> 

> 

>yeah and ringo starr and calling occupants of interplanetary craft

> 

> 

   Cellografia

 

   out of this planet

   there's the Slon

 

   Zamiatin,

   Ilf,

   Petrov

 

   Borzecin 1930

   To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: flash back Re: (FWD-excerpt from)Was Timothy Leary a CIA Agent?

Cc:

Bcc:

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In-Reply-To: <v03110708b0ba6e1151a8@[156.46.45.109]>

References: <7802273d.3492bdfd@aol.com>

 

"When we heard about the hippies, the barely more than boys and girls who decided to try something different . . . we laughed at them. Smug in our certain awareness that . . . communal life must be more difficult even than nuclear family life, which we know, to our very nerve endings, is disastrous, we condemned them, our children, for seeking a different future. We hated them for their flowers, for their love, and for their unmistakeable rejection of every hideous, mistaken compromise that we had made throughout our hollow, money-bitten, frightened, adult lives." ---June Jordan (b. 1939), U.S. poet, civil rights activist.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Ronald Laing and Michael McClure.

Cc:

Bcc:

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"Once Ronald Laing came in Rome he met Michael and JoAnna McClure. Ronald, everyone called him Ronnie, was happy of chat with them. When he was drunk he sat down apart and he chatted in a low voice with Michael McClure."---from an article by F. Pivano,1979.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: (FWD-excerpt from)Was Timothy Leary a CIA Agent?

Cc:

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jo wrote:

>I seem to have have missed something.

> 

>What link is working on such things as "orange sunsihe destroy[ed] the

>liberal movement...?"

> 

>I really want to archive this thread.

> 

>j grant

> 

>                    HELP RECOVER THE MEMORY BABE ARCHIVES

>                             Details  on-line at

>                                 http://www.bookzen.com

>                      625,506 Visitors  07-01-96 to 11-28-97

> 

jo, it's me rinaldo, i think it's a serious topic the luck of leftism in the western countries. i was in the 60s & 70s a new leftist activist. i'm perhaps in a dark-esque stage of life but it's discouraging matter to realize i/(we) was/(were) manipulated by marionnettistes. it elapsed circa 30year ago but...

democracy is the background to a beat way of life. let imagine a world where won the nazism and tell us what it would happened?

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>,cawilkie@comic.net

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: leary--CIA????

Cc:

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In-Reply-To: <34953953.7A97@comic.net>

References:

 

cathy says:

>Has anyone ever read "Shrodinger's Cat" by Robert Anton Wilson?

> 

>this little scenario sounds like it was taken right out of that book...

> 

> 

>cathy

> 

> 

the issue: please check this web site:

 

http://home.dti.net/lawserv/leary.html

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: a Gus Van Sant movie.

Cc:

Bcc:

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References: <7802273d.3492bdfd@aol.com>

 

hello, it's me Rinaldo, tonite the italian domestic tv channel rete4 has broadcasted the movie "Beautiful And Damned" directed by Gus Van Sant (dedicated to Scott Melloo Nall, Jr.) cast of characters:     mike waters     river phoenix

                   scott favor     keanu reeves

                   richard waters  james russo

                   bob pigeon      william richert

                   etc.

additional dialogues by william shakespeare and thanks to B-52's.

this film has an unique feeling mixing the professional images with those 5mm homemade films (before the cam recorder) to take our soul as a remembrance/dream. the character doddy carroll mike cotrell seems jack kerouac, and the richard mike water's death has maybe something to do with the death of Neal Cassady on the railroad, the freeway as railroad. saluti a tutti from italia.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the visible men

Cc:

Bcc: rasa@gpnet.it

X-Attachments: C:\INTERNET\jkeagiph.jpg;

In-Reply-To: <v03110708b0ba6e1151a8@[156.46.45.109]>

References: <7802273d.3492bdfd@aol.com>

 

Allen Ginsberg, Jack Kerouac (photo)

 

&

a jk's pome dedicated to patricia elliott:

 

 

ROSE POME by Jack Kerouac

 

     I'd rather be thin than famous,

     I dont wanta be fat,

     And a woman throws me outa bed

     Callin me Gordo, & everytime

                             I bend

                             to pickup

                             my suspenders

                             from the davenport

                             floor I explode

                             loud huge grunt-o

                             and disgust

                             every one

                             in the familio

 

             I'd rather be thin than famous

             But I'm fat

 

     Paste that in yr. Broadway Show

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Walking on the sun

Cc:

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References:

 

Bentz wrote:

>Hippie chicks or hypocrites,

>Might as well be walking on the sun.

 

(1)

 

> 

>--

> 

>Peace,

> 

>Bentz

>bocelts@scsn.net

>http://www.scsn.net/users/sclaw

> 

 

(1)

 

&

leaftlets dipersed

on the road

 

the ink blended

with rain & brown leaves

 

in an autumn

 

   fog

 

a lot of years ago

 

 

---

Rinaldo

19thDec97

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the poem which was written on the memorial card at Hank's funeral service

Cc:

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References:

 

but they've left us a bit of music

and a spiked show in the corner,

a jigger of scotch, a blue necktie,

a small volume of poems by rimbuaud,

a horse running as if the devil

were twisting his tail

over bluegrass and screaming,

and then,

love again

like a streetcar turning the corner

on time,

the city waiting,

the wine and the flowers,

the water walking across the lake

and summer and winter

and summer and summer

and winter again

 

 

--from the poem, " If We Take"

   Written by Charles Bukowski

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Lies, Money, and VIdeotape

Cc:

Bcc:

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References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Sat, 24 May 1997 18:21:28 -0700

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Levi Asher <brooklyn@NETCOM.COM>

>Subject:      Re: Lies, Money, and VIdeotape

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Gerald Nicosia writes:

>> Attila Gyensis writes:

>> 

>>         "...the financial assistance that I have received from Mr. Sampas

>> amounts to a grand total (let me check my calculator) $0, nada, zero, nulla,

>> nothing, zip."

>> 

>>         May I suggest, Mr. Gyensis, that you are being a little coy in the

>> matter of advertisements that have magically appeared in your magazine,

>> DHARMA BEAT?

>>         In the short 3-year history of DHARMA BEAT, you have received

>> numerous full-page ads from Viking/Penguin, Mr. Sampas's publisher.  Your

>> fall 1995 issue even had TWO full-page ads from Viking.  You received a

>> half-page ad from Rykodisc for a record that was produced by Jim Sampas.

>> You received a full-page ad for BIG SKY MIND, the Buddhist Beat collection

>> with which Mr. John Sampas was intimately connected (the editor states: "A

>> special debt of gratitude is owed to John Sampas, the Literary Executor of

> 

>...

> 

>The fact that you would speak like this to Attila Gyenis proves to me

>what you're doing wrong.

> 

>I've hung out with Attila a few times, and he is one of the sweetest,

>gentlest most philosophical and non-greedy people I've ever met.

>Furthermore, the one time I discussed you and your activities

>with him (a few months ago over some beers after he and I

>attended the play "Kerouac" together) he was taking your side,

>and telling me about some of your good points.  You've gone and

>turned another friend into an enemy!  As you did with me.

>Your tactics are all WRONG.  This is NOT the way you solve

>problems.  Stop bullying people around.  You could better

>serve your own cause with more peaceful tactics.

> 

>Recently at a LaGuardia Airport taxi stand, I saw a great sign:

>"BE POLITE!  IT'S NICE TO BE IMPORTANT, BUT IT"S MORE IMPORTANT

>TO BE NICE".  Please, Gerry Nicosia, start going with the flow

>a little more.  Estate battles happen.  The world survives.

>Let's talk about something else.  Maybe, to get us off on

>a different topic, you could tell us about the Vietnam book

>you're writing.  I'd really like to hear about it.  When do

>you expect it will be published?

> 

>------------------------------------------------------

>           Levi Asher = brooklyn@netcom.com

> 

>   Literary Kicks: http://www.charm.net/~brooklyn/

>            (the beat literature web site)

> 

> Queensboro Ballads: http://www.levity.com/brooklyn/

>             (my fantasy folk-rock album)

> 

>          ###################################

> 

>          "Tie yourself to a tree with roots"

>                    -- Bob Dylan

>-----------------------------------------------------

> 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat and Marriage

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Sun, 25 May 1997 08:59:33 -0700

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Levi Asher <brooklyn@NETCOM.COM>

>Subject:      Re: Beat and Marriage

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Bentz wrote:

>> Thanks and oh yeah, probably it is a bumpy bumpy ride, because two beats

>> should not marry.  They would spin off into a morass of ADD/hyperactivity.

> 

>I've been married seven years, and this has become a regular cycle by

>now.  With some smart scheduling, we can make the hyperactivity wave

>happen on weekends and the attention-deficit part on weekdays.  It

>also helps me that my wife can't stand the Beats (keeps us balanced).

> 

>That Gregory Corso poem is the best, too ...

> 

>------------------------------------------------------

>           Levi Asher = brooklyn@netcom.com

> 

>   Literary Kicks: http://www.charm.net/~brooklyn/

>            (the beat literature web site)

> 

> Queensboro Ballads: http://www.levity.com/brooklyn/

>             (my fantasy folk-rock album)

> 

>          ###################################

> 

>          "Tie yourself to a tree with roots"

>                    -- Bob Dylan

>-----------------------------------------------------

> 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: Beat and Marriage

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU>

>Date:         Sun, 25 May 1997 21:08:02 -0700

>Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

>From:         Levi Asher <brooklyn@NETCOM.COM>

>Subject:      Re: Beat and Marriage

>To:           Multiple recipients of list BEAT-L <BEAT-L@CUNYVM.CUNY.EDU>

> 

>Jerry Cimino wrote:

>> My wife couldn't stand the beats either when we first got married.  I think

>> it's got to do with that "he's gonna run off and sow his wild oats leaving me

>> stuck at home alone" female thing.  Can't imagine why any woman would think

>> that about people like Neal Cassady?

>> 

>> Now she's involved in a business where she's talking beat everyday.  She

>> really focused in on the women writers, Hettie Jones, Joyce Johnson, Diane

>> DiPrima, Carolyn etc and it turned her around.  She especially enjoyed the

>> new Women & the BG recently released.

> 

>Mine is coming around bit by bit too.  She really likes listening

>to "Kicks Joy Darkness" (that new Rykodisk CD) for instance, whereas

>I was lukewarm.  But that's just because Patti Smith is on it, I

>think ...

> 

>------------------------------------------------------

>           Levi Asher = brooklyn@netcom.com

> 

>   Literary Kicks: http://www.charm.net/~brooklyn/

>            (the beat literature web site)

> 

> Queensboro Ballads: http://www.levity.com/brooklyn/

>             (my fantasy folk-rock album)

> 

>          ###################################

> 

>          "Tie yourself to a tree with roots"

>                    -- Bob Dylan

>-----------------------------------------------------

> 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: long haiku

Cc:

Bcc:

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In-Reply-To:

References:

 

 

   Stifling heat

   the people turn the head

   to the right & to the left

   like the pigeons of the plaza

 

   would u like something

   to drink?

 

         [WATER FOR DOGS!]

 

   (i have)

         [PHONED HIM

         last night]

 

   (but he was)

         [DRUNK]

 

   (dog-tired)

 

 

---

yrs

Rinaldo.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: (fwd) DIDJERIDOO

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

>From: Rinaldo Rasa <rinaldo@gpnet.it>

>Subject:DIDJERIDOO

> 

>didjerido:

>an Austrailian Aboriginee (native) musical instrument that

>resembles a long pipe which the operator plays in the same

>manner as a tuba or other brass instrument

>that's played completely differently from a tuba.

>> 

>>L=(V/2f)+r

>>L-length you are gonna want to cut it

>>V=speed of sound at sea level, which is 340miles/second or 13385.826

>>inches/second

>>divide by

>>2 times the frequency (f) of the pitch you want

>>add

>>r=radius of the tube, i.e. 1 1/2 inch or 2 inch

>> 

>>I've gotten the best results from 2" tubing with a 2"x1 1/2" coupling

>>followed by a 1 1/2x1" coupling for the mouthpiece. Remember to account for

>>the length of the coupling (mouthpiece) when determining the length to cut,

>>it's usually about 2 or 3" long. Okay, here's the lengths:

>>Pitch   Freq(Hz)     Length

>>G        97.999          69.296

>>G#     103.826         65.463

>>A       110.0             61.845

>>A#     116.541         58.430

>>B       123.471         55.206

>>C       130.813         52.164

>>C#     138.591         49.292

>>D       146.832         46.582

>>D#     155.563         44.024

>>E       164.814         41.609

>>F       174.614         39.330

>>F#     184.997         37.178

>>G       195.998         35.148

>>G#     207.652         33.231

>>A       220.000         31.422

>> 

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: DIDJERIDOO

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

didjeridoo:

an Australian Aboriginee (native) musical instrument that resembles a long pipe which the operator plays in the same manner as a brass instrument

played completely differently from a tuba.

> 

>L=(V/2f)+r

>L-length you are gonna want to cut it

>V=speed of sound at sea level, which is 340miles/second or 13385.826

>inches/second

>divide by

>2 times the frequency (f) of the pitch you want

>add

>r=radius of the tube, i.e. 1 1/2 inch or 2 inch

> 

>you got the best results from 2" tubing with a 2"x1 1/2" coupling

>followed by a 1 1/2x1" coupling for the mouthpiece.

>Remember to account for

>the length of the coupling (mouthpiece) when determining

>the length to cut, it's usually about 2 or 3" long.

> 

>Here's the lengths:

>Pitch   Freq(Hz)     Length

>G        97.999          69.296

>G#     103.826         65.463

>A       110.0             61.845

>A#     116.541         58.430

>B       123.471         55.206

>C       130.813         52.164

>C#     138.591         49.292

>D       146.832         46.582

>D#     155.563         44.024

>E       164.814         41.609

>F       174.614         39.330

>F#     184.997         37.178

>G       195.998         35.148

>G#     207.652         33.231

>A       220.000         31.422

> 

If anyone decides to build one, let me know.

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: la voce dei poeti americani ribelli.

Cc:

Bcc:

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References:

 

http://194.184.164.48/soleluna/

http://www.soleluna.interbusiness.it/bacheca/bacheca.html To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

http://www.labiennale.it/cgi-bin/biennale/ccine290.htm http://www.labiennale.it/cgi-bin/biennale/ccine447.htm http://www.labiennale.it/cgi-bin/biennale/ccine462.htm http://www.labiennale.it/cgi-bin/biennale/ccine464.htm http://www.labiennale.it/cgi-bin/biennale/eccin227.htm http://www.labiennale.it/cgi-bin/biennale/eccin244.htm http://www.labiennale.it/cgi-bin/biennale/eccin280.htmTo:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: DOOM PATROLS

Cc:

Bcc:

X-Attachments:

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References:

 

WILLIAM BURROUGHS

 

by Steven Shaviro, shaviro@u.washington.edu

 

 

(c) 1995 Steven Shaviro

 

 

"Which came first, the intestine or the tapeworm?" In this epigram, Burroughs suggests that parasitism--corruption, plagiarism, surplus appropriation--is in fact conterminous with life itself. The tapeworm doesn't simply happen to attach itself to an intestine that was getting along perfectly well without it. Say rather that the intestine evolved in the way that it did just in order to provide the tapeworm with a comfortable or profitable milieu, an environment in which it might thrive. My intestines are on as intimate terms with their tapeworms as they are with my mouth, my asshole, and my other organs; the relationship is as 'intrinsic' and 'organic' in the one case as it is in the other. Just like the tapeworm, I live off the surplus-value extracted from what passes through my stomach and intestines. Who's the parasite, then, and who's the host? The internal organs are parasitic upon one another; the organism as a whole is parasitic upon the world. My 'innards' are really a hole going straight through my body; their contents--shit and tapeworm--remain forever outside of and apart from me, even as they exist at my very center. The tapeworm is more "me" than I am myself. My shit is my inner essence; yet I cannot assimilate it to myself, but find myself always compelled to give it away. (Hence Freud's equation of feces with money and gifts; and Artaud's sense of being robbed of his body and selfhood every time he took a shit). Interiority means intrusion and colonization. Self-identity is ultimately a symptom of parasitic invasion, the expression within me of forces originating from outside.

 

And so it is with language. In Burroughs' famous dictum, language is a virus. Language is to the brain (and the speaking mouth and the writing or typing hand, and the listening ear and the reading eyes) as the tapeworm is to the intestines. Even more so: it may just be possible to find a digestive space free from parasitic infection (though this is extremely unlikely), but we will never find an uncontaminated mental space. Strands of alien DNA unfurl themselves in our brains, just as tapeworms unfurl themselves in our guts. Burroughs suggests that not just language, but "the whole quality of human consciousness, as expressed in male and female, is basically a virus mechanism." This is not to claim, in the manner of De Saussure and certain foolish poststructuralists, that all thought is linguistic, or that social reality is constituted exclusively through language. It is rather to deprivilege language--and thus to take apart the customary opposition between language and immediate intuition--by pointing out that nonlinguistic modes of thought (which obviously exist) are themselves also constituted by parasitic infiltration. Visual apprehension and the internal time sense, to take just two examples, are both radically nonlinguistic; but they too, in their own ways, are theaters of power and surplus-value extraction. Light sears my eyeballs, leaves its traces violently incised on my retinas. Duration imposes its ungraspable rhythms, emptying me of my own thought. Viruses and parasitic worms are at work everywhere, multiple outsides colonizing our insides. There is no refuge of pure interiority, not even before language. Whoever we are, and wherever and however we search, "we are all tainted with viral origins."

 

Burroughs' formulation is of course deliberately paradoxical, since viruses are never originary beings. They aren't self-sufficient, or even fully alive; they always need to commandeer the cells of an already-existing host in order to reproduce. A virus is nothing but DNA or RNA encased in a protective sheath; that is to say, it is a message --encoded in nucleic acid--whose only content is an order to repeat itself. When a living cell is invaded by a virus, it is compelled to obey this order. Here the medium really is the message: for the virus doesn't enunciate any command, so much as the virus is itself the command. It is a machine for reproduction, but without any external or referential content to be reproduced. A virus is a simulacrum: a copy for which there is no original, emptily duplicating itself to infinity. It doesn't represent anything, and it doesn't have to refer back to any standard measure or first instance, because it already contains all the information--and only the information--needed for its own further replication. Marx's famous description of capital applies perfectly to viruses: "dead labor which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks."

 

Reproduction (sexual or otherwise) is often sentimentally regarded as the basic activity and fundamental characteristic of life. It's only through reproduction that natural selection does its work. But look a bit more closely: reproduction is arguably more a viral than a vital process. It is so far from being straightforwardly 'organic,' that it necessarily involves vampirism, parasitism, and cancerous simulation. We are all tainted with viral origins, because life itself is commanded and impelled by something alien to life. The life possessed by a cell, and all the more so by a multicellular organism, is finally only its ability to carry out the orders transmitted to it by DNA and RNA. It scarcely matters whether these orders originate from a virus, or from what we conceive as the cell's own nucleus. For this distinction is only a matter of practical convenience. It is impossible actually to isolate the organism in a state before it has been infiltrated by viruses, or altered by mutations; we cannot separate out the different segments of DNA, and determine which are intrinsic to the organism and which are foreign. Our cells' own DNA is perhaps best regarded as a viral intruder that has so successfully and over so long a stretch of time managed to insinuate itself within us, that we have forgotten its alien origin. Richard Dawkins suggests that our bodies and minds are merely "survival machines" for replicating genes, "gigantic lumbering robots" created for the sole purpose of transmitting DNA. Burroughs describes language (or sexuality, or any form of consciousness) as "the human virus." All our mechanisms of reproduction follow the viral logic according to which life produces death, and death in turn lives off life. And so remember this the next time you gush over a cute infant. "Cry of newborn baby gurgles into death rattle and the crystal skull," Burroughs writes, "THAT IS WHAT YOU GET FOR FUCKING."

 

Language is one of these mechanisms of reproduction. Its purpose is not to indicate or communicate any particular content, so much as to perpetuate and replicate itself. The problem with most versions of communications theory is that they ignore this function, and naively present language as a means of transmitting information. Yet language, like a virus or like capital, is in itself entirely vacuous: its supposed content is only a contingent means (the host cell or the particular commodity form) that it parasitically appropriates for the end of self-valorization and self-proliferation. Apart from the medium, there's no other message. But if language cannot be apprehended in terms of informational content, still less can it be understood on the basis of its form or structure, in the manner of Saussure, Chomsky, and their followers. Such theorists make an equivalent, but symmetrically opposite, error to that of communications theory. They substitute inner coherence for outer correspondence, differential articulation for communicative redundancy, self-reference for external reference; but by isolating language's self-relational structure or transformational logic, they continue to neglect the concrete and pragmatic effects of its violent replicating force. Both communicational and structural approaches try to define what language is, instead of looking at what it does. They both fail to come to grips with what J. L. Austin calls the performative aspect of linguistic utterance: the sense in which speaking and writing are actions, ways of doing something, and not merely ways of (con)stating or referring to something. (Of course, stating and referring are in the last analysis themselves actions). Language does not represent the world: it intervenes in the world, invades the world, appropriates the world. The supposed postmodern "disappearance of the referent" in fact testifies to the success of this invasion. It's not that language doesn't refer to anything real, but--to the contrary--that language itself has become increasingly real. Far from referring only to itself, language is powerfully intertwined with all the other aspects of contemporary social reality. It is a virus that has all too fully incorporated itself into the life of its hosts.

 

A virus has no morals, as Rosa von Praunheim puts it, talking about HIV; and similarly the language virus has no meanings. Even saying that language is performative doesn't go far enough; for it leaves aside the further question of what sort of act is being performed, and just who is performing it. It is not "I" who speaks, but the virus inside me. And this virus/speech is not a freestanding action, but a motivated and directed one: a command. Morse Peckham, Deleuze and Guattari, and Wittgenstein all suggest that language is less performative than it is imperative or prescriptive: to speak is to give orders. To understand language and speech is to acknowledge these orders: to obey them or resist them, but to react to them in some way. An alien force has taken hold of me, and I cannot not respond. Our bodies similarly respond with symptoms to infection, or to the orders of viral DNA and RNA. As Burroughs reminds us: "the symptoms of a virus are the attempts of the body to deal with the virus attack. By their symptoms you shall know them... if a virus produces no symptoms, then we have no way of knowing that it exists." And so with all linguistic utterances: I interpret a statement by reacting to it, which is to say by generating a symptom. Voices continually call and respond, invoke and provoke other voices. Speaking is thus in Foucault's sense an exercise of power: "it incites, it induces, it seduces, it makes easier or more difficult; in the extreme it constrains or forbids absolutely; it is nevertheless always a way of acting upon an acting subject or acting subjects by virtue of their acting or being capable of acting. A set of actions upon other actions." Usually we obey orders that have been given us, viscerally and unreflectively; but even if we self-consciously refuse them, we are still operating under their constraint, or according to their dictation. Yet since an order is itself an action, and the only response to an action is another action, what Wittgenstein ironically calls the "gulf between an order and its execution" always remains. I can reply to a performance only with another performance; it is impossible to step outside of the series of actions, to break the chain and isolate once and for all the `true' meaning of an utterance. The material force of the utterance compels me to respond, but no hermeneutics can guarantee or legislate the precise nature of my response. The only workable way to define "meaning" is therefore to say, with Peckham, that it is radically arbitrary, since "any response to an utterance is a meaning of that utterance." Any response whatsoever. This accounts both for the fascistic, imperative nature of language, and for its infinite susceptibility to perversion and deviation. Strands of DNA replicate themselves ad infinitum. But in the course of these mindless repetitions, unexpected reactions spontaneously arise, alien viruses insinuate themselves into the DNA sequence, and radiation produces random mutations. It's much like what happens in the children's game 'Telephone': even when a sentence is repeated as exactly as possible, it tends to change radically over the course of time.

 

We all have parasites inhabiting our bodies; even as we are ourselves parasites feeding on larger structures. Call this a formula for demonic or vampiric possession. The great modernist project was to let the Being of Language shine forth, or some such grandiose notion. If "I" was not the speaker, the modernists believed, this was because language itself spoke to me and through me. Heidegger is well aware that language consists in giving orders, but he odiously idealizes the whole process of command and obedience. Today, we know better. We must say, contrary to Heidegger and Lacan, that language never "speaks itself as language": it's always some particular parasite, with its own interests and perspective, that's issuing the orders and collecting the profits. What distinguishes a virus or parasite is precisely that it has no proper relation to Being. It only inhabits somebody else's dwelling. Every discourse is an unwelcome guest that sponges off me, without paying its share of the rent. My body and home are always infested--whether by cockroaches and tapeworms, or by Martians and poltergeists. Language isn't the House of Being, but a fairground filled with hucksters and con artists. Think of Melville's Confidence Man; or Burroughs' innumerable petty operators, all pulling their scams. Michel Serres, in his book The Parasite, traces endless chains of appropriation and transfer, subtending all forms of communication. (He plays on the fact that in French the word parasite has the additional connotation of static, the noise on the line that interferes with or contaminates every message). In this incessant commerce, there is no Being of language. But there are always voices: voices and more voices, voices within and behind voices, voices interfering with, replacing, or capturing other voices.

 

I hear these voices whenever I speak, whenever I write, whenever I pick up the telephone. Marshall McLuhan argues that technological change literally produces alterations in the ratio of our senses. The media are artificially generated parasites, prosthetic organs, "the extensions of man." Contemporary electronic media are particularly radical, as they don't just amplify one sense organ or another, but represent an exteriorization of the entire human nervous system. Today we don't need shamans any longer, since modems and FAXes are enough to put us in contact with the world of vampires and demons, the world of the dead. Viruses rise to the surface, and appear not just in the depths of our bodies, but visibly scrawled across our computer and video screens. In William Gibson's Count Zero, the Haitian loas manifest themselves in cyberspace: spirits arising in the interstices of our collectively extended neurons, and demanding propitiation. In DOOM PATROL, we learn that the telephone is "a medium through which ghosts might communicate"; words spoken over the phone are "a conjuration, a summoning." The dead are unable fully to depart from the electronic world. They leave their voices behind, resonating emptily after them. The buzzing or static that we hear on the telephone line is the sum of all the faint murmurings of the dead, blank voices of missed connections, echoing to infinity. These senseless utterances at once feed upon, and serve as the preconditions for, my own attempts to generate discourse. But such parasitic voices also easily become fodder for centralizing apparatuses of power, like the military's C3I system (command/control/communication/intelligence). DOOM PATROL reveals that the Pentagon is really a pentagram, "a spirit trap, a lens to focus energy." The "astral husks" of the dead are trapped in its depths, fed to the voracious Telephone Avatar, and put to work on the Ant Farm, "a machinery whose only purpose is to be its own sweet self." As Burroughs similarly notes, the life-in-death of endless viral replication is at once the method and the aim of postmodern arrangements of power.

 

No moribund humanist ideologies will release us from this dilemma. Precisely by virtue of their obsolescence, calls to subjective agency, or to collective imagination and mobilization, merely reinforce the feedback loops of normalizing power. For it is precisely by regulating and punishing ourselves, internalizing the social functions of policing and control, that we arrive at the strange notion that we are producing our own proper language, speaking for ourselves. Burroughs instead proposes a stranger, more radical strategy: "As you know inoculation is the weapon of choice against virus and inoculation can only be effected through exposure." For all good remedies are homeopathic. We need to perfect our own habits of parasitism, and ever more busily frequent the habitations of our dead, in the knowledge that every self-perpetuating and self-extending system ultimately encounters its own limits, its own parasites. Let us become dandies of garbage, and cultivate our own tapeworms, like Uncle Alexander in Michel Tournier's novel Gemini (Les Météores). Let us stylize, enhance, and accelerate the processes of viral replication: for thereby we increase the probability of mutation. In Burroughs' vision, "the virus plagues empty whole continents. At the same time new species arise with the same rapidity since the temporal limits on growth have been removed... The biologic bank is open." It's now time to spend freely, to mortgage ourselves beyond our means.

 

Don't try to express "yourself", then; learn rather to write from dictation, and to speak rapturously in tongues. An author is not a sublime creator, as Dr. Frankenstein wanted to be. E is more what is called a channeller, or what Jack Spicer describes as a radio picking up messages from Mars, or what Jacques Derrida refers to as a sphincter. Everything in Burroughs' fiction is resolved into and out of a spinning asshole, which is also finally a cosmic black hole. In Chester Brown's graphic novel Ed the Happy Clown (originally published in his comic book Yummy Fur), there is a man who suffers from a bizarre compulsion: he can't stop shitting. More comes out than he could ever possibly have put in. It turns out that his asshole is a gateway to another dimension, a transfer point between worlds. This other dimension isn't much different from ours: it has its own hierarchies of money and power, its own ecological dilemmas, and even its own Ronald Reagan. The interference between the two worlds leads to a series of hysterical sexual fantasies, grotesque amputations, and surreal confusions of identity. But what's important is the process of transmission, not the nature of the product. That's the secret of scatology: waste is the only wealth. "Why linger over books to which the author has not been palpably constrained?" (Bataille). This constraint, this pressure in my intestines and bowels, marks the approach of the radically Other. It's in such terms, perhaps, that we can best respond to George Clinton's famous exhortation: "Free your mind, and your ass will follow." To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: brooklin

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

http://www.charm.net/~brooklyn/Places/Columbia.html http://www.charm.net/~brooklyn/People/NealCassady.htmlTo: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Apocalypsis.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

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>>>>From: Rinaldo Rasa <rinaldo@gpnet.it>

>>>> 

>>>>     Are you Mr. Allen Ginsberg?

>>>> 

>>>>     On of them.

>>>> 

>> te1etypEd m3ssag3

>>>From: B1FF@SCHIZO.ORG (ALAN YOOOO)

>>>  ONLY THE TRUTH WIL TRIUMPH OVUR DECEPSHUN +

>>>  LAST 4VUR.

>>> 

>>From: Rinaldo Rasa <rinaldo@gpnet.it>

>>Subject: (FWd) Who?

>> 

>> he had a suitcase

>> & 3 tHree head of lettuce

>> or

>> thr33 headS     S of l3ttuCe

>> th3re is   there is

>> the MAN has a suitcase

>> he must go

>> a far tiny voice

>>       you must go1!

>>       U must GO11

>>

>> televised or t3l3typ3d

>> 

>> 

>From: B. IOANNIS APOSTOLI

>        APOCALYPSIS

>             21

>ET VIDI CAELUM NOVUM ET TERRAM NOVAM.

>PRIMUM ENIM CAELUM, ET PRIMA TERRA ABIIT,

>ET MARE NON EST.

> 

>  Recently discovered 2,000 year-old Gospels

>  have revealed that ancient Christianity

>  once possessed a secret life-after- death

>  doctrine that was based on modern

>  scientific principles. Six lost Christian

>  documents found among the Nag Hammadi

>  codexes discuss a previously-unknown

>  description of the afterlife that seems to

>  have been specifically modeled on the

>  psychological structure of the human psyche.

Return-Path: <MAILER-DAEMON>

Date: Thu, 28 Aug 1997 00:06:28 +0200 (MET DST) From: <MAILER-DAEMON@gpnet.it>

To: rinaldo@gpnet.it

Subject: mail failed, returning to sender Reference: <m0x3qDy-000rNSC@gpnet.it>

 

|------------------------- Failed addresses follow: ---------------------|  <orpheus@in.the.shadows> ... transport smtp: 550 <orpheus@in.the.shadows>... Relaying Denied |------------------------- Message text follows: ------------------------| Received: from rasa by gpnet.it with smtp using sendmail

   (Smail3.2.0.90 #1) id m0x3qDy-000rNSC; Thu, 28 Aug 1997 00:06:02 +0200 (MET DST) Message-Id: <3.0.1.32.19970828000110.006a0708@pop.gpnet.it> X-Sender: rinaldo@pop.gpnet.it (Unverified) X-Mailer: Windows Eudora Light Version 3.0.1 (32) Date: Thu, 28 Aug 1997 00:01:10 +0200

To: BEAT-L@CUNYVM.CUNY.EDU

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats.

Mime-Version: 1.0

Content-Type: text/plain; charset="us-ascii"

 

Donald Allen

Amari Baraka (Leroi Jones)

Paul Blackburn

Robin Blaser

Bonnie Bremser

Ray Bremser

Chandler Brossard

Charles Bukowski

William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } William S. Burroughs Jr.

Lucien Carr

Paul Carroll

Louis R Cartwright

Carolyn Cassady

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } Andy Clausen

Gregory Corso

Robert Creeley [Black Mountain School]

Henry Cru

Diane DiPrima

John Doe

Kirby Doyle

Robert Duncan [Black Mountain School]

Bob Dylan

William Everson (Brother Antonus)

Richard Farina

Lawrence Ferlinghetti

Charles Foster

Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } John Giorno

Brion Gysin

William Inge

John Cellon Holmes

Herbert Huncke

Ted Joans

Joyce Johnson

Lenore Kandel

Bob Kaufman

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } Jan Kerouac

Ken Kesey

Seymour Krim

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

Timothy Leary

Lawrence Lipton

Malcom Lowry

Norman Mailer

Gerard Malanga

Edward Marshall

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } John Montgomery

Harold Norse

Frank O'Hara

Charles Olson [Black Mountain School]

Peter Orlovsky

Kenneth Patchen

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth

Hugh Romney

Michael Rumaker

Ed Sanders

Hubert Jr. Selby

Gary Snyder

Carl Solomon

Jack Spicer

Hunter Stockton Thompson

Charles Upton

Janine Pommy Vega

Alexander Trocchi

Anne Waldman

Lewis Warsh

Alan Watts

Lew Welch

Philip Whalen

John Wieners

William Carlos Williams

-*-

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

28th august 1997, Venice-Mestre, Italy.

-*-

credits to

Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU> OHearn  <orpheus@in.the.shadows>

David Schwarm <dschwarm@sun3.lib.uci.edu> -*-

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Donald Allen

Amari Baraka (Leroi Jones)

Paul Blackburn

Robin Blaser

Bonnie Bremser

Ray Bremser

Chandler Brossard

Charles Bukowski {16 aug 1920 - 10 mar 1994} William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } William S. Burroughs Jr.

John Cage  {1912-1992} [Black Mountain School] Caleb Carr

Lucien Carr

Paul Carroll

Louis R Cartwright

Carolyn Cassady

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } Tom Clark [Paris Review]

Andy Clausen

Gregory Corso

Robert Creeley [Black Mountain School]

Henry Cru

Diane DiPrima

John Doe

Kirby Doyle

Robert Duncan [Black Mountain School]

Bob Dylan

William Everson (Brother Antonus)

Richard Farina

Lawrence Ferlinghetti [San Francisco Poetry Reinassance] Charles Foster

Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } John Giorno

Morris Graves

Brion Gysin

William Inge

Wally Hedrick [Gallery Six]

John Cellon Holmes

Herbert Huncke

Ted Joans

Joyce Johnson

Lenore Kandel

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } Jan Kerouac

Ken Kesey

Franz Kline

Seymour Krim

Tuli Kupferberg

Joanne Kyger

Philip Lamantia

Jay Landesman

Fran Landesman

James Laughlin

Timothy Leary

Lawrence Lipton

Malcom Lowry

Norman Mailer

Gerard Malanga

Edward Marshall

Peter Martin

Lewis McAdams

Joanna McClure

Michael McClure

Taylor Mead

David Meltzer

Jack Micheline

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } John Montgomery

Shigeyoshi (Shig) Murao

Harold Norse

Frank O'Hara

Charles Olson [Black Mountain School]

Peter Orlovsky

Kenneth Patchen

Thomas Parkinson

Nancy Peters

Stuart Z. Perkoff

Charles Plymell

Dan Propper

Kenneth Rexroth [Berkeley Reinassance]

Theodore Roethke

Hugh Romney

Michael Rumaker

Ed Sanders

Mark Schorer

Hubert Jr. Selby

Gary Snyder

Carl Solomon

Jack Spicer

Hunter Stockton Thompson

Charles Upton

Janine Pommy Vega

Mark Tobey

Alexander Trocchi

Anne Waldman [St. Mark's Poetry Project, New York] Lewis Warsh

Alan W. Watts

Lew Welch

Philip Whalen

John Wieners

William Carlos Williams

Ruth Witt-Diamant [San Francisco's Poetry Center] -*-

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/home.htm

thanks,

Rinaldo Rasa.

29th august 1997, Venice-Mestre, Italy.

-*-

the list of credits & comments:

Timothy K. Gallaher      <gallaher@HSC.USC.EDU> Richard M. Kershenbaum     <r-kershenbaum@UKANS.EDU> OHearn                <orpheus@in.the.shadows>

David Schwarm            <dschwarm@sun3.lib.uci.edu> -*-

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Subject: Beat :List

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Return-Path: <stauffer@pacbell.net>

Date: Fri, 29 Aug 1997 18:19:53 -0700

From: James Stauffer <stauffer@pacbell.net> Reply-To: stauffer@pacbell.net

To: rasa@gpnet.it

Subject: Beat :List

 

Rinaldo

 

More Candidates

 

Wallace Berman

 

Jay deFeo

 

Robert Frank

 

Bruce Conner

 

Leonard Cohen

 

Lenny Bruce

 

Lord Buckley

 

Bill MacNeill

 

Dave Hazelwood

 

I will keep adding others, forwarding you list to sa griffin

 

I may have duplicated some you already have.

 

Jim Stauffer

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Beats

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Return-Path: <stauffer@pacbell.net>

Date: Mon, 01 Sep 1997 17:55:48 -0700

From: James Stauffer <stauffer@pacbell.net> Reply-To: stauffer@pacbell.net

To: rasa@gpnet.it

Subject: Beats

 

Rinaldo,

 

Forgot to mention

 

Tom Field, Jack's favorite painter, belongs in the SF Beat painters of the spicer circle, as does

Bill MacNeill

 

Did we get Jack Micheline (SF<LA<NY poet) on this list?

 

Herbert Huncke?

 

 

 J Stauffer

 

Return-Path: <esaylor@sprynet.com>

From: esaylor@sprynet.com (Eric Saylor) To: rasa@gpnet.it

Subject: beat list

Date: Tue, 02 Sep 1997 05:42:05 GMT

 

Please add Stephen Jesse Bernstein. Poet, author, beat, suicide in 1992, Seattle WA USA.

 

Thanks.

 

Eric

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beats

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Return-Path: <ipl1@columbia.edu>

From: ipl1@columbia.edu

To: "Rinaldo Rasa" <rasa@gpnet.it>

Subject: Re: Beats:The List update 31 aug 1997 Date: Tue, 02 Sep 1997 13:12:56 GMT

X-Newsreader: Forte Free Agent 1.0.82

 

You forgot Larry Eigner of The Black Mountain School.   In fact, both Burroughs and Ginsberg considered him the best poet of the period.

The Beats used to stay at his home often in Swampscott, Mass.

 

On 31 Aug 1997 15:15:23 GMT, you wrote:

 

>Donald Allen

>---

>Amari Baraka (Leroi Jones)

>---

>Wallace Berman

>---

>Paul Blackburn [Black Mountain School]

>---

>Robin Blaser

>---

>Richard Brautigan

>---

>Bonnie Bremser

>---

>Ray Bremser

>---

>Chandler Brossard

>---

>Lenny Bruce

>---

>Lord Buckley

>---

>Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski"

>---

>William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

>                                        Frank Carmody,

>                                        Will Dennison,

>                                        Old Bull Lee"

>            

>---

>William S. Burroughs Jr.

>---

>John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School]

>---

>Caleb Carr

>---

>Lucien Carr "Damion"

>---

>Paul Carroll

>---

>Louis R Cartwright

>---

>Carolyn Cassady "Camille"

>---

>Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty"

>---

>Tom Clark [Paris Review]

>---

>Andy Clausen

>---

>Leonard Cohen

>---

>Bruce Conner

>---

>Gregory Corso "Raphael Urso, Yuri Glicoric"

>---

>Robert Creeley [Black Mountain School]

>---

>Henry Cru "Remi Boncoeur"

>---

>Jay deFeo

>---

>Diane DiPrima

>---

>John Doe

>---

>Kirby Doyle

>---

>Edward Dorn [Black Mountain School]

>---

>Robert Duncan [Black Mountain School]

>---

>Bob Dylan

>---

>Kenward Elmslie [Z]

>---

>William Everson (Brother Antoninus)

>---

>Larry Fagin [Adventures in Poetry]

>---

>Richard Farina

>---

>Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

>                                  "Lorenzo Monsanto,

>                                  Larry O'Hara

>                                  Danny Richman"

>---

>Charles Foster

>---

>Robert Frank

>---

>James Gauerholz

>---

>Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

>                                  Alvah Goldbook, Leon Levinsky

>                                  Carlo Marx"

>---

>John Giorno

>---

>Paul Goodman

>---

>Morris Graves

>---

>Brion Gysin

>---

>Dave Hazelwood

>---

>William Inge

>---

>Wally Hedrick [Gallery Six]

>---

>John Clellon Holmes

>---

>Herbert Huncke

>---

>Ted Joans [Jazz Poetry]

>---

>Joyce Johnson

>---

>Lenore Kandel

>---

>Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 }

>---

>Robert Kelly

>---

>Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

>                                  Leo Percepied, Ray Smith,

>                                  Jack, Peter Martin,

>                                  Sal Paradise"

>---

>Jan Kerouac

>---

>Ken Kesey

>---

>Franz Kline

>---

>Seymour Krim

>---

>Paul Krassner [Realist]

>---

>Art Kunkin [Freep]

>---

>Tuli Kupferberg [Birth]

>---

>Joanne Kyger

>---

>Philip Lamantia

>---

>Jay Landesman

>---

>Fran Landesman

>---

>James Laughlin

>---

>Denise Levertov [Black Mountain School]

>---

>Timothy Leary

>---

>Lawrence Lipton [The Holy Barbarians]

>---

>Ron Loewinsohn

>---

>Malcom Lowry

>---

>Bill MacNeill

>---

>Norman Mailer

>---

>Gerard Malanga

>---

>Edward Marshall

>---

>Peter Martin

>---

>Lewis McAdams

>---

>Joanna McClure

>---

>Michael McClure

>---

>Taylor Mead

>---

>David Meltzer

>---

>Jack Micheline

>---

>Henry Miller { 26 Dic 1891 - 8 Jun 1980 }

>---

>John Montgomery

>---

>Shigeyoshi (Shig) Murao

>---

>Harold Norse

>---

>Frank O'Hara

>---

>David Ohle

>---

>Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School]

>---

>Peter Orlovsky

>---

>Kenneth Patchen

>---

>Thomas Parkinson

>---

>Nancy Peters

>---

>Stuart Z. Perkoff

>---

>Charles Plymell

>---

>Dan Propper

>---

>Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

>---

>Theodore Roethke

>---

>Hugh Romney

>---

>Michael Rumaker

>---

>Ed Sanders

>---

>Mark Schorer

>---

>Hubert Jr. Selby

>---

>Gary Snyder

>---

>Carl Solomon

>---

>Jack Spicer

>---

>Hunter Stockton Thompson

>---

>Charles Upton

>---

>Janine Pommy Vega

>---

>Mark Tobey

>---

>Alexander Trocchi

>---

>Anne Waldman [St. Mark's Poetry Project, New York]

>---

>Lewis Warsh

>---

>Alan W. Watts "Arthur Whane, Alex Aums"

>---

>Lew Welch

>---

>Philip Whalen

>---

>John Wieners [Black Mountain School]

>---

>Jonathan Williams

>---

>William Carlos Williams {17 sep 1883-4 mar 1963}

>---

>Ruth Witt-Diamant [San Francisco's Poetry Center]

>-*-

 

>Hello!,

>i'm listing the beat generation

>(writers & painters & performers)

>& i begin with a list, everyone

>interested can propose a new name.

>http://www.gpnet.it/rasa/home.htm

>thanks,

>Rinaldo Rasa.

>31th august 1997, Venice-Mestre, Italy.

 

>-*-

>the list of credits & comments:

 

>Walter Campbell         <walter.campbell@usa.net>

>Greg Christy            <christyg@pcpartner.net>

>Patricia Elliott        <pelliott@SUNFLOWER.COM>

>Timothy K. Gallaher     <gallaher@HSC.USC.EDU>

>Richard M. Kershenbaum <r-kershenbaum@UKANS.EDU>

>OHearn                  <orpheus@in.the.shadows>

>Mike Rice               <mrice@centuryinter.net>

>David Schwarm           <dschwarm@sun3.lib.uci.edu>

>James Stauffer          <stauffer@pacbell.net>

>Michael Stutz           <stutz@dsl.org>

>-*-

 

 

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beats

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

5.===========*======================

Return-Path: <stauffer@pacbell.net>

Date: Thu, 04 Sep 1997 08:14:47 -0700

From: James Stauffer <stauffer@pacbell.net> Reply-To: stauffer@pacbell.net

To: rasa@gpnet.it

Subject: Beat SuperNova

 

Or the Beat that Exploded, or The Beat Goes On

 

Rinaldo

 

List looks great!  I printed it out and will add some more descriptions for you if you want them, also have some questions, some names that I don't recognize. 

 

Great work.

 

James

 

6.==================*===============

Return-Path: <welch@ix.netcom.com>

Date: Thu, 4 Sep 1997 11:49:47 -0500 (CDT) From: welch@ix.netcom.com (MW)

Subject: Re: the beats list

To: "Rinaldo Rasa" <rasa@gpnet.it>

 

How about Tom Waits?  I'm not sure of your criteria, but in my mind he would qualify as a latter day Beat, esp if Bob Dylan is on your list. 

 

Mike Welch

 

7.=====================*================ Return-Path: <gary_lee-nova@bigfoot.com> X-Sender: gleenova@iSTAR.ca

Date: Wed, 3 Sep 1997 14:40:41 -0700

To: rinaldo@pop.gpnet.it

From: gary_lee-nova@bigfoot.com (Gary Lee-Nova) Subject: Re: Beats:The List update 2 sep 1997

 

Hi Rinaldo;

 

How about?:

 

Mary Beach

Claude Pelieu

Carl Weissner

Jurgen Ploog

Jan Herman

Larry Rivers

 

 

 

@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@ @   Gary Lee-Nova * Emily Carr Institute Of Art & Design * Vancouver B.C.  @ @   -=-=-=-=-=-=-=-=-=-=-> gary_lee-nova@bigfoot.com <-=-=-=-=-=-=-=-=-=-  @ @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: SuperNova Beat update 5 sep 97 (Beats:The List)

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Willie Loco Alexander

---

Donald Allen [The Evergreen Review]

---

Steve Allen

---

Amari Baraka (Leroi Jones)

---

Mary Beach

---

Wallace Berman

---

Stephen Jesse Bernstein

---

Paul Blackburn [Black Mountain School]

---

Robert Bly [Minnesota]

---

Robin Blaser

---

Richard Brautigan

---

Bonnie Bremser

---

Ray Bremser

---

Chandler Brossard

---

John A. Brownson [San Francisco Oracle] ---

Lenny Bruce

---

Lord Buckley

---

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" ---

William S. Burroughs {5 Feb 1914 - 2 Aug 1997} "Bull Hubbard,

                                         Frank Carmody,

                                         Will Dennison,

                                         Old Bull Lee"

             

---

William S. Burroughs Jr.

---

John Cage  {5 sep 1912 - 12 ago 1992} [Black Mountain School] ---

Caleb Carr

---

Lucien Carr "Damion"

---

Paul Carroll

---

Louis R Cartwright

---

Carolyn Cassady "Camille"

---

Neal Cassady {8 Feb 1926 - 4 Feb 1968} "Cody Pomeray, Dean Moriarty" ---

Tom Clark [Paris Review]

---

Andy Clausen

---

Leonard Cohen

---

Bruce Conner

---

Gregory Corso "Raphael Urso, Yuri Glicoric" ---

Robert Creeley [Black Mountain School]

---

Henry Cru "Remi Boncoeur"

---

Jay deFeo

---

Diane DiPrima

---

Bob Dylan

---

John Doe

---

Kirby Doyle

---

Edward Dorn [Black Mountain School, Big Table, Evergreen Review, Mesure] ---

William Duffy [Minnesota]

---

Robert Duncan [Black Mountain School, Experimental Review]

                                         "Geoffrey Donald"

---

Lawrence Durrell [Circle]

---

Larry Eigner [Black Mountain School]

---

Kenward Elmslie [Z]

---

William Everson (Brother Antoninus)

---

Larry Fagin [Adventures in Poetry]

---

Richard Farina

---

Lawrence Ferlinghetti [San Francisco Poetry Reinassance]

                                   "Lorenzo Monsanto,

                                   Larry O'Hara

                                   Danny Richman"

---

Tom Field [Spicer Circle]

---

Charles Foster

---

Robert Frank

---

Jerry Garcia [Grateful Dead]

---

James Gauerholz

---

Allen Ginsberg {3 Jun 1926 - 5 Apr 1997} "Irving Garden, Adam Morand

                                   Alvah Goldbook, Leon Levinsky

                                   Carlo Marx"

---

John Giorno

---

Paul Goodman [Growing Up Absurd]

---

Morris Graves

---

Brion Gysin

---

Dave Hazelwood

---

Jan Herman

---

Wally Hedrick [Gallery Six]

---

John Clellon Holmes

---

Herbert Huncke

---

William Inge

---

Ted Joans [Jazz Poetry]

---

Joyce Johnson

---

Lenore Kandel

---

Allen Katzman [East Village Other]

---

Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } [Beatitude] ---

Robert Kelly [Minnesota]

---

Edie Parker Kerouac

---

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz,

                                   Leo Percepied, Ray Smith,

                                   Jack, Peter Martin,

                                   Sal Paradise"

---

Jan Kerouac

---

Ken Kesey

---

Franz Kline

---

Seymour Krim

---

Paul Krassner [Realist]

---

Art Kunkin [Freep]

---

Tuli Kupferberg [Birth, The Fugs]

---

Joanne Kyger

---

Philip Lamantia [Circle] "Francis Da Pavia, David D'Angeli" ---

Jay Landesman

---

Fran Landesman

---

James Laughlin

---

George Leite [Circle]

---

Denise Levertov [Black Mountain School] ---

Timothy Leary

---

John Lennon [The Beatles]

---

Lawrence Lipton [The Holy Barbarians]

---

Ron Loewinsohn

---

Philomene Long

---

Malcom Lowry

---

Bill MacNeill

---

Norman Mailer

---

Gerard Malanga

---

Ray Manzarek [Doors]

---

William Margolis [Beatitude]

---

Edward Marshall

---

Peter Martin [City Lights, City Light Journal] ---

Lewis McAdams

---

Joanna McClure

---

Michael McClure

---

Bill MacNeill

---

Don McNeill [hippie journalist]

---

Taylor Mead

---

David Meltzer

---

Jack Micheline [SF LA NY poet]

---

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } ---

John Montgomery

---

Richard Moore [Ark]

---

Jim Morrison [Doors]

---

Shigeyoshi (Shig) Murao

---

Harold Norse

---

Frank O'Hara

---

David Ohle

---

Charles Olson {27 dic 1910 - 10 jan 1970}[Black Mountain School] ---

Peter Orlovsky "George, Simon Darlovsky" ---

Kenneth Patchen

---

Thomas Parkinson [Ark]

---

Claude Pelieu

---

Nancy Peters

---

Stuart Z. Perkoff

---

Jurgen Ploog

---

Charles Plymell [North Beach]

---

Dan Propper

---

Kenneth Rexroth {22 dic 1905-1982}[Berkeley Reinassance]

                                   "Reinhold Cacoethes"

---

Ron Rice [The Flower Thief]

---

Frank Rios

---

Larry Rivers

---

Theodore Roethke

---

Hugh Romney

---

Michael Rumaker

---

Ed Sanders [Peace Eye Bookstore]

---

Mark Schorer

---

Tony Scibella

---

Hubert Jr. Selby

---

Gary Snyder "Japhy Ryder, Jarry Wagner, Gary Snyder" ---

Carl Solomon

---

Terry Southern

---

Jack Spicer

---

Hunter Stockton Thompson

---

Charles Upton

---

Janine Pommy Vega

---

John Thomas

---

Mark Tobey

---

Alexander Trocchi

---

Giuseppe Ungaretti [Circle]

---

Tom Waits [Foreign Affairs]

---

Anne Waldman [St. Mark's Poetry Project, New York] ---

Lewis Warsh

---

Alan W. Watts "Arthur Whane, Alex Aums" ---

Carl Weissner

---

Lew Welch "Dave Wain"

---

Philip Whalen "Warren Coughlin, Ben Fagan" ---

John Wieners [Black Mountain School]

---

Jonathan Williams

---

William Carlos Williams {17 sep 1883-4 mar 1963} ---

Ruth Witt-Diamant [San Francisco's Poetry Center] ---

James Wright [Minnesota]

---

Louis Zukofsky [Circle]

-*-

 

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone

interested can propose a new name.

http://www.gpnet.it/rasa/beats.htm

thanks,

Rinaldo Rasa.

5th september 1997, Venice-Mestre, Italy.

 

-*-

the list of credits & comments:

 

Walter Campbell          walter.campbell@usa.net David Christian       dckom@atlcom.net

Greg Christy       christyg@pcpartner.net

Patricia Elliott         pelliott@SUNFLOWER.COM Timothy K. Gallaher   gallaher@HSC.USC.EDU Richard M. Kershenbaum     r-kershenbaum@UKANS.EDU OHearn               orpheus@in.the.shadows

Jym Mooney               vmooney@EXECPC.COM

Gary Lee-Nova      gary_lee-nova@bigfoot.com Mike Rice             mrice@centuryinter.net

randy royal        randyr@southeast.net

David Schwarm            dschwarm@sun3.lib.uci.edu Eric Saylor            esaylor@sprynet.com

James Stauffer           stauffer@pacbell.net

Michael Stutz            stutz@dsl.org

Tara123125               tara123125@aol.com

(no name)                ipl1@columbia.edu

Mike Welch               welch@ix.netcom.com

 

-*-

Addenda comments:

 

1.===================================== Return-Path: <randyr@mailhub.jaxnet.com> Comments: Authenticated sender is <randyr@pop.jaxnet.com> From: "randy royal" <randyr@southeast.net> To: rinaldo@gpnet.it

Date: Thu, 4 Sep 1997 16:13:04 +0000

Subject: two other beats

Reply-to: randyr@southeast.net

Priority: normal

 

hey rinaldo. cool list you have made.

i was just wondering if you could put john jennon and jim morrison up on your list too. both have put out a few poetry collections and had a respect for the beats. morrison wanted to go "on the road" with kerouac. jim morrison ended his life the same way that jack did mainly by drinking, both became quite fat. (i know just that doesn't make jim beat.)

don't forget the obvious grammerical conection between the beatles and the beats.

i just thought maybe you could add these two guys to your list. i know they seem to be more hippiesh, but you do have leary and kesey. just a suggestion

randy.

 

2.==============================

Return-Path: <welch@ix.netcom.com>

Date: Thu, 4 Sep 1997 12:32:58 -0500 (CDT) From: welch@ix.netcom.com (MW)

Subject: Re: Beats:The List update 3 sep 97 To: "Rinaldo Rasa" <rasa@gpnet.it>

 

Another suggestion:  Steve Allen

 

Steve was not only considered to be hip and beat, but he played piano on some of Kerouac's recordings.  Steve encouraged Jack as a writer, was a big fan, and had him on his TV show "The Syeve Allen Plymouth Show", NBC.  "Readings from 'On The Road' & 'Visions of Cody' was broadcast Nov 16, 1959.

 

Mike Welch

welch@ix.netcom.com

http://members.tripod.com/~mwelch/index.html

 

**========== end of comments =======**

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Long Beach Freeway

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

Skip Cross  <skip96@postoffice.ptd.net> wrote:

>Yo Rasa: Great list! But I have to ask... Dylan-Bukowski -HST...Beats?I

>don't think so. (three of my favorite writers)

 

I can understand questioning Dylan and Thompson (though I might argue that Thompson should be counted because of _Hell's Angels_), but Bukowski?

To me, he is clearly in.  I would like someone to explain why he keeps being tossed out.  Popularity?  Lived in LA?  Work was too late?

 

>Robert Gover

 

This guy wrote the _Million Dollar Misunderstanding_, yes?

 

>John Thomas

>Philomene Long

>Marvin Malone

 

Were all of these guys involved with Wormwood?  I don't know Long or Thomas.

 

>Do Steve Richmond

 

I would count Richmond in (Bukowski wrote the introduction for _Hitler Painted Roses_, by the way).

 

> and Gerald Locklin count?

 

Locklin totally counts (cannot believe I forgot the fantastic author of "The Long Beach Freeway":

 

   The Long Beach Freeway

   (after MacLeish)

 

   And here upon this brazen hill

   this hill above the aimless lights

   I watch the always going home

   the going west into the night

 

   the going towards two-bedroom flats

   the going toward the blinding creen

   the alcohol the marriage debts

   the insane hours in between

 

   the painful clock the cereal

   the always sweating late to work

   the water cooler pressured meal

   the longing for the lonely dark

 

   the lonely driving through the hills

   the rock and roll the news the sports

   the somnolence of lower speeds

   the solitary cigarettes

 

   and here upon a brazen hill

   narcotic with the speed of light

   I watch the always going home

   the going west into the night

 

>Carolyn Cassady...Beat sex maybe.

 

I thought she was already on the list?

 

>Leary wasn't beat..he wasn't even hippy...read Koolade Acid Test.

 

Leary was a hippy.  I have seen him with 'flowers in his hair' (which is the only legitimate hippy criteria).

 

_Acid Test_ brings up Kesey (who was clearly after the beat generation) whose work (particularily _Sometimes a Great Notion_) shares several themeatic similarities with some of the better beat novels.  I highly recommend it.

 

>Please don't add Tom Waits to the list.

 

Last Friday, I saw some Tom Waits movie on Bravo.  This guy is a maniac!

I would agree that he is not a member of the beat generation - but clearly 'beat influenced'; in fact I think he has some stuff on the Rhino Box (which argues for his inclusion).  I am not that familiar with his work.  Perhaps someone else could comment?

 

I also would really like someone to enlighten me as to why Bukowski is not considered a beat by so many people.

 

David Schwarm            A taste for marble in a wooden age 41 Southbrook           A weakness for the epic that betrays To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Please don't add Tom Waits to the list.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

In <340CB826.CA611199@postoffice.ptd.net> Skip Cross <skip96@postoffice.ptd.net> writes:

 

 

>Please don't add Tom Waits to the list.

>I love his music but let's stay  focused -----------------------------------------------------------------------

 

Totally disagree.  Waits is very Beat.  Maybe he wasn't around hanging with Kerouac, but he's definitely Beat.  Listen to MORE of his music.

 

I also think Steve Allen should be on the list.

 

Mike Welch

welch@ix.netcom.com

http://members.tripos.com/~mwelch/index.html To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: enrico brizzi(Bologna, 22), jack frusciante e' uscito dal gruppo

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Enrico Brizzi, Jack Frusciante e' uscito dal gruppo Transeuropa, ancona (c) 1994

ed. Arnoldo Mondadori S.p.A. luglio 1996

 

libro scritto a 20 anni, dal romanzo lo stesso autore a ricavato la sceneggiatura del film omonimo ---

"Comunque, i Red Hot Chili Peppers prima avevano alla chitarra tale Hillel Slovak, attualmente morto, a cui era dedicato Mother's Milk, e proprio quella mattina il nostro roccioso aveva letto su Vox che anche Jack Frusciante era uscito dal gruppo, adesso.

   Jack Frusciante era stato il nuovo chitarrista della band, per un paio d'anni. Era un tipo magro e muscoloso, sul metro e settanta. Vale a dire un autentico tappo, in confronto ai compagni, alias dei classici armadi da spiaggia californiana. Comunque, aveva acconciature memorabili, lui, taglio a caschetto primi Beatles o testa rasata con un gran ciuffo fin sugli occhi, perennemente in braghe skate e scarpe da playground. Era sempre rimasto un po' in ombra rispetto agli altri del complesso, poiche' il palco dei Red Hot veniva monopolizzato da Anthony, il vocalist, e dal piu' che coreografico bassista Flea, che nel video di Behind the Sun compariva vestito solo di un paio di pantaloni fatti di giocattoli-tipo bambole, cubi e pupazzetti in plastica e peluche.

   Non era esattamente un chitarrista di grande talento, il vecchio Frusciante, pero' faceva quel che doveva fare, si muoveva nel sound elettrico e liquido della band senza alzare mai gli occhi, senza fissare la telecamera con aria allucinata come faceva Flea. Alex lo ricordava in particolare nel video di Under The Bridge, in cui lui suonava l'intro con una Fender Jaguar, maglione e cappuccio peruviani, davanti a una pacchiana scenografia western. E adesso, in modo assolutamente inspiegabile, il vecchio Frusciante aveva abbandonato il gruppo. Adesso che non si trattava piu' di suonare per due lire nei club di Hollywood o ai festival underground, adesso che piovevano soldi a palate ed era in corso il tour mondiale. Adesso che arrivavano il disco d'oro, i Grammy Awards, la fama e la sicurezza, lui se n'era andato.

   E forse, da solo, quel vecchio non sarebbe stato nessuno, poiche' era ancora troppo poco noto. Dunque, non era stata una mossa alla Peter Gabriel che lascia i Genesis all'apice della popolarita' per darsi a una gratificante carriera solista.

   Per lui, probabilmente, c'era solo il ritorno a Hollywood, la droga, forse un nuovo complesso di fama strettamente locale; e i gestori avrebbero scritto con lettere fluorescenti sui cartelloni dei loro locali J. Frusciante Former Red Hot Chili Peppers Guitarist, e lui avrebbe suonato li' mentre la gente fumava senza considerarlo troppo, e forse qualcuno con una buona memoria si sarebbe chiesto il perche' di una mossa tanto stupida..." pagg.169-170

 

---

"Dall' archivio magnetico del signor alex D.

Leggo Kerouac, e non mi rompete i coglioni che leggo Kerouac e ascolto tutti i miei dischi...

   Dopodomani mattina ce ne serviremo per penetrare il mistero dell'appartamento sommerso, e al telefono non ci sono per nessuno, che' leggo Sulla Strada" pag. 199-200

 

Return-Path: <58949125@cloaked-email.com> From: 58949125@cloaked-email.com

Date: Mon, 08 Sep 97 00:14:10 EST

To: Friend@public.com

Subject: cloaked.com

 

cloaked.com

 

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a range of mail servers that cloak the senders id cd-roms of up-to-date worldwide email addresses opinions on mass mailer software solutions the 'compuserve' anonymous bulk mailing formula cloaked.com products sample pack

 

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To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Kerouac's introduction to Big Sur

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

quoted from Kerouac's introduction to Big Sur:

 

"My work comprises one vast book like Proust except that my remembrances are written on the run instead of afterwards in a sick bed.  Because of the objections of my early publishers I was not allowed to use the same personae names in each work.  On the Road, The Subterraneans, The Dharma Bums, Doctor Sax, Maggie Cassidy, Tristessa, Desolation Angels, Visions of Cody and the others including this book Big Sur are just chapters in the whole work which I call The Duluoz Legend.  In my old age I intend to collect all my work and re-insert my pantheon of uniform names, leave the long shelf of full books there, and die happy.  The whole thing forms one enormous comedy, seen through the eyes of poor Ti Jean (me), otherwise known as Jack Duluoz, the world of raging action and folly and also of gentle sweetness seen throught the keyhole of his eye." To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: big sur - Jack Kerouac died of alcoholism

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Jack Kerouac died of alcoholism, a baffling disease which afflicts large numbers of people and for which no cure is known.  The notion that there is something glamorous about this disease is most unfortunate.

Anyone interested in the vicious descent into physical, emotional, and spiritual breakdown brought on by this sickness should read Big Sur which contains some fine descriptions, to wit:

 

     "One fast move or I'm gone," I realize, gone the way of

      the last three years of drunken hoeplessness which is a

      physical and spiritual and metaphysical hopelessness you

      cant learn in school no matter how many books on exist-

      entialism or pessimism you read, or how many jugs of

      vision-producing Ayahuasca you drink, or Mescaline take,

      or Peyote goop up with---That feeling when you wake up

      with delirium tremens with the fear of eerie death dripping

      from your ears like those special heavy cobwebs spiders

      weave in the hot countries, the feeling of being a bent-

      back mudman monster groaning underground in hot steaming

      mud pulling a long hot burden nowhere, the feeling of

      standing ankledeep in hot boiled pork blood, ugh, of being

      up to your waist in a giant pan of greasy brown dishwater

      not a trace of suds left in--The face of yourself you see

      in the mirror with its expression of unbearable anguish

      so hagged and awful with sorrow you cant even cry for a

      thing so ugly, so lost, no connection whatever with early

      perfection and therefore nothing to connect with tears

      or anything...."

                        pp. 7-8   for starters To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: jk epilogue

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                           "EPILOGUE

 

I think a change has come in my life and though that'll mean so very little a few years, 10 years, 50 years, 100 years from now, maybe the work that I'll do because of it will mean a lot and I hope it does - whatever my children, historians, or that ancient-history worm reads this, I say it anyway, I hope it is true that a man can die and yet not only live in others but give them life, and not only life but that great consciousness of life that made cathedrals rise from the smoke and ricketts of the poor, mantles fall from illuminated Kings, gospells spread from twisted tortured mouth; or living saints that sit in dust, crying, crying, crying, till all eyes see."

 

                                              J. Kerouac

                                              Aug. 28 - Nov. 25

                                              94-21 134 St.

                                              Richmond Hill,

                                              N.Y.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 80th chorus

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SAN FRANCISCO BLUES

 

80TH CHORUS

 

   San Francisco Blues

Written in a rocking chair

  In the Cameo Hotel

   San Francisco Skid row

   Nineteen Fifty Four.

 

This pretty white city

On the other side of the country

  Will no longer be

  Available to me

  I saw heaven move

   Said "This is the End"

   Because I was tired

   of all that portend.

 

   And any time you need

     me

 

Call

   I'll be at the other

    end

 Waiting

     at the final hall

 

Jack Kerouac

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 46th chorus

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San Francisco Blues

 

46th Chorus

 

Babies born screaming

        in this town

Are miserable examples

        of what happens

Everywhere.

 

        Bein Crazy is

        The least of my worries.

 

Now the sun's goin down

In old San Fran

        The hills are in a haze

        Of Shroudy afternoon--

Bent withered Burroughsian

Greeks pass

        In gray felt hats

        Expensively pearly

        On bony suffer heads

                                        JK

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Rail Road jk

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from RR Earth, 1952:

 

There was a little alley in San Franscisco back of the Sothern Pacific station at Third and Townsend in redbrick of drwosy lazy afternoons with everybody at work in offices in the air you feel the impending rush of their commuter frenzy as soon they'll be charging en masse from Market and Sansome buildings on foot and in buses and all well-dressed thru workingman Frisco of Walkup ? ? truck drivers and even the poor grime-bemarked Third street of lost bums even Negroes so hopeless and long left East and meanings of responsibility and _try_ that now all they do is stand there spitting in the broken glass sometimes fifty in one afternoon against one wall at Third and Howard and here's all these Millbrae and San Carlos neat-necktied producers and commuters of America and Steel civilizations rushing by with San Francisco _Chronicles_ and green _Call-Bulletins_ not even enough time to be disdainful, they've got to catch 130,132,134,136, all the way up to 146 till the time of evening supper in homes of the railroad earth when high in the sky the magic stars ride above the following hotshot freight trains. -- It's all in California, its all a sea, I swim out of it in afternoons of sun hot meditation in my jeans with head on handkerchief on brakeman's lantern or (if not working) on books, I look up at the blue sky of perfect lostpurity and feel the warp of old America beneath me and have insane conversations with Negroes in several-story windows above and everything is pouring in, the switching moves of boxcars in that little alley which is so much like the alleys of Lowell and I hear far off in the sense of coming night that engine calling our mountains.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: SAN FRANCISCO, MAY 1993 by ron Whitehead

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Date:         Tue, 12 Nov 1996 15:51:46 -0500 Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> From:         Ron Whitehead <RWhiteBone@WORLDNET.ATT.NET> Organization: White Fields Press

Subject:      response to Bloom: exploding the Canon II

 

SAN FRANCISCO, MAY 1993

 

               Visited Lawrence Ferlinghetti

               Flew to San Francisco

               Super Shuttled to City Lights

                       keys at the front desk

                       with address and map

               Wandered streets  Kerouac Alley  Kenneth Rexroth Place

                       lost for hours

                            small suitcase weighed down with

                  heavy words "The Mask is the Path of the Star"

                Diane di Prima's chapbook

                            Published in Heaven Series Whie Fields Press

                  limited edition of 50 copies to meet her

                                 and have them signed

               Where is Diane di Prima

              on Laguna  Haight-Ashbury  San Francisco Art Institute "the only war that matters is the war against the imagination"

         and I'm searching for Diane di Prima

            Where is Lawrence Ferlinghetti

           on Francisco  Telegraph Hill  North Beach  City Lights' "Poets come out of your closets

 open your windows, open your doors,

 You have been holed up too long

 in your closed worlds..."

       and I'm searching for Lawrence Ferlinghetti

                        Walked Golden Gate Bridge

                         holding Nancye's hand into the wind

                         Alcatraz and sailboats one bent

                         licking the lips of the Bay waters

                         and the Pacific sprays us with tears

                         of Chinese immigrants who for forty days

                         and forty nights have stood on water

                         outside America's door knocking

                         denied entry  denied

                         Fisherman's wharf seals singing

                         some burnt out old hippie screeching

                              "I am a rock I am an island"

                         for spare change from laughing

                         lines of tourists from around the world waiting

                         for trolley tours lunch at Fish Alley

                         hike up Telegraph Hill

                         what a view but

                         a statue of Columbus? is this

                         is this a Columbus I don't know about?

                         the other Columbus? The San Francisco

                         Telegraph Hill North Beach Columbus?

                         Father Christopher Columbus of

                                            Our Lady of the Flowers?

                         no, Lawrence Ferlinghetti says

                         this is THE Christopher Columbus.

                         "We tried to spray paint his

                         hands red but PoliceMen

                         surrounded him all night

                         Columbus Day Eve."

                         Christopher Columbus  Chief Joseph

                         Two histories

                         "Hear me, my chiefs. I am tired; my heart

                         is sick and sad. From where the sun now

                         stands. I will fight no more forever." walking up hills bowing to gravity

leaning backward with my long hair sweeping pigeon shit from the path as I descend the wind and the descent flatten me and now my muscles are green and yellow and red

       pain flavored jello

Caffe Puccini   Caffe Verdi   Caffe Trieste

       espresso         cappucino

    Chinatown   fresh fruit and vegetables

    the smell of dead animals "whole schools of fish,"

    bulging eyes, "gasping on counters" whispering

    unheard

    T'ai chi in the parks on the streets

    movement before sunrise speeding speeding into America

    Hong Kong Mutant flu Killer virus

    now after noon what do they think of me

    walking here what do I look like to them

      so different   so alike

                             I want love to have its way

    is their society still as closed as Bruce Lee found it

    in 1962 North Beach and Oakland and Sacramento like Kudzu Hong Kong money buying out the Italians

                                                  buying San Francisco

    and searching for Lawrence Ferlinghetti

    I crawl through City Lights

    so many writers' writings

    and Lawrence Ferlinghetti is one

    and James Joyce is one

    and William Carlos Williams is one

    and William Butler Yeats is one

    and Walt Whitman is one

    and William Blake is one

    and Jack Kerouac  Allen Ginsberg  Diane di Prima  Amiri Baraka

        John Holmes  Herbert Huncke  Gregory Corso  Michael McClure

        Gary Snyder  Robert Creeley  Phillip Lamantia  William Burroughs

        Anne Waldman  Ed Sanders

        POMES PENYEACH

        POMES ALL SIZES

        "Street Poetry"

        Casting off "the anxiety of influence"

                    "the anxiety of authorship"

                    "Make IT New!"

        "First thought, best thought"

        "have an uninterrupted curiosity"

        "writing the mind"

        "poet get out of the

        inner aesthetic sanctum

        where you have too long

        been contemplating

        your complicated navel"

and as I search for Lawrence Ferlinghetti

        feed the cat and look at photo of Allen Ginsberg

                                          and Lorenzo swimming

           Julie

           why do men still drink wine

           and women still water

  Daniel Ortega's Minotaur keeps watchful eye over

   apartment stairs and Liberty's mask

    like a gargoyle

     guards his bedroom

      paintings and posters of readings round the world

       cover the walls

        TRAVELS IN AMERICA DESERTA on the shelf

         Alcatraz in the distance

         3rd World Voices monks Ernesto Cardinal  Nicanor Parra

         Daniel Berrigan  Thomas Merton pierce the world's terrors

            chanting

            Shelley's "Declaration of Rights"

                    "Government has no rights; it

                     is a delegation from several

                     individuals for the purpose of

                     securing their own." and searching for Lawrence Ferlinghetti I look in A CONEY ISLAND OF THE MIND and

                                         PICTURES OF THE GONE WORLD

               bearing gifts I come

               photos of his journey through Kentucky

               standing at Merton's grave  Literary Gethsemani

               memories of drinking Budweisers

               at The Doo Drop Inn

               "Nice people Dancing to Good Country Music"

           and I've come bearing gifts

               tapes of his reading in Louisville

                    jazz between poems

                                      silence between poems

           blank spaces on the walls between paintings

                          and My Old Kentucky Home

                          is still singing your song and I'm searching for Lawrence Ferlinghetti

                               "the one who'll shake the ones unshaken

                                the fearless one

                                the one without bullshit"

      and walking out his front door

                          from Bolinas  from Lorenzo  from trees

                                                        and back roads

                              he arrives in an old white Toyota truck

                ascetic monk of North Beach

                          satirical wit  ironic humor

                              wisdom

                     southern hospitality in San Francisco, California

          handing Lawrence Ferlinghetti his keys at the end of our visit

                                shaking hands  saying thanks  homage

                      Super Shuttle to airport  Kentucky

        and searching for Lawrence Ferlinghetti

              on the plane I read from the book he signed

                              "Christ climbed down

                              from his bare tree

                              this year

                              and softly stole away into

                              some anonymous Mary's womb again

                              where in the darkest night

                              of everybody's anonymous soul

                              He awaits again

                              an unimaginable

                              and impossibly

                              Immaculate Reconception

                              the very craziest

                              of Second Comings."

 

                                   To Lawrence Ferlinghetti

 

                                         Pax Vobiscum

                                       Ron Whitehead

                                           on flight from San Francisco

                                             to Kentucky

                                                11:33PM

                                                   5/24/93 To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Buson (1715 - 1783) haikus

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Buson:

 

        the cherry blossoms fallen-

through the branches

        a temple

 

        Blow of an axe,

pine scent

        the winter woods.

 

        His holiness the Abbott

is shitting

        in the withered fields.

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat supernova 10 sep 1997

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Donald Allen [The Evergreen Review, editor, poet, Grey Fox Press] Steve Allen [he played piano on some of Kerouac's recordings] David Amram [helped Jack with some of his first jazz poetry readings] Amari Baraka (Leroi Jones)  

Wallace Berman [SF avante garde artist] Stephen Jesse Bernstein [Poet, author, beat, suicide in 1992, Seattle WA USA] Paul Blackburn  [Black Mountain School] Robin Blaser [poet, critic, associate of Duncan, Spicer] Richard Brautigan [Change, novelist _Trout Fishing in America_] Bonnie Bremser [wife of Ray]

Ray Bremser  

Chandler Brossard  

Lenny Bruce [comic]

Lord Buckley [comic]

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } "Bull Hubbard, Frank Carmody, Will Dennison, Old Bull Lee" William S. Burroughs Jr.  

John Cage { 5 sep 1912 - 12 aug 1992 }[Black Mountain School] Edgar Cayce  

Caleb Carr [Son of Lucien _The Alienist_] Lucien Carr "Damion"

Paul Carroll  

Louis R Cartwright  

Carolyn Cassady "Camille"

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } "Cody Pomeray, Dean Moriarty" Tom Clark [Paris Review]

Andy Clausen  

Leonard Cohen [novelist _Beautiful Losers_, songwriter] Bruce Conner [filmaker]

Gregory Corso "Raphael Urso, Yuri Glicoric" Robert Creeley [Black Mountain School, poet] Henry Cru "Remi Boncoeur"

Jay deFeo [San Francisco Painter, _The Rose_] Diane DiPrima [Floating Bear, poetess,_Memoirs of a Beatnik_] John Doe  

Kirby Doyle  

Edward Dorn [Black Mountain School]

Robert Duncan [Black Mountain School, Experimental Review, SF  poet, associate, Spicer, Blazer] "Geoffrey Donald" Bob Dylan  

Larry Eigner [Black Mountain School]

Kenward Elmslie [Z]

William Everson (Brother Antoninus) [Poet, Monk] Larry Fagin [Adventures in Poetry]

Richard Farina [novelist _Been Down So Long_, songwriter] Lawrence Ferlinghetti [San Francisco Poetry Reinassance] "Lorenzo Monsanto, Larry O'Hara, Danny Richman" Tom Field [Spicer Circle, JK's favorite painter] "Larry Meadows" Charles Foster  

Robert Frank [filmaker]

James Gauerholz [Burroughs aid and heir] Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } "Irving Garden, Adam Morand, Alvah Goldbook, Leon Levinsky, Carlo Marx" John Giorno  

Paul Goodman [psycologist, sociologist, _Growing Up Absurd_] Robert Gover  

Morris Graves  

Brion Gysin  

Dave Hazelwood [printer of chapbooks , Auerhahn Press] Wally Hedrick [Gallery Six, husband of Jay DeFeo] John Clellon Holmes [novelist, _Go_]

Herbert Huncke [guru to Ginsberg, Kerouac, and Burroughs, hustler, _Guilty of Everything_] William Inge  

Ted Joans [Jazz Poetry]

Joyce Johnson [wife to JK]

Lenore Kandel [poetess, _The Love Book_  East/West house, "Ramona Schwartz"] Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } John Kelly [Beatitude]

Robert Kelly  

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz, Leo Percepied, Ray Smith, Jack, Peter Martin, Sal Paradise" Jan Kerouac [_Baby Driver_]

Ken Kesey [novelist, psychedelic revolutionary] Franz Kline  

Seymour Krim  

Paul Krassner [Realist, satirist]

Art Kunkin [Freep]

Tuli Kupferberg [Birth, The Fugs]

Joanne Kyger [poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch, East/West house] Philip Lamantia [surrealist poet]

Jay Landesman  

Fran Landesman  

James Laughlin  

Denise Levertov [Black Mountain School] Timothy Leary [chemical revolutionary] Lawrence Lipton [The Holy Barbarians]

Ron Loewinsohn [Change]

Gerald Locklin [poet, _The Long Beach Freeway_]

 

Philomene Long  

Malcom Lowry [novelist, Under the Volcano] Bill MacNeill [Painter, Spicer Circle] Norman Mailer "Harvey Marker"

Gerard Malanga  

Edward Marshall  

Peter Martin  

Lewis McAdams  

Joanna McClure [wife to Michael, poetess] Michael McClure [Journal for the Protection of All Beings, poet, "Pat McLear"] Don McNeill [hippie journalist]

Taylor Mead  

David Meltzer  

Jack Micheline [SF LA NY poet]

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } John Montgomery  

Shigeyoshi (Shig) Murao [City Light Bookstore fixture] Ken Nordine  

Harold Norse  

Frank O'Hara [poet, _Hotel Wembley Poems_] David Ohle [Burroughs Circle]

Charles Olson { 27 dic 1910 - 10 jan 1970 }[Black Mountain School] Peter Orlovsky [wife to Allen Ginsberg] "George, Simon Darlovsky" Kenneth Patchen  

Thomas Parkinson [Ark, UC Berkeley Prof, Casebook on the Beat] Claude Pelieu [Bulletin From Nothing]

Nancy Peters [partner with L. Ferlinghetti in City Lights, married to P. Lamantia] Stuart Z. Perkoff  

Charles Plymell [North Beach, hobohemian poet, novelist] Dan Propper  

Lou Reed  

Kenneth Rexroth { 22 dic 1905 - 1982 }[Berkeley Reinassance, San Francisco Reinassance, Six Gallery reading] "Reinhold Cacoethes" Steve Richmond [introduction for Bukowsky] Frank Rios  

Theodore Roethke  

Hugh Romney [Wavey Gravey]

Michael Rumaker  

Ed Sanders [Peace Eye Bookstore, The Fugs] Mark Schorer [UC Berkeley Prof, critic] Tony Scibella  

Hubert Jr. Selby [NY, LA Novelist]

Patti Smith  

Gary Snyder [Poet, Reed College group] "Japhy Ryder, Jarry Wagner, Gary Snyder" Carl Solomon [_with you in Rocklin_]

Terry Southern [novelist, _Candy_]

Jack Spicer [poet, associate of Duncan, Blazer] Hunter Stockton Thompson  

Charles Upton  

Janine Pommy Vega  

John Thomas  

Mark Tobey  

Alexander Trocchi [Living Theatre]

Giuseppe Ungaretti [Circle]

Tom Waits [songwriter, Foreign Affairs] Anne Waldman [Naropa Institute, St. Mark's Poetry Project, New York] Lewis Warsh  

Alan W. Watts [_Beat Zen, Square Zen_] "Arthur Whane, Alex Aums" Lew Welch (Lewis Barret Welch) { 16 aug 1926 - 23 may 1971 }[_Ring of Bone_, Reed College Group, East/West House] "Dave Wain" Philip Whalen [Poet, Reed College Group] "Warren Coughlin, Ben Fagan" John Wieners [Black Mountain School]

Jonathan Williams  

William Carlos Williams { 17 sep 1883-4 mar 1963 } Clay Wilson  

Ruth Witt-Diamant [San Francisco's Poetry Center] James Wright [Minnesota]

Lousi Zukofsky [Circle]

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: up 11 sept 97 Beat SuperNova.

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

Donald Allen [The Evergreen Review, editor, poet, Grey Fox Press] Steve Allen [he played piano on some of Kerouac's recordings] David Amram [helped Jack with some of his first jazz poetry readings] Amari Baraka (Leroi Jones)  

Wallace Berman [SF avante garde artist] Stephen Jesse Bernstein [Poet, author, beat, suicide in 1992, Seattle WA USA] Paul Blackburn  [Black Mountain School] Robin Blaser [poet, critic, associate of Duncan, Spicer] Richard Brautigan [Change, novelist _Trout Fishing in America_] Bonnie Bremser [wife of Ray]

Ray Bremser  

Chandler Brossard  

Lenny Bruce [comic]

Lord Buckley [comic]

Charles Bukowski {16 aug 1920 - 10 mar 1994} "Henry Chinaski" William S. Burroughs { 5 Feb 1914 - 2 Aug 1997 } "Bull Hubbard, Frank Carmody, Will Dennison, Old Bull Lee" William S. Burroughs Jr.  

John Cage { 5 sep 1912 - 12 aug 1992 }[Black Mountain School] Edgar Cayce  

Caleb Carr [Son of Lucien _The Alienist_] Lucien Carr "Damion"

Paul Carroll  

Louis R Cartwright  

Carolyn Cassady "Camille"

Neal Cassady { 8 Feb 1926 - 4 Feb 1968 } "Cody Pomeray, Dean Moriarty" Tom Clark [Paris Review]

Andy Clausen  

Leonard Cohen [novelist _Beautiful Losers_, songwriter] Bruce Conner [filmaker]

Gregory Corso "Raphael Urso, Yuri Glicoric" Robert Creeley [Black Mountain School, poet] Henry Cru "Remi Boncoeur"

Jay deFeo [San Francisco Painter, _The Rose_] Diane DiPrima [Floating Bear, poetess,_Memoirs of a Beatnik_] John Doe  

Kirby Doyle  

Edward Dorn [Black Mountain School]

Robert Duncan [Black Mountain School, Experimental Review, SF  poet, associate, Spicer, Blazer] "Geoffrey Donald" Bob Dylan  

Larry Eigner [Black Mountain School]

Kenward Elmslie [Z]

William Everson (Brother Antoninus) [Poet, Monk] Larry Fagin [Adventures in Poetry]

Richard Farina [novelist _Been Down So Long_, songwriter] Lawrence Ferlinghetti [San Francisco Poetry Reinassance] "Lorenzo Monsanto, Larry O'Hara, Danny Richman" Tom Field [Spicer Circle, JK's favorite painter] "Larry Meadows" Charles Foster  

Robert Frank [filmaker]

James Gauerholz [Burroughs aid and heir] Allen Ginsberg { 3 Jun 1926 - 5 Apr 1997 } "Irwin Garden, Adam Moorad, Alvah Goldbook, Leon Levinsky, Carlo Marx" John Giorno  

Paul Goodman [psycologist, sociologist, _Growing Up Absurd_] Robert Gover  

Morris Graves  

Brion Gysin  

Dave Hazelwood [printer of chapbooks , Auerhahn Press] Wally Hedrick [Gallery Six, husband of Jay DeFeo] John Clellon Holmes [novelist, _Go_]

Herbert Huncke [guru to Ginsberg, Kerouac, and Burroughs, hustler, _Guilty of Everything_] William Inge  

Ted Joans [Jazz Poetry]

Joyce Johnson [wife to JK]

Lenore Kandel [poetess, _The Love Book_  East/West house, "Ramona Schwartz"] Bob Kaufman { 18 Apr 1925 - 12 Jan 1986 } John Kelly [Beatitude]

Robert Kelly  

Jack Kerouac { 12 Mar 1922 - 21 Oct 1969 } "Jack Duluoz, Leo Percepied, Ray Smith, Jack, Peter Martin, Sal Paradise" Jan Kerouac [_Baby Driver_]

Ken Kesey [novelist, psychedelic revolutionary] Franz Kline  

Seymour Krim  

Paul Krassner [Realist, satirist]

Art Kunkin [Freep]

Tuli Kupferberg [Birth, The Fugs]

Joanne Kyger [poetess, wife (briefly) G. Snyder, girlfriend, Lew Welch, East/West house] Philip Lamantia [surrealist poet]

Jay Landesman  

Fran Landesman  

James Laughlin  

Denise Levertov [Black Mountain School] Timothy Leary [chemical revolutionary] Lawrence Lipton [The Holy Barbarians]

Ron Loewinsohn [Change]

Gerald Locklin [poet, _The Long Beach Freeway_]

 

Philomene Long  

Malcom Lowry [novelist, Under the Volcano] Bill MacNeill [Painter, Spicer Circle] Norman Mailer "Harvey Marker"

Gerard Malanga  

Edward Marshall  

Peter Martin  

Lewis McAdams  

Joanna McClure [wife to Michael, poetess] Michael McClure [Journal for the Protection of All Beings, poet, "Pat McLear"] Don McNeill [hippie journalist]

Taylor Mead  

David Meltzer  

Jack Micheline [SF LA NY poet]

Henry Miller { 26 Dic 1891 - 8 Jun 1980 } John Montgomery  

Shigeyoshi (Shig) Murao [City Light Bookstore fixture] Ken Nordine  

Harold Norse  

Frank O'Hara [poet, _Hotel Wembley Poems_] David Ohle [Burroughs Circle]

Charles Olson { 27 dic 1910 - 10 jan 1970 }[Black Mountain School] Peter Orlovsky [wife to Allen Ginsberg] "George, Simon Darlovsky" Kenneth Patchen  

Thomas Parkinson [Ark, UC Berkeley Prof, Casebook on the Beat] Claude Pelieu [Bulletin From Nothing]

Nancy Peters [partner with L. Ferlinghetti in City Lights, married to P. Lamantia] Stuart Z. Perkoff  

Charles Plymell [North Beach, hobohemian poet, novelist] Dan Propper  

Lou Reed  

Kenneth Rexroth { 22 dic 1905 - 1982 }[Berkeley Reinassance, San Francisco Reinassance, Six Gallery reading] "Reinhold Cacoethes" Steve Richmond [introduction for Bukowsky] Frank Rios  

Theodore Roethke  

Hugh Romney [Wavey Gravey]

Michael Rumaker  

Ed Sanders [Peace Eye Bookstore, The Fugs] Mark Schorer [UC Berkeley Prof, critic] Tony Scibella  

Hubert Jr. Selby [NY, LA Novelist]

Patti Smith  

Gary Snyder [Poet, Reed College group] "Japhy Ryder, Jarry Wagner, Gary Snyder" Carl Solomon [_with you in Rocklin_]

Terry Southern [novelist, _Candy_]

Jack Spicer [poet, associate of Duncan, Blazer] Hunter Stockton Thompson  

Charles Upton  

Janine Pommy Vega  

John Thomas  

Mark Tobey  

Alexander Trocchi [Living Theatre]

Giuseppe Ungaretti [Circle]

Tom Waits [songwriter, Foreign Affairs] Anne Waldman [Naropa Institute, St. Mark's Poetry Project, New York] Lewis Warsh  

Alan W. Watts [_Beat Zen, Square Zen_] "Arthur Whane, Alex Aums" Lew Welch (Lewis Barret Welch) { 16 aug 1926 - 23 may 1971 }[_Ring of Bone_, Reed College Group, East/West House] "Dave Wain" Philip Whalen [Poet, Reed College Group] "Warren Coughlin, Ben Fagan" John Wieners [Black Mountain School]

Jonathan Williams  

William Carlos Williams { 17 sep 1883-4 mar 1963 } Clay Wilson  

Ruth Witt-Diamant [San Francisco's Poetry Center] James Wright [Minnesota]

Lousi Zukofsky [Circle]

 

         =*=

Hello!,

i'm listing the beat generation

(writers & painters & performers)

& i begin with a list, everyone 

interested can propose a new name.  

http://www.gpnet.it/rasa/beats.htm

 thanks, 

Rinaldo Rasa

Venice-Mestre, Italy. 

last update 11th september 1997

 

notice that this list it's my own only responsibility the friends have always gimme the right way  

 

         =*=

the list of credits & comments: 

 

gordon allen       GordonA111@aol.com

Walter Campbell          walter.campbell@usa.net C. Dickens Books           email@cdickens.com

David Christian          dckom@atlcom.net

Greg Christy       christyg@pcpartner.net

Marie Countryman         country@sover.net

Patricia Elliott         pelliott@SUNFLOWER.COM Timothy K. Gallaher   gallaher@HSC.USC.EDU Richard M. Kershenbaum     r-kershenbaum@UKANS.EDU OHearn               orpheus@in.the.shadows

(no name)                ipl1@columbia.edu

Jym Mooney               vmooney@EXECPC.COM

Mike Rice                mrice@centuryinter.net

Jonathan Pickle          jrpick@MAILA.WM.EDU

David Schwarm            dschwarm@sun3.lib.uci.edu Eric Saylor            esaylor@sprynet.com

Sisyphus           sisyphus@polaris.mindport.net James Stauffer        stauffer@pacbell.net

Michael Stutz            stutz@dsl.org

Tara123125               tara123125@aol.com

Mike Welch               welch@ix.netcom.com

 

         =*=To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Hot Java Poetry Reading (mc)

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Friday the 13th, Plattsburgh, NY

Hava Java Poetry Reading

 

I sit, surrounded by men

   gentle men

         poet men

giving names to the unnameable

   and voice to the unspeakable,

opening  themselves up,

   using words as scapels.

Transcendental alchemy

   changing blood to ink-

         ink filling voids with words.

 

I sit, suddenly again the child i never was.

 

How many years now lost?

   how many fractured fine lines

         hold my selves

                                   precariously,

together?

(stifled all these years,

   fearing words would crack me open

         only to find an empty shell)

 

tonight i sit with these gentle men

   whose poems bank the protective fire

         which holds us in its ring

 

and the universe cracks open

   inside my soul:

 

it isn't just me inside this ring

it isn't just me inside this ring,

it isn't just me inside this ring,

 

this ring of blood and fire

 

the grey smoke of the fire ring

   gives birth

         to metaphors stark

              and shark naked facts,

as my  facts

   my metaphors

         my grey smoke

              rises and merges

                   with all.

 

 

the poems alchemy

   begins its work,

        changing blood to ink.

 

 

a girl of seven,

   feet dangling off the floor,

              appears in my chair,

                   all dressed up and no place to grow.

 

right now i'm only seven

   and awake long past my bed time

         staying up late with  boys

              inside of poets' pockets.

 

we speak

   of hateful mothers

         of hurtful fathers

              alcoholism

                   and winnie the pooh.

 

no bitterness remains.

 

   in this charmed circle

         this ring of fire

pain exchanged transmutes itself

   in this charmed circle,

         this ring of fire,

the alchemy of blood and pain.

 

 

it's bedtime now.

   would you tuck me in now,

         daddy?

- daddy isn't here.

 

would you be my fathers,

         if only for tonight?

 

mc 6/20/97

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: workshop with michael czarnecki (mc)

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6/14/97

workshop with michael czarnecki

plattsberg, ny

etching: in conclusion

artist: valerie patterson

 

In conclusion

 

you are twelve years dead,

   mother

yet nightly you rise from your grave

 

every night,

   mother

your face invades my dreams

 

wrinkled, corroded

   by years of disappointment

for which you have always blamed me

 

there are no laugh lines

   hidden in the creases

of your face

 

toothless old crone,

   i still fear your bite

 

in conclusion, mother

   each morning as i rise from my grave

you return to yours

 

 

marie countryman

@mc

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: INTOXICATION (mc)

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INTOXICATION

 

(for michael and craig)

 

clouds burst

and rain down

on poets

wandering in street

searching for poetical drink.

 

suddenly drenched!

clouds burst!

we laugh and turn faces up,

mouths open

to drink in the sky--

 

leap-frogging puddles,

laughing

        tumbling

                shouting

                        splashing!

 

until, many blocks later

        we pour ourselves into the car, ending

   the best

         poetical

              drunk

                   by far.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: on not writing (mc)

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on not writing

 

i have not been writing

i have been painting

i have not thought of words,

but rather of

colors, shapes, blending, edging,

worlds building on the page

is it sleep

is it dreaming

who is doing the painting?

landscapes of the mind

appear regularly as if

plucked out of thin air.

no memory

        beyond the intent to paint

dreams of eternal landscape

        building word less poems

not asleep

        nor waking.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: pear tree (mc)

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>pear tree

> 

>as a child i climbed

>to safety, embraced

>by the old pear tree,

>sitting in its gnarley

>branches,

>writing pomes

>and secret thoughts,

>eating sweet pears,

>their juice

>running down my sticky

>fingers,

>staining the pages

>already wrinkly and wet

>by silent tears.

> 

>during hurrican'

>season,

>late august, early septenmber

>when storms threatend,

>the tree stood laden with fruit

>over-ripe fruit,

>and we rushed about to

>save the pears, dodging

>yellow jackets

>drawn to there sweetness,

>the over-ripe fruit

>smashed in ground

>splatterd on asphalt,

>eating as we picked and packed

>baskets of pears

> 

>neighbors rushed to help

>returning home

>with pears pears pears

>and

>more pears.

> 

>no other fruit

>has ever been sweeter

>than the pears

>of my writing tree.

>mc (sunday, april 13,)

> 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: PSYCHO-BUREAUCRATIC RANT (mc)

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PSYCHO-BUREAUCRATIC RANT

 

RANT against the psycho-bureaucratic who see only bottom lines

   and never the people on the bottom!

RANT against those who measure out years not by coffee spoons but rather by

        counting beans!

by insurance schemes

and the gov'ment  campaigns  to ignore

        ALL

who stand in abject self-affacement, begging for help!

RANT againt those who blame a child's agony upon the adult survivor who tries

         to make sense of a life gone  terribly wrong!

RANT against the damned patriarchal society which denies that fathers (and mothers) do unspeakable wrongs  to

        daughters!

         to sons!

RANT against the inexorable, horrible, unspeakable reenactment of abuse through

        generations

RANT against the fathers

RANT against the mothers

RANT against the priests the nuns the parents the doctors, the teachers the ones who

         have the power to protect but instead assault

   or at best

          look the other way!

 

RANT against mothers who collude with fathers, stepdads and "uncles"!!

 

RANT against the made-for-tv movies which exploit the pain of others just to make a buck!

        the evangelists!

        the pope!

   the cops!

        the courts!

        the good ole boy networks!

   the neighbors who don't want to 'meddle' RANT AGAINST THE CONSPIRACY OF SILENCE

 

RANT RANT RANT RANT RANT RANT RANT RANT RANT RANT AND , RANT!!!

         i am RANTING and i will not stop. i will not allow my fate to be one of SELF DESTRUCTION , SELF EFFACEMENT AND INVISIBLITY

 

i will not shut up, EVER!

 

        I ASK ONLY

WHEN IS ANYONE ELSE GOING TO SEE AND HEAR WHAT WE HAVE TO SAY?????

 

when will the 'good citizens' drop the curtains from their eyes and acknowledge

that monsters DO exist?

 

        WHEN WILL ENOUGH BE ENOUGH????????

 

when will the baby predators

              the perpertrators

                    be brought to justice?

 

some speculate that this will not happen  until hell freezes over

 

which, according to most, is on its way,

 

sponsored by the next millenium,

slouching toward bethlehem to be born.

 .

8/26/97

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: thinking about kerouac (mc)

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thinking about kerouac

or,

spontaneous sidewalk

 

what is it with me, lately?

i keep buying books.

         i'm poor

              but would rather go hungry

                   than be hungry for words.

i want to be a writer.

         i read lots of writers

              lots of poetry

                   lots of prose

                         lots of writers writing about writing

                              and critics who write about

them,

until i get  to feeling like the quaker oats man

         who is pictured on the label

              holding another quaker box

                              with a little

                                   quaker man,

holding. . .

              you  know?

i mean, does he ever  eat the oatmeal?

 

 i throw over my captors,

self-consciouness and fear,

and break free.

as, up from the depths of my

inarticulate soul,

a voice speaks to me

of  kerouac,

word sketches

writ down in  moments

of white heat.

 

now i stop all thought,

and, suddenly,

finally !

   i am left with IT!

         jack 's

              spontaneous prose

                   writ in humble small  pad

                          full of word sketches

                   novels

              poetry

 

         prose

 

Emboldened,

out i go, tiny pad in pocket

looking avidly for

the perfect

poetic moment

to capture in words,

a stupendouslyspontaenous

experience of IT

 

 and so, i go, casting

eyes up to sky

and down to

earth

& cement.

 

i walk quite a bit,

and then further.

no epiphanies.

my pad begins to sweat.

 

suddenly i stop

and discover

that i am standing

in the midst

of a cheery

hop

   scotch

         scrawled in

              blue chalk.

i had my note pad ready

to capture it all,

 

         a frenzy of scribbling

of twilight  days.

of summer mothers' voices on the breeze giving last call for play

with

    just

         one

               more

                   game

         of hop scotch,

   marbles, jumprope

kick the can,

   giant steps,

 played against backdrop

   of swooping

              clouds

of fireflies gleaming

 in the twilight

gloaming

 

 

dirty hands and sticky faces,

bare feet on dewy grass...

              touch

                   taste

              sight

         sounds

   alive!

 

and out on that sidewalk

i stoop scribbling

sketched

impressions,

literary

allusions,

and clever turns of phrase.

 

i feel like a real poet now.

 

i dash home

to fashion my  poem.

i open my notebook excitedly!

 

and there,

    on the page,

         no words at all,

only the

   hopscotch

         blocks,

              blue chalk

                    and all.

@mc/517/97

revised 5/26/97

6/1/97

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: to allen, from a distance (5/26/97 revision) (mc)

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to allen, from a distance (5/26/97 revision)

 

 

allen,

i saw you in my dreams last night,

              forever  electrified,

                   leaping

                          bowing

                              singing

                                   and praying

                                         for us all.

allen,  as i slept,

    i felt your  great generosity of spirit lay a blessing on me.

 

again, in my dreams,

         you are walking

              in the supermarket

                         holding hands  with  whitman -

         you  are

              chanting  for peace

                         while chicago erupted

                              in the democratic

                                   violence of 1968.

 

 

i have before me,

   father death,

          a photot of your esctatic soul

              made manifest by your utter joyful dancing.

                   during human be-in, frisco, 67.

 

today, allen,

upon awakening,

   i feel your death keenly.

i go out walking

        surrounded by  you

              - in the leaves of grass,

                   rising from their

                         winter  sleep

                              beneath the melting snow

              - in all the cracks in the sidewalk

                   -in  all  the skies above.

 

this year i will plant sunflowers, allen..

                   today i  fare thee well.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: extend ascii

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(128)ÇüéâäàåçêëèïîìÄÅÉæÆôöòûùÿÖÜ¢£¥Pƒá¬1/21/4¡""__¦¦¦¦++¦ ¦++++++--+-+¦¦++--¦-+----++++++++__¦__ß(225)_¶__µ____ ____±____÷_°•·n²__

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: brecht

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU> X-Sender: rinaldo@pop.gpnet.it

Date:         Sun, 14 Sep 1997 13:08:00 +0200 Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> From:         Rinaldo Rasa <rinaldo@GPNET.IT> Subject:      Out of This Planet. Au_er diesem Stern (bertolt brecht) To:           BEAT-L@CUNYVM.CUNY.EDU

 

        Au_er diesem Stern

 

        Au_er diesem Stern, dachte ich, ist nichts und er

        Ist so verw|stet.

        Er allein ist unsere Zuflucht und die

        Sieht so aus.

        -- BERTOLT BRECHT

 

Out of this planet, I thought, there is not nothing, and it is so desolate.

It is our shelter, and this

That is the way it is.

 

 

        Der Rauch

 

        Das kleine Haus unter Bdumen am See.

        Vom Dach steigt Rauch.

        Fehlte er

        Wie trostlos dann wdren

        Haus, Bdumen und See.

        -- BERTOLT BRECHT

 

The small house among to the trees on the lake.

>From the roof climbs the smoke.

If there is not smoke

house, trees and lake would be dismal.

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: kerouac prose and be bop

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In article <01bcc017$69320d80$a31401cf@blah.nash.tds.net>, "Sarah Christians" <slc@acquiesce.org> wrote:

 

 

> As for his just sitting down and writing, what you are referring to as

> 'wild form,' Kerouac called it Spontaneous Bop Prosody.  The artist Ed

> White suggest to Kerouac that he "write as if he were sketching--

> responding, that is, immediately and directly to his subject and putting

> down the words as quickly as they came to his mind."  Thus, the beginnings

> of spontaneous prosody.  The "bop" was added when Kerouac describing his

> writing as "blowing," similar to that of a jazz soloist.

 

neato says:

this is not "exactly" correct (what is?)...while it is true that ed white suggested kerouac do "word sketches", this is in relation to the carrying of notebooks around with which to write in...white used a similar approach himself for sketching architecture..the idea of kerouac making quick sketches into his notebook while "in the field" is seen to no better effect than in his -manhattan sketches-...kerouac literally writing down anything that came to him while actually sitting amidst it..comparable to van gogh taking his canvas out into the fields to paint as opposed to making a mental picture and later "re"painting it in his studio(room)..

 

kerouac wrote:

"i got my idea for spontaneous prose from from letters from cassady"

 

...this is the technique whereby the writer pours his ideas out in an almost unconcious stream without regard for "all that crap craft business"(kerouac)...it is spontaneous and often fueled by some kind of stimulant (drugs, caffeine,drink,sleep deprivation,music) to create an enlightened state...some refer to it as making contact with the lady or the muse...it is however far different from the sketching process in that it circumvents the senses and tries to get down as quickly as possible the furious outpourings of the mind..it is however still a reconstruction of events (however spontaneous) as opposed to the "in the moment" aspect of the sketches

 

cheers

 

      all my mistakes were once acts of genius

                 neato@pipeline.com

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: carl solomon

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carl solomon (friend of ginsberg's, worked at ace books)

 

William S Schofield <wss@SAS.UPENN.EDU> wrote: I remember reading an interview with Carl Solomon in which he spoke about his trip to France before(i'm presuming) his stint in the asylum with ginsberg -- in this article solomon wrote of discovering Artaud (this man more than anyone went WAY beyond any "normal" or acceptable limit) and all the literature of the surrealists and their fringe expatriots -- To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: beat list

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hello robert,

i've placed the list on the Web at the following address (with photos of some beats)

 

http://www.gpnet.it/rasa/beats.htm

 

Terry Southern is already in the list,

 

thanks for your support, i love that

friends collaborate with opinions at

the growing of the list,

have i your permission to include yr

name in comments&credits?

 

ciao da Rinaldo.

Venice-Mestre,Italy.

rinaldo@gpnet.it

-*-*-*-*-*-*-*-*-*-

 

Robert Davison <davison@tyco.net.au> wrote in article <01bcbdf1$2a9977c0$81ee14cb@sirius.tyco.net.au>...

>

> What about Terry Southern? Seams to me he was more of a "beat" than the

> likes of Kenneth Patchen or Norman Mailer.

>

> Southern is best known for his work on the screenplays, "Dr. Strangelove,

> Or How I Learned to Stop Worrying and Love the Bomb" and "Easy Rider, but

> he's also an accomplished writer of short stories, novels and errr...

> assorted other things.

>

> Although not really associated with the Beats in the mind of the public,

> Southern came to prominence in roughly the same era and often wrote about

> similar things: jazz musicians, hipsters, drugs etc. He worked with William

> S. Burroughs on the "Junky" film project, which never really got off the

> ground...

>

> If you want to check out Terry Southern, see if you can find his "Red Dirt

> Marijuana and Other Tastes" collection - some really great, witty stuff in

> there...

>

> Robert Davison

>

> "Nothing is true. Everything is permitted"

>                         - Hassan I Sabbah

> 

-*-*-*-*-*-*-*-*-*

What about Terry Southern? Seams to me he was more of a "beat" than the likes of Kenneth Patchen or Norman Mailer.

 

Southern is best known for his work on the screenplays, "Dr. Strangelove, Or How I Learned to Stop Worrying and Love the Bomb" and "Easy Rider, but he's also an accomplished writer of short stories, novels and errr...

assorted other things.

 

Although not really associated with the Beats in the mind of the public, Southern came to prominence in roughly the same era and often wrote about similar things: jazz musicians, hipsters, drugs etc. He worked with William S. Burroughs on the "Junky" film project, which never really got off the ground...

 

If you want to check out Terry Southern, see if you can find his "Red Dirt Marijuana and Other Tastes" collection - some really great, witty stuff in there...

 

Robert Davison

 

"Nothing is true. Everything is permitted"

                        - Hassan I Sabbah To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: alan watts

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Glossary entry for

Watts, Alan Wilson

 

<Picture: Van home page><Picture: Van glossary index>

 

------------------------------------------------------------------------

 

 

<Picture>Alan Watts (1915-1973): philosopher, author, lecturer, teacher, became well known in the 1960s as a pioneer in bringing Eastern philosophy to the West. Through his numerous books and public lectures on the psychology and philosophy of religion, Watts went on to captivate a worldwide audience of millions and to become known as one of the most original interpreters of oriental philosophy in general, and of Zen Buddhism in particular. Cloud-Hidden, Whereabouts Unknown: A Mountain Journal is the title of one of Watts' books (ISBN 0394482530), published by Pantheon in 1973.

 

According to Alan's son, Mark Watts, Van and Alan were great friends. When asked by Van list member Dweller2, Mark said, "Yes, I remember Van coming to visit and the two of them laughing and having a great time." Apparently you can get a catalog of Alan Watts' tapes by contacting

 

The Electronic University

PO Box 2309

San Anselmo, CA

USA 94979

Telephone: 1-800-969-2887

 

 

 

More information available at:

 

•The Mystic Fire website has a page on Alan Watts •http://www.intac.com/~dimitri/dh/watts.html - this page includes a bibliography •Digests from the Alan Watts Mailing List are available online too.

 

Van references in:

 

•"Alan Watts Blues" (on Poetic Champions Compose)

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: van morrison

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<Picture: Poetic Champions Compose cover>

 

 

 

Van Morrison song lyrics:

Poetic Champions Compose album

 

<Picture: Van home page><Picture: Van lyrics index>

 

 

•The Mystery •Queen of the Slipstream •I Forgot That Love Existed •Sometimes I Feel Like a Motherless Child •Someone Like You •Alan Watts Blues •Give Me My Rapture •Did Ye Get Healed?

 

 

------------------------------------------------------------------------

 

 

 

 

The Mystery

 

Let go into the mystery

Let yourself go

You've got to open up your heart

That's all I know

Trust what I say and do what you're told Baby, and all your dirt will turn

Into gold

 

Let go into the mystery

Let yourself go

And when you open up your heart

You get everything you need

Baby there's a way and a mystic road

You've got to have some faith

To carry on

 

You've got to open up your heart

To the sun

You know he's looking out for you

'Cause he's the one

 

Let go into the mystery

Let yourself go

There is no other place to be

Baby this I know

You've got to dance and sing

And be alive in the mystery

And be joyous and give thanks

And let yourself go

 

I saw the light of ancient Greece

Towards the One

I saw us standing within reach

Of the sun

Let go into the mystery of life

Let go into the mystery

Let go into the mystery

Let yourself go

 

You've got to open up your arms

To the sun

You know you've got so many charms

It's just begun

Trust what I say and do

What you're told

And surely all your dirt will turn into gold

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ Queen of the Slipstream

 

You're the Queen of the slipstream

With eyes that shine

You have crossed many waters to be here You have drank of the fountain of innocence And experienced the long cold wintry years.

 

There's a dream where the contents are visible Where the poetic champions compose

Will you breathe not a word of this secrecy, and Will you still be my special rose?

 

Bridge

Goin' away far across the sea

But I'll be back for you

Tell you everything I know

Baby everything is true

 

Will the blush still remain

On your cheeks my love

In the light always seen

In your head?

Gold and sliver they placed

At your feet my dear

But I know you chose me.

Instead

Goin' away... etc.

You're the Queen of the slipstream

I love you so

You have crossed many waters to be here And you drink at the fountains of innocence And experienced, you know very well

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ I Forgot That Love Existed

 

I forgot that love existed troubled in my mind.

Heartache after heartache, worried all the time.

I forgot that love existed

Then I saw the light

Everyone around me make everything alright.

 

Oh, oh Socrates and Plato they

Praised it to the skies.

Anyone who's ever loved

Everyone who's ever tried.

 

If my heart could do my thinking

And my head begin to feel

I would look upon the world anew

And know what's truely real.

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ Sometimes I Feel Like a Motherless Child

 

Sometimes I feel like a motherless child Sometimes I feel like a motherless child Sometimes I feel like a motherless child Long way from my home

 

Sometimes I wish I could fly

Like a bird up in the sky

Oh, sometimes I wish I could fly

Fly like a bird up in the sky

Sometimes I wish I could fly

Like a bird up in the sky

Closer to my home

 

Motherless children have a hard time

Motherless children have-a such a hard time Motherless children have such a really hard time A long way from home

 

Sometimes I feel like freedom is near

Sometimes I feel like freedom is here

Sometimes I feel like freedom is so near But we're so far from home

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ Someone Like You

 

I've been searching a long time

For someone exactly like you

I've been travelling all around the world Waiting for you to come through.

Someone like you makes it

All worth while

Someone like you keeps

Me satisfied. Someone exactly

Like you.

 

I've been travellin' a hard road

Lookin' for someone exactly like you

I've been carryin' my heavy load

Waiting for the light to come

Shining through.

Someone like you makes it

All worth while

Someone like you keeps

Me satisfied. Someone exactly

Like you.

 

I've been doin' some soul searching

To find out where you're at

I've been up and down the highway

In all kinds of foreign lands

Someone like you... etc.

 

I've been all around the world

Marching to the beat of a different

Drum.

But just lately I have

Realised

The best is yet to come.

Someone like you... etc.

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ Alan Watts Blues

 

Well I'm taking some time with my quiet friend Well I'm takin' some time on my own.

Well I'm makin' some plans for my getaway There'll be blue skies shining up above When I'm cloud hidden

Cloud hidden

Whereabouts unknown

 

Well I've got to get out of the rat-race now I'm tired of the ways of mice and men

And the empires all turning into rust again.

Out of everything nothing remains the same That's why I'm cloud hidden

Cloud hidden

Whereabouts unknown

 

Bridge

Sittin' up on the mountain-top in my solitude Where the morning fog comes rollin' in

Just might do me some good.

 

Well I'm waiting in the clearing with my motor on Well it's time to get back to the town again Where the air is sweet and fresh in the countryside Well it won't be long before I get back here again.

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ Give Me My Rapture

 

There are strange things happening every day I hear music up above my head

Fill me up with your wonder

Give me my rapture today.

 

Let me contemplate the presence so divine Let me sing all day and never get tired Fill me up from your loving cup

Give me my rapture.

 

Won't you guide me through the dark night of the soul That I may better understand your way

Let me be just and worthy to receive

All the blessings of the Lord into my life.

 

Let me purify my thoughts and words and deeds That I may be a vehicle for thee

Let me hold to the truth in the darkest hour Le me sing to the glory of the Lord.

Give me my rapture today.

Repeat...

 

 

 

 

 

 

 

 

------------------------------------------------------------------------ Did Ye Get Healed

 

I wanna know did you get the feelin'?

Did you get it down in your soul?

I wanna know did you get the feelin'?

And did the feelin' grow?

 

Sometimes, when the spirit moves me

I can do many wondrous things

I wanna know when the spirit moves you

Did ye get healed?

 

I begin to realise

It manifest in my life

In oh, so many ways

Every day I wanna talk about it

And walk about it

Everyday I wanna be closer

 

I wanna know did you get the feelin'?

Did you get it down in your soul?

I wanna know did you get the feelin'?

Did ye get healed?

 

I begin to realise

Magic in my life

See it manifest in oh, so many ways

Every day is gettin' better and better

I wanna be daily walking close

 

It gets stronger when you get the feelin' When you get it down in your soul

And it makes you feel good

And it makes you feel whole

 

When the spirit moves you

And it fills you through and through

Every morning and at the break of day

Did ye get healed?

 

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: grande lista beat

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June 3, Allen's 72nd birthday, which we can celebate in his absence.

 

So far, the membership of THE ALLEN GINSBERG MEMORIAL COMMITTEE consists =

of upwards of 125 names, including the following:

 

Amiri Baraka, Chairman

Eugene Brooks, Honorary Member

Connie Brooks, Honorary Member

Ann Brooks, Honorary Member

Edith Ginsberg, Honorary Member

David Amram, Robert Frank, Michael McClure, George Plimpton, Aram Saroyan=

, Charlie Rothchild, Lawrence Ferlinghetti, Bob Rosenthal, Jim Ragan, Alf=

red Leslie, Ed Adler, Robert Creeley, Anne Waldman, Gary Snyder, Yoko Ono=

, Ed Sanders, Ann Charters, Robert Viscusi, Bob Fass, Eric Drooker, Tuli =

Kupferberg, Larry Sloman, St. Clair Bourne, Kinky Friedman, John Tytell, =

Chris Felver, Joseph Grant, John Perry Barlow, Andrei Voznesensky, Richar=

d Cammarieri, Jonathan Lim, Fred McDarrah, Kurt Vonnegut, Rosebud Pettet,=

 John Zacherle, Barry Feinstein, David Stanford, Levi Asher, Lillian Davi=

s, Pete Hamill, David Greenberg, Danny Schechter, Robert A. Sobieszek, Ge=

rry Goffin, Barney Rosset, Hettie Jones, Jerry Wexler, Jerome Rothenberg,=

 Danny Shot, Arnold Weinstein, Janine Vega, Robert Lavigne, Joel Dorn, Bi=

ll Gargan, Jimmy Lyons, Quincy Troupe, Charley Plymell, Pamela Beach Plym=

ell, Ed Dorn, Ellis Paul, Brigid Murnaghan, Hiro Yamagata, Kevin Moore, G=

eorge Reed, Latif (William) Harris, Dennis Hopper, Johnny Depp, Joyce Joh=

nson, Brett Aronowitz Luke, Ray Bremser, Brenda (Bonnie Bremser) Fraser, =

Jules Feiffer, Leonard Cohen, Oscar Janiger, Kathleen Delaney Janiger, Pa=

ul Krassner, Arthur Perley. Attila Gyenis, Morris Dickstein, Taylor Mead,=

 Diane DiPrima, John Sampas, Gerald Nicosia, Steve Cannon, John Sinclair,=

 Ted Joans, Art D'Lugoff, Ahmet Ertegun, Fernando Rendon, Gloria Cavatal,=

 Marcus Williamson, Kenneth Koch, Birgitta Jonsdottir, Hayes Greenfield, =

Merilene Murphy, Peter Hale, Pavel Grushko, Kirill P. Grushko, Toni Morri=

son, John Ashbery, Sam Shepard, Michael Dean Odin Pollock, Mary Rudge, Go=

zo Yoshimasu, Ken Kesey, Ken Babbs, Jonas Mekas, Peter Coyote, Ide Hintze=

, George Krevsky, Dennis Gould, Bernard Kops, Irving Rosenthal, Paul Nels=

on, George Aguilar, Krishna Fells, Lucas Gutierrez, Andrew Matovich, Heat=

her Haley, Jean Portante, E. Ethelbert Miller, Andrea Thompson, Ken Sherm=

an, Dave and Ana Christy, Barbara Read, Theodore Wilentz, David Gascoyne,=

 Regina Weinrich, Kevin Ring, Robin Blaser, Carl Hanni, Ron Whitehead, Pi=

-Oh, Philip Salom, Dr. Maya Angelou, Sharon Levy, Kathy Acker, Philip Wha=

len.

 

Still awaiting positive responses from the following, all of whom have be=

en contacted:

 

Bob Dylan, John Eastman, Paul McCartney, Linda McCartney, Neil Aspinall, =

Ron Delsener, George Harrison, John Wieners, Ishmael Reed, Bruce Springst=

een, Lew Lapham, Howard Stern, Don Imus, Tom Friedman, Frank Rich, Sally =

Grossman, Liz Smith, Richard Goldstein, Joanne Kyger, Sara Dylan, Richie =

Havens, Joel Siegal, Andrew Wylie, Ted Koppel, Cecil Taylor, Scott Muni, =

Sterling Lord, Brian Hamill, Miguel Agarin, Brice Marden, Jack Newfield, =

Henry Stern, Hunter Thompson, Carolyn Cassady, Norman Mailer, Lisa Philli=

ps, Richard Gere, James Grauerholz, Jim Dickson, Ornette Coleman, George =

Soros, Lita Hornick, Jack Micheline, Felipe Feliciano, Don Allen, Lew Wel=

ch, Daisy Aldan, Barbara Guest, Gwendolyn Brooks, Ntozake Shange, Larry R=

ivers, Archie Shepp, Odetta Gordon, Jonathan Williams, Vaclav Havel, Jaap=

 Blonk, Michael Horovitz, Miriam Patchen, Grace Paley, Peter Orlovsky, Go=

rdon Ball, Howard Hart, Patti Smith, Ani Di Franco, Megas, Dirk Gortler, =

Bill Morgan, Lee Ranaldo, Bono, Theo Dorgan, Bob Holman, Rand Ragusa.

 

Still to be contacted:

 

Yevgeny Yevtushenko, Jose Angel Figueroa, Sarah Wright, Country Joe McDon=

ald, Marion Brown, John Giorno, Gil Sorentino, Hubert Selby, Mrs. Bob Kau=

fman, Lou Reed, Gelek Rintoche, Barry Miles, Michael Horovitz, Esteban Mo=

ore, Gonzalo Rojas, Ersi Sotiropoulou, Haroldo de Campos, Tony Harrison, =

Mazisi Kunene, Lauri Anderson, Rickie Lee Jones, Tom Waites, Joe Strummer=

=2E

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: standing on the highway

Cc:

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Return-Path: <csd@bodley.ox.ac.uk>

Date: Tue, 23 Sep 1997 16:04:25 +0100

From: Charles Davis <csd@bodley.ox.ac.uk> Reply-To: csd@bodley.ox.ac.uk

Organization: Bodleian Library

Newsgroups: alt.music.lyrics

To: Rinaldo Rasa <rasa@gpnet.it>

Subject: Re: Standing in the door way ? Standing on the highway

 

Is this what you want or is this a different tune ?

STANDING ON THE HIGHWAY

               (Words and Music by Bob Dylan)

               1962, 1965 Music Corp. of America, Inc.

 

               Well, I'm standin' on the highway

               Tryin' to bum a ride, tryin' to bum a ride,

               Tryin' to bum a ride.

               Well, I'm standin' on the highway

               Tryin' to bum a ride, tryin' to bum a ride,

               Tryin' to bum a ride.

               Nobody seem to know me,

               Everybody pass me by.

 

               Well, I'm standin' on the highway

               Tryin' to hold up, tryin' to hold up,

               Tryin to hold up and be brave.

               Well, I'm standin' on the highway

               Tryin' to hold up, tryin to hold up and be brave.

               One roads goin' to the bright lights,

               The others goin' down to my grave.

 

               Well, I'm lookin' down at two card,

               They seem to be handmade.

               Well, I'm lookin' down at two card,

               They seem to be handmade.

               One looks like it's the ace of diamonds,

               The other looks like it is the ace of spades.

 

               Well, I'm standin' on the highway

               Watchin' my life roll by.

               Well, I'm standin' on the highway

               Watchin' my life roll by.

               Well, I'm standin' on the highway

               Tryin' to bum a ride.

 

               Well, I'm standin' on the highway

               Wonderin' where everybody went, wonderin' where everybody went,

               Wonderin' where everybody went.

               Well, I'm standin' on the highway

               Wonderin' where everybody went, wonderin' where everybody went,

               Wonderin' where everybody went.

               Please mister, pick me up,

               I swear I ain't gonna kill nobody's kids.

 

               I wonder if my good gal,

               I wonder if she knows I'm here,

               Nobody else seems to know I'm here.

               I wonder if my good gal,

               I wonder if she knows I'm here,

               Nobody else seems to know I'm here.

               If she knows I'm here, Lawd,

               I wonder if she said a prayer.

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: JK:meanwhile I began going to Frisco more often...

Cc:

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In-Reply-To: <1.5.4.32.19970923112226.0069d710@pop.pipeline.com>

References:

 

"Several times I went to San Fran with my gun and when a queer approached me in a bar john I took out the gun and said, 'Eh? Eh? What's that you say?' He bolted. I've never understood why I did that; I knew queers all over the country. It was just the loneliness of San Francisco and the fact that I had a gun. I had to show it to someone." ---Jack Kerouac, "On the Road", 11.

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Amato poem Obit. for Poet

Cc:

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At 13.56 24/09/97 +0200, you wrote:

>Rinnie,

> 

>You have quite a list, i'll tell 'ya alright....

>about Louis Zukofsky, I'm reading A and also have a companion

>piece to it, i forget by who, tonite i'll check it for you...

> 

>....i have a poem for you if you'd like to post it on your site:

> 

>--------------------

> Obit. for Poet

>(too late to Spell Czech)

> 

>     Made of paradises extra-vagrant,

>tho the weight of your shadow is still

>part of time ... I see it

>tied to the sky - night tossing, loosing

>charring ropes ... logos of Mad. Ave like long black silky

>roads thru her mourning sex drive - he roars to her.

>  

>   dead poets. dew you undress the rose

>   picking with two hands yore nose

>   red-healed stems, ready for prose beds.

> 

>without radiation I cannot believe you renewed the eath's scorched mind

>without tradition the new or nude dies in air-unconditioned for sunrises,

>ad vents

>of neon-poets on unfocused horizon.

> 

>You timed the contractions between our cold-aged birth

>and hear bees for their loyal non-abandon. when you faced

>the wind naked, taut amphibrachs: remember

>how you sharing love

>learnt us in november beds

>just not for taking

>    But giving head to the sky is

>    our ego on its back asking to please

>pleas me too, prays you tall river.  

> 

>each frays ewe rote wood be maid to wine

> 

>your spine of this book from epicenter you hallowed mine

>to voluminous health,

>I, column, I in rose and brae hillsides, slopes of your wealth

>live in roped pearls, roped pearls sew

>with knot bringing a tier glad den eye trust too bee a jewel, I know

> 

>dead poets who fumed, next doors

>on uni-verse in the daily motion unwritten

>in sidereal time underwears about stellar web storm,

> 

>SAME OLD PRESS RELEASE:

>Tie-Died, Wash., Aug. '69.

>  the mini-lives move along the super-dead,

>      right the Modern Reader in a prose-down, tie-

>      breaker slam dunk poet-tree jam, free the poets

>      from fiscal misses, pick their pockets with thank

>      you very, very much and boca raton book-of-the-

>      month club teas and drunken verses in the genus

>      of microphoney - the first naked lady in history

>      of podium domes is agent who lost half a day's

>      pay purrs you should be proud witch won hue red

>      with propensity for head in juries struggling

>      for their lawn chairs . . .

> 

>DEAD OR MISSING. Forced into the carnivore guild

>by the hominids in the literary cradle of humanity, took

>in by the toothy plains of the hungry female, panthera

>of his instincts,

> 

>when retirement came like a helmet early in your twenties

>traveling in preventive alleys, stoned circuitry full

>of spider poems full on Dutch courage with eyes

>you wished in the front of your head

>to see where you bent - look

>where you turn

>from kings,

>give frog

>wings

>trees.

> 

>you've seen our dreams

>in mornings women master

>in great camps of sleep

> 

>. . . seen

>Jupiter's sixteen-mooned

>icy juggernauts chronicling the pockmarked

>and ruthlessly sacrificed stern of our milky-eyed galaxy,

>weighed our petulant gravity and soul-are systems you salvoed

>thru our atmosphere in degrees

>            webs spread out

>             in conditional wavelenghts

>thru pandemic  conjunctions

>  and vast

>liguids of magnetic earth, rolled

>with monuments America

>from Revolutionary to Shiloh

>down Nam's

> 

>    grate flare of torn bodies, absolutely horrible

>for 15 minutes. open every

>page your headache ends humanity at bay, hour ghosts

>in deign jurist prudence - anonymity

>of one's soul in the air is change of tasteless

>mouths, a sexless taste of an era, fisted

>by the aids of peoples and the woman

>called miss stake who held you in your heart ...  said their are

>know faults with in my cite,  of nun eye am a ware...

> 

>so now ewe can sea why aye too prays your finial head

>& foot my book rests between by righting watt I want

>too pleas be four I brake into averse. I ran this poem threw you,

>dead wanted for murderous polish in gold

>great wait. in no scent and free from wind

>at last - you got a chest for life.

> 

>ja

> 

> 

> To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: John Wieners 1

Cc:

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Angel Exhaust 11: [ Up | Next | Previous | Contents | About ]

 

To Celebrate this Broken Man: the Poetry of John Wieners

 

for John Robinson

 

Jeremy Reed

 

 

Lyric poetry demands a total commitment, an inseparable pact between the poet's life and art, and John Wieners has in every way fulfilled this redoubtable union. Poets in the 20th century have largely been in retreat from their calling, and have attempted to reconcile their art with avocational careers, and in the process have contributed to the social unacceptance that goes with being a poet.

John Wieners steps out of a doorway. He's a legend to the few who celebrate his elegiac lyricism, and his consummately attuned ear. It's stopped raining, but the street shines like the points in a blue diamond. He's in love with glamour and torchsingers. He would like to be a beautiful woman. It's an obsession. In his loneliness, a mood that permeates all of his poetry, he is thinking of Lana Turner, Rita Hayworth, Billie Holiday, Barbara Stanwyck, Dorothy Lamour or Hedy Lamarr. He has assimilated and personalised theatrically camp gestures, but his rich inner world of ambidextrous personae is not easily translated into money. Again and again his poetry turns on the question of how to live from lyric, and how to resolve the dichotomy between the magic invested in the name of being a poet and the demythicized role as it is translated into reality.

 

Poverty has nearly ripped my life off,

kept me on the streets and in boarding houses, drove me into asylums and maddened drug-addiction tenements, where I lost my mother and father.

('New Beaches')

 

Wieners combines the poet and sexual outlaw in one person, and his angular lyricism, at times savagely polemical and at times gracefully poignant, owes as much to the 17th century songwriters as it does to Black Mountain poetics and the Beat Generation. Rhetoric and vernacular come together in his work, and his language takes a shine from symbolist metaphor as well as tarnish from dust kicked up off the street. Wieners is arguably the most subjective poet of his generation, he personalises lyric in a way that sets him apart from the transpersonal ethos explored by Olson, Creeley and Dorn. And it's the woman who suffers in his work, the wounded and devastated anima in his psyche which has him again and again consign his emotions to the self-evaluative poetic arena. It's the dramatization of suffering that gives his poetry the gestures of a torch singer.

 

Your wife's necklace's around my neck

and even though I do shave I pretend

I'm a woman for you

you make love to me like a man.

('To H.')

 

Wieners, finding himself in the passive role in his sexual relations, invariably interprets pain accordingly. His poetry is about maintaining a wounded dignity in the face of societal humiliation, and in spite of drug habits, breakdowns, and periods of itinerant vagrancy. He is the most explicit of gay poets, and it's much to his credit that he has pursued a policy of sexual honesty right from the outset of his career. There are no duplicities, equivocations or simulations in his sexual psychology. His honesty is often unsparing on personal and ideological planes:

 

I suppose that's how I was born,

Come on and go down on me,

because I live in misery

far away from the sea.

('Jimmy')

 

Where do we find him? He moves through the late afternoon crowds, his eyes making a stab at a jeweller's window, and staying there for a long time, or he will enter stores and learn from the colours of the couture fashions, and imagine himself a diva leaving with a sequinned gown and a variety of make-up. No-one before has made a poetry out of his subject material, and his exploration of obsessive fetishes cultivated by a traumatised anima has shifted the parameters of what is thought to be acceptable subject matter for poetry. Wieners is essentially an American phenomenon in that British poetry continually narrows its focus, and would fail to integrate his work into its largely commonplace organism. Despite the appearance of a Selected Poems from Jonathan Cape in 1972, and an earlier book Nerves from Cape Goliard in 1970, Wieners remains arcane knowledge in this country, given only to the enthusiasm of a cult who cherish and keep his work alive through underground sources.

John Wieners living in poverty at Joy Street, Boston, seven orange roses beside him in a glass, a long scarf draped from his shoulders. He has an identity, the panache of the poet transcending ruin to live in the light of his commitment. Wieners has never sold himself short, he has honoured his calling by dishonouring its alternatives, conformism and unemployment. His eye works to find the aesthetically redemptive particular:

 

Bulgarian lilies, trans

sylvanian tulips on a

rose quartz stair-case bend

beneath sunrise. Hun-

garian roses twisted to shape

('White Rum and Limes')

 

Wieners follows in the tradition of le poète maudit, the one who is a danger to society by reason of uncompromising vision. The one who goes all the way and cares nothing for himself in the process, like Lautréamont, Rimbaud, and Hart Crane. Wieners' work is about the retrieval of truth from the ideological complex of lies, and it's about maintaining a state of creative innocence in a world of experiential corruption. The internalized process of poetics creates purity when the energies are rightly directed. Wieners has remained pure in his situation to his gift, and is that even if he is blowing a guy in a parking lot or measuring a hit of morphine. The poète maudit is the alchemist, he who transmutes all experience into recognizable gold, by which I mean lyric. And the poem is in itself the reward for a life of solitary exclusion, punctuated by the fanatical enthusiasm of the few who align with the work:

 

half-a-decade of rest, the skin on my legs has changed it holds together

now as a rich person by itself, I have vowed I shall never be again and know

I shall never be lonely again, because of the love that dwells within poetry's mouth

('New Beaches')

 

It takes an irrefutable courage to compound lines like these, and it's given to few to write them. Wieners is in his heightened moments, when lyric is aspiring to a vertical axis, visionary. Something in the line dazzles, and his native Beacon Hill is aureoled by his inimitably cadenced poetic speech. And even if he is lonely, and in love with married men, a Billie Holiday song accompanying his late-afternoon reverie, then his gift has been to dis-alienate those who are similarly ostracised and alone. Wieners has given an accessible poetry to gay culture, junkies, transvestites, transsexuals, and not least the lonely. And he has restored dignity to the role of being a poet.

Wieners has made poetry out of want. Denied the life of material opulence and romantic love to which his aesthetic sensibility reaches, he has imagined their existence within his work. Like Jean Genet, who transformed his prison cell into any number of palatial rooms, and transmogrified his solitary sexual state into imagined orgiastic excesses, so Wieners writes to situate himself in a world vitalized to his needs:

 

Lost in his arms for two days,

I find my secret passions rewarded;

melting, blended as before

receiving kisses as from a King of the Black Sea, no-one able to compete with his necessity.

('We Would Be Two Men')

 

Since Behind the State Capitol, published in 1975, Wieners has largely fallen silent in terms of published work. His state of ravaged psychophysical dissolution has needed time in which to repair, and so the legend surrounding his name deepens. In the Sixties and Seventies he was eminently prolific, his tormented lyrics subscribing to form and rhyme when the latter were considered as impositional phenomena belonging to a dead poetry. His method of writing constellated precision at a time when form was in débâcle.

Of his long silence Wieners has said: 'I am living out the logical conclusion of my books.' Inside this broken man you will find Ava Gardner, he refers to her as 'the Master', and any number of the glam icons with whom he identifies. They are his inner reality. Take a walk across the park with John Wieners, and he is dejectedly withdrawn into his own inner pantheon of the stars. His clothes affect the little touches of style which so individualize his work. He's headed towards a gay bar. An autumn leaf falls in his hair.

 

Return-Path: <rasa@gpnet.it>

X-Sender: rasa@pop.gpnet.it (Unverified) Date: Sun, 26 Oct 1997 16:56:43 +0100

To: brcs@U.WASHINGTON.EDU

From: Rinaldo RASA <rasa@gpnet.it>

Subject: i'm searching for Emmet Grogan on Yahoo and Excite

 

hello,

i've found yr post about emmet grogan, and i'll ask u if u have (or has some suggestion) where i can obtain a picture (gif or jpg) of emmet grogan to insert in the Beat SuperNova web page. if not too much disturbing have a look at the www page http://www.gpnet.it/rasa/beats.htm

let me know something, and i'm asking to u for the permission to add yr address in the credits&comments section of the supernova,

Rinaldo.

Venice-Mestre,Italy

rasa@gpnet.it

 

 

 

Return-Path: <rinaldo@gpnet.it>

X-Sender: rinaldo@pop.gpnet.it (Unverified) Date: Wed, 12 Nov 1997 15:00:56 +0100

To: rinaldo@gpnet.it

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc: rasa@gpnet.it,etr@gpnet.it

 

123 prova!

 

 

To: rinaldo@gpnet.it

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject:

Cc: rasa@gpnet.it, etr@gpnet.it

Bcc:

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123 prova!

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Air the Trees by Larry Eigner

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Air the Trees

 

by

 

Larry Eigner

 

 

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

    

 

          the disappearance of matter

 

                 where is the

                  end of the poem

    

                 tired eyes

 

                    the sun travels

                   and allows dream

    

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

        orange cap

     the hydrant

              is silvered

 

           single-purposed

 

        it may never be used

          but is flushed

 

              alarms have passed

 

         the availability of water

            at some points, all

              considered, so fine

 

         doing

 

                      often the sky reflects

 

                 the trees as well vary

              much color, and substance

                             more or less flame

                 comes and goes

 

                      birds fly

                          and raise shout

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     Huge hill, so much

        to lie under

             life burying you

    

      or overlooks you

     field

    

         the view diminishes

           you come down

          a hole in the wall

           brings quiet the

            water flows

           through pipes there as

             the sun might burn leaves through

    

               clouds slope

                     around the earth

                  monsters are quiet

                   the tree shapes

                  singed spots

                black through the centuries

                 twisting towards the light

                  they grow familiar cross

                   each other

    

                        a skyway   lanes

    

                       channel dug out

                        from a river of sap

    

                       or a log

                        never floated

    

                          what time

                           is    day

    

                         and night changes

                          in the weather

    

                          the asphalt road

                           calcine a way off

    

                                 moon

                                  out by

                                afternoon

                                   then spreading its light

    

                       in the wind the cold fountain

    

    

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     hang on the tree there's

       the opening

 

          however gone there's

           blue

    

                outward, around,

 

           birds settle, think

 

        they're always hungry, eyes

              brood

 

          or sleep is the dark sky   ,   rain

                 sinks in

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

           seaweed smells

     in the breeze    sewer-gas

     blowed up the drugstore

     injuring several    that's what

     the hospitals are for,    with

                    quiet wards

 

                     50

                  unscathed

                      but shaken

 

              to bear miracles

 

                  "   the contents

                        first taken for blood

 

                  so horror,   so easily

 

                                            arrived

                                          from the day

 

              so here   come   random   eyeteeth

              crashing out through the window like

                              bony fish

 

                        (yet the glass hurt

 

                                a faustian

                          flame by the soda fountain

 

                and above the arena

                where the circus's

                  3 rings go in

 

               still banked with its

               accessory porous world

 

             tiers checked to the nooks of its sky

 

                       over the railroad station

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

          massing goods and swarming people

 

            The apples we take in

 

                       and

 

                  a few leaves left

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

well, a tree

       is obvious

 

 thank god for it

 

        they

 

       continue

 

          down

 

        the road

 

            what

 

             leaves

 

        Sun there

 

            cloud stacked

 

                 make hay

 

             a further place

                is

 

                    colors

 

           a ground of winter

            in the head

 

                 gulls flying

                    close   lately

 

                          shadows and other birds too

                              grow small    cross the snow

 

                       soon you may think

                                in the windows

 

                                                a wheel you get

                                                   continuities

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

My mind a cloud

 a wet sponge

 

   there are mountains nearby

 

      construction   men going to the job

          in white helmets below

 

                  )or yellow like

                          their crane    timber immobile swung

                                                             air

                    the heights      distances

 

                            all in mind

 

                                          direction

 

            green cars pass

 

                blue   red   white

 

         nails   build   slow as the clock

 

              now   fog burns

                    the sun up

                     and down    through

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

                bird sounds

               make the sunned room pass

                  the opened window

 

 

 

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     f o r   t h e   m e n   in   the   y a r d

 

 

 

city                              some round thing, a clock peace                            with all its parts           

 

there is   

none   

                                     the door close to the ground a road                                 he stepped out of

 

                                             to talk a tree is divided

 food                                    ten minutes

  chain

                                           but no exhaust visible

     birds we imagine singing

                                             or any tail-pipe

 

   a truck comes                           that kind of a job

 

         time of day its

      lights off

 

    white and red

 

     it's blue, reflective

 

    peace is clean

 

        we think

 

 

   bow

   politely

      or maybe it's nod

 

   the wall has occasion

 

     the far spread height

 

    as you come closer

 

      memory has made 

 

 

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

The difference

       of a small room

 they've thought enough kinds of windows

  and the paintings there made

                 to be close  similar scenes

                               from the floor above

 

        walking around down there

             zigzag circles  aimless

         puzzles my head

 

               or the odd moment, tired

                in their wings

                         more or less

 

 

           across the stone

             drive

                 stuck to the paving

 

         in gait

    the pigeon might be anyone

 

 while the machine, the way

   equipment bears on the road

 

      up-ended, some

        stretches in hills

 

               family cars

              of workers

                  transparent

 

           the wooden however torn down at

             building one other time

         like

 

              more than two mirrors to

                     each room

                 you step to the path

                   a dividing line

 

                    the particular streets fade in my mind

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

    

        steam heat   birds

        January   damp

 

           a huge gull visits    here

 

         trees    still

 

 

 

 

 

     sound of the clock   looking

         up to find white

 

      move horizontals the air

 

           then clouds pass level

 

 

 

 

 

     snow fills the

      neighborhood

 

     the trees take

       birds the

           light air

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

         shhh goes the lawnmower

            should I stop

             the razor

 

 

 

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

   quiet

  as a bird

 

        the sky fades

 

           the stars     out

                 all this time

 

               air  through

              the houses

 

          a dog is barking

              should there be memory

 

                 the moon wanes too

                to some appearance

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

   Ozone? peal the

      day slide the

       lectric car

        Hurry   the

           Wind

         picks up

            busses

             Drops em

 

         They should make

               wing if

           the weather's mild

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     the sky become

        endless

       the clouds islands

              at this level we

                     pass

 

 

                  then leaves spread

                  the hills' breasts

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

               Small, flightless birds

                 the voice   far   tinkling bells

 

                    museum

 

                      of sorts, the rats destroyed

 

                         moving ashore, M i d w a y

 

     slow is                       flat wall of the sea

       the

         poem                             and sky

 

                                 each island

                                    rose

 

                                   farther than any whale

 

                                       fins

 

                                      breathing above the waves

                                                    the mirrors

 

                                 heat

 

                                   past sunshine

 

                                     vibrations of air

                                       spiders, then birds, settle

 

                                   reflexive

                                           man menageries                           bringing what he can

  from the bottom

                                   interest

    rock crumbles to earth

            under rain                    in

          the seas

                                     the quickening run-though

   clouds mulct the moon

              flats                    one thing at a time

 

 

         the whale is still hunted       tides, a large motion

               in certain parts

                                           small waves give boats

             prodigal

                the deep light

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     the tree like a

            monster

        the green day time

    

          the sun dies

             blue

 

            or stretches, eventually

 

                out

 

              a place   come to   moved

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     m y   l o v e   i s   a l l

     a s   h u n g r y   a s

                  t h e  s e a

 

 

As much as you want

 The little you can take

 through the store window

 

     glass splatters the

           hole's empty

 

      a fire braze open the roofs

             quieter than planes

            jammed shadows

 

       you slow turning up high

 

 

          out of the

         comfortless air

           the corpses drop you come

 

          to some grave   all

 

         motion is the same

 

             you've taken away

              the time for ballistics

 

          a man from the Pentagon

         in your falling apart chair

 

 

 

                    bullets   no

                     felt wings

 

                  the absence

 

                        they stop what

 

                   lightning replacements

 

 

 

        the girls stabbing each other

 

                your hat not

               right on yo'r head

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

quiet lawns

 

    nice air

 

        smells voices

      crowd on words you

 

     think there's no crime

 

               just     because

 

             the world is a cloud

 

           men    dim

                    shot   cross

                            fire

 

 

        capacities    for excitement the

                 automatic

 

           force    acceleration

 

 

               the heart beats

 

       sounds a distant bird

 

 

                   gas

                   burns

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

           F o r   y o u r   q u i e t   l i m b s

 

 

Imogen, was he stupid    ?

 

                  It's a

      foolish situation

 

all these houses around here are stages

  launching

                   drama

 

             you want that, don't you?

 

  a mean garment

                once

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     children's sizes are indeterminate

 

then there's those ones across the road they live from a lawn split by a driveway

 

-- well, let's go in, the kitchen someplace in the middle the tv in the corner down the aisle    , the basement window shows the circled grass

 

the kids have a dog   that's ownership Where he keeps his hat, they sometimes put on they push the sidewalk for four lots

and

        take a diaper car for a milktruck

 

so a year is a long time

the snow more reflective than the glass they see coming at moments in their minds

   and far away, the trees stay bare

 

in the fall the cats will spawn, usually and birds come out in the sky, the nests dry like crusts, and plants in the earth, fires at the gutter the hens smelling the chickencoop

or garages hot, ragged water and oils

they rake up the beds with their toys

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

   n u m b e r  1  .  k i l l e r  .  t h e   h e a r t

 

 

     he was shot 3 times

 

      mouth, nose, and bladder

 

     rushing blood to the scene

 

     of the arrest of

 

      a busy morning on the

     side

 

        cloth rest

     and the coke in summer

 

                 down with the sea

 

             death

               shepherd

        united nation beyond

                the desert, against

 

             a trial    cost

                        of argument

    

               row on row, and the shields

                           lattice

    

                            for the mind health

    

                 picture frame of the

                        tin cans

    

                                 tomato

    

                      the river slugs

    

                     and the playground

                     saw

                     waves ride as the weather

                      ice cream

                     ultimate pasturing

    

                             gulls

                         and sparrows around in the sky

    

    

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

              a very serious, threatening expression

 

 Beethoven's fist

in the end at the thunder he imagined

     a chord    to go on something else

        as may have been different

 

                    fell back    words

               silent   no more remembered

                       in those walls

                            that succession a round

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

  Frederick Douglass

took his chances like

  when we fly?

 

 I don't know  the landing gear

     far from my mind I

    was trying to see

   where there was anything but

 

          a large ship only

         that appeared small

 

 

   Do you love Maryland that

    state there  how

     would you like to go back

    where you didn't come from   Most

 

       have something they can

     take shame from withdraw it fish

 

        life lurks in the sea

       we eat it,what

             is germane

 

                   the St. Louis slave mart

 

           something to remember is

        still there days

                              after the War -

                  of the Rugged Individual when

 

             man was man the

          head of the family and so on  we

            couldn't have gotten along

 

              why risk your shirt no

             hands to pick the cotton no

                 gin

 

               in a man's thoughts

 

                        Faneuil

            Hall after what happened

 

                    the slave likes

                  what's in the air

 

             the free wonders

            as well what

              there might have been

 

                       don't often lose sight of the ground

 

                         a cruise is expensive

 

                            no tall dark face in the air

                             no porter    what

 

                              have I to do with

                                   what I don't see

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     at least the chair makes

      some noise   it's

                 mysterious

 

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     As soon as you lay down

 

           to snatch up again

                   a crime not

                        history

 

                 the guns

              silent  mouth to the bays

                         slagged in the sky

 

                    no

         stinking breach

 

             there are improvisations when

              government burns

 

                  the purposes

                played out like a fiction

 

              at night hanging around

 

               silence the cannon for

                   slaves   are free

                  and we have joined

                    to turn home

 

               stars   the candles

                                   remembered echoes

                 bring quiet  for

 

               the whiffing against the cold

 

                   sawmills afloat

 

                      barns    impregnable to

 

                          iron

 

                     the bricks    windows anchor

 

                        wounded

 

                   rifles  emptied air

                       improved aim

 

                 in place of propositions

                    drifted off

 

                  the swaying car

                    is swift

 

                         on the streets

 

                       picturesque also

 

                         the pines are

                        a straight

                             backing

 

                          mules wires

 

                           rakishly  light

 

                            the stacks take off

 

                   it's we uns captured them

                       today

 

                 it aint fair to a mule

                    to begin learning im

                                     polite

 

                             confusions

 

                      with army experience

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     The Confederacy, you have to

     repeat,

             was real

 

                      suddenly

                     to be denied

 

           lines there down the map

 

                if you recognize yourself

 

                     still

                      roads

 

                   colors of your state

 

                            to make a noise in

 

      the sheer slavery

        of abstruse thought

 

              full of the sky    rough    river

              dirt         the captured ordnance

                made game (to puff

            in imagination  (useless    with the real

                    shot   crater   powder-kegs

             strewing the ground

                                 now then

          behind grass    the

              slope of cloud    house

               bed and emptiness besides

                 returning the sun

                     shown everywhere

    

                   the full-decked

    

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

         t h e   c a t c h

 

 

     the slogans

                 gone

 

       smiling

 

          below the quick rain

 

        windshields

 

          bound into the sun

 

         again    in descent

 

              shines   ,    cave back the cloud

 

          people who

            hump the boards

 

              this moment,    going

             forth, a time

 

               for birds, those

 

          where the leaves themselves are

 

         quieted, after the fall

 

                               dancing the table

                                  the whole gutter

                                 of the street

 

             and listen more

 

           again, the birds

 

                     ride

                within leaves

 

                        the openings change

 

             above crickets

 

        come with the moon

 

              a texture

                  of   abutment

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

       a man climbing

       his steps while the clouds go

     by he comes to the corner

       apt.      above

          the store

 

           what string

            I hear the wind

           banging, flights

                    13 up

                next  door

                       the bell not visible

             either        set

                         more cry of the air

 

              a fitful thing outside

                 anywhere it seems

                closer to the mart

               where we get food

 

               fish, say, blank

              with indelible eyes

 

                  the still distance to

                travel    unconsumed

                         a plane increases

                       above the sea I depict

                      a curve nearly in sight

 

                       more solid

 

                    two in black down the arched hill

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     immediately the apartment

       smells empty like

                 some cellar

           in the rain

    

              a warmth again

 

               the weather

                we have

 

            a leaf floats still

              in the gutter   no

             particular speed

    

               vague in time you've

                  heard the sea

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

          the twilight

            of rain

                 felt

 

             the window

                  vibrates

 

                candle

                    flames

 

                 no more light

 

                     a passing

                       truck

 

                       dark

                         fallen

 

                         peacefully

                           keeps on

 

                             over

                              the center

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

          smoke extent of chimney

            getting less visible as

             we drive by

 

                  horizontal from London

                   burning exhaust

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     a road in mis-

      sissipp i through

        trees the

     number to the

       eye

           around the world

         the time is the same

 

             where he walked and

          he walked how

           could you do much

          in the century a

            line    orbit

    

             some place 75 pieces of

                     shot

 

 

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     Carriers    In winter the dogs "chase"

            car fumes,  the treads

          bang out     Summertime

 

                in great bodies, come

            to supper, come

 

               the spreader road bed

 

                 shortly following birds

 

                trying the thick

                       pepper

                   only in ignorance of sand

      that's all

                it is   the druggist

           pestle on wheels shaking     come

 

             sweeping the sea

 

                              paper

                                   rugs

                            even today

 

            "news"       the ads

                 present confiding tomorrow

              and the wind blazes

 

          the soggy edge-on past          downtown

                                               to be

               rung up

                             the sea splashes

 

                                the window

 

                      what milkman

                      through what crossings

 

                                what bus

                         will you take next

 

                what flashed sunlight is still

 

              what day-long grass is healthy

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

 

     deeper, deeper history in

     what might have

                       Colonus

 

          the future in him out of

              voice ground

 

         and there's your registered dog

 

     tramping the cemetery

 

        you wouldn't take the occasion

           of eating

 

     one thing

              Waterloo was

             one of the men

 

                 bladder trouble

 

        smoothness infinite portion

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

sleep was in his mouth   he woke the

 birds called   a strain of words    swung   falling

  as the apple tree

 

        back on itself

       the slow life

          is fast

 

              waters or wings    growth

           a solemn pole    some gate

                grass, not very high

                    to bare patches

 

 

   any of the trucks

     bread     a half dozen chairs

                         movies

 

   by the window the lost

    man     years

     in mind he

               knew the way

        how he story came out

         the bower

        he left the arrowhead

            beads

          later the cellar

 

        flowers looking in

 

       under the moon the

      chairs tilted back a view above the screen

         flies were in the way

            the trunks bark hollow

 

       now the black man brings the

        clean pants and he has to pay

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

                         S e n e g a l

 

 

                    The dead walk

 

                         noon

 

                     there are such

 

                         trees

 

                       women loaded

 

                        hair

 

                             the road-side

 

                                keep

after a film on

  Leopold Senghor, the        tall

      country the

           life                onward  smilling

 

                             or bring a seat

 

                               for a man waiting

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

          don't go

           see

        it backwards

 

             time or space

 

            the crickets match

              the morning

 

                silence

 

               birds dreamed there

                     hungry

 

                  the trees in wait

                 for food

 

                        stars shone

                       on deadly fish

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

          happiness     from the year

                                  (1820 or so)

 

     end of life    what

      would you like to know

            the nature

          of wants

                  a cloud

           all one   over

          a few big trees

         the whole sky

 

             whatever put

           time in your mind

 

          water or light

         at various temperatures it

           rained down

 

              a substance or

               gradations

 

           your body stretched

 

         now there's a long tail

          balanced along the wire

 

             you take a dinosaur

               pink thing

 

                  ants

                 spread all over the lot

                extensive number

 

      for the first time in my life

       i see a bird

         sit on a phonpole nail

 

                trees   weed   clouds

                      their due

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

     light   walls  the

         shape of a window

 

           or more blurred

               the street

             outdoors

           grazed   a long

 

          hot cold with

           smoke in mouth

              ice

 

        where the sun shines

          varies

 

            heavier air

 

          or light

               minute song

 

             may imply leaves

 

               a few clouds

                milling this day

 

                   houses

                 are more shadow

 

                   the cut blaze

                  turn back such heat

 

                       darkness to ripple

                      the line of spring

 

                              immediate

 

                        the sea's dance

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

     I in the foreground

       mirror of time huge as

     I may be small

        face puffed short

       music comes

 

      we have    a forest

 

       trees     the leaves mass

 

         summer      autumn too

 

           wind, sun and

                     stars move

 

     it's the air here

     periods separate

 

            the day the held light

          how it gets through we've

 

        a puzzle box

 

       of wood   house

      hard glass doors     

        there   street signs opened

 

          rain streaks

              cloud

 

            distance the birds

 

                 still

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

     HAIKU

 

     motor around

     the sky and

     caterpilar

 

       bumps of (f the road

 

 

 

     the woman      a tree

                standing

 

 

       leaves   of

     a basket

 

           dying or green

 

 

     he clips backwards

             with

       electricity

 

 

     enough so you're confident

         to be aware

     packed like the gutters

      splice pilings   level through the air

 

 

             the great

     world at the window

      stirs with the breeze

     smell   onwards   seasons

 

 

 

          to the old storms

         baffering air

           tides of spring

 

 

 

                     the flowers

                and stars

            have opposite names

 

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

     Come out of your eyes the

     soul is a corner

               universe

    

      back two steps

          now you-re shadowing walls

 

     broken into houses

      carry the ground

 

           eternal spaces

 

                 weeds

 

             the sun turns west

 

         you are what I am   the empty flat

                   has clean sills still

                       been taken

 

                     that dog

                is younger than you

                       memory is less, not so crowded

                   as the trees are

 

                slightly, the earth is changing

                              as much

 

                 you remember the papers

                       the dim place

                   the branch held by the attic

 

                      it's a lengthy view

 

                         night coming

                              tomorrow

 

                    the sun to divide

 

                     and suppose the thin

                      shadow going down

 

                        in one window and

                         out of another

 

 

 

 

 

 

 

 

------------------------------------------------------------------------

 

 

 

 

 

Copyright (c) 1968 by Larry Eigner.   

Copyright (c) 1997 by Ricard Eigner, Conservator.  

Originally published by Black Sparrow Press.  

Long out of print, the text is presented here complete.  

The original edition contained a suite of drawings by Bobbie Creeley.  

 

 

Return to

Light and Dust Poets. 

 

 

Light and Dust Mobile Anthology of Poetry.

 

 

 

 

 

 

 

 To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: sonnets by Wanda Coleman

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**************************************

 

 

 

from

 

 

 

AMERICAN SONNETS

 

 

 

 

 

by

 

 

 

WANDA COLEMAN

 

 

 

 

 

 

 

**************************************

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

12.

 

- after Robert Duncan

 

my earliest dreams linger/wronged spirits who will not rest/dusky crows astride

the sweetbriar seek to fly the

orchard's sky. is this the world i loved?

groves of perfect oranges and streets of stars where the sad eyes of my youth

wander the atomic-age paradise

 

tasting

 

the blood of a stark and wounded puberty?

o what years ago? what rapture lost in white heat of skin/walls that patina my heart's despair? what fear disturbs my quiet

night's grazing? stampedes my soul?

 

o memory. i sweat the eternal weight of graves

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

13.

 

- after Sergio Macias

 

today i'm with you braiding hate into a rainbow picking up trash off the cement banks of the Los Angeles river human feces litters the corporate dreams downtown i already feel my soul's freedom hymns

(i am drunk on disturbing things. hopelessness flows from the wounds of my negritude. when light reaches me i cringe and pray for darkness to return) i navigate through the streets, my compass broken smashed by a hunk of stormy history.

i savor the stench of auto exhaust and unwashed bodies sweat stinging the unhappy eyes of my region. the illuminati enforcers mapping my deathwalk toward night

 

the eagle preens above our bleeding bear

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

16.

 

- after Huey P. Newton

 

 

 

 

 

 

 

the clairvoyant activist ever ready to

face the consequences of his/her perceptions must

 

subsist on stubborn hope (D. Brutus) for maintenance aids dogged determination to construct required change.

revolutionary homicide/suicide means awareness of reality in combination with potential sociocentrism.

those ill-equiped to struggle against brutal powers risk extinction. [to cooperate in the imprisoning of one's own people-psyche is reactionary homicide/suicide which will be rewarded by ever-watchful scions of the oppressive belief system. but to pretend to do so is to trick.] specific group resistance of rampant narco/necromania may be manifest in periodic eruptions of spontaneous civil violence. it is imperative that visionaries see

 

war as ultimate service for resolution

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

17.

 

 

 

 

 

 

 

i am seized with the desire to end

 

my breath in short spurts. shoulder pain the world lengthens then contracts

(in deep water - my sudden swimming. the surface breaks. thoughts leap. the Buick bends

a corner. an arc of light briefly sweeps the dark walls) everywhere there are temples of stone

and strange chantings - ashes angels and dolls i forget my lover. i want a stranger - to shiver at the unfamiliar touch of the one who has not yet touched me

 

a furred spider to entrap my hungers

in his silk. with virulent toxin

to numb my throat

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

* * * * * * * * * * * * * * * * * * * * * * * * * *

 

 

 

Copyright (c) 1994 by Wanda Coleman.

 

These poems are from American Sonnets by Wanda Coleman, co-published by Light and Dust Books and Woodland Pattern Book Center. #13 also appeared previously in BOMBAY GIN vol. II # 4.

 

 

 

American Sonnets is available through the Light and Dust catalogue.

 

Return to Light and Dust Poets.

 

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* * * * * * * * * * * * * * * * * * * * * * * * * * *

 

 

 

 

 

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jack Kerouac's Essentials of Spontaneous Prose

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Jack Kerouac's Essentials of Spontaneous Prose

 

 

------------------------------------------------------------------------

 

 

SET-UP The object is set before the mind, either in reality, as in sketching (before a landscape or teacup or old face) or is set in the memory wherein it becomes the sketching from memory of a definite image-object.

 

PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image.

 

METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas--but the vigorous space dash seperating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"--"time and how to note it down." (William Carlos Williams)

 

SCOPING Not "selectivity" of expression but following free deviation (association) of mind into limitless blow-on subject seas of thought, swimming in sea of English with no discipline other than rhythms of rhetorical exhalation and expostulated statement, like a fist coming down on a table with each complete utterance, bang! (the space dash)--Blow as deep as you want--write as deeply, fish as far down as you want, satisfy yourself first, then reader cannot fail to receive telepathic shock and meaning-excitement by same laws operating in his own human mind.

 

LAG IN PROCEDURE No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

 

TIMING Nothing is muddy that runs in timetime--Shakespearian stress of dramatic need to speak now in own unalterable way or forever hold tongue--no revisions (except obvious rational mistakes, such as names or calculated insertions in act of not writing but inserting).

 

CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion--Do not afterthink except for poetic or P.S. reasons. Never afterthink to "improve" or defray impressions, as, the best writing is always the most painful personal wrung-out tossed from the cradle warm protective mind--tap from yourself the song of yourself, blow!--now!--your way is your only way--"good"--or "bad"--always honest, ("ludicrous"), spontaneous, "confessional" interesting, because not "crafted." Craft is craft.

 

STRUCTURE OF WORK Modern bizarre structures (science fiction, etc.) arise from language being dead, "different" themes give illusion of "new" life. Follow roughly outlines in outfanning movement over subject, as river rock, so mindflow over jewel-center need (run your mind over it, once) arriving at pivot, where what was dim-formed "beginning" becmes sharp-necessitating "ending" and language shortens in race to wire of time-race of work, following laws of Deep Form, to conclusion, last words, last trickle--Night is The End.

 

MENTAL STATE If possible write "without consciousness" in semitrance (as Yeats' later "trance writing") allowing subconscious to admit in owm uninhibited intersting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out--to relaxed and said.

 

 

------------------------------------------------------------------------

 

 

Belief and Technique for Modern Prose

 

List of Essentials

 

 

------------------------------------------------------------------------

 

 

1.Scribbled secret notebooks, and wild typewritten pages, for yr own joy 2.Submissive to everything, open, listening 3.Try never get drunk outside yr own house 4.Be in love with yr life 5.Something that you feel will find its own form 6.Be crazy dumbsaint of the mind 7.Blow as deep as you want to blow 8.Write what you want bottomless from bottom of the mind 9.The unspeakable visions of the individual 10.No time for poetry but exactly what is 11.Visionary tics shivering in the chest 12.In tranced fixation dreaming upon object before you 13.Remove literary, grammatical and syntactical inhibition 14.Like Proust be an old teahead of time 15.Telling the true story of the world in interior monolog 16.The jewel center of interest is the eye within the eye 17.Write in recollection and amazement for yourself 18.Work from pithy middle eye out, swimming in language sea 19.Accept loss forever 20.Believe in the holy contour of life 21.Struggle to sketch the flow that already exists intact in mind 22.Dont think of words when you stop but to see pictures better 23.Keep track of every day the date emblazoned in yr morning 24.No fear or shame in the dignity of yr experience, language & knowledge 25.Write for the world to read and see yr exact pictures of it 26.Bookmovie is th movie in words, the visual American form 27.In praise of Character in the Bleak inhuman Loneliness 28.Composing wild, undisciplined, pure, coming in from under, crazier the better 29.You're a Genius all the time 30.Writer-Director of Earthly movies Sponsored & Angeled in Heaven

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Highlands Bob Dylan

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Highlands

 

Well, my heart's in the highlands, gentle and fair Honey suckle bloomin' in the wildwood air Bluebells blazin' where the Aberdeen waters flow Well, my heart's in the highlands, I'm gonna go there when

   I feel good enough to go

 

Windows were shakin' all night in my dreams Everything was exactly the way that it seems Woke up this mornin' and I looked at the same old page Same old rat race, life in the same old cage

 

I don't want nothin' from anyone, ain't that much to take Wouldn't know the difference between a real blonde and a fake Feel like a prisoner in a world of mystery I wish someone would come and push back the clock for me

 

Well, my heart's in the highlands, wherever I roam That's where I'll be when I get called home The wind it whispers to the buck-eyed trees of rhyme Well, my heart's in the highlands, I can only get there one step

   at a time

 

I'm listening to Neil Young, I gotta turn up the sound Someone's always yellin', "Turn it down" Feel like I'm driftin', driftin' from scene to scene I'm wondering what in the devil could it all possibly mean

 

Insanity is smashin' up against my soul You could say I was on anything but a roll If I had a conscience, well I just might blow my top What would I do with it anyway, maybe take it to the pawn shop

 

My heart's in the highlands at the break of dawn By the beautiful lake of the black swan Big white clouds like chariots that swing down low Well, my heart's in the highlands, only place left to go

 

I'm in Boston town, in some restaurant

I got no idea what I want

Or maybe I do but, I'm just really not sure Waitress comes over, nobody in the place but me and her

 

Well, it must be a holiday, there's nobody around She studies me closely as I sit down

She got a pretty face, with long white shiny legs I said, "Tell me what I want," she say, "You probably want hard

   boiled eggs."

 

I say, "That's right, bring me some."

She says, "We ain't got any, you picked the wrong time to come." Then she says, "I know you're an artist, draw a picture of me." I said, "I would if I could but I don't do sketches from memory."

 

Well, she then, she says, "I'm right here in front of you, or

   haven't you looked?"

I say, "All right, I know but I don't have my drawing book." She gives me a napkin, she say, "You can do it on that." I say, "Yes I could but I don't know where my pencil is at."

 

She pulls one out from behind her ear

She says, "All right now go ahead, draw me, I'm stayin' right here." I make a few lines and I show it for her to see Well, she takes her napkin and throws it back and says, "That

   don't look a thing like me."

 

I said, "Oh, kind Miss, it most certainly does." She say, "You must be jokin'," I say, "I wish I was." Then she says, "You don't read women authors do ya?" at least

   that's what I think I hear her say

Well, I said, "How would you know and what would it matter anyway?"

 

Well she says, "You just don't seem like you do." I said,

   "You're way wrong."

She says "Which ones have you read then?" I say, "I've read

   Erica Jong."

She goes away for a minute and I slide out outa of my chair I step outside back to the busy street but nobody is goin' anywhere

 

Well, my heart's in the highlands with the horses and hounds Way up in the border country far from the towns With the twang of the arrow and the snap of the bow My heart's in the highlands, I can't see any other way to go

 

Every day is the same thing, out the door Feel further away than ever before

Some things in life it just gets too late to learn Well, I'm lost somewhere, I must of made a few bad turns

 

I see people in the park forgettin' their troubles and woes They're drinkin' and dancin', wearin' bright colored clothes All the young men, with the young women lookin' so good Well, I'd trade places with any of 'em in a minute, if I could

 

I'm crossing the street to get away from a mangey dog Talkin' to myself in a monologue

I think what I need might be a full length leather coat Somebody just asked me if I've registered to vote

 

The sun is beginnin' to shine on me

But it's not like the sun that used to be The party's over and there's less and less to say I got new eyes, everything looks far away

 

Well, my heart's in the highlands at the break of day Over the hills and far away

There's a way to get there and I'll figure it out somehow Well, I'm already there in my mind, and that's good enough for now

 

 

Bob Dylan (c) 1997

from TIME OUT OF MIND

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: not too crude

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Not to be too crude...but I thought you might find this funny!

 

Scott C. Render

Executive Briefing Center

http://ebcweb

 

 

> Perhaps one of the most interesting and colorful words in the English

> language today is the word "fuck". It is the one magical word which,

> just by its sound, can describe pain, pleasure, love, and hate. In

> language, "fuck" falls into many grammatical categories.

> It can be used as a verb, both  transitive (John fucked Mary) and

> intransitive (Mary was fucked by John). It can be an action verb (John

> 

> really gives a fuck), a passive verb (Mary really doesn't give a

> fuck), an adverb (Mary is fucking interested in John), or as a noun

> (Mary is a terrific fuck).  It can also be used as an adjective (Mary

> is fucking beautiful) or an interjection (Fuck! I'm late for my date

> with Mary).  It can even be used as a onjunction (Mary is easy, fuck

> she's also stupid). As you can see, there are very few words with the

> overall versatility of the word "fuck".

> Aside from its sexual connotations, this incredible word can be used

> to describe many situations:

> 1.    Greetings:  "How the fuck are ya?"

> 2.    Fraud:  "I got fucked by the car dealer."

> 3.    Resignation:  "Oh, fuck it!"

> 4.    Trouble:  "I guess I'm fucked now."

> 5.    Aggression:  "FUCK YOU!"

> 6.    Disgust:  "Fuck me."

> 7.    Confusion:  "What the fuck.......?"

> 8.    Difficulty:  "I don't understand this fucking business!"

> 9.    Despair:  "Fucked again..."

> 10.   Pleasure:  "I fucking couldn't be happier."

> 11.   Displeasure:  "What the fuck is going on here?"

> 12.   Lost:  "Where the fuck are we?"

> 13.   Disbelief: "UNFUCKINGBELIEVABLE!"

> 14.   Retaliation:  "Up your fucking ass!"

> 15.   Denial:  "I didn't fucking do it."

> 16.   Perplexity: "I know fuck all about it."

> 17.   Apathy:  "Who really gives a fuck, anyhow?"

> 18.   Greetings:  "How the fuck are ya?"

> 19.   Suspicion:  "Who the fuck are you?"

> 20.   Panic:  "Let's get the fuck out of here."

> 21.   Directions:  "Fuck off."

> 22.   Disbelief:  "How the fuck did you do that?"

> 

> It can be used in an anatomical description- "He's a fucking

> asshole."

> It can be used to tell time- "It's five fucking thirty."

> 

> It can be used in business- "How did I wind up with this fucking

> job?"

> 

> It can be maternal- "Motherfucker."

> 

> It can be political- "Fuck Dan Quayle!"

> 

> It has also been used by many notable people throughout history:

> "What the fuck was that?"      Mayor of Hiroshima

> "Where did all these fucking Indians come from?" General Custer

> "Where the fuck is all this water coming from?" Captain of the Titanic

> 

> "That's not a real fucking gun."   John Lennon

> "Who's gonna fucking find out?"  Richard Nixon

> "Heads are going to fucking roll."   Henry VIII

> "Let the fucking woman drive."  Commander of Space Shuttle

>  "Any fucking idiot could understand that."  Albert Einstein

> "It does so fucking look like her!"  Picasso

> "How the fuck did you work that out?"  Pythagoras

> "You want what on the fucking ceiling?" Michaelangelo

> "Fuck a duck."  Walt Disney

> "Why?- Because its fucking there!"  Edmund Hilary

> "I don't suppose its gonna fucking rain?"  Joan of Arc

> "Scattered fucking showers my ass."  Noah

> "I need this parade like I need a fucking hole in my head."  John

> F.Kennedy

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: lou reed heroin lyric

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    from the album:

    The Velvet Underground & Nico (1967-Verve)

 

    by Lou Reed

 

   "Heroin"

 

 

   I don't know just where I'm going

   But I'm gonna try for the kingdom, if I can

   'cause it makes me feel like I'm a man

   When I put a spike into my vein

   And I tell you things aren't quite the same

   When I'm rushing on my run

   And I feel just like Jesus' son

   And I guess that I just don't know

   And I guess that I just don't know

 

   I have made the big decision

   I'm gonna try to nullify my life

   'cause when the blood begins to flow

   When it shoots up the dropper's neck

   When I'm closing in on death

   You can't help me now, you guys

   And all you sweet girls with all your sweet talk

   You can all go take a walk

   And I guess I just don't know

   And I guess that I just don't know

 

   I wish that I was born a thousand years ago

   I wish that I'd sailed the darkened seas

   On a great big clipper ship

   Going from this land here to that

   In a sailor's suit and cap

   Away from the big city

   Where a man cannot be free

   Of all the evils of this town

   And of himself and those around

   Oh, and I guess that I just don't know

   Oh, and I guess that I just don't know

 

   Heroin, be the death of me

   Heroin, it's my wife and it's my life

   Because a mainline in my vein leads to a center in my head

   And then I'm better off than dead

   Because  when the smack begins to flow

   I really don't care anymore

   About all the Jim-Jims in this town

   And all the politicians making crazy sounds

   And everybody putting everybody else down

 

   And all the dead bodies piled up in mounds

   'cause when the smack begins to flow

   And I really don't care anymore

   Ah, when that heroin is in my blood

   And the blood is in my head

   Then I thank God that I'm as good as dead

   And thank your God that I'm not aware

   And thank God that I just don't care

   And I guess that I just don't know

   Oh, and I guess that I just don't know

 

 

   <C#><F#><C#><F#> x ? ....

 

 

 

*riff

   C#            F#

[--1-------------6------8----6-----

[--2-------------7------9----7-----

[--1-------------6------8----6-----

[----------------------------------

[----------------------------------

[----------------------------------

 

 

////////////////////////////////////

////////////////////////////////////

////////////////////////////////////

 

Source:

http://www.geocities.com/SunsetStrip/Towers/2245/heroin.txt

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: LF A Far Rockaway of the Heart

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# 2           by Lawrence Ferlinghetti

 

 

 

Driving a cardboard automobile without a license                     at the turn of the century         my father ran into my mother

                                on a fun-ride at Coney Island              having spied each other eating                           in a French boardinghouse nearby And having decided right there and then                      that she was right for him entirely       he followed her into

                         the playland of that evening       where the headlong meeting

                             of their ephemeral flesh on wheels       hurtled them forever together

 

And I now in the back seat

                         of their eternity                                       reaching out to embrace them

 

 

 

 

Lawrence Ferlinghetti

A Far Rockaway of the Heart

New Directions Books

 

 

Copyright (c) 1997 by Lawrence Ferlinghetti.

All rights reserved.

 

New Directions Publishing Corporation. To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Driving a cardboard automobile by Lawrence Ferlinghetti.

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# 2           by Lawrence Ferlinghetti

 

 

 

Driving a cardboard automobile without a license                     at the turn of the century         my father ran into my mother

                                on a fun-ride at Coney Island              having spied each other eating                           in a French boardinghouse nearby And having decided right there and then                      that she was right for him entirely       he followed her into

                         the playland of that evening       where the headlong meeting

                             of their ephemeral flesh on wheels       hurtled them forever together

 

And I now in the back seat

                         of their eternity                                       reaching out to embrace them

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Cantico di Frate Sole by Francesco d'Assisi (4 october 1226)

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        Cantico di Frate Sole by Francesco d'Assisi (4 october 1226)

 

 

        Altissimu, onnipotente, bon Signore,

        tue so' le laude, la gloria e l'honore et onne benedictione.

 

        Ad te solo, Altissimo, se konfano,

        et nullu homo ene dignu te mentovare.

 

5       Laudato sie, mi' Signore, cum tucte le tue creature,

        spetialmente messor lo frate sole,

        lo qual'e' iorno, et allumini noi per lui.

        Et ellu e' bellu e radiante cum grande splendore:

        de te, Altissimo, porta significatione.

 

10      Laudato si', mi' Signore, per sora luna e le stelle:

        in celu l'ai formate clarite et pretiose et belle.

        Laudato si', mi' Signore, per frate vento

        et per aere et nubilo et sereno et onne tempo,

        per lo quale a le tue creature dai sustentamento.

 

15      Laudato si', mi' Signore, per sor'aqua,

        la quale e' multo utile et humile et pretiosa et casta.

 

        Laudato si', mi' Signore, per frate focu,

        per lo quale ennallumini la nocte:

        ed ello e' bello et iocundo et robustoso et forte.

 

20      Laudato si', mi' Signore, per sora nostra matre terra,

        la quale ne sustenta et governa,

        et produce diversi fructi con coloriti flori et herba.

 

        Laudato si', mi' Signore, per quelli ke perdonano per lo tuo

        amore

        et sostengo infirmitate et tribulatione.

25      Beati quelli ke 'l sosterranno in pace,

        ka da te, Altissimo, sirano incoronati.

 

        Laudato si', mi' Signore, per sora nostra morte corporale,

        da la quale nullu homo vivente po' skappare:

        guai a.cquelli ke morrano ne le peccata mortali; 30      beati quelli ke trovara' ne le tue sanctissime voluntati,

        ka la morte secunda no 'l farra' male.

 

        Laudate e benedicete mi' Signore et rengratiate

        e serviateli cum grande humilitate.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: SOD n1

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A few JK lines from 'Some of the Dharma.'

 

 

The Eternal and tranquil Mind

Is bringing you this Program

Direct from Rosy Essence (p.7)

 

 

If you were not here

To see the world

With your special

Conditioned eyes

What makes you think

It would look like that? (p.7)

 

 

The tongue is in a diseased condition

Eye sees fantastic blossoms in the air

Your ego-personality is a pile of shit

Raised high by your conception of it (p.26)

 

 

A LIFE OF SPONTANEOUS AND RADIANT EFFORTLESSNESS.

That immanent auspiciousness we all feel in ourselves is the Buddha-nature hidden like a gem in soiled rags. (p.52)

 

 

(In this mighty paragraph I can hear the huge  slappings on the asses of the Gods.) p.71

 

 

Just like when I was a kid and knew that I should wear my overalls all the time and every day should be Saturday, is Tao to me. (p.98)

 

 

O for the simple truth of a railroad man in a caboose, on a cold night, in front of his fire, an old Conductor of the Dharma Train. (p.109)

 

 

This world is like the first pages of Dostoevsky's "Eternal Husband." (p.117)

 

To:

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Subject: WSB file n1.

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"I am not looking for a master; I am looking for the books. In dreams I sometimes find the books where it is written and I may bring back a few phrases that unwind like a scroll. Then I write as fast as I can type, because I am reading, not writing."

 

 -- William S. Burroughs

 

from "The Retreat Diaries"

THE BURROUGHS FILE

City Lights Books, 1984.

(p 190)

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: dylan  time out of mind lyrics

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"I'm listening to Neil Young, I gotta turn up the sound Someone's always yellin' "Turn it down" Feel like I'm driftin', driftin' from scene to scene I'm wonderin' what in the devil could it all possibly mean

 

Insanity is smashin' up against my soul You could say I was on anything but a roll If I had a conscience, well I just might blow my top What would I do with it anyway, maybe take it to the pawn shop"

 

excerpt from "Highlands" by Bob Dylan

from the album TIME OUT OF MIND

(Columbia 68556, 1997)

 

source of lyrics:

http://bob.nbr.no/dok/cd/97/toomlyrics.shtml

 

excerpt from "Highlands"

by Bob Dylan

 

"I'm in Boston town

in some restaurant

I got no idea

what I want

or maybe I do but

I'm just really not sure

Waitress comes over,

nobody in the place but me and

her

 

Well it must be a holiday, there's nobody around She studies me closely as I sit down

She got a pretty face

and long white shiny legs

I said "Tell me what I want"

She say "You probably want

hard boiled eggs"

 

I said "That's right,

bring me some"

She says "We ain't got any,

you picked the wrong time to come"

then she says "I know you're an artist, draw a picture of me"

I said "I would if I could but

I don't do sketches from memory"

 

Well she's there she says "I'm right here in front of you or haven't you looked"

I say "All right I know but I

don't have my drawin' book"

She gives me a napkin,

she say "You can do it

on that"

I say "Yes I could but

I don't know where my

pencil is at"

 

She pulls one out

from behind her ear

She says "Alright now go ahead

draw me I'm stayin' right here"

I make a few lines

and I show it for her to see

Well she takes the napkin and throws it back and says "That don't look

a thing like me"

 

I said "Oh kind miss,

it most certainly does"

She say "You must be joking",

I said "I wish I was"

And she says "You don't read women authors do ya?" at least that's what I think I hear her say Well I say "How would you know,

and what would it matter anyway"

 

Well she says "Ya just don't seem like ya do", I said "You're way wrong"

She says "Which ones have you read then?", I say "Read Erica Jong"

She goes away for a minute,

and I slide out, out of my chair

I step outside back to the busy street, but nobody's goin' anywhere

 

Well my heart's in The Highlands

with the horses and hounds

way up in the border country

far from the towns

with the twang of the arrow

and the snap of the bow

My heart's in The Highlands,

can't see any other way to go"

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: John Wieners was born in 1934

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A POEM FOR EARLY RISERS

 

I'm infused with the day

even tho the day may destroy me.

I'm out in it.

Placating it.  Saving myself

from the demons

who sit in blue

coats, carping

at us across

the table.  Oh they

go out the doors,

I am done with them,

I am done with faces

I have seen before.

 

For me now the new:

the unturned tricks

of the trade.  The place

of the heart where man

is afraid to go.

 

It is not doors.  It is

the ground of my soul

where dinosaurs left

their marks. Their tracks

are upon me.  They

walk flatfooted.

Leave heavy heels

and turn sour the green

fields where I eat with

ease.  It is good to

throw them up.  Good

to have my stomach growl.

After all, I am possessed

by wild animals and

long haired men and

women who gallop

breaking over my beloved

places.  Oh put down

they vanity man the

old man told us under

the tent.  You are over-

run with ants.

 

 

2

 

Man lines up for his

breakfast in the dawn

unaware of the jungle

he has left behind

in his sleep.  Where

the fields flourished

with cacti, cauliflower,

all the uneatable foods,

where the morning man

perishes, if he remembered.

 

 

3

 

And yet, we must remember.

The old forest, the wild

screams in the backyard

or the cries of the bedroom.

It is ours to nourish.

The nature to nurture.

Dark places where the

woman holds, hands

us, herself handles an

orange ball.  Throwing it

up for spring.  Like

the clot my grandfather

vomited months before he

died of cancer.  And

spoke of later in terror.

 

 

--John Wieners

 

John Wieners was born in 1934.  He graduated from Boston College in 1954 and attended Black Mountain College.  He founded the magazine _Measure_, which published many of the young poets associated with Black Mountain and with the "San Francisco Renaissance."  He is known as the "Boston beat," and is still currently living on Boston's Beacon Hill.  The label as Boston's beat is in my opinion a misnomer and results from his publishing many of the poets of San Francisco scene.  Wieners is more of a traditional New England poet steeped in the rich, historical fabric of Boston poetry, but one who twisted his verse into a fresh avant-garde prosody with the influence of Charles Olson, the dominant and senior figure in the Black Mountain group that included Robert Creeley, Denise Levertov, and Robert Duncan to name but a few.  Black Mountain was an experimental school in North Carolina in the 1940s and 50s and many of its teachers and students have since been important in painting, music and the dance as well as literature.  For instance, John Cage, Merce Cunningham, Buckminster Fuller, and Robert Motherwell were just some of the students and teachers associated with the school as well as Josef Albers and many of the artists of the Bauhaus.

=====================================================================To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Career of Ron Loewinsohn (1937 - )

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Career of Ron Loewinsohn (1937 - )

 

Born in the Phillipines, Ron Loewinsohn has been a major figure of the San Francisco poetry scene since his student days at San Francisco State College. While there he published his first volume of poetry, Watermelons (1959), which featured an introduction by Allen Ginsberg. In 1963, he co-edited, with Richard Brautigan, Change, a magazine of poetry. His second book of poetry, The World of the Lie (1963) received the Poets Foundation Award. His later works include Against the Silences to Come (1965), L'Autre (1967), The Step (1968), the collection Meat Air : Poems 1957 - 1969 (1970), and Goat Dances : Poems and Prose (1976). Loewinsohn is also the author of the novels, Magnetic Fields (1983) and Where all the Ladders Start (1987).

He was a teaching fellow in American Literature at Harvard University, 1968 - 1970, where he took a Ph.D. in 1971. He then returned to California and has since been on the faculty at the University of California at Berkeley, where he teaches American literature and creative writing.

 

Highlights and Research Potential of the Loewinsohn Papers

 

The papers contain both published and unpublished manuscripts of his poetry and prose criticism through Goat Dances in 1976, many with extensive notes and revisions. They also include a massive correspondence from friends, fellow writers and publishers spanning the years 1958 - 1970. These correspondents include: Richard Brautigan, Robert Creeley, Denise Levertov, John Martin, Charles Olson, and numerous others. The published manuscripts include: The World of the Lie, L'Autre, The Step, The Province of the Poem (two versions), Melville and the Greeks, Record Book, 1968-74, Meat Air, and Goat Dances. Among the unpublished works are poetry, short fiction, and Lime Kiln Creek, a novel.

 

Biographical/Critical sources

 

   * Lepper, Gary. M., A Bibliographical introduction to 75 Modern Authors

     (Berkeley, Calif. : Serendipity Books, 1976.), p. 281-83.

   * Contemporary Authors, Vol. 25-28, rev.ed., p. 436-37.

   * Contemporary Literary Criticism, Vol. 52, p. 282-83.

 

Related Manuscript Collections at Stanford

 

   * Creeley, Robert, (1926 - ) Papers, c. 1960-1992. Special Collections

     M662

   * Levertov, Denise, (1923 - ) Papers, c. 1955-1993. Special Collections

     M601

 

Other Repository Holdings

 

   * Yale University

 

----------------------------------------------------------------------------

 

Last Modified: February 28, 1997

Stanford University Libraries/Academic Information Resources To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Career of Larry Eigner (1927 - 1996)

Cc:

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Career of Larry Eigner (1927 - 1996)

 

American poet born in Swampscott, MA, Eigner was confined his entire life to a wheelchair as a result of cerebral palsy. Educated at home by his parents, he lived with them in Swampscott until 1978, when he moved to California.

Eigner's writing reflects his special perspective on the world, developing a distinctive style to register his uniquely distanced vision of the world.

His first volume of poetry From the Sustaining Air was published in 1953 by Robert Creeley. His steady productivity resulted in numerous subsequent collections, including, Another Time in Fragments (1967), Things Stirring/ Together/ or Far Away (1974), now there's-a-morning-hulk of the sky (1981), and Waters/Places/ A Time (1983). His short stories are collected in Farther North (1969) and his prose writings in Country/ Harbour/ Quiet/ Act/ Around: Selected Prose (1978) and Area/ Lights/ Heights: Selected Writings, 1954 -1989. His latest book of poetry is Windows/ Walls/ Yard/ Ways (1994), but at the time of his death he had just completed work on a new collection Readiness/ Enough/ Depends/ On, now forthcoming.

 

Highlights and Research Potential of the Eigner Papers:

 

The papers include the typescripts of all of Eigner's poetry, arranged in sequence by the author, many with holographic notations by Eigner. Also included is correspondence to Eigner arranged alphabetically by the correspondent's name. Major correspondents include from Cid Corman, Clayton Eshleman, Arthur McFarland, James Weil, Douglas Woolf, and many others.

There are also copies of some of Eigner's return correspondence.

 

Bibliography of Larry Eigner

 

Leif, Irving P. Larry Eigner. Metuchen, N.J. : Scarecrow Press, 1989.

 

Selected Biographical and Critical Works on Eigner

 

Dictionary of Literary Biography (Detroit, MI: Gale Research) vol. 5, p229 - 234.

 

----------------------------------------------------------------------------  Last Modified: February 28, 1997

Stanford University Libraries/Academic Information Resources To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Career of Gregory Corso (1930 - )

Cc:

Bcc:

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Career of Gregory Corso (1930 - )

 

American poet and author, Gregory Corso was born in New York City in 1930.

In and out of jails as a youth, Corso is largely self-taught through his extensive reading and travel. An influential member of the Beat generation, Corso is closely associated with Allen Ginsberg, whom he first met in New York in 1950. His first published poems appeared in the Harvard Advocate in 1954, followed by his first book, The Vestal Lady on Brattle and Other Poems (1955). His 1958 work Gasoline, introduced by Ginsberg, marks the beginning of his long association with San Francisco's City Lights Bookstore and the Bay Area in general, which figures prominently in much of Corso's work.

During the late 50s and early 60s Corso published several other books of poetry, including Bomb (1958), The Happy Birthday of Death (1960) and Long Live Man (1962). Such later verse as Herald of the Autochthonic Spirit (1981) was less well received, but Corso found a new generation of readers with Mindfield: New and Selected Poems (1989).

 

Gregory Corso Notebooks and Papers

 

Size: 1.5 linear ft.

Call Number: M877

Content: The collection contains 20 holograph notebooks and other manuscripts, dating from the early 1980s into the 1990s. Totaling approximately 2500 manuscript pages, the papers offer a wealth of primary source material, indicative of Corso's working process. Notebooks include random notations, drafts of poetry, drawings, and collages. Many of the manuscript pages are not identifiable as part of larger published works and are unpublished. The collection also includes some books, interviews, photographs, and correspondence with Allen Ginsberg.

 

Corso, Gregory. Papers, 1960-1970.

 

Size: 1 linear ft.

Call Number: M721

Content: Holograph manuscripts of poetry and prose somewhat fragmentary in nature. Many of the manuscript pages are unidentifiable as part of larger works. The correspondence includes both professional and highly personal material.

 

Bibliography of Corso

 

     Wilson, Robert A. A Bibliography of the Works of Gregory

     Corso,1954-1965. (Phoenix Book Shop, 1966)

 

Selected Biographical and Critical Works on Corso:

 

     Cherkovski, Neeli. Whitman's Wild Children: Profiles of Ten

     Contemporary American Poets. (Lapis Press, 1988)

 

     Knight, Arthur, and Kit Knight, eds. The Beat Vision: A Primary

     Sourcebook . (Paragon House, 1987)

 

     Selerie, Gavin, ed. Gregory Corso. (London: Binnacle, 1982)

 

     Stephenson, Gregory. Exiled Angel : A Study of the Work of Gregory

     Corso. (London: Hearing Eye, 1989)

 

Related Manuscript Collections at Stanford

 

Ginsberg, Allen. Papers. Special Collections

 

----------------------------------------------------------------------------

 

Last Modified: February 28, 1997

Stanford University Libraries/Academic Information Resources To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: boho url

Cc:

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References:

 

This for benefit of newcomers and as reminder for the rest when the list action is down:

 

bohemian list is rich with ancillary (? not to their authors ?) webs that provide a rich context for list interactions.

 

Among the pioneering webworks are Levi Asher's Queensboro Ballads at http://www.levity.com/brooklyn/

 

Levi is, of course, also the editor of Coffeehousebook: Works from the Web at www.coffeehousebook.com, and of Literary Kicks at http://www.charm.net/~brooklyn/

 

I had written more about Q. Ballads and then my email crashed. Suffice it to say it's one of the first, one of the best, and more than worth a look.

 

Bohemian Ink is, of course, at

http://www.levity.com/corduroy/

 

Dan Barth's Ukiah Haiku is at

http://www.rahul.net/jag/volume1/zine3/ukiah_haiku.html

 

Luther Jett's Naked Angels! is at

http://members.aol.com/magendror/freebird/entrance.html

 

Peter Landers sites includes "Apostrophe" at http://www.frontiernet.com/~landers/

 

Tami Denease's fine work at

http://www.frontiernet.com/~tamid/

 

John Amato's site, including the new e version of Articulata, lies at http://web.hudsonet.com/~amajo3/

 

Greg Severance's Bulldog Breath lives at http://www.walrus.com/~morocco/

 

Brian Carpenter's work at http://paul.spu.edu/~bricarp/poems.html and, in part, at http://www.rahul.net/jag/

 

Michael Stutz's appropriately UNIXish URL lies at http://dsl.org/m/

 

Luther has a good intro to all of the above at http://members.aol.com/magendror/freebird/links.html

 

Ron Whitehead has works at http://www.rahul.net/jag/ and I understand soon enough at http://www.levity.com/corduroy/

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: 10 reasons

Cc:

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Date:         Tue, 21 Oct 1997 17:08:14 -0400 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Anna Tulou <ltulou@EROLS.COM> Subject:      being French

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              McClary@juno.com, Hkeighron@gems.vcu.edu, cmjones@mail.smith.edu,

              dsmit6id@mwcgw.mwc.edu, DCavitt@aol.com, bowlingpea@aol.com,

              raisin22@juno.com, agent.roslund@swipnet.se,

              c2mxmans@fre.fsu.umd.edu, jlyon@mca.org, NFCORP@erols.com,

              luvfhocky@aol.com, uptonfam@erols.com, filzjl@jmu.edu,

              knorth@concentric.net, schtuff@firechat.com, mkashton@juno.com,

              Kibles16@aol.com, saxfone4@aol.com,

              MVICCELLIO@agnes.agnesscott.edu, mmeachum@roanoke.edu,

              megamoot@aol.com, atic@ack.powernet.co.uk, bomblea@aol.com,

              bmamson@erols.com, plop@aol.com, swindsor@vt.edu,

              ChiliVB@aol.com, zavodny@EURE.de, vivianh419@aol.com,

              acloninge@aol.com, divski@aol.com, tmquash@rmwc.edu,

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Content-Type: text/plain; charset="us-ascii"

 

I'm proud of my heritage, thank you very much!

 

> TOP 10 REASONS FOR BEING FRENCH :

>  ---------------------------------

> 1. When speaking fast you can make yourself sound gay

> 2. Yet to experience the joy of winning the world cup for the first time

> 3. You get to eat insect food like snails and frog's legs

> 4. If there's a war you can surrender really early

> 5. You don't have to read the subtitles on those late night  films on

>    Channel 4.

> 6. You can test your own nuclear weapons in other people's countries

> 7. You can be ugly and still become a famous film star

> 8. Allow Germans to march up and down your most famous street

>    humiliating your sense of national pride

> 9. You don't have to bother with toilets, just shit in the street

> 10. People think you're a great lover even when you're not

> 

> TOP 10 REASONS FOR BEING AMERICAN :

>  -----------------------------------

> 1. You can have a woman president without electing her

> 2. You can spell colour wrong and get away with it

> 3. You can call Budweiser beer

> 4. You can be a crook and still be president

> 5. If you've got enough money you can get elected to do anything

> 6. If you can breathe you can get a gun

> 7. You can invent a new public holiday every year

> 8. You can play golf in the most hideous clothes ever made and nobody

>    seems to care.

> 9. You get to call everyone you've never met "buddy"

> 10. You can think you're the greatest nation on earth.

> 11. When you're not.

> 12. At all.

> 

> TOP 10 REASONS FOR BEING ENGLISH :

>  ----------------------------------

> 1. Two World Wars and One World Cup doo-dah doo-dah

> 2. Warm beer

> 3. You get to confuse everyone with the rules of cricket

> 4. You get to accept defeat graciously in major sporting events

> 5. Union jack underpants

> 6. Water shortages guaranteed every single summer

> 7. You can live in the past and imagine you are still a world power.

> 8. Bathing once a week-whether you need to or not

> 9. Ditto changing underwear

> 10. Beats being Welsh.

> 11. Or Scottish

> 

> TOP 10 REASONS FOR BEING ITALIAN :

>  ----------------------------------

> 1. In-depth knowledge of bizarre pasta shapes

> 2. Unembarrassed to wear fur.

> 3. No need to worry about tax returns

> 4. Glorious military history... well, till about 400 a.d.

> 5. Can wear sunglasses inside

> 6. Political stability

> 7. Flexible working hours

> 8. Live near the Pope

> 9. Can spend hours braiding girlfriend's armpit hair

> 10. Country run by Sicilian murderers

> 

> TOP 10 REASONS FOR BEING SPANISH :

>  ----------------------------------

> 1. Glorious history of killing South American tribes

> 2. The rest of Europe thinks Africa begins at the Pyrenees

> 3. You get your beaches invaded by Germans, Danes, Brits etc

> 4. The rest of your country is already invaded by Moroccans

> 5. Everybody else makes crap paella and claims it's the real thing

> 6. Honesty

> 7. Only sure way of bedding a woman is to dress up in stupid, tight

>    clothes and risk your life in front of bulls

> 8. You get to eat bulls' testicles

> 9. Gibraltar

> 10. Supported Argentina in Falklands War.

> 

> TOP 10 REASONS FOR BEING GERMAN :

>  ---------------------------------

> 1.

> 2.

> 3.

> 4.

> 5.

> 6.

> 7.

> 8.

> 9.

> 10. In-built sense of pacifism

> 

> TOP 10 REASONS FOR BEING INDIAN :

>  ---------------------------------

> 1. Chicken Madras

> 2. Lamb Passanda

> 3. Onion Bhaji

> 4. Bombay Potato

> 5. Chicken Tikka Masala

> 6. Rogan Josh

> 7. Popadoms

> 8. Chisken Dopiaza

> 9. Meat Boona

> 10. Kingfisher lager

> 

> TOP 10 REASONS FOR BEING WELSH:

>  -------------------------------

> 

> 1. You've got to be having a laugh, haven't you?!?!?!?

> 

> TOP 10 REASONS FOR BEING IRISH :

>  --------------------------------

> 1. Guinness

> 2. 18 children because you can't use contraceptives

> 3. You can get into a fight just by marching down someone's road

> 4. Pubs never close

> 5. Can use Papal edicts on contraception passed in the second Vatican

>    Council of 1968 to persuade your girlfriend that you can't have

>    sex with a condom on.

> 6. No one can ever remember the night before

> 7. Kill people you don't agree with

> 8. Stew

> 9. More Guinness

> 10. Eating stew and drinking Guinness in an Irish pub at 3 in the

>     morning after a bout of sectarian violence.

> 

> TOP 10 REASONS FOR BEING CANADIAN :

>  -----------------------------------

> 1. It beats being an American.

> 2. Only country to successfully invade the US and burn its capital to

>    the ground.

> 3. You can play hockey 12 months a year, outdoors.

> 4. Only country to successfully invade the US and burn its capital to

>    the ground.

> 5. Where else can you travel 1000 miles over fresh water in a canoe?

> 6. A political leader can admit to smoking pot and his/her popularity

>    ratings will rise.

> 7. Only country to successfully invade the US and burn its capital to

>    the ground.

> 8. Kill Grizzly bears with huge fuckoff shotguns and cover your house in

>    their skins

> 9. Own-an-Eskimo scheme.

> 10. Only country to successfully invade the US and burn its capital to

>     the ground

> 

> 

> TOP 10 REASONS FOR BEING AUSTRALIAN:

>  ------------------------------------

> 1. Know your great-grand-dad was a murdering bastard that no civilised

>    nation on earth wanted.

> 2. Fosters Lager

> 3. Dispossess Aborigines who have lived in your country for 40,000 years

>    because you think it belongs to you.

> 4. Annihilate England every time you play them at cricket.

> 5. Tact and sensitivity.

> 6. Bondi Beach.

> 7. Other beaches.

> 8. Liberated attitude to homosexuals

> 9. Drinking cold lager on the beach

> 10.  Having a bit of a swim and then drink some cold lager on the beach.

> 

 

<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< 

 

Anna Tulou

Ltulou@erols.com

 

"Anything that is too stupid to be spoken is sung."

                        -Voltaire

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Marie Countryman <country@SOVER.NET> Subject:on the bus to meet the bohemians

Cc:

Bcc:

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ROAD TRIP TO MEET FELLOW BOHEMIANS,

or, the greyhound night of the soul

OCCTOBER 1997

 

Prologue:

Howl with a WhineChaser

   i saw the best part of my mind destroyed by sleep deprivation,

   starving

   hysterical naked

   dragging myself through the greyhound stations looking for my

   angry luggage

   angelheaded hipster burning for the ancient heavenly connection to

   louisville and back

  in the stary dynamo in the greyhound

   machinery at night

   who poverty and tatters and howl-lowed eyed sat up wishing to

   be smoking

   marijuana in the supernatural darkness of cramped seats and

   angry

   drivers hurtling us past the tops of cities,

   leaving me to  contemplating bladder control,

   and patience.

   who bared my ass to heaven while trying to take a leak outside

   of

   cramped and longlined service stops,

   wishing for the toilet  paper,

   who passed through yet more bus stations with burning red eyes

   hallucinating ohio and blake-light tragedy for vertigo when

   reading

   on the road

   who was expelled from the port authority waiting room by angry

   mop and

   broom holding scholars of the war against further grime,

   who refused to cower in unshaven rooms in underwear, praying

   for enough

   money to burn in wastebaskets and listening to the terror

   through the

   aisles

   who proclaims the aisles holy!!

      i'm with you in l'ville, perry, as you stand on one leg with fez on head to prove               sobriety  sufficent

   for one more vodka!

   i'm with you in l'ville, luther, in your shock and amazement staring at our howl-

   loween power  pumpkin!

   i'm with you and bickering, and awestruck by your readings, jim, kitchen

   table and

   twice told

   i'm with everyone, recordingnon-secret tapes of lives and travels of

   fellow

   busmates

   but also the rantings of the mad poets at the kitchen table, and the fine rantings at the twice told!

   all are holy!

 even bus drivers are holy!

paranoid and psychotic and angry holy busmen!

holy! holy! holy!

(27 hrs down and 24 hrs back, my own insomniacathon of the dark

   soul of

   greyhound night).

   _____

tales and travelers:

 the journey

~~~~~~~~~~~~~~~~~~~~~~

And so i go,  like lamb to the slaughter, shipped in box cars disguised as bus down to the bohemian ink/published in heaven event of spoken word and music.

Almost paralyzed by fear of public speaking with those so practiced and wise, newbie eyed and hesitant, such small feelings mirrored in my external universe of the bus station, here in Montpelier, capitol citiy of VT's greyhound or rather VT Transit station: you see, it's a trailer, no inside seating available, in fact, it's more  like a box car, or, more accurately, two box cars clamped together, with tradkway made of highway abutment heavy concete blocks to perch on, weathered and rusted nails and all.

Just as poh a white trash station you could fine in any appalacian small town.

 

As i said, i'm off to the louisville rant for bohemian ink and literary renaissance, to read at the twice told coffee house event, to meet my fellow fellaheen souled bohemians, my brother poets on the net. The brainchild of Chris Ritter birthed by Ron Whitehead and all bohemes who could make the journey, this event looms large for many of us in this community of poets and other artistic endeavorings, coming soon after the first bohemian meeting at the falls in Patterson, NJ this past summer.

A sharing of opinions, life events, poetry and good humor, about to take on corporeal form in l'ville.

 

So, at last the bus arrives, half hour late, and i jump aboard after lugging luggage into bowls of the beast. It takes us 5 hours to reach Albany, as the bus winds its leisurely way through every hill and dale in the countryside, stopping at bus stops, churches, dairy queens and more, offiicial bus stops up here in the mountains. It's autumn, it's beautiful.

Five hours later, in the beauty of the autumnal day, we finally roll into Albany and i totter off in search of flush toilets and companionship. I am crazy with the need to have a conversation. I have my tape recorder out , and I turn to Jesse Jackson, a fine looking black man with some grimness around the eyes. I ask him to record his travels and anything else he cares to tell me. in his own words, jesse jackson obliges:

 

"Well," said he,

"i just packed up all my stuff

i walked out on the best job i've ever had, (fiber optics)

because i got to get back to Huston

that's right

lock stock and barrel,

i got to get back to Huston

i got to reconcile with my wife,

my wife back in Huston.

you see, because things are

pretty rocky right now.

it seems like it's going to be one

long and ballistic trip-

my mind

my mind, it keeps racing ahead

of me,

thinking of everything waiting for me

when i get home.

(by the way,

you are a nice person and i thank you

for talking to me.

you have yourself a good trip and all

yourself)."

I turn off the recorder and we talk awhile, both of us stand guard over luggage as each makes trips for bathrooms, for information, for food.

there is no food. Soon the disembodied voice of the grey hound demands we stand in separate lines to board our respective busses. we part, dragging our luggage as we wish good luck and say goodbye.

The bus i board is crowded. no opportunity for solitude and no extra room for all my stuff. I am grimly searching for the next best thing when Estella beckons to me. Estella a beautiful hispanic woman who  will be my bus mate throughout the night and into the next day. Estella at first tells me she is too shy to talk into my recorder, but she does: "I'm from St Albans, VT and i'm going to El Paso, Texas to pack up my mother and bring her back north to live with me and my husband. I'm only staying the weekend, then, with my mother, i'm coming right back - i've got to get back to work, my mother won't travel alone." Estella is happy to have me as a seatmate.

she opens up a bag,

spilling out into our laps

grapes, tangerines,

bananas

and lots of red licorice.

She shares freely with me, and we settle in comfortably.

Estella has a happy soul and a deep feeling of family, which she also shares freely.

 I muse in the night about these two people who took a chance and talked to me, of their need for family and attatchment, of two people heading to Texas, on separate busses, going home, bringing family home.

Family.

I myself have little family, i see my journey as a search for community, an extended family, if you will, of poets and magical thinkers.

Estella changes busses at 9am the next day, and i finally pass out for a few hours, awakening as the bus pulls into the louisville greyhound station, and frees me from the doggedness of my travails and travel.

~~~~~~~~~~~~~~~~~~~

Lousiville

~~~~~~~~~~~~~~~~~~~

Jim Gardner is there to greet me with the best of southern hospitality; presenting me

with a map of the city

antique post cards

lunch at the Twice Told

a brief tour of the city

a bedroom to myself,

 into which i bombdive upon arrival,

morning coffee.

in addition, the kitchen

is soon filled with perry, then luther, the following day, full of laughter pomes and great conversation, and somewhat drunken dumbshow antics

and friendship.

In addition, jim provides me with escort back to bus station, while in between the greeting and the send-off, we fill the days with talk

laughter

great readings

and performances

at the twice told cafe.

A golden time, the times i savor, when meeting instantly turns into comraderie, rapport, and which extends to the meeting of the other performers at the twice told coffee house. We meet Charlie from Amnesia Motel, and quickly swoop him up to join our list community -I ceremonially present a puzzled Ron Whitehead with our power pumpkin.

Despite plans for howl-ing at the moon and other watering holes, we are so exhausted, we choose sleep and breakfast over late night ale-full hours.

A goodbye breakfast for Luther, with Ron betwixt and between dashing into parking lot to shower us all with gifts: posters, chapbooks, spoken word CDs!  Jim takes Perry and me for a tour of the city, the dam, and fossils.

~~~~~~~~~~~~~~~~~~~

Going Home

~~~~~~~~~~~~~~~~~~~~

I leave the following day, Jim again escorts me to the greyhound station. Again, the bus is packed with little room and no chance of sitting alone. My eyes roam desperately about, searching for a suitable seatmate for this 6 hr leg of my journey. And then I see him: Tripper, a member of the Rainbow Family, all of 23  yrs old and on his own since the age of 12. he is a lovely young man, tanned and with baby fat still in his round cheeks. his eyes smile. he tells me he is on the way to join a commune of

Hare Krishnas in Wheeling, west virginia.  "i've been damaged by my birth family," he tells me. Born illegitimate to mother with madness, he was taken care of episodically by aunts and other  women in his extended family, always told by mother that it was his birth that ruined her life, alcoholic and emotionally ill, she sought to lay the blame on him.

Tripper does not go by his birth name. His name is a rainbow family name, and he now seeks further family, community, spirituality with the Krishnas. Tripper did spend time in louisville, nomadic by nature, prefers the countryside: "in louisville i'd sleep all day and drink all night. the city, the city, it hurts me to the point of needing to drink the sickness away...and all my friends were vampires, but they did have good hearts."

I am again reminded of my quest for community, rapport and support from poet friends. I have always had a difficult relationship with my family, and to all extents and purposes, have only a brother and his family left me as family. I've had a stormy and thorny relationship with my brother, but my starry-eyed love for his children, my neice and nephew, help us bridge the abyss that our parents created.

My last stop prior to returning to VT is to stay with his family in Rhode Island, to celebrate my neice Jesse's 16th birthday. I love her so much it hurts at times.

 

So there we were, Jessie Jackson, Estella, Tripper, and me - all searching for family ties, for reconciliation, for love, for community.

I wish all of my seatmates blessings. I feel myself blessed by this trip,  this labor of love.

 

RANT ON, BOHEMIANS, MY FRIENDS, MY FAMILY OF POETS!

James A. Gardner

Luther Jett

Perry Lindstrom

Christopher Ritter

Paul McDonald

Ron Whitehead

and Charlie, from Amnesia Motel.

and Derek Beaulieu, whose labor of love was the creation of our poster.

and all who performed and spoken word poets who shared stagetime with us.

and all of you who could not attend.

 

Blessings on all.

and thanks.

mc

 

(I have photos of performances, kitchen table and breakfast pictures, which can be inserted into web page format) CHRIS RITTER: IF YOU HAVE READ THIS FAR, YOU KNOW I NEED TO GET HOLD OF YOU. I HAVE YR TAPES, AND DO YOU WANT THIS FOR THE INK W/PHOTOS?

=====================================================================To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: BIG address BOOKnotes

Cc:

Bcc:

X-Attachments:

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References:

 

              <PAUL@louisville.lib.ky.us>, Lee Ranaldo <Eyemote@aol.com>,

              "John S. Hall" <JOHNSHALL@aol.com>, Jim Gardner <jag@rahul.net>,

              Jerry Aronson <JAR1945@aol.com>,

              Jack Bowman <dapoets@bright.net>, GPS <zero@dircon.co.uk>,

              Dan Levy <danlevy@levity.com>, Bob Holman <MouthMight@aol.com>,

              Bil Brown <bil@orca.sitesonthe.net>,

              Anna Kiss <annakiss@coax.net>, Allen Hougland <wolfe@voicenet.com> babu <dkpenn@oees.com>, Virgil Balthrop <vwb@EMAIL.UNC.EDU>,

              "tjardes, sue" <tjardes@ups.edu>,

              JTalley4n6@aol.com, "stauffer@pacbell.net"

              <stauffer@pacbell.net>, Sherri <love_singing@msn.com>,

              smartin@mailbox.acusd.edu, SCOTT HARRIS

              <sharris@FALCON.CC.UKANS.EDU>, Robert Wick <rwick@cov.com>,

              phares@FALCON.CC.UKANS.EDU, pelliott@sunflower.com, "Meyer,

              Linda Prof." <lmeyer@quinnipiac.edu>,

              "louden, allan" <louden@wfu.edu>,

              "lingel, dan" <dlingel@why.net>,

              brooklyn@netcom.com, kevin kuswa <k.kuswa@mail.utexas.edu>,

              "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

              john sloop <sloopjm@ctrvax.Vanderbilt.Edu>,

              "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

              gordo2 <jgordon@oz.sunflower.org>,

              FtHaysdebate <Joeb@media-net.net>,

              "Eric L. Krug" <elkrug@kcnet.com>,

              "EliCunning@aol.com" <EliCunning@aol.com>,

              Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

              DRTUNA@aol.com, "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>,

              "dilley, benita" <bdilley@castle.cudenver.edu>,

              Diane Carter <dcarter@together.net>,

              Dallas Perkins <dperkins@HUSC.HARVARD.EDU>,

              "CVEditions@aol.com" <CVEditions@aol.com>,

              culver <nculver@fwenc.com>, Cori Dauber <cdauber@EMAIL.UNC.EDU>,

              Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

              "Beach@qconline.com" <Beach@qconline.com>,

              0Stine <StineKC@aol.com>

X-cc:         kudebate <KUDEBATE-L@ukans.edu>, Beat-L <BEAT-L@CUNYVM.CUNY.EDU>

 

Aija Paegle <aija@sfl-paic.lv>, Alexandra Nill <NILL@saatchisf.com>,

    Allen Kuharski <akuhars1@swarthmore.edu>, Amy Tan <Bubbazo@aol.com>,

    Andrei Codrescu <ACodrescu@aol.com>, Annie Wedekind <eice@www.uno.edu>,

    "C. K. Williams" <104514.2541@compuserve.com>,

    Carolyn Forche <cforchem@osf1.gmu.edu>,

    Charity Bustamante <cbustama@ucla.edu>,

    Christine Carter <CCarter@aol.com>,

    Clark Blaise <clark-blaise@uiowa.edu>, Dan Levine <levine@sprynet.com>,

    Daniel Simko <dsimko@nypl.org>, Dave Cash <dave@gnofn.org>,

    David Clark <dbclark@mbox.vol.cz>, Dennis Beck <DCLBeck@aol.com>,

    Eric Hoem <hoeme@mhcc.cc.or.us>,

    Howard Shernoff <aitch@mail.nevalink.ru>,

    Jane Holwerda <holwerdajm@SLU.EDU>,

    Jasper Bear <jasperbear@worldnet.att.net>,

    "Jean C. Lee" <corpse@linknet.net>, Jill Juda <jjuda@schwab.com>,

    Jonathan Stein <jonathan@esc.iews.cz>,

    "Joyce H. Carasa" <jcarasa@descartes.ucsb.edu>,

    Kate Wheeler <105551.2750@compuserve.com>,

    Kevin Bowen <bowen@umbsky.cc.umb.edu>, Kristine Hren <Renkah@aol.com>,

    Laura Zam <zam@terminal.cz>, Liane Martindale <liane@terminal.cz>,

    Maria Alexandra Beech <mab40@columbia.edu>,

    Maria-Raquel Escober <INTL!ITI!8484@intl101.attmail.com>,

    Mark Dennis <71604.1017@compuserve.com>,

    Mark Winegardner <MWINEGARDNER@JCVAXA.jcu.edu>,

    Michael Freed <cixous@aol.com>, Michelle Mounts <atwork@mbox.vol.cz>,

    Mikhail Iossel <iosselm@idol.union.edu>,

    Nicho Lowry <Pivoprosim@aol.com>, Paul Lawrence <paul2@prysm.net>,

    Rachel Levitsky <Raesky2@aol.com>, Richard Read <Akajimbuck@aol.com>,

    Robert Eversz <dedalus@terminal.cz>,

    Roman Baratiak <ART6BARA@UCSBVM.ucsb.edu>,

    Ruti Teitel <teitelruti@aol.com>,

    Sarah Richards Doerries <sdoerri@tiger.lsuiss.ocs.lsu.edu>,

    Tim Herwig <herwi001@maroon.tc.umn.edu>,

    Tom Miller <72230.2514@compuserve.com>, Tony Ozuna <tony.ozuna@ini.cz>,

    Valerie Bronson <vbronson@aol.com>,

    Virgil Suarez <vsuarez@english.fsu.edu>

 

 Lavigne68@aol.com, Arindam Banerji <ABanerji@exapps.com>,

        zoedav@hotmail.com, "Christie, Carl" <Carl_Christie@hunneman.com>,

        cowles@whq.otis.utc.com, schuster@umbsky.cc.umb.edu,

        Dorothy Davis <74353.2721@CompuServe.COM>, henryluce@henryluce.com,

        dorothydavis@henryluce.com, dreber@hqfaus01.unicef.org (Deborah Reber),

        ROEFARO.JOHN@BOSTON.VA.GOV, "Stein, Ellen" <E.STEIN@fordfound.org>,

        weiner_e@umbsky.cc.umb.edu, Erik_Borne@segue.com,

        Eymund Diegel <eymund@panix.com>, FRANGOSG@aol.com, MHyman1060@aol.com,

        jamesm@thecia.net, Joseph Cavicchi <cavicchi@mit.edu>,

        Katia Perea <PereaK@newschool.edu>, lsp@interactive.net,

        liz@2cats.com (Liz Borne), flourenso@CULLDYK.COM,

        cmsmakar@uga.cc.uga.edu, "Mario_Rodriguez" <mario_rodriguez@liz.com>,

        amarks@clemson.edu, JOHN MULROONEY <jm244@is5.nyu.edu>,

        k8james@ix.netcom.com, MrRafa@aol.com, gimmewig@bellsouth.net,

        NuYoPoMan@aol.com, ADAM_PAIGE@yr.com, Arhonto@aol.com,

        Zlatko Vasilkoski <ZLATKOK@neu.edu>, bvernile@lynx.dac.neu.edu,

        CRNet@aol.com, rdavis@learningco.com, henryluce@henryluce.com,

        Virginia@dongrn.com, Beckyr23@aol.com, maria@ibm.net,

        dimauro@rockvax.rockefeller.edu, MissFury@aol.com, DEEEPSPACE@aol.com,

        wgreen@forbes.com, hillh@rockvax.rockefeller.edu,

        dbasden@kinderhook.com, chrisp@mcm.com Anastasios Kozaitis <kozaita@rockvax.rockefeller.edu>

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Subject: Chicken Rhetoric

Cc:

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Subject: Chicken Rhetoric

 

                ******************************

> 

>> 

>> QUESTION: Why did the chicken cross the road?

>> 

>>  Answers:

>> 

>>   Pat Buchanan:

>>    To steal a job from a decent, hard-working American.

>> 

>>   Machiavelli:

>>    The point is that the chicken crossed the road.  Who cares why?

>>    The ends of crossing the road justify whatever motive there was.

>> 

>>   Thomas de Torquemada:

>>    Give me ten minutes with the chicken and I'll find out.

>> 

>>   Timothy Leary:

>>    Because that's the only kind of trip the Establishment would let it

>>    take.

>> 

>>   Carl Jung:

>>    The confluence of events in the cultural gestalt necessitated that

>>    individual chickens cross roads.  This brought such occurrences

>>    into being.

>> 

>>   John Locke:

>>    Because he was exercising his natural right to liberty.

>> 

>>   Albert Camus:

>>    It doesn't matter; the chicken's actions have no meaning except to

>>    him.

>> 

>>   The Bible:

>>    And God came down from the heavens, and He said unto the chicken,

>>    "Thou shalt cross the road." And the Chicken crossed the road, and

>>    there was much rejoicing.

>> 

>>   Fox Mulder:

>>    It was a government conspiracy.

>> 

>>   Freud:

>>    The fact that you thought that the chicken crossed the road reveals

>>    your underlying sexual insecurity.

>> 

>>   Darwin:

>>    Chickens, over great periods of time, have been naturally selected

>>    in such a way that they are now genetically predisposed to cross

>>    roads

>> 

>>   Darwin #2:

>>    It was the logical next step after coming down from the trees.

>> 

>>   Richard M. Nixon:

>>    The chicken did not cross the road.

>>    I repeat, the chicken did not cross the road.

>> 

>>   Oliver Stone:

>>    The question is not "Why did the chicken cross the road?" but is

>>    rather "Who was crossing the road at the same time whom we

>>    overlooked in our haste to observe the chicken crossing?"

>> 

>>   Jerry Seinfeld:

>>    Why does anyone cross a road? I mean, why doesn't anyone ever think

>>    to ask, "What the heck was this chicken doing walking around all

>>    over the place anyway?"

>> 

>>   Martin Luther King, Jr.:

>>    I envision a world where all chickens will be free to cross roads

>>    without having their motives called into question.

>> 

>>   Immanuel Kant:

>>    The chicken, being an autonomous being, chose to cross the road of

>>    his own free will.

>> 

>>   Grandpa:

>>    In my day, we didn't ask why the chicken crossed the road.  Someone

>>    told us that the chicken had crossed the road, and that was good

>>    enough for us.

>> 

>>   Dirk Gently (Holistic Detective):

>>    I'm not exactly sure why, but right now I've got a horse in my

>>    bathroom.

>> 

>>   Bill Gates:

>>    I have just released the new Chicken 2000, which will both cross

>>    roads AND balance your checkbook, though when it divides 3 by 2 it

>>    gets 1.4999999999.

>> 

>>   M.C.Escher:

>>    That depends on which plane of reality the chicken was on at the

>>    time.

>> 

>>   George Orwell:

>>    Because the government had fooled him into thinking that he was

>>    crossing the road of his own free will, when he was really only

>>    serving their interests.

>> 

>>   Colonel Sanders:

>>    I missed one?

>> 

>>   Plato:

>>    For the greater good.

>> 

>>   Aristotle:

>>    To actualize its potential.

>> 

>>   Karl Marx:

>>    It was a historical inevitability.

>> 

>>   Nietzsche:

>>    Because if you gaze too long across the Road, the Road gazes also

>>    across you.

>> 

>>   B.F. Skinner:

>>    Because the external influences, which had pervaded its sensorium

>>    from birth, had caused it to develop in such a fashion that it

>>    would tend to cross roads, even while believing these actions to be

>>    of its own freewill.

>> 

>>   Jean-Paul Sartre:

>>    In order to act in good faith and be true to itself, the chicken

>>    found it necessary to cross the road.

>> 

>>   Albert Einstein:

>>    Whether the chicken crossed the road or the road crossed the

>>    chicken depends upon your frame of reference.

>> 

>>   Pyrrho the Skeptic:

>>    What road?

>> 

>>   The Sphinx:

>>    You tell me.

>> 

>>   Buddha:

>>    If you ask this question, you deny your own chicken nature.

>> 

>>   Emily Dickenson:

>>    Because it could not stop for death.

>> 

>>   Ralph Waldo Emerson:

>>    It didn't cross the road; it transcended it.

>> 

>>   Ernest Hemingway:

>>    To die. In the rain.

>> 

>>   Saddam Hussein:

>>    This was an unprovoked act of rebellion and we were quite justified

>>    in dropping 50 tons of nerve gas on it.

>> 

>>   Saddam Hussein #2:

>>    It is the Mother of all Chickens.

>> 

>>   Joseph Stalin:

>>    I don't care.  Catch it.  I need its eggs to make my omelet.

>> 

>>   Dr. Seuss:

>>    Did the chicken cross the road?

>>    Did he cross it with a toad?

>>    Yes the chicken crossed the road,

>>    but why he crossed, I've not been told!

>> 

>>   O.J.:

>>    It didn't.  I was playing golf with it at the time.

>> 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Published in Heaven Chapbook Series & Posters

Cc:

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Published in Heaven Chapbook Series

 

#1   W. Loran Smith - THE BOY WHO BECAME A BOOK #2   Lawrence Ferlinghetti - TRAVELS IN AMERICA DESERTA #3   Allen Ginsberg - ON VISITING FATHER AND FRIENDS #4   Diane di Prima - THE MASK IS THE PATH OF THE STAR #5   Amiri Baraka - TOM ASS CLARENCE

#6   E. Ethelbert Miller - THE FIRE THIS TIME #7   Ron Whitehead & Kent Fielding - THE REVOLUTION IS ABOUT TO BEGIN #8   Carmen Embry - WHEN SANIBEL BECOMES YOU #9   Jim Wayne Miller - BRIAR, TRAVELING #10  Frederick Smock - BLOOM STREET

#11  Annie Wedekind - HOME RIVER, WITH HORNS #12  Ron Seitz - BAD MEAT

#13  Michael Burkard - MY BROTHER MAKES A TOAST #14  Michelle Boisseau - SOME WILL TELL YOU #15  Gray Zeitz - 7 POEMS

#16  Robert Hunter - NO APOCALYPSE

#17  Carrie Michaelle Wright - BEING A STRIPPER #18  Gregory Corso - GREGORIAN RANT

#19  Duncan Barlow - THE DEAD IN CHENOWETH CEMETERY #20  Jeffrey Skinner - THE ATLANTIC

#21  Michael Waters - POEMS

#22  Douglas Brinkley - MONTANA HAIL

#23  Anne Waldman - ANCESTOR ANCESTOR

#24  Brian Foye - MR. VU

#25  Brett Ralph - 27 YEARS

#26  W. Loran Smith - AVERNUS

#27  Diane di Prima - FOR ITS OWN SAKE: POEMS, INTERVIEW, PHOTOGRAPHS #28  Allen Ginsberg - POEMS, INTERVIEW, PHOTOGRAPHS #29  Lawrence Ferlinghetti - POEM, INTERVIEW, PHOTOGRAPHS #30  Gregory Corso - POEMS, INTERVIEW, PHOTOGRAPHS #31  Various Writers - THE TIME FALLING BODIES #32  Bil Brown - ELLIVISUOL

#33  George Eklund - THE SORROW OF THE KING #34  Mark Forman & Krista Nichols - MIDWESTERN VALENTINE #35  Laura Loran - BODILY FLUIDS

#36  Marcia Maynard - LINING UP FOR LUNCH #37  Nickole Brown - MUD

#38  Umar Williams - BLUE IS FOR PARTY GIRLS #39  Jordan Green - STORIES ABOUT MACK-O #40  Allen Ginsberg & Gordon Ball - LETTERS, POEMS, & ESSAY #41  Bob Rosenthal - VIBURNUM

#42  Diane Wald - MY HAT THAT WAS DREAMING #43  Rashida Ismaili - ELEGIES

#44  Meredith Little - PERSEPHONE RISING #45  Amiri Baraka - HEATHENS AND REVOLUTIONARY ART #46  William S. Burroughs - PHOTOS AND REMEMBERING JACK KEROUAC #47  Ray McNiece - THE ROAD THAT CARRIED ME HERE #48  Knut Hamsun & Arthur Joseph Slavin - FROM THE UNCONSCIOUS LIFE OF THE MIND (Hamsun); THE WOUND, THE WORLD, AND THE WORD: NARRATING CONSCIOUSNESS AND THE CONTINUITY OF HAMSUN'S AUTHORSHIP (Slavin) #49  John Updike - POEM BEGUN ON THURSDAY, OCTOBER 14, 1993 #50  Jim Carroll - POEM, INTERVIEW, PHOTOGRAPHS #51  Thomas Merton - THE HARMONIES OF EXCESS #52  Sarah G. Epstein - FIVE HUNDRED THOUSAND LOST LIVES #53  James Laughlin - UNTIL THE SPRING BREAKS #54  Ron Whitehead & Kent Fielding - REVOLUTION #55  Nancye Browning - SONG OF HEALING, DANCE OF JOY: POETIC COMMENTARY ON ELIE WIESEL

#56  Lawrence Ferlinghetti - IN SEARCH OF EROS #57  Andy Warhol and Dan Pope - IRIS AND FACTORY PHOTOS ('98) #58  Jim McCrary - D[R]AWN

#59  Robert Peters - FUVM: GARDYLOO! ('98) #61  Barbara Crawford and Ron Whitehead - BOUQUET AND NUDE REFLECTION ('98)

#62  Lee Ranaldo & Leah Singer - MOROCCAN JOURNAL: JAJOUKA EXCERPT #64  Paul McDonald - RIDING WITH THE ANGELS ('98) #67  Brother Patrick Hart - PATMOS JOURNAL: IN SEARCH OF THOMAS MERTON WITH ROBERT LAX

#68  Jacque Parsley - ('98)

#70  Brother Patrick Hart - ISRAEL JOURNAL: A TRAPPIST PILGRIM IN THE HOLY LAND ('98)

#71  Ed Sanders - ('98)

#72  Ron Seitz - ('98)

#77  Rand Brandes - BALEFIRES

#79  Frank Messina - SONG FOR THE POET & OTHER POEMS ('98) #81  Denis Mahoney - DEATHPIG ('98)

 

submit inquiries regarding Published in Heaven & Ring Tarigh Book, Poster, Chapbook, Audio Series or the literary renaissance events to Ron Whitehead gimmewig@bellsouth.net or Denis Mahoney hasan@riconnect.com

 

Published in Heaven Poster Series

 

#1   Diane di Prima - RANT

#2   Jack Kerouac - TANGIER 1957

#3   RANT for the literary renaissance INSOMNIACATHON 1993 #4   Seamus Heaney - A DOG WAS CRYING TO-NIGHT IN WICKLOW ALSO #5   Lawrence Ferlinghetti - A BUDDHA IN THE WOODPILE #6   Anne Waldman - GUARDIAN & SCRIBE

#7   RANT for the literary renaissance RANT EATS NEW YORK CITY EATS THE BEATS INSOMNIACATHON

#8   Allen Ginsberg - COSMOPOLITAN GREETINGS #9   Amiri Baraka - HEATHENS

#10  William S. Burroughs - REMEMBERING JACK KEROUAC #11  RANT for the literary renaissance INSOMNIACATHON 1994 #12  John Updike - POEM BEGUN ON THURSDAY, OCTOBER 14, 1993 AT O'HARE AIRPORT, TERMINAL 3, AROUND SIX O'CLOCK P.M.

#13  Jim Carroll - 8 FRAGMENTS FOR KURT COBAIN #14  Wendell Berry - MANIFESTO: THE MAD FARMER LIBERATION FRONT #15  Thomas Merton - THE HARMONIES OF EXCESS #16  Robert Hunter - NO APOCALYPSE

#17  His Holiness The Dalai Lama - NEVER GIVE UP #18  Ron Whitehead - SAN FRANCISCO, MAY 1993 #19  Dr. Hunter S. Thompson - HE WAS A CROOK (Nixon Obituary) #20  BONO - AMERICAN DAVID

#21  Lawrence Ferlinghetti - TRAVELS IN AMERICA DESERTA #22  Lee Ranaldo - BLOOMINGTON, INDIANA: AUTUMN #23  Herbert Huncke - AGAIN, THE HOSPITAL #24  James Laughlin - THE KITCHEN CLOCK #25  Kent Fielding - THE HAIR-CUT

#26  Eithne Strong - THINKING OF KEVIN MCALEER DERRIDA AND HOGAN SHEA #27  Gregory Corso - GREGORIAN RANT

#28  Allen Ginsberg - VISITING FATHER & FRIENDS #29  Cathal O'Searcaigh - THE CLAY PIPES (translated by Seamus Heaney.

Irish & English texts)

#30  Jack Kerouac - DAYDREAMS FOR GINSBERG #31  Dr. Hunter S. Thompson - KICKING NIXON WHILE HE WAS UP #32  Jack Kerouac - SAN FRANCISCO BLUES #13 & #14 #33  Ron Whitehead - I WILL NOT BOW DOWN #34  Ron Seitz - THOMAS MERTON

#35  Robert Lax - TURNING THE JUNGLE INTO A GARDEN WITHOUT DESTROYING A SINGLE FLOWER

#36  Edvard Munch - THE URN: MUNCH & WOMAN #37  Denis Mahoney - THE REVOLUTION OF EVERYDAY LIFE #38  Andy Warhol - BOUQUET (painting)

#39  President Jimmy Carter - PLAINS

#40  Jan Kerouac - NATASHA

#41  David Amram - THIS SONG'S FOR YOU JACK #42  E. Ethelbert Miller - TAMILA NASRIN; ROY CAMPANELLA: JANUARY, 1958; AVIATOR BESSIE COLEMAN: 1926

#43  Diane di Prima - GOOD CLEAN FUN

#44  Leon Driskell - MY SCIENCE-FRIEND HAS GIVEN ME THE STARS #45  President Jimmy Carter - A PRESIDENT EXPRESSES CONCERN ON A VISIT TO WESTMINSTER ABBEY

#46  Cayce Cyr - METTA MORPHEUS ('98)

#47  Barbara Crawford and Ron Whitehead - BOUQUET AND NUDE REFLECTION ('98)

#48  Douglas Brinkley - DEHYDRATED DAWNS AT CAFE DU MONDE #49  Ed Sanders - HYMN TO LEONARDO: A POEM WRITTEN TO PERFORM WITH THE LISA LYRE ('98)

#50  Jacque Parsley - ANGEL IN REPOSE ('98) #51  Ron Whitehead - Europe Tour PR Poster #52  Published in Heaven & Bohemian Ink present RANT for the literary renaissance Music & Poetry 1997

#53  John Tytell - WALT WHITMAN AND THE ANTINOMIAN TRADITION ('98) #54  Frank Messina - SONG FOR THE POET ('98) #55  Amiri Baraka - WHEN MILES SPLIT! ('98) #56  Michael Waters - GREEN ASH, RED MAPLE, BLACK GUM ('98) #57  Rita Dove - THREE DAYS OF FOREST, A RIVER, FREE #58  Steve Dalachinsky - IN THE BOOK OF ICE #4 (DEMOCRACY) ('98) #59  Jordan Green - THIS CITY IS OURS: MAY DAY NEW YORK CITY ('98) #60  Hersch Silverman - DEATH SENTENCE: A RANT FOR THE HOMELESS ('98) #61  Cathal O'Searcaigh - TO JACK KEROUAC (Irish & English texts) ('98) #62  Diane Wald - THIS IS NOT A REAL WINDOW ('98) #63  Annie McClanahan - ('98)

#64  Mickey Hess - HAVING A HELL OF A TIME IN GUATEMALA ('98) #65  Hunter S. Thompson - OPEN LETTER: SAN FRANCISCO. OCTOBER 25, 1960 #66  Lawrence Ferlinghetti - 'HISTORY IS MADE OF THE LIES OF THE VICTORS' ('98)

#67  INSOMNIACATHON 1996: VOICES WITHOUT RESTRAINT: NEW ORLEANS #68  Ron Seitz - UPON FIRST MEETING MERTON ('98) #69  Ron Whitehead - GIMME BACK MY WIG: THE HOUND DOG TAYLOR BLUES #70  De Dichters uit Epibreren (The Poets of Epibreren) -   (Dutch & English texts ('98)

#71  Jim Wayne Miller - ('98)

#72  Didi de Paris -  (Dutch & English texts) ('98) #73  Pete Seeger - STILL SEARCHING ('98) #74  W. Loran Smith - ('98)

#75  Ana Christy - WALK TO THE BEAT DESPITE THE HEAT OF FAHRENHEIT 451 ('98)

#76  Kent Fielding - THE REVOLUTION IS ABOUT TO BEGIN ('98) #77  Michael Leonard - DRUNK AND BELLIGERENT AT THE KENTUCKY DERBY ('98) #78  Rani - BIG WOMEN BIG SHOES ('98)

#79  ollamh hasan hasan - THE RING TARIGH - DECLARATION #9 ('98) #80  Yoko Ono - REVELATION

#81  Bob Rosenthal - ('98)

#82  Harlan Hubbard - FROM PAYNE HOLLOW: LIFE ON THE FRINGE OF SOCIETY ('98)

#83  Mike Watt - ('98)

#84  Hunter S. Thompson -  A GENERATION OF JOURNALISTS ('98) #85  Lawrence Ferlinghetti - THE STREET'S KISS ('98) #86  Hunter S. Thompson Tribute event poster #87  OMPHALOS CD promotion poster

#88  Diane di Prima event poster

#89  Allen Ginsberg event poster

#90  Amiri Baraka event poster

#91  Lawrence Ferlinghetti event poster #92  Robert Hunter event poster

#93  Gregory Corso event poster

#94  Eithne Strong event poster

#95  Meer dan Woorden/More than Words Festival 1997 (The Netherlands) event poster

#96  Richard Martin - ('98)

 

for inquiries regarding Published in Heaven (the literary renaissance & Ring Tarigh) Poster, Book, Chapbook, Audio Series or the literary renaissance events contact

Ron Whitehead gimmewig@bellsouth.net or Denis Mahoney hasan@riconnect.com

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From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Austrailian Aboriginee (native) musical

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an Austrailian Aboriginee (native) musical instrument that resembles a long pipe which the operator plays in the same manner as a tuba or other brass instrument

> 

>Date: Mon, 7 Jul 1997 22:41:15 -0400 (EDT)

>From: Wakajuki@aol.com

>Subject: OPERATION:DIDJERIDOO

> 

>found'em!!!! Okay, here we go:

> 

>L=(V/2f)+r

>L-length you are gonna want to cut it

>V=speed of sound at sea level, which is 340miles/second or 13385.826

>inches/second

>divide by

>2 times the frequency (f) of the pitch you want

>add

>r=radius of the tube, i.e. 1 1/2 inch or 2 inch

> 

>I've gotten the best results from 2" tubing with a 2"x1 1/2" coupling

>followed by a 1 1/2x1" coupling for the mouthpiece. Remember to account for

>the length of the coupling (mouthpiece) when determining the length to cut,

>it's usually about 2 or 3" long. Okay, here's the lengths:

>Pitch   Freq(Hz)     Length

>G        97.999          69.296

>G#     103.826         65.463

>A       110.0             61.845

>A#     116.541         58.430

>B       123.471         55.206

>C       130.813         52.164

>C#     138.591         49.292

>D       146.832         46.582

>D#     155.563         44.024

>E       164.814         41.609

>F       174.614         39.330

>F#     184.997         37.178

>G       195.998         35.148

>G#     207.652         33.231

>A       220.000         31.422

> 

>If anyone decides to build one, lemme know, I'll give you a few pointers on

>playing them. Have fun, and don't put anyone's eyes out!!!

> 

>JimJanni

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Subject: La Loca poetry URL

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La Loca poetry

http://www.sla.purdue.edu/sycamore/v32-p1.htmlTo:

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Subject: spiegel interview BOB DYLAN

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BOB DYLAN: WITH A NEW ALBUM, HE GOES BACK IN 'TIME'

 

Bob Dylan, one of the half-century's most famous folk singers, has just released a new album, and critics are calling it his best work in 20 years.

In this exclusive interview, Dylan talks about his brush with death earlier this year, his music, his politics, and growing older.

 

        Q. Mr. Dylan, you nearly died this spring of an inflamed heart lining. How do you feel today?

        A. I'm getting better, gradually, but for a long time I was forced to think some pretty serious thoughts.

        Q. Do you think Elvis would have taken you into his choir up in Heaven?

        A. Absolutely.

        Q. Your new album, "Time Out of Mind," is considered your best work in more than 20 years, but it has a bitter, dark and lonely sound to it.

        A. I disagree. What's happening in Bosnia or South America, that's dark and bitter.

        Q. On "Time Out of Mind" you sing: "I go through streets that are dead," "the party's over"; you have to live on "in this old cage."

        A. ... People shouldn't take everything so literally. Elvis Presley once sang: "You ain't nothin' but a hound dog." It would have been really stupid to ask Elvis if he meant that seriously. People change from one minute to the next. Whatever anyone says about this collection of songs, it somehow turned out all right.

        Q. Back in the '60s, your line, 'Don't follow leaders, watch the parking meters,' was a nifty trick, because it left many of your fans worshiping you all the more. You're considered an honest artist who hates business and whose work is authentic.

         A. ... It's true that I seem to be one of the few artists who attracts these people.

        Q. But it also seems as if, since the mid-'60s, you've gotten fed up with being treated as an icon or spokesman of counterculture.

        A. I don't take those titles as a compliment. Words like 'icon' or 'legend' are just another way to describe someone who is yesterday's news and who no one wants to hear anymore.

        Q. Does being Bob Dylan ever get on your nerves?

        A. It's easier to be me than to be someone else. But like most famous people, sometimes I'd just like to be left alone.

        Q. Are you still interested in politics?

        A. No. All I care about is my performance as a musician and a singer. Everything in my life revolves  around the music that I love.

        Q. Is it still possible to influence the world with songs, and affect politics with your messages?

        A. No, that's what newspapers are for. If people want to have the world explained to them, they should watch TV.

        Q. That's an awfully passive approach.

        A. That's what we've come to. People go to the football stadium, but don't play themselves.

        Q. Did you ever think you could influence politics with your music?

        A. No, no, no. If that's what I had wanted to do, I would have gone to Harvard or Yale and studied to become a politician.

        Q. But you've written songs like 'Masters of War,' in which you threaten the people in charge that some day you will spit on the graves; or songs like 'The Lonesome Death of Hattie Carroll' and 'Hurricane,' in which you protest against racist justice.

         A. To tell the truth, I don't really know what politics is. I can be completely on the same side of an issue as the right, and then in the very moment, back on the same side as the left.

        Q. Some of your colleagues, like Crosby, Stills and Nash, are convinced that they ended the war in Vietnam.

        A. I believe it. That's the kind of guys they were.

        Q. What was it like playing for the Pope a few weeks ago?

        A. It was a wonderful show.

        Q. Why?

        A. Just was.

        Q. Isn't it interesting that someone who was one of the Establishment's greatest enemies in the '60s should play for the Pope?

        A. Why' He isn't the same Pope as back then.

        Q. Does your world view include a future as well as a past?

        A. Sure. But people really haven't changed since Moses. Feelings don't change.

        Q. For the Pope, you played your songs cleanly and carefully, like on a record. But usually your audiences have to worry about you massacring your own songs. Is it boring for you to play your songs in their original form, or do you like to punish your fans?

        A. The real problem is the critics. They come with ears still back in 1975, or even farther back. But my songs have a life of their own, they have an inner truth, and they change from night to night... I've recorded my records in different times of life with different people and different instruments. If I were to play them all faithfully, I'd have to bring 100 people on stage.

        Q. In the late '80s, you announced that you wanted to go on a so-called Neverending Tour, and you still play 150 concerts a year. Won't that get old?

        A. That's my job, my business, my work. Standing on stage is as natural for me as breathing. Plus, I'm the only one singing this kind of song anymore. Popular music is in the same state today as when I started singing. If someone is a serious musician, no one listens to him. In the old days ... we were strong enough to look for people who told the truth.

        Q. Not long ago you said that you sometimes feel just 'one small step above a pimp.?

        A. When you stand up there and look out at the people, and the people look at you, sometimes, like it or not, you just get the feeling you're in a burlesque show. I'm sure Pavarotti gets the same feeling.

        Q. Do you envy the 17-year-olds in your audiences their youth?

        A. I'm a grandfather. I have grandchildren who like other singers.

That's youth today. I play for people who understand my feelings.

        Q. On your new album you sing that you wish someone would turn back the hands of time.

        A. Doesn't everybody feel that way' ... I'd love to start my life over again, to learn a new craft, marry other women, live in other places.

        Q. Yet through your career, you've reinvented yourself time and again, rarely staying the way your fans wanted you to.

        A. That's just human nature.

        Q. Is it something you thought about, or did it just happen?

        A. Everything in life just happens. That's life -- it happens.

        Q. Without meaning or direction?

        A. I'm sure there's a great divine meaning behind it all.

        Q. Where do your songs come from' Do they just fly through the universe and come to you like that?

        A. The folk singer Woody Guthrie had that thought first, and I think he's right.

        Q. What are your musical influences today?

        A. Simple music from the '20s and '30s, a bit from the '50s. A very limited influence: American folk music, blues, a bit of Rock-a-billy. But no rock 'n' roll -- I think rock 'n' roll didn't add much to my work.

        Q. Do you listen to the radio, or does the pop music get on your nerves?

        A. I tune in to old radio shows ... Sometimes they play the theater groups I grew up with. I think that's coming back.

        Q. Would you recognize a pop song from today -- say a song by Bon Jovi?

        A. No, I really wouldn't.

        Q. There's a song called 'Highlands' on your new album that lasts 16 minutes. It sounds almost improvised. How much do you prepare before you go into the studio?

        A. It's been a long time since I recorded a song like 'Highlands.' I wouldn't say 'Highlands' was really improvised, but a lot of thoughts in it came out differently during the recording than the way they were written on paper. But really, it's just a simple blues that can go in one direction or another.

        Q. Tell us what the blues means to you.

        A. The blues' An extremely simple and open form, in which you can say anything ... But it's become rare ... The blues comes from the land,

>from the cotton fields of the South, and it was taken into the big cities and electrified. Today it's become electronic. You don't feel anymore that someone is breathing there, or that there's a heart there, and the farther away it gets, the less connected it is to what I call the blues. As I said, the blues is simple and it comes from the land, like country music.

        Q. When did you decide that you, the white, Jewish son of a furniture and appliance salesman from Minnesota, could sing songs that would move people?

        A. I can't remember back that far; at least I can't remember ever having done anything other than singing. But if there was someone back then who influenced me, consciously or not, it was the folk singer Woodie Guthrie.

        Q. Do you ever listen to your old songs around the house?

        A. I never listen to my old stuff. I don't want to be reminded of myself or to influence myself. From now on, I'll only listen to ...

        Q. ... old music?

        A. There's nothing better.

Q: The times they are a-changin' ...

A: ... but way back.

 

Q: Last year you sold your protest song "The times they are a-changin'" to the Bank of Montreal, who used it in a commercial. Do you regret this?

A: Not at all.

 

Q: It is said, you play golf now. What's your handicap?

A: 17 - I hit as if it were a baseball bat.

 

End of the interview.

 

Original text at:  http://www.spiegel.de To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: R.E.M.'S DRUMMER BILL BERRY QUITS

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R.E.M.'S DRUMMER BILL BERRY QUITS

 

  R.E.M. drummer Bill Berry has decided to leave the band, after 17 years and millions of albums sold. Berry originally helped form the band along with Michael Stipe, Peter Buck, and Mike Mills and launch the Athens, Georgia group as one of the most important rock bands in the past two decades.

 

  In a statement issued from the band's label, Warner Bros., Berry says, "I've been playing the drums since age nine. I'm at a point in my life where some of my priorities have shifted. I loved my 17 years with R.E.M., but I'm ready to reflect, assess, and move on to a different phase of my life. The four of us will continue our close friendship and I look forward to hearing their future efforts as the world's biggest R.E.M. fan."

 

  In the statement, the band, which is in the midst of writing songs for their next album, stressed that they are not breaking up and that this was an amicable decision. They also said that Berry will not be replaced; rather, other musicians will be hired for future recording and touring projects.

 

  Singer Michael Stipe says, "It's the end of an era for us -- Berry, Buck, Mills, Stipe -- and that's sad. I'm happy for Bill; it's what he really wants and I think it's a courageous decision. For me, Mike, and Peter, as R.E.M., are we still R.E.M.? I guess a three- legged dog is still a dog. It just has to learn how to run differently."

 

  Peter Buck has this to say: "After talking to Bill several times over the last few weeks, it became apparent to Mike, Michael, and me that he was sincere in his desire for personal change. Although it saddens us that Bill wants to move on, we all support his decision. He is treating these changes as positive, and so should we."

 

  Lastly, Mike Mills adds, "As sad as this is, the fact that Bill is still around to be my friend puts everything in perspective. I look forward to playing golf with Bill, and music with Michael and Peter."

 

  The band will discuss the matter during an online chat on Friday (Oct. 31) at 3 - 4 p.m. (EST) at the MTV chat area on America Online. The keywords are Warner or MTVYack.

 

___________________________________________________

 

 

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any derivative works of this content must hyperlink to and credit: "Rocktropolis allstar News at http://rocktropolis.com">

 

                          Send comments, inquiries, hot scoops and

                         slow wet kisses to contact@allstarmag.com.

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Subject: HALLOWEEN

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HALLOWEEN

 

Halloween is an annual celebration on October 31 combining ancient Druid and early Christian traditions.

 

Halloween originated as Celtic New Years Eve, the eve of Samhain or "Winter's Eve".  The Celtic Feast of Samhain was celebrated by Druids to observe the beginning of winter and of their New Year, which begins on November 1st.  Samhain also marks the death of the Sun God, who must then await his rebirth from the Mother Goddess at Yule (in December).

It was a time when it was believed that the dead returned to roam the earth with all manner of other powerful spirits.

 

The Church adopted November 1st as the feast of "All Saints" or "All Hallows" in an attempt to Christianize the pagan festival.  The last evening of October was thus transformed into the "Eve of All Saints" or "All Hallow Even," which was then shortened to Hallow-e'en.

 

COSTUMES

 

As mentioned above, it was believed that powerful spirits roamed the earth during Samhain, and naturally, the still-living did not want to be possessed by the spirits, so on the night of October 31, villagers would extinguish the fires in their homes, to make them cold and undesirable.  They would then dress up in all manner of ghoulish costumes and noisily parade around the neighborhood, being as destructive as possible in order to frighten away spirits looking for bodies to possess.

 

TRICK OR TREATING

 

The custom of trick-or-treating is thought to have originated with a ninth-century European custom called "souling."  On October 31, "All Souls Day", early Christians would walk from village to village begging for "soul cakes," made out of square pieces of bread with currants.  The more soul cakes the beggars would receive, the more prayers they would promise to say on behalf of the dead relatives of the donors.  At the time, it was believed that the dead remained in limbo for a time after death, and that prayer, even by strangers, could expedite a soul's passage to heaven.

 

JACK-O-LANTERNS

 

An 18th Century Irish folk myth explains the basis of the Jack-O'-Lantern as follows:

 

There was a stingy drunkard of an Irishman named Jack who tricked the Devil into climbing an apple tree.  Then Jack quickly cut the sign of a cross into the trunk of the tree, thereby preventing the Devil from climbing down.  Jack made the Devil swear that he wouldn't ever come after Jack's soul again or claim it in any way.

 

However, this did not stop Jack from dying and when he did he was denied entrance to Heaven because of his life of drinking, being tightfisted and being deceitful.  Because of the oath the Devil had taken Jack was not allowed into Hell either.

 

"But where can I go?" asked Jack.

 

"Back where you came from!" replied the Devil.

 

The way back was windy and dark. The Devil, as a final gesture, threw Jack a single live ember straight from the fire of Hell.  To light his way through the frigid darkness and to keep it from blowing out in the wind Jack put the ember in a turnip he was eating.  Ever since that day Jack and his "lantern" have been traveling over the face of the earth looking for a place to rest.

 

The Irish used turnips as their "Jack's lanterns" originally. But when the immigrants came to America, they found that pumpkins were far more plentiful than turnips.  So the Jack-O-Lantern in America was a hollowed-out pumpkin, lit with an ember or candle.

 

HALLOWEEN-LIKE CELEBRATIONS AROUND THE WORLD:

 

England: Guy Fawkes Day, November 5, is celebrated in ways reminiscent of Halloween. Guy Fawkes was accused of attempting to blow up the Houses of Parliament on that day in 1605.  He was apprehended, hung, drawn, and quartered.  On November 5, 1606, the same Parliament declared the fifth of November a day of public thanksgiving.  The act of treason was viewed as part of a 'popish,' that is, Roman Catholic plot against the Protestant government.  Because Halloween was associated with the Catholic church calendar, its importance diminished, but many of its traditions shifted to the annual commemoration of the death of Guy Fawkes.

 

Today, for weeks in advance of November 5, English children prepare effigies of Fawkes, dummies known as "Guys."  They set them out on street corners and beg passers-by for "a penny for the Guy."  The eve of the fifth is known as "Mischief Night," when children are free to play pranks on adults, just as October 30, the night before Halloween, is know as "Mischief Night" or "Devil's Night" in many areas of the U.S.  On the night of November 5, the "Guys" are burned in bonfires, just as the ancient Celts burned bonfires on November 1.

 

Germany: Throughout the Western world, May 1, like November 1, is a day of traditional significance.  The 30th of April, the eve of May 1, is important in areas of Germany, particularly the Harz Mountains, where they celebrate "Walpurgisnacht," or the "Eve of St. Walpurgis Day."  Witches are supposed to be especially active this day, as are spirits of the dead and demon creatures from the nether world.

 

China: The care of the dead through prayers and sacrifices were part of a spring festival of purification and regeneration.

 

Japan: Bon festival, dedicated to the spirits of ancestors, for whom special foods are prepared, occurs during the middle of the summer (one of the most important festive periods of the year).  Three days in length, it is a time when everyone goes home (reminiscent of the American Thanksgiving).

 

Mexico (and other Latin American countries):  The first and second of November are "El Dias de los Muertos," or "The Days of the Dead."  In some regions, the evening of October 31 is the beginning of the "Day of the Dead Children," which is followed on November 1 by the "Day of the Dead Adults."  Skeleton figures, candy (sugar skulls), toys, statues and decorations are seen everywhere. It is a time for great festivity, with traditional plays and food.  It is a time to play with death and decorating family graves, which is preceded by religious services and followed by picnics.  The human skeleton or skull is the primary symbol of the day.  Unlike the American Halloween, in Mexico people build home altars, adorned with religious icons and special breads and other food for the dead.  "The Day of the Dead" incorporates recognition of death as a concept with rituals that remember the deaths of individuals.

 

 

So, although witches and devil worshippers may have adopted Halloween as their favorite "holiday," the day itself did not grow out of evil practices.  It grew out of the rituals of Celts aimed at the avoidance of being possessed, and out of Medieval prayer rituals of Europeans.

=====================================================================To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: frasi celebri dei beats levis sold

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"After 1957 ON THE ROAD sold a trillion levis and a million expresso coffee machines, and also sent countless kids out on the road." -

                                             William S. Burroughs

 

"The bridge I'm building now

 it may take a lot of time."

                    Neil Young

 

 

 

"I never sleep at night

 but just the same

 I never weep at night

 I call your name

 

 You know I can't take it

 I don't know who can

 I'm not going to make it

 I'm not that kind of man."

                Lennon/McCartney

"ONCE I was young and had so much more orientation and could talk with nervous intelligence about everything and with clarity and without as much literary preambling as this;  in other words this is the story of an unself-confident man, at the same time of an egomaniac, naturally, facetious won't do -- just to start at the beginning and let the truth seep out, that's what I'll do --.  It began on a warm summernight -- ......"

                                                Jack Kerouac,  The Subterraneans

 

"You see control can never be a means to any practical end . . . It can never be a means to anything but more control . . . Like junk . . ."

                                                William S. Burroughs, Jr.,  Naked Lunch

 

"The sword of discovery goes before the couch of laughter.  One sneers by modifying a snarl;  one smiles by modifying a sneer.  You should have lived twice, and smiled the second time."

                                                Kenneth Burke,  Towards a Better Life

 

'Everyone has talent.  What is rare is the courage to follow the talent to the dark place where it leads."

 

 

               --Erica Jong

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Subject: The Underground Handbook

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The Underground Handbook

 

We begin our thoughts with the conception that GOD IS DEAD. This phrase is normally used by those that believe the Christian idea of GOD: the all-knowing, all-powerful, and all-loving, does not exist.

This is true, for, by stating that an entity/being/nature can be all- knowing, all-power, and all-loving at once is problematic in that no all- loving nature that is all-powerful would allow the commonly earthly crimes to be committed against its creatures. One of the three aspects of GOD must not be true in order for this being to make some sense. HE may be all-loving and all-knowing, but to explain the horrors of this world HE would have to be not all-powerful-that is, without the power to stop the horrors. HE may also be all-knowing and all- powerful, but not all-loving and simply allow these crimes to take place. Lastly, he may be all-loving and all-powerful, but not all- knowing and simply be ignorant of the violence on our planet.

Attempting to prove why HE allows the pestilence of Earth to exist usually leads back to the statement that we simply cannot understand GOD's glory. Once again, if HE were to be all-loving, why would HE lead us blindly through the tunnel of horror that is our modern world?

HE wouldn't, because the mythology simply does not exist.

 

This said, we move on to the statement that god necessarily exists. The difference between GOD being dead and god exists is more than mere capitalization. GOD is a concept created by a culture than cannot handle the reality of our planet. In hopes of omitting the SIN of our planet, the founders of the GOD religion created a being that judges us and allows us into some PARADISE should we follow his rules. God, on the other hand (that is god without any necessary capitalization), is all-knowing, all-loving, and all-powerful being that he is simply Truth (with a capital T). Truth is a personal understanding, a primary emotion, free from the concepts that we put upon it. No statement is necessarily True because, by definition, stating something is to communicate the idea out of True Experience. For example, drink a glass of orange juice. The taste itself is True Experience. Describe the experience. Nothing you say can more Truly communicate the taste of orange juice aside from allowing the other individuals to taste the orange juice themselves. This is Truth, or True Experience. It is necessary to discriminate between True Experience and the communication of experience, between Truth and concepts, to understand how god is all-knowing, all-loving, and all-powerful, while GOD is not.

 

Truth against Concepts

 

We experience Reality on a daily basis, but are limited in our understanding of Reality by the concepts we create in order to explain Reality. As with the orange juice, we have a concept of orange juice and for its taste, but this concept isn't necessarily true for every experience. The orange juice may have pulp in it for one particular glass, be soured in another, or even fortified by calcium or potassium in another glass. These are more obvious differences between orange juices. One morning you might simply not have an interest in orange juice, and upon drinking a glass be disgusted by its taste. Another morning you might absolutely need a glass and believe the orange juice to be the most glorious taste you've had in years. These differences come about through your perceptions of how badly you need the orange juice, but not from the actual orange juice itself. The Reality is, however, that the taste of the orange juice hasn't changed, simply your conception of the value of orange juice at that time.

 

Let's get away from the orange juice example and into your own existence. When a young child sees you from across the room, she'll ask what's that, to which the parent will explain that you are a HUMAN. Should you have lived 23 years your entire existence would have been reduced down to one word: HUMAN. If you live another 23 years you'll have gained no ground. You'll still be a HUMAN.

HUMAN is a concept. Your name is a more specific concept, but even if the parent were to answer that your name is BILL, you'll never escape that concept, and 69 years into your life you'll still have gained no ground. You'll still be BILL. What about your experiences though and the family and friends that have helped create BILL? Was each moment of your life meaningless except for the day you were said to be named BILL? If each person and event that had an impact on your life were indeed said to be important, what about the lives and events that affected them? Are we to believe that only the moments that affected you important? If this is true, then each individual reading this handbook is now tied together through the common event of reading this handbook, and each individual and event which affected the reader (namely you) is to be considered important. After a few readings we can possibly state that the entire population is indeed important to Reality, but we are still missing the histories of the persons that affected you and those events that affected them and so on until we've arrived at the very beginnings of the universe when things began affecting one another. Thus, Reality simply is everything at once, and yet nothing within the confines of our concepts.

 

To be sure, concepts are not only important but undeniably necessary to our existence as human beings. Concepts are not necessary to Reality.

A chipmunk will live many a long and prosperous day without knowing the Newtonian laws of Physics. He will eat and sleep and breed happily without understanding why his life came to an end under the tires of a passing car. Abstract thought is what makes us human, but our communication of these thoughts is what keeps us separate from the idea of Reality. We simply cannot imagine every facet of every single instance within history to play an important role in our daily lives. How would anyone know where we were without our surroundings to place us in this state or on this track of land? How would anyone know how to respect us if we weren't a part of some social group or institution? We would be nothing at all if we were to exist in a void without someone to perceive us-for how would we know that we Truly did exist if there weren't another individual to approve or deny this statement? Our personalities, our mannerisms, our values, and our experiences all compose this thing we call a SELF, and yet, without the concepts to define every moment, we would have no idea of PROGRESS, of FREEDOM, of JUSTICE, or of GOD. To find value in a lack of understanding (that is, ideas) is to find value in ignorance. While concepts such as PROGRESS and FREEDOM only exist in relation to some specific moment, such as the progress of technology or the freedom of women, we must acknowledge that knowledge of such concepts is indeed valuable knowledge to our survival as humans, but not the idea of Truth.

 

When you wake up tomorrow morning, be sure to notice the sunrise. If your in the country with only the songs of crickets or in the city with the roar of police sirens and motor engines, notice that the sunrise is an evolving beauty. When the moment is over, reflect what went through your mind. Should you to have been completely enraptured by the moment, you weren't analyzing the particles of light reflecting off the dust in the earth's atmosphere, you were simply experiencing the True nature of the sunset. If you have a child or if you dearly love someone without question, look at their picture and remember a moment of happiness in their past. This feeling may be conceptualized as LOVE, but the feeling itself is True Reality, free from the hassles of concepts and miscommunications. Any moment of Truth cannot be described in words. You may be able to capture aspects of the sunset or the child or the orange juice in misleading concepts, but no one will Truly experience the moment for themselves as you have, even if the circumstances are identical. This is the nature of Truth.  This is the nature of Reality.

 

GOD against God

 

Now that we have an understanding of Truth we may continue with the thought that GOD is dead. At His conception GOD was a revealing thought that brought feelings of great love and joy into a persons heart.

This is still a common phenomenon, but not one that we may describe as universal. The very fact that people are willing to say GOD is dead is proof enough that the joy and love GOD supposedly brings is not a universal phenomenon. On the other hand, god is a universal phenomenon. We all have experienced some sense of Truth in our lives, be it True love, True hate-True emotion of any kind, True Experience of any kind. This alone shows that there is a god that reveals our experiences within us, but not any personified GOD that watches over us and checks our sins against our good deeds. This is a god within us. This is a god that we interpret in many ways: a moral, a value, a belief, a feeling, an emotion, a revelation, hatred, disgust, ad infinitum. These feelings and experiences come to us initially and take us over completely, but when we attempt to conceptualize our feelings and experiences we leave out infinite details that cannot be captured by language, only by True Experience. There is no lie within our Experience. There is only Truth, and within truth there is the three aspects of all-knowing, all-loving, and all-powerful.

 

An all-knowing experience is one that completely removes you from your surroundings-not obliterating Reality, but instead sinking you more deeply into the act of Knowing Reality. When you find yourself in a fit of rage, the experience is all you know at the moment. Facts such as why you hate or what brought you to your rage or what actions to take during your rage are sometimes omitted from your immediate experience because the experience is all-knowing, a reversal of the term how it is commonly applied. Nothing can be completely conscious of every experience simultaneously, but the moment itself can be so self- absorbing that the moment is all-knowing-that is all there is to know.

The feeling of rage or love or despair is all there is to know at that moment because you are experiencing the moment-you are Knowing the moment all at once. If anything hinders you from your all-knowing emotion, it is easy enough to state that the moment itself was not all- knowing.

 

Truth, or god, is also all-loving in the sense that it takes you and holds you and becomes you-that which we know as love. Hatred may also be all-loving for it also takes you and absorbs itself within you. We commonly perceive ultimate love to another individual to mean combining with the individual on a spiritual level, where the two (or more) individuals are easy enough to perceive as one in their love.

When hatred takes you by the reigns it guides you, envelops you, becomes you completely and leaves behind a perfect marriage of the two entities that is you and the Truth. Nothing is more real to you at that moment, even in smaller experiences of Truth such as the taste of the orange juice. If you despise the flavor no one can tell you that your perception is wrong because your perception is True. If you were to taste the flavor differently the next day you still are not wrong-your previous Truth wasn't false because that immediate perception is a part of you-a part of your being, and in that instance, Truth.

 

Lastly, the Truth is all-powerful for the exact same reasons it is all- knowing and all-loving-it simply overwhelms you and nothing can be closer to the Truth than your immediate experience. In the sense of Truth-in the moment of Truth, all three aspects of god necessarily exist if you are indeed experiencing Truth. Once again, if, when looking at a sunrise you are diagramming its projectory across the morning sky, you are conceptualizing the moment so that you may communicate this angle, but you are not letting the all-powerful nature of the sunset flow through you. You are ignoring the all-loving nature of the experience and refusing to let god flow through you. You are restraining the all-knowing Truth and bottling it into numbers and concepts and words so that you may attempt to pass this knowledge on to someone else-but in this ignoring the Truth that is being witnessed in that moment.

 

The Problem of Concepts

 

Concepts are not necessarily a hindrance to us. They are indeed a great benefit to our existence.  If you were to attempt to travel across the miles of your life without speech (a construct of conceptions) and knowledge, you'd be virtually stunted in your actions. You wouldn't have any idea where you wanted to go or what you wanted to say.

Concepts are not truth however. When we see a piece of chalk we are aware of its uses. In other circumstances being limited to one concept could be detrimental. If you should be calcium deficient eating the chalk would greatly improve your health. If an assailant should attack you, knowing that chalk can be crushed into powder and blind your opponent would also be a very useful knowledge. Out of context though even these concepts can be detrimental. As a teacher if you were to start eating chalk for no apparent reason or to blind all of your students with the dust you'd lose your job along with any of the benefits that came with the position, such as an income, the ability to transfer to another school, and so on.

 

Knowing these concepts are what allows us to function as a species. As mentioned previously, though, these concepts are not Truth. No usage of chalk is universally true, and not all animals would have the same concept in mind for a piece of chalk. Kittens might see it as a batting toy, and cows might see it at a licking block. If aliens came down to our planet all concepts of chalk might be foreign to them and they wouldn't care less how different species of earth creatures use chalk-it simply wouldn't be important to them. Thus, the concepts of chalk are nothing more than concepts, not Truth.

 

Concepts become highly problematic in our society when we mistake them to be Truth. If a black man pulls out a gun and points it at you, holding on to the concept that he is out to kill you is certainly detrimental if all he was attempting to do was hand it to you for your own protection. Likewise, standing before a gun when a man is pointing it at you could certainly lead to an unpleasant situation. Both situations are far removed from Truth. The first is bigoted, and the second is pure ignorance. Any judgement call-any concept applied to the moment is anything but Truth. The Truth of the moment is that feeling that is all-powerful, all-knowing, and all-loving-the Truth is god. If you were to flee in fear, the Truth has guided you to your safety.

If later you learned that he was merely attempting to hand the gun to you for your safety, the Truth didn't lie. Its power took hold of you, its love guided you, and its knowledge told you what to do, but it wasn't a lie at that moment. When we reflect on the moment and conceptualize the events, it is then that we determine truth from lies, but still nothing has changed the events of god.

 

We often take these supposed truths even further into the disruption of our daily lives. The Japanese are out to dominate our country, the suits are faceless stiffs that only love money, the housewives are bound and gagged in their freedoms and aren't expressing their womanhood to its fullest-these are common concepts that are popular in our times within certain social groups. There is no Truth to any of these. A Japanese woman might simply be there to take your order in a restaurant. A suit may go home and fight for Freedom in Tibet by printing out pamphlets on his PC. A housewife may find great joy in her work and fight for the rights of women in her spare time. There is no Truth to these concepts, and yet we fight great wars and hold great protests over Human Rights, Right to Life, the Existence of God, and so on. None of these causes have any Truth to them. Humans aren't born with self-evident rights, else they would include more beneficial rights such as the right to live in a sheltered environment, the right to eat healthy and daily, and the right to a job that will bring them personal success-this we know to be missing not only from the Bill of Rights but also from our countries current state of well being. The entire argument of Right to Life is based purely on conceptions: when a child is a living child and who should have the choice for an abortion.

And finally, the Existence of God, where even though this handbook started out stating that there is no GOD, this is only true is the manner in which it is presented. Someone who has experienced GOD and knows His love cannot be told of GOD's death. This isn't true for them and thus it isn't True. Truth is pure perception. If you perceive the love of GOD then it necessarily exists for you. In attempting to bring some universal argument into the nature of Truth you have entered into conception-into philosophies and arguments and language. As a matter of fact this entire handbook isn't necessarily Truth because it is a communicated idea-not something that you have experienced personally. The only thing that is Truth, that is god, that is perception, is the moment in which you experience it fully and Truly-nothing more.

 

The Value of GOD's Death

 

Christianity has become such an overwhelming religion that Truth as been forgotten in its teachings. We spend our time arguing over His existence and His nature that we forget exactly who god is. God is Truth. God is the moment that captures us. God doesn't deliver judgement or damnation in the sense that a judge does, it simply proves True to us that such an act of sin will judge us to be damned. This philosophy may hold true for many Christians, but others doubt that there is really any sin in murdering for we murder animals to survive.

Then we go through the process of explaining our murderous ways- that animals were meant to slaughter because they slaughter one another. Of course humans slaughter one another as well, so by this reasoning murder amongst men is the natural way and thus not a sin.

Once again we see that by setting our Truths into concepts their universality is easily argued. There is no ultimate sin to god, there is only the personal Truth (personal sin) to god. When children begin learning the way one particular society acts, we teach them truths for that particular society, but not Truth that works universally. We teach them that God is everything and everywhere because this is True, but what we omit is that Truth differs from experience to experience as well as from man to man. We teach them that there is only one Truth for there is certainly only one Truth-the purity of the moment free from conceptual restrictions, but we unfortunately teach them our Truths and forget to tell them that they must experience the Truth for themselves before they will ever understand the nature of Truth. Put simply, we give them our lives as an example but leave out the fact that they cannot not live our lives in place of their own.

 

Children with these thoughts in mind eventually grow into one of us in return. While children begin their lives with an amazing innocence, an unavoidable draw to the Truth, we divert them into our own experiences. When they ask us what that boy is playing, we will tell them basketball and lead them to think that basketball is either good or bad. While this may well be a personal Truth within us, it is not a universal Truth-basketball is merely basketball, but even in stating this we are believing that basketball is basketball in every circumstance in every moment of time. Playing basketball can be an exhilarating event or a completely unpleasant one. Our culture sees this paradox of basketball being both one opposite and simultaneously the opposite as problematic, and thus make a judgement call as to what basketball truly is. In teaching our children what a bird is or how a song is to be sung, we educate them on our cultural concepts and destroy their innocent acceptance of the Truth. To them, basketball is everything it is at that moment, and thus an experience that cannot be communicated in earnest. To us, basketball is basketball and nothing more. In raising a child we cannot help but simultaneously destroy them.

 

Still, children are creatures of Truth and never abandon it until much later on in their lives. We know this as rebellion. When a young raver drops a hit of acid and dances around in brightly colored clothing to a series of beats, many judge them to be futureless drug freaks that have no place in our society. They obviously have a place in our society because they play the role of ravers. We judge their habits as destructive not because it is destroying anything physically but because they are destroying our notion of society. Truthfully though they are experiencing their own reality and in this they are being more True to themselves than we are. Most Americans judge success by wealth and power. As children collect toys to amuse them we collect dollars to explore our desires. When a child grows weary of a toy they throw it away for a new one. When we grow tired of our lives we know no other option in life and eventually end up in a mid-life crises. We see that our success hasn't brought us any insight or any happiness-it hasn't brought us any closer to this Truth that we judged in dollars and cents.

Instead it makes us yearn for days past when we were innocent children but forget that we drove that innocence out of our own children by forcing them to conform to the same ideals that brought us to our crises.

 

Thus, we come to the conclusion that GOD is dead. Our thoughts of Heaven are lost to us being that we know no joy in our own lives. Even if we were to see that sunrise early in the morning, later that day we'll be punching the numbers and counting the days to our vacation. When we return home we may find the overwhelming love of a family or the uncompromised friendship on the telephone or at a party, but when we rest our eyes on the pillow we fear the next day and its routine and see no way out of it, hoping that the raise will make us wealthier and bring happiness and satisfaction that much closer to us. Show me a rich man that has everything he had ever asked for and I'll show you a man that wishes life was more simpler or more interesting. This isn't to say that wealth cannot bring happiness. What matters is the Truth-your truth, not anyone else's. Raver kids run the risk of finding themselves in a culture that doesn't allow them to express every facet of their own lives. Rich men may settle into their mansions with every form of True happiness in his heart. Truth is not universal. Any judgement that relies on a universal Truth is itself a concept and by definition not universally true. If you count on GOD to take you along with the rest of the flock to some form of happiness, then Truly you have been misled by someone else's concepts. If Truth to you is only what others tell you Truth is, then certainly we have found a reason to believe that GOD, if not dead, should certainly die soon.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: bio and poem Bob Holman

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Date:         Mon, 10 Nov 1997 14:47:07 -0500 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US> Subject:      ZONE BREAKS

 

From: Anastasios Kozaitis <kozaita@rockvax.rockefeller.edu>

 

 

ZONE BREAKS

"Where are you?!"

 

Somewhere else, of course, you snoot!

No sweat.  My best work is always getting out.

In San Francisco, in Potrero, the succulents Crowd the ants & piece your beauty in that way Of fragmentation which reminds me so

Of these scribbles--no wonder these hills flatten Poetry, it is prose!  or prose somewhat.  It is light On its side.  Galleries of daybreak.  The great Cuts of cacti carry my mortality over.  The siren On the poetry reading tape, who would be carried Over the flowery mill?  Love me two times, west To east, is on the radio.  There are five Ways, and I'm taking all of them.  But there are still Five ways, and you can do it too.  Not doing It, however, is not another way.  Cars creeping Over hills as if they didn't belong.  Nor rivers.

Things I do every day:  suicide.  Turn off brain To stay alert, blurting the thoughtful.  My fingers Growing smaller to soothe your body I know.

 

--Bob Holman

 

Born in 1948 in LaFollette, Tennessee.  Bob Holman is the author of _Bicentennial Suicide_, _The Rainbow Raises Its Shoulder/When a Flower Grows_, _Tear to Open_, _Eight Chinese Poems_, _Sweat & Sex & Politics!_.

In addition, he is a director of plays which include:  The Cause of Gravity, The Wizard of Oz, The Gas Heart, Jet of Blood, Mayakovsky, a Tragedy, Clear the Range, Four Plays by Edwin Denby, The White Snake, Plaid on Both Sides, Eat Rocks! and She Is in Tangier: Life and Work of Jane Bowles.

 

Holman was the coordinator of the St. Mark's Poetry Project in the late 1970s and early 1980s.  For those unfamiliar with the Poetry Project, it was the home and bedrock of American international avant-garde poetry scene; I am not so sure of that anymore.  In the 1950s and 60s, the Project was the New York City home of poets such as Allen Ginsberg, Bill Berkson, Ted Berrigan, Andrei Codrescu, John Giorno, Clark Coolidge, June Jordan, Ron Padgett, Diane Wakowski, and Anne Waldman.  The list goes on.  Holman has been closely associated with the second generation of Poetry Project poets which includes the likes of Paul Beatty, Charles Bernstein, Dennis Brutus, Victor Hernandez Cruz, Douglas Messerli, Bob Rosenthal, Quincy Troupe, Jeff Wright, and John Yau to mention but a few.

 

Holman went on to rejuvenate the Nuyorican Poets Cafe bringing the cafe and it's poetry into American popular culture.  Today, Holman is one of the leaders of the recording label Mouth Almighty, a subsidiary of Mercury Records.  He was the co-producer and creator of The United States of Poetry a presentation of sixty short films--as evocative, edgy, and surprising as music videos--that illustrate individual poems recited by their creators.

He is currently engaged in what he calls "sequel-ville:"  He is working on The World of Poetry, which has created a reading series at the TriBeCa bookstore Biblios on Tuesday nights.

========================================================================= To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: hi by Marie Countryman  Thu, 6 Nov 1997

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Date:         Thu, 6 Nov 1997 22:29:15 +0000 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Marie Countryman <country@SOVER.NET> Subject:      hi

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hi

 

didja ever walk down the streets

of your neighborhood

with ears wide open,

quiet quietly

 

and hear the two guys up the hill arguing, as usual, over whose fielstone wall is best the sounds of wet leaves dry leaves

squishy and crackling

tugging at your nostrils to open just a bit more to inhale

to savor

this autumnal fragrance

didya just stop

and

shut your eyes and all movement

and surfed the autumnal audio waves?

moms talking to toddlers wafting out of windows still open to the night breeze

birds land on branches, branches creaking the noise your feet make on the cement gritty sidwalk

 

a mufller problem

that to date had been just a part of my white noise up here in my apartment

suddently becomes a

particular muffler patter

easily distinguished

 

real car, real driver, real muffler problem, don't look

 

you know that car, it lives two houses over

 

the noises of living:

geese in formation overhead

smaller hardier winter northland birds

cheeping

and there up overhead, squirrels

squabble as i scribble

hey you guys, have any of you ever done that ?

...........anyone?

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: James Laughlin died

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---------- Forwarded message ---------- Date: Thu, 13 Nov 1997 14:19:52 -0500

From: William Burmeister Prod <burmeist@PLHP002.COMM.MOT.COM> Reply-To: UB Poetics discussion group <POETICS@LISTSERV.ACSU.BUFFALO.EDU> To: POETICS@LISTSERV.ACSU.BUFFALO.EDU

Subject: Re: James Laughlin

 

On Nov 13, 10:16am, Joseph Zitt wrote:

> Subject: Re: James Laughlin

> Could someone fill in those of us who didn't know of him as to who he was

> and what he did? He does seem to have had quite an impact on those

> listers who have posted.

>-- End of excerpt from Joseph Zitt

 

 

I honestly can't say if I would be in poetry right now if not for James Laughlin and New Directions Books. I like the story Octavio Paz has in _The Other Voice_ about him, and would like to share it.

 

"The case of American Publishing house New Directions is a notable example.

James Laughlin, the son of a well-to-do family, studied at HArvard some fifty years ago. A poetry lover despite his disappointment at the professors he had, he decided to spend some time in Rapallo, where Ezra Pound was the focal point of a small group devoted to the study of poetry--the "Ezraversity," as Pound himself called his circle. After six months of sharing their experiences, Pound and Laughlin made a pact: Laughlin would become a publisher and devote himself to bringing out books by Pound, William Carlos Williams, and other poets of that time. Thus New Directions came into being. It is a house that has lasted more than half a century and accomplished two equally difficult things: refusing to become a gigantic multinational corporation, while publishing not only many valuable North American poets but also the corpus of modern European and Latin Literature.

 

In his recent volume of delightful and intelligent prose (Recollections of a publisher, 1989), Laughlin notes that Pound recommended what books he should publish but gave no advice about how to sell them. He adds: "perhaps he didn't know or didn't care. I can't remember his exact phrase but he seemed quite content if something he had written and given to some obscure magazine reached the eyes and beans of twenty-seven readers, if they were the righr readers, the ones who would diffuse his ideas." Laughlin had the good sense not to follow all of Pound's advice: he did not publish, for instance, the eccentric economic theories of Major Clifford Hugh Douglas. But he quickly understood that the new literature, unanimously scorned by university professors and well-entrenched critics, could win a small but fervent public. It was an undertaking that went against current tastes and deliberately appealed to a minority. In a letter, Pound wrote to his young friend: "For Christs sake meditate on something I once told you: Nothing written for pay is worth anything; only what has been written against the market. There is nothing so inebriating as earning money. Big check and you think you have done something and two years later there is nothing  bloody well to show for it." These lines were written in 1940. Nine years later, Pound renewed the charge: "The death of all the old staid American publishing houses would be a sign of God's favor to humanity. There are no known acts on the part of these firms that ever favored living writers or literature."

 

 

 

William J. Burmeister

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: the kitchen clock Laughlin

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THE KITCHEN CLOCK

 

How can we make it run backwards,

That taciturn white circle with

Its torpid black hands?  We only

Touch the hands when standard

Time comes to shorten or daylight

Saving to lengthen our days.  That

Clock is lazy; I'd like to throw

Eggs at it.  But I don't want it

To go forward faster, as if it

Were drawn by death.  Let it run

Gentlry backwards, pausing to

Greet happy times again: the

Day when the schoolboy wrote

His first poem; the day when

The first jonquil bloomed in

His little garden; the day when

His father tossed him into the

Lake without water-wings to

Prove to him he could swim.

"En arri=E8re, ruckw=E4rts" and "in

Dietro;" those are your orders,

Lazy clock, until the spring

Breaks and it doesn't matter

What you do anymore.

 

--James Laughlin

 

 

              James Laughlin, 83, Publisher of Revolutionary Writers

      The New York Times.  Friday, November 14, 1997

 

              By MEL GUSSOW

 

                 James Laughlin, the fiercely independent publisher, editor and poet, who, as the founder and longtime head of New Directions, published many of the most consequential and revolutionary writers of his time, died Wednesday on the way to Sharon Hospital from his home in Norfolk, Conn. He was 83.

 

              The cause was complications following a stroke, said Griselda Ohannessian, the managing director of New Directions.

 

              A man who combined bold taste with a gentle demeanor, Laughlin made a major contribution to literature as well as to the field of publishing. The list of his writers is staggering in its length and artistic complexity. He was Vladimir Nabokov's first American publisher and also printed the work of Tennessee Williams, William Carlos Williams, Ezra Pound, Henry Miller, Djuna Barnes, Dylan Thomas, Delmore Schwartz and John Hawkes, among many others.

 

              There are large publishing houses and small presses -- and then there is New Directions, a one-man operation that grew to become one of the most influential book companies in the United States. "He was the greatest publisher America ever had," Brendan Gill, an author and critic, said Thursday. "Look at his backlist: There's nothing comparable."

 

              As poet Donald Hall said in an article in The New York Times in 1981, two things were paramount on Laughlin's list: "the assumption of quality and the assumption that these books would not sell in the marketplace."

 

              He added that Laughlin started New Directions "in the service of verbal revolution," but he also reprinted Henry James, E.M. Forster, Ronald Firbank and Evelyn Waugh "when other publishers would not." Laughlin was, Hall said, a publisher "of the middle way," someone "who by low overhead, by infusions of capital from the responsible rich, by wit, or most likely by all three -- can choose with taste, publish with economy and keep a good book in print."

 

              Laughlin published "The Crack Up" by F. Scott Fitzgerald; beat poets including Lawrence Ferlinghetti and Gregory Corso, as well as authors in translation (Pablo Neruda, Garcia Lorca, Boris Pasternak, Jorge Luis Borges, Yukio Mishima), and on and on. He was indefatigable in his search for the new and adventurous. In a field often known for its timidity and for its concern for profits above all, Laughlin was a maverick. As he once said, "I don't have any business acumen. I'm not good at deals and can't cope with agents." What he could cope with were the personalities of some of the most difficult and             temperamental authors.

 

              With a characteristic boldness, he would take chances on anyone he considered an original. Often one author led him to another. At the recommendation of Pound, he took on William Carlos Williams and Henry Miller. Williams brought him to Nathanael West and Miller encouraged him to reprint Herman Hesse's "Siddharta," which became one of New Directions' best sellers, along with Ferlinghetti's "Coney Island of the Mind." T.S.

Eliot recommended Djuna Barnes.

 

              Because of his willingness to listen to all suggestions and his close friendship with many of his authors, he thought of them  as "an extended family," a family whose favored members included Pound and Nabokov. He studied with the former and he went butterfly hunting with the latter, although, for his own outdoor endeavors, he preferred to ski, swim and play golf.

 

              For all of his editorial instinct, occasionally a book eluded him. He published Thomas Merton's poetry but delayed reading "The Seven Storey Mountain" until he returned from a skiing trip and found that Harcourt, Brace had accepted it. In 1954, Nabokov sent him a copy of the manuscript of "Lolita," and asked him if he would be interested in "publishing a time bomb." He liked the novel, but had hesitations about the subject matter and apparently worried about the repercussions. He suggested that the author send the novel to Olympia Press in Paris, which published it.

 

              The support for these experimental authors derived from a family fortune in iron and steel. Laughlin was born in Pittsburgh. His great-grandfather, James Laughlin, had founded the family business, which became the Jones and Laughlin Steel Corp. As a boy, James Laughlin 4th was taken by his father to visit the Laughlin mill. He compared the setting to the Inferno: "It was scary -- tremendous slabs of hot molten steel coming out of those giant furnaces, terrible noise, huge cranes carrying metal over your head all molten." And he made up his mind that he would never enter the business.

 

              At the Choate School in Wallingford, Conn., he studied with translator Dudley Fitts, and became editor of the school literary magazine.

In 1933, before he entered Harvard University, he published a story in Atlantic Monthly. His aunt, Leila Laughlin Carlisle, was an important influence in his youth and he often visited her at her home in Norfolk, Conn. She encouraged his literary interests while trying to temper his enthusiasm for works of a more radical nature. She doubtless would not have approved of "Lolita."

 

              As a student at Harvard, he majored in Latin and Italian.

Because he was unhappy over the conservatism of teachers such as the poet Robert Hillyer, who would leave the room when Pound or Eliot was mentioned, he took a leave of absence in the middle of his sophomore year. He went to =46rance, where he met Gertrude Stein and Alice B. Toklas.

 

              Then he wrote to Pound in Rapallo, Italy, and when the poet responded with the words, "Visibility high," he went to visit  him. He stayed for six months, studying in Pound's personal "Ezuversity." In 1935, after reading Laughlin's poetry and  crossing out most of the words, Pound said, "You're never going to be any good as a poet. Why don't you take up something useful?" He suggested that he become a publisher, which proved to be the most salutary advice for Laughlin as well as for the world of publishing.

 

              Back at Harvard, and still an undergraduate, he started New Directions with money from his father. He published books out of a cottage at his aunt's home in Norfolk, and stored copies in his college room. New Directions eventually moved to New York; he continued to live in Norfolk.

 

              His first book, published in 1936, was "New Directions in Prose & Poetry." It cost him $396 to print 700 copies, which he sold for sold for $2 each. Loading his Buick with copies, he became his own traveling salesman. The book was an anthology of experimental writing whose contributors included Elizabeth Bishop, Kay Boyle, e.e. cummings, Henry Miller, Marianne Moore, Gertrude Stein, Ezra Pound, Wallace Stevens, William Carlos Williams -- and Tasilo Ribischka.

              The last writer was identified as "an Austrian now living in Saugus, Mass., where he is a night watchman at a railroad grade crossing; this gives him lots of time to think." Ribischka was Laughlin's pseudonym.

 

              Despite his reputation for thriftiness -- paying low salaries and delaying royalties when money was short -- he nurtured writers in various ways, economically as well as artistically. While publishing Delmore Schwartz, he also hired him as an editor and later paid for his visits to his psychiatrist, without telling the poet. He would also lend money to his writers.

 

              In the 1940s, he began to publish a series called "Five Young American Poets" (the poets included Tennessee Williams, Randall Jarrell and Karl Shapiro). He also reprinted authors (Fitzgerald, Forster, Stein) in a New Classics series and published critical works under the title, "Makers of Modern Literature."

 

              Despite Pound's discouragement, he continued writing poetry, and his reputation as a poet grew. Hayden Carruth praised Laughlin's work for "the layering voices of wit, irony and fantasy" and "the breadth of literary sources." In his own poetry, he paid homage to Greek and Latin models as well as to Pound and Williams. His book "New and Selected Poems" is scheduled to be published next year by New Directions.

 

              His correspondence with his authors fills volumes: A series published by W. W. Norton that already includes Henry  Miller, Pound, Schwartz, William Carlos Williams and Kenneth Rexroth. Typically, the letters are mostly "to" Laughlin rather than "from," with the publisher taking a more reserved position as listener and responder.

 

              In the Schwartz-Laughlin collection, there is a letter from the publisher while visiting the family ski lodge in Alta, Utah.  Taking time out to reflect on priorities, he wrote: "What is life for but to enjoy it, and certainly in the scales of happiness a  fine day in the bright sun and snow on one of our mountains here is of more worth than publishing a book by a dyspeptic  author." Then he added a note of cautionary advice: "Do not become a cheap writer. Keep up your standards. It is better to be read by 800 readers and be a good writer than be read by all the world and be Somerset Maugham."

 

              He is survived by his wife, Gertrude Huston Laughlin of Norfolk; a daughter, Leila Savitch of Manhattan; two sons, Henry, of San =46rancisco and Paul, of Ann Arbor, Mich., and six grandchildren.

 

              In 1992 he was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. In an   essay adapted from his acceptance speech, he wrote, "It took 23 years for New Directions to get into the black. But I've enjoyed a situation that every publisher must envy. No trips to the bank to beg for a loan. Little worry about the bottom line. If a good manuscript came along that I feared wouldn't sell much, we could do it."

 

              Then with the honesty of an artist who knows the value of money, he added, "Of course, none of this would have possible without the industry of my ancestors, the canny Irishmen who immigrated in 1824 from County Down to Pittsburgh, where they built up what became the fourth largest steel company in the country. I bless them with every breath." To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: bother antoninus excerpted from the Norton Anthology of Modern Poetry

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From: Anastasios Kozaitis <kozaita@rockvax.rockefeller.edu>

 

ADVENT

 

Fertile and rank and rich the coastal rains Walked on the stiffened weeds and made them bend; And stunned November chokes the cottonwood creeks For Autumn's end.

 

And the hour of Advent draws on the small-eyed seeds That spilled in the pentacostal drought from the fallen cup: Swept in the riddled summer-shrunken earth; Now the eyes look up.

 

Faintly they glint, they glimmer; they try to see; They pick at the crust; they touch at the wasted rind.

Winter will pinch them back but now they know, And will not stay blind.

 

And all Creation will gather its glory up Out of the clouded winter-frigid womb;

And the sudden Eye will swell with the gift of sight, And split the tomb.

 

--Brother Antoninus

 

While Allen Ginsberg and Gary Snyder were finding inspiration for their lives and their poetry in the religions of the East, William Everson (aka Brother Antoninus) sought out a tradition closer to home, Christianity: from 1951 to 1969, he was Brother Antoninus of the Dominican Order of Preachers.  His poems then were about the efforts, and occasionally the revelations and satisfactions, of the religious life.  "I believe," he wrote, "that the solution to the problem of violence is found only in the Cross, but I also believe that the poet alone can accomodate the violence of his age to the Cross.  This for me constitutes his archetypal role as prophet to his time.  It is his failure, and it is awesome, that send the best minds of his generation in search of solutions where none can ever be found."

 

He was born in Sacramento, California, on September 10, 1912; brought up a Christian Scientist, he became an agnostic during his teens.  He dropped out of Fresno State College to write poetry and to marry.  Drafted as a Conscientious Objector in 1943, Everson spent the war years in a succession of work camps in the Pacific Northwest. In 1944, he published _The Residual Years_, a collection of poems he had been writing since his college days.

After the war, he went to San Francisco and was one of what he called "The anarchists and poets around Kenneth Rexroth"; he had divorced and remarried, and his new wife introduced him to Catholicism.  In 1949 they separated.  After a year on a Guggenheim Fellowship and antoher doing work in the inner city of Oakland Everson entered the Dominican Order as a lay brother.  After six years of self-study and searching he rejoined the literary scene in California, now "identifying openly with the Beat Generation because it proclaimed against a triumphant American pragmatism the necessity for a mystical vision" and because of its "dionysian revolt" against the prevailing trends in postwar verse.  He published six volumes of poetry as Brother Antoninus.

 

He left the order in 1969.  He had written his "Tendril in the Mesh" sequence from 1966 to 1968 while "still in vows," but its writing changed him, for it is a poem of deep sexual desire.  By the end of 1969 the karma (that is, fate) of his passion overwhelmed him, and in his final appearance as a monk, on the afternoon of December 7 at UC-Davis, he read the ("Tendril") sequence publicly for the first time . . . concluding his reading, he stripped off his religious habit and fled the platform.  He married the woman to who he had dedicated "Tendrils," and, with her young son, they took up residence near San Francisco.  He published 12 books of poetry.  He had to struggle with the painful onset of Parkinson's disease, "rendering problematical all creativity, but chastening the mind."  Everson died in 1994.  (This bio was excerpted from the Norton Anthology of Modern Poetry.)

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: brother antoninus 2

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Date:         Mon, 17 Nov 1997 16:00:20 -0800 Reply-To:     landmax@teleport.com

Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Katye & Brandon <landmax@TELEPORT.COM> Subject:      Re: Brother Antonius a.k.a. William Everson MIME-Version: 1.0

Content-Type: text/plain; charset=ISO-8859-1 Content-Transfer-Encoding: 7bit

 

I read a lot of Everson and Antonious when I was in the Fire Lookout -- and this poem references that, so I thought I'd send it your (and the channel's) way...

 

 

 

Sitting crosslegged on the bed, reading Everson, The insistent call of a Raven

Pulls my attention

Outside the windows.

 

I walk out the door --

In my face a warm, southerly breeze.

It is morning,

And the golden light

Leans long shadows to the West.

 

The Raven;

Black, sharp, and animate,

Caws and circles

In the pale blue.

 

It spirals upward, and changes direction.

It caws and caws as though disturbed.

 

I can't read its omen.

 

Quiet with uncertainty, I turn to walk back in-- Pondering briefly

The usefulness of separation.

 

 

'93

 

 

 

(ps, there's a reference to famous Chinese poet in there, a sixpack to the first one who           can call it)

 

 

Brandon Paul Landis,

landmax@teleport.com

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Matthews poem 1

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From: Anastasios Kozaitis <kozaita@rockvax.rockefeller.edu>

 

LIVING AMONG THE DEAD

                There is another world

                but it is in this one.

                        Paul Eluard

 

First there were those who died

before I was born.

It was as if they had just left

and their shadows would

slip out after them

under the door so recently closed

the air in its path was still

swirling to rest.

Some of the furniture came from them,

I was told, and one day

I opened two chests

of drawers to learn what the dead kept.

 

But it was when I learned to read

that I began always

to live among the dead.

I remember Rapunzel,

the improved animals

in the Just-So Stories, and a flock

of birds that saved themselves

from a hunter by flying in place

in the shape of a tree

their wings imitating the whisk

of wind in the leaves.

 

My sons and I are like some wine

the dead have already bottled.

They wish us well, but there is nothing they can do for us.

Sebastian cries in his sleep,

I bring him into my bed,

talk to him, rub his back.

To help his sons live easily

among the dead is a father's great work.

Now Sebastion drifts, soon he'll sleep.

We can almost hear the dead

breathing.  They sound like water

under a ship at sea.

 

To love the dead is easy.

They are final, perfect.

But to love a child

is sometimes to fail at love

while the dead look on

with their abstract sorrow.

 

To love a child is to turn

away from the patient dead.

It is to sleep carefully

in case he cries.

 

Later, when my sons are grown

among their own dead, I can

dive easily into sleep and loll

among the coral of my dreams

growing on themselves

until at the end

I almost never dream of anyone,

except my sons,

who is still alive.

 

--William Matthews (1942-1997)

 

This poem was read at Matthews' funeral.  Diane Bonds was in attendance, and I thank her very much for offering it as the Poem of the the Day today.

Thanks, DB.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: turkey tanksgiving

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> HOW TO COOK A TURKEY

> 

> Step 1:  Go buy a turkey

> 

> Step 2:  Take a drink of whiskey (scotch) OR   JD

> 

> Step 3:  Put turkey in the oven

> 

> Step 4:  Take another 2 drinks of whiskey

> 

> Step 5:  Set the degree at 375 ovens

> 

> Step 6:  Take 3 more whiskeys of drink

> 

> Step 7:  Turn oven the on

> 

> Step 8:  Take 4 whisks of drinky

> 

> Step 9:  Turk the bastey

> 

> Step 10:  Whiskey another bottle of get

> 

> Step 11:  Stick a turkey in the thermometer

> 

> Step 12:  Glass yourself a pour of whiskey

> 

> Step 13:  Bake the whiskey for 4 hours

> 

> Step 14:  Take the oven out of the turkey

> 

> Step 15:  Take the oven out of  the turkey

> 

> Step 16:  Floor the turkey up off of the pick

> 

> Step 17: Turk the carvey

> 

> Step 18:  Get yourself another scottle of botch

> 

> Step 19:  Tet the sable and pour yourself a glass of turkey

> 

> Step 20:  Bless the saying, pass and eat out

> 

> Have a safe Thanksgiving everyone!

>To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: patchen avarice and ambition

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Subject:      Kenneth Patchen

 

From: Anastasios Kozaitis <kozaita@rockvax.rockefeller.edu>

 

 

AVARICE AND AMBITION ONLY WERE THE FIRST BUILDERS OF TOWNS AND FOUNDERS OF EMPIRE; They said, go to, let us build us a city and a tower whose top may reach unto Heaven, and let us make us a name, lest we be scattered abroad upon the face of the earth (Genesis XI: 4).  What was the beginning of this city?  What was it but a concourse of thieves, and a sanctuary of criminals?  It was justly named by the augury of no less than twelve vultures, and the founder cemented his walls with the steaming blood of his only brother.  Not unlike to this was the beginning even of the first town in the world, and such is the original sin of most cities:  Their actual increase daily with their age and growth; the more people, the more wicked all of them; everyone begins in his part to inflame the contagion, which becomes at last so universal and so strong, that no precepts can be sufficient preservatives, nor anything secure our safety, but flight from among the infected.  To spread our own disease

 

They scatter me from church to gutter.

They smear their doings over my hands.

I am lifted out of wombs

And never put back anywhere . . .

I look up from the grass and down from the cathedral.

They honor me with the stuff of dogs.

They place my body down and fill themselves.

I smile from the confessional and frown on the battlemount.

They offer me their wives

And kill my firstborn . . .

I am grown in their hovels like a vegetable that can be eaten.

They won't wash off my dirt.

They put me in parades and distribute piece of my corpse.

They honor me with statues and seal me in the hardening mold.

I could never build a man

And I have come here to worship . . .

 

I have only this one wreath.

There is only one grave anywhere.

 

I am standing open.

You must not lower your eyes.

 

I want them all to know me.

I want my breath to go over them.

They should withhold nothing from me.

I am a respecter of dirt.

This is your house, you say.  Then show Yourself!  I have not been on earth

Long enough to know about you.  This

Collection of ills and organs means nothing To me.  Everybody gets a whack at them.

Tell me what you do inside there.  I want All your pain.  I want to walk around where You are.  There is no war between us.

 

And every now and again somebody sneaks up and Boots the hell out of you

But I could never build one of these curious things And I have come here because of that simplicity

 

Is it so very dark in there, brothers?

Does it hurt all the time?

Does it rain without any end at all?

Are the same monsters in your streets?

Why have you nailed up your doors, brothers?

And every now and again something looks down and Smears the doings of God over our murderous hands

 

I should like to pray now if I can stay out of a trench to do it There is no war between us, brothers

There is only one war anywhere.

 

 

--Kenneth Patchen

 

On this day, the day before Thanksgiving, I would like to give thanks to Kenneth Patchen for providing me with much inspiration.  I want to thank all of you, too, for reading the poems and sending me all of your encouraging words.  Thank you and I wish all of you and your families a joyful Thanksgiving.  "See" you on Monday.

 

If anyone is interested in finding out more information about Kenneth Patchen I recommend visiting Marcus Williamson's website at http://ourworld.compuserve.com/homepages/Patchen/ To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: personal ad by allen ginsberg

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   *

 

Personal Ad        by Allen Ginsberg

 

   "I will send a picture too

   if you will send me one of you"

   R.CREELEY

 

Poet professor in autumn years

seeks helpmate companion protector friend young lover w/empty compassionate soul

exhuberant spirit, straightforward handosome athletic physique & boundless mind, corageous warrior who may also like women & girls, no problem, to share bed meditation apartment Lower East Side, help inspire mankind conquer world anger & guilt, empowered by Whitman Blake Rimbaud Ma Rainey & Vivaldi, familiar respecting Art's primordial majesty, priapic carefree playfull harmless slave or master, mortally tender passing swift time, photographer, musician, painter, poet, yuppie or scholar -- Find me here in New York alone with Alone going to lady psychiatrist who says Make time in your life for someone you can call darling, honey, who holds you dear can get excited & lay his head on your hearth in peace.

 

                              October 8, 1987

poem from "Cosmopolitan Greetings."

 

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From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: AG buried

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Date:         Wed, 3 Dec 1997 01:28:54 EST Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         CIRCULATION <breithau@KENYON.EDU> Subject:      Re: Fwd: allen ginsberg

 

I think Allen was divided into thre parts, his ashes, I mean. One third is going to be burried in the family plot in NJ. Not sure where the other two thirds are going. At least that's the latest I heard. Leave it to Allen, to spread himself around even in death.

 

Dave B.To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: terry berrigan talk

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"... it's very difficult, almost impossible to know what is being said, until you have some sense of what the person speaking is like, and to whom the person is speaking. So I'm saying that content is not there to provide form. That is, form is not an extension of content. I deny that. I don't believe that it is in any way true. Form is not an extension of anything. Form and content are the same thing. Inseparable and interwoven. And you absolutely cannot say that form is an extension of content.

     "Bob Creeley didn't say it, in case anybody's interested.

I've had long talks with him about this. He said something, and Charles Olson said, You mean that form is an extension of content? And Bob said (grunt) and Charles said, great, and then he wrote 700 essays and said, as Robert Creeley says, form is an extension of content. Form is not an extension of content."

 

-----Ted Berrigan (from a talk given at the Naropa Institute,

                   "The Business of Writing Poetry" published

                    in _On the Level Everyday: Selected Talks

                    on Poetry and the Art of Living_, edited

                    by Joel Lewis (Jersey City: Talisman House,

                    Publishers, 1997) p. 80.

 

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From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: larson nicolette dies

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Date:         Wed, 17 Dec 1997 09:48:55 -0500 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US> Subject:      Nicolette Larson

 

Subject:      CNN QuickNews - Text Version

 

 

> SINGER NICOLETTE LARSON DIES

 

Pop singer Nicolette Larson, who rose to the top of the charts in the 1970s, has died at age 45. Larson suffered from complications of cerebral edema, an abnormal accumulation of fluid in the brain, the UCLA Medical Center said.

During her long musical career, Larson performed with Jimmy Buffett, The Beach Boys and Willie Nelson. She reached No. 1 on record charts with the hit "Lotta Love," which was written by Neil Young.To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Poet Denise Levertov Dies at 74

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Date:         Tue, 23 Dec 1997 14:44:29 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Brian Carpenter <bricarp@PAUL.SPU.EDU> Subject:      Denise Levertov (1923-1997) (fwd) MIME-Version: 1.0

Content-Type: TEXT/PLAIN; charset=US-ASCII

 

 December 23, 1997

 

 Poet Denise Levertov Dies at 74

 

Filed at 6:19 a.m. EST

 

By The Associated Press

 

SEATTLE (AP) -- Denise Levertov, an intense, lyrical poet whose work evolved into free-form commentary on the social issues that were her passion, died Saturday of complications from lymphoma. She was 74.

 

Influenced by William Carlos Williams and other poets of her adopted country, Ms. Levertov addressed such political and social themes as war, the environment and feminism.

 

``She was really socially committed. It was important to her to go and protest at nuclear sites,'' said Barbara Epler, Ms. Levertov's editor since the mid-1980s at New Directions, her longtime publisher.

 

``She also protested the Vietnam War. She really put her money where her mouth was. It's like she was very 19th century with her vision of what poetry was and how total a calling it was.''

 

In a 1965 essay, Ms. Levertov described her poetry as aspiring toward ``organic form.''

 

``In organic poetry the metric movement, the measure, is the direct expression of the movement of perception,'' she wrote.

 

The idea, said Fran Polek, professor emeritus at Gonzaga University in Spokane, Wash., is to have the form arise ``naturally from the particular topic or the particular approach, just as plant or flower grows in a particular way in certain soils.''

 

``Her poetry looks in a mystical way for inner reality, inner truth,'' Polek said. ``She might start with a mundane-sounding topic, but she's always trying to find some mystical basis for reality. I think this is her charm, really.''

 

Ms. Levertov published more than 20 volumes of poetry since 1946, the most recent being ``Sands of the Well'' in 1996.

 

She won such awards as the Shelley Memorial Award, the Robert Frost Medal, the Lenore Marshall Prize and the Lannan Award, along with a Guggenheim Fellowship and a National Institute of Arts and Letters grant.

 

Ms. Levertov was born in England and was educated largely at home. During World War II, she worked as a nurse and later married an American soldier, Mitchell Goodman, who became a politically active writer and teacher.

 

They moved to the United States in 1948 and Ms. Levertov became a U.S.

citizen in 1955. She and Goodman had a son named Nikolai before they divorced in 1974. Goodman died earlier this year.

 

Ms. Levertov, who taught at Stanford University from 1981 to 1994, moved to Seattle in 1989.

 

 

****

 

from The New York Times

 

December 23, 1997

 

 

          Denise Levertov, 74, Poet and Activist

 

 

          By MEL GUSSOW

 

               Denise Levertov, a poet of intense emotion and fervid political conviction, died on Saturday at the Swedish Hospital in Seattle, where she lived. She was 74.

 

The cause was complications from lymphoma, said Griselda Ohannessian of New Directions, Ms. Levertov's publisher.

 

As a poet and political activist, Ms. Levertov was "a touchstone, a maintainer for our generation," the poet Robert Creeley, one of her first publishers in the United States, said Monday. "She was a constantly defining presence in the world we shared, a remarkable and transforming poet for all of us. She always had a vivid emotional response and also a completely dedicated sense of political and social need."

 

The poet Kenneth Rexroth once wrote that Ms. Levertov was "the most subtly skillful poet of her generation, the most profound, the most modest, the most moving."

 

In the tradition established by William Carlos Williams, she wrote with a concrete immediacy of language. She spoke directly through her poetry, favoring commonplace objects and images over large philosophical concepts.

 

The author of more than 30 books of poetry, essays and translations, she wrote with great particularity and sensitivity about aspects of love, spiritual as well as erotic. More and more, her work conveyed her political awareness and social consciousness. She was, as in the title of her first book of essays, "The Poet in the World."

 

At the same time, in her art she would contemplate her own life, writing confessional poems about her marital and familial problems. For her, content and form were "in a dynamic state of interaction."

 

In "The Ache of Marriage," she wrote:

 

"The ache of marriage:

 

thigh and tongue, beloved,

 

are heavy with it,

 

it throbs in the teeth

 

We look for communion

 

and are turned away, beloved,

 

each and each

 

It is leviathan and we

 

in its belly

 

looking for joy, some joy

 

not to be known outside it

 

two by two in the ark of

 

the ache of it."

 

And in "Of Being," she wrote:

 

"I know this happiness

 

is provisional:

 

the looming presences --

 

great suffering, great fear --

 

withdraw only

 

into peripheral vision:

 

but ineluctable this shimmering

 

of wind in the blue leaves:

 

this flood of stillness

 

widening the lake of sky:

 

this need to dance,

 

this need to kneel:

 

this mystery:"

 

A defining moment of her life was the Vietnam War. She helped found a group called the Writers' and Artists' Protest Against the War in Vietnam, she was actively involved in the anti-nuclear movement and in 1967 she edited a volume of poetry for the War Resisters League. In the same year, she published "The Sorrow Dance," a book of poems whose sorrow included the war and also the death of the poet's sister.

 

Ms. Levertov was born in Ilford, England. Her father was Paul Philip Levertoff, a Russian Jew who converted to Christianity and became an Anglican priest. Her mother was from Wales.

 

Her father's conversations about the family background in Hasidism and her mother's knowledge of Welsh and English folklore proved influential.

Educated by her parents, she was introduced to poetry by her older sister, Olga, and was writing from an early age.

 

During World War II, she worked as a nurse in London and also began publishing her poetry. In 1940 her first poem appeared in Poetry Quarterly, and, said Rexroth, he and other poets were soon "in excited correspondence about her" as "the baby of the new Romanticism." Her first volume of verse, "The Double Image," was published in 1946.

 

After the war she married Mitchell Goodman, an American writer, and for several years they lived in France near Creeley, who was a friend of Goodman. In 1948 the couple moved to the United States, where Ms. Levertov studied and was influenced by such modernist poets as Williams, Wallace Stevens and Ezra Pound, and also continued her artistic relationship with Creeley, Robert Duncan and other Black Mountain poets.

 

Both she and her husband frequently spoke out on political issues, particularly regarding the Vietnam War. Goodman was convicted along with Dr. Benjamin Spock for counseling resistance of the draft. Ms. Levertov and Goodman were divorced in 1975. Goodman died last February. They had one son, Nikolai, who lives in Seattle.

 

When Ms. Levertov's 11th collection of verse, "The Freeing of the Dust," was published in 1975, the poet David Ignatow wrote in The New York Times Book Review that "by nearly unanimous agreement Levertov was well on her way to becoming one of our leading poets" with "her forceful and compassionate presentations of urban lives" and "the beauty and sensuousness of her nature poems." By shifting to "passionate Vietnam poems," she had lost some of her following but gained a new vitality.

 

Ms. Levertov wrote through six decades. In the 1990s, she published "New and Selected Essays"; four poetry volumes, "Evening Train," "Sands of the Well," "The Life Around Us: Selected Poems on Nature" and "The Stream and The Sapphire: Selected Poems on Religious Themes," and the prose memoir "Tesserae: Memories and Suppositions."

 

She taught at colleges and universities, and served as poetry editor of The Nation and Mother Jones. Among her honors were the Elmer Holmes Bobst Award in poetry and the $50,000 Lannan Prize. In 1996, she won the Governor's Award from the Washington state Commission for the Humanities.

 

She felt compelled to clarify and justify the uses of poetry in a world of political crisis. In "New and Selected Essays" she wrote, "One is in despair over the current manifestation of malevolent imbecility and the seemingly invincible power of rapacity, yet finds oneself writing a poem about the trout lilies in the spring woods. And one has promised to speak at a meeting or help picket a building. If one is conscientious, the only solution is to attempt to weigh conflicting claims at each crucial moment, and in general to try to juggle well and keep all the oranges dancing in the air at once."

 

Ms. Levertov was a masterly juggler of words, images and feelings, as well as a defender of artistic and political liberty.

 

In "Overheard Over S.E. Asia," she wrote:

 

"I am the snow that burns.

 

I fall

 

wherever men send me to fall --

 

but I prefer flesh, so smooth, so dense:

 

I decorate it in black, and seek the bone." ===================================================================== To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: notes on Olson's "The Kingfishers"

Cc:

Bcc:

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Date:         Sat, 27 Dec 1997 14:15:19 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      notes on Olson's "The Kingfishers" Mime-Version: 1.0

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Just finished an in-depth reading of Charles Olson's "The Kingfishers" despite a heady reading schedule otherwise--mostly at Brian's consistent insistence I'm depriving myself of a master I'm akin to--and am, of course, quite splendidly elated.

 

Despite the rather gloomy forecast ("Bad weather ahead, says the prophet" GD) I find this a most encouraging poem poetics-wise. Along with the poem itself I've consumed Guy Davenport's essay "Olson" contained in _Geography of the Imagination_ as well as Creeley's foreword to _Selected Poems_.

 

I realize now I've read this poem at least several times before, early on and come away with a vague idea of Olson's extension of poetic canon to the paleolithic, and of a terse, nearly Romantic naturalness, and of a Poundian terror of civilizations-- and though there's much to get from the surface--one begins to get used to poets who expect much from a reader (and with audiences so imaginary and paper-thin in this disconsolate era who can blame an author for being seemingly obscurantist when the rewards are so incredible)--clearly missing out.

 

It occurs to me now I needed to fight my own battle without Pound --unmediated-- and at age 36 am more than grateful to see Olson's more masterly and proximal battle with the (his) master--and deliver more sublime, but not dissimilar results, motivations, goals, and notable objections to various Pound forms and contents. One isn't on the wrong track to move towards similar absorptions.

 

Nevertheless, "The Kingfishers" is Poundian; and through direct quotation, technical rhyme, and culminative rhetorical passage imposes on _The Cantos_ a direct response and transformative assessment/absorption of the _real point_ in EP.

 

"The Kingfishers" answers the whole Pound issue and extends its innovations from partisan political applications to one centuries' troubles to a more apt and less treacherous quasi-epochal though fully human scale.

 

***            ***          ***

Davenport identifies a tripartite ideogram in "The Kingfishers," the components of which are Mao Zedong, the genus of bird known as kingfisher, and the E on the stone of the Oracle at Delphi and the classical discourse of it in Plutarch's Pythian dialogue (the passage in the poem is from Ammonius' dialogue and is cited in Davenport's essay). Ammonius discusses the paradoxes of Heraclitus, namely that no man may step in the _same river twice_; that we die _not one but many_ deaths in an "unceasing & unstaying process of generation." No one is one person, "but we become many persons. GD, 94"

 

"Men and (their) history are discrete and continuous [from a biological standpoint]. Man is still the late Pleistocene mammal generated simultaneously in evolution with the elephant and horse. Unlike human biology, human culture is discrete; discontinuous. GD, 94

 

*continuous, discrete biology:

 

Natural process is represented in the poem by the kingfisher, which also has a mythic component in its interaction through time with the human species.

 

*discontinuous, discrete human civilization:

 

Mao in the poem prepares to launch an age of barbarism to destroy the civilization Pound, via the _Analects_  most successfully identified with the terrestrial paradise of moral and social values (likely his dyspeptic nature was less able to project blame all the way to China). Davenport notes that this is analagous in the poem to Cortes the killer. He will also calculate slaughter and justify it on ideological grounds--the Mexicans (Aztec and Mayan) made human sacrifice, he tells himself and the world, therefore must be slaughtered.

Olson's Mexican material comes from Wm. H. Prescott's _History of the Conquest of Mexico" (1843). The poem was written, presciently enough, before his first trip to the Yucatan.

 

Where Ruskin and Pound saw greed and governments to blame for social dissonance, Davenport tells us, Olson needed a larger monster--epochal time itself and the nature of change in cultural discontinuity. For Olson, a shift in the focus of attention in the lives of men meant a change or discontinuity in culture. The cybernetic concept of _feedback_, known to historians as the question of whether history _teaches_ us anything, of whether History exists, is answered by the modalization of _history_ as a concept of personal duty and morality. You _go find it_. You _go find it_ with your imagination.

 

This is what the poet adds that is of general use. The recombination of the many deaths into a coherent vision. A comparison of historical events is nothing without imagination, no history. A suggestion for practical techniques for the cultural transmission serves a supra-evolutionary purpose: the cure to barbarism and discontinuity. Olson, living and writing in the years of Hiroshima and its aftermath has good reason to enquire. The survival of the species at stake in the Atomic and technological age forebodes untold--and perhaps disastrous--changes. There may be no humanity to conclude with.

 

Barbarism begins at home. Hot-rods, the Holocaust, and Himmler. "A shift of attention lets in the jungle."

 

The canon includes awe for the unknown, respect for the humbling realities of the tenuous hold of life humanity embodies, paleolithic time, continental drift, and it is against that full backdrop that poetic suggestions must make their impact.

 

The imagination and its systems lie in disarray in the 1940s.

 

To what end is a system?

 

Olson asks:

 

      "I pose you your question:

 

shall you uncover honey  /  where maggots are?

 

       I hunt among stones

 

***             ***               ***

 

Interestingly, Davenport's exposition of the fossil and cultural evidence focuses on the intellectual battle over that emergence and not on the destruction of its heritage that is implied in such truculence as expressed by Wordsworth. It was becoming clear to more generous midns that primitive man and cultures were not only fully human but might've provided untold wonders.

Perhaps forever lost wonders.

 

The destruction of fossil and geological record that arose when ignorance and a lack of awe coincided with the European migration to America, such as that which occurred very near Davenport's old Kentucky home--at Blue Lick, Salt River, Big Bone-- is a deeper, more specific image.

 

That we are now to behave in a manner sustainable to our own best interests and hopeful futures, and must do so without the paleolithic cultures --is undeniable.

 

 

 

James A.  Gardner        The solid book we wrote     *

>*       __o                        Cannot be found today    *

>*     __\<,_                                                              *

>*    (_)/ (_)      http://www.rahul.net/jag/        * ========================================================================= Date:         Sat, 27 Dec 1997 14:27:20 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      The Kingfishers, 1

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The Kingfishers, 1

 

 

1

What does not change / is the will to change .

.

He woke, fully clothed, in his bed. He

remembered only one thing, the birds, how when he came in, he had gone around the rooms and got them back in their cage, the green one first, she with the bad leg, and then the blue, the one they had hoped was a male

.

.

Otherwise? Yes, Fernand, who had talked lispingly of Albers & ngkor Vat.

He had left the part without a word. How he got up, got into his coat, I do not know. When I saw him, he was at the door, but it did not matter, he was already sliding along the wall of the night, losing himself in some crack of the ruins. That it should have been he who said, "The kingfishers!

who cares

for their feathers

now?"

.

.

His last words had been, "The pool is slime." Suddenly everyone, ceasing their talk, sat in a row around him, watched they did not so much hear, or pay attention, they wondered, looked at each other, smirked, but listened, he repeated and repeated, could not go beyond his thought "The pool   the kingfishers' feathers were wealth   why did the export stop?"

.

.

It was then he left

.

.

Charles Olson

========================================================================= Date:         Sat, 27 Dec 1997 14:29:40 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      Re: The Kingfishers, 1

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>Otherwise? Yes, Fernand, who had talked lispingly of Albers & ngkor Vat.

 

 

Otherwise? Yes, Fernand, who had talked lispingly of Albers & Angkor Vat.

 

 

 

I hate when that happens.

========================================================================= Date:         Sat, 27 Dec 1997 15:42:51 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      The Kingfishers, 2

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The Kingfishers, 2

.

.

I thought of the E on the stone, and of what Mao said la lumiere"

.

               but the kingfisher

de l'aurore"

.

               but the kingfisher

est devant nous!

               he got the color of his breast

               from the heat of the setting sun!

.

The features are, the feebleness fo the feet (syndactylism of the 3rd & 4th digit) the bill, serrated, sometimes a pronounced beak, the wings where the color is, short and round, the tail inconspicuous.

.

.

But not these things were the factors. Not the birds.

The legends are

legends. Dead, hung up indoors, the kingfisher will not indicate a favoring wind,

or avert the thunderbolt. Nor, by its nesting, still the waters, with the new year, for seven deays.

It is true, it does nest with the opening year, but not on the waters.

It nests at the end of a tunnel bored by itself in a bank. There, six or eight white and translucent eggs are laid, on fishbones not on bare clay, on bones thrown up in pellets by the birds.

.

                                             On these rejectamenta (as they accumulate they form a cup-shaped structure) the young are born.

And, as they are fed and grow, this nest of excrement and decayed fish becomes

                                                 a dripping, fetid mass .

.

Mao concluded:

                     nous devons

.

                                        nous lever .

                                                       et agir!

.

.

Chales Olson

========================================================================= Date:         Sat, 27 Dec 1997 15:53:15 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      The Kingfishers, 3

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The Kingfishers, 3

.

.

When the attentions change  /  the jungle leaps in

              even the stones are split

                                              they rive .

.

.

Or,

enter

that other conqueror we more naturally recognize he so resembles ourselves

.

But the E

cut so rudely on that oldest stone

sounded otherwise,

was differently heard

.

as, in another time, were treasures used: .

(and, later, much later, a fine ear thought a scarlet coat)

.

.

                       "of green feathers   feet, beaks and eyes

                        of gold

.

                       "animals likewise,

                         resembling snails .

                       "a large wheel, gold, with figures of unknown four-foots,

                        and worked with tufts of leaves, weight

                        3800 ounces

.

                       "last, two birds, of thread and featherwork, the quills

                        gold, the feet

                        gold, the two birds perched on two reeds

                        gold, the reeds arising from two embroidered mounds,

                        one yellow, the other

                        white.

.

                                          "And from each reed hung

                                           seven feathered tassels.

.

In this instance, the priests

(in dark cotton robes, and dirty,

their dishevelled hair matted with blood, and flowing wildly over their shoulders)

rush in among the people, calling on them to protect their gods

.

And all now is war

where so lately there was eace,

and the sweet brotherhood, the use

of tilled fields.

.

.

Charles Olson

========================================================================= Date:         Sat, 27 Dec 1997 15:54:25 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      Re: The Kingfishers, 3

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At 03:53 PM 12/27/97 -0800, Jim Gardner wrote:

 

>where so lately there was eace,

 

 

where so lately there was peace,

========================================================================= Date:         Sat, 27 Dec 1997 16:11:46 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      The Kingfishers, 4

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The Kingfishers, 4

.

.

Not one death but many,

not accumulation but change, the feed-back proves, the feed-back is the law

                        Into the same river no man steps twice

                        When fire dies air dies

                        No one remains, nor is, one .

Around an apparance, one common model, we grow up many. Else how is it,

if we remain the ame,

we take pleasures now

in what we did not take pleasure before? love contrary objects? admire and/or find fault? use other words, feel other passions, have

nor figure, appearance, disposition, tissue the same?

         To be in different states without a change

         is not a possibility

.

We can be precise. The factors are

in the animal and/or the machine the factors are communication and/or control, both involve the message. And what is the message? The message is a discrete4 or continuous sequence of measurable events distributed in time .

is the birth of air, is

the birth of water, is

a state between

the origin and

the end, between

birth and the beginning of

another fetid nest

.

is change, presents

no more than itself

.

And the too strong grasping of it,

when it is pressed together and condensed, loses it

.

This very thing you are

.

.

.

                                  II

             They buried their dead in a sitting posture

              serpent    cane   razor   ray of the sun .

             And she sprinkled water on the head of the child, crying

             "Ciao-coatl! Cioa-coatl!"

             with her face to the west

.

             Where the bones are found, in each personal heap

             with what each enjoyed, there is always

             the Mongolian louse

.

The light is in the east. Yes. And we must rise, act. Yet in the west, despite the apparent darkness (the whiteness which covers all), if you look, if you can bear, if  you can, long enough .

                      as long as it was necessary for him, my guide

                      to look into the yellow of that longest-lasting rose .

so you must, and, in that whiteness, into that face, with what candor, look .

and, considering the dryness of the place

            the long absence of an adequate race .

                 (of the two who first came, each a conquistador, one healed, the other

                 tore the eastern idols down, toppled

                 the temple walls, which, says the excuser

                 were black from human gore) .

hear

hear, where the dry blood talks

         where the old appetite walks

.

                                                                  la piu saporita et migliore

                                                                  che si possa truovar al mondo .

where it hides, look

in the eye how it runs

in the flesh / chalk

.

                   but under these petals

                   in the emptiness

                   regard the light, contemplate

                   the flower

.

.

whence it arose

.

.

            with what violence benevolence is bought

            what cost in gesture justice brings

            what wrongs domestic rights involve

            what stalks

            this silence

.

            what pudor pejorocracy affronts

            how awe, night-rest and neighborhood can rot

            what breeds where dirtiness is law

            what crawls

            below

.

.

.

                                       III .

                     I am no Greek, hath not th'advantage.

                     And of course, no Roman:

                     he can take no risk that matters,

                     the risk of beauty least of all.

.

                     But I have my kin, if for no other reason than

                     (as he said, next of kind) I commit myself, and,

                     given my freedom, I'd be a cad

                     if I didn't. Which is most true.

.

                     It works out this way, despite the disadvantage.

                     I offer, in explanation, a quote:

                     si j'ai du gout, ce n'est gueres

                     que pour la terre et les pierres.

.

                     Despite the discrepancy (an ocean   courage    age)

                     this is also true: if i have any taste

                     it is only because I have interested myself

                     in what was slain in the sun .

                               I pose you your question: .

                     shall you uncover honey  /  where maggots are?

.

.

                               I hunt among stones .

.

Charles Olson

fin

========================================================================= Date:         Sat, 27 Dec 1997 16:13:13 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      Re: The Kingfishers, 4

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At 04:11 PM 12/27/97 -0800, Jim Gardner wrote:

>if we remain the ame,

 

if we remain the same,

===================================================================== To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: dylan and gregory peck

Cc:

Bcc:

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References:

 

Date:         Mon, 29 Dec 1997 14:46:23 -0500 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         "Paul McDonald, TeleReference LA, Main Info Services"

              <PAUL@LOUISVILLE.LIB.KY.US> Subject:      Standing In Line To See A Movie Starring Gregory Peck

 

The highlight of my holiday was on the 26th, when Gregory Peck paid a tribute to Bob Dylan, now a Kennedy Center Honoree.  He said that when he, (Gregory Peck) heard Bob Dylan sing for the first time, he remembered being a young boy and watching 4th of July parades that featured still living Civil War Veterans.

 

He then quoted from the following song and said that like the character in the movie "The Gunfighter" Bob Dylan was not about to get out of town before the shooting started.

 

In case any of you haven't had the pleasure, here is the song:

 

 

 

    Brownsville Girl, by Bob Dylan and Sam Shepard

 

 

   Well, there was this movie I seen one time,

   About a man riding 'cross the desert and

          it starred Gregory Peck.

   He was shot down by a hungry kid

          trying to make a name for himself.

   The townspeople wanted to crush that kid down and

          string him up by the neck.

 

   Well, the marshal, now he beat that kid to a bloody pulp

        as the dying gunfighter lay in the sun

          and gasped for his last breath.

   Turn him loose, let him go, let him say he outdrew me

          fair and square,

   I want him to feel what it's like

          to every moment face his death.

 

   Well, I keep seeing this stuff and it just comes a-rolling in

   And you know it blows right through me

          like a ball and chain.

   You know I can't believe we've lived so long and

          are still so far apart.

   The memory of you keeps callin' after me like a rollin' train.

 

   I can still see the day that you came to me

          on the painted desert

   In your busted down Ford and your platform heels

   I could never figure out why you chose

          that particular place to meet

   Ah, but you were right. It was perfect

          as I got in behind the wheel.

 

   Well, we drove that car all night into San Anton'

   And we slept near the Alamo,

          your skin was so tender and soft.

   Way down in Mexico you went out to find a doctor and

          you never came back.

   I would have gone on after you but I didn't

          feel like letting my head get blown off.

 

   Well, we're drivin' this car and the sun

          is comin' up over the Rockies,

   Now I know she ain't you but she's here and

          she's got that dark rhythm in her soul.

   But I'm too over the edge and  I ain't in the mood anymore

          to remember the times when I was your only man

   And she don't want to remind me.

   She knows this car would go out of control.

 

   Brownsville girl

          with your Brownsville curls,

          teeth like pearls

          shining like the moon above

   Brownsville girl,

          show me all around the world,

   Brownsville girl,

          you're my honey love.

 

   Well, we crossed the panhandle

          and then we headed towards Amarillo

   We pulled up where Henry Porter used to live.

          He owned a wreckin' lot

          outside of town about a mile.

   Ruby was in the backyard hanging clothes,

          she had her red hair tied back.

          She saw us come rolling up in a trail of dust.

   She said, "Henry ain't here but you can come on in,

          he'll be back in a little while."

 

   Then she told us how times were tough

          and about how she was thinkin'

          of bummin' a ride back to where she started.

   But ya know, she changed the subject

          every time money came up.

   She said, "Welcome to the land of the living dead."

   You could tell she was so broken-hearted.

   She said, "Even the swap meets around here

          are getting pretty corrupt."

 

   "How far are y'all going?"

          Ruby asked us with a sigh.

   "We're going all the way

          'til the wheels fall off and burn,

   'Til the sun peels the paint

          and the seat covers fade

          and the water moccasin dies."

   Ruby just smiled and said,

          "Ah, you know some babies never learn."

 

   Something about that movie though,

          well I just can't get it out of my head

   But I can't remember why I was in it

          or what part I was supposed to play.

   All I remember about it was Gregory Peck

          and the way people moved

   And a lot of them seemed to be lookin' my way.

 

   Brownsville girl

          with your Brownsville curls,

          teeth like pearls

          shining like the moon above

   Brownsville girl,

          show me all around the world,

   Brownsville girl,

          you're my honey love.

 

   Well, they were looking for

          somebody with a pompadour.

   I was crossin' the street

          when shots rang out.

   I didn't know whether to duck or to run,

          so I ran.

   "We got him cornered in the churchyard,"

          I heard somebody shout.

 

   Well, you saw my picture in the

          Corpus Christi Tribune.

   Underneath it, it said,

          "A man with no alibi."

   You went out on a limb to testify for me,

          you said I was with you.

   Then when I saw you break down

          in front of the judge and cry real tears,

   It was the best acting I saw anybody do.

 

   Now I've always been the kind of person

          that doesn't like to trespass

          but sometimes you just find yourself

                over the line.

   Oh if there's an original thought out there,

          I could use it right now.

   You know, I feel pretty good,

          but that ain't sayin' much.

   I could feel a whole lot better,

   If you were just here by my side

          to show me how.

 

   Well, I'm standin' in line in the rain

          to see a movie starring Gregory Peck,

   Yeah, but you know it's not the one

          that I had in mind.

   He's got a new one out now,

   I don't even know what it's about

   But I'll see him in anything

          so I'll stand in line.

 

 

   You know, it's funny how things never turn out

          the way you had 'em planned.

   The only thing we knew for sure about Henry Porter

          is that his name wasn't Henry Porter.

   And you know there was somethin' about you baby

          that I liked that was always

          too good for this world

   Just like you always said there was something

          about me you liked that

   I left behind in the French Quarter.

 

   Strange how people who suffer together

          have stronger connections than

          people who are most content.

   I don't have any regrets,

          they can talk about me plenty when I'm gone.

   You always said people don't do what they believe in,

          they just do what's most convenient,

          then they repent.

   And I always said, "Hang on to me, baby, and

          let's hope that the roof stays on."

 

   There was a movie I seen one time,

   I think I sat through it twice.

   I don't remember who I was or where I was bound.

   All I remember about it was

          it starred Gregory Peck,

          he wore a gun and

                he was shot in the back.

   Seems like a long time ago,

          long before the stars were torn down.

 

   Brownsville girl

          with your Brownsville curls,

          teeth like pearls

          shining like the moon above

   Brownsville girl,

          show me all around the world,

   Brownsville girl,

          you're my honey love.

 

   1986 Special Rider Music

 

===================================================================== To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: The Peace Poem

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

 

 

 

Let the sun shine in the night time and please no more dying.

Please let us have peace and no more fighting. People are dying.

 

Southwest Elementary

San Antonio, TX, US

 

 

Chaque nation envoie des casques bleus

Pour que le monde soit plus heureux

 

Ecole Fondamentale

Fleurus, Belgique

 

 

As I look around the world I sigh,

And think, We could at least give peace a try.

 

Exeter-West Greenwich Junior High

West Greenwich, RI, US

 

 

Peace without

Comes from peace within.

 

Glenala State High School

Brisbane, Queensland, Australia

 

 

Peace remained by my side until I understood what she wanted from me-That I be free

 

Parque Ecologico

Porangaba, Brazil

 

 

Let it blow in your direction

Let it touch you, melt you and mould you

 

SOS-Hermann Gmeiner International College, primary school Tema, Ghana

 

 

No war, no violence,

and lots of silence.

 

St. Dominic Savio School

Weyburn, Saskatchewan, Canada

 

 

We don't like it that our fathers must be soldiers and shoot other children's fathers.

 

Engbrottsskolan

Ctvidaberg, Sweden

 

 

There comes an army; here comes another.

They meet in the middle and declare PEACE.

 

Holy Cross Primary School,

Western Cape, South Africa

 

 

Je te cherche depuis si longtemps que j'ai cru un court instant te posséder, une fois encore tu t'es échappé

 

Maladihre

Neuchatel, Suisse

 

 

Peace is in the waves at sea.

Peace must begin with you and me!

 

Gander Middle School

Gander, New Foundland, Canada

 

 

...The war is not around him but trapped inside his head.

War is not battles; it is struggles without end...

 

Friends School of Baltimore

Baltimore, MD, US

 

 

Why destroy when we could create,

Keep the peace, erase the hate.

 

Normal Community West High School

Normal, IL, US

 

 

Cultivemos una semillita de esta soñada utopia, si le ponemos sabor a vainilla y esencia de sol, dejara de ser un sueño para ser una flor.

 

Centro Educativo Integral, secondary school Quito, Ecuador

 

 

Peace is something the world should share It's all about loving, we dare you to care!

 

Elmcrest Elementary School

Liverpool, NY, US

 

 

En las aldeas y las ciudades, en las montañas y en las campiñas ninguno falta, todos están: están los viejos y están los jóvenes, están los hijos y están las madres.

 

Instituto José Vasconcelos, nivel primaria Mexico, Mexico

 

 

The condition of the heart can alter the perspective of a person.

The condition of the hearts of a nation can alter the state of mankind - PEACE.

 

Walnut Ridge Middle School Library

Walnut Ridge, AR, US

 

 

From my mother's womb I came out yelling for life.

It's great I am surviving-but there's no peace.

 

Joseph Nabbingo Primary School

Kampala, Uganda

 

 

J'ai vécu comme un oiseau,

prés des nuages, prés de la chanson des anges.

 

Nakkila senior high school,

Nakkila, Finland

 

 

Peace is the seed that sprouts all light, We must lower the greed, and start the fight.

 

Silver Sands Middle School

Port Orange, FL, US

 

 

I wish I could have stopped what caused the first human to be violent to another.

Then maybe the world would still be living in peace.

 

Asir Academy

Khamis-Mushayt, Saudi Arabia

 

 

Why have a war -

It's all happened before?

 

Lornshill Academy

Clackmannanshire, Scotland, United Kingdom

 

 

World peace is like a frog and a fly hugging each other.

Peace is like sweet strawberries in the air.

 

Finger Lake Elementary School

Palmer, Alaska, US

 

 

GUERRE, paix, guerre, paix, guerre, PAIX.

Quand ferons-NOUS ensemble, le bon choix?

 

École secondaire publique De La Salle

Ottawa, ON, Canada

 

 

In the sky we see a dove

The dove means peace, the dove means love

 

Canberra Church of England Girls' Grammar Junior School Deakin, Australia

 

 

If only PEACE were understood,

What couldn't be now,in the future could.

 

Milwaukee German Immersion School

Milwaukee, WI, US

 

 

De sus alas, lentamente una pluma se desprende, La paloma agoniza, nuestra paz se desvanece.

 

Colegio Marymount

Cuernavaca, Morelos, Mexico

 

 

Don't shoot at me my friend,

I'm the same as you...a man.

 

Varga Katalin Gimnazium

Szolnok, Hungary

 

 

In his own home, in his own bed, a dying soldier closes his eyes, smiles, glad to be home He has lived for a world of peace, fought for a world of peace, died for a world of peace, the world of peace he goes to.

 

Roseville College

Sydney, Australia

 

 

Cuando el amor une a la gente, la paz prevalece.

La paz del mundo depende de la unidad de la gente.

 

Penquis Valley High School

Milo, ME, US

 

 

Ne les écoute pas s'ils te disent que la guerre est le meilleur moyen d'avoir la paix, Qu'il faut prendre les armes au nom de la paix, ne les écoute pas.

 

Collège Saint-Charles

Arles, France

 

 

Peace is yellow like the sun's rays shining down on us.

Peace is yellow like a shooting star lighting up the night.

 

Narragansett Elementary School

Narragansett, RI, US

 

 

If a rose isn't picked, it stays healthy but not forever If peace isn't spread, it will last, but not for long

 

St Peters Lutheran College

Indooroopilly, Queensland, Australia

 

 

Pieces Pieces Pieces... Stitch them with the threads of nonviolence, love, and equality. Ah hah! Beautiful dress of Peace!

 

Global Vision Students (attached to Madarai Kamaraj University) Madarai, India

 

 

What is peace? The most beautiful thing the world can make.

Is it true? We don't know, but it's a great thing to reach for.

 

Arcyadia Elementar

W.Taylorsville, UT, US

 

 

If you have a friend and that friend gets more friends And those friends get still more friends, together we make friendship.

 

Runanskolan

Sollentuna, Sweden

 

 

White dove, flying in the wind,

Take my home under your wing!

 

German Language High School

Sofia, Bulgaria

 

 

Peace can be snuffed out - like a candle.

Together we can protect Peace from the winds of war.

 

East Pori Middle School

Pori, Finland

 

 

Stop war-love for millions of children's smiles Sadness of the dove's bleeding heart.

 

Lycée de Beauregard

Montbrison, France

 

 

Peace is a footprint in the sand,

Peace is the touch of an aging hand.

 

St. Mary's Academy Middle School

Englewood, CO, US

 

 

Voices without sound.

Can you hear what they are begging for ? ..... Peace

 

Kerimaen lukio (Kerimaki High School)

Kerimaki, Finland

 

 

Soñar con un jardín lleno de flores

donde haya paz, sin guerras ni rencores.

 

Nueva Escuela Acuarelas

Concordia, Entre Ríos, Argentina

 

 

World peace be cool

But people just want to rule.

 

Saint James School

Manchester, CT, US

 

 

From peace we come and to peace we go,

meanwhile peace is something we don't know.

 

Oakdale High School

Riversdale, South Africa

 

 

Peace is like a poppy,growing in a field, Peace is like a cut, being stitched and healed.

 

School-Chemong Public School

Bridgenorth, Ontario, Canada

 

 

Toys and green goblins and big yellow ice creams, Not bombs that extinguish our hopes and our dreams

 

Jolimont Primary School

Perth, Australia

 

 

La Paz vive en el alma de los Poetas, en el delírios de los Enfermos , en la confeción de los Culpados y en el sueño de toda la Gente .

 

Sociedade Hebraico Brasileira Renascença Sao Paulo, Brazil

 

 

Start a war within yourself

To live in peace with everyone else

 

Escola Mobile

Sao Paulo, Brazil

 

 

Demain, à l'aube d'une nouvelle ère,

D'un monde serein, espérons être Pères et Mères.

 

CDI - Lycée agricole privé

Touscayrats, France

 

 

Peace is the sound of my mom's heart

when I come in the door safe at night.

 

Colbert Elementary School

Boca Raton, FL, US

 

 

Peace in the world is peace in your heart.

If we do not have peace, the world will fall apart.

 

Dighton Middle School

Dighton, MA, US

 

 

I prefer when the sun is shining in the sky and birds are flying When all the people in the world are merry and smiling

 

Pskov school #4

Pskov, Russian Federation

 

 

Sometimes the world does not have peace in it but the world will always have peace around it

 

Deborah Jock Homeschool, middle

Bethlehem, CT, US

 

 

Wherever I go, peace is with me,

because without peace there is no me.

 

Middle School, "Zdravstveno uciliste"

Zagreb, Croatia

 

 

Trabajemos juntos, trabaje unidos

por la paz mundial que es el futuro de nuestros niños

 

Colegio Nuestra Sra. de la Merced, secondary school San Juan, Puerto Rico, US

 

 

Apologize when you are wrong

It will show that you are strong

 

Dinkelmeyer School

North Bellmore, NY, US

 

 

Don't fight about your colour.

Love each other like brothers and sisters.

 

School of the Nations

Primary Section

Macau via Hong Kong, China

 

 

Mothers, fathers, why do you fight

when everybody is someone's child?

 

Utsjoen saamelaislukio

Utsjoki, Finland

 

 

May peace be scattered

Like pebbles in a dancing pond of rain

 

Turquoise Trail Elementary School

Santa Fe, NM, US

 

 

And we dream to make not just a world,

.. but a just world.

 

Integrated School

Bacolod City, Philippines

 

 

Cuando tu sonrisa cultiva el amor

tu espíritu cosecha la paz

 

Instituto Experimental Cantaclaro

Maracaibo, Venezuela

 

 

All races, all colors, under the sun,

Join hands together and have some fun.

 

Jonas Salk Elementary

Bolingbrook, IL, USA

 

 

Peace is like an African jungle -

It takes years to grow and seconds to destroy.

 

School Parktown High School For Girls

Parkview, South Africa

 

 

Peace is the soft beating of a child's heart In the womb of happiness and security

 

School Parktown High School For Girls

Parkview, South Africa

 

 

Stop and write some happy rhymes about the peace we need.

The you can proceed on your way to hand it over for all to read.

 

Basic school,Fabryho

Kosice, Slovakia

 

 

Love goes to the heart, Peace goes to the mind So let's forgive and be Peace Makers all the time.

 

Osage Hills School, primary school

Bartlesville, OK, US

 

 

J'aimerais... que la paix soit dans tout le monde J'aimerais... qu'il n'y ait pas d'enfants avec du sang...

 

Ecole Beausoleil Primaire

Cesson Sévigné, France

 

 

Compara una bala y una semilla

Solo de una de ellas puede brotar la paz

 

Escuela "GRAN MALVINA Nº 731"

Chubut, Argentina

 

 

Just look with your eyes of love, not with your heart of hate; And do it today, for tomorrow will be much too late.

 

Morrisonville High School

Morrisonville, IL, US

 

 

War is just pain and sorrow

World peace is not worrying about tomorrow

 

Woodside Intermediate School, I.S. 125

Queens, NY, US

 

 

I hope the Peace will go global

Then we can say our world is noble

 

Osage Hills School, middle school

Bartlesville, OK

 

 

J'imagine un monde sans racisme, sans sexisme, sans mal, et sans abus.

Je rêve d'un monde d'arcs-en-ciel et d'harmonie.

 

The Norwood School

Bethesda, MD, US

 

 

The value of human life has to tower

above the preciousness of the biggest diamond.

 

Hauptschule Weer

Schulgasse, Weer, Austria

 

 

Peace sells

But who's buying?

 

Escola Profissional de Comércio Externo Porto, Portugal

 

 

Peace is achieved by all, not one.

But peace begins with one.

 

Chaplin School

Chaplin, Saskatchewan, Canada

 

 

Voulez-vous bien une recette pour la paix?

Noir, blanc, jaune, et rouge tous mélangés!

 

Ephesus Road Elementary School

Chapel Hill, NC, US

 

 

Paz en la vida, Paz en la tierra

Paz para siempre, Paz eterna.

 

I.E.H.B. Renascença, secondary school

Sao Paulo, Brazil

 

 

After the war can children sleep safely free from worry, unhungry, unharmed?

Or does an evil lightly linger waiting for time and blood to reemerge?

 

Saint Martha School

Okemos, MI, US

 

 

No wars, no fights, no guns

Forever peace!

 

International School of Kenya, primary school Nairobi, Kenya

 

 

The war is over and the peace is here

The guns are destroyed - but this was only a dream

 

Svartbyns skola

Svartbyn, Sweden

 

 

We sing the Peace song

It is the song of all children. It is our wish.

 

Kindergarden Bernolakova

Kosice, Slovakia

 

 

Todas las personas creando un campo de estrellas Pude ver mi reflejo mirandome

 

Little Red School House and Elisabeth Irwin H. S.

New York, NY, US

 

 

L'Amour+l'Entendement+l'Egalité-la Haine-l'Ignorance-la Violence = LA PAIX.

Qui dit que les maths ne sont pas une langue universelle?

 

Parkway South Middle School

Manchester, MO, US

 

 

Peace is sleeping in your bed at night, wrapped up tight Dreaming in comfort of a golden tomorrow.

 

Kauai High & Intermediate School, intermediate level Lihue, Hawaii, US

 

 

Share your love with people who are different.

Be kind to the people of the world.

 

Parkside Elementary School

Parkside, PA, US

 

 

The world should be a peaceful place,

Without violence, weapons, or landmines to face.

 

St. Joseph's Consolidated Elementary School Nova Scotia, Canada

 

 

Si tu quieres que haya paz en el mundo mira en tu interior porque ahí la encontrarás hasta el fondo de tu amor.

 

Centro Educativo Integral, primary school Quito, Ecuador

 

 

Peace is the saying of I love you worldwide Peace is but a knowledge that you possess inside.

 

International School of Kenya, middle school Nairobi, Kenya

 

 

War, the dark cloud that covers the sun; peace is the ray which breaks through the cloud.

 

International School of Kenya, secondary school Nairobi, Kenya

 

 

When you see a beautiful dove,

You will know that it is a sign of God's love.

 

Holy Redeemer Catholic School

Kanata, Ontario, Canada

 

 

Love, harmony, freedom, and self-esteem, This is what universal peace should mean.

 

Webb A. Murray Elementary

Hickory, NC, US

 

 

Peace is a world where fear is no more.

Peace is a boat that finally reached the shore.

 

Weldon E. Howitt Middle School

Farmingdale, NY, US

 

 

To seek the peace that lies beneath,

Make ammends with your enemy.

 

Inter-American Academy

Guayaquil, Ecuador

 

 

War - The enemy was murderous and declining and we were too.

Peace - We came together with the foe and said I forgive you.

 

Miramar Elementary School

Miramar, FL, US

 

 

War, revenge,unhappiness, hate lead our world to strife; Love, communication, trying, and compromise is the better way to lead my life.

 

St. Gabriel School

Indianapolis, IN, US

 

 

Peace is powerful, it will not bend, hopefully peace will never end.

If it does, the world will shatter, if it does, then nothing else will matter.

 

Eastern Lebanon County High School

Myerstown, PA, US

 

 

Peace is harmony, serenity, and a sunset of colliding unity It fills hearts with a serene light of reconcilliation in a warming sea

 

Westwood Junior/Senior High School

Westwood, CA, US

 

 

The peace the world desires is enough to stun, But the men who want it must throw down their guns!

 

Pt. Pleasant Borough High School

Pt. Pleasant, NJ, US

 

 

All the children - girls and boys - live a life full of joys so we could play hide-and-seek and none of us would ever peek!

 

School: Hambrick Elementary School

Stone Mountain, GA, US

 

 

La paix c'est le meilleur moyen de communiquer.

Il faut que la guerre cesse, la Paix c'est gai.

 

Ecole Jean XXIII

Chartres, France

 

 

Happiness-sharing sunsets with special friends A picture perfect world in harmony.

 

Nate Perry Elementary School

Liverpool, NY, US

 

 

Paz es la palabra que los petrificados hombres lograron borrar.

El dia en que la ganáncia termine, quien sabe esta palabra pueda volver.

 

I.E.H.B. Renascença, middle school

Sao Paulo, Brazil

 

 

World Peace is like a single tear,

We help so little, but it helps a lot.

 

Hunter Junior High

West Valley City, UT, US

 

 

Peace is something you can't see with your eyes.

It lives in everyone and it is so nice.

 

Florence Nightingale

Buenos Aires, Argentina

 

 

Less anger and hatred bring harmony and happiness.

With a better world we can begin to trust and feel safe.

 

Land O'Pines School

Howell, NJ, US

 

 

Generations have strived to ensure that the world would gain from History's pains; So let Peace fill the world with love and happiness and free it of grief and sadness.

 

Rock Creek Jr./Sr. High School

St. George, KS, US

 

 

Caring and sharing for each other:

LBE's wish for peace.

 

Long Branch Elementary School

Liverpool, NY, US

 

 

When the world has accomplished peace

Every child of every nation will wear a smile.

 

International School of Amsterdam, middle school Amsterdam, The Netherlands

 

 

People should not be prejudiced.

Everyone is special in their own way.

 

Prunedale School

Salinas, CA, US

 

 

Desde Concordia, amiguitos, nuestras manos aquí, menlas y demostremos a los grandes que se puede vivir en paz.

 

Escuela Primaria Provincial No 73

Fablica, Argentina.

 

 

Peace is hope in your heart.

Peace is faith and not fear.

 

Brewster Elementary School

Rochester Hills, MI, US

 

 

Peace is special, like us

And in all creatures, large and small

 

Pleasant Valley School

Novato, CA, US

 

 

Make Peace, not war. Peace on earth.

Let all nations rise!

 

Lake Linden-Hubbell School

Lake Linden, MI, US

 

 

Peace isn't puppies, rainbows and flowers Peace is not hearing guns, Peace is not having to run

 

Community School Middle School

Roanoke, VA, US

 

 

You are not alone; around you, there is peace.

All people in the world are your friends.

 

First Middle School attached to Beijing Normal University Beijing, China

 

 

Increase peace;

let it be whispered into your ears.

 

Paraisten lukio

Parainen,Finland

 

 

One rainbow people,

working together, for the good of all.

 

Pakuranga College

Bucklands Beach, Auckland, New Zealand

 

 

Open your hearts for the sake of peace

Let's make the world a better place for all of us

 

Roots High School

Rawalpindi Cantt, Pakistan

 

 

Peace is working together,

a preparation for the future.

 

Virginia City High School

Virginia City, NV, US

 

 

Did you know that on every piece of American money it says "In God We Trust," for in God, we must trust-without him we surely would perish.

 

Obsidian Middle School

Redmond, OR, US

 

 

Plus d'essais nucleaires! Plus d'armes atomiques!

Est-ce si difficile de faire la paix entre nous?

 

Le Lycée Français de Los Angeles

Los Angeles, CA, US

 

 

Our wonderful world needs more love, cheerfulness, and less war.

We'll have hope and peace if we love each other and work together.

 

Hellgate Elementary

Missoula, MT, US

 

 

When ignorance is replaced by understanding and men's hearts are filled with love, World peace and tranquility will prevail

 

Saint Linus School

Oak Lawn, IL, US

 

 

The whole world needs to make friends,

So that wars and fighting will end.

 

Glendal Primary School

Victoria, Australia

 

 

Harmony, Friendship, Caring, Sharing.

Joyful, Hopeful, Quiet, Safe ....PEACE

 

Early Childhood Center #61

Buffalo, NY, US

 

 

Peace my my friend is for you and me,

Let's not fight because we disagree.

 

Forest High School

Ocala, FL, US

 

 

La paix c'est fait pour tout le monde

La paix fait des kilomètres à la ronde

 

Ecole Sainte Cécile, primaire

Lambersart, France

 

 

Peace touched the world with its magic stick And the bloody cry of Bosnia ceased at once.

 

German Language High School

Sofia, Bulgaria

 

 

Peace is when cats and dogs play together Peace is when I have friends to play with me

 

Shelter Island School

Shelter Island, NY, US

 

 

When my enemy will be my friend, when our frienship will never end When the army symbol will be a white dove, there will be peace on Earth.

 

Gymnazium Turnov, middle school

Czech Republic

 

 

If I could make peace I would

Peace is nice, peace is good!

 

Lake Alma School

Lake Alma, Saskatchewan, Canada

 

 

Release generosity and respect into a world of strife.

Peace unlocks the power of life.

 

Pleasant Green Elementary

Magna, UT, US

 

 

Peace is like a growing seed

Spreading it is what we need.

 

St. Patrick School

Rodeo, CA, US

 

 

Let's hold hands and love one another

while we make peace and friendship.

 

Tri-County Intermediate School

Howard City, MI, US

 

 

Peace is a dream of which the human race so longs, We better achieve it fast or soon we'll be gone.

 

North East Middle School

North East, MD, US

 

 

Una brisa suave mecer el mundo

el deda en que la paz reine en todas partes.

 

Instituto Coraz

Buenos Aires, Argentina

 

 

La Paix, que tu sois Thomas, Rachid, Steven ou Igor, Est le symptôme d'amour qui coule dans tes veines, entre bien et mal.

 

Ecole primaire publique

Chaffois, France

 

 

As the wind blows the shells of peace

The sound of prosperity is heard by mankind

 

Ecole secondaire Sainte-Ursule

Trois-Rivieres, Quebec, Canada

 

 

Peace is fun, war is boring and the most stupid thing in the world To be together and live in peace is what all people in the world want

 

Sedaskolan

Seda, Sweden

 

 

Hold all our hearts in our hands

And let peace free our lands.

 

Miranda Junior High

Miranda, CA, US

 

 

Peace is knowing that your home is safe.

Peace is freedom.

 

St. Elizabeth School

Ottawa, Ontario, Canada

 

 

If you want world peace,

Put your temper on a leash.

 

Holly Creek Elementary School

Broken Bow, OK, US

 

 

Life is a Journey

Live it in Peace

 

St. Julie Billiart School

Hamilton, OH, US

 

 

Peace starts within our hearts

And works around the world.

 

Nelson Rural School, middle school

New Brunswick, Canada

 

 

We need more peace in the many races

We need more love on people's faces.

 

Nelson Rural School, primary school

New Brunswick, Canada

 

 

One day all beings shall come together in one large embrace, and someday the sun, moom and sea will play together around the world in harmony.

 

Hong Kong International School

Repulse Bay, Hong Kong, China

 

 

People and countries sharing friendship and love Can build a world where peace is alive

 

Amapola Primary School

Buenos Aires, Argentina

 

 

Peace is like yeast,

it helps nations rise.

 

Payson Senior High School

Payson, UT, US

 

 

Peace to God

Peace to People

 

Chapel Hill, NC, US

 

 

Let's make PEACE shine bright

Let's make PEACE be our guiding light

 

Aula 10 Enseñanzas

Ciudad Real, España

 

 

Defeat disharmony . . .

Celebrate serenity.

 

Paul Kane High School

St. Albert, Canada

 

 

Liberty and justice, peace and love,

make the strong sign of the dove.

 

P.S. 29

Brooklyn, NY, US

 

 

Peace is like a white rose,

world is nothing without peace.

 

Yliharman kirkonkylan ala-aste

Yliharma, Finland

 

 

Different skin, different government, different cultures, different beliefs One planet joined together, sharing these for global peace.

 

Baldwin High school

Pittburgh, PA, US

 

 

Peace is just a fine word, but it can become a reality When we open our hearts to Jesus Christ who is Prince of Peace forever.

 

Eco-Peace School of Ukraine

Kiev, Ukraine

 

 

The animals of the rainforest want some peace, Their populations go down as humans increase!

 

Jeffersonville-Youngsville Central School Jeffersonville, NY, US

 

 

Peace is when the world forgives, forgets and smiles.

Peace is when all nations stand together as one.

 

Rosie and Rohaana Kilvington Junior School Victoria, Australia

 

 

Peace is believing in giving, sharing

caring and respecting life.

 

Westmoreland Elementary School

Westmoreland, KS, US

 

 

Forever Friends - Forever Freedom

Peace will come

 

Sejergaardsskolen, primary

Tollose, Denmark

 

 

Peace is a rainbow of color

In a world of black.

 

Cedar Ridge Middle School

Hyde Park, UT, US

 

 

Deep within thy tired, broken heart

Still lies a shelter for peace.

 

W. H. Atwell Fundamental Academy

Dallas, TX, US

 

 

Peace is love, courage, faith and harmony, By getting together we can have friendship, acceptance and equality.

 

St Clare of Assisi Primary School

Conder, Australia

 

 

Peace is being kind and loving one another Peace is the way that we should live with each other

 

John T. Harland Discovery Center

Atlanta, GA, US

 

 

Nous, les enfants des pays en paix, demandons aux ennemis dans les pays en guerre, d'arrêter de se battre; nous vous invitons à goûter au bonheur et à la joie de vivre

 

Ecole Elémentaire J.B. SCHWILGUE 1

Strasbourg, France

 

 

Peace doesn't come from the head

Peace comes from the warmth of our hearts

 

International School of Geneva

Chambesy, Switzerland

 

 

There's so much we could say, there's so much we should do, to make a peace all over the world, create love that's true.

 

Tenetin koulu

Vuokatti, Finland

 

 

A world of justice - a world of love -

a world of peace: that's all we need!

 

Noerrelandsskolen

Holstebro, Denmark

 

 

love is love-the end

war is the end

 

Juhola School

Jarvenpaa, Finland

 

 

Worldly minds unite as branches of an olive tree Roots curling deep into every nation

 

Royal Oak Dondero High School

Royal Oak, MI, US

 

 

Peace is the sharing of wisdom and kindness.

If we care and work together, we can make Peace happen.

 

Ferris Elementary School

Richmon, BC, Canada

 

 

Peace is having no pain, crying, tears, or sorrow.

Peace is important because it causes happiness, sharing, and love.

 

King Middle Grade School

Kankakee, IL, US

 

 

Peace, is it a world without war?

Is it a world without theft, landmines and death? Yes!

 

Pine Grove Public School

St. Catharines, Ontario, Canada

 

 

Peace is realizing equality in everyone.

Easy to understand but difficult to accomplish.

 

Troy Middle School

Shorewood, IL, US

 

 

Peace to me is happiness. Happiness is freedom from deep inside.

Inside freedom deep, deep inside is glory. What is peace without these emotions?

 

The Oakridge School

Arlington, TX, US

 

 

Peace is like running water, starting as a small brook, it soon becomes an ocean, World peace is like a morning breeze, refreshing the world with every blow.

 

St. Theresa's School

Austin, TX, US

 

 

Smiling friends bring happy hearts,

Courageous hearts fill the air with peace, happiness, and love.

 

Holy Name Central Grade School

Escanaba, MI, US

 

 

Peace is an eternal dove,

Just like ever-lasting love.

 

Holy Name Central Grade School

Escanaba, MI, US

 

 

Peace lives on through the clear shallow water, and in the soft blowing air.

 

Laura Speed Elliott Middle School

Boonville, MI, US

 

 

Peace is love, not war. No fights, no blood, just love.

Peace is friendship, and caring and helping each other.

 

Long Island City, NY, US

 

 

It is like a spring afternoon, still day but getting late.

Peace is so great, it makes me wonder how it will ever be made.

 

Southwest Elementary

San Antonio, TX, US

 

 

The day of peace has already passed,

maybe someday we can make it last.

 

Our Lady of Mount Carmel School, middle school New Bedford, MA, US

 

 

Peace is as good as a grain of oats,

war is as bad as the nose of a wolf.

 

Myllyojan ala-aste

Oulu, Finland

 

 

Be kind, gentle, and peaceful

Caring for all the world's people.

 

Spring Branch Elementary School

Houston, TX, US

 

 

If there is no peace

there will be no future

 

Collegio Alla Querce

Firenze, Italy

 

 

Peace is a chain reaction beginning with a loving family and exploding into a colorblind world: A world where all dreams are potential realities.

 

Coral Shores High School

Tavernier, FL, US

 

 

The world is full of killing and fire.

And the peace is all for what people desire.

 

Emolahden ala-aste

Pyhäsalmi, Suomi, Finland

 

 

Peace is love, love is calm

Calm is quiet, quiet is peace.

 

Martin Luther King Middle School

Hayward, CA, US

 

 

Peace can cover the earth yet fit right into your soul, ......discover the peace within you.

 

East Lyme Middle School

Niantic, CT, US

 

 

For every star in the sky, there is a dove that will fly.

For every dove that doesn't fly, there is a nation that will die.

 

Dowdell Middle School

Tampa, FL, US

 

 

Peace is like a butterfly, flying on a very thin line, If it faces winds of war, it will fall and live no more.

 

Cameron Street Public School

Collingwood, ON, Canada

 

 

Peace is quiet and restful,

Happy and joyful.

 

Morningside Elementary School

Perry, GA, US

 

 

Peace of mind, peace of spirit

Peace from the sounds of war.

 

Stride Avenue Community School

Burnaby, BC, Canada

 

 

We want a world where lots of people are talking together.

We want a world where people are working together.

 

Banani Primary School

Lusaka, Zambia

 

 

We dream of peace around the world,

Why can't our nations be mixed and twirled?

 

J.O. Kelly Middle School

Springdale, AR, US

 

 

Peace most often comes to me in the middle of the city It is tailored in between echoes of good conversation and the man who thinks he is a movie star.

 

Franklin High School

Portland, OR, US

 

 

In Osborne, peace sounds like a quiet song Where we live in harmony all day long

 

Osborne Elementary School

Osborne, KS, US

 

 

Friendship, our personal stepping stone to peace, hard to find, easily lost, never forgotten.

 

HBLA f.wirschaftliche Berufe

Spittal, Austria

 

 

War runs rapid over the world like a river and the people who believe in peace are the dam. It will not hold without your help.

 

Tadmore Elementary School

Gainesville, GA, US

 

 

A world of nations in a circle of peace.

In a peace circle, where we are all equal and united.

 

Walter H. Crowley Intermediate School

Elmhurst, NY, US

 

 

Lying on your bed, thinking about being at the beach.

It is yellow and sunny. Peace!

 

Kennedy School

Succasuna, NJ, US

 

 

Hands for love, eyes for help,

heart for care and evil will melt.

 

Northlands School

Buenos Aires, Argentina

 

 

Peace is the boss of himself.

Peace would sing to babies.

 

Montessori School of Huntsville-Elementary Huntsville, AL, US

 

 

Peace is cool, peace is rad

Let's just hope it becomes a worldwide fad.

 

The Academy for the Intellectually Gifted Astoria, NY, US

 

 

Over every nation, may the gentle winds of peace blow, Until love in every heart is aglow.

 

St. Patrick School

Swift Current, Saskatchewan, Canada

 

 

Peace is when we all stop hurting, the world stops burning; Peace is when we all live as one.

 

Signal Hill School,

Belleville, IL, US

 

 

We can't be at peace with the world

Until we are at peace with ourselves.

 

Louisville Male High School

Louisville, KY, US

 

 

I help other people.

I make peace in the world.

 

Ängskolan

Överkalix, Sweden

 

 

Children, dream about and create love

for a nicer and better World!

 

Basic School, "Medvedgrad"

Zagreb, Croatia

 

 

We want peace in the world, the peace in play - throwing out war's toys.

 

School of Esperanto

Zagreb, Croatia

 

 

Peace is love

Just like a gentle dove.

 

Bickerdyke Elementary School

Russell, KS, US

 

 

Peace, why can't I see it happening? Should I give peace when it Does not come back? Will peace ever be? I may never know.

 

Saint Edmond's Academy

Wilmington, DE, US

 

 

The white dove is watching us from above, Waiting for the world to come together in peace and love.

 

Eric S. Smith Middle School

Ramsey, NJ, US

 

 

Peace will naturally make the love spread, free like an eagle living in harmony.

 

Abraham Lincoln Middle School

Lancaster, PA, US

 

 

Prosperity, expectant, angelic, calm, elegance Patience, omni-present, eternal, magnificent.

 

The Branch School

Houston, TX, US

 

 

World peace should be something children are born with not something they die for.

 

Putnam County High School,

Granville, IL, US

 

 

Peace to us means happiness, no war, no fighting, and no killing.

Peace is really important for us to live together.

 

Okimawkamo Memorial School

Loon Lake, Saskatchewan, Canada

 

 

Peace is something we should share,

Peace should be here and there, peace should be everywhere.

 

Frank G. Lindsey Elementary School

Montrose, NY, US

 

 

Peace is real.

Peace is not a deal.

 

Peachland Elementary School

Newhall, CA, US

 

 

The leaders of tomorrow act, the fools of tomorrow only dream, On a strand of hope we call peace.

 

Dwight D. Eisenhower School, secondary school Freehold, NJ, US

 

 

We can make this world a better place

If we all forget about race.

 

Dwight D. Eisenhower School, middle school Freehold, NJ, US

 

 

No bombs, no bullets, Horray Horray!

No killing no shooting NO WAR !!! Yah!

 

River Valley Middle School

Grand Bay, New Brunswick, Canada

 

 

Put your weapons on the floor

Or the world will shut its door

 

Sawmill Valley Public School

Mississauga, Ontario, Canada

 

 

Peace makes you feel good and tingly inside.

You will have peace if you are a friend.

 

McMillan Elementary

Salt Lake City, UT, US

 

 

When the tower of London strikes war-time, Will the legacy of five letters be enough to set back the clock?

 

Colony Middle School

Palmer, Alaska, US

 

 

Help us piece together broken hearts,

Then true world peace may start.

 

F.L.Smart

Davenport,IA, US

 

 

Peace is friendship

Peace be with you.

 

Terry Cook Holy Rood School

Barnsley, South Yorkshire, United Kingdom

 

 

The wars will we stop, the guns will we ban, To begin world peace, try for a kinder man.

 

Clissold Middle School

Chicago, IL, US

 

 

We want to live in a world without war

where no soldiers are needed to protect us

 

Sejergaardsskolen, middle school

Tollose, Denmark

 

 

Together on earth we build friendship

no weapons but kindness and peace.

 

El Colegio Sueco, primary school

Fuengirola, Spain

 

 

So near we are, so far we see.

Say "please" to peace!

 

El Colegio Sueco, middle school

Fuengirola, Spain

 

 

If the world could hold hands peacefully together and walk willingly away from war, tolerance and understanding would follow. Individual differences would be accepted without question.

 

Meridian Middle School

Lynden, WA, US

 

 

Peace is a soaring white dove

Bringing an olive branch to a longing world

 

Mission Viejo High School

Mission Viejo, CA, US

 

 

Peace, peace, the magic word,

The more it is said, the more it is heard.

 

Ecole Internationale de Genève

Chêne, Genève, Suisse

 

 

Humanity falls to the ground wounded all around, We need to keep peace so we don't destroy the coming generations.

 

White Brook Middle School

Easthampton, MA, US

 

 

World peace unites us together

Forever and ever.

 

Ben Milam Elementary

McAllen, TX, US

 

 

Wow, wow, wow, Peace on Earth!

Let there be Peace on Earth from the sky to the ground!

 

Miami Country Day School

Miami, FL, US

 

 

Think about every child, who must suffer because the countries can't be friends. We want peace between heaven and earth.

 

Torsasbyskolan

Vislanda, Sweden

 

 

Peace is in every child, only war and hostility can take it away.

Only love and faith can secure peace even in the smallest human.

 

Kallavesi Senior High School

Kuopio, Finland

 

 

Peace is the best thing we can find in our lives, Keeping us calm so we can compromise.

 

East Side Middle School

New York, NY, US

 

 

People say they want to help,

but peace, love, and harmony need more than words.

 

Elia Middle School

North York, Ontario, Canada

 

 

Peace can make the world seem bright.

Let us shine that eternal light.

 

Our Lady of Mount Carmel School, primary school New Bedford, MA, US

 

 

We have a minute of silence to settle down the violence Let us have some silence; let us have less violence.

 

St. Vincent de Paul School

San Francisco, CA, US

 

 

Peace;

Friendly relations, as between nations

 

Deborah Jock Homeschool, primary

Bethlehem, CT, US

 

 

Peace is a candle we hope will never die or fade from people's minds.

Would you die fighting for something, if all you have to do was start talking?

 

Wellwood Middle School

Fayetteville, NY, US

 

 

We stand watching as guns and armory are bought and sold, we must start peace now, and stop putting our futures on hold.

 

New River Middle School

Ft. Lauderdale, FL, US

 

 

Snow, rain, war cause pain: sun, light, peace should reign You and I working together, peace will be our gain.

 

Taymouth School

Taymouth, New brunswick, Canada

 

 

Peace to earth

not a word about war

 

Nya Varvets skola

Froelunda, Sweden

 

 

If we allow a fellow human to suffer inhumanity, We lack dignity

 

Education and Training Academy

Colindale, London, United Kingdom

 

 

It is sad when there is no peace,

It is mad when we fight for greed and that and this.

 

Education and Training Academy Juniors

Colindale, London, United Kingdom

 

 

A peice of peace is not enough.

I wish that for every person who died someone would be born.

 

Lincoln Options Elementary

Olympia, WA, US

 

 

Peace is like a bright and beautiful eagle flying away in the midnight sky.

Harmony, quiet, silence too - why can't you do it too?

 

St. George's Elementary School

Montreal, Quebec, Canada

 

 

Oh, my glorious dove, fly higher under my brothers!

We need your tranquility.

 

W. C. Bryant H.S.

Long Island, NY, US

 

 

Let's give a shout from nation to nation "Destroy the hate before it's too late!"

 

Sacred Heart School

Lewistown, PA, US

 

 

A peace from you plus a peace from me,

Equals pieces of us in harmony

 

Collingswood Middle School

Collingswood, NJ, US

 

 

Peace is like gold, shiney and bright

like a dove spreading its wings, spilling love

 

PS 232

Queens, NY, US

 

 

Peace is treating each other equally without war Peace is loving and sharing and being safe for rich and poor

 

Ferndale Elementary School

Ferndale, CA, US

 

 

Peace is a rainbow of people filled with joy, When all the colors of the world mix!

 

Elementary School

Astoria, NY, US

 

 

Peace is not war or hate, just love,

And it makes God smile on his throne high above.

 

Jim Ned Middle School

Tuscola, TX, US

 

 

Peace can be seen in the smiles on our faces, heard in songs about freedom, shown through respect, and taught to our youth.

 

The Seneca School

Ridgewood, NY, US

 

 

La paz es la relación armónica y sabia de todos los seres que conforman una unidad

 

Colegio de la Ciudad de México

Ciudad de México, México

 

 

Peace, peace, peace on the Earth

We want peace NOW

 

Ulrikaskolan

Ulricahamn, Sweden

 

 

If everyone speaks out "No war",

Then only peace will be in the world.

 

Gymnasia School #399, primary school

St Petersburg, Russian Federation

 

 

Children like to live in peace,

People, fight for peace, please.

 

Gymnasia School #399, middle school

St Petersburg, Russian Federation

 

 

God created a magnificent world for us, So we should create peace on our part

 

Gymnasia School #399, secondary school

St Petersburg, Russian Federation

 

 

Why is there war?

Can't you see, people are dying!

 

Sallerupskolan

Eslov, Sweden

 

 

May peace conquer the world,

Unfurling the kindness in our hearts.

 

International School of Penang, seconday school Penang, Malaysia

 

 

Peace is no war, no destruction,

Peace is a world with freedom, harmony and love.

 

International School of Penang, primary school Penang, Malaysia

 

 

Peace is like the morning dew settling on the leaves A sparkling light from up above, a tender voice of Mother breeze.

 

North Queens Rural High School, primary Nova Scotia, Canada

 

 

Peace is quiet. Peace is still. Peace can be broken - but my peace remains still, my peace remains quiet.

 

North Queens Rural High School, middle school Nova Scotia, Canada

 

 

After the night of our conflicts and prejudices are over The day will dawn when we will truly know peace.

 

North Queens Rural High School, secondary school Nova Scotia, Canada

 

 

Peace is like a flower, it seems every hour The petals are falling apart, so let's make a new start!

 

MillerSouth School

Akron, OH, US

 

 

Let all the people live with peace and harmony in a state of tranquility, freedom, and determination.

 

St. Matthew's Parish School

Pacific Palisades, CA, US

 

 

Lose the guns; don't fight because the light won't be bright.

.Ai que ser amigos i no enemigos.

 

Backman Elementary

Salt Lake City, UT, US

 

 

Sing a song of peace tonight.

And pray to end the bitter fight.

 

Boys & Girls Club, primary level

Decatur, GA, US

 

 

If peace were a virus,

I wish everyone would be infected.

 

Boys & Girls Club, middle school level

Decatur, GA, US

 

 

People of the world unite.

Sit down and talk before you fight

 

Boys & Girls Club, secondary school level Decatur, GA, US

 

 

Think a little and search your mind,

desire of love, peace, you'll find.

 

Liperin ya koulutie

Liperi, Finland

 

 

Peace is our rivers flowing

Peace is the sunlight glowing

 

Community School, primary

Burnaby, BC, Canada

 

 

Peace is love in its deepest form,

A feeling of safety and serenity.

 

Valley View Elementary School

Bountiful, UT, US

 

 

You live a beautiful life, and you're really happy about it.

And then your kids have a happy life.

 

Franklin School

Succasunna, NJ, US

 

 

War is very bad, peace is a hit, think about it just a little Don't fight, no matter if you're black or white

 

Mankkaan koulu

Espoo, Finland

 

 

If we close our eyes, and our hearts then friendship and love will decrease.

Instead unite and hold hands to go forward with world peace.

 

Lincoln Roosevelt School

Succasunna, NJ, US

 

 

Peace flowing like a river, watering the whole earth La paix dans nos coeurs, créé la paix sur la terre

 

Horace Greeley Intermediate School

Long Island City, NY, US

 

 

World peace is what the earth could use We have to decide, we have to choose.

 

Cory Middle Advanced Technology Center

Gadsden, AL, US

 

 

Jesus is the Peacemaker between God and the spirit of man.

Where God rules, peace rules. On earth we must do what we can.

 

Parkland Lutheran School

Tacoma, WA, US

 

 

People's arguments about racism, freedom and rights Need agreements on peace to solve the world's fights.

 

Carrum Primary School

Carrum, Victoria, Australia

 

 

La paz mundial es el sueño que todos queremos realizar, es la esperanza que todos guardamos cuando se aprende a amar

 

Colegio Nuestra Sra. de la Merced, middle school San Juan, Puerto Rico, US

 

 

Peace is great for some people.

Peace is love for a lot of people.

 

Felton Elementary School

Lennox, CA, US

 

 

If you are black or white does not matter.

Let the world move in major not in minor.

 

Rosenholmsskolan

Forserum, Sweden

 

 

I wonder if we will ever stop wars and accept each other as human beings.

Peace is for everyone, no matter what race, religion, or culture.

 

Allen Elementary School

Ann Arbor, MI, US

 

 

All kids want peace.

Respect one another and continue having a good life.

 

Dalaskolan LM

Bromölla, Sweden

 

 

Peace is the way the world should be

All living things in harmony

 

Davisville Middle School

North Kingstown, RI, US

 

 

Be kind to each other, don't fight.

Peace on earth is always right.

 

Bergaskolan

Uppsala, Sweden

 

 

Peace is what everybody needs. Let's live without war and enjoy what we have. Make peace, not war, with love.

 

Klaukkalan yläaste

Klaukkala, Finland

 

 

No one should fight, all should be friends So that everyone can have their mother and father

 

Åkerskolan åk

Överkalix, Finland

 

 

World peace unites us together

Forever and ever.

 

Ben Milam Elementary

McAllen, TX, US

 

 

Peace is love and happiness. Peace is joy and intelligence.

These two words bring out your elegance.

 

Takoma Park Middle School

Rockville, MD, US

 

 

Love, peace, happiness, and harmony.

All the things that this world needs to survive.

 

Lakeside Middle School

Pompton Lakes, NJ,US

 

 

War is like a nightingale trapped in its cage fighting to get out.

Open the cage and let peace fly throughout the world.

 

Joseph Pulitzer Intermediate School

Jackson Heights, NY, US

 

 

Peace is sometimes so tangible that you feel you could wrap yourself up in it.

Peace can be found in one's family, one's friends, one's community.

 

Moss Landing Middle School

Watsonville, CA, US

 

 

Paz es amar y respetar

Y ella rodea y me abraza.

 

John Spry Community School

US

 

 

Los niños queremos la paz de los pueblos, la paz es mi anhelo, QUE VIVA LA PAZ!

 

Lic. Alfredo Bonfil

Mexico, Mexico

 

 

Ver a un niño sonriendo en esta tierra

y sentir el amor entre hermanos es la paz.

 

Ignacio Zaragoza, Nivel Primaria

Mexico, Mexico

 

 

Procuremos la paz entre las nacionaciones y juntos trabajemos para vivir mejor

 

Escuela: "Juan José Martinez"

Mexico, Mexico

 

 

Si en todo el mundo no hubieran guerras y todos nos respetaramos nuestro mundo sería mejor viviríamos en armonía y paz.

 

Escuela "Afganistán"

Mexico, Mexico

 

 

La paz es una sonrisa, la paz es la mirada de dios.

 

Escuela Vespertina Simón Bolivar

Mexico, Mexico

 

 

Aceptando nuestra realidad podremos vivir en paz.

 

Colegio Simón Bolivar

Mexico, Mexico

 

 

La Paz es una cálida y armoniosa melodía en cuyas notas vibran lo mejor de nosotros mismos y de los demás.

 

Esc. Sec.

Yucatán, Mexico

 

 

La paz es una esperanza que viene de los niños es amor, union, venida del corazon.

 

Colégio Kerigma

Fortaleza, Brazil

 

 

Peace grows like a tree,

and can spread like a forest from you to me.

 

Lakeview Elementary

Trophy Club, TX, US

 

 

La paz es un suspiro hecho por la tierra con nuestros pensamientos buenos Es una nube de colores, es aprender a respetar, a ser justo y solidario

 

Centro Educativo Patzcuaro

Mexico, Mexico

 

 

Smiling friends bring happy hearts,

Courageous hearts fill the air with peace, happiness, and love.

 

Holy Name Central Grade School

Escanaba, MI, US

 

 

Peace is a word in every language, in the hearts, hopes,and minds of all.

Peace is something we all aspire to, whether big or small.

 

West Middle School

Ypsilanti, MI, US

 

 

If we had peace there would be no war

war and destruction would be no more

 

Schlesinger homeschool, primary level

Providence, RI, US

 

 

If there was peace could we really fly?

up above the clouds and all else?

 

Schlesinger's homeschool, middle school level Providence, RI, US

 

 

A Peaceful word spoken

reaches out in sound and silence.

 

Wilson Middle School

Albuquerque, NM, US

 

 

If somebody is black? If somebody is white?

It's just a matter of color, all right?

 

Öregrundsskolan

Sweden

 

 

Through the years we heard their cries

But without peace someone else always dies

 

Middle School

Las Vegas, NV, US

 

 

Dentro de mi corazón hay paz y harmonia Y desejo a todos que entram em sintonia

 

I.E.H.B. Renascença, primary school

Brazil

 

 

La Paz es linda, es deslumbrante, es exuberante!

La Paz es llena de esperanza, nunca abandone La Paz

 

Brasileira Renascença

Sao Paulo, Brazil

 

 

The world was made for you and me

We wish that peace always will be

 

Fredrika Bremerskolan

Uppsala, Sweden

 

 

Viens petite colombe, et va dans les mains de tous les enfants du monde, Pour qu'ils puissent sentir en toi la Paix de l'humanité

 

Ecole primaire Mont-Bleu

Hull, Québec, Canada

 

 

Peace is Quiet

Peace is nice and you can do what you want to do.

 

Nixon School

Landing, NJ, US

 

 

Roses are red,violets are blue

Diana created peace why can't you?

 

Oakdale Agricultural School, middle school level Riversdale, South Africa

 

 

La paix est une chose fragile.

Tu dois la traiter avec soin.

 

Suffern High School

Suffern, NY, US

 

 

Peace is something deep within us,

Waiting to come out and make a better world for all of us.

 

Weber Elementary School

Iowa City, IA, US

 

 

Peace on earth is like groovy tie-dyed shirts or tranquil baby birds on a bright spring morning.

 

Cleveland Middle School

Cleveland, OK, US

 

 

Peace is where we get along

Peace is where we sing a song

 

Northgate School

Seattle, WA, US

 

 

Peace means when people are dead they're in heaven.

I am only seven.

 

Corona, N.Y.

 

 

Upset and want to fight and shout?

Don't! Talk it out!!

 

Wiscasset Primary School

Wiscasset, ME, US

 

 

Few people like evil, few people like war if there were more peace, more good would soar.

 

Haddonfield Friends School

Haddonfield, NJ, US

 

 

We don't need strife between the nations Be at peace, have good relations

 

Hudson Falls Middle School

Hudson Falls, NY, US

 

 

Peace is the boss of himself.

Peace would sing to babies.

 

The Montessori School of Huntsville - Elementary Huntsville, AL, US

 

 

As she soars through the hate, all wrong leaves her wing It's amazing how much peace a small dove can bring.

 

International School of Kuala Lumpur

Kuala Lumpur, Malaysia

 

 

Nuestras almas de niños juntamos

para pedir paz a todos los humanos.

 

Esc. Primaria "Abraham Castellanos"

Vicente Guerrero Xalapa, México

 

 

A common desire for harmony and unity, brotherhood, freedom, respect.

No Wars.

 

Forest Elementary School

Ridgewood, NY, US

 

 

Peace, the undying word of the soul.

Peace, a word that brings togetherness in a world full of chaos.

 

I.S. Queens

Long Island City, NY, US

 

 

La paz debe estar siempre con nosotros, en las malas y las buenas En paz somos iguales

 

Kermit McKenzie Jr. High School

Guadalupe, CA, US

 

 

It all begins with one spark to brighten another's heart.

Together we can light the world with love, peace and harmony.

 

Spurgeon Intermediate School

Santa Ana, CA, US

 

 

Peace finds folks showing love, caring and sharing.

Peace is when people are safe.

 

Clinton Kelly Elementary School

Portland, OR, US

 

 

Stop the grief, stop the hate,

Live in peace, before it's too late.

 

Lincoln Elementary School

Hammond, IN, US

 

 

Caring about helping each other out

makes love and joy flood out.

 

Jonas Salk Elementary

US

 

 

God loves everyone and we should too

Then all of our friends will be true blue

 

Our Lady of Mount Carmel School, primary school Baltimore, MD, US

 

 

Peace is what we wish for day and night For some unknown reason we all fight

 

Our Lady of Mount Carmel School, middle school Baltimore, MD, US

 

 

When we exist with each other as one soul The harmony we share makes us whole

 

Our Lady of Mount Carmel School, secondary school Baltimore, MD, US

 

 

Peace is a calm, quiet, happy feeling

an attitude of never hurry and never worry.

 

Ashley Park School

Swift Current, SK, Canada

 

 

Value the spirit of all human beings,

Grow respect and you will grow peace.

 

P.S. 70 Queen

Long Island City, NY, US

 

 

Is there a day to all children?

Yes, it's the FN day. It helps us.

 

Lansjärvs skola

Lansjärva, Sweden

 

 

Hand in hand, heart by heart.

Together we can do our part.

 

Fairview Middle School

Swift Current, Saskatchewan, Canada

 

 

Lo esencial para vivir en paz es no discriminar a los demás, porque así es como se producen las guerras y se altera la Paz Mundial.

 

Colegio San Jorge Norte

Buenos Aires, Argentina

 

 

If all the world would join hand in hand, Peace and love would spread across the land.

 

Meadow Oaks Junior High School

Calabasas, CA, US

 

 

Peace is a word we need to use a lot

But the sad thing is.....we are NOT!!

 

City School

Grand Blanc, MI, US

 

 

The Earth is a garden filled with flowers.

Why let it be destroyed by weeds?

 

Lakeside Middle School

Pompton Lakes, NJ, US

 

 

Peace is the world

And the world is you

 

Elmdale Elementary

Springdale, AK, US

 

 

The Peace that is longed for by all mankind Lives within each of us, but is so hard to find.

 

Leroy High School

Leroy, AL, US

 

 

Peace is what we need

To keep this world alive.

 

Providence Montessori School

Lexington, KY, US

 

 

If I could teach the world, there would be joy and peace, And no reason for police.

 

Our Lady of Perpetual Help School, middle school level Daly City, CA, US

 

 

Peace, love, and justice come in harmony, But most of all, from you and me.

 

Our Lady of Perpetual Help School, primary level Daly City, CA, US

 

 

Children together can make PEACE forever.

In all weather, that's clever.

 

Sverkerskolan

Uppsala, Sweden

 

 

Our wish for the world is to unite in harmony and peace, And that all hatred, wars, and terrorism would then cease.

 

Sheri Beezer Homeschool

Lancaster, PA, US

 

 

Peace is a path to friendship

Friendship is a path to love

 

Bay Head Elementary School

Bay Head, NJ, US

 

 

La paix est comme une fleuve, toujours changeante, silence dans une soirée calme et fraîche, la pureté de vie qui reste dans chacun

 

Hillsboro High School

Hillsboro, OH, US

 

 

Treat others with respect, kindness, and love, please Recycle, plant flowers and beautiful trees

 

South Street School

Manorville, NY, US

 

 

If I could invent just one creation

I'd make a peaceful world wide nation.

 

Henry R. Clissold Elementary School

Chicago, IL, US

 

 

La Paix du coeur n'a pas de prix :

Déclarez-la dans tous les pays!

 

Ecole Mixte La Corchade

Metz, France

 

 

La guerre ne sert á rien.

Fais la paix, ce sera bien.

 

École Notre-Dame Primaire

Montréal, Quebec, Canada

 

 

In the land of peace

you will live in happiness and Peace

 

SOS-Hermann Gmeiner International College, primary school Tema, Ghana

 

 

Peace is tranquillity within

Deep in my soul shall peace prevail

 

SOS-Hermann Gmeiner International College, middle school Tema, Ghana

 

 

Peace we will make - not easy like a cake Making weapons was a big mistake

 

Eriksdalsskolan,

Stockholm, Sweden

 

 

We are peacemakers

We are warbreakers

 

Thunmanskolan

Knivsta, Sweden

 

 

Igual que las flores en primavera la paz florece dentro de ti, deja un espacio dentro de ti para que la paz habite en el.

 

Centro Educativo Integral, middle school Quito, Ecuador

 

 

Si tú tienes paz, vivirás más.

Sitú tienes fe en la paz, llegarás a ser más.

 

Florida Day School- Junior School

Florida, US

 

 

La Paix, nous en avons tous besoin.

Ca serait bien qu'elle soit partout sur la Terre et dans l'UNIVERS

 

Ecole Primaire Jean Moulin

Saint Chinian, France

 

 

The peace is out there, we just have to find it...

Love me, love them who don't love you!

 

Mieslahti, Finland

 

 

People are talking friendly to each other and peace is in the whole world.

Everybody is lucky. Everybody is happy.

 

Kämmenniemen ala-aste

Finland

 

 

Peace is a butterfly resting on a thorn of the world, a child of innocence born into violence and war; a perpetual hope for equality, cooperation, and a world dancing in colorful flavors.

 

Kauai High & Intermediate School, secondary level Lihue, Hawaii, US

 

 

With peace we can make a better world

'cause if we do not have peace, we will not have a world.

 

Vejstrup Ungdomsskole

Denmark

 

 

War is black, peace is white

Let's make the world more than bright.

 

Gymnazium Turnov, secondary school

Czech Republic

 

 

Si tu veux finir la guerre et rétablir la paix, Il faut pardonner son ami d'abord.

 

Klaukkalan koulu

Finland

 

 

All we need is love and peace

 

Basic school, Hroncova

Kosice, Slovakia

 

 

If a man loved all the people

he would have the whole world in his heart

 

Basic school,Komenskeho

Bardejov, Slovakia

 

 

Peace is a present we must save

When we forget, future humanity will die

 

Basic school,Uzhorodska

Kosice, Slovakia

 

 

The most beautiful word

Let peace be in the world.

 

Basic school,Krosnianska

Kosice, Slovakia

 

 

All people are responsible for protecting our nature, sand life on the planet Earth.

 

Basic school,Belehradska

Kosice, Slovakia

 

 

We, children from Slovakia, want to have happy and satisfied childhoods and we wish Peace and Love to children all over the world.

 

Basic school,Ul.cs.armady

Presov, Slovakia

 

 

Peace doesn't need any words

just good hearts.

 

Basic school,Masarykova

Kosice, Slovakia

 

 

Let's keep the words May peace prevail on Earth close to our hearts.

 

Basic school,Kosicska Bela

Slovakia

 

 

Peace is like a flower

we must take care of it every day.

 

Grammar school,A.H.Skultetyho

Velky Krtis, Slovakia

 

 

La mirada del dolor en los niños,

la pena del corazón en el mundo.

 

Colegio San Luis Gonzaga

Buenos Aires, Argentina

 

 

Quien ama la Paz sentira la Libertad al Soñar y volara con las alas de la esperanza y el amor.

 

Esucela Bilingue "Benito Juarez"

Mexico

 

 

Soy la que tu y todos esperan, soy la tardía ilusión de un mundo que se destruye por falta de Amor y de mi, soy... La Paz.

 

Escuela "Dr. Alfonso Pruneda"

Mexico

 

 

LA PAIX, c'est rester toujours amis, ne pas se taper et toujours faire la paix quand on se dispute.

 

Ecole maternelle J.B. SCHWILGUE

Strasbourg, France

 

 

Friends are peace, enemies are war

Global people don't have to worry anymore

 

Clarkson Community High School

Clarkson, WA, US

 

 

The searched peace, you can achieve

When in your brother, you believe.

 

Colégio Joana D' Arc

Sao Paulo, Brazil

 

 

Peace is love, love to the next

give love to our friends.

 

Escola Paulista, primary level

Sao Paulo, Brazil

 

 

Peace is a soul's puification, is a God's hug is priceless.

 

Escola Paulista, secondary level

Sao Paulo, Brazil

 

 

Erase the hate! Loving and caring, playing and sharing, That's peace, man.

 

P.S. 7, The Kingsbridge School

Bronx, NY, US

 

 

We must not use weapons but fight with out words There shouldn't be war but our voices should be heard

 

P.S. 55, Richmond Hills

Queens, NY, US

 

 

Peace: A world without fear,

Where talking solves our problems

 

United Nations International School, primary school New York, NY, US

 

 

If you are broken-hearted under this sky, I will share my peace with you.

 

International School of Amsterdam, secondary school Amsterdam, The Netherlands

 

 

If there were peace around the world

you would hear the sounds of joy and laughter from children

 

Sulzberger Middle School

Philadelphia, PA, US

 

 

Yet here we all are arguing with each other Not knowing that she is your sister and he is your brother.

 

The Benjamin School

North Palm Beach, FL, US

 

 

Peace is families staying together.

It is not arguing or fighting.

 

Kingsbury School

Valier, MT, US

 

 

A place of love,a place of sharing,a place of uniting, But most of all a place of peace.Our world.

 

Presentation College

Victoria, Australia

 

 

Harmonic unity,

the serenity of love.

 

Academic Magnet School, middle school level North Charleston, SC, US

 

 

Peace is a word that brings harmony

to the fragile heart of a child.

 

Academic Magnet School, secondary school level North Charleston, SC, US

 

 

From coast to coast and sea to sea

In times of peace what friends are we.

 

Bayshore Catholic School

Nepean, Ontario, Canada

 

 

Tranquility, harmony, hospitality, rapport Let peace soar high above the clouds

 

St. John's Episcopal School

Abilene, TX, US

 

 

The world should be like loving sister and brother, Working together, and not against one another.

 

Smethport Area Elementary School

Smethport, PA, US

 

 

A slight breeze flowing through the hot summer air -- When you are hot and tired, a breeze may pass you there.

 

Wickford Elementary School

North Kingstown, RI, US

 

 

Peace should flow around the world.

Love should flow and hatred should go.

 

Infant Jesus Primary School

Perth, Australia

 

 

dark violent changes break hearts and bones tranquil love breathes harmony, making the whole world grow peacefully

 

Port Lincoln Special School

Port Lincoln, Australia

 

 

A world without Peace brings hatred and violence.

Yet Peace without boundaries can bring understanding, hope, and tolerance.

 

Liberty Jr. High School

Dallas, TX, US

 

 

Take a stand

keep peace in every land.

 

Delmar Elementary School

Delmar, MD, US

 

 

In order for people to have joy and mirth, they have to accomplish peace on earth.

 

Winston Churchill School

Fairfield, NJ, US

 

 

Don't use bombs.

Negotiate!

 

Romulus Central School

Romulus, NY, US

 

 

Let peace take over the world.

Let peace walk on Earth one step at a time.

 

Richard Henry Lee Elementary School

Los Alamitos, CA, US

 

 

Peace is the Opposite of Violence

Violence is Something that Should Not Be

 

The Rugby School at Woodfield, secondary school level Wall, NJ, US

 

 

People laughing, smiling, talking, sharing, caring, and helping one another, That is what we think of when someone says "peace".

 

Sacred Heart Parish School

Red Bluff, CA, US

 

 

Boundaries of cultural hate and war, shall be around us no more.

Forever we shall be, together living in harmony.

 

Iraan Elementary School

Iraan, TX, US

 

 

We must learn to give and take

Practice love, forget the hate.

 

Sally Mauro Elementary

Helper, UT, US

 

 

Peace - a way of life,

a conversation in harmony.

 

Sageland Elementary MicroSociety School El Paso, TX, US

 

 

Open the doors of the world

so that peace be welcome to our lives.

 

Escola Nova Lourenzo Castanho, elementary school Sao Paulo, Brazil

 

 

Universal peace begins

with peace between you and me.

 

Escola Nova Lourenzo Castanho, middle school level Sao Paulo, Brazil

 

 

Cuando se habla de Paz enseguida pensamos en el fin de las guerras pero nunca paramos para pensar Como es importante la paz social, la Paz de la Conciencia Colectiva.

 

Escola Nova Lourenzo Castanho, secondary school level Sao Paulo, Brazil

 

 

Peace comes from the heart

And grows with shared kindness

 

Fort Jones Elementary School

Fort Jones, CA, US

 

 

We need peace between people and animals too, We also need peace with me and with you.

 

Wickford Elementary School

North Kingstown, RI, US

 

 

I am El Paso in the Chihuahua dessert.

I live in Peace, I am free.

 

Pebble Hills Elementary

El Paso, TX, US

 

 

Ne pas se détester,se respecter,ne pas voler, beaucoup s'aimer, Ensemble jouer,voilá la paix...

 

Ecole Elémentaire

Fortan, France

 

 

War is bad

Peace is good

 

Aakjärskolen

Skive, Denmark

 

 

Let's have peace for one whole day,

Helping the world in every way!

 

P.S. 279

Brooklyn, NY, US

 

 

Float, our dream of peace like a springtime breeze To various nations over lands and seas.

 

Krasnoyarsk Regional Cosmonautic School Zelenogorsk, Russian Federation

 

 

Peace is working with people,

not against people.

 

Wodonga Primary School

Victoria, Australia

 

 

Si ahora las flores pueden crecer en Auschwitz Entonces la paz puede vivir en el hombre.

 

Saint Mary High School

Paducah, KY, US

 

 

Why must we brawl? Why must innocent people fall?

Hostility must cease in order to have world peace.

 

Conrad Weiser Sr/Jr High

Robesonia, PA, US

 

 

Peace helps people around the world, peace is as delightful as a chocolate swirl.

We must try to prevent war, then love will be like a candy store.

 

Jan Celliers Primary School

Johannesburg, South Africa

 

 

When we win our struggle for peace,

Violence, crime and hate will cease.

 

Dake School

Rochester, NY, US

 

 

Peace is cool

So use it in school

 

Saint Mary Middle School

Paducah, KY, US

 

 

La paix est notre grande maison,

Elle est ouverte pour chaque personne.

 

School#72, primary school

Novokuznetsk, Russian Federation

 

 

La Paix! c'est la partie de la vie

L'arc-en-ciel et jaune soleil

 

School#72, middle school

Novokuznetsk, Russian Federation

 

 

L'humanité défend la paix;

Et à la barre sera une amitié!

 

School#72, secondary school

Novokuznetsk, Russian Federation

 

 

Viens petite colombe, et va dans les mains de tous les enfants du monde, Pour qu'ils puissent sentir en toi la Paix de l'humanité

 

Ecole primaire Mont-Bleu

Hull, Québec, Canada

 

 

Peace is a friend, Peace is the world.

Give it a chance and it will be yours.

 

Ellendale Elementary School

Bartlett, TN, US

 

 

Il faut grandir et fleurir

Pour que l'amour soit pour toujours.

 

Ecole Gabrielle-Roy, elementaire

Ottawa, Ontario, Canada

 

 

God created us-not for violence and not for war But for friendship, unity, sharing, love and peace.

 

Ecole Gabrielle-Roy, intermediaire

Ottawa, Ontario, Canada

 

 

Do you want to shut the door on harmony and happiness?

Then you really want to mess with me and everybody else.

 

Sandvik school

Bjornlunda, Sweden

 

 

Make love, not war; that's whas friends are for.

Throw away all the guns, and make peace at once.

 

Satravik School

Nykvarn, Sweden

 

 

Why is there war? Why are they dead?

Why is there a cry? Someone tell me why?

 

Mimerschool

Alvsjo, Sweden

 

 

Peace is gentle, peace is kind.

That's how I see it in my mind.

 

Holy Family Middle School

Grand Junction, CO, US

 

 

Peace begins in each man's heart

We must all do our part.

 

Holy Family School, elementary level

Grand Junction, CO, US

 

 

Blooming gardens, grass and dew and a cloudless sky!

Rising sun, playing children, and a happy smile!

 

School #33, elementary level

Grodno, Belarus

 

 

Peace is friendship, peace is freedom, good relations, understanding.

It's defending all the nations. It's uniting all the people.

 

School # 14, secondary level

Grodno, Belarus

 

 

Harmony, happiness, freedom, and health Compromise, caring, respect for everyone else.

 

Oswayo Valley Elementary School

Shinglehouse, PA, US

 

 

Let Peace be like a flowing river

Flowing into the open hearts of humanity.

 

Banani International Secondary School

Lusaka, Zambia

 

 

Paz es tener amor en el mundo.

Be respectful and love each other.

 

Jefferson Elementary School

Lennox, CA, US

 

 

War is a very dreadful thing in Summer, Winter, Autumn and Spring When flowers grow and rainbows glisten I think and hope for peace

 

Coromandel Valley Primary School

Coromandel Valley, Australia

 

 

Children glowing with rainbow laughter, singing songs around a campfire happy & free even if you are out of tune. Peace always needs makers.

 

Superior Elementary School

Superior, CO, US

 

 

A world of trouble, trying to end

Like a world of happiness, wanting to begin.

 

Hot Springs Middle School

Hot Springs, AK, US

 

 

Peace is not about judging someone by the the color of his or her skin or the difference of their religion. It's about the content of their soul.

 

Coleman Elementary School

Glen Rock, NJ, US

 

 

Peace is something that should be treasured, Because it has great value to everyone and everything.

 

Warrensburg Elementary School

Warrensburg, NY, US

 

 

The day has come, a truce is made.

The sign of war is beginning to fade.

 

Newington College

Stanmore, Australia

 

 

Every minute, every hour,

We have to change - we have the power.

 

Toorak College

Victoria, Australia

 

 

 

 

 

 

page 1 2 3 4 5 6 7 8 9 10  All         Index 

 

 

     Copyright (c) 1997 United Nations Publications  globalschoolbus@un.org

 

 

 

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Blues by Stefano Benni (fragment)

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34CA1172.125A@eunet.yu>

References: <199801231922.LAA10453@netcom10.netcom.com>

 

   Blues in sedici; Ballata della citta' dolente

                         by Stefano Benni 1998

 

 

   Per quali prodigi e qual disegno

    un albero cresca ramo dopo ramo

       prendendosi il cielo, non so

       ne' so perche' i miei occhi di bambino

       guardino ora dal volto di un vecchio.

   (...)

---

  

i translate:

 

         by what wonder and design

         a tree grows up branch after branch

         creeping in the sky, i dont know

         neither what for my children's eyes

         are now looking at from an old face.

 

saluti,

Rinaldo.

-------To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: sliced#1

Cc:

Bcc:

X-Attachments:

In-Reply-To: <34D30C74.793A@iclub.org>

References: <9369267.34d294ac@aol.com> <34D2FCEA.4C87@midusa.net>

 

Jeffrey Scott Holland writes:

>blah blah, which means nothing to me. I'll call Edna St.Vincent Millay a

>Beat if it behooves me. And I love to be behooved.

 

I do but ask that you be always fair     by EDNA ST. VINCENT MILLAY

 

What lips my lips have kissed, and where, and why, I have forgotten, and what arms have lain under my head till morning;...

I cannot say what loves have come and gone, I only known that summer sang in me

a little while, that in me sings no more.

 

---

saluti,

rinaldo.

---

   Per quali prodigi e qual disegno

   un albero cresca ramo dopo ramo

   prendendosi il cielo, non so,

   ne' so perche' i miei occhi di bambino

   guardino ora dal volto di un vecchio.

         ---(blues in sedici) by Stefano Benni.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: charles buk quotations

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

 

Charles Bukowski Quotations

 

The Poet's Craft: Interviews From The New York Quarterly. Edited by William Packard. New York: Paragon House, 1987.

 

Q: "What do you think a young poet starting out today needs to learn the most?"

 

Charles Bukowski: "He should realize that if he writes something and it bores him it's going to bore many other people also. There is nothing wrong with a poetry that is entertaining and easy to understand. Genius could be the ability to say a profound thing in a simple way. He should stay the hell out of writing classes and find out what's happening around the corner. And bad luck for the young poet would be a rich father, an early marriage, an early success or the ability to do anything well" (PC 321).

 

Ohter favorite Buk Quotes:

 

"Writing a poem is like taking a hot beer shit."

 

"People ask why I write so much about piss and shit and so little about love.

I tell them you can go for seventy years or longer without having sex, but try going one week without a bowel movement."

 

(paraphrased, but you get the idea)

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Carlos Santana Hall of Fame

Cc:

Bcc:

X-Attachments:

In-Reply-To:

References:

 

THE EAGLES TALK FUTURE; CARLOS SANTANA TALKS WOODSTOCK 2000 AT ROCK AND ROLL HALL OF FAME CEREMONY

 

  "Thanks for indicting me," said a tongue-tied Glen Frey at the 13th Annual Rock and Rock Hall of Fame Induction Ceremony, held at New York's historic Waldorf Astoria on Monday (Jan. 12) night.

  It was a decidedly mellow affair. Inductees Fleetwood Mac, the Eagles, the Mamas and the Papas, and Santana represented the California wing of rock that came to define the music in the '60s and '70s. The roots of rock and roll were equally celebrated with the inductions of New Orleans luminaries Lloyd Price, Allen Toussaint, and Jelly Roll Morton. '50s rockabilly legend Gene Vincent rounded out the evening's indictments... er, inductions. There are now a total of 153 inductees in the Rock and Roll Hall of Fame.

  Each of the California acts performed songs that helped pave their way into the Hall of Fame. Santana opened the show with "Black Magic Woman." Former Fleetwood Mac lovebirds Stevie Nicks and Lindsey Buckingham reunited on two acoustic duets ("Landslide" and "Big Love") before the entire band came together for "Say You Love Me." The Mama and the Papas, minus Mama Cass, who died in 1974 (her daughter Owen was in attendance), sent a chill through the crowd with their 1966 classic, "California Dreamin'," performed live by the group for the first time in nearly three decades. The Eagles closed the proceedings with their first hit "Take It Easy" and their epic "Hotel California." Unlike previous years, a jam session with all the winners spilling out onto the stage never materialized.

  Cancer sufferer Dusty Springfield received a tribute from Nona Hendryx, who sang "Son of a Preacher Man," and Lloyd Price raised the low-energy level a notch with an explosive rendition of "Stagger Lee."

  Leave it to the serious Eagle to give the evening some perspective. In his acceptance speech, Don Henley took the concept of a Hall of Fame to task.

"They should call it the Hall of Accomplishment," he commented.

"Accomplishment is a vicious cycle. Fame is a by-product of accomplishment, and fame always comes with a price. When a kid first picks up a guitar or a drumstick it's not really to be famous, it's because that kid wants to fit in somewhere, wants to be accepted. So I'd like to think this award is acknowledging us not for being famous, but for doing the work."

  In the press room, Frey did his best to explain what it's like to be an Eagle. "We often joked that the Eagles are really a thousand- pound gorilla that wakes up every morning and drags us around. The Eagles is a big thing, it's a big commitment, it sort of has its own personality. It does what it wants to. Literally, all of us hold on for dear life."

  Will the Eagles be getting together again any time soon? "We have a lot of work to do probably away from the Eagles right now," Frey explained. "This is a good time for us to give it a rest. Unlike before, however, we leave the doors open to possible future collaborations. Right now, life is very complicated. We've got a lot of things going on -- families, solo careers, some other projects. For this year, I'm not sure. But like I said, unlike the past, we leave the doors open."

  Futures plans for Carlos Santana include a new custom label deal with Arista Records (thanks to his former boss, Clive Davis), and yet another Woodstock anniversary concert, which he pronounced will take place in Brazil in 2000. He called the original Woodstock in 1969 and the 25th anniversary concert in 1994 "dress rehearsals" for the third one. "It's not going to be called Woodstock," he said. "It's going to be called For a Better World. It's going to be more inclusive. The third one [produced once again by Michael Lang] is going to be all about the new millenium."

  Santana also called for more Latin artists to be inducted into the Hall of Fame. "Ritchie Valens, Ray Barretto, Joe Cuba, Tito Puente, and on and on," he said. "They all belong in here. Eventually I'd like to see the Rock and Roll Hall of Fame open its perimeters and invite Leonard Bernstein and Miles Davis in here, because West Side Story is rock and roll."

  The 13th Induction Ceremony may have lacked the pizzazz and personality of previous years, but it was still an evening for the ages.

 

-Steve Bloom

 

___________________________________________________

 

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any derivative works of this content must hyperlink to and credit: "Rocktropolis allstar News at http://allstarmag.com">

 

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To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: bob dylan international conference

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HE'S A CLEAN-CUT KID & HE'S BEEN TO COLLEGE TOO

 

On Saturday, January 17, from 9am-5pm (PST), Bob Dylan will be the subject of The 1998 International Conference at Stanford University (http://shc.stanford.edu/shc/1997-1998/events/bobdylan.html) in the Kresge Auditorium.  Here's Stanford's "Conference Description":

 

Bob Dylan is one of the most important--and most enigmatic--popular artists of the twentieth century. For over thirty years, his work has deeply influenced contemporary culture and society and he has become an international cultural icon and a talismanic figure for several generations. Among his numerous awards, he has received an honorary degree from Princeton University and the Commandeur des Artes et des Lettres, the highest cultural award that France presents to foreigners. In 1997, he was nominated for the Nobel Prize in Literature.

 

The complex nature of Bob Dylan's art (music, lyrics, poetry, live performance, film, recorded sound) makes fruitful academic engagement within traditional disciplinary limits difficult.

This conference, however, will approach Dylan's work in a new way: By including scholars from various disciplines (music, literary studies, religious studies, and drama), we will be able to explore the multifaceted nature of his art and his cultural legacy in an interdisciplinary context.

 

Topics will include:

 

Bob Dylan: Not Dark Yet

Too Much Educated Rap? Bob Dylan and Academia Only a Pawn in Their Game: Bob Dylan and Politics The Sound of One Dog Barking: Bob Dylan and Religious Experience A Long Way from Hibbing: Bob Dylan's Black Masque The Visionary Road: Rimbaud, Kerouac, Dylan Renaldo & Allen: Allen Ginsberg's Role in 'Renaldo & Clara' Performed Literature: The Music of Bob Dylan Seeing the Real You at Last: Bob Dylan and His Audience In the Studio: The Recording Styles and Techniques of Bob Dylan

 

Tickets are $14 for non-Stanford students.  For reservations & directions, contact the Stanford Ticket Office at (650) 723-4317 or (650) 725-ARTS; FAX: (650) 723-8231 or

email: dylan-conference@lists.stanford.edu

 

 

dailydish@columbiarecords.com

 

DailyDish on the Web : http://www.dailydish.com Columbia Records Online: http://www.columbiarecords.com To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: IN SOMNIA QUARTET by Marie Countryman

Cc:

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  IN SOMNIA QUARTET

 

I

PART ONE:

DAY FOUR: In Somnia

 

      In Somnia

is the place i inhabit

each autumn up here in north country.

 

       In Somnia,

       time changes:

       clocks run backwards

       as

       fast as ahead

       and collide,

       like two perfectly balanced arrows

       two exquisitely aimed arrows

       meeting in mid flight -

 

    time

       collapses.

 

       I've tried

       doctors pills,

          herbal remedies,

       warm milk!

       relaxation, meditation

       chants!

       (and furtive readings from the 'self help'

       corner of local bookstore )

 

         no sleep

anguish

 

       until, 96 hours into

       black night slowly

       inching  toward  dawn,

       i look out my window

       and

       see the first snow

       of autumn.

 

   I watch the snow fall

and muse upon my hepatitis C,

a life line without guarantee-

       a reminder of mortality.

 

       I

       would like to think

 the gods are smiling on me,

       giving me more time

       to store up against an early death:

 

so charged am i,

       electrified,

         vowels-

       consonants-

       metaphors-

       VOICES

    ring in my head,

 

       and I spend time with poets

       who would rather

       stay dead:

 

       Woolfe, Sexton, Plath

       (I've often wondered if I'd follow your path),

      or  Dylan Thomas

or Jack Kerouac,

              one can drown in water, or in wine,

       nothing sublime about that.

 

       is it an affliction,

       these extra hours,

       dark, quiet, soft snow falling

 

       or gift?

       (these extra hours

       dark, quiet, soft snow falling)

 

       I wonder and wander

in the dark, quiet, snow falling

       hours as the horizon point is touched by flame

 

       I'm still awake

       when daybreak changes snow to rain

       snow washed away

       in to the rain

 

      I'm still awake

 

       I'm still awake

 

      I'm still awake

 ~~~~~~~~~~~~

II

FLASHBACK: 1993

(Imploding marriage)

 

      lately I just keep waking

        lately I just keep waking alone

       in the black of night

       I breathe shallow I wear earphones

       not to wake you.

 

       3 am, 4 am,

 mind

        wanders and stumbles,

        stuck in the valley of consciousness,

       black timelessness,

       where there is no tomorrow.

i tire of endless stifled silence,

 

i choose instead to merge with the blackness-

       listen to the fire blazing in my ears

           and  break free!

 passion bursts in my ears!

       and turning,

       turn up the volume on the

       sobbing

 stereo

wailing!

      I make my choice

       light the candle

       shed my

       clothes

       and let my hips find their own rhythm-

       scarf in hand,

      flung!

swirls, settles on lamp

 as i dance,

shadow-cast.

 

       In the midst of a hurricane,

       a halcyon dance.

 

       Go away if it bothers you, in fact

       please go away.

       It's the blackness you see

       the blackness and me

      everybody nobody knows about me

       nobody everybody

       knows about me

       the song

       the vigil

the darkness in me.

      ~~~~~~~~~~~~~

 

III

DAY FIVE:  DANCE

 

    In camp light,

    all others ringed round the fire asleep,

    I steal the ceiling of stars, sleepless, cold, and  needing a  blanket for comfort,

 

I sit and bend towards the flames

until

   firelight warmth

is blown away

by

    great gust of cold, then icy fire:

 

he appears

    my wolf,

 angst,

 anima,

lover--

 

 as the firelight

    turns to music-

    sweat raises to shoulders-

    and muscles obey!

 

    running electric alive currents!

    we embrace

  and dance

in firey icy dervishness:

my

adversary

brother

lover

killer

life giver,

 

we dance...

 

 IV

NIGHT SEVEN:  IN DREAMLESS NIGHTS

 

    In dreams, I remember flying

   -the freedom

    -the altitude

    -my shadow cast on the hill scapes- feathers delineated in shadow shapes

     wingspread wide and proud.

 

    I no longer dream of flying,

    I no longer dream at all.

 

    (I hail from the country of In Somnia

    I'm only here to gather some ingredients:

    bane of darkness

    wort of light

    bones of a robin)

 

      Laid awake for so many of my days  the return to the land of  sleep

and the company of sleepers

seems an impossibility

so

i choose to live in my palace

created by madness

and peopled by imagination-

who is to say whose reality is which?

 

still,

i pray for my dream weaver

where I lie,

invisible to the naked I

still and quiet in the darkest night of all,

 

until I see you approach,

dream weaver,

   I see you pick up this paper,

blessed by tears and torn

    by desperation,

   I see you pick it up,

it feels good,

oh yes it does, so soft,

so pliable,

    feel me,

    i am in your pocket

  i'm here;

    you awaken....

 

 (c) marie countryman

oct. 24-30, 1997

revised 11/11/97

revised sometime in jan. 98

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Cathie Wilkie, my meeting with marie

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Date:         Wed, 21 Jan 1998 01:31:59 -0600 Reply-To:     cawilkie@comic.net

Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Cathy Wilkie <cawilkie@COMIC.NET> Subject:      my meeting with marie

X-To:         BEAT-L@CUNYVM.CUNY.EDU

MIME-Version: 1.0

Content-Type: text/plain; charset=us-ascii Content-Transfer-Encoding: 7bit

 

hey all,

 

i'm so sorry i've taken so long to report on how the meeting in chicago went with our own fair marie countryman went.

 

got home from chicago just last night, took me awhile to wade through the three days worth of mail.

 

so here's how it went:

let's put it this way;  she wanted to be 'poured on' the train, so that's exactly what we did.

 

i was about a half hour late, but she was not hard to locate at all.  i recognized her backpack first.  she had told me to look for one like it.  She was very very relieved to see me.  when you think about it, that would be understandable--hoping that the person you've been talking to over the computer for the last few months actuaally makes it there.

 

We got her a hamburger,many many icehouse beers (TWice the alchohol as regular beers, mind you)  ANd just sat down and talked , discussed, starting one thought even before we finished the one we were on.  i kept having to say 'oh yeah, in reference to that which we were talking about just five minutes ago'.  i started so many conversations with her, and three hours was not enough to finish them all.  there was not an awkward moment at all, no silence.  just a creative burst of the meeting of minds.

 

she showed me some of her journal, the section she had been writing about searching for me as i was running late.  i signed her journal for her, wrote a few scentences.  she showed me the beads she had gotten in california.  i gave her a mix tape that i had dubbed off for her, and a tape of timbuk 3's "FIELd guide"

she also got to meet a couple of friends of mine, jess and tim.  she took all of our pictures.

 

she also showed me some drawings she had done.  they were very haunting,  very beautiful.

 

we had a great talk, and just as i predicted, three hours was definitely not enough.  her train was  a little late pulling in, so we got a few extra minutes.  i have a most wonderful black and white portrait that i took of her crouching against a wall there in the terminal.  as soon as i can get to a scanner, i will post it.  she dosen't look bad for having drank many beers in a very short period of time.

 

 i left her at the gate, she by this time had made friends with a couple college girls with big backpacks.  i gave one last holler to her, and gave her the peace sign right before i rounded the corner out of sight.

i walked out of there grinning from ear to ear because it had worked out so very well.

 

i just wanted to let you all know that it went wonderfully, beautifully, had a lot of fun.  it was very strange to meet someone in this manner, talking for two months on the net first then meeting face to face.  but like marie said we would--we knew each other right away.

 

cathy

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: PSYCHO-BUREAUCRATIC RANT (2)

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PSYCHO-BUREAUCRATIC RANT      by marie countryman

 

RANT against the psycho-bureaucrats

 who see only bottom lines

   and never the people on the bottom!

RANT against those who

 measure out years

not by coffee spoons

 but tears

by insurance schemes

 for  counting beans!

and the gov'ment  which ignores

        ALL

who stand in abject self-affacement!

 

RANT againt those who can't or will NOT see  the hidden disabilities

  burned into the pysches

   of adult suvivors of childhood hells!

RANT against the cycle of pain,

  the  inevitable,

   unspeakable

    reenactment

of abuse through generations!

(ignored by the neighbors

 who do not want to "meddle")

 

RANT against the fathers!

RANT against the mothers!

 - the priests - the nuns

  the teachers -  the doctors

 -the nurses - school counselors

   shrinks and therapists--

ALL  with the  power to heal and protect  but choose instead the monkey dance

  of see no evil

   hear no evil

    to deny it does exist!

 

RANT against mothers who collude with fathers, stepdads and "uncles"!!

 

RANT against tv talk show hosts

 the evangelists!

        the pope!

 the cops!

        the courts!

        the good ole boy networks!

 

RANT AGAINST THE CONSPIRACY OF SILENCE

 

RANT RANT RANT RANT

  AND

RANT!!!

         i am RANTING and i will not stop!

i refuse my fate to be one of

 INVISBILITY!

NO SELF DESTRUCTION , NO

  SELF EFFACEMENT

   FOR ME!

I WILL NOT SHUT UP, EVER!

 

        I ASK ONLY

when will the 'good citizens'

 drop the curtains from their eyes

 and RECOGNIZE

that monsters DO exist right next door

(if not behind their own?)

 

8/26/97

revised 9/29/97

and sometime in jan 98

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: America by AG

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America (by Allen Ginsberg)

.

.

America I've given you all and now I'm nothing.

America two dollars and twenty-seven cents January 17, 1956.

I can't stand my own mind.

America when will we end the human war?

Go fuck yourself with your atom bomb

I don't feel good don't bother me.

I won't write my poem till I'm in my right mind.

America when will you be angelic?

When will you take off your clothes?

When will you look at yourself through the grave?

When will you be worthy of your million Trotskyites?

America why are your libraries full of tears?

America when will you send your eggs to India?

I'm sick of your insane demands.

When can I go into the supermarket and buy what I need with my good looks?

America after all it is you and I who are perfect not the next world.

Your machinery is too much for me.

You made me want to be a saint.

There must be some other way to settle this argument.

Burroughs is in Tangiers I don't think he'll come back it's sinister.

Are you being sinister or is this some form of practical joke?

I'm trying to come to the point.

I refuse to give up my obsession.

America stop pushing I know what I'm doing.

America the plum blossoms are falling.

I haven't read the newspapers for months, everyday somebody goes on trial for murder.

America I feel sentimental about the Wobblies.

America I used to be a communist when I was a kid and I'm not sorry.

I smoke marijuana every chance I get.

I sit in my house for days on end and stare at the roses in the closet.

When I go to Chinatown I get drunk and never get laid.

My mind is made up there's going to be trouble.

You should have seen me reading Marx.

My psychoanalyst thinks I'm perfectly right.

I won't say the Lord's Prayer.

I have mystical visions and cosmic vibrations.

America I still haven't told you what you did to Uncle Max after he came over from Russia.

.

I'm addressing you.

Are you going to let our emotional life be run by Time Magazine?

I'm obsessed by Time Magazine.

I read it every week.

Its cover stares at me every time I slink past the corner candystore.

I read it in the basement of the Berkeley Public Library.

It's always telling me about responsibility. Businessmen are serious. Movie producers are serious. Everybody's serious but me.

It occurs to me that I am America.

I am talking to myself again.

.

Asia is rising against me.

I haven't got a chinaman's chance.

I'd better consider my national resources.

My national resources consist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles and hour and twentyfivethousand mental institutions.

I say nothing about my prisons nor the millions of underpriviliged who live in my flowerpots under the light of five hundred suns.

I have abolished the whorehouses of France, Tangiers is the next to go.

My ambition is to be President despite the fact that I'm a Catholic.

.

America how can I write a holy litany in your silly mood?

I will continue like Henry Ford my strophes are as individual as his automobiles more so they're all different sexes America I will sell you strophes $2500 apiece $500 down on your old strophe America free Tom Mooney

America save the Spanish Loyalists

America Sacco & Vanzetti must not die

America I am the Scottsboro boys.

America when I was seven momma took me to Communist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sincere you have no idea what a good thing the party was in 1935 Scott Nearing was a grand old man a real mensch Mother Bloor made me cry I once saw Israel Amter plain. Everybody must have been a spy.

America you don're really want to go to war.

America it's them bad Russians.

Them Russians them Russians and them Chinamen. And them Russians.

The Russia wants to eat us alive. The Russia's power mad. She wants to take our cars from out our garages.

Her wants to grab Chicago. Her needs a Red Reader's Digest. her wants our auto plants in Siberia. Him big bureaucracy running our fillingstations.

That no good. Ugh. Him makes Indians learn read. Him need big black niggers.

Hah. Her make us all work sixteen hours a day. Help.

America this is quite serious.

America this is the impression I get from looking in the television set.

America is this correct?

I'd better get right down to the job.

It's true I don't want to joint the Army or turn lathes in precision parts factories, I'm nearsighted and psychopathic anyway.

America I'm putting my queer shoulder to the wheel.

.

Allen Ginsberg

To: David Bruce Rhaesa <race@midusa.net>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Re: [Fwd: [Fwd: Quote of the Week]]

Cc:

Bcc:

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In-Reply-To: <34DF2094.7EB4@midusa.net>

References:

 

david writes:

>what's a jihad anyway?

> 

>what did one marine say to the other about time in the gulf?

>it's a gas, gas, gas!

 

rinaldo replies:

 

I BEATNIKS SONO SPORCHI? LA BOMBA ATOMICA E' PULITA?

 

         | Nazim Hikmet

 

   Camarades, s'il ne m'est pas donne' de vivre ce jour-la'

   Si, en somme, j'allais mourir avant que notre jour arrive

   Portez-moi en Anatolie.

   Enterrez-moi dans un cimitiere de village

   Et, si possible, un platane su-dessus de moi suffit

   Je me passerai bien de pierre et d'epitaphe.

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: HST cita gli anni 60

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Hunter S. Thompson said, "the spirit of the 60s was really dead by 1967"Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU> X-Sender: mbergxx@pop.iquest.net (Unverified) Date:         Sun, 22 Feb 1998 18:27:17 -0500 Reply-To:     "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> From:         Micah Maidenberg <mbergxx@IQUEST.NET> Subject:      beat videos

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Hi all.

 

A couple days ago I was leafing through a catalogue of videos to be used in high school English classes - Shakespeare plays, video biographies, interpretations of lit, etc . . . anyway, three videos caught my eye:

 

        Towers Open Fire - William Burroughs

        "The cinematic equivalent of Burrough's writing style . . . fast paced, high-   tech and refreshingly frank."

 

        Fried Shoes, Cooked Diamonds - Allen Ginsberg

        "Learn about the 'Beat Poets' . . . bearded, rebellious, brilliant and wildly

        literary!"

 

        Jack - A Video Biography

        "Interviews, readings from his works, and commentary.  Gain an

        appreciation for the Beat Generation."

 

 

Anyone viewed?

 

Micah

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: aggiungi un beat

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Harlan EllisonTo:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: italiano su cassady

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Subject:      February 1968

From:         "Mauro Vettori" <vettori@ipsnet.it> Date:         1998/02/07

Message-ID:   <01bd319d$3cee0420$LocalHost@default> Newsgroups:   alt.books.beatgeneration

[Unsubscribe to alt.books.beatgeneration] [More Headers]

 

 

Thirty years

I was not

in the womb

of my poor mother...

No other things

I could say...

Before I'll die

I would like

to see my life

with Cassady eyes...

 

In memory of the death of Neal Cassady, 1968

 

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Return-Path: <owner-beat-l@CUNYVM.CUNY.EDU> Date:         Tue, 5 Jan 1988 07:08:46 -0600 Reply-To:     jgardner@doane.edu

Sender:       "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU> From:         Jodie R Gardner <JGardner@DOANE.EDU> Organization: Doane College

Subject:      Existentialism...

To:           BEAT-L@CUNYVM.CUNY.EDU

 

Does anyone know anything about existentialism and it's importance in the Beat movement and culture?  If so, please explain and help me out here.  Thanks!

 

*jodie*

 

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: LANGUAGE IS A VIRUS (Laurie Anderson)

Cc:

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References: <3.0.5.16.19980127161757.09d71cf6@mail.wi.centuryinter.net> <Pine.ULT.3.96.980127000706.5456B-100000@cwis.unomaha.edu>

 

LANGUAGE IS A VIRUS      vocals:Laurie Anderson

 

Paradise

Is exactly like

Where you are right now

Only much much

Better.

 

I saw this guy on the train

And he seemed to have gotten stuck

In one of those abstract trances.

And he was going: "Ugh...Ugh...Ugh..."

 

And Fred said:

"I think he's in some kind of pain.

I think it's a pain cry."

And I said: "Pain cry?

Then language is a virus."

 

Language! It's a virus!

Language! It's a virus!

 

Well I was talking to a friend

And I was saying:

I wanted you.

And I was looking for you.

but I couldn't find you. I couldn't find you.

And he said: Hey!

Are you talking to me?

Or are you just practicing

For one of those performances of yours?

Huh?

 

Language! It's a virus!

Language! It's a virus!

 

He said: I had to write that letter to your mother.

And I had to tell the judge that it was you.

And I had to sell the car and go to Florida.

Because that's just my way of saying       It's a charm.

That I love you. And I                     It's a job.

Had to call you at the crack of down

                                           Why?

And list the times that I've been wrong.

Cause that's just my way of saying

That I'm sorry.

                                           It's a job.

 

Language! It's a virus!

Language! It's a virus!

 

Paradise

Is exactly like

Where you are right now

Only much much              It's a shipwreck, Better.                           It's a job.

 

You know? I don't believe there's such

a thing as TV. I mean --

They just keep showing you

The same pictures over and over.

And when they talk they just make sounds That more or less synch up

With their lips.

That's what I think!

 

Language! It's a virus!

Language! It's a virus!

Language! It's a virus!

 

Well I dreamed there was an island

That rose up from the sea

And everybody on the island

Was somebody from TV.

And there was a beautiful view

But nobody could see.

Cause everybody on the island

Was saying: Look at me! Look at me!

            Look at me! Look at me!

 

Because they all lived on an island

That rose up from the sea

And everybody on the island

Was somebody from the TV.

And there was a beutiful view

But nobody could see.

Cause everybody on the island

Was saying: Look at me! Look at me!

            Look at me! Why?

 

Paradise is exactly like

Where you are right now

Only much much better.

 

                           "LANGUAGE IS A VIRUS

                              FROM OUTER SPACE."

                           -- William S. Burroughs

 

 

 

 

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Nero poetry

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Subject:      Nero.

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        my black

        spaniel

        Nero,

 

        my dog

        is unplugged

 

        my dog

        goes

        by the vet

 

        my dog

        Nero

        isnt' stupid!

 

        my dog

        watched

        the telly

 

        my dog

        was a pet

        when ceausescu

        was killed

        in xmas day

 

        my dog Nero

        isnt' stupid!

 

        my dog

        now is

        near a bunch

        of trash,

        car plate,

        or in kennel

 

        my dog

        killed

        one hundred

        hens

 

        & when

        the wind

        is blowing

 

        on the right

        i hear his

        unplugged

        soul

 

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: jp sarte on literature

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     "For the poet, language is a structure of the external world. The speaker [writer of prose-gss] is IN A SITUATION in language; he is invested with words. They are prolongations of his meanings, his pincers, his antennae, his eyeglasses. He maneuvers them from within; he feels them as if they were his body; he is surrounded by a verbal body which he is hardly aware of and which extends his action upon the world. The poet is outside of language. He sees words inside out as if he did not share the human condition, and as if he were first meeting the word as a barrier as he comes toward men.

Instead of first knowing things by their name, it seems that first he has a silent contact with them, since, turning toward that other species of thing which for him is the word, touching them, testing them, palping them, he discovers in them a slight luminosity of their own and particular affinities with the earth, the sky, the water, and all created things."

     "Not knowing how to use them as a SIGN of an aspect of the world, he sees . . ."

 

from "WHAT IS LITERATURE?" AND OTHER ESSAYS by Jean-Paul Sartre

trans. by Bernard Frechtman

(New York: Philosophical Library, Inc., 1949) (Cambridge: Harvard University Press, 1988, paperback)(p. 30) To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: For Karla Faye Tucker, among others

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Date:         Tue, 3 Feb 1998 18:56:46 -0500 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         MagenDror@AOL.COM

Subject:      For Karla Faye Tucker, among others

 

I'm sending this at 6:57 EST (5:57 CST) because in the recent days, this poem kept going through my mind, especially the line about "any man's [person's] death . . . speaking to the whole issue of capital punishment as I think it does.

 

L.

 

FOR WHOM THE BELL TOLLS

 

No man is an Iland,

intire of it selfe,

everyman is a peece of the Continent,

a part of the maine; if a Clod bee washed away by the Sea, Europe is the lesse, as well as if a Promontorie were, as well as if a Mannor of thy friends or of thine owne were; any mans death diminishes me, because I am involved in Mankinde; And therefore never send to know for whom the bell tolls; It tolls for thee...

 

 John Donne (1571-1631)

===================================================================== To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: mc faye tucker

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Date:         Wed, 4 Feb 1998 07:19:33 +0000 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Marie Countryman <country@SOVER.NET> Subject:      Re: For Karla Faye Tucker, among others MIME-Version: 1.0

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luther:  thanks for this post. i  have been watching much ofthe coverage and was struck by her often joyous expressions while praying, and the cold cold eyes of bush jr and clan, and the ignorant at the gate celebration as in public hangings, ghouls. john donne had been on my mind, in thread on another list, read this, but didin't make the connection.

mc

 

MagenDror@AOL.COM wrote:

 

> I'm sending this at 6:57 EST (5:57 CST) because in the recent days, this poem

> kept going through my mind, especially the line about "any man's [person's]

> death . . . speaking to the whole issue of capital punishment as I think it

> does.

> 

> L.

> 

> FOR WHOM THE BELL TOLLS

> 

> No man is an Iland,

> intire of it selfe,

> everyman is a peece of the Continent,

> a part of the maine; if a Clod bee washed away by the Sea,

> Europe is the lesse, as well as if a Promontorie were, as well as if a

> Mannor of thy friends or of thine owne were; any mans death diminishes

> me, because I am involved in Mankinde; And therefore never send to

> know for whom the bell tolls; It tolls for thee...

> 

>  John Donne (1571-1631)

===================================================================== To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: in spanish

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in Spanish ---> Do not let us fall into temptation

                   (not lead us)

                Save us from the Evil One

                        (not from evil)--------see _James_

                Give us this day the bread of tomorrow

                             (not our daily bread)

 

      "The easiest way to get riches is to help the poor."

 

    Pope Pius XII, 1953, admonishment to missionaries to --->

         -- treat pagan religions with circumspection

 

    double meaning of Catholic

 

            power of conscience

                -- More, Thomas

                -- Dante

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: wonna dance? by mc

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Date:         Sat, 7 Feb 1998 23:09:29 +0000 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Marie Countryman <country@SOVER.NET> Subject:      wanna dance?

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"i eat too much

i drink too much

i want too much

toooo much"

dave mathews on the cd

dancing to my cats,

want to dance with alley cats

whose up?

who wants to dance?

let's get together,

spoken word, music dance our pants off

(even if you hate dave, he's the best to dance to , except jerry) i want to dance with stray cats

alley cats

dance

soul flies out into the cosmos for that brief amoount of time, souls meet, dance, dozey do, return, twirl, come down crashing

and up again

dance,

i want to dance

yeaaahhhhhh

mc

=====================================================================To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: gardner ascii art bycicle

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James A.  Gardner        The solid book we wrote     *

>*       __o                        Cannot be found today    *

>*     __\<,_                                                              *

>*    (_)/ (_)      http://www.rahul.net/jag/        * =====================================================================To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: valentine's day by carol leonard

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Date:         Fri, 13 Feb 1998 08:56:26 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Organization: Inner Sword Board

Subject:      Valentine's Day History

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St. Valentine's Day History starts in 400 BC, Rome

 

 

Heart shaped boxes filled with chocolates, decorative cards, and red roses, all symbols of what we think of as Valentine's Day. The original Valentine's Day, however, was anything but candy and roses.

 

As early as the fourth century B.C., the Romans engaged in an annual young man's rite to passage to the god Lupercus. The names of the teenage women were placed in a box and drawn at random by adolescent men; thus, a man was assigned a woman companion for the duration of the year, after which another lottery was staged. Determined to put an end to this eight-hundred-year-old practice, the early church fathers sought a "lovers" saint to replace the deity Lupercus. They found a likely candidate in Valentine, a bishop who had been martyred some two hundred years earlier.

 

In Rome in A.D. 270, Valentine had enraged the mad emperor Claudius II, who had issued an edict forbidding marriage. Claudius felt that married men made poor soldiers, because they would not want to leave their families for battle. The empire needed soldiers, so Claudius abolished marriage.

 

Valentine, bishop of Interamna, invited young couples to come to him in secret, where he joined them in the sacrament of matrimony.

Claudius learned of this "friend of lovers," and had the bishop brought to the palace. The emperor, impressed with the young priest's dignity and conviction, attempted to convert him to the roman gods, to save him from certain execution. Valentine refused to renounce Christianity and boldly attempted to convert the emperor. On February 24, 270, Valentine was executed.

 

History also claims that while Valentine was in prison awaiting his fate, he fell in love with the blind daughter of the jailer, Asterius.

Through his faith he miraculously restored her sight. He then signed a farewell message to her "From Your Valentine," a phrase that would live long after its author.

 

Valentine would later become a Patron Saint, and spiritual overseerer of an annual festival. The festival involved young Romans offering women they admired, and wished to court, handwritten greetings of affection on February 14. The greeting cards acquired St.Valentine's name.

 

As Christianity spread, so did the Valentine's Day card. The earliest card was sent in 1415 by Charles, duke of Orleans, to his wife while he was a prisoner in the Tower of London. The card is now preserved in the British Museum.

 

In the sixteenth century, cards proliferated and became more decorative. Cupid, the naked cherub armed with arrows dipped in love potion, became a popular valentine image. He was associated with the holiday because in Roman mythology he is the son of Venus, goddess of love and beauty.

 

By the seventeenth century, handmade cards were oversized and elaborate, while store-bought ones were smaller and costly. In 1797, a British publisher issued "The Young Man's Valentine Writer," which contained scores of suggested sentimental verses for the young lover unable to compose his own. Printers had already begun producing a limited number of cards with verses and sketches, called "mechanical valentines." A reduction in postal rates in the next century ushered in the less personal but easier practice of mailing valentines. That, in turn, made it possible for the first time to exchange cards anonymously.

 

The first American publisher of valentines was printer and artist Esther Howland. Her elaborate lace cards of the 1870s cost from five to ten dollars, with some selling for as much as thirty-five dollars.

Since that time, the valentine card business has flourished.

 

By Carol Leonard

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: un mucchio di indirizzi di david

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Zarefsky <d-zarefsky@nwu.edu>,

              "zambezi@falcon.cc.ukans.edu" <zambezi@falcon.cc.ukans.edu>,

              ZAC <zachery_anderson@hotmail.com>, wizard <FDBBC@CUNYVM.EDU>,

              William E Newnam <wnewnam@emory.edu>,

              WILD_BILL <Bill.Henderson@uni.edu>,

              wichitastate <jarman@elliott.es.twsu.edu>,

              WEISWOMEN <weisk@helpnt.org>,

              Virgil Balthrop <vwb@EMAIL.UNC.EDU>,

              imaa@midusa.net, "urinal<grin>publisher" <Hrayl@saljournal.com>,

              TrunkJayhawk <Steve.Thompson@usd305.com>,

              "tjardes, sue" <tjardes@ups.edu>, Thin <jeffrt@wichita.infi.net>,

              TATE <tate@wonderlink.net>,

              JTalley4n6@aol.com, Susan_Stanfield <SUEBELL@KSUVM.KSU.EDU>,

              sunrise <sunrise.parti@pcusa.org>,

              steveMgriffin <sgriffin@law.tulane.edu>,

              "stauffer@pacbell.net" <stauffer@pacbell.net>,

              starwars <Brian_Stucky@ers.com>, star <smuir@OSF1.GMU.EDU>,

              slypork <dscunningham@nwu.edu>, sigel <doug@gyro.net>,

              Sherri <love_singing@msn.com>,

              smartin@mailbox.acusd.edu, seward23 <seward23@aol.com>,

              seed2 <sksdallas@aol.com>, seed <ksjsks@midusa.net>,

              Scott Segal <SEGASH+aPO1%Bracewell_&_Patterson@mcimail.com>,

              SCOTT HARRIS <sharris@falcon.cc.ukans.edu>,

              Scott Deatherage <lsd041@nwu.edu>,

              Sam and Beth Stevens <sbstevens@mcione.com>,

              "s.a. griffin" <perrotta@calvin.usc.edu>,

              "RStineman@aol.com" <RStineman@aol.com>,

              roDger <rapayn01@ulkyvm.louisville.edu>,

              ROC <kai@informatics.net>, robert_lay <rlay@onramp.net>,

              Robert Wick <rwick@cov.com>,

              racy@primenet.com, reynaldo <rgarcia@tacc.org>,

              reicherT <ReicherT@nasd.com>,

              "rchurch@frank.mtsu.edu" <rchurch@frank.mtsu.edu>,

              Rasa <rinaldo@gpnet.it>,

              "RandyStace@aol.com" <RandyStace@aol.com>,

              Randy Lake <rlake@almaak.usc.edu>,

              "R. Bentz Kirby" <bocelts@scsn.net>,

              "ptrax@midusa.net" <ptrax@midusa.net>,

              principal <dmcbeth@midusa.net>,

              presbynorthKS <pby_northern_kansas.parti@pcusa.org>,

              phares@falcon.cc.ukans.edu, pelliott@sunflower.com, OSTROM

              <janice.ostrom@usd305.com>,

              ochsowner <no-more-songs-approval@cs.pdx.edu>,

              NELSONj <john_nelson@uiowa.edu>,

              neckermank <neckermn@blue.weeg.uiowa.edu>,

              Nathan Coco <ncoco@mwe.com>, myweb <mrsparty@hotmail.com>,

              mignoli <docmignoli@aol.com>,

              "Meyer, Linda Prof." <lmeyer@quinnipiac.edu>,

              Meredith Garmon <garmon.sm@juno.com>,

              melanie <melanie_crawford.parti@pcusa.org>,

              meany <JKM1993@aol.com>, Mark Hassman <hassman@midkan.com>,

              marie <country@sover.net>,

              louise_brokaw <PBY_EAST_IOWA@pcusa.org>,

              "louden, allan" <louden@wfu.edu>,

              "lingel, dan" <dlingel@why.net>,

              Linda Powell <Linda_Powell@BROWN.EDU>,

              LexingtonHS <L_Phillips@sch.ci.lexington.ma.us>,

              "lewenthompson@midkan.com" <lewenthompson@midkan.com>,

              brooklyn@netcom.com, Leon Tabory <letabor@cruzio.com>,

              lechtreck <db8coach@lightspeed.net>, Lassie <dkpenn@oees.com>,

              BLain@blue.weeg.uiowa.edu, kudebate <KUDEBATE-L@ukans.edu>,

              kstate <joburtis@ksu.edu>, Koch_Steve <skoch@capital.edu>,

              kneckerman <poroi@blue.weeg.uiowa.edu>,

              kevin kuswa <k.kuswa@mail.utexas.edu>,

              "Kent A. Ono" <kaono@ucdavis.edu>,

              "Kenneth M. Strange" <Kenneth.M.Strange@Dartmouth.EDU>,

              Kenneth DeLaughder <Kenneth.DeLaughder@enmu.edu>,

              k_broda_bahm <kbrodabahm@towson.edu>,

              Joshua Hoe <ifjxh@hotmail.com>,

              john sloop <sloopjm@ctrvax.Vanderbilt.Edu>,

              John Fritch <john_fritch@hotmail.com>,

              jd.rollins@mail.utexas.edu, jo grant <jgrant@bookzen.com>,

              "jb&mlarn@midkan.com" <jb&mlarn@midkan.com>,

              Jamey Dumas <dumas@GONZAGA.EDU>,

              "hingstman, david" <dbhingst@blue.weeg.uiowa.edu>,

              HARMON <debate@midusa.net>,

              Greg Schnippel <schngre@harpo.cns.iit.edu>,

              Gordon Mitchell <gordonm+@PITT.EDU>,

              gordo2 <jgordon@oz.sunflower.org>,

              Gibson <rgibson@prairienet.org>,

              Gerald Nicosia <gnicosia@earthlink.net>,

              g_lane <laneg@william.jewell.edu>,

              FtHaysdebate <Joeb@media-net.net>,

              FISHBONES <sakana69@hotmail.com>,

              "Eric L. Krug" <elkrug@kcnet.com>,

              emporiastate <BILESROD@esumail.emporia.edu>,

              emporiahigh <mwoodbur@value-line.net>,

              "EliCunning@aol.com" <EliCunning@aol.com>,

              Edward Schiappa <schia001@gold.tc.umn.edu>,

              edebatemail <edebate@list.uvm.edu>,

              Ed Panetta <EPANETTA@UGA.CC.UGA.EDU>,

              Echrist <ELChristensen@SNOPUD.com>,

              dukeofOPERA <WTeller692@aol.com>,

              DRTUNA@aol.com, "Dr. Roald Tweet x7467" <ENTWEET@Augustana.edu>,

              donnaV <vineyard@midusa.net>,

              DireStraits <kthomp@rocketmail.com>,

              "dilley, benita" <bdilley@castle.cudenver.edu>,

              "Diane M. Homza" <ek242@cleveland.Freenet.Edu>,

              Diane Carter <dcarter@together.net>,

              designatedhitter <STRICKLG@esumail.emporia.edu>,

              DCardKJHS <DCardKJHS@aol.com>,

              "david.glass@regpha.com" <david.glass@regpha.com>,

              David Mark Cheshier <joudmc@PANTHER.GSU.EDU>,

              "CVEditions@aol.com" <CVEditions@aol.com>,

              culver <nculver@fwenc.com>, CousinJohnRhaesa <HPDJRACE@aol.com>,

              cousinBetty <walegge@midusa.net>,

              Cori Dauber <cdauber@EMAIL.UNC.EDU>,

              coffeebreak <reichart@att.com>, Clune <a871@fhsu.edu>,

              cindy <RevCynthia@aol.com>, charlesSmith <cmsmith126@aol.com>,

              CELTICPRIDE <William.F.Russell@Dartmouth.EDU>,

              CEDARRAPIDS <cawilkie@comic.net>,

              carrie_crenshaw <ccrenshaw@ua1vm.ua.edu>,

              carlin <prentice@falcoln.cc.ukans.edu>,

              burke-L <Burke-L@siu.edu>,

              Bruce Gronbeck <gronbeck@blue.weeg.uiowa.edu>,

              BrentT <Bthomp4444@aol.com>, Bob Stone <bstone@terraworld.net>,

              Bill Gargan <WXGBC@CUNYVM.CUNY.EDU>,

              bilchriswestphoenix <chriswest@dancris.com>,

              begrand <vic.begrand@sk.sympatico.ca>,

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              racee@primary.net, baker <SMDebate@aol.com>,

              AVERY <donam@asu.edu>, auntdonna <dgh@MCI2000.com>,

              attias <hfspc002@email.csun.edu>, arthur nusbaum <SSASN@aol.com>,

              APPLE <edappel@epix.net>, Antoine Maloney <stratis@odyssee.net>,

              Al Girtz <agirtz@yahoo.com>,

              "Achten, Greg" <gachten@PEPPERDINE.EDU>,

              ABILENE <dperkins@fas.harvard.edu> To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: paul morissey lyric

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Date:         Sat, 14 Feb 1998 12:28:17 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      Billy Budd (by Morrissey) Mime-Version: 1.0

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Billy Budd (Morrissey)

.

.

  Say, Billy Budd

so you think you should?

  everyone's laughing

  say, Billy Budd

so you think that you should?

  everyone's laughing!

since I took up with you

 Things have been bad

yeah, but now it's 12 years on

  now it's 12 years on

yes, I took up with you

I took my job application

  into town

did you hear? they turned me down

  yes, and it's all because of us

  and what was in our eyes

  and what was in our eyes

  Say, Billy Budd

I would happily lose both of my legs

it it meant you could be free

it it meant you could be free

.

.

Morrissey, 1994

from the Sire Records album "Vauxhall and I" To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: rolling thoughts

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   3 pm railway station

   (back home)

   march afternoon

   a sort of flowering wind

   (black sky)

   blond hair ()

   parkin lot bicycles

   cars & bus people

   rolling thoughts

   (spring)

   spring

   the 2th invention

   after the wheel

   3:10 pm bus stop

 

-------

Rinaldo

05mar98

-------

To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: mc believe

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Date:         Fri, 20 Feb 1998 09:19:44 +0000 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Marie Countryman <country@SOVER.NET> Subject:      i believe

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i believe that there is energy conversion after life i would like to believe in re-incarnation i believe in yoga

i believe in chocolate-any and all kinds i believe that my cat zoe can understand english  and is smarter than me

 

i believe in friendship

i belive the government is totally fucked i believe in alfred e newman

i believe in poetry

i would like to believe that i am a poet i believe that driving in cars all too often separates us from life on the streets and in the air and up in the trees i believe that time is more important than money i believe in guardian angels

i believe i have guardian angels who have manisfested themselves to me over and over when i have most needed them i believe in john lennon

i want to believe that peace can be attained.

i believe in dannon's vanilla yogurt

i believe in generosity and practice it whenever i can i believe that we all have dark sides, and that there are lessons to be learned in facing them

i still believe in rock and roll, i still believe in jerry g.

i believe that living each day mindfully is art i believe that i am as young as i want to be, i believe that the x-files are the best tv going i believe in miracles

i believe that there is intelligent life out there in the galaxies =====================================================================To:

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: Jim Gardner <jag@RAHUL.NET> wirespider

Cc:

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Date:         Sat, 21 Feb 1998 13:59:19 -0800 Reply-To:     The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> Sender:       The Bohemian Mailing List <BOHEMIAN@MAELSTROM.STJOHNS.EDU> From:         Jim Gardner <jag@RAHUL.NET> Subject:      ook, a spider

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Lucky Spiders

.

.

        _Che mi porta fortuna_

.

.

.

Little werespider through my door

your spiderlegs having spun

 for me this portal.

.

Come here, you, little ole spider--

I say, oh little spider, do not go

oh stay, little spider, close your door.

.

Oh little spider, love's ambassador,

thread on your wings of angels

to fly to my fortunate door,

       do not go; oh stay, lucky

little spider, by my gate.

.

.

J.

To: "BEAT-L: Beat Generation List" <BEAT-L@CUNYVM.CUNY.EDU>

From: Rinaldo Rasa <rinaldo@gpnet.it>

Subject: back beat digyrself

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References:

 

   in the street

   bob dylan &

   allen ginsberg

 

   on the road

   dont read

   those pages

 

   there's an

   hero in it

   what are u?